WEBVTT - Pretty Womyn

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<v Speaker 1>If you can't love yourself, how are you gonna stop

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<v Speaker 1>that trade? The June twelfth, This podcast is proudly brought

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<v Speaker 1>to you by Stop That Train, starring Aah and Sarah,

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<v Speaker 1>Michelle Geller Randomly.

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<v Speaker 2>And Jujubie Brooklyn Heights.

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<v Speaker 1>Unfortunately, we're not actually sponsored by Stop that Train, but

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<v Speaker 1>that will not stop us from listening, umping for.

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<v Speaker 2>It, and from listening all twenty shit all twenty six

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<v Speaker 2>cast members. Sorry to the Virgins that you heard a

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<v Speaker 2>loud thump by just I'm knocked over the mic because

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<v Speaker 2>I was so excited about Stop That Train theaters June twelfth.

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<v Speaker 2>I have I made a prediction, and that is that

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<v Speaker 2>Stop that Train will have a bigger opening weekend than

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<v Speaker 2>Barbie and Oppenheimer combined. Yes, and I actually and will

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<v Speaker 2>be more culturally relevant when I tell you that without

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<v Speaker 2>any irony. I hope I'm just a justice, thank you.

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<v Speaker 2>I hope that Stop that Train is a global box

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<v Speaker 2>office phenomenon.

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<v Speaker 1>I just I want it to be the Airplane of

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<v Speaker 1>our time.

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<v Speaker 2>Yes, oh my god.

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<v Speaker 1>Literally mean it literally is airplane.

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<v Speaker 2>Snakes in a plane, but RuPaul on a train, It

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<v Speaker 2>sluts on a train. Well, it's the movie Airplane literally Yeah,

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<v Speaker 2>well I've actually never even seen it, but I know

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<v Speaker 2>and understand the presence and the kind of absurdist John

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<v Speaker 2>Waters the in humor if you will, Yeah.

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<v Speaker 1>Airplane airplane is very funny, and I'm I want that

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<v Speaker 1>train to drive right into my.

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<v Speaker 2>Actually right up in my yes, not into the urethra

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<v Speaker 2>like one of.

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<v Speaker 1>Like one of those fish that, like, you know how

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<v Speaker 1>they always warn you, like if you're in a lake

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<v Speaker 1>or something, you shouldn't pee because some of the fish

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<v Speaker 1>will like swim up your piss stream into your dick.

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<v Speaker 2>Imagine having a sounding fetish like a sound in kink,

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<v Speaker 2>but not likely fish. Yeah, no metal bars that go

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<v Speaker 2>the urethraa it's just live fish, tiny fish. Imagine that

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<v Speaker 2>was my my king.

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<v Speaker 1>I actually saw an Instagram reel of a guy who

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<v Speaker 1>was walking around Ikia with the sounding rod in what. Yeah,

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<v Speaker 1>I don't know if it was a joke or if

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<v Speaker 1>it was real. It's kind of like, do you know

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<v Speaker 1>that guy? Do you ever see that guy who loves

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<v Speaker 1>to make like tiktoks and reels about getting bred at

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<v Speaker 1>home depot?

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<v Speaker 2>If it's the guy that I mean, not at home depot, No,

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<v Speaker 2>but he was a home depot employee, and he would

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<v Speaker 2>get functioned the parking lot and probably think of a

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<v Speaker 2>different guy. Yeah, there's this guy who's always got fired

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<v Speaker 2>from I think he got fired from Home Home. There's

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<v Speaker 2>this guy who's always making content about how he's taking

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<v Speaker 2>loads in Home depot. Gag. It's hot.

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<v Speaker 1>I mean it's his number one cruising spot. Well, to

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<v Speaker 1>be honest, it's like that blue collar dick. Then it's

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<v Speaker 1>like absolutely cruising spot. But also it's kind of like

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<v Speaker 1>not it's not sexy to me.

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<v Speaker 2>I don't know why. Maybe it's because I don't really

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<v Speaker 2>like home DOOPO have a bit of a trauma around it. Okay,

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<v Speaker 2>explain And by trauma, I mean I didn't like going

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<v Speaker 2>there as a child, but I liked it was one.

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<v Speaker 1>Of those stores that you got dragged to with your

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<v Speaker 1>parents that wasn't fun, Like it was like that Sears. Yeah,

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<v Speaker 1>and in theory it actually should be fun.

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<v Speaker 2>There's like chandeliers. Yeah, there's extreme makeup. We know Sia babes,

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<v Speaker 2>we know Siyah extreme homemakeover. Okay, we're gonna be covering

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<v Speaker 2>a couple things in this episode that we have already

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<v Speaker 2>even touched. We've already touched on, among them, the most

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<v Speaker 2>recent and perhaps best episode of Hacks, the lesbian episode.

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<v Speaker 1>Although it's kind of hard to call one particular episode

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<v Speaker 1>of Hacks the lesbian episode when it was a show,

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<v Speaker 1>you know, sort of engineered for lesbians. On Twitter, by

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<v Speaker 1>and for by and.

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<v Speaker 2>For and starring, We're gonna be talking about if All

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<v Speaker 2>Stars Drag Race Allstar Ours Season eleven is worth watching.

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<v Speaker 2>We're gonna be talking about John Waters. We're gonna we're

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<v Speaker 2>doing a little preview, yeah, topics exactly. We're talking about

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<v Speaker 2>the autopsy of Jane Doe and pretty woman Rose and

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<v Speaker 2>I are here on Sparkling Fire Island.

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<v Speaker 1>Beautiful, freezing cold Fire Island.

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<v Speaker 2>We are so happy to be here. Something for all

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<v Speaker 2>of the virgins to know is that we, as you

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<v Speaker 2>have noticed, are releasing episodes into the RSS feed for

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<v Speaker 2>the first time in two and a half years. Excuse me,

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<v Speaker 2>a little burb completely for free. That is sickening. You

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<v Speaker 2>are so welcome. We are doing this to reintegrate our

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<v Speaker 2>cells into the RSS feed. If you are a Patreon

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<v Speaker 2>subscriber at patreon dot com slash like a virgin, Just

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<v Speaker 2>like a virgin, you will get ad free episodes and

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<v Speaker 2>you'll also get bonus episodes that are in the form

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<v Speaker 2>of the old format of our show where we deep

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<v Speaker 2>dive on a single cultural object, but our weekly episode

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<v Speaker 2>in the RSS feed, which will only be temporary. We're

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<v Speaker 2>not doing this forever. Yeah, you're gonna put them back

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<v Speaker 2>behind your guest.

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<v Speaker 1>We're, you know, teasing the girls to get them to

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<v Speaker 1>join us over on patreons.

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<v Speaker 2>So if you like what you hear, go and subscribe

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<v Speaker 2>independent creators, creators. I was about to say journal or

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<v Speaker 2>trans art. Yeah, yeah, support trans are protect queer art.

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<v Speaker 2>Do what do we want to talk about first, all stars, No,

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<v Speaker 2>let's talk about Hacks. Okay, yeah, let's get it out

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<v Speaker 2>of the way. So if you're you're probably familiar with

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<v Speaker 2>the show Hacks, Emmy Sensation, everybody loves a show. They

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<v Speaker 2>recently came out with an episode that.

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<v Speaker 1>Which is which is airing its final season right, which

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<v Speaker 1>is important.

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<v Speaker 2>I think to what the stakes of this episode felt like.

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<v Speaker 2>We called it the lesbian episode, but there are actually

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<v Speaker 2>so many lesbian episodes. I'm thinking about the one where

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<v Speaker 2>they go on to lesbian Cruise.

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<v Speaker 1>Or the one where where Ava almost hooks up with

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<v Speaker 1>fucking Chustina Hendricks. Right, and she wants to piss on her.

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<v Speaker 1>She's like, you were not gonna pee on me? Yes,

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<v Speaker 1>I was.

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<v Speaker 2>I forgot about Christina Hendricks the Republican, the lesbian Republican. Amazing.

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<v Speaker 1>So the premise of this episode, the season so far

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<v Speaker 1>has been following Debra as she's preparing to do this

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<v Speaker 1>big Madison Square Garden show coming after the end of

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<v Speaker 1>her gag order, and so she decides in the most

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<v Speaker 1>recent episode that she absolutely needs to wear Carol Burnett's

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<v Speaker 1>final look from her show. She decides this because she

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<v Speaker 1>has a dream in which she appears naked on stage

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<v Speaker 1>and like had a kind of crazy body double. It

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<v Speaker 1>was full puss out.

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<v Speaker 2>Yeah, it was giving, kind of like Jimbo. It was

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<v Speaker 2>giving like Jimbo, full body trusthetic.

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<v Speaker 1>It was very boobs for Queens dot com. It was

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<v Speaker 1>boobs for Queens dot com dot org. And then her

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<v Speaker 1>teeth fall teeth falling out, classically assigned like the most

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<v Speaker 1>common dream anyone, which is like a sign for anxiety

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<v Speaker 1>go figure instead. But instead of think realizing what it

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<v Speaker 1>actually means, which is that she needs to you know,

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<v Speaker 1>work on her material, she decides that she needs to

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<v Speaker 1>work on material aka fashion so she calls her psychic.

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<v Speaker 1>She is I love the psychic. The psychic is one

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<v Speaker 1>of my favorite characters. She's just kind of this, I mean,

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<v Speaker 1>she sounds unhealthy. She's kind of like she sounds like

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<v Speaker 1>she's been smoking ten packs a day for the past

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<v Speaker 1>thirty years.

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<v Speaker 2>Exactly. Yes, and she has to must procure this. Bob

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<v Speaker 2>Mackie and let me tell.

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<v Speaker 1>You, Oh my god, Bob Mackie cameo.

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<v Speaker 2>Bob Mackie cameo in this episode was so fire.

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<v Speaker 1>He was like, I can't make you address, like, I

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<v Speaker 1>make one for you. And then all of a sudden,

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<v Speaker 1>Sabrina Carpenter's standing outside my house with a sewing machine

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<v Speaker 1>and a gun.

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<v Speaker 2>A really good joke. Also, like I I would say

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<v Speaker 2>that Debra Vance is like sow me, I am the

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<v Speaker 2>girl that's like, I have so much real material to prepare,

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<v Speaker 2>and instead of using the last thirty minutes wisely, I

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<v Speaker 2>will use it to like do my makeup and my hair,

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<v Speaker 2>yes that I look good.

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<v Speaker 1>Absolutely trying to find the actually least important thing that

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<v Speaker 1>you need to do and focus on that instead of

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<v Speaker 1>the actual big important.

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<v Speaker 2>Thing you have. So relatable. And so Debra Vance finds

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<v Speaker 2>out that this Bob Mackie Carroll like number that Carol

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<v Speaker 2>Burnett that was made for Carol Burnett exists in Cherry

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<v Speaker 2>you know one Cherry Jones hands. She's playing a Ellen

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<v Speaker 2>DeGeneres like very famous rich lesbian comedian who also has

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<v Speaker 2>her own Porschia to Rassi as it were played by

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<v Speaker 2>I can't remember her name.

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<v Speaker 1>Her name is Leslie Bibb. Iconically from the most recent

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<v Speaker 1>season of The White Lotus. She has the County Bob

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<v Speaker 1>and she I am number one on her Emmy campaign

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<v Speaker 1>for guest star for this episode, she is pitch perfect.

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<v Speaker 2>We should have the entire thing. We need to host

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<v Speaker 2>f why see events or Leslie Bibb.

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<v Speaker 1>Like unofficial, unauthorized like she keeps dming us like girls.

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<v Speaker 1>Please stop, please stop, please stop hosting these FOYC events.

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<v Speaker 2>They're non compliant with the Academy.

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<v Speaker 1>Please stop tagging me and please stop sending me new

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<v Speaker 1>Please stop threatening OSCAR voters would not actually a lesbian.

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<v Speaker 2>Yeah, which would be a lie. She's a lesbian.

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<v Speaker 1>So there's this great scene where where Deborah you know

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<v Speaker 1>invites invites Kelly Kirkpatrick is her name in an episode

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<v Speaker 1>invites Cherry Jones's character out to lunch at her apology

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<v Speaker 1>table at Spago, which I love the idea that she

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<v Speaker 1>has an apology table.

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<v Speaker 2>That's really smarts.

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<v Speaker 1>I feel like I should have an apology table.

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<v Speaker 2>Where would it be the coffee.

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<v Speaker 1>Shop across across the street from my house or the

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<v Speaker 1>cheesecake factory. Cheesecake factory would be great because you have

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<v Speaker 1>that positive association association of the cheesecake factory paired with

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<v Speaker 1>the responsibility of what you have to do at this table, yes.

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<v Speaker 2>Yes, and to have free bread.

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<v Speaker 1>So, because Ava comes to give Deborah her phone, and obviously,

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<v Speaker 1>like their dynamic, the lines are so blurred. Cherry Jones

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<v Speaker 1>assumes that Deborah is actually a lesbian and that's why

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<v Speaker 1>Deborah was so mean to her when she came out,

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<v Speaker 1>thus starting this feud between them, and so she invites

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<v Speaker 1>Deborah and Ava to spend the weekend with her and

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<v Speaker 1>her wife in their beautiful Montecito house.

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<v Speaker 2>And under the presumption that Debra Vents and Hannah Inminder

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<v Speaker 2>what's her character's name, Ava, Ava are lesbian lesbians, they

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<v Speaker 2>must spend this weekend together, and it obviously very immediately

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<v Speaker 2>becomes like swinger vibes. It's clear that Cherry Jones and

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<v Speaker 2>her wife are swingers. I don't know swingers.

0:10:48.720 --> 0:10:53.079
<v Speaker 1>They're open. It's not that they all wanted to have sex,

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<v Speaker 1>It's that the wife wanted to have sex specifically with Ava.

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<v Speaker 2>Kind of maybe the reason I choose the term swingers

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<v Speaker 2>over like kind of group sex polyamory is like swingers

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<v Speaker 2>is polyamory for heterosexual couples. Like it's like what quote

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<v Speaker 2>unquote being open is for heterosexual couples. And they give

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<v Speaker 2>more het vibes structurally to me, which is.

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<v Speaker 1>Why I'm like, I see what they see where you're

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<v Speaker 1>coming from.

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<v Speaker 2>Because of their their generation, because of their wealth status,

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<v Speaker 2>and their lack of access to culture, a culture of

0:11:24.760 --> 0:11:28.120
<v Speaker 2>polyamory and open relationships, my mind would say that they

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<v Speaker 2>would use the term. They seem like the kinds of

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<v Speaker 2>people that would use the term. Yeah, we swing, but

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<v Speaker 2>they do say open. Anyways, we won't tell you like

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<v Speaker 2>the entire details of the episode, but but it is

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<v Speaker 2>it is the best episode of Hawks, and it's like,

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<v Speaker 2>hands down, and you think the incredible premise of the

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<v Speaker 2>of the episode, which is like the delicious kind of

0:11:48.960 --> 0:11:52.599
<v Speaker 2>like hijinks situational comedy that you like want out of

0:11:52.640 --> 0:11:55.440
<v Speaker 2>the show. That's when the show really thrives, is paired

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<v Speaker 2>with something that happens halfway through this, like I mean

0:11:59.360 --> 0:12:01.400
<v Speaker 2>kind of at the end episode of the climax that

0:12:01.559 --> 0:12:07.840
<v Speaker 2>is so shocking and simultaneously devastating, I would say, and

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<v Speaker 2>also hilarious and also like complex and like rooted in

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<v Speaker 2>the real life experiences of these characters, and like Deborah

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<v Speaker 2>and Ava's relationship together. It was so genius.

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<v Speaker 1>It just kept the whole episode kept getting better. Every

0:12:24.080 --> 0:12:27.320
<v Speaker 1>time I thought it had topped itself, it just got

0:12:27.440 --> 0:12:32.120
<v Speaker 1>better and funnier and like more emotional. Yes, it really,

0:12:32.440 --> 0:12:35.240
<v Speaker 1>Like I know that. You know, some people might say, like, oh,

0:12:35.280 --> 0:12:37.040
<v Speaker 1>you can't really call this the best episode of HACKS

0:12:37.080 --> 0:12:39.400
<v Speaker 1>because it's missing so much of what makes HACKS special,

0:12:39.400 --> 0:12:42.400
<v Speaker 1>And like I agree. You know, there's no mixed Aalter,

0:12:42.720 --> 0:12:46.520
<v Speaker 1>no Jimmy, like all the kooky characters. But the show

0:12:46.640 --> 0:12:49.640
<v Speaker 1>at its core has always been about Deborah and Ava,

0:12:49.880 --> 0:12:53.920
<v Speaker 1>about their relationship. Yes, and this is a perfect exploration

0:12:53.960 --> 0:12:57.000
<v Speaker 1>of it. And I like that it like really it

0:12:57.000 --> 0:12:58.559
<v Speaker 1>it is fan service.

0:12:58.400 --> 0:12:59.280
<v Speaker 2>In the best way.

0:12:59.440 --> 0:13:01.360
<v Speaker 1>Yes, Like, yeah, we know that you want to see

0:13:01.400 --> 0:13:03.800
<v Speaker 1>Debrah and Ave a makeout, so we're going to give

0:13:03.800 --> 0:13:05.680
<v Speaker 1>it to you, but it's going to be in a

0:13:05.679 --> 0:13:08.400
<v Speaker 1>way that still drives the story, the story forward and

0:13:08.520 --> 0:13:10.079
<v Speaker 1>makes sense for these characters.

0:13:10.240 --> 0:13:13.720
<v Speaker 2>And when I that's when I went going into this episode.

0:13:13.720 --> 0:13:16.120
<v Speaker 2>I really thought it was going to be delicious fan

0:13:16.240 --> 0:13:19.560
<v Speaker 2>service and like brilliant and that was it, and it

0:13:19.679 --> 0:13:23.319
<v Speaker 2>really was so much more than that. I was gagged. Anyways,

0:13:23.360 --> 0:13:24.839
<v Speaker 2>love the episode, so go watch it.

0:13:24.880 --> 0:13:25.880
<v Speaker 1>Go watch it, Go watch it.

0:13:25.880 --> 0:13:28.760
<v Speaker 2>If you've never seen a single episode of Hacks, go no.

0:13:28.920 --> 0:13:31.640
<v Speaker 1>I truly believe you could watch it out of context. Yeah,

0:13:32.080 --> 0:13:33.160
<v Speaker 1>like a short film.

0:13:33.240 --> 0:13:39.480
<v Speaker 2>Prestige television. Okay, speaking of prestige television, All Stars is back,

0:13:39.800 --> 0:13:42.440
<v Speaker 2>All Stars is back. I was like, hmm, should we

0:13:42.480 --> 0:13:44.439
<v Speaker 2>All Stars came out a couple of days ago, All

0:13:44.440 --> 0:13:46.880
<v Speaker 2>Stars Season eleven. Should we watch it? And Roast was

0:13:46.960 --> 0:13:49.200
<v Speaker 2>like no, and I was like, you're right, no, And

0:13:49.200 --> 0:13:51.040
<v Speaker 2>then I was like, no, actually we should watch it

0:13:51.080 --> 0:13:54.560
<v Speaker 2>and then decide we should just tell the virgins whether

0:13:54.559 --> 0:13:57.400
<v Speaker 2>it's worth watching. So like, we watched it. Excuse me,

0:13:57.480 --> 0:13:59.200
<v Speaker 2>we watched it for you, so you don't have to

0:13:59.360 --> 0:14:05.360
<v Speaker 2>You're welcome. This is repeating the structure of like the

0:14:05.440 --> 0:14:10.120
<v Speaker 2>insanely complicated like sports brackets system. God it's so complicated.

0:14:10.240 --> 0:14:13.560
<v Speaker 2>It's basically like three mini seasons of the show, like

0:14:13.800 --> 0:14:14.880
<v Speaker 2>three gribbings.

0:14:15.120 --> 0:14:18.600
<v Speaker 1>Yeah, and the top two queens from each bracket then

0:14:18.720 --> 0:14:21.480
<v Speaker 1>move on to the semifinals.

0:14:20.440 --> 0:14:23.840
<v Speaker 2>And we will honestly go down the line and we'll

0:14:23.840 --> 0:14:27.400
<v Speaker 2>talk about almost every queen. So some of them aren't

0:14:27.400 --> 0:14:29.400
<v Speaker 2>really worth well, there's only six of them. There's only

0:14:29.440 --> 0:14:29.960
<v Speaker 2>six of them.

0:14:30.120 --> 0:14:35.080
<v Speaker 1>So my immediate favorite was Akiria Davenport. She loved her

0:14:35.080 --> 0:14:41.040
<v Speaker 1>her original season. She is even more pumped. And you know,

0:14:41.200 --> 0:14:46.280
<v Speaker 1>her teeth are whiter than I don't like they're the

0:14:46.320 --> 0:14:47.720
<v Speaker 1>whitest thing in existence.

0:14:47.800 --> 0:14:51.720
<v Speaker 2>Maybe they are blinding. They are like fluorescent like and

0:14:52.120 --> 0:14:55.640
<v Speaker 2>not in a bad way. She looks immaculate, gorgeous out

0:14:55.640 --> 0:15:00.280
<v Speaker 2>of drag. She looks immaculate in drag. She is is

0:15:00.360 --> 0:15:04.920
<v Speaker 2>easily like the best runway on the season. And I

0:15:04.960 --> 0:15:07.640
<v Speaker 2>include Don in that, Like, yes, Don maybe like a

0:15:07.720 --> 0:15:12.200
<v Speaker 2>scoch behind her, but like her runway is immaculate, like she.

0:15:12.400 --> 0:15:15.640
<v Speaker 1>Yeah, that look she made in the second episode.

0:15:15.280 --> 0:15:19.080
<v Speaker 2>Was crazy crazy. So would you say she's your number

0:15:19.120 --> 0:15:21.960
<v Speaker 2>one pick for this bracket? I think so, okay, I

0:15:22.000 --> 0:15:26.840
<v Speaker 2>would say that. I would also I believe put Akiria

0:15:26.880 --> 0:15:29.800
<v Speaker 2>as my number one in this bracket. I would literally,

0:15:30.360 --> 0:15:35.760
<v Speaker 2>no jokes, sister put for second. Morgan McMichaels, okay.

0:15:35.520 --> 0:15:40.480
<v Speaker 1>Morgan McMichael h. Morgan McMichaels. That's a drag queen's drag queen.

0:15:40.560 --> 0:15:42.240
<v Speaker 2>That is a drag queen's drag queen, that is, and

0:15:42.280 --> 0:15:46.880
<v Speaker 2>also that is drag queen's name. Morgan McMichaels. She is

0:15:47.080 --> 0:15:51.160
<v Speaker 2>forty five years old and doing a thirty handspring off

0:15:51.200 --> 0:15:51.880
<v Speaker 2>of a box.

0:15:52.080 --> 0:15:54.960
<v Speaker 1>And I know what, she's kind of hot out of drags,

0:15:55.000 --> 0:15:58.160
<v Speaker 1>a little bit hot out of dragon in a specifically gay,

0:15:58.560 --> 0:16:01.880
<v Speaker 1>very kind of methy floridaway. Yeah, like she kind of

0:16:01.880 --> 0:16:05.800
<v Speaker 1>looks like Justin Bieber. Yes, but it's working.

0:16:06.360 --> 0:16:12.040
<v Speaker 2>Literally like the tan the bleached hair, I think immaculately groaned,

0:16:12.080 --> 0:16:13.640
<v Speaker 2>but you can still see her agg I couldn't tell

0:16:13.640 --> 0:16:15.440
<v Speaker 2>if her hair was bleached or if it was just gray.

0:16:16.280 --> 0:16:18.120
<v Speaker 2>I think it was bleached for sure. For sure. Well,

0:16:18.280 --> 0:16:21.840
<v Speaker 2>she like literally, I mean, I think she's just such

0:16:21.880 --> 0:16:24.440
<v Speaker 2>a kind of similar thing that I love about Akiria.

0:16:24.880 --> 0:16:28.160
<v Speaker 2>A professional, a workhorse, a classic.

0:16:28.240 --> 0:16:30.480
<v Speaker 1>She's gonna show up. She's gonna show up, do three

0:16:30.520 --> 0:16:33.880
<v Speaker 1>sets of shows. Yes, you know, be there, be there

0:16:33.880 --> 0:16:36.320
<v Speaker 1>on time, stay until the minute she gets paid.

0:16:36.480 --> 0:16:43.360
<v Speaker 2>Get out, classically classically trained queen, like purebred horse, like

0:16:43.640 --> 0:16:49.160
<v Speaker 2>absolutely die for her. She's fab Yeah, she's just like well,

0:16:49.200 --> 0:16:51.480
<v Speaker 2>she's just like she's just like the kind of queen

0:16:51.680 --> 0:16:54.880
<v Speaker 2>that comes from the generation of queens that were here

0:16:54.920 --> 0:16:56.520
<v Speaker 2>before it all capital.

0:16:56.720 --> 0:16:59.000
<v Speaker 1>Well, she's an old bitch, that's what That's what we're

0:16:59.040 --> 0:17:01.960
<v Speaker 1>really saying is you know, like when the most recent

0:17:02.040 --> 0:17:05.600
<v Speaker 1>season of drag Race came, the most recent main season

0:17:05.600 --> 0:17:08.520
<v Speaker 1>of drag Race, we were all so like, oh, thank god,

0:17:08.560 --> 0:17:11.720
<v Speaker 1>there's actually older queens this season, right, but they were

0:17:11.760 --> 0:17:15.520
<v Speaker 1>all like in their early to mid thirties. Yes, I

0:17:15.640 --> 0:17:20.000
<v Speaker 1>need to see bitches who were in their forties and

0:17:20.000 --> 0:17:23.560
<v Speaker 1>fifties on drag Race and sixties. I want to see seventies.

0:17:23.240 --> 0:17:27.280
<v Speaker 2>Bitches that were there slinking mud with rue when they

0:17:27.280 --> 0:17:31.520
<v Speaker 2>were building the pyramids. Like I literally like, and okay,

0:17:31.600 --> 0:17:34.560
<v Speaker 2>you say like old queen, like to an old queen.

0:17:34.640 --> 0:17:37.119
<v Speaker 2>Can it's like a classically trained queen, a queen that

0:17:37.119 --> 0:17:39.280
<v Speaker 2>we want to watch. That obviously is not true. We

0:17:39.280 --> 0:17:43.119
<v Speaker 2>would get Missty Summers, who is like maybe a little younger,

0:17:43.440 --> 0:17:46.520
<v Speaker 2>but honestly like Morgan Michael's makes her look older, like

0:17:46.560 --> 0:17:47.800
<v Speaker 2>she feels kind of like.

0:17:47.920 --> 0:17:50.800
<v Speaker 1>Well, it's mudgeony. It's just kind of crazy that her

0:17:50.920 --> 0:17:55.120
<v Speaker 1>whole narrative is that she was on the show season two.

0:17:55.359 --> 0:18:00.040
<v Speaker 1>She's sort of like helped make Untucked a thing. And

0:18:00.200 --> 0:18:04.960
<v Speaker 1>most importantly, she's had this insane, you know, body transformation.

0:18:05.119 --> 0:18:10.440
<v Speaker 1>She's lost all this weight and yet she looks crazier

0:18:10.480 --> 0:18:14.480
<v Speaker 1>than ever. Her drag, particularly the makeup, particularly her color

0:18:14.560 --> 0:18:21.360
<v Speaker 1>contacts are OOKI spooky, jump scare, demonic vibes. In her confessional,

0:18:21.760 --> 0:18:25.040
<v Speaker 1>I'm sorry, I'm sorry. In her confessional, she is wearing

0:18:25.240 --> 0:18:35.120
<v Speaker 1>like an underarmor material quarter zip polo shirt, huge huge

0:18:35.760 --> 0:18:39.280
<v Speaker 1>like glow up judge glasses.

0:18:40.359 --> 0:18:42.800
<v Speaker 2>They're very, they're very, a.

0:18:42.960 --> 0:18:51.520
<v Speaker 1>Snapback baseball hat and waterline electric blue eyeliner, crazy underry.

0:18:52.440 --> 0:18:56.560
<v Speaker 1>Like it's just the craziest anyone has ever looked.

0:18:56.880 --> 0:18:59.960
<v Speaker 2>She looks in a confession. She looks like a gay

0:19:00.040 --> 0:19:03.400
<v Speaker 2>a man that works for an insurance company who forgot

0:19:03.440 --> 0:19:06.480
<v Speaker 2>to clean the makeup off from the night out she

0:19:06.800 --> 0:19:09.880
<v Speaker 2>just had and only does like two times a year,

0:19:10.040 --> 0:19:14.200
<v Speaker 2>like like she gives like she I will say, okay,

0:19:14.280 --> 0:19:15.400
<v Speaker 2>I need her on television.

0:19:15.480 --> 0:19:19.320
<v Speaker 1>Oh yeah, she's incredibly TV TV. She's so insecure and

0:19:19.480 --> 0:19:23.000
<v Speaker 1>weird and so honestly bad at drags. She's not gonna drag.

0:19:23.160 --> 0:19:27.920
<v Speaker 1>Looks she made for the like weird, like wonder Woman,

0:19:30.160 --> 0:19:31.000
<v Speaker 1>so strange.

0:19:31.000 --> 0:19:33.520
<v Speaker 2>I love the breakdeck and dancing looks were kind of

0:19:33.560 --> 0:19:36.320
<v Speaker 2>bad except for Dawn actually hers also, I think that

0:19:36.400 --> 0:19:38.280
<v Speaker 2>was the only look she did that I actually really loved.

0:19:38.280 --> 0:19:40.119
<v Speaker 2>She just wasn't wearing every well. She wore the long

0:19:40.200 --> 0:19:42.359
<v Speaker 2>blonde box braids, like really long.

0:19:42.600 --> 0:19:45.560
<v Speaker 1>I also like I liked that in the in the

0:19:45.760 --> 0:19:48.320
<v Speaker 1>like walk around. When Rue came to talk to them

0:19:48.400 --> 0:19:52.679
<v Speaker 1>during the design challenge, she said, too mystique. She was like,

0:19:53.000 --> 0:19:57.400
<v Speaker 1>so you've been campaigning to get on All Stars for years? Yes,

0:19:57.840 --> 0:20:01.400
<v Speaker 1>I was like, okay, bitch, Like, so I see your

0:20:01.560 --> 0:20:04.200
<v Speaker 1>really that she really twisted their arms to get back

0:20:04.240 --> 0:20:05.040
<v Speaker 1>on the show.

0:20:04.920 --> 0:20:09.000
<v Speaker 2>And uh is it worth it? Actually, yes it is.

0:20:08.800 --> 0:20:10.360
<v Speaker 2>It is welcome back, Misteke.

0:20:11.160 --> 0:20:16.960
<v Speaker 1>Then, of course we have morphine love Dion. Pussy Fold

0:20:17.000 --> 0:20:20.320
<v Speaker 1>Doll had no idea that she was in this horrific

0:20:20.440 --> 0:20:23.080
<v Speaker 1>car accident and had to get essentially like her entire

0:20:23.160 --> 0:20:24.919
<v Speaker 1>face reconstructed.

0:20:25.000 --> 0:20:27.960
<v Speaker 2>I wonder if she can still like split kick dip

0:20:28.880 --> 0:20:30.440
<v Speaker 2>it's a real, real travesty.

0:20:30.480 --> 0:20:35.800
<v Speaker 1>And she did. She did in the in the right yeah,

0:20:35.800 --> 0:20:39.440
<v Speaker 1>the box dancing, the break Dancing challenge. Well, she said

0:20:39.440 --> 0:20:43.560
<v Speaker 1>that she did the Vegas show right after the accident.

0:20:43.600 --> 0:20:45.679
<v Speaker 2>Okay, right, okay, so she is like up and running.

0:20:47.160 --> 0:20:52.000
<v Speaker 2>This is a spoiler. Virgin's absolutely disappointed that Morphine did

0:20:52.000 --> 0:20:56.080
<v Speaker 2>not lip sync at all, like Don lip syncing in

0:20:56.119 --> 0:20:58.200
<v Speaker 2>these two lipsync some of the two episodes that were

0:20:58.240 --> 0:21:01.040
<v Speaker 2>released from the season. I was just like, that should

0:21:01.040 --> 0:21:03.760
<v Speaker 2>be Morphine in that place. We need to watch Morphine lipsying.

0:21:03.760 --> 0:21:05.000
<v Speaker 2>Don is a bad lipsyner.

0:21:05.080 --> 0:21:07.800
<v Speaker 1>She is a bad lipsinger, but she did do better

0:21:07.840 --> 0:21:08.760
<v Speaker 1>in those challenges.

0:21:09.680 --> 0:21:11.919
<v Speaker 2>I don't think she did better in the break Dancing challenge.

0:21:12.240 --> 0:21:14.080
<v Speaker 2>I think I would give it to Morphine first.

0:21:14.240 --> 0:21:17.000
<v Speaker 1>Sorry, I actually really agreed with the judges on Morphine,

0:21:17.000 --> 0:21:19.879
<v Speaker 1>which is that her look was very distracting and it

0:21:19.960 --> 0:21:23.400
<v Speaker 1>distracted from her being the best dancer of all them.

0:21:23.440 --> 0:21:25.439
<v Speaker 2>I just wanted the producers to produce and just be like,

0:21:25.480 --> 0:21:28.159
<v Speaker 2>actually it's Morphine, and because we want to watch you lipsying,

0:21:28.160 --> 0:21:28.800
<v Speaker 2>but maybe there's.

0:21:28.920 --> 0:21:31.080
<v Speaker 1>You know, they might be doing that in the way

0:21:31.160 --> 0:21:33.120
<v Speaker 1>it's like, oh, this would be good TV because Morphine

0:21:33.160 --> 0:21:33.400
<v Speaker 1>is going.

0:21:33.400 --> 0:21:36.639
<v Speaker 2>To be plucked. Yeah, morphine is and she was and

0:21:36.960 --> 0:21:38.040
<v Speaker 2>is plucked.

0:21:38.119 --> 0:21:42.160
<v Speaker 1>She plucked I when Lucky Stars did not give her

0:21:42.840 --> 0:21:47.440
<v Speaker 1>that point. Girl, she is so mean. She and Don

0:21:47.560 --> 0:21:50.480
<v Speaker 1>are the meanest mean girls to Lucky Stars. And don't

0:21:50.480 --> 0:21:54.879
<v Speaker 1>get me wrong, Lucky Stars deserves it. Yeah, because she

0:21:54.920 --> 0:21:57.119
<v Speaker 1>should retire from drag immediately.

0:21:57.200 --> 0:21:59.120
<v Speaker 2>She's not a drug queen. She's the club kid. No shade,

0:21:59.400 --> 0:22:02.920
<v Speaker 2>no shade. I see it on top, look, yeah, see

0:22:02.960 --> 0:22:03.520
<v Speaker 2>you it on top.

0:22:03.680 --> 0:22:05.200
<v Speaker 1>Go back to Holy Mountain where you belong.

0:22:08.040 --> 0:22:11.520
<v Speaker 2>Yeah. Sorry, Paul's dolls. The has done boots. I really

0:22:13.400 --> 0:22:17.159
<v Speaker 2>my heart breaks for Lucky Stars. Sometimes. I think that

0:22:17.200 --> 0:22:19.440
<v Speaker 2>she did thrive with her Piana and I Doughnut look

0:22:19.520 --> 0:22:22.280
<v Speaker 2>like she got. I think she is proven that she

0:22:22.280 --> 0:22:25.840
<v Speaker 2>she has artistry. It's just not artistry when we want

0:22:25.880 --> 0:22:26.680
<v Speaker 2>to look at.

0:22:26.760 --> 0:22:29.840
<v Speaker 1>She's what she is thankfully good at. And I think

0:22:29.880 --> 0:22:32.320
<v Speaker 1>the fact that they're there for this entire run of

0:22:32.359 --> 0:22:35.760
<v Speaker 1>episodes is helpful. Is that she is leaning into being

0:22:35.880 --> 0:22:37.920
<v Speaker 1>dumb and she's making Rue laugh.

0:22:38.160 --> 0:22:40.600
<v Speaker 2>Yeah, She's making Rue fucking laugh, which is like the

0:22:40.600 --> 0:22:44.359
<v Speaker 2>most important thing to do. Uh. And I would say

0:22:44.359 --> 0:22:46.720
<v Speaker 2>that she's kind of almost getting she's like kind of

0:22:46.720 --> 0:22:49.520
<v Speaker 2>getting into the drama. She's adjacent to the drama. Something

0:22:49.560 --> 0:22:51.760
<v Speaker 2>that I said to you kind of we were watching

0:22:51.800 --> 0:22:54.120
<v Speaker 2>the first episode. It had been on for like ten

0:22:54.280 --> 0:22:56.399
<v Speaker 2>or twenty minutes, and I turned you and I was like,

0:22:57.000 --> 0:23:01.360
<v Speaker 2>it feels like watching old drag race, like classic traditional

0:23:01.920 --> 0:23:05.560
<v Speaker 2>like at the at the the cusp of Untucked kind

0:23:05.600 --> 0:23:06.520
<v Speaker 2>of drag race.

0:23:06.359 --> 0:23:08.680
<v Speaker 1>Because we have some old bitches up in there.

0:23:08.800 --> 0:23:12.199
<v Speaker 2>And frankly, the last season of drag Race that just

0:23:12.240 --> 0:23:15.480
<v Speaker 2>came out like a couple, you know, seconds ago, we

0:23:15.560 --> 0:23:18.320
<v Speaker 2>thought that was gonna be the old school Queen's like

0:23:18.800 --> 0:23:22.680
<v Speaker 2>season where they're like doing the untucked thing and like fighting,

0:23:22.760 --> 0:23:25.480
<v Speaker 2>but like they're on this season, it's a little it's

0:23:25.520 --> 0:23:27.919
<v Speaker 2>pretty subtle, like no one's like, you know, taking their

0:23:27.960 --> 0:23:30.040
<v Speaker 2>earrings off. But it's like real drama.

0:23:30.160 --> 0:23:33.840
<v Speaker 1>It's more drama than we usually get outside of Untucked. Yeah,

0:23:33.920 --> 0:23:36.840
<v Speaker 1>the drama's actually on the main show.

0:23:37.080 --> 0:23:40.240
<v Speaker 2>It made me want to watch Untucked. Honestly. Is there

0:23:40.280 --> 0:23:42.720
<v Speaker 2>an Untucked for All Stars? I think there is. May

0:23:43.840 --> 0:23:46.520
<v Speaker 2>we'll investigate later, but yeah, no, that's how I That's

0:23:46.560 --> 0:23:47.879
<v Speaker 2>how I felt about the show and.

0:23:47.920 --> 0:23:50.159
<v Speaker 1>General should should you tune back in?

0:23:50.640 --> 0:23:51.200
<v Speaker 2>I don't know.

0:23:51.400 --> 0:23:53.679
<v Speaker 1>That's kind of up to you. Where I stand on

0:23:53.720 --> 0:23:56.800
<v Speaker 1>it is. I'm not gonna get I'm not gonna subscribe

0:23:56.840 --> 0:23:59.760
<v Speaker 1>to Paramount Plus to watch it. No, but you know

0:24:00.040 --> 0:24:02.280
<v Speaker 1>the next time I come over to your apartment.

0:24:01.960 --> 0:24:05.320
<v Speaker 2>Yes, I'll catch up on it exactly, And I would say.

0:24:05.280 --> 0:24:07.600
<v Speaker 1>Or actually, can I use your paramount logan? Yeah?

0:24:07.720 --> 0:24:12.359
<v Speaker 2>Yeah, you yes you can. It's but I'm like, I

0:24:12.680 --> 0:24:14.360
<v Speaker 2>feel like we should. I need to make you watch

0:24:14.359 --> 0:24:18.080
<v Speaker 2>it together with with me. Like maybe I'm just gonna

0:24:18.080 --> 0:24:22.479
<v Speaker 2>make I can't commit to that weekly. Yeah. Well, I

0:24:22.520 --> 0:24:24.600
<v Speaker 2>totally agree with my colleague grows. I think it's like

0:24:24.680 --> 0:24:26.440
<v Speaker 2>watchable colleagues.

0:24:26.520 --> 0:24:29.200
<v Speaker 1>My colleague grows, Well, you are very professional right now

0:24:29.240 --> 0:24:32.000
<v Speaker 1>because you did put a top on to record. Yes, well,

0:24:32.000 --> 0:24:34.280
<v Speaker 1>we both we both were topless and decided to put

0:24:34.320 --> 0:24:38.600
<v Speaker 1>our matching Pines Pantruy merch on to record. Yes, so

0:24:38.640 --> 0:24:41.879
<v Speaker 1>that HR wouldn't have to be called this podcast should

0:24:41.880 --> 0:24:44.040
<v Speaker 1>be sponsored by the Pines Pantry. I would I would

0:24:44.119 --> 0:24:46.439
<v Speaker 1>let it be sponsored for free. I would be like,

0:24:46.520 --> 0:24:49.159
<v Speaker 1>you can have ad Pines presents like a virgin.

0:24:49.440 --> 0:24:56.280
<v Speaker 2>I literally let's pitch it to them. Anyways, Okay, Like, uh,

0:24:56.920 --> 0:25:00.280
<v Speaker 2>the thing about RuPaul and like, we're all this just

0:25:00.280 --> 0:25:02.760
<v Speaker 2>come from if you don't know, if you've been living

0:25:02.840 --> 0:25:05.000
<v Speaker 2>under the rock, is that it really really really all

0:25:05.160 --> 0:25:11.040
<v Speaker 2>derives from John Waters, among other other people, John Waters

0:25:11.040 --> 0:25:14.480
<v Speaker 2>Is it's like John Waters and ball It's John Waters Ballroom,

0:25:14.720 --> 0:25:17.879
<v Speaker 2>like classic movies like what Happened to Whatever Happened to

0:25:17.920 --> 0:25:21.879
<v Speaker 2>Baby J And like, yeah, I mean Airplane again, huge,

0:25:22.080 --> 0:25:25.000
<v Speaker 2>huge reference point, like group Paul's playing from so many places.

0:25:25.000 --> 0:25:29.120
<v Speaker 2>But yes, obviously like the the more kind of outrageous

0:25:30.560 --> 0:25:36.320
<v Speaker 2>you know camp that like borders on grotesque, that is,

0:25:36.560 --> 0:25:41.040
<v Speaker 2>you know, very firmly coming from that, that legacy. And

0:25:41.080 --> 0:25:43.879
<v Speaker 2>we bring it up because on Mother's Day, Rose and

0:25:43.960 --> 0:25:46.680
<v Speaker 2>I watched Serial Mom, with which neither.

0:25:46.480 --> 0:25:48.639
<v Speaker 1>Of us had ever seen, but actually was not on

0:25:48.720 --> 0:25:50.680
<v Speaker 1>Mother's Day. We watched it yesterday, which was the day

0:25:50.720 --> 0:25:51.520
<v Speaker 1>after Mother's Day.

0:25:51.600 --> 0:25:55.359
<v Speaker 2>I don't know what you're talking about. Time does not exist, liar,

0:25:55.760 --> 0:25:58.760
<v Speaker 2>You are fucking with my sense of time. Okay, we

0:25:58.800 --> 0:26:01.800
<v Speaker 2>watched it the day after mother Day. Cereal Mom is

0:26:01.840 --> 0:26:03.720
<v Speaker 2>about a mom that won't stop killing people, and that's

0:26:03.720 --> 0:26:06.600
<v Speaker 2>pretty much it. Yes, it's really good.

0:26:06.640 --> 0:26:11.240
<v Speaker 1>It's really good, starring Kathleen Turner, Scooby Doo, Matthew Lillard,

0:26:11.680 --> 0:26:17.560
<v Speaker 1>Ricky Lake, Suzanne Summers has a cameo playing herself. And

0:26:18.200 --> 0:26:20.240
<v Speaker 1>It's a movie that I've been wanting to watch forever,

0:26:20.400 --> 0:26:22.520
<v Speaker 1>and like I always used to see it up Blockbuster

0:26:22.600 --> 0:26:24.760
<v Speaker 1>as a kid, and like I would be intrigued, but

0:26:25.400 --> 0:26:27.879
<v Speaker 1>I don't know, like for for some reason, I just

0:26:28.000 --> 0:26:30.360
<v Speaker 1>never pulled the trigger and watched it. I've seen other

0:26:30.560 --> 0:26:33.240
<v Speaker 1>John Waters movies, you know, like I've seen Pink Flamingos

0:26:33.400 --> 0:26:37.960
<v Speaker 1>and Hairspray and cry Baby, but somehow missed Cerial Mom,

0:26:38.000 --> 0:26:43.199
<v Speaker 1>which I do think might be maybe one of his

0:26:43.359 --> 0:26:49.120
<v Speaker 1>more mainstream of films. It did, It did certainly look

0:26:49.280 --> 0:26:52.600
<v Speaker 1>like maybe like the budget was a little higher, like

0:26:53.040 --> 0:26:58.119
<v Speaker 1>talent wise, it had maybe a more cohesive storyline than

0:26:58.119 --> 0:27:00.600
<v Speaker 1>some of his films do, which like a lot of

0:27:00.680 --> 0:27:05.439
<v Speaker 1>times can just spiral into insanity, and here, like it

0:27:05.480 --> 0:27:08.120
<v Speaker 1>does spiral into insanity, but like the story is very

0:27:08.119 --> 0:27:13.119
<v Speaker 1>focused on this serial killer mom who wants to kill

0:27:13.240 --> 0:27:18.440
<v Speaker 1>everyone who pisses off her kids or interrupts her from

0:27:18.520 --> 0:27:20.280
<v Speaker 1>going bird watching with her husband.

0:27:21.160 --> 0:27:25.640
<v Speaker 2>His films do sometimes feel like a series of vignettes

0:27:25.720 --> 0:27:29.600
<v Speaker 2>or like montages. But yeah, this was like a highly

0:27:29.680 --> 0:27:33.560
<v Speaker 2>linear narrative. To me, the obvious like highlight of the

0:27:33.600 --> 0:27:38.679
<v Speaker 2>film was the courtroom spoof at the end. That was amazing, incredible.

0:27:38.720 --> 0:27:39.400
<v Speaker 2>I was like, I.

0:27:39.359 --> 0:27:42.199
<v Speaker 1>Didn't know it was going to keep going like to

0:27:42.320 --> 0:27:44.760
<v Speaker 1>the end, Like I kind of there were several points

0:27:44.840 --> 0:27:46.159
<v Speaker 1>during the movie where I was like, Oh.

0:27:46.000 --> 0:27:48.639
<v Speaker 2>This must be the end, and lo and behold it wasn't.

0:27:49.000 --> 0:27:51.000
<v Speaker 2>Loved it ten out of ten.

0:27:51.640 --> 0:27:54.879
<v Speaker 1>I love the love the random things that made serial

0:27:54.920 --> 0:27:58.160
<v Speaker 1>mom kill, Like the woman wearing whit shoes after labor day,

0:27:59.560 --> 0:28:02.600
<v Speaker 1>the woman not rewinding her videotapes.

0:28:02.240 --> 0:28:05.480
<v Speaker 2>The woman not brushing her teeth after dinner or something

0:28:05.520 --> 0:28:09.680
<v Speaker 2>like that. It was these little things that were kind

0:28:09.680 --> 0:28:11.600
<v Speaker 2>of like things that a mom would get mad about.

0:28:12.000 --> 0:28:15.480
<v Speaker 1>And I loved how she was just like she never

0:28:15.800 --> 0:28:21.560
<v Speaker 1>dropped her momness. Yes, like she was always the same bitch,

0:28:21.720 --> 0:28:24.280
<v Speaker 1>just sometimes she happened to be killing people.

0:28:24.440 --> 0:28:27.440
<v Speaker 2>Yes, the Kathleen Turner like does this brilliantly. I'd never

0:28:27.480 --> 0:28:28.680
<v Speaker 2>seen her in anything.

0:28:29.359 --> 0:28:32.399
<v Speaker 1>Yeah, I hadn't seen her in a lot. Namely, the

0:28:32.960 --> 0:28:36.159
<v Speaker 1>main thing I know her from as a child was

0:28:36.359 --> 0:28:39.840
<v Speaker 1>A Simple Wish starring Martin Short, a film that.

0:28:39.800 --> 0:28:41.760
<v Speaker 2>I'd never You had to describe it to me I mean,

0:28:42.160 --> 0:28:43.600
<v Speaker 2>is there what's the log line?

0:28:43.720 --> 0:28:47.720
<v Speaker 1>It's like about like an evil fairy godmother and a

0:28:48.680 --> 0:28:51.320
<v Speaker 1>good fairy godmother who's like bad at his job helping

0:28:51.440 --> 0:28:52.240
<v Speaker 1>Mara Wilson.

0:28:52.800 --> 0:28:57.040
<v Speaker 2>I believe love sounds kind of deranged, but like also

0:28:57.200 --> 0:29:03.120
<v Speaker 2>like like made watching serum on made me really want

0:29:03.160 --> 0:29:07.680
<v Speaker 2>to go into the entire John Waters catalog, which I

0:29:07.680 --> 0:29:13.520
<v Speaker 2>haven't actually done if I'm going to be honest. Okay, girl.

0:29:13.760 --> 0:29:15.880
<v Speaker 1>The other movie we watched last night, we watched a

0:29:16.000 --> 0:29:20.440
<v Speaker 1>scary movie. Yeah, The Autopsy of Jane Doe twenty sixteen,

0:29:22.000 --> 0:29:27.600
<v Speaker 1>which is about a father's son mortuary duo. They're like

0:29:27.640 --> 0:29:31.600
<v Speaker 1>the medical examiners in their small town and they are

0:29:31.720 --> 0:29:35.680
<v Speaker 1>tasked with finding the cause of death of this unnamed

0:29:35.880 --> 0:29:39.000
<v Speaker 1>woman who was found buried in the basement of this

0:29:39.040 --> 0:29:41.239
<v Speaker 1>house with a bunch of dead people in it, and

0:29:41.280 --> 0:29:46.640
<v Speaker 1>spooky things start happening. Girl, this movie was this one

0:29:46.680 --> 0:29:50.480
<v Speaker 1>is for the boys. So the boom is the way

0:29:50.720 --> 0:29:55.200
<v Speaker 1>Jane Doe is just serve it is just mogging down

0:29:56.160 --> 0:29:58.920
<v Speaker 1>for the entire far. There's one scene when they're doing

0:29:58.960 --> 0:30:01.720
<v Speaker 1>this autopsy where they cut her head open to like

0:30:01.760 --> 0:30:04.400
<v Speaker 1>get her to like look at her brain. They peel

0:30:04.440 --> 0:30:07.120
<v Speaker 1>her face down, and then when they're done, they just

0:30:07.160 --> 0:30:11.000
<v Speaker 1>like take her by the hair and snatch her face

0:30:11.120 --> 0:30:16.720
<v Speaker 1>back up, and she's still in perfect serving position. She's

0:30:16.800 --> 0:30:19.880
<v Speaker 1>literally like it's like Bella in Breaking Down Part one

0:30:19.920 --> 0:30:23.320
<v Speaker 1>when she's transforming into a vampire and her spine knits

0:30:23.360 --> 0:30:25.200
<v Speaker 1>together and she all of a sudden goes.

0:30:25.040 --> 0:30:29.400
<v Speaker 2>Like, Yes, she's giving like Puss Puss Girl's trip. She's

0:30:29.440 --> 0:30:32.239
<v Speaker 2>like mewing, except she can't mute because her tongue has

0:30:32.240 --> 0:30:37.760
<v Speaker 2>been cut out. Yes. Basically, as the like morticians start,

0:30:39.280 --> 0:30:45.000
<v Speaker 2>you know, doing the autopsy, they find increasingly disturbing things

0:30:45.120 --> 0:30:46.640
<v Speaker 2>about the body and the.

0:30:46.680 --> 0:30:47.800
<v Speaker 1>Like has a dick.

0:30:48.160 --> 0:30:50.280
<v Speaker 2>Yes, like the fact that she has a nine and

0:30:50.320 --> 0:30:53.480
<v Speaker 2>a half inch cock, which a really bold choice for

0:30:53.560 --> 0:30:55.400
<v Speaker 2>the filmmakers to do this.

0:30:56.000 --> 0:30:58.640
<v Speaker 1>In twenty sixteen, Well, you know, it was the trans

0:30:58.640 --> 0:30:59.240
<v Speaker 1>tipping point.

0:31:00.680 --> 0:31:03.640
<v Speaker 2>It was, Yeah, it was the trans tipping point. They

0:31:03.640 --> 0:31:06.000
<v Speaker 2>actually they cut they had to because it's an autopsy.

0:31:06.040 --> 0:31:09.640
<v Speaker 2>They had to cut the cock open and they inside

0:31:09.800 --> 0:31:10.640
<v Speaker 2>and when they cut.

0:31:10.480 --> 0:31:13.760
<v Speaker 1>The open side was the issue of Vanity Fair. Caylen

0:31:13.840 --> 0:31:18.400
<v Speaker 1>Jenner on the cover said, call me Kate, I was I.

0:31:18.400 --> 0:31:20.920
<v Speaker 2>Was going to see like a very tiny scroll with

0:31:21.000 --> 0:31:24.800
<v Speaker 2>the entire text of Kate Bornstein's gender Outlaws.

0:31:24.800 --> 0:31:27.440
<v Speaker 1>Oh that too, that was rolled up in the magazine.

0:31:27.520 --> 0:31:31.760
<v Speaker 2>Yes, exactly, yes, yeah, but anyways, the body they keep

0:31:31.760 --> 0:31:35.120
<v Speaker 2>finding like little like kind of messages and signs and

0:31:35.160 --> 0:31:38.760
<v Speaker 2>like kind of a cult thing. Yeah, like writings inside

0:31:38.760 --> 0:31:39.360
<v Speaker 2>the skin.

0:31:39.200 --> 0:31:43.360
<v Speaker 1>Of her her she swallowed her own tooth, yes, like

0:31:43.360 --> 0:31:46.360
<v Speaker 1>that was wrapped in like an ancient like and they

0:31:46.440 --> 0:31:51.280
<v Speaker 1>like knocked out her teeth. And there was also vaginal trauma.

0:31:51.600 --> 0:31:55.720
<v Speaker 2>Yeah there was. I mean, well she had but well

0:31:55.800 --> 0:32:00.520
<v Speaker 2>she like under her nine she has both. Yes, she

0:32:00.600 --> 0:32:04.240
<v Speaker 2>has both. There was alsoure trauma. There was there was

0:32:05.080 --> 0:32:09.800
<v Speaker 2>trauma they didn't examine. She was a whole yeah, she

0:32:09.880 --> 0:32:15.160
<v Speaker 2>said nobut stuff. Yeah, she's literally so pussed. I kind

0:32:15.200 --> 0:32:18.440
<v Speaker 2>of am sorry. Maybe maybe I won't like spoil the

0:32:18.440 --> 0:32:20.760
<v Speaker 2>whole movie. If you want to go ahead and watch

0:32:20.800 --> 0:32:23.080
<v Speaker 2>it came out ten years ago, I think we can

0:32:23.120 --> 0:32:26.360
<v Speaker 2>spoil it. Oh shit, okay, six let me tell you,

0:32:26.440 --> 0:32:30.240
<v Speaker 2>like I'm I'm shocked that she never anthropomorphised.

0:32:30.360 --> 0:32:31.320
<v Speaker 1>Well she yeah, she never.

0:32:32.320 --> 0:32:32.840
<v Speaker 2>She never came.

0:32:32.880 --> 0:32:35.440
<v Speaker 1>You never came to life. So what you find out

0:32:36.040 --> 0:32:40.960
<v Speaker 1>through kind of like a convoluted series of logical leaps

0:32:41.200 --> 0:32:43.880
<v Speaker 1>that the father and son make that she is in

0:32:43.920 --> 0:32:50.000
<v Speaker 1>fact a witch, yes, who can't die, and so the

0:32:50.000 --> 0:32:52.760
<v Speaker 1>the wounds that are inflicted on her body, she makes

0:32:52.840 --> 0:32:56.720
<v Speaker 1>other people feel them for her sort of sick revenge.

0:32:56.880 --> 0:33:00.440
<v Speaker 2>And they've conducted this entire autopsy like head to toe,

0:33:01.400 --> 0:33:04.880
<v Speaker 2>and she has been able to feel everything.

0:33:04.560 --> 0:33:09.240
<v Speaker 1>And she has she's been injuring the father like like

0:33:09.240 --> 0:33:11.800
<v Speaker 1>like remember last night, there's a point where he pulled

0:33:11.800 --> 0:33:14.560
<v Speaker 1>his shirt up and it was like like the most

0:33:14.720 --> 0:33:17.720
<v Speaker 1>bruised a human being could possibly be without dying. And

0:33:17.800 --> 0:33:19.960
<v Speaker 1>brand was like, oh, that doesn't look good.

0:33:20.000 --> 0:33:23.600
<v Speaker 2>It was so bad. It was Brian Cox does these

0:33:23.720 --> 0:33:25.880
<v Speaker 2>cuckoo horror movies. I don't know if you saw The

0:33:25.920 --> 0:33:29.360
<v Speaker 2>Parenting with Brandon Flynn, and I think, like why Parker

0:33:29.560 --> 0:33:30.680
<v Speaker 2>Posey was in it?

0:33:31.360 --> 0:33:34.280
<v Speaker 1>But I have seen The Ring where in which he

0:33:34.320 --> 0:33:37.880
<v Speaker 1>plays Samara's father. My wife was not meant to have

0:33:37.920 --> 0:33:38.800
<v Speaker 1>a child.

0:33:38.840 --> 0:33:42.320
<v Speaker 2>Right, He's in a lot of horror movies. Okay, this movie,

0:33:42.400 --> 0:33:46.240
<v Speaker 2>The Parenting is starring Edie Falco, Parker Posey, Brandon Flynn,

0:33:46.520 --> 0:33:51.760
<v Speaker 2>and Lisa Kodrew. Wow, that sounds really good. It was crazy.

0:33:51.840 --> 0:33:55.600
<v Speaker 2>It was like one half kind of like situational family comedy.

0:33:55.600 --> 0:33:58.360
<v Speaker 2>And then the other half was this like polsierguist story

0:33:58.960 --> 0:34:02.440
<v Speaker 2>and it was absurdist to the point that of comedy.

0:34:02.480 --> 0:34:05.120
<v Speaker 2>I do think it was a comedy. Question Mark you

0:34:05.680 --> 0:34:08.200
<v Speaker 2>saw it? Yeah, I saw it? And what Brian what?

0:34:08.200 --> 0:34:11.160
<v Speaker 2>What happened? What Brian Cox has to do at the

0:34:11.239 --> 0:34:15.799
<v Speaker 2>end of this film was like, I don't know, chaplain

0:34:16.040 --> 0:34:20.239
<v Speaker 2>level physical comedy in terms of like demonic possession. It

0:34:20.360 --> 0:34:21.279
<v Speaker 2>was crazy.

0:34:21.400 --> 0:34:24.840
<v Speaker 1>Are Brian Cox and Deborah Cox related?

0:34:26.640 --> 0:34:28.440
<v Speaker 2>I think they could be. Look what if they're like

0:34:28.560 --> 0:34:32.239
<v Speaker 2>long lost? What if they're like twice removed cousins. I'm

0:34:32.239 --> 0:34:38.960
<v Speaker 2>gonna I wonder if anybody's ever asked this before. No, Wow,

0:34:39.400 --> 0:34:40.160
<v Speaker 2>really surprising.

0:34:40.239 --> 0:34:43.200
<v Speaker 1>Okay, so you're just taking Google AI's word on that one.

0:34:43.320 --> 0:34:44.840
<v Speaker 1>Like with the Sex and the City.

0:34:44.640 --> 0:34:49.120
<v Speaker 2>Birthday chat, Oh my god, Rose and I got into

0:34:49.200 --> 0:34:52.759
<v Speaker 2>a well not an argument, but a discussion, a discussion

0:34:53.000 --> 0:34:54.880
<v Speaker 2>when I was like trying. I was like, oh, I

0:34:54.920 --> 0:34:57.279
<v Speaker 2>think we know the birthdays of like three out of

0:34:57.320 --> 0:34:59.239
<v Speaker 2>the four of the Sex and the City girls, and

0:34:59.239 --> 0:35:02.040
<v Speaker 2>so we know what signed they are. And Roses like wait, what,

0:35:02.600 --> 0:35:04.880
<v Speaker 2>like how would they know that? And I was like,

0:35:04.920 --> 0:35:07.640
<v Speaker 2>we have the dates of their birthdays. They're in this

0:35:07.800 --> 0:35:10.520
<v Speaker 2>screen rant article. I was like, well, I thought I had.

0:35:10.560 --> 0:35:14.400
<v Speaker 2>I had like looked up their birthdays before. And I

0:35:14.400 --> 0:35:16.480
<v Speaker 2>don't know if I read this screen rant article or

0:35:16.520 --> 0:35:18.320
<v Speaker 2>if I read another source of I read read it.

0:35:18.800 --> 0:35:22.160
<v Speaker 2>But this screen rant article, which claims to have the

0:35:22.280 --> 0:35:25.560
<v Speaker 2>exact birth dates of each Sex and the City character,

0:35:25.960 --> 0:35:31.000
<v Speaker 2>has no backing whatsoever, no sources, no sources, no journalistic integrity.

0:35:31.120 --> 0:35:34.040
<v Speaker 2>I literally thought it was real. And then I go

0:35:34.080 --> 0:35:36.840
<v Speaker 2>to Wikipedia, which has the exact same dates, mind you,

0:35:37.440 --> 0:35:42.680
<v Speaker 2>and no citation. So this is a disinformation campaign that

0:35:42.760 --> 0:35:45.600
<v Speaker 2>has convinced I would say, a pretty broad spectrum of

0:35:45.640 --> 0:35:48.560
<v Speaker 2>people that we know the actual birthdays of the Sex

0:35:48.600 --> 0:35:51.560
<v Speaker 2>and the City quadrant, and we do and we just don't.

0:35:51.640 --> 0:35:54.840
<v Speaker 2>We just don't. Yeah. I was like literally on Reddit

0:35:54.840 --> 0:35:56.319
<v Speaker 2>trying to figure it out, and I do not think

0:35:56.360 --> 0:35:58.839
<v Speaker 2>we have it. If you the Virgins have like an

0:35:59.000 --> 0:36:01.400
<v Speaker 2>actual credit source and.

0:36:01.280 --> 0:36:04.879
<v Speaker 1>Bythdays, here's what I'll accept of the source, right, Yes,

0:36:05.320 --> 0:36:09.239
<v Speaker 1>I will accept dialogue in the show that we're in,

0:36:09.400 --> 0:36:13.759
<v Speaker 1>either the original show, the movies range just like that, Yes,

0:36:14.000 --> 0:36:18.040
<v Speaker 1>that explicitly states the character, or like Carrie up in

0:36:18.280 --> 0:36:20.800
<v Speaker 1>paper or if we see a newspaper or an ID

0:36:21.040 --> 0:36:22.640
<v Speaker 1>and it has their date of birth on it. I

0:36:22.680 --> 0:36:26.239
<v Speaker 1>would accept that. What I will not accept is an

0:36:26.320 --> 0:36:29.040
<v Speaker 1>actor saying on a podcast or in an interview, I

0:36:29.080 --> 0:36:33.480
<v Speaker 1>think she's an Aquarius, or the date and episode aired

0:36:33.560 --> 0:36:36.160
<v Speaker 1>in which their first day happened. That does not count.

0:36:36.280 --> 0:36:40.680
<v Speaker 2>That is not textual, you idiots. Anyways, I need to

0:36:40.719 --> 0:36:46.120
<v Speaker 2>cite your work, cy your work, show your fucking sources. Anyways,

0:36:47.000 --> 0:36:50.880
<v Speaker 2>I really loved the Autopsy of I was gonna say,

0:36:50.880 --> 0:36:53.319
<v Speaker 2>Emily Rose Jane, Oh, yeah, I enjoyed it, like kind

0:36:53.320 --> 0:36:53.680
<v Speaker 2>of like.

0:36:53.960 --> 0:36:56.879
<v Speaker 1>I was glad to It's been on my horror movie

0:36:56.880 --> 0:36:58.800
<v Speaker 1>watch list for a while, and I was very.

0:36:58.680 --> 0:37:03.800
<v Speaker 2>Glad to not get off there. I would say four stars,

0:37:04.080 --> 0:37:07.720
<v Speaker 2>three and three and a half. I liked it a lot. Actually,

0:37:07.880 --> 0:37:09.640
<v Speaker 2>I didn't really have very many notes. It didn't need

0:37:09.680 --> 0:37:10.800
<v Speaker 2>to be super logical.

0:37:10.920 --> 0:37:12.800
<v Speaker 1>I'm gonna say like a solid three.

0:37:13.000 --> 0:37:19.920
<v Speaker 2>Yeah. Okay. Something else that is like really silly, but

0:37:20.360 --> 0:37:23.200
<v Speaker 2>like I kind of wanted to chat about, is the

0:37:23.239 --> 0:37:25.719
<v Speaker 2>fact that you and I we had been like kind

0:37:25.719 --> 0:37:32.919
<v Speaker 2>of watching TV for five hours and and we were like, okay,

0:37:32.920 --> 0:37:34.400
<v Speaker 2>it's time to go to bed. Should we like flip

0:37:34.440 --> 0:37:38.200
<v Speaker 2>something on to like, you know, before we go to bed, Like, Oh,

0:37:38.680 --> 0:37:40.239
<v Speaker 2>I don't want to watch a whole movie, you said,

0:37:40.239 --> 0:37:41.319
<v Speaker 2>And I was like, yeah, I don't want to watch

0:37:41.320 --> 0:37:44.880
<v Speaker 2>a whole movie either, And so we were looking at

0:37:45.239 --> 0:37:47.040
<v Speaker 2>this is on I'm pretty sure it was on Sunday

0:37:47.200 --> 0:37:48.799
<v Speaker 2>Movies for Moms. It was this last night.

0:37:48.920 --> 0:37:49.880
<v Speaker 1>No, it was on Sunday.

0:37:49.880 --> 0:37:52.360
<v Speaker 2>It was on Sunday. It was like the Movies for No.

0:37:52.520 --> 0:37:54.880
<v Speaker 2>We were on Netflix. Oh we were. I thought we

0:37:54.880 --> 0:37:56.360
<v Speaker 2>were on the in the Movies for Moms.

0:37:56.680 --> 0:37:59.280
<v Speaker 1>That's where we saw where we saw Cereal right.

0:37:59.239 --> 0:38:03.719
<v Speaker 2>Right, a Cereal Mom, Okay, And so you were like, oh,

0:38:03.719 --> 0:38:05.800
<v Speaker 2>put Pretty Woman on. And I put it on, thinking

0:38:05.840 --> 0:38:08.239
<v Speaker 2>like I'm gonna be a passive watcher. I'm gonna like

0:38:08.360 --> 0:38:09.880
<v Speaker 2>go to bed after twenty minutes.

0:38:09.680 --> 0:38:12.920
<v Speaker 1>Same as someone who has seen Pretty Woman upwards of

0:38:12.960 --> 0:38:13.960
<v Speaker 1>one hundred times.

0:38:14.120 --> 0:38:17.080
<v Speaker 2>Girl, I felt like a baby in a crib watching

0:38:17.120 --> 0:38:19.759
<v Speaker 2>a mobile like I was. It was like it was

0:38:19.800 --> 0:38:23.920
<v Speaker 2>like trans Coco Melon, Yes, transgender Coco Melon. Because this

0:38:24.040 --> 0:38:27.920
<v Speaker 2>is the tranniest movie, one of the traniest movies ever created.

0:38:28.200 --> 0:38:31.200
<v Speaker 2>If you did not know, I was just like, I

0:38:31.280 --> 0:38:33.920
<v Speaker 2>guess I haven't watched it in maybe like a year

0:38:34.040 --> 0:38:39.200
<v Speaker 2>or two, but it's a movie that I rarely sit

0:38:39.400 --> 0:38:42.759
<v Speaker 2>down and watch on purpose. It's always the kind of thing.

0:38:42.840 --> 0:38:44.839
<v Speaker 2>And I think I said this the other night, like, oh,

0:38:44.880 --> 0:38:46.600
<v Speaker 2>you kind of have to watch that, like when it's

0:38:46.600 --> 0:38:49.000
<v Speaker 2>on TV. Oh no, you said that about Twenty seven Dresses, right,

0:38:49.080 --> 0:38:51.919
<v Speaker 2>which we did watch, which we did also watch. They're

0:38:52.040 --> 0:38:54.319
<v Speaker 2>kind of similar any of those rom coms. It's like,

0:38:54.360 --> 0:38:56.400
<v Speaker 2>oh yeah, I'll catch it, like when I'm visiting my

0:38:56.440 --> 0:38:58.799
<v Speaker 2>mom's house and I'm like trying to find something on

0:38:58.880 --> 0:39:01.799
<v Speaker 2>cable at two pm on a Tuesday, But like, I'm

0:39:01.800 --> 0:39:02.880
<v Speaker 2>gonna watch Pretty Woman.

0:39:03.719 --> 0:39:10.360
<v Speaker 1>But it's so fucking good. They're so sexy, they're so

0:39:11.200 --> 0:39:11.720
<v Speaker 1>in love.

0:39:12.040 --> 0:39:16.520
<v Speaker 2>It's a satiating story. Why would you say it is

0:39:16.520 --> 0:39:21.800
<v Speaker 2>a transgender film. I'll start the wig that she wears

0:39:22.040 --> 0:39:24.560
<v Speaker 2>in the beginning of this film, Clocky te Shaw, paired

0:39:24.600 --> 0:39:29.799
<v Speaker 2>with the Mystic boutique outfit that she is wearing. This, like,

0:39:29.920 --> 0:39:34.920
<v Speaker 2>I guess unitar This cutout unitard with a hardware holding

0:39:34.920 --> 0:39:41.879
<v Speaker 2>the pieces together is so like Doll's first time out

0:39:42.480 --> 0:39:46.120
<v Speaker 2>on the town. Like it is so kind of like

0:39:47.120 --> 0:39:50.799
<v Speaker 2>three dollar bill coated in a way that is so

0:39:50.920 --> 0:39:52.840
<v Speaker 2>immediately apparent. I wish they had paid, Like just I

0:39:52.840 --> 0:39:54.239
<v Speaker 2>know it's supposed to be a shitty wig. I know

0:39:54.239 --> 0:39:55.640
<v Speaker 2>it's supposed to be a shitty wig, but they could

0:39:55.680 --> 0:39:57.239
<v Speaker 2>have paid like four or five more dollars for like

0:39:57.280 --> 0:40:00.279
<v Speaker 2>a slightly less shitty wig that was like not act

0:40:00.360 --> 0:40:01.000
<v Speaker 2>on her head.

0:40:01.080 --> 0:40:03.640
<v Speaker 1>Well all time, travel back to the nineteen eighties and

0:40:03.840 --> 0:40:04.560
<v Speaker 1>let them know about it.

0:40:04.600 --> 0:40:06.880
<v Speaker 2>And to be honest, obviously, all of the things that

0:40:06.960 --> 0:40:09.360
<v Speaker 2>anyone could say to be critical of this movie have

0:40:09.440 --> 0:40:11.399
<v Speaker 2>been said in terms of like the portrayal of sex

0:40:11.440 --> 0:40:13.560
<v Speaker 2>work and like what this character was like tasked to

0:40:13.680 --> 0:40:15.600
<v Speaker 2>do as a sex worker, which is basically be a

0:40:15.600 --> 0:40:21.040
<v Speaker 2>feral animal idiot, and Julia Roberts imbues so much humanity.

0:40:21.200 --> 0:40:24.920
<v Speaker 1>She's in this most charming person who's ever existed.

0:40:25.080 --> 0:40:29.600
<v Speaker 2>Yes, who's a bit in real life, but she literally

0:40:29.800 --> 0:40:31.799
<v Speaker 2>is so fab I mean it kind of reminds me

0:40:31.920 --> 0:40:37.000
<v Speaker 2>of like Glenn Close's portrayal of her character and Fatal Attraction.

0:40:37.040 --> 0:40:37.920
<v Speaker 1>I still haven't seen it.

0:40:38.000 --> 0:40:41.160
<v Speaker 2>We have to. We're watching it tonight. No, I know

0:40:41.600 --> 0:40:43.759
<v Speaker 2>it's a bit long. I'll watch it. It's a bit long,

0:40:44.320 --> 0:40:47.680
<v Speaker 2>but it's a script that it's like a script imbued

0:40:47.680 --> 0:40:50.880
<v Speaker 2>in misogyny, imbued in a certain kind of idea, of

0:40:50.920 --> 0:40:56.160
<v Speaker 2>a woman and she's so good at acting. Yes, it's

0:40:56.160 --> 0:40:59.879
<v Speaker 2>a shape woman might say she's so good acting that

0:41:00.280 --> 0:41:05.520
<v Speaker 2>the character becomes this like full fleshed human that transcends

0:41:05.560 --> 0:41:10.440
<v Speaker 2>the misogyny of the script. Also anyways, so it's very

0:41:10.480 --> 0:41:13.399
<v Speaker 2>very trainy. Also, sex work is like transsexual. If you're

0:41:13.480 --> 0:41:15.440
<v Speaker 2>right making a movie about sex work, it's transac.

0:41:15.280 --> 0:41:17.280
<v Speaker 1>It literally made me want to be a sex worker

0:41:17.280 --> 0:41:17.920
<v Speaker 1>when I grew.

0:41:17.760 --> 0:41:20.000
<v Speaker 2>Up, literally as a child. And that's true for a

0:41:20.040 --> 0:41:23.200
<v Speaker 2>lot of sex workers. Like this movie literally inspired a

0:41:23.280 --> 0:41:26.160
<v Speaker 2>lot of people to become sex workers. And we need

0:41:26.840 --> 0:41:30.879
<v Speaker 2>more films in this decade and TV shows and TV

0:41:30.960 --> 0:41:33.440
<v Speaker 2>shows about sex workers. We need more films that a

0:41:33.520 --> 0:41:34.760
<v Speaker 2>glamorous sex work grows.

0:41:34.840 --> 0:41:37.080
<v Speaker 1>Yes, we haven't had a good one in a while.

0:41:37.200 --> 0:41:39.000
<v Speaker 1>I actually, I think I asked you last night if

0:41:39.040 --> 0:41:41.759
<v Speaker 1>you had ever seen Secret Diary of a Call Girl

0:41:41.840 --> 0:41:44.960
<v Speaker 1>starring Billy Piper and everybody. That is another one that

0:41:45.080 --> 0:41:47.480
<v Speaker 1>really glamorized sex work for me, that I used to

0:41:47.520 --> 0:41:50.879
<v Speaker 1>love when I was you know, back in the day

0:41:50.920 --> 0:41:52.600
<v Speaker 1>when it was airing right.

0:41:52.760 --> 0:41:55.560
<v Speaker 2>Well, I'm I had never heard of it before. Now

0:41:55.600 --> 0:41:57.920
<v Speaker 2>it's on my list. I was trying to think of

0:41:58.520 --> 0:42:02.000
<v Speaker 2>famous movies about sex work, and there's really like what four,

0:42:02.120 --> 0:42:07.359
<v Speaker 2>there's like Tangerine, there's Honora, there's Pretty Woman, and then

0:42:07.480 --> 0:42:09.920
<v Speaker 2>I don't know, there's that COVID movie with Emma Thompson

0:42:09.920 --> 0:42:10.840
<v Speaker 2>that I can't remember the name of.

0:42:11.000 --> 0:42:14.040
<v Speaker 1>Never seen it, American Jigglow starring Richard gear.

0:42:14.080 --> 0:42:17.720
<v Speaker 2>Right, I guess Magic Mike technically. Yeah, like you could say,

0:42:17.880 --> 0:42:20.600
<v Speaker 2>like a stripper movie, like any stripper movie, I guess

0:42:20.640 --> 0:42:23.319
<v Speaker 2>you could say, but that's the only movie where it's

0:42:23.320 --> 0:42:25.680
<v Speaker 2>about the strippers, right, I've never seen strip Tea's our

0:42:25.719 --> 0:42:28.879
<v Speaker 2>friend John said it was very boring and not good.

0:42:29.760 --> 0:42:31.480
<v Speaker 2>But her body is fire in.

0:42:31.440 --> 0:42:33.320
<v Speaker 1>That her body is Tea.

0:42:33.520 --> 0:42:34.319
<v Speaker 2>But yeah, I don't.

0:42:34.320 --> 0:42:40.120
<v Speaker 1>Demi Moore, who supports AI, I guess ah what she

0:42:40.120 --> 0:42:42.040
<v Speaker 1>she says something that's like we have to learn to

0:42:42.120 --> 0:42:43.000
<v Speaker 1>work with AI.

0:42:43.400 --> 0:42:46.239
<v Speaker 2>Oh yeah, and her and like what was it? Like?

0:42:46.360 --> 0:42:48.680
<v Speaker 2>There was like one or two other A list celebrities

0:42:48.680 --> 0:42:50.520
<v Speaker 2>that had a very similar comment at the same time,

0:42:50.560 --> 0:42:51.920
<v Speaker 2>and it was like, did you all go to like

0:42:52.000 --> 0:42:58.680
<v Speaker 2>a seminar or something. Yes, that's like propagandizing like AI like,

0:42:58.760 --> 0:43:00.000
<v Speaker 2>but it's not even propaganda.

0:43:00.440 --> 0:43:03.799
<v Speaker 1>It it's like it's actually very I think kind of

0:43:04.080 --> 0:43:06.720
<v Speaker 1>master of well not masterful because it's not subtle, well

0:43:06.800 --> 0:43:09.720
<v Speaker 1>so obvious what they're doing, but like using the language

0:43:09.719 --> 0:43:12.600
<v Speaker 1>of like, hey, none of us like that it's here,

0:43:13.120 --> 0:43:15.440
<v Speaker 1>but it is here, so we have to figure out

0:43:15.480 --> 0:43:17.719
<v Speaker 1>how to work with it because they're they're trying to

0:43:17.960 --> 0:43:21.279
<v Speaker 1>they're trying to make it like harm reduction, and it's no,

0:43:21.360 --> 0:43:26.640
<v Speaker 1>we need to be absolutely, vehemently diametrically.

0:43:25.719 --> 0:43:30.320
<v Speaker 2>Opposed to AI. I cannot. It's like it's sorry, sorry,

0:43:30.480 --> 0:43:32.880
<v Speaker 2>I'm think I know this like feels like an extremely

0:43:33.000 --> 0:43:35.160
<v Speaker 2>but I think it's the same logic. If there was

0:43:35.239 --> 0:43:38.200
<v Speaker 2>a gun on this table, there is, well, there is

0:43:38.239 --> 0:43:40.000
<v Speaker 2>a gun on this table right now, there's a gun

0:43:40.040 --> 0:43:42.120
<v Speaker 2>on this table, And if I said to you Rose,

0:43:43.280 --> 0:43:47.680
<v Speaker 2>the gun is here, like everyone else is using guns,

0:43:48.280 --> 0:43:51.200
<v Speaker 2>like I know the guns are bad, but like we

0:43:51.239 --> 0:43:53.640
<v Speaker 2>can use this for good, and because we can use

0:43:53.640 --> 0:43:55.959
<v Speaker 2>it for good, we should use this gun right now?

0:43:56.960 --> 0:44:00.360
<v Speaker 1>Like what, why do you know what? I might degree

0:44:00.400 --> 0:44:02.000
<v Speaker 1>if you put it like that, girl.

0:44:02.080 --> 0:44:04.120
<v Speaker 2>It's like everyone else is using their guns, might as

0:44:04.160 --> 0:44:07.560
<v Speaker 2>well use this gun, like what? But I'm sorry, I'm

0:44:07.560 --> 0:44:09.759
<v Speaker 2>also like anti guns to that logic. I mean, this

0:44:09.960 --> 0:44:14.600
<v Speaker 2>analogy makes sense to me I'm also anti gun. Well well, okay,

0:44:14.640 --> 0:44:17.040
<v Speaker 2>so there's like an anti there's somebody who's like anti gun,

0:44:17.080 --> 0:44:19.040
<v Speaker 2>and there's also like somebody who's anti gun, but they're

0:44:19.080 --> 0:44:22.440
<v Speaker 2>like arm the dolls, and I'm like, actually literally not

0:44:22.800 --> 0:44:24.799
<v Speaker 2>like arm the dolls, you know what I mean, which

0:44:24.840 --> 0:44:27.759
<v Speaker 2>is like, really I think transgressive to say in a

0:44:27.760 --> 0:44:30.000
<v Speaker 2>Brooklyn circle. But I'm just like, no, we don't say

0:44:30.040 --> 0:44:32.040
<v Speaker 2>like more guns are the solution. Yeah, sorry, I went

0:44:32.080 --> 0:44:34.160
<v Speaker 2>like I was very right this, very seriously.

0:44:34.320 --> 0:44:38.040
<v Speaker 1>I like joking about guns, and I love dreaming about

0:44:38.680 --> 0:44:41.080
<v Speaker 1>a gun in my life, and I would maybe like

0:44:41.160 --> 0:44:43.520
<v Speaker 1>to do it again. But I don't think people should

0:44:43.560 --> 0:44:44.120
<v Speaker 1>own gun.

0:44:44.280 --> 0:44:47.879
<v Speaker 2>I want to shoot a gun. Let's go shoot guns. Okay,

0:44:48.000 --> 0:44:49.560
<v Speaker 2>do you think they have them here on Fire? Well?

0:44:50.320 --> 0:44:53.560
<v Speaker 1>Oh yes, people on this island definitely have guns.

0:44:55.719 --> 0:44:56.920
<v Speaker 2>I've never been more sure of.

0:44:57.000 --> 0:44:58.960
<v Speaker 1>And maybe that's what's in the pantry. That's why I

0:44:59.000 --> 0:45:01.040
<v Speaker 1>flocked to another It's the gun pantry.

0:45:01.040 --> 0:45:05.480
<v Speaker 2>But Pandria Julkin boosters Fire Island share is filled with guns.

0:45:06.760 --> 0:45:10.000
<v Speaker 2>Start spreading that. Do we have anything else to discuss?

0:45:10.320 --> 0:45:11.319
<v Speaker 1>No? I think that's it.

0:45:11.920 --> 0:45:15.239
<v Speaker 2>So if you subscribe to our Patreon at patreon dot

0:45:15.280 --> 0:45:18.760
<v Speaker 2>com slash like a Virgin. You will be getting bonus

0:45:18.800 --> 0:45:22.960
<v Speaker 2>episodes from us. Rose and I have concepted our first

0:45:23.560 --> 0:45:26.400
<v Speaker 2>bonus episode. We should just tell them what it is.

0:45:26.520 --> 0:45:31.840
<v Speaker 1>Yeah, we're doing an episode on non Disney children's.

0:45:31.239 --> 0:45:35.960
<v Speaker 2>Media of our youth. Yes, like the nineties, like ish Era.

0:45:35.880 --> 0:45:40.320
<v Speaker 1>And so we're gonna be covering things like fern Gully, Anastasia,

0:45:40.680 --> 0:45:45.960
<v Speaker 1>Cowtstone Dance fivele Goes West, Secrets of nim Swan, Princess.

0:45:45.680 --> 0:45:50.840
<v Speaker 2>Etcetera girl like Road to El Dorado, Balto Prince of Egypt, Boots.

0:45:50.920 --> 0:45:52.920
<v Speaker 2>I've never seen Stallion to the Cimmarron. I feel like

0:45:52.960 --> 0:45:55.719
<v Speaker 2>I kind of need to see it. It's gonna be

0:45:55.760 --> 0:45:58.399
<v Speaker 2>a private journey for you, I know. Well, I think

0:45:58.440 --> 0:46:03.239
<v Speaker 2>specifically because the spirit the Stadion of the Cimarron is

0:46:03.280 --> 0:46:06.279
<v Speaker 2>extremely hot. And that's kind of the thing about the

0:46:06.320 --> 0:46:09.719
<v Speaker 2>film is that, like the standing of the Cimarron is

0:46:09.719 --> 0:46:11.799
<v Speaker 2>like really really hot, And so if I'm going to

0:46:11.840 --> 0:46:13.280
<v Speaker 2>watch that, I should watch it privately.

0:46:13.560 --> 0:46:14.759
<v Speaker 1>Yes, so you can jerk off.

0:46:14.920 --> 0:46:18.960
<v Speaker 2>Yes, I'm so excited. Literally, like gonna be a delicious

0:46:19.040 --> 0:46:22.360
<v Speaker 2>kind of a La car deep dive into a handful

0:46:22.400 --> 0:46:24.279
<v Speaker 2>of these films that we'll talk about at length. We

0:46:24.320 --> 0:46:26.239
<v Speaker 2>watch friend Gully today, I feel like I have a

0:46:26.320 --> 0:46:27.520
<v Speaker 2>lot to say about it.

0:46:27.719 --> 0:46:29.880
<v Speaker 1>So I'm looking at the notes right now. There's a

0:46:29.920 --> 0:46:32.440
<v Speaker 1>lot in there. Also, what is this? Why are you

0:46:32.640 --> 0:46:36.480
<v Speaker 1>highlighting random letters like you're like you're putting a serial

0:46:36.600 --> 0:46:38.120
<v Speaker 1>killer message in the note?

0:46:38.320 --> 0:46:41.640
<v Speaker 2>God, don't tell the versions about this. Okay, I have

0:46:41.719 --> 0:46:44.400
<v Speaker 2>a Google plugin. Sorry to support Google, but like I

0:46:44.400 --> 0:46:47.600
<v Speaker 2>have a Google plugin that like for certain pages, web

0:46:47.640 --> 0:46:52.120
<v Speaker 2>pages that I view, will bold like every three or

0:46:52.160 --> 0:46:54.160
<v Speaker 2>four letters because it helps with.

0:46:54.200 --> 0:46:58.680
<v Speaker 1>Adhd Oh, I didn't know that. Okay, I'm no shade.

0:46:58.800 --> 0:47:01.520
<v Speaker 2>Yeah, I mean honestly, I forgot that I have it

0:47:01.640 --> 0:47:05.560
<v Speaker 2>turned on. But anyways, we will be talking about I

0:47:05.600 --> 0:47:07.600
<v Speaker 2>mean for and goalie. Gosh, there's so much there anyway.

0:47:07.680 --> 0:47:10.040
<v Speaker 2>Subscribe to our patreon at patreon dot com slash like

0:47:10.040 --> 0:47:12.840
<v Speaker 2>a Virgin to get the bonus episodes.

0:47:13.040 --> 0:47:16.319
<v Speaker 1>And you know, enjoy these freebies while you can, but

0:47:16.440 --> 0:47:19.840
<v Speaker 1>they will not be forever. So if you want to

0:47:20.040 --> 0:47:22.840
<v Speaker 1>keep up to date, go to patreon dot com slash

0:47:22.880 --> 0:47:25.520
<v Speaker 1>like a Virgin. Follow us on Instagram at like a

0:47:25.600 --> 0:47:29.880
<v Speaker 1>Virgin four twenty sixty nine and follow me at ros daumu.

0:47:29.760 --> 0:47:32.719
<v Speaker 2>And follow me at frand sexuality, and remember, if you

0:47:32.760 --> 0:47:35.319
<v Speaker 2>can't love yourself, the hell you're going to stop that

0:47:35.480 --> 0:47:38.040
<v Speaker 2>train coming to theaters. June twelfth,