1 00:00:00,040 --> 00:00:14,120 Speaker 1: I never heard them donkey again, you are a true donkey. 2 00:00:14,160 --> 00:00:16,280 Speaker 2: Today for Monday, April eighth goes to all of you 3 00:00:16,320 --> 00:00:19,440 Speaker 2: that are disappointed that J Cole apologized to Kendrick lamar, 4 00:00:19,520 --> 00:00:22,239 Speaker 2: if you haven't been paying attention because you've grown as hell, 5 00:00:22,360 --> 00:00:23,960 Speaker 2: got a family and don't give a damn what these 6 00:00:24,040 --> 00:00:25,560 Speaker 2: rappers be talking about, let me. 7 00:00:25,520 --> 00:00:26,640 Speaker 1: Give you a quick refresher. 8 00:00:26,840 --> 00:00:29,440 Speaker 2: Kendrick decided to give a few balls to j Cole 9 00:00:29,480 --> 00:00:31,880 Speaker 2: and Drake on metro booming a future song like that, 10 00:00:31,920 --> 00:00:35,839 Speaker 2: do we have some clipses that red the It's just 11 00:00:35,920 --> 00:00:40,839 Speaker 2: big neat okay now. This past Friday, J Cole decided 12 00:00:40,880 --> 00:00:43,959 Speaker 2: to respond when he dropped a surprise project called Mike 13 00:00:44,000 --> 00:00:46,120 Speaker 2: Delete later and on his seven minute drill. 14 00:00:46,280 --> 00:00:48,440 Speaker 1: Uh, he threw some shot backs, threw some shots back 15 00:00:48,479 --> 00:00:50,360 Speaker 1: at Kendrick. Let's listen but fell off like. 16 00:00:50,320 --> 00:00:53,760 Speaker 3: The sence first classic that your last was tragical. 17 00:00:54,120 --> 00:00:54,960 Speaker 1: Let the record show. 18 00:00:55,000 --> 00:00:57,520 Speaker 2: When I heard that last week, I immediately said to myself, 19 00:00:57,600 --> 00:01:01,080 Speaker 2: j Cole needs to delete that now, don't wait until later, Okay, 20 00:01:01,080 --> 00:01:03,400 Speaker 2: I told people Jake Cole sounded like he didn't even 21 00:01:03,400 --> 00:01:06,200 Speaker 2: believe what he was saying about Kendrick. He said Kendrick 22 00:01:06,200 --> 00:01:08,240 Speaker 2: fell off like the Simpsons. The Simpsons been off for 23 00:01:08,280 --> 00:01:11,720 Speaker 2: thirty five years. At the top of the game, he 24 00:01:11,800 --> 00:01:13,360 Speaker 2: sounds to look he had a gun in his head 25 00:01:13,440 --> 00:01:15,080 Speaker 2: and he was being forced to read a bunch of 26 00:01:15,120 --> 00:01:17,640 Speaker 2: stupid ass rhetoric that he got from social media and 27 00:01:17,680 --> 00:01:18,560 Speaker 2: YouTube videos. 28 00:01:18,640 --> 00:01:19,360 Speaker 1: Because if it's. 29 00:01:19,240 --> 00:01:21,360 Speaker 2: One thing you cannot go at Kung Fu Kenny for 30 00:01:21,720 --> 00:01:25,360 Speaker 2: it's his music. That's all Kendrick stands on. That's his business, 31 00:01:25,400 --> 00:01:28,440 Speaker 2: the music. He is in the business of making classic, 32 00:01:28,520 --> 00:01:31,880 Speaker 2: timeless music that even if you don't get in the moment, 33 00:01:32,160 --> 00:01:34,400 Speaker 2: it will be there waiting for you when you catch up. 34 00:01:34,400 --> 00:01:36,520 Speaker 2: So not only did I think Cole's response was weak, 35 00:01:36,680 --> 00:01:38,520 Speaker 2: I just knew he didn't believe anything he was saying. 36 00:01:38,560 --> 00:01:40,280 Speaker 2: And all of that was confirmed for me last night 37 00:01:40,480 --> 00:01:43,440 Speaker 2: at the Dreamville Festival when Cole decided to apologize to 38 00:01:43,480 --> 00:01:44,920 Speaker 2: Kendrick Clabaar, let's listen. 39 00:01:45,240 --> 00:01:47,960 Speaker 3: In my spirit of trying to like get this music out, 40 00:01:48,400 --> 00:01:50,800 Speaker 3: I moved in a way that was that I feel 41 00:01:50,920 --> 00:01:53,880 Speaker 3: spiritually feel bad on me, like like I try to 42 00:01:54,000 --> 00:01:57,280 Speaker 3: like jab the back and I'll try to keep it friendly. 43 00:01:57,720 --> 00:01:59,560 Speaker 3: When I listened to it and when it comes out 44 00:01:59,560 --> 00:02:02,120 Speaker 3: and I see to talk that don't sit right with 45 00:02:02,200 --> 00:02:05,760 Speaker 3: my spirit, that make me feel that disrupts my peace. 46 00:02:06,080 --> 00:02:08,040 Speaker 3: So what I want to say right here tonight is 47 00:02:08,040 --> 00:02:09,959 Speaker 3: in the midst of me doing that and in that 48 00:02:10,120 --> 00:02:13,480 Speaker 3: shit trying to find a little angle and down play this, 49 00:02:13,480 --> 00:02:17,280 Speaker 3: this catalog and his greatness. I just want to come 50 00:02:17,360 --> 00:02:20,560 Speaker 3: up here and be like publicly, be like bro. That 51 00:02:20,680 --> 00:02:22,960 Speaker 3: was the lamest like goofyus. And it may I say 52 00:02:22,960 --> 00:02:24,440 Speaker 3: all that to say it made me feel like ten 53 00:02:24,480 --> 00:02:26,600 Speaker 3: years ago when I was moving incorrectly. 54 00:02:26,840 --> 00:02:28,560 Speaker 1: And I pray that God. 55 00:02:28,360 --> 00:02:30,680 Speaker 3: Aligne me back up on my purpose and on my path, 56 00:02:31,000 --> 00:02:32,560 Speaker 3: you know what I mean. I pray that my really 57 00:02:32,600 --> 00:02:34,720 Speaker 3: didn't feel no way, and if he did, got my 58 00:02:34,800 --> 00:02:36,760 Speaker 3: chin out, take your best shout. I'm take that in 59 00:02:36,840 --> 00:02:37,880 Speaker 3: the chin, boy, don't you do. 60 00:02:38,400 --> 00:02:39,160 Speaker 1: I pray that, you know. 61 00:02:39,280 --> 00:02:42,280 Speaker 3: I pray that y'all are like forgiven for like the misstep, 62 00:02:42,320 --> 00:02:43,760 Speaker 3: and then and then I can get back to my 63 00:02:43,800 --> 00:02:46,000 Speaker 3: true path because I ain't gonna lot of y'all. Past 64 00:02:46,000 --> 00:02:49,200 Speaker 3: two days felt terrible, and let me know how good 65 00:02:49,200 --> 00:02:50,799 Speaker 3: I've been sleeping for the past ten years. 66 00:02:50,919 --> 00:02:53,040 Speaker 1: That's right. I have feelings as a man, feelings of 67 00:02:53,080 --> 00:02:53,720 Speaker 1: a hip hop fan. 68 00:02:53,880 --> 00:02:56,000 Speaker 2: The hip hop fan in me isn't disappointing because in life, 69 00:02:56,040 --> 00:02:57,480 Speaker 2: you have to pick your battles, and you have to 70 00:02:57,480 --> 00:03:00,120 Speaker 2: pick your battles carefully because danger comes from trying to 71 00:03:00,120 --> 00:03:00,960 Speaker 2: past your limits. 72 00:03:01,120 --> 00:03:03,240 Speaker 1: Cole, No, he didn't really want it with Kendrick. 73 00:03:03,280 --> 00:03:04,600 Speaker 2: So if you don't really want it with a person, 74 00:03:04,639 --> 00:03:07,000 Speaker 2: then you are pushing yourself past the limit you aren't 75 00:03:07,000 --> 00:03:08,760 Speaker 2: willing to go, and that's usually when you end. 76 00:03:08,800 --> 00:03:09,480 Speaker 1: Up getting hurt. 77 00:03:09,600 --> 00:03:13,040 Speaker 2: Not to mention, Cole said something very important in that apology. 78 00:03:13,080 --> 00:03:15,280 Speaker 2: He said it didn't sit right with his spirit. You 79 00:03:15,360 --> 00:03:18,519 Speaker 2: must always listen to your spirit, and Cole, the reason 80 00:03:18,560 --> 00:03:21,360 Speaker 2: your Kendrick just didn't sit right and your spirit. 81 00:03:21,200 --> 00:03:24,799 Speaker 1: Was because you knew you was lying. Okay, you knew you. 82 00:03:24,720 --> 00:03:28,080 Speaker 2: Didn't feel like that about Kendrick's music. You are an artist, 83 00:03:28,240 --> 00:03:30,200 Speaker 2: a true MC. So there is not too many people 84 00:03:30,240 --> 00:03:31,480 Speaker 2: who appreciate. 85 00:03:31,000 --> 00:03:33,160 Speaker 1: What Kendrick Lamar does as much as you do. 86 00:03:33,280 --> 00:03:35,840 Speaker 2: Kendrick Lamar don't need to be a part of every 87 00:03:35,880 --> 00:03:39,080 Speaker 2: algorithm on social media because Kendrick isn't a surfer, He's 88 00:03:39,120 --> 00:03:41,200 Speaker 2: a wave. There is a difference. A lot of y'all 89 00:03:41,200 --> 00:03:44,120 Speaker 2: are just surfers. You get online every day looking for a. 90 00:03:44,000 --> 00:03:45,040 Speaker 1: New wave to ride. 91 00:03:45,160 --> 00:03:48,760 Speaker 2: Kendrick when he drops projects, creates those ways that people 92 00:03:49,200 --> 00:03:52,400 Speaker 2: ride period Good Kid, Mad City classic album. We noticed 93 00:03:52,400 --> 00:03:54,920 Speaker 2: the Pimple Butterfly, my favorite Kendrick Lamar album. That album 94 00:03:54,960 --> 00:03:57,400 Speaker 2: is blackly black black. If you ask me, Kendrick re 95 00:03:57,480 --> 00:03:59,840 Speaker 2: ushered in a black renaissance in music with that album. 96 00:04:00,000 --> 00:04:02,600 Speaker 2: That's a discussion for another day. Damn is a great project. 97 00:04:02,640 --> 00:04:04,240 Speaker 2: I don't know if I have it as classic status, 98 00:04:04,240 --> 00:04:05,680 Speaker 2: but Cole, you said that's his prime. 99 00:04:05,880 --> 00:04:08,240 Speaker 1: You said that was his peak. So if that's the case. 100 00:04:08,120 --> 00:04:10,160 Speaker 2: Then you think that's his best body of work. So 101 00:04:10,200 --> 00:04:13,000 Speaker 2: that's three classic albums were discussing. And then mister Moralan 102 00:04:13,000 --> 00:04:14,640 Speaker 2: and the Big Steppers. I told y'all much ago. In 103 00:04:14,640 --> 00:04:17,120 Speaker 2: the future, we are gonna look at that and jay 104 00:04:17,200 --> 00:04:19,719 Speaker 2: Z's four four four as two of the most important 105 00:04:19,800 --> 00:04:21,520 Speaker 2: hip hop albums of all time. And you know when 106 00:04:21,560 --> 00:04:24,400 Speaker 2: that's going to come. When you unhealed heathens get some 107 00:04:24,440 --> 00:04:27,080 Speaker 2: healing when you men grow up. And that's what we 108 00:04:27,120 --> 00:04:29,279 Speaker 2: are here to talk about today. The rap fan in 109 00:04:29,320 --> 00:04:32,880 Speaker 2: me understands the disappointment many of you feeling. Cole with 110 00:04:33,040 --> 00:04:35,560 Speaker 2: the man in me who understands that I'm a spiritual 111 00:04:35,560 --> 00:04:37,919 Speaker 2: being living in human existence, has nothing but respect for 112 00:04:37,960 --> 00:04:40,920 Speaker 2: what j Cole did see. So many of us lead 113 00:04:41,000 --> 00:04:43,480 Speaker 2: with pride and ego nowadays, and we let these idiots 114 00:04:43,520 --> 00:04:46,520 Speaker 2: on social media who we don't even know pair pressure 115 00:04:46,600 --> 00:04:48,440 Speaker 2: us to say things and do things that we don't 116 00:04:48,440 --> 00:04:50,360 Speaker 2: even want to do. It takes a real human to 117 00:04:50,440 --> 00:04:53,200 Speaker 2: check himself and say, man, what I'm doing. I don't 118 00:04:53,200 --> 00:04:55,479 Speaker 2: even believe, I don't even believe in I don't believe 119 00:04:55,480 --> 00:04:57,039 Speaker 2: what I said. I don't even believe in what I did. 120 00:04:57,480 --> 00:04:59,839 Speaker 2: Apologize and keep it moving. Y'all want a man to 121 00:05:00,000 --> 00:05:02,400 Speaker 2: attack of man for your entertainment. Because we are a 122 00:05:02,440 --> 00:05:05,160 Speaker 2: culture that feeds off conflict, we just have to have 123 00:05:05,240 --> 00:05:08,040 Speaker 2: some conflict to feast on. We like to see people 124 00:05:08,080 --> 00:05:10,520 Speaker 2: at war with each other because so many of us 125 00:05:10,600 --> 00:05:13,120 Speaker 2: are at war with ourselves. 126 00:05:13,160 --> 00:05:14,359 Speaker 1: Really that simple, okay. 127 00:05:14,440 --> 00:05:17,360 Speaker 2: Unhealed people hurt people and love to see other people hurt. 128 00:05:17,480 --> 00:05:20,039 Speaker 2: Healed people and people on a healing journey aren't in 129 00:05:20,080 --> 00:05:23,320 Speaker 2: the hurt business. Often, individuals who have experienced hurt hav't 130 00:05:23,360 --> 00:05:27,919 Speaker 2: processed their pain are developed effective coping strategies. Their unprocessed 131 00:05:27,960 --> 00:05:32,080 Speaker 2: emotions can manifest as aggressive behavior. Towards others, and additionally, 132 00:05:32,200 --> 00:05:35,200 Speaker 2: they may replicate the damaging behaviors they have experienced, a 133 00:05:35,240 --> 00:05:38,719 Speaker 2: phenomenon known as the cycle of abuse. Salute the Coal 134 00:05:38,920 --> 00:05:42,480 Speaker 2: for breaking the cycle, especially if he simply doesn't want to. 135 00:05:43,320 --> 00:05:46,039 Speaker 2: Good for you, Coal for not succumbing to the pier 136 00:05:46,120 --> 00:05:48,920 Speaker 2: pressure of your homeboys, other artists. 137 00:05:48,600 --> 00:05:49,279 Speaker 1: Social media. 138 00:05:49,400 --> 00:05:52,200 Speaker 2: Whatever it is, Okay, you as a man and rapper 139 00:05:52,400 --> 00:05:56,280 Speaker 2: didn't feel comfortable with what you did. Bravo for apologizing, 140 00:05:56,320 --> 00:05:58,840 Speaker 2: Bravo for doing what you feel in your spirits. So 141 00:05:58,880 --> 00:06:03,080 Speaker 2: when y'all having these common about Coal and being disappointed. 142 00:06:02,560 --> 00:06:05,240 Speaker 1: That he apologized, ask yourself, what's that about? 143 00:06:05,560 --> 00:06:07,919 Speaker 2: Make sure that's not your wounded ego talking? And I 144 00:06:07,920 --> 00:06:10,599 Speaker 2: want to say something else. Why are y'all so controlled 145 00:06:10,600 --> 00:06:13,000 Speaker 2: by other people? Some of y'all had the nerve to 146 00:06:13,080 --> 00:06:14,640 Speaker 2: ride with Cole when he told you to lie. 147 00:06:14,680 --> 00:06:16,400 Speaker 1: He told you about Kendrick Obs. 148 00:06:16,760 --> 00:06:19,200 Speaker 2: He was right there all weekend acting like Cole was 149 00:06:19,279 --> 00:06:22,680 Speaker 2: right about Kendrick's projects. Whole time he was capping and 150 00:06:22,720 --> 00:06:25,640 Speaker 2: you was right there Cole signing the cap. Just Friday, 151 00:06:26,200 --> 00:06:29,520 Speaker 2: y'all was saying Cole is number one. Y'all had Coal one, 152 00:06:29,880 --> 00:06:33,520 Speaker 2: Kendrick zero trending now that Coal is apologized for cappin 153 00:06:33,800 --> 00:06:37,040 Speaker 2: y'all saying he backed the number three, y'all calling him 154 00:06:37,080 --> 00:06:40,440 Speaker 2: the middle child again, not forty eight hours after y'all 155 00:06:40,480 --> 00:06:40,680 Speaker 2: was just. 156 00:06:40,680 --> 00:06:41,760 Speaker 1: Saying he's number one. 157 00:06:41,839 --> 00:06:44,280 Speaker 2: This is exactly why you should always just do you 158 00:06:44,640 --> 00:06:47,000 Speaker 2: and do what your spirit tells you to do. Don't 159 00:06:47,040 --> 00:06:49,400 Speaker 2: listen to none of these fools because they never know 160 00:06:49,480 --> 00:06:52,880 Speaker 2: what they want. Please give all these unhealed heathons mad 161 00:06:52,920 --> 00:06:59,840 Speaker 2: at Coal for apologizing the biggest he huh, All. 162 00:06:59,800 --> 00:07:01,320 Speaker 1: Right, so dramatic. 163 00:07:01,560 --> 00:07:05,440 Speaker 4: Let's discuss eight hundred five eight five one oh five one. 164 00:07:05,480 --> 00:07:08,760 Speaker 4: I disagree with you, though, but let's discuss five five 165 00:07:08,760 --> 00:07:10,480 Speaker 4: one oh five one. No, no, it's not even about 166 00:07:10,520 --> 00:07:13,200 Speaker 4: that unheal heath and we all know this is well 167 00:07:13,240 --> 00:07:15,840 Speaker 4: I am, but J Cole when it came to J Cole, 168 00:07:15,880 --> 00:07:18,200 Speaker 4: people always, in my opinion, slept on J Cole. They 169 00:07:18,200 --> 00:07:19,480 Speaker 4: always had a problem with Ja Cole. 170 00:07:19,520 --> 00:07:20,720 Speaker 2: He produced his own beats. 171 00:07:21,000 --> 00:07:23,040 Speaker 4: His beats don't knock the same. In the last three 172 00:07:23,120 --> 00:07:25,800 Speaker 4: four years, J Cole has been getting on other people's beats. 173 00:07:25,960 --> 00:07:28,920 Speaker 4: He's been getting on records with people embodying everything he 174 00:07:28,960 --> 00:07:31,640 Speaker 4: put out. You get on first person shooter and people 175 00:07:31,640 --> 00:07:34,200 Speaker 4: started comparing him. He said he wants to be number one. 176 00:07:34,400 --> 00:07:37,120 Speaker 4: He said he's number one. This is lyrical warfit. This 177 00:07:37,200 --> 00:07:39,080 Speaker 4: ain't Nobody ever thought it was going to be the 178 00:07:39,120 --> 00:07:41,000 Speaker 4: South first to west. Nobody thought they were gonna kill 179 00:07:41,000 --> 00:07:41,320 Speaker 4: each other. 180 00:07:41,320 --> 00:07:43,400 Speaker 1: This is lyrics. So this is lyrics. So why you 181 00:07:43,440 --> 00:07:44,640 Speaker 1: mad at him for taking a step back. 182 00:07:44,640 --> 00:07:45,640 Speaker 2: I'm not I'm not mad at him. 183 00:07:45,680 --> 00:07:47,880 Speaker 4: But if you want to be number one and you 184 00:07:47,920 --> 00:07:50,200 Speaker 4: say you're number one, and when that person comes and 185 00:07:50,240 --> 00:07:53,160 Speaker 4: test you, you can't run away. You gotta you gotta 186 00:07:53,160 --> 00:07:56,680 Speaker 4: battle back. That's like me and Hero, That's how that's 187 00:07:56,680 --> 00:07:58,520 Speaker 4: how the game is played. Who's playing the game. What 188 00:07:58,560 --> 00:07:59,960 Speaker 4: if I dont want to play your game? Kaitlyn Clark, 189 00:08:00,000 --> 00:08:03,440 Speaker 4: I wanted to be number one? Right and she lost 190 00:08:03,480 --> 00:08:05,680 Speaker 4: and the game cocks came and washed him and she lost. 191 00:08:05,760 --> 00:08:08,200 Speaker 4: She tried and she lost no choice basketball. 192 00:08:08,280 --> 00:08:10,760 Speaker 2: She didn't. She didn't come back and apologize. She didn't 193 00:08:10,760 --> 00:08:12,040 Speaker 2: come back and say, you know what, that is a 194 00:08:12,120 --> 00:08:13,920 Speaker 2: terrible I shot thirty five points. 195 00:08:14,200 --> 00:08:17,160 Speaker 1: It's not there's still basketball. 196 00:08:17,240 --> 00:08:17,480 Speaker 2: You don't. 197 00:08:17,480 --> 00:08:19,280 Speaker 4: You don't you don't turn around. 198 00:08:19,040 --> 00:08:21,200 Speaker 1: After you don't know you This is this is lyrics. 199 00:08:21,280 --> 00:08:23,080 Speaker 2: It's not against you want to be number one, Let's 200 00:08:23,120 --> 00:08:23,680 Speaker 2: be number one. 201 00:08:23,760 --> 00:08:25,960 Speaker 4: It's not again Jacob and spitting. He's been putting the 202 00:08:26,000 --> 00:08:28,000 Speaker 4: work in the last couple of years. I just don't 203 00:08:28,080 --> 00:08:28,760 Speaker 4: like the fact. 204 00:08:28,560 --> 00:08:31,560 Speaker 2: If his heart's not in it right and he decides 205 00:08:31,600 --> 00:08:33,760 Speaker 2: to get in that booth and spit some weak lyrics 206 00:08:33,840 --> 00:08:34,839 Speaker 2: like he did last week. 207 00:08:34,960 --> 00:08:36,280 Speaker 1: His heart wasn't it before? 208 00:08:37,120 --> 00:08:39,679 Speaker 2: Because shoot up? His heart was it? 209 00:08:39,840 --> 00:08:41,360 Speaker 1: He wasn't battling. That's what I'm saying. 210 00:08:41,520 --> 00:08:43,480 Speaker 2: I would have preferred Cole if he wanted to respond, 211 00:08:44,160 --> 00:08:46,240 Speaker 2: just write some dope lyrics and say you the best 212 00:08:46,720 --> 00:08:48,120 Speaker 2: and let him talk about he's number one. 213 00:08:48,160 --> 00:08:48,559 Speaker 1: He's the best. 214 00:08:48,600 --> 00:08:51,240 Speaker 2: He's saying, so he's the best, So keep keep proving 215 00:08:51,280 --> 00:08:52,920 Speaker 2: you're the best. Part just being a dope rapper. You 216 00:08:52,960 --> 00:08:55,200 Speaker 2: don't got to challenge somebody directly. That was a challenge. 217 00:08:55,679 --> 00:08:57,439 Speaker 1: Have you ever have you ever done a real I 218 00:08:57,480 --> 00:08:58,480 Speaker 1: mean a DJ battle. I don't know. 219 00:08:58,559 --> 00:09:00,760 Speaker 2: Yes, I'm asking I half you do you sure need 220 00:09:00,840 --> 00:09:01,320 Speaker 2: to do them now? 221 00:09:01,800 --> 00:09:02,559 Speaker 1: I don't know? Yeah? 222 00:09:02,600 --> 00:09:05,360 Speaker 2: Because are you Just go out there and you know 223 00:09:05,400 --> 00:09:08,040 Speaker 2: what I'm saying, can prove you the best just by 224 00:09:08,120 --> 00:09:08,719 Speaker 2: doing the work. 225 00:09:08,880 --> 00:09:10,920 Speaker 1: I don't have to challenge anybody to say you the best. 226 00:09:10,920 --> 00:09:12,600 Speaker 1: You have to challenge somebody to say you the best. 227 00:09:12,640 --> 00:09:14,880 Speaker 1: I know I don't. And if you do and decide 228 00:09:14,880 --> 00:09:15,160 Speaker 1: to take it. 229 00:09:16,600 --> 00:09:18,679 Speaker 4: But if you do challenge and the person gives you 230 00:09:18,760 --> 00:09:20,320 Speaker 4: that work, you give him that work back. 231 00:09:20,760 --> 00:09:21,440 Speaker 1: If you got your ass. 232 00:09:22,600 --> 00:09:25,640 Speaker 4: He got a biology after the comments, like after him 233 00:09:25,679 --> 00:09:27,559 Speaker 4: being in the comments, he's set in the comments and 234 00:09:28,080 --> 00:09:30,640 Speaker 4: saw the feedback and was like, oh man, now it 235 00:09:30,720 --> 00:09:31,559 Speaker 4: don't sit right with me. 236 00:09:31,679 --> 00:09:33,199 Speaker 1: I think I think he gets busy. I think you 237 00:09:33,280 --> 00:09:35,079 Speaker 1: wrote the record because you lose in the comments. I do. 238 00:09:35,360 --> 00:09:37,960 Speaker 1: I do believe that. I don't think somebody will come back. 239 00:09:38,080 --> 00:09:39,000 Speaker 1: Let somebody when we come back. 240 00:09:39,000 --> 00:09:40,560 Speaker 4: Eight hundred and five eight five one on five one, 241 00:09:40,640 --> 00:09:41,079 Speaker 4: let's discuss. 242 00:09:41,080 --> 00:09:44,160 Speaker 2: It's Breakfast Club co Donkey Today is sponsored by renowned 243 00:09:44,240 --> 00:09:47,160 Speaker 2: personal injury attorney Michael the Bull, lambing'st off. Don't be 244 00:09:47,240 --> 00:09:49,200 Speaker 2: a donkey when you need a fighter on your side. 245 00:09:49,320 --> 00:09:51,280 Speaker 2: If you're ever injured, go to Michael to Bull dot com. 246 00:09:51,400 --> 00:09:53,120 Speaker 2: That's Michael the Bull dot com. And when you mess 247 00:09:53,160 --> 00:09:54,480 Speaker 2: with the bull, you get the horns. 248 00:09:58,320 --> 00:10:01,480 Speaker 1: Wake that ass up the morning. The Breakfast Club