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Speaker 1: Oh, I listened to the black Guy You Tips podcast

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Speaker 1: because Rod and Caron or Hook.

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Speaker 2: Hey, welcome to another episode of the Blackout Tips podcast.

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Speaker 1: I'm your host Rod. Join us always by my co host,

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Speaker 1: and we are live on what appears to be a Tuesday.

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Speaker 1: Ready to do.

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Speaker 2: Some podcasts and find us every where you find podcasts,

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Speaker 2: search the Blackout Tips.

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Speaker 1: We'll come up. The official weapon of.

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Speaker 3: The show is an unofficial sport.

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Speaker 1: A bulletball extreme. And today we got a very special

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Speaker 1: guest friend of the show, homie. Uh friend, you know,

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Speaker 1: a friend in real life?

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Speaker 2: Okay, Uh, the kind of person you text when you

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Speaker 2: see some crazy shit is happening and you don't want

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Speaker 2: to say what's going on on Twitter. Today's guest is comedian, actor, podcaster,

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Speaker 2: snack activist ors.

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Speaker 1: I like to say Snackdavists. They used to.

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Speaker 2: Call them Malcolm, They used to call them Malcolm a

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Speaker 2: little Debbie, but now they go with them Malcolm Checks,

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Speaker 2: snack Turner, Booker, t Lent Washington, Martin Garry Kream Out

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Speaker 2: of Bluebells, and my favorite, Huey Big Newton.

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Speaker 1: It's Roy Wood Junior. What's going on? Brother?

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Speaker 4: I take that? I mean, that's the that whole Juneteenth

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Speaker 4: ice cream Kiasco. It's just you just gotta watch what

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Speaker 4: you say on the slow day on Twitter. You gotta

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Speaker 4: sneak in when everybody mad, Like I should have waited

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Speaker 4: till when they was trying to cancel Lizo the other

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Speaker 4: day the June teenth tweet.

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Speaker 2: Real fast, you became the main character of Twitter, which

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Speaker 2: you know, you never really want to be the main

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Speaker 2: character of Twitter either way.

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Speaker 1: Yeah, even on the good days. Yeah, it's not.

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Speaker 4: I just I really hate the journalism for some On

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Speaker 4: some days it's just a reporter, not even a reporter,

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Speaker 4: probably just some associate digital producer just aggregating tweets on

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Speaker 4: the same issue and just putting them in an article

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Speaker 4: and then going these people were outraged. You can't put

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Speaker 4: every tweet under one being adjective motherfucker. Like no, I

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Speaker 4: wasn't outraged.

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Speaker 1: Like for those that don't know, this is now.

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Speaker 2: This is Alabama Life and Culture that I got this

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Speaker 2: headline from.

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Speaker 1: So this is like home state, this is like al

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Speaker 1: dot com.

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Speaker 2: Yeah, like, these these are people they said Walmart pulled

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Speaker 2: Juneteenth ice cream. Roy wad Junior called out on social media, uh.

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Speaker 5: And nursed off.

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Speaker 4: I didn't call it out. It was Tarikna Sheet or

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Speaker 4: doctor Umar. It was one of them things construck first,

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Speaker 4: but you're scared to put them in your article.

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Speaker 3: You don't want their problems, you don't want the hotels out.

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Speaker 4: So you put my retweet of their picture in the article. Didn't.

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Speaker 4: I was all, man, I was just cracking on the ship.

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Speaker 4: But I get it, mom, you know blue check and

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Speaker 4: then you get the Daily Show. They think everything is

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Speaker 4: some serious of viscrin of whatever is happening in the culture.

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Speaker 4: I'm I'm just trying to get off some ice cream jokes.

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Speaker 4: I want to try to ship.

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Speaker 1: I'm happy that.

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Speaker 4: We found cream Delicious in the midst of this fast

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Speaker 4: Delicious already doing absolutely delicious. But I just, you know,

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Speaker 4: I don't know, man. I just think that's why I said,

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Speaker 4: I don't know if your people on my Twitter, I

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Speaker 4: don't really dabble in a lot of politics. I'll post

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Speaker 4: stuff that we do on the show. The Daily Show

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Speaker 4: is where I'm gonna talk about all that ship and

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Speaker 4: then you can understand the context if were talking, Like

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Speaker 4: one of my last tweets in the last one for

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Speaker 4: Hours is about me hoping that buzz l like you

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Speaker 4: end up in the interracial relationship and the buzzs like

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Speaker 4: your preview, they keep showing that you're looking at him

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Speaker 4: with that twinkle.

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Speaker 3: You know.

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Speaker 4: That's that's what that's my wheelhouse, interracial cartoon relationships. That's why.

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Speaker 2: I mean, they already done baned that movie be in

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Speaker 2: Saudi Arabia because apparently they have the same sex kiss

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Speaker 2: at some point in this movie. So I feel like

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Speaker 2: interracial kids like, go ahead, double down, you know what

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Speaker 2: I'm saying, Like they already mad at the movie for

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Speaker 2: kissing anyway.

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Speaker 4: Yeah, you know, Disney and Pixar and all of them, though, Man,

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Speaker 4: they getting you know, they're they're in a rock and

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Speaker 4: a hard place because they want to be centrist because

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Speaker 4: they want everybody's money. But now it's which group is

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Speaker 4: the most vocal, who we will appease to. So you

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Speaker 4: put the same sex kiss in one of these movies,

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Speaker 4: then all of devout Christians get mad. But then if

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Speaker 4: you take it out, then everybody else on the left

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Speaker 4: is gonna get mad. Yeah, you know, what do you do? Man?

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Speaker 4: I just think if Disney was smart, they would just

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Speaker 4: have like you remember, like you like you could buy

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Speaker 4: a DVD back in the day and then you could

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Speaker 4: buy like the directors undirectors cut NC seventy all the

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Speaker 4: core and they need that. But for Disney, you need

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Speaker 4: and then you meet like a yes Queen, yeah, saucy

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Speaker 4: Santana version.

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Speaker 6: Yeah, that would work, Like you just have different like

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Speaker 6: it just have like fifteen minutes changed in each one,

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Speaker 6: Like you don't have to change the majority of the movie.

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Speaker 2: It's just about fifteen minutes. And then you just like, oh,

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Speaker 2: you want to go to ten thirty showing. Okay, well

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Speaker 2: that's the like conservative Christian whack version.

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Speaker 1: Here's the black power version. Like I could get with that.

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Speaker 2: I don't know what they're gonna do with certain movies though,

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Speaker 2: Like what you're gonna do with Black Panther two?

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Speaker 1: You know it, Like it'll be.

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Speaker 4: In the chat right now, you said toy story the Snyder. Yeah,

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Speaker 4: it's exactly what.

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Speaker 2: You know, what you stumbled into though, man, And I

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Speaker 2: think this is like a cultural shift that's just happened

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Speaker 2: where Twitter and social media set.

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Speaker 1: The tone every it feels.

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Speaker 2: Like everyone's turned in a fucking book report on everything

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Speaker 2: where it's just like like if like, for for instance,

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Speaker 2: if I was just like, uh, I don't know what

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Speaker 2: the news is today.

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Speaker 1: But let's say this Wildmark Juntin thing.

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Speaker 2: I was like, well, this is actually an extension of capitalism.

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Speaker 1: You see what I'm saying.

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Speaker 2: When you live in a first world country, capitalism will

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Speaker 2: then make a product. And it's like I explain that

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Speaker 2: on Twitter, some reporter somewhere aggregates that that's the article

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Speaker 2: to replauses.

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Speaker 1: This is the outrage, and it.

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Speaker 2: Does suck because of a person that loves satire, loves humor.

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Speaker 2: I hate when my shit gets caught up in their shit.

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Speaker 2: You know, I'm like, no, no, no, I like I'm

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Speaker 2: saying funny things.

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Speaker 3: Yes, I'm joking.

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Speaker 4: They'd be using you to support something far more serious.

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Speaker 4: And you know, it's like, on the one hand, I

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Speaker 4: get it, but it's like, dude, I just don't know. Man,

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Speaker 4: have y'all even gone to the movies yet? I top

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Speaker 4: gun broke me with two movies, everything everywhere at once.

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Speaker 1: Yeah, it's really good.

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Speaker 4: And I was like, fuck it, I gotta go to

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Speaker 4: the movies.

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Speaker 1: We've been going to a We've been going to a

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Speaker 1: handful of movies, not like we used to go to

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Speaker 1: movies every week on Thursday.

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Speaker 2: And now what we do is we try to like

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Speaker 2: coordinate our time off so we can like go during

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Speaker 2: it's not.

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Speaker 3: Crowded daytime with all the other people that work.

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Speaker 1: Yeah, so we're planning on seeing Top Gun this week.

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Speaker 4: You gotta be careful though, because you wait too long,

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Speaker 4: that'd be when people being there fucking yeah.

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Speaker 1: Well you know that.

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Speaker 2: To me, that's to me, that's like a bonus show,

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Speaker 2: you know what I'm saying. That's like the they nor

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Speaker 2: only be done with that by.

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Speaker 3: Like the previews, and that's like a first Yeah.

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Speaker 1: I've never seen nobody make it to the third act, you.

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Speaker 3: Know what I'm saying.

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Speaker 1: They be ready to go home.

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Speaker 3: Everybody want to go take an out?

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Speaker 1: Yeah, three trailers in they like sleeping.

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Speaker 4: I just told the story on my podcast, Roy's Job

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Speaker 4: Fair a couple of weeks ago. We was talking about

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Speaker 4: films and ship and I only tried to have sex

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Speaker 4: of the movies one time barbershop to back in business.

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Speaker 7: That's a good one.

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Speaker 4: It wasn't. It wasn't on purpose, but it was just,

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Speaker 4: you know, I just one thing lead to another and

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Speaker 4: then I fucked up because I went to the black theater,

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Speaker 4: so the arm rest didn't let up, so we couldn't

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Speaker 4: get no.

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Speaker 1: Couch, right, that's a rookie moving. But for y'all that's

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Speaker 1: too young.

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Speaker 2: That's before they have recliner seats and ship like these

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Speaker 2: new theaters that some of them got reclined. Yeah, like

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Speaker 2: you can get a love seat in the front and ship.

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Speaker 2: They didn't have none of that.

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Speaker 3: We were just didn't lean back or nothing.

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Speaker 1: Yeah, we was having.

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Speaker 4: Seen black movie theater. The black movie theater was all

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Speaker 4: seats from an old greyhound bus crass.

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Speaker 1: Yeah, like, and.

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Speaker 3: They weren't going nowhere.

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Speaker 2: When movie theaters got rid of as the colored section

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Speaker 2: and them chairs had to go somewhere, they just they

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Speaker 2: just all went to the black theater.

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Speaker 4: Only them ships just right up to the side bar.

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Speaker 4: Have y'all noticed I don't be going to church as

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Speaker 4: often as I'm supposed to. When did the seats get

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Speaker 4: this good in Black Church? I haven't ben got some

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Speaker 4: not you need to go to Black church, bo. I'm

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Speaker 4: telling they got a little cupholder. You get your own little.

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Speaker 3: Let me tell you why the people won't see where

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Speaker 3: they ties an offering going. It ain't like it used

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Speaker 3: to be. You know, These new school crip be like

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Speaker 3: I'm paying tires with all friends, I'm building the fun

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Speaker 3: I need to be comfortable up in here.

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Speaker 1: I'm gonna be there for a while. Maybe something you are.

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Speaker 1: Maybe some black people went to a white church and

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Speaker 1: then it came back.

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Speaker 4: Black church has got them economy comfort seats. Now, damn

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Speaker 4: ain't that wooden. It ain't your grandmama wooden church.

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Speaker 3: They kill your back all over the whole thing.

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Speaker 1: Or just a friend.

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Speaker 4: It depends on your mega church.

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Speaker 5: Choose your fighter.

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Speaker 4: Okay, Like you can go with some bullshit or you

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Speaker 4: can get one of them crestlo dollar where everybody get

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Speaker 4: an individual look like look like them first ten rows

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Speaker 4: of baseball, basketball game.

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Speaker 3: Like you're on.

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Speaker 2: Here's what you made me think about the floor seats.

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Speaker 2: Here's what you made me think about with the movies.

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Speaker 2: Ro have you ever heard this app called run pee.

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Speaker 4: That's the one that it tells you the best time

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Speaker 4: to go take a piss, Yeah in the movie.

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Speaker 2: Yeah, they should add they should have like a come

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Speaker 2: fuck app that's like for the best time to have

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Speaker 2: sex in the movie.

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Speaker 1: You know what I'm saying, because you might not line

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Speaker 1: over the p ton, but.

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Speaker 3: And they need timeframes, you know, one to five minutes,

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Speaker 3: five to ten minutes.

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Speaker 2: Ain't nothing happening in the second act, you know, that's

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Speaker 2: when she found out he's batman.

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Speaker 1: You go ahead, fuck.

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Speaker 4: Right there, I got a homeboy that had sex during

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Speaker 4: the matrix. I'm like, you can not take your screen?

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Speaker 3: Didn't they didn't know what was happening in that movie.

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Speaker 4: No, it's not a wasted line of dialogue in that film.

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Speaker 2: Yeah, and he probably thought the movie was all right,

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Speaker 2: that shit overrated.

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Speaker 4: I ain't never been. I've never been in the movies

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Speaker 4: when anybody's been fucking. I have been on the plane

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Speaker 4: when the girl was getting fingered, though, I know that

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Speaker 4: was happening. Yeah, the Southwest flight. They was in front

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Speaker 4: of him, and I could just see his hand and

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Speaker 4: she had the way she was reclining and the way

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Speaker 4: I was leaning against the window. I could see straight

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Speaker 4: ahead like like.

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Speaker 1: Like I wasn't long with y'all on the side.

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Speaker 4: Yeah, so I got my dick in my hand right, Yeah,

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Speaker 4: But she just kept.

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Speaker 1: Oh yeah, you know, women trying to.

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Speaker 4: Muffled, and I'm like, oh, ship, you know you see

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Speaker 4: it when you get off the plane. I'm trying to

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Speaker 4: look at him to tell him like good job without

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Speaker 4: her seeing me, see him, because that's.

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Speaker 2: What Meanwhile, meanwhile, everybody could probably hear it because if

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Speaker 2: I sound like macaroni and.

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Speaker 1: Cheese on the economy class, I didn't blanket. Okay, that's

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Speaker 1: sound action or whatever.

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Speaker 2: He wasn't like, damn, I listen. I don't know how

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Speaker 2: people get down. I'm never tried no mile high club ship.

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Speaker 1: I feel like.

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Speaker 4: Locked, just locked and making the circles.

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Speaker 1: He wouldn't like, Yeah, I feel like that.

255
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Speaker 3: You let the Internet tell you. That's what's happening.

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Speaker 5: All the time.

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Speaker 1: Honestly, for these planes that in t dates, for these

258
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Speaker 1: plane ticket prices, that's not enough. I need you to

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Speaker 1: go all the way in this.

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Speaker 2: It costs too much to flock places. The fuel is

261
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Speaker 2: going up, like you gotta be fisting now.

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Speaker 4: They would sell more tickets if they had like a

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Speaker 4: little booth and I had an I had an idea

264
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Speaker 4: for a minute for Uber, but you remember fun. I

265
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Speaker 4: can talk to y'all about this ship them poorn that

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Speaker 4: that porn bang bus. Yeah that's wu people fucking in

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Speaker 4: like a volkswagonteen passenger van with no seats. Yeah yeah,

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Speaker 4: open space in the back and the people be fucking Yeah.

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Speaker 3: I'd be riding around Florida recording.

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Speaker 2: They be opening up the door sometime, all kinds of

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Speaker 2: wild un windows.

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Speaker 4: They just fucking so combined Bang Bus with Uber that

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Speaker 4: was gonna be mine. Like if you and a girl

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Speaker 4: wanted to get down, but you ain't get a hotel,

275
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Speaker 4: got somewhere else to be, but you want space to

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Speaker 4: fuck on the way to where you're going, you called

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Speaker 4: the bang bus app and then the Bang But then

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Speaker 4: y'all can. But the issue that I couldn't quite nailed

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Speaker 4: down was how to sanitize between riders and the turnover

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Speaker 4: and frequency. And you know, I'm work from the business model.

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Speaker 4: I'm gonna circle back to.

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Speaker 3: I know how you do that you get it to do?

283
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Speaker 3: You know, how not to have them put up toilets

284
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Speaker 3: is self clean, So just that section would be like

285
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Speaker 3: almost like a self cleaning section where when people get

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Speaker 3: out and shut the door and start and ship start

287
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Speaker 3: off like a washing machine. Yeah yeah, plastic slip covers. Ye,

288
00:13:52,600 --> 00:13:53,520
Speaker 3: that's what you're doing.

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Speaker 1: Going to that not from your grandmama's.

290
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Speaker 3: Like like your doctor's office. They just roll that piece

291
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Speaker 3: of paper and go and be like next.

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Speaker 1: Yes, I meant horney.

293
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Speaker 2: People would do it and you would only have to

294
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Speaker 2: operate most mostly at night. Anyway, Like when the club

295
00:14:09,679 --> 00:14:11,560
Speaker 2: get I was gonna beat the motherfucking search arge.

296
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Speaker 1: It's gonna be a beast, and you do it by

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Speaker 1: the hour.

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Speaker 3: Two we don't. We don't do fifteen third, No, we

299
00:14:16,920 --> 00:14:18,600
Speaker 3: go by the hour. You get this beat, You got

300
00:14:18,640 --> 00:14:20,400
Speaker 3: it for a whole hour. Make it with our time.

301
00:14:20,840 --> 00:14:23,720
Speaker 2: I saw you just went to the MTV Movie and

302
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Speaker 2: TV Awards.

303
00:14:24,560 --> 00:14:25,800
Speaker 1: Man, how was it out there?

304
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Speaker 4: It was fine. I'm just old enough to not recognize

305
00:14:30,840 --> 00:14:32,240
Speaker 4: everybody that's being honored.

306
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Speaker 3: You ain't as bad as me. Oh no, I don't

307
00:14:35,520 --> 00:14:36,600
Speaker 3: remember nobody's name.

308
00:14:38,200 --> 00:14:41,960
Speaker 4: I don't watch enough reality shows to know everybody, because

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00:14:41,960 --> 00:14:44,600
Speaker 4: we were there for the Daily Show, for the unscripted part.

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Speaker 4: Of course, I know all the movie folks, but the

311
00:14:46,360 --> 00:14:49,320
Speaker 4: Daily Show was with all the reality stuff, so I

312
00:14:49,400 --> 00:14:53,840
Speaker 4: knew Tammy Roman, our new Paris Hilton. I know the

313
00:14:53,920 --> 00:14:56,480
Speaker 4: host was from the Batsurette. Found out later her name

314
00:14:56,520 --> 00:15:00,280
Speaker 4: ain't Rachel. Rachel from the Batsurette was the one that

315
00:15:00,480 --> 00:15:03,600
Speaker 4: interviewed me on the Red Carpet, and I didn't realize

316
00:15:03,640 --> 00:15:05,680
Speaker 4: that was the Rachel for like, it was just one

317
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Speaker 4: of those nigga where I know you from.

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Speaker 1: Yeah, I'm definitely old enough now.

319
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Speaker 2: I'm just referring to them as like the babies and

320
00:15:13,920 --> 00:15:16,160
Speaker 2: the kids because I saw that today. This is the

321
00:15:16,200 --> 00:15:19,760
Speaker 2: oldest I ever felt. The XXL hip hop magazine, the

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00:15:19,880 --> 00:15:22,960
Speaker 2: XXL Freshman Class twenty twenty two was announced and I

323
00:15:23,000 --> 00:15:23,560
Speaker 2: saw the cover.

324
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Speaker 1: I don't know none of these niggas, not one. Oh no,

325
00:15:26,880 --> 00:15:30,040
Speaker 1: this is the I've never felt this before. I like it.

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Speaker 2: They could all be waiting outside my house and I

327
00:15:33,400 --> 00:15:34,760
Speaker 2: be like, hey, what's up brouh?

328
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Speaker 3: But somebody does, but it ain't me.

329
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Speaker 2: At the bottom, they put their names, and I think

330
00:15:40,520 --> 00:15:45,640
Speaker 2: I've recognized one name. So they got baby Tron coaches

331
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Speaker 2: Saucy Santana, which is a name I only recognized from

332
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Speaker 2: people trying to cancel them.

333
00:15:51,480 --> 00:15:53,440
Speaker 4: I didn't even know soci Santanna was a rap. I

334
00:15:53,480 --> 00:15:57,120
Speaker 4: thought Socie Santanna was some fashionable tiktaker who was me too.

335
00:15:58,400 --> 00:16:00,080
Speaker 4: I've seen them for a year on the timeline. I

336
00:16:00,120 --> 00:16:01,520
Speaker 4: never knew not lyric.

337
00:16:02,120 --> 00:16:04,760
Speaker 3: That's how I found I was like, oh, go ahead, TikToker,

338
00:16:05,040 --> 00:16:05,760
Speaker 3: That's all I knew.

339
00:16:07,640 --> 00:16:13,560
Speaker 2: But I just didn't know Babyface Ray not supposed to Babyface.

340
00:16:14,160 --> 00:16:16,600
Speaker 1: Baby Face race sound like the name of a barbecue sauce.

341
00:16:19,000 --> 00:16:27,280
Speaker 2: Can the Man so Fago, Big Scar, Big thirty, KC,

342
00:16:28,560 --> 00:16:33,320
Speaker 2: Doci Cali and Nardo Wick. Yeah, man, I'm old. I

343
00:16:33,360 --> 00:16:34,240
Speaker 2: give up at.

344
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Speaker 4: What I would love to do is go back and

345
00:16:35,640 --> 00:16:39,600
Speaker 4: look at like the last four or five Freshman covers

346
00:16:39,720 --> 00:16:45,240
Speaker 4: and see how many of those I know now And okay.

347
00:16:43,840 --> 00:16:46,080
Speaker 3: Okay, yeah because it had trickled down to me eventually.

348
00:16:46,200 --> 00:16:50,600
Speaker 4: Yeah, yeah, because it just such a vicious game. And

349
00:16:50,640 --> 00:16:54,000
Speaker 4: then I'm low keith it like, in a way I

350
00:16:54,040 --> 00:16:59,080
Speaker 4: feel bad for young rap music fans now because we

351
00:16:59,120 --> 00:17:03,400
Speaker 4: had rapped that gave us hope so much so that

352
00:17:03,560 --> 00:17:07,200
Speaker 4: when a rapper died, it was such an uncommon thing

353
00:17:07,320 --> 00:17:10,479
Speaker 4: at the time that the whole industry would stop and

354
00:17:10,600 --> 00:17:14,520
Speaker 4: mort and then sat, oh my god, and just what

355
00:17:14,640 --> 00:17:16,320
Speaker 4: do we do? Where do we go from here? You'd

356
00:17:16,320 --> 00:17:18,920
Speaker 4: have a symposium, all the nigga rappers would come together

357
00:17:18,920 --> 00:17:21,399
Speaker 4: and do a stop the Violence song that would be

358
00:17:22,200 --> 00:17:25,359
Speaker 4: all of this process to it where Now, if you're

359
00:17:25,400 --> 00:17:27,440
Speaker 4: a fan of rap music, your favorite rapper could be

360
00:17:27,480 --> 00:17:29,639
Speaker 4: dead before their first album come out. What you get

361
00:17:29,680 --> 00:17:30,320
Speaker 4: your hope from?

362
00:17:31,359 --> 00:17:31,399
Speaker 3: You?

363
00:17:32,160 --> 00:17:34,240
Speaker 4: That's the horse you bet on to cheer.

364
00:17:34,000 --> 00:17:35,960
Speaker 3: You up and then they be so young.

365
00:17:37,160 --> 00:17:38,199
Speaker 1: Yeah, I was.

366
00:17:38,440 --> 00:17:39,320
Speaker 4: They don't make it out.

367
00:17:39,440 --> 00:17:41,360
Speaker 2: I was thinking the other day, man, you know who

368
00:17:41,400 --> 00:17:44,200
Speaker 2: we missed in the game is uh Lewis Fara Kahn

369
00:17:45,359 --> 00:17:47,840
Speaker 2: like Louis fay Con used to come and squash people beefs,

370
00:17:47,960 --> 00:17:51,840
Speaker 2: like remember when, like like rappers will get it, Like

371
00:17:51,960 --> 00:17:55,440
Speaker 2: I'm gonsta stop ice Cube from killing common Let's sit

372
00:17:55,520 --> 00:17:58,120
Speaker 2: down and have a summit. And he would sit down

373
00:17:58,119 --> 00:17:59,359
Speaker 2: with them and basically be like.

374
00:17:59,280 --> 00:18:01,560
Speaker 1: You you get it? Are you cool? Are you cool? Y'all?

375
00:18:01,640 --> 00:18:04,680
Speaker 1: Don't kill each other? Cool? We don't have that anymore.

376
00:18:04,680 --> 00:18:06,879
Speaker 1: That's no central figure we could even do that with.

377
00:18:07,560 --> 00:18:12,880
Speaker 4: Who could rap and sit down with today? Who could

378
00:18:13,040 --> 00:18:15,359
Speaker 4: who could go on our sineo and put up the

379
00:18:15,400 --> 00:18:18,240
Speaker 4: red and blue cripping blood means.

380
00:18:19,760 --> 00:18:20,359
Speaker 1: Don't have that.

381
00:18:20,800 --> 00:18:23,320
Speaker 2: Don't have that, not no morena because you almost gotta

382
00:18:23,359 --> 00:18:26,600
Speaker 2: be in like you gotta be in a quasi political lane,

383
00:18:27,720 --> 00:18:31,800
Speaker 2: but enough that people still respect you. And right now

384
00:18:31,840 --> 00:18:34,840
Speaker 2: it's like like Zacha Umar ain't gonna get it.

385
00:18:35,480 --> 00:18:36,440
Speaker 1: He ain't gonna get it.

386
00:18:36,520 --> 00:18:39,000
Speaker 2: I don't think like enough, it's not enough of a

387
00:18:39,040 --> 00:18:40,360
Speaker 2: collective respect for them.

388
00:18:40,680 --> 00:18:43,280
Speaker 4: The best we have right now, I would say, is

389
00:18:43,400 --> 00:18:48,800
Speaker 4: j Prince. But Jay isn't a media figure himself in

390
00:18:48,880 --> 00:18:51,640
Speaker 4: my opinion. But he's the only one that's tried between

391
00:18:51,920 --> 00:18:56,800
Speaker 4: what between Kanye and whoever the fuck and then Rake

392
00:18:57,040 --> 00:19:00,520
Speaker 4: and Pusher, so may m.

393
00:19:00,760 --> 00:19:05,560
Speaker 2: Yeah, somebody said club, someone said Obama. But and I

394
00:19:05,640 --> 00:19:09,359
Speaker 2: and I feel y'all on like people respect, but Obama

395
00:19:09,440 --> 00:19:11,920
Speaker 2: don't have enough street like fir Kind. I got a

396
00:19:11,920 --> 00:19:13,879
Speaker 2: little street to him, you know what I mean, Like,

397
00:19:15,040 --> 00:19:16,120
Speaker 2: I don't think they respect.

398
00:19:17,440 --> 00:19:20,360
Speaker 4: I like killing killing Mike. I don't think Jay would

399
00:19:20,359 --> 00:19:22,720
Speaker 4: sit down anybody. I think Jay is too corporate. Yeah,

400
00:19:22,800 --> 00:19:26,240
Speaker 4: Jay quashing, not like in a public fashion. Put your

401
00:19:26,280 --> 00:19:33,399
Speaker 4: niggas in the group chat. Yeah yeah, but he's with

402
00:19:33,480 --> 00:19:37,000
Speaker 4: the NFL Indean racism. He doesn't have time.

403
00:19:37,080 --> 00:19:41,360
Speaker 1: You know what racism is over. I checked the other day.

404
00:19:42,320 --> 00:19:44,440
Speaker 2: I was outside some police is about to pull me over,

405
00:19:44,480 --> 00:19:47,000
Speaker 2: and then they just said, oh, Jay z in.

406
00:19:46,960 --> 00:19:50,520
Speaker 1: The NFL, and they just kept moving. Okay, cool man

407
00:19:50,600 --> 00:19:52,720
Speaker 1: speaking to hi man. I know you follow sports.

408
00:19:52,760 --> 00:19:55,560
Speaker 2: Have you heard about our local Charlotte hornet that just

409
00:19:56,760 --> 00:19:58,359
Speaker 2: got caught with three pounds of weed?

410
00:19:58,760 --> 00:20:01,439
Speaker 1: Uh trash harrold.

411
00:20:02,040 --> 00:20:07,639
Speaker 4: He was traffic had weed and the tires and the

412
00:20:07,800 --> 00:20:11,240
Speaker 4: floor board at this point of weedst personally.

413
00:20:12,800 --> 00:20:13,800
Speaker 1: He was in Kentucky.

414
00:20:14,000 --> 00:20:17,120
Speaker 2: He was in a Honda Hondai Hondai Pallette or something

415
00:20:17,160 --> 00:20:21,160
Speaker 2: like that. Uh so, and they said they pulled him

416
00:20:21,160 --> 00:20:24,680
Speaker 2: over for driving too close to the car in front

417
00:20:24,680 --> 00:20:27,040
Speaker 2: of him.

418
00:20:27,240 --> 00:20:28,560
Speaker 4: That's that's petty.

419
00:20:29,000 --> 00:20:30,280
Speaker 3: Yes, webody knew who he was.

420
00:20:30,880 --> 00:20:32,359
Speaker 1: See. I have a I have a theory.

421
00:20:32,840 --> 00:20:38,719
Speaker 2: I think I think he may be trafficking and somebody

422
00:20:38,800 --> 00:20:40,600
Speaker 2: snitching because.

423
00:20:40,359 --> 00:20:42,879
Speaker 1: That that that pull over don't sound right.

424
00:20:42,960 --> 00:20:46,160
Speaker 2: That's what they say when someone snitches, they'd be like, oh,

425
00:20:46,200 --> 00:20:49,439
Speaker 2: we pulled them over for making the illegal left turns,

426
00:20:49,480 --> 00:20:52,720
Speaker 2: Like you knew who what the car. I guarantee you

427
00:20:52,760 --> 00:20:55,199
Speaker 2: knew who was driving. It feel like somebody was if

428
00:20:55,240 --> 00:20:57,119
Speaker 2: he was trafficking. I don't know if he was, but

429
00:20:57,760 --> 00:21:00,000
Speaker 2: if he was, he needed to check his organism.

430
00:21:01,400 --> 00:21:03,280
Speaker 4: Three pounds. The police didn't even take a picture of

431
00:21:03,359 --> 00:21:04,679
Speaker 4: dope and put it on the table. You know, the

432
00:21:04,680 --> 00:21:05,640
Speaker 4: police loves taking.

433
00:21:05,480 --> 00:21:06,280
Speaker 1: Pre they do love.

434
00:21:06,640 --> 00:21:11,280
Speaker 4: Yeah, it ain't shit. That is petty, but that also

435
00:21:11,400 --> 00:21:15,440
Speaker 4: means it's stupid and it's on him. Yeah, for transporting

436
00:21:15,480 --> 00:21:18,280
Speaker 4: three pounds. You have three pounds, Let me google his

437
00:21:18,400 --> 00:21:26,760
Speaker 4: nigga sat like you can't you cannot do that. We

438
00:21:27,119 --> 00:21:28,160
Speaker 4: make that type of mind.

439
00:21:28,200 --> 00:21:30,600
Speaker 1: I'm looking at a picture. I'm looking at a picture

440
00:21:30,640 --> 00:21:31,240
Speaker 1: of two.

441
00:21:31,119 --> 00:21:35,399
Speaker 2: Pounds, and it's not that it's like two ziplock bags.

442
00:21:35,440 --> 00:21:38,760
Speaker 2: It's two pounds up here in this corner right here,

443
00:21:39,080 --> 00:21:41,840
Speaker 2: So that's not that, Like so three ziploc bags.

444
00:21:43,200 --> 00:21:46,080
Speaker 4: Yeah, he's in the second year of an eighteen million

445
00:21:46,119 --> 00:21:48,480
Speaker 4: dollar deal. Send it to your deal. He's about to

446
00:21:48,520 --> 00:21:52,040
Speaker 4: be a free agent coming up this season. So you

447
00:21:52,119 --> 00:21:55,000
Speaker 4: have eighteen million dollars and you have three pounds a week.

448
00:21:56,080 --> 00:21:57,760
Speaker 7: That's yeah, that's just change.

449
00:21:57,840 --> 00:22:00,520
Speaker 4: And nigga go pick up my weed from y'll be that.

450
00:22:00,800 --> 00:22:02,800
Speaker 1: Yeah, that's costco like that that. He don't want to

451
00:22:02,800 --> 00:22:03,960
Speaker 1: make three trips.

452
00:22:04,880 --> 00:22:07,880
Speaker 4: There, there's nobody he goes to prison them. They'll put

453
00:22:07,920 --> 00:22:10,199
Speaker 4: them on some super duper probation and make him a

454
00:22:10,240 --> 00:22:11,600
Speaker 4: poster boy for reform.

455
00:22:11,720 --> 00:22:15,120
Speaker 1: And we also got to figure out like what way

456
00:22:15,200 --> 00:22:16,120
Speaker 1: commercials and shit.

457
00:22:16,240 --> 00:22:18,840
Speaker 2: We gotta figure out what we mean by legalizing the ship,

458
00:22:18,920 --> 00:22:21,480
Speaker 2: you know what I'm saying, Because we decriminalizing.

459
00:22:20,640 --> 00:22:22,120
Speaker 1: It, we legalizing it.

460
00:22:22,200 --> 00:22:25,000
Speaker 2: But then we like up to a point and it's like, well,

461
00:22:25,240 --> 00:22:27,720
Speaker 2: I mean, if I want to like get my weed

462
00:22:27,800 --> 00:22:32,560
Speaker 2: wholes hell, what's the fuck? Like like like we legalized,

463
00:22:32,640 --> 00:22:35,120
Speaker 2: like we legalized Coca Cola. You can't pull me over

464
00:22:35,160 --> 00:22:37,360
Speaker 2: and be like, no, this nigga had a two leaders

465
00:22:37,760 --> 00:22:38,679
Speaker 2: of Coca Cola.

466
00:22:39,119 --> 00:22:41,040
Speaker 1: That's different than twenty ounces, you know.

467
00:22:41,119 --> 00:22:43,119
Speaker 3: And then Coca Cola used to have coca in it

468
00:22:43,200 --> 00:22:44,960
Speaker 3: like it used to. That'd be a whole nother story,

469
00:22:45,000 --> 00:22:47,520
Speaker 3: but we're talking about just regular sofa.

470
00:22:47,640 --> 00:22:50,000
Speaker 4: But see what I think is gonna happen though, when

471
00:22:50,000 --> 00:22:52,040
Speaker 4: you look at and we tried to pitch this story.

472
00:22:52,640 --> 00:22:54,520
Speaker 4: I tried to pitch the story for Daily Show, but

473
00:22:54,560 --> 00:22:58,360
Speaker 4: the ship was too sad. Joke's in it. Per capita

474
00:22:58,760 --> 00:23:00,440
Speaker 4: I don't know if it still is now, like three

475
00:23:00,520 --> 00:23:02,439
Speaker 4: four years ago, when I pitched it, it was. It

476
00:23:02,440 --> 00:23:05,719
Speaker 4: was a true stat that per capita, Wisconsin locks up

477
00:23:05,760 --> 00:23:10,360
Speaker 4: more black people than any other race. Percentage, the percentage

478
00:23:10,359 --> 00:23:14,200
Speaker 4: of their prison population is blacker than any other states.

479
00:23:14,920 --> 00:23:18,720
Speaker 4: So then as they started passing all of these reform laws,

480
00:23:18,760 --> 00:23:22,840
Speaker 4: which meant fewer people going to jail, the prison started

481
00:23:22,920 --> 00:23:26,840
Speaker 4: suing the state basically saying, nigga, you promised us tenants

482
00:23:27,440 --> 00:23:30,119
Speaker 4: and we ain't got no tenants, so y'all need to

483
00:23:30,080 --> 00:23:32,560
Speaker 4: go out there and get to arresting so we can

484
00:23:32,600 --> 00:23:35,320
Speaker 4: get our money. Like you said, we built this prison,

485
00:23:35,359 --> 00:23:38,800
Speaker 4: you promised us ninety percent to pass. Now you passing

486
00:23:38,840 --> 00:23:40,800
Speaker 4: these laws, letting these niggas gore. I mean, you go

487
00:23:40,800 --> 00:23:45,880
Speaker 4: collect some niggas and bring them in here. Ding ding.

488
00:23:46,400 --> 00:23:49,879
Speaker 4: So if we know that to be the fiscal model

489
00:23:49,920 --> 00:23:58,119
Speaker 4: for prisons, then keeping weed, keeping making weed illegal, making

490
00:23:58,160 --> 00:24:02,160
Speaker 4: weed legal is bad for business, yep, number one. Number two.

491
00:24:02,920 --> 00:24:05,679
Speaker 4: It puts them in a position where now anything that

492
00:24:05,800 --> 00:24:09,840
Speaker 4: is still illegal. Oh you motherfuckers is getting all the time,

493
00:24:10,840 --> 00:24:13,040
Speaker 4: all of that. You was facing ten years for cracking,

494
00:24:13,119 --> 00:24:15,120
Speaker 4: you get three years. Nah, dog, you getting the whole

495
00:24:15,160 --> 00:24:17,720
Speaker 4: ten now, right. So I think there's gonna be like

496
00:24:17,760 --> 00:24:19,840
Speaker 4: a counter to that. I just think the states that

497
00:24:19,920 --> 00:24:22,280
Speaker 4: really profit off black bodies are not in a rush

498
00:24:22,280 --> 00:24:22,800
Speaker 4: to make weed.

499
00:24:23,520 --> 00:24:23,879
Speaker 5: Yeah.

500
00:24:24,560 --> 00:24:25,479
Speaker 4: I just don't think that.

501
00:24:25,800 --> 00:24:28,919
Speaker 2: And that's the reason that, like, because you make points

502
00:24:28,960 --> 00:24:31,439
Speaker 2: like this all the time, that's the reason that your

503
00:24:31,560 --> 00:24:32,800
Speaker 2: joke turns into.

504
00:24:32,600 --> 00:24:33,560
Speaker 1: Like a movie.

505
00:24:33,600 --> 00:24:36,679
Speaker 2: I mean, like it become like a civil rights leader

506
00:24:36,960 --> 00:24:40,240
Speaker 2: with snacks because it's like this, Like, you know, Roy,

507
00:24:40,520 --> 00:24:42,600
Speaker 2: you're funny, but you're not always joking. You know what

508
00:24:42,640 --> 00:24:45,040
Speaker 2: I'm saying like a lot of times you make great observations.

509
00:24:45,080 --> 00:24:47,720
Speaker 1: You talk about serious shit, which.

510
00:24:47,560 --> 00:24:49,119
Speaker 2: Is one of the reasons I fuck with you, you know,

511
00:24:49,320 --> 00:24:51,639
Speaker 2: so I think that's like, that's a great point that

512
00:24:51,680 --> 00:24:53,639
Speaker 2: you just made. Also, I like to bring up this.

513
00:24:53,640 --> 00:24:56,800
Speaker 2: This segment is sponsored It's sponsored by Scottie.

514
00:24:56,400 --> 00:25:00,840
Speaker 1: Pippen Digits Scotty pipp It is to drink for when

515
00:25:00,840 --> 00:25:02,960
Speaker 1: you absolutely gotta let a motherfucking know they got you

516
00:25:03,080 --> 00:25:11,639
Speaker 1: fucked up? Fuck you, Uh drink Uh probably Roy, what

517
00:25:12,040 --> 00:25:13,960
Speaker 1: you got? What's next for you?

518
00:25:14,040 --> 00:25:16,680
Speaker 2: In the June teen civil rights movement? Because June teen

519
00:25:16,760 --> 00:25:18,560
Speaker 2: is coming up? Are you playing on doing any marches?

520
00:25:18,600 --> 00:25:22,119
Speaker 2: I know doctor Umar is coming to my city. This

521
00:25:22,240 --> 00:25:24,760
Speaker 2: is a Saturday, but are you playing not going anywhere?

522
00:25:25,600 --> 00:25:30,480
Speaker 4: It is too hot for that ship, and it's also

523
00:25:30,600 --> 00:25:33,600
Speaker 4: Father's Day. I'm I'm gonna run with the boy some

524
00:25:33,760 --> 00:25:36,720
Speaker 4: dad ship in the afternoon on that on that Sunday.

525
00:25:37,480 --> 00:25:40,080
Speaker 4: But Monday, most of New York City seems to have

526
00:25:40,160 --> 00:25:42,600
Speaker 4: it off. I know it's not like a national national holiday,

527
00:25:42,680 --> 00:25:45,520
Speaker 4: but I know it'll be something going on pretty black

528
00:25:45,560 --> 00:25:47,639
Speaker 4: in Brooklyn that I'll probably go to. But I think

529
00:25:47,760 --> 00:25:50,480
Speaker 4: Sunday I'm gonna just I'm gonna just do some dad ship.

530
00:25:50,640 --> 00:25:51,240
Speaker 4: Keep it low key.

531
00:25:51,240 --> 00:25:54,320
Speaker 2: You are socking socks and tize God like you get

532
00:25:54,359 --> 00:25:55,720
Speaker 2: offended by the socks and ties?

533
00:25:55,840 --> 00:25:58,200
Speaker 1: Is the Father's Day gift or like how you feel

534
00:25:58,200 --> 00:25:58,640
Speaker 1: about that?

535
00:25:59,440 --> 00:26:00,520
Speaker 4: I don't care.

536
00:26:02,520 --> 00:26:03,440
Speaker 3: And already gave up.

537
00:26:04,880 --> 00:26:11,960
Speaker 4: I'm gonna just buy what the funk I want.

538
00:26:09,440 --> 00:26:10,639
Speaker 1: Though I kind of won't.

539
00:26:11,000 --> 00:26:11,080
Speaker 8: Like.

540
00:26:12,080 --> 00:26:15,400
Speaker 1: I wonder if when you talk to men about Father's

541
00:26:15,440 --> 00:26:19,639
Speaker 1: Day gifts they sound so defeated it don't do it,

542
00:26:19,720 --> 00:26:22,840
Speaker 1: don't like it, don't there's no like. Like my mom

543
00:26:23,200 --> 00:26:25,480
Speaker 1: is such a nice, sweet woman, but like, if I

544
00:26:25,560 --> 00:26:27,840
Speaker 1: ask her what you want for Mother's Day, she have

545
00:26:27,960 --> 00:26:30,040
Speaker 1: an idea, Like she's like cause she's.

546
00:26:29,960 --> 00:26:34,400
Speaker 3: Inspections and ship Limazone wish list this year was she.

547
00:26:34,400 --> 00:26:38,760
Speaker 2: Wanted a gift certificate to the yoga studio. She goes to, Okay, Mom,

548
00:26:38,800 --> 00:26:40,320
Speaker 2: I'm logging in, I got you here.

549
00:26:40,359 --> 00:26:43,080
Speaker 1: You go, here's your email. You ask them, Hey, man,

550
00:26:43,119 --> 00:26:43,840
Speaker 1: so what you went to?

551
00:26:44,280 --> 00:26:44,520
Speaker 3: Man?

552
00:26:44,600 --> 00:26:47,280
Speaker 2: I just want to if I could just get a

553
00:26:47,400 --> 00:26:49,000
Speaker 2: day to myself, Like.

554
00:26:49,040 --> 00:26:54,879
Speaker 4: Damn, that's all I want, bro. I want to stay

555
00:26:54,960 --> 00:26:58,399
Speaker 4: up till four in the morning and play my PlayStation

556
00:26:58,600 --> 00:27:01,240
Speaker 4: with my head set on. Because you won't let me

557
00:27:01,320 --> 00:27:03,240
Speaker 4: play it around the boy. So I have to wait

558
00:27:03,320 --> 00:27:07,879
Speaker 4: till you sleep to play my own goddamn PlayStation. And

559
00:27:07,960 --> 00:27:11,320
Speaker 4: that's fine. And and I'm not complaining, like you know

560
00:27:11,640 --> 00:27:16,400
Speaker 4: my son, you know, you know, the great co parenting

561
00:27:16,560 --> 00:27:20,320
Speaker 4: relationship or whatever positive phrase I'm supposed to insert right there.

562
00:27:21,119 --> 00:27:25,280
Speaker 4: It's fine. But I just can't think of anything I want.

563
00:27:25,320 --> 00:27:28,280
Speaker 4: And to me, the issue is that eight times out

564
00:27:28,280 --> 00:27:31,600
Speaker 4: of ten, motherfuckers ain't giving you a gift for you.

565
00:27:31,800 --> 00:27:34,639
Speaker 4: They're giving you a gift for them because your happiness

566
00:27:34,680 --> 00:27:37,520
Speaker 4: feeds whatever it is. They need to validate it because

567
00:27:37,600 --> 00:27:40,560
Speaker 4: they're void or something. So you have to get something

568
00:27:40,760 --> 00:27:42,760
Speaker 4: that you want, because if you don't really want it,

569
00:27:42,880 --> 00:27:45,480
Speaker 4: then I'm not gonna get what. That's the subconscious shit.

570
00:27:45,560 --> 00:27:47,080
Speaker 4: So when you say I don't really want nothing, it

571
00:27:47,200 --> 00:27:50,720
Speaker 4: fucks them up because they that's the only love language

572
00:27:50,720 --> 00:27:53,600
Speaker 4: they understand, and they don't care to try and learn

573
00:27:54,080 --> 00:27:57,240
Speaker 4: another way of getting at you or understanding that space

574
00:27:57,359 --> 00:27:58,560
Speaker 4: might just be the gift.

575
00:27:59,000 --> 00:28:00,399
Speaker 3: Yeah, to be alone.

576
00:28:00,520 --> 00:28:02,560
Speaker 4: It's me and I have him personal.

577
00:28:02,840 --> 00:28:05,560
Speaker 2: I have a theory too that as black men, a

578
00:28:05,640 --> 00:28:08,159
Speaker 2: lot of us just didn't plan for this part of

579
00:28:08,200 --> 00:28:09,640
Speaker 2: life like we.

580
00:28:10,440 --> 00:28:14,239
Speaker 1: Like its survival mode for so long where it's like,

581
00:28:14,720 --> 00:28:17,040
Speaker 1: you know, like I still remember my dad when I

582
00:28:17,080 --> 00:28:19,080
Speaker 1: was coming up as a kid, telling me like, listen,

583
00:28:20,000 --> 00:28:22,320
Speaker 1: I got one job. I got to keep you alive.

584
00:28:22,359 --> 00:28:24,040
Speaker 1: And you get to twenty one. The odds of you

585
00:28:24,160 --> 00:28:28,200
Speaker 1: being in three different places is dad. He's like, you

586
00:28:28,480 --> 00:28:32,240
Speaker 1: in the cemetery, you have, you can contract HIV, or

587
00:28:32,280 --> 00:28:34,120
Speaker 1: you be in prison. I got to keep you out

588
00:28:34,160 --> 00:28:36,560
Speaker 1: of all three of those. That's my job. So when

589
00:28:36,560 --> 00:28:40,360
Speaker 1: I made twenty one, I was like, shit, what's the

590
00:28:40,400 --> 00:28:40,960
Speaker 1: next level?

591
00:28:40,960 --> 00:28:41,479
Speaker 7: I don't know.

592
00:28:42,400 --> 00:28:42,880
Speaker 3: I don't know.

593
00:28:43,960 --> 00:28:45,000
Speaker 1: I didn't pet for this.

594
00:28:46,440 --> 00:28:48,760
Speaker 4: And then also Father's Day wasn't really a thing in

595
00:28:48,800 --> 00:28:52,200
Speaker 4: my house. You know, my dad was in and out,

596
00:28:52,360 --> 00:28:55,360
Speaker 4: so Father's Day wasn't no big Like my mama never

597
00:28:55,400 --> 00:28:57,400
Speaker 4: pulled me to the side. What it'll be gonna surprise

598
00:28:57,480 --> 00:28:57,920
Speaker 4: your daddy?

599
00:28:58,440 --> 00:28:59,600
Speaker 3: Right? Yeah?

600
00:29:00,320 --> 00:29:02,680
Speaker 4: We aint never did no ship like that. It was

601
00:29:02,760 --> 00:29:04,760
Speaker 4: just a niggas some food, now you want some food?

602
00:29:04,800 --> 00:29:13,720
Speaker 4: Thank you bitch, And they'd argue like like she texted me,

603
00:29:13,920 --> 00:29:16,080
Speaker 4: she texted me this year, She's like, you know, what

604
00:29:16,120 --> 00:29:17,880
Speaker 4: do you want Henry to get you for five estate?

605
00:29:17,920 --> 00:29:21,920
Speaker 4: And I replied with this ridiculous, fucking end table. It's

606
00:29:22,000 --> 00:29:26,480
Speaker 4: so stupid and it's but it's what I want for

607
00:29:26,600 --> 00:29:31,040
Speaker 4: my office. And I also know that it like would

608
00:29:31,080 --> 00:29:34,920
Speaker 4: just like it's the it's the type of thing if

609
00:29:34,960 --> 00:29:37,160
Speaker 4: you had it in your house, a woman wouldn't fuck you.

610
00:29:41,680 --> 00:29:42,120
Speaker 4: What is that?

611
00:29:42,200 --> 00:29:44,080
Speaker 1: Star Wars?

612
00:29:48,480 --> 00:29:52,280
Speaker 4: If you here, it is here. It is type in

613
00:29:53,000 --> 00:29:58,200
Speaker 4: wiggly feel light up table. Okay, all right, just wriggly

614
00:29:58,280 --> 00:30:00,360
Speaker 4: feel light up table. And what it is it's a

615
00:30:00,560 --> 00:30:02,680
Speaker 4: it's like a diorama. It's like a it's a baseball

616
00:30:02,680 --> 00:30:05,240
Speaker 4: field and I'm about to feel it down the table

617
00:30:06,240 --> 00:30:08,960
Speaker 4: and it really lights. That's the pint. It's just a

618
00:30:08,960 --> 00:30:12,520
Speaker 4: little baseball stadium inside of a glass top table. And

619
00:30:12,560 --> 00:30:13,520
Speaker 4: that's really cool to me.

620
00:30:14,120 --> 00:30:20,640
Speaker 3: I like that's I like fucking baseball field because baseball

621
00:30:20,720 --> 00:30:23,480
Speaker 3: keeps me calm and base Maybe that's the failure.

622
00:30:24,000 --> 00:30:25,800
Speaker 4: How to recover from failure repeatedly?

623
00:30:26,000 --> 00:30:30,240
Speaker 2: Maybe that's the problem. As as as dudes, we're so

624
00:30:30,360 --> 00:30:34,120
Speaker 2: worried about how we look. We're not even asking for

625
00:30:34,160 --> 00:30:36,800
Speaker 2: what's gonna make us heavy. So we getting socks and

626
00:30:36,920 --> 00:30:40,520
Speaker 2: draws every year when really, you know, Daddy want two

627
00:30:40,560 --> 00:30:42,520
Speaker 2: lightsabers that light up. What's wrong with that?

628
00:30:42,760 --> 00:30:43,240
Speaker 3: Come on?

629
00:30:43,520 --> 00:30:45,400
Speaker 4: Look at look at think pretty in the chest, she

630
00:30:45,440 --> 00:30:49,080
Speaker 4: already said. The coach is drying up already already. Yeah,

631
00:30:49,120 --> 00:30:50,080
Speaker 4: light up baseball.

632
00:30:50,200 --> 00:30:52,640
Speaker 1: But here's a secret. There's a secret.

633
00:30:52,960 --> 00:30:56,160
Speaker 2: It's Father's day, so like that means he you don't

634
00:30:56,160 --> 00:30:58,720
Speaker 2: already been up in there, so it's like, this is

635
00:30:58,760 --> 00:30:59,760
Speaker 2: a mistake you made.

636
00:31:01,840 --> 00:31:02,520
Speaker 1: Don't look at me.

637
00:31:05,680 --> 00:31:07,360
Speaker 4: It's gonna be in my office. I'm gonna put it

638
00:31:07,360 --> 00:31:07,760
Speaker 4: in my own.

639
00:31:07,840 --> 00:31:10,680
Speaker 1: I love it now. It looks dope, bro, Honestly.

640
00:31:10,600 --> 00:31:13,880
Speaker 4: It's it's ridiculous, but it's what I want. I don't

641
00:31:13,880 --> 00:31:16,040
Speaker 4: want to fucking tie I got. I get tires for

642
00:31:16,080 --> 00:31:16,720
Speaker 4: free at work.

643
00:31:17,080 --> 00:31:24,320
Speaker 1: Yeah, exactly, like tars is suitless tis and socks and ship.

644
00:31:24,320 --> 00:31:26,520
Speaker 1: It's just basically like get your ass back to work.

645
00:31:26,840 --> 00:31:32,600
Speaker 4: Like me, or go find some work.

646
00:31:33,080 --> 00:31:35,360
Speaker 2: Here's some ship, get a job, some ship to help

647
00:31:35,400 --> 00:31:37,479
Speaker 2: your ass get a job, like damn.

648
00:31:38,440 --> 00:31:40,440
Speaker 4: But I'm I'm very difficult to buy for it though,

649
00:31:40,480 --> 00:31:41,880
Speaker 4: Like come on them people. I don't really share a

650
00:31:41,920 --> 00:31:43,520
Speaker 4: lot of the ship that make me happy because I

651
00:31:44,320 --> 00:31:45,920
Speaker 4: don't know you yet and I don't want you in

652
00:31:45,960 --> 00:31:48,800
Speaker 4: on it or something that you don't rock with, right,

653
00:31:48,920 --> 00:31:52,040
Speaker 4: so I just rather you're not I don't really wear

654
00:31:52,080 --> 00:31:54,640
Speaker 4: a lot of jewelry. I pretty much wear the same

655
00:31:54,720 --> 00:31:59,200
Speaker 4: two cologne scents for the last fucking ten years. Like

656
00:31:59,360 --> 00:32:02,720
Speaker 4: I'm just I got my four or five shoes I liked.

657
00:32:02,760 --> 00:32:05,160
Speaker 4: I just buy them over and over until they discontinue

658
00:32:05,200 --> 00:32:08,160
Speaker 4: that model, and then I get to elected. It's not

659
00:32:08,240 --> 00:32:12,120
Speaker 4: a lot you can do other than just fucking electronics.

660
00:32:12,880 --> 00:32:16,320
Speaker 4: Let me just show you this off camera off like,

661
00:32:16,440 --> 00:32:16,960
Speaker 4: look at all this.

662
00:32:18,760 --> 00:32:19,280
Speaker 3: I like that.

663
00:32:19,600 --> 00:32:23,440
Speaker 4: Like what woman knows the exact cord to buy with

664
00:32:23,720 --> 00:32:26,360
Speaker 4: the daptor that goes to the fucking.

665
00:32:26,120 --> 00:32:28,880
Speaker 3: Main frame of you just don't know'.

666
00:32:29,000 --> 00:32:31,800
Speaker 4: That's my gift card. But you hate buying gift cards

667
00:32:31,840 --> 00:32:33,240
Speaker 4: because you think it's insincereous.

668
00:32:36,920 --> 00:32:40,400
Speaker 2: Yeah, that's truth, car That not that right there, that's

669
00:32:40,440 --> 00:32:45,640
Speaker 2: the goddamn truth. That's a Scottie pipping digits, the goddamn

670
00:32:45,640 --> 00:32:46,520
Speaker 2: truth moment right there.

671
00:32:46,720 --> 00:32:48,720
Speaker 3: It's like, you want the truth. I tell you the truth.

672
00:32:48,760 --> 00:32:50,360
Speaker 3: You tell me I'm a liar, you know what I mean?

673
00:32:50,360 --> 00:32:52,520
Speaker 2: If I tell you, I just want to complete collection

674
00:32:52,560 --> 00:32:53,840
Speaker 2: of the Booty Talk DVDs.

675
00:32:54,160 --> 00:32:56,600
Speaker 1: Just get them from me and don't judge me. Okay,

676
00:32:56,800 --> 00:32:59,480
Speaker 1: you married me, you had a child with me, This

677
00:32:59,600 --> 00:33:02,400
Speaker 1: is my Hey, let me have my day and fun.

678
00:33:02,480 --> 00:33:04,440
Speaker 4: Who have in the chest, say I still wear cool water?

679
00:33:04,720 --> 00:33:05,040
Speaker 3: You cook?

680
00:33:07,200 --> 00:33:09,280
Speaker 2: I mean you did say the high school colowns and

681
00:33:09,280 --> 00:33:11,960
Speaker 2: that is definitely in every black man's high school cologne collection.

682
00:33:16,840 --> 00:33:18,160
Speaker 1: It's only so much man.

683
00:33:18,240 --> 00:33:21,080
Speaker 2: Well look man, I know you say you have thirty minutes,

684
00:33:21,120 --> 00:33:22,280
Speaker 2: and thank you for coming through.

685
00:33:22,280 --> 00:33:25,400
Speaker 1: Bro, always rooting for you, love your work on the

686
00:33:25,520 --> 00:33:26,120
Speaker 1: Daily Show.

687
00:33:27,640 --> 00:33:29,520
Speaker 4: I appreciate you, man. Can't wait to see you when

688
00:33:29,520 --> 00:33:32,000
Speaker 4: you get back up to New York. Yes sir, yes, sir,

689
00:33:32,320 --> 00:33:34,120
Speaker 4: you and money start cooking again.

690
00:33:34,280 --> 00:33:36,920
Speaker 1: Yes, sir man, thank you for coming. Thank you for

691
00:33:36,960 --> 00:33:38,000
Speaker 1: coming on that show.

692
00:33:37,800 --> 00:33:40,880
Speaker 2: Too, bro, because like, uh that's big, you know what

693
00:33:40,920 --> 00:33:42,880
Speaker 2: I mean, like getting a good guess. I knew you

694
00:33:43,040 --> 00:33:47,040
Speaker 2: was gonna be great, and I knew my man Nick

695
00:33:47,040 --> 00:33:50,320
Speaker 2: Wright would be great because y'all come on both's podcasts sometimes,

696
00:33:50,360 --> 00:33:53,760
Speaker 2: so that that rapport to me is more important than

697
00:33:53,760 --> 00:33:56,560
Speaker 2: even getting a Like you can have more fucking Lebron

698
00:33:56,640 --> 00:33:58,640
Speaker 2: James come through, but if he ain't gonna kick it,

699
00:33:59,280 --> 00:34:00,920
Speaker 2: what's the point. Like I knew you would come and

700
00:34:00,960 --> 00:34:02,960
Speaker 2: kick it, and you was great, bro, So thank you

701
00:34:03,000 --> 00:34:03,840
Speaker 2: man trying.

702
00:34:03,600 --> 00:34:05,800
Speaker 4: I'm gonna come bus third time. Shrews.

703
00:34:05,960 --> 00:34:11,160
Speaker 1: Okay, right, I got you, I got you brother, have

704
00:34:11,239 --> 00:34:11,680
Speaker 1: a good one.

705
00:34:11,680 --> 00:34:11,879
Speaker 3: Man.

706
00:34:14,680 --> 00:34:18,239
Speaker 1: Oh man, that's right, JR. Thank you, Thanks for damn

707
00:34:18,320 --> 00:34:19,040
Speaker 1: for coming through.

708
00:34:19,080 --> 00:34:19,319
Speaker 3: Man.

709
00:34:20,000 --> 00:34:21,880
Speaker 1: We got a lot of news and ship to cover too.

710
00:34:22,280 --> 00:34:24,920
Speaker 1: You know we're not just gonna leave you, leave you

711
00:34:25,080 --> 00:34:28,160
Speaker 1: with thirty minutes and dip on you. Uh it would

712
00:34:28,200 --> 00:34:29,160
Speaker 1: be funny, be like, well.

713
00:34:29,160 --> 00:34:31,640
Speaker 2: That's it, niggas, have a good one, have a good

714
00:34:31,719 --> 00:34:32,520
Speaker 2: My job is done.

715
00:34:32,560 --> 00:34:34,120
Speaker 1: I brought you all word with JR. It is a

716
00:34:34,120 --> 00:34:37,560
Speaker 1: big get for us. Let's talk about the news.

717
00:34:37,719 --> 00:34:43,680
Speaker 2: Lizzo switches out the word spas in her new song Girls,

718
00:34:44,040 --> 00:34:48,879
Speaker 2: following backlash, backlash and ableism, claims now spas is one

719
00:34:48,880 --> 00:34:51,440
Speaker 2: that I didn't know people were taking offense to.

720
00:34:51,600 --> 00:34:53,799
Speaker 3: But yeah, I don't know what happened at the same time.

721
00:34:53,840 --> 00:34:57,319
Speaker 1: People, you know, there's almost there's someone out there that's

722
00:34:57,320 --> 00:34:59,400
Speaker 1: gonna take take offense. You know, yes it is.

723
00:34:59,440 --> 00:35:02,680
Speaker 3: And you have to be determined on not funny how

724
00:35:02,719 --> 00:35:05,520
Speaker 3: much you care as the person that produced the thing

725
00:35:05,600 --> 00:35:07,880
Speaker 3: or said the thing, Because there are some things you go, okay,

726
00:35:08,040 --> 00:35:10,399
Speaker 3: then there's some things you might go, I'm not gonna

727
00:35:10,480 --> 00:35:10,759
Speaker 3: change it.

728
00:35:11,280 --> 00:35:12,480
Speaker 1: Yes that thing where like.

729
00:35:14,520 --> 00:35:18,840
Speaker 2: People, people are sleeping on this uh, this Kendrick Lamar album.

730
00:35:19,160 --> 00:35:21,399
Speaker 2: It's it's kind of sad because it's really an album

731
00:35:21,440 --> 00:35:22,959
Speaker 2: a lot of people need to hear at this time,

732
00:35:23,640 --> 00:35:27,920
Speaker 2: but they're so conditioned to treat every product like it's

733
00:35:27,920 --> 00:35:30,040
Speaker 2: a book report that you grade from eight to the

734
00:35:30,280 --> 00:35:32,920
Speaker 2: f and and how much you agree with it or whatnot.

735
00:35:33,200 --> 00:35:37,760
Speaker 2: But one thing we said was you can't please everybody.

736
00:35:38,760 --> 00:35:41,279
Speaker 2: And this is one of those things where I think

737
00:35:41,320 --> 00:35:43,160
Speaker 2: it's not a bad impost. I don't think it's a

738
00:35:43,160 --> 00:35:46,879
Speaker 2: bad thing she did. But she had a lyric to say,

739
00:35:46,960 --> 00:35:48,520
Speaker 2: hold my bag, bitch, hold my bag.

740
00:35:48,560 --> 00:35:51,080
Speaker 1: Do you see this spat? Do you see this ship?

741
00:35:51,160 --> 00:35:53,359
Speaker 1: I'm aspas, I'm about to knock somebody out. Yo.

742
00:35:53,440 --> 00:35:55,600
Speaker 2: We're my best friend. She the only one I know

743
00:35:55,719 --> 00:35:57,759
Speaker 2: talking me off the deep end. So those are the

744
00:35:57,800 --> 00:36:03,839
Speaker 2: original words to the track, but following its airway play,

745
00:36:03,920 --> 00:36:06,440
Speaker 2: people began speaking out against the song, claiming it included

746
00:36:06,480 --> 00:36:09,400
Speaker 2: ablest language in the words fast, hey, Lizzo.

747
00:36:09,880 --> 00:36:10,879
Speaker 1: My disability, Sarah.

748
00:36:11,200 --> 00:36:16,919
Speaker 2: Cerebral palsy is literally classified as spastic the plegia, where

749
00:36:17,040 --> 00:36:20,280
Speaker 2: spasticity refers to an end and painful tightness in my legs.

750
00:36:20,920 --> 00:36:24,360
Speaker 2: Your new song makes me pretty angry and sad. Spas

751
00:36:24,440 --> 00:36:27,399
Speaker 2: doesn't mean freaked out or crazy. It's an ablest slur.

752
00:36:27,719 --> 00:36:32,000
Speaker 2: It's twenty twenty two. Do better read one Twitter user. Hey, Lizzo,

753
00:36:32,040 --> 00:36:34,080
Speaker 2: please remove the words fast from your new song because

754
00:36:34,080 --> 00:36:36,120
Speaker 2: of the slur and really offenses to the disabled community

755
00:36:36,120 --> 00:36:38,880
Speaker 2: from a disciplined fan, said another Twitter user.

756
00:36:40,200 --> 00:36:43,760
Speaker 1: So she put on she went and basically re record

757
00:36:43,800 --> 00:36:44,080
Speaker 1: the song.

758
00:36:44,120 --> 00:36:46,040
Speaker 2: She says, has been brought to my attention that there's

759
00:36:46,040 --> 00:36:49,000
Speaker 2: a harmful word in my new song Girls. Let me

760
00:36:49,040 --> 00:36:51,760
Speaker 2: make one thing clear. I never want to promote derogatory language.

761
00:36:51,760 --> 00:36:53,640
Speaker 2: As a fat black woman in America, I've had many

762
00:36:53,680 --> 00:36:56,040
Speaker 2: her for words use against me, so I overstand the

763
00:36:56,120 --> 00:36:59,120
Speaker 2: power words can have, whether intentionally or in my case, unintentionally.

764
00:36:59,280 --> 00:37:00,680
Speaker 2: I'm proud to say that as a new version of

765
00:37:00,680 --> 00:37:02,200
Speaker 2: Girls or the lyrics change.

766
00:37:01,880 --> 00:37:03,759
Speaker 7: This is the.

767
00:37:03,440 --> 00:37:06,919
Speaker 2: Result of me listening and taking action as an influential artist.

768
00:37:06,960 --> 00:37:09,480
Speaker 2: I'm dedicated to being part of the change I've been waiting.

769
00:37:09,239 --> 00:37:09,920
Speaker 1: To see in the world.

770
00:37:10,000 --> 00:37:13,360
Speaker 2: Hudsy kisses Lizzo once again. I don't think it's like

771
00:37:13,400 --> 00:37:15,160
Speaker 2: a bad thing she did. I don't think that makes

772
00:37:15,160 --> 00:37:17,840
Speaker 2: her a bad person. I don't think she got canceled,

773
00:37:17,840 --> 00:37:20,279
Speaker 2: and she I don't feel like that's what happened, But

774
00:37:20,360 --> 00:37:22,360
Speaker 2: I do wonder what's the limits of shit like this?

775
00:37:22,719 --> 00:37:26,960
Speaker 2: Correct to me, A lot of times people like this

776
00:37:27,000 --> 00:37:31,240
Speaker 2: are looking for acknowledgment because the way that we consume

777
00:37:31,280 --> 00:37:34,520
Speaker 2: media is so myopic. Now is about us, and you

778
00:37:34,600 --> 00:37:37,200
Speaker 2: need to consider me and everything that you do, the

779
00:37:37,320 --> 00:37:40,200
Speaker 2: jokes you make, the shit you write, the music, the

780
00:37:40,280 --> 00:37:45,799
Speaker 2: lyrics you have, and at on some level, a lot

781
00:37:45,840 --> 00:37:48,840
Speaker 2: of words are quote unquote hurtful to people. You know,

782
00:37:48,960 --> 00:37:50,759
Speaker 2: someone could be like, I don't like that you said

783
00:37:50,760 --> 00:37:55,400
Speaker 2: bitching those lyrics you know like, and then you just

784
00:37:55,440 --> 00:37:56,480
Speaker 2: have to pick your place.

785
00:37:56,760 --> 00:37:59,160
Speaker 3: That's when I said, yep, because it's gonna be some things.

786
00:37:59,160 --> 00:38:02,279
Speaker 3: You go, okay, I don't mind doing it. Then there's

787
00:38:02,280 --> 00:38:03,840
Speaker 3: gonna be some some things, but you're just gonna have

788
00:38:03,840 --> 00:38:05,480
Speaker 3: to stand your ground. By way your feelings is gonna

789
00:38:05,520 --> 00:38:06,040
Speaker 3: have to be hurt.

790
00:38:06,520 --> 00:38:06,880
Speaker 1: Yeah.

791
00:38:07,080 --> 00:38:11,840
Speaker 2: And the thing for me is, I think it's dope

792
00:38:11,840 --> 00:38:15,240
Speaker 2: that she wanted to change it, and I think people

793
00:38:15,280 --> 00:38:17,759
Speaker 2: that are against her changing it are probably missing the

794
00:38:18,800 --> 00:38:22,759
Speaker 2: It's her decision, so you should respect that. The thing is,

795
00:38:23,440 --> 00:38:26,640
Speaker 2: I don't think this ends with this, and maybe it's

796
00:38:26,680 --> 00:38:28,240
Speaker 2: just forty three years on this earth.

797
00:38:28,360 --> 00:38:29,360
Speaker 1: You see certain.

798
00:38:29,080 --> 00:38:30,800
Speaker 3: Patterns, you see they're gonna keep pushing.

799
00:38:31,360 --> 00:38:35,520
Speaker 2: I believe there's a level of acknowledgment that a certain

800
00:38:35,560 --> 00:38:41,359
Speaker 2: type of person on the internet words wants, and once

801
00:38:41,400 --> 00:38:44,680
Speaker 2: they get that acknowledgment, it's not enough, And once they

802
00:38:44,719 --> 00:38:47,560
Speaker 2: know you'll do something, they'll never let up, you know,

803
00:38:48,719 --> 00:38:52,000
Speaker 2: And it just really depends on the group. Lizo is

804
00:38:52,040 --> 00:38:54,560
Speaker 2: the same person that when she said, you know, we've

805
00:38:54,560 --> 00:38:58,440
Speaker 2: seen her crying. We've seen her really distraught over just

806
00:38:58,600 --> 00:39:01,800
Speaker 2: people's comments on the end. Even as she talks about

807
00:39:01,840 --> 00:39:05,640
Speaker 2: being strong and body positive, certain comments get to her

808
00:39:05,719 --> 00:39:09,720
Speaker 2: and then she's crying on the internet, which never really

809
00:39:09,760 --> 00:39:12,480
Speaker 2: seems to make people stop. It seems to make people

810
00:39:12,600 --> 00:39:15,200
Speaker 2: go harder. And we typically think of just the bad

811
00:39:15,200 --> 00:39:17,280
Speaker 2: people that do that shit, like yeah, they're bad people,

812
00:39:17,280 --> 00:39:19,239
Speaker 2: but sometimes even the good people do that shit where

813
00:39:19,280 --> 00:39:22,520
Speaker 2: it's like, you know, at some level, you have to

814
00:39:24,640 --> 00:39:27,440
Speaker 2: at some level, you have to understand you're putting work

815
00:39:27,440 --> 00:39:30,200
Speaker 2: out into the world and people are gonna judge it, yes,

816
00:39:30,280 --> 00:39:32,960
Speaker 2: and you're not always gonna say the thing that's perfect

817
00:39:33,000 --> 00:39:37,600
Speaker 2: for everybody. So it'll be interesting to see where this

818
00:39:37,640 --> 00:39:41,400
Speaker 2: goes because my prediction is that she will now become

819
00:39:41,840 --> 00:39:44,239
Speaker 2: any other time she doesn't go and change a song

820
00:39:44,360 --> 00:39:47,200
Speaker 2: or she doesn't change the lyric for somebody else's point

821
00:39:47,200 --> 00:39:50,040
Speaker 2: of view, she's gonna become insensitive to.

822
00:39:50,120 --> 00:39:51,880
Speaker 1: That group in a lot of people's eyes.

823
00:39:52,239 --> 00:39:54,720
Speaker 2: And it's kind of like the way people treat Kendrick Lamar,

824
00:39:54,840 --> 00:39:57,759
Speaker 2: where they heap a bunch of shit on Kendrick that

825
00:39:57,840 --> 00:40:00,480
Speaker 2: they don't heep on other artists because they feel like

826
00:40:00,520 --> 00:40:04,880
Speaker 2: he's supposed to be a savior and special and different and.

827
00:40:05,160 --> 00:40:07,560
Speaker 3: Never ask for a never you know, well, even.

828
00:40:07,360 --> 00:40:10,200
Speaker 1: If he did, it's music, you know what I mean.

829
00:40:10,440 --> 00:40:15,520
Speaker 2: It's like you don't have to give any other Somebody

830
00:40:15,520 --> 00:40:17,000
Speaker 2: could be like, I'm on the Pimp of the year.

831
00:40:17,040 --> 00:40:18,799
Speaker 2: It doesn't mean I have to, Like it's like that's

832
00:40:18,840 --> 00:40:21,080
Speaker 2: a song I don't have to. But the thing is

833
00:40:21,520 --> 00:40:26,040
Speaker 2: Kendrick tries, So then we hold it against him that

834
00:40:26,080 --> 00:40:28,480
Speaker 2: he tries, because like, oh, you try and sometimes you

835
00:40:28,520 --> 00:40:29,400
Speaker 2: fall short.

836
00:40:29,480 --> 00:40:30,720
Speaker 1: That's worse in future.

837
00:40:31,280 --> 00:40:34,320
Speaker 2: That's worse than people, you know, shit Snoop Dogg and

838
00:40:34,360 --> 00:40:36,520
Speaker 2: all the people that I grew up worshiping. That's worse

839
00:40:36,600 --> 00:40:39,640
Speaker 2: than them because at least they never tried you actually

840
00:40:39,680 --> 00:40:40,840
Speaker 2: tried and fell short.

841
00:40:41,520 --> 00:40:42,879
Speaker 1: You're a worst person in them.

842
00:40:42,920 --> 00:40:45,560
Speaker 2: So even if I go, I would have, like on

843
00:40:45,640 --> 00:40:47,200
Speaker 2: a scale of one to ten with how much I

844
00:40:47,239 --> 00:40:49,560
Speaker 2: agree with you. I give Kendrick an eight out of ten,

845
00:40:49,600 --> 00:40:51,239
Speaker 2: and I give Future a zero out of ten. But

846
00:40:51,360 --> 00:40:54,280
Speaker 2: Kendrick is the guy mad at and Future is fine

847
00:40:54,320 --> 00:40:56,640
Speaker 2: with me because the a he never tried. And I

848
00:40:56,680 --> 00:41:00,160
Speaker 2: wonder if Lizo's gonna experience that after this, that she

849
00:41:00,239 --> 00:41:03,080
Speaker 2: is the one who her Now her albums have to

850
00:41:03,120 --> 00:41:04,720
Speaker 2: go through a check on every level.

851
00:41:05,120 --> 00:41:09,040
Speaker 3: They're gonna be coming every every phrase, every sillable, like

852
00:41:09,600 --> 00:41:11,320
Speaker 3: that's what they're going to do. Like I said, people

853
00:41:11,640 --> 00:41:14,320
Speaker 3: pick and choose type of things, and it's one of

854
00:41:14,360 --> 00:41:19,640
Speaker 3: those things where I understand and it's her choice. But

855
00:41:20,360 --> 00:41:24,680
Speaker 3: once you set this president, yeah, yeah, everything that you

856
00:41:24,719 --> 00:41:26,919
Speaker 3: do from now on, they're gonna expect you to change

857
00:41:26,960 --> 00:41:28,200
Speaker 3: it the second they bring it up.

858
00:41:28,480 --> 00:41:28,719
Speaker 1: Yeah.

859
00:41:28,840 --> 00:41:30,799
Speaker 3: I am never satisfied.

860
00:41:30,400 --> 00:41:33,920
Speaker 2: Because you know, like people, there's people that still use

861
00:41:34,000 --> 00:41:36,839
Speaker 2: the the word lame or something like that, like this

862
00:41:36,880 --> 00:41:39,320
Speaker 2: person is a lame, this thing is lame or whatever,

863
00:41:39,400 --> 00:41:43,400
Speaker 2: and it's still generally expected. It's I'm accepted. I mean people,

864
00:41:44,080 --> 00:41:46,600
Speaker 2: it's in mainstream songs all the time. Comedians use it

865
00:41:46,600 --> 00:41:51,480
Speaker 2: all the time, and that would never got no pun attended.

866
00:41:51,520 --> 00:41:53,160
Speaker 1: It never got off the ground as far as like

867
00:41:53,719 --> 00:41:55,319
Speaker 1: a thing to like.

868
00:41:55,360 --> 00:41:58,160
Speaker 2: People tried to make that like we're gonna erase this word,

869
00:41:58,160 --> 00:41:59,439
Speaker 2: and it just never worked out.

870
00:42:00,160 --> 00:42:01,799
Speaker 1: But it does give people a place to be.

871
00:42:01,800 --> 00:42:05,480
Speaker 2: Angry and to go, well, now you're a bad person

872
00:42:05,840 --> 00:42:08,160
Speaker 2: cause you didn't take that out of your language, or

873
00:42:08,600 --> 00:42:10,600
Speaker 2: you must be doing I'm assume the worst you're doing

874
00:42:10,719 --> 00:42:13,799
Speaker 2: like like that. So I you know, and I think,

875
00:42:14,760 --> 00:42:19,640
Speaker 2: does the optics of this black woman like in this

876
00:42:19,800 --> 00:42:23,680
Speaker 2: fan base of mostly white people that are trying to

877
00:42:23,760 --> 00:42:26,839
Speaker 2: find ways to police her her because like I said,

878
00:42:26,880 --> 00:42:29,759
Speaker 2: when she said she did it a week cleanse or

879
00:42:29,800 --> 00:42:31,120
Speaker 2: something and she was feeling.

880
00:42:30,800 --> 00:42:33,200
Speaker 1: Great and people were like, how dare you? You are

881
00:42:33,280 --> 00:42:34,000
Speaker 1: fat phobic?

882
00:42:34,080 --> 00:42:36,840
Speaker 2: You are talking about diet culture and stuff, and she

883
00:42:37,000 --> 00:42:39,680
Speaker 2: was like, I just like to feel good and I

884
00:42:39,680 --> 00:42:42,439
Speaker 2: thought the cleans helped me feel better, cleared my skin

885
00:42:42,560 --> 00:42:45,279
Speaker 2: up and da da da, and people were like, no,

886
00:42:45,600 --> 00:42:47,200
Speaker 2: you can't, and I'm like, it's still.

887
00:42:47,480 --> 00:42:48,520
Speaker 1: It works both ways.

888
00:42:48,600 --> 00:42:51,280
Speaker 2: It's her body when you're calling her fat and ugly

889
00:42:51,320 --> 00:42:53,680
Speaker 2: and shit, and it's her body when she's saying I

890
00:42:53,680 --> 00:42:56,000
Speaker 2: would like to do a cleanse.

891
00:42:56,120 --> 00:42:57,920
Speaker 1: It's all still her autonomy.

892
00:42:58,000 --> 00:43:01,520
Speaker 2: You can't dishonor that, so but it bothered her, you know,

893
00:43:01,760 --> 00:43:04,160
Speaker 2: and it makes me think about you know, this is

894
00:43:04,200 --> 00:43:08,800
Speaker 2: my pet thing on the show, her Summer Walker, Chloe Bailey,

895
00:43:08,880 --> 00:43:11,839
Speaker 2: like young, these young black women that are constantly on

896
00:43:12,040 --> 00:43:15,560
Speaker 2: Instagram and whatnot, and then they get hurt by the

897
00:43:15,640 --> 00:43:18,000
Speaker 2: response to it. It's just something I'm always keeping an

898
00:43:18,000 --> 00:43:21,040
Speaker 2: eye on because I feel like they're on the front

899
00:43:21,080 --> 00:43:24,160
Speaker 2: lines and that's what's happening gonna happen to all of

900
00:43:24,239 --> 00:43:24,840
Speaker 2: us eventually.

901
00:43:25,320 --> 00:43:29,960
Speaker 3: Yes, yes, And I think that for a lot of people,

902
00:43:30,040 --> 00:43:32,279
Speaker 3: they make the assumption that it's never gonna happen to them,

903
00:43:32,680 --> 00:43:35,160
Speaker 3: and so since it's never gonna happen to you, you

904
00:43:35,200 --> 00:43:39,040
Speaker 3: don't care about the consequences or the repercussions of just

905
00:43:39,080 --> 00:43:42,960
Speaker 3: saying the most nastiest, bowel and rude things to people

906
00:43:43,160 --> 00:43:45,560
Speaker 3: just because you can, because as far as you concern,

907
00:43:45,680 --> 00:43:49,120
Speaker 3: you're just one in their number. But for that person,

908
00:43:49,200 --> 00:43:51,239
Speaker 3: nobody is designed, I would continue to say about this,

909
00:43:51,320 --> 00:43:54,800
Speaker 3: nobody is designed to get hundreds and thousands of replies

910
00:43:55,160 --> 00:43:57,319
Speaker 3: of hate you, fuck you, hope you get raped out

911
00:43:57,360 --> 00:44:01,160
Speaker 3: at Nope, no nobody, no, no mind can handle that.

912
00:44:01,280 --> 00:44:03,239
Speaker 2: And it's like we're looking for the worst way to

913
00:44:03,280 --> 00:44:07,160
Speaker 2: take everything. It's so like and we and it depends

914
00:44:07,200 --> 00:44:09,279
Speaker 2: on if we like you or not, because like when

915
00:44:09,320 --> 00:44:14,600
Speaker 2: Beyonce came out with Savage, nobody was gonna listen to somebody.

916
00:44:14,320 --> 00:44:16,120
Speaker 1: That would have said, well, this is a slurb that

917
00:44:16,160 --> 00:44:16,960
Speaker 1: white people.

918
00:44:16,760 --> 00:44:20,160
Speaker 2: Use against indigenous people in America, so therefore she shouldn't

919
00:44:20,200 --> 00:44:22,000
Speaker 2: have a song named this, she needs.

920
00:44:21,760 --> 00:44:23,560
Speaker 1: To go back re record the song. And da da

921
00:44:23,640 --> 00:44:26,400
Speaker 1: da da. We were like, no, it's slang. We know

922
00:44:26,480 --> 00:44:29,600
Speaker 1: what it means. She's not talking about that. Calm down.

923
00:44:29,760 --> 00:44:32,040
Speaker 2: That's how people would have responded because we liked Beyonce

924
00:44:32,160 --> 00:44:34,399
Speaker 2: in a way that we don't always.

925
00:44:34,400 --> 00:44:35,120
Speaker 1: Like other people.

926
00:44:35,200 --> 00:44:37,520
Speaker 2: And for the record, people would have said that about this,

927
00:44:38,000 --> 00:44:40,880
Speaker 2: but Lizo changed it, which actually was like stressing effect.

928
00:44:40,920 --> 00:44:44,120
Speaker 2: It actually drew more attention to those comments than would

929
00:44:44,120 --> 00:44:46,399
Speaker 2: have been drawn to those comments if she hadn't said

930
00:44:46,400 --> 00:44:48,600
Speaker 2: anything correct. Even if she would have just changed the

931
00:44:48,640 --> 00:44:51,000
Speaker 2: song without saying anything right, it wouldn't have drawn us

932
00:44:51,080 --> 00:44:54,680
Speaker 2: much attention. But I don't know if it feels a

933
00:44:54,719 --> 00:44:59,840
Speaker 2: little bit like I won't say phil I bet, and

934
00:45:00,040 --> 00:45:02,600
Speaker 2: I wonder if this has the opposite effecting what she thinks,

935
00:45:02,880 --> 00:45:06,520
Speaker 2: like this now makes her a new pinata to people,

936
00:45:07,000 --> 00:45:09,560
Speaker 2: as opposed to oh you did, what.

937
00:45:09,560 --> 00:45:13,759
Speaker 1: A cool thing you did? And what that's so nice

938
00:45:13,760 --> 00:45:17,000
Speaker 1: and honorable of you? Cool. I think it goes with

939
00:45:17,239 --> 00:45:18,040
Speaker 1: in a short period of.

940
00:45:18,080 --> 00:45:21,239
Speaker 2: Time, like I within a month, what we were talking

941
00:45:21,280 --> 00:45:24,759
Speaker 2: about this idea again where somebody's like, fuck Lizzo, she

942
00:45:24,880 --> 00:45:26,919
Speaker 2: had this lyric in her other song and she didn't

943
00:45:26,960 --> 00:45:27,440
Speaker 2: change that.

944
00:45:27,920 --> 00:45:31,960
Speaker 1: Clearly she hates blank people. I wouldn't be shocked.

945
00:45:32,040 --> 00:45:35,040
Speaker 3: So nope, and we will see. And it's one of

946
00:45:35,080 --> 00:45:37,520
Speaker 3: those things where people go, well, Lizzo did it, and

947
00:45:37,600 --> 00:45:39,480
Speaker 3: you're gonna have another artist be like, I'm not her.

948
00:45:40,120 --> 00:45:41,920
Speaker 3: She can do it to her song or whatever. But

949
00:45:42,160 --> 00:45:44,440
Speaker 3: that does not mean I have to, right.

950
00:45:46,520 --> 00:45:49,200
Speaker 1: But yeah, good for her, you know, And like I said,

951
00:45:49,320 --> 00:45:50,959
Speaker 1: that's that's dope. Man.

952
00:45:51,160 --> 00:45:54,600
Speaker 2: Let me tell you how good fucking uh the Internet

953
00:45:54,640 --> 00:45:58,520
Speaker 2: algorithm is? Okay, these cookies, what's up on this next article?

954
00:45:59,000 --> 00:46:04,879
Speaker 2: Look at the ad MMB shock for Roy Wood Jr's table.

955
00:46:05,040 --> 00:46:07,359
Speaker 3: On top of it was like, we think you won't this.

956
00:46:07,360 --> 00:46:10,000
Speaker 1: That's why I don't block cookies. Let them see everything. Okay,

957
00:46:10,080 --> 00:46:11,640
Speaker 1: I'll let see everything.

958
00:46:11,920 --> 00:46:14,759
Speaker 2: So I always end up with like Velma Cosplay t

959
00:46:14,920 --> 00:46:18,200
Speaker 2: shirts on my h on my Facebook page.

960
00:46:18,239 --> 00:46:21,120
Speaker 1: Okay, because I'm not gonna lie about who I am.

961
00:46:22,280 --> 00:46:23,600
Speaker 1: That's what I want for Father's Day.

962
00:46:24,480 --> 00:46:27,800
Speaker 2: Amber Her denies she's been cut from Aquaman two. Actress

963
00:46:27,800 --> 00:46:32,280
Speaker 2: rebrands rumors insensitive insane, hours after she repeated thefavatory clans

964
00:46:32,280 --> 00:46:34,600
Speaker 2: on Today's show that Johnny Depp beat her.

965
00:46:36,080 --> 00:46:36,919
Speaker 1: Well, this is the thing.

966
00:46:38,360 --> 00:46:41,080
Speaker 2: There's this rumor going that she's getting cut from Aquaman

967
00:46:41,120 --> 00:46:43,280
Speaker 2: two and they're gonna reshoot it with a new actress.

968
00:46:44,160 --> 00:46:47,319
Speaker 2: I don't know how true it is, but it does

969
00:46:47,400 --> 00:46:51,960
Speaker 2: feel like a broad over reaction to the trial because

970
00:46:52,040 --> 00:46:56,840
Speaker 2: like she did want the trial in the UK, Like

971
00:46:56,880 --> 00:46:58,520
Speaker 2: it's not like when she wanted the trial in the UK,

972
00:46:58,600 --> 00:47:00,319
Speaker 2: people was like, well, then that means John the DEVI

973
00:47:00,320 --> 00:47:03,279
Speaker 2: will never work again. They was booking him and he

974
00:47:03,440 --> 00:47:05,560
Speaker 2: was out torn and hanging out with guitars and shit.

975
00:47:06,840 --> 00:47:09,640
Speaker 1: I don't know. It feels weird. I don't like. I

976
00:47:09,680 --> 00:47:12,839
Speaker 1: guess I have no It feels weird if that's true

977
00:47:12,880 --> 00:47:15,000
Speaker 1: that they're gonna cut her out of Aquamanto and.

978
00:47:15,080 --> 00:47:18,360
Speaker 3: The studio has to say anything, so and they've already

979
00:47:18,400 --> 00:47:19,640
Speaker 3: shot things with her in it.

980
00:47:19,880 --> 00:47:25,919
Speaker 2: So yeah, and this also, this is another example of

981
00:47:25,960 --> 00:47:30,440
Speaker 2: a rumor being started being accepted as true about this woman.

982
00:47:30,520 --> 00:47:33,719
Speaker 2: And I wonder where it comes from because it is

983
00:47:33,800 --> 00:47:35,680
Speaker 2: not the first time this rumor's been out there. It's

984
00:47:35,680 --> 00:47:39,440
Speaker 2: been going the whole trial now and then now she's

985
00:47:39,480 --> 00:47:40,279
Speaker 2: been cut out of the movie.

986
00:47:40,280 --> 00:47:41,440
Speaker 1: She's been cut out of the movie.

987
00:47:41,680 --> 00:47:43,840
Speaker 2: And then you have her responding to it going no,

988
00:47:43,920 --> 00:47:46,680
Speaker 2: I haven't and then it makes her seem like like oh,

989
00:47:47,120 --> 00:47:49,080
Speaker 2: this bitch, you know whereas like.

990
00:47:49,640 --> 00:47:50,839
Speaker 1: Well, was this ever true?

991
00:47:50,880 --> 00:47:54,239
Speaker 2: Where did this information come from? And why is it circulated?

992
00:47:54,239 --> 00:47:56,560
Speaker 2: And accepted this fact because I saw a reported in

993
00:47:56,680 --> 00:48:00,120
Speaker 2: news outlets before it was she refuted it.

994
00:48:00,239 --> 00:48:01,320
Speaker 1: So it's weird.

995
00:48:03,320 --> 00:48:07,880
Speaker 2: Let's see uh Tyler Perry talking about the Will Smith slap,

996
00:48:07,960 --> 00:48:12,239
Speaker 2: remember he was there. He said he was de escalating,

997
00:48:13,160 --> 00:48:14,600
Speaker 2: not comforting Will Smith.

998
00:48:15,120 --> 00:48:15,799
Speaker 3: I can see that.

999
00:48:16,360 --> 00:48:18,520
Speaker 1: Yeah, I figured it was that. I think people are just.

1000
00:48:18,520 --> 00:48:23,720
Speaker 2: So I don't know, people are so fucking angsty about

1001
00:48:23,760 --> 00:48:26,680
Speaker 2: that situation that they want to make they want to

1002
00:48:26,719 --> 00:48:29,960
Speaker 2: make everyone the worst actor in the case in it,

1003
00:48:30,080 --> 00:48:33,120
Speaker 2: and so it had to be like fuck all them

1004
00:48:33,120 --> 00:48:35,480
Speaker 2: people that came down there, but we didn't know what

1005
00:48:35,560 --> 00:48:36,040
Speaker 2: was going on.

1006
00:48:36,080 --> 00:48:38,360
Speaker 1: We didn't have even half the story. We had what

1007
00:48:38,480 --> 00:48:39,040
Speaker 1: we saw with.

1008
00:48:39,000 --> 00:48:41,760
Speaker 2: A brief snippet on TV and some of the cut

1009
00:48:41,719 --> 00:48:43,279
Speaker 2: and some of that shit wasn't even aired on TV.

1010
00:48:43,360 --> 00:48:45,879
Speaker 2: We just saw like a camera that when they went

1011
00:48:45,920 --> 00:48:48,920
Speaker 2: to commercial or whatever it turns out.

1012
00:48:48,719 --> 00:48:49,200
Speaker 1: He was doing.

1013
00:48:49,520 --> 00:48:53,200
Speaker 2: He was doing an interview with Gail King and they said,

1014
00:48:53,200 --> 00:48:57,399
Speaker 2: there's a difference between comforting and de escalating. He said,

1015
00:48:57,440 --> 00:48:59,640
Speaker 2: My only problem with this question that basically is if

1016
00:48:59,640 --> 00:49:02,799
Speaker 2: I talk, it becomes overshadowing everything else. We just talked about.

1017
00:49:03,080 --> 00:49:07,959
Speaker 2: That will be the headline for sure. And she asked,

1018
00:49:07,960 --> 00:49:10,320
Speaker 2: because she asked him if he would take Will Smith's

1019
00:49:10,400 --> 00:49:13,400
Speaker 2: name off of the sound stage at Tyler Perry Studios,

1020
00:49:13,880 --> 00:49:16,640
Speaker 2: which he named after the twelve Stages, after someone he admires.

1021
00:49:17,200 --> 00:49:19,640
Speaker 2: He said, and she made a joke, we can make

1022
00:49:19,680 --> 00:49:22,719
Speaker 2: another headline. I'm pregnant with Tyler's child. That's the headline,

1023
00:49:23,920 --> 00:49:26,480
Speaker 2: he laughed, and then continued, I was there close up.

1024
00:49:26,680 --> 00:49:27,440
Speaker 1: I left early to.

1025
00:49:27,440 --> 00:49:30,040
Speaker 2: Go and check on Chris because it was wrong in

1026
00:49:30,080 --> 00:49:32,319
Speaker 2: no uncertain terms, and I made sure I said that

1027
00:49:32,360 --> 00:49:35,279
Speaker 2: the will he said Smith, who had been banned from

1028
00:49:35,280 --> 00:49:38,000
Speaker 2: the Oscar ceremonies for ten years, was devastated. He couldn't

1029
00:49:38,000 --> 00:49:40,239
Speaker 2: believe what happened. He couldn't believe he did it. And

1030
00:49:40,280 --> 00:49:42,040
Speaker 2: I'm looking at this man in his eyes, going what

1031
00:49:42,080 --> 00:49:43,920
Speaker 2: are you doing? This is your night and to get

1032
00:49:43,960 --> 00:49:46,040
Speaker 2: all this way to winning an Oscar. It was one

1033
00:49:46,080 --> 00:49:48,440
Speaker 2: of the crowning moments of his career that he wanted

1034
00:49:48,520 --> 00:49:49,280
Speaker 2: so desperately.

1035
00:49:50,040 --> 00:49:51,600
Speaker 1: I think he's very.

1036
00:49:52,960 --> 00:49:55,560
Speaker 2: I think he's very much in reflection trying to figure

1037
00:49:55,600 --> 00:49:58,399
Speaker 2: out what happened. He alluded to a section of Will

1038
00:49:58,440 --> 00:50:02,839
Speaker 2: Smith's recent memoir Will where he said about the act

1039
00:50:02,840 --> 00:50:04,759
Speaker 2: of not being there to protect his mother eight years old.

1040
00:50:04,840 --> 00:50:06,640
Speaker 2: I know that feeling, and if that trauma is not

1041
00:50:06,719 --> 00:50:09,080
Speaker 2: dealt with right away, as you get older, it will.

1042
00:50:08,960 --> 00:50:11,240
Speaker 1: Show up in the most inappropriate and horrible times.

1043
00:50:11,800 --> 00:50:13,920
Speaker 2: And he said being friends with both of them in

1044
00:50:13,920 --> 00:50:17,439
Speaker 2: this situation was very difficult. Chris Rock was a pure

1045
00:50:17,480 --> 00:50:19,520
Speaker 2: champion away he handled it, but something happened that was

1046
00:50:19,560 --> 00:50:22,319
Speaker 2: extremely painful for Smith as well. It's no excuse he

1047
00:50:22,400 --> 00:50:25,000
Speaker 2: was completely wrong, but something triggered that was so out

1048
00:50:25,040 --> 00:50:25,920
Speaker 2: of everything he is.

1049
00:50:26,000 --> 00:50:28,080
Speaker 1: I feel very uncomfortable. I don't feel it's my story

1050
00:50:28,120 --> 00:50:29,759
Speaker 1: to tell.

1051
00:50:30,400 --> 00:50:33,399
Speaker 2: The thing that I think is interesting about this because

1052
00:50:33,640 --> 00:50:39,280
Speaker 2: I agree with pretty much everything he said. He was there,

1053
00:50:39,560 --> 00:50:42,000
Speaker 2: He talked to will Smith after he did it, and

1054
00:50:42,080 --> 00:50:43,800
Speaker 2: he talks about will Smith not even.

1055
00:50:43,640 --> 00:50:46,480
Speaker 1: Being able to believe he did that. Being out of control.

1056
00:50:47,760 --> 00:50:49,560
Speaker 1: One of my biggest fears being out of control. So

1057
00:50:49,600 --> 00:50:52,040
Speaker 1: I can relate to that level of like I would

1058
00:50:52,040 --> 00:50:54,480
Speaker 1: hate to do some shit look back and be like,

1059
00:50:54,520 --> 00:50:56,240
Speaker 1: I was out of my fucking mind for a second.

1060
00:50:56,280 --> 00:50:57,640
Speaker 1: I don't know what happened there.

1061
00:50:59,000 --> 00:51:02,719
Speaker 2: But for all the people that have spent the past

1062
00:51:02,760 --> 00:51:05,560
Speaker 2: few months spinning this and spinning this and spinning this

1063
00:51:05,680 --> 00:51:09,120
Speaker 2: into it's about protecting black women, it's about protecting his wife.

1064
00:51:09,120 --> 00:51:09,680
Speaker 1: It's about this.

1065
00:51:10,600 --> 00:51:15,720
Speaker 2: That's not the mindset of a person that's about protecting somebody.

1066
00:51:16,920 --> 00:51:20,560
Speaker 2: That's not because because like, for example, if somebody did

1067
00:51:20,600 --> 00:51:23,120
Speaker 2: something to care and then we're out in public and

1068
00:51:23,160 --> 00:51:25,640
Speaker 2: I fucking punched that dude in the face or that,

1069
00:51:25,760 --> 00:51:27,400
Speaker 2: you know, whatever, I do what I feel like I

1070
00:51:27,440 --> 00:51:29,320
Speaker 2: need to do to protect my wife in that moment,

1071
00:51:30,200 --> 00:51:32,960
Speaker 2: I'm not gonna be sitting there like, oh I was,

1072
00:51:33,280 --> 00:51:33,640
Speaker 2: Oh I was.

1073
00:51:33,600 --> 00:51:34,160
Speaker 1: Out of control.

1074
00:51:34,200 --> 00:51:37,279
Speaker 2: I don't know what I'll be like, yeah, I did it, Yes, yes,

1075
00:51:38,440 --> 00:51:38,799
Speaker 2: I know.

1076
00:51:38,840 --> 00:51:40,200
Speaker 1: I'm not wondering what happened.

1077
00:51:40,239 --> 00:51:42,520
Speaker 2: That person was wrong, they did something to my wife,

1078
00:51:42,760 --> 00:51:44,480
Speaker 2: and I harmed them in a way.

1079
00:51:44,320 --> 00:51:46,640
Speaker 1: That I felt was reciprocal to what they tried to do.

1080
00:51:47,120 --> 00:51:50,000
Speaker 1: Boom in the discussion, this feels.

1081
00:51:49,680 --> 00:51:51,319
Speaker 2: Like a person that was out of control and had

1082
00:51:51,440 --> 00:51:53,279
Speaker 2: like a moment where they were triggered and did something

1083
00:51:53,280 --> 00:51:57,719
Speaker 2: they regret. And like, unless we hear different, I don't.

1084
00:51:58,160 --> 00:51:58,960
Speaker 1: I'll put it this way.

1085
00:51:59,360 --> 00:52:02,279
Speaker 2: Maybe he'll come surprised us and tell us, because really

1086
00:52:02,280 --> 00:52:05,200
Speaker 2: only he can say, but man, I'd be surprised if

1087
00:52:05,200 --> 00:52:07,439
Speaker 2: it if it's something different than that. It really seemed

1088
00:52:07,480 --> 00:52:08,760
Speaker 2: like he lost it for a minute.

1089
00:52:09,400 --> 00:52:13,560
Speaker 3: And it's also the thing is, like you say, most

1090
00:52:13,640 --> 00:52:20,080
Speaker 3: people just got snapshots of the what was presided on TV,

1091
00:52:20,560 --> 00:52:22,560
Speaker 3: you know, because the buck of the general public was

1092
00:52:22,600 --> 00:52:25,160
Speaker 3: who aren't there, So we don't know who talked to who,

1093
00:52:25,239 --> 00:52:27,520
Speaker 3: who reached out to who, who said what to who?

1094
00:52:27,560 --> 00:52:30,520
Speaker 3: We don't know that. And so I think for a

1095
00:52:30,640 --> 00:52:35,239
Speaker 3: lot of people, because and I understand, because this is

1096
00:52:35,280 --> 00:52:38,080
Speaker 3: such a touchy and emotional topic for a lot of people,

1097
00:52:38,120 --> 00:52:41,640
Speaker 3: people have drawn drawn hard lines in the sand and

1098
00:52:41,640 --> 00:52:44,200
Speaker 3: they're not willing to move or give regardless of the

1099
00:52:44,200 --> 00:52:47,000
Speaker 3: facts that may come out or the things that are

1100
00:52:47,040 --> 00:52:50,040
Speaker 3: put in front of them. So it's one of those

1101
00:52:50,040 --> 00:52:52,200
Speaker 3: things where no matter what he said or do, it's

1102
00:52:52,239 --> 00:52:54,640
Speaker 3: not going to change people's mind if they have quote

1103
00:52:54,719 --> 00:53:01,120
Speaker 3: unquote picked that camp. Yeah, Alabama police shoot and kill

1104
00:53:01,120 --> 00:53:04,560
Speaker 3: a suspicious man outside of elementary school. Oh what was

1105
00:53:04,600 --> 00:53:04,960
Speaker 3: he doing?

1106
00:53:06,239 --> 00:53:06,879
Speaker 1: Thursday morning?

1107
00:53:06,880 --> 00:53:09,160
Speaker 2: Police officers finding to a principal phone call at walling

1108
00:53:09,200 --> 00:53:11,680
Speaker 2: Up Park Elementary whereas part of the man was outside

1109
00:53:11,680 --> 00:53:15,680
Speaker 2: the school pulling on the door aggressively numerous times. I

1110
00:53:15,719 --> 00:53:18,000
Speaker 2: got a call for the principal, who was really distraveed.

1111
00:53:18,000 --> 00:53:20,680
Speaker 2: I really couldn't make out what was happening, but I

1112
00:53:20,760 --> 00:53:21,440
Speaker 2: knew something.

1113
00:53:21,280 --> 00:53:21,879
Speaker 1: Was pretty bad.

1114
00:53:21,920 --> 00:53:24,160
Speaker 2: At the time, the school held thirty four children that

1115
00:53:24,200 --> 00:53:27,160
Speaker 2: were part of a summer literacy camp. Once the police arrived,

1116
00:53:27,239 --> 00:53:30,560
Speaker 2: as a physical dispute that involved gunfire, resulting in the

1117
00:53:30,600 --> 00:53:31,799
Speaker 2: suspect being shot and killed.

1118
00:53:31,800 --> 00:53:34,080
Speaker 1: There's no official word on whether the suspect was armed.

1119
00:53:34,400 --> 00:53:35,240
Speaker 1: Let me tell you something.

1120
00:53:36,000 --> 00:53:39,360
Speaker 2: First of all, the way police report shit involved gunfire

1121
00:53:39,400 --> 00:53:42,799
Speaker 2: officer involved shooting sound like they shot the do if

1122
00:53:42,840 --> 00:53:46,239
Speaker 2: he was armed. They almost always want to tell you

1123
00:53:46,280 --> 00:53:49,279
Speaker 2: that shit up front, like he was armed, he shot

1124
00:53:49,280 --> 00:53:51,319
Speaker 2: at us because they can't wait to justify the shit.

1125
00:53:52,960 --> 00:53:55,440
Speaker 2: And I obviously whatever they were doing at the school

1126
00:53:55,480 --> 00:53:57,600
Speaker 2: is they weren't supposed to be there. It's probably gonna

1127
00:53:57,600 --> 00:54:01,040
Speaker 2: be a bad story, but I'll keeping an odyssey what

1128
00:54:01,080 --> 00:54:04,560
Speaker 2: else happened with this story? And you know, like who

1129
00:54:04,600 --> 00:54:06,839
Speaker 2: got shot and what that person was doing there?

1130
00:54:07,040 --> 00:54:10,560
Speaker 1: You know, mm hm, because it's getting bad now. Man,

1131
00:54:10,600 --> 00:54:13,000
Speaker 1: if you just a regular pedophile showing up to these schools,

1132
00:54:13,000 --> 00:54:13,760
Speaker 1: you might get shot.

1133
00:54:14,680 --> 00:54:18,160
Speaker 2: Okay, we assuming everybody got some heat. Okay, I'm not

1134
00:54:18,200 --> 00:54:20,439
Speaker 2: saying y'all have sympathy for these pedophiles on no jail

1135
00:54:20,480 --> 00:54:25,759
Speaker 2: Covan shit, But I'm just saying a regular creep we got.

1136
00:54:25,880 --> 00:54:28,520
Speaker 2: We gotta shoot first, asked questions later to protect these kids,

1137
00:54:28,520 --> 00:54:32,239
Speaker 2: because we don't let everybody have a gun, you know,

1138
00:54:32,760 --> 00:54:36,960
Speaker 2: And I don't care how many petitions Shonda Rhan's and

1139
00:54:37,040 --> 00:54:39,359
Speaker 2: them signed. Okay, it's not the TV shows. It's making

1140
00:54:39,400 --> 00:54:40,439
Speaker 2: people kill each other.

1141
00:54:41,560 --> 00:54:45,600
Speaker 1: We have the unfettered access to guns. It seems to

1142
00:54:45,640 --> 00:54:46,759
Speaker 1: be the big issue.

1143
00:54:48,320 --> 00:54:52,000
Speaker 2: There's like a bipartisan agreement on some shit with some guns,

1144
00:54:52,000 --> 00:54:55,200
Speaker 2: but it's not firm enough to really report on.

1145
00:54:55,280 --> 00:54:56,120
Speaker 1: Yet we will see.

1146
00:54:56,280 --> 00:54:59,960
Speaker 3: I don't believe anything until it hits Joe Biden den

1147
00:55:00,040 --> 00:55:03,080
Speaker 3: it's goun to Joe Biden's sizing and the law y'all

1148
00:55:03,200 --> 00:55:03,760
Speaker 3: just talking.

1149
00:55:04,160 --> 00:55:07,400
Speaker 2: Yeah, And it's not gonna be enough for our side anyway,

1150
00:55:08,320 --> 00:55:15,400
Speaker 2: because you know obviously, but yeah, it's not gonna.

1151
00:55:15,160 --> 00:55:20,440
Speaker 1: Be enough for our side. But we gotta do something.

1152
00:55:20,520 --> 00:55:23,080
Speaker 2: Anything's better than what we're doing now, which is nothing

1153
00:55:23,160 --> 00:55:26,440
Speaker 2: and making things worse. This has nothing to do with

1154
00:55:26,520 --> 00:55:28,400
Speaker 2: an article, but it's sometimes thinking about I'll listen to

1155
00:55:28,400 --> 00:55:33,040
Speaker 2: this podcast that was reviewing Kendrick Lamar's album, and y'all know.

1156
00:55:33,200 --> 00:55:34,320
Speaker 1: My policy on the show.

1157
00:55:34,600 --> 00:55:37,920
Speaker 2: I normally don't listen to anybody's reviews or recaps of

1158
00:55:37,960 --> 00:55:40,279
Speaker 2: anything ever, because.

1159
00:55:40,000 --> 00:55:41,560
Speaker 1: It's just one.

1160
00:55:41,920 --> 00:55:44,200
Speaker 2: When we do stuff, I wanted to be our opinions.

1161
00:55:44,560 --> 00:55:46,600
Speaker 2: I don't want to be shocking nobody's opinions. I don't

1162
00:55:46,600 --> 00:55:50,160
Speaker 2: want to be accused of taking nobody's opinions all that stuff,

1163
00:55:50,320 --> 00:55:55,279
Speaker 2: you know. And I think creating the recap, creating the

1164
00:55:55,320 --> 00:55:56,800
Speaker 2: review is art in itself.

1165
00:55:57,040 --> 00:56:01,680
Speaker 1: It is, and it rewards people that take time and

1166
00:56:01,680 --> 00:56:02,800
Speaker 1: and all this other stuff.

1167
00:56:02,840 --> 00:56:05,440
Speaker 2: But it was a podcast with some people that I know,

1168
00:56:06,520 --> 00:56:09,120
Speaker 2: and they were reviewing it, and I was like, I.

1169
00:56:09,080 --> 00:56:11,080
Speaker 1: Don't check them out. I've listened to the show before

1170
00:56:13,160 --> 00:56:14,360
Speaker 1: and I hated the review.

1171
00:56:14,719 --> 00:56:19,480
Speaker 2: I hated it, and I think, I don't know if

1172
00:56:19,520 --> 00:56:20,440
Speaker 2: other people feel this.

1173
00:56:20,480 --> 00:56:23,399
Speaker 1: I don't know if you feel this way. I don't

1174
00:56:23,440 --> 00:56:25,359
Speaker 1: even know if you read reviews or listen to a lot.

1175
00:56:25,400 --> 00:56:30,759
Speaker 1: But there's I think it's an age thing. I think

1176
00:56:30,760 --> 00:56:35,000
Speaker 1: it's an age thing. And you know, maybe you know,

1177
00:56:35,080 --> 00:56:35,880
Speaker 1: maybe maybe.

1178
00:56:35,800 --> 00:56:39,200
Speaker 2: But it feels like an age thing because our generation

1179
00:56:39,360 --> 00:56:43,440
Speaker 2: gen X is very Your feelings are not the point

1180
00:56:44,000 --> 00:56:46,040
Speaker 2: right so many times, to our detriment.

1181
00:56:46,160 --> 00:56:48,800
Speaker 1: You know, we hold things inside about things correct. But

1182
00:56:49,120 --> 00:56:53,960
Speaker 1: that's not always bad, Like there's a there's a there's

1183
00:56:54,000 --> 00:56:57,360
Speaker 1: there's something positive in being able to put your feelings

1184
00:56:57,360 --> 00:56:59,160
Speaker 1: aside and do what needs to be done.

1185
00:56:59,640 --> 00:57:02,399
Speaker 2: That doesn't get enough credit, Like we've gone so far

1186
00:57:02,480 --> 00:57:03,160
Speaker 2: the other way.

1187
00:57:03,400 --> 00:57:05,680
Speaker 3: It has to be a balance. It's time to get

1188
00:57:05,680 --> 00:57:08,600
Speaker 3: emotions out, yes, but it's time to be like, fuck

1189
00:57:08,640 --> 00:57:12,080
Speaker 3: your feelings. We got to get bullshit done and not

1190
00:57:12,080 --> 00:57:14,160
Speaker 3: trying funny for me when it comes to voting, fuck

1191
00:57:14,160 --> 00:57:17,040
Speaker 3: your feelings, Get your mother ass out there and vote,

1192
00:57:17,080 --> 00:57:19,120
Speaker 3: like in that situation. I don't give a goddamn how

1193
00:57:19,160 --> 00:57:20,640
Speaker 3: you feel, do you walk the shit or not?

1194
00:57:21,360 --> 00:57:26,400
Speaker 2: Like there's something to just life where it's okay, Like

1195
00:57:27,240 --> 00:57:32,760
Speaker 2: being strong is not always about how much abuse you could.

1196
00:57:32,720 --> 00:57:35,400
Speaker 1: Take or how bad Like sometimes being strong is.

1197
00:57:35,400 --> 00:57:39,680
Speaker 2: Just helpful agree to you and others, you know, Like

1198
00:57:39,880 --> 00:57:42,680
Speaker 2: it's like when you got something heavy to get from

1199
00:57:42,680 --> 00:57:44,000
Speaker 2: the car to the inside of the house.

1200
00:57:44,000 --> 00:57:46,880
Speaker 1: I'm sure Karen's glad I'm here, you know what I mean.

1201
00:57:46,960 --> 00:57:47,760
Speaker 1: And I don't go.

1202
00:57:48,000 --> 00:57:51,360
Speaker 2: Look at you assuming I'll always be able to carry this.

1203
00:57:51,480 --> 00:57:53,800
Speaker 2: Hello fresh, Well, I want more.

1204
00:57:53,720 --> 00:57:55,959
Speaker 1: Gratitude, Like it's just like, no, nigga's my job.

1205
00:57:56,120 --> 00:57:58,720
Speaker 2: I like to be helpful and youthful, like the be

1206
00:57:58,880 --> 00:58:00,920
Speaker 2: the one that can carry every shit in the house.

1207
00:58:01,400 --> 00:58:04,920
Speaker 2: And when it's other things in the house, you contribute

1208
00:58:05,000 --> 00:58:09,400
Speaker 2: in different ways, and that's fine, Like that's good, it's symbiotic.

1209
00:58:09,200 --> 00:58:09,880
Speaker 1: It's needed.

1210
00:58:10,000 --> 00:58:12,840
Speaker 2: We're both it's not one side that we're both doing

1211
00:58:12,960 --> 00:58:15,680
Speaker 2: labor quote unquote, as these people like the measure their

1212
00:58:15,680 --> 00:58:18,080
Speaker 2: relationships and labor and all this stuff. Right, So all

1213
00:58:18,080 --> 00:58:21,440
Speaker 2: that stuff made me think like, okay, maybe my issue

1214
00:58:21,440 --> 00:58:23,000
Speaker 2: because I was trying to be like why the fuck

1215
00:58:23,040 --> 00:58:25,400
Speaker 2: do I always end up this way when I listen

1216
00:58:25,440 --> 00:58:27,880
Speaker 2: to shit like this, So I read somebody's fucking music review,

1217
00:58:27,920 --> 00:58:29,200
Speaker 2: it's always.

1218
00:58:29,680 --> 00:58:30,520
Speaker 1: Annoying to me.

1219
00:58:30,560 --> 00:58:32,560
Speaker 2: It's not upsetting, I don't get you know, it's just

1220
00:58:32,680 --> 00:58:35,760
Speaker 2: annoying where you're like, damn, nigga, like this.

1221
00:58:35,760 --> 00:58:42,320
Speaker 1: Is what you took from this? And I realized, not

1222
00:58:42,400 --> 00:58:45,240
Speaker 1: the demigod but and I'm.

1223
00:58:45,080 --> 00:58:49,400
Speaker 2: Not even sure it's the right the terms of generation,

1224
00:58:49,560 --> 00:58:54,120
Speaker 2: but it feels like a real millennial thing to be like,

1225
00:58:54,880 --> 00:59:00,720
Speaker 2: my feelings are the key to this story that is

1226
00:59:00,840 --> 00:59:02,920
Speaker 2: this review of this product.

1227
00:59:02,960 --> 00:59:05,800
Speaker 1: Through this recap, you see what I'm saying. So it's

1228
00:59:05,880 --> 00:59:10,000
Speaker 1: like they start from their feelings, and what I compared

1229
00:59:10,040 --> 00:59:11,440
Speaker 1: it to is it feels like.

1230
00:59:12,880 --> 00:59:19,200
Speaker 2: The way millennial people and younger review media is so personal.

1231
00:59:20,120 --> 00:59:22,720
Speaker 2: It's like when you look up a recipe online and

1232
00:59:22,760 --> 00:59:23,800
Speaker 2: it starts with a story.

1233
00:59:24,840 --> 00:59:28,280
Speaker 3: Yeah, and you're like, bitch, I don't care about your

1234
00:59:28,320 --> 00:59:31,080
Speaker 3: fucking three, I don't care about your dog, I don't

1235
00:59:31,080 --> 00:59:34,800
Speaker 3: care you went fishing. I don't care. Reminded you although

1236
00:59:34,800 --> 00:59:36,840
Speaker 3: somemer you went out with your dad, Give me the

1237
00:59:36,880 --> 00:59:38,160
Speaker 3: goddamn recipe.

1238
00:59:38,720 --> 00:59:43,600
Speaker 2: Like we grew up with gatekeepers and that sucks, you know,

1239
00:59:43,680 --> 00:59:46,080
Speaker 2: because that means a lot of people get left out

1240
00:59:46,120 --> 00:59:49,360
Speaker 2: of things they could do. But we also grew up

1241
00:59:49,400 --> 00:59:55,600
Speaker 2: because of gatekeepers with standards. Right, news articles needed who, what, when, where, why?

1242
00:59:55,960 --> 00:59:57,080
Speaker 1: It needed your opinion.

1243
00:59:57,160 --> 00:59:59,680
Speaker 2: You couldn't just aggravate some shit from Twitter, call it

1244
00:59:59,680 --> 01:00:02,400
Speaker 2: out rage, put it on a website somewhere and be

1245
01:00:02,440 --> 01:00:04,800
Speaker 2: like I wrote a news article here and don't check

1246
01:00:04,880 --> 01:00:08,240
Speaker 2: that shit, right, Like you needed to verify I needed to,

1247
01:00:08,280 --> 01:00:10,120
Speaker 2: you know, And not that there's no one doing this work,

1248
01:00:10,360 --> 01:00:14,920
Speaker 2: but just it's obviously because it's less gatekeeping, more competition,

1249
01:00:15,760 --> 01:00:19,320
Speaker 2: and less people that have a rigid skill set that

1250
01:00:19,400 --> 01:00:22,560
Speaker 2: pertains whatever they do, because now everybody can do everything,

1251
01:00:22,920 --> 01:00:27,440
Speaker 2: even though everybody got impostersing. It's interesting to see like

1252
01:00:27,720 --> 01:00:30,360
Speaker 2: what this effect is having, and it's like the loss

1253
01:00:30,360 --> 01:00:36,000
Speaker 2: of expertise but also the loss of like format and most.

1254
01:00:35,800 --> 01:00:40,240
Speaker 1: Importantly, like I didn't come for you, right, It's like

1255
01:00:40,720 --> 01:00:43,360
Speaker 1: you used to have a blog or a diary or

1256
01:00:43,360 --> 01:00:44,360
Speaker 1: a journal.

1257
01:00:44,720 --> 01:00:47,840
Speaker 2: That was where you put what you thought about everything

1258
01:00:47,880 --> 01:00:49,360
Speaker 2: and how it related back to you.

1259
01:00:50,080 --> 01:00:54,120
Speaker 1: But if I'm looking in the New Yorker, I don't

1260
01:00:54,120 --> 01:00:56,360
Speaker 1: want to see your review of an album and you

1261
01:00:56,480 --> 01:01:00,000
Speaker 1: talking about when I was sixteen. I stop.

1262
01:01:00,280 --> 01:01:03,640
Speaker 2: I'm like, I don't care, don't care what about this album?

1263
01:01:03,760 --> 01:01:04,880
Speaker 1: How what?

1264
01:01:05,160 --> 01:01:07,760
Speaker 2: What are the like you're reviewing the album, you're not

1265
01:01:07,880 --> 01:01:10,960
Speaker 2: relaying your judgment of like what kind of moral person

1266
01:01:11,040 --> 01:01:14,920
Speaker 2: you are, because like with the Kendrick reviews, what I

1267
01:01:14,960 --> 01:01:17,680
Speaker 2: found to be interested is it's kind of like the

1268
01:01:17,680 --> 01:01:21,000
Speaker 2: lizard thing because he has impressed people in the past

1269
01:01:21,080 --> 01:01:25,080
Speaker 2: with his comparative morality to the rest of the industry,

1270
01:01:25,800 --> 01:01:30,480
Speaker 2: which I've to me has always had certain hotel leaning,

1271
01:01:30,640 --> 01:01:32,800
Speaker 2: certain misogynistic leanings, all that stuff.

1272
01:01:33,040 --> 01:01:34,840
Speaker 1: I've just never come down hard on him.

1273
01:01:34,760 --> 01:01:39,400
Speaker 2: Because every motherfucking rapper I listened to, including the women,

1274
01:01:39,520 --> 01:01:43,600
Speaker 2: have the same fucking issues, correct the same issues. It's

1275
01:01:43,680 --> 01:01:47,880
Speaker 2: just we live in a capitalistic, hypocritical ass society.

1276
01:01:48,760 --> 01:01:49,760
Speaker 1: You're not gonna find.

1277
01:01:49,560 --> 01:01:52,200
Speaker 2: An artist that don't embody that right. And if they

1278
01:01:52,240 --> 01:01:56,160
Speaker 2: do embody that that like they don't embody that and

1279
01:01:56,200 --> 01:01:56,800
Speaker 2: that that clean.

1280
01:01:57,240 --> 01:02:01,880
Speaker 1: More than likely they don't slap no offense to that.

1281
01:02:02,000 --> 01:02:04,240
Speaker 3: Yeah, a lot of times they're not your top selling artists.

1282
01:02:04,320 --> 01:02:06,760
Speaker 2: Yeah, I'm a big I'm a bigger fan of No

1283
01:02:06,880 --> 01:02:08,200
Speaker 2: Name than most people you know.

1284
01:02:08,680 --> 01:02:11,920
Speaker 1: And even I'm like, yeah, I get like she ain't gonna.

1285
01:02:11,720 --> 01:02:14,840
Speaker 2: Be the top five artists on the charts. It's never gonna.

1286
01:02:14,960 --> 01:02:16,760
Speaker 1: It's not gonna hurdle for her like that because she

1287
01:02:16,800 --> 01:02:19,520
Speaker 1: don't cook like that, you know what I mean. But

1288
01:02:20,520 --> 01:02:21,560
Speaker 1: it's the way they.

1289
01:02:21,480 --> 01:02:25,840
Speaker 2: Relate on a personal well, it's like this person let

1290
01:02:25,920 --> 01:02:30,600
Speaker 2: me down, this person betrayed me, this person hurt me.

1291
01:02:31,800 --> 01:02:34,120
Speaker 3: And I'm like, what, you don't know, what is.

1292
01:02:34,080 --> 01:02:37,880
Speaker 2: This level of parasocial attachment and why is it considered

1293
01:02:37,960 --> 01:02:38,840
Speaker 2: normal and healthy?

1294
01:02:38,920 --> 01:02:40,760
Speaker 1: That's not healthy, No, it's not.

1295
01:02:40,840 --> 01:02:44,520
Speaker 3: And I but like this, I truly believe that in

1296
01:02:44,600 --> 01:02:48,440
Speaker 3: the age of social media, with everything is about you.

1297
01:02:48,560 --> 01:02:53,720
Speaker 3: It literally extends to everything, anything that happens to you

1298
01:02:53,960 --> 01:02:59,400
Speaker 3: or around you, a life event, of the people's event, music, concerts,

1299
01:02:59,440 --> 01:03:02,720
Speaker 3: no matter what you consume or where you're at, you

1300
01:03:02,880 --> 01:03:07,200
Speaker 3: always look at it from your personal perspective, and sometimes

1301
01:03:07,240 --> 01:03:10,880
Speaker 3: it does not make sense, you know, to somebody like me,

1302
01:03:11,080 --> 01:03:15,200
Speaker 3: I'm looking like, well, what you're doing doesn't make sense

1303
01:03:15,560 --> 01:03:19,439
Speaker 3: because you claim these things affect you in this way,

1304
01:03:19,480 --> 01:03:22,080
Speaker 3: but your action is a contrary, Linley, contrary to what

1305
01:03:22,120 --> 01:03:25,960
Speaker 3: you're saying. But you don't really care because you Linally

1306
01:03:26,000 --> 01:03:27,000
Speaker 3: are like it's about me.

1307
01:03:27,600 --> 01:03:28,760
Speaker 1: Yeah, it's like.

1308
01:03:29,480 --> 01:03:34,200
Speaker 2: And I love music probably you know, at least I

1309
01:03:34,280 --> 01:03:35,280
Speaker 2: like a lot of stuff, but.

1310
01:03:37,040 --> 01:03:38,640
Speaker 1: I make it a habit when we do, like our

1311
01:03:38,680 --> 01:03:41,920
Speaker 1: movie reviews, and because we do critics to we do reviews.

1312
01:03:42,720 --> 01:03:46,480
Speaker 2: I never started with like, here's this personal part of

1313
01:03:46,520 --> 01:03:50,560
Speaker 2: my life and how this music impacts my life in

1314
01:03:50,600 --> 01:03:54,000
Speaker 2: a way that then makes the artists beholden to me,

1315
01:03:54,920 --> 01:03:58,800
Speaker 2: like not to me. You're making a product, yes, and

1316
01:03:59,000 --> 01:03:59,840
Speaker 2: selling a product.

1317
01:04:00,480 --> 01:04:02,680
Speaker 1: The thing is what do I think of your product?

1318
01:04:03,000 --> 01:04:05,520
Speaker 1: What were you trying to accomplish? Did you accomplish it?

1319
01:04:05,600 --> 01:04:08,760
Speaker 1: Yeay or nay? And then you know, how do we

1320
01:04:08,800 --> 01:04:10,040
Speaker 1: measure that? You know what?

1321
01:04:10,400 --> 01:04:13,320
Speaker 2: But the idea of like I mean, it's like when

1322
01:04:13,360 --> 01:04:15,160
Speaker 2: someone says, uh, fire start.

1323
01:04:15,240 --> 01:04:16,959
Speaker 1: I love fire Star podcasts, but.

1324
01:04:16,880 --> 01:04:18,600
Speaker 2: When they do a movie review or something, they talk

1325
01:04:18,640 --> 01:04:20,960
Speaker 2: about how many sleeps is in it? Well, it's always

1326
01:04:20,960 --> 01:04:23,680
Speaker 2: funny to me because I'm like, a sleep isn't a

1327
01:04:23,720 --> 01:04:24,479
Speaker 2: measurable thing.

1328
01:04:24,920 --> 01:04:25,680
Speaker 3: No, it's not.

1329
01:04:26,240 --> 01:04:28,040
Speaker 2: You could have stayed up too late last night and

1330
01:04:28,040 --> 01:04:30,160
Speaker 2: you got foe sleeps in a movie, so you call

1331
01:04:30,240 --> 01:04:34,760
Speaker 2: that movie boring, but like there's no universal foe sleeps.

1332
01:04:34,400 --> 01:04:34,560
Speaker 3: Like.

1333
01:04:36,000 --> 01:04:38,120
Speaker 1: That's not how you mentioned I take my ass to

1334
01:04:38,160 --> 01:04:39,600
Speaker 1: bed on time, and I only go to the movies

1335
01:04:39,600 --> 01:04:42,040
Speaker 1: when I'm awake, so I don't have any sleeps ever

1336
01:04:42,120 --> 01:04:43,000
Speaker 1: doing any movies.

1337
01:04:43,400 --> 01:04:47,000
Speaker 2: So like that's but it's funny to me they're saying it,

1338
01:04:47,120 --> 01:04:49,960
Speaker 2: you know, kind of tongue in cheek, but like people

1339
01:04:50,000 --> 01:04:53,280
Speaker 2: treat that like that's not like I felt this way.

1340
01:04:53,360 --> 01:04:56,400
Speaker 2: So everyone must have felt this way, you know, or what.

1341
01:04:56,520 --> 01:04:59,720
Speaker 2: And I think it's just a age thing, man, I

1342
01:05:00,200 --> 01:05:02,120
Speaker 2: and I don't want to be a dick, but like

1343
01:05:02,320 --> 01:05:04,720
Speaker 2: I don't care about you.

1344
01:05:05,800 --> 01:05:07,480
Speaker 1: I didn't come here to care about you.

1345
01:05:07,880 --> 01:05:11,160
Speaker 2: I only clicked on this, only hit play because you

1346
01:05:11,280 --> 01:05:13,080
Speaker 2: told me you were doing something.

1347
01:05:13,800 --> 01:05:16,680
Speaker 1: Then you didn't do it. Really, you kind of half

1348
01:05:16,760 --> 01:05:17,320
Speaker 1: asked through it.

1349
01:05:17,320 --> 01:05:20,360
Speaker 2: And what told me about you and your life and

1350
01:05:20,400 --> 01:05:21,160
Speaker 2: your feelings?

1351
01:05:21,600 --> 01:05:21,720
Speaker 3: That?

1352
01:05:21,880 --> 01:05:25,120
Speaker 1: What is that? I don't have your life? What about

1353
01:05:25,160 --> 01:05:26,040
Speaker 1: the lyricality?

1354
01:05:26,200 --> 01:05:29,000
Speaker 2: What about you know, the layered vocals, what about the

1355
01:05:29,040 --> 01:05:32,920
Speaker 2: instrumentation like that kind of shit that like that used.

1356
01:05:32,720 --> 01:05:34,760
Speaker 1: To be important. I don't ever remember reading.

1357
01:05:35,440 --> 01:05:38,280
Speaker 2: I remember when you know, Mike, when rap magazines a

1358
01:05:38,360 --> 01:05:40,960
Speaker 2: gift shit, a double Excel five mics or whatever.

1359
01:05:40,720 --> 01:05:41,520
Speaker 1: Three mics.

1360
01:05:41,840 --> 01:05:45,080
Speaker 2: It was not like it's three mics. Because I was

1361
01:05:45,120 --> 01:05:48,600
Speaker 2: walking down the street when I heard Drake had a

1362
01:05:48,640 --> 01:05:52,280
Speaker 2: new album coming out, and I was literally shaking on

1363
01:05:52,360 --> 01:05:57,800
Speaker 2: the corner of fifty first in him stead. To truly understand,

1364
01:05:58,520 --> 01:06:00,640
Speaker 2: I have to take you back to high school. A

1365
01:06:00,720 --> 01:06:02,760
Speaker 2: high school name de GROSSI.

1366
01:06:03,320 --> 01:06:06,080
Speaker 3: Like, you have to like, I don't need that.

1367
01:06:07,160 --> 01:06:09,840
Speaker 1: Just can I click the recipe? I need to click

1368
01:06:09,880 --> 01:06:13,160
Speaker 1: to click to review. I need a click to review

1369
01:06:13,240 --> 01:06:17,560
Speaker 1: in every recap, move review, whatever, click to review. When

1370
01:06:17,560 --> 01:06:19,640
Speaker 1: are you gonna start actually talking about what the fuck

1371
01:06:19,680 --> 01:06:20,919
Speaker 1: they was talking about? Right?

1372
01:06:21,000 --> 01:06:23,320
Speaker 2: Because I shouldn't take me an hour and a half

1373
01:06:23,880 --> 01:06:25,120
Speaker 2: and forty five minutes.

1374
01:06:25,240 --> 01:06:28,360
Speaker 1: Is like, your history in high school is shit. It's

1375
01:06:28,400 --> 01:06:29,360
Speaker 1: just crazy to me.

1376
01:06:31,120 --> 01:06:34,880
Speaker 2: But yeah, I don't know, it's just And I realized

1377
01:06:34,920 --> 01:06:37,280
Speaker 2: that's the pattern basically because I was like, when did

1378
01:06:37,280 --> 01:06:39,160
Speaker 2: I stop? I used to read reviews when I was

1379
01:06:39,200 --> 01:06:42,760
Speaker 2: in school and stuff. Oh yeah, the source road a

1380
01:06:42,840 --> 01:06:45,200
Speaker 2: review on this equiminal. Let me see what they had

1381
01:06:45,240 --> 01:06:45,880
Speaker 2: to say about it.

1382
01:06:46,400 --> 01:06:47,960
Speaker 1: You know, doesn't mean I have to agree with it

1383
01:06:48,040 --> 01:06:49,640
Speaker 1: or whatever, but let me see what they said. But

1384
01:06:49,680 --> 01:06:51,840
Speaker 1: it was never this shit, you know.

1385
01:06:52,640 --> 01:06:56,760
Speaker 3: Yeah? And also I think too, uh, and there's nothing

1386
01:06:56,880 --> 01:07:00,680
Speaker 3: wrong with feelings. All we're saying is that your feelings

1387
01:07:00,720 --> 01:07:04,360
Speaker 3: can't be the bulk of the review, like you can say, well,

1388
01:07:04,360 --> 01:07:07,200
Speaker 3: I listened to this song, like that's still on topic,

1389
01:07:07,720 --> 01:07:11,200
Speaker 3: not the other shit that's kind of well back in college. Well, nigga,

1390
01:07:11,240 --> 01:07:13,040
Speaker 3: this album didn't come when you was in college. Japan

1391
01:07:13,120 --> 01:07:15,400
Speaker 3: came out this year, so let's talk about this right here.

1392
01:07:15,440 --> 01:07:16,560
Speaker 1: I'd even listen.

1393
01:07:16,600 --> 01:07:18,080
Speaker 2: I don't, And like I said, I get that as

1394
01:07:18,120 --> 01:07:19,840
Speaker 2: you you don't have to take you. I can even

1395
01:07:19,880 --> 01:07:22,880
Speaker 2: get like a wreck as I press played the rhythmic

1396
01:07:23,000 --> 01:07:25,720
Speaker 2: bass took me away to this that and I'm like, okay, cool,

1397
01:07:25,760 --> 01:07:28,000
Speaker 2: and they reminded me like, but you're not even telling

1398
01:07:28,040 --> 01:07:29,280
Speaker 2: me where the artist is from.

1399
01:07:29,840 --> 01:07:31,880
Speaker 1: You're not even telling me what the artist is going through.

1400
01:07:32,040 --> 01:07:33,080
Speaker 1: It's not about you.

1401
01:07:34,480 --> 01:07:37,000
Speaker 2: I didn't come for you, Like, yes, you wrote it,

1402
01:07:37,360 --> 01:07:41,840
Speaker 2: but it's about the media that you're talking about, Like,

1403
01:07:41,920 --> 01:07:43,880
Speaker 2: stop trying to trick me. And someone had brought up

1404
01:07:43,920 --> 01:07:46,360
Speaker 2: because I made a thread about this, and there were

1405
01:07:46,400 --> 01:07:48,640
Speaker 2: some people that had some really good response, thoughtful responses

1406
01:07:48,680 --> 01:07:52,200
Speaker 2: in the cause I found out it ain't just me,

1407
01:07:52,800 --> 01:07:55,440
Speaker 2: cause I have been feeling this way for literally years

1408
01:07:55,480 --> 01:07:56,840
Speaker 2: and I don't fucking.

1409
01:07:56,520 --> 01:07:57,520
Speaker 1: Listen to people's reviews.

1410
01:07:57,560 --> 01:08:00,640
Speaker 3: Because of it, and I just like and yeah, post reviews,

1411
01:08:00,640 --> 01:08:01,000
Speaker 3: I don't.

1412
01:08:01,080 --> 01:08:04,120
Speaker 2: Yeah, I don't like listening to people's TV show recaps

1413
01:08:04,160 --> 01:08:08,320
Speaker 2: because it always turned into like a very personal thing.

1414
01:08:08,240 --> 01:08:10,240
Speaker 1: Like like something. A lot of them become very angry,

1415
01:08:10,320 --> 01:08:12,000
Speaker 1: and like I said, it could be a gen X thing.

1416
01:08:12,040 --> 01:08:15,200
Speaker 1: I don't know. I don't even as much as I love,

1417
01:08:15,560 --> 01:08:15,840
Speaker 1: you know.

1418
01:08:15,880 --> 01:08:18,679
Speaker 2: Black people and shit, even when black people review shit,

1419
01:08:18,840 --> 01:08:21,880
Speaker 2: and everything got to turn into this black character was

1420
01:08:21,880 --> 01:08:24,360
Speaker 2: in it, and then I lost all objectivity and ability

1421
01:08:24,360 --> 01:08:27,040
Speaker 2: to understand the plot because I feel like the black

1422
01:08:27,120 --> 01:08:29,320
Speaker 2: character has to be a main character from that point on.

1423
01:08:29,400 --> 01:08:31,880
Speaker 1: It's like I don't even like those reviews and I.

1424
01:08:31,880 --> 01:08:34,920
Speaker 3: Am black, right, but you go, well, they were a

1425
01:08:35,000 --> 01:08:37,440
Speaker 3: side character, so yeah, like justice.

1426
01:08:37,160 --> 01:08:40,720
Speaker 2: For this black character always ends up sounding like the

1427
01:08:40,760 --> 01:08:43,800
Speaker 2: show should have been now the black characters the main character.

1428
01:08:43,840 --> 01:08:46,760
Speaker 1: It's like, no, that's not how a fucking show would

1429
01:08:46,760 --> 01:08:47,320
Speaker 1: comes together.

1430
01:08:48,080 --> 01:08:51,479
Speaker 2: Like just like like I love Star Wars, I love

1431
01:08:51,560 --> 01:08:52,200
Speaker 2: this obi Wan.

1432
01:08:52,360 --> 01:08:55,400
Speaker 1: I love Reva as a character. Reva got to get

1433
01:08:55,439 --> 01:08:59,240
Speaker 1: her at some point, yep. Because she's a bad guy. Yeah,

1434
01:08:59,240 --> 01:09:02,919
Speaker 1: she's a bad guy, but watch this. If something happens

1435
01:09:03,000 --> 01:09:06,360
Speaker 1: that is less than great for that character to end

1436
01:09:06,400 --> 01:09:07,080
Speaker 1: this series.

1437
01:09:07,600 --> 01:09:10,000
Speaker 2: Watch how these motherfuckers turn on this series, and just

1438
01:09:10,120 --> 01:09:13,040
Speaker 2: this is the narcissism that I'm.

1439
01:09:12,640 --> 01:09:15,280
Speaker 1: Like, what is this? What is why do you call

1440
01:09:15,360 --> 01:09:18,200
Speaker 1: this review? Why do you call this even consumption?

1441
01:09:18,320 --> 01:09:21,160
Speaker 2: At this point, it's some sype of a weird narcissism

1442
01:09:21,200 --> 01:09:23,720
Speaker 2: where people need to bow to you as a consumer

1443
01:09:24,160 --> 01:09:25,679
Speaker 2: because the customer is always right.

1444
01:09:25,600 --> 01:09:28,240
Speaker 3: Or some shit that's not so I hate that shit

1445
01:09:28,439 --> 01:09:28,760
Speaker 3: it is.

1446
01:09:28,800 --> 01:09:30,639
Speaker 1: I don't know how people aren't annoyed by that.

1447
01:09:31,280 --> 01:09:33,479
Speaker 2: And I'm talking about my own shit here. This is

1448
01:09:33,520 --> 01:09:35,840
Speaker 2: me a black person being like even as a black person,

1449
01:09:35,880 --> 01:09:36,439
Speaker 2: I don't.

1450
01:09:36,240 --> 01:09:38,639
Speaker 1: Like, like leave me out of it. It's not about

1451
01:09:38,680 --> 01:09:42,519
Speaker 1: that for me. I just was it good? Correct?

1452
01:09:42,680 --> 01:09:42,880
Speaker 3: Yeah?

1453
01:09:43,080 --> 01:09:43,679
Speaker 1: Was it good?

1454
01:09:44,040 --> 01:09:46,680
Speaker 3: Was it bad? And the thing is, like I say,

1455
01:09:47,400 --> 01:09:49,160
Speaker 3: because ref you and it, you are going to get

1456
01:09:49,200 --> 01:09:50,840
Speaker 3: into your feelings. But like I said, there has to

1457
01:09:50,840 --> 01:09:53,719
Speaker 3: be a balance there if that makes it can't be

1458
01:09:54,200 --> 01:09:57,559
Speaker 3: more of your feelings than the actual content itself. Like

1459
01:09:58,040 --> 01:10:00,640
Speaker 3: like that, like that's where the problem comes in me

1460
01:10:00,640 --> 01:10:02,519
Speaker 3: because I'm like you, I do not listen to most

1461
01:10:02,520 --> 01:10:07,120
Speaker 3: people reviews of anything because I like most of the

1462
01:10:07,160 --> 01:10:09,960
Speaker 3: stuff that I watch and consume. I like I do

1463
01:10:10,000 --> 01:10:12,120
Speaker 3: not hate watching nothing. If I don't like it, I

1464
01:10:12,160 --> 01:10:13,840
Speaker 3: don't watch them. That's just me personally.

1465
01:10:14,479 --> 01:10:16,519
Speaker 1: And I used to listen to a lot.

1466
01:10:16,400 --> 01:10:19,519
Speaker 3: Of reviews and then I was like, oh, y'all not

1467
01:10:19,640 --> 01:10:21,599
Speaker 3: watching it for the love of the for the love

1468
01:10:21,640 --> 01:10:24,160
Speaker 3: of this, like me, you're watching it out of some

1469
01:10:24,240 --> 01:10:28,200
Speaker 3: form of obligation. And then for a lot of reviews

1470
01:10:28,280 --> 01:10:30,320
Speaker 3: they began to be very angry and began to be

1471
01:10:30,400 --> 01:10:33,559
Speaker 3: very bitter. So I just stopped listening to a lot

1472
01:10:33,600 --> 01:10:36,040
Speaker 3: of shit because I'm like, Oh, you don't like this

1473
01:10:36,120 --> 01:10:38,240
Speaker 3: and you're not happy, so I can't listen to you

1474
01:10:38,920 --> 01:10:41,000
Speaker 3: grump on the shit that I like and love.

1475
01:10:41,240 --> 01:10:43,160
Speaker 1: Yeah, it just makes me feel like because I don't

1476
01:10:43,160 --> 01:10:43,960
Speaker 1: think it's.

1477
01:10:43,880 --> 01:10:48,200
Speaker 2: Everybody, but there's like a certain age group where this

1478
01:10:48,280 --> 01:10:51,120
Speaker 2: is their reviews and it's just me.

1479
01:10:51,479 --> 01:10:53,040
Speaker 1: It's me, me, me, me, me.

1480
01:10:53,439 --> 01:10:56,280
Speaker 2: It's me as fuck, it's me to the tenth power

1481
01:10:56,280 --> 01:11:01,080
Speaker 2: where you're just like, hey, fam, do your job.

1482
01:11:04,880 --> 01:11:07,600
Speaker 1: I could play for a reason, what's happening? You know?

1483
01:11:07,640 --> 01:11:09,479
Speaker 2: If you didn't have this in the title, I wouldn't

1484
01:11:09,600 --> 01:11:12,920
Speaker 2: hit play like you have a job to do.

1485
01:11:13,600 --> 01:11:14,760
Speaker 1: It's like if we called this.

1486
01:11:14,720 --> 01:11:18,759
Speaker 2: Episode the review of mister Morale and the big steps

1487
01:11:18,800 --> 01:11:20,760
Speaker 2: and people saw was the interview roy Wood JUNR and

1488
01:11:20,880 --> 01:11:22,360
Speaker 2: talk about this shit, and then.

1489
01:11:22,200 --> 01:11:24,360
Speaker 1: We just ended it like yeah, it was straight like

1490
01:11:24,439 --> 01:11:25,839
Speaker 1: y'all would be like, what the fuck.

1491
01:11:25,720 --> 01:11:27,559
Speaker 3: Kind of why you do that time? This is not

1492
01:11:27,600 --> 01:11:30,400
Speaker 3: a review? Yeah, like I don't know, and I don't

1493
01:11:30,439 --> 01:11:31,680
Speaker 3: but I'm being angry.

1494
01:11:31,920 --> 01:11:33,320
Speaker 1: It's just it's annoying.

1495
01:11:33,680 --> 01:11:35,800
Speaker 3: I'm not even like I said, I'm not angry, and

1496
01:11:35,840 --> 01:11:38,080
Speaker 3: I just know it ain't my jam y'all want to

1497
01:11:38,120 --> 01:11:39,960
Speaker 3: harp on the fact that I'm not angry because I

1498
01:11:39,960 --> 01:11:42,240
Speaker 3: think I don't even want to make this like a

1499
01:11:42,280 --> 01:11:45,400
Speaker 3: feeling thing of like, and I was so goddamn upset.

1500
01:11:45,439 --> 01:11:48,160
Speaker 2: It was like, no, it's just and it was an

1501
01:11:48,200 --> 01:11:49,920
Speaker 2: epiphany I had. I didn't even know if people could

1502
01:11:49,920 --> 01:11:52,280
Speaker 2: relate to it. It was an epiphany I had today

1503
01:11:52,320 --> 01:11:56,280
Speaker 2: where I was like, oh, you know what, this has

1504
01:11:56,280 --> 01:11:57,679
Speaker 2: been a thing for me for a minute.

1505
01:11:57,760 --> 01:11:59,120
Speaker 1: I just didn't register.

1506
01:12:00,120 --> 01:12:03,599
Speaker 2: But it's like cause I would just started saying like, yeah,

1507
01:12:03,600 --> 01:12:08,000
Speaker 2: I don't really listen to anyone's reviews, and you know,

1508
01:12:08,080 --> 01:12:10,280
Speaker 2: it wasn't an arrogance thing or a mean thing. It

1509
01:12:10,320 --> 01:12:12,680
Speaker 2: was just like I just I don't find them satisfying.

1510
01:12:12,840 --> 01:12:14,760
Speaker 2: And I realized I don't find them satisfying because this

1511
01:12:14,800 --> 01:12:18,840
Speaker 2: what the fuck that be? Sounding like, it's like it

1512
01:12:18,880 --> 01:12:21,679
Speaker 2: reminds me of fourth grade. Well, nigga, the artists didn't

1513
01:12:21,680 --> 01:12:24,639
Speaker 2: make it for you in fourth grade? You know this

1514
01:12:24,640 --> 01:12:27,080
Speaker 2: this thing where they owe us and low key like,

1515
01:12:29,600 --> 01:12:31,879
Speaker 2: I kind of feel like that's that's.

1516
01:12:31,760 --> 01:12:35,559
Speaker 1: The feeling of uneasiness I have around the Lizo thing.

1517
01:12:36,040 --> 01:12:38,559
Speaker 2: It's not that that I think it's a bad thing

1518
01:12:38,600 --> 01:12:39,519
Speaker 2: to care about other people.

1519
01:12:39,920 --> 01:12:44,559
Speaker 1: I think it's there's a never ending mab.

1520
01:12:44,760 --> 01:12:48,760
Speaker 2: There's a black man, there's a black hole that is

1521
01:12:49,640 --> 01:12:55,360
Speaker 2: of just negativity and depression and entitlement. That is like

1522
01:12:55,640 --> 01:13:00,280
Speaker 2: sucking everything into it, and when you acknowledge it, you

1523
01:13:00,320 --> 01:13:04,600
Speaker 2: give into it. It doesn't stop there. It sucks you

1524
01:13:04,880 --> 01:13:08,439
Speaker 2: out of you until you're not a person. The thing

1525
01:13:08,520 --> 01:13:12,200
Speaker 2: that is so dope to me about Kendrick's album was

1526
01:13:12,280 --> 01:13:15,240
Speaker 2: that it is a It is a statement on that.

1527
01:13:15,920 --> 01:13:18,879
Speaker 2: It's like, what do you do when you're not perfect?

1528
01:13:19,439 --> 01:13:22,840
Speaker 2: You're not finished and you need to do your own work.

1529
01:13:23,560 --> 01:13:26,799
Speaker 2: And you've been telling people, and people have been saying

1530
01:13:27,520 --> 01:13:30,240
Speaker 2: you're the guy who's gonna fix it all. You're the

1531
01:13:30,280 --> 01:13:32,760
Speaker 2: guy giving me hope you're the guy who's gonna and

1532
01:13:32,800 --> 01:13:35,200
Speaker 2: you're like, well, guys, the whole time I was doing that,

1533
01:13:35,240 --> 01:13:38,040
Speaker 2: I was fucking my whole life up. I was I

1534
01:13:38,080 --> 01:13:40,120
Speaker 2: was out here cheating, and I was out here doing

1535
01:13:40,240 --> 01:13:40,920
Speaker 2: a bunch of shit.

1536
01:13:41,040 --> 01:13:44,080
Speaker 1: I need therapy. I need to work on myself. I

1537
01:13:44,120 --> 01:13:46,760
Speaker 1: had writers block for years, blah blah blah, and.

1538
01:13:47,200 --> 01:13:50,240
Speaker 2: People kind of the same way they did four forty four.

1539
01:13:50,360 --> 01:13:52,800
Speaker 2: I think a lot of people just missed that. That's

1540
01:13:52,800 --> 01:13:58,720
Speaker 2: a very honest and very important moment, that is that

1541
01:13:58,800 --> 01:14:03,360
Speaker 2: the culture needs that we don't have now. Everyone is faking,

1542
01:14:03,920 --> 01:14:08,400
Speaker 2: everyone is finished, Everyone is always right or silent.

1543
01:14:08,880 --> 01:14:09,839
Speaker 1: There's no in between.

1544
01:14:10,000 --> 01:14:13,519
Speaker 2: No one expresses these feelings of murkiness, these feelings of

1545
01:14:13,640 --> 01:14:21,040
Speaker 2: like you know, of hypocrisy and individualism and stuff. Everyone

1546
01:14:21,160 --> 01:14:25,400
Speaker 2: is collectively always on camera, and so we can never

1547
01:14:25,479 --> 01:14:27,800
Speaker 2: be like, actually I don't know.

1548
01:14:28,680 --> 01:14:31,280
Speaker 1: Actually I haven't I haven't figured this all the way.

1549
01:14:31,640 --> 01:14:34,599
Speaker 3: This adult think is some bullshit, and you never get

1550
01:14:34,640 --> 01:14:36,760
Speaker 3: all the answers to it. Don't nobody tell you that.

1551
01:14:36,800 --> 01:14:40,040
Speaker 3: There's no instruction manual. You literally just fumble your ass,

1552
01:14:40,040 --> 01:14:42,960
Speaker 3: fumble your way through life until the end, honestly, because

1553
01:14:43,000 --> 01:14:44,560
Speaker 3: nobody really knows.

1554
01:14:44,400 --> 01:14:46,960
Speaker 2: And I'm not here to save you. I'm not here

1555
01:14:47,000 --> 01:14:50,400
Speaker 2: to be accountable to you. I'm doing this is you

1556
01:14:50,439 --> 01:14:52,600
Speaker 2: want to know where I am right now. Here's what

1557
01:14:52,720 --> 01:14:55,120
Speaker 2: my album is. This is a progress report on where

1558
01:14:55,160 --> 01:14:57,639
Speaker 2: I am right now. Yeah, it's not about you liking it.

1559
01:14:57,640 --> 01:15:00,800
Speaker 2: It's not about pleasing you. I have to go back

1560
01:15:00,840 --> 01:15:04,240
Speaker 2: to whatever the fuck I was doing. See y'all, you know,

1561
01:15:04,280 --> 01:15:06,400
Speaker 2: I'm gonna go on tour whatever, and when I come

1562
01:15:06,439 --> 01:15:08,880
Speaker 2: out with another album, I'll let y'all know. But this

1563
01:15:08,920 --> 01:15:11,080
Speaker 2: is where your boy is right now. It's not always

1564
01:15:11,400 --> 01:15:15,200
Speaker 2: perfect and it doesn't always look good. And I think that's

1565
01:15:15,240 --> 01:15:17,639
Speaker 2: a moment we just aren't gonna get from anybody else

1566
01:15:17,720 --> 01:15:18,120
Speaker 2: right now.

1567
01:15:18,360 --> 01:15:21,000
Speaker 3: No, because truth be told, and I will continue to

1568
01:15:21,040 --> 01:15:26,080
Speaker 3: say this. Nobody wants to hear about put like this.

1569
01:15:26,160 --> 01:15:28,400
Speaker 3: A lot of people listen to music as a way

1570
01:15:28,439 --> 01:15:32,880
Speaker 3: of escapism, and for some people that's how they consume music.

1571
01:15:33,360 --> 01:15:35,479
Speaker 3: And for a lot of people that go, I listen

1572
01:15:35,520 --> 01:15:37,639
Speaker 3: to your shit to get away. We ain't talking about

1573
01:15:37,640 --> 01:15:41,080
Speaker 3: hoes and bitches and all this shit. A lot of

1574
01:15:41,080 --> 01:15:43,160
Speaker 3: people are like, why am I here? Are you trying

1575
01:15:43,200 --> 01:15:45,439
Speaker 3: to challenge me? Nigga? No, you're trying to make me.

1576
01:15:45,560 --> 01:15:47,240
Speaker 3: Then that's why people reject this shit. You're trying to

1577
01:15:47,240 --> 01:15:50,000
Speaker 3: make me think. You're trying to maybe be a better person.

1578
01:15:50,000 --> 01:15:52,400
Speaker 3: You're trying to to do all this shit, And a

1579
01:15:52,400 --> 01:15:55,320
Speaker 3: lot of people will not admit. They just reject that shit.

1580
01:15:55,400 --> 01:15:57,920
Speaker 3: They go, I come here to shake my ass and

1581
01:15:58,600 --> 01:16:00,800
Speaker 3: and shit like that. That's why I came here.

1582
01:16:01,280 --> 01:16:03,960
Speaker 2: Like some people, you think people listening to Kendrick and

1583
01:16:04,000 --> 01:16:07,000
Speaker 2: they go, They're say, he's trying to make them think.

1584
01:16:08,120 --> 01:16:11,080
Speaker 3: Yeah, But Kendrick has always made people think. But at

1585
01:16:11,080 --> 01:16:15,920
Speaker 3: the same time, Kendrick has always had a handful of

1586
01:16:16,080 --> 01:16:18,680
Speaker 3: songs that are like bops that like blow up that

1587
01:16:18,840 --> 01:16:21,400
Speaker 3: everybody kind of love with this album. I don't really

1588
01:16:21,439 --> 01:16:24,479
Speaker 3: hear a song on there. This like it hits the

1589
01:16:24,520 --> 01:16:27,240
Speaker 3: airways and everybody go, that's my jam, if that makes sense,

1590
01:16:27,400 --> 01:16:30,000
Speaker 3: like all right or something right right. It's always one

1591
01:16:30,080 --> 01:16:34,120
Speaker 3: to two maybe three songs where everybody goes, that's my shit.

1592
01:16:34,280 --> 01:16:36,479
Speaker 3: This album right here don't rock like that. So a

1593
01:16:36,479 --> 01:16:38,120
Speaker 3: lot of people I listening to the album and they go,

1594
01:16:38,240 --> 01:16:41,320
Speaker 3: where where's that jam? Where's that hit? Where's where's that

1595
01:16:41,479 --> 01:16:43,400
Speaker 3: thing that I come to kitchen? Because people come to

1596
01:16:43,400 --> 01:16:45,599
Speaker 3: the kitchen for different things. Some people everybody don't come

1597
01:16:45,640 --> 01:16:48,040
Speaker 3: to kitchen for like men all this shit. They like,

1598
01:16:48,160 --> 01:16:51,240
Speaker 3: I am here because I want another king Kuta. I

1599
01:16:51,280 --> 01:16:54,479
Speaker 3: am here because I won't all right, I am here

1600
01:16:54,560 --> 01:16:57,200
Speaker 3: for that shit. I don't care about you going to therapy, nigga,

1601
01:16:57,360 --> 01:16:59,360
Speaker 3: I don't care about you, know so, I think for

1602
01:16:59,479 --> 01:17:02,240
Speaker 3: some people, and like four four four, they rejected because

1603
01:17:02,240 --> 01:17:03,920
Speaker 3: they're like, this is not the jay Z that I know.

1604
01:17:04,000 --> 01:17:05,519
Speaker 3: I don't even recognize you as an artist.

1605
01:17:05,560 --> 01:17:07,559
Speaker 2: But it was a very what It's interesting because it's

1606
01:17:07,560 --> 01:17:09,760
Speaker 2: the thing that people ask for, That's correct. That's why

1607
01:17:09,800 --> 01:17:11,760
Speaker 2: I find it interesting because the critique of his other

1608
01:17:11,800 --> 01:17:13,160
Speaker 2: albums is asking for this.

1609
01:17:14,479 --> 01:17:16,120
Speaker 1: Like if you look at the critique people had or

1610
01:17:16,160 --> 01:17:20,679
Speaker 1: his other album for for Fit for Kendrick has always

1611
01:17:20,720 --> 01:17:23,519
Speaker 1: been kind of who this nigga think he is?

1612
01:17:24,040 --> 01:17:25,920
Speaker 2: Why does he think he's a savior? Don't even need

1613
01:17:25,960 --> 01:17:28,800
Speaker 2: to get his own shit together? What about his misogyny?

1614
01:17:28,800 --> 01:17:30,560
Speaker 2: What about his internalized homophobia?

1615
01:17:30,640 --> 01:17:33,080
Speaker 1: What about this? What about that? And this is an

1616
01:17:33,080 --> 01:17:34,519
Speaker 1: album of like, yeah, what about it?

1617
01:17:34,520 --> 01:17:34,680
Speaker 3: Here?

1618
01:17:34,720 --> 01:17:36,800
Speaker 2: It is It's an album basically of me telling you

1619
01:17:36,840 --> 01:17:40,719
Speaker 2: about me and the things I'm comfortable sharing with y'all.

1620
01:17:40,760 --> 01:17:44,439
Speaker 2: At this point and it's like, well, we didn't want this,

1621
01:17:44,960 --> 01:17:45,400
Speaker 2: not like this?

1622
01:17:45,680 --> 01:17:50,559
Speaker 3: Correct? Correct, Because the thing is, I've realized that a

1623
01:17:50,600 --> 01:17:53,320
Speaker 3: lot of people are very fickled, and this is one

1624
01:17:53,360 --> 01:17:57,000
Speaker 3: reason why you have to be secure in who you

1625
01:17:57,160 --> 01:18:01,920
Speaker 3: are and know where you stand on shit, because the

1626
01:18:01,920 --> 01:18:04,760
Speaker 3: Internet will have you all over the fucking place. And

1627
01:18:04,840 --> 01:18:08,439
Speaker 3: so I've realized the internet never knows what it wants,

1628
01:18:08,560 --> 01:18:11,160
Speaker 3: and then it gets what it wants exactly the way

1629
01:18:11,200 --> 01:18:13,200
Speaker 3: that they say they want it, and then they rejected

1630
01:18:13,320 --> 01:18:15,439
Speaker 3: because it's not really what you want it in the

1631
01:18:15,439 --> 01:18:16,040
Speaker 3: first place.

1632
01:18:16,120 --> 01:18:17,559
Speaker 1: I think it's truthfully, you really.

1633
01:18:17,320 --> 01:18:18,160
Speaker 3: Don't know what you want.

1634
01:18:18,200 --> 01:18:21,640
Speaker 2: I think also, he's on this album the thing, So

1635
01:18:21,680 --> 01:18:26,240
Speaker 2: the thing that resonated with me is that he's talking

1636
01:18:26,280 --> 01:18:29,920
Speaker 2: about those kind of people that are reviewing the album

1637
01:18:30,000 --> 01:18:38,160
Speaker 2: and telling them, hey, I'm not your savior. Here's I'm

1638
01:18:38,240 --> 01:18:40,160
Speaker 2: not comfortable in everything I'm saying.

1639
01:18:40,320 --> 01:18:40,680
Speaker 1: I'm not.

1640
01:18:42,280 --> 01:18:48,840
Speaker 2: I've been as a victim and a victimizer. I'm trying

1641
01:18:48,880 --> 01:18:51,960
Speaker 2: to stop cycles of generational shit that I'm just now

1642
01:18:52,000 --> 01:18:55,400
Speaker 2: diving into that I've never dived into before. And here's

1643
01:18:55,439 --> 01:18:58,639
Speaker 2: where I'm at so far, at thirty something years old,

1644
01:18:58,680 --> 01:19:00,679
Speaker 2: which is a time where a lot of us start

1645
01:19:00,760 --> 01:19:03,519
Speaker 2: looking you even get the luxury to look into those

1646
01:19:03,560 --> 01:19:07,120
Speaker 2: kinds of things in your life. And to me, it

1647
01:19:07,200 --> 01:19:11,160
Speaker 2: feels interesting that people took it as a personal betrayal

1648
01:19:11,280 --> 01:19:14,720
Speaker 2: or slight because what it reminds me of is like

1649
01:19:15,120 --> 01:19:18,120
Speaker 2: if you've ever had a friend who they're your friend,

1650
01:19:18,200 --> 01:19:20,320
Speaker 2: thinking thing and all that shit, but they start going

1651
01:19:20,360 --> 01:19:21,760
Speaker 2: through through something personal.

1652
01:19:21,400 --> 01:19:24,360
Speaker 1: And maybe they go through therapy, maybe they get.

1653
01:19:24,200 --> 01:19:26,720
Speaker 2: In a relationship, but they're doing something that is now

1654
01:19:26,760 --> 01:19:29,360
Speaker 2: taking away time from the relationship you and them have, right,

1655
01:19:29,880 --> 01:19:32,320
Speaker 2: but it's something that they're using to improve their life,

1656
01:19:32,360 --> 01:19:35,160
Speaker 2: to think about whatever, they're going to school, whatever it is.

1657
01:19:35,520 --> 01:19:39,240
Speaker 2: So you see them less, but they're improving their life.

1658
01:19:39,320 --> 01:19:39,559
Speaker 4: Right.

1659
01:19:40,479 --> 01:19:42,400
Speaker 1: That's the analogy that this album feels like.

1660
01:19:42,439 --> 01:19:45,839
Speaker 2: To me, where it's like, oh, he's okay, he started

1661
01:19:45,880 --> 01:19:50,080
Speaker 2: therapy and he's trying to like work on his responsibility

1662
01:19:50,080 --> 01:19:53,080
Speaker 2: to his family and himself and find balance and shit

1663
01:19:53,160 --> 01:19:56,160
Speaker 2: in the psychiaotic world that hey, and maybe at forty

1664
01:19:56,160 --> 01:19:58,040
Speaker 2: three it feels different because it's like, oh, yeah, I've

1665
01:19:58,080 --> 01:19:58,599
Speaker 2: been through that.

1666
01:19:59,520 --> 01:20:00,879
Speaker 1: Everyone's still going through.

1667
01:20:00,680 --> 01:20:06,120
Speaker 2: That, correct, But it was treated like, you know, like oh, there's.

1668
01:20:06,000 --> 01:20:07,280
Speaker 1: Some bullshit or whatever.

1669
01:20:07,320 --> 01:20:10,720
Speaker 2: It's like, okay, and you know, it does add to

1670
01:20:10,800 --> 01:20:15,360
Speaker 2: that whole, like and I guarantee it's just like the

1671
01:20:15,360 --> 01:20:17,920
Speaker 2: circles that I see on wine and I just try

1672
01:20:17,920 --> 01:20:21,479
Speaker 2: to stay out of. But that whole like niggas can

1673
01:20:21,560 --> 01:20:25,280
Speaker 2: never do nothing right, and it feels a little like that,

1674
01:20:25,840 --> 01:20:26,040
Speaker 2: you know.

1675
01:20:26,120 --> 01:20:27,520
Speaker 1: Four forty four felt.

1676
01:20:27,200 --> 01:20:30,040
Speaker 2: Like that, Whereas like, here's this guy that I see

1677
01:20:30,320 --> 01:20:36,440
Speaker 2: as really taking a huge leap forward for emotional accountability

1678
01:20:36,439 --> 01:20:39,240
Speaker 2: and stuff for it and then like kind of using

1679
01:20:39,280 --> 01:20:42,040
Speaker 2: it as a platform to talk about talk about that

1680
01:20:42,080 --> 01:20:43,120
Speaker 2: with other black.

1681
01:20:42,880 --> 01:20:47,439
Speaker 1: Men and people went, nah, I don't want this. He's

1682
01:20:47,600 --> 01:20:49,360
Speaker 1: privileged or he's.

1683
01:20:49,160 --> 01:20:50,680
Speaker 3: And it was like, oh, there was so there was

1684
01:20:50,720 --> 01:20:53,680
Speaker 3: nothing he could have done, and people would not be

1685
01:20:53,960 --> 01:20:56,360
Speaker 3: a lot of people would never admit that to them.

1686
01:20:56,400 --> 01:20:59,559
Speaker 3: That feels like an internalized issue on the listeners part

1687
01:20:59,680 --> 01:21:02,240
Speaker 3: that you wouldn't that you wouldn't even let the artists

1688
01:21:02,280 --> 01:21:05,559
Speaker 3: express this because you're threatened by what it means. And

1689
01:21:05,600 --> 01:21:07,920
Speaker 3: I think a lot of that comes from the fact

1690
01:21:07,960 --> 01:21:11,240
Speaker 3: that someone's taking control of their own narrative and telling

1691
01:21:11,280 --> 01:21:13,960
Speaker 3: you rather than letting you assume or tell them about

1692
01:21:13,960 --> 01:21:15,000
Speaker 3: themselves or what they're like.

1693
01:21:15,320 --> 01:21:18,160
Speaker 2: Okay, I'm gonna do this work, and here's my finding

1694
01:21:18,280 --> 01:21:20,560
Speaker 2: so far. It's like, no, no, no, we like the

1695
01:21:20,600 --> 01:21:22,479
Speaker 2: speculating more than we like you telling that.

1696
01:21:22,680 --> 01:21:25,000
Speaker 3: Yes, because and also it's one of those things where

1697
01:21:25,000 --> 01:21:27,559
Speaker 3: you took the power out of our hands. You know,

1698
01:21:28,200 --> 01:21:31,520
Speaker 3: a lot of fans feel this entitlement and this obligation

1699
01:21:31,680 --> 01:21:35,000
Speaker 3: to I want to feel powerful, you know when I

1700
01:21:35,040 --> 01:21:38,840
Speaker 3: consume this, you know, I want to feel a certain way.

1701
01:21:39,320 --> 01:21:41,559
Speaker 3: And I think for this particular album right here, it

1702
01:21:41,600 --> 01:21:45,320
Speaker 3: did not allow them to feel certain ways. And for

1703
01:21:45,439 --> 01:21:47,680
Speaker 3: some people it allowed them to feel things because for

1704
01:21:47,720 --> 01:21:49,479
Speaker 3: a lot of people, they listened to this album and said,

1705
01:21:49,479 --> 01:21:52,400
Speaker 3: what does it say about me? And I don't mean

1706
01:21:52,439 --> 01:21:55,320
Speaker 3: that and it's all about me things. But I'm going

1707
01:21:55,680 --> 01:21:58,559
Speaker 3: you listen to the album. Man, he's going, y'all, y'all

1708
01:21:58,560 --> 01:22:02,400
Speaker 3: got this leave me. I ain't got together, you know,

1709
01:22:02,479 --> 01:22:05,240
Speaker 3: I'm trying to figure this shit out, and people going, well, damn,

1710
01:22:05,479 --> 01:22:08,280
Speaker 3: I'm kind of in this situation too, almost like the

1711
01:22:08,640 --> 01:22:12,120
Speaker 3: rejection of relating to it. Oh well, damn, I need

1712
01:22:12,120 --> 01:22:14,559
Speaker 3: to go to therapy too. Well, you know, I fucked

1713
01:22:14,600 --> 01:22:16,479
Speaker 3: up too well, I ain't got it all together too,

1714
01:22:16,840 --> 01:22:18,519
Speaker 3: you know, And shit like that and a lot of

1715
01:22:18,560 --> 01:22:20,479
Speaker 3: self reflection, and so for a lot of people, like

1716
01:22:20,520 --> 01:22:23,320
Speaker 3: I said, that's the part of life people reject when

1717
01:22:23,360 --> 01:22:25,519
Speaker 3: it requires, I think from a thought and change.

1718
01:22:25,560 --> 01:22:28,320
Speaker 2: I think also is the personalizing of it, right, This

1719
01:22:28,360 --> 01:22:29,720
Speaker 2: is what I mean about the personalizing.

1720
01:22:29,920 --> 01:22:31,200
Speaker 1: When I listen to that album.

1721
01:22:31,520 --> 01:22:34,479
Speaker 2: You know what I thought, Mostly this album isn't like

1722
01:22:34,720 --> 01:22:40,120
Speaker 2: for me instructionally correct. I don't necessarily need to hear

1723
01:22:40,400 --> 01:22:43,719
Speaker 2: what Kendrick's talking about, cause I'm forty three. I've thought

1724
01:22:43,720 --> 01:22:46,320
Speaker 2: about a lot of shit. I know how I feel

1725
01:22:46,320 --> 01:22:52,400
Speaker 2: about the shit. I understand and respect his growth that

1726
01:22:52,439 --> 01:22:56,280
Speaker 2: he's having on this album and all his albums, and

1727
01:22:56,360 --> 01:22:58,439
Speaker 2: this seems like another place for him to like where

1728
01:22:58,439 --> 01:23:00,879
Speaker 2: he's stretching out, trying to grow in some different areas.

1729
01:23:01,360 --> 01:23:04,120
Speaker 1: Very spiritual, very holistic, all this stuff.

1730
01:23:04,479 --> 01:23:09,559
Speaker 2: But I'm beyond some of these concepts because I've thought

1731
01:23:09,600 --> 01:23:12,679
Speaker 2: about them before and I've come to different conclusions. And

1732
01:23:12,880 --> 01:23:15,320
Speaker 2: but I remember this point in my journey where I

1733
01:23:15,400 --> 01:23:16,479
Speaker 2: was thinking about these things.

1734
01:23:16,960 --> 01:23:17,400
Speaker 1: You know, I.

1735
01:23:17,400 --> 01:23:22,280
Speaker 2: Remember before I read anything, before I really knew anything

1736
01:23:22,320 --> 01:23:25,360
Speaker 2: about transgender people.

1737
01:23:25,520 --> 01:23:27,800
Speaker 1: I didn't know about dead name.

1738
01:23:28,720 --> 01:23:32,200
Speaker 2: How you're supposed to handle pronouns, which honestly does change

1739
01:23:32,200 --> 01:23:35,320
Speaker 2: from person to person not you know, there's an assumption

1740
01:23:35,640 --> 01:23:38,080
Speaker 2: in the academic terms of how people use it, but

1741
01:23:38,120 --> 01:23:41,240
Speaker 2: then when you have colloquial conversations and you hear them

1742
01:23:41,280 --> 01:23:43,160
Speaker 2: amongst people, it doesn't always come off the way that

1743
01:23:43,200 --> 01:23:44,920
Speaker 2: people try to promote it online like.

1744
01:23:44,880 --> 01:23:45,760
Speaker 1: They may they need it.

1745
01:23:46,160 --> 01:23:48,400
Speaker 2: It's like you said, I'm done with the I'm done

1746
01:23:48,439 --> 01:23:51,920
Speaker 2: with the.

1747
01:23:50,240 --> 01:23:51,960
Speaker 1: The wrong and the right, the black and the white right.

1748
01:23:52,200 --> 01:23:54,960
Speaker 1: They want it very like this is the right way,

1749
01:23:55,240 --> 01:23:58,720
Speaker 1: where it's like, well, that's what you were told was.

1750
01:23:58,720 --> 01:24:03,439
Speaker 2: The right way, but that ain't how everybody operates. And

1751
01:24:03,479 --> 01:24:05,840
Speaker 2: it's not like a collective decision.

1752
01:24:05,800 --> 01:24:08,000
Speaker 1: And it's and it's and it's uh, and it.

1753
01:24:08,040 --> 01:24:10,360
Speaker 2: Varies from person to person anyway, the point being like,

1754
01:24:12,240 --> 01:24:14,600
Speaker 2: I'm kind of beyond those things, but I appreciate it,

1755
01:24:14,680 --> 01:24:16,680
Speaker 2: and I recognize it's a shit ton of people that

1756
01:24:16,840 --> 01:24:19,559
Speaker 2: ate beyond that, that needed to hear somebody that they

1757
01:24:19,600 --> 01:24:22,559
Speaker 2: respect and think is cool that challenge that. It's like,

1758
01:24:22,600 --> 01:24:24,920
Speaker 2: it's not challenging to me, but it's challenging to them.

1759
01:24:24,960 --> 01:24:28,040
Speaker 1: Correct. But if I'm being real, Kendrick ain't never been

1760
01:24:28,120 --> 01:24:31,400
Speaker 1: challenging to me. I wasn't never looking for a rapper

1761
01:24:31,439 --> 01:24:34,120
Speaker 1: to challenge me. Correct. I never like, there was none

1762
01:24:34,120 --> 01:24:36,000
Speaker 1: of these niggas out here that made me be.

1763
01:24:36,080 --> 01:24:39,400
Speaker 2: Like, oh man, glad he made that song because I

1764
01:24:39,439 --> 01:24:42,840
Speaker 2: didn't understand, like it's I'm I did have the luxury

1765
01:24:42,840 --> 01:24:44,840
Speaker 2: of going to college. I did have the time to

1766
01:24:44,880 --> 01:24:48,000
Speaker 2: read the books. I do have the time to look

1767
01:24:48,000 --> 01:24:50,640
Speaker 2: for shit online and stuff, So it wasn't I was

1768
01:24:50,720 --> 01:24:53,240
Speaker 2: never looking for that. So it's interesting how people use

1769
01:24:53,280 --> 01:24:56,760
Speaker 2: that as a cudgel on artists, and especially when it's

1770
01:24:56,800 --> 01:24:58,360
Speaker 2: just a shit ton of artists.

1771
01:24:58,080 --> 01:25:01,799
Speaker 1: That don't give a fuck and they get a past

1772
01:25:02,080 --> 01:25:05,439
Speaker 1: they just do is we just accept them. They gonna

1773
01:25:05,479 --> 01:25:06,080
Speaker 1: be around.

1774
01:25:06,400 --> 01:25:08,280
Speaker 2: And now it makes the other last thing I'll say

1775
01:25:08,280 --> 01:25:11,920
Speaker 2: on this, it makes it so obvious in hindsight now

1776
01:25:12,320 --> 01:25:16,439
Speaker 2: why these people complain and talk about these artists and

1777
01:25:16,479 --> 01:25:19,120
Speaker 2: their music and their shows and the TV shows all

1778
01:25:19,120 --> 01:25:22,120
Speaker 2: the stuff, and it never is connected to the actual

1779
01:25:22,160 --> 01:25:26,200
Speaker 2: popularity of the day. Like they're so myopic and they

1780
01:25:26,240 --> 01:25:28,639
Speaker 2: care so much about themselves and how much they feel

1781
01:25:28,640 --> 01:25:32,280
Speaker 2: about it that they say dismissive shit And you look

1782
01:25:32,360 --> 01:25:35,920
Speaker 2: back and you're like, well, you do realize this is

1783
01:25:36,000 --> 01:25:37,400
Speaker 2: one of the most popular people in.

1784
01:25:37,320 --> 01:25:38,400
Speaker 1: This game.

1785
01:25:40,080 --> 01:25:43,800
Speaker 2: That like, are you sure that you're the person that's

1786
01:25:43,840 --> 01:25:46,320
Speaker 2: deciding like, oh, this person's whack, you know what I mean.

1787
01:25:46,360 --> 01:25:50,240
Speaker 2: It's like when it's like, why you gotta have Future

1788
01:25:50,240 --> 01:25:52,439
Speaker 2: on the album, Koda had black on the album or whatever, you're.

1789
01:25:52,320 --> 01:25:56,519
Speaker 1: Like, Well, those people are going to exist whether Kendrick's

1790
01:25:56,520 --> 01:25:57,080
Speaker 1: around or not.

1791
01:25:57,320 --> 01:26:04,840
Speaker 2: Agree they don't triple extent. The motherfucker was beasting. Whether

1792
01:26:04,880 --> 01:26:07,000
Speaker 2: our generation was gonna give him that pass or not,

1793
01:26:07,120 --> 01:26:10,160
Speaker 2: it didn't even matter. And while my circle of people

1794
01:26:10,240 --> 01:26:13,320
Speaker 2: can be like, we love Tupac, who possibly, I mean

1795
01:26:15,320 --> 01:26:17,679
Speaker 2: was convicted or holding a woman down during sexual assault.

1796
01:26:18,439 --> 01:26:20,679
Speaker 2: While we can love him and talk about how much

1797
01:26:20,800 --> 01:26:23,599
Speaker 2: his potential was and how great he was as an actor,

1798
01:26:23,640 --> 01:26:26,120
Speaker 2: and he was a wonder Candamon, We love him and

1799
01:26:26,120 --> 01:26:29,640
Speaker 2: grandfather his ass right on end exexcentation had to go.

1800
01:26:29,920 --> 01:26:32,760
Speaker 1: And these kids was disrespectful and terrible for.

1801
01:26:32,720 --> 01:26:35,559
Speaker 2: Even listening to or or seeing him as beyond just

1802
01:26:35,760 --> 01:26:39,760
Speaker 2: the crimes we learned about him. That is a thing

1803
01:26:39,800 --> 01:26:44,000
Speaker 2: that our generation, I think, or people of a certain age,

1804
01:26:44,040 --> 01:26:46,679
Speaker 2: that's a thing that we just grandfathered in and don't

1805
01:26:46,680 --> 01:26:50,719
Speaker 2: even like to look back on how uncomfortable those things are.

1806
01:26:51,000 --> 01:26:54,960
Speaker 2: And we definitely don't quote unquote cancel it because you

1807
01:26:55,000 --> 01:26:58,960
Speaker 2: can't ever take that time back, like you either listen

1808
01:26:59,120 --> 01:27:02,799
Speaker 2: to those songs or you enjoyed those things or you didn't,

1809
01:27:02,800 --> 01:27:04,320
Speaker 2: but you can't like undo that.

1810
01:27:04,240 --> 01:27:05,840
Speaker 1: You enjoyed them, right right.

1811
01:27:05,960 --> 01:27:08,559
Speaker 2: So I think that that's a big part of it

1812
01:27:08,600 --> 01:27:13,559
Speaker 2: for me, was just like that that disconnect there from

1813
01:27:13,680 --> 01:27:17,639
Speaker 2: reality because yeah, you're the one saying Future is terrible

1814
01:27:17,640 --> 01:27:20,320
Speaker 2: because he's a terrible misogynist his da da da, But

1815
01:27:21,439 --> 01:27:23,840
Speaker 2: all these rappers been terrible misogysts since hip hop was.

1816
01:27:23,760 --> 01:27:28,000
Speaker 1: Invented, and they're doing fine. We had G Funk or

1817
01:27:28,040 --> 01:27:28,559
Speaker 1: not g Funk.

1818
01:27:28,600 --> 01:27:33,400
Speaker 2: We had the Doctor Dre Aftermath halftime and everybody fucking

1819
01:27:33,439 --> 01:27:33,880
Speaker 2: loved it.

1820
01:27:33,920 --> 01:27:36,320
Speaker 1: And that represents decades of.

1821
01:27:36,240 --> 01:27:41,360
Speaker 2: Misogyny and fucked up thinking period and drug glorification, a

1822
01:27:41,400 --> 01:27:44,880
Speaker 2: bunch of shit, gangster shit, murder, all kinds of shit,

1823
01:27:44,960 --> 01:27:48,720
Speaker 2: and no one holds them to that standard, you know

1824
01:27:48,760 --> 01:27:49,200
Speaker 2: what I mean.

1825
01:27:49,280 --> 01:27:51,360
Speaker 1: So I just found that I don't found out to

1826
01:27:51,360 --> 01:27:51,799
Speaker 1: be interesting.

1827
01:27:52,520 --> 01:27:57,080
Speaker 2: Total sage. Sorry about that, but uh, if you could relate,

1828
01:27:57,120 --> 01:27:59,400
Speaker 2: you know what I'm saying. Hold your light is up, all.

1829
01:27:59,360 --> 01:28:03,600
Speaker 1: Right, let's moving to some other stuff. Hour and a

1830
01:28:03,640 --> 01:28:09,320
Speaker 1: half already, Let's do some Uh, yeah, there's just some

1831
01:28:09,400 --> 01:28:13,800
Speaker 1: fucking with black people. Uh will help if I put

1832
01:28:13,920 --> 01:28:15,599
Speaker 1: up the fun with black people music, right.

1833
01:28:16,200 --> 01:28:18,160
Speaker 2: Uh but yeah, let's do some fucking with black people

1834
01:28:18,479 --> 01:28:19,200
Speaker 2: real quick.

1835
01:28:21,800 --> 01:28:31,280
Speaker 9: Whoo hoo hooooooooop. Just fucking with them people because they

1836
01:28:31,280 --> 01:28:36,599
Speaker 9: ain't back this fucking with the people because they're black.

1837
01:28:38,080 --> 01:28:38,400
Speaker 3: Pop with.

1838
01:28:38,520 --> 01:28:41,960
Speaker 9: Just fucking with them black people. We just fucking look

1839
01:28:42,000 --> 01:28:47,120
Speaker 9: them black. Just wo fucking fucking black people.

1840
01:28:56,160 --> 01:28:58,479
Speaker 1: That's right. Uh, fuck with black people.

1841
01:28:58,520 --> 01:29:00,880
Speaker 2: Time, it's time to talk about let's get into it.

1842
01:29:02,720 --> 01:29:09,439
Speaker 2: Novelist James Patterson apologized for saying that white writers face racism.

1843
01:29:09,600 --> 01:29:12,040
Speaker 2: Oh that's quick, because I had an article for yesterday

1844
01:29:12,040 --> 01:29:15,200
Speaker 2: when he was saying the shit. Crime novelist James Patterson

1845
01:29:15,240 --> 01:29:19,120
Speaker 2: is apolation and apology Tuesday for following the prior remark

1846
01:29:19,160 --> 01:29:22,360
Speaker 2: on racism. Speaking to the UK Sundays Times this weekend,

1847
01:29:23,320 --> 01:29:26,719
Speaker 2: Patterson said that white, older male writers aren't getting hired

1848
01:29:27,000 --> 01:29:30,080
Speaker 2: for writing gigs in film, theater, TV or publishing right now,

1849
01:29:30,400 --> 01:29:33,120
Speaker 2: claiming the phenomena is just another form of racism.

1850
01:29:33,520 --> 01:29:35,679
Speaker 3: Child, if you don't get out of here. I've seen

1851
01:29:35,720 --> 01:29:38,360
Speaker 3: somebody tweeting something and they went through all the people.

1852
01:29:38,439 --> 01:29:41,960
Speaker 3: They was like nigga. The bulk of these is white dudes.

1853
01:29:42,280 --> 01:29:43,000
Speaker 3: Like the fuck?

1854
01:29:43,120 --> 01:29:44,320
Speaker 5: Is this right?

1855
01:29:46,840 --> 01:29:48,840
Speaker 1: What's that all about? Can you get a job?

1856
01:29:48,960 --> 01:29:49,160
Speaker 4: Yes?

1857
01:29:49,280 --> 01:29:51,799
Speaker 2: Is it harder, yes, it's even harder for older writers.

1858
01:29:52,000 --> 01:29:54,640
Speaker 2: You don't meet many fifty two year old white males.

1859
01:29:55,080 --> 01:29:56,759
Speaker 3: And they went and I seen the tweet. They actually

1860
01:29:56,800 --> 01:29:58,920
Speaker 3: posted the age, and a lot of them was over fifty.

1861
01:30:00,040 --> 01:30:01,080
Speaker 1: He's now taking it back.

1862
01:30:01,680 --> 01:30:04,559
Speaker 2: I apologize saying white male writers having trouble fighter work

1863
01:30:04,560 --> 01:30:06,800
Speaker 2: as a form of racism. I absolutely do not believe

1864
01:30:06,800 --> 01:30:09,760
Speaker 2: that racism was practiced against white writers. Please know that

1865
01:30:09,800 --> 01:30:11,960
Speaker 2: I strongly support the diversity of voices being heard in

1866
01:30:12,000 --> 01:30:13,439
Speaker 2: literature and Hollywood everywhere.

1867
01:30:13,800 --> 01:30:14,519
Speaker 3: I don't believe you.

1868
01:30:14,680 --> 01:30:16,519
Speaker 1: I'm sorry someone did.

1869
01:30:16,960 --> 01:30:19,920
Speaker 2: People responding in the comments, I'm sorry you feel the

1870
01:30:19,960 --> 01:30:21,080
Speaker 2: need to be an apologist.

1871
01:30:21,120 --> 01:30:23,479
Speaker 1: Bias against white men is very real. It may be

1872
01:30:23,520 --> 01:30:25,560
Speaker 1: more recent, but it's real. Nonetheless.

1873
01:30:26,520 --> 01:30:28,920
Speaker 2: Way to bend the pressure the left has forced their

1874
01:30:28,920 --> 01:30:32,879
Speaker 2: beliefs again, just write all some books instead of politics

1875
01:30:32,920 --> 01:30:36,840
Speaker 2: and social issues. Another suggested he sold more than four

1876
01:30:36,920 --> 01:30:39,639
Speaker 2: hundred and fifty million books across twenty or so titles

1877
01:30:39,800 --> 01:30:42,719
Speaker 2: during his thirty year career, most notably than neo noir

1878
01:30:42,840 --> 01:30:47,280
Speaker 2: book following Detective Alex Cross later played by actor Morgan Freeman,

1879
01:30:47,840 --> 01:30:50,519
Speaker 2: and Kiss the Girls and It's two thousand and one sequel,

1880
01:30:50,520 --> 01:30:51,559
Speaker 2: Along Came a Spider.

1881
01:30:52,360 --> 01:30:52,559
Speaker 5: Yeah.

1882
01:30:52,560 --> 01:30:55,719
Speaker 2: I think also Tyler Perry played Alex crossing the movie.

1883
01:30:56,720 --> 01:30:58,360
Speaker 1: I know that Shaw didn't bring that one up.

1884
01:30:59,360 --> 01:31:02,200
Speaker 2: His first out of biography, James Patterson by James Patterson,

1885
01:31:02,240 --> 01:31:05,240
Speaker 2: Stories of My Life, hit bookstores last week. Patterson also

1886
01:31:05,320 --> 01:31:08,920
Speaker 2: produced the upcoming film Rose Run, Rose Run, Rose Run,

1887
01:31:08,960 --> 01:31:12,640
Speaker 2: I'm Sorry, based on the book that he wrote with

1888
01:31:12,760 --> 01:31:14,719
Speaker 2: country music legend Dolly Parton.

1889
01:31:15,200 --> 01:31:21,639
Speaker 1: That's probably who called him. Yeah, get home the phone.

1890
01:31:21,640 --> 01:31:23,800
Speaker 1: Can I talk to James? And then he's like, oh shit,

1891
01:31:24,800 --> 01:31:27,640
Speaker 1: what's Dolly calling me for. Let me check eight, let

1892
01:31:27,720 --> 01:31:32,479
Speaker 1: me check my uh, let me check my cloud, check

1893
01:31:32,520 --> 01:31:35,519
Speaker 1: my let me check my phone messages. All right, zero

1894
01:31:35,520 --> 01:31:36,040
Speaker 1: to one hundred.

1895
01:31:37,479 --> 01:31:45,320
Speaker 3: This gets a I said, seventy five irritates me, but

1896
01:31:45,439 --> 01:31:51,760
Speaker 3: it ain't one of those things where I mean apologize

1897
01:31:51,880 --> 01:31:56,120
Speaker 3: kind of disorder. He didn't really double down, so it

1898
01:31:56,120 --> 01:31:56,840
Speaker 3: gets him five.

1899
01:31:57,120 --> 01:31:58,320
Speaker 1: Okay, I think that's fair.

1900
01:31:59,280 --> 01:32:03,400
Speaker 2: I'm mostly amused by the fact that he has sold

1901
01:32:03,439 --> 01:32:04,520
Speaker 2: so many books.

1902
01:32:04,920 --> 01:32:11,960
Speaker 1: Come on like like this, Nigga is rich rich? Yeah,

1903
01:32:12,000 --> 01:32:12,800
Speaker 1: so you.

1904
01:32:12,720 --> 01:32:14,640
Speaker 10: Know, you know what this right here is just the

1905
01:32:14,720 --> 01:32:22,320
Speaker 10: money on the poor people around. What's your procrast He

1906
01:32:22,479 --> 01:32:25,400
Speaker 10: sounded like them old white dudes has complained about the

1907
01:32:25,439 --> 01:32:26,160
Speaker 10: movie industry.

1908
01:32:26,320 --> 01:32:30,000
Speaker 3: You are not the face of this, if that makes sense,

1909
01:32:30,120 --> 01:32:34,200
Speaker 3: Like no, dog, You've made millions, probably billions of dollars.

1910
01:32:34,320 --> 01:32:36,719
Speaker 3: You are not the one to come out and call

1911
01:32:36,800 --> 01:32:38,920
Speaker 3: this racism out right.

1912
01:32:40,240 --> 01:32:46,040
Speaker 1: Oh man, let's see how about this? Wells Fargo accused

1913
01:32:46,080 --> 01:32:49,919
Speaker 1: of conducting fake interviews to report and increase in diversity

1914
01:32:50,000 --> 01:32:55,360
Speaker 1: hiring efforts. Oh, not the running rule, but for banks.

1915
01:32:56,920 --> 01:32:59,840
Speaker 3: I'm not trying to be funny. Okay, okay, let me know.

1916
01:33:00,160 --> 01:33:03,200
Speaker 3: And now I've been paying attention every time one of

1917
01:33:03,240 --> 01:33:05,600
Speaker 3: these lossuits come up. Ain't it with Wells Fargo for

1918
01:33:05,640 --> 01:33:08,559
Speaker 3: all this discrimination shit? Ain't they like the main bank

1919
01:33:08,960 --> 01:33:11,400
Speaker 3: to be to be like number one in line every

1920
01:33:11,439 --> 01:33:12,479
Speaker 3: time we talk about this?

1921
01:33:12,960 --> 01:33:13,160
Speaker 5: Yes?

1922
01:33:13,600 --> 01:33:15,240
Speaker 1: Yeah, what is happening over there?

1923
01:33:16,000 --> 01:33:18,559
Speaker 2: Over the past years, well Fargo's make headlines of scandals

1924
01:33:18,640 --> 01:33:21,479
Speaker 2: ranging from opening up more than two million fake accounts

1925
01:33:21,479 --> 01:33:23,840
Speaker 2: to denying more than half of all refine somethings and

1926
01:33:23,920 --> 01:33:25,480
Speaker 2: applications for black homeowners.

1927
01:33:25,720 --> 01:33:28,040
Speaker 1: And if you thought every evil within the institution. I've

1928
01:33:28,040 --> 01:33:29,800
Speaker 1: been eradicated. Just wait until you hear this.

1929
01:33:30,000 --> 01:33:31,840
Speaker 2: According to The New York Times, the bank has been

1930
01:33:31,840 --> 01:33:35,559
Speaker 2: conducting fake job interviews that seemingly increases diversity hiring pool.

1931
01:33:35,840 --> 01:33:37,879
Speaker 2: But while the candidate would make it through the doors

1932
01:33:38,200 --> 01:33:40,920
Speaker 2: of the initial evaluation, they would never hear back about

1933
01:33:40,920 --> 01:33:43,200
Speaker 2: the job, not because they were unqualified, but because the

1934
01:33:43,280 --> 01:33:45,120
Speaker 2: job had already been promised to someone else.

1935
01:33:46,920 --> 01:33:48,200
Speaker 1: A former executive in.

1936
01:33:48,120 --> 01:33:51,200
Speaker 2: The wealth management division of Wells Fargo was recently fired

1937
01:33:51,439 --> 01:33:53,520
Speaker 2: and what he believes to be an act of retaliation.

1938
01:33:54,040 --> 01:33:57,240
Speaker 2: Joe Bruno began to take notice of the fact that

1939
01:33:57,280 --> 01:34:00,120
Speaker 2: a diverse candidate, typically a person of color or or

1940
01:34:00,120 --> 01:34:02,240
Speaker 2: a woman, will be called in for an interview for

1941
01:34:02,280 --> 01:34:04,640
Speaker 2: a role that had already been filled. He complained the

1942
01:34:04,760 --> 01:34:08,240
Speaker 2: superiors that fake interviews were inappropriate, morally wrong, and ethic

1943
01:34:08,280 --> 01:34:08,919
Speaker 2: You wrong.

1944
01:34:08,840 --> 01:34:10,599
Speaker 3: Right, because you're wasting their time.

1945
01:34:11,120 --> 01:34:13,760
Speaker 2: He's one of seven former and current current employees that

1946
01:34:13,800 --> 01:34:15,880
Speaker 2: have come forward to say that they were asked to

1947
01:34:15,920 --> 01:34:19,639
Speaker 2: conduct these interviews by their higher ups. Apparently the bank

1948
01:34:19,680 --> 01:34:22,920
Speaker 2: had no real intention of increasing their diversity efforts, but

1949
01:34:23,040 --> 01:34:25,520
Speaker 2: what they were in fact concerned about was the possibility

1950
01:34:25,560 --> 01:34:29,400
Speaker 2: of getting audited. The fake interviews were intended to create

1951
01:34:29,439 --> 01:34:30,200
Speaker 2: a paper.

1952
01:34:29,920 --> 01:34:34,479
Speaker 3: Trail, okay, right, So when the government started looking down

1953
01:34:34,520 --> 01:34:37,880
Speaker 3: and be like, hey, you're not interviewing enough others, they

1954
01:34:37,920 --> 01:34:40,840
Speaker 3: can't be when we interviewed them and the people going, yeah,

1955
01:34:40,960 --> 01:34:43,800
Speaker 3: I actually hired somebody for that job like last week

1956
01:34:43,960 --> 01:34:46,600
Speaker 3: while we still doing interviews two weeks out of a

1957
01:34:46,640 --> 01:34:49,240
Speaker 3: month out. This doesn't make sense. Take the jobs, take

1958
01:34:49,240 --> 01:34:52,400
Speaker 3: this shot off. Indeed, Yeah, they definitely need to, like

1959
01:34:52,840 --> 01:34:55,160
Speaker 3: somebody need to go and clean motherfucking house because every

1960
01:34:55,160 --> 01:34:57,320
Speaker 3: time one of these shit come up with some black

1961
01:34:57,320 --> 01:35:00,760
Speaker 3: of brown people to other people, wells foggo how they

1962
01:35:00,800 --> 01:35:04,040
Speaker 3: even in business? They spend the bazilion Donalds on fines

1963
01:35:04,080 --> 01:35:04,559
Speaker 3: and bees.

1964
01:35:05,560 --> 01:35:08,240
Speaker 2: Yes, So this was like one of those times we're like,

1965
01:35:08,920 --> 01:35:11,120
Speaker 2: there's gonna have to be like a boycott or somebody

1966
01:35:11,240 --> 01:35:14,280
Speaker 2: like coming down on them because or just you just

1967
01:35:14,360 --> 01:35:18,120
Speaker 2: can't bank with them, because honestly, it's like, how many

1968
01:35:18,160 --> 01:35:21,400
Speaker 2: more times do y'all have to get told and then

1969
01:35:21,479 --> 01:35:25,240
Speaker 2: will then get caught in some shit willfully?

1970
01:35:25,479 --> 01:35:27,040
Speaker 1: Oh man, that's so sad.

1971
01:35:28,479 --> 01:35:30,439
Speaker 2: Was also interesting but not surprising, is that in the

1972
01:35:30,479 --> 01:35:32,799
Speaker 2: way of George Floyd's murder in twenty twenty World Fargo's

1973
01:35:32,840 --> 01:35:35,360
Speaker 2: led to call for increased diversity in the workplace, and

1974
01:35:35,400 --> 01:35:36,760
Speaker 2: the quote wildly circulated.

1975
01:35:36,840 --> 01:35:37,479
Speaker 1: Charles W.

1976
01:35:37,560 --> 01:35:40,960
Speaker 2: Schwarf, the institution's chief executive, made the pledge and then

1977
01:35:41,000 --> 01:35:43,519
Speaker 2: stated the bank struggled to find black candidates, and he

1978
01:35:43,640 --> 01:35:45,640
Speaker 2: later apologized for a statement.

1979
01:35:47,000 --> 01:35:48,759
Speaker 1: I remember that, So y'all do fake.

1980
01:35:48,560 --> 01:35:50,840
Speaker 2: Interviews and then don't hire them. Sound like y'all all

1981
01:35:50,880 --> 01:35:53,000
Speaker 2: finding black candidates. Y'all just don't want to hire them.

1982
01:35:53,200 --> 01:35:55,040
Speaker 2: So like you struggle to hire the black.

1983
01:35:54,840 --> 01:36:01,479
Speaker 3: Candidates, wasting people's time. People five would be excellent, y'all

1984
01:36:01,520 --> 01:36:02,000
Speaker 3: Like nope.

1985
01:36:02,960 --> 01:36:05,280
Speaker 2: Bruno, who joined the company back in two thousand, was

1986
01:36:05,280 --> 01:36:08,679
Speaker 2: responsible for hiring financial advisors to financial consultants. He says

1987
01:36:08,680 --> 01:36:11,000
Speaker 2: he was advised to hire black candidates for the financial

1988
01:36:11,040 --> 01:36:14,280
Speaker 2: consultant positions, which were the lower paying of the two jobs,

1989
01:36:14,400 --> 01:36:16,599
Speaker 2: but most of the time, Bruno says that they had

1990
01:36:16,640 --> 01:36:19,360
Speaker 2: no intention of hiring these people either, as they typically

1991
01:36:19,400 --> 01:36:22,760
Speaker 2: had already selected someone else for these roles. He eventually

1992
01:36:22,880 --> 01:36:25,360
Speaker 2: reached a point where he could refuse to conduct the interviews.

1993
01:36:25,400 --> 01:36:26,920
Speaker 2: I got a black person on the other side of

1994
01:36:26,920 --> 01:36:28,960
Speaker 2: the table who has no shot at getting a job,

1995
01:36:29,000 --> 01:36:32,000
Speaker 2: he told his bosses However, Barry Somers, the chief executive

1996
01:36:32,000 --> 01:36:34,960
Speaker 2: Wells Fargo Wealth and Investment management business, says Bruno's claims

1997
01:36:35,000 --> 01:36:35,599
Speaker 2: are false.

1998
01:36:36,560 --> 01:36:38,280
Speaker 1: There's absolutely no reason, right.

1999
01:36:39,200 --> 01:36:42,200
Speaker 3: I believe him. You have seven employees. This is culture.

2000
01:36:42,520 --> 01:36:45,040
Speaker 3: What the fuck you think is happening in this world? Culture?

2001
01:36:45,200 --> 01:36:49,080
Speaker 2: It's also like this bank is like when future says

2002
01:36:49,160 --> 01:36:54,040
Speaker 2: that a woman accusing him of getting her pregnant is lying, like,

2003
01:36:54,560 --> 01:36:59,000
Speaker 2: you don't have the cachet, you know what I mean,

2004
01:36:59,080 --> 01:37:02,400
Speaker 2: Like you don't got having so many side babies.

2005
01:37:02,760 --> 01:37:05,200
Speaker 1: Now you're looking, we had baby number twelve or whatever,

2006
01:37:05,200 --> 01:37:07,800
Speaker 1: and you're like, I can't believe y'all would doubt me.

2007
01:37:07,960 --> 01:37:09,400
Speaker 3: I can't believe it, y'all.

2008
01:37:09,439 --> 01:37:13,679
Speaker 1: Really, this is absolutely unfounded ignorance and bullshit. You would

2009
01:37:13,800 --> 01:37:15,320
Speaker 1: never be racist.

2010
01:37:15,000 --> 01:37:18,080
Speaker 3: Like the other, never the other five times he got

2011
01:37:18,080 --> 01:37:19,080
Speaker 3: caught being racist.

2012
01:37:19,160 --> 01:37:22,599
Speaker 2: Okay, fine, we paid those finds. But now you want

2013
01:37:22,600 --> 01:37:24,599
Speaker 2: to act like we being racist again.

2014
01:37:25,120 --> 01:37:26,519
Speaker 1: Now why would you think that?

2015
01:37:29,040 --> 01:37:32,639
Speaker 2: He says, Uh, the bank did not track the identities

2016
01:37:32,680 --> 01:37:34,560
Speaker 2: of candidate, but instead focused on the numbers, and the

2017
01:37:34,640 --> 01:37:35,639
Speaker 2: numbers are getting better.

2018
01:37:36,400 --> 01:37:39,599
Speaker 1: Well here, hold up, hold up, let's talk about that statement.

2019
01:37:41,200 --> 01:37:44,639
Speaker 1: You don't focus on the you don't track the identities

2020
01:37:44,640 --> 01:37:50,200
Speaker 1: of the candidates. One race is definitely on the motherfucker applications.

2021
01:37:49,840 --> 01:37:53,400
Speaker 3: Right, So identity, So there's some form of an identification.

2022
01:37:53,360 --> 01:37:54,639
Speaker 1: Somebody line right.

2023
01:37:54,880 --> 01:37:59,960
Speaker 2: Two, you focus on the numbers and the numbers again

2024
01:38:00,000 --> 01:38:04,120
Speaker 2: better the numbers of what sir, the people.

2025
01:38:03,880 --> 01:38:07,160
Speaker 3: Are paying for the job, the numbers of hiring them.

2026
01:38:07,000 --> 01:38:11,240
Speaker 1: For the numbers of the identities, right, the numbers of blacks,

2027
01:38:11,240 --> 01:38:14,040
Speaker 1: the numbers of women's double like, so when you say

2028
01:38:14,320 --> 01:38:16,479
Speaker 1: the numbers are getting better, how are you tracking the

2029
01:38:16,560 --> 01:38:24,320
Speaker 1: numbers but not tracking identities. You can't separate. It has

2030
01:38:24,400 --> 01:38:28,280
Speaker 1: to be intentional if you're doing it, you know what

2031
01:38:28,360 --> 01:38:32,400
Speaker 1: I mean. It has to be intentional because it takes

2032
01:38:32,439 --> 01:38:35,240
Speaker 1: intention to change of trend, you.

2033
01:38:35,160 --> 01:38:35,759
Speaker 7: Know what I'm saying.

2034
01:38:35,800 --> 01:38:37,479
Speaker 2: It's like, if you're saying I want to hire more

2035
01:38:37,520 --> 01:38:40,479
Speaker 2: black people, that does need to be doing intention You

2036
01:38:40,560 --> 01:38:44,000
Speaker 2: can't do color blind blank. It has to be we

2037
01:38:44,080 --> 01:38:46,280
Speaker 2: want black people to be interviewed and get the jobs.

2038
01:38:47,360 --> 01:38:48,559
Speaker 1: Anyway.

2039
01:38:48,840 --> 01:38:52,000
Speaker 3: Uh. Yeah, it's gonna be a lot someone said lossuit. Yes,

2040
01:38:52,040 --> 01:38:54,479
Speaker 3: it's gonna be a lawsuit or something coming from this. Yeah,

2041
01:38:54,600 --> 01:38:58,120
Speaker 3: because trust it's a lot of people that probably have

2042
01:38:58,160 --> 01:38:59,639
Speaker 3: a life. But every time I go out there. There's

2043
01:38:59,680 --> 01:39:02,600
Speaker 3: all guarantee you the hundreds, probably thousands of jobs that

2044
01:39:02,680 --> 01:39:05,479
Speaker 3: got posted all across the country for positions that I

2045
01:39:05,600 --> 01:39:06,640
Speaker 3: currently filled.

2046
01:39:07,520 --> 01:39:10,360
Speaker 2: Tony Thorpe was a senior manager for Wells Farger Advisor

2047
01:39:10,400 --> 01:39:12,559
Speaker 2: in Nashville. He was advised to reach out the local

2048
01:39:12,560 --> 01:39:15,120
Speaker 2: Colleges of Business Association to fill a sales assistant role.

2049
01:39:15,439 --> 01:39:17,560
Speaker 2: Although he had been required a document as attempts to

2050
01:39:17,560 --> 01:39:20,439
Speaker 2: find a non white hire, Thorpe says he was already

2051
01:39:20,520 --> 01:39:23,120
Speaker 2: informed of who the job would go to. You did

2052
01:39:23,160 --> 01:39:25,200
Speaker 2: have to tell the story, send an email verifying what

2053
01:39:25,240 --> 01:39:27,200
Speaker 2: you've done. You just had to show them that you

2054
01:39:27,240 --> 01:39:34,000
Speaker 2: were trying. So, yeah, that's wild as fucked zero two hundred, though.

2055
01:39:34,680 --> 01:39:38,840
Speaker 3: This one gets so one hundred. I like, And it's

2056
01:39:38,840 --> 01:39:41,519
Speaker 3: one of those things where I've never banked at Wells

2057
01:39:41,520 --> 01:39:44,080
Speaker 3: Farg or anything like that, but if I was considering

2058
01:39:44,240 --> 01:39:47,839
Speaker 3: changing banks, it just would not beat them, because literally

2059
01:39:48,000 --> 01:39:50,639
Speaker 3: every time we hear about it's not the other banks

2060
01:39:50,920 --> 01:39:53,559
Speaker 3: don't fuck up, because they do because they're banks. But

2061
01:39:53,760 --> 01:39:56,920
Speaker 3: it's one of those things where you're listening, like y'all

2062
01:39:56,920 --> 01:40:00,200
Speaker 3: actually consistently get caught with your hand in the key,

2063
01:40:00,280 --> 01:40:04,519
Speaker 3: y'all looking crazy, paying ridiculous fines and then just turn

2064
01:40:04,560 --> 01:40:09,120
Speaker 3: around and do it over again. Right, all right, let's

2065
01:40:09,160 --> 01:40:11,439
Speaker 3: get to guess the racecore.

2066
01:40:11,680 --> 01:40:14,479
Speaker 1: Oh, it's one hundred. Wa Kobe one hundred. It's a

2067
01:40:14,520 --> 01:40:15,120
Speaker 1: permanent one.

2068
01:40:15,200 --> 01:40:18,400
Speaker 3: Yeah, because I think that used to be Yeah, I

2069
01:40:18,400 --> 01:40:19,880
Speaker 3: think one of them used to be Wakobe. You first

2070
01:40:19,960 --> 01:40:20,639
Speaker 3: union one of them.

2071
01:40:20,720 --> 01:40:23,679
Speaker 2: I take it my bad Wells Fargo is a current constant.

2072
01:40:25,040 --> 01:40:26,920
Speaker 2: They just they're just always and some ship.

2073
01:40:26,960 --> 01:40:28,920
Speaker 1: You can't trust anything, they say.

2074
01:40:28,720 --> 01:40:30,880
Speaker 2: They then they'll put some press release out the next

2075
01:40:30,920 --> 01:40:33,519
Speaker 2: month about how we hired blacks and it's like, but

2076
01:40:33,680 --> 01:40:35,599
Speaker 2: are you know there's always some shit.

2077
01:40:35,680 --> 01:40:37,840
Speaker 3: Firing for some of the lowest positions if you do

2078
01:40:37,960 --> 01:40:38,479
Speaker 3: hire them.

2079
01:40:39,280 --> 01:40:42,360
Speaker 1: All right, let's get to uh guess the race.

2080
01:40:42,400 --> 01:40:46,479
Speaker 2: But first, gentlemen, Father's Day is just around the corner,

2081
01:40:46,520 --> 01:40:49,639
Speaker 2: and our friends A Man Skates are here to ensure

2082
01:40:49,800 --> 01:40:53,240
Speaker 2: all the father figures out there are looking like Daddy material.

2083
01:40:53,360 --> 01:40:57,519
Speaker 1: This June, I say, Zaddy material. Okay Man Skates Performance

2084
01:40:57,560 --> 01:40:58,839
Speaker 1: Package four point zero, which.

2085
01:40:58,640 --> 01:41:02,000
Speaker 2: Includes that signature Lawnmower four point zero is the perfect

2086
01:41:02,040 --> 01:41:04,720
Speaker 2: bundle to tackle any and all old man hair from

2087
01:41:04,840 --> 01:41:06,479
Speaker 2: head to toe.

2088
01:41:06,880 --> 01:41:08,759
Speaker 1: That's right inside the package.

2089
01:41:08,760 --> 01:41:11,400
Speaker 2: You'll find a lawnmower, four point oh trimmer, weed whacker,

2090
01:41:11,479 --> 01:41:12,639
Speaker 2: ear and nose hair trimmer.

2091
01:41:12,760 --> 01:41:15,599
Speaker 1: Don't forget about the ear and nose hair, y'all, Crop.

2092
01:41:15,400 --> 01:41:19,800
Speaker 2: Preserver ball, theodoric crop revivor toner, tone them balls all right,

2093
01:41:20,200 --> 01:41:24,559
Speaker 2: performance boxer, briefs, and travel bag to hold your goodness.

2094
01:41:24,640 --> 01:41:25,880
Speaker 1: The travel bag is.

2095
01:41:26,479 --> 01:41:28,439
Speaker 3: Clutch, ain't it though. It's a nice little bag.

2096
01:41:28,520 --> 01:41:30,240
Speaker 1: And it has a room in there too, like I

2097
01:41:30,360 --> 01:41:31,200
Speaker 1: take my room.

2098
01:41:31,360 --> 01:41:33,920
Speaker 2: I put my bevel in there too, and all that

2099
01:41:33,960 --> 01:41:38,160
Speaker 2: stuff when I go traveling. Does your dad use the

2100
01:41:38,160 --> 01:41:40,120
Speaker 2: same trimmer for his body and face? You got to

2101
01:41:40,200 --> 01:41:43,160
Speaker 2: help that man and help the women that he be around.

2102
01:41:43,240 --> 01:41:44,240
Speaker 2: Throw that out the window.

2103
01:41:44,240 --> 01:41:45,880
Speaker 1: Give him an upgrade that he deserves.

2104
01:41:46,720 --> 01:41:50,720
Speaker 2: Okay, you know Dad's love the comfort, So then he

2105
01:41:50,760 --> 01:41:52,479
Speaker 2: got the box of two point oh. You're giving them

2106
01:41:52,479 --> 01:41:55,639
Speaker 2: everything he can actually use, and it's not just ties

2107
01:41:55,960 --> 01:41:59,840
Speaker 2: and the socks. All right, So go to man escape

2108
01:42:00,120 --> 01:42:02,080
Speaker 2: com and get twenty percent off plus free ship when

2109
01:42:02,080 --> 01:42:05,360
Speaker 2: you put in called tbg w T at manscape dot com.

2110
01:42:05,400 --> 01:42:10,439
Speaker 1: Trust me, his dad Bod will thank you. All right. Now,

2111
01:42:10,520 --> 01:42:13,600
Speaker 1: let's get into some guess.

2112
01:42:13,280 --> 01:42:35,799
Speaker 5: The race, the race, the race, the race, the race.

2113
01:42:40,200 --> 01:42:44,920
Speaker 2: All right, guess the race time. Oh, let's get into it.

2114
01:42:45,200 --> 01:42:46,400
Speaker 5: How about.

2115
01:42:49,400 --> 01:42:56,280
Speaker 1: Uh ex California deputy of sentence for throwing out urine

2116
01:42:56,360 --> 01:43:03,320
Speaker 1: that exonerated the tiny throughout the clean ped.

2117
01:43:04,040 --> 01:43:06,840
Speaker 2: A former California deputy was sentenced on Wednesday for throwing

2118
01:43:06,880 --> 01:43:09,960
Speaker 2: away a urine test that proved a detained driver wasn't

2119
01:43:10,000 --> 01:43:13,320
Speaker 2: on drugs before trying to have her jailed anywhere on

2120
01:43:13,360 --> 01:43:16,880
Speaker 2: suspicion she was high on myth? Was it just like

2121
01:43:16,920 --> 01:43:22,760
Speaker 2: you look methy appearing? Richard Charles Barrio the third, twenty nine,

2122
01:43:23,240 --> 01:43:26,639
Speaker 2: the next deputy of Vitura County Sheriff's officer, has will

2123
01:43:26,720 --> 01:43:29,640
Speaker 2: spend a year behind bars for a stut at his

2124
01:43:29,720 --> 01:43:34,200
Speaker 2: police station in November twenty nineteen. He pleaded guilty in

2125
01:43:34,400 --> 01:43:38,200
Speaker 2: November for destroying physical matter. The bizarre chain of events

2126
01:43:38,280 --> 01:43:42,280
Speaker 2: and voted after Burrios pulled over the driver for a

2127
01:43:42,320 --> 01:43:46,120
Speaker 2: traffic violation and suspected she was on myth. Another deputy

2128
01:43:46,160 --> 01:43:48,200
Speaker 2: who arrived at the scene also believed the driver was high,

2129
01:43:48,200 --> 01:43:49,160
Speaker 2: and she was arrested.

2130
01:43:48,880 --> 01:43:50,719
Speaker 1: For being under the influence of control of substance.

2131
01:43:51,400 --> 01:43:53,640
Speaker 2: Throughout the ordell, the woman vehemently denied she was in

2132
01:43:53,720 --> 01:43:56,320
Speaker 2: Toscada and Burials, who promised to free her off.

2133
01:43:56,320 --> 01:43:58,519
Speaker 1: The drug test came back negative. The woman supplied the

2134
01:43:58,600 --> 01:43:59,799
Speaker 1: deputy with a urine sample.

2135
01:44:00,200 --> 01:44:02,880
Speaker 2: Barrio was caught on surveillance footage at the police station

2136
01:44:02,960 --> 01:44:05,600
Speaker 2: testing the sample, viewing the results before tossing the.

2137
01:44:05,680 --> 01:44:07,200
Speaker 1: Urine in the trash.

2138
01:44:07,320 --> 01:44:09,360
Speaker 2: The deputy refused to reveal the test results to the

2139
01:44:09,400 --> 01:44:11,439
Speaker 2: woman and tried to have her booked in a jail,

2140
01:44:11,479 --> 01:44:13,839
Speaker 2: but she complained to another deputy, who found a discarded

2141
01:44:13,880 --> 01:44:16,639
Speaker 2: sample and test kit in the garbage. The kids showed

2142
01:44:16,640 --> 01:44:20,040
Speaker 2: the woman's uring sample was negative for all controlled substances.

2143
01:44:20,160 --> 01:44:23,120
Speaker 2: She agreed to another test that yield at the same results.

2144
01:44:23,760 --> 01:44:26,679
Speaker 2: The woman was released and then Burrios was charged later.

2145
01:44:27,360 --> 01:44:30,400
Speaker 2: Guess the race of Richard Charles Burios the third white

2146
01:44:31,200 --> 01:44:32,920
Speaker 2: out of him. All right's check the chat room and

2147
01:44:32,920 --> 01:44:36,960
Speaker 2: see what they believe. One with an aquarium on his back,

2148
01:44:37,120 --> 01:44:43,240
Speaker 2: says LB. Hispanic, whitely Latino, one of them, La sheriff

2149
01:44:43,320 --> 01:44:49,840
Speaker 2: gang Latinos Latino. All right, looks like a white passing Latino.

2150
01:44:49,920 --> 01:44:52,520
Speaker 2: Looks like everyone's going Latino except for Karen.

2151
01:44:55,720 --> 01:44:57,880
Speaker 3: Because it's racist. What's his name again?

2152
01:44:59,600 --> 01:45:04,680
Speaker 2: His name as Charles Richard Charles Burio, the third Burials,

2153
01:45:04,720 --> 01:45:12,000
Speaker 2: the third. I'm gonna still say Karen's still going white,

2154
01:45:12,080 --> 01:45:16,160
Speaker 2: all right, The correct answer is and everybody but Karen

2155
01:45:16,200 --> 01:45:32,800
Speaker 2: got it right. He's Latino. Congratulations and the rest of y'all.

2156
01:45:37,439 --> 01:45:42,439
Speaker 1: M mm hmmm. All right, let's move to.

2157
01:45:42,400 --> 01:45:44,240
Speaker 3: The because in my heart I wanted to believe he

2158
01:45:44,320 --> 01:45:44,679
Speaker 3: was white.

2159
01:45:44,880 --> 01:45:47,240
Speaker 1: Well, whatever reason you want to get wrong, get it wrong.

2160
01:45:48,080 --> 01:45:48,719
Speaker 1: I'm judging.

2161
01:45:49,600 --> 01:45:50,760
Speaker 3: Thank you for not stopping me.

2162
01:45:51,000 --> 01:45:55,640
Speaker 2: A forty five year old woman impersonates twenty two year

2163
01:45:55,640 --> 01:45:59,320
Speaker 2: old student for two years, and no one notices what

2164
01:45:59,800 --> 01:46:01,320
Speaker 2: no one knows or that no one care.

2165
01:46:02,080 --> 01:46:02,880
Speaker 3: I think no one.

2166
01:46:03,479 --> 01:46:05,920
Speaker 2: She stole her a strange daughter's identity and managed to

2167
01:46:05,960 --> 01:46:08,519
Speaker 2: fool everyone that she was twenty two for two years

2168
01:46:08,760 --> 01:46:11,240
Speaker 2: and rolled in the university and dating boyfriends who were

2169
01:46:11,240 --> 01:46:12,919
Speaker 2: convinced she was in their early twenties.

2170
01:46:13,280 --> 01:46:15,360
Speaker 1: Oh, they should have known.

2171
01:46:15,520 --> 01:46:18,120
Speaker 2: She didn't know any of the freshman hip hop people

2172
01:46:18,160 --> 01:46:19,200
Speaker 2: on the cover of the magazine.

2173
01:46:19,320 --> 01:46:20,880
Speaker 1: Come on, Laura A.

2174
01:46:21,120 --> 01:46:25,960
Speaker 2: Oglesby risk spending five years behind bars without parole as

2175
01:46:26,000 --> 01:46:28,559
Speaker 2: part of a plea deal after admitting its stealing her

2176
01:46:28,560 --> 01:46:32,000
Speaker 2: twenty two year old daughter's identity and committing Social Security fraud.

2177
01:46:32,360 --> 01:46:34,160
Speaker 2: The forty five year old woman had lived with her

2178
01:46:34,240 --> 01:46:40,120
Speaker 2: daughter in Jonesboro, Arkansas, before moving in Missouri after they

2179
01:46:40,160 --> 01:46:44,320
Speaker 2: lost contact in twenty sixteen after reportedly a fraudulent Social

2180
01:46:44,320 --> 01:46:47,559
Speaker 2: Security card in her daughter's name. She used that card

2181
01:46:47,760 --> 01:46:50,799
Speaker 2: I guess acquiring. She used that card to TATA driver's

2182
01:46:51,520 --> 01:46:54,120
Speaker 2: license a year later. And the woman also rode at

2183
01:46:54,200 --> 01:46:57,920
Speaker 2: Southwest Baptist University in Missouri as her daughter and even

2184
01:46:57,960 --> 01:46:59,960
Speaker 2: apply for student loans and grants in her name.

2185
01:47:00,120 --> 01:47:01,479
Speaker 1: Ooh, she fucked her docter's credit.

2186
01:47:01,560 --> 01:47:03,080
Speaker 5: Oh.

2187
01:47:03,240 --> 01:47:05,360
Speaker 2: The charae went on for two years and now seem

2188
01:47:05,400 --> 01:47:08,800
Speaker 2: like y'all are stranged. The charae went on for two years,

2189
01:47:08,800 --> 01:47:12,080
Speaker 2: and no one once questioned her age. Apparently convinced she

2190
01:47:12,160 --> 01:47:17,040
Speaker 2: was twenty two, everyone believed it. Chief Jamie Perkins of

2191
01:47:17,080 --> 01:47:20,519
Speaker 2: Mountview Police Department said she even had boyfriends that believe

2192
01:47:20,640 --> 01:47:25,000
Speaker 2: she was aged twenty two years old. Even Avery and

2193
01:47:25,080 --> 01:47:27,320
Speaker 2: Evan Avery and Wendy Park at the mountain View couple

2194
01:47:27,320 --> 01:47:30,160
Speaker 2: who took her in from a nearby women's shelter, were

2195
01:47:30,200 --> 01:47:33,240
Speaker 2: convinced she was twenty two, if not younger. She was

2196
01:47:33,280 --> 01:47:35,439
Speaker 2: a giddy, silly girl. She was twenty two, but she

2197
01:47:35,479 --> 01:47:38,639
Speaker 2: acted seventeen. I tried really hard to see that forty

2198
01:47:38,640 --> 01:47:40,800
Speaker 2: five year old lawd so I can hate her, but

2199
01:47:40,920 --> 01:47:42,839
Speaker 2: all I can see is twenty two year old Lauren,

2200
01:47:43,160 --> 01:47:44,639
Speaker 2: who I just wanted to help.

2201
01:47:45,200 --> 01:47:47,160
Speaker 1: Oh, she didn't change her name that much. I see.

2202
01:47:47,600 --> 01:47:49,839
Speaker 1: It's kind of like Obi Wan and being Kenobi.

2203
01:47:51,960 --> 01:47:54,080
Speaker 2: Authorities described the case one of the most complex and

2204
01:47:54,120 --> 01:47:57,040
Speaker 2: surprising cases of identity theft they had worked on, noting

2205
01:47:57,080 --> 01:47:59,320
Speaker 2: that the forty five year old woman had completely assumed

2206
01:47:59,320 --> 01:48:03,360
Speaker 2: becoming a younger person in her early twenties from her clothes, makeup,

2207
01:48:03,439 --> 01:48:04,400
Speaker 2: and personality.

2208
01:48:04,880 --> 01:48:05,280
Speaker 1: Laura A.

2209
01:48:05,400 --> 01:48:08,439
Speaker 2: Oglesby, now forty eight, was caught in twenty eighteen when

2210
01:48:08,479 --> 01:48:11,840
Speaker 2: authorities in Arkansas contacted Mountain View Police Department searching for

2211
01:48:11,880 --> 01:48:15,080
Speaker 2: a miss Oglesby who had stolen her own daughter's identity

2212
01:48:15,080 --> 01:48:17,920
Speaker 2: in twenty seventeen to commit financial fraud and them blaze

2213
01:48:18,240 --> 01:48:20,959
Speaker 2: embezzled over twenty five thousand dollars.

2214
01:48:21,280 --> 01:48:22,479
Speaker 1: After getting the name.

2215
01:48:22,439 --> 01:48:24,880
Speaker 2: Of Oglesby's daughter, police learned that she was working at

2216
01:48:24,920 --> 01:48:27,360
Speaker 2: the city library, which they thought was kind of odd.

2217
01:48:27,400 --> 01:48:29,320
Speaker 2: When they stopped her in traffic, the forty five year

2218
01:48:29,320 --> 01:48:31,760
Speaker 2: old tried to deny she was Laura Oglesby, but once

2219
01:48:31,800 --> 01:48:33,840
Speaker 2: they showed her proven her real identity, she had no

2220
01:48:33,920 --> 01:48:36,920
Speaker 2: choice with the admitt it she was just running through

2221
01:48:36,960 --> 01:48:39,880
Speaker 2: because she was in a domestic violence relationship, and she'd

2222
01:48:39,920 --> 01:48:43,320
Speaker 2: been running for years. Chif Perkins said, Oglesby told the police,

2223
01:48:43,439 --> 01:48:45,280
Speaker 2: we don't know her life story outside of what she

2224
01:48:45,360 --> 01:48:47,639
Speaker 2: told us, but we know what happened here. She had

2225
01:48:47,680 --> 01:48:49,479
Speaker 2: lived that life for a couple of years of basically

2226
01:48:49,520 --> 01:48:50,679
Speaker 2: just ruin her daughter's credit.

2227
01:48:51,040 --> 01:48:52,400
Speaker 1: She's now facing prison time.

2228
01:48:52,439 --> 01:48:54,760
Speaker 2: Has been ordered to pay back seventeen thousand, five hundred

2229
01:48:54,760 --> 01:48:56,960
Speaker 2: and twenty one dollars to the university, as well as

2230
01:48:56,960 --> 01:48:58,760
Speaker 2: a restitution to her daughter Lauren.

2231
01:48:58,560 --> 01:49:03,519
Speaker 1: For identity theft half of a semestera. Guess the race. White

2232
01:49:03,960 --> 01:49:07,719
Speaker 1: chair's going with white. Let's check the chat room. White.

2233
01:49:07,760 --> 01:49:09,640
Speaker 1: This feels white, telling the kids to talk to the

2234
01:49:09,680 --> 01:49:10,400
Speaker 1: hand gave her away.

2235
01:49:10,479 --> 01:49:13,920
Speaker 2: White mama trying to get her groove back.

2236
01:49:13,960 --> 01:49:15,599
Speaker 1: White forty five. It looks like.

2237
01:49:15,600 --> 01:49:17,839
Speaker 2: She's in her twenties. This is a braids on vacation

2238
01:49:17,920 --> 01:49:20,799
Speaker 2: wearing negress White. That's some white shit. Back to the future,

2239
01:49:20,800 --> 01:49:23,280
Speaker 2: White criocket letter, white, giddy, silly girl.

2240
01:49:23,479 --> 01:49:26,600
Speaker 1: White. The correct answer is you said white.

2241
01:49:26,920 --> 01:49:44,840
Speaker 2: White h Leonard Brothers missed it. I know you're thinking black,

2242
01:49:44,880 --> 01:49:47,559
Speaker 2: don't crack Lennard Brothers. But this is also a case

2243
01:49:47,600 --> 01:49:49,720
Speaker 2: of white twenty two look like white forty five.

2244
01:49:49,800 --> 01:49:50,240
Speaker 1: Sometimes.

2245
01:49:50,800 --> 01:49:53,560
Speaker 3: Yeah, it's like the one on the left.

2246
01:49:53,479 --> 01:49:55,320
Speaker 1: I think this is the same picture. I don't know.

2247
01:49:55,680 --> 01:49:57,439
Speaker 3: And the one on the right look almost like two

2248
01:49:57,479 --> 01:49:59,920
Speaker 3: different people, like aged by twenty years.

2249
01:50:00,439 --> 01:50:02,960
Speaker 1: Well, I think it's the same person, So I don't know.

2250
01:50:04,200 --> 01:50:06,000
Speaker 3: One with make up, one without makeup.

2251
01:50:06,560 --> 01:50:08,960
Speaker 2: I don't know car the one, the one on the

2252
01:50:09,040 --> 01:50:11,920
Speaker 2: left look like her regular face. The one on the

2253
01:50:12,040 --> 01:50:13,640
Speaker 2: right look like her mugshot.

2254
01:50:13,840 --> 01:50:15,320
Speaker 3: Yeah, that's on the talk about the one that look

2255
01:50:15,360 --> 01:50:16,080
Speaker 3: like a mugshot.

2256
01:50:16,240 --> 01:50:19,760
Speaker 2: The one that's on the left look older than me. They,

2257
01:50:20,320 --> 01:50:22,360
Speaker 2: matter of fact, both these pictures like a different forty

2258
01:50:22,360 --> 01:50:23,120
Speaker 2: five year old woman.

2259
01:50:23,240 --> 01:50:24,280
Speaker 7: Don't neither one of these.

2260
01:50:24,760 --> 01:50:28,000
Speaker 2: This one looks like she used a filter and make

2261
01:50:28,080 --> 01:50:29,519
Speaker 2: up and shit to look younger.

2262
01:50:29,680 --> 01:50:30,120
Speaker 3: Correct.

2263
01:50:30,400 --> 01:50:33,160
Speaker 1: But yeah, and this is definitely a filter.

2264
01:50:33,479 --> 01:50:36,240
Speaker 3: Yeah, she definitely does not look like a child.

2265
01:50:36,720 --> 01:50:39,960
Speaker 2: Yeah, I don't I don't get. Maybe everyone's just being

2266
01:50:40,000 --> 01:50:45,439
Speaker 2: really polite, you know, like maybe her briendru Fast, Yeah,

2267
01:50:45,439 --> 01:50:47,680
Speaker 2: her college boyfriends and stuff might have been like I know.

2268
01:50:47,680 --> 01:50:48,439
Speaker 1: She's forty five.

2269
01:50:48,479 --> 01:50:50,400
Speaker 2: I can tell because she still got forty five year

2270
01:50:50,400 --> 01:50:53,400
Speaker 2: old hips. Okay, I've had sex with twenty year olds

2271
01:50:53,439 --> 01:50:56,400
Speaker 2: and I'm having sex with this one, this twenty two

2272
01:50:56,479 --> 01:50:57,840
Speaker 2: year old, forty five year old, and.

2273
01:50:58,040 --> 01:50:59,440
Speaker 3: I mean they got more experience.

2274
01:50:59,520 --> 01:51:02,000
Speaker 1: Come on, can't drop it all the way like it's hot?

2275
01:51:02,120 --> 01:51:03,160
Speaker 3: So she can't.

2276
01:51:03,200 --> 01:51:07,439
Speaker 2: The knees don't lie, Okay, the knees is telling the

2277
01:51:07,479 --> 01:51:08,880
Speaker 2: truth like a motherfucker put it.

2278
01:51:09,280 --> 01:51:12,280
Speaker 3: She was like, I can't ben like that. Come on, yeah, no,

2279
01:51:12,400 --> 01:51:13,800
Speaker 3: you twinty. Let's do it on the flow.

2280
01:51:13,840 --> 01:51:15,560
Speaker 1: She was like, what exactly?

2281
01:51:16,360 --> 01:51:18,160
Speaker 3: Let's do it on the mattresses, on the floe.

2282
01:51:19,120 --> 01:51:20,120
Speaker 1: Let's have sex in the car?

2283
01:51:20,240 --> 01:51:22,800
Speaker 3: Oh no, them them days is over?

2284
01:51:22,920 --> 01:51:25,680
Speaker 1: Fuck that all right? Bonus around.

2285
01:51:32,800 --> 01:51:41,200
Speaker 7: It's tire, It's time, It's time, It's.

2286
01:51:41,120 --> 01:51:45,320
Speaker 1: Time, all right, Bonus round. Karen is one in one.

2287
01:51:45,360 --> 01:51:47,120
Speaker 2: But can't she make it up for triple to points

2288
01:51:47,120 --> 01:51:49,479
Speaker 2: triple racism in the bonus round?

2289
01:51:49,600 --> 01:51:52,280
Speaker 1: Let's find out together right now at.

2290
01:51:52,160 --> 01:51:56,479
Speaker 11: The fast food restaurant manager. Several times it happened Friday

2291
01:51:56,520 --> 01:51:59,559
Speaker 11: at the best food Restaurant on Morland Avenue in East Atlanta,

2292
01:51:59,800 --> 01:52:02,240
Speaker 11: and investter getters are looking for a twenty one year

2293
01:52:02,240 --> 01:52:04,479
Speaker 11: old who has been on the run for three days.

2294
01:52:04,840 --> 01:52:06,120
Speaker 4: CBS forty six is Meghan.

2295
01:52:06,120 --> 01:52:09,639
Speaker 12: Packers live at Grady Hospital where a victim is getting treated.

2296
01:52:09,880 --> 01:52:10,880
Speaker 3: Meghan, how is.

2297
01:52:10,880 --> 01:52:11,599
Speaker 5: She doing.

2298
01:52:13,080 --> 01:52:13,240
Speaker 4: Now?

2299
01:52:13,280 --> 01:52:15,479
Speaker 2: This is not the story from yesterday where a restaurant

2300
01:52:15,479 --> 01:52:17,679
Speaker 2: employee shot their manager for not rehiring them.

2301
01:52:17,800 --> 01:52:18,960
Speaker 1: Okay, little Caesars.

2302
01:52:19,000 --> 01:52:22,439
Speaker 2: This is McDonald's where employees shot their manager and the

2303
01:52:22,520 --> 01:52:25,840
Speaker 2: genders are reversed that yesterday was a woman shooting a man.

2304
01:52:25,920 --> 01:52:27,400
Speaker 1: Today is a man? No woman?

2305
01:52:27,479 --> 01:52:30,160
Speaker 12: Oh no, well, Allen, you know she was in critical

2306
01:52:30,200 --> 01:52:33,040
Speaker 12: condition when she was brought here on Friday. She is

2307
01:52:33,080 --> 01:52:35,760
Speaker 12: doing a little bit better, that is according to a

2308
01:52:35,800 --> 01:52:39,320
Speaker 12: representative from the company that owns that McDonald's location. He's

2309
01:52:39,320 --> 01:52:43,960
Speaker 12: actually inside Grady right now visiting his employee. As this

2310
01:52:44,040 --> 01:52:48,240
Speaker 12: beloved boss works on recovering her. Coworkers are hoping their

2311
01:52:48,360 --> 01:52:51,840
Speaker 12: fellow employee, who's wanted for this crime, is caught soon.

2312
01:52:53,360 --> 01:52:56,360
Speaker 12: The McDonald's on Moreland Avenue and Heast Atlanta. He's back

2313
01:52:56,439 --> 01:52:59,680
Speaker 12: open under the watchful eye of police days after a

2314
01:52:59,720 --> 01:53:03,400
Speaker 12: shoe outside. Right now, investigators are looking for twenty one

2315
01:53:03,479 --> 01:53:07,280
Speaker 12: year old Christopher Jean Pierre. He's accused of shooting his manager,

2316
01:53:07,280 --> 01:53:11,479
Speaker 12: Elizabeth Williams, Friday afternoon outside of the fast food restaurant.

2317
01:53:11,640 --> 01:53:14,200
Speaker 12: McDonald's management provided us a picture of him, but we

2318
01:53:14,240 --> 01:53:17,400
Speaker 12: are working to confirm that photo is correct before releasing it.

2319
01:53:17,680 --> 01:53:19,960
Speaker 12: Police have not yet put out a picture of him.

2320
01:53:20,439 --> 01:53:23,880
Speaker 12: Officers say in arguments started when Williams asked Jean Pierre

2321
01:53:23,880 --> 01:53:26,719
Speaker 12: to leave work. They say he came back and shot

2322
01:53:26,760 --> 01:53:30,439
Speaker 12: her outside near the drive through. Williams is a beloved

2323
01:53:30,479 --> 01:53:33,519
Speaker 12: boss and a mother. A representative for the restaurant says

2324
01:53:33,560 --> 01:53:36,559
Speaker 12: she's even taken the suspect's clothes home to wash them

2325
01:53:36,560 --> 01:53:39,719
Speaker 12: for him. Atlanta police have warns out for Jean Pierre

2326
01:53:39,720 --> 01:53:43,240
Speaker 12: on a number of charges, including aggravated assault and criminal

2327
01:53:43,320 --> 01:53:46,160
Speaker 12: attempt to commit murder. They want to hear from anyone

2328
01:53:46,200 --> 01:53:47,280
Speaker 12: who knows where.

2329
01:53:47,080 --> 01:53:55,040
Speaker 8: He is, and as that beloved restaurant manager stays here

2330
01:53:55,080 --> 01:53:58,680
Speaker 8: at Grady Hospital and works on recovering, we are learning.

2331
01:53:58,400 --> 01:54:00,479
Speaker 12: That it is a closed group of peas people who

2332
01:54:00,520 --> 01:54:03,479
Speaker 12: work at this East Atlanta McDonald's, they are all pulling

2333
01:54:03,600 --> 01:54:06,040
Speaker 12: for her. We were out there earlier today. I spoke

2334
01:54:06,080 --> 01:54:07,479
Speaker 12: with one worker when he was on.

2335
01:54:07,400 --> 01:54:09,680
Speaker 8: His break, and he was just in disbelief.

2336
01:54:09,760 --> 01:54:11,680
Speaker 12: They can't believe that this is something that they are

2337
01:54:11,720 --> 01:54:15,080
Speaker 12: dealing with at their restaurant, hoping for a resolution soon.

2338
01:54:15,240 --> 01:54:18,160
Speaker 12: If you know anything again about where this suspect could be,

2339
01:54:18,439 --> 01:54:21,000
Speaker 12: Atlanta police want to hear from you. We're live outside

2340
01:54:21,040 --> 01:54:23,800
Speaker 12: of Grady Hospital in Atlanta. I Megan Papper, CBS forty

2341
01:54:23,840 --> 01:54:24,880
Speaker 12: six News, polease find a.

2342
01:54:24,880 --> 01:54:29,000
Speaker 1: Murders, all right, care guess the race of Christopher John Pierre.

2343
01:54:30,560 --> 01:54:32,160
Speaker 3: I'm going to go black.

2344
01:54:32,480 --> 01:54:36,000
Speaker 1: All right. Let's check the chat room Neptune, Nat.

2345
01:54:40,120 --> 01:54:45,280
Speaker 2: Blenna brothers in chat today Fire straight heat straight, Frace

2346
01:54:45,400 --> 01:54:49,800
Speaker 2: is heat Atlanta McDonald's Grady Hospital, June teen. Supporter Trey

2347
01:54:49,880 --> 01:54:57,280
Speaker 2: Songs Fan black. He was in there, like, don't do it, Grady.

2348
01:54:57,840 --> 01:55:01,160
Speaker 2: Anything is black in Atlanta. Hell Mitch Atlanta black black

2349
01:55:01,200 --> 01:55:02,400
Speaker 2: black black, Haiti black.

2350
01:55:02,440 --> 01:55:04,920
Speaker 1: Oh he black. That is a Haitian name. I don't

2351
01:55:04,960 --> 01:55:05,879
Speaker 1: like jail Covan.

2352
01:55:06,040 --> 01:55:09,480
Speaker 2: I'll see, I'll see it. I'll see Christopher Jean Vierre.

2353
01:55:10,200 --> 01:55:12,600
Speaker 2: Uh yeah, Atlanta is all I really got to go

2354
01:55:12,720 --> 01:55:13,920
Speaker 2: with les Niga.

2355
01:55:14,600 --> 01:55:14,800
Speaker 3: Uh.

2356
01:55:14,880 --> 01:55:17,640
Speaker 1: The correct answer is black.

2357
01:55:27,360 --> 01:55:27,520
Speaker 3: Man.

2358
01:55:27,560 --> 01:55:28,240
Speaker 1: It's really sad.

2359
01:55:28,360 --> 01:55:30,280
Speaker 2: She used to take his clothes home for him and watch,

2360
01:55:30,560 --> 01:55:33,920
Speaker 2: like wash his uniform and ship because she cared yes,

2361
01:55:34,160 --> 01:55:35,240
Speaker 2: this motherfucker.

2362
01:55:34,920 --> 01:55:38,440
Speaker 1: Shot her dog. Oh you really hate to.

2363
01:55:38,440 --> 01:55:40,520
Speaker 2: Hear the stories of when you try to help somebody

2364
01:55:40,560 --> 01:55:42,880
Speaker 2: and they still kill you or shoot you.

2365
01:55:42,920 --> 01:55:47,040
Speaker 1: It's like, damn man, people. It's just this is why

2366
01:55:47,440 --> 01:55:49,400
Speaker 1: I am pro.

2367
01:55:51,960 --> 01:55:54,000
Speaker 2: No prisons. This is why I say, we just need

2368
01:55:54,000 --> 01:55:56,640
Speaker 2: to talk to this boy. Let him know this is

2369
01:55:56,680 --> 01:55:57,520
Speaker 2: not okay to do.

2370
01:55:58,640 --> 01:56:01,480
Speaker 1: Just give him a stern S Fringer wagon. You say, hey,

2371
01:56:01,840 --> 01:56:03,040
Speaker 1: you can cut that out, buddy.

2372
01:56:03,800 --> 01:56:07,440
Speaker 2: You calm down, buster, and then he'll stop and we

2373
01:56:07,520 --> 01:56:09,520
Speaker 2: won't need prison police or nothing.

2374
01:56:10,320 --> 01:56:12,440
Speaker 1: That's how it works. That's what I was told on

2375
01:56:12,480 --> 01:56:15,800
Speaker 1: the internet. Well that you know what you take it

2376
01:56:15,880 --> 01:56:18,040
Speaker 1: up with. The people with the prison abolition is to

2377
01:56:18,080 --> 01:56:19,080
Speaker 1: have me blocked on Twitter.

2378
01:56:20,080 --> 01:56:20,920
Speaker 3: I'm not taking it over.

2379
01:56:21,040 --> 01:56:23,240
Speaker 1: I'm in their Twitter jail. But they don't believe in

2380
01:56:23,320 --> 01:56:25,840
Speaker 1: no real jail. Come on, It's crazy when you think

2381
01:56:25,880 --> 01:56:26,240
Speaker 1: about it.

2382
01:56:26,240 --> 01:56:27,240
Speaker 3: Don't make sense, does it.

2383
01:56:27,240 --> 01:56:27,960
Speaker 1: That's what I'm dealing with.

2384
01:56:28,760 --> 01:56:30,000
Speaker 3: One's tracking you out, ain't you.

2385
01:56:30,760 --> 01:56:51,040
Speaker 7: I'm just saying, uh.

2386
01:56:52,120 --> 01:56:55,960
Speaker 2: A man stab with sore multiple times in downtown Vancouver.

2387
01:56:57,760 --> 01:57:00,200
Speaker 2: A man who's been hospitalized after being stabbed with a

2388
01:57:00,240 --> 01:57:03,400
Speaker 2: sower multiple times in downtown Vancouver on Sunday night. The

2389
01:57:03,440 --> 01:57:06,320
Speaker 2: thirty four year old victims suffered serious injuries, but as

2390
01:57:06,360 --> 01:57:09,040
Speaker 2: expected to recover. He was in and out of consciousness

2391
01:57:09,040 --> 01:57:10,280
Speaker 2: as he was being treated at the scene.

2392
01:57:10,400 --> 01:57:11,200
Speaker 1: Was rushed to the hospital.

2393
01:57:11,200 --> 01:57:14,879
Speaker 2: Will receive further treatment. Said sorry to Steve Addison by email.

2394
01:57:15,080 --> 01:57:17,720
Speaker 2: We think he will survive. The incident took place in

2395
01:57:17,760 --> 01:57:20,760
Speaker 2: the building their main in Haston Streets just before nine pm.

2396
01:57:20,960 --> 01:57:22,800
Speaker 2: Police said they were called to reports that two men

2397
01:57:22,960 --> 01:57:25,400
Speaker 2: arguing and getting violent. Police said the suspect has been

2398
01:57:25,400 --> 01:57:27,400
Speaker 2: identified as known to police officers.

2399
01:57:27,440 --> 01:57:29,960
Speaker 1: Aren't they always some sword them?

2400
01:57:30,000 --> 01:57:34,879
Speaker 2: Samaraize be known. I believe it was a targeted incident,

2401
01:57:35,360 --> 01:57:36,640
Speaker 2: not a Walmart incident.

2402
01:57:37,720 --> 01:57:41,160
Speaker 1: We're still collected. It sounds more like a walmart in

2403
01:57:42,000 --> 01:57:45,840
Speaker 1: incident than a target is okay. We're still collecting evidence.

2404
01:57:45,840 --> 01:57:48,920
Speaker 2: Inticipate charges could be laid to conclusion of this at

2405
01:57:48,920 --> 01:57:53,879
Speaker 2: the conclusion of this investigation. So they all right, everyone,

2406
01:57:54,040 --> 01:57:55,040
Speaker 2: thank you for listening.

2407
01:57:55,600 --> 01:58:00,080
Speaker 1: We'll be back tomorrow. I believe our guest.

2408
01:58:00,240 --> 01:58:05,240
Speaker 2: Is Brandon Collins and it'll be five pm. Y'all could

2409
01:58:05,240 --> 01:58:08,200
Speaker 2: come check us out drunk black history, you know the deal,

2410
01:58:08,760 --> 01:58:11,520
Speaker 2: bump bump bomb. We'll see y'all then, Thanks to Roy

2411
01:58:11,560 --> 01:58:14,000
Speaker 2: Wood Jr. For being our guests on the show today.

2412
01:58:14,320 --> 01:58:17,720
Speaker 2: Was always generous with his time, always comes through, always

2413
01:58:17,800 --> 01:58:20,560
Speaker 2: funny and uh yeah. That's it for the day, So

2414
01:58:20,800 --> 01:58:24,160
Speaker 2: until tomorrow, I love you.