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Speaker 1: And if you think you was the first athlete to

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Speaker 1: ball and get a big bag, you're tripping all them dudes.

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Speaker 1: We didn't got a big bag. Some of them dudes

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Speaker 1: that got it and went broke, they got some of

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Speaker 1: the biggest bags of their time. It ain't the bag

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Speaker 1: you gotta worry about. I tell people all the time

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Speaker 1: when I speak to on my audience, that's why they

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Speaker 1: love me. I tell them it's about stand power. We

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Speaker 1: it ain't about getting richest, about standing rich. I don't

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Speaker 1: give a where you go in the world. Go to

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Speaker 1: our do dibby go to dude by four a day

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Speaker 1: and had to soon you get there, get off the

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Speaker 1: plane and get on another plane and come back. It

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Speaker 1: was a waste of time. It's about stand power. How

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Speaker 1: long can we stay on vacation? How long? Because for

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Speaker 1: you to stay speaks to your ability to experience what's happening.

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Speaker 1: You can't experience what's happening when you gotta go and

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Speaker 1: come right back. So we gotta figure out how to

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Speaker 1: stay in position. Some of the athletes, some of the rappers,

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Speaker 1: some of the people that's on top, they forget that

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Speaker 1: the world does turn. Those that was first will be last.

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Speaker 1: Those that were lads will be first. We gotta figure

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Speaker 1: out how to speak again, I just said it. We

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Speaker 1: gotta figure out for what wars to speak to what

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Speaker 1: is so we can figure out what's gonna be. You

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Speaker 1: get too eric and and you think you think you

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Speaker 1: can do about yourself, but you don't know to work

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Speaker 1: for a community. To work for two men is not

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Speaker 1: meant to be done by one person. Don't give our

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Speaker 1: grade he is. This is a community. Got to do

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Speaker 1: this here, yeah, this here we come from. I'm talking

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Speaker 1: about when we think about the collective. If we all

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Speaker 1: went selfish, we can be all, but we can't go selfish.

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Speaker 1: We can't go self and when they give a two

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Speaker 1: hunting me and a hunting me and can't go self

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Speaker 1: and when we get in position, you can tell a

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Speaker 1: lot about a man when he gets rich two times.

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Speaker 1: You can tell a lot about man a man when

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Speaker 1: he hungry and when he rich. Yo, yo yo, Welcome

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Speaker 1: to It's up that podcast. You know who you're dealing with,

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Speaker 1: big loon, It's up that podcast. Hit like some scribe share.

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Speaker 1: I want to send a shout out to revote TV.

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Speaker 1: You know the vibrations is how on this side ain't

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Speaker 1: no time for playing, ain't no time for all. Let

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Speaker 1: you know what these other guys do, the press release

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Speaker 1: read or the TikTok playing like we on some like

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Speaker 1: we're giving game. I respectfully too, just need to consumer

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Speaker 1: to understand the difference between the quality. You know, I

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Speaker 1: need the consumer to understand that this shirt here is

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Speaker 1: Aalian cut. You know, it'd be a different thing with

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Speaker 1: them six hundred dollars Guches. You know what I'm saying.

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Speaker 1: You spend six hundred dollars on a Guches shirt and

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Speaker 1: feel a little different than that eight dollars when you

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Speaker 1: bought from Walmart. So on this side, not only do

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Speaker 1: you get the texture, but you also get the right treatment.

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Speaker 1: So we try to put you in a position of

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Speaker 1: where you're dealing with luxury. This is the experience. It's

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Speaker 1: up their podcast. I appreciate that about it for tuning in.

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Speaker 1: I'm in a weird place. Man. I'm grateful, but but

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Speaker 1: but I'm but it's heavy. I'm grateful, but it's heavy.

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Speaker 1: You see that. That's a hell of a place to

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Speaker 1: be in, right because I understand everything that's on the line,

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Speaker 1: but I understand everything that need to be done. Some

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Speaker 1: people say I should be celebrating, and I say I

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Speaker 1: should be preparing. Right, It's almost like being in the

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Speaker 1: playoffs and you won game one, ain't nothing to celebrate

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Speaker 1: about it. We got to do this three more time.

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Speaker 1: Then we got to do it two more times, doing

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Speaker 1: it full more times. Right, so we got to win

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Speaker 1: full more games, two or three more times for it

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Speaker 1: to even for this game even means something. So now

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Speaker 1: I'm grabbing all of my you know, like like Thor,

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Speaker 1: I'm grabbing my Infinity stones. But if I get weighed

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Speaker 1: up there and the boss beat me, all this shit

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Speaker 1: don't mean nothing. I ain't just hit to do this.

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Speaker 1: I ain't just hit a play with this, man Like,

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Speaker 1: not only do I want to be valuable to the culture, right,

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Speaker 1: I also want to be valuable to the people that know.

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Speaker 1: And I always believe that this is something that I

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Speaker 1: can do. So I might take it a little serious

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Speaker 1: because I'm a competitor at heart. I'm that's just the

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Speaker 1: kind of individual I am. Man, That's what keeps me going.

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Speaker 1: I've been having money a long time, and when you

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Speaker 1: have money a long time, you got to find a

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Speaker 1: different motivation. I ain't had industry money a long time.

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Speaker 1: But I had street money a long time, so I've

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Speaker 1: been I've been in a position I had to find

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Speaker 1: different motivations. Ask my town. I don't go to the club.

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Speaker 1: It's a reason why I ain't Nobody disputing what I'm saying.

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Speaker 1: They can't. You can't dispute what I'm saying in regards

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Speaker 1: to nothing I'm saying. As far as me in my

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Speaker 1: background and my upcoming, my upbringing, ain't nobody can't dispute it. Right.

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Speaker 1: If they're talking stupid about Loon, they don't know, that's

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Speaker 1: all it is. Somebody informal, if they get loud or no,

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Speaker 1: somebody gonna say, brother, they might get you. But you

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Speaker 1: might want to leave that alone now. But he really

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Speaker 1: he wanted them. He plugged in with you. You respect them,

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Speaker 1: but they respect him. We don't even know how they

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Speaker 1: aligned here. It's some others going on. But respectfully, you know,

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Speaker 1: that's just on the side of me being a personal guy.

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Speaker 1: But in the business, I'm also very I'm hyper focused.

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Speaker 1: I'm hyper alert though. You know, it's almost like when

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Speaker 1: you're driving, man, this is all your senses is high.

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Speaker 1: Or you hear a noise in your house. You know

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Speaker 1: that feeling right there when when it's late night and broom,

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Speaker 1: something fall in the house and that feeling you get

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Speaker 1: like what was that? You're still at home, you still

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Speaker 1: know where you're wet, you might got your firearm close

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Speaker 1: to you, but just that feeling of what was that?

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Speaker 1: That's why I met. Right now, I'm like, all right,

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Speaker 1: you understand what's going on? Right? I got enough game

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Speaker 1: to operate. It's fine. I know that. Listen. I ain't

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Speaker 1: never gonna question can I operate through life? I'm I'm

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Speaker 1: one of them. I'm a street dude home I'm I ain't.

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Speaker 1: That's second on the list. I'm just seeing capitalizing on

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Speaker 1: every moment because right now I don't let count. You see,

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Speaker 1: I was watching did and shout out to the boss man?

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Speaker 1: Did it? You know? I was watching And we'll get

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Speaker 1: to his speech and all that later in the show,

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Speaker 1: but just as a quick reference, I was watching him

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Speaker 1: get his award on BT and it was interesting. He

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Speaker 1: said something. He said, Yo, whatever the commercials is hitting

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Speaker 1: me with the bill. I got it. See he had

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Speaker 1: a time then where he can do that. But if

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Speaker 1: you prematurely do that, they can set you in a

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Speaker 1: financial situation of where you have to take from Peter

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Speaker 1: to pay Paul. But the genius Iner did in a

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Speaker 1: Kanye and a Jay and all of those dudes. They

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Speaker 1: made the moves when the moves needed to be made.

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Speaker 1: And that's the position. Not me and I'm playing chess.

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Speaker 1: They playing checkers. See, they don't respect the future. They

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Speaker 1: respect the present. So they feel as though because they

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Speaker 1: in the lead, that they won. I keep telling you,

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Speaker 1: leading the race, ain't winning the race. A lot of

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Speaker 1: you being carried to the destination. I'm crawling and climbing

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Speaker 1: to the destination. Therefore I get the information, and ain't

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Speaker 1: none better than information. The money is a byproduct or

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Speaker 1: the information. Trust and believe that within the sound of

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Speaker 1: my voice, money is a byproduct or the information. And

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Speaker 1: I always start a part talking about podcasting in the

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Speaker 1: game and business and just life and just just culture. Man.

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Speaker 1: I like to sometimes just give a little game out

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Speaker 1: about my head space in that time. Sometimes I'm happier

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Speaker 1: than others. Other times I'm, you know, sad or weary

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Speaker 1: or or I'm willing form Like I come with different

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Speaker 1: type outfits, you understand in regards to my thinking. And

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Speaker 1: so right now I'm just thinking about being grateful man,

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Speaker 1: understanding that the road is long, but it's well worthy.

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Speaker 1: Everything you did in the street, you got to like

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Speaker 1: ask yourself, man. You put it all on the line

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Speaker 1: for them little pennies that they were paying this right here. Man,

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Speaker 1: If I do this right, I can go Nick Cannon. See,

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Speaker 1: because right now they think I'm dumb. So they think

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Speaker 1: I'm pigeonholing myself into this this type of thing. They

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Speaker 1: don't even know. I'm well read and well in fum

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Speaker 1: my first goal or not even a goal. But one

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Speaker 1: of the things I'm trying to get done right now

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Speaker 1: is to sit down with Candy's owns. Number one. I

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Speaker 1: like Candy's owns in regards to her intellect, right, and

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Speaker 1: her ability to articulate out her ideas. I think that

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Speaker 1: she may be one of the top prospects in that

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Speaker 1: space in regards to black conservatives. Right. I also have

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Speaker 1: enough information to dance with Candy's sons, and I want

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Speaker 1: to show the audience what it's like for me to

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Speaker 1: pull out y'all all see it with Umar and other things,

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Speaker 1: But that was early in the career. I'm talking about

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Speaker 1: right now. I want my audience to see what it's

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Speaker 1: like for me to pull out and go see with

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Speaker 1: Candy's owns. Right, We've seen academics do it. I want

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Speaker 1: y'all to see the difference respectfully. I know people ahead

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Speaker 1: of me probably think like I alone, trying to move fast.

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Speaker 1: We don't think you ready yet. Now I respect that.

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Speaker 1: You know they would know better than me, right, So

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Speaker 1: I don't get offended with some people who don't see

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Speaker 1: my talent the way I see it. Right. They ain't

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Speaker 1: in the gym with me, said, they don't know. I

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Speaker 1: don't even take notes when I'm talking. They don't know

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Speaker 1: I really come and just talk, right, So just imagine

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Speaker 1: if I know in ninety days I gotta get on stage, Bro,

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Speaker 1: do you know what I'm gonna come up with and

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Speaker 1: how I'm gonna come in and break this down? Like yo?

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Speaker 1: So I understand it because they haven't seen me flex

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Speaker 1: their muscle yet, right. They probably think this is a

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Speaker 1: well produced thing I'm doing over here when this is

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Speaker 1: really freestyle it you understand. But I respect the game

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Speaker 1: for what it is, so I don't get upset. I

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Speaker 1: want to speak to people out there, though, man, because again,

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Speaker 1: I feel like you're in a dog tunnel no matter

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Speaker 1: how successful you feel like or other people feel like

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Speaker 1: you're getting because you still understand that real success and

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Speaker 1: happiness is attached to untonomy. So you need the ability

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Speaker 1: to be able to do what you wanna do on

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Speaker 1: a daily basis for in my opinion, for you to

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Speaker 1: be happy as well as have something to live, foe,

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Speaker 1: look forward to and love. Right, I think that's a

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Speaker 1: part of being happy. And so for me as i'm

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Speaker 1: as I'm searching for happiness. Unfortunately for me why I

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Speaker 1: come from see because when you look at the people

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Speaker 1: who do the tree huggers and the people who understand

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Speaker 1: frequency and nature and things like that, they're able to

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Speaker 1: find their happiness that they have a cheat cold. I

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Speaker 1: want to tell people out there, man, that you got

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Speaker 1: to fall in love with the process. You gotta respect

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Speaker 1: the process. Some some some people want to subtract and

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Speaker 1: go around and cheat the process, and you only get

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Speaker 1: in what you're putting in. There's an old saying that says,

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Speaker 1: before you can enjoy the flower, where you must water

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Speaker 1: the thorn. But the importance in that it is process

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Speaker 1: because you understand that watering this thorn it's gonna get

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Speaker 1: me that beautiful flower. With that I've been looking for.

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Speaker 1: So what if I plant a thousand of these in

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Speaker 1: my yard and flower and watering the whole time. Now

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Speaker 1: I have a bouque of flowers and and but but again,

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Speaker 1: the process is so important in that because if you

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Speaker 1: fail the water those, then you're dealing with a thorn.

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Speaker 1: The thorn don't look like the flower, but the thorn

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Speaker 1: is the flower. Hold on, don't take that in. The

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Speaker 1: thorn don't look like the flower, but the thorn is

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Speaker 1: the flower. So again, you gotta fall in love with

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Speaker 1: the process because what it looked like ain't what it

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Speaker 1: end up ass. Sometimes you're going through a tunnel. The

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Speaker 1: head on the other side of the tunnel is the destination,

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Speaker 1: and he get dark for that time you're in the tunnel.

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Speaker 1: Bull as soon as you get out, there's more lightning

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Speaker 1: your head before you enter the tunnel. So you just

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Speaker 1: gotta keep things in perspectives. And then don't kill your dreams.

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Speaker 1: When you keep waiting and I'm waiting, I'm waiting them.

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Speaker 1: It ain't right yet, I'm gonna get it right. You're

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Speaker 1: killing your dreams, wasting your time. You're burying your dreams. Loan,

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Speaker 1: don't bury his dreams. I believe in what I'm doing.

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Speaker 1: So that's why you see me every week, first, second,

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Speaker 1: third day of the week, dropping content, dropping videos, dropping this.

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Speaker 1: I believe in what I'm doing. I can't be affected

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Speaker 1: by nobody because I put a fence around my piece.

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Speaker 1: I put barriers around my peace. I put expectations around

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Speaker 1: my access to me. Yeah, everybody don't get access to

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Speaker 1: the penthouse. Yeah you might get to the building, but

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Speaker 1: you don't get the penhouse. I got to give you

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Speaker 1: access to the penhouse. And when I let you get

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Speaker 1: involved with my life from a standpoint, when I'm thinking

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Speaker 1: about you and what you feel, I want to feel,

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Speaker 1: or I want to help with, or I want to

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Speaker 1: engage in. That's a dangerous place for me to place

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Speaker 1: people let because I get very little reward and the

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Speaker 1: risk is high, and as a man, I have to

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Speaker 1: do risk assessment. If I'm not doing that, I fall

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Speaker 1: victim of tricks and I'm not interested in being tricked.

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Speaker 1: I'm not one of them kind of men. But you

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Speaker 1: don't never kill your dreams. You're staying by your dreams

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Speaker 1: as if you believe them in you and you water

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Speaker 1: those seas. And that's what I keep doing every week

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Speaker 1: water in the sea, say brocky thousands literally a comments

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Speaker 1: on every platform. I'm the truth, you're getting it, you're

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Speaker 1: doing it, you're doing it, and I respect and love it,

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Speaker 1: but I need information. I know better. The fame don't

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Speaker 1: mean nothing on this side. Home. Yeah, I catch the

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Speaker 1: fame men automatically. It don't mean nothing on this side.

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Speaker 1: We're looking for information homes and that's that on that

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Speaker 1: and it may blend in it look like we ain't.

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Speaker 1: I just know the eyeballs. They pay with their eyeballs,

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Speaker 1: so I know fking with the eyeballs, I get the information.

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Speaker 1: I was thinking, like, everybody don't have the same motivations.

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Speaker 1: Everybody don't have the same frequencies. Everybody don't have the

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Speaker 1: same things that push their buttons. Everybody not hustler. Some

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Speaker 1: people staggnant. They like what they're in life. They won't security,

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Speaker 1: they won't structure me. I'm a renegade. ET talk about

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Speaker 1: putting that dog. You gotta hear that dog getting you.

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Speaker 1: ET always talk about you gotta hear that dog getting

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Speaker 1: and long got that dog getting him. That's why I

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Speaker 1: get up before you know, I studied all you. I

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Speaker 1: pray to God you wasn't faking because everything is did

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Speaker 1: they act like they were lifting four hundred pounds? I trained?

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Speaker 1: And really when they lifted four hundred diseasey? Now they

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Speaker 1: bet not been lying. As I get close, it feel

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Speaker 1: like I'm dealing with liars. But ET always talk about

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Speaker 1: you gotta hear that dog getting you. I know it's

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Speaker 1: a race to fifty million about this podcast. I'm in

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Speaker 1: the race. I don't give a fuck what they looked like.

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Speaker 1: They say, boy, you started late. Boy, you ain't gonna

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Speaker 1: never catch up. That what they're screaming. And I mean,

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Speaker 1: and they within my motherfucking outsight they want me to.

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Speaker 1: But what y'all got the bed with meeting? Nick got

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Speaker 1: to show me. I can't get no money. I don't

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Speaker 1: found purpose with this. I ain't got no else to do.

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Speaker 1: I made good money in the street. I'm doing pretty well.

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Speaker 1: So I got that dog get me here I come. Now.

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Speaker 1: The new question is it what the world gonna do

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Speaker 1: when I take that dog that was in me and

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Speaker 1: put it on them? Now the dog that was in

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Speaker 1: me out then took the dog out of me and

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Speaker 1: put the dog on them. Now the dog is attacking

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Speaker 1: what they're gonna do now. They can't handle the dog

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Speaker 1: that was in me now being on them. You gotta

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Speaker 1: keep up his high level game. I don't stutter, I

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Speaker 1: don't stumble. I'm dealing with information. It is mid to me,

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Speaker 1: but I'm I'm one of them hustling. And I know

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Speaker 1: everybody don't feel what I'm saying because it ain't for them.

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Speaker 1: It's his dreams and nightmares that I have about this.

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Speaker 1: But right now I'm focused on the dreams. I know

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Speaker 1: the dreams is let us from God. That's why everybody

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Speaker 1: don't got him. God didn't write you what he wrote me. Yeah,

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Speaker 1: dreams is let us from God. He didn't write to

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Speaker 1: you what he wrote to me. That's why you didn't

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Speaker 1: see me coming out to get on. I spend moving.

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Speaker 1: I spend move. I had four five creos for they

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Speaker 1: knew what my name would I can't you did. God

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Speaker 1: didn't tell you that you can go from none to

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Speaker 1: a honey media. That Why when I said you cringe? That?

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Speaker 1: Why when I tell you you creinged? You don't know

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Speaker 1: what it's like. You didn't get that letter. You didn't

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Speaker 1: get that letter. You didn't get that memo. They ain't

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Speaker 1: c cu on that one. You focused on your nightmas.

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Speaker 1: We both have both of them. But I'm focused on

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Speaker 1: my dreams right now. Lord knows the nightmares. I spend

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Speaker 1: years focusing on them. But I know that my dreams

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Speaker 1: is letter. My dreams is letters from God, so I

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Speaker 1: stick close to them. Let's get into the show. I

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Speaker 1: want to start the show off today talking about Skip

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Speaker 1: Bayliss and Stephen A. Smith again, Student of the game.

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Speaker 1: I watch everything. It's important for me to be informed

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Speaker 1: on all media because this race is not only for us.

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Speaker 1: I'm racing for us. Sometimes it come off like I'm

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Speaker 1: racing against us because our skin color is the same

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Speaker 1: and we've been we've been trained a certain kind of way.

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Speaker 1: I keep telling y'all, they got us on the field

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Speaker 1: where the handoff is in the playbook, and they didn't

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Speaker 1: convinced us to take it out the playbook. We don't

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Speaker 1: took the handoff out the playbook. We're running all kinds

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Speaker 1: of out here except the handoff. And we don't understand

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Speaker 1: why we got shorngevity. The running back lifespan ain't but

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Speaker 1: three years, depending on this old line. We'll talk about

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Speaker 1: that later. Stephen A. Smith and Skip Bayless are in

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Speaker 1: a situation where, for some reason, and I found a

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Speaker 1: lot of this interesting because again I view it different,

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Speaker 1: Skip Bayless is now legitimize the argument that I've heard

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Speaker 1: Stephen A. Smith mate for quite some time now. So

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Speaker 1: for those of you under where Stephen A. Smith and

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Speaker 1: Skip Bayless have been going back and forth on podcast

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Speaker 1: about who started first take, who was the reason first

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Speaker 1: take continued, why Skip Bayliss had to leave first take

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Speaker 1: and go over with Shannon. It's just been a lot happening.

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Speaker 1: Before we get into what's being said, though, I want

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Speaker 1: to cite that I'm familiar with this conversation and not

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Speaker 1: only familiar with the conversation, but familiar with the out

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Speaker 1: list that has been had on And for some reason,

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Speaker 1: I'm drawing a blank on why Skip only legitimized this

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Speaker 1: when the New York Times or Washington Post wrote about it,

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Speaker 1: which they wrote about it because JJ Reddick spoke on it.

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Speaker 1: I need y'all to understand the ecosystem of media. I

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Speaker 1: think it's always something that's left unsaid, and people think that, oh,

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Speaker 1: they've just picked the best stories and promote them. It's

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Speaker 1: not how this works. There's a buddy system, there's a

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Speaker 1: Boys Club. There's a packet order on these kind of things.

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Speaker 1: I've heard Stephen A. Smith gone several platforms speak to Yo.

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Speaker 1: I started first take I was the reason it was hot.

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Speaker 1: Ain't nothing to debate about. I don't even know the

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Speaker 1: conversation I was demand moved on SKIP never said number

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Speaker 1: because it's crypt in the white media. I think that

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Speaker 1: now it becomes something that he wants to respond to,

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Speaker 1: and that's not making it racy, that's identifying the information.

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Speaker 1: What I do find funny, though, is that in this game,

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Speaker 1: we tend to work around black media until we don't

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Speaker 1: have a choice. Some of those stories just get too big,

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Speaker 1: and sometimes you would get an athlete crying on somebody

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Speaker 1: couch that ESPN couldn't have gassed, so they can't do

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Speaker 1: nothing but coverage. But other times they try to work

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Speaker 1: around that and then invite those same people alone and

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Speaker 1: asking those questions in a different way to try to

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Speaker 1: get somewhat of that same answer. It's nasty in this game.

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Speaker 1: I want to just give y'all a little information on

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Speaker 1: that Steve Farm. We're committed to uplifting black futures in

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Speaker 1: collaboration with or oranizations like one hundred black Men and

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Speaker 1: National Urban League. State Farm provides high school students with

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Speaker 1: the opportunity to learn and apply best practice strategies for

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00:20:09,720 --> 00:20:14,200
Speaker 1: saving and investing, all while offering academic support, life skills,

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00:20:14,280 --> 00:20:17,760
Speaker 1: and exposure to college access programs to prepare these students

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Speaker 1: for life after high school. Check out one hundred black

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00:20:21,320 --> 00:20:25,439
Speaker 1: Men dot org and NUL dot org to donate and

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00:20:25,560 --> 00:20:28,400
Speaker 1: learn more. Like a good neighbor, State Farm is there.

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Speaker 1: But Stephen A. Smith went on j jj Rading's podcast

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Speaker 1: and spoke to what his idea of First Take was,

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Speaker 1: how he came in and elevated the show and expanded

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Speaker 1: the show. When the reason why the show became to

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Speaker 1: be a franchise for ESPN. Let's listen to what Stephen

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Speaker 1: a Satan will come back with some gay. The origins

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Speaker 1: of First Take, The origins of this embraced the debate

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Speaker 1: notion where did that come from? Where was that sort

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Speaker 1: of driving force behind a part the first Take. What

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Speaker 1: happened was Skip Bayless was doing First Take, and they

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Speaker 1: were doing it based out of New York. It was

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Speaker 1: called Cold Pizza, and they had just a regular conventional

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Speaker 1: sports talk show and they had incorporated debates for a

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Speaker 1: segment here or there with Skip Bayless and Woodie Page Well.

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Speaker 1: Years later they moved. A couple of years later, they

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Speaker 1: moved to Bristol, Connecticut, to the headquarters of ESPN called

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Speaker 1: the First Take, changed the name from Copies of the

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Speaker 1: First Take. And then one of these days a guy

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Speaker 1: by the name of Jamie Harowitz was an executive here

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Speaker 1: and he took over First Take for a short period

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Speaker 1: of time. He did a focus group and the focus

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Speaker 1: group said, we don't want all that other stuff, we

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Speaker 1: want debate, and so he made he took First Take

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Speaker 1: from a conventional show and changed it into an all

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Speaker 1: debate format featuring Skip Baitless, and that's when it really

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Speaker 1: took off. Of course, part of the interruption was already

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Speaker 1: in play around the horn and stuff like that, but

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Speaker 1: as it pertained the First Take, that's where it's real

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Speaker 1: origin came from. Ski was doing it with the pot

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Speaker 1: pourri of individuals or for a few years, I had

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Speaker 1: been going from ESPN over a contract dispute. From January

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Speaker 1: or from May of two thousand and nine. The February

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Speaker 1: of two thousand and eleven, Skip Bayless was doing his

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Speaker 1: thing with First Take, having the two live stoods Jamal Hill,

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Speaker 1: Rob Parker and various other people debating against him, and

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Speaker 1: then the two thousand and twelve they weren't satisfied with

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Speaker 1: the numbers. They weren't satisfied with the ratings, the level

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Speaker 1: of revenue that was being generated. Skip Bayliss comes to

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Speaker 1: me in the park a lot on the campus of

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Speaker 1: ESPN and Bristol, Connecticut, and he says, I know you

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Speaker 1: got your plans. You love the NBA, you love being

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Speaker 1: out on the road, you love being in the locker room.

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Speaker 1: But he said, but I need you, He said, I can't.

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Speaker 1: I've done all that I could to take this as

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Speaker 1: far as I could go. I need you to do

425
00:22:59,440 --> 00:23:02,280
Speaker 1: this for me, please, he said, I just need three years.

426
00:23:02,520 --> 00:23:04,280
Speaker 1: He said, I think we'll knock it out. The part

427
00:23:05,160 --> 00:23:07,879
Speaker 1: I thought about it, those were clearly my best options.

428
00:23:07,920 --> 00:23:09,520
Speaker 1: They weren't about to give me my own show or

429
00:23:09,520 --> 00:23:11,960
Speaker 1: anything like that. At the time, I said, I thought

430
00:23:12,000 --> 00:23:13,639
Speaker 1: about it for a couple of days, I said, all right,

431
00:23:13,680 --> 00:23:17,360
Speaker 1: I'll do it. One month later we were number one.

432
00:23:17,560 --> 00:23:20,240
Speaker 1: Did your relationship with Skip ever fracture? Was there? Was

433
00:23:20,280 --> 00:23:24,040
Speaker 1: there any of contentiousness? There never The only time anything

434
00:23:24,160 --> 00:23:28,479
Speaker 1: came close to that was when I knew he was

435
00:23:28,560 --> 00:23:32,120
Speaker 1: leaving before he told me, and I was like, what

436
00:23:32,160 --> 00:23:34,199
Speaker 1: the hell is going on? You know? And so I

437
00:23:34,240 --> 00:23:37,600
Speaker 1: confront of him because I'm for better or worse. I'm

438
00:23:37,640 --> 00:23:40,000
Speaker 1: a straight up guy. You know. If I work with

439
00:23:40,080 --> 00:23:42,520
Speaker 1: you and all of a sudden I'm leaving, you ain't

440
00:23:42,520 --> 00:23:44,800
Speaker 1: gonna find out from somebody else. You're gonna hear from me.

441
00:23:44,840 --> 00:23:46,600
Speaker 1: I'm gonna come looking for you to tell you. I'm

442
00:23:46,600 --> 00:23:49,240
Speaker 1: gonna give you the news face to face. And I

443
00:23:49,280 --> 00:23:50,879
Speaker 1: was hearing it, and I'm like, what the hell is

444
00:23:50,920 --> 00:23:52,800
Speaker 1: going on? And then when he confessed to me what

445
00:23:52,960 --> 00:23:57,200
Speaker 1: had transpired between his negotiations with the company, I understood

446
00:23:57,240 --> 00:23:59,439
Speaker 1: why he couldn't tell me in the immediate moment. But

447
00:23:59,480 --> 00:24:02,480
Speaker 1: that's literally the only thing that we've ever had any

448
00:24:02,560 --> 00:24:04,199
Speaker 1: kind of issue about it, and that lasted for like

449
00:24:04,720 --> 00:24:08,520
Speaker 1: six hours. I love Stephen Nay, I love Stephen name

450
00:24:08,560 --> 00:24:11,840
Speaker 1: on TV, and I understand how he communicates. I think

451
00:24:11,840 --> 00:24:14,240
Speaker 1: he's one of the best communicators that we have out

452
00:24:14,240 --> 00:24:17,480
Speaker 1: there in regards to just share, putting words together and

453
00:24:17,640 --> 00:24:23,159
Speaker 1: matching that with your theatrics. Right, there's a very specific

454
00:24:23,280 --> 00:24:27,160
Speaker 1: combination that's needed to Resonnate, especially for that many hour

455
00:24:27,400 --> 00:24:31,120
Speaker 1: was consistently about different topics right with the same approach.

456
00:24:31,200 --> 00:24:34,480
Speaker 1: So says something to the formula that he has in place,

457
00:24:34,560 --> 00:24:38,600
Speaker 1: in the format that he's chosen to get his message out.

458
00:24:38,640 --> 00:24:41,520
Speaker 1: So we give kudos to him. I do think though,

459
00:24:41,560 --> 00:24:44,200
Speaker 1: in this instance, or when least one of him speak

460
00:24:44,240 --> 00:24:49,200
Speaker 1: about first take, the development of it, the inception of it.

461
00:24:49,560 --> 00:24:51,800
Speaker 1: As great as he is, I do think he's down

462
00:24:51,880 --> 00:24:55,000
Speaker 1: playing a team that was him in skill. Sometimes when

463
00:24:55,000 --> 00:25:00,439
Speaker 1: we get successful, we become blind to the pass the

464
00:25:00,520 --> 00:25:03,720
Speaker 1: president so better than like, let's say you come from

465
00:25:03,760 --> 00:25:06,400
Speaker 1: pot there, you come from nothing, and now you're rich.

466
00:25:06,720 --> 00:25:09,200
Speaker 1: It feels so good being now you don't even think

467
00:25:09,200 --> 00:25:12,640
Speaker 1: about who made you sandwiches when you ain't had none,

468
00:25:12,760 --> 00:25:14,880
Speaker 1: who got you in the door, who helped you. That's

469
00:25:14,880 --> 00:25:18,359
Speaker 1: why I'm always trying to stay cognizant and cautious about

470
00:25:18,359 --> 00:25:21,719
Speaker 1: how treat the people who are helping me or lending

471
00:25:21,760 --> 00:25:24,600
Speaker 1: me even some sort of understanding. When I hear Stephen

472
00:25:24,640 --> 00:25:29,840
Speaker 1: they talk about first take, it almost comes off as

473
00:25:31,119 --> 00:25:34,800
Speaker 1: he forgets that they brought him on that show. Now,

474
00:25:35,000 --> 00:25:38,720
Speaker 1: being brought only someone doesn't mean that you're not the

475
00:25:38,760 --> 00:25:41,439
Speaker 1: best talent on the show, But it does mean that

476
00:25:41,600 --> 00:25:44,159
Speaker 1: someone had to see something in you to bring you

477
00:25:44,240 --> 00:25:48,080
Speaker 1: into an already established role that does not speak to

478
00:25:48,200 --> 00:25:51,520
Speaker 1: you being under them. That speaks to the opportunity that

479
00:25:52,040 --> 00:25:54,480
Speaker 1: they provided you. And I think that's something then to

480
00:25:54,600 --> 00:25:58,919
Speaker 1: be said about an opportunity being provided to people. And

481
00:25:59,000 --> 00:26:01,639
Speaker 1: when I him say that is because again he spoke

482
00:26:01,680 --> 00:26:04,320
Speaker 1: about this several times on black media and they swept

483
00:26:04,359 --> 00:26:06,919
Speaker 1: it under the rug. But when he speaks on it

484
00:26:06,960 --> 00:26:09,439
Speaker 1: on white media, for some reason, he gets legs. I

485
00:26:09,480 --> 00:26:11,480
Speaker 1: want to figure out to form me then why that's

486
00:26:11,520 --> 00:26:14,840
Speaker 1: the case. I want to assume, but without information, when

487
00:26:14,880 --> 00:26:17,600
Speaker 1: you assume, you make aside of yourself. We stay away

488
00:26:17,640 --> 00:26:19,840
Speaker 1: from that. But I wonder at what point did he

489
00:26:20,000 --> 00:26:23,679
Speaker 1: think that it was him and not them. See, sometimes

490
00:26:23,680 --> 00:26:26,600
Speaker 1: it is him, well I'm him, not them. Sometimes it's

491
00:26:26,680 --> 00:26:29,680
Speaker 1: him not them. But I wonder at what point did

492
00:26:29,720 --> 00:26:32,200
Speaker 1: that switch for Steve and Nate, for them to bring

493
00:26:32,280 --> 00:26:35,200
Speaker 1: him into an establishment or a situation, and there at

494
00:26:35,240 --> 00:26:36,920
Speaker 1: some point for it to go off in his head

495
00:26:37,000 --> 00:26:40,400
Speaker 1: that aught I'm the reason this is popping us in particular.

496
00:26:40,440 --> 00:26:42,800
Speaker 1: I think we gotta be careful man, even with me,

497
00:26:43,280 --> 00:26:45,840
Speaker 1: you know, I try to be careful because when I'm

498
00:26:45,880 --> 00:26:48,159
Speaker 1: when I'm helped, I don't even care if its own purpose.

499
00:26:48,240 --> 00:26:51,280
Speaker 1: I try to be careful and and cautious, and I

500
00:26:51,400 --> 00:26:55,159
Speaker 1: try to be considerate with the people that was close

501
00:26:55,200 --> 00:26:58,680
Speaker 1: to me when I beat the odds, because I don't

502
00:26:58,680 --> 00:27:00,680
Speaker 1: know why you was there, but you were around when

503
00:27:00,680 --> 00:27:03,760
Speaker 1: I beat the odds. See, when you your first median

504
00:27:03,920 --> 00:27:06,919
Speaker 1: is your hardest to get. I could never forget the

505
00:27:06,960 --> 00:27:09,160
Speaker 1: people to help you get that first met at least

506
00:27:09,160 --> 00:27:12,199
Speaker 1: as me coming from where I come from, understanding the

507
00:27:12,240 --> 00:27:14,199
Speaker 1: odds that I had to beat. I always try to

508
00:27:14,240 --> 00:27:17,320
Speaker 1: be cautious, careful, and considerate about the people that was

509
00:27:17,400 --> 00:27:20,679
Speaker 1: close to me when I beat the odds. So I

510
00:27:20,760 --> 00:27:24,040
Speaker 1: wonder what because him getting on that show as part

511
00:27:24,080 --> 00:27:26,560
Speaker 1: of the reason he beat the odds. He was already

512
00:27:26,600 --> 00:27:28,959
Speaker 1: doing paper. I know he had a career, but he

513
00:27:29,040 --> 00:27:31,159
Speaker 1: said out of his own mouth, they wasn't about to

514
00:27:31,200 --> 00:27:34,120
Speaker 1: give me a show. But I have so much respect

515
00:27:34,160 --> 00:27:37,200
Speaker 1: for position because I know position is very important. To

516
00:27:37,240 --> 00:27:40,760
Speaker 1: always say strategist better than strength, which would lend me

517
00:27:40,920 --> 00:27:44,600
Speaker 1: understand and to know that position is important. See, I

518
00:27:44,640 --> 00:27:48,040
Speaker 1: know the maid got family too. Yeah, the motherfuck doing

519
00:27:48,040 --> 00:27:51,119
Speaker 1: the laundry got the family too. The mother watching the cards.

520
00:27:51,200 --> 00:27:54,159
Speaker 1: The pool guy, I'll eat people. Got family too, so

521
00:27:54,240 --> 00:27:57,280
Speaker 1: I'll eat people. Feel something like we can't go to

522
00:27:57,359 --> 00:28:00,119
Speaker 1: treating the dough man bad. He'll let him motherfucking And

523
00:28:00,119 --> 00:28:04,960
Speaker 1: it's still everything, Like I'm just saying, understanding, man, everything

524
00:28:05,119 --> 00:28:08,119
Speaker 1: is about position. But I watched these two guys not

525
00:28:08,200 --> 00:28:12,080
Speaker 1: only because they were so dynamic together. It's a situation

526
00:28:12,160 --> 00:28:15,760
Speaker 1: where you say, all right, these are two high level communicators. Right,

527
00:28:15,960 --> 00:28:18,600
Speaker 1: say what you will about skill. I would say that

528
00:28:18,680 --> 00:28:21,919
Speaker 1: he's behind Stephen A in regards to ship communicating, but

529
00:28:21,960 --> 00:28:24,720
Speaker 1: he is a. He's a great communicators where it gets

530
00:28:24,720 --> 00:28:27,359
Speaker 1: his points off, he does a pretty good job. And

531
00:28:27,440 --> 00:28:29,600
Speaker 1: so when these two people go at it, I like,

532
00:28:29,760 --> 00:28:33,159
Speaker 1: again pay attention to the framing of things. Sometimes to

533
00:28:33,280 --> 00:28:36,719
Speaker 1: frame caught more than the picture. Right, watch how they

534
00:28:36,840 --> 00:28:39,360
Speaker 1: frame in it. So again I always like to watch

535
00:28:39,360 --> 00:28:41,640
Speaker 1: it because I know it's high level jiu jitsu man

536
00:28:41,840 --> 00:28:44,760
Speaker 1: games moing on what Stephen they said, and that I

537
00:28:44,800 --> 00:28:46,959
Speaker 1: don't really see as that being a problem. But I

538
00:28:47,000 --> 00:28:49,760
Speaker 1: think the way it was written up in the New

539
00:28:49,840 --> 00:28:53,200
Speaker 1: York Times, I believe it was, is that they may

540
00:28:53,240 --> 00:28:56,120
Speaker 1: have took not only Stephen saying it on here, but

541
00:28:56,360 --> 00:28:59,720
Speaker 1: from those other areas and just kind of summarize what

542
00:28:59,800 --> 00:29:01,880
Speaker 1: he was saying, like he made the show this dead

543
00:29:01,880 --> 00:29:03,800
Speaker 1: in the third So let'ten listen to what Skip said

544
00:29:03,840 --> 00:29:05,680
Speaker 1: in response to it will come back with some more

545
00:29:05,800 --> 00:29:21,920
Speaker 1: game on the Reddick podcast. Let me gather myself what

546
00:29:25,600 --> 00:29:33,440
Speaker 1: I cannot tell you how wrong that was. It was

547
00:29:33,560 --> 00:29:41,880
Speaker 1: so recklessly inaccurate. It was such shocking fabrication. And my

548
00:29:41,960 --> 00:29:46,320
Speaker 1: first thought when Ernestine sent this to me to peruse,

549
00:29:47,280 --> 00:29:50,880
Speaker 1: I thought, how could my brother stephen A turn on

550
00:29:51,000 --> 00:29:57,000
Speaker 1: me like that? Stephen A was suggesting that he saved

551
00:29:57,280 --> 00:30:01,719
Speaker 1: and then made First Take? How can you save and

552
00:30:01,920 --> 00:30:07,640
Speaker 1: make a show that was already as big a billion

553
00:30:07,680 --> 00:30:14,320
Speaker 1: to one success story as ESPN had ever seen. The

554
00:30:14,520 --> 00:30:19,120
Speaker 1: ratings and the revenues were impossibly great. When stephen A

555
00:30:19,320 --> 00:30:24,760
Speaker 1: joined me in twenty twelve, with stephen A as my partner,

556
00:30:25,160 --> 00:30:29,560
Speaker 1: First Take would never touch the NFL Monday ratings that

557
00:30:29,720 --> 00:30:34,680
Speaker 1: it hit in twenty eleven. Pre stephen A and I

558
00:30:34,720 --> 00:30:38,240
Speaker 1: had taken First Take as far as I could. Seriously,

559
00:30:40,160 --> 00:30:44,600
Speaker 1: I was just getting started. The rocket had just launched

560
00:30:44,640 --> 00:30:53,719
Speaker 1: the year before in twenty eleven, stephen A, how dare you?

561
00:30:55,240 --> 00:30:58,960
Speaker 1: But fortunately or unfortunately The New York Post wrote an

562
00:30:59,080 --> 00:31:04,440
Speaker 1: entire story about those remarks. Then it seemed like every

563
00:31:04,520 --> 00:31:09,440
Speaker 1: website from here in LA to New York picked up

564
00:31:09,520 --> 00:31:14,520
Speaker 1: or reacted to the Post story, And suddenly I was

565
00:31:14,600 --> 00:31:21,280
Speaker 1: in danger of this fiction becoming fact. If left unopposed

566
00:31:21,280 --> 00:31:27,640
Speaker 1: by me, this outrageously revisionist history just might have morphed

567
00:31:29,640 --> 00:31:36,120
Speaker 1: into bona fide history. And maybe it still will. Maybe

568
00:31:36,120 --> 00:31:39,280
Speaker 1: it still will become part of that public domain. And

569
00:31:39,320 --> 00:31:42,960
Speaker 1: in the future, I don't know, maybe every time someone

570
00:31:43,200 --> 00:31:47,000
Speaker 1: goes to write about the all time amazing success story,

571
00:31:47,440 --> 00:31:52,560
Speaker 1: the against all odds rise of First Take, they will

572
00:31:52,600 --> 00:31:56,720
Speaker 1: accept as gospel that Stephen A saved and made first Take.

573
00:31:57,520 --> 00:32:01,480
Speaker 1: But trust me, that is utter untrue. Let me say

574
00:32:01,520 --> 00:32:05,760
Speaker 1: this first of all, Let's just address that these people

575
00:32:05,800 --> 00:32:08,560
Speaker 1: that are coming from television in the podcast do a

576
00:32:08,720 --> 00:32:13,640
Speaker 1: very produced version of podcasting. If you're looking at this video,

577
00:32:13,720 --> 00:32:17,360
Speaker 1: you see Skip is reading. I'm not sure if he

578
00:32:17,480 --> 00:32:20,040
Speaker 1: understands how this comes off, or maybe he doesn't have

579
00:32:20,160 --> 00:32:23,640
Speaker 1: the time to, maybe someone else is putting together a

580
00:32:23,720 --> 00:32:28,240
Speaker 1: synopsis or timeline of events for him, or I don't know,

581
00:32:28,360 --> 00:32:31,600
Speaker 1: but when they come into podcasting with this very produced

582
00:32:31,880 --> 00:32:35,880
Speaker 1: version of a podcast, I need them to understand how

583
00:32:35,920 --> 00:32:40,360
Speaker 1: it comes off almost like they're bringing a football to

584
00:32:40,480 --> 00:32:43,320
Speaker 1: a basketball court, like they're bringing that set of skills

585
00:32:43,360 --> 00:32:46,400
Speaker 1: that they got from television. Although it could be mashed together,

586
00:32:46,480 --> 00:32:49,560
Speaker 1: you can kind of feel like you're doing podcasting. TV

587
00:32:49,800 --> 00:32:52,200
Speaker 1: is kind of the same thing, but it's a different muscle.

588
00:32:52,200 --> 00:32:56,000
Speaker 1: It's a very strict time frame on TV. Right, So

589
00:32:56,120 --> 00:32:58,120
Speaker 1: you got a ten minute segment. We got to split

590
00:32:58,160 --> 00:33:00,640
Speaker 1: this up between him and Shannon, so to be four

591
00:33:00,680 --> 00:33:02,560
Speaker 1: minutes for what I got to say, four minutes for

592
00:33:02,600 --> 00:33:04,360
Speaker 1: what you got to say, two minutes for her to

593
00:33:04,440 --> 00:33:07,040
Speaker 1: kind of introduce the topics. So I gotta get all

594
00:33:07,040 --> 00:33:09,400
Speaker 1: out in four minutes. That's why you will read. But

595
00:33:09,560 --> 00:33:12,640
Speaker 1: I think the truth is the only cure to somebody

596
00:33:12,680 --> 00:33:15,240
Speaker 1: that's capping. And so if you say capping and you're

597
00:33:15,280 --> 00:33:18,120
Speaker 1: dealing with the information and the truth, I don't say

598
00:33:18,160 --> 00:33:20,360
Speaker 1: you can't read, but I think it just comes off

599
00:33:20,400 --> 00:33:23,480
Speaker 1: a little stale. When you go to read something, it

600
00:33:23,640 --> 00:33:25,680
Speaker 1: just I don't know, it just gives me something. Let's

601
00:33:25,760 --> 00:33:31,280
Speaker 1: let's listen. And I think we immediately respected the fact

602
00:33:31,440 --> 00:33:40,680
Speaker 1: that we were too hard headed, sometimes hotheaded fighters from

603
00:33:40,720 --> 00:33:45,280
Speaker 1: opposite ends of the earth who knew what we were

604
00:33:45,320 --> 00:33:49,720
Speaker 1: talking about when it. Pay attention to him blowing and man,

605
00:33:49,960 --> 00:33:53,400
Speaker 1: it's man, this is hard man, Man, he's just lying.

606
00:33:53,480 --> 00:33:56,280
Speaker 1: Pay attention to it. Now, these are game's media plays.

607
00:33:56,360 --> 00:33:59,240
Speaker 1: These dudes are wizards on TV and ways. I do

608
00:33:59,280 --> 00:34:04,880
Speaker 1: not believe he would have allowed anyone else to CounterPunch,

609
00:34:05,360 --> 00:34:13,080
Speaker 1: especially another white guy. He would even let me in

610
00:34:13,120 --> 00:34:15,120
Speaker 1: the beginning, Right from the start, he would let me

611
00:34:15,280 --> 00:34:18,719
Speaker 1: puncture that enormous ego of his with an occasional bar.

612
00:34:19,960 --> 00:34:22,799
Speaker 1: I'm talking about the biggest ego I have ever encountered,

613
00:34:24,960 --> 00:34:28,080
Speaker 1: which is coupled with the greatest gift of gab I

614
00:34:28,200 --> 00:34:31,640
Speaker 1: have ever encountered. The man could just talk, talk, talk

615
00:34:32,560 --> 00:34:35,520
Speaker 1: off the top of his head NonStop. Never seen anything

616
00:34:35,640 --> 00:34:39,680
Speaker 1: quite like it. So I had to learn to wait

617
00:34:39,840 --> 00:34:44,480
Speaker 1: until he got to his point of points, until he

618
00:34:44,600 --> 00:34:48,000
Speaker 1: finally arrived at where he was heading. As he talked

619
00:34:48,000 --> 00:34:56,400
Speaker 1: talk talked, and then I pounced, then I unleashed. And

620
00:34:56,560 --> 00:34:59,959
Speaker 1: yet stephen A knew from the start he could try

621
00:35:00,440 --> 00:35:07,080
Speaker 1: my heart on live national television. Pay attention to the framing.

622
00:35:08,960 --> 00:35:12,120
Speaker 1: There's a couple of things he's saying right. First of all,

623
00:35:12,120 --> 00:35:14,520
Speaker 1: these are shots in media. Oh, he could talk talk, talk,

624
00:35:14,680 --> 00:35:17,399
Speaker 1: enormous ego, right, and then a lot of that may

625
00:35:17,440 --> 00:35:19,839
Speaker 1: be true. I don't second that it's not true. What

626
00:35:19,880 --> 00:35:23,360
Speaker 1: I'm saying, though, is pay attention to the framing. He's

627
00:35:23,400 --> 00:35:27,200
Speaker 1: basically saying that, Yo, when we let you in, Stephen Ay,

628
00:35:27,360 --> 00:35:31,840
Speaker 1: it put me at a disadvantage. I couldn't even barely

629
00:35:31,880 --> 00:35:34,480
Speaker 1: get anything out because you would talk talk, talk and

630
00:35:34,560 --> 00:35:38,120
Speaker 1: get to your point of points. That means you're wasting

631
00:35:38,200 --> 00:35:41,440
Speaker 1: time on television. You can't have a right I'm telling

632
00:35:41,440 --> 00:35:44,319
Speaker 1: you what he's doing. He's framing this. It's like, Yo,

633
00:35:44,800 --> 00:35:47,399
Speaker 1: the show only work, bro because I took a back

634
00:35:47,440 --> 00:35:50,040
Speaker 1: seat and let you do that bullish you were doing,

635
00:35:51,040 --> 00:35:53,200
Speaker 1: waste a lot of time, finally get to your point,

636
00:35:53,239 --> 00:35:55,040
Speaker 1: and I come in right with a point. I ain't

637
00:35:55,040 --> 00:35:57,239
Speaker 1: had to do all that I come but I was

638
00:35:57,280 --> 00:35:59,319
Speaker 1: at a disadvantage because you got to do more and

639
00:35:59,360 --> 00:36:02,359
Speaker 1: talk more. This is basically what he's said. Now, you

640
00:36:02,400 --> 00:36:05,279
Speaker 1: guys be the judge, but I'm dealing with what he's

641
00:36:05,280 --> 00:36:09,080
Speaker 1: saying and paying attention to it. I knew my heart

642
00:36:09,160 --> 00:36:12,200
Speaker 1: was in the right place, and I think he knew

643
00:36:12,719 --> 00:36:17,839
Speaker 1: instinctively that I would always have his back. That was

644
00:36:17,920 --> 00:36:23,480
Speaker 1: and is the truth. At that point, I was a

645
00:36:23,520 --> 00:36:28,799
Speaker 1: far more experienced debater than stephen A was, because through

646
00:36:28,840 --> 00:36:32,359
Speaker 1: the nineties, as you might or might not remember, I

647
00:36:32,400 --> 00:36:35,960
Speaker 1: appeared regularly on a show on ESPN on Sunday mornings

648
00:36:35,960 --> 00:36:39,440
Speaker 1: called The Sports Reporters with my late, great dear friend

649
00:36:39,480 --> 00:36:43,680
Speaker 1: Dick chap as the moderator. This show, as PTI with

650
00:36:43,840 --> 00:36:47,560
Speaker 1: more of an edge, he called his pilot show, which

651
00:36:47,600 --> 00:36:50,520
Speaker 1: he hoped to become v show to replace Jim Rome's

652
00:36:50,880 --> 00:36:54,319
Speaker 1: The Last Word, called the show Sports in Black and

653
00:36:54,520 --> 00:36:58,680
Speaker 1: White in Steve and I and excuse me, stephen A

654
00:36:58,800 --> 00:37:03,680
Speaker 1: and I readily agree to do a pilot for that show,

655
00:37:03,719 --> 00:37:08,520
Speaker 1: a half hour pilot. The moment we finished said pilot,

656
00:37:08,680 --> 00:37:12,600
Speaker 1: right here in this building in which I sit, John

657
00:37:12,920 --> 00:37:16,000
Speaker 1: Johnston and other producers came flying out of the control

658
00:37:16,080 --> 00:37:19,320
Speaker 1: room and said we could put this on the air tonight.

659
00:37:21,680 --> 00:37:25,920
Speaker 1: Stephen A and I agreed that we would move to

660
00:37:26,120 --> 00:37:30,480
Speaker 1: LA and do full time TV. And yet, shortly into

661
00:37:30,520 --> 00:37:36,040
Speaker 1: our stays on our respective shows, Mark Shapiro, who had

662
00:37:36,080 --> 00:37:39,960
Speaker 1: hired both of us, was deposed as the head of ESPN,

663
00:37:40,719 --> 00:37:46,520
Speaker 1: and I figured we were both a little vulnerable. Stephen

664
00:37:46,560 --> 00:37:51,680
Speaker 1: A eventually was given three months to save the ratings

665
00:37:51,680 --> 00:37:55,800
Speaker 1: of Quite frankly, he was given the option of firing

666
00:37:55,840 --> 00:37:59,279
Speaker 1: his showrunner, a man I came to know because he

667
00:37:59,440 --> 00:38:02,160
Speaker 1: ended up Cole Pizza for a while named Mike McQuaid,

668
00:38:02,760 --> 00:38:06,080
Speaker 1: big fan of stephen A's. But stephen A replaced Mike

669
00:38:06,160 --> 00:38:09,920
Speaker 1: McQuaid with what became a good friend of both of ours,

670
00:38:10,000 --> 00:38:14,560
Speaker 1: named Galen Gordon, and he had three good months to save,

671
00:38:15,160 --> 00:38:18,440
Speaker 1: quite frankly, and it did not work for whatever reason,

672
00:38:18,920 --> 00:38:22,200
Speaker 1: and that plug got pulled. In fact, every plug in

673
00:38:22,280 --> 00:38:26,360
Speaker 1: New York City got pulled by the new regime except

674
00:38:26,400 --> 00:38:30,399
Speaker 1: for one. There was no more, quite frankly, no more

675
00:38:30,680 --> 00:38:36,239
Speaker 1: ESPN Classic, no more Stumped the Schwab. But Cold Pizza survived.

676
00:38:36,239 --> 00:38:40,640
Speaker 1: Why because our ratings were ticking up. Why was that,

677
00:38:41,200 --> 00:38:46,680
Speaker 1: in my humble estimation, because we had added the debate

678
00:38:46,800 --> 00:38:50,640
Speaker 1: element to Cold Pizza and it was starting to work.

679
00:38:51,560 --> 00:38:57,800
Speaker 1: Stephen A got sideways in another contractual snaffoo, contractual battle.

680
00:38:58,000 --> 00:39:02,480
Speaker 1: I don't know the details, but in a complete and

681
00:39:02,480 --> 00:39:06,879
Speaker 1: an utter shock to me, stephen A Smith got let

682
00:39:06,880 --> 00:39:11,960
Speaker 1: go from ESPN. Yet over those two years, it felt

683
00:39:11,960 --> 00:39:14,680
Speaker 1: like stephen A and I talked about once a week,

684
00:39:16,080 --> 00:39:19,440
Speaker 1: and all I continued to hear from him was Hey,

685
00:39:20,160 --> 00:39:24,560
Speaker 1: I got to get back to the worldwide leader. And

686
00:39:24,760 --> 00:39:29,279
Speaker 1: I would say, I'm going to get you back, and

687
00:39:29,520 --> 00:39:34,640
Speaker 1: trust me, I wound up knocking on every door on

688
00:39:34,719 --> 00:39:39,400
Speaker 1: the top. At State Farm, we're committed to uplifting black futures.

689
00:39:39,440 --> 00:39:43,200
Speaker 1: In collaboration with organizations like one hundred Black Men and

690
00:39:43,440 --> 00:39:46,799
Speaker 1: National Urban League, State Farm provides high school students with

691
00:39:46,840 --> 00:39:50,520
Speaker 1: the opportunity to learn and apply best practice strategies for

692
00:39:50,600 --> 00:39:55,080
Speaker 1: saving and investing, all while offering academic support, life skills,

693
00:39:55,160 --> 00:39:58,640
Speaker 1: and exposure to college access programs to prepare these students

694
00:39:58,680 --> 00:40:02,120
Speaker 1: for life after high school. Check out one hundred black

695
00:40:02,200 --> 00:40:05,640
Speaker 1: Men dot org and and u L dot org to

696
00:40:05,800 --> 00:40:08,879
Speaker 1: donate and learn more. Like a good neighbor, State Farm

697
00:40:09,000 --> 00:40:17,400
Speaker 1: is there. So all right, pay attention, Pay close attention

698
00:40:17,400 --> 00:40:20,719
Speaker 1: because right here he's basically saying that you came to

699
00:40:20,800 --> 00:40:23,960
Speaker 1: me big, but he's saying it in a nice way.

700
00:40:24,360 --> 00:40:26,440
Speaker 1: But I want to break it down for people that

701
00:40:26,560 --> 00:40:30,960
Speaker 1: may be simple or simple minded, or may need it simplified.

702
00:40:31,520 --> 00:40:35,640
Speaker 1: Not speaking to your mental capabilities, but understanding what we're

703
00:40:35,680 --> 00:40:39,839
Speaker 1: looking at. These guys are wizards with this stuff, right Man.

704
00:40:40,000 --> 00:40:42,280
Speaker 1: He called me and he said, man, I just gotta

705
00:40:42,360 --> 00:40:45,319
Speaker 1: get back to the worldwide leader, bro, And I told him,

706
00:40:45,360 --> 00:40:47,399
Speaker 1: I got you a little homie, I'm gonna take care

707
00:40:47,440 --> 00:40:53,719
Speaker 1: of that. Talking long distance to my brother stephen A.

708
00:40:53,760 --> 00:40:56,760
Speaker 1: While talking face to face to those that he called

709
00:40:56,800 --> 00:41:01,120
Speaker 1: the big bosses at ESPN, I'm sorry, he's just more

710
00:41:01,120 --> 00:41:03,799
Speaker 1: troubled than he's worth. And I said, no, no, you

711
00:41:03,880 --> 00:41:08,319
Speaker 1: have to understand he's matured. This has humbled him at

712
00:41:08,400 --> 00:41:13,160
Speaker 1: least a little bit. He'll be great when he comes back.

713
00:41:14,120 --> 00:41:17,000
Speaker 1: He's just too talented. I continue to tell the big

714
00:41:17,040 --> 00:41:20,359
Speaker 1: bosses he belongs here. You know it and I know it.

715
00:41:20,920 --> 00:41:28,920
Speaker 1: And finally, February first, twenty eleven, the Great Stephen A.

716
00:41:29,040 --> 00:41:32,240
Speaker 1: Smith was hired back at ESPN, but he was forced

717
00:41:32,280 --> 00:41:35,640
Speaker 1: to repay some pretty serious dues. All right, so we're

718
00:41:35,640 --> 00:41:37,719
Speaker 1: gonna get off of that. I don't I kind of

719
00:41:37,719 --> 00:41:41,160
Speaker 1: don't appreciate the reading of it. It's just like and

720
00:41:41,360 --> 00:41:46,360
Speaker 1: so did he. And on that day Steven said to

721
00:41:46,480 --> 00:41:51,440
Speaker 1: me to go over to the mothership in Bristol, Connecticut

722
00:41:52,120 --> 00:41:55,920
Speaker 1: to see if we can come home. Bro, Let's do it.

723
00:41:55,960 --> 00:41:58,120
Speaker 1: And that's what makes Stephen they so hard, is because

724
00:41:58,160 --> 00:42:02,160
Speaker 1: he's the vibration flow of it. Up there as he's

725
00:42:02,160 --> 00:42:07,200
Speaker 1: getting down with skipped his pot boom boom baping, kink, inflection,

726
00:42:07,320 --> 00:42:10,120
Speaker 1: elevation of the voice, back down, point made big word,

727
00:42:10,200 --> 00:42:13,040
Speaker 1: small word, big word, big word, big work like it

728
00:42:13,120 --> 00:42:15,759
Speaker 1: is just like right, and here you come reading, And

729
00:42:15,840 --> 00:42:18,120
Speaker 1: so Skip went on to get into the business of

730
00:42:18,200 --> 00:42:21,040
Speaker 1: it about how it was on ESPN two and they

731
00:42:21,040 --> 00:42:23,040
Speaker 1: were trying to get it moved to ESPN, but they

732
00:42:23,080 --> 00:42:25,640
Speaker 1: didn't do it because if they moved it to ESPN

733
00:42:25,640 --> 00:42:28,080
Speaker 1: and to kill another one of their shows, it's just

734
00:42:28,239 --> 00:42:31,000
Speaker 1: funny to see how networks thinking. For me, I paid

735
00:42:31,040 --> 00:42:35,160
Speaker 1: close attention because again they're taking you inside the corporations,

736
00:42:35,239 --> 00:42:37,719
Speaker 1: behind the scenes of one of the biggest shows to

737
00:42:37,760 --> 00:42:40,720
Speaker 1: our culture. So for me, I can't never miss nothing

738
00:42:40,760 --> 00:42:43,760
Speaker 1: like that, the information that they're gonna give out without knowing.

739
00:42:44,320 --> 00:42:46,200
Speaker 1: You know, I got to pay attention to those things

740
00:42:46,200 --> 00:42:49,040
Speaker 1: because ain't no help coming. I'm clear on that, right,

741
00:42:49,520 --> 00:42:51,480
Speaker 1: come from out the street. Ain't no help coming. They

742
00:42:51,560 --> 00:42:54,680
Speaker 1: scared of this. I am the culture, and they may

743
00:42:54,680 --> 00:42:56,800
Speaker 1: have been lying about how many push ups they was

744
00:42:56,840 --> 00:42:58,800
Speaker 1: doing and hire early they got up and here I

745
00:42:58,840 --> 00:43:01,880
Speaker 1: am t oneus and on my way right, So we

746
00:43:02,040 --> 00:43:04,800
Speaker 1: get weary those that embrace me to all the truth.

747
00:43:05,160 --> 00:43:07,239
Speaker 1: They ain't got nothing to hide because I'm coming with

748
00:43:07,320 --> 00:43:10,360
Speaker 1: information and questions about things that if you've been lying,

749
00:43:10,400 --> 00:43:13,040
Speaker 1: you're gonna be uncomfortable. But let's get back to skill.

750
00:43:13,680 --> 00:43:16,480
Speaker 1: On the departure of skill and heading over to Shannon,

751
00:43:16,480 --> 00:43:19,680
Speaker 1: shout out to Shannon a legend and broadcasting fust show

752
00:43:20,120 --> 00:43:22,279
Speaker 1: quick fasting in the hero It got up there and

753
00:43:22,360 --> 00:43:25,400
Speaker 1: got right. That show you what we do in media

754
00:43:25,480 --> 00:43:27,920
Speaker 1: with a chance given to us. One of those things

755
00:43:27,920 --> 00:43:30,880
Speaker 1: like what Shannon done. You just needed a chance. But

756
00:43:31,120 --> 00:43:34,080
Speaker 1: said that to the side, Skip has been framed by

757
00:43:34,120 --> 00:43:38,279
Speaker 1: Stephen Ay and a lot of the culture as just

758
00:43:39,200 --> 00:43:44,520
Speaker 1: a tennis partner, you know, so so basically just somebody

759
00:43:44,560 --> 00:43:47,600
Speaker 1: there just kind of like z it don't matter the name,

760
00:43:47,719 --> 00:43:51,879
Speaker 1: just you just happened to be there, and Stephen they

761
00:43:52,000 --> 00:43:54,680
Speaker 1: carried the show. This is this is how he's been framed,

762
00:43:54,719 --> 00:43:59,640
Speaker 1: almost like subpart talent. For me, I think it's you

763
00:43:59,719 --> 00:44:03,759
Speaker 1: really can't gauge it, right with Stephen Ay being the

764
00:44:03,840 --> 00:44:06,440
Speaker 1: person that was right there in that show doing so good,

765
00:44:06,760 --> 00:44:09,280
Speaker 1: you really can't gauge it when he spun off because

766
00:44:09,320 --> 00:44:12,360
Speaker 1: Shannon come in with the dunk with his hand in

767
00:44:12,400 --> 00:44:17,400
Speaker 1: the rim. Yes, Shannon come in putting major game down

768
00:44:17,520 --> 00:44:20,880
Speaker 1: over there, so he instantly elevated the show so fast

769
00:44:20,920 --> 00:44:23,400
Speaker 1: to make it like, oh, Skipp is right back on

770
00:44:24,040 --> 00:44:29,040
Speaker 1: a popping show. But again, now it begs the questions

771
00:44:29,120 --> 00:44:32,080
Speaker 1: Shannon doing the heavy lifting. And my opinion, Shannon is

772
00:44:32,680 --> 00:44:37,120
Speaker 1: killing it over there. Those segments, those his analogious, this

773
00:44:37,280 --> 00:44:39,600
Speaker 1: his way of doing it. He's killing it. I think

774
00:44:39,640 --> 00:44:42,080
Speaker 1: that Skipp is doing a good job, but it begs

775
00:44:42,120 --> 00:44:44,759
Speaker 1: the question Skip maybe the B mike on every show

776
00:44:44,800 --> 00:44:47,920
Speaker 1: that he goes on. If I'm being honest and honest

777
00:44:47,960 --> 00:44:50,879
Speaker 1: to my audience and just really thinking about it, it's

778
00:44:50,920 --> 00:44:54,280
Speaker 1: skipped the B mike when he's standing next to black people.

779
00:44:55,320 --> 00:44:58,759
Speaker 1: In regards to sports media, it's skipped the B mike

780
00:44:58,800 --> 00:45:02,560
Speaker 1: when he's standing next to or black real professional broadcaster,

781
00:45:02,719 --> 00:45:05,440
Speaker 1: like a Skip, like a Shannon, one of those guys,

782
00:45:05,520 --> 00:45:08,600
Speaker 1: the top tier guys, right because now, let's be honest,

783
00:45:08,640 --> 00:45:12,520
Speaker 1: Skip might run circles around some of them, mother, some

784
00:45:12,600 --> 00:45:15,640
Speaker 1: of our other black media brothers. I'm not sure, because

785
00:45:15,640 --> 00:45:17,960
Speaker 1: we got a certain vibe in swag with us. I

786
00:45:18,000 --> 00:45:21,080
Speaker 1: don't care who raised it. I know they like to

787
00:45:21,120 --> 00:45:24,600
Speaker 1: say skipped were raised by black people. Man, a dog

788
00:45:24,640 --> 00:45:28,239
Speaker 1: can be raised by lions, it's still a dog. Yeah,

789
00:45:28,320 --> 00:45:30,880
Speaker 1: he can get food and behave like a lion if

790
00:45:30,880 --> 00:45:32,760
Speaker 1: it won't to. But when it be in a position

791
00:45:32,800 --> 00:45:34,919
Speaker 1: the lion get put in, it's gonna come up show

792
00:45:35,080 --> 00:45:38,040
Speaker 1: every time. So I don't care who raised it. Something

793
00:45:38,080 --> 00:45:41,640
Speaker 1: that's in us though. It's something that's in that black media,

794
00:45:41,719 --> 00:45:44,400
Speaker 1: that new media. It's it's something that's in it. And

795
00:45:44,400 --> 00:45:46,560
Speaker 1: so for me, when I look at that, I say, damn,

796
00:45:47,040 --> 00:45:49,720
Speaker 1: it's skipped to be Mike, no matter who we's sitting

797
00:45:49,719 --> 00:45:52,680
Speaker 1: next to. In regards to black people that know the game.

798
00:45:52,760 --> 00:45:55,680
Speaker 1: On that side, it get rough onm I'm gonna look

799
00:45:55,680 --> 00:45:57,960
Speaker 1: at some more because I think, here again, I ain't

800
00:45:57,960 --> 00:46:02,600
Speaker 1: talking about the athlete that ain't really savvy in this space.

801
00:46:02,640 --> 00:46:04,400
Speaker 1: I'm talking about some of them. Guys. You're gonna have

802
00:46:04,480 --> 00:46:07,439
Speaker 1: to grab this really putting the game down. It's really

803
00:46:07,480 --> 00:46:09,880
Speaker 1: coming in there talking point, spinning, you know how to

804
00:46:09,920 --> 00:46:13,279
Speaker 1: make that point. Like those that understand media understand what

805
00:46:13,360 --> 00:46:16,080
Speaker 1: I'm saying. And it's only for the it's only for

806
00:46:16,160 --> 00:46:20,480
Speaker 1: luxury els. Because when you think about it, skip head

807
00:46:20,560 --> 00:46:22,480
Speaker 1: or some weight on the show. The boy when he

808
00:46:22,600 --> 00:46:25,680
Speaker 1: left when he got fired or whatever happened with first

809
00:46:25,719 --> 00:46:27,959
Speaker 1: take boy, if he would have win and it would

810
00:46:27,960 --> 00:46:31,759
Speaker 1: have lost, or he was lucky to find Shannon. See

811
00:46:31,800 --> 00:46:34,080
Speaker 1: some of these networks don't know they got a Shannon.

812
00:46:34,160 --> 00:46:36,600
Speaker 1: Some of these companies don't know. But that's a Shannon

813
00:46:36,760 --> 00:46:39,120
Speaker 1: right there, or that's a that's one of the greats

814
00:46:39,200 --> 00:46:42,960
Speaker 1: right there on his way through. Y'all sleep, Oh your

815
00:46:42,960 --> 00:46:44,920
Speaker 1: thing ain't on the post no more. You didn't got

816
00:46:44,960 --> 00:46:48,560
Speaker 1: too rich, So you don't forget that what eels need

817
00:46:48,560 --> 00:46:50,759
Speaker 1: to speak to world was so we can figure out

818
00:46:50,760 --> 00:46:54,040
Speaker 1: what is gonna be. How you don't forget. You don't

819
00:46:54,040 --> 00:46:57,120
Speaker 1: forget that one tree ain't a four is you don't forget.

820
00:46:57,200 --> 00:46:59,439
Speaker 1: We gotta work together for this thing to keep going.

821
00:46:59,480 --> 00:47:02,600
Speaker 1: You didn't got self. But I understand you ain't sent

822
00:47:02,680 --> 00:47:05,680
Speaker 1: from God. This he is sent from God. This is

823
00:47:05,719 --> 00:47:09,799
Speaker 1: anointed niece, that texture I come from. That you think

824
00:47:09,840 --> 00:47:12,920
Speaker 1: too much of yourself to be sent from God. A

825
00:47:13,000 --> 00:47:16,279
Speaker 1: lot of you trying to outwit the ancestors. I'm trying

826
00:47:16,280 --> 00:47:19,239
Speaker 1: to work with the ancestors. A lot of you trying

827
00:47:19,280 --> 00:47:22,480
Speaker 1: to compare yourself to the ancestors. And how you smarter

828
00:47:22,640 --> 00:47:25,320
Speaker 1: than that man y'all need to relax. I'm trying to

829
00:47:25,360 --> 00:47:28,600
Speaker 1: work with the information from the ancestor work from with

830
00:47:28,680 --> 00:47:31,480
Speaker 1: the information from the people before me, ahead of me,

831
00:47:31,800 --> 00:47:34,520
Speaker 1: and the wares that's beside me. I'm trying to work

832
00:47:34,560 --> 00:47:38,840
Speaker 1: without the information. Why is thinking they're better than everybody?

833
00:47:39,000 --> 00:47:42,239
Speaker 1: But this is this, he is ordain. All you gotta

834
00:47:42,280 --> 00:47:45,239
Speaker 1: do is check the records, check the files. Yeah, we

835
00:47:45,400 --> 00:47:48,200
Speaker 1: kept the files. Check them, Yo. It's something different about

836
00:47:48,200 --> 00:47:54,920
Speaker 1: the outlook, money, the input, the ingredients, the infrastructure, the information,

837
00:47:55,280 --> 00:48:00,799
Speaker 1: the indications. Right at this point, I'm they All they

838
00:48:00,840 --> 00:48:03,279
Speaker 1: gotta do is step back. Boy. They're dealing with a

839
00:48:03,320 --> 00:48:08,200
Speaker 1: demonstration right now. I'm in my bag right now, and

840
00:48:08,360 --> 00:48:11,479
Speaker 1: black media is thriving. We ain't in no bad place.

841
00:48:11,560 --> 00:48:14,600
Speaker 1: We're thriving. But we got a way better team than

842
00:48:14,640 --> 00:48:18,560
Speaker 1: we're showing off. Yeah, we're playing personal ball. We got

843
00:48:18,560 --> 00:48:21,160
Speaker 1: a hell of a team. But we got a hell

844
00:48:21,200 --> 00:48:23,040
Speaker 1: of a team and we can get it out together.

845
00:48:23,120 --> 00:48:25,680
Speaker 1: But the egos ain't allowing us to do so. Too

846
00:48:25,719 --> 00:48:28,680
Speaker 1: many men think they Too many men think they're better

847
00:48:28,719 --> 00:48:32,239
Speaker 1: than other men. Too many men think that a big

848
00:48:32,320 --> 00:48:35,759
Speaker 1: chairmaker mcking and I tell we're speaking about last week.

849
00:48:35,840 --> 00:48:41,080
Speaker 1: You see that there's a disconnect right in sports, in media,

850
00:48:41,320 --> 00:48:45,560
Speaker 1: especially with black men. Black media black because we don't

851
00:48:45,560 --> 00:48:48,840
Speaker 1: want to do no talking. We're gonna talk to the

852
00:48:48,960 --> 00:48:54,080
Speaker 1: white folks though, but an I find it so facked

853
00:48:54,200 --> 00:48:56,719
Speaker 1: up that we can't find a way to speak to

854
00:48:56,760 --> 00:48:59,239
Speaker 1: each other. I see the white people hash this out

855
00:48:59,239 --> 00:49:03,320
Speaker 1: on camera in media. That's why you will see a skip.

856
00:49:03,480 --> 00:49:06,799
Speaker 1: You'll see skips say something to west Brook and say, yeah,

857
00:49:06,840 --> 00:49:08,799
Speaker 1: let's do it on an open forum. And then I'll

858
00:49:08,840 --> 00:49:12,319
Speaker 1: leave fake gangsters online saying, yo, man want to talk

859
00:49:12,400 --> 00:49:15,759
Speaker 1: in public, man with the This is a professional basketball

860
00:49:15,840 --> 00:49:20,160
Speaker 1: player and an analyst. You getting right, We want to

861
00:49:20,200 --> 00:49:23,720
Speaker 1: talk on camera. Were building brands around this motherfuck y'all

862
00:49:23,760 --> 00:49:26,480
Speaker 1: the stupid they want to thug with two honey meeting

863
00:49:26,560 --> 00:49:29,960
Speaker 1: in the bank. I keep telling y'all lost man, but

864
00:49:30,320 --> 00:49:32,680
Speaker 1: let me relax and and kind of try to explain

865
00:49:32,760 --> 00:49:36,080
Speaker 1: to you guys about what I'm saying. And so you

866
00:49:36,160 --> 00:49:40,240
Speaker 1: see athletes Kendrick Perkins, different athletes going back and forth. Man, Listen,

867
00:49:40,280 --> 00:49:43,240
Speaker 1: people are making a living off the game. This is avenue.

868
00:49:43,320 --> 00:49:46,120
Speaker 1: See a lot of people get arrogant in their current position.

869
00:49:46,320 --> 00:49:49,040
Speaker 1: I keep telling people leading the race ain't running the racing.

870
00:49:49,080 --> 00:49:51,959
Speaker 1: You gotta pay attention to your whereabouts. When you see

871
00:49:52,040 --> 00:49:56,880
Speaker 1: someone after they luxurious basketball or football career, pivoted in

872
00:49:56,880 --> 00:49:58,920
Speaker 1: the media and do a great job, you need to

873
00:49:58,960 --> 00:50:01,759
Speaker 1: applaud that as an athlete, as though your future ain't

874
00:50:01,800 --> 00:50:05,680
Speaker 1: security in ball playing. You'll be a fool to ignore

875
00:50:05,719 --> 00:50:09,640
Speaker 1: the transition. It has to happen after your career has halted.

876
00:50:12,120 --> 00:50:16,640
Speaker 1: Ain't nobody bigger than the program. Lots get so arrogant

877
00:50:16,640 --> 00:50:18,880
Speaker 1: and caught up in their skill set when they are

878
00:50:18,920 --> 00:50:21,200
Speaker 1: on the quarter, when they're on the field, or they

879
00:50:21,280 --> 00:50:24,680
Speaker 1: position on social media, or they they know the ride

880
00:50:24,680 --> 00:50:27,439
Speaker 1: in the public eye. They get confused that they don't

881
00:50:27,520 --> 00:50:30,919
Speaker 1: understand that, Yo, bro, we in this together. The teeth

882
00:50:31,000 --> 00:50:33,439
Speaker 1: only work together. That list you're doing on the court

883
00:50:33,440 --> 00:50:37,200
Speaker 1: ain't gonna translate the nothing off the field, right, So

884
00:50:37,280 --> 00:50:39,680
Speaker 1: you gotta pay attention to what we're gonna do when

885
00:50:39,719 --> 00:50:42,120
Speaker 1: we do. Got a transition. And if you think you

886
00:50:42,239 --> 00:50:44,800
Speaker 1: was the first athlete to ball and get a big bag,

887
00:50:44,840 --> 00:50:49,160
Speaker 1: you tripping all them dudes. We didn't got a big bag.

888
00:50:49,239 --> 00:50:51,080
Speaker 1: Some of them dudes they got it and went broke.

889
00:50:51,440 --> 00:50:53,480
Speaker 1: They got some of the biggest bags of their time.

890
00:50:53,560 --> 00:50:55,640
Speaker 1: It ain't the bag you gotta worry about. I tell

891
00:50:55,760 --> 00:50:58,320
Speaker 1: people all the time when I speak to on my audience,

892
00:50:58,320 --> 00:51:01,320
Speaker 1: that's why they love me. I tell it's about stand power.

893
00:51:01,480 --> 00:51:04,239
Speaker 1: It ain't about getting riches, about staying rich. I don't

894
00:51:04,280 --> 00:51:06,360
Speaker 1: give a where you go in the world. Go to

895
00:51:06,440 --> 00:51:09,279
Speaker 1: our do dibby, go to dude by four a day

896
00:51:09,320 --> 00:51:11,400
Speaker 1: and have to soon you get there, get off the

897
00:51:11,400 --> 00:51:13,360
Speaker 1: plane and get on another plane and come back. It

898
00:51:13,440 --> 00:51:16,239
Speaker 1: was a waste of time. It's about stand power. How

899
00:51:16,239 --> 00:51:19,600
Speaker 1: long can we stay on vacation? How long? Because for

900
00:51:19,680 --> 00:51:23,040
Speaker 1: you to stay speaks to your ability to experience what's happening.

901
00:51:23,920 --> 00:51:26,440
Speaker 1: You can't experience what's happening when you gotta go and

902
00:51:26,480 --> 00:51:28,759
Speaker 1: come right back. So we gotta figure out how to

903
00:51:28,840 --> 00:51:32,040
Speaker 1: stay in position. Some of the athletes, some of the rappers,

904
00:51:32,040 --> 00:51:34,680
Speaker 1: some of the people that's on top, they forget that

905
00:51:34,760 --> 00:51:38,920
Speaker 1: the world does turn. Those that was first will be last,

906
00:51:39,280 --> 00:51:42,280
Speaker 1: those that were lads will be first. We gotta figure

907
00:51:42,280 --> 00:51:45,120
Speaker 1: out how to speak again, I just said it. We

908
00:51:45,160 --> 00:51:48,279
Speaker 1: gotta figure out for what wars to speak to what

909
00:51:48,640 --> 00:51:51,279
Speaker 1: is so we can figure out what's gonna be. You

910
00:51:51,400 --> 00:51:54,839
Speaker 1: get too Erican and you think you think you can

911
00:51:54,880 --> 00:51:57,839
Speaker 1: do it, boy, yourself, but you don't know to work

912
00:51:57,880 --> 00:52:00,360
Speaker 1: for a community. To work for too many is not

913
00:52:00,480 --> 00:52:03,600
Speaker 1: meant to be done by one person. Don't give grade years.

914
00:52:03,600 --> 00:52:08,319
Speaker 1: This is the community. Got to do this here, yeah,

915
00:52:08,320 --> 00:52:10,440
Speaker 1: this here we come from. I'm talking about when we

916
00:52:10,480 --> 00:52:14,000
Speaker 1: think about the collective. If we all went selfish, we

917
00:52:14,160 --> 00:52:18,400
Speaker 1: can't be ill. But we can't go selfish. We can't

918
00:52:18,400 --> 00:52:20,200
Speaker 1: go self and when they give a two hundred me

919
00:52:20,400 --> 00:52:23,000
Speaker 1: and a hunting me and can't go self And when

920
00:52:23,000 --> 00:52:26,360
Speaker 1: we get in position, you can tell a lot about

921
00:52:26,400 --> 00:52:29,319
Speaker 1: a man when he get rich. Two times you could

922
00:52:29,320 --> 00:52:31,960
Speaker 1: tell a lot about man a man when he hungry

923
00:52:32,200 --> 00:52:35,040
Speaker 1: and when he rich. Boy, you will see a lot

924
00:52:35,080 --> 00:52:39,400
Speaker 1: about a man when he in position. Boy. Sometimes I

925
00:52:39,480 --> 00:52:41,799
Speaker 1: think about in these dudes is legend shout out the

926
00:52:41,840 --> 00:52:44,200
Speaker 1: flexing them dudes at high nine and seven. Sometimes I

927
00:52:44,280 --> 00:52:46,759
Speaker 1: think about they've been doing it foulety years. How many

928
00:52:46,880 --> 00:52:50,520
Speaker 1: youngsters done gave up on their dreams because that was

929
00:52:50,560 --> 00:52:53,399
Speaker 1: the tunnel they tried to come through, and boil old

930
00:52:53,440 --> 00:52:57,320
Speaker 1: school was still in there getting this how cut or

931
00:52:57,360 --> 00:52:59,920
Speaker 1: another that can't get an edge up in that barbershop,

932
00:53:00,080 --> 00:53:02,840
Speaker 1: Old school and the chair here ain't movie he talking

933
00:53:02,920 --> 00:53:05,480
Speaker 1: and keep getting up. You've ever been there, I hate them.

934
00:53:05,560 --> 00:53:08,640
Speaker 1: That's in the barber shop, man, Then get up and

935
00:53:08,640 --> 00:53:12,200
Speaker 1: walk out with the thing. Ona be way outside smoking

936
00:53:12,239 --> 00:53:14,440
Speaker 1: a cigarette. Man, there's other folks trying to get a

937
00:53:14,440 --> 00:53:17,480
Speaker 1: hat cut in here. But when we don't think about

938
00:53:17,480 --> 00:53:19,960
Speaker 1: the collective. But it's easy money, why would I leave it?

939
00:53:20,120 --> 00:53:24,319
Speaker 1: My fault is second year doing this right even while

940
00:53:24,400 --> 00:53:27,279
Speaker 1: even if I don't leave, make them yo create I

941
00:53:27,360 --> 00:53:29,719
Speaker 1: need somebody next to me. I'm evolving the show like

942
00:53:29,840 --> 00:53:32,759
Speaker 1: do something to put like it's some like create some

943
00:53:32,840 --> 00:53:36,800
Speaker 1: avenue son. But they say, lone, you're wasting your time.

944
00:53:36,840 --> 00:53:39,000
Speaker 1: I was listening to candidates one and speak like, loon,

945
00:53:39,080 --> 00:53:41,239
Speaker 1: you're wasting your time. You're gonna be disappointed. You be

946
00:53:41,320 --> 00:53:44,120
Speaker 1: talking to all that. We gotta get together up. Nick

947
00:53:44,360 --> 00:53:46,359
Speaker 1: gonna hip you. Then you're gonna get rich, and you're

948
00:53:46,360 --> 00:53:48,200
Speaker 1: gonna say, I ain't heping, No, didn't know that to

949
00:53:48,320 --> 00:53:51,480
Speaker 1: help me. This is the cycle we called in right,

950
00:53:51,880 --> 00:53:54,600
Speaker 1: And so I'm thinking, damn, lor are you looking for

951
00:53:54,719 --> 00:53:59,520
Speaker 1: a black cat and the dog room? Are you putting

952
00:53:59,560 --> 00:54:01,600
Speaker 1: yourself in the position to where you can't do nothing

953
00:54:01,600 --> 00:54:06,880
Speaker 1: but lose with this? I know they say, man, even

954
00:54:06,880 --> 00:54:08,839
Speaker 1: if you know the way he asks one more time.

955
00:54:08,960 --> 00:54:11,719
Speaker 1: I know they say that, but I say to myself, yo, bro,

956
00:54:11,800 --> 00:54:13,920
Speaker 1: I know the fore man, I know the formula, I

957
00:54:13,960 --> 00:54:17,120
Speaker 1: know the ingredients. I'm dealing with the specifics. I don't

958
00:54:17,160 --> 00:54:19,799
Speaker 1: have to ride around and roll around with these. I

959
00:54:19,840 --> 00:54:22,120
Speaker 1: can move around them. Take a little longer, but I

960
00:54:22,120 --> 00:54:25,040
Speaker 1: can move right around them in real life. I'm telling you,

961
00:54:25,239 --> 00:54:28,120
Speaker 1: I gave the last five teen years to this asking.

962
00:54:28,440 --> 00:54:31,799
Speaker 1: I was hustling. I'll ride around with playing in the cotton, like,

963
00:54:31,880 --> 00:54:34,319
Speaker 1: what is that? I pop up in the city where

964
00:54:34,320 --> 00:54:36,480
Speaker 1: the pardc is. I was ear loanly, but I was

965
00:54:36,520 --> 00:54:41,000
Speaker 1: still in the street, so I stopped it out. That

966
00:54:41,719 --> 00:54:43,560
Speaker 1: what you tell a lot about the man when he

967
00:54:43,680 --> 00:54:47,320
Speaker 1: get rich, right, I speak a lot about not coming

968
00:54:47,360 --> 00:54:49,799
Speaker 1: to the hood as a distraction, come to the hood

969
00:54:49,840 --> 00:54:52,480
Speaker 1: as a resource. A lot of you doing photo ops

970
00:54:52,480 --> 00:54:55,960
Speaker 1: in the hood I have literally no respect for. But

971
00:54:56,080 --> 00:54:58,040
Speaker 1: I know the rich like to move where they can't

972
00:54:58,080 --> 00:55:01,080
Speaker 1: smell the stinch of the pole. Right. They don't even

973
00:55:01,120 --> 00:55:03,480
Speaker 1: like to comment on your pictures or call your phone

974
00:55:03,560 --> 00:55:06,000
Speaker 1: just in case you might add some fuss, some information.

975
00:55:07,040 --> 00:55:09,080
Speaker 1: You might ask them how to get out that bad

976
00:55:09,239 --> 00:55:12,560
Speaker 1: circumstance you was in. I don't even want to lead

977
00:55:12,600 --> 00:55:16,080
Speaker 1: you to the water helping you drink, but I want to.

978
00:55:16,160 --> 00:55:19,960
Speaker 1: I want to address that, like, Yo, keep the ghetto

979
00:55:20,400 --> 00:55:23,200
Speaker 1: out of media. And when I say ghetto, like you

980
00:55:23,239 --> 00:55:26,680
Speaker 1: want to fight the news that's analyzing if they disrespect

981
00:55:26,760 --> 00:55:29,120
Speaker 1: for this one thing. I'm on the side of respecting

982
00:55:29,120 --> 00:55:31,720
Speaker 1: the game because I deal with information on this side.

983
00:55:31,800 --> 00:55:35,640
Speaker 1: If I say, yo, Ray Jann was out there saying

984
00:55:35,640 --> 00:55:37,680
Speaker 1: and then this was horrible, and he want to fight

985
00:55:37,760 --> 00:55:41,359
Speaker 1: me about that, he got a problem. Right now, I'm

986
00:55:41,360 --> 00:55:43,319
Speaker 1: gonna tell you something this is coming from and get

987
00:55:43,360 --> 00:55:46,080
Speaker 1: that's full little quipped for the bullish that come straight.

988
00:55:46,560 --> 00:55:49,240
Speaker 1: I'm fresh out of it. So I'm full little quipped

989
00:55:49,239 --> 00:55:52,560
Speaker 1: for the bulls, and I'm comfortable in the darkness. But

990
00:55:52,680 --> 00:55:56,080
Speaker 1: for the sake of the culture, we gotta bridge these

991
00:55:56,120 --> 00:55:58,520
Speaker 1: gaps home. We gotta be able to talk about us

992
00:55:58,560 --> 00:56:01,399
Speaker 1: because Fox News gonna talk about it. Ain't nobody gonna

993
00:56:01,440 --> 00:56:05,239
Speaker 1: go up there where they file on. But man, I

994
00:56:05,280 --> 00:56:07,840
Speaker 1: wish I would go on that show and disagree with

995
00:56:07,920 --> 00:56:10,160
Speaker 1: that man. But it's said, we can't look at each

996
00:56:10,200 --> 00:56:14,640
Speaker 1: other and see pathways. Right when I look at Charlemagne

997
00:56:14,880 --> 00:56:18,000
Speaker 1: I see a pathway, and I see did it? Jay?

998
00:56:18,840 --> 00:56:21,040
Speaker 1: You know when I see a Joe Button or Rishard

999
00:56:21,560 --> 00:56:26,080
Speaker 1: b Marsha, all these guys to revote Big Bank, just

1000
00:56:26,200 --> 00:56:30,080
Speaker 1: gotta look at each other and see pathways like damn, Bro,

1001
00:56:30,239 --> 00:56:32,040
Speaker 1: did it like that? Bro? That's the way we can

1002
00:56:32,080 --> 00:56:35,239
Speaker 1: do it. Bro. You don't have to look at each

1003
00:56:35,239 --> 00:56:38,480
Speaker 1: other and see competition. Now I'm talking about but we

1004
00:56:38,560 --> 00:56:40,960
Speaker 1: get it up. We've been trained to go. We've been

1005
00:56:41,040 --> 00:56:43,799
Speaker 1: trained to be competitive because we're in a situation where

1006
00:56:43,840 --> 00:56:47,759
Speaker 1: the resources are limited and you developing a way when

1007
00:56:47,760 --> 00:56:53,760
Speaker 1: ain't going your way? Yeah, you developed different. You develop

1008
00:56:53,880 --> 00:56:56,080
Speaker 1: different when you don't know whether or not you like

1009
00:56:56,160 --> 00:56:58,400
Speaker 1: you might gotta pack. You don't know what it's gonna

1010
00:56:58,400 --> 00:57:00,640
Speaker 1: get off because Big Home in them come through ten

1011
00:57:00,680 --> 00:57:04,960
Speaker 1: dollars cheap on the grams, didn't you. I can't afford

1012
00:57:04,960 --> 00:57:07,160
Speaker 1: to go ten dollars cheap begin banned, But so much

1013
00:57:07,239 --> 00:57:11,719
Speaker 1: right developing a certain way, dog, and you won't never

1014
00:57:11,800 --> 00:57:15,200
Speaker 1: understand it if you didn't come from it. But I

1015
00:57:15,239 --> 00:57:19,440
Speaker 1: think we got to stop looking at each other like competition.

1016
00:57:20,000 --> 00:57:24,880
Speaker 1: Let's talk about Chadwick Boseman. Very unfortunate situation. But let

1017
00:57:24,880 --> 00:57:27,960
Speaker 1: me update my audience exactly on what we're speaking about.

1018
00:57:28,360 --> 00:57:33,440
Speaker 1: Chadwick Boseman was the star and Black Panther was battling

1019
00:57:33,880 --> 00:57:38,880
Speaker 1: a rare form of cancer and passed away without a will.

1020
00:57:39,640 --> 00:57:43,360
Speaker 1: Him passing away without a will cost him nine hundred

1021
00:57:43,360 --> 00:57:46,040
Speaker 1: thousand dollars. A couple of things that I'm interested in

1022
00:57:46,120 --> 00:57:49,360
Speaker 1: about this. Number one, Always have a will, especially if

1023
00:57:49,360 --> 00:57:51,720
Speaker 1: you got some money. Even if you don't got no money,

1024
00:57:51,760 --> 00:57:53,720
Speaker 1: have a will or whatever you got, let it be.

1025
00:57:55,000 --> 00:57:59,240
Speaker 1: Let your presence be felt on what they placed your belongings. Right.

1026
00:57:59,320 --> 00:58:02,000
Speaker 1: We had to have some understanding about what we want

1027
00:58:02,040 --> 00:58:04,840
Speaker 1: to happen in the case of our demise. I know

1028
00:58:04,960 --> 00:58:07,480
Speaker 1: that it's a hard conversation because nobody want to talk

1029
00:58:07,520 --> 00:58:10,920
Speaker 1: about it, right. You don't want to. It's almost like

1030
00:58:11,000 --> 00:58:14,400
Speaker 1: your quarterback in the plate to your death. But to

1031
00:58:14,520 --> 00:58:17,560
Speaker 1: ignore the facts to be a dumbas move. So you

1032
00:58:17,640 --> 00:58:20,280
Speaker 1: got to know death is on the table for everybody.

1033
00:58:21,320 --> 00:58:24,600
Speaker 1: You understand. We hope our bill isn't wrong early, but

1034
00:58:24,680 --> 00:58:26,680
Speaker 1: we never know right, So we got to try to

1035
00:58:26,680 --> 00:58:30,400
Speaker 1: get our fairs in order. His situation for me, A

1036
00:58:30,480 --> 00:58:32,800
Speaker 1: couple of things I want to speak about. Number one,

1037
00:58:32,920 --> 00:58:36,480
Speaker 1: he was worth three point eight million dollars his a stake.

1038
00:58:36,640 --> 00:58:39,280
Speaker 1: That's what he was worth. That's all. He had three

1039
00:58:39,320 --> 00:58:41,680
Speaker 1: point eight million dollars. When I heard that, I said,

1040
00:58:42,320 --> 00:58:46,720
Speaker 1: something ain't right. We gotta rewind the tape. Black Panther

1041
00:58:46,920 --> 00:58:49,120
Speaker 1: was a billion dollar movie. What kind of splits we

1042
00:58:49,280 --> 00:58:52,280
Speaker 1: dealing with? What is the arrangements? Did he do that

1043
00:58:52,440 --> 00:58:55,080
Speaker 1: free for y'all? Did y'all even allow him to do

1044
00:58:55,240 --> 00:58:57,880
Speaker 1: such a thing? Right? What's the splits? For him to

1045
00:58:57,960 --> 00:59:00,360
Speaker 1: be worth three million at the time? Is the mis

1046
00:59:00,360 --> 00:59:04,200
Speaker 1: coming off the highest selling Marvel movie at the time.

1047
00:59:05,160 --> 00:59:08,919
Speaker 1: Unfortunate for the splits to be so unfavorable, like three

1048
00:59:09,000 --> 00:59:12,800
Speaker 1: point eight million. Now, if somebody gonna explain to me,

1049
00:59:12,880 --> 00:59:15,200
Speaker 1: he hasn't been paid for that yet, explaining me to

1050
00:59:15,240 --> 00:59:18,400
Speaker 1: break down to that, right, I don't get that. No

1051
00:59:18,640 --> 00:59:21,560
Speaker 1: upfront money, no residual, Like, what are we doing three

1052
00:59:21,600 --> 00:59:24,000
Speaker 1: point eight million from a billion dollar movie? It's just

1053
00:59:24,040 --> 00:59:28,680
Speaker 1: one movie. He had several other movies. So my first

1054
00:59:28,680 --> 00:59:32,680
Speaker 1: thinking was for black actors. I wonder high black actors

1055
00:59:32,720 --> 00:59:35,160
Speaker 1: being treated out there. I mean, I know, we hear

1056
00:59:35,200 --> 00:59:38,520
Speaker 1: about the Denzils, the Wheels. That's why again I had

1057
00:59:39,040 --> 00:59:41,360
Speaker 1: to backtrack some of what Wheel did because he had

1058
00:59:41,400 --> 00:59:44,160
Speaker 1: worked itself in a position to be the highest paid man.

1059
00:59:44,240 --> 00:59:46,480
Speaker 1: But I know we broke down, So I give empathy

1060
00:59:46,560 --> 00:59:49,040
Speaker 1: for that. I don't view that the same way everybody

1061
00:59:49,080 --> 00:59:51,120
Speaker 1: else views it because I know he was in a

1062
00:59:51,200 --> 00:59:53,880
Speaker 1: dog place when he made that decision. And I also

1063
00:59:53,960 --> 00:59:57,320
Speaker 1: look at his track record, say, I don't take from

1064
00:59:57,320 --> 00:59:59,480
Speaker 1: a man what he's earned when he makes a mistake.

1065
00:59:59,520 --> 01:00:01,760
Speaker 1: I think that's some mistake, but we'll set that to

1066
01:00:01,800 --> 01:00:04,640
Speaker 1: the side. I thought about black actors and said, damn,

1067
01:00:04,640 --> 01:00:07,160
Speaker 1: how they don't How they don't make sure we compensate

1068
01:00:07,160 --> 01:00:10,360
Speaker 1: it in a way that's effective for our family. Right,

1069
01:00:10,440 --> 01:00:12,800
Speaker 1: you involved in a billion dollar moving and then you go,

1070
01:00:12,880 --> 01:00:16,520
Speaker 1: I would as the owners, as the people behind black panther,

1071
01:00:16,600 --> 01:00:18,680
Speaker 1: I would hate that that's out right now. I'm like,

1072
01:00:18,720 --> 01:00:20,960
Speaker 1: oh my god, they doesn't let out that he made

1073
01:00:20,960 --> 01:00:23,960
Speaker 1: but oh my god, is that gonna have some backlash?

1074
01:00:24,080 --> 01:00:26,520
Speaker 1: Is that gonna have some It's people gonna look at

1075
01:00:26,600 --> 01:00:29,080
Speaker 1: us funny. I mean, because I'm worried about something like that.

1076
01:00:29,160 --> 01:00:31,360
Speaker 1: It makes me think, Yo, so some of these people

1077
01:00:31,400 --> 01:00:37,240
Speaker 1: are really only getting famous. Even on that level. Billions

1078
01:00:37,240 --> 01:00:39,520
Speaker 1: of dollars are being made and they're giving you. They

1079
01:00:39,600 --> 01:00:42,560
Speaker 1: gotta be a point one percentage of something. That's a

1080
01:00:42,640 --> 01:00:45,200
Speaker 1: weird number. Three point eight. But let's move that to

1081
01:00:45,240 --> 01:00:48,880
Speaker 1: the side. Because he didn't have a wheel, the fees

1082
01:00:49,320 --> 01:00:52,400
Speaker 1: broke him down to two point three million. He lost

1083
01:00:52,480 --> 01:00:55,040
Speaker 1: nine honey k because he didn't have a wheel. It

1084
01:00:55,080 --> 01:00:56,960
Speaker 1: ain't nothing. It ain't a piece of paper in the

1085
01:00:57,080 --> 01:01:01,240
Speaker 1: world worth nine honey k. It ain't a piece of

1086
01:01:01,280 --> 01:01:05,040
Speaker 1: paper in its world worth nine honey k. So you

1087
01:01:05,120 --> 01:01:07,760
Speaker 1: gotta you know, dude was worth three point at me.

1088
01:01:07,880 --> 01:01:11,120
Speaker 1: You might have just said, gollless fun the money there thing.

1089
01:01:11,200 --> 01:01:14,800
Speaker 1: I'm sick. I'm just whatever that money duck it. But

1090
01:01:14,920 --> 01:01:17,280
Speaker 1: you gotta think, yo, look who got a me you

1091
01:01:17,320 --> 01:01:22,240
Speaker 1: know at the state just for fees? Man, that's sad.

1092
01:01:22,840 --> 01:01:25,400
Speaker 1: That could have went to your your your wife, or

1093
01:01:25,480 --> 01:01:28,680
Speaker 1: your or your mother. One thing we know too man

1094
01:01:28,800 --> 01:01:32,760
Speaker 1: in the ghetto or just in our coaches, the lack

1095
01:01:32,800 --> 01:01:35,840
Speaker 1: of resources. A tad family apart, when somebody died it

1096
01:01:35,960 --> 01:01:39,520
Speaker 1: had some money. Man, they go to scrambling boy like

1097
01:01:39,960 --> 01:01:43,600
Speaker 1: Donovan McNab when when somebody died and got some money. Boy,

1098
01:01:43,720 --> 01:01:46,760
Speaker 1: they not bullish. You know, I'm saying it. A tall

1099
01:01:46,840 --> 01:01:49,720
Speaker 1: whole family apart about that house that they left over,

1100
01:01:51,520 --> 01:01:54,880
Speaker 1: so some people understand it. Man, thank somebody died, a

1101
01:01:54,880 --> 01:01:59,760
Speaker 1: family fall apart. I remember my homeboy was telling me

1102
01:02:00,080 --> 01:02:03,360
Speaker 1: people died. They was at this people house his mother.

1103
01:02:04,800 --> 01:02:07,360
Speaker 1: His mother died. They was at his mother's house to

1104
01:02:07,440 --> 01:02:10,440
Speaker 1: day she died, going through her house, looking through her

1105
01:02:10,760 --> 01:02:14,120
Speaker 1: to fan money. I'm like, yo, that's how it is.

1106
01:02:14,280 --> 01:02:17,560
Speaker 1: Everybody in the room searching. They ain't gonna say number

1107
01:02:17,640 --> 01:02:19,520
Speaker 1: or twenty five hundred. Put that in your pocket. You

1108
01:02:19,520 --> 01:02:22,320
Speaker 1: found something that I ain't found nothing in here, number

1109
01:02:22,400 --> 01:02:25,880
Speaker 1: the clothes. You know what I'm saying. Man, So the

1110
01:02:25,920 --> 01:02:29,720
Speaker 1: family fall apart when it's two three men involved. For Chadwick,

1111
01:02:29,720 --> 01:02:32,200
Speaker 1: I just I didn't understand why he would get married

1112
01:02:32,240 --> 01:02:35,120
Speaker 1: like eight months six months. It was either six to

1113
01:02:35,240 --> 01:02:39,160
Speaker 1: nine months before his death. Like respectfully to you. I

1114
01:02:39,240 --> 01:02:41,520
Speaker 1: love you like a moth, and I'm gonna tell moms

1115
01:02:41,600 --> 01:02:44,040
Speaker 1: or whoever get the money to take care of you.

1116
01:02:44,040 --> 01:02:45,840
Speaker 1: You know, make sure you hit shouting, man shout and

1117
01:02:45,960 --> 01:02:49,040
Speaker 1: been holding me down. But man, I hadn't married you

1118
01:02:49,680 --> 01:02:52,000
Speaker 1: respectfully to her, and I know she probably hurt, So

1119
01:02:52,080 --> 01:02:54,200
Speaker 1: I'm not saying this as offensive to her. I want

1120
01:02:54,200 --> 01:02:56,800
Speaker 1: to move this off. Chat with bowsman and just view

1121
01:02:56,920 --> 01:02:59,920
Speaker 1: this as someone that has to deal with relationships and

1122
01:03:00,080 --> 01:03:03,680
Speaker 1: things like they why would I marry you? And I'm

1123
01:03:03,680 --> 01:03:08,960
Speaker 1: gonna die? I know you treat me well, man, but

1124
01:03:09,480 --> 01:03:11,240
Speaker 1: do I want to leave my money to y'all? I'm

1125
01:03:11,320 --> 01:03:13,880
Speaker 1: first generation me? You know see it beating them? It

1126
01:03:14,000 --> 01:03:16,720
Speaker 1: beat them warm buffets. They don't give a fuck about

1127
01:03:16,760 --> 01:03:20,080
Speaker 1: their money. Hey money, while if you ain't got rich

1128
01:03:20,160 --> 01:03:24,320
Speaker 1: out of me now y'all ain't getting my money. I'm

1129
01:03:24,360 --> 01:03:26,840
Speaker 1: a walk in bank rolling. Y'all wait that dad to

1130
01:03:26,920 --> 01:03:29,160
Speaker 1: get my money. Now I'm giving the sh Ain't it

1131
01:03:29,280 --> 01:03:32,520
Speaker 1: baddy them? They get a money at the battle, But

1132
01:03:32,560 --> 01:03:35,520
Speaker 1: the whole first generation me you know better? Button they

1133
01:03:35,600 --> 01:03:40,360
Speaker 1: set up at State Farm, We're committed to uplifting black futures.

1134
01:03:40,760 --> 01:03:44,520
Speaker 1: In collaboration with organizations like one hundred Black Men and

1135
01:03:44,720 --> 01:03:48,080
Speaker 1: National Urban League. State Farm provides high school students with

1136
01:03:48,160 --> 01:03:51,800
Speaker 1: the opportunity to learn and apply best practice strategies for

1137
01:03:51,920 --> 01:03:56,400
Speaker 1: saving and investing, all while offering academic support, life skills,

1138
01:03:56,480 --> 01:03:59,880
Speaker 1: and exposure to college access programs to prepare these students

1139
01:04:00,080 --> 01:04:03,439
Speaker 1: for life after high school. Check out one hundred black

1140
01:04:03,520 --> 01:04:07,520
Speaker 1: Man dot org and you l dot org to donate

1141
01:04:07,520 --> 01:04:14,960
Speaker 1: and learn more like a good neighbor state farm is there, Yeah,

1142
01:04:15,040 --> 01:04:17,960
Speaker 1: Warren buffing them? Look at it different. You post it.

1143
01:04:18,000 --> 01:04:20,520
Speaker 1: Got rich while we're living. I made a bunch of money.

1144
01:04:20,840 --> 01:04:23,520
Speaker 1: Y'all didn't get nothing, and y'all gonna wait dit dying

1145
01:04:23,640 --> 01:04:25,800
Speaker 1: fight over man. Now, I got it in my wheel.

1146
01:04:25,880 --> 01:04:28,360
Speaker 1: Give it all to them people over there, they ain't

1147
01:04:28,360 --> 01:04:31,400
Speaker 1: got a damn. You better figure out how to hustle.

1148
01:04:31,400 --> 01:04:33,960
Speaker 1: Because I was around. He had shown you investing it

1149
01:04:34,120 --> 01:04:37,560
Speaker 1: just copyed me, dumb motherfu Yeah, I'm your family. But

1150
01:04:37,920 --> 01:04:41,600
Speaker 1: again I can get them. But first generation mediaaire now

1151
01:04:41,840 --> 01:04:47,680
Speaker 1: hell no, hell no, we're not doing that. I guarantee

1152
01:04:47,720 --> 01:04:50,920
Speaker 1: the mother might got some disdain for that, like dang, Like, bro,

1153
01:04:51,040 --> 01:04:53,880
Speaker 1: you use my son, even if she didn't. I think

1154
01:04:53,920 --> 01:04:56,520
Speaker 1: it was a football player that had just got married

1155
01:04:56,560 --> 01:04:59,280
Speaker 1: to some and he passed away, and now half the

1156
01:04:59,320 --> 01:05:02,320
Speaker 1: money go to the girl. Like bro, Man, that's that's

1157
01:05:02,320 --> 01:05:06,480
Speaker 1: a weird thing, man, Like especially like knowing something wrong

1158
01:05:06,520 --> 01:05:08,560
Speaker 1: with you. I mean, I know love is love, man,

1159
01:05:08,600 --> 01:05:11,160
Speaker 1: and you're just like fucking man you because what will

1160
01:05:11,200 --> 01:05:14,240
Speaker 1: happen is, in my opinion, in your last days, you

1161
01:05:14,280 --> 01:05:17,680
Speaker 1: get caught in that emotional You get probably real emotional

1162
01:05:17,800 --> 01:05:20,560
Speaker 1: like man, you really right, He'll staying. I know this

1163
01:05:20,640 --> 01:05:22,800
Speaker 1: is a burden on you, and like and then it's

1164
01:05:22,880 --> 01:05:24,920
Speaker 1: my money. So if you want to leave something to her,

1165
01:05:24,960 --> 01:05:27,400
Speaker 1: that's his thing. But like, if you've been with your

1166
01:05:27,480 --> 01:05:30,800
Speaker 1: woman five six years, didn't get sick, Yes she gets something,

1167
01:05:31,000 --> 01:05:36,920
Speaker 1: that's the wife. But I'm sick. I'm with you, I'm

1168
01:05:36,960 --> 01:05:39,280
Speaker 1: with you six months and I marry you. I know

1169
01:05:39,320 --> 01:05:41,880
Speaker 1: I'm gonna pass away. It's just that's a weird thing

1170
01:05:41,960 --> 01:05:44,720
Speaker 1: for me. Man, I don't know. Let me just say this, man,

1171
01:05:44,800 --> 01:05:47,200
Speaker 1: I like a thick woman, right, women who are thick,

1172
01:05:47,280 --> 01:05:49,960
Speaker 1: you are some of the most in my opinion. Ain't

1173
01:05:50,000 --> 01:05:53,000
Speaker 1: nothing like six with a thick woman, right. It's a

1174
01:05:53,000 --> 01:05:56,360
Speaker 1: different thing from I don't even like yo. For me, respectfully,

1175
01:05:56,400 --> 01:05:59,240
Speaker 1: I don't know if it's because of maybe my experience,

1176
01:05:59,360 --> 01:06:01,800
Speaker 1: Like I've had some some skinny girls, you know, do

1177
01:06:01,920 --> 01:06:04,200
Speaker 1: some things right there was interesting to me. It was

1178
01:06:04,240 --> 01:06:07,240
Speaker 1: one in particular I had a lot of good time with.

1179
01:06:07,520 --> 01:06:12,320
Speaker 1: But the thick girls got my phone number. Oh man,

1180
01:06:12,360 --> 01:06:14,840
Speaker 1: when it's back there, I love that ship. Now. The

1181
01:06:14,920 --> 01:06:17,400
Speaker 1: only thing is when I went to the pool party,

1182
01:06:17,440 --> 01:06:21,520
Speaker 1: I'm starting to real life. That boy, you got to

1183
01:06:21,600 --> 01:06:24,080
Speaker 1: be Carol, for who your doctor is. If you're weighing

1184
01:06:24,160 --> 01:06:27,320
Speaker 1: the string, I don't know what it's called. But when

1185
01:06:27,360 --> 01:06:29,760
Speaker 1: it ain't no passing it thing, it's just a string.

1186
01:06:30,280 --> 01:06:33,480
Speaker 1: Or that show the real shape of that booty. Or

1187
01:06:33,560 --> 01:06:36,480
Speaker 1: if your doctor, if your doctor hands wasn't right, boy,

1188
01:06:36,480 --> 01:06:38,920
Speaker 1: and you put that string on, I'm gonna see a

1189
01:06:38,960 --> 01:06:41,880
Speaker 1: box chevy. I'm gonna see a different kind of It's

1190
01:06:41,880 --> 01:06:44,160
Speaker 1: gonna show me the real shape of that booty. Some

1191
01:06:44,240 --> 01:06:46,520
Speaker 1: of them is right, but some of them you'd be like, oh,

1192
01:06:46,600 --> 01:06:49,600
Speaker 1: the doctor slip the jeans be making that look or

1193
01:06:49,600 --> 01:06:52,880
Speaker 1: the dress some girls getting on. See I'm on to y'all. See,

1194
01:06:52,920 --> 01:06:55,560
Speaker 1: I'm a connoisseur of things, so I pay a real

1195
01:06:55,680 --> 01:07:01,120
Speaker 1: close attention, right, I'm hyper focused on. So sometimes some

1196
01:07:01,200 --> 01:07:04,920
Speaker 1: girls get only wear dresses, certain little dresses because they

1197
01:07:04,920 --> 01:07:07,720
Speaker 1: put pants on in it. Damn me give a certain look.

1198
01:07:07,800 --> 01:07:10,240
Speaker 1: It's a different look, but they did when dresses get

1199
01:07:10,240 --> 01:07:13,360
Speaker 1: that look. But boy, that string, when he break it

1200
01:07:13,360 --> 01:07:18,640
Speaker 1: down to the bad minimum, that string, that string gonna

1201
01:07:18,680 --> 01:07:22,160
Speaker 1: show every time what kind of shape you're dealing with. Now,

1202
01:07:22,200 --> 01:07:24,960
Speaker 1: don't get me wrong. A lot of dudes that hit

1203
01:07:25,000 --> 01:07:29,080
Speaker 1: that mom. It don't matter if it jiggle boy. You

1204
01:07:29,160 --> 01:07:32,320
Speaker 1: got action with some guys. But but when you get

1205
01:07:32,360 --> 01:07:36,280
Speaker 1: the dealing with the bullge and the bullge to man,

1206
01:07:36,520 --> 01:07:38,800
Speaker 1: the top of your booty don't match the bottom of yo, Like,

1207
01:07:38,880 --> 01:07:42,080
Speaker 1: let me go to examining it. Some of these ain't

1208
01:07:42,120 --> 01:07:46,040
Speaker 1: trying to. Yeah, if it look thick, yeah, bring it here. Yeah, yeah,

1209
01:07:46,120 --> 01:07:49,480
Speaker 1: bring it here. You understand. But um, a lot of

1210
01:07:49,560 --> 01:07:53,800
Speaker 1: times that string gonna expose your doctor, you know results

1211
01:07:54,320 --> 01:07:57,240
Speaker 1: you understand, really the only thing exposed because the dresses

1212
01:07:57,280 --> 01:07:59,880
Speaker 1: I see, the dresses that make it look like he's

1213
01:08:00,120 --> 01:08:03,880
Speaker 1: right them dresses is one of the in my opinion,

1214
01:08:04,040 --> 01:08:08,520
Speaker 1: my humble opinion, the tight dress for the woman may

1215
01:08:08,560 --> 01:08:11,920
Speaker 1: be one of the greatest inventions known the man kind.

1216
01:08:12,960 --> 01:08:16,440
Speaker 1: You understand, not only what it does for her ability

1217
01:08:16,520 --> 01:08:19,360
Speaker 1: to fit in in the summer right and get air

1218
01:08:19,400 --> 01:08:22,639
Speaker 1: because I think a sun dress in certain dresses like that,

1219
01:08:23,000 --> 01:08:24,960
Speaker 1: it's made in a way where you're not as hot

1220
01:08:25,000 --> 01:08:28,920
Speaker 1: if you got jeans and sh right, but what it

1221
01:08:29,040 --> 01:08:31,880
Speaker 1: does for the shape and the figures also not to

1222
01:08:31,960 --> 01:08:36,040
Speaker 1: be looked over, you understand me. But pay attention when

1223
01:08:36,080 --> 01:08:37,960
Speaker 1: they got their string on, their string gonna show you

1224
01:08:38,000 --> 01:08:41,680
Speaker 1: what they're really working with for next two times, is

1225
01:08:41,760 --> 01:08:44,840
Speaker 1: now home. Give a round of applause for for next,

1226
01:08:48,200 --> 01:08:53,799
Speaker 1: for next two times is home? Right? Got the white boys,

1227
01:08:54,200 --> 01:08:57,720
Speaker 1: white boys cheering on my soundboard, shout out the road.

1228
01:08:58,240 --> 01:09:01,320
Speaker 1: Got that new role protester too. For my birthday, that's

1229
01:09:01,320 --> 01:09:04,080
Speaker 1: a whole other thing. Got a bunch of gifts. Birthday

1230
01:09:04,160 --> 01:09:06,840
Speaker 1: just passed. Y'all hit me with a cashper patron or

1231
01:09:06,880 --> 01:09:08,920
Speaker 1: something if you with the kid so I only I

1232
01:09:09,000 --> 01:09:11,160
Speaker 1: forgot that you posted a douche like god. I was

1233
01:09:11,200 --> 01:09:13,160
Speaker 1: just for the move on. I don't even talk about.

1234
01:09:13,360 --> 01:09:15,920
Speaker 1: But you know, my loved ones take good care of me, man,

1235
01:09:16,040 --> 01:09:19,880
Speaker 1: like my old lady. Got me this roadcaster pro or

1236
01:09:19,920 --> 01:09:23,439
Speaker 1: new MacBook, you know, some paper, a whole bunch of

1237
01:09:23,760 --> 01:09:25,759
Speaker 1: you know what I'm saying, Well for this two times,

1238
01:09:25,840 --> 01:09:28,240
Speaker 1: just came home man, for this is one of those guys.

1239
01:09:28,280 --> 01:09:31,000
Speaker 1: For those of you don't know, they came from Memphis.

1240
01:09:31,000 --> 01:09:33,400
Speaker 1: He had the song let me actually play the song

1241
01:09:33,800 --> 01:09:37,479
Speaker 1: from the South. You know this song right here. If

1242
01:09:37,479 --> 01:09:40,519
Speaker 1: you're not from the South, you might have heard it,

1243
01:09:40,560 --> 01:09:44,120
Speaker 1: may not, but this is well for this two times.

1244
01:09:44,160 --> 01:09:46,639
Speaker 1: This song kind of what got had his mot reach

1245
01:09:46,680 --> 01:09:49,280
Speaker 1: on it. And he also was cool with money bag yo,

1246
01:09:51,800 --> 01:09:54,519
Speaker 1: baby Mama's favorite books. I put up all of a

1247
01:09:54,600 --> 01:09:58,080
Speaker 1: safe I remember again, I got the Russian. Well he

1248
01:09:58,200 --> 01:10:00,360
Speaker 1: just got out man, Like I said, he is signed

1249
01:10:00,360 --> 01:10:02,280
Speaker 1: to rap a Lot. I always told y'all to pay

1250
01:10:02,320 --> 01:10:05,599
Speaker 1: attention to that competition with rapp a Lot and CMG.

1251
01:10:05,760 --> 01:10:08,240
Speaker 1: It seemed like they, you know, they're trying to Yeah

1252
01:10:08,320 --> 01:10:11,280
Speaker 1: with CMG, what we're doing. Uh, let's look at them

1253
01:10:11,320 --> 01:10:25,600
Speaker 1: jumping off the jet for this two times came up.

1254
01:10:25,840 --> 01:10:33,759
Speaker 1: They're doing you go. I'm gonna say, I'm like, don't

1255
01:10:34,200 --> 01:10:40,160
Speaker 1: that the way? I don't know how this day for

1256
01:10:40,280 --> 01:10:56,400
Speaker 1: dating you for dat? I don't know how this trans dripping?

1257
01:10:59,640 --> 01:11:21,800
Speaker 1: Don't you right? We'll see y'all boys, you know you

1258
01:11:21,920 --> 01:11:24,639
Speaker 1: like to always see come home. Do they think there's

1259
01:11:24,760 --> 01:11:29,160
Speaker 1: that's part of life, you know, elevation understanding, especially when

1260
01:11:29,200 --> 01:11:30,960
Speaker 1: they do it the right way and for all the

1261
01:11:31,080 --> 01:11:35,200
Speaker 1: tens and purposes. Um, it's been We've been notified that

1262
01:11:35,320 --> 01:11:37,240
Speaker 1: for the most part of far as we can tell

1263
01:11:37,360 --> 01:11:39,200
Speaker 1: for this has done it the right way. He ain't

1264
01:11:39,240 --> 01:11:41,840
Speaker 1: told on on that facing a lot of time. See,

1265
01:11:41,840 --> 01:11:44,600
Speaker 1: it's unfortunate that our stripes even gotta be earned in

1266
01:11:44,680 --> 01:11:48,920
Speaker 1: that way, right I stripes they got us done, tricked

1267
01:11:49,000 --> 01:11:51,640
Speaker 1: us into soldiers for some shit. It ain't worth nothing, right,

1268
01:11:51,720 --> 01:11:54,000
Speaker 1: we gotta earn our striping what there for the years

1269
01:11:54,040 --> 01:11:57,599
Speaker 1: on the line. Boy ain't saying nothing by nothing. And

1270
01:11:57,720 --> 01:12:01,360
Speaker 1: although that that's honorable in gangster, it's real right to

1271
01:12:01,479 --> 01:12:04,280
Speaker 1: stand on your word more important. But it's up that

1272
01:12:04,360 --> 01:12:06,720
Speaker 1: they got our life on the line about like that.

1273
01:12:07,479 --> 01:12:10,400
Speaker 1: Seeing for me, my nick, I always look at life

1274
01:12:10,400 --> 01:12:12,920
Speaker 1: and I like the joke and laughing, but man, she

1275
01:12:13,160 --> 01:12:15,760
Speaker 1: important to me that we understand the trick bag that

1276
01:12:15,840 --> 01:12:18,360
Speaker 1: we was in. I do want to let for this. No,

1277
01:12:18,479 --> 01:12:21,960
Speaker 1: we gotta get an interview in sup their podcasts Welcome Home,

1278
01:12:22,040 --> 01:12:27,160
Speaker 1: My Knee. It's different out here now right. Everybody dressing

1279
01:12:27,160 --> 01:12:29,640
Speaker 1: like they in the sports. The women are dressing like

1280
01:12:29,680 --> 01:12:32,439
Speaker 1: the tag team champions of the world, and the men

1281
01:12:32,520 --> 01:12:35,519
Speaker 1: are dressing like Mike Tyson and the Heavy way about

1282
01:12:35,560 --> 01:12:38,439
Speaker 1: in like ninety one. So we got a lot going

1283
01:12:38,520 --> 01:12:40,840
Speaker 1: on out here, you know, if you've been gone. I

1284
01:12:40,960 --> 01:12:43,519
Speaker 1: know Bobby looking at it, a couple of looking at

1285
01:12:43,600 --> 01:12:46,800
Speaker 1: it like okay, that they don't fast tracked. A lot

1286
01:12:46,840 --> 01:12:49,759
Speaker 1: of shop this eyes open, but get to the bag.

1287
01:12:49,840 --> 01:12:52,200
Speaker 1: Stay out of situations where you're back against the wall.

1288
01:12:52,240 --> 01:12:55,200
Speaker 1: Ain't no money against the wall. All the money out

1289
01:12:55,200 --> 01:12:57,400
Speaker 1: and open. You gotta get out there to get the money,

1290
01:12:57,479 --> 01:12:59,560
Speaker 1: right when they got your back against the wall like it,

1291
01:13:00,160 --> 01:13:04,400
Speaker 1: you know, and and and and Unfortunately, adversity build's character, right.

1292
01:13:05,000 --> 01:13:07,680
Speaker 1: You can build a character in your head, but you

1293
01:13:07,760 --> 01:13:10,439
Speaker 1: haven't build it out until you can see what it's

1294
01:13:10,479 --> 01:13:13,360
Speaker 1: like when it's under pressure. You understand me. When you

1295
01:13:13,400 --> 01:13:16,120
Speaker 1: see that other on call or due to hit that

1296
01:13:16,240 --> 01:13:20,320
Speaker 1: counter fact, Now, this is where your skill tested, not

1297
01:13:20,479 --> 01:13:23,360
Speaker 1: just shooting on training mold that ain't gonna do nothing

1298
01:13:23,360 --> 01:13:26,600
Speaker 1: when that adversity comes. Something in front you, Right. I

1299
01:13:26,640 --> 01:13:29,439
Speaker 1: always tell a twinging that that bag look good to

1300
01:13:29,479 --> 01:13:33,640
Speaker 1: any in front that ship. Yeah, y'all some of the

1301
01:13:33,640 --> 01:13:37,240
Speaker 1: best swinging in the world with nothing in front of you.

1302
01:13:37,240 --> 01:13:40,519
Speaker 1: You know what I'm saying, look like Joe Frazier with

1303
01:13:40,680 --> 01:13:45,400
Speaker 1: nothing in front of them. Let's talk about this. A

1304
01:13:45,560 --> 01:13:50,400
Speaker 1: guy showed up to his baby mother's home with a

1305
01:13:50,520 --> 01:13:56,000
Speaker 1: meal for his child, although she had other children. These

1306
01:13:56,000 --> 01:14:01,600
Speaker 1: circumstances caused a viral files storm in which the Internet

1307
01:14:01,640 --> 01:14:07,200
Speaker 1: reacted and everybody became corresponding, reporting live from a baby

1308
01:14:07,240 --> 01:14:13,200
Speaker 1: mama's perspective. Right me, I indulge Enny, I don't evolve

1309
01:14:13,280 --> 01:14:17,080
Speaker 1: myself with the internet shenanigans in regards to the comments

1310
01:14:17,120 --> 01:14:19,320
Speaker 1: and things like that. I let somebody else run my

1311
01:14:19,400 --> 01:14:22,040
Speaker 1: page in that way. But when it comes to me,

1312
01:14:23,000 --> 01:14:25,280
Speaker 1: I say, I talk about it on the podcast. I

1313
01:14:25,320 --> 01:14:28,160
Speaker 1: had a feeling that it was a moment. Anytime the

1314
01:14:28,280 --> 01:14:31,200
Speaker 1: cameras out of view, it fun, especially when the angles

1315
01:14:31,200 --> 01:14:34,240
Speaker 1: are so right. So again, but we move past that

1316
01:14:34,320 --> 01:14:36,439
Speaker 1: and we deal with what happened, because it is a

1317
01:14:36,479 --> 01:14:40,960
Speaker 1: conversation to be had, right, you gotta put yourself in

1318
01:14:40,960 --> 01:14:43,680
Speaker 1: a situation to understand things. So let's take a look

1319
01:14:43,720 --> 01:14:46,000
Speaker 1: at the video of him showing up. Let's look at

1320
01:14:46,000 --> 01:14:49,160
Speaker 1: her perspective, and we'll come back with some game about it.

1321
01:14:51,880 --> 01:14:56,479
Speaker 1: Look y'all, everything in my baby. Daddy come here with

1322
01:14:56,840 --> 01:15:01,880
Speaker 1: one emmal for my child. But I have three other kids.

1323
01:15:02,760 --> 01:15:04,920
Speaker 1: We have one kid together. But he only want to

1324
01:15:04,920 --> 01:15:07,400
Speaker 1: come and bring one thing to McDonald's. But what about

1325
01:15:07,400 --> 01:15:09,840
Speaker 1: my other kids? How come you can't see my other

1326
01:15:09,920 --> 01:15:12,880
Speaker 1: kids from McDonald's though? Like that focus is hell, Like

1327
01:15:12,960 --> 01:15:14,920
Speaker 1: you're not gonna sit here and make my other kids

1328
01:15:14,920 --> 01:15:18,280
Speaker 1: feel left out, and you're only bringing one child something

1329
01:15:18,640 --> 01:15:20,280
Speaker 1: and eat. Look there he goes and I bet you

1330
01:15:20,400 --> 01:15:23,559
Speaker 1: you only got one thing in there. I bet you

1331
01:15:23,640 --> 01:15:27,559
Speaker 1: he don't even I'm think they exposed about at him.

1332
01:15:27,760 --> 01:15:30,200
Speaker 1: Some people can see how he really is. It ain't

1333
01:15:30,240 --> 01:15:32,320
Speaker 1: more than it ain't more than enough food in that

1334
01:15:32,400 --> 01:15:39,439
Speaker 1: bag for everybody? What's up? Because I'm gonna expose you

1335
01:15:39,960 --> 01:15:42,000
Speaker 1: because that don't look that don't look enough for all

1336
01:15:42,040 --> 01:15:46,360
Speaker 1: my kids. That don't look enough for all my kids?

1337
01:15:46,400 --> 01:15:50,639
Speaker 1: What is that? That's just one burger, one bagger, my pride? Okay,

1338
01:15:50,640 --> 01:15:55,160
Speaker 1: what about my other kids? What about your other kids? Okay?

1339
01:15:55,320 --> 01:15:58,639
Speaker 1: But them your kids? That ones though, what are you talking?

1340
01:15:59,240 --> 01:16:02,799
Speaker 1: You're my kids? Damn your kids sibilants dogs. He finished.

1341
01:16:02,840 --> 01:16:05,200
Speaker 1: My other kids are gonna be left out. You didn't

1342
01:16:05,240 --> 01:16:07,840
Speaker 1: let them. You know, I don't get my food stamps

1343
01:16:07,840 --> 01:16:11,599
Speaker 1: to the navy. Listen, this is my problem. If you're

1344
01:16:11,600 --> 01:16:14,240
Speaker 1: trying to help out, though you're not helping out. That's

1345
01:16:15,000 --> 01:16:17,360
Speaker 1: help my son. But how are you happy y'allself where

1346
01:16:17,360 --> 01:16:19,840
Speaker 1: you're only getting kids from food for just helping out

1347
01:16:19,840 --> 01:16:23,200
Speaker 1: the other kids? Hit sibilants, you might hit sibilant No,

1348
01:16:24,280 --> 01:16:26,840
Speaker 1: he's nothing eat for all his other siblants and they're

1349
01:16:26,840 --> 01:16:29,880
Speaker 1: like leading No McDonalds bring y do I gotta put

1350
01:16:29,920 --> 01:16:32,720
Speaker 1: them bringing watching the car? No, no, no, he' not

1351
01:16:32,800 --> 01:16:35,600
Speaker 1: gonna eat that if you can't bring enough for everybody.

1352
01:16:35,640 --> 01:16:37,639
Speaker 1: List So you're telling me that I bring myself food,

1353
01:16:37,680 --> 01:16:41,040
Speaker 1: I gotta bring your kids food too though, Yes, dumb?

1354
01:16:41,320 --> 01:16:44,400
Speaker 1: How is that dumb? You sound dumb? You sound dumb.

1355
01:16:46,200 --> 01:16:48,560
Speaker 1: Nobody told you to talk to the the mother you have

1356
01:16:48,680 --> 01:16:51,719
Speaker 1: the other kids, they're your responsible they're not my responsibilities. Okay,

1357
01:16:51,760 --> 01:16:53,400
Speaker 1: but if you're gonna bring one, you need to bring

1358
01:16:53,479 --> 01:16:56,400
Speaker 1: it for all. How do that look that I'm playing

1359
01:16:56,680 --> 01:16:58,720
Speaker 1: one child? It made Donalds and all the rest of

1360
01:16:58,760 --> 01:17:01,719
Speaker 1: the kids can't eat no McDonald's. You know I get food?

1361
01:17:01,760 --> 01:17:04,599
Speaker 1: Steps on? That left three kids that ain't mind, three

1362
01:17:04,680 --> 01:17:08,960
Speaker 1: kids that ain't mind. Yeah, like there had you know

1363
01:17:09,080 --> 01:17:10,800
Speaker 1: what you were getting into when you had a baby

1364
01:17:10,840 --> 01:17:17,360
Speaker 1: with me, Yes you did. You think my kids? Okay,

1365
01:17:17,360 --> 01:17:19,240
Speaker 1: but you still had a baby with me. Who have

1366
01:17:19,400 --> 01:17:23,759
Speaker 1: kids with other people? I still have other kids. Because

1367
01:17:23,800 --> 01:17:26,800
Speaker 1: I'm exposing everybody, think you such a muffing good daddy.

1368
01:17:26,840 --> 01:17:29,760
Speaker 1: Don't no, you're not. No, you're not. You're foolish in this.

1369
01:17:30,560 --> 01:17:33,080
Speaker 1: You only come here with one and piece of food

1370
01:17:33,280 --> 01:17:37,599
Speaker 1: for one child. The child that's mine. Silly, No, that's

1371
01:17:37,720 --> 01:17:40,360
Speaker 1: dumb that you can't see the other kids, don't see

1372
01:17:40,439 --> 01:17:43,400
Speaker 1: nobody at audience. He can't make that. He can't eat it.

1373
01:17:43,520 --> 01:17:45,800
Speaker 1: Maybe if you had one or two falking like you know,

1374
01:17:45,920 --> 01:17:49,519
Speaker 1: maybe you got it's four, it's three extra keys like

1375
01:17:49,520 --> 01:17:51,640
Speaker 1: going to my mother account. It spending money on all

1376
01:17:51,680 --> 01:17:53,479
Speaker 1: those kids. There's something to my my kids. Them are

1377
01:17:53,600 --> 01:17:56,800
Speaker 1: your kids siblings though, So that's that's that's what you're

1378
01:17:56,840 --> 01:17:59,040
Speaker 1: gonna go with. That's the one dumb are your kids

1379
01:17:59,040 --> 01:18:03,880
Speaker 1: siblings day? Yeah? So don't No, I didn't know. You

1380
01:18:03,880 --> 01:18:05,280
Speaker 1: have to take care of them. You can bring them

1381
01:18:05,320 --> 01:18:07,080
Speaker 1: something to eat. If you bring one something to eat,

1382
01:18:07,120 --> 01:18:08,880
Speaker 1: I bring them food and the other day with you

1383
01:18:08,920 --> 01:18:11,280
Speaker 1: man exactly, But you don't never bring food for the

1384
01:18:11,360 --> 01:18:13,800
Speaker 1: other ones. You know. I get my food stamps on

1385
01:18:13,960 --> 01:18:19,160
Speaker 1: the living Okay, but I'm saying we share the same

1386
01:18:19,280 --> 01:18:22,560
Speaker 1: kid as well. Absolutely so if you want to you,

1387
01:18:22,720 --> 01:18:24,240
Speaker 1: if you feel like I feel the way about eating,

1388
01:18:24,320 --> 01:18:26,080
Speaker 1: taking in the room and let it. I'm not taking

1389
01:18:26,120 --> 01:18:27,640
Speaker 1: my kid in the room out to the car. He

1390
01:18:27,640 --> 01:18:32,200
Speaker 1: didn't even gonna at the carven me. No, no, you

1391
01:18:32,240 --> 01:18:34,800
Speaker 1: know what, fine, give it here, don't you give it here,

1392
01:18:35,240 --> 01:18:41,960
Speaker 1: Give it here, give it here. He ain't eating is cute?

1393
01:18:42,560 --> 01:18:44,320
Speaker 1: You just do it because you ain't bringing up for

1394
01:18:44,360 --> 01:18:49,240
Speaker 1: all the others. You're stupid, stupid, selfish, is like you're

1395
01:18:49,360 --> 01:18:51,920
Speaker 1: dumbest hell here, dumbest hell. He's nothing to eat that

1396
01:18:52,680 --> 01:18:55,760
Speaker 1: dump anyway, dump see nothing to do it if you can,

1397
01:18:57,280 --> 01:19:01,559
Speaker 1: but for all dumb door for none of them. All Right,

1398
01:19:01,600 --> 01:19:03,360
Speaker 1: So you see that, and I want to provide a

1399
01:19:03,400 --> 01:19:06,960
Speaker 1: couple of different perspectives on this man. You know, I

1400
01:19:07,040 --> 01:19:09,519
Speaker 1: think life is about what you understand and how you

1401
01:19:09,640 --> 01:19:13,479
Speaker 1: navigate through it. Right. Position is important when you're dealing

1402
01:19:13,520 --> 01:19:15,439
Speaker 1: with these kind of things. I think if the guy

1403
01:19:15,880 --> 01:19:18,280
Speaker 1: involved in this had a bank roll, I don't think

1404
01:19:18,320 --> 01:19:21,160
Speaker 1: that's a question, right. If you got the money, then

1405
01:19:21,200 --> 01:19:23,439
Speaker 1: if he pull up into Bentley, if he pull up

1406
01:19:23,479 --> 01:19:27,840
Speaker 1: into being as a cadillaca, a new call would drip on.

1407
01:19:28,000 --> 01:19:32,439
Speaker 1: And now that he can probably afford it, although being

1408
01:19:32,520 --> 01:19:36,360
Speaker 1: able to afford it and being held a counterboard two

1409
01:19:36,400 --> 01:19:40,240
Speaker 1: different things. I need people to follow me as I

1410
01:19:40,360 --> 01:19:44,280
Speaker 1: navigate through the weeds with this. Right when the guy

1411
01:19:44,320 --> 01:19:47,120
Speaker 1: pulls up into Monte Carlo, that already says to me

1412
01:19:47,240 --> 01:19:51,200
Speaker 1: he ain't battening a thousand. Ye're now he badly making it.

1413
01:19:51,720 --> 01:19:54,240
Speaker 1: You understand he ain't one of them guys. So now

1414
01:19:54,439 --> 01:19:57,760
Speaker 1: I already manage my expectations when I see him, and

1415
01:19:57,880 --> 01:20:01,559
Speaker 1: sometimes we have a problem with managing that expectation. Show

1416
01:20:01,640 --> 01:20:04,680
Speaker 1: do you see, dude? You know what type vibration? This is?

1417
01:20:04,720 --> 01:20:07,800
Speaker 1: What type? What is this dude? Right respectfully to him,

1418
01:20:08,120 --> 01:20:10,160
Speaker 1: I know this is a character, but let's deal with

1419
01:20:10,280 --> 01:20:14,080
Speaker 1: the with it where laid at constant reminder, the black

1420
01:20:14,120 --> 01:20:17,320
Speaker 1: man gotta perform three times better than these other guys.

1421
01:20:18,120 --> 01:20:21,439
Speaker 1: Black man gotta be three hundred percent of what is

1422
01:20:21,479 --> 01:20:24,880
Speaker 1: to even be considered high level. And it's a shame.

1423
01:20:24,960 --> 01:20:27,120
Speaker 1: I gotta put two and three hours a game down

1424
01:20:27,200 --> 01:20:29,800
Speaker 1: a week for people to even say it's worth listening to.

1425
01:20:30,439 --> 01:20:32,800
Speaker 1: Why these other dudes give you fifty minutes where they

1426
01:20:32,840 --> 01:20:35,720
Speaker 1: gets talk thirty eight minutes of it. I understand the

1427
01:20:35,760 --> 01:20:37,680
Speaker 1: game is the game, so I put the work in.

1428
01:20:38,439 --> 01:20:41,080
Speaker 1: But look at this dude. He brained in full for

1429
01:20:41,120 --> 01:20:45,000
Speaker 1: this woman. I don't think he's in the best financial situation. Now,

1430
01:20:45,080 --> 01:20:47,040
Speaker 1: if you're balling, then you do that, I'm gonna look

1431
01:20:47,040 --> 01:20:49,519
Speaker 1: at you. It's petty. You don't have to do anything

1432
01:20:49,560 --> 01:20:51,519
Speaker 1: but if you can afford to. I don't see the

1433
01:20:51,600 --> 01:20:55,080
Speaker 1: issue as that is your hus siblings, right. I also

1434
01:20:55,160 --> 01:20:57,560
Speaker 1: look at it and say, hold long, though, if I

1435
01:20:57,720 --> 01:21:00,800
Speaker 1: bring in some and the expectations is me to brain

1436
01:21:00,920 --> 01:21:03,720
Speaker 1: somewhow why we don't share them expectations what the other

1437
01:21:03,760 --> 01:21:06,280
Speaker 1: baby dadd is? See a lot of times they put

1438
01:21:06,320 --> 01:21:08,880
Speaker 1: one more on one baby daddy because he did, and

1439
01:21:09,000 --> 01:21:11,760
Speaker 1: these other one because they that like for me. I

1440
01:21:11,800 --> 01:21:15,479
Speaker 1: don't understand that. If the expectations is the expectation, let

1441
01:21:15,520 --> 01:21:19,160
Speaker 1: them be clear and concise. Yeah, let everybody get the

1442
01:21:19,200 --> 01:21:23,599
Speaker 1: same expectation. You understand me? So um to be fair?

1443
01:21:24,600 --> 01:21:27,599
Speaker 1: You know you say black man can't win I brain

1444
01:21:27,720 --> 01:21:30,280
Speaker 1: food for my chip child. I'm wrong because I didn't

1445
01:21:30,280 --> 01:21:32,880
Speaker 1: bring it for the whole house. Man, I pull up

1446
01:21:32,880 --> 01:21:35,240
Speaker 1: in the nine eight Monte Carlo. I can't find an

1447
01:21:35,280 --> 01:21:38,760
Speaker 1: engine for this mother. They don't even sell lease no more.

1448
01:21:38,880 --> 01:21:40,559
Speaker 1: And you think I got the kind of money to

1449
01:21:40,600 --> 01:21:44,439
Speaker 1: be able to just wham. I might be broke, but

1450
01:21:44,520 --> 01:21:46,960
Speaker 1: I find it crazy that sometimes people will put the

1451
01:21:47,040 --> 01:21:49,280
Speaker 1: pressure on you that they don't put on the man

1452
01:21:49,400 --> 01:21:53,160
Speaker 1: that enjoyed the nut. Yo, when you enjoy that nut,

1453
01:21:53,240 --> 01:21:57,479
Speaker 1: you pay for that. Now you pay for that one, yo.

1454
01:21:57,680 --> 01:21:59,720
Speaker 1: Now that one where you left it in and boy

1455
01:21:59,760 --> 01:22:02,040
Speaker 1: you I lost for them to eight seconds. That one

1456
01:22:02,120 --> 01:22:05,080
Speaker 1: cost ship, and now I got to pay for that one.

1457
01:22:05,120 --> 01:22:07,360
Speaker 1: I ain't enjoyed that one. Man. If I enjoyed the

1458
01:22:07,400 --> 01:22:11,320
Speaker 1: eight seconds, it cost me eighteen years. You know what

1459
01:22:11,360 --> 01:22:13,960
Speaker 1: I'm saying cost me a lifetime because you know, but

1460
01:22:14,040 --> 01:22:16,559
Speaker 1: I'm saying just from a legal perspective. You know, we

1461
01:22:16,640 --> 01:22:18,840
Speaker 1: look at like, Yo, it cost me eighteen years that

1462
01:22:18,960 --> 01:22:22,240
Speaker 1: eight seconds right there when I yeah, it was the ship,

1463
01:22:23,200 --> 01:22:26,920
Speaker 1: but damn, I gotta handle what he enjoyed that feel funny?

1464
01:22:27,600 --> 01:22:30,280
Speaker 1: Nah man got a better fruit of his own label,

1465
01:22:30,880 --> 01:22:32,960
Speaker 1: and he wouldn't to work on that little ship. Not

1466
01:22:33,240 --> 01:22:36,240
Speaker 1: me covered all aspects, like you knew what you was

1467
01:22:36,280 --> 01:22:39,680
Speaker 1: getting yourself into. I want to kenn of Man say that, Yo,

1468
01:22:39,760 --> 01:22:42,200
Speaker 1: you dating me, I got forty thousand dollars a month

1469
01:22:42,280 --> 01:22:44,360
Speaker 1: and bids. You knew what you was getting yourself into.

1470
01:22:44,479 --> 01:22:49,880
Speaker 1: Now where you're twenty k Yeah, yeah, now I got

1471
01:22:49,920 --> 01:22:52,559
Speaker 1: forty thousand and then bills of money where you're twenty k.

1472
01:22:52,680 --> 01:22:54,920
Speaker 1: You knew what you was getting yourself into. Dating tone

1473
01:22:55,080 --> 01:22:58,000
Speaker 1: with a condo in two houses, you knew what that

1474
01:22:58,160 --> 01:23:01,840
Speaker 1: was she gonna be like, nah, this yo, it's your situation. Nah,

1475
01:23:01,960 --> 01:23:04,880
Speaker 1: you knew what you was getting yourself into. You knew

1476
01:23:04,920 --> 01:23:09,160
Speaker 1: my lifestyle was. It's like, na, ain't nobody sharing that.

1477
01:23:09,320 --> 01:23:11,639
Speaker 1: And so for me, I really like I say, man,

1478
01:23:11,680 --> 01:23:14,080
Speaker 1: if you got the money, if you're balling, it ain't nothing.

1479
01:23:14,160 --> 01:23:17,040
Speaker 1: I don't think it's nothing. I just think it's unfortunate

1480
01:23:17,120 --> 01:23:20,280
Speaker 1: that we don't even consider to find the answer. Situation.

1481
01:23:21,320 --> 01:23:23,640
Speaker 1: He pulled up and wanted the cheapest outfits out of

1482
01:23:23,680 --> 01:23:27,040
Speaker 1: unseen in a Monte Carlo, and we're gonna tell him, man,

1483
01:23:27,080 --> 01:23:30,000
Speaker 1: you pulled the band brain something about it. Let me

1484
01:23:30,080 --> 01:23:34,519
Speaker 1: say this public service announcement. If you got a little

1485
01:23:34,560 --> 01:23:37,960
Speaker 1: boy he keep getting caught with a fake gun where

1486
01:23:38,000 --> 01:23:40,680
Speaker 1: he caring and like it looked real, you gotta get

1487
01:23:40,720 --> 01:23:43,600
Speaker 1: ahold of because he's falling victim to being a wanna be.

1488
01:23:45,640 --> 01:23:49,599
Speaker 1: That is the early stages of wanna be riding around

1489
01:23:49,680 --> 01:23:52,840
Speaker 1: with your gun on you, you know, or done spray

1490
01:23:52,920 --> 01:23:55,800
Speaker 1: painted it black. You're gonna because why I'm saying this

1491
01:23:56,160 --> 01:23:59,000
Speaker 1: is young boys are getting killed for having these little

1492
01:23:59,040 --> 01:24:03,000
Speaker 1: things on them. Right These videos or these music videos

1493
01:24:03,000 --> 01:24:06,479
Speaker 1: with these dudes prancing around with the loaded weapons have led,

1494
01:24:07,040 --> 01:24:10,400
Speaker 1: have led to the depths or some of these children. Right.

1495
01:24:10,439 --> 01:24:14,200
Speaker 1: I remember a Facebook video going around that hurt my

1496
01:24:14,320 --> 01:24:17,920
Speaker 1: soul with scarred in my mind. I probably never get

1497
01:24:17,960 --> 01:24:20,760
Speaker 1: over seeing that. I don't watch like that. But the

1498
01:24:20,840 --> 01:24:24,520
Speaker 1: internet is a weird place and it's slippery. They accepted

1499
01:24:24,600 --> 01:24:26,960
Speaker 1: when they looked like us, and they neglected when they

1500
01:24:27,000 --> 01:24:29,559
Speaker 1: looked like them. I'm aware and I'm alert. Let me

1501
01:24:29,640 --> 01:24:33,080
Speaker 1: say that again. I'm alert. I'm gonna move on. I

1502
01:24:34,000 --> 01:24:37,439
Speaker 1: watched on the internet they had a little girl in

1503
01:24:37,479 --> 01:24:39,559
Speaker 1: the room with one of them guns, the rappers guy

1504
01:24:39,800 --> 01:24:41,600
Speaker 1: with the drum on it, and I'm telling you, it

1505
01:24:41,720 --> 01:24:43,639
Speaker 1: hurt my heart. I wanted to go out and smack

1506
01:24:43,680 --> 01:24:46,920
Speaker 1: one of them, just the first I see. I want

1507
01:24:46,960 --> 01:24:49,200
Speaker 1: to smack him because I know what I'm dealing with.

1508
01:24:49,479 --> 01:24:52,920
Speaker 1: But I know love. It's without judgment. So I know

1509
01:24:53,000 --> 01:24:55,479
Speaker 1: we lost, but to get lost is defining the way.

1510
01:24:55,560 --> 01:24:58,839
Speaker 1: So I don't look at us. I'm just embarrassed for us.

1511
01:24:59,000 --> 01:25:02,000
Speaker 1: I know we with it. We're weighed more smarter than that, right,

1512
01:25:02,400 --> 01:25:08,000
Speaker 1: But our conditions calls us to cripple. I understand it.

1513
01:25:08,840 --> 01:25:13,000
Speaker 1: Our conditions calls us to develop in a specific way,

1514
01:25:13,000 --> 01:25:14,880
Speaker 1: and I get that so I try to view it

1515
01:25:14,880 --> 01:25:16,920
Speaker 1: through the lens of a man that has a little

1516
01:25:16,960 --> 01:25:19,800
Speaker 1: more information. But ain't no better than anyone coming through

1517
01:25:19,800 --> 01:25:22,519
Speaker 1: this tunnel. I know this tunnel leads us to the

1518
01:25:22,560 --> 01:25:25,360
Speaker 1: other side. I'm trying to bridge the gap every day.

1519
01:25:25,400 --> 01:25:28,880
Speaker 1: That's my mission. Bridge that bridge that. That's what I'm doing.

1520
01:25:29,120 --> 01:25:31,599
Speaker 1: But when these children get caught in this weird place,

1521
01:25:31,840 --> 01:25:35,280
Speaker 1: I was so upset. The little girl playing on the phone,

1522
01:25:35,320 --> 01:25:38,040
Speaker 1: she didn't win live with the gun. Foon the gun

1523
01:25:38,120 --> 01:25:42,679
Speaker 1: go off, hit them, she falled, It hit the ground, boom,

1524
01:25:42,800 --> 01:25:46,639
Speaker 1: hit the other dude, he falled. It killed two kids.

1525
01:25:46,680 --> 01:25:49,439
Speaker 1: People come in there because they hit the gunshots coming

1526
01:25:49,479 --> 01:25:51,719
Speaker 1: in and see them. They still don't live now they holly,

1527
01:25:52,680 --> 01:25:56,000
Speaker 1: My thing is, now, what was that? That's a video,

1528
01:25:56,200 --> 01:26:00,400
Speaker 1: that's a that's strictly from the music I mean, Barriss.

1529
01:26:00,400 --> 01:26:02,400
Speaker 1: But we try to scare our way to the top.

1530
01:26:02,520 --> 01:26:05,639
Speaker 1: We try to Scott Nick right at what they're doing,

1531
01:26:05,760 --> 01:26:07,960
Speaker 1: trying to scale each other to the top. I ain't

1532
01:26:08,000 --> 01:26:10,160
Speaker 1: like the mother Rabbits. If I tell you do a feature,

1533
01:26:10,200 --> 01:26:15,439
Speaker 1: all this shit ain't working. Getting indicted, oh now, holding

1534
01:26:15,520 --> 01:26:18,599
Speaker 1: me to keep them sticks, all of these getting indicted.

1535
01:26:19,880 --> 01:26:22,719
Speaker 1: But I'm thinking in a weird way. Some of these saying,

1536
01:26:22,760 --> 01:26:26,479
Speaker 1: man is worth the indictment. If I get up out this,

1537
01:26:27,000 --> 01:26:29,120
Speaker 1: it's worth the indictment. I'm gonna go do teen and

1538
01:26:29,240 --> 01:26:35,840
Speaker 1: come back thin. And that's embarrassing because it's several ways

1539
01:26:35,880 --> 01:26:39,559
Speaker 1: for us to get out this tunnel. It's several ways

1540
01:26:39,560 --> 01:26:41,479
Speaker 1: for us to navigate out. But when you got a

1541
01:26:41,600 --> 01:26:44,920
Speaker 1: child and he want to carry the gun and put

1542
01:26:44,960 --> 01:26:47,400
Speaker 1: it on his hip and hiding under this bed, and

1543
01:26:47,680 --> 01:26:51,560
Speaker 1: you're dealing with the early stages of either wanna be

1544
01:26:52,040 --> 01:26:56,800
Speaker 1: or killer, both of them, guys are in trouble. Every

1545
01:26:56,920 --> 01:27:00,000
Speaker 1: law that in my town. Then you got this manditude

1546
01:27:00,040 --> 01:27:03,559
Speaker 1: over eighty five. No, it's a mandatory one hundred percent

1547
01:27:04,520 --> 01:27:08,040
Speaker 1: on all the little gun, all their little murder assault.

1548
01:27:08,320 --> 01:27:11,960
Speaker 1: It's a hundred percent non negotiable. And my thing gets

1549
01:27:12,000 --> 01:27:15,840
Speaker 1: you already running around playing that little game, gonna get

1550
01:27:15,880 --> 01:27:19,680
Speaker 1: spain because you think because you got a gun, the

1551
01:27:19,760 --> 01:27:23,760
Speaker 1: skull is even you didn't know. I had cameras all

1552
01:27:23,760 --> 01:27:27,759
Speaker 1: around the spot. I knew what the only blast spot

1553
01:27:27,960 --> 01:27:33,439
Speaker 1: was and saw you coming. Picked you right off because

1554
01:27:33,439 --> 01:27:36,200
Speaker 1: you got your gun. But you ain't dealing with no information. Young.

1555
01:27:37,560 --> 01:27:39,439
Speaker 1: You got a big gun, but you ain't never been

1556
01:27:39,479 --> 01:27:42,240
Speaker 1: through training. Here, you're looking like you're just looking like

1557
01:27:42,280 --> 01:27:46,519
Speaker 1: a fig case to me. Nah, you're looking like a

1558
01:27:46,520 --> 01:27:48,960
Speaker 1: fig case to me. With that big old weapon name,

1559
01:27:49,200 --> 01:27:51,519
Speaker 1: none don't know what to do with it. I don't

1560
01:27:51,520 --> 01:27:53,840
Speaker 1: know whether you guy grew up atter how they grew up.

1561
01:27:53,880 --> 01:27:57,880
Speaker 1: I saw street dudes rolling and on the ground gun walls.

1562
01:27:57,960 --> 01:28:01,400
Speaker 1: I saw it with my own ass, knowing his participation.

1563
01:28:02,000 --> 01:28:05,080
Speaker 1: Stop me when I'm lying. I'm not telling no lies

1564
01:28:05,160 --> 01:28:10,240
Speaker 1: in here. May ever I saw one so again understanding that, bro.

1565
01:28:11,000 --> 01:28:14,440
Speaker 1: See everybody want to thug or gangster for a boyfriend,

1566
01:28:14,479 --> 01:28:18,200
Speaker 1: but not for a son. And see they confuse that

1567
01:28:18,280 --> 01:28:22,519
Speaker 1: their son is watching who they like as a boyfriend, right,

1568
01:28:22,800 --> 01:28:25,200
Speaker 1: your boyfriend or your man or the guy that the

1569
01:28:25,320 --> 01:28:27,760
Speaker 1: dude you choose to love. If he one of them

1570
01:28:27,800 --> 01:28:30,240
Speaker 1: ones to end and out of prison and the kids

1571
01:28:30,240 --> 01:28:32,639
Speaker 1: get to see him what they found. Say, I try

1572
01:28:32,680 --> 01:28:36,160
Speaker 1: to be discreet. My children know I got guns and

1573
01:28:36,560 --> 01:28:38,639
Speaker 1: I have to move a certain way, but they don't

1574
01:28:38,680 --> 01:28:41,320
Speaker 1: never I ain't just you know, it ain't like that.

1575
01:28:42,120 --> 01:28:44,240
Speaker 1: The image that I need them to see is the man.

1576
01:28:44,240 --> 01:28:46,040
Speaker 1: They get up and go to work and take care

1577
01:28:46,080 --> 01:28:51,280
Speaker 1: of business every single day faithfully, no matter what the circumstances,

1578
01:28:51,680 --> 01:28:56,280
Speaker 1: upright and independent, always about it us, never them. I

1579
01:28:56,360 --> 01:28:59,240
Speaker 1: need them to know that and stand firm. And I

1580
01:28:59,280 --> 01:29:03,080
Speaker 1: saw him doing that right. But the kids paying attention

1581
01:29:03,120 --> 01:29:05,320
Speaker 1: to who you marrying and who you're going with, And

1582
01:29:05,400 --> 01:29:08,400
Speaker 1: so he gang banging. He ain't got no job, and

1583
01:29:08,520 --> 01:29:11,320
Speaker 1: he stay up all night. And that's what the children

1584
01:29:11,400 --> 01:29:13,960
Speaker 1: want to do. And if they don't get a hold

1585
01:29:14,000 --> 01:29:17,360
Speaker 1: to that. You're breathing something that ain't gonna see. You

1586
01:29:17,479 --> 01:29:21,840
Speaker 1: breathing a big dog with a little nose. Are you

1587
01:29:21,960 --> 01:29:26,720
Speaker 1: breathing what they called a show horse? Them don't live long. Now.

1588
01:29:26,840 --> 01:29:29,639
Speaker 1: You ain't breathing no old faithful you breathing a show horse.

1589
01:29:29,720 --> 01:29:32,080
Speaker 1: You're breathing a big, old, good looking dog with a

1590
01:29:32,160 --> 01:29:34,840
Speaker 1: little nose. See that little nose me? And he can't

1591
01:29:34,840 --> 01:29:39,200
Speaker 1: breathe good, So it won't be long. Stay at the doctor,

1592
01:29:39,240 --> 01:29:41,680
Speaker 1: stay needing, sir, that little bit of nose on that

1593
01:29:41,840 --> 01:29:44,840
Speaker 1: big dog. But see you don't know it's a show horse.

1594
01:29:46,439 --> 01:29:49,639
Speaker 1: We don't need no more show horses. Yeah, we're blending

1595
01:29:49,720 --> 01:29:54,160
Speaker 1: in the shoal horses. Now we're blending in and shoul horses.

1596
01:29:54,200 --> 01:29:57,080
Speaker 1: That's the trick. Bad We put them in. Yeah, we

1597
01:29:57,160 --> 01:30:00,200
Speaker 1: show horses, yeah yeah, yeah, gang gang yeah yeah yeah,

1598
01:30:00,640 --> 01:30:04,080
Speaker 1: while we build it the whole time. But let me

1599
01:30:04,120 --> 01:30:07,840
Speaker 1: be quiet and let y'all just let that like the

1600
01:30:07,880 --> 01:30:10,800
Speaker 1: home and say sizzling your spirit. Man, you know what

1601
01:30:10,840 --> 01:30:13,439
Speaker 1: I'm saying. But I think we gotta wake up dog,

1602
01:30:13,520 --> 01:30:15,960
Speaker 1: and we gotta put ourselves in a situation to really

1603
01:30:16,000 --> 01:30:18,360
Speaker 1: elevate and let the kids know. Now the ones are

1604
01:30:18,360 --> 01:30:21,800
Speaker 1: working hard them, the ones, you're the ones is going

1605
01:30:21,880 --> 01:30:26,000
Speaker 1: to get at them. The wands now upright and independent,

1606
01:30:26,240 --> 01:30:29,719
Speaker 1: never them always up. And we stopped with the Chris

1607
01:30:29,760 --> 01:30:33,120
Speaker 1: Brown and Usher talk respectfully. I love Chris. Chris is

1608
01:30:33,160 --> 01:30:36,679
Speaker 1: a legend, but USh is a different thing. Man. I'm

1609
01:30:36,720 --> 01:30:39,080
Speaker 1: talking about twenty of them things with the verses man

1610
01:30:39,120 --> 01:30:42,639
Speaker 1: when come Home Man, Usher and the R Kelly Usher

1611
01:30:42,640 --> 01:30:45,720
Speaker 1: and R Kelly is the is the move now I'm

1612
01:30:45,720 --> 01:30:48,160
Speaker 1: talking about. But it ain't gonna be no Usher Chris Brown.

1613
01:30:48,240 --> 01:30:50,560
Speaker 1: It just ain't gonna be to me. I think it

1614
01:30:50,680 --> 01:30:52,920
Speaker 1: maybe because I grew up in the area. Maybe the

1615
01:30:53,000 --> 01:30:55,479
Speaker 1: younger kids tell me if y'all think Chris Brown got

1616
01:30:55,479 --> 01:30:58,320
Speaker 1: them kind of things that Usher got. Usher had some

1617
01:30:58,720 --> 01:31:01,960
Speaker 1: that Jermaine had a tune. It was a certain sound,

1618
01:31:03,320 --> 01:31:05,679
Speaker 1: you know, and Chris got that sound. But the beats,

1619
01:31:05,680 --> 01:31:08,160
Speaker 1: it's something, man, it's something that I don't know. I

1620
01:31:08,200 --> 01:31:10,599
Speaker 1: can't put a thing on. It was just great music.

1621
01:31:10,960 --> 01:31:13,080
Speaker 1: And I don't think that we're doing it any justice

1622
01:31:13,120 --> 01:31:16,120
Speaker 1: when we say that. Um, him and Chris Brown would

1623
01:31:16,120 --> 01:31:18,439
Speaker 1: be a good matchup in my opinion. You know, I

1624
01:31:18,520 --> 01:31:21,639
Speaker 1: love Chris Brown. He's smoking that he in a weird

1625
01:31:21,720 --> 01:31:25,240
Speaker 1: place because he's smoking everybody else. But then us, she's

1626
01:31:25,280 --> 01:31:27,880
Speaker 1: just a little too high, you know what I'm saying.

1627
01:31:28,320 --> 01:31:30,320
Speaker 1: It's like that, it's a weird thing because it's like

1628
01:31:30,400 --> 01:31:34,640
Speaker 1: who else, Well, it ain't really nobody else, because everybody

1629
01:31:34,640 --> 01:31:38,280
Speaker 1: else Chris gonna make them look small. And so it

1630
01:31:38,280 --> 01:31:41,040
Speaker 1: ain't an. It ain't an It ain't disrespect or it

1631
01:31:41,080 --> 01:31:46,040
Speaker 1: ain't to diminish, right, it's just to identify and say

1632
01:31:46,080 --> 01:31:48,599
Speaker 1: that's how great us she is behoming you just as

1633
01:31:48,680 --> 01:31:52,599
Speaker 1: great and still rolling. But but that's just a little

1634
01:31:52,640 --> 01:31:56,479
Speaker 1: too high. You gotta give us more than them slowed

1635
01:31:56,560 --> 01:31:59,280
Speaker 1: down joints like that, some of them joints, some of

1636
01:31:59,280 --> 01:32:01,280
Speaker 1: them slowed down. And I know you got a lot

1637
01:32:01,320 --> 01:32:03,960
Speaker 1: of them fans, don't smother me. I know we got

1638
01:32:03,960 --> 01:32:06,719
Speaker 1: a lot of them, but some of them seven the clocks,

1639
01:32:06,720 --> 01:32:10,280
Speaker 1: and some of them them little John them lovers and friends,

1640
01:32:10,360 --> 01:32:14,479
Speaker 1: or some of them what is that seduction or like

1641
01:32:14,960 --> 01:32:17,200
Speaker 1: dude got some of them joints back in the day,

1642
01:32:17,320 --> 01:32:21,880
Speaker 1: confessions all that, Like, come on, son, you know what

1643
01:32:21,920 --> 01:32:28,760
Speaker 1: I'm noticing. I'm noticing that first. I'm like, yo, lone,

1644
01:32:28,760 --> 01:32:31,320
Speaker 1: there's so much going on. Why we only why we

1645
01:32:31,400 --> 01:32:34,479
Speaker 1: be having these conversations where we arguing and going back

1646
01:32:34,520 --> 01:32:38,160
Speaker 1: and forth about these frivolous topics, and so I wonder

1647
01:32:38,200 --> 01:32:42,320
Speaker 1: why aren't we having those real conversations. Then I have

1648
01:32:42,400 --> 01:32:47,000
Speaker 1: to think noe were having those real conversations. The problem

1649
01:32:47,040 --> 01:32:49,519
Speaker 1: ain't we ain't having them. The problem is we're more

1650
01:32:49,560 --> 01:32:55,439
Speaker 1: loud about the bullsh Right, the bullsh get more traction,

1651
01:32:56,360 --> 01:32:58,880
Speaker 1: get more attention. And I'm not sure if it's I

1652
01:32:58,880 --> 01:33:01,840
Speaker 1: don't think it's because we're uneducated. And that's the only

1653
01:33:02,000 --> 01:33:04,680
Speaker 1: vibration that we can identify with. What our think is

1654
01:33:04,720 --> 01:33:08,479
Speaker 1: happening is is that we just love to indulge in that.

1655
01:33:09,439 --> 01:33:12,479
Speaker 1: Someone has to be innovative man to be able to

1656
01:33:12,520 --> 01:33:14,519
Speaker 1: put the medicine in the candy in a way to

1657
01:33:14,600 --> 01:33:18,240
Speaker 1: resonate because it's clear that the page to post something. Well,

1658
01:33:18,880 --> 01:33:22,400
Speaker 1: Luckily for me, I deal with both topics, right, So

1659
01:33:22,439 --> 01:33:27,200
Speaker 1: I give you the highest level of understanding on certain things. Right,

1660
01:33:27,320 --> 01:33:30,120
Speaker 1: game is what I call it. It's really the highest

1661
01:33:30,200 --> 01:33:33,679
Speaker 1: level of understanding. I give you that on one side,

1662
01:33:33,680 --> 01:33:37,920
Speaker 1: and then on the other side, ideal with maybe some

1663
01:33:38,000 --> 01:33:40,679
Speaker 1: of the bullish, some of the like now we're dealing

1664
01:33:40,720 --> 01:33:43,960
Speaker 1: with more submissive women and its arguments on both sides. Dudes,

1665
01:33:44,040 --> 01:33:47,960
Speaker 1: Just won't you nice? You know what I'm saying. Submissive

1666
01:33:48,040 --> 01:33:51,680
Speaker 1: maybe a word that by definition, but I understanding this, yo,

1667
01:33:51,880 --> 01:34:00,360
Speaker 1: just be nice to an provide peace peace offering, a

1668
01:34:00,400 --> 01:34:03,960
Speaker 1: peace offering what we are arguing? What is that? Right?

1669
01:34:04,240 --> 01:34:06,479
Speaker 1: And so I go to thinking, like, yo, we louder

1670
01:34:06,479 --> 01:34:09,160
Speaker 1: about that because killer Mike is gonna revoke killing it

1671
01:34:09,200 --> 01:34:13,639
Speaker 1: with the certain conversations. You got one nine nineteen keys

1672
01:34:13,680 --> 01:34:17,719
Speaker 1: over the killing it with certain conversations. Right, of course,

1673
01:34:17,760 --> 01:34:21,360
Speaker 1: I provide you certain conversations. You got so many different

1674
01:34:21,680 --> 01:34:26,160
Speaker 1: waves of things happening. But in all those things get

1675
01:34:26,160 --> 01:34:29,799
Speaker 1: the traction that it deserves to sustain itself in the market.

1676
01:34:29,880 --> 01:34:32,479
Speaker 1: Let's be clear with that. But what I'm saying is

1677
01:34:32,520 --> 01:34:36,880
Speaker 1: I see that even in my own observation right, because

1678
01:34:36,880 --> 01:34:40,040
Speaker 1: I deal in both worlds. I see what y'all louder

1679
01:34:40,080 --> 01:34:43,519
Speaker 1: about this than y'all about that, And then my approach

1680
01:34:43,560 --> 01:34:47,600
Speaker 1: to that was that should resonate way further than me

1681
01:34:47,760 --> 01:34:55,640
Speaker 1: speaking about arguing about what's a submissive woman. I understand

1682
01:34:55,680 --> 01:34:58,200
Speaker 1: that we need some understanding on that, So let me

1683
01:34:58,240 --> 01:35:00,840
Speaker 1: be clear on that and not know the fact that

1684
01:35:00,880 --> 01:35:03,840
Speaker 1: we do need understanding and me I need understanding, and

1685
01:35:03,960 --> 01:35:07,760
Speaker 1: so never take me talking on this mic is me

1686
01:35:08,000 --> 01:35:10,639
Speaker 1: thinking I know everything. I'm trying to talk my way

1687
01:35:10,680 --> 01:35:14,320
Speaker 1: through some of these things, right, and hopefully talk somebody

1688
01:35:14,320 --> 01:35:16,400
Speaker 1: else through some of these things. So we're dealing with

1689
01:35:16,520 --> 01:35:20,400
Speaker 1: ideas and information over here. We're not sure of anything,

1690
01:35:20,439 --> 01:35:23,520
Speaker 1: and we don't think we know everything. But it's important

1691
01:35:23,520 --> 01:35:28,280
Speaker 1: for us to Number one, it's important for us to dream.

1692
01:35:28,360 --> 01:35:30,720
Speaker 1: It's important for us to dream. It's important for us

1693
01:35:30,760 --> 01:35:34,559
Speaker 1: to believe, right. And also man the devil or try

1694
01:35:34,600 --> 01:35:37,599
Speaker 1: to trick you out at your bag and put you

1695
01:35:37,680 --> 01:35:40,320
Speaker 1: in his you know. And just like I was speaking

1696
01:35:40,360 --> 01:35:44,960
Speaker 1: about us not understanding that none of you guys are

1697
01:35:45,040 --> 01:35:51,040
Speaker 1: street ninety six ninety seven percent of you guys are

1698
01:35:51,120 --> 01:35:55,280
Speaker 1: good guys, So y'all don't want to handle things in

1699
01:35:55,360 --> 01:35:58,439
Speaker 1: a way that the gang banging time to list So

1700
01:35:58,520 --> 01:36:01,320
Speaker 1: let's take that off the table. And if that's an

1701
01:36:01,360 --> 01:36:04,120
Speaker 1: issue that the community can learn from or the culture

1702
01:36:04,160 --> 01:36:07,559
Speaker 1: can benefit from, that's not something that you really feel

1703
01:36:07,640 --> 01:36:10,200
Speaker 1: has crossed the line. Let's have the conversations like the

1704
01:36:10,200 --> 01:36:14,400
Speaker 1: Whites do. Let's put it on Front Street. Somebody put

1705
01:36:14,439 --> 01:36:17,560
Speaker 1: it on. I'm with listen and you're talking to somebody.

1706
01:36:17,840 --> 01:36:21,000
Speaker 1: I want you to keep I said this earlier. I

1707
01:36:21,080 --> 01:36:25,840
Speaker 1: want you keep the ghetto out of the media. I'm

1708
01:36:25,840 --> 01:36:28,280
Speaker 1: gonna see you and I'm gonna beat you up unless

1709
01:36:28,320 --> 01:36:31,920
Speaker 1: it's disrespecting man. If he disrespecting, you don't tell a

1710
01:36:31,960 --> 01:36:34,679
Speaker 1: man how to react to disrespect. And I won't overstep

1711
01:36:34,760 --> 01:36:37,519
Speaker 1: my boundaries and do so. But when we deal with

1712
01:36:37,560 --> 01:36:40,040
Speaker 1: the business side of this, if somebody is making two

1713
01:36:40,120 --> 01:36:44,120
Speaker 1: hundred million, if you're a forty thirty, teen, fifteen, whatever,

1714
01:36:44,200 --> 01:36:46,680
Speaker 1: if you just a guy that's in this business of

1715
01:36:46,920 --> 01:36:52,800
Speaker 1: entertainment and media, look at the Whites for manute seeing

1716
01:36:52,840 --> 01:36:55,000
Speaker 1: I'm gonna tell you who the I'm called on. Stephen Nay,

1717
01:36:56,040 --> 01:36:58,439
Speaker 1: he don't called on. He invited me to come talk

1718
01:36:58,479 --> 01:37:02,799
Speaker 1: because he knows just y'all everybody just talking up there. Man,

1719
01:37:02,960 --> 01:37:06,160
Speaker 1: they ain't gonna do they ain't Why would they. If

1720
01:37:06,200 --> 01:37:09,320
Speaker 1: they do something, they go down. There's the dumbest in history.

1721
01:37:10,920 --> 01:37:15,480
Speaker 1: If you let a motherfucking ring announcer or sports broadcast

1722
01:37:15,520 --> 01:37:18,200
Speaker 1: to put you in the trick bag, you go out

1723
01:37:18,240 --> 01:37:21,200
Speaker 1: as the dumbest in history. And I know some of

1724
01:37:21,240 --> 01:37:25,160
Speaker 1: these people are fighting improval point, but there's no longer.

1725
01:37:25,280 --> 01:37:29,920
Speaker 1: They're young. Though they're young, they're young, But you post head,

1726
01:37:29,920 --> 01:37:32,320
Speaker 1: I already got out. Let out the way where you

1727
01:37:32,400 --> 01:37:35,120
Speaker 1: stand as a man, tells me where you said as

1728
01:37:35,120 --> 01:37:38,479
Speaker 1: a child. So if you wasn't thugging as a child

1729
01:37:38,520 --> 01:37:40,719
Speaker 1: and you're trying to get your thugging off where where

1730
01:37:40,720 --> 01:37:43,400
Speaker 1: everything is at risk, I look at you like an idiot,

1731
01:37:43,880 --> 01:37:46,559
Speaker 1: and that's respectfully to anyone. And I ain't telling you

1732
01:37:46,600 --> 01:37:50,439
Speaker 1: to be corny and dumb, like come in tripping over

1733
01:37:50,520 --> 01:37:52,720
Speaker 1: your own feet. Now you can have the style of

1734
01:37:52,840 --> 01:37:55,200
Speaker 1: the culture, you can have a swag, and I'll let

1735
01:37:55,240 --> 01:37:57,320
Speaker 1: it not be going in the trick bag by no

1736
01:37:57,479 --> 01:38:03,000
Speaker 1: ring announcer or sports or whatever these dudes is called. Nah,

1737
01:38:03,120 --> 01:38:05,040
Speaker 1: we don't let them do that. Does we don't have

1738
01:38:05,040 --> 01:38:07,200
Speaker 1: made it too far, But we come through the tunnel.

1739
01:38:07,240 --> 01:38:10,640
Speaker 1: They head it easy. How are we gonna let it

1740
01:38:11,160 --> 01:38:15,400
Speaker 1: head it easy? To trick us into making it back hard? Nah? Nah,

1741
01:38:15,479 --> 01:38:18,640
Speaker 1: we don't do that. So now I just embarrass you

1742
01:38:18,720 --> 01:38:20,880
Speaker 1: because I got a certain kind of flavor skips. So

1743
01:38:20,960 --> 01:38:23,920
Speaker 1: you called me up there or Stephen, they whoever doing

1744
01:38:23,960 --> 01:38:28,479
Speaker 1: the talking Kendrick, whoever that they think is saying their name.

1745
01:38:28,640 --> 01:38:31,120
Speaker 1: Just go quip yourself with the information, go see him

1746
01:38:31,160 --> 01:38:35,360
Speaker 1: and smug them on his own ship. Fact at the facts,

1747
01:38:35,439 --> 01:38:39,240
Speaker 1: he would come a Yo, hire me home. Listen, I

1748
01:38:39,280 --> 01:38:43,759
Speaker 1: got a company. Now all you NBA, NFL being picked

1749
01:38:43,800 --> 01:38:47,040
Speaker 1: on by the media hiring me. I get your talking

1750
01:38:47,080 --> 01:38:49,600
Speaker 1: points together and see you up there through that and

1751
01:38:49,680 --> 01:38:53,920
Speaker 1: tas mouth fight on this show. I'm I'm dead serious too.

1752
01:38:54,479 --> 01:38:58,160
Speaker 1: I'm dead serious. I provide all the talking points. I

1753
01:38:58,360 --> 01:39:02,040
Speaker 1: provide all the information you need to now invite him

1754
01:39:02,080 --> 01:39:05,400
Speaker 1: into your arena or going to his arena with a solid,

1755
01:39:05,960 --> 01:39:09,160
Speaker 1: solid array of things to say that to get you

1756
01:39:09,240 --> 01:39:12,120
Speaker 1: in a situation embarrassing, because if you're worth that amount

1757
01:39:12,160 --> 01:39:14,680
Speaker 1: of money, then you're just playing the game. Man. You know,

1758
01:39:14,840 --> 01:39:18,599
Speaker 1: the hard part is over. Now. We don't go backwards.

1759
01:39:19,200 --> 01:39:23,960
Speaker 1: We don't made it out, man, please you arend announcer man.

1760
01:39:24,800 --> 01:39:27,960
Speaker 1: You gotta suit on it. You know what I mean? Right?

1761
01:39:28,080 --> 01:39:31,040
Speaker 1: You still? You know? See yo, bro hire me. I'm

1762
01:39:31,040 --> 01:39:34,240
Speaker 1: for hire you understand, and if you get too snazzy,

1763
01:39:34,560 --> 01:39:37,120
Speaker 1: you can hire me for both sides and let somebody

1764
01:39:37,479 --> 01:39:40,000
Speaker 1: hire me exclusive. And then when you know the being

1765
01:39:40,000 --> 01:39:42,800
Speaker 1: it's a podcasting or just entertainment. That's why I say

1766
01:39:42,840 --> 01:39:46,040
Speaker 1: the athletes have a head star because when you're an

1767
01:39:46,120 --> 01:39:50,120
Speaker 1: NFL person or NBA guy, unlike the rapper, you get

1768
01:39:50,120 --> 01:39:53,759
Speaker 1: a certain kind of media coverage on mainstream television all

1769
01:39:53,880 --> 01:39:57,200
Speaker 1: the time. What that does is it introduces you to

1770
01:39:57,360 --> 01:40:01,920
Speaker 1: mainstream media and an audience that or may not transition

1771
01:40:02,000 --> 01:40:04,880
Speaker 1: and translate to what it is you do after you

1772
01:40:05,000 --> 01:40:08,160
Speaker 1: leave the field or the basketball court. So if you

1773
01:40:08,280 --> 01:40:10,960
Speaker 1: deal with the rapper, the rapper has a different level

1774
01:40:10,960 --> 01:40:15,679
Speaker 1: of publicity and media coverage that does not translate after

1775
01:40:15,760 --> 01:40:19,559
Speaker 1: he puts the mic down, because they matter of fact,

1776
01:40:19,640 --> 01:40:22,400
Speaker 1: if anything, it dies when he puts the mic down

1777
01:40:22,479 --> 01:40:25,639
Speaker 1: because the way that you're promoted and the media paints

1778
01:40:25,680 --> 01:40:27,599
Speaker 1: you as a rapper. And that's why it's up there.

1779
01:40:27,720 --> 01:40:31,439
Speaker 1: Podcasts and you know, these other shows are important because

1780
01:40:31,760 --> 01:40:34,400
Speaker 1: able to get another side of the out there, the

1781
01:40:34,439 --> 01:40:37,040
Speaker 1: other side of the rappers that show what it is

1782
01:40:37,080 --> 01:40:40,920
Speaker 1: that they bring to the universe, the vibrations of these guys, right,

1783
01:40:41,280 --> 01:40:43,800
Speaker 1: and so what happens with the rapper. They tend to

1784
01:40:43,800 --> 01:40:47,720
Speaker 1: promote you in this gangster immage type way. Outside of

1785
01:40:47,800 --> 01:40:51,320
Speaker 1: people like Drake Travis Scott. I like what the baby is.

1786
01:40:51,400 --> 01:40:54,080
Speaker 1: He's kind of treading the line, but he gotta be

1787
01:40:54,120 --> 01:40:58,160
Speaker 1: careful because I don't know what that turns into. Right,

1788
01:40:58,400 --> 01:41:01,479
Speaker 1: He's kind of on that ludicrous line, but he can

1789
01:41:01,600 --> 01:41:03,880
Speaker 1: he can also gear that street, but set that to

1790
01:41:03,920 --> 01:41:07,200
Speaker 1: the side. A lot of times outside of some kind

1791
01:41:07,200 --> 01:41:11,240
Speaker 1: of mainstream act, and even with mainstream acts, they tend

1792
01:41:11,280 --> 01:41:15,320
Speaker 1: to shed gangster light on you, gangster image. Every time

1793
01:41:15,400 --> 01:41:17,840
Speaker 1: they talk about you. They talk about your come up,

1794
01:41:19,439 --> 01:41:22,559
Speaker 1: you know, coming from the mean streets of Philadelphia, coming

1795
01:41:22,600 --> 01:41:25,800
Speaker 1: from the mean streets of Tennessee, you know, overcoming the

1796
01:41:25,840 --> 01:41:29,719
Speaker 1: crack era, and yo, now let's start telling success story.

1797
01:41:29,800 --> 01:41:32,840
Speaker 1: Let's start from now. You know, once that's out there,

1798
01:41:33,479 --> 01:41:36,080
Speaker 1: you know, start painting me to these people. That's demand

1799
01:41:36,200 --> 01:41:40,599
Speaker 1: that indorsed in rap. Transition got him two or three business,

1800
01:41:40,760 --> 01:41:44,640
Speaker 1: got ten million in property for million in trucks, eighteen

1801
01:41:44,760 --> 01:41:49,040
Speaker 1: million in commercial real estate. You know, start talking about

1802
01:41:49,080 --> 01:41:52,320
Speaker 1: those things, and now I'm accepted a different way. I'm

1803
01:41:52,439 --> 01:41:55,080
Speaker 1: viewed a different way. And sometimes the coverage that you

1804
01:41:55,080 --> 01:41:58,479
Speaker 1: get as a rapper is not that, if anything is

1805
01:41:58,479 --> 01:42:01,320
Speaker 1: the contrary. And so when you are not, they're a

1806
01:42:01,400 --> 01:42:04,080
Speaker 1: deal with you when you're hot, because every brand want

1807
01:42:04,120 --> 01:42:06,880
Speaker 1: to strike when the iron's hot. I keep telling y'all,

1808
01:42:06,920 --> 01:42:09,200
Speaker 1: you dealing with people that's in the culture but not

1809
01:42:09,320 --> 01:42:11,599
Speaker 1: of the culture. So they deal with numbers and they

1810
01:42:11,600 --> 01:42:14,120
Speaker 1: don't respect the future. So they're a deal with a

1811
01:42:14,360 --> 01:42:17,120
Speaker 1: twenty hot because they don't have a choice. You pay

1812
01:42:17,160 --> 01:42:19,240
Speaker 1: with your eyeballs, so people are there to see you,

1813
01:42:19,320 --> 01:42:21,000
Speaker 1: and then they get to see that brand. It's just

1814
01:42:21,080 --> 01:42:24,040
Speaker 1: to even swap. Ain't no swander. But when that fire

1815
01:42:24,160 --> 01:42:27,679
Speaker 1: goes out, they won't stand by you or stand next

1816
01:42:27,720 --> 01:42:31,080
Speaker 1: to you or uplift you because there's no more equality

1817
01:42:31,160 --> 01:42:34,839
Speaker 1: and doing so. And that's why you gotta transition yourself.

1818
01:42:34,880 --> 01:42:37,439
Speaker 1: You saw with Jay, you saw with Ya, You saw

1819
01:42:38,240 --> 01:42:41,360
Speaker 1: did it? You saw? No? Oh, we got to we

1820
01:42:41,439 --> 01:42:43,360
Speaker 1: got the head, we got to we got to spin

1821
01:42:43,479 --> 01:42:45,840
Speaker 1: off and or your start to be like what happened

1822
01:42:45,880 --> 01:42:48,080
Speaker 1: to Jesus the other day where he just on stage

1823
01:42:48,120 --> 01:42:50,640
Speaker 1: they throw on warns when he was twenty one, they

1824
01:42:50,760 --> 01:42:54,040
Speaker 1: might not admit nothing. Now that's disrespectful. I don't to

1825
01:42:54,200 --> 01:42:56,880
Speaker 1: him that was disrespectful. She threw wars on it. But

1826
01:42:57,000 --> 01:42:59,880
Speaker 1: as a forty year old man up there singing that song,

1827
01:43:00,200 --> 01:43:03,840
Speaker 1: they on that vibe the young they yeah, yeah, you

1828
01:43:03,960 --> 01:43:06,559
Speaker 1: foult in them. It's the one thing I don't like

1829
01:43:06,640 --> 01:43:08,679
Speaker 1: about Rep. Man Or I ain't gonna say I don't

1830
01:43:08,680 --> 01:43:12,200
Speaker 1: like because the money's there, so it provides you a

1831
01:43:12,320 --> 01:43:14,559
Speaker 1: situation to still be able to feed your family, and

1832
01:43:14,600 --> 01:43:17,639
Speaker 1: I gotta applaud that. But I view that away man

1833
01:43:17,680 --> 01:43:21,920
Speaker 1: when I see I'm gonna tell you what specifically irritates me.

1834
01:43:23,479 --> 01:43:27,000
Speaker 1: I think it's slick Rick. And I love slick Rick

1835
01:43:27,320 --> 01:43:30,680
Speaker 1: what he's brought to the game. I understand his contribution.

1836
01:43:30,960 --> 01:43:34,080
Speaker 1: I understand what he's done, what he's added to the algorithm,

1837
01:43:34,240 --> 01:43:36,920
Speaker 1: how important he was to the ingredients of what it

1838
01:43:37,040 --> 01:43:39,519
Speaker 1: is we do. But I hate to see him show

1839
01:43:39,680 --> 01:43:43,280
Speaker 1: up with all them chains on and show of his eye.

1840
01:43:44,640 --> 01:43:47,839
Speaker 1: It may it makes me feel bad for him because

1841
01:43:47,840 --> 01:43:50,759
Speaker 1: I said, damn, you can't teach your old dog new tricks.

1842
01:43:52,400 --> 01:43:56,720
Speaker 1: They still got us pulling out the legendary outfits. They

1843
01:43:56,720 --> 01:43:59,360
Speaker 1: ain't accepting us. He yo, I'm older than them, man

1844
01:43:59,400 --> 01:44:00,920
Speaker 1: that you know that it was me. But now I'm

1845
01:44:01,000 --> 01:44:04,840
Speaker 1: selling seed mass like they ain't respecting us to do

1846
01:44:04,920 --> 01:44:08,120
Speaker 1: nothing else what they're doing tours. I had to come

1847
01:44:08,120 --> 01:44:12,559
Speaker 1: out it is eighty one with the whole Comania outfit on. Nah,

1848
01:44:12,600 --> 01:44:15,639
Speaker 1: I ain't doing whole Comania no more. My skin ain't right,

1849
01:44:15,720 --> 01:44:18,760
Speaker 1: ain't got no hair no more. Undertake us to you, yo,

1850
01:44:18,920 --> 01:44:24,519
Speaker 1: bro Na, It's almost like they don't let you evolve. Now,

1851
01:44:25,720 --> 01:44:27,200
Speaker 1: I don't know if I want to say they don't

1852
01:44:27,280 --> 01:44:30,000
Speaker 1: let you evolve or you gotta push up on them

1853
01:44:30,000 --> 01:44:33,200
Speaker 1: with the evolving. You gotta let them know, Na, that

1854
01:44:33,280 --> 01:44:36,080
Speaker 1: ain't knitting no more. I'm going this way. You know

1855
01:44:36,080 --> 01:44:38,040
Speaker 1: what I'm saying. And that's why I'm loud about what

1856
01:44:38,080 --> 01:44:40,360
Speaker 1: it is I'm doing. Like even when you've seen Jay

1857
01:44:40,479 --> 01:44:44,320
Speaker 1: Jay were rapping about one hundred one hundred million, three million,

1858
01:44:44,439 --> 01:44:49,400
Speaker 1: four in just fine, yeah, forty million, put yeah, let's

1859
01:44:49,400 --> 01:44:54,439
Speaker 1: put this in perspective. Yeah, one million, two million, yeah,

1860
01:44:54,600 --> 01:44:57,880
Speaker 1: three million, four in just five yeah, put this in.

1861
01:44:57,960 --> 01:45:01,280
Speaker 1: I'm getting to it. Yeah. Now they think I'm still

1862
01:45:01,280 --> 01:45:05,040
Speaker 1: a rapping out changed over and he was intentional with

1863
01:45:05,200 --> 01:45:08,040
Speaker 1: letting you know, button up say no more to Jery, right,

1864
01:45:08,080 --> 01:45:09,920
Speaker 1: he letting you know. And that's why I'm trying to

1865
01:45:09,920 --> 01:45:14,200
Speaker 1: tear the game. Pay attention this high level. You're dealing

1866
01:45:14,240 --> 01:45:18,840
Speaker 1: with the highest level of understanding coming through and they're

1867
01:45:18,880 --> 01:45:20,920
Speaker 1: telling you they pushing up on you. What the na,

1868
01:45:21,040 --> 01:45:23,320
Speaker 1: We ain't doing that. The mall they rap showing up

1869
01:45:23,320 --> 01:45:26,599
Speaker 1: with all that. Yo, I wore that, mister tadis that's

1870
01:45:26,640 --> 01:45:28,600
Speaker 1: over with what I'm doing there is I got c

1871
01:45:28,880 --> 01:45:31,519
Speaker 1: Mall's real estate and I got a little course I'm

1872
01:45:31,560 --> 01:45:34,599
Speaker 1: giving out then, which one y'all with. Yeah, it's still

1873
01:45:34,680 --> 01:45:37,160
Speaker 1: me slick Rick, but I ain't nothing. Yeah, I ain't

1874
01:45:37,200 --> 01:45:39,519
Speaker 1: doing that no more. You know what I'm saying out

1875
01:45:39,760 --> 01:45:42,760
Speaker 1: evolved now, I'm doing being this this way. You know? Sure,

1876
01:45:42,960 --> 01:45:45,120
Speaker 1: you know you gotta push up on them with that.

1877
01:45:45,439 --> 01:45:48,400
Speaker 1: We got to allow people to evolve in this coaching man.

1878
01:45:48,439 --> 01:45:52,200
Speaker 1: And sometimes it gets scary for a rapid push up

1879
01:45:52,200 --> 01:45:55,880
Speaker 1: on them with evolving because he gonna get some pushback.

1880
01:45:56,200 --> 01:46:00,400
Speaker 1: But CD folks followers always remember, and I'm talking to

1881
01:46:00,479 --> 01:46:05,800
Speaker 1: the rap now wrap. I know y'all listening. And if

1882
01:46:05,800 --> 01:46:08,760
Speaker 1: you ain't listening, you're in the wrong place over here.

1883
01:46:08,760 --> 01:46:13,439
Speaker 1: We're dealing with the highest level of understanding rap. Listen,

1884
01:46:13,760 --> 01:46:16,639
Speaker 1: they're gonna push back on you, but the people follow

1885
01:46:16,720 --> 01:46:22,960
Speaker 1: us all this internet, Father, it's fall this fake. When

1886
01:46:23,000 --> 01:46:24,960
Speaker 1: you push your f on, I mean, you keep pushing

1887
01:46:25,000 --> 01:46:28,439
Speaker 1: and start being successful with it, or even start being

1888
01:46:28,520 --> 01:46:31,839
Speaker 1: great at it, they're gonna come on end. I always

1889
01:46:31,880 --> 01:46:34,960
Speaker 1: remember to know the riding. I always remember they pay

1890
01:46:35,040 --> 01:46:38,599
Speaker 1: with their eyeballs. So while were transition to them, we're

1891
01:46:38,640 --> 01:46:41,080
Speaker 1: letting them know what it is that we're doing. While

1892
01:46:41,080 --> 01:46:46,040
Speaker 1: we're doing that, we're expecting some pushback. We expecting some pushback,

1893
01:46:46,240 --> 01:46:51,160
Speaker 1: but we know y'all followers. Yeah, now they follow us. Dog,

1894
01:46:51,800 --> 01:46:54,760
Speaker 1: they gonna get on the train. Just keep pushing, But

1895
01:46:54,840 --> 01:46:57,120
Speaker 1: you gotta evolve or they're gonna have you showing up

1896
01:46:57,160 --> 01:47:00,040
Speaker 1: thirty five years later with all the chains on and

1897
01:47:00,200 --> 01:47:02,479
Speaker 1: something over your eye when you're sixty and you really

1898
01:47:02,520 --> 01:47:05,519
Speaker 1: can't see good no more, you ain't got no bid

1899
01:47:05,560 --> 01:47:08,439
Speaker 1: and being sixty two showing up with a whole bunch

1900
01:47:08,479 --> 01:47:12,639
Speaker 1: of gold chaining something over one of your eyes. Grandpau, Paul,

1901
01:47:12,680 --> 01:47:14,880
Speaker 1: Paul can't even see good. You ain't got no way.

1902
01:47:14,960 --> 01:47:19,280
Speaker 1: Your glasses at money. They don't play us. They gotta

1903
01:47:19,400 --> 01:47:22,240
Speaker 1: stuck and I ain't liking that. And y'all gotta remember

1904
01:47:22,360 --> 01:47:25,960
Speaker 1: success doesn't come overnight. I know that I'm pushing, I'm pulling,

1905
01:47:26,080 --> 01:47:31,920
Speaker 1: I'm working, I'm consistent, lee consistent. I'm one of them

1906
01:47:32,040 --> 01:47:35,120
Speaker 1: kind of gas. So I'm telling you you gotta push

1907
01:47:35,200 --> 01:47:37,599
Speaker 1: upon the people with the evolving day. Ain't they're gonna

1908
01:47:37,600 --> 01:47:40,080
Speaker 1: act like they don't accept it. They're gonna act like, man,

1909
01:47:40,160 --> 01:47:42,760
Speaker 1: he doing too much showing off his girl and this

1910
01:47:43,000 --> 01:47:45,160
Speaker 1: in there or whatever it is you're doing. But you

1911
01:47:45,280 --> 01:47:49,160
Speaker 1: gotta know. But first, don't just throw anything. I don't

1912
01:47:49,160 --> 01:47:51,800
Speaker 1: pay attention to what's happening. And when you're really true

1913
01:47:51,840 --> 01:47:54,559
Speaker 1: to it and ready to evolve, like, y'all gotta take me.

1914
01:47:54,640 --> 01:47:57,360
Speaker 1: I'm making this kind of music now, you know what

1915
01:47:57,400 --> 01:47:59,519
Speaker 1: I'm saying. I still might get y'all want a tour

1916
01:47:59,520 --> 01:48:01,640
Speaker 1: of them because I'm feeling like that. But I'm not

1917
01:48:01,720 --> 01:48:04,439
Speaker 1: feeling to let y'all push me into this little hole

1918
01:48:04,479 --> 01:48:08,760
Speaker 1: where I gotta keep making these records. Nah, I'm evolving, right,

1919
01:48:08,800 --> 01:48:11,400
Speaker 1: and it's best for me to evolve with these people.

1920
01:48:11,479 --> 01:48:15,200
Speaker 1: Budget ain't no sensing me see a lot of way

1921
01:48:15,240 --> 01:48:18,160
Speaker 1: to do that. They let these people convince them never

1922
01:48:18,200 --> 01:48:20,519
Speaker 1: to evolved, stay doing this, this is why you win it.

1923
01:48:20,720 --> 01:48:22,800
Speaker 1: Then as soon as they cut them off, you gotta

1924
01:48:22,880 --> 01:48:25,920
Speaker 1: evolve with your own money. And boy, that risk look

1925
01:48:25,960 --> 01:48:28,479
Speaker 1: different when that label ain't got nothing in on it.

1926
01:48:29,280 --> 01:48:31,120
Speaker 1: When they come back and say you got to spend

1927
01:48:31,160 --> 01:48:34,720
Speaker 1: six millions to get this launched in the right way. Man,

1928
01:48:34,760 --> 01:48:37,920
Speaker 1: your fans gonna push back say that, and the label

1929
01:48:37,960 --> 01:48:40,080
Speaker 1: would have put in seventy percent of that. I could

1930
01:48:40,080 --> 01:48:42,679
Speaker 1: have gave two three million, you know what I'm saying,

1931
01:48:42,760 --> 01:48:47,400
Speaker 1: Just understanding some certain things like that. Let's talk about

1932
01:48:47,479 --> 01:48:51,800
Speaker 1: submissive women. There's been a clip going around man where

1933
01:48:53,400 --> 01:48:55,720
Speaker 1: as a young lady speaking about what it means to

1934
01:48:55,760 --> 01:48:59,400
Speaker 1: be submissive to a man of viewpoints on it. You know,

1935
01:48:59,520 --> 01:49:05,160
Speaker 1: love is very slippery place. Everybody enjoys it. Right, It's

1936
01:49:05,160 --> 01:49:08,439
Speaker 1: a weird agreement we make with another individual that we

1937
01:49:09,400 --> 01:49:12,599
Speaker 1: have the same feelings for each other and we are

1938
01:49:12,680 --> 01:49:16,400
Speaker 1: committed to keeping those feelings intact in that place and

1939
01:49:16,479 --> 01:49:21,200
Speaker 1: forevermore Right, it's crazy because when you look at love,

1940
01:49:21,280 --> 01:49:24,599
Speaker 1: you can love several people and have had several people

1941
01:49:24,640 --> 01:49:27,559
Speaker 1: who you were in love with that would make you

1942
01:49:27,720 --> 01:49:30,559
Speaker 1: question whether or not that forever more is there. But

1943
01:49:31,520 --> 01:49:33,800
Speaker 1: then you can argue that some people can say that

1944
01:49:33,880 --> 01:49:37,600
Speaker 1: you can love all those people simultaneously. So those conversations

1945
01:49:37,600 --> 01:49:42,720
Speaker 1: are even conversations that you can die deep into. But

1946
01:49:42,960 --> 01:49:46,040
Speaker 1: the arrangement that we make with people that we meet,

1947
01:49:46,120 --> 01:49:49,679
Speaker 1: that love is involved. And we now have reached some

1948
01:49:49,760 --> 01:49:53,479
Speaker 1: sort of climax in regards to feelings. The emotions we

1949
01:49:53,560 --> 01:49:59,920
Speaker 1: have towards each other and for each other have exceeded

1950
01:50:00,600 --> 01:50:05,960
Speaker 1: those of the feelings that we have for other people. Right,

1951
01:50:06,040 --> 01:50:08,599
Speaker 1: So now I'll put you in this other little space, right.

1952
01:50:08,720 --> 01:50:11,000
Speaker 1: You know, I like them, but I love you, so

1953
01:50:11,400 --> 01:50:13,479
Speaker 1: they're here, and then I put you up in this

1954
01:50:13,520 --> 01:50:17,320
Speaker 1: little cubbyhole where the people that I love see at.

1955
01:50:18,840 --> 01:50:24,200
Speaker 1: And in men's communication to women, I think we are

1956
01:50:24,240 --> 01:50:28,840
Speaker 1: not able to express ourselves in a way that's acceptable,

1957
01:50:29,479 --> 01:50:31,920
Speaker 1: and not a lot of times it's self inflicted. It

1958
01:50:31,920 --> 01:50:34,200
Speaker 1: ain't because of the woman that's putting that amount of

1959
01:50:34,240 --> 01:50:37,800
Speaker 1: pressure on it. It's just the vulnerability that we have

1960
01:50:37,960 --> 01:50:43,360
Speaker 1: to accept for us to speak in a way we

1961
01:50:43,479 --> 01:50:47,560
Speaker 1: just don't see ourselves accepting that because to be openness

1962
01:50:47,600 --> 01:50:51,840
Speaker 1: to be hurt, right, And so sometimes you rather keep

1963
01:50:51,880 --> 01:50:58,880
Speaker 1: it closed off and stay safe and sometimes women sometimes

1964
01:50:59,600 --> 01:51:05,880
Speaker 1: we may not give women the explanation that they need

1965
01:51:05,920 --> 01:51:08,479
Speaker 1: to understand what it is that we need, right we

1966
01:51:08,600 --> 01:51:11,000
Speaker 1: get We always say that we have a problem with

1967
01:51:11,080 --> 01:51:16,640
Speaker 1: communicating our expectations. And so with that in mind, we

1968
01:51:16,720 --> 01:51:19,040
Speaker 1: got a lot of people trying to interpret what it

1969
01:51:19,200 --> 01:51:22,559
Speaker 1: is that we're saying and how they feel, like what

1970
01:51:22,640 --> 01:51:25,800
Speaker 1: we mean, you know, and what it is they mean.

1971
01:51:26,000 --> 01:51:28,839
Speaker 1: And women are telling me and how men are supposed

1972
01:51:28,880 --> 01:51:31,360
Speaker 1: to feel, and men are telling women how women are

1973
01:51:31,400 --> 01:51:34,519
Speaker 1: supposed to feel, and women are telling me and how

1974
01:51:34,600 --> 01:51:38,840
Speaker 1: men should act me and are telling women how women

1975
01:51:38,880 --> 01:51:45,920
Speaker 1: should act, and so it gets slippery. And so there

1976
01:51:45,960 --> 01:51:48,760
Speaker 1: was a clip that went around about a young lady

1977
01:51:48,840 --> 01:51:52,280
Speaker 1: talking about being submissive. Let's listen to that. What does

1978
01:51:52,320 --> 01:51:56,920
Speaker 1: a submissive woman do for her man everything? What does

1979
01:51:56,960 --> 01:52:01,280
Speaker 1: that mean? You know, like packing us bag, unpacking its bag,

1980
01:52:02,680 --> 01:52:04,680
Speaker 1: just making sure all the things that he wants, and

1981
01:52:04,720 --> 01:52:07,000
Speaker 1: like I pretty much read his mind. So it's like

1982
01:52:07,000 --> 01:52:10,240
Speaker 1: if I know you and I study you, like I

1983
01:52:10,320 --> 01:52:11,960
Speaker 1: know how you are in the morning, I know how

1984
01:52:12,000 --> 01:52:13,720
Speaker 1: you are about midday, I know when you're in this

1985
01:52:13,760 --> 01:52:16,200
Speaker 1: mood what you mean, Like before you can ever ask

1986
01:52:16,240 --> 01:52:20,320
Speaker 1: me for something. I'm already on it. I mean, he's spoiled.

1987
01:52:20,680 --> 01:52:22,200
Speaker 1: And you know, when I talk to my girlfriends about

1988
01:52:22,200 --> 01:52:23,479
Speaker 1: their I was like, oh, are you guys doing it?

1989
01:52:23,520 --> 01:52:26,639
Speaker 1: I'm just like, girl, he's rotten. I'm like, he's spoiled, rotten,

1990
01:52:26,840 --> 01:52:29,400
Speaker 1: Like he's rotten, but I love that, like I want

1991
01:52:29,479 --> 01:52:31,120
Speaker 1: him to be there. I think my biggest flex is

1992
01:52:31,120 --> 01:52:32,960
Speaker 1: how I treat my man. And I've been known to

1993
01:52:33,080 --> 01:52:36,719
Speaker 1: love people back to health and sometimes it's very draining,

1994
01:52:37,200 --> 01:52:40,320
Speaker 1: but my love is my superpower. And I used to

1995
01:52:40,360 --> 01:52:42,640
Speaker 1: hate that about myself, but now it's like I'm just

1996
01:52:42,680 --> 01:52:44,479
Speaker 1: embracing it, like that's who I am. Like, if I

1997
01:52:44,560 --> 01:52:48,439
Speaker 1: love you, I can heal your joy. It is my joy.

1998
01:52:48,880 --> 01:52:50,920
Speaker 1: You know. I love to see him eating the meal

1999
01:52:50,960 --> 01:52:54,160
Speaker 1: that I could. I love seeing him sleep easy every

2000
01:52:54,240 --> 01:52:57,439
Speaker 1: night like clockwork. I scratched this man's back to sleep.

2001
01:52:57,960 --> 01:53:00,599
Speaker 1: And I know when he's asleep because I can tell

2002
01:53:00,680 --> 01:53:04,040
Speaker 1: when his breathing changes. And some people might think that's psychotic,

2003
01:53:04,320 --> 01:53:07,120
Speaker 1: but that's like I just know. That's when I'm like, oh,

2004
01:53:07,160 --> 01:53:09,840
Speaker 1: I can stop now. But I find joy in being

2005
01:53:10,080 --> 01:53:12,800
Speaker 1: your rest you know, so know what that means. And

2006
01:53:13,040 --> 01:53:16,360
Speaker 1: that works for us because he wants what I have

2007
01:53:16,439 --> 01:53:19,599
Speaker 1: to offer. What are you getting from all that you're giving?

2008
01:53:19,640 --> 01:53:21,920
Speaker 1: What are you asking for in return? First of all,

2009
01:53:22,000 --> 01:53:26,960
Speaker 1: let me celebrate the young lady who made such a

2010
01:53:27,240 --> 01:53:35,920
Speaker 1: eloquent description of being nice to her man. All she

2011
01:53:36,080 --> 01:53:38,479
Speaker 1: was talking about was being nice man. What is we

2012
01:53:38,640 --> 01:53:43,520
Speaker 1: aging about man? What is we aging about her understanding?

2013
01:53:43,600 --> 01:53:47,760
Speaker 1: That was the highest level of understanding that lady said.

2014
01:53:47,800 --> 01:53:51,240
Speaker 1: I know, listen, I pay attention. What who don't want that?

2015
01:53:51,240 --> 01:53:54,880
Speaker 1: That's on both sides for me. Let me let me

2016
01:53:54,920 --> 01:53:57,960
Speaker 1: deal with this young lady and what she said and

2017
01:53:58,120 --> 01:54:01,680
Speaker 1: framed this before we move on. Relationships are supposed to

2018
01:54:01,720 --> 01:54:06,880
Speaker 1: compliment each other, so not supposed to be a situation

2019
01:54:06,960 --> 01:54:09,880
Speaker 1: in which being with you makes it harder for me.

2020
01:54:10,760 --> 01:54:14,639
Speaker 1: That's not the tag team champions of the world. We're

2021
01:54:14,640 --> 01:54:17,000
Speaker 1: looking to be the tag team champions of the world.

2022
01:54:17,040 --> 01:54:19,400
Speaker 1: Me and baby Girl looking to be the tag team

2023
01:54:19,479 --> 01:54:21,800
Speaker 1: champions of it. So we gotta keep it in a

2024
01:54:21,880 --> 01:54:24,400
Speaker 1: position of what we able to compete with the world.

2025
01:54:24,640 --> 01:54:26,519
Speaker 1: And the only way we can do that is we're

2026
01:54:26,560 --> 01:54:30,719
Speaker 1: dealing with the highest level of understanding of each other,

2027
01:54:31,200 --> 01:54:36,320
Speaker 1: not not just one thing. Like again, the details, the

2028
01:54:36,400 --> 01:54:39,320
Speaker 1: devil is in the in the details. They always talk

2029
01:54:39,360 --> 01:54:42,520
Speaker 1: about the devil being in the details. They don't never

2030
01:54:42,600 --> 01:54:46,440
Speaker 1: talk about the progress that's in the details. Ain't nothing

2031
01:54:46,480 --> 01:54:50,880
Speaker 1: like your woman paying attention. Ain't nothing like your due

2032
01:54:50,920 --> 01:54:54,000
Speaker 1: paying attention to you. He he heard you say such

2033
01:54:54,000 --> 01:54:57,080
Speaker 1: and such. He took care of that. She know you

2034
01:54:57,200 --> 01:54:59,320
Speaker 1: like such and such. She took care that he know

2035
01:54:59,480 --> 01:55:03,840
Speaker 1: you like dam He took care that with the details, though, yes,

2036
01:55:03,920 --> 01:55:07,400
Speaker 1: she liked that type that right there with mushrooms in it.

2037
01:55:07,440 --> 01:55:13,040
Speaker 1: Make sure you real light on the rice. Simple, simple,

2038
01:55:13,160 --> 01:55:18,200
Speaker 1: but dynamic, because he's dealing with the details. So here

2039
01:55:18,240 --> 01:55:20,640
Speaker 1: we are talking about a woman who says, look and

2040
01:55:21,120 --> 01:55:24,320
Speaker 1: reportedly she's dealing with Cam Newton, shout out Cam noonton.

2041
01:55:26,640 --> 01:55:29,360
Speaker 1: But you talk about a woman's dealing with the details.

2042
01:55:29,360 --> 01:55:33,440
Speaker 1: And we got a problem with that. After that, we

2043
01:55:33,520 --> 01:55:36,040
Speaker 1: had Brittany Wrenner come out. Let's listen to what she said,

2044
01:55:36,080 --> 01:55:37,840
Speaker 1: and I want to talk about that a little bit.

2045
01:55:37,960 --> 01:55:40,960
Speaker 1: It's painfully obvious. White men love the idea of a

2046
01:55:40,960 --> 01:55:44,879
Speaker 1: submissive woman. Submissive heart its definition, it's ready to conform

2047
01:55:45,000 --> 01:55:48,880
Speaker 1: to the authority or will of others. The prefixed sub

2048
01:55:49,040 --> 01:55:55,080
Speaker 1: means under think of subpar submarine. In short, your world

2049
01:55:55,640 --> 01:55:57,960
Speaker 1: is under his now. There seems to be a theme here,

2050
01:55:58,160 --> 01:56:00,680
Speaker 1: good girls versus bad girls. Lock I can be open

2051
01:56:00,760 --> 01:56:03,920
Speaker 1: with many keys is a broken lock. And you can't

2052
01:56:03,960 --> 01:56:07,800
Speaker 1: submit to a man you dialing. So my question to

2053
01:56:07,800 --> 01:56:11,760
Speaker 1: a man is do you want perfect Polly, a puppet,

2054
01:56:12,440 --> 01:56:16,960
Speaker 1: a prisoner, or a partner who has no problem overtly

2055
01:56:17,080 --> 01:56:22,080
Speaker 1: challenging him, king treatment and knowing your partner's love languages.

2056
01:56:22,520 --> 01:56:25,880
Speaker 1: That's one thing. Being submitsive is a whole other thing.

2057
01:56:26,200 --> 01:56:30,400
Speaker 1: It's its own thing. If you find yourself abandoning your wants, needs,

2058
01:56:30,480 --> 01:56:35,320
Speaker 1: desires to make something work, I'm here to tell you

2059
01:56:36,440 --> 01:56:41,560
Speaker 1: it was never a match to begin with. Respectfully, they say,

2060
01:56:41,560 --> 01:56:43,800
Speaker 1: a fool always got an answer at the tip of

2061
01:56:43,880 --> 01:56:47,720
Speaker 1: his tongue. We're dealing with a lady who say, oh,

2062
01:56:47,800 --> 01:56:50,240
Speaker 1: I'm dealing with the details when he comes to my men,

2063
01:56:50,360 --> 01:56:54,080
Speaker 1: Ain't I'm being nice? And what I have the awful

2064
01:56:54,640 --> 01:56:57,920
Speaker 1: he wants to receive, not what I've made myself out

2065
01:56:57,960 --> 01:57:01,600
Speaker 1: to be. And I see she's ridding her down and

2066
01:57:01,640 --> 01:57:04,640
Speaker 1: I'm freestyling. But I'll answer a lot of these questions

2067
01:57:04,640 --> 01:57:06,920
Speaker 1: and try to provide some sort of running way for

2068
01:57:07,080 --> 01:57:10,160
Speaker 1: me and to have understanding of why this tends to

2069
01:57:10,240 --> 01:57:14,480
Speaker 1: happen every single time a woman comes out and expresses

2070
01:57:15,080 --> 01:57:18,760
Speaker 1: herself as being nice to her man. I saw the

2071
01:57:18,840 --> 01:57:21,200
Speaker 1: other day or the other week that they said something

2072
01:57:21,240 --> 01:57:26,320
Speaker 1: because Young Miami was in a situation to be nice

2073
01:57:26,360 --> 01:57:29,800
Speaker 1: to her man and represent her man. Whatever understanding, I

2074
01:57:29,880 --> 01:57:33,280
Speaker 1: had what my love ones need to be understanding that

2075
01:57:33,320 --> 01:57:38,120
Speaker 1: you don't need to consider. And I know she's doing

2076
01:57:38,160 --> 01:57:41,400
Speaker 1: this for an algorithm player, for a position player. It's

2077
01:57:41,440 --> 01:57:44,000
Speaker 1: a data move. It's like the Drake album. So I

2078
01:57:44,080 --> 01:57:46,280
Speaker 1: respect it because I'm in the game. I gotta make

2079
01:57:46,400 --> 01:57:50,080
Speaker 1: data moves. Let's be clear on what a data move is,

2080
01:57:50,120 --> 01:57:53,440
Speaker 1: and let's be clear when they're being made. But where

2081
01:57:53,440 --> 01:57:55,839
Speaker 1: I find the issue is is that it gets confused

2082
01:57:55,920 --> 01:57:59,120
Speaker 1: and to their own lookers. Right. I know when you're hustling,

2083
01:57:59,160 --> 01:58:01,360
Speaker 1: and I know you gotta make a living, but you

2084
01:58:01,400 --> 01:58:04,520
Speaker 1: can't tell me you got a problem with someone being asked.

2085
01:58:04,600 --> 01:58:07,560
Speaker 1: Number one, She never said that he's beating me, or

2086
01:58:07,600 --> 01:58:10,720
Speaker 1: he's tricked me into being a submissive woman, or these

2087
01:58:10,760 --> 01:58:14,240
Speaker 1: are two women that can't even talk without someone coming

2088
01:58:14,320 --> 01:58:16,840
Speaker 1: in to say, hey, yo, I think what they're saying

2089
01:58:17,000 --> 01:58:21,200
Speaker 1: is crazy and attacking me. In about two women that's talking.

2090
01:58:24,120 --> 01:58:27,400
Speaker 1: Somebody got to help me understand why men are under attack.

2091
01:58:28,720 --> 01:58:32,240
Speaker 1: It's painfully obvious why men. Can somebody help me understand?

2092
01:58:32,280 --> 01:58:34,480
Speaker 1: And I have no malice in the fight. I love

2093
01:58:34,560 --> 01:58:37,680
Speaker 1: Brittany Runner. I love what she provides, but I think

2094
01:58:37,720 --> 01:58:42,200
Speaker 1: it's starting to fall up the fucking mirrors. And if

2095
01:58:42,280 --> 01:58:45,320
Speaker 1: somebody with some level of understanding don't come out and

2096
01:58:45,360 --> 01:58:48,240
Speaker 1: say something, then we got me and starting to really

2097
01:58:48,360 --> 01:58:53,560
Speaker 1: adopt and adapt to things that may be considered industry

2098
01:58:54,160 --> 01:58:58,560
Speaker 1: plant moves, moves to plant yourself in the industry. Right,

2099
01:58:59,080 --> 01:59:01,960
Speaker 1: she was there as the young lady. And again again

2100
01:59:02,040 --> 01:59:07,760
Speaker 1: I'm having issue with understanding how men are under attack

2101
01:59:08,200 --> 01:59:12,480
Speaker 1: for women having a conversation. And I use the word

2102
01:59:12,520 --> 01:59:16,720
Speaker 1: attack loosely right, because I don't want to make it

2103
01:59:16,760 --> 01:59:20,800
Speaker 1: seem like the dialogue and discussion is bad. I standing

2104
01:59:20,800 --> 01:59:23,760
Speaker 1: by us needing to have these open discussions in order

2105
01:59:23,760 --> 01:59:27,800
Speaker 1: for us to evolve in a very specific way that's

2106
01:59:27,840 --> 01:59:31,480
Speaker 1: needed for us to be beneficial for each other. So

2107
01:59:31,520 --> 01:59:34,640
Speaker 1: I don't shun or shy away from these things. What

2108
01:59:34,800 --> 01:59:38,280
Speaker 1: I do know, though, is that men are seeming to

2109
01:59:38,360 --> 01:59:43,600
Speaker 1: be targeted about two women having a conversation. Now, let's

2110
01:59:43,600 --> 01:59:47,680
Speaker 1: deal with the submissive part. Words have definitions, and so

2111
01:59:48,360 --> 01:59:50,800
Speaker 1: if I deal with it in a way like Brittany

2112
01:59:50,800 --> 01:59:54,280
Speaker 1: Renter dealt with it and read the definition of a

2113
01:59:54,320 --> 01:59:57,560
Speaker 1: lot of these words out being a very bad situation. Right,

2114
01:59:58,120 --> 02:00:00,040
Speaker 1: these words are used in a way. Number one, the

2115
02:00:00,280 --> 02:00:05,760
Speaker 1: young lady who responded to the question never used the

2116
02:00:05,800 --> 02:00:09,640
Speaker 1: word submissive. She was again approached with a question. That's

2117
02:00:09,760 --> 02:00:13,120
Speaker 1: number one. And number two, I think submissive is used

2118
02:00:13,120 --> 02:00:15,440
Speaker 1: the same way I use the text a few seconds

2119
02:00:15,440 --> 02:00:21,320
Speaker 1: ago she used very loosely. Now can it be misused?

2120
02:00:21,480 --> 02:00:25,040
Speaker 1: Can it be mistreated? Yes, we believe so. But the

2121
02:00:25,040 --> 02:00:29,240
Speaker 1: definition or the understanding that our culture tends to have it.

2122
02:00:29,520 --> 02:00:32,840
Speaker 1: We just want you to have a peace offering. Yeah,

2123
02:00:32,880 --> 02:00:38,520
Speaker 1: just provide some peace. Just provide peace. And it seemed

2124
02:00:38,560 --> 02:00:42,200
Speaker 1: like that we have issues with communicating the expectations because

2125
02:00:42,240 --> 02:00:45,040
Speaker 1: we get clowned by people when we ain't even part

2126
02:00:45,080 --> 02:00:48,040
Speaker 1: of the discussion. Men don't even have a voice in

2127
02:00:48,120 --> 02:00:51,200
Speaker 1: that discussion. And then we come out and say, it's

2128
02:00:51,240 --> 02:00:54,040
Speaker 1: painfully obvious why men want a woman that'll be nice

2129
02:00:54,040 --> 02:00:58,000
Speaker 1: to them. It's painfully obvious. He thinks you a sub

2130
02:00:58,120 --> 02:01:02,520
Speaker 1: Just think about a subcontractors submarine. So it's like, come on, man,

2131
02:01:02,600 --> 02:01:04,720
Speaker 1: let's be real. We just want you to be nice,

2132
02:01:05,560 --> 02:01:08,720
Speaker 1: provide a peace offering, and we definitely don't want you

2133
02:01:08,800 --> 02:01:12,000
Speaker 1: like that everything we say. Yo, um, I think we

2134
02:01:12,080 --> 02:01:14,280
Speaker 1: need to do turkey burgers tonight with you know the

2135
02:01:14,760 --> 02:01:17,200
Speaker 1: sessing me sees, but sessing me sees will provide you

2136
02:01:17,240 --> 02:01:19,280
Speaker 1: and put you in a situation where you end up

2137
02:01:19,280 --> 02:01:21,040
Speaker 1: in a hospital. And that's your problem. Now, you know,

2138
02:01:21,400 --> 02:01:24,000
Speaker 1: you know we don't nobody want to Yeah, no, don't.

2139
02:01:24,000 --> 02:01:28,839
Speaker 1: Nobody won't that. Don't nobody won't that you aren't about everything?

2140
02:01:28,920 --> 02:01:32,800
Speaker 1: You want somebody to overtly Uh now, don't nobody won't

2141
02:01:32,800 --> 02:01:37,240
Speaker 1: nobody to avertly criticize them or oppose them. And that's

2142
02:01:37,320 --> 02:01:39,680
Speaker 1: my love one now because I don't want to avertly

2143
02:01:39,720 --> 02:01:43,040
Speaker 1: oppose you. The why I want to do that to

2144
02:01:43,160 --> 02:01:46,360
Speaker 1: you fun if there's a problem I want, I want

2145
02:01:46,360 --> 02:01:50,600
Speaker 1: it to be a constant competition. It's like, nah, baby, baby, baby,

2146
02:01:50,760 --> 02:01:54,080
Speaker 1: provide peace. I want to provide peace. I want to

2147
02:01:54,080 --> 02:01:58,000
Speaker 1: provide luxury to y'all. Want to make it obvious. There's

2148
02:01:58,000 --> 02:02:00,480
Speaker 1: a saying I got that I needed to make it obvious,

2149
02:02:00,720 --> 02:02:03,120
Speaker 1: make it obvious that I'll need you around. I want

2150
02:02:03,160 --> 02:02:05,400
Speaker 1: you around. I want it to be obvious that, Yo,

2151
02:02:05,520 --> 02:02:07,840
Speaker 1: on Saturday night, you want to call this here, this

2152
02:02:07,920 --> 02:02:11,000
Speaker 1: is the vibe over here. I'm nice, it's pleasant, it's

2153
02:02:11,000 --> 02:02:14,240
Speaker 1: smell good, it's a big home. We ain't nobody trying

2154
02:02:14,240 --> 02:02:16,880
Speaker 1: to oppose you. Every little thing you say. I oppose that.

2155
02:02:17,240 --> 02:02:19,880
Speaker 1: I don't think. I don't like cheese on my burgers,

2156
02:02:20,160 --> 02:02:22,720
Speaker 1: So no, let's not do burgers because you're gonna eat cheese.

2157
02:02:22,760 --> 02:02:25,600
Speaker 1: And then that hurts my stomach to even like. Yo, bro,

2158
02:02:26,520 --> 02:02:29,800
Speaker 1: that's a hard life. What about a relationship are we

2159
02:02:29,920 --> 02:02:33,200
Speaker 1: fighting about? When this woman was talking about being nice? Yo,

2160
02:02:33,280 --> 02:02:37,520
Speaker 1: I'm lost. Somebody helped me understand. When I hear Brittany

2161
02:02:37,560 --> 02:02:39,920
Speaker 1: talking that, I think I'll get on the pard to

2162
02:02:40,040 --> 02:02:43,200
Speaker 1: just kind of further some more thoughts. Because when I

2163
02:02:43,280 --> 02:02:47,080
Speaker 1: hear talk, I hear fighting. Now I hear fighting, I

2164
02:02:47,080 --> 02:02:50,320
Speaker 1: don't hear working together. Then that's the problem. A lot

2165
02:02:50,320 --> 02:02:52,200
Speaker 1: of y'all fighting with your men, a lot of y'all

2166
02:02:52,240 --> 02:02:54,800
Speaker 1: men fighting with your women. It should work together thing.

2167
02:02:55,920 --> 02:02:58,640
Speaker 1: Y'all gotta be in this together. I am because we are,

2168
02:02:58,760 --> 02:03:01,840
Speaker 1: not we all because I am. I am because we are,

2169
02:03:02,880 --> 02:03:06,800
Speaker 1: and we all because I am. You understand we're working together,

2170
02:03:07,240 --> 02:03:09,560
Speaker 1: We're not working against each other. We don't need to

2171
02:03:09,600 --> 02:03:13,280
Speaker 1: be in constant competition with each other. This ain't a

2172
02:03:13,360 --> 02:03:16,560
Speaker 1: basketball game, and this ain't a podcast or a little

2173
02:03:16,640 --> 02:03:19,960
Speaker 1: live event where you gotta constantly be right. It seems

2174
02:03:20,000 --> 02:03:22,720
Speaker 1: like that's the energy that we're getting in respectfully, that

2175
02:03:22,840 --> 02:03:26,000
Speaker 1: Brittany will definitely have a conversation if she want to

2176
02:03:26,000 --> 02:03:29,000
Speaker 1: have a conversation. I'm just a paul that we are

2177
02:03:29,160 --> 02:03:32,280
Speaker 1: arguing by the woman who says, I watch my man

2178
02:03:32,320 --> 02:03:34,520
Speaker 1: and pay attention to the details. If he come in

2179
02:03:34,560 --> 02:03:36,280
Speaker 1: and he just go to the restroom, he'd been on

2180
02:03:36,320 --> 02:03:38,760
Speaker 1: a five hour flight when he come out to bear froom,

2181
02:03:38,800 --> 02:03:41,600
Speaker 1: I'm already unpacking this not because he said when I

2182
02:03:41,680 --> 02:03:44,080
Speaker 1: get home, make sure the first thing you do is

2183
02:03:44,120 --> 02:03:47,760
Speaker 1: have it unpacked. That's when a man thank you under

2184
02:03:47,840 --> 02:03:51,400
Speaker 1: you and the idea that we'll conflate those things makes

2185
02:03:51,480 --> 02:03:56,080
Speaker 1: me almost say that that's dangerous. The voice, the leading

2186
02:03:56,200 --> 02:04:00,520
Speaker 1: voice of yo, bro, we can't do that. It's dangerous

2187
02:04:00,520 --> 02:04:03,360
Speaker 1: for us to conflate those two. The lady is saying,

2188
02:04:03,480 --> 02:04:07,680
Speaker 1: I'm taking initiative for somebody I love. That's what I provide,

2189
02:04:07,920 --> 02:04:12,000
Speaker 1: and then get criticized by women to say he's made

2190
02:04:12,080 --> 02:04:16,560
Speaker 1: you do that blink twice if you're in trouble, And

2191
02:04:16,720 --> 02:04:19,800
Speaker 1: for me, I just hate that that's the situation. Of course,

2192
02:04:19,920 --> 02:04:23,440
Speaker 1: last week I spoke about the verses, really crazy situation, right,

2193
02:04:24,360 --> 02:04:26,680
Speaker 1: the verses with ray J and Sammy. Ray J was

2194
02:04:26,760 --> 02:04:29,200
Speaker 1: up there slipping bad and he got in a situation

2195
02:04:29,240 --> 02:04:34,360
Speaker 1: where he had, again being a great businessman, understood that

2196
02:04:34,400 --> 02:04:37,160
Speaker 1: it was an opportunity. Again, I want people to understand

2197
02:04:37,200 --> 02:04:40,120
Speaker 1: that the Internet is fall It's a fake place. Whatever

2198
02:04:40,200 --> 02:04:43,280
Speaker 1: happens on the Internet, you need to put yourself in

2199
02:04:43,360 --> 02:04:46,680
Speaker 1: a position to understand that it's not who you are, period,

2200
02:04:46,880 --> 02:04:50,120
Speaker 1: good or bad. And how do we monetize if we

2201
02:04:50,280 --> 02:04:55,120
Speaker 1: can without hurting anyone, right, without influencing anyone that's something

2202
02:04:56,000 --> 02:04:58,280
Speaker 1: in the wrong way, of taking advantage of the low

2203
02:04:58,360 --> 02:05:01,520
Speaker 1: level thinker and thin like that. Right, try to move

2204
02:05:01,560 --> 02:05:03,800
Speaker 1: with morale and at some point you may make a

2205
02:05:03,920 --> 02:05:07,280
Speaker 1: mistake and that'll be acceptable for those that understand that

2206
02:05:07,320 --> 02:05:10,440
Speaker 1: your morale and your honor was intact. Outside of that,

2207
02:05:10,840 --> 02:05:13,640
Speaker 1: you gotta just keep moving that be Nay says. There'll

2208
02:05:13,640 --> 02:05:16,160
Speaker 1: be negative people. There'll be people saying that it ain't

2209
02:05:16,160 --> 02:05:18,480
Speaker 1: so that it won't happen, but God said it will

2210
02:05:18,560 --> 02:05:21,879
Speaker 1: be so right. You gotta put yourself in a position

2211
02:05:21,920 --> 02:05:24,640
Speaker 1: and say, no matter what they say, I'm gonna keep

2212
02:05:24,640 --> 02:05:27,520
Speaker 1: going good, bad or indifferent. I gotta keep my head

2213
02:05:27,560 --> 02:05:29,720
Speaker 1: down and keep swimming to the other side of the pool.

2214
02:05:30,160 --> 02:05:33,800
Speaker 1: Ray J, being a great business man, understood that coming

2215
02:05:33,800 --> 02:05:37,840
Speaker 1: out of that, my name is in the algorithm. Coming

2216
02:05:37,840 --> 02:05:39,840
Speaker 1: out of that, I'm in a situation where I maybe

2217
02:05:39,840 --> 02:05:41,720
Speaker 1: can make something. So let me figure out what we

2218
02:05:41,760 --> 02:05:44,440
Speaker 1: can do. So I think he gonna get with Twitch.

2219
02:05:44,560 --> 02:05:46,600
Speaker 1: I think he gonna give with one of these platforms

2220
02:05:46,600 --> 02:05:51,040
Speaker 1: and put together something where he's able to monetize his

2221
02:05:51,320 --> 02:05:56,280
Speaker 1: ability or his journey on getting back to his singing

2222
02:05:56,440 --> 02:05:58,880
Speaker 1: voice or whatever that means, right, And so he'll have

2223
02:05:58,960 --> 02:06:02,560
Speaker 1: cameras with him and tis that. Before he does that,

2224
02:06:02,720 --> 02:06:04,920
Speaker 1: he got on Live with Bobby V and Sammy to

2225
02:06:05,000 --> 02:06:08,080
Speaker 1: talk about them still in this moment in regards to

2226
02:06:08,240 --> 02:06:10,760
Speaker 1: singing this one wish song like that, like he was

2227
02:06:10,800 --> 02:06:13,120
Speaker 1: really upset about that. Let's listen to what he said.

2228
02:06:13,360 --> 02:06:15,440
Speaker 1: You got the other video where you singing the whole thing.

2229
02:06:15,960 --> 02:06:19,240
Speaker 1: How about we do a we do a new version,

2230
02:06:19,280 --> 02:06:21,000
Speaker 1: or we do a song together. You're gonna own it too.

2231
02:06:21,280 --> 02:06:25,320
Speaker 1: I'm with me, So I'm I'm with the unity. Brother,

2232
02:06:25,400 --> 02:06:28,360
Speaker 1: Let's let's up. I'm listening listen that I go, that

2233
02:06:28,520 --> 02:06:31,840
Speaker 1: I go super big, super big. I mean, One Wish

2234
02:06:31,880 --> 02:06:34,080
Speaker 1: is a classic. So I'm I'm gonna go. I'm going

2235
02:06:34,160 --> 02:06:36,720
Speaker 1: to Vegas Friday once I drink my tea, the tea

2236
02:06:36,800 --> 02:06:41,720
Speaker 1: that your sister made you that you did not you know, sorry,

2237
02:06:41,800 --> 02:06:45,160
Speaker 1: i'd be taking it too fart. I'm sorry. I apologize.

2238
02:06:45,200 --> 02:06:53,280
Speaker 1: I got my friends in here. Oh my bad na.

2239
02:06:53,520 --> 02:06:56,480
Speaker 1: I'm definitely I'm definitely down. I'm definitely down to do

2240
02:06:56,880 --> 02:06:59,760
Speaker 1: a Ray J Sammy version of One Wish. That's the

2241
02:06:59,760 --> 02:07:01,840
Speaker 1: really top five records of my whole I love like

2242
02:07:02,560 --> 02:07:05,440
Speaker 1: I remember bro moving to Atlanta. Just got my deal

2243
02:07:05,440 --> 02:07:07,720
Speaker 1: with Dallas Austin. You dropped that. I was like, dog,

2244
02:07:07,800 --> 02:07:10,680
Speaker 1: I want, I want, I want a one Wish like

2245
02:07:10,720 --> 02:07:12,640
Speaker 1: everyone wanted. If you're an R and B dude and

2246
02:07:12,640 --> 02:07:15,400
Speaker 1: you really understand music and for real, for real, you

2247
02:07:15,440 --> 02:07:17,800
Speaker 1: wanted that record you wish, you wrote that record of song,

2248
02:07:17,920 --> 02:07:21,560
Speaker 1: that record show I was really prepared because I've been

2249
02:07:21,600 --> 02:07:23,960
Speaker 1: singing it in the shower, and you know, the acoustics

2250
02:07:24,000 --> 02:07:26,960
Speaker 1: in the shower make me sound good, and I had

2251
02:07:27,360 --> 02:07:28,960
Speaker 1: and I knew, I knew. I said if I if

2252
02:07:29,000 --> 02:07:30,840
Speaker 1: I can force you to do it before you wanted

2253
02:07:30,880 --> 02:07:33,280
Speaker 1: to do it, that we would take over the verses.

2254
02:07:33,320 --> 02:07:37,520
Speaker 1: And he wasn't even ready to do it. I was like, yeah,

2255
02:07:37,520 --> 02:07:40,000
Speaker 1: because y'all books, y'all bully And when I look back

2256
02:07:40,040 --> 02:07:45,760
Speaker 1: on the thing, y'all totally bullied us out from the top.

2257
02:07:45,880 --> 02:07:48,600
Speaker 1: All this people was saying. I looked back, I didn't

2258
02:07:48,640 --> 02:07:51,000
Speaker 1: even on stage we were say having so much. I

2259
02:07:51,000 --> 02:07:53,640
Speaker 1: ain't gonna way. It was fun. It was fun. I

2260
02:07:53,640 --> 02:07:56,560
Speaker 1: don't know, dog, the best time I ever had in

2261
02:07:56,560 --> 02:07:59,040
Speaker 1: my life. Girls just try to harm it on. Yeah,

2262
02:07:59,240 --> 02:08:01,720
Speaker 1: I'm saying, it's like the best time I had to do.

2263
02:08:02,280 --> 02:08:04,760
Speaker 1: We needed to try to harmonize right now, me and

2264
02:08:04,800 --> 02:08:09,680
Speaker 1: Bobby Z. Did you see it? You want to harmonize whatever?

2265
02:08:10,280 --> 02:08:19,360
Speaker 1: You know? How did that work? What? Nah? Now? I

2266
02:08:19,440 --> 02:08:22,200
Speaker 1: was listening. I don't know how Sirie paint that song

2267
02:08:22,360 --> 02:08:24,880
Speaker 1: last night. I was in the car man. That's rude.

2268
02:08:25,200 --> 02:08:27,680
Speaker 1: That's not true. I mean it's all over the internet.

2269
02:08:28,040 --> 02:08:32,280
Speaker 1: That's rude. That's a very bad. Bobby, Really, you switched

2270
02:08:32,280 --> 02:08:34,520
Speaker 1: out a little teammate by singing with me in pleasure.

2271
02:08:34,560 --> 02:08:37,600
Speaker 1: Why would you do that? When did I switch y'ut on? Y'all?

2272
02:08:37,680 --> 02:08:40,480
Speaker 1: I did not thin, no, no, no, no no, y'all missed

2273
02:08:40,480 --> 02:08:43,240
Speaker 1: it up because I would saying you with my teammate, Damn,

2274
02:08:43,280 --> 02:08:49,360
Speaker 1: I was being manus man all right. First of all,

2275
02:08:49,520 --> 02:08:50,960
Speaker 1: First of all, I will I would like to say

2276
02:08:51,000 --> 02:08:54,160
Speaker 1: this confession. I'm from Florida. Bro. You know what I'm saying.

2277
02:08:54,360 --> 02:08:58,560
Speaker 1: I'm yo. If you're paying attention that boy sam me serious,

2278
02:08:58,600 --> 02:09:02,240
Speaker 1: I think Sammy were doing bad. And see, we gotta

2279
02:09:02,280 --> 02:09:05,080
Speaker 1: in this game, man, That's what I'm saying, Bro, we gotta.

2280
02:09:07,160 --> 02:09:09,280
Speaker 1: You gotta think, man, what was it like being a

2281
02:09:09,360 --> 02:09:13,040
Speaker 1: child star? How do you transition out of that? Because

2282
02:09:13,080 --> 02:09:15,520
Speaker 1: this shit worked when you're a little bit of child star.

2283
02:09:16,000 --> 02:09:19,680
Speaker 1: That don't work when you're an adult. And that's why

2284
02:09:19,720 --> 02:09:22,120
Speaker 1: I was like, oh, Marion looking stupid as hip. That

2285
02:09:22,280 --> 02:09:26,720
Speaker 1: trying to mesmerize a motherfuck ain't now go over third

2286
02:09:26,720 --> 02:09:30,400
Speaker 1: and need to be trying to mesmerize now something. You

2287
02:09:30,440 --> 02:09:32,400
Speaker 1: know what I'm saying. So you you trying to look

2288
02:09:32,440 --> 02:09:34,880
Speaker 1: out and eating a thing like Yo, bro, that ain't

2289
02:09:34,920 --> 02:09:37,200
Speaker 1: gonna do it now. That might do it one on

2290
02:09:37,200 --> 02:09:39,440
Speaker 1: one with a girl in the room. You and Hull

2291
02:09:39,600 --> 02:09:42,840
Speaker 1: or small intimates. But bro, you ain't knowing how this

2292
02:09:42,920 --> 02:09:46,640
Speaker 1: is gonna come out on camera. But that's it that

2293
02:09:46,800 --> 02:09:50,240
Speaker 1: happen again. That back in the day, I heard Chris

2294
02:09:50,280 --> 02:09:53,280
Speaker 1: Brown say, you look stupid trying to in the corner

2295
02:09:53,360 --> 02:09:56,000
Speaker 1: pop locking the stay gonna gonna come on the end.

2296
02:09:56,320 --> 02:10:00,040
Speaker 1: So even he know, But oh Marion kept showing it

2297
02:10:00,000 --> 02:10:03,240
Speaker 1: abs and yo, And I ain't saying this is somebody

2298
02:10:03,320 --> 02:10:06,440
Speaker 1: hating on No, man, get your shelf. But I'm telling

2299
02:10:06,480 --> 02:10:10,040
Speaker 1: you you're gonna look like you might not be you

2300
02:10:10,160 --> 02:10:14,280
Speaker 1: might not be received the best. You understand me, and

2301
02:10:14,320 --> 02:10:17,320
Speaker 1: I know back in the day, girls are faint for you.

2302
02:10:17,320 --> 02:10:19,160
Speaker 1: You let him real a bit little. You get that

2303
02:10:19,200 --> 02:10:24,800
Speaker 1: little six packs you know, teenage motherfuck But man, ground women,

2304
02:10:24,920 --> 02:10:29,360
Speaker 1: I'll leading having six packs. Man, man, I'll leading having

2305
02:10:29,440 --> 02:10:32,160
Speaker 1: six packs. Man, you got your hair cocked to the side,

2306
02:10:32,240 --> 02:10:35,320
Speaker 1: trying to mesmerize or something. She's gonna be looking at

2307
02:10:35,360 --> 02:10:38,560
Speaker 1: you dumb. At least the people I know, the six

2308
02:10:38,920 --> 02:10:41,879
Speaker 1: women or the women I know of all shapes inside,

2309
02:10:41,960 --> 02:10:45,360
Speaker 1: they ain't really Maybe that's me though, maybe maybe they

2310
02:10:45,800 --> 02:10:48,240
Speaker 1: with that you know now, if you're saying it, I

2311
02:10:48,320 --> 02:10:51,320
Speaker 1: don't know, bro, his vocals, wasn't hitting right. Someone's up

2312
02:10:51,360 --> 02:10:54,240
Speaker 1: with that shout out though, Mario, maybe I can get

2313
02:10:54,280 --> 02:10:56,160
Speaker 1: him on the part talk about it. I ain't saying this,

2314
02:10:56,280 --> 02:10:59,360
Speaker 1: you know again, I speak without judgment, bro, you know

2315
02:10:59,400 --> 02:11:01,720
Speaker 1: I speak with judge man. You know, whatever it is.

2316
02:11:01,760 --> 02:11:03,680
Speaker 1: I know them dudes. They've been in the game a

2317
02:11:03,680 --> 02:11:05,920
Speaker 1: long time. And when you look at O Marian versus

2318
02:11:05,960 --> 02:11:09,280
Speaker 1: you look at Sammy, look at that, because Sammy would

2319
02:11:09,280 --> 02:11:11,400
Speaker 1: tell you I ain't gonna lie boy, I would just

2320
02:11:11,520 --> 02:11:14,080
Speaker 1: eat noodles before they popped this off. And why he

2321
02:11:14,200 --> 02:11:17,440
Speaker 1: came out so hard cold, That's why I tell y'all

2322
02:11:17,480 --> 02:11:21,560
Speaker 1: about dealing with a motherfucker that's coming from behind, dealing

2323
02:11:21,600 --> 02:11:24,320
Speaker 1: with a motherfucker that you thought was a disadvan that

2324
02:11:24,600 --> 02:11:27,920
Speaker 1: was at a disadvantage, that needed that opportunity, that needed

2325
02:11:28,000 --> 02:11:31,960
Speaker 1: that little that was taking that serious. You'll see somebody

2326
02:11:32,040 --> 02:11:34,680
Speaker 1: like Sammy come in and he taking it dead serious.

2327
02:11:36,040 --> 02:11:38,800
Speaker 1: And so what that does for him is I'm coming

2328
02:11:38,800 --> 02:11:41,560
Speaker 1: out saying hard. I probably ain't smoked in a couple

2329
02:11:41,560 --> 02:11:44,480
Speaker 1: of days like he took it serious because he needed

2330
02:11:44,480 --> 02:11:46,920
Speaker 1: that push. And as far as what we're seeing, he's

2331
02:11:46,960 --> 02:11:49,960
Speaker 1: getting a little push. But will its sustained. It's the

2332
02:11:50,160 --> 02:11:55,080
Speaker 1: versus push, a real sustainable push. Do you really get

2333
02:11:55,160 --> 02:11:58,320
Speaker 1: something out of that? Does it really have legs after that?

2334
02:11:58,400 --> 02:12:02,000
Speaker 1: Like three months down the role, are you still being

2335
02:12:02,040 --> 02:12:05,400
Speaker 1: booked more than you worth? Six months prior to the verses.

2336
02:12:05,960 --> 02:12:07,760
Speaker 1: You know what I'm saying. If I was saying me

2337
02:12:07,800 --> 02:12:10,480
Speaker 1: and those dudes, I would be taking interviews and try

2338
02:12:10,520 --> 02:12:12,760
Speaker 1: to make it grow legs. I keep popping out with

2339
02:12:13,000 --> 02:12:15,760
Speaker 1: because I don't got nothing else, you know what I'm saying,

2340
02:12:15,760 --> 02:12:17,640
Speaker 1: I'll just try to keep my name out there. But

2341
02:12:17,680 --> 02:12:20,360
Speaker 1: that's me understanding what the algorithm is in how to

2342
02:12:20,440 --> 02:12:22,960
Speaker 1: navigate through this game. But Usher end up doing a

2343
02:12:23,040 --> 02:12:25,640
Speaker 1: tiny desk. I'm gonna play just a little bit of it,

2344
02:12:25,680 --> 02:12:27,920
Speaker 1: don't you know. We ain't gonna get it flagged because

2345
02:12:27,960 --> 02:12:29,960
Speaker 1: I just want to show people that R and B

2346
02:12:30,120 --> 02:12:33,760
Speaker 1: ain't dead. Dudes just ain't taking it serious, you know,

2347
02:12:33,840 --> 02:12:36,240
Speaker 1: That's all it is. And some of them people sounded

2348
02:12:36,320 --> 02:12:38,440
Speaker 1: good at the verses, but that's not the first time

2349
02:12:38,560 --> 02:12:42,160
Speaker 1: somebody sounded totally off to me on a versus. Let's

2350
02:12:42,160 --> 02:12:47,440
Speaker 1: look at Usher's tiny desk. Fine cool, cool challenges, right, So,

2351
02:12:47,560 --> 02:12:51,280
Speaker 1: my brother Eric Balleinger, he created this challenge online and

2352
02:12:51,360 --> 02:12:55,600
Speaker 1: I'm like, I even took the challenge. I took my

2353
02:12:55,600 --> 02:12:57,480
Speaker 1: own challenge. I was like, okay, y'all do it. You

2354
02:12:57,520 --> 02:12:59,880
Speaker 1: know what I'm saying. But it was. It was a

2355
02:13:00,120 --> 02:13:03,440
Speaker 1: incredible moment. And as I said, music right or being

2356
02:13:03,480 --> 02:13:05,880
Speaker 1: able to see you gotta appreciate what us is to

2357
02:13:05,920 --> 02:13:08,520
Speaker 1: the game something when you deal with us, you man,

2358
02:13:08,520 --> 02:13:12,720
Speaker 1: it's legendary. Man, it's real talk. Shout out to EB

2359
02:13:13,160 --> 02:13:15,880
Speaker 1: this was his challenge. All Right, you gotta ask. I'm

2360
02:13:15,880 --> 02:13:19,600
Speaker 1: ready for Eric Brons your lady to John talk to

2361
02:13:19,640 --> 02:13:44,760
Speaker 1: me nice, come on, man, come on now? Yeah yeah, yeah, yeah,

2362
02:13:44,840 --> 02:13:53,800
Speaker 1: yeah you you my number one spotlights, big stage? Did

2363
02:13:53,840 --> 02:14:01,320
Speaker 1: they thousand fans screaming in a rage? Yeah? Usha will

2364
02:14:01,400 --> 02:14:04,880
Speaker 1: be a tremendous interview. Man, if I can get Usha,

2365
02:14:05,120 --> 02:14:10,000
Speaker 1: there'll be a tremendous interview. Dude. There's a super legend bro,

2366
02:14:10,920 --> 02:14:16,240
Speaker 1: such a historic career, so much we would get into

2367
02:14:17,400 --> 02:14:22,120
Speaker 1: so many ups, so many highs, just a few loads,

2368
02:14:22,240 --> 02:14:25,000
Speaker 1: but boy, it would be so much information involved. Man,

2369
02:14:25,040 --> 02:14:28,120
Speaker 1: he's dealing with so much in his mind and his

2370
02:14:28,240 --> 02:14:30,920
Speaker 1: brain that he's been through being in Hollywood singing at

2371
02:14:30,920 --> 02:14:37,600
Speaker 1: a high level megastart for soul so long. Gotta respect

2372
02:14:40,680 --> 02:14:44,919
Speaker 1: and we came together to do something really special. Um,

2373
02:14:45,200 --> 02:14:47,520
Speaker 1: and it's a lot of verses talk with him and

2374
02:14:47,600 --> 02:14:50,640
Speaker 1: Chris Brown. Man, that's that's to me. I think we

2375
02:14:50,760 --> 02:14:54,720
Speaker 1: may have to take that off the table. Man. Can

2376
02:14:54,800 --> 02:15:01,520
Speaker 1: anybody tell me? Well Usha was doing at seven o'clock? Okay,

2377
02:15:06,840 --> 02:15:19,400
Speaker 1: class y'all, y'all, Yeah, it's you know for me, bro,

2378
02:15:21,320 --> 02:15:24,280
Speaker 1: when we deal with you know, talking about him and

2379
02:15:24,360 --> 02:15:27,400
Speaker 1: Chris Brown with the verses, I don't really understand the talks.

2380
02:15:27,920 --> 02:15:30,280
Speaker 1: When we deal with him, man, it's just ain't nothing

2381
02:15:30,280 --> 02:15:35,960
Speaker 1: to talk about. There will be twenty number one or

2382
02:15:36,040 --> 02:15:39,640
Speaker 1: something crazy. You know what I'm saying. You gotta respect

2383
02:15:39,640 --> 02:15:42,080
Speaker 1: it for what it is. Chris Brown got some bangers, bro,

2384
02:15:42,200 --> 02:15:48,840
Speaker 1: but I don't know about with us, your bro. I

2385
02:15:48,920 --> 02:15:54,960
Speaker 1: just want to take get nice love, man. So let

2386
02:15:54,960 --> 02:15:56,880
Speaker 1: that be a Let that be a lesson to all

2387
02:15:56,880 --> 02:15:59,760
Speaker 1: the R and B singers that singing ain't dead. They

2388
02:15:59,800 --> 02:16:02,240
Speaker 1: are there. They just let Chris Brown go on the festival.

2389
02:16:02,440 --> 02:16:04,720
Speaker 1: He just did this thing. He's not been able to

2390
02:16:04,720 --> 02:16:06,480
Speaker 1: be on the festival in a long time, so it's

2391
02:16:06,520 --> 02:16:09,600
Speaker 1: great to see him do that. But but usher killed

2392
02:16:09,640 --> 02:16:11,640
Speaker 1: tiny desks. If you ain't seen that. Go see that?

2393
02:16:12,000 --> 02:16:14,200
Speaker 1: All right, let's talk about this man. Um. Did he

2394
02:16:14,320 --> 02:16:18,400
Speaker 1: got his Lifetime Achievement Award at BT round of applause

2395
02:16:18,440 --> 02:16:22,160
Speaker 1: for the Boss Man did He legendary in the space

2396
02:16:22,280 --> 02:16:27,200
Speaker 1: road Road got a very country type of clap on there, Man,

2397
02:16:27,320 --> 02:16:31,440
Speaker 1: very legendary in the space contributions unmatched, man Um. I

2398
02:16:31,480 --> 02:16:37,720
Speaker 1: think he's been the leading voice in regards to what

2399
02:16:37,920 --> 02:16:42,480
Speaker 1: can happen from an executive standpoint on your entry, right,

2400
02:16:42,560 --> 02:16:45,080
Speaker 1: did He's been instrumental in our understanding of how to

2401
02:16:45,200 --> 02:16:49,119
Speaker 1: bost up, of how to navigate, like Kanye said, deals

2402
02:16:49,120 --> 02:16:52,000
Speaker 1: in certain things where people people just don't know how

2403
02:16:52,040 --> 02:16:56,760
Speaker 1: to do. Came in the game from a prestigious HBCU.

2404
02:16:56,879 --> 02:16:59,240
Speaker 1: Did he continues to support to this day. Man. And

2405
02:17:00,400 --> 02:17:03,480
Speaker 1: I'm with Revote, So shout out to Diddy. Man. I

2406
02:17:03,560 --> 02:17:05,520
Speaker 1: got a lot of love and respect for him. Man.

2407
02:17:05,640 --> 02:17:08,320
Speaker 1: Like for me when they called me and was talking

2408
02:17:08,360 --> 02:17:12,280
Speaker 1: about the Revote thing, I'm like, Yo, It's like, it's

2409
02:17:12,320 --> 02:17:14,360
Speaker 1: not much to talk about in regards to how I

2410
02:17:14,400 --> 02:17:17,760
Speaker 1: feel about Diddy, how I feel about the whole circumstances

2411
02:17:17,800 --> 02:17:20,600
Speaker 1: over here, and just what I feel like could be

2412
02:17:20,640 --> 02:17:22,760
Speaker 1: brought to the game. I don't think people are loud

2413
02:17:22,920 --> 02:17:26,200
Speaker 1: enough about revote about Si Rock, about delhi On. I

2414
02:17:26,240 --> 02:17:29,720
Speaker 1: think you look, it's too quiet about the greatness of title.

2415
02:17:30,440 --> 02:17:33,360
Speaker 1: I think you look it's quiet about Yeasy. I think

2416
02:17:33,400 --> 02:17:36,560
Speaker 1: we gotta issue with celebrating some of our black men

2417
02:17:36,680 --> 02:17:40,720
Speaker 1: although they continue to fight with no one or that

2418
02:17:40,720 --> 02:17:44,000
Speaker 1: that that that really should be in that corner, in

2419
02:17:44,040 --> 02:17:46,640
Speaker 1: that corner. I heard Kanye speak about did he having

2420
02:17:46,640 --> 02:17:50,640
Speaker 1: to reach out to him a couple of times when

2421
02:17:50,760 --> 02:17:55,160
Speaker 1: Kanye entered this game, did he was doing well? I

2422
02:17:55,280 --> 02:17:59,240
Speaker 1: keep telling people it's about staying power. That's what this

2423
02:17:59,320 --> 02:18:02,080
Speaker 1: whole ship about, staying power for nothing else. We got

2424
02:18:02,200 --> 02:18:05,800
Speaker 1: to respect our greats for the staying power, especially evolving

2425
02:18:05,920 --> 02:18:09,240
Speaker 1: with it. We talk about from selling records to selling

2426
02:18:10,320 --> 02:18:14,160
Speaker 1: real estate, from selling real estate to selling fashion, from

2427
02:18:14,200 --> 02:18:17,959
Speaker 1: selling fashion to selling liquor, from selling liquor to selling TV,

2428
02:18:18,200 --> 02:18:21,120
Speaker 1: from selling TV back to selling liquor back to selling

2429
02:18:21,240 --> 02:18:25,879
Speaker 1: music and selling like there's a lot happening with these guys.

2430
02:18:25,879 --> 02:18:29,959
Speaker 1: So for me, the respect is never questioned. And although

2431
02:18:30,000 --> 02:18:32,720
Speaker 1: in our culture we always speak about our pioneers and

2432
02:18:32,760 --> 02:18:35,520
Speaker 1: the people only come up in black excellence, you're not

2433
02:18:35,600 --> 02:18:38,040
Speaker 1: what you say you are you what you do. So

2434
02:18:38,120 --> 02:18:40,199
Speaker 1: when we don't help each other, that's why I applaud

2435
02:18:40,200 --> 02:18:43,160
Speaker 1: them even giving a million here men when you say

2436
02:18:43,240 --> 02:18:45,440
Speaker 1: we're gonna help each other up, and I'm about doing

2437
02:18:45,480 --> 02:18:48,000
Speaker 1: this and doing that. But there ain't nobody putting nothing

2438
02:18:48,040 --> 02:18:51,240
Speaker 1: into nothing. Everybody just une feeling these holes talking. I

2439
02:18:51,320 --> 02:18:53,920
Speaker 1: got very little respect for that because of the people

2440
02:18:54,000 --> 02:18:57,080
Speaker 1: like did it, the people that's talking and doing, the

2441
02:18:57,160 --> 02:18:59,760
Speaker 1: people like the Jay's of the world, the people that

2442
02:19:00,160 --> 02:19:04,000
Speaker 1: is moving the needle and also giving get giving people

2443
02:19:04,040 --> 02:19:07,640
Speaker 1: opportunity on the daily, not when they feel good once

2444
02:19:07,680 --> 02:19:12,160
Speaker 1: a year about Christmas time. Right, we ain't like bro man,

2445
02:19:12,200 --> 02:19:14,360
Speaker 1: it's so much I can get into about this, But

2446
02:19:14,480 --> 02:19:20,080
Speaker 1: watching this, I actually got emotional home and I don't

2447
02:19:20,120 --> 02:19:23,160
Speaker 1: get emotional, but I mean this weird place in my

2448
02:19:23,200 --> 02:19:27,840
Speaker 1: life right where things are starting to make sense and

2449
02:19:28,040 --> 02:19:32,600
Speaker 1: nick none never made sense for me. Right, it's smartest

2450
02:19:32,640 --> 02:19:36,640
Speaker 1: people think I am nigga being navigating in deep waters

2451
02:19:36,720 --> 02:19:39,440
Speaker 1: my whole life, Nan, it seemed like I'm getting close

2452
02:19:39,480 --> 02:19:45,360
Speaker 1: to shore. And when that's the case, get get weird

2453
02:19:45,480 --> 02:19:48,000
Speaker 1: for you. There's a transition that has to happen and

2454
02:19:48,080 --> 02:19:50,879
Speaker 1: so starting to make sense. And so when I see

2455
02:19:50,920 --> 02:19:54,840
Speaker 1: things like this. I'm like, bros, really obtainable, and these

2456
02:19:54,920 --> 02:19:58,560
Speaker 1: people don't know how they inspire people. Like before I

2457
02:19:58,600 --> 02:20:01,959
Speaker 1: was signed to revote, well before I ever thought about it,

2458
02:20:02,080 --> 02:20:07,640
Speaker 1: did it, I already was connected via hustle. See a

2459
02:20:07,640 --> 02:20:11,000
Speaker 1: lot of times we connected via hustle. And it's different.

2460
02:20:11,160 --> 02:20:14,879
Speaker 1: It's a difference because some of y'all the with the Internet,

2461
02:20:15,040 --> 02:20:18,560
Speaker 1: y'all have what's called a parallel social relationship with some

2462
02:20:18,600 --> 02:20:21,480
Speaker 1: of these celebrities. I ain't talking about that. I'm talking

2463
02:20:21,480 --> 02:20:24,959
Speaker 1: about the frequency is matched, yo, when they say I'm

2464
02:20:25,040 --> 02:20:27,000
Speaker 1: up in the end of the day, like it's really

2465
02:20:27,080 --> 02:20:30,480
Speaker 1: pushing you because you really bout that, you really own that.

2466
02:20:30,640 --> 02:20:34,320
Speaker 1: So I've always been able to plug in with the greats,

2467
02:20:34,560 --> 02:20:37,000
Speaker 1: indeed it being one of them, and now again be

2468
02:20:37,040 --> 02:20:40,280
Speaker 1: in a position to be closer than most tooldn't be

2469
02:20:40,360 --> 02:20:45,560
Speaker 1: able to say, Yo, this really a thing. You ain't

2470
02:20:45,560 --> 02:20:50,600
Speaker 1: never seen the temple. Until you've seen the temple, you

2471
02:20:50,640 --> 02:20:52,560
Speaker 1: don't know the ass yo, how they get all this

2472
02:20:52,760 --> 02:20:55,360
Speaker 1: up here, like it's what't no forklifts or none back

2473
02:20:55,400 --> 02:20:58,160
Speaker 1: in the day. How they get it? You don't know

2474
02:20:58,200 --> 02:21:01,560
Speaker 1: that until you actually seen the struct ship. And so

2475
02:21:01,640 --> 02:21:05,000
Speaker 1: as I get closer to like, yo, this is one

2476
02:21:05,040 --> 02:21:07,600
Speaker 1: of the companies, dude. On here, on this, I got

2477
02:21:07,600 --> 02:21:10,120
Speaker 1: people from Come Enterprise that I that I got a

2478
02:21:10,160 --> 02:21:12,280
Speaker 1: lot of love and respect for that. They're hitting me

2479
02:21:12,360 --> 02:21:15,360
Speaker 1: up telling me about Soroki, Vince and dan Leani Vincent,

2480
02:21:15,600 --> 02:21:18,160
Speaker 1: and I'm like, yo, all this is moving and home

2481
02:21:18,320 --> 02:21:22,959
Speaker 1: just kicked up. Understanding the game and being hustling so long.

2482
02:21:23,080 --> 02:21:25,160
Speaker 1: This is what it gets you when you put the

2483
02:21:25,200 --> 02:21:27,640
Speaker 1: work in and I respecting from a different level. Let's

2484
02:21:27,640 --> 02:21:31,320
Speaker 1: look at a little bit of um the speech and

2485
02:21:31,360 --> 02:21:37,240
Speaker 1: then come back with some game. Yeah yeah, yeah, yeah, yeah,

2486
02:21:37,560 --> 02:21:44,040
Speaker 1: yeah yeah. Get it up from my mother, y'all. Mama comes,

2487
02:21:50,600 --> 02:21:54,280
Speaker 1: love you Mama and your night. I gotta give it

2488
02:21:54,360 --> 02:21:57,760
Speaker 1: up to Andrew Horrel, you know, like, yeah, make some

2489
02:21:57,840 --> 02:21:59,640
Speaker 1: noise for Andre. We didn't get to take about the

2490
02:21:59,800 --> 02:22:03,600
Speaker 1: arm Drake. Come on. When I changed my name to love,

2491
02:22:05,120 --> 02:22:11,000
Speaker 1: he said to me, don't talk love be love you

2492
02:22:11,000 --> 02:22:14,200
Speaker 1: feel me. Give it up, Auntre Horrel one time. Are

2493
02:22:14,280 --> 02:22:20,640
Speaker 1: we miss you? We love you? Heavy D heavy D.

2494
02:22:20,680 --> 02:22:22,760
Speaker 1: I used to like Stark heavy D to get a

2495
02:22:22,840 --> 02:22:27,280
Speaker 1: chance to like help get me an intern and I

2496
02:22:28,640 --> 02:22:32,000
Speaker 1: just missed Kim y'all. You know what I'm saying, and

2497
02:22:32,400 --> 02:22:35,400
Speaker 1: I know we all go through grief and stuff like that,

2498
02:22:36,160 --> 02:22:40,920
Speaker 1: and it's like, you know, stay connected to God and

2499
02:22:41,000 --> 02:22:43,560
Speaker 1: he'll bring you out this. This is not, this is not.

2500
02:22:43,640 --> 02:22:46,440
Speaker 1: We don't control this. But I missed Kim so much.

2501
02:22:46,680 --> 02:22:54,640
Speaker 1: And I just want to say thank you to Kim.

2502
02:22:54,680 --> 02:22:57,400
Speaker 1: I gotta thank b I g Brooklyn, what's up Brooklyn?

2503
02:22:57,400 --> 02:23:06,320
Speaker 1: When you are the greatest period. I gotta thank my

2504
02:23:06,360 --> 02:23:11,880
Speaker 1: brother hard pre Kenny massilas my lawyer from day one,

2505
02:23:11,959 --> 02:23:17,879
Speaker 1: Scott Mills. Kanye Orlando. Kanye Orlando is the most powerful

2506
02:23:18,000 --> 02:23:20,960
Speaker 1: Black woman in media. She runs BT get up for

2507
02:23:21,080 --> 02:23:26,840
Speaker 1: Kanye Orlando. Man, Man, man, man that Kim th ain't

2508
02:23:26,879 --> 02:23:30,800
Speaker 1: hurt homing And every time I him speak about it, man,

2509
02:23:31,840 --> 02:23:36,640
Speaker 1: I just so I can only imagine, right, you get

2510
02:23:36,640 --> 02:23:39,080
Speaker 1: caught in your hustle, You get caught in moving fast

2511
02:23:39,160 --> 02:23:42,280
Speaker 1: and like you may or may not be able to

2512
02:23:43,879 --> 02:23:47,080
Speaker 1: express what she would be expressed, even though you always

2513
02:23:47,120 --> 02:23:49,879
Speaker 1: feel it. You know, for us, man, it's rough. I

2514
02:23:49,959 --> 02:23:54,160
Speaker 1: keep saying, we have issues with communicating our standards, I expectations,

2515
02:23:54,200 --> 02:23:58,120
Speaker 1: I love. Vulnerability is an issue, man. That's why they

2516
02:23:58,160 --> 02:24:02,320
Speaker 1: say therapy needs to be had at a very high rate.

2517
02:24:02,400 --> 02:24:05,879
Speaker 1: In the community and black and black in the black community, man,

2518
02:24:05,920 --> 02:24:10,920
Speaker 1: because we will not open up for the sake, because

2519
02:24:10,959 --> 02:24:14,959
Speaker 1: we're afraid to be let down in the internet. You know,

2520
02:24:15,320 --> 02:24:18,520
Speaker 1: for me, they respect did it? They know what's up

2521
02:24:18,600 --> 02:24:21,360
Speaker 1: with him? Right, they don't play I think when they

2522
02:24:21,400 --> 02:24:26,000
Speaker 1: deal with the Charrisha thing. I think that being unreasonable. Right,

2523
02:24:26,040 --> 02:24:29,120
Speaker 1: this is a lifetime achievement award, and shout out to Charisia.

2524
02:24:29,240 --> 02:24:33,640
Speaker 1: She is a very very unique individual and I can

2525
02:24:33,680 --> 02:24:37,520
Speaker 1: appreciate everything she's brought to the market as well as

2526
02:24:38,040 --> 02:24:40,800
Speaker 1: her position in his life. Whatever that may be. That

2527
02:24:40,840 --> 02:24:44,720
Speaker 1: ain't my business. My problem is with the Internet. Y'all

2528
02:24:44,760 --> 02:24:47,119
Speaker 1: get in a position where y'all tend to not give

2529
02:24:47,200 --> 02:24:55,000
Speaker 1: context with things. Y'all won't yo the same women sometimes, y'all, y'all.

2530
02:24:55,040 --> 02:25:00,800
Speaker 1: Sometimes y'all understand when something's new, there's boundary is around

2531
02:25:01,040 --> 02:25:03,560
Speaker 1: what you will and will not do, And then other

2532
02:25:03,600 --> 02:25:06,480
Speaker 1: times people act like they don't understand that. For me,

2533
02:25:06,959 --> 02:25:09,840
Speaker 1: I get caught somewhere and what the fuck are y'all

2534
02:25:09,879 --> 02:25:14,160
Speaker 1: being lost in translation like this is a lifetime achievement

2535
02:25:14,200 --> 02:25:17,039
Speaker 1: award for him, or this is me graduating or doing

2536
02:25:17,080 --> 02:25:19,520
Speaker 1: something I've been working on my life on and I

2537
02:25:19,640 --> 02:25:22,480
Speaker 1: love shout it, but why would I mention shout it

2538
02:25:22,640 --> 02:25:26,880
Speaker 1: right here? Just like I didn't understand Chadwick Boseman respectfully

2539
02:25:26,959 --> 02:25:30,800
Speaker 1: to his family being married six months before he was dying,

2540
02:25:30,840 --> 02:25:34,840
Speaker 1: he knew he was dying. Those things to me or not,

2541
02:25:34,920 --> 02:25:37,680
Speaker 1: there's no risk assessment involved in those things, and it

2542
02:25:37,760 --> 02:25:40,800
Speaker 1: doesn't speak to my love for any individual, because I

2543
02:25:40,840 --> 02:25:44,680
Speaker 1: won't place myself in a situation where the risk assessment

2544
02:25:44,760 --> 02:25:47,560
Speaker 1: tells me I have way more to lose than I

2545
02:25:47,640 --> 02:25:51,080
Speaker 1: do the game, you know what I'm saying, and so

2546
02:25:51,680 --> 02:25:54,760
Speaker 1: I just think we gotta respect the natural order of things,

2547
02:25:55,520 --> 02:25:59,320
Speaker 1: right dude, you know, especially like one thing I can

2548
02:25:59,360 --> 02:26:02,680
Speaker 1: also appreci shared about careersha or just women who operate

2549
02:26:02,760 --> 02:26:05,200
Speaker 1: like that is give a man a chance to heal,

2550
02:26:06,640 --> 02:26:08,920
Speaker 1: Like you get the best version of me after the

2551
02:26:08,959 --> 02:26:12,240
Speaker 1: scab is healed. When you won't allow me to heal,

2552
02:26:12,360 --> 02:26:15,400
Speaker 1: you want me to run from what I should be conquering.

2553
02:26:15,879 --> 02:26:18,920
Speaker 1: Right So, I'm in love or I was in love

2554
02:26:19,000 --> 02:26:21,840
Speaker 1: and hurt and I've never faced that, and you get

2555
02:26:21,920 --> 02:26:24,440
Speaker 1: upset when I talk about it because you insecure. So

2556
02:26:24,560 --> 02:26:26,800
Speaker 1: now you place me in a position where I got

2557
02:26:26,879 --> 02:26:31,720
Speaker 1: to hide when I'm healing, and anytime I'm hiding when

2558
02:26:31,800 --> 02:26:34,240
Speaker 1: I'm healing, I ain't healing at the rate I could

2559
02:26:34,360 --> 02:26:37,080
Speaker 1: be healing that because I ain't got time to hide

2560
02:26:37,080 --> 02:26:40,400
Speaker 1: all the time I'm hustling. So when I do get

2561
02:26:40,440 --> 02:26:43,320
Speaker 1: a little time to hide and heal, it's healing there,

2562
02:26:43,360 --> 02:26:45,440
Speaker 1: and it ain't moving as fast as you think it

2563
02:26:45,520 --> 02:26:48,640
Speaker 1: should move. So now your expectations when you with me.

2564
02:26:48,720 --> 02:26:50,520
Speaker 1: It's why I ain't got over it. It's because you

2565
02:26:50,560 --> 02:26:54,400
Speaker 1: ain't allowing me a runway to heal. I've been trying

2566
02:26:54,440 --> 02:26:56,600
Speaker 1: to heal from it, but you make me hide when

2567
02:26:56,640 --> 02:26:59,800
Speaker 1: I'm healing because you insecure about the feelings that you

2568
02:27:00,080 --> 02:27:03,240
Speaker 1: get when I reminisce on the mistake or the good

2569
02:27:03,240 --> 02:27:05,440
Speaker 1: times that made me where I am, the day that

2570
02:27:05,560 --> 02:27:08,760
Speaker 1: got me in the situation. I mean, whether I'm dropped

2571
02:27:08,760 --> 02:27:11,640
Speaker 1: the ball, whether I count the pads. You won't let

2572
02:27:11,760 --> 02:27:15,080
Speaker 1: me look at the game tape because you're too worried

2573
02:27:15,120 --> 02:27:19,960
Speaker 1: about the game playing. I'm not in a position where

2574
02:27:20,000 --> 02:27:22,440
Speaker 1: I'm working for Somethingbody. If I tell you we are

2575
02:27:22,480 --> 02:27:26,080
Speaker 1: where we are, yo, we are where we are? I

2576
02:27:26,200 --> 02:27:29,640
Speaker 1: am because we are we are because I am ain't

2577
02:27:29,680 --> 02:27:32,920
Speaker 1: no situation. Now I'm running from you know, you ain't

2578
02:27:32,959 --> 02:27:35,440
Speaker 1: paying my bills or something, got some kind of leverage

2579
02:27:35,440 --> 02:27:38,800
Speaker 1: where I'm saying I fought you, but I really don't na, Yo,

2580
02:27:39,000 --> 02:27:43,800
Speaker 1: I gotta heal of that. And sometimes, like like Shorty

2581
02:27:43,959 --> 02:27:46,680
Speaker 1: was saying that Dave's Cam Newton, sometimes you do help

2582
02:27:46,680 --> 02:27:50,920
Speaker 1: a person heal from things. It's like, yo, he gave

2583
02:27:51,040 --> 02:27:53,280
Speaker 1: up on love. He met me and start thinking like

2584
02:27:55,920 --> 02:27:59,840
Speaker 1: now love real. Now you wasn't expecting too much now,

2585
02:28:00,160 --> 02:28:02,240
Speaker 1: like to scratch your back when you go to bed.

2586
02:28:03,879 --> 02:28:07,800
Speaker 1: Now that ain't no burden for me. A lot of

2587
02:28:07,840 --> 02:28:12,400
Speaker 1: people sound mean to me, just like mean people, like

2588
02:28:12,400 --> 02:28:15,480
Speaker 1: like genuinely mean people. And for me, I don't want

2589
02:28:15,480 --> 02:28:17,840
Speaker 1: a mean woman. Some people might like, oh I like

2590
02:28:17,920 --> 02:28:20,440
Speaker 1: a fight, Steve and this and that, and feisty is

2591
02:28:20,520 --> 02:28:22,840
Speaker 1: one thing, but I'm talking about some of these people

2592
02:28:22,959 --> 02:28:26,520
Speaker 1: are sounding just flat out mean, like, Yo, you're a

2593
02:28:26,600 --> 02:28:29,480
Speaker 1: mean person. Bro. You upset because somebody to say, yo,

2594
02:28:29,520 --> 02:28:31,520
Speaker 1: I like the cater from my man. That sounds like

2595
02:28:31,560 --> 02:28:34,720
Speaker 1: you're mean to me. But it's easy, bro, especially when

2596
02:28:34,720 --> 02:28:37,560
Speaker 1: you're successful, when you on top, when everything working, you'd

2597
02:28:37,560 --> 02:28:39,520
Speaker 1: be like, I get to I show I love in

2598
02:28:39,520 --> 02:28:43,000
Speaker 1: a minute, like i'n't done that, like, Yo, no, now

2599
02:28:43,000 --> 02:28:45,720
Speaker 1: I really love you and I'm gonna show you. But

2600
02:28:45,840 --> 02:28:47,760
Speaker 1: right now I'm doing this. I'll get to you though

2601
02:28:47,800 --> 02:28:49,840
Speaker 1: I know you're gonna be there because I'm gonna show you. Man,

2602
02:28:49,879 --> 02:28:53,080
Speaker 1: I promise to God, I'm and the arrogance to get

2603
02:28:53,080 --> 02:28:56,960
Speaker 1: caught into translation and then get what. You start telling

2604
02:28:57,000 --> 02:29:00,840
Speaker 1: yourself based on her behavior towards you or willingness to

2605
02:29:00,920 --> 02:29:04,760
Speaker 1: accept your flaws or your mishaps. You'll start telling yourself,

2606
02:29:04,840 --> 02:29:07,200
Speaker 1: I know you love man, I'm easy to love. Yeah,

2607
02:29:07,240 --> 02:29:10,800
Speaker 1: I'm successful. It's easy to love this here. You don't

2608
02:29:10,800 --> 02:29:14,280
Speaker 1: got lost. You didn't got lost. They done because you're

2609
02:29:14,280 --> 02:29:16,360
Speaker 1: not done a trick on the world and got famous.

2610
02:29:16,360 --> 02:29:19,039
Speaker 1: Got mon't know the riding in there. You don't got lost.

2611
02:29:19,840 --> 02:29:22,520
Speaker 1: And then you're thinking, it's easy to love you. You

2612
02:29:22,520 --> 02:29:25,160
Speaker 1: don't forget. You don't even be x y and z in.

2613
02:29:25,320 --> 02:29:27,920
Speaker 1: You don't call and check on this, that some of

2614
02:29:27,920 --> 02:29:30,320
Speaker 1: these things that may be natural for her, that she

2615
02:29:30,440 --> 02:29:33,720
Speaker 1: may won't a need you don't provide. But somewhere along

2616
02:29:33,760 --> 02:29:36,840
Speaker 1: the lines, because you financially stay, when you start to

2617
02:29:36,840 --> 02:29:40,200
Speaker 1: tell yourself or you provide or whatever you feel, a

2618
02:29:40,240 --> 02:29:43,360
Speaker 1: man does, you start to do those things and then

2619
02:29:43,400 --> 02:29:47,000
Speaker 1: you come up missing in the department of the things

2620
02:29:47,000 --> 02:29:49,880
Speaker 1: that mean the most of Huh, but you didn't told yourself.

2621
02:29:49,920 --> 02:29:53,279
Speaker 1: I'm easy to love because I'm successful. I got money

2622
02:29:53,280 --> 02:29:56,680
Speaker 1: I buy cause every birthday, give a racks on every occasion.

2623
02:29:57,000 --> 02:29:59,640
Speaker 1: Everything she needed I may happen. So it's easy to

2624
02:29:59,640 --> 02:30:02,160
Speaker 1: be me. How dare you act like it's a problem.

2625
02:30:03,040 --> 02:30:06,039
Speaker 1: And boy, when you get become arrogant, you become a fool.

2626
02:30:07,959 --> 02:30:10,560
Speaker 1: The wise man know how to come off it's aricant,

2627
02:30:10,560 --> 02:30:13,960
Speaker 1: but be humble when the time isn't necessary. And I'm

2628
02:30:14,000 --> 02:30:17,880
Speaker 1: working on that because sometimes I gotta get you bravado

2629
02:30:17,959 --> 02:30:20,800
Speaker 1: because it's part of the medicine and the candid. But

2630
02:30:21,240 --> 02:30:24,600
Speaker 1: I must remain humble and understand that the blessing is

2631
02:30:24,640 --> 02:30:27,160
Speaker 1: ahead of me and my best days is ahead of me.

2632
02:30:27,760 --> 02:30:31,600
Speaker 1: Right understanding that, and so you gotta know how to

2633
02:30:31,720 --> 02:30:35,400
Speaker 1: not only appreciate the journey, but appreciate again the people

2634
02:30:35,440 --> 02:30:39,080
Speaker 1: that's close to you when you beat the odds. Boy,

2635
02:30:39,080 --> 02:30:41,360
Speaker 1: it's rough when you lose that motherfucker that were close

2636
02:30:41,400 --> 02:30:44,320
Speaker 1: to you when you beat the odds, she were right

2637
02:30:44,360 --> 02:30:46,959
Speaker 1: there cheering. You won't never left your side. Let you

2638
02:30:47,320 --> 02:30:50,240
Speaker 1: right and you didn't get a chance to pay that forward.

2639
02:30:50,320 --> 02:30:52,680
Speaker 1: Oh my god, not with the money, but with the

2640
02:30:52,800 --> 02:30:56,440
Speaker 1: access I suppost to get you access to all of me.

2641
02:30:56,600 --> 02:30:58,760
Speaker 1: You was right there when I beat the odds. Help

2642
02:30:58,840 --> 02:31:01,080
Speaker 1: me beat the odds. I will post to give you

2643
02:31:01,240 --> 02:31:04,000
Speaker 1: access to me. But I was insecure. I was a

2644
02:31:04,000 --> 02:31:06,480
Speaker 1: little boy. I was running from you when I should

2645
02:31:06,480 --> 02:31:09,080
Speaker 1: have been running to you. You was everything I needed

2646
02:31:09,360 --> 02:31:12,320
Speaker 1: and not missing a drop or anything that I wanted.

2647
02:31:12,560 --> 02:31:14,560
Speaker 1: And I was running from you because I was a

2648
02:31:14,560 --> 02:31:18,200
Speaker 1: little boy. I was afraid. I was insecure. You was

2649
02:31:18,320 --> 02:31:21,480
Speaker 1: right there when I beat the odds. It was right

2650
02:31:21,480 --> 02:31:24,560
Speaker 1: there when I hit the game winning shot, when nobody

2651
02:31:24,640 --> 02:31:27,680
Speaker 1: believed I had that three pointer. You was right there.

2652
02:31:28,440 --> 02:31:30,480
Speaker 1: I didn't get a chance to let you see and

2653
02:31:30,640 --> 02:31:33,320
Speaker 1: know that you deserve the access that you were asking.

2654
02:31:33,400 --> 02:31:37,680
Speaker 1: Fun first, I blamed it on my career moving too fast. Bay,

2655
02:31:37,680 --> 02:31:39,960
Speaker 1: I'm gonna give you access, give me a minute. All

2656
02:31:40,080 --> 02:31:42,080
Speaker 1: my heart belowe to you. But this money in the

2657
02:31:42,160 --> 02:31:44,360
Speaker 1: way right now, let me get it together. Now I

2658
02:31:44,440 --> 02:31:46,920
Speaker 1: got money, Bay, I just started this right, so I

2659
02:31:47,000 --> 02:31:49,600
Speaker 1: find a way not to give it to you. And boy,

2660
02:31:49,800 --> 02:31:52,560
Speaker 1: when God step in, man, I don't know how to

2661
02:31:52,600 --> 02:31:54,960
Speaker 1: forgive myself and I know that's a hard fight. Shout

2662
02:31:54,959 --> 02:31:57,560
Speaker 1: out to the home of making it through. God said

2663
02:31:57,600 --> 02:32:00,880
Speaker 1: it will be so bad. But boy, I can only

2664
02:32:01,000 --> 02:32:03,920
Speaker 1: imagine the folk and it made me think, like, Yo,

2665
02:32:04,000 --> 02:32:07,240
Speaker 1: you got people around you. This this like really rooting

2666
02:32:07,280 --> 02:32:10,440
Speaker 1: for you, dog, Like you gotta wake up, like stop

2667
02:32:10,520 --> 02:32:14,480
Speaker 1: being so like show them people getting full access, man,

2668
02:32:15,120 --> 02:32:17,640
Speaker 1: access to your heart, to that good side of you,

2669
02:32:17,720 --> 02:32:20,800
Speaker 1: to that love, to that appreciation that you ain't never gay.

2670
02:32:21,000 --> 02:32:24,440
Speaker 1: Nobody let these folks see it. They love you. You know,

2671
02:32:24,560 --> 02:32:27,000
Speaker 1: your kids love you, Your family they love you. Let

2672
02:32:27,040 --> 02:32:29,560
Speaker 1: these people see that you love them right, and my

2673
02:32:29,640 --> 02:32:32,320
Speaker 1: children ain't know like I get them all of me.

2674
02:32:32,480 --> 02:32:35,560
Speaker 1: I let them see size of me. Nobody else get

2675
02:32:35,640 --> 02:32:38,360
Speaker 1: to see you understand. So it's a it's a real thing.

2676
02:32:38,480 --> 02:32:41,480
Speaker 1: But I can don't imagine what that's like, bro, But

2677
02:32:41,520 --> 02:32:43,640
Speaker 1: shout out to the home. I want to play a

2678
02:32:43,720 --> 02:32:46,959
Speaker 1: quick video speak about this really quick and will move

2679
02:32:46,959 --> 02:32:50,680
Speaker 1: on because I haven't been able to watch it or

2680
02:32:51,360 --> 02:32:53,320
Speaker 1: I donna say watch it. I haven't been able to

2681
02:32:55,440 --> 02:32:58,000
Speaker 1: read a lot into it. So this is kind of

2682
02:32:58,000 --> 02:33:01,840
Speaker 1: fresh for me to even talk about. GA was paralyzed

2683
02:33:01,879 --> 02:33:05,240
Speaker 1: in police custody. So let's look at this video. This

2684
02:33:05,400 --> 02:33:11,960
Speaker 1: due being in police custody ended up parallel. Oh my god.

2685
02:33:12,600 --> 02:33:15,720
Speaker 1: New video released by New Haven Police shows the moments

2686
02:33:15,800 --> 02:33:18,560
Speaker 1: leading up to thirty six year old Richard Cox getting

2687
02:33:18,600 --> 02:33:22,520
Speaker 1: seriously injured during police transport to a detention center, an

2688
02:33:22,520 --> 02:33:26,680
Speaker 1: injury that police say could cause paralysis. Decisions made by

2689
02:33:26,680 --> 02:33:28,760
Speaker 1: some of the officers involved in the sense and do

2690
02:33:28,840 --> 02:33:30,879
Speaker 1: not reflect the ner Haven Police Department as a whole

2691
02:33:31,320 --> 02:33:34,600
Speaker 1: and the high expectations we have for professional conducts and

2692
02:33:34,640 --> 02:33:37,200
Speaker 1: the care of individuals in their custody. This all started

2693
02:33:37,240 --> 02:33:40,279
Speaker 1: Sunday night at a block party on Lilac Street. Assistant

2694
02:33:40,320 --> 02:33:43,480
Speaker 1: Chief Carl Jacobson says they got a call from concerned residents,

2695
02:33:43,520 --> 02:33:45,879
Speaker 1: adding that Cox had a gun tucked into his pants

2696
02:33:46,040 --> 02:33:49,200
Speaker 1: and appeared to be intoxicated. He was taken into custody

2697
02:33:49,240 --> 02:33:53,320
Speaker 1: without incident and put in a police cruiser, according to police. Later,

2698
02:33:53,400 --> 02:33:56,400
Speaker 1: Cox was put into a transport van that police confirmed

2699
02:33:56,480 --> 02:33:59,600
Speaker 1: had no seat belts, and outside camera captures the van

2700
02:33:59,680 --> 02:34:03,000
Speaker 1: travel down Division Street near the intersection of Man's Field.

2701
02:34:03,240 --> 02:34:05,520
Speaker 1: He has a stop side it starts to inch out

2702
02:34:05,720 --> 02:34:09,680
Speaker 1: the wagon hits its brakes hard. Police say officer Oscar

2703
02:34:09,800 --> 02:34:12,680
Speaker 1: Diaz was driving the van. His body worn camera shows

2704
02:34:12,760 --> 02:34:15,400
Speaker 1: him honk at an oncoming car as police say he

2705
02:34:15,440 --> 02:34:19,600
Speaker 1: made a fast stop to avoid a crash. Just two

2706
02:34:19,600 --> 02:34:23,120
Speaker 1: minutes before the stop, police say Cox was uncooperative, banging

2707
02:34:23,160 --> 02:34:28,120
Speaker 1: against the walls and lying on the floor kicking the doors.

2708
02:34:29,040 --> 02:34:31,280
Speaker 1: Cox can be seen getting up to sit on the

2709
02:34:31,320 --> 02:34:33,720
Speaker 1: bench in the back of the van, and moments later,

2710
02:34:33,800 --> 02:34:36,480
Speaker 1: police say the van comes to a stop. Cox appears

2711
02:34:36,480 --> 02:34:38,760
Speaker 1: to slide down the bench and slam into the wall

2712
02:34:38,800 --> 02:34:46,400
Speaker 1: of the van, calling for help. Four minutes later, police

2713
02:34:46,440 --> 02:34:49,160
Speaker 1: say Officer Diaz opens the door and Cox says he

2714
02:34:49,200 --> 02:34:52,680
Speaker 1: can't move. Police say Diaz called an ambulance. Cox was

2715
02:34:52,720 --> 02:34:55,920
Speaker 1: then taken to a detention center, which Jacobson says is

2716
02:34:55,959 --> 02:35:00,400
Speaker 1: outside of normal protocol. We have a policy that says

2717
02:35:00,440 --> 02:35:03,039
Speaker 1: if someone's in distressing the wagon, you pull over, your

2718
02:35:03,040 --> 02:35:06,440
Speaker 1: call for medical assistance, and you wait. He didn't do that.

2719
02:35:06,600 --> 02:35:09,640
Speaker 1: Once at the detention center, Diaz TX to Seargeant Betsy

2720
02:35:09,720 --> 02:35:17,200
Speaker 1: Sighe video shows officers attempting to get Cox out of

2721
02:35:17,240 --> 02:35:24,920
Speaker 1: the van. You're not even trying. Moments later, bodycam video

2722
02:35:25,000 --> 02:35:27,720
Speaker 1: shows Cox is pulled out of the van by his feet.

2723
02:35:28,040 --> 02:35:31,199
Speaker 1: Officers get Cox and wheelchair when they see he doesn't stand.

2724
02:35:35,400 --> 02:35:38,680
Speaker 1: I'm troubled by it. I believe that there's an attempt

2725
02:35:38,720 --> 02:35:40,920
Speaker 1: to help him at first, but I'm troubled by the

2726
02:35:40,920 --> 02:35:47,480
Speaker 1: rest of it. Wow, man godly, And there's no protocol

2727
02:35:47,480 --> 02:35:51,400
Speaker 1: on police officers in America. Police officers in America can

2728
02:35:52,480 --> 02:35:57,200
Speaker 1: literally move through neighborhoods however they see fit, and we

2729
02:35:57,280 --> 02:35:59,600
Speaker 1: have to depend on some kind of system that put

2730
02:35:59,680 --> 02:36:02,280
Speaker 1: him in neighborhood to hold them accountable for how they

2731
02:36:02,320 --> 02:36:06,800
Speaker 1: acted when they were out there with no clear indication

2732
02:36:07,000 --> 02:36:11,240
Speaker 1: or no clear set of rules. There's there's really no

2733
02:36:11,240 --> 02:36:14,600
Speaker 1: Now they say there's rules in place, but Broy they

2734
02:36:14,640 --> 02:36:16,720
Speaker 1: treat us any kind of way when they searchers the

2735
02:36:16,800 --> 02:36:21,040
Speaker 1: handcuffs be they ain't studying this now. They mentioned the

2736
02:36:21,160 --> 02:36:23,920
Speaker 1: young man had a gun. That's not illegal in that state.

2737
02:36:24,000 --> 02:36:26,480
Speaker 1: You can have a film in that state. That's number one.

2738
02:36:26,600 --> 02:36:32,960
Speaker 1: Number two. They mentioned that he was intoxicated. I don't

2739
02:36:33,000 --> 02:36:35,320
Speaker 1: know if they gave him a breathalizer to really see

2740
02:36:35,360 --> 02:36:38,840
Speaker 1: how intoxicated or if he was intoxicated. Right, So these

2741
02:36:38,879 --> 02:36:43,280
Speaker 1: things are just frivolous things that they're mentioning. Now what

2742
02:36:43,400 --> 02:36:46,400
Speaker 1: I would say happened there is that he was kicking

2743
02:36:46,440 --> 02:36:49,360
Speaker 1: in all of that, and they got frustrated and started

2744
02:36:49,440 --> 02:36:52,200
Speaker 1: driving like that, knowing that it wasn't in the seatbelts in. Now,

2745
02:36:53,640 --> 02:36:57,320
Speaker 1: I'm almost certain that they got frustrated, because they get

2746
02:36:57,320 --> 02:37:01,080
Speaker 1: frustrated sometimes I'm confused. Like the polar he said, grab

2747
02:37:01,160 --> 02:37:04,080
Speaker 1: your arm twisted, put it in a weird way and

2748
02:37:04,120 --> 02:37:08,039
Speaker 1: say don't move. It's like, man, my body naturally is

2749
02:37:08,080 --> 02:37:11,000
Speaker 1: gonna move. That is uncomfortable. So if I try to

2750
02:37:11,320 --> 02:37:13,760
Speaker 1: then this, I said, don't move, Hey, yo, don't move.

2751
02:37:13,840 --> 02:37:18,120
Speaker 1: It's like, yo, my body is naturally trying to straighten out.

2752
02:37:18,200 --> 02:37:21,280
Speaker 1: You got my sap. And they don't even don't move.

2753
02:37:21,520 --> 02:37:24,000
Speaker 1: One time they shot a guy get on the ground

2754
02:37:24,000 --> 02:37:26,600
Speaker 1: and he was on the ground, they started shooting boom, boom, boom,

2755
02:37:26,600 --> 02:37:30,160
Speaker 1: and what I'm like, Yo, they playing to the camera now.

2756
02:37:31,480 --> 02:37:34,480
Speaker 1: But in this case, I think they got frustrated that

2757
02:37:34,520 --> 02:37:39,840
Speaker 1: he was kicking and doing all that and actually started

2758
02:37:39,840 --> 02:37:42,680
Speaker 1: to drive crazy like that. You know, I just spend

2759
02:37:42,720 --> 02:37:45,280
Speaker 1: the last five minutes, and I don't spend much time

2760
02:37:45,360 --> 02:37:47,920
Speaker 1: on they saals, but I spent the last five minutes

2761
02:37:47,959 --> 02:37:53,080
Speaker 1: thinking about the people that doubted me, motherfuckers that counted me.

2762
02:37:53,160 --> 02:37:55,480
Speaker 1: Out that didn't see the vision or don't see the

2763
02:37:55,600 --> 02:37:59,360
Speaker 1: vision because don't don't be confused. Everybody still don't feel

2764
02:37:59,400 --> 02:38:03,800
Speaker 1: my presence. It's important for me to compartmentalize my conversation

2765
02:38:04,000 --> 02:38:08,640
Speaker 1: right and not confuse my whereabouts with my destination. I'm

2766
02:38:08,680 --> 02:38:11,600
Speaker 1: influential in this space, but it's important I'm paid for

2767
02:38:11,720 --> 02:38:14,400
Speaker 1: my time because they're making people rich for doing less

2768
02:38:14,400 --> 02:38:18,280
Speaker 1: than me. But I spent the last five minutes thinking

2769
02:38:18,280 --> 02:38:20,879
Speaker 1: about the people that doubted me, and I understand y'all

2770
02:38:20,920 --> 02:38:26,000
Speaker 1: do wrong. Real is get done bad in this world.

2771
02:38:26,040 --> 02:38:28,160
Speaker 1: It's the suckers that they allowed to slip through and

2772
02:38:28,280 --> 02:38:32,040
Speaker 1: slizzer through. And when I say I think, the small

2773
02:38:32,120 --> 02:38:36,160
Speaker 1: mind to think I'm actually talking about violing individuals. I

2774
02:38:36,200 --> 02:38:41,120
Speaker 1: even I think about people like Britney Grinder, like the

2775
02:38:41,160 --> 02:38:44,440
Speaker 1: story of Brittany Grinder. Ain't nobody loud about that. The

2776
02:38:44,680 --> 02:38:48,160
Speaker 1: w NBA not paying enough. Ain't nobody saying that right?

2777
02:38:48,520 --> 02:38:51,520
Speaker 1: We understand business in this coach and in this world,

2778
02:38:51,560 --> 02:38:54,400
Speaker 1: so we say, for some reason it ain't making enough,

2779
02:38:54,480 --> 02:38:57,199
Speaker 1: But how is it the same thing not making it enough.

2780
02:38:57,440 --> 02:39:01,280
Speaker 1: It's a conversation to be had there that nobody heads right.

2781
02:39:01,360 --> 02:39:03,200
Speaker 1: But we said that to the side. I look at

2782
02:39:03,240 --> 02:39:06,280
Speaker 1: the gunner, the y Sell lyrics they're using in court,

2783
02:39:06,959 --> 02:39:08,959
Speaker 1: like I feel I feel it though, like I'm the

2784
02:39:09,040 --> 02:39:11,920
Speaker 1: last voice that even it's still like loud about that.

2785
02:39:12,000 --> 02:39:14,840
Speaker 1: I hear sprinkled here and now. But I I was

2786
02:39:14,920 --> 02:39:17,680
Speaker 1: telling Revote the other day, they ain't loud enough about

2787
02:39:17,720 --> 02:39:22,039
Speaker 1: some of these things, right, we got Revote black news

2788
02:39:22,120 --> 02:39:24,800
Speaker 1: over there, this running black news all day. It don't

2789
02:39:24,840 --> 02:39:28,160
Speaker 1: seem like they loud enough. People ain't saying they they

2790
02:39:28,280 --> 02:39:33,039
Speaker 1: finally covering us all day over there. Something happens. But

2791
02:39:33,120 --> 02:39:37,240
Speaker 1: they do real bad. They celebrate your death one time,

2792
02:39:37,920 --> 02:39:41,840
Speaker 1: one week, one day you still by the cold Joe

2793
02:39:41,879 --> 02:39:44,840
Speaker 1: and tire light. Look at Rollo when done this time

2794
02:39:44,959 --> 02:39:48,720
Speaker 1: casting Ova, you look at it just it never stops.

2795
02:39:48,760 --> 02:39:52,039
Speaker 1: Whoever it is gonna fall victim to understanding home. They

2796
02:39:52,120 --> 02:39:56,640
Speaker 1: do real bad, keeping it real. It's real malfunction. We

2797
02:39:56,760 --> 02:39:59,959
Speaker 1: just we just deal with the consequences. I was listening

2798
02:40:00,080 --> 02:40:03,959
Speaker 1: to that broken Love and Gate said, Yo, they did

2799
02:40:04,000 --> 02:40:06,000
Speaker 1: not believe that one day I would get us out

2800
02:40:06,000 --> 02:40:09,000
Speaker 1: of these trenches. And they rung bills in my mother

2801
02:40:09,520 --> 02:40:12,840
Speaker 1: mind because I already knew I was gonna beat the

2802
02:40:12,920 --> 02:40:15,360
Speaker 1: odds man. I had already made my mind up. When

2803
02:40:15,360 --> 02:40:18,160
Speaker 1: I ain't had no money and there was no gain around,

2804
02:40:18,160 --> 02:40:21,200
Speaker 1: I made my mind up, and boy, dealing would have

2805
02:40:21,240 --> 02:40:23,440
Speaker 1: made up mine as a problem for the people on

2806
02:40:23,480 --> 02:40:27,119
Speaker 1: the other side of that. And so I sat back

2807
02:40:27,160 --> 02:40:29,800
Speaker 1: and watched people as I tried to explain to him

2808
02:40:29,879 --> 02:40:32,360
Speaker 1: what I was doing, even though I never had to

2809
02:40:32,400 --> 02:40:35,920
Speaker 1: explain it because I never needed it. But I tried

2810
02:40:35,920 --> 02:40:38,879
Speaker 1: to explain, like, yo, get on the board right here, right,

2811
02:40:39,040 --> 02:40:41,920
Speaker 1: this is what we're doing. And they didn't understand it.

2812
02:40:42,680 --> 02:40:45,440
Speaker 1: But it's consequences would count me out and kind of

2813
02:40:45,480 --> 02:40:49,480
Speaker 1: this shout, man, this is the highest level of understanding. Man,

2814
02:40:49,560 --> 02:40:52,760
Speaker 1: what I'm doing every motherfucking day, chasing my dreams. Can't

2815
02:40:52,800 --> 02:40:56,800
Speaker 1: nobody get in between me? And wasn't necessary as long

2816
02:40:56,840 --> 02:41:00,480
Speaker 1: as I stayed up right, independent, healthy in my more

2817
02:41:00,360 --> 02:41:02,840
Speaker 1: or stay in tech. I'm proud of where I land that.

2818
02:41:03,959 --> 02:41:05,960
Speaker 1: But if you was counting on me, Homer, you need

2819
02:41:05,959 --> 02:41:09,520
Speaker 1: to go get your refund. And some months I show

2820
02:41:09,600 --> 02:41:13,720
Speaker 1: you that it's consequences for counting me out, for betting

2821
02:41:13,760 --> 02:41:17,640
Speaker 1: against me. All unit that never thought it a come

2822
02:41:17,680 --> 02:41:21,360
Speaker 1: to fluition. All you know is the streeting thought I

2823
02:41:21,480 --> 02:41:24,199
Speaker 1: was spinning my wheels because you stuck in that tornado.

2824
02:41:24,280 --> 02:41:26,880
Speaker 1: And I give you Nick's tempathy, but I don't lend

2825
02:41:26,920 --> 02:41:30,520
Speaker 1: too much understanding for grown men that don't see you

2826
02:41:30,640 --> 02:41:33,960
Speaker 1: got to get out of this right. So my patience

2827
02:41:34,120 --> 02:41:37,879
Speaker 1: is thin with Nick facial as I get older, and

2828
02:41:37,959 --> 02:41:40,760
Speaker 1: the idea that is better against me is speak to

2829
02:41:40,840 --> 02:41:46,120
Speaker 1: you principles. But I hope that is processing your refund,

2830
02:41:47,520 --> 02:41:50,400
Speaker 1: betting against this shit. I hope they process your refund.

2831
02:41:50,480 --> 02:41:54,800
Speaker 1: I hope you kept your receipt because it's getting bigger

2832
02:41:54,800 --> 02:41:57,920
Speaker 1: and bigger every day, and came nobody with it. I'm

2833
02:41:57,959 --> 02:42:01,080
Speaker 1: putting the work in. Everybody on the outside watching seeing yo,

2834
02:42:01,200 --> 02:42:04,600
Speaker 1: dude putting the work in, no outside influence. He just

2835
02:42:04,720 --> 02:42:07,520
Speaker 1: keep the slime, putting the work in. And that's what

2836
02:42:07,600 --> 02:42:10,240
Speaker 1: it be about. Man with a nigga that been with

2837
02:42:10,360 --> 02:42:13,360
Speaker 1: the streets his whole like. And I don't want to

2838
02:42:13,360 --> 02:42:16,240
Speaker 1: come off like I'm bigger than criticism from people, because

2839
02:42:16,280 --> 02:42:20,280
Speaker 1: I'm not. I actually called people for critiques. It's just

2840
02:42:20,360 --> 02:42:22,880
Speaker 1: depending on who you get your information from. I just

2841
02:42:22,959 --> 02:42:25,600
Speaker 1: said this new age Eraror in the twenty as we

2842
02:42:25,760 --> 02:42:29,040
Speaker 1: move into this new Erarors, it's not gonna be about

2843
02:42:29,080 --> 02:42:33,440
Speaker 1: who's talking. It's gonna be about really really dissecting and

2844
02:42:33,560 --> 02:42:36,240
Speaker 1: choosing where you're going to get your information from. Because

2845
02:42:36,280 --> 02:42:39,560
Speaker 1: there's a fad with talking. Everybody doing a lot of talking,

2846
02:42:39,879 --> 02:42:42,760
Speaker 1: and we don't fall victims just talking. We got action

2847
02:42:42,800 --> 02:42:47,360
Speaker 1: and information attached oiles, Yes, consequences attached to what we

2848
02:42:47,520 --> 02:42:49,560
Speaker 1: say and what we do, and so we move with

2849
02:42:49,600 --> 02:42:52,800
Speaker 1: that in mind and understand that moving forward with people

2850
02:42:52,879 --> 02:42:55,160
Speaker 1: gonna be doing a lot of talking, but you gotta

2851
02:42:55,200 --> 02:42:57,800
Speaker 1: know where to go get it from. And I don't

2852
02:42:57,840 --> 02:43:01,240
Speaker 1: landm I extremely picking have expectations on the people I

2853
02:43:01,360 --> 02:43:04,360
Speaker 1: get my advice from. I think everyone just taking advice

2854
02:43:04,440 --> 02:43:10,960
Speaker 1: for many old body is setting itself up for failures.

2855
02:43:11,000 --> 02:43:13,200
Speaker 1: A fool knows what to say and the wise man

2856
02:43:13,280 --> 02:43:17,039
Speaker 1: knows when they said. So sometimes it's about who you

2857
02:43:17,160 --> 02:43:19,160
Speaker 1: talk to and when they talking to you, and where

2858
02:43:19,160 --> 02:43:21,359
Speaker 1: you're in in your life as far as the information

2859
02:43:21,400 --> 02:43:24,440
Speaker 1: and if it resonates. Sometimes dudes just talking over your head.

2860
02:43:26,360 --> 02:43:29,039
Speaker 1: Sometimes they're dealing with game that I put down six

2861
02:43:29,080 --> 02:43:31,560
Speaker 1: months ago that's just affecting their life now. But it's

2862
02:43:31,640 --> 02:43:35,400
Speaker 1: catching up. And that's why they say be patient. Saint

2863
02:43:35,440 --> 02:43:38,200
Speaker 1: a quick play. This sain't a quick turnaround play, but

2864
02:43:38,280 --> 02:43:43,119
Speaker 1: we denounced criticism that don't involve advancement, Like, if your

2865
02:43:43,120 --> 02:43:46,800
Speaker 1: critiques don't evolve in advancement, then you're not. Again, to

2866
02:43:46,879 --> 02:43:49,240
Speaker 1: speak with love is to speak without judgment. So if

2867
02:43:49,240 --> 02:43:51,480
Speaker 1: you're just critiquing to try to be hard showing us,

2868
02:43:51,720 --> 02:43:54,520
Speaker 1: that's we reject that. We know you're trying to diwn

2869
02:43:54,520 --> 02:43:56,680
Speaker 1: on us and hurt us, right, but we come from

2870
02:43:56,680 --> 02:43:59,560
Speaker 1: the dog, so the dog don't scales. But we try

2871
02:43:59,560 --> 02:44:02,640
Speaker 1: to stay positive and shed light on the positive things

2872
02:44:02,680 --> 02:44:04,920
Speaker 1: and stay away from all of that. But if it

2873
02:44:05,040 --> 02:44:08,360
Speaker 1: don't involve us, Actually, if the critique, and that's why

2874
02:44:08,360 --> 02:44:10,720
Speaker 1: I think I resonate with the culture because they know

2875
02:44:10,800 --> 02:44:15,439
Speaker 1: I'm speaking trying to get information from things. I ain't gossiping.

2876
02:44:16,120 --> 02:44:18,440
Speaker 1: We don't do no gossiping. We're trying to say, yo,

2877
02:44:18,600 --> 02:44:20,800
Speaker 1: the thinking, Like just think if you was a rapper

2878
02:44:20,840 --> 02:44:22,680
Speaker 1: and they had you bagged up and then you came

2879
02:44:22,720 --> 02:44:24,959
Speaker 1: out and tweeted this to the label, Yeah, how you

2880
02:44:25,040 --> 02:44:27,720
Speaker 1: think I feel? I feel cheated? Well, so I go

2881
02:44:28,040 --> 02:44:31,200
Speaker 1: all these white folces, right, So I try to dive

2882
02:44:31,280 --> 02:44:33,560
Speaker 1: into the thinking of some of those things, right, And

2883
02:44:33,560 --> 02:44:36,520
Speaker 1: that's the medicine and the can, the approach. Very limited

2884
02:44:36,560 --> 02:44:39,640
Speaker 1: people can do it because it's high level understanding. You

2885
02:44:39,680 --> 02:44:43,480
Speaker 1: can't be talking. It's crazy because you come up in

2886
02:44:43,520 --> 02:44:45,440
Speaker 1: the game and you think that the black people are

2887
02:44:45,440 --> 02:44:47,080
Speaker 1: gonna be the ones that lift you up. And I

2888
02:44:47,160 --> 02:44:50,600
Speaker 1: got good brothers, man, that answer my cause and point

2889
02:44:50,640 --> 02:44:52,920
Speaker 1: me in directions all the time. Man. But I'm finding

2890
02:44:52,920 --> 02:44:58,680
Speaker 1: that the white people ain't got no problem with old assists. Man. Now,

2891
02:44:58,879 --> 02:45:01,920
Speaker 1: Larry Bird to get the ball, is what I'm figuring

2892
02:45:02,000 --> 02:45:04,360
Speaker 1: out in this game. The folk don't brought me to

2893
02:45:04,480 --> 02:45:07,840
Speaker 1: somewhere that head thirty thousand people in it and publicists

2894
02:45:07,840 --> 02:45:11,440
Speaker 1: and people that do podcasts, and they got Amazon on

2895
02:45:11,480 --> 02:45:13,920
Speaker 1: the line, and this and that is happening, and you

2896
02:45:14,040 --> 02:45:18,279
Speaker 1: saying that, yo, the people here, man, this ain't just no.

2897
02:45:18,879 --> 02:45:22,320
Speaker 1: This is some content. And that's why I always tell

2898
02:45:22,360 --> 02:45:24,840
Speaker 1: people keep their mind open, man, because I deal with

2899
02:45:24,879 --> 02:45:28,880
Speaker 1: Marcus Shell. I don't just look at you know, respectfully,

2900
02:45:29,000 --> 02:45:33,119
Speaker 1: Charlemagne or none of this. I look at market sheep period.

2901
02:45:33,200 --> 02:45:35,240
Speaker 1: I know that we got to operate outside of that

2902
02:45:35,360 --> 02:45:38,280
Speaker 1: small hippop. At least I do I have the ability to,

2903
02:45:38,440 --> 02:45:40,600
Speaker 1: at least I like to believe I do so. With

2904
02:45:40,640 --> 02:45:43,520
Speaker 1: that in mind delusion or not one foot in front

2905
02:45:43,560 --> 02:45:45,480
Speaker 1: the other. Let's figure it out. We'll get there and

2906
02:45:45,520 --> 02:45:48,080
Speaker 1: fall on our face and be proud that we got there.

2907
02:45:48,520 --> 02:45:51,080
Speaker 1: But one thing about it. We come equipped with information

2908
02:45:51,120 --> 02:45:54,160
Speaker 1: and we're gonna keep our head in the game. Half

2909
02:45:54,200 --> 02:45:56,240
Speaker 1: the battle is keeping their head in the game. Them

2910
02:45:56,320 --> 02:46:00,520
Speaker 1: athletes go pro and fall off mentally physically, the same

2911
02:46:00,600 --> 02:46:03,400
Speaker 1: body that you're dealing with. It's the same that kids coach.

2912
02:46:03,560 --> 02:46:06,760
Speaker 1: You'll fall off mentally, and that's what you gotta make

2913
02:46:06,760 --> 02:46:09,480
Speaker 1: sure you don't do. Loon ain't never falling off mentally.

2914
02:46:09,560 --> 02:46:12,040
Speaker 1: My mind, in the game, everything is on the line.

2915
02:46:12,440 --> 02:46:14,400
Speaker 1: As long as you move with that in mind, you

2916
02:46:14,440 --> 02:46:18,359
Speaker 1: can't fall off mentally. What they're viewing is the results

2917
02:46:18,360 --> 02:46:22,879
Speaker 1: of my preparation. I can't lose if I propel enough. Period.

2918
02:46:23,560 --> 02:46:25,600
Speaker 1: And when you get money, that's what you get it

2919
02:46:25,720 --> 02:46:29,680
Speaker 1: you get time to prepare or broke. Don't got time

2920
02:46:29,720 --> 02:46:32,000
Speaker 1: to prepare some time such and such in the city

2921
02:46:32,000 --> 02:46:34,720
Speaker 1: in the ten grain right now and now you can't

2922
02:46:34,720 --> 02:46:36,720
Speaker 1: get the verse because you can't come up with the teen.

2923
02:46:36,840 --> 02:46:39,160
Speaker 1: But had you had time to yo such and such

2924
02:46:39,200 --> 02:46:41,320
Speaker 1: a being the city, he'll do one verse for ten,

2925
02:46:41,440 --> 02:46:45,920
Speaker 1: you might could have got it. It just take you longer, right,

2926
02:46:46,280 --> 02:46:49,959
Speaker 1: Old rich gotta all he get to do, names prepare

2927
02:46:50,040 --> 02:46:52,240
Speaker 1: for his next move. What can I do? Do the

2928
02:46:52,280 --> 02:46:55,400
Speaker 1: things I enjoy right now? All my rich friends telling

2929
02:46:55,440 --> 02:46:57,840
Speaker 1: me find a hobby, I keep telling them I'm trying

2930
02:46:57,879 --> 02:47:00,960
Speaker 1: to find the information. Man. If I go to the

2931
02:47:00,959 --> 02:47:04,360
Speaker 1: golf course right now, they don't resonate. This, don't feel right.

2932
02:47:04,400 --> 02:47:07,280
Speaker 1: I go to the gym. It's cool. I can't my mind.

2933
02:47:07,320 --> 02:47:11,920
Speaker 1: Ain't my mind saying ten millions, My mind saying what

2934
02:47:12,080 --> 02:47:16,840
Speaker 1: a month at ten millions? Get it here? And that's

2935
02:47:16,840 --> 02:47:20,200
Speaker 1: just all that I continue to you know, as I go, Man.

2936
02:47:20,280 --> 02:47:22,920
Speaker 1: But I said a couple of weeks ago, to pay

2937
02:47:22,959 --> 02:47:26,080
Speaker 1: attention to the people ahead of you in regards to

2938
02:47:26,120 --> 02:47:28,920
Speaker 1: the Dion Saunders in the saving situation, man, and they

2939
02:47:29,080 --> 02:47:31,560
Speaker 1: end up going viral. I was just speaking about how

2940
02:47:32,080 --> 02:47:34,039
Speaker 1: a lot of times the people ahead of you are

2941
02:47:34,080 --> 02:47:36,280
Speaker 1: only dependent on the fact that they ahead of you.

2942
02:47:36,400 --> 02:47:38,880
Speaker 1: So we get uncomfortable as you get closer because they

2943
02:47:39,000 --> 02:47:43,560
Speaker 1: no skill set. It ain't even a determining factor. Oh

2944
02:47:43,680 --> 02:47:45,879
Speaker 1: they got on you, is that they got that little

2945
02:47:45,920 --> 02:47:48,400
Speaker 1: space on you, that little distance on you. If we

2946
02:47:48,520 --> 02:47:50,680
Speaker 1: break that down and look at it for what it's

2947
02:47:50,720 --> 02:47:55,960
Speaker 1: worth you ever broke, watch it down. All the sunglass

2948
02:47:56,040 --> 02:47:59,800
Speaker 1: is the same. You just willing to pay a thousand

2949
02:48:00,240 --> 02:48:02,840
Speaker 1: for that pair and eighteen dollars for that pair. All

2950
02:48:02,879 --> 02:48:05,560
Speaker 1: are the same. So what you got. What I'm saying

2951
02:48:05,760 --> 02:48:09,680
Speaker 1: is sometimes it be about the only difference people got

2952
02:48:09,760 --> 02:48:12,000
Speaker 1: on you. It's the difference that they got on you.

2953
02:48:12,280 --> 02:48:15,119
Speaker 1: So as you start to close that gap, they start

2954
02:48:15,160 --> 02:48:18,920
Speaker 1: the penny. And remember to the people who are in power,

2955
02:48:19,440 --> 02:48:21,840
Speaker 1: that feel like when you get closer to what they

2956
02:48:21,920 --> 02:48:25,080
Speaker 1: think it's power, they start to think that you gain

2957
02:48:25,160 --> 02:48:29,520
Speaker 1: in power means them losing power. And so equal sounds

2958
02:48:29,560 --> 02:48:33,120
Speaker 1: like favorable to thank you losing power, or when you're

2959
02:48:33,120 --> 02:48:36,760
Speaker 1: dealing with racist people to dig what I'm saying, yeah

2960
02:48:36,800 --> 02:48:39,879
Speaker 1: you're equal or the same treatment sound like leverage to

2961
02:48:39,959 --> 02:48:43,240
Speaker 1: a thank you losing power in the event that you

2962
02:48:43,360 --> 02:48:47,600
Speaker 1: get equal rights or equal looks or equal pay or

2963
02:48:47,760 --> 02:48:51,360
Speaker 1: CPM or whatever it might be in whatever business that

2964
02:48:51,520 --> 02:48:53,920
Speaker 1: you in. Right, it's a reason why at the workplace

2965
02:48:53,920 --> 02:48:55,800
Speaker 1: they don't want nobody to tell me about what they make.

2966
02:48:55,920 --> 02:48:59,800
Speaker 1: Why is this such a cardinal sin? Why I can't say, Man,

2967
02:49:00,720 --> 02:49:03,360
Speaker 1: it's setting eight dollars an hour and they budget for

2968
02:49:03,400 --> 02:49:07,000
Speaker 1: that just so you know, black man like, they'll fire

2969
02:49:07,080 --> 02:49:09,600
Speaker 1: you for telling another note what you made because they

2970
02:49:09,680 --> 02:49:13,039
Speaker 1: know all you got on them is that the hide

2971
02:49:13,040 --> 02:49:15,640
Speaker 1: and of that information. And it's the same thing in

2972
02:49:15,680 --> 02:49:18,400
Speaker 1: the industry. They like to hide the information because it

2973
02:49:18,400 --> 02:49:21,720
Speaker 1: ain't about talent. Like you don't get in the media

2974
02:49:21,840 --> 02:49:24,640
Speaker 1: room just because you're killing it every topic, everything you

2975
02:49:24,760 --> 02:49:26,960
Speaker 1: touching all the game. Because if that's the case, i'd

2976
02:49:26,959 --> 02:49:28,760
Speaker 1: have been in the media room. You get in the

2977
02:49:28,879 --> 02:49:32,400
Speaker 1: media room by going through a route that people outside

2978
02:49:32,440 --> 02:49:35,400
Speaker 1: the industry don't know, right, And so as I'm in

2979
02:49:35,440 --> 02:49:38,480
Speaker 1: the industry, I ask for access to those routes because

2980
02:49:38,480 --> 02:49:41,720
Speaker 1: I understand brand building. It's a powerful thing, but I

2981
02:49:41,840 --> 02:49:50,720
Speaker 1: need people to know that sometimes equal, sometimes fair seemed

2982
02:49:50,760 --> 02:49:53,879
Speaker 1: like leverage. It seemed unfair to the people that's in power,

2983
02:49:53,920 --> 02:49:57,600
Speaker 1: where they get uncomfortable as you as you get closer. Heyo,

2984
02:49:57,720 --> 02:50:01,320
Speaker 1: somebody helped me understanding this earlier. Spoke about it again

2985
02:50:01,920 --> 02:50:04,200
Speaker 1: the culture. But it's just you could sit out and

2986
02:50:04,320 --> 02:50:08,000
Speaker 1: just have conversation about subsections of the coaching for hours.

2987
02:50:08,000 --> 02:50:09,959
Speaker 1: That's why I don't know how people are struggling for

2988
02:50:10,040 --> 02:50:12,320
Speaker 1: things to speak about, but it may be the way

2989
02:50:12,560 --> 02:50:14,960
Speaker 1: that my mind views the world and my intake of

2990
02:50:15,040 --> 02:50:18,320
Speaker 1: the information right. Nonetheless, look at how the coach you

2991
02:50:18,440 --> 02:50:23,600
Speaker 1: viewed the McDonald situation that I spoke on earlier. The

2992
02:50:23,720 --> 02:50:28,000
Speaker 1: father brings some McDonald over to the house for his

2993
02:50:28,080 --> 02:50:30,400
Speaker 1: kid and not the other kids. I already gave my

2994
02:50:30,440 --> 02:50:32,840
Speaker 1: opinion on that, so I won't reiterate it. But I

2995
02:50:32,920 --> 02:50:35,280
Speaker 1: just took a look at the coach and I see

2996
02:50:35,320 --> 02:50:38,560
Speaker 1: that Miracle watch respectfully the heart Tyler period, whatever that

2997
02:50:38,680 --> 02:50:41,640
Speaker 1: situation is. But I see them going at it about

2998
02:50:41,720 --> 02:50:45,240
Speaker 1: her claiming the kids. So in our culture, they get

2999
02:50:45,320 --> 02:50:49,400
Speaker 1: at you for not bringing the kids food. On one side, right,

3000
02:50:49,440 --> 02:50:51,680
Speaker 1: you didn't clink, you didn't help the kids, or you

3001
02:50:51,720 --> 02:50:54,720
Speaker 1: didn't put them in a position to eat as well

3002
02:50:54,840 --> 02:50:57,240
Speaker 1: as you should have thought about all the children as

3003
02:50:57,280 --> 02:51:00,480
Speaker 1: a whole. Right, So they criticize you on that for that.

3004
02:51:00,520 --> 02:51:02,920
Speaker 1: And then Miracle wats is over here saying that, yo,

3005
02:51:03,280 --> 02:51:06,720
Speaker 1: I embrace these children, and she get criticized for that. Now,

3006
02:51:07,080 --> 02:51:09,480
Speaker 1: I don't know how to feel about people claiming other

3007
02:51:09,520 --> 02:51:13,040
Speaker 1: people's children. That's not my cup of tea right in

3008
02:51:13,080 --> 02:51:16,600
Speaker 1: regards to love his love, But sometimes there's boundaries in

3009
02:51:16,720 --> 02:51:19,920
Speaker 1: place in regards to children that seem to become invisible

3010
02:51:19,959 --> 02:51:27,039
Speaker 1: when the relationship subsides. In my opinion, people become childish,

3011
02:51:27,120 --> 02:51:29,840
Speaker 1: right sometimes, And this is no longer about them. We're

3012
02:51:29,840 --> 02:51:33,520
Speaker 1: just dealing with the information. This is just giving something

3013
02:51:33,600 --> 02:51:36,360
Speaker 1: to talk about. But people become childish in regards to

3014
02:51:36,400 --> 02:51:39,120
Speaker 1: the children, right, Sometimes it's all they got left in

3015
02:51:39,160 --> 02:51:42,560
Speaker 1: regards to He loved his child, so I'm gonna step

3016
02:51:42,600 --> 02:51:45,080
Speaker 1: on his toes by doing this with his child, or

3017
02:51:45,120 --> 02:51:47,680
Speaker 1: doing this with her child, or and see, that's where

3018
02:51:47,680 --> 02:51:50,640
Speaker 1: it gets weird, because it gets bleary. But when you're

3019
02:51:50,640 --> 02:51:53,320
Speaker 1: a gangster, you just say, yo, chalk it up. That's

3020
02:51:53,360 --> 02:51:56,640
Speaker 1: an ill, right. If I'm no longer in a position

3021
02:51:56,680 --> 02:51:59,280
Speaker 1: to why I can control that because we didn't work

3022
02:51:59,320 --> 02:52:02,400
Speaker 1: for whatever is and whatever happened long, it's down bar them.

3023
02:52:02,959 --> 02:52:05,280
Speaker 1: It's just an l It's a bad move. And I

3024
02:52:05,360 --> 02:52:07,959
Speaker 1: view it every time I see a different thing. Boy,

3025
02:52:08,000 --> 02:52:09,560
Speaker 1: you made that was that was a hell of a

3026
02:52:09,640 --> 02:52:13,400
Speaker 1: decision you made right there, Right, So I come constantly

3027
02:52:13,480 --> 02:52:16,360
Speaker 1: learned by staying away from it but viewing it and

3028
02:52:16,520 --> 02:52:19,000
Speaker 1: interpreting what I know to be the case. Right. So

3029
02:52:19,080 --> 02:52:21,960
Speaker 1: I'm saying, damn, boy, you didn't see none of that coming.

3030
02:52:22,080 --> 02:52:25,039
Speaker 1: Oh Oh they've done that too. Oh they done. They

3031
02:52:25,120 --> 02:52:28,359
Speaker 1: no longer can hurt you, but you can still identify

3032
02:52:28,400 --> 02:52:33,640
Speaker 1: the attributes, right, so you try you do that, but um,

3033
02:52:33,680 --> 02:52:36,879
Speaker 1: sometimes people are still emotionally involved, right, so they still

3034
02:52:36,879 --> 02:52:41,680
Speaker 1: are snapping, do different things if those things occur. And

3035
02:52:42,879 --> 02:52:45,040
Speaker 1: I just hate that the culture can't make make his

3036
02:52:45,200 --> 02:52:48,840
Speaker 1: mind up because there's no rules. There's no handbook on parenting. Really,

3037
02:52:49,240 --> 02:52:52,240
Speaker 1: you know again, I spoke my piece on on that

3038
02:52:52,320 --> 02:52:55,720
Speaker 1: whole situation, but it's just like there's no rules as

3039
02:52:55,760 --> 02:52:59,560
Speaker 1: to none of this. Even with relationships, there ain't really

3040
02:52:59,600 --> 02:53:02,280
Speaker 1: no rule. It's about what work for you. But I

3041
02:53:02,360 --> 02:53:04,879
Speaker 1: know that most men want you to be nice, want

3042
02:53:04,920 --> 02:53:08,119
Speaker 1: you to be a certain type woman, won't you did

3043
02:53:08,160 --> 02:53:11,240
Speaker 1: what I'm saying. Dudes have expectations, And if we start

3044
02:53:11,320 --> 02:53:14,560
Speaker 1: to say you shouldn't have expectations, I think that man

3045
02:53:14,560 --> 02:53:19,879
Speaker 1: what they have said, just accept anything. And and for me,

3046
02:53:20,000 --> 02:53:22,320
Speaker 1: Brittany Renner and I want to speak on this really

3047
02:53:22,400 --> 02:53:24,640
Speaker 1: quick before we move on to give y'all a good

3048
02:53:24,680 --> 02:53:27,800
Speaker 1: part today. But for me, Britnany Renner is caught in

3049
02:53:27,800 --> 02:53:30,879
Speaker 1: this weird place right where she's she gets a lot

3050
02:53:30,879 --> 02:53:34,640
Speaker 1: of attraction for going against the grain, or for attacking men,

3051
02:53:34,879 --> 02:53:37,240
Speaker 1: or for just being that other side of the street

3052
02:53:37,320 --> 02:53:39,600
Speaker 1: or other side of the story to the point where

3053
02:53:40,160 --> 02:53:44,760
Speaker 1: the audience is controlling her, her effect on or her

3054
02:53:44,879 --> 02:53:48,120
Speaker 1: ability to get that kind of attraction only probably will

3055
02:53:48,160 --> 02:53:52,760
Speaker 1: come when she speak against the grain right and identified

3056
02:53:52,920 --> 02:53:54,800
Speaker 1: in a way where me and a week and they

3057
02:53:54,840 --> 02:53:59,320
Speaker 1: want to take advantage, because in my opinion, we don't.

3058
02:53:59,360 --> 02:54:03,560
Speaker 1: Every time you're running, you get it going every topic.

3059
02:54:03,600 --> 02:54:06,160
Speaker 1: It's this weird thing you're doing. Every time men do

3060
02:54:06,320 --> 02:54:08,879
Speaker 1: something that's a relationship, it's a weird it's a weird

3061
02:54:08,959 --> 02:54:12,400
Speaker 1: thing happening. I want to speak about black media real quick, man,

3062
02:54:12,440 --> 02:54:15,840
Speaker 1: because again I don't speak enough about us doing or

3063
02:54:15,879 --> 02:54:18,320
Speaker 1: what we're doing. Right. I think I'm one of the

3064
02:54:18,360 --> 02:54:21,200
Speaker 1: loudest voices about black media in a way where I'm

3065
02:54:21,240 --> 02:54:24,039
Speaker 1: trying to say, Yo, look at the podcasting world, look

3066
02:54:24,040 --> 02:54:25,880
Speaker 1: at this world, Look at that word, how we do it?

3067
02:54:25,920 --> 02:54:27,840
Speaker 1: Look at how he's speaking. He shouldn't be doing it

3068
02:54:27,920 --> 02:54:30,360
Speaker 1: like that, or if you really was paying attention to

3069
02:54:30,480 --> 02:54:32,560
Speaker 1: how he did it, man, da dada, You know, I'm

3070
02:54:32,560 --> 02:54:34,480
Speaker 1: just trying to get a game. What the game ain't

3071
02:54:34,480 --> 02:54:37,960
Speaker 1: never had you understand. But I want to say this.

3072
02:54:38,240 --> 02:54:41,840
Speaker 1: I took a look at the Rory and Mall speak

3073
02:54:41,879 --> 02:54:45,560
Speaker 1: to logic, right, I've seen Joe Button on one of

3074
02:54:45,600 --> 02:54:48,680
Speaker 1: the podcasts play something and I didn't know it's from

3075
02:54:48,760 --> 02:54:51,000
Speaker 1: Rory and Mall, but it was logic talking ended up

3076
02:54:51,000 --> 02:54:53,360
Speaker 1: bleeping out some of it, but that was then ended

3077
02:54:53,440 --> 02:54:55,360
Speaker 1: up being with Rory and Mall and out of one

3078
02:54:55,400 --> 02:54:59,320
Speaker 1: of their podcasts. Actually listen to it. I'm like, Oh,

3079
02:54:59,400 --> 02:55:03,720
Speaker 1: they didn't call stride over them on Joe Budden respectfully

3080
02:55:03,720 --> 02:55:06,720
Speaker 1: though they they they ain't. They ain't slipping over there.

3081
02:55:06,720 --> 02:55:09,720
Speaker 1: They sounding good, you know, they backed part and you know,

3082
02:55:09,760 --> 02:55:12,000
Speaker 1: at first I was like, oh they slipping over there.

3083
02:55:12,720 --> 02:55:15,119
Speaker 1: Looked like they slipping a little bit, but they doesn't.

3084
02:55:15,160 --> 02:55:17,359
Speaker 1: I looked at that logic and that was a good interview,

3085
02:55:17,680 --> 02:55:19,080
Speaker 1: you know, And so I want to put that in

3086
02:55:19,120 --> 02:55:23,240
Speaker 1: the atmosphere because I think I always you know, when

3087
02:55:23,320 --> 02:55:25,959
Speaker 1: they were with Joe and they split, I was critical

3088
02:55:25,959 --> 02:55:28,199
Speaker 1: of them and trying to pay attention to them because

3089
02:55:28,240 --> 02:55:31,240
Speaker 1: I didn't want this to happen and JBP. You know,

3090
02:55:31,320 --> 02:55:33,200
Speaker 1: there's a lot going on over there that I can

3091
02:55:33,240 --> 02:55:35,320
Speaker 1: speak about it that I want to speak about writing,

3092
02:55:35,440 --> 02:55:38,800
Speaker 1: just dissect what I see happening. There's a lot happening

3093
02:55:38,879 --> 02:55:42,039
Speaker 1: them over there. But when Rory and Mall and them

3094
02:55:42,520 --> 02:55:45,880
Speaker 1: got away from Joe, I was watching them because again

3095
02:55:45,920 --> 02:55:48,199
Speaker 1: I just dissect the whole game, and I was watching

3096
02:55:48,200 --> 02:55:50,600
Speaker 1: what they were doing, and I thought like, oh my god,

3097
02:55:50,600 --> 02:55:55,119
Speaker 1: it seemed like they ain't. But they stepped into their

3098
02:55:54,720 --> 02:55:58,120
Speaker 1: to their role as part as in this space, like

3099
02:55:58,200 --> 02:56:01,440
Speaker 1: they need to be mentioned on the list, and where

3100
02:56:01,440 --> 02:56:03,440
Speaker 1: you put them on the list is up to you, right,

3101
02:56:03,959 --> 02:56:06,680
Speaker 1: but they definitely need to be in the conversation now,

3102
02:56:06,760 --> 02:56:09,920
Speaker 1: academics that with Candice owns and Accor is finding this

3103
02:56:10,080 --> 02:56:12,160
Speaker 1: groove over there and trying to get this thing together,

3104
02:56:12,240 --> 02:56:15,800
Speaker 1: but Candice. He can't handle Candice. He doesn't really know

3105
02:56:16,000 --> 02:56:19,080
Speaker 1: enough about it, and he's not gonna really step out

3106
02:56:19,120 --> 02:56:22,080
Speaker 1: and really challenge anything because he doesn't have the information

3107
02:56:22,160 --> 02:56:24,879
Speaker 1: for real. So he's gonna constantly play, oh for real,

3108
02:56:24,959 --> 02:56:27,000
Speaker 1: Oh that's the number they come up with, Oh that's

3109
02:56:27,040 --> 02:56:29,400
Speaker 1: the Oh my god, that's what they're saying, Like he's

3110
02:56:29,440 --> 02:56:31,920
Speaker 1: gonna play that role instead of getting the information now,

3111
02:56:32,320 --> 02:56:35,880
Speaker 1: and I think that does a disservice to his audience. Right.

3112
02:56:35,959 --> 02:56:38,320
Speaker 1: You gotta dig in, bro y'all gotta take this shiit

3113
02:56:38,480 --> 02:56:42,039
Speaker 1: serious or I'm I'm gonna eating food like or not

3114
02:56:42,160 --> 02:56:45,879
Speaker 1: even me my prototype guys like me that's coming into

3115
02:56:45,920 --> 02:56:48,959
Speaker 1: the field, they're gonna eat your food. You ain't taking

3116
02:56:49,000 --> 02:56:52,920
Speaker 1: this serious, man, you know, but seeing this game, that's

3117
02:56:52,959 --> 02:56:55,080
Speaker 1: why you gotta find your own stride. And that's why

3118
02:56:55,080 --> 02:56:57,640
Speaker 1: I'm glad I found my stride. And that just your

3119
02:56:57,680 --> 02:57:00,160
Speaker 1: approach to part and your approach to how you get

3120
02:57:00,200 --> 02:57:02,960
Speaker 1: your information out what you want to talk about right,

3121
02:57:03,120 --> 02:57:05,280
Speaker 1: being comfortable in front of the camera, in the room

3122
02:57:05,320 --> 02:57:08,400
Speaker 1: full of people talking right. Just certain things you gotta

3123
02:57:08,440 --> 02:57:10,560
Speaker 1: be able to do right. I think k is great

3124
02:57:10,600 --> 02:57:12,920
Speaker 1: at what he does in regards to those six eight

3125
02:57:12,959 --> 02:57:18,440
Speaker 1: mini clips, those news informational kind of clips about commentary,

3126
02:57:18,560 --> 02:57:20,760
Speaker 1: hip hop commentary. I think he's great at that and

3127
02:57:20,920 --> 02:57:24,160
Speaker 1: podcasting he had. He just got to find his group right.

3128
02:57:24,600 --> 02:57:27,360
Speaker 1: And you can't copy anyone. So you can't copy what

3129
02:57:27,480 --> 02:57:30,160
Speaker 1: Joe does or what Charlemagne does, or what Loon does,

3130
02:57:30,280 --> 02:57:32,680
Speaker 1: or what Bank does or what earn your lead. You

3131
02:57:32,720 --> 02:57:35,920
Speaker 1: can't copy what nobody do because you don't. You may

3132
02:57:36,000 --> 02:57:38,720
Speaker 1: can't live at that address. This happened so quick as

3133
02:57:38,760 --> 02:57:41,400
Speaker 1: you talking like you can hear somebody to take somebody

3134
02:57:41,520 --> 02:57:44,000
Speaker 1: talking point unless you put the work in. You can

3135
02:57:44,080 --> 02:57:47,560
Speaker 1: hear somebody take someone's talking point, and they can't. They

3136
02:57:47,640 --> 02:57:51,040
Speaker 1: lay flat, they can't dive deep into it because they

3137
02:57:51,040 --> 02:57:53,360
Speaker 1: didn't come up with it. So you gotta be prepared.

3138
02:57:53,400 --> 02:57:56,400
Speaker 1: If you sitting next to candy zowns like we reached

3139
02:57:56,400 --> 02:57:58,200
Speaker 1: out to help people like I want to sit next

3140
02:57:58,200 --> 02:58:00,360
Speaker 1: to Candid's owners. I got a lot to I didn't

3141
02:58:00,360 --> 02:58:02,520
Speaker 1: know she was in Nashville, like I have an office

3142
02:58:02,560 --> 02:58:05,879
Speaker 1: in Nashville. We gotta talk right, So let's talk about

3143
02:58:05,920 --> 02:58:09,240
Speaker 1: this this abortion thing, the pregnancy thing you're talking about,

3144
02:58:09,320 --> 02:58:13,400
Speaker 1: Let's talk about welfare. Let's talk about these things right

3145
02:58:13,480 --> 02:58:16,600
Speaker 1: from a real perspective and respectful at the academics. I

3146
02:58:16,640 --> 02:58:19,960
Speaker 1: watched that whole interview. He did a great job. It

3147
02:58:20,120 --> 02:58:22,360
Speaker 1: just again, you gotta find your groove in this game.

3148
02:58:22,440 --> 02:58:25,480
Speaker 1: And it gets hard. It gets hard because you got

3149
02:58:25,560 --> 02:58:28,040
Speaker 1: an interview today one Tuesday, you travel to due as

3150
02:58:28,080 --> 02:58:30,520
Speaker 1: you go because I remember on my earned your Lesion interview,

3151
02:58:31,200 --> 02:58:34,360
Speaker 1: I'm so bummed out about New York. I ain't paying attention. Like,

3152
02:58:34,440 --> 02:58:38,720
Speaker 1: so I drive up to the office where Charlemagnem shoot

3153
02:58:38,720 --> 02:58:44,920
Speaker 1: the brilliant idiots I'm like, there's no parking, so and

3154
02:58:45,080 --> 02:58:47,640
Speaker 1: I'm there two hours before earn your lesia get there

3155
02:58:47,640 --> 02:58:50,200
Speaker 1: because I know my vibe is to sit down, play

3156
02:58:50,240 --> 02:58:53,640
Speaker 1: a little music and just relax. I can't come from

3157
02:58:53,680 --> 02:58:56,480
Speaker 1: I can, but if I come and just sit down

3158
02:58:56,520 --> 02:58:58,920
Speaker 1: and talk instantly, it's just I didn't get a chance

3159
02:58:58,959 --> 02:59:02,680
Speaker 1: to gather myself. And so two hours looking for parking,

3160
02:59:02,760 --> 02:59:04,680
Speaker 1: I just finally had to be like, yo, can y'all

3161
02:59:04,720 --> 02:59:06,840
Speaker 1: send somebody out? I give us some money to find

3162
02:59:06,879 --> 02:59:10,400
Speaker 1: me parking? Right earn your leaves had showed up. They upstairs.

3163
02:59:10,480 --> 02:59:13,160
Speaker 1: I'm like, yo, I can't keep these dudes waiting. So

3164
02:59:13,280 --> 02:59:15,199
Speaker 1: I end up paying the girl to find me parking.

3165
02:59:15,280 --> 02:59:17,600
Speaker 1: Go up there soon I sat down rolling. I didn't

3166
02:59:17,680 --> 02:59:19,959
Speaker 1: I didn't take time. Now they had somebody that had

3167
02:59:20,040 --> 02:59:22,080
Speaker 1: helped me, but I didn't take time and put the

3168
02:59:22,160 --> 02:59:25,760
Speaker 1: camera like I wanted right, certain things that had I

3169
02:59:25,800 --> 02:59:27,760
Speaker 1: had the time to do it, I would have done it,

3170
02:59:28,520 --> 02:59:30,879
Speaker 1: and so forth. Creator it gets rough as you try

3171
02:59:30,920 --> 02:59:33,760
Speaker 1: to get through it. You know, you travel here with

3172
02:59:33,920 --> 02:59:38,320
Speaker 1: it set up. The stuff Naya gets is here. You

3173
02:59:38,360 --> 02:59:40,920
Speaker 1: know you really ain't prepared. You really just finish it down.

3174
02:59:41,000 --> 02:59:46,440
Speaker 1: You're doing them clickbait game. You're doing clickbait journalism. Just

3175
02:59:46,480 --> 02:59:48,680
Speaker 1: such and such was on the pard the part ain't

3176
02:59:48,680 --> 02:59:51,440
Speaker 1: talking about the mother thing, but we got one of

3177
02:59:51,480 --> 02:59:53,920
Speaker 1: the biggest names in the game. You know, I ain't

3178
02:59:53,959 --> 02:59:56,160
Speaker 1: playing that game. I'm really trying to add to the

3179
02:59:56,240 --> 02:59:58,160
Speaker 1: coach with you know what I'm saying. I don't have

3180
02:59:58,280 --> 02:59:59,879
Speaker 1: nothing else to do. I made enough money in the

3181
03:00:00,000 --> 03:00:03,879
Speaker 1: street to survive, so you know, I'm having fun with

3182
03:00:03,920 --> 03:00:05,880
Speaker 1: this and try to add to the coach. I want

3183
03:00:05,879 --> 03:00:08,800
Speaker 1: to take some time to speaking up podcasting in black

3184
03:00:08,920 --> 03:00:11,279
Speaker 1: media and give a shout out to twenty one Savage.

3185
03:00:11,879 --> 03:00:14,840
Speaker 1: Savage been jumping on these podcasts instead of going to

3186
03:00:14,959 --> 03:00:17,840
Speaker 1: these big platforms, and I think that they're so important

3187
03:00:17,879 --> 03:00:20,680
Speaker 1: not only for the content creator, but just for the

3188
03:00:20,800 --> 03:00:23,920
Speaker 1: market and him being able to speak to what he

3189
03:00:24,080 --> 03:00:27,200
Speaker 1: knows to be the truth. You know, he's dealing with

3190
03:00:27,240 --> 03:00:29,520
Speaker 1: the specifics. You're dealing with a guy that's been through

3191
03:00:29,560 --> 03:00:31,640
Speaker 1: a lot in this industry and being able to stand

3192
03:00:31,720 --> 03:00:34,600
Speaker 1: next to and stand by everything that he came in

3193
03:00:34,680 --> 03:00:37,959
Speaker 1: the game on. I was listening to music, explained some

3194
03:00:38,040 --> 03:00:41,080
Speaker 1: of his attributes, some of his accomplishments. Again, it gets

3195
03:00:41,080 --> 03:00:44,680
Speaker 1: blurry from these up North guys their perspective on some

3196
03:00:44,720 --> 03:00:47,120
Speaker 1: of these things in regards to the accolades and the

3197
03:00:47,240 --> 03:00:51,640
Speaker 1: position of things. It's just they have a revisionist history sometimes.

3198
03:00:52,080 --> 03:00:54,520
Speaker 1: And I'm not talking about the fans up North. I'm

3199
03:00:54,560 --> 03:00:58,200
Speaker 1: speaking specifically on media and how it's framed a lot

3200
03:00:58,240 --> 03:01:01,280
Speaker 1: of times they'll speak like I remember, and I like

3201
03:01:01,440 --> 03:01:03,760
Speaker 1: Joe Buddon, but I remember looking at Joe Budden and

3202
03:01:03,840 --> 03:01:06,760
Speaker 1: Little Baby interview, and I can see the distance between

3203
03:01:06,800 --> 03:01:10,800
Speaker 1: their understanding, the distance between their talk and the distance

3204
03:01:10,879 --> 03:01:14,760
Speaker 1: it was distance in the building. Right. Still turned out

3205
03:01:14,800 --> 03:01:17,160
Speaker 1: to be a good interview because he is him and

3206
03:01:17,240 --> 03:01:19,720
Speaker 1: Baby is him. Baby Still was able to get some

3207
03:01:19,800 --> 03:01:22,440
Speaker 1: information nowt but sometimes he was talking it was just

3208
03:01:22,480 --> 03:01:26,040
Speaker 1: a disconnect, not because we ain't up the same culture,

3209
03:01:26,320 --> 03:01:29,879
Speaker 1: because we definitely are the same culture, but it's subcategories

3210
03:01:29,920 --> 03:01:32,720
Speaker 1: of the culture, right, And when we talk about the South,

3211
03:01:32,840 --> 03:01:36,119
Speaker 1: sometimes when people speak about it, I just don't seem

3212
03:01:36,200 --> 03:01:39,000
Speaker 1: like our flowers its blossomed in the way that I

3213
03:01:39,080 --> 03:01:41,440
Speaker 1: want them to be. Right, And so I think we're

3214
03:01:41,480 --> 03:01:43,720
Speaker 1: instrumental in the South with media, And that's why I

3215
03:01:43,760 --> 03:01:46,600
Speaker 1: want to spend some time on savage savage goals on

3216
03:01:46,680 --> 03:01:49,840
Speaker 1: these media platforms right where he can resonate with people

3217
03:01:49,879 --> 03:01:53,560
Speaker 1: from a different way. Sometimes you can only get that

3218
03:01:53,720 --> 03:01:58,000
Speaker 1: kind of interview. From that kind of interview, you understand me.

3219
03:01:58,120 --> 03:02:01,240
Speaker 1: And when you're able to position you self and understand that,

3220
03:02:01,320 --> 03:02:04,320
Speaker 1: I can go in any room and put this game down, Right,

3221
03:02:04,360 --> 03:02:07,080
Speaker 1: I can sit next to Jimmy Fallon and go how

3222
03:02:07,280 --> 03:02:09,600
Speaker 1: led loon on this up their podcasts and both of

3223
03:02:09,600 --> 03:02:12,320
Speaker 1: those interviews be effective for what they're supposed to be

3224
03:02:12,360 --> 03:02:15,560
Speaker 1: effective for. Right, And so I want to give some

3225
03:02:15,560 --> 03:02:20,200
Speaker 1: some appreciation home for always sticking by the culture. Right.

3226
03:02:20,240 --> 03:02:22,400
Speaker 1: I think he was one of the first ones on

3227
03:02:22,600 --> 03:02:26,640
Speaker 1: getting them that really put a bunch of game out

3228
03:02:26,680 --> 03:02:28,640
Speaker 1: and allowed them to get a lot of clips to

3229
03:02:28,959 --> 03:02:31,960
Speaker 1: move around. Right. He just did math, which was a

3230
03:02:32,000 --> 03:02:33,959
Speaker 1: big deal. You know what I'm saying. Got a tick

3231
03:02:34,080 --> 03:02:37,560
Speaker 1: from Jay about a math hop for interview. Right, these

3232
03:02:37,560 --> 03:02:40,200
Speaker 1: things are important, But a lot of these dudes they

3233
03:02:40,200 --> 03:02:42,840
Speaker 1: ain't gonna do that. They think the numbers ain't big

3234
03:02:42,920 --> 03:02:45,360
Speaker 1: enough for it. Ain't that guy. And that's when you know,

3235
03:02:45,440 --> 03:02:49,200
Speaker 1: if you come from this or you just playing. A

3236
03:02:49,240 --> 03:02:52,560
Speaker 1: lot of these is just playing. You're looking for him

3237
03:02:52,600 --> 03:02:55,000
Speaker 1: to be real. You're looking for him to be gangs.

3238
03:02:55,120 --> 03:02:57,760
Speaker 1: That's why I say, man, you be careful on to

3239
03:02:57,800 --> 03:03:02,920
Speaker 1: meet these be pooling man, you be careful of woman. Man.

3240
03:03:02,959 --> 03:03:05,320
Speaker 1: I can't wait to meet Bro. Man, Bron Man Bro

3241
03:03:05,560 --> 03:03:07,720
Speaker 1: real Man, I can't wait to meet Bro. You're gonna

3242
03:03:07,760 --> 03:03:10,800
Speaker 1: meet Bro and you're gonna go home disappointing. But in

3243
03:03:10,920 --> 03:03:13,920
Speaker 1: my eyes see it differently, Like I can't see a

3244
03:03:14,040 --> 03:03:17,240
Speaker 1: man working hard as I'm working. I'm in position and

3245
03:03:17,320 --> 03:03:21,640
Speaker 1: I won't help to do I just that night, I

3246
03:03:21,680 --> 03:03:24,600
Speaker 1: ain't telling by somebody of this half pard and he

3247
03:03:24,760 --> 03:03:28,480
Speaker 1: half putting it together, he half getting it going. This

3248
03:03:28,600 --> 03:03:34,920
Speaker 1: dude here consistently putting it down for me bro it again,

3249
03:03:34,959 --> 03:03:38,199
Speaker 1: it gets disappointed as you get closer to it, because

3250
03:03:38,240 --> 03:03:40,920
Speaker 1: if you're looking for these industries to be real, I

3251
03:03:41,040 --> 03:03:43,360
Speaker 1: just told y'all, it's like looking for a black cat

3252
03:03:43,440 --> 03:03:46,840
Speaker 1: in the dark room. Gonna be hard to see and

3253
03:03:46,920 --> 03:03:49,879
Speaker 1: he might be in here, but you just never know,

3254
03:03:50,080 --> 03:03:55,039
Speaker 1: because again, all this game is about selling your relationships.

3255
03:03:55,600 --> 03:03:57,840
Speaker 1: A lot of these relationships are for sale. I just

3256
03:03:58,240 --> 03:03:59,960
Speaker 1: speaking to y'all about it. You can buy your way

3257
03:04:00,160 --> 03:04:03,360
Speaker 1: close to one knee reblem right. A lot of time, Bro,

3258
03:04:03,440 --> 03:04:06,520
Speaker 1: if I had, like Dick Gregory was alive. Man, I'll

3259
03:04:06,560 --> 03:04:10,040
Speaker 1: pay him to stay next to me. Man, some of

3260
03:04:10,040 --> 03:04:12,560
Speaker 1: these type minds I pay. I'll pay them dudes to

3261
03:04:12,600 --> 03:04:15,760
Speaker 1: stay next to me. Man, what is this look at life?

3262
03:04:15,879 --> 03:04:18,920
Speaker 1: Pay him man, get him around me. Man. That dude

3263
03:04:18,920 --> 03:04:22,160
Speaker 1: can evolve me in a way that's very specific. You

3264
03:04:22,280 --> 03:04:25,800
Speaker 1: understand just the outlook, right, because it's all about problem solving.

3265
03:04:25,879 --> 03:04:29,040
Speaker 1: But in our culture we look down on uplifting, but

3266
03:04:29,120 --> 03:04:32,960
Speaker 1: we talk black excellence. That's why I get confusing. But

3267
03:04:33,080 --> 03:04:35,840
Speaker 1: I had to tell my kids, keep your eyes open

3268
03:04:35,879 --> 03:04:39,040
Speaker 1: and don't be afraid the ads. Don't be afraid, you know,

3269
03:04:39,080 --> 03:04:43,080
Speaker 1: don't be scared of love because I'm identifying that it

3270
03:04:43,120 --> 03:04:45,400
Speaker 1: ain't as easy as they said to be. But it

3271
03:04:45,440 --> 03:04:47,720
Speaker 1: is people out there that's doing that. It is people

3272
03:04:47,720 --> 03:04:50,320
Speaker 1: out there that's furthering each other and helping each other

3273
03:04:50,360 --> 03:04:54,080
Speaker 1: without mentioning a good deed is worthless and useless after

3274
03:04:54,120 --> 03:04:57,040
Speaker 1: it's mentioned. I mean, there, y'all have done something behind

3275
03:04:57,080 --> 03:05:00,000
Speaker 1: the scenes and springboarded someone and putting people in position.

3276
03:05:00,600 --> 03:05:03,840
Speaker 1: Every time I'm on the phone with somebody about podcasting,

3277
03:05:04,600 --> 03:05:07,280
Speaker 1: I tell you, no, Lie, Rishard may be the only

3278
03:05:07,320 --> 03:05:10,160
Speaker 1: guy in the game. You know, be Marsha had me

3279
03:05:10,200 --> 03:05:13,120
Speaker 1: on the call, Richard, you know certain people in the

3280
03:05:13,160 --> 03:05:15,440
Speaker 1: game that I've been able to get information and they

3281
03:05:15,520 --> 03:05:18,920
Speaker 1: hooked me with people that's done things for me. Bank,

3282
03:05:19,040 --> 03:05:20,959
Speaker 1: what's the first person to reach out to me? But

3283
03:05:21,120 --> 03:05:24,320
Speaker 1: if we talk about the real coach in the real game,

3284
03:05:25,680 --> 03:05:28,680
Speaker 1: every time I speak to someone that's getting me a

3285
03:05:28,800 --> 03:05:31,800
Speaker 1: check cut for my words, they say that it's white

3286
03:05:31,800 --> 03:05:35,119
Speaker 1: people that's helping them. Every single time they say it's

3287
03:05:35,160 --> 03:05:37,440
Speaker 1: white people that's helping them. And I got to look

3288
03:05:37,440 --> 03:05:39,560
Speaker 1: at that a certain way because I'm like, Bro, we're

3289
03:05:39,560 --> 03:05:43,000
Speaker 1: in this together, and it be the white folks that's helping.

3290
03:05:43,879 --> 03:05:46,360
Speaker 1: Let's get money or get in position a lot of time.

3291
03:05:47,920 --> 03:05:50,080
Speaker 1: But that still don't mean you need to be afraid

3292
03:05:50,120 --> 03:05:52,880
Speaker 1: to with your home is or ask the nick as

3293
03:05:53,320 --> 03:05:55,480
Speaker 1: try to you see what I'm saying, because the coach

3294
03:05:55,640 --> 03:05:58,080
Speaker 1: is the coachure. But you gotta be upright independent and

3295
03:05:58,120 --> 03:06:02,720
Speaker 1: be ready to hustle and don't be afraid of learn it. Hey,

3296
03:06:02,760 --> 03:06:05,920
Speaker 1: but there's been another episode of the fastest growing podcasts

3297
03:06:05,920 --> 03:06:09,600
Speaker 1: in the world. You know it's up that podcast. I

3298
03:06:09,680 --> 03:06:12,960
Speaker 1: love everybody that me man meet me on Patreon right now.

3299
03:06:13,040 --> 03:06:16,200
Speaker 1: We're gonna only I'm gonna start putting fifty minutes of

3300
03:06:16,240 --> 03:06:19,240
Speaker 1: it out and the rest on Patreon. So appreciate that.

3301
03:06:19,320 --> 03:06:23,800
Speaker 1: Everybody love up that podcast. Stay up, stay motivated, stay lifted,

3302
03:06:23,920 --> 03:06:27,160
Speaker 1: Get some money to not never go in the trick Bad,

3303
03:06:27,400 --> 03:06:27,800
Speaker 1: biggest