WEBVTT - Canon Alberic’s Scrap-Book

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<v Speaker 1>Ephemeral as production of artful explosions. Haunting is the idea

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<v Speaker 1>that a former life, its experiments, trials, goods and evils,

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<v Speaker 1>is retained by the spaces when inhabited, and in the

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<v Speaker 1>relics they once possessed, that the ephemera a person leaves

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<v Speaker 1>behind contains a trace of the beyond, which, should one

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<v Speaker 1>be so bold or so unlucky, can be summoned at will.

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<v Speaker 1>Montague Roades James was manifestly obsessed with ephemera. A world

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<v Speaker 1>renowned medievalist scholar of prestigious British academia who moonlighted as

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<v Speaker 1>a horror author. In nineteen o four, James public among

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<v Speaker 1>his best enduring collections ghost Stories of an Antiquary, that is,

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<v Speaker 1>one who collects antiques. The book reads at times like

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<v Speaker 1>a nonfiction document, citing real places and sworn testimony, blending

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<v Speaker 1>details pulled from contemporary life with those of the unknown.

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<v Speaker 1>The first story in this collection, originally written and printed

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<v Speaker 1>soon after in the National Review, is titled Cannon Albericts

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<v Speaker 1>scrap Book. It takes place in the real village of

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<v Speaker 1>Saint Bertrand Command, where an English tourist spends a full

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<v Speaker 1>day surveying the relics of a dilapidated cathedral, with the

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<v Speaker 1>sanctuaries caretaker ever looking over his shoulder, and those efforts

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<v Speaker 1>pay off, so to speak, in the form of a

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<v Speaker 1>scrap book. Cannon Alberts scrap Book by m R James.

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<v Speaker 1>Saint Bertrand de Command is a decayed town on the

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<v Speaker 1>spurs of the Pyrenees, not very far from Toulouse and

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<v Speaker 1>still nearer to Bannier de Luchon. It was the site

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<v Speaker 1>of a bishopric until the Revolution, and has a cathedral

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<v Speaker 1>which is visited by a certain number of tourists. In

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<v Speaker 1>the spring of eighteen eighty three, an Englishman arrived at

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<v Speaker 1>this old world place. I can hardly dignify it with

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<v Speaker 1>the name of city, for there are not a thousand inhabitants.

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<v Speaker 1>He was a Cambridge man who would come specially from

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<v Speaker 1>Toulouse to see Saint Bertrand's church, and had left two

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<v Speaker 1>friends who were less keen archeologists than himself, and their

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<v Speaker 1>hotel at to loose, under promise to join him on

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<v Speaker 1>the following morning. Half an hour at the church was

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<v Speaker 1>satisfied then, and all three could then pursue their journey

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<v Speaker 1>in the direction of Osh. But our Englishmen had come

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<v Speaker 1>early on the day in question, and proposed to himself

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<v Speaker 1>to fill a note book and to use several dozen

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<v Speaker 1>plates in the process of describing and photographing every corner

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<v Speaker 1>of the wonderful church that dominates the little hill of Command.

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<v Speaker 1>In order to carry out this design satisfactorily, it was

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<v Speaker 1>necessary to monopolize the verger of the church for the day.

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<v Speaker 1>The verger or sacristan I prefer the latter appellation, inaccurate

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<v Speaker 1>as it may be, was accordingly sent for by the

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<v Speaker 1>somewhat brusque lady who keeps the inn of the Chapeau Rouge,

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<v Speaker 1>and when he came the Englishman found him an unexpectedly

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<v Speaker 1>interesting object of study. It was not in the personal

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<v Speaker 1>appearance of the little, dry, wizened old man that the

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<v Speaker 1>interest lay. For he was precisely like dozens of other

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<v Speaker 1>church guardians in France, but in a curious furtival rather

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<v Speaker 1>hunted an oppressed air which he had. He was perpetually

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<v Speaker 1>half glancing behind him. The muscles of his back and

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<v Speaker 1>shoulders seemed to be hunched in a continual nervous contraction,

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<v Speaker 1>as if he were expecting every moment to find himself

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<v Speaker 1>in the clutch of an enemy. The Englishman hardly knew

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<v Speaker 1>whether to put him down as a man haunted by

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<v Speaker 1>a fixed delusion or as one oppressed by a guilty conscience. However,

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<v Speaker 1>the Englishman, let us call him Dennis, too, was soon

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<v Speaker 1>too deep in his notebook and too busy with his

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<v Speaker 1>camera to give more than an occasional glance to the Sacristan.

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<v Speaker 1>Whenever he did look at him, he found him at

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<v Speaker 1>no great distance, either huddling himself back against the wall

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<v Speaker 1>or crouching in one of the gorgeous stools. Dennis Tomb

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<v Speaker 1>became rather fidgety after a while, mingled suspicions that he

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<v Speaker 1>was keeping the old man from his dejenny, that he

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<v Speaker 1>was regarded as likely to make away with Saint Bertrand's

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<v Speaker 1>ivory crosying or with the dusty stuffed crocodile that hangs

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<v Speaker 1>over the font, began to torment him. When you go home,

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<v Speaker 1>he said, at last, I'm quite well able to finish

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<v Speaker 1>my notes alone. You can lock me in if you like.

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<v Speaker 1>I shall want at least two hours more here, and

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<v Speaker 1>it must be cold for you, isn't it good? Heavens?

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<v Speaker 1>Said the little man whom the suggestions seemed to throw

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<v Speaker 1>into a state of unaccountable terror. Such a thing cannot

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<v Speaker 1>be thought of for a moment. Leave monsieur alone in

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<v Speaker 1>the church. No, No, two hours, three hours, All will

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<v Speaker 1>be the same to me. I have breakfasted. I am

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<v Speaker 1>not at all cold, with many thanks to Monsieur. Very well,

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<v Speaker 1>my little man, quoth Dennis Stone to himself. You have

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<v Speaker 1>been warned, and you must take the consequences. Before the

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<v Speaker 1>expiration of the two hours. The stalls, the enormous dilapidated organ,

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<v Speaker 1>the choir screen of Bishop John Demoleon, the remnants of

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<v Speaker 1>glass and tapestry, and the objects in the treasure chamber

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<v Speaker 1>had been well and truly examined. The sacristan still keeping

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<v Speaker 1>at Dennis Tune's heels, and every now and then whipping

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<v Speaker 1>round as if he had been stung, when one or

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<v Speaker 1>other of the strange noises that trouble a large empty

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<v Speaker 1>building fell on his ear. Curious noises they were sometimes.

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<v Speaker 1>Once Denniston said to me, I could have sworn I

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<v Speaker 1>heard a thin metallic voice laughing high up in the tower.

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<v Speaker 1>I darted an inquiring glance at my sacristan. He was

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<v Speaker 1>white to the lips. It is he that is it

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<v Speaker 1>is no one. The door is locked, was all he said,

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<v Speaker 1>and we looked at each other for a full minute.

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<v Speaker 1>Another little incident puzzled Dennis Tune a good deal. He

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<v Speaker 1>was examining a large, dark picture that hangs behind the altar,

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<v Speaker 1>one of a series illustrating the miracles of Saint Bertrand.

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<v Speaker 1>The composition of the picture is well nigh indecipherable, but

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<v Speaker 1>there is a Latin legend below which runs, thus, kalite

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<v Speaker 1>s bertrandis the brevit hominem crime diabolus du volibat strangulaire

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<v Speaker 1>How sat Bertram delivered a man whom the devil long

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<v Speaker 1>sought to strangle. Dennis June was turning to the sacristan

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<v Speaker 1>with a smile and a jocular remark of some sort

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<v Speaker 1>on his lips, but he was confounded to see the

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<v Speaker 1>old man on his knees, gazing at the picture with

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<v Speaker 1>the eye of a suppliant in agony, his hands tightly clasped,

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<v Speaker 1>and a rain of tears on his cheeks. Denniston naturally

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<v Speaker 1>pretended to have noticed nothing, but the question would not

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<v Speaker 1>go away from him. Why should a daub of this

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<v Speaker 1>kind affect anyone so strongly? He seemed to himself to

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<v Speaker 1>be getting some sort of clue to the reason of

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<v Speaker 1>the strange look that had been puzzling him all the day.

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<v Speaker 1>The man must be a monomaniac, but what was his

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<v Speaker 1>mono mania? It was nearly five o'clock, The short day

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<v Speaker 1>was drawing in, and the church began to fill with shadows,

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<v Speaker 1>while the curious noises, the muffled footfalls and distant talking

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<v Speaker 1>voices that had been perceptible all day seemed no doubt.

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<v Speaker 1>Because of the fading light and the consequently quickened sense

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<v Speaker 1>of hearing to become more frequent and insistent, the sacristan

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<v Speaker 1>began for the first time to show signs of hurry

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<v Speaker 1>and impatience. He heaved a sigh of relief when camera

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<v Speaker 1>and notebook were finally packed up and stowed away, and

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<v Speaker 1>hurriedly beckoned Denniston to the western door of the church

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<v Speaker 1>under the tower. It was time to ring the Angelus.

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<v Speaker 1>A few pulls at the reluctant rope, and the great

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<v Speaker 1>bell Betrand high in the tower, began to speak and

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<v Speaker 1>swung her voice up among the pines and down to

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<v Speaker 1>the valleys, loud with mountain streams, calling the dwellers on

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<v Speaker 1>those lonely hills to remember and repeat the salutation of

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<v Speaker 1>the Angel to her, whom he called blessed among women.

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<v Speaker 1>With that, the profound quiet seemed to fall for the

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<v Speaker 1>fust time that day. Upon the little town. Dennis Tune

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<v Speaker 1>and the sacristan went out of the church. On the doorstep,

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<v Speaker 1>they fell into conversation. Monsieur seemed to interest himself in

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<v Speaker 1>the old choir books in the sacristy. Undoubtedly I was

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<v Speaker 1>going to ask you if there were a library in

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<v Speaker 1>the town. No, Monsieur. Perhaps there used to be one

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<v Speaker 1>belonging to the chapter, but it is now such a

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<v Speaker 1>small place. Here came a strange pause of irresolution, as

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<v Speaker 1>it seemed. Then with a sort of plunge, he went on,

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<v Speaker 1>But if Monsieur is amateur de voux, leave, I have

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<v Speaker 1>at home something that might interest him. It is not

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<v Speaker 1>a hundred yards at once. All Dennis Tune's cherished dreams

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<v Speaker 1>of finding priceless manuscripts in untrodden corners of France flashed

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<v Speaker 1>up to die down again the next moment. It was

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<v Speaker 1>probably a stupid missile of plantings printing about fifty Where

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<v Speaker 1>was the likelihood that a place so near to lose

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<v Speaker 1>would not have been ransacked long ago by collectors. However,

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<v Speaker 1>it would be foolish not to go. He would reproach

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<v Speaker 1>himsel elf forever after if he refused. So they set

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<v Speaker 1>off on the way. The curious irresolution and sudden determination

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<v Speaker 1>of the Sacristan recurred to Dennis tune, and he wondered

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<v Speaker 1>in a shamefaced way whether he was being decoyed into

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<v Speaker 1>some purlieu to be made away with as a supposed

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<v Speaker 1>rich englishman. He contrived, therefore, to begin talking with his guide,

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<v Speaker 1>and to drag in in a rather clumsy fashion, the

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<v Speaker 1>fact that he expected two friends to join him early

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<v Speaker 1>next morning. To his surprise, the announcement seemed to relieve

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<v Speaker 1>the Sacristan at once of some of the anxiety that

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<v Speaker 1>depressed him. That is well, that is very well. Monsieur

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<v Speaker 1>will travel in company with his friends. They will be

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<v Speaker 1>always near him. It is a good thing to travel

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<v Speaker 1>thus in company. Sometimes the last word appeared to be

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<v Speaker 1>added as an afterthought, and to bring with it a

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<v Speaker 1>relapse into gloom for the poor little man. They were

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<v Speaker 1>soon at the house, which was one rather larger than

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<v Speaker 1>its neighbors, stone built with a shield carved over the door.

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<v Speaker 1>The shield of Alberic de molon To or descendant Dennis

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<v Speaker 1>Tune tells me of Bishop John Demoleon. This Alberic was

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<v Speaker 1>a canon of commands from sixteen eighty to seventeen o one.

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<v Speaker 1>The upper windows of the mansion were boarded up, and

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<v Speaker 1>the whole place bore, as does the rest of commands.

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<v Speaker 1>The aspect of decaying age arrived on his doorstep. The

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<v Speaker 1>sacristan paused a moment. Perhaps, after all, the monsieur has

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<v Speaker 1>not the time, not at all, lots of time, nothing

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<v Speaker 1>to do till tomorrow. Let us see what it is

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<v Speaker 1>you've got. The door was opened at this point, and

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<v Speaker 1>a face looked out, a face far younger than the sacristan's,

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<v Speaker 1>but bearing something of the same distressing look. Only here

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<v Speaker 1>it seemed to be the mark not so much of

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<v Speaker 1>fearful personal safety as of acute anxiety on behalf of another. Plainly,

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<v Speaker 1>the owner of the face was the Sacristan's daughter. She

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<v Speaker 1>brightened up considerably on seeing her father accompanied by an

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<v Speaker 1>able bodied stranger. A few remarks passed between father and daughter,

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<v Speaker 1>of which Denniston only caught these words said by the

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<v Speaker 1>sacristan he was laughing in the church, words which were

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<v Speaker 1>answered only by a look of terror from the girl.

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<v Speaker 1>But in another minute they were in the sitting room

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<v Speaker 1>of the house, a small high chamber with a stone floor,

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<v Speaker 1>full of moving shadows, cast by a wood fire that

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<v Speaker 1>flickered on a great hearth. Something of the character of

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<v Speaker 1>an oratory was imparted to it by a tall crucifix,

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<v Speaker 1>which reached almost to the ceiling. On one side. The

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<v Speaker 1>figure was painted of the natural colors, the cross was black.

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<v Speaker 1>Under this stawod a chest of some age and solidity,

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<v Speaker 1>And when a lamp had been brought and chairs set,

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<v Speaker 1>the sacristan went to this chest and produced therefrom with

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<v Speaker 1>growing excitement and nervousness, as Dennis Tone thought a large

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<v Speaker 1>book wrapped in a white cloth, on which cloth a

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<v Speaker 1>cross was rudely embroidered in red thread. Even before the

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<v Speaker 1>wrapping had been removed, Dennis Tone began to be interested

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<v Speaker 1>by the size and shape of the volume. Too large

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<v Speaker 1>for a missile, he thought, and not the shape of

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<v Speaker 1>an antiphan phaps. It may be something good after all.

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<v Speaker 1>The next moment the book was open, and Dennistone felt

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<v Speaker 1>that he had at last lit upon something better than good.

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<v Speaker 1>Before him lay a large folio bound perhaps late in

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<v Speaker 1>the seventeenth century, with the arms of Cannon Albert Demoleon

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<v Speaker 1>stamped in gold on the sides. There may have been

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<v Speaker 1>a hundred and fifty leaves of paper in the book,

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<v Speaker 1>and are almost every one of them was fastened a

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<v Speaker 1>leaf from an illuminated manuscript. Such a collection Dennis Tune

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<v Speaker 1>had hardly dreamed of in his wildest moments. Here were

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<v Speaker 1>ten leaves from a copy of Genesis, illustrated with pictures

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<v Speaker 1>which could not be later than a d. Seven hundred.

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<v Speaker 1>Further on was a complete set of pictures from a

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<v Speaker 1>psalter of English execution of the very finest kind that

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<v Speaker 1>the thirteenth century could produce. And perhaps best of all,

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<v Speaker 1>there were twenty leaves of unsealed writing in Latin, which,

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<v Speaker 1>as a few words seen here and there told him

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<v Speaker 1>at once, must belong to some very early unknown Patristic treatise.

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<v Speaker 1>Could it possibly be a fragment of the copy of

0:13:02.200 --> 0:13:04.960
<v Speaker 1>Pappius on the Words of Our Lord, which was known

0:13:05.000 --> 0:13:07.560
<v Speaker 1>to have existed as late as the twelfth century at Memes.

0:13:08.440 --> 0:13:10.840
<v Speaker 1>We now know that these leaves did contain a considerable

0:13:10.840 --> 0:13:13.480
<v Speaker 1>fragment of that work, if not of that actual copy

0:13:13.480 --> 0:13:16.839
<v Speaker 1>of it. In any case, his mind was made up

0:13:17.080 --> 0:13:19.760
<v Speaker 1>that book must return to Cambridge with him, even if

0:13:19.760 --> 0:13:21.440
<v Speaker 1>he had to draw the whole of his balance from

0:13:21.440 --> 0:13:23.680
<v Speaker 1>the bank and stay at St. Bertrand till the money came.

0:13:24.800 --> 0:13:26.760
<v Speaker 1>He glanced up at the Sacristan to see if his

0:13:26.800 --> 0:13:29.040
<v Speaker 1>face yielded any hint that the book was for sale.

0:13:29.760 --> 0:13:34.040
<v Speaker 1>The sacristan was pale, and his lips were working. If

0:13:34.120 --> 0:13:37.480
<v Speaker 1>Monsieur will turn on to the end, so if Monsieur

0:13:37.520 --> 0:13:40.600
<v Speaker 1>turned on, meeting new treasures at every rise of a leaf,

0:13:41.160 --> 0:13:42.880
<v Speaker 1>and at the end of the book he came upon

0:13:42.920 --> 0:13:45.719
<v Speaker 1>two sheets of paper of much more recent date than

0:13:45.760 --> 0:13:49.679
<v Speaker 1>anything he had seen yet, which puzzled him considerably. They

0:13:49.760 --> 0:13:53.079
<v Speaker 1>must be contemporary. He decided with the unprincipled canon Alberic,

0:13:53.320 --> 0:13:56.040
<v Speaker 1>who had doubtless plundered the chapter library of Sat. Bertrand

0:13:56.120 --> 0:13:59.720
<v Speaker 1>to form this priceless scrap book. On the first of

0:13:59.720 --> 0:14:03.200
<v Speaker 1>the pay apposheates was a plan carefully drawn and instantly

0:14:03.200 --> 0:14:05.800
<v Speaker 1>recognizable by a person who knew the ground of the

0:14:05.840 --> 0:14:09.920
<v Speaker 1>South Island cloisters of St. Bertrand's. There were curious signs

0:14:09.920 --> 0:14:13.360
<v Speaker 1>looking like planetary symbols, and a few Hebrew words in

0:14:13.400 --> 0:14:16.720
<v Speaker 1>the corners, and in the northwest angle of the cloister

0:14:17.200 --> 0:14:20.880
<v Speaker 1>was a cross drawn in gold paint. Below the plan

0:14:21.200 --> 0:14:24.280
<v Speaker 1>were some lines of writing in Latin, which ran thus

0:14:26.040 --> 0:14:31.600
<v Speaker 1>response to twelve me death six in terragatum est in

0:14:31.680 --> 0:14:39.080
<v Speaker 1>veny amne response from est venies vamne divis vs. Vivamne

0:14:39.120 --> 0:14:46.160
<v Speaker 1>invidendus vives marianne in lectomea eater Answers of the twelfth

0:14:46.200 --> 0:14:51.440
<v Speaker 1>of December, It was asked, shall I find it? Answer

0:14:51.800 --> 0:14:57.360
<v Speaker 1>thou shalt? Shall I become rich thou wilt? Shall I

0:14:57.480 --> 0:15:02.040
<v Speaker 1>live an object of envy that wilt? Shall I die

0:15:02.120 --> 0:15:08.480
<v Speaker 1>in my bed thou wilt? A good specimen of the

0:15:08.480 --> 0:15:11.920
<v Speaker 1>treasure hunter's record quite reminds one of Mr Minor Cannon

0:15:11.960 --> 0:15:14.880
<v Speaker 1>catch remain in Old Saint Paul's was Dennis June's comment,

0:15:15.400 --> 0:15:20.160
<v Speaker 1>and he turned the leaf. What he then saw impressed him,

0:15:20.320 --> 0:15:22.400
<v Speaker 1>as he has often told me, more than he could

0:15:22.400 --> 0:15:25.280
<v Speaker 1>have conceived any drawing or picture capable of impressing him.

0:15:25.920 --> 0:15:29.000
<v Speaker 1>And though the drawing he saw is no longer in existence,

0:15:29.400 --> 0:15:32.080
<v Speaker 1>there is a photograph of it which I possess, which

0:15:32.160 --> 0:15:35.680
<v Speaker 1>fully bears out that statement. The picture in question was

0:15:35.720 --> 0:15:38.520
<v Speaker 1>a CPA drawing at the end of the seventeenth century,

0:15:39.080 --> 0:15:42.800
<v Speaker 1>representing one would say at first the biblical scene. For

0:15:42.920 --> 0:15:46.920
<v Speaker 1>the architecture the picture represented in interior, and the figures

0:15:47.000 --> 0:15:50.280
<v Speaker 1>had that semi classical flavor about them which the artists

0:15:50.320 --> 0:15:53.400
<v Speaker 1>of two hundred years ago frolled appropriate illustrations of the Bible.

0:15:54.760 --> 0:15:56.960
<v Speaker 1>On the right was a king on his throne, the

0:15:57.040 --> 0:16:00.720
<v Speaker 1>throne elevated on twelve steps, the canopy over head soldiers

0:16:00.760 --> 0:16:04.840
<v Speaker 1>on either side, evidently King Solomon. He was bending forward

0:16:04.920 --> 0:16:09.680
<v Speaker 1>with outstretched scepter in attitude of command. His face expressed

0:16:09.720 --> 0:16:12.880
<v Speaker 1>horror and disgust. Yet there was in it also the

0:16:12.960 --> 0:16:17.200
<v Speaker 1>mark of imperious command and confident power. The left half

0:16:17.280 --> 0:16:21.280
<v Speaker 1>of the picture was the strangest, however, the interest plainly

0:16:21.440 --> 0:16:25.960
<v Speaker 1>centered There. On the pavement before the throne were grouped

0:16:26.040 --> 0:16:30.000
<v Speaker 1>four soldiers surrounding a crouching figure, which must be described

0:16:30.040 --> 0:16:33.600
<v Speaker 1>in a moment. A fifth soldier lay dead on the pavement,

0:16:34.240 --> 0:16:38.160
<v Speaker 1>his neck distorted and his eyeballs starting from his head.

0:16:39.360 --> 0:16:42.160
<v Speaker 1>The four surrounding guards were looking at the king. In

0:16:42.240 --> 0:16:45.840
<v Speaker 1>their faces, the sentiment of horror was intensified. They seemed,

0:16:45.840 --> 0:16:48.960
<v Speaker 1>in fact, only restrained from flight by their implicit trust

0:16:49.040 --> 0:16:52.640
<v Speaker 1>and their master. All this terror was plainly excited by

0:16:52.720 --> 0:16:57.560
<v Speaker 1>the being that crouched in their midst. I entirely despair

0:16:57.640 --> 0:17:00.240
<v Speaker 1>of conveying, by any words, the impression which this figer

0:17:00.240 --> 0:17:03.400
<v Speaker 1>makes upon anyone who looks at it, I recollect. Once

0:17:03.440 --> 0:17:06.280
<v Speaker 1>showing the photograph of the drawing to a lecturer on morphology,

0:17:06.920 --> 0:17:10.160
<v Speaker 1>a person of I was going to say, abnormally sane

0:17:10.240 --> 0:17:14.600
<v Speaker 1>and unimaginative habits of mind. He absolutely refused to be

0:17:14.680 --> 0:17:17.360
<v Speaker 1>alone for the rest of that evening, and he told

0:17:17.400 --> 0:17:19.960
<v Speaker 1>me afterwards that for many nights he had not dared

0:17:20.000 --> 0:17:23.800
<v Speaker 1>to put out his light before going to sleep. However,

0:17:23.880 --> 0:17:26.480
<v Speaker 1>the main traits of the figure I can at least indicate.

0:17:28.400 --> 0:17:31.719
<v Speaker 1>At first, you saw only a mass of course matted

0:17:31.840 --> 0:17:35.080
<v Speaker 1>black hair. Presently it was seen that this covered a

0:17:35.119 --> 0:17:39.080
<v Speaker 1>body of fearful thinness, almost a skeleton, but with the

0:17:39.160 --> 0:17:43.119
<v Speaker 1>muscles standing out like wires. The hands were of a

0:17:43.240 --> 0:17:47.639
<v Speaker 1>dusky pallor, covered like the body, with long, coarse hairs

0:17:48.119 --> 0:17:53.240
<v Speaker 1>and hideously talented. The eyes, touched in with a burning yellow,

0:17:53.480 --> 0:17:57.560
<v Speaker 1>had intensely black pupils, and were fixed upon the throned

0:17:57.720 --> 0:18:01.639
<v Speaker 1>king with a look of beast like hate. Imagine one

0:18:01.680 --> 0:18:05.560
<v Speaker 1>of the awful bird catching spiders of South America, translated

0:18:05.600 --> 0:18:09.440
<v Speaker 1>into human form and endowed with intelligence just less than human,

0:18:09.960 --> 0:18:13.040
<v Speaker 1>And you will have some faint conception of the terror

0:18:13.119 --> 0:18:18.480
<v Speaker 1>inspired by the appalling effigy. One remark is universally made

0:18:18.560 --> 0:18:21.680
<v Speaker 1>by those to whom I have showed the picture. It

0:18:21.840 --> 0:18:26.600
<v Speaker 1>was drawn from the life. As soon as the first

0:18:26.680 --> 0:18:30.640
<v Speaker 1>shock of his irresistible fright had subsided, Dennis Tune stole

0:18:30.720 --> 0:18:34.280
<v Speaker 1>a look at his hosts. The sacristan's hands were pressed

0:18:34.320 --> 0:18:37.080
<v Speaker 1>upon his eyes. His daughter, looking up at the cross

0:18:37.160 --> 0:18:41.160
<v Speaker 1>on the wall, was telling her beads feverishly. At last,

0:18:41.240 --> 0:18:45.800
<v Speaker 1>the question was asked, is this book for sale? There

0:18:45.920 --> 0:18:49.560
<v Speaker 1>was the same hesitation, the same plunge of determination that

0:18:49.680 --> 0:18:52.879
<v Speaker 1>he had noticed before, and then came the welcome answer,

0:18:54.040 --> 0:18:57.639
<v Speaker 1>If monsieur pleases, how much do you ask for it?

0:18:58.800 --> 0:19:03.360
<v Speaker 1>I will take two hundred fifty francs. This was confounding.

0:19:04.240 --> 0:19:07.560
<v Speaker 1>Even a collector's conscience is sometimes stirred, and Dennis Tune's

0:19:07.600 --> 0:19:11.280
<v Speaker 1>conscience was tenderer than a collector's. My good man, he

0:19:11.359 --> 0:19:14.200
<v Speaker 1>said again and again, your book is worth far more

0:19:14.320 --> 0:19:17.840
<v Speaker 1>than two hundred and fifty francs. I assure you far more.

0:19:18.880 --> 0:19:21.480
<v Speaker 1>But The answer did not vary. I will take two

0:19:21.560 --> 0:19:24.840
<v Speaker 1>hundred and fifty francs, not more. There was really no

0:19:24.960 --> 0:19:28.359
<v Speaker 1>possibility of refusing such a chance. The money was paid,

0:19:28.480 --> 0:19:31.719
<v Speaker 1>the receipt signed, a glass of wine drunk over the transaction,

0:19:32.320 --> 0:19:34.240
<v Speaker 1>and then the sacristans seemed to become a new man.

0:19:35.160 --> 0:19:38.720
<v Speaker 1>He stood upright, He ceased to throw those suspicious glances

0:19:38.760 --> 0:19:43.160
<v Speaker 1>behind him. He actually laughed, or tried to laugh. Dennis

0:19:43.240 --> 0:19:45.760
<v Speaker 1>Tune rose to go, I shall have the honor of

0:19:45.760 --> 0:19:49.840
<v Speaker 1>accompanying Monsieur to his hotel. Said the sacristan, Oh, no, thanks,

0:19:49.880 --> 0:19:52.200
<v Speaker 1>it isn't a hundred yards. I know the way perfectly,

0:19:52.320 --> 0:19:55.600
<v Speaker 1>and there is a moon. The offer was pressed three

0:19:55.680 --> 0:19:59.720
<v Speaker 1>or four times and refused as often. Then Monsieur will

0:19:59.720 --> 0:20:03.600
<v Speaker 1>summ me if if he finds occasion, he will keep

0:20:03.640 --> 0:20:07.640
<v Speaker 1>the middle of the road. The sides are so rough. Certainly, certainly,

0:20:07.720 --> 0:20:10.600
<v Speaker 1>said Dennis Tune, who was impatient to examine his prize

0:20:10.600 --> 0:20:13.240
<v Speaker 1>by himself, and he stepped out into the passage with

0:20:13.320 --> 0:20:16.119
<v Speaker 1>his book under his arm. Here he was met by

0:20:16.119 --> 0:20:18.920
<v Speaker 1>the daughter. She, it appeared, was anxious to do a

0:20:18.960 --> 0:20:21.920
<v Speaker 1>little business of her own account, perhaps like Ghazi, to

0:20:22.240 --> 0:20:24.879
<v Speaker 1>take somewhat from the foreigner whom her father had spared

0:20:26.280 --> 0:20:29.240
<v Speaker 1>a silver crucifix and chain for the neck. Monsieur would

0:20:29.280 --> 0:20:32.760
<v Speaker 1>perhaps be good enough to accept it. Well, Really, Dennis

0:20:32.840 --> 0:20:35.040
<v Speaker 1>Tune hadn't much use for these things. What did mademoiselle

0:20:35.119 --> 0:20:39.359
<v Speaker 1>want for it? Nothing? Nothing in the world. Monsieur is

0:20:39.400 --> 0:20:42.680
<v Speaker 1>more than welcome to it. The tone in which this,

0:20:42.960 --> 0:20:46.080
<v Speaker 1>and much more was said was unmistakably genuine, so that

0:20:46.160 --> 0:20:49.080
<v Speaker 1>Dennis Tune was reduced to profuse thanks and submitted to

0:20:49.119 --> 0:20:52.200
<v Speaker 1>have the chain put round his neck. It really seemed

0:20:52.200 --> 0:20:54.119
<v Speaker 1>as if he had rendered the father and daughter some

0:20:54.320 --> 0:20:58.119
<v Speaker 1>service which they hardly knew how to repay. As he

0:20:58.160 --> 0:21:00.119
<v Speaker 1>set off with his book, they stood at the or

0:21:00.240 --> 0:21:02.840
<v Speaker 1>looking after him, and they were still looking when he

0:21:02.920 --> 0:21:04.879
<v Speaker 1>waived them a last good night from the steps of

0:21:04.920 --> 0:21:09.560
<v Speaker 1>the Chapeau Rouge. Dinner was over, and Dennis June was

0:21:09.600 --> 0:21:13.080
<v Speaker 1>in his bedroom, shut up alone with his acquisition. The

0:21:13.200 --> 0:21:16.119
<v Speaker 1>landlady had manifested a particular interest in him, since he

0:21:16.200 --> 0:21:17.600
<v Speaker 1>had told her that he had paid a visit to

0:21:17.680 --> 0:21:21.760
<v Speaker 1>the sacristan and brought an old book from him. He thought, too,

0:21:22.000 --> 0:21:24.280
<v Speaker 1>that he had heard a hurried dialogue between her and

0:21:24.440 --> 0:21:27.159
<v Speaker 1>the said sacristan in the passage outside of the Salamange.

0:21:28.119 --> 0:21:31.240
<v Speaker 1>Some words to the effect that Pierre and Bertrand would

0:21:31.240 --> 0:21:35.360
<v Speaker 1>be sleeping in the house had closed the conversation. All

0:21:35.440 --> 0:21:38.399
<v Speaker 1>this time, a growing feeling of discomfort had been creeping

0:21:38.520 --> 0:21:42.879
<v Speaker 1>over him, nervous reaction perhaps after the delight of his discovery.

0:21:44.040 --> 0:21:46.719
<v Speaker 1>Whatever it was, it resulted in a conviction that there

0:21:46.840 --> 0:21:49.560
<v Speaker 1>was someone behind him, and that he was far more

0:21:49.640 --> 0:21:53.680
<v Speaker 1>comfortable with his back to the wall. All this, of course,

0:21:53.920 --> 0:21:56.639
<v Speaker 1>weighed light in the balance as against the obvious value

0:21:56.680 --> 0:22:00.400
<v Speaker 1>of the collection he had acquired. And now, as I said,

0:22:00.760 --> 0:22:03.600
<v Speaker 1>he was alone in his bedroom taking stock of Canon

0:22:03.640 --> 0:22:07.359
<v Speaker 1>Alberic's treasures, in which every moment revealed something more charming.

0:22:08.480 --> 0:22:11.760
<v Speaker 1>Bless Cannon Albarek, said Denniston, who had an inveterate habit

0:22:11.800 --> 0:22:14.520
<v Speaker 1>of talking to himself. I wonder where he is now,

0:22:15.160 --> 0:22:17.880
<v Speaker 1>Dear me, I wish that landlady would learn to laugh

0:22:17.920 --> 0:22:20.399
<v Speaker 1>in a more cheering manner. Makes one feel as if

0:22:20.440 --> 0:22:23.439
<v Speaker 1>there was someone dead in the house. Half a pipe more,

0:22:23.520 --> 0:22:26.480
<v Speaker 1>did you say? I think? Perhaps you are right. I

0:22:26.560 --> 0:22:29.120
<v Speaker 1>wonder what that crucifix is that the young woman insisted

0:22:29.160 --> 0:22:33.720
<v Speaker 1>on giving me last century. I suppose, yes, probably it

0:22:33.840 --> 0:22:35.560
<v Speaker 1>is rather a nuisance of a thing to have around

0:22:35.600 --> 0:22:39.159
<v Speaker 1>one's neck, just too heavy. Most likely her father has

0:22:39.160 --> 0:22:41.280
<v Speaker 1>been wearing it for years. I might give it a

0:22:41.359 --> 0:22:44.760
<v Speaker 1>clean up before I put it away. He had taken

0:22:44.760 --> 0:22:47.320
<v Speaker 1>the crucifix off and laid it on the table when

0:22:47.359 --> 0:22:49.800
<v Speaker 1>his attention was caught by an object lying on the

0:22:49.840 --> 0:22:53.280
<v Speaker 1>red cloth just by his left elbow. Two or three

0:22:53.359 --> 0:22:55.760
<v Speaker 1>ideas of what it might be flitted through his brain

0:22:56.119 --> 0:23:01.280
<v Speaker 1>with their own incalculable quickness. Pen why her No, no

0:23:01.440 --> 0:23:06.200
<v Speaker 1>such thing in the house, wrapped, no too black, A

0:23:06.359 --> 0:23:10.960
<v Speaker 1>large spider, I trust to Goodness, not no good God.

0:23:11.600 --> 0:23:15.720
<v Speaker 1>A hand like the hand in that picture. In another

0:23:15.800 --> 0:23:20.399
<v Speaker 1>infinitism or flash, he had taken it in pale, dusky skin,

0:23:20.920 --> 0:23:25.679
<v Speaker 1>covering nothing but bones and tendons of appalling strength, coarse

0:23:25.840 --> 0:23:28.800
<v Speaker 1>black hairs longer than ever grew on a human hand,

0:23:29.800 --> 0:23:33.280
<v Speaker 1>nails rising from the ends of the fingers and curving

0:23:33.440 --> 0:23:39.119
<v Speaker 1>sharply down and forward, gray, horny, and wrinkled. He flew

0:23:39.200 --> 0:23:42.840
<v Speaker 1>out of his chair with deadly, inconceivable terror. Clutching at

0:23:42.920 --> 0:23:46.359
<v Speaker 1>his heart. The shape whose left hand rested on the

0:23:46.440 --> 0:23:50.480
<v Speaker 1>table was rising to a standing posture behind his seat.

0:23:51.200 --> 0:23:55.119
<v Speaker 1>It's right hand crooked above his scalp. There was black

0:23:55.400 --> 0:23:59.119
<v Speaker 1>and tattered drapery about it. The coarse hair covered it

0:23:59.400 --> 0:24:02.760
<v Speaker 1>as in the boring. The lower jaw was thin, what

0:24:02.880 --> 0:24:07.200
<v Speaker 1>can I call it? Shallow like a beast's teeth showed

0:24:07.320 --> 0:24:11.399
<v Speaker 1>behind the black lips there was no nose, the eyes

0:24:11.800 --> 0:24:15.119
<v Speaker 1>of a fiery yellow against which the pupils showed black

0:24:15.280 --> 0:24:19.560
<v Speaker 1>and intense, and the exalting hate, and first to destroy

0:24:19.680 --> 0:24:23.040
<v Speaker 1>life which shone. There were the most horrifying features in

0:24:23.080 --> 0:24:27.120
<v Speaker 1>the whole vision. There was intelligence of a kind in them,

0:24:27.960 --> 0:24:31.400
<v Speaker 1>intelligence beyond that of a beast, below that of a man.

0:24:33.040 --> 0:24:36.239
<v Speaker 1>The feelings which this horror stirred in Dennis Tune were

0:24:36.320 --> 0:24:41.040
<v Speaker 1>the intensest physical fear and the most profound mental loathing.

0:24:42.200 --> 0:24:45.119
<v Speaker 1>What did he do? What could he do? He has

0:24:45.200 --> 0:24:47.879
<v Speaker 1>never been quite certain what words he said, but he

0:24:48.000 --> 0:24:51.159
<v Speaker 1>knows that he spoke, that he grasped blindly at the

0:24:51.200 --> 0:24:54.920
<v Speaker 1>silver crucifix, that he was conscious of a movement towards him,

0:24:54.920 --> 0:24:57.720
<v Speaker 1>on the part of the demon, and that he screamed

0:24:58.119 --> 0:25:00.520
<v Speaker 1>with the voice of an animal in hiding. Yes, pain

0:25:01.960 --> 0:25:05.040
<v Speaker 1>Pierre and bertrand the two sturdy, little serving men who

0:25:05.119 --> 0:25:08.840
<v Speaker 1>rushed in saw nothing but felt themselves thrust aside by

0:25:08.960 --> 0:25:11.840
<v Speaker 1>something that passed out between them, and found Dennistone in

0:25:11.920 --> 0:25:15.440
<v Speaker 1>a swoon. They sat up with him that night, and

0:25:15.520 --> 0:25:17.600
<v Speaker 1>his two friends were at St. Bertrand by nine o'clock

0:25:17.640 --> 0:25:22.280
<v Speaker 1>the next morning. He himself, though still shaken and nervous,

0:25:22.480 --> 0:25:25.520
<v Speaker 1>was almost himself by that time, and his story frowned

0:25:25.560 --> 0:25:28.000
<v Speaker 1>credence with them, though not until they had seen the

0:25:28.080 --> 0:25:31.960
<v Speaker 1>drawing and talked with the sacristan almost at dawn. The

0:25:32.000 --> 0:25:34.000
<v Speaker 1>little man had come to the inn on some pretense

0:25:34.320 --> 0:25:36.520
<v Speaker 1>and had listened with the deepest interest to the story

0:25:36.600 --> 0:25:41.800
<v Speaker 1>retailed by the landlady. He showed no surprise. It is he,

0:25:42.440 --> 0:25:45.119
<v Speaker 1>it is he, I have seen him myself, was his

0:25:45.200 --> 0:25:48.600
<v Speaker 1>only comment, and to all questionings but one reply was

0:25:48.720 --> 0:25:55.200
<v Speaker 1>vouchsafed de foi mille foi jele santi. He would tell

0:25:55.240 --> 0:25:57.640
<v Speaker 1>them nothing of the provenance of the book, nor any

0:25:57.680 --> 0:26:01.560
<v Speaker 1>details of his experiences. I shall soon sleep and my

0:26:01.680 --> 0:26:05.960
<v Speaker 1>rest will be sweet. Why should you trouble me? He

0:26:06.119 --> 0:26:09.600
<v Speaker 1>died that summer. His daughter married and settled at San Papaul.

0:26:10.359 --> 0:26:15.440
<v Speaker 1>She never understood the circumstances of her father's obsession. We

0:26:15.520 --> 0:26:18.920
<v Speaker 1>shall never know what he or canon Alberic Demoleon suffered.

0:26:19.600 --> 0:26:21.760
<v Speaker 1>At the back of that fateful drawing were some lines

0:26:21.800 --> 0:26:24.040
<v Speaker 1>of writing which may be supposed to throw light on

0:26:24.119 --> 0:26:33.240
<v Speaker 1>the situation. Contradictio salomonis come demonio nocturno Albericus Demolione delineavit

0:26:34.200 --> 0:26:41.000
<v Speaker 1>vidus in auditorium, ps Key habitat sancte bertrand demoniorum effugato

0:26:41.680 --> 0:26:47.240
<v Speaker 1>inter cedar promo misreno primum ordi nacte twelve me that's

0:26:48.920 --> 0:26:52.480
<v Speaker 1>with debo marks or team um pecai it passes some

0:26:52.920 --> 0:27:00.359
<v Speaker 1>plura adhuc passurus December one I e. The disputest Solomon

0:27:00.400 --> 0:27:03.720
<v Speaker 1>with a demon of the night, drawn by Albert Demoleon. Versical,

0:27:03.840 --> 0:27:06.680
<v Speaker 1>Oh Lord, make haste to help me. Psalm, who so

0:27:06.880 --> 0:27:10.600
<v Speaker 1>dwelleth x c I si bertrand who put us devils

0:27:10.640 --> 0:27:13.520
<v Speaker 1>to flight, Pray for me most unhappy. I saw it

0:27:13.680 --> 0:27:17.280
<v Speaker 1>first on the night of December the twelfth sixt Soon

0:27:17.359 --> 0:27:19.720
<v Speaker 1>I shall see it for the last time. I have

0:27:19.840 --> 0:27:22.760
<v Speaker 1>sinned and suffered, and have more to suffer yet December

0:27:22.800 --> 0:27:27.840
<v Speaker 1>than one. The Garlio Christiana gives the date of the

0:27:27.920 --> 0:27:32.200
<v Speaker 1>cannon's death as December thirty one, sevente in bed of

0:27:32.240 --> 0:27:35.960
<v Speaker 1>a sudden caesar. Details of this kind are not common

0:27:36.000 --> 0:27:40.399
<v Speaker 1>in the great work of the Sammathani. I have never

0:27:40.520 --> 0:27:43.119
<v Speaker 1>quite understood what was Dennis Tune's view of the events

0:27:43.160 --> 0:27:46.040
<v Speaker 1>I have narrated. He groted to me once a text

0:27:46.080 --> 0:27:51.040
<v Speaker 1>from Ecclesiasticus. Some spirits there be that are created for vengeance,

0:27:51.119 --> 0:27:55.560
<v Speaker 1>and in their fury lay on sore strokes. On another occasion,

0:27:55.680 --> 0:27:59.119
<v Speaker 1>he said, Isaiah was a very sensible man. Doesn't he

0:27:59.160 --> 0:28:01.800
<v Speaker 1>say something about night monsters living in the ruins of Babylon.

0:28:02.560 --> 0:28:06.560
<v Speaker 1>These things are rather beyond us at present. Another confidence

0:28:06.600 --> 0:28:09.320
<v Speaker 1>of his impressed me rather, and I sympathized with it.

0:28:10.960 --> 0:28:13.040
<v Speaker 1>We had been last year to command to see kind

0:28:13.080 --> 0:28:16.320
<v Speaker 1>of Alberic's tomb. It is a great marble erection, with

0:28:16.400 --> 0:28:19.000
<v Speaker 1>an effigy of the cannon in the large wig and soutane,

0:28:19.440 --> 0:28:23.080
<v Speaker 1>and an elaborate eulogy of his learning. Below. I saw

0:28:23.119 --> 0:28:25.080
<v Speaker 1>a Dennis Tune talking for some time with the vicar

0:28:25.119 --> 0:28:28.360
<v Speaker 1>of Saint Bertrand's, and as we drove away, he said

0:28:28.440 --> 0:28:31.280
<v Speaker 1>to me, I hope it isn't wrong. You know, I

0:28:31.359 --> 0:28:34.240
<v Speaker 1>am a Presbyterian, but I I believe there will be

0:28:34.520 --> 0:28:37.840
<v Speaker 1>saying of mass and singing of dirges for Alberic Demoleon's rest.

0:28:39.240 --> 0:28:41.280
<v Speaker 1>Then he added, with a touch of Northern British in

0:28:41.400 --> 0:28:44.600
<v Speaker 1>his tone, I had no notion they came so dear.

0:28:47.320 --> 0:28:49.240
<v Speaker 1>The book is in the went With collection at Cambridge.

0:28:49.680 --> 0:28:52.680
<v Speaker 1>The drawing was photographed and then burnt by Dennis Tune

0:28:52.920 --> 0:28:55.160
<v Speaker 1>on the day when he left command, on the occasion

0:28:55.240 --> 0:29:13.200
<v Speaker 1>of his first visit mmal Canon Alberic's Scrapbook by m

0:29:13.280 --> 0:29:19.320
<v Speaker 1>R James, narrated by Alex Grass and adapted by Alexander Williams,

0:29:19.720 --> 0:29:24.000
<v Speaker 1>with producers Max Williams and Trevor Young. To learn more

0:29:24.040 --> 0:29:27.200
<v Speaker 1>about this story, the author and the real town of

0:29:27.320 --> 0:29:30.760
<v Speaker 1>Saint bertrand to come on, listen to our bonus episode

0:29:31.160 --> 0:29:35.680
<v Speaker 1>inside Kennan Albrekts Scrapbook with Arthur Helen Grant, available now.

0:29:36.640 --> 0:29:39.400
<v Speaker 1>It's almost close to meta fiction in the sense that

0:29:39.960 --> 0:29:43.560
<v Speaker 1>the real and the fictional are so closely entwined in

0:29:43.680 --> 0:29:46.440
<v Speaker 1>some of the stories that you can't really pick them apart.

0:29:48.080 --> 0:29:50.520
<v Speaker 1>Find more podcasts from my Heart Radio by visiting the

0:29:50.600 --> 0:29:53.880
<v Speaker 1>I Heart Radio app, Apple Podcasts, or wherever you listen

0:29:53.920 --> 0:29:57.720
<v Speaker 1>to podcasts, and learn more about this one at Ephemeral.

0:29:58.240 --> 0:30:00.600
<v Speaker 1>That show of the Halloween