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Speaker 1: Breakfast Club is old. We got the breakfast Club Envy

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Speaker 1: and Charlomagne the voice of the culture.

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Speaker 2: He then i'nna come here when this thing.

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Speaker 1: See y'all different, y'all the coach, it's different. You know

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Speaker 1: what I'm saying. Like, y'all know what y'all talk about.

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Speaker 1: This is probably becoming the most prominent form for here, probably.

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Speaker 3: Be here next to all of you guys. It's really

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Speaker 3: put it.

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Speaker 1: Put it in perspective to the breakfast club. Bitch, wake up.

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Speaker 1: This is your time to get it off your chest.

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Speaker 1: I got an indoor pool pool. We want to hear

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Speaker 1: from you on the breakfast club.

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Speaker 4: Get on the phone right now here, tell you what it.

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Speaker 1: Is we live. Hello. Who's this yo? This is Chris, Chris,

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Speaker 1: what up? Get it off your chest? Hey, man, I

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Speaker 1: want to say, Man I on party, y'all man DJ

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Speaker 1: envied Charlomad solo.

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Speaker 5: Man, I've been reading your book. Boy, got me your book.

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Speaker 6: Man, I've been taking that out and it's been real

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Speaker 6: helpful for me.

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Speaker 7: Man.

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Speaker 8: Like what y'all go?

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Speaker 1: Thank you King? Which book you got you black privilege

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Speaker 1: and shook one old them? Matter of fact, you got

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Speaker 1: me one for father's there and one for all the

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Speaker 1: Christmas last year.

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Speaker 4: Man, I appreciate that.

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Speaker 1: Hello, what is this?

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Speaker 8: I don't want to say my name?

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Speaker 1: Okay, well what's something on the radio? Nobody can see you.

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Speaker 4: But you know, may people be listening.

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Speaker 9: But I have a question because I just recently got

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Speaker 9: broken up. But great, I'm in a lesbian relationship. And

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Speaker 9: I went out of town not so long ago.

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Speaker 8: And I, you know, I have a business.

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Speaker 9: So I was networking and I was speaking to a

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Speaker 9: mail about my business and who worked at the bar

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Speaker 9: that I was doing my homework aap and so I

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Speaker 9: came back home and he sent me a message was like, hey.

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Speaker 3: How you doing.

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Speaker 8: How's your family to start?

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Speaker 9: Get backstafe?

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Speaker 8: And my girlfriend has a problem with it, and so

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Speaker 8: she broke up with me. Like she's like, I'm a lesbian,

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Speaker 8: I don't deal with mails, and I'm just like I

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Speaker 8: do business. I network with males and females. I just

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Speaker 8: wanted to like, is that wrong?

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Speaker 10: I don't think that's wrong at all.

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Speaker 1: I mean, if there was, even if it was another woman,

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Speaker 1: I mean, as long as y'all not flirting in this business,

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Speaker 1: I don't see a problem with it.

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Speaker 10: You weren't hiding it from your.

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Speaker 1: Girl, So it's not like you were trying to be

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Speaker 1: deceptive or sneaking around. Now I don't see a problem

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Speaker 1: with it. Yeah, but those you know, she she probably upset.

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Speaker 1: She probably upset because you're talking to somebody who you know,

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Speaker 1: got something that she could never have, which is a penis.

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Speaker 2: You know.

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Speaker 9: And I feel like that when the insecurity only comes

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Speaker 9: out with males because I speak to females in the

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Speaker 9: same way and it's usually about my business as I

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Speaker 9: do with males. But it's just males, she always has

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Speaker 9: a problem. And I'm like, it makes me feel like, Okay,

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Speaker 9: you're like immaturely dating, you don't know how to date.

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Speaker 9: But I'm like, I don't know, like can have friends

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Speaker 9: to man that his wife have.

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Speaker 1: You know, your circumstances are totally different. Now I have

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Speaker 1: to ask you a question. Did you get penis before

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Speaker 1: you became a lesbian?

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Speaker 10: Good question?

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Speaker 1: Did you like, yes, yes, that's what it is.

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Speaker 10: The problem back to penis. She don't want you to realize.

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Speaker 8: But what does that have to do with me?

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Speaker 3: That's her in security?

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Speaker 4: Like, is that something that I'm supposed to adjust?

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Speaker 1: It is? But I will say this, I will say,

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Speaker 1: try to have a conversation and bring her in on

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Speaker 1: part of the conversation, you asked if if my wife

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Speaker 1: has male friends, we have friends.

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Speaker 11: She doesn't have friends that I don't know about. She

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Speaker 11: doesn't have friends, and she speaks to that I don't know.

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Speaker 11: We all have friends, just like I have female friends,

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Speaker 11: but my wife knows them.

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Speaker 1: Uh.

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Speaker 10: But it means by though, so I'm not by shut up.

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Speaker 3: Many we try.

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Speaker 11: To be serious, but I would give a conversation to

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Speaker 11: try to make it feel comfortable as possible. Obviously she

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Speaker 11: feels a little uncomfortable because she feels like you're gonna

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Speaker 11: get back to the penis.

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Speaker 1: But let her know that you don't want any penis.

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Speaker 1: And it's all box for you.

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Speaker 9: Curious, okay, all right, and go and go.

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Speaker 1: And go box them out, saying go box them out? Face?

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Speaker 10: What's wrong with you?

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Speaker 2: Man?

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Speaker 1: You heard what she said? She said? You was very

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Speaker 1: like skinned to say that. I concur Hello, who's this.

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Speaker 2: Hell?

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Speaker 1: You said?

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Speaker 10: A little off phone?

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Speaker 1: You got bluetooth in or your head piece? He hear me?

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Speaker 1: I can hear you perfectly.

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Speaker 5: Whatever, All right, what's up?

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Speaker 3: Man?

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Speaker 5: Calling to get off my dad? Brother, get off my chest? Yeah. No,

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Speaker 5: me and my girl. We finally feeling good today. Me

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Speaker 5: and my girl we offer seven month dry fell man

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Speaker 5: like you know, so we finally have you know, inter

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Speaker 5: course again and I feel good about it.

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Speaker 10: Seven months? Why so long?

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Speaker 1: Huh said? Why so long?

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Speaker 5: I kind of you know, I kind of messed up

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Speaker 5: with you know, I was cheating. I was messing up

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Speaker 5: a little bit cheating. Not cheating, you know, not not

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Speaker 5: physically cheating, probably emotionally cheating. So uh, yeah, she finally

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Speaker 5: you know, so it was a while she wasn't you know,

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Speaker 5: feeling me.

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Speaker 1: Do you know, y'all do no? Humans, women especially are

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Speaker 1: more emotional than physical, so emotionally cheating and emotionally hurting

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Speaker 1: her can probably cause her to dry up more so

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Speaker 1: than the physical.

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Speaker 5: You know what I mean? You know, I realized that.

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Speaker 10: Yes, I'm glad you y'all are back.

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Speaker 5: Brother, Thank you man, have a good one you suit jam.

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Speaker 1: The Breakfast Club is your time to get it off

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Speaker 1: your chest, way up, whether you're man or pleas tith

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Speaker 1: to get up and get something call up now eight

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Speaker 1: hundred five eight five one o five one. We want

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Speaker 1: to hear from you on the Breakfast Club.

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Speaker 12: Hello, who's this, Hey, good morning, good morning.

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Speaker 6: How you doing this is Ronnie called out a.

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Speaker 5: Bad rooms Louisiana.

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Speaker 1: Get it up your chest, man.

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Speaker 4: I just wanted to call in, man, because I'm so excited.

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Speaker 6: For you guys.

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Speaker 3: Man.

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Speaker 4: I love being y'all on the radio. Man, y'all been

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Speaker 4: doing a great job.

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Speaker 5: Man, y'all sound.

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Speaker 12: Really really even news man this time around.

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Speaker 6: So it's great to have you guys here in bad rude.

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Speaker 8: Man.

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Speaker 1: I'm in here. I'm in here burning my Pola santo

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Speaker 1: right now. The energy is great. I got my candles lit.

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Speaker 1: Me and him be just being here living our best lives. Man,

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Speaker 1: you enjoy having a good time. That's that's without and

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Speaker 1: that that is a great compliment because we thoroughly do

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Speaker 1: enjoy coming in this studio absolutely every day in.

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Speaker 6: That man, go hear you, guys man.

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Speaker 1: And that has not always been the but nowadays.

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Speaker 5: Hello this Hey, what's up?

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Speaker 4: Guys? This is your favorite white listener, Tim FM Toledo.

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Speaker 10: Get it off your chest?

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Speaker 12: What's going on?

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Speaker 4: Guys?

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Speaker 12: I love you guys.

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Speaker 1: Man.

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Speaker 4: So I've been on a team the last couple of

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Speaker 4: times I got through about toxic people, and lately it's

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Speaker 4: been I find it's more family usually than it is

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Speaker 4: than anybody. And so I found I'm forty five and

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Speaker 4: I think a lot of people can relate Rocker life.

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Speaker 4: We you know, we main need to lean on people

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Speaker 4: for help. And it might be in a rough time.

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Speaker 4: It might be a house payment, it might be they

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Speaker 4: order you a pizza when you down on your luck,

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Speaker 4: and then you find out these people get mad at you.

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Speaker 4: You know, it could be a six months down the road,

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Speaker 4: two years down the look, you know, they're on your

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Speaker 4: Facebook because they're mad, and you find out that you

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Speaker 4: owe them a million dollars all of a sudden, Well

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Speaker 4: they didn't order you a pizza. They you know, they

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Speaker 4: act like they be buying food for the last three years.

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Speaker 4: You know, the story justn't completely blown out of contact

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Speaker 4: because they're mad.

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Speaker 1: That's why sometimes you just got to give people thoughts

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Speaker 1: and press absolutely not you.

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Speaker 4: Know what, And I tried to you know what, I

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Speaker 4: I just put this real quick. I put this on

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Speaker 4: my bio. I heard it a new Facebook, and I'm

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Speaker 4: adding friends that I would try to go to their

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Speaker 4: funeral or if they would come to mind, because otherwise.

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Speaker 12: It's just disgrace.

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Speaker 4: School people got two thousand friends and they don't even

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Speaker 4: know half of them. I put this in my bio.

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Speaker 4: When I need help, give me a hug, not money.

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Speaker 4: That way, you're mad. All I owe you is a hug.

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Speaker 1: But I will I will say this.

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Speaker 11: You know, in life, and I think Charlamagne and I

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Speaker 11: think even you can will say this, it's.

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Speaker 1: Always highs and lows, right. You always have a good

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Speaker 1: part of your life with everything is going great, but

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Speaker 1: it could be a left turn and sometimes you need help.

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Speaker 11: And it doesn't have to be financial. It could be

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Speaker 11: just a good you know, a hug, or a good

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Speaker 11: hold or good conversation. And those are the people I

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Speaker 11: keep around me. And whether they family or friends, it's

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Speaker 11: all the same. If you can't provide me that and

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Speaker 11: I can't provide you that, then we don't need to

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Speaker 11: be around each other. But I want to be around

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Speaker 11: people that's going to hold hold each other up and

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Speaker 11: make sure we all all right.

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Speaker 1: I think the biggest problem. I think the biggest problem

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Speaker 1: is that you know your family, and you know and

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Speaker 1: your close friends be having a sense of entitlement. That's true,

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Speaker 1: you know what I'm saying, And when they want, when

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Speaker 1: they want more, they act like you never did anything

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Speaker 1: for them, you know what I'm saying. So he could

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Speaker 1: be a pizza or you know, our money when they

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Speaker 1: want more. Anything you ever did will never be enough

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Speaker 1: to act like you never did anything correct, you know,

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Speaker 1: And I can't. I don't deal with entitled people. Gets

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Speaker 1: the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 10: That's hilarious is our guest.

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Speaker 1: So so, ladies and gentlemen.

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Speaker 10: Stephanie Mills, good morning, Miss Mills.

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Speaker 7: Good morning, good morning. Oh yeah, eyes, I'm fine. Don't

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Speaker 7: you think he has bamby beautiful eyes.

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Speaker 1: Beautiful?

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Speaker 3: That's my baby.

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Speaker 7: Yeah. I love Stephanie Mills. You know that we have

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Speaker 7: a love affair. He's like my son. He could be

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Speaker 7: my son.

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Speaker 1: That's right, literally son. Now you got a lot going on,

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Speaker 1: Miss Mills. You got your PBS special.

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Speaker 3: I have a lot going on the Broadway, Babe.

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Speaker 1: Pride.

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Speaker 3: The movie.

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Speaker 7: Pride executive produced the TDJ Derek Williams, and they just

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Speaker 7: offered me the part. Derek called me and said, do

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Speaker 7: you want to do this role?

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Speaker 3: And sent me the script and I said yes, And

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Speaker 3: You're torn. I'm torn, Wow, And I'm getting ready this possibility.

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Speaker 7: I'm getting ready to come back to Broadway to do.

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Speaker 3: My own shot?

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Speaker 1: What based on your life?

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Speaker 7: No not, I don't want to do anything based on

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Speaker 7: my life, but just songs and where I've come from

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Speaker 7: and all of that.

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Speaker 1: Wow, Wow, how are you managing everything that you're doing

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Speaker 1: at the moment?

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Speaker 7: I have a great manager I call amp Yum Yums.

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Speaker 7: He's just he's a yummy manager. You know how when

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Speaker 7: you find somebody that just you can trust.

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Speaker 3: And believes in you.

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Speaker 1: Yeah?

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Speaker 3: Absolutely, so pretty, thank you so much. So, how does

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Speaker 3: it feel to still be so legendary? Like forty years later?

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Speaker 1: Relevant?

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Speaker 5: You like?

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Speaker 3: Relevant? Relevant? Even is like just still like it's people

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Speaker 3: still walking around singing your songs. He can't sing, but

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Speaker 3: he was literally walking around still just sing your songs

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Speaker 3: before you even said yeah, I come up there with

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Speaker 3: y'all and he was still walking around singing, Like how

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Speaker 3: does how does that feel?

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Speaker 7: It's a blessing. I feel really blessed because I didn't

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Speaker 7: have the machinery behind me.

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Speaker 3: Okay you know what I'm saying.

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Speaker 7: So for me to still be here doing it and

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Speaker 7: I'm doing it on my own terms because I kind

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Speaker 7: of backed away from the industry because it became too

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Speaker 7: much for me to still do it and then find

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Speaker 7: someone like Amp who believed in me and allows me

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Speaker 7: to be who I am, because you know, in this

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Speaker 7: business they try to change you to meet a certain criteria.

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Speaker 7: And I never fit into that criteria and didn't want to.

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Speaker 3: And I love that. I love that, And and so

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Speaker 3: for the Rolling Stones magazine, greatest of all time? Yeah,

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Speaker 3: the greatest one of things of all time? How do

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Speaker 3: you feel being left out of that? I don't feel anything.

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Speaker 7: I don't pay any attention to that. That's something behind

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Speaker 7: a desk who doesn't really know what they're talking enough.

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Speaker 3: How could you leave Celine Dion off? How could you?

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Speaker 3: It's a great you know, how could you?

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Speaker 1: So?

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Speaker 3: I don't pay attention to that.

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Speaker 7: I don't pay attention to awards and all that, even

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Speaker 7: though I have awards of everything that of musically.

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Speaker 3: But it doesn't mean anything.

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Speaker 7: What means matters to me, and which has kept me

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Speaker 7: with my sold out shows that I'm proud of is

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Speaker 7: my people coming to see me and paying their hard

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Speaker 7: earned money.

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Speaker 3: That's what keeps me going.

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Speaker 1: Yeah, igue with you with the Rolling Stone. Clearly those

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Speaker 1: people are culturally coolest, you know what I mean? Leaving

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Speaker 1: people like you, Selina.

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Speaker 7: But see, I was never played on vh one or MTV,

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Speaker 7: none of my videos because they always said I was

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Speaker 7: too urban and I only had a pop record with

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Speaker 7: Never Knew Love. That's the only one they allowed to

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Speaker 7: cross over.

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Speaker 1: I wonder you said something earlier. You said that you

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Speaker 1: never had the machine behind you. And it's interesting because

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Speaker 1: you can see how that might still impact you now

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Speaker 1: when it comes to these lists.

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Speaker 7: Right exactly when you think about it, like back in

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Speaker 7: the day when MTV, I my MTV and they didn't

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Speaker 7: want to play Michael. You know, it was a president

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Speaker 7: of the company that said, if you don't play him,

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Speaker 7: I'm going to expose that you're racist. And I don't

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Speaker 7: think really anything has changed. I think you have to

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Speaker 7: have And back then I didn't have that kind of

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Speaker 7: person that would go on the front line for me.

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Speaker 7: But Michael did, and I'm glad he did because just

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Speaker 7: imagine you not hearing Thriller the way it was, or

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Speaker 7: being exposed to all those wonderful videos that he did.

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Speaker 7: And they didn't acknowledge his forty at the anniversary of

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Speaker 7: Thriller or anything at the Grammys or American Music a BOYD.

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Speaker 1: How did they pick and choose who got the machine

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Speaker 1: back then though, because I feel like back then you

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Speaker 1: really needed talent to get a deal.

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Speaker 7: You really needed talent to get a deal. That's why

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Speaker 7: my audience is predominantly black, because Beet and all those

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Speaker 7: black outlets played my videos, you know, and black radio

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Speaker 7: supported me so much. So that's why I'm able to survive.

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Speaker 7: That's why I don't understand why a lot of black

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Speaker 7: artists like don't go back to the black publications and

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Speaker 7: things like that that made them, well, I know, white,

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Speaker 7: I colder always why, you know, I don't understand that.

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Speaker 7: I never understand why they think vanilla ice cream is

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Speaker 7: colder than chocolate.

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Speaker 1: I think it's because they want that mass look, you know,

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Speaker 1: I mean.

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Speaker 3: But you could have that. Let me tell you something.

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Speaker 7: I went to Oh What's the Girls group? They came

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Speaker 7: to Charlotte and they sold out the arena. There was

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Speaker 7: nothing there but black people escape.

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Speaker 3: Yes, so what's wrong with the black dollar? I definitely

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Speaker 3: get what you're saying that. My generation they also feel

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Speaker 3: like because I don't, although I'm a part of them,

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Speaker 3: they felt that's some type of advanced validation. When you

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Speaker 3: get like then they call it the crossover. It's like,

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Speaker 3: you know, and people, I did a show for Fox,

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Speaker 3: Sitcom on Fox. People around ye shout to the show

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Speaker 3: real and I was on it with Simbad he played

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Speaker 3: It was amazing, right, I love him too, Like the

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Speaker 3: show people was telling me because people was only used

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Speaker 3: to seeing me on like wild'n Out and all that

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Speaker 3: type of stuff, you know, more production with black people.

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Speaker 3: And then they were like, oh, that's your crossover. Fox

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Speaker 3: is your crossover. It's like you really made it. Now,

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Speaker 3: I really made it because I'm on Fox, you know,

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Speaker 3: working around all these white people. No, I've been made

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Speaker 3: it and it's still I still ain't make it. That's

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Speaker 3: that sitcom wasn't like the cream of the crop for

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Speaker 3: me yet. I'm still not where I want to be

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Speaker 3: in terms of you know, just where I'm going, right,

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Speaker 3: But I didn't consider that as my crossover. That's another

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Speaker 3: show that I'm on. That's another stepping stone, right, Like

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Speaker 3: you know, so I never so I get exactly what

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Speaker 3: you're saying.

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Speaker 7: And that's what we think. We think when we cross

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Speaker 7: over to that pop we've made it. Why do we

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Speaker 7: want to be so accepted? And I never really want

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Speaker 7: I just wanted to be accepted. I wasn't good at smoothing,

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Speaker 7: you know, Charla Mane, I wasn't good at doing that,

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Speaker 7: and I didn't want to go to the parties and

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Speaker 7: have to meet this one. And I didn't like auditioning.

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Speaker 3: Yeah, I know that's Do you like it? No?

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Speaker 7: I know they look at you like you're crazy, but

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Speaker 7: they make it.

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Speaker 1: So hard for you.

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Speaker 3: I won't do it, or don't act like.

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Speaker 10: We got more with Stephanie Mills when we come back,

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Speaker 10: don't move.

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Speaker 1: It's the breakfast Club. Good morning, the breakfast Club. Let's

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Speaker 1: get back into it.

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Speaker 2: It's the breakfast Club.

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Speaker 10: Good morning.

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Speaker 3: I got a question Michael too, because I want to

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Speaker 3: know I will answer. Okay, good. So it's the true

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Speaker 3: that you and Michael I called it daty?

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Speaker 1: How was that?

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Speaker 3: It was wonderful.

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Speaker 7: Michael was gentle, he was kind, very determined, knew where

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Speaker 7: he wanted to go, and we just had fun.

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Speaker 1: Yeah.

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Speaker 7: Used to come to the Wiz all the time.

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Speaker 3: So was he a smooth criminal? It was a smooth criminal.

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Speaker 7: I loved him that afro and chocolate.

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Speaker 1: Yeah, So why did he change all that? I think

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Speaker 1: that's what people get. Michael misconscrewed and you know, they'll

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Speaker 1: they'll they label Michael tom as an uncle Tom or

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Speaker 1: you know, a coon because of that.

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Speaker 7: I gotta be strategic because that's my baby. But Michael

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Speaker 7: wanted to be the King of pop He had a

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Speaker 7: fetish with Elvis Presley and he had his eyes on

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Speaker 7: Lisa Presley when she was very young. I think he

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Speaker 7: always knew he wanted to because he felt like.

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Speaker 3: That was the epitome.

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Speaker 7: Yeah, you know, and I think he really wanted to

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Speaker 7: be king.

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Speaker 3: But then when he got.

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Speaker 7: Over there, they showed him that you still.

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Speaker 3: And he broke his heart.

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Speaker 1: Did y'all have a relationship up until his path?

400
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Speaker 3: No, he was too different. I couldn't relate to that. Michael.

401
00:16:43,880 --> 00:16:46,440
Speaker 7: It had gone too far. But I think he knew

402
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Speaker 7: that it had gone too far.

403
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Speaker 3: But what can you do. You can't go back at

404
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Speaker 3: this point. You can't go back.

405
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Speaker 7: Because we went to the opening of the Atlantist and

406
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Speaker 7: he asked me to come. He asked to see me,

407
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Speaker 7: and I didn't go because I was rehearsing, and I

408
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Speaker 7: often wondered what.

409
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Speaker 3: He wanted, what he wanted to tell me.

410
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Speaker 7: He probably wanted to tell me something or you know,

411
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Speaker 7: but it had gone too far.

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Speaker 3: And I couldn't relate.

413
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Speaker 7: And Michael was taught the moonwalk by my ex husband

414
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Speaker 7: Jeffrey Daniel.

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Speaker 3: I went to those rehearsals.

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Speaker 7: Yeah, I know everybody claimed that they did not Jeffrey

417
00:17:23,760 --> 00:17:26,840
Speaker 7: Daniel taught Michael the moonwalk and all those things. But

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Speaker 7: you know, the Motown people, they don't always give people credit.

419
00:17:30,320 --> 00:17:32,840
Speaker 7: You know, they're taught not to give people credit. I

420
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Speaker 7: love giving people credit for what they do for me

421
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Speaker 7: because you can't do this by yourself. But you know,

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Speaker 7: Michael never gave him credit, and he should have.

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Speaker 1: M It's just interesting to me, how, you know. I

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Speaker 1: always wondered, like, what can make a person like totally

425
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Speaker 1: lose their blackness? And have you seen somebody lose their

426
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Speaker 1: blackness or fall out with black people find a way

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Speaker 1: to get back with the community. Cause it feels like

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Speaker 1: once you, once you turn your back on us, we

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Speaker 1: turned our back on you forever.

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Speaker 3: But look at it.

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Speaker 7: You know, I can remember a time people not gonna

432
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Speaker 7: like this either, But I can remember a time when

433
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Speaker 7: Michael would be at the awards and you would have

434
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Speaker 7: to get in a line to see him. I never

435
00:18:12,800 --> 00:18:14,840
Speaker 7: did that. I'm not getting an a line to see nobody.

436
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Speaker 7: Ain't nobody is that important. Nobody's more important than God.

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Speaker 7: And I think there's no one that's you know, like

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Speaker 7: some people say, well, how can you say something about

439
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Speaker 7: Oprah or something about Gail?

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Speaker 3: Aren't you afraid? I fear God? And you know that,

441
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Speaker 3: you know.

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Speaker 7: That, Charlamagne. I only fear fear God. I don't feel

443
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Speaker 7: a backlash. I mean, I'm sixty six years old, right.

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Speaker 1: You know what I'm saying.

445
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Speaker 7: But I think and nobody's above critique, Like nobody. I

446
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Speaker 7: don't care who you are and how much money you have,

447
00:18:45,880 --> 00:18:48,960
Speaker 7: because you could lose that. Look at Harvey Weinstein. I

448
00:18:49,040 --> 00:18:52,639
Speaker 7: remember a certain person calling him God. I you know,

449
00:18:53,440 --> 00:18:56,800
Speaker 7: Charlie Rose, who would have thought, you know, Matt lower.

450
00:18:56,600 --> 00:18:59,080
Speaker 3: Where he's kind of arrogant. He was arrogant.

451
00:18:59,200 --> 00:19:02,919
Speaker 7: Yeah, yeah, But I just don't think that anybody's under approach.

452
00:19:02,960 --> 00:19:04,960
Speaker 7: But I do think Michael knew he went too far.

453
00:19:05,119 --> 00:19:06,879
Speaker 7: And you got to remember towards the end of his

454
00:19:06,960 --> 00:19:11,199
Speaker 7: career he went to Jesse Jackson and Al Sharpton and

455
00:19:11,240 --> 00:19:15,080
Speaker 7: he even wanted to give Pops his minister barrickon his

456
00:19:15,080 --> 00:19:18,520
Speaker 7: his catalog and Pops wouldn't that Rye can be vicious

457
00:19:18,680 --> 00:19:22,040
Speaker 7: as we see with other people that are white dealing

458
00:19:22,080 --> 00:19:24,679
Speaker 7: with it. Britney Spears, and and and and I go

459
00:19:24,760 --> 00:19:28,240
Speaker 7: back to them because I really see how the business

460
00:19:28,560 --> 00:19:31,640
Speaker 7: has tormented them and the people around them.

461
00:19:31,680 --> 00:19:34,320
Speaker 1: The movie Pride seven Deadly Sinned story. It's gonna be

462
00:19:34,359 --> 00:19:34,960
Speaker 1: on lifetime.

463
00:19:35,240 --> 00:19:40,679
Speaker 7: Yes, with nephew Tommy, who did a brilliant job. He

464
00:19:40,760 --> 00:19:43,600
Speaker 7: plays with my son Gabe, and Kenya King who's a

465
00:19:43,880 --> 00:19:48,359
Speaker 7: Canadian actress, and Erica Campbell came in to uh play

466
00:19:48,440 --> 00:19:49,160
Speaker 7: Pastor Tray?

467
00:19:49,560 --> 00:19:50,320
Speaker 1: Is your first feature?

468
00:19:50,560 --> 00:19:51,760
Speaker 7: My first feature?

469
00:19:51,920 --> 00:19:55,480
Speaker 1: That's crazy, my first So since Broadway and everything else,

470
00:19:55,520 --> 00:19:57,679
Speaker 1: nobody decided seventy milis should be active.

471
00:19:58,080 --> 00:20:00,639
Speaker 3: They wouldn't give me a job. Damn they wouldn't.

472
00:20:01,280 --> 00:20:02,440
Speaker 1: Do you want to do more? Oh?

473
00:20:02,560 --> 00:20:05,199
Speaker 7: Yes, I got the bug now, but I'm not auditioning.

474
00:20:05,560 --> 00:20:09,600
Speaker 3: No, no, she's not auditioning, so don't ask her.

475
00:20:10,000 --> 00:20:11,240
Speaker 1: What roles? Would you want to play?

476
00:20:12,640 --> 00:20:13,080
Speaker 3: Mothers?

477
00:20:13,160 --> 00:20:16,040
Speaker 7: I mean I could play a mother, you know, an

478
00:20:16,119 --> 00:20:20,440
Speaker 7: older sister, but mothers. I want to do a Christmas Yes,

479
00:20:20,480 --> 00:20:23,480
Speaker 7: I'm a therapist. Or I want to play somebody really

480
00:20:23,560 --> 00:20:24,920
Speaker 7: tough and like gangster.

481
00:20:25,080 --> 00:20:27,680
Speaker 1: I can see that too. I can see that too.

482
00:20:28,000 --> 00:20:30,040
Speaker 3: Now, until you see your side.

483
00:20:33,240 --> 00:20:37,680
Speaker 1: I would Kevin, you know anybody shorter than you? When

484
00:20:37,680 --> 00:20:39,120
Speaker 1: does the movie like like the.

485
00:20:39,080 --> 00:20:42,720
Speaker 7: Movie alight and then Black to Broadway is.

486
00:20:45,000 --> 00:20:47,960
Speaker 1: Yes. Well, Stephanie Mills is always a pleasure sitting down

487
00:20:48,000 --> 00:20:49,639
Speaker 1: the bill with you and talk to you. And I

488
00:20:49,680 --> 00:20:50,880
Speaker 1: just love seeing you all the time.

489
00:20:50,960 --> 00:20:52,080
Speaker 7: I love seeing YouTube.

490
00:20:52,119 --> 00:20:52,879
Speaker 2: Bam b eyes.

491
00:20:53,119 --> 00:20:57,160
Speaker 1: Yes, ma'am, that's right. It's Stephanie Mills, y'all. The Breakfast Club.

492
00:20:58,800 --> 00:21:06,720
Speaker 1: The Breakfast Club Mornings will never be the same. It's

493
00:21:06,800 --> 00:21:07,680
Speaker 1: topic times.

494
00:21:08,800 --> 00:21:11,280
Speaker 2: Called eight hundred five five five one to join into

495
00:21:11,320 --> 00:21:12,960
Speaker 2: the discussion with the Breakfast Club.

496
00:21:14,680 --> 00:21:18,040
Speaker 1: Morning. Everybody you see ej Envy, Charlamagne the God.

497
00:21:18,080 --> 00:21:19,400
Speaker 10: We are the Breakfast Club.

498
00:21:19,400 --> 00:21:21,920
Speaker 1: We got our guest co host, Jess Hilarious here what's

499
00:21:21,960 --> 00:21:24,000
Speaker 1: good and if you're just joining us, we were talking

500
00:21:24,040 --> 00:21:27,320
Speaker 1: about Jess and her baby daddy Roam and their relationship.

501
00:21:27,400 --> 00:21:29,000
Speaker 10: A lot of people are called up this morning.

502
00:21:29,200 --> 00:21:31,080
Speaker 11: Actually two people called up and said they had bad

503
00:21:31,200 --> 00:21:34,400
Speaker 11: relations with their baby daddy. Said they don't help out,

504
00:21:34,480 --> 00:21:36,480
Speaker 11: they don't pay any money, and it's just not good.

505
00:21:36,680 --> 00:21:40,080
Speaker 1: And I've never seen a co parenting relationship the way

506
00:21:40,200 --> 00:21:42,440
Speaker 1: Jess and Rome have, Like they got the coolest co

507
00:21:42,600 --> 00:21:44,840
Speaker 1: parenting relationship. They got to show that they do on

508
00:21:45,000 --> 00:21:46,280
Speaker 1: YouTube with the show YouTube.

509
00:21:46,280 --> 00:21:49,000
Speaker 3: It's called Pants and Therapy in the second season, but

510
00:21:49,040 --> 00:21:51,399
Speaker 3: the first season is just as good as the second one.

511
00:21:51,480 --> 00:21:53,200
Speaker 3: The second one we sitting down with couples trying to

512
00:21:53,200 --> 00:21:57,320
Speaker 3: help them create healthy boundaries and healthy environments for their

513
00:21:57,359 --> 00:21:58,560
Speaker 3: kids parents not.

514
00:21:58,640 --> 00:22:01,040
Speaker 1: The only thing I found odd about their relationship is

515
00:22:01,040 --> 00:22:04,080
Speaker 1: that Rome is rom on the phone. Yeah, rooms on

516
00:22:04,080 --> 00:22:08,080
Speaker 1: the phone, rong rong, good on wrong, come on peace

517
00:22:08,160 --> 00:22:11,119
Speaker 1: king now room. I heard oh with her just talking

518
00:22:11,200 --> 00:22:14,640
Speaker 1: yesterday and she was saying, how you call her sis? Yeah?

519
00:22:15,400 --> 00:22:17,399
Speaker 1: Now you done shot her club up? Y'all got a

520
00:22:17,400 --> 00:22:21,800
Speaker 1: whole ten year old first of all, seven, why do

521
00:22:21,840 --> 00:22:22,600
Speaker 1: you call her siss?

522
00:22:23,119 --> 00:22:27,720
Speaker 12: Because the situation is right now and we built to

523
00:22:27,800 --> 00:22:30,560
Speaker 12: that point. But it's like I looked at.

524
00:22:30,480 --> 00:22:34,160
Speaker 8: Her like a sister family member, be said.

525
00:22:33,960 --> 00:22:36,400
Speaker 6: That take the shihead, await man.

526
00:22:37,359 --> 00:22:38,000
Speaker 5: It is different.

527
00:22:38,040 --> 00:22:40,240
Speaker 12: It's hard to explain. Some people call it weird, but.

528
00:22:40,720 --> 00:22:43,160
Speaker 1: I don't know. It's no more sexual. It's just that's

529
00:22:43,200 --> 00:22:44,960
Speaker 1: my sister. That's the you know, that's my love. I

530
00:22:45,400 --> 00:22:47,800
Speaker 1: don't killed somebody from m but I ain't shooting the

531
00:22:47,840 --> 00:22:50,680
Speaker 1: club up again. I think y'all soul makes wrong, Yeah.

532
00:22:50,440 --> 00:22:54,480
Speaker 12: But you know what it is, no sexual Yeah, that's

533
00:22:54,480 --> 00:22:55,000
Speaker 12: just what it is.

534
00:22:55,080 --> 00:22:57,240
Speaker 1: You know. You know. I'm but how did y'all get

535
00:22:57,280 --> 00:22:59,000
Speaker 1: to that point though, because most people don't get to

536
00:22:59,000 --> 00:23:00,960
Speaker 1: that point How did y'all get to that point where

537
00:23:01,359 --> 00:23:04,840
Speaker 1: you guys are damn their best friends. Y'all focus on

538
00:23:05,119 --> 00:23:08,640
Speaker 1: your future, your life, the business, the baby, the family.

539
00:23:08,680 --> 00:23:10,280
Speaker 1: But y'all can still do your thing.

540
00:23:10,560 --> 00:23:12,359
Speaker 3: Rome has been through a lot of things and like

541
00:23:12,440 --> 00:23:15,879
Speaker 3: he he don't really have a lot of family to

542
00:23:15,920 --> 00:23:17,679
Speaker 3: rely on. He don't really have a lot of friends

543
00:23:17,680 --> 00:23:20,600
Speaker 3: to rely on. It through the years, he'll have friends,

544
00:23:20,600 --> 00:23:22,680
Speaker 3: then he don't. Then they'll like to open up. And

545
00:23:22,800 --> 00:23:25,879
Speaker 3: he's never felt like he was in a safe space enough.

546
00:23:25,920 --> 00:23:27,560
Speaker 3: You got to provide like a safe space for a

547
00:23:27,640 --> 00:23:29,920
Speaker 3: man to even open up and become vulnerable, because that's

548
00:23:29,960 --> 00:23:32,399
Speaker 3: not what they do, especially man, They don't, you know.

549
00:23:32,520 --> 00:23:37,680
Speaker 3: And I was the first female that just didn't run

550
00:23:37,720 --> 00:23:41,840
Speaker 3: from his whole story, didn't judge him, always helped them.

551
00:23:41,840 --> 00:23:43,840
Speaker 3: Now he has a best friend and she you know,

552
00:23:43,880 --> 00:23:46,560
Speaker 3: they they cool, but like it's a little bit more

553
00:23:46,560 --> 00:23:49,160
Speaker 3: hands on with me, like and after all the feelings

554
00:23:49,200 --> 00:23:52,760
Speaker 3: and getting past them. We became friends on that. You know,

555
00:23:52,920 --> 00:23:55,080
Speaker 3: I was like a therapist for him or whatever, and

556
00:23:55,520 --> 00:23:57,480
Speaker 3: he the same foot. Well, he don't really do nothing

557
00:23:57,520 --> 00:23:57,920
Speaker 3: for me in.

558
00:23:57,880 --> 00:23:59,960
Speaker 1: That asset my parent you know you don't.

559
00:24:00,240 --> 00:24:04,480
Speaker 3: But I'm saying, yeah, that is big wrong.

560
00:24:04,560 --> 00:24:05,280
Speaker 1: That is big wrong.

561
00:24:05,720 --> 00:24:09,639
Speaker 12: What's that elaborated on that you take out all the

562
00:24:09,720 --> 00:24:13,600
Speaker 12: emotions and are feeling and you can be great. Yeah,

563
00:24:14,160 --> 00:24:17,240
Speaker 12: but one of the biggest problems we did had that

564
00:24:17,560 --> 00:24:19,200
Speaker 12: we was able to overcome as well.

565
00:24:19,240 --> 00:24:19,440
Speaker 1: Well.

566
00:24:20,359 --> 00:24:24,199
Speaker 12: Jacksually did like over that boundary the little bit like

567
00:24:24,200 --> 00:24:26,000
Speaker 12: in relationships, what.

568
00:24:25,960 --> 00:24:28,879
Speaker 1: You mean, She'll she'll run up on girls you messing

569
00:24:28,920 --> 00:24:30,720
Speaker 1: with no no but.

570
00:24:31,000 --> 00:24:33,600
Speaker 12: Me and made a good advice. She she wanted to

571
00:24:33,600 --> 00:24:36,040
Speaker 12: be she would want to be in it two months

572
00:24:36,160 --> 00:24:38,320
Speaker 12: and then I used to used to make me mad

573
00:24:38,400 --> 00:24:40,520
Speaker 12: because I always feel like I mind my business when

574
00:24:40,560 --> 00:24:44,159
Speaker 12: it comes to you. Even when she realized that it

575
00:24:44,280 --> 00:24:46,159
Speaker 12: took that away, it became even better.

576
00:24:46,760 --> 00:24:47,920
Speaker 10: So you're trying to holler out a chicken.

577
00:24:47,960 --> 00:24:50,160
Speaker 11: She's telling you, now, I don't like shorty, shorty, did

578
00:24:50,200 --> 00:24:52,800
Speaker 11: Shorty that she dived into your relationship?

579
00:24:53,240 --> 00:24:55,640
Speaker 3: Just no, no, no, no, no, no, no, wrong, not even

580
00:24:55,720 --> 00:24:57,960
Speaker 3: necessarily that right, Let me tell him what it is

581
00:24:58,000 --> 00:24:59,600
Speaker 3: wrong because you you're talking a little slow. You just

582
00:24:59,600 --> 00:25:02,920
Speaker 3: woke up, obviously. Look, this is the thing that room

583
00:25:03,320 --> 00:25:06,399
Speaker 3: room will be in a relationship, and then Rome will

584
00:25:06,400 --> 00:25:08,280
Speaker 3: introduced me to these girls. Rome will want me to

585
00:25:08,359 --> 00:25:11,080
Speaker 3: build a nice, little cool relationship with them. And then

586
00:25:11,400 --> 00:25:13,679
Speaker 3: when things start happening because he's not able to be

587
00:25:13,720 --> 00:25:15,200
Speaker 3: faithful lawyer or whatever.

588
00:25:15,280 --> 00:25:16,600
Speaker 1: Then damn, it's yeah.

589
00:25:16,840 --> 00:25:19,679
Speaker 3: Then it's they they then I got and then they

590
00:25:19,680 --> 00:25:22,600
Speaker 3: break up with him, and now when he beefing with him,

591
00:25:22,640 --> 00:25:25,000
Speaker 3: I gotta beef with him. And it's like no, but

592
00:25:25,040 --> 00:25:27,080
Speaker 3: now it's am I your business? But you called me,

593
00:25:27,320 --> 00:25:29,159
Speaker 3: you put me in the business. But don't be in

594
00:25:29,200 --> 00:25:31,480
Speaker 3: a business too damn much. Don't be saying like I'd

595
00:25:31,480 --> 00:25:33,119
Speaker 3: be giving a damn that much. I just give a

596
00:25:33,200 --> 00:25:37,080
Speaker 3: damn about you like you be introducing me. That's how

597
00:25:37,040 --> 00:25:38,560
Speaker 3: I end up cool with all the baby mothers, you

598
00:25:38,600 --> 00:25:40,199
Speaker 3: know what I'm saying, Like, and they cool, and I

599
00:25:40,240 --> 00:25:43,080
Speaker 3: love his kids like and even girls they didn't have

600
00:25:43,160 --> 00:25:45,600
Speaker 3: babies with a lot of them were cool. But then

601
00:25:45,640 --> 00:25:49,240
Speaker 3: he moved, bing bing bing bing bing. Here it is like, dang,

602
00:25:49,240 --> 00:25:51,359
Speaker 3: what happened to shorten? Don't worry about it?

603
00:25:51,400 --> 00:25:55,399
Speaker 1: You move on with me. I don't know what you do. Yeah,

604
00:25:54,560 --> 00:25:58,320
Speaker 1: that's what it is. I want to know how many

605
00:25:58,320 --> 00:26:00,520
Speaker 1: more relationships are out there, like just in Rome, Like

606
00:26:00,520 --> 00:26:02,680
Speaker 1: how many people got baby daddy brothers? Right? You know

607
00:26:02,680 --> 00:26:04,720
Speaker 1: what I mean? Because you got a baby daddy brother,

608
00:26:05,040 --> 00:26:06,160
Speaker 1: you know what I mean? And you got a baby

609
00:26:06,160 --> 00:26:08,879
Speaker 1: mama's sister. But it takes a lot, and you gotta comment.

610
00:26:09,320 --> 00:26:12,520
Speaker 12: I think it's a lot. I just think it's not

611
00:26:12,600 --> 00:26:15,080
Speaker 12: the norm and people are agreed to put it to

612
00:26:15,160 --> 00:26:18,679
Speaker 12: the world because of being be not the first person

613
00:26:19,000 --> 00:26:19,480
Speaker 12: to do this.

614
00:26:20,080 --> 00:26:22,920
Speaker 1: I know that I've never seen it. I think, you know,

615
00:26:23,080 --> 00:26:25,800
Speaker 1: I've just never seen it evolve go from a baby

616
00:26:25,840 --> 00:26:29,200
Speaker 1: mama uh to to you know, Oh that's like that's

617
00:26:29,200 --> 00:26:31,800
Speaker 1: my sister. And y'all really hold each other down like that.

618
00:26:31,920 --> 00:26:34,400
Speaker 1: I think that let's take some calls. Let's say, Roman,

619
00:26:34,440 --> 00:26:34,960
Speaker 1: appreciate you.

620
00:26:35,160 --> 00:26:36,720
Speaker 10: I know you, we just woke you up. We appreciate

621
00:26:36,720 --> 00:26:37,280
Speaker 10: you for checking in.

622
00:26:37,320 --> 00:26:41,840
Speaker 1: Brother. Appreciate and Rome, you're a great father. Man, You're

623
00:26:41,840 --> 00:26:43,520
Speaker 1: a great father. I love the way you hold it

624
00:26:43,520 --> 00:26:44,400
Speaker 1: down for your son.

625
00:26:44,480 --> 00:26:44,640
Speaker 2: Man.

626
00:26:45,359 --> 00:26:46,280
Speaker 12: I appreciate that.

627
00:26:46,280 --> 00:26:46,480
Speaker 3: Man.

628
00:26:46,520 --> 00:26:48,000
Speaker 12: Thank you you having brothday.

629
00:26:49,240 --> 00:26:53,200
Speaker 10: Hello is this this is man? Yay, jazz me, good morning.

630
00:26:56,840 --> 00:26:59,680
Speaker 6: I have a baby daddy, but it is not peaceful.

631
00:27:00,080 --> 00:27:03,720
Speaker 6: So parenting is not easy. And we spent thirteen years

632
00:27:03,760 --> 00:27:08,320
Speaker 6: together and I felt like yesterday listening to just fix

633
00:27:08,400 --> 00:27:12,399
Speaker 6: people's messages, I thought about you know, I think their

634
00:27:12,480 --> 00:27:17,040
Speaker 6: relationship is so commendable. They co parents so gracefully, and

635
00:27:17,359 --> 00:27:20,120
Speaker 6: you know, they're funny together. They make it, they make

636
00:27:20,160 --> 00:27:21,879
Speaker 6: it a good time. They make it look like a

637
00:27:21,960 --> 00:27:26,200
Speaker 6: good time. So I'm like, how how is that even possible?

638
00:27:27,440 --> 00:27:30,560
Speaker 3: Just it just literally shut up. It just literally takes.

639
00:27:30,960 --> 00:27:33,240
Speaker 3: It takes time, it really does. And you know it

640
00:27:33,480 --> 00:27:36,280
Speaker 3: it depends on how y'all both feel about each other.

641
00:27:36,440 --> 00:27:39,159
Speaker 3: You know, y'all still does one half feelings for the

642
00:27:39,720 --> 00:27:42,280
Speaker 3: other one. You know, it's just okay, okay, you said

643
00:27:42,320 --> 00:27:43,360
Speaker 3: that very strongly.

644
00:27:43,160 --> 00:27:44,120
Speaker 1: Very but you said.

645
00:27:46,280 --> 00:27:48,840
Speaker 6: You couldn't pay me the sweet Framewater girl.

646
00:27:49,240 --> 00:27:50,880
Speaker 4: Okaye.

647
00:27:51,000 --> 00:27:54,200
Speaker 1: Well do you do you even like them at all? No?

648
00:27:54,680 --> 00:27:57,679
Speaker 10: Okay, so you don't even want to be you' even

649
00:27:57,720 --> 00:27:57,879
Speaker 10: like it?

650
00:27:57,960 --> 00:28:00,919
Speaker 6: But because I know the bigger it is, the bigger

651
00:28:00,960 --> 00:28:03,120
Speaker 6: picture is my children. So I know how to put

652
00:28:03,200 --> 00:28:04,720
Speaker 6: my bike on to the side.

653
00:28:04,880 --> 00:28:08,760
Speaker 3: Right, but don't think right? Okay, all right, but are

654
00:28:08,840 --> 00:28:11,000
Speaker 3: you still heard about anything is that's what is that

655
00:28:11,119 --> 00:28:11,760
Speaker 3: was stopping?

656
00:28:11,960 --> 00:28:14,960
Speaker 6: Well, I will say this, I am very betrayed. I

657
00:28:15,119 --> 00:28:18,159
Speaker 6: was very betrayed from the beginning, so that it's hard for.

658
00:28:18,200 --> 00:28:18,800
Speaker 1: Me to let go.

659
00:28:19,119 --> 00:28:19,560
Speaker 3: Definitely.

660
00:28:19,640 --> 00:28:21,760
Speaker 11: Okay, So you still I don't think you could be

661
00:28:21,800 --> 00:28:23,560
Speaker 11: friends unless you let that go, because you'll always have

662
00:28:23,640 --> 00:28:26,480
Speaker 11: that overyard relationship even if y'all just become friends.

663
00:28:26,520 --> 00:28:28,240
Speaker 1: So I think that's where it has to go. Yeah,

664
00:28:29,040 --> 00:28:30,840
Speaker 1: if you know about having a baby daddy, it was

665
00:28:30,880 --> 00:28:33,560
Speaker 1: a lot of things. What the hell you're my only

666
00:28:33,560 --> 00:28:35,240
Speaker 1: baby daddy, which is what was going on here?

667
00:28:35,400 --> 00:28:36,760
Speaker 3: Hold on, all right, I'm sorry.

668
00:28:36,960 --> 00:28:38,280
Speaker 1: You want just to fix the mess?

669
00:28:38,480 --> 00:28:44,120
Speaker 6: Yes, I need to know, I want I need her.

670
00:28:44,240 --> 00:28:47,000
Speaker 3: Yeah, that's but that's what it literally takes.

671
00:28:47,040 --> 00:28:47,200
Speaker 1: Though.

672
00:28:47,800 --> 00:28:49,960
Speaker 3: You just have to get past your hurt. Because a

673
00:28:50,000 --> 00:28:52,240
Speaker 3: lot of things wrong did to me. I had to

674
00:28:52,480 --> 00:28:55,040
Speaker 3: let go. I didn't just put them to the side.

675
00:28:55,080 --> 00:28:57,520
Speaker 3: You know, it's a big difference between putting it to

676
00:28:57,600 --> 00:29:00,480
Speaker 3: the side and really getting past it. It was man,

677
00:29:00,960 --> 00:29:03,760
Speaker 3: he had ran into a lump summer money. I was broke,

678
00:29:03,880 --> 00:29:06,760
Speaker 3: lights off everything, the and my son and we had

679
00:29:06,800 --> 00:29:09,120
Speaker 3: to we had candles, I had a car. I had

680
00:29:09,120 --> 00:29:10,800
Speaker 3: to go in the car to get air. All of that,

681
00:29:10,840 --> 00:29:12,600
Speaker 3: and he knew all of this, but I couldn't hold

682
00:29:12,640 --> 00:29:14,160
Speaker 3: that over his head. I didn't have time to hate

683
00:29:14,200 --> 00:29:16,560
Speaker 3: him because he was so young, never had no money,

684
00:29:16,600 --> 00:29:18,040
Speaker 3: so when he got it, he just did whatever he

685
00:29:18,120 --> 00:29:18,760
Speaker 3: wanted to do with it.

686
00:29:19,200 --> 00:29:19,640
Speaker 1: You feel me.

687
00:29:19,800 --> 00:29:21,080
Speaker 3: And he was young.

688
00:29:21,520 --> 00:29:23,440
Speaker 1: He never tossed y'all nothing, No, he.

689
00:29:23,560 --> 00:29:26,360
Speaker 3: Never, no, he never talk to me anything.

690
00:29:28,240 --> 00:29:28,680
Speaker 1: Be a good story.

691
00:29:28,680 --> 00:29:30,360
Speaker 10: I thought he came up with some money and helped

692
00:29:30,440 --> 00:29:32,120
Speaker 10: you out. Oh no, I don't know to this day.

693
00:29:32,200 --> 00:29:33,880
Speaker 1: No, So how do you stay from being discrediled?

694
00:29:34,200 --> 00:29:34,480
Speaker 2: How did you?

695
00:29:35,280 --> 00:29:37,080
Speaker 3: I didn't have time to hate him, yo, Listen. I

696
00:29:37,200 --> 00:29:38,840
Speaker 3: was trying to figure out the next game, the next

697
00:29:38,880 --> 00:29:40,320
Speaker 3: way to get some money, to way to get my

698
00:29:40,400 --> 00:29:44,160
Speaker 3: lights on, Like he ain't, never had no bread like that,

699
00:29:44,360 --> 00:29:47,000
Speaker 3: And so when he came into it, he just you know.

700
00:29:48,560 --> 00:29:51,160
Speaker 1: Know that. From what I'm getting from your situation and

701
00:29:51,200 --> 00:29:54,880
Speaker 1: hearing these calls is you never stopped liking him as

702
00:29:54,920 --> 00:29:57,000
Speaker 1: a person, as a friend, You know what I mean?

703
00:29:57,120 --> 00:30:00,240
Speaker 1: These people grew to hate their baby daddy. I think

704
00:30:00,240 --> 00:30:01,920
Speaker 1: once you go to hate your baby daddy's hard to

705
00:30:01,920 --> 00:30:02,440
Speaker 1: come back from that.

706
00:30:02,680 --> 00:30:05,080
Speaker 10: Yeah, what's the story.

707
00:30:06,280 --> 00:30:09,560
Speaker 3: I guess just what, y'all, I'm not drunk no more.

708
00:30:10,320 --> 00:30:12,120
Speaker 3: Stop being drunk at four o'clock this morning.

709
00:30:12,520 --> 00:30:14,120
Speaker 1: Look the moral of the.

710
00:30:14,160 --> 00:30:16,800
Speaker 3: Story, I don't really know what the moral of the

711
00:30:16,840 --> 00:30:18,760
Speaker 3: story is. It ain't no story. It's just you know,

712
00:30:19,000 --> 00:30:21,480
Speaker 3: you you just you have to learn how to move

713
00:30:21,520 --> 00:30:25,320
Speaker 3: forward am amicable. Yeah I'm still drunk, all right. Yeah,

714
00:30:25,400 --> 00:30:29,160
Speaker 3: you have to learn how to You gotta learn how

715
00:30:29,240 --> 00:30:33,240
Speaker 3: to move forward amicably. Yes, with the with the other parent, Yo,

716
00:30:33,320 --> 00:30:34,680
Speaker 3: you got to take all them feelings out of there.

717
00:30:34,680 --> 00:30:35,880
Speaker 3: If y'all want to be like me and Rome, you

718
00:30:35,920 --> 00:30:38,200
Speaker 3: gotta take out all those feelings and you can't hold

719
00:30:38,240 --> 00:30:40,800
Speaker 3: on to hurt like yeah, like Charlamagne say. And I

720
00:30:40,920 --> 00:30:43,400
Speaker 3: never got to the point where I wanted to hate them, Yo,

721
00:30:44,440 --> 00:30:46,000
Speaker 3: I was gonna hate him. My life is still gonna

722
00:30:46,000 --> 00:30:48,880
Speaker 3: be off. I ain't got time for that. And I

723
00:30:49,000 --> 00:30:51,160
Speaker 3: never stopped him from saying the sun not ever. Look,

724
00:30:51,200 --> 00:30:53,120
Speaker 3: please come get them, but bring them back, you know

725
00:30:53,120 --> 00:30:55,960
Speaker 3: what I mean? Like never, It's never been no malicious intent,

726
00:30:56,040 --> 00:30:58,360
Speaker 3: no nothing, no ever took com downtown. And I should have,

727
00:30:58,720 --> 00:31:00,480
Speaker 3: you know, I felt like I should have back then

728
00:31:00,720 --> 00:31:03,160
Speaker 3: like now, but I just didn't want to do that.

729
00:31:03,280 --> 00:31:04,960
Speaker 3: I was like that girl who called up earlier, it

730
00:31:05,040 --> 00:31:06,280
Speaker 3: was gonna be a struggle fantists.

731
00:31:06,320 --> 00:31:08,400
Speaker 1: I feel like it was rooted in respect until it

732
00:31:08,480 --> 00:31:10,760
Speaker 1: grew into what it is now. I feel like a

733
00:31:10,800 --> 00:31:13,480
Speaker 1: lot of these relationships aren't rooted in respect, you know

734
00:31:13,520 --> 00:31:16,280
Speaker 1: what I mean. That's good suit everybody out there with

735
00:31:16,760 --> 00:31:19,640
Speaker 1: a baby, daddy, brother and figured out my sister.

736
00:31:19,720 --> 00:31:21,520
Speaker 3: People that figured it out because I love my room.

737
00:31:21,600 --> 00:31:23,520
Speaker 3: You know, I love my best bro. That's your ma.

738
00:31:24,760 --> 00:31:27,680
Speaker 3: That's it. Ain't got to be somebody that you with.

739
00:31:28,160 --> 00:31:29,560
Speaker 3: You can have a best friend of the so many

740
00:31:29,600 --> 00:31:31,800
Speaker 3: you can have. I'm telling you, it's your soul. And

741
00:31:31,800 --> 00:31:33,080
Speaker 3: ain't got nothing to do with instancy.

742
00:31:34,160 --> 00:31:38,680
Speaker 1: The Breakfast Club more than everybody.

743
00:31:38,720 --> 00:31:41,720
Speaker 11: It's DJ n V Charlamagne to God. We are the

744
00:31:41,760 --> 00:31:42,480
Speaker 11: Breakfast Club.

745
00:31:42,600 --> 00:31:45,240
Speaker 1: Jess hilarious to see our guest co host and we

746
00:31:45,320 --> 00:31:50,440
Speaker 1: got a special guest in the building, Jocelyn Hernandez welcomed breakfast.

747
00:31:51,000 --> 00:31:52,400
Speaker 3: Thank you and in town.

748
00:31:52,480 --> 00:31:55,440
Speaker 10: I didn't even know that you are doing your Jocelyn's

749
00:31:55,480 --> 00:31:56,640
Speaker 10: cabaret in New York.

750
00:31:56,880 --> 00:31:57,200
Speaker 7: I am.

751
00:31:57,440 --> 00:31:59,680
Speaker 3: I cannot believe you didn't come see me yet. It's

752
00:31:59,680 --> 00:32:00,360
Speaker 3: so much much fun.

753
00:32:00,400 --> 00:32:03,280
Speaker 1: D J MVY so break down with the cabarets, because

754
00:32:03,360 --> 00:32:05,160
Speaker 1: you know, Stallless is a strip club, it's a gentleman club.

755
00:32:05,240 --> 00:32:07,280
Speaker 3: It is a strict shout out to Starless and Marty

756
00:32:07,360 --> 00:32:10,280
Speaker 3: and everybody. So okay, So the cabaret, you know the cabaret.

757
00:32:10,360 --> 00:32:15,240
Speaker 3: I'm on my fourth season on Graduations. Yes, four seasons, girl,

758
00:32:15,280 --> 00:32:17,000
Speaker 3: that's a lot. That is a lot. And I owned

759
00:32:17,040 --> 00:32:20,480
Speaker 3: the show. I owned the IP, my intellectual property. I

760
00:32:20,600 --> 00:32:23,600
Speaker 3: wrote it. I wrote the cabaret. I created it, I

761
00:32:23,720 --> 00:32:25,640
Speaker 3: produced it, I do everything about it. I act in it.

762
00:32:25,880 --> 00:32:29,240
Speaker 3: So basically, it's like a group of ladies. They compete

763
00:32:29,280 --> 00:32:32,960
Speaker 3: to be inside of my cabaret. Actually, less performance which

764
00:32:33,080 --> 00:32:35,360
Speaker 3: was Saturday, I had twelve ladies dance with me on stage.

765
00:32:35,400 --> 00:32:35,520
Speaker 1: You know.

766
00:32:35,640 --> 00:32:38,640
Speaker 3: Some of them put theirselfs on fire, shoes on fire,

767
00:32:39,080 --> 00:32:41,640
Speaker 3: they skate on stage. So it's like a whole show

768
00:32:41,760 --> 00:32:44,240
Speaker 3: that this first actually moving to the house. They compete.

769
00:32:44,240 --> 00:32:46,840
Speaker 3: It's like it's like, uh, it's like Tyra Banks with

770
00:32:46,960 --> 00:32:50,040
Speaker 3: her show with the Modern Show, except that they're dancing.

771
00:32:50,080 --> 00:32:51,120
Speaker 1: They're not modeling, you know what.

772
00:32:51,440 --> 00:32:53,120
Speaker 10: They set themselves on fire on the pole.

773
00:32:53,520 --> 00:32:56,280
Speaker 3: On the pole they choose they kitty cat everything be

774
00:32:56,360 --> 00:32:59,960
Speaker 3: on fire, the kit the kiddy cat be on fire,

775
00:33:00,280 --> 00:33:00,800
Speaker 3: did envy?

776
00:33:00,840 --> 00:33:01,600
Speaker 1: That's what I'm trying to tell you.

777
00:33:03,320 --> 00:33:06,120
Speaker 3: You talking about, yes, you know, not that type of

778
00:33:06,360 --> 00:33:08,240
Speaker 3: like you know, messed up fire. I'm talking about like

779
00:33:08,320 --> 00:33:10,480
Speaker 3: fun fire, like you know, like a real show, like

780
00:33:10,520 --> 00:33:13,480
Speaker 3: a real show. Definitely this season the Ladies step third

781
00:33:13,520 --> 00:33:15,760
Speaker 3: game up because season one, season two, season three of

782
00:33:15,840 --> 00:33:18,520
Speaker 3: the Cabaret it was great, and you know, we built

783
00:33:18,560 --> 00:33:20,280
Speaker 3: to it. You know, the first season, I was trying

784
00:33:20,320 --> 00:33:22,680
Speaker 3: to get the ladies to understand my vision. I want

785
00:33:22,720 --> 00:33:24,560
Speaker 3: to do a cabaret with my music and I want

786
00:33:24,640 --> 00:33:26,920
Speaker 3: some dancers, and says I'm a musician. I want to

787
00:33:27,000 --> 00:33:28,640
Speaker 3: do it on TV. I want the girls to dance.

788
00:33:28,680 --> 00:33:29,920
Speaker 3: I want to I want to make it make sense.

789
00:33:29,920 --> 00:33:31,200
Speaker 3: I want to make it make one. Some of the

790
00:33:31,240 --> 00:33:33,520
Speaker 3: girls didn't believe. Season two, we did it. One of

791
00:33:33,560 --> 00:33:36,080
Speaker 3: them one ten thousand dollars. We performing Atlanta. We did

792
00:33:36,120 --> 00:33:37,960
Speaker 3: the whole choreography to one of my songs.

793
00:33:38,200 --> 00:33:38,800
Speaker 1: So that was great.

794
00:33:38,880 --> 00:33:41,600
Speaker 3: Season three, I went on tour to twelve different cities.

795
00:33:41,680 --> 00:33:43,640
Speaker 3: It was a lot. It was quick, it was fast,

796
00:33:43,680 --> 00:33:45,720
Speaker 3: so we really need to have an actual show. But

797
00:33:45,840 --> 00:33:47,400
Speaker 3: the people love that, you know, they can they seen

798
00:33:47,440 --> 00:33:49,120
Speaker 3: the girls getting on stage door and they thing them

799
00:33:49,160 --> 00:33:52,440
Speaker 3: in the post. But now season four, it's more organized.

800
00:33:52,600 --> 00:33:54,520
Speaker 3: We got a routine, we got the whole show. It's

801
00:33:54,560 --> 00:33:57,000
Speaker 3: a thirty minute show. I think I'm performing like eight

802
00:33:57,120 --> 00:33:59,360
Speaker 3: songs for thirty minutes, and you know, then I do

803
00:33:59,480 --> 00:34:01,760
Speaker 3: my meeting. Read my last tour, I would just go

804
00:34:01,880 --> 00:34:04,040
Speaker 3: and just keep before me. But now I have to,

805
00:34:04,160 --> 00:34:05,480
Speaker 3: like you know, I have to preserve myself.

806
00:34:05,520 --> 00:34:06,200
Speaker 1: I have to film.

807
00:34:06,360 --> 00:34:08,760
Speaker 3: And I'm actually also filming Season four at the Cabaret

808
00:34:08,880 --> 00:34:11,720
Speaker 3: that would be airing next one on Suious Network.

809
00:34:11,760 --> 00:34:13,800
Speaker 11: You think people don't take you serious because of the

810
00:34:13,880 --> 00:34:16,680
Speaker 11: love and hip hop, because of the College Hill, because

811
00:34:16,760 --> 00:34:19,200
Speaker 11: of the Cabaret, like they don't take you as serious

812
00:34:19,200 --> 00:34:20,360
Speaker 11: as you feel like they should.

813
00:34:20,680 --> 00:34:22,680
Speaker 3: I feel like they take me super serious. I always

814
00:34:22,719 --> 00:34:25,719
Speaker 3: have Cella shows. I have my only my fans that

815
00:34:25,760 --> 00:34:28,360
Speaker 3: I personally fans of Johnson that if you go on

816
00:34:28,480 --> 00:34:30,920
Speaker 3: my Instagram, on my Twitter or any of the hashtags.

817
00:34:30,960 --> 00:34:33,479
Speaker 3: At the Cabaret, they say my songs word for word,

818
00:34:34,120 --> 00:34:37,400
Speaker 3: word for word, like you got. I do shows sometimes

819
00:34:37,440 --> 00:34:40,320
Speaker 3: with fifteen hundred people, twenty five hundred people, one hundred people,

820
00:34:40,960 --> 00:34:44,200
Speaker 3: three hundred people, five hundred people. It's different cities, different shows,

821
00:34:44,280 --> 00:34:47,480
Speaker 3: different locations, and every city you go to they sing

822
00:34:47,640 --> 00:34:50,920
Speaker 3: my songs every song, not just birthday song, not just

823
00:34:51,040 --> 00:34:53,600
Speaker 3: Vegas I want to ride, but every now of the week,

824
00:34:54,040 --> 00:34:58,480
Speaker 3: get Rico, fingupcheck slay every song. They run me my

825
00:34:58,560 --> 00:35:00,520
Speaker 3: money every song that I have. And I you know,

826
00:35:00,560 --> 00:35:02,680
Speaker 3: I've never put out an album, but I put out

827
00:35:02,719 --> 00:35:06,040
Speaker 3: singles like all the time. And so I definitely feel

828
00:35:06,080 --> 00:35:07,000
Speaker 3: like people has taken me.

829
00:35:07,080 --> 00:35:07,440
Speaker 1: Seriously.

830
00:35:07,880 --> 00:35:09,560
Speaker 3: Do I feel like it took them a long time?

831
00:35:09,840 --> 00:35:10,000
Speaker 1: Yes?

832
00:35:10,840 --> 00:35:13,320
Speaker 3: But do I feel who am I to be before

833
00:35:13,400 --> 00:35:15,360
Speaker 3: anyone else? I just have to keep working. If I

834
00:35:15,440 --> 00:35:17,320
Speaker 3: believe in myself, I have to just keep pushing. I

835
00:35:17,400 --> 00:35:19,320
Speaker 3: love that I see a lot of different things for you.

836
00:35:19,600 --> 00:35:21,840
Speaker 3: It's like, why the hell you won't get into like

837
00:35:22,200 --> 00:35:23,239
Speaker 3: pro wrestling? Why?

838
00:35:23,400 --> 00:35:23,600
Speaker 1: Wow?

839
00:35:23,880 --> 00:35:23,920
Speaker 12: What?

840
00:35:24,120 --> 00:35:26,360
Speaker 1: What was happening? Like? Why you won't go in some

841
00:35:26,480 --> 00:35:30,200
Speaker 1: pro What is wrong with you?

842
00:35:30,719 --> 00:35:34,320
Speaker 3: Slapping security? You're supposed to protect you. She's slapping this

843
00:35:34,719 --> 00:35:36,960
Speaker 3: quick enough clouds. So I tell you what, I tell

844
00:35:36,960 --> 00:35:40,080
Speaker 3: you what I'm not really you know. You know I

845
00:35:40,239 --> 00:35:42,360
Speaker 3: just got out of jail. Yes, you know, I just

846
00:35:42,400 --> 00:35:44,440
Speaker 3: got out of jail. There's really not too much that

847
00:35:44,520 --> 00:35:46,719
Speaker 3: I could talk on that, But I will, you know,

848
00:35:47,000 --> 00:35:48,520
Speaker 3: because you know, you know, I was gone, girl, I

849
00:35:48,600 --> 00:35:50,360
Speaker 3: was in a lot of the el Brownwood County. I

850
00:35:50,520 --> 00:35:52,799
Speaker 3: was cold, came out with a coughing everything I thought

851
00:35:52,800 --> 00:35:56,960
Speaker 3: I was for two days, and I'm seeing it up

852
00:35:56,960 --> 00:35:57,879
Speaker 3: here as sick as a dog.

853
00:35:58,040 --> 00:35:58,560
Speaker 6: Why me?

854
00:35:59,200 --> 00:35:59,800
Speaker 5: Why me?

855
00:36:00,120 --> 00:36:01,960
Speaker 3: Yeah? So I can't really speak too much on that,

856
00:36:02,000 --> 00:36:04,960
Speaker 3: but but what I can say is that I'm gonna.

857
00:36:04,800 --> 00:36:06,960
Speaker 1: Always protect Yes, how do you say it is?

858
00:36:07,040 --> 00:36:07,360
Speaker 10: Protect?

859
00:36:07,600 --> 00:36:09,040
Speaker 1: Yes? Me? Right?

860
00:36:10,040 --> 00:36:12,240
Speaker 3: And if you see me out here in the streets,

861
00:36:12,320 --> 00:36:15,600
Speaker 3: when you know, you two in the world America, whoever

862
00:36:15,680 --> 00:36:18,040
Speaker 3: knows me, know where I come from and what I've

863
00:36:18,080 --> 00:36:20,800
Speaker 3: done and how I've changed, you know, I'm just making

864
00:36:20,840 --> 00:36:23,880
Speaker 3: sure that I'm straight and no one hurts me, you know.

865
00:36:24,280 --> 00:36:25,839
Speaker 3: So you know, the media only show you one thing.

866
00:36:25,920 --> 00:36:27,960
Speaker 3: It looks like a whole lot of chaos, but you

867
00:36:28,080 --> 00:36:30,360
Speaker 3: might not know what happened prior to that chaos, like

868
00:36:30,520 --> 00:36:33,879
Speaker 3: five seconds before or ten seconds before. You just see

869
00:36:33,960 --> 00:36:35,720
Speaker 3: like the row, right, And because it's me, it's always

870
00:36:35,760 --> 00:36:37,880
Speaker 3: so much bigger than what it actually is. Yeah, And

871
00:36:38,040 --> 00:36:41,480
Speaker 3: that's another big point too. So it's like even to

872
00:36:41,600 --> 00:36:43,040
Speaker 3: keep going back to a you know, love and hip hop,

873
00:36:43,080 --> 00:36:45,680
Speaker 3: they had you, I know that the it was a

874
00:36:45,760 --> 00:36:47,800
Speaker 3: lot of tension with you on Mona because it's like

875
00:36:47,840 --> 00:36:50,120
Speaker 3: she always wanted to portray you in that light. You

876
00:36:50,160 --> 00:36:52,200
Speaker 3: know what I'm saying. Do you ever feel any way

877
00:36:52,239 --> 00:36:54,600
Speaker 3: about that, like how you would be for Mona about it?

878
00:36:54,680 --> 00:36:56,840
Speaker 3: Then you go over in Laul Lamel. He got you,

879
00:36:57,160 --> 00:36:59,879
Speaker 3: you know, looking the same way when you're so many

880
00:37:00,040 --> 00:37:02,239
Speaker 3: of the things and just fighter. Well, I say this,

881
00:37:02,520 --> 00:37:04,640
Speaker 3: I will sell this. Shout out. Shout out to Mona

882
00:37:04,719 --> 00:37:06,680
Speaker 3: and shout out to let me. They both gave me

883
00:37:06,800 --> 00:37:10,080
Speaker 3: amazing opportunities. And I will also say I'm a grown

884
00:37:10,160 --> 00:37:13,640
Speaker 3: person right the way I run my cabaret as far

885
00:37:13,719 --> 00:37:15,920
Speaker 3: as like being on Suit's network, because when I did

886
00:37:16,000 --> 00:37:17,200
Speaker 3: love on hip hop, I was like, you know, I

887
00:37:17,320 --> 00:37:20,200
Speaker 3: was younger, I was wild, I was out there. So

888
00:37:20,320 --> 00:37:22,480
Speaker 3: it's only but so much that and network could do

889
00:37:22,600 --> 00:37:25,560
Speaker 3: for yourself to help you or break you. You know,

890
00:37:25,680 --> 00:37:29,080
Speaker 3: you still have to as said responsibilities as a human being,

891
00:37:29,160 --> 00:37:32,040
Speaker 3: as a you know, for yourself. So with that, that

892
00:37:32,239 --> 00:37:34,400
Speaker 3: was what it was right And if it wasn't for

893
00:37:34,440 --> 00:37:36,000
Speaker 3: love of hip hop, let's just be real, I will

894
00:37:36,040 --> 00:37:37,960
Speaker 3: not be here with the cabaret. And then you know,

895
00:37:38,040 --> 00:37:39,960
Speaker 3: with the cabaret. Like, listen, that's just how I run

896
00:37:40,040 --> 00:37:42,040
Speaker 3: my show, you know what I'm saying, Like I run

897
00:37:42,120 --> 00:37:43,680
Speaker 3: my to do what I tell them to do. If

898
00:37:43,680 --> 00:37:45,279
Speaker 3: you can, you can't be in the cabaret. You know

899
00:37:45,360 --> 00:37:48,120
Speaker 3: when you see me on suits will lend me on

900
00:37:48,200 --> 00:37:50,440
Speaker 3: the cabaret. I just think that you see so much

901
00:37:50,520 --> 00:37:54,080
Speaker 3: more of me running a business instead of seeing like

902
00:37:54,239 --> 00:37:57,200
Speaker 3: the personal Jocelyn, Like the person of Jocelyn is different

903
00:37:57,239 --> 00:37:59,880
Speaker 3: than the Jocelyn that's actually running a business. So I

904
00:38:00,120 --> 00:38:02,240
Speaker 3: might look like I'm row or like I'm being putting

905
00:38:02,280 --> 00:38:04,920
Speaker 3: this one life, but you got to remember you're only seeing, like,

906
00:38:05,000 --> 00:38:07,520
Speaker 3: really just twenty thirty percent of my life. Because even

907
00:38:07,600 --> 00:38:09,640
Speaker 3: though I got camerase out for forty six weeks, like

908
00:38:09,719 --> 00:38:12,319
Speaker 3: I do right now, feel me Johnson discabaret, He said, four,

909
00:38:12,560 --> 00:38:15,520
Speaker 3: it's still not everything that you know. You don't see

910
00:38:15,560 --> 00:38:17,279
Speaker 3: when I'm crying. You don't see when I'm taking care

911
00:38:17,320 --> 00:38:19,360
Speaker 3: of my daughter. You don't see when I'm you know,

912
00:38:19,480 --> 00:38:21,520
Speaker 3: working out doing yoga every day. I've been in New

913
00:38:21,560 --> 00:38:23,480
Speaker 3: York and I've been doing yoga every day with my husband.

914
00:38:23,560 --> 00:38:25,080
Speaker 11: But you could, I was gonna say, but you know

915
00:38:25,719 --> 00:38:27,520
Speaker 11: the fact that it's your show. You can display what

916
00:38:27,560 --> 00:38:29,520
Speaker 11: you want to display. Now, you can put that out there.

917
00:38:29,560 --> 00:38:31,279
Speaker 11: You just ain't got to put the cabaret port. You

918
00:38:31,320 --> 00:38:33,000
Speaker 11: could put that out too. And I was gonna ask

919
00:38:33,280 --> 00:38:34,960
Speaker 11: you shout it out, you know, Mota Scott. I know

920
00:38:35,040 --> 00:38:37,120
Speaker 11: one time you were saying, so now you your Mota

921
00:38:37,200 --> 00:38:39,000
Speaker 11: go back and forth. But the fact that y'all shout

922
00:38:39,040 --> 00:38:41,000
Speaker 11: her out, have y'all spoke, have y'all squashed that beef

923
00:38:41,040 --> 00:38:43,040
Speaker 11: at that time, or you just let it go?

924
00:38:43,239 --> 00:38:43,560
Speaker 1: You know what.

925
00:38:43,719 --> 00:38:45,560
Speaker 3: I haven't talked to her. But it's just like you

926
00:38:45,640 --> 00:38:48,520
Speaker 3: come to a place where you grow up. I don't

927
00:38:48,560 --> 00:38:50,480
Speaker 3: got to keep being mad at Mono, being mad at

928
00:38:50,480 --> 00:38:52,520
Speaker 3: anybody for nothing, Like, well, how does that help me?

929
00:38:53,239 --> 00:38:55,560
Speaker 3: How does that give me any blessing? How does that

930
00:38:55,840 --> 00:38:58,000
Speaker 3: make God open the door for me to get like

931
00:38:58,200 --> 00:39:00,279
Speaker 3: keep opening up my third eye so I can keep

932
00:39:00,520 --> 00:39:02,920
Speaker 3: pursuing my dreams and my career. How could I help

933
00:39:03,000 --> 00:39:05,040
Speaker 3: young ladies in the world. You know, like that ain't

934
00:39:05,040 --> 00:39:08,040
Speaker 3: gonna you know, my my biggest goal to be in life.

935
00:39:08,400 --> 00:39:10,520
Speaker 3: I grew up and I always say this, I grew

936
00:39:10,600 --> 00:39:13,040
Speaker 3: up in Puerto Rico. I grew up in Cattle Lina,

937
00:39:13,080 --> 00:39:15,600
Speaker 3: and like say's middle, And I said, yo, I grew

938
00:39:15,680 --> 00:39:17,640
Speaker 3: up in the ghetto, in the hood, in the trenches,

939
00:39:18,080 --> 00:39:20,800
Speaker 3: and I used to be running around without no shoes

940
00:39:20,840 --> 00:39:23,400
Speaker 3: and have needles hero on needles on my feet.

941
00:39:23,640 --> 00:39:24,200
Speaker 1: I had to come home.

942
00:39:24,280 --> 00:39:26,040
Speaker 3: I'm gonna have to pull in my My dad used

943
00:39:26,040 --> 00:39:28,239
Speaker 3: to be up crack and a heroin addict. So I

944
00:39:28,320 --> 00:39:29,960
Speaker 3: come from nothing right, and my dad died when I

945
00:39:30,080 --> 00:39:33,480
Speaker 3: was very young. And for me, my most important thing

946
00:39:33,840 --> 00:39:36,600
Speaker 3: is to showcase to the little girls that they could

947
00:39:36,640 --> 00:39:38,160
Speaker 3: do it. If I did it, you could do it too.

948
00:39:38,520 --> 00:39:40,759
Speaker 3: Like that's always going to be my in goal because

949
00:39:40,760 --> 00:39:44,160
Speaker 3: I have a daughter, and it's it's it's it's rooted

950
00:39:44,239 --> 00:39:46,480
Speaker 3: deep in my heart. I want to always be that

951
00:39:46,600 --> 00:39:49,080
Speaker 3: voice of reasoning to the young girls because they know

952
00:39:49,120 --> 00:39:50,640
Speaker 3: I was a mess when I first came out. But

953
00:39:50,680 --> 00:39:53,319
Speaker 3: look where I come from. Look what cars was given

954
00:39:53,360 --> 00:39:54,759
Speaker 3: to me for me to play. So you got to

955
00:39:54,800 --> 00:39:57,480
Speaker 3: remember I come from a really low income family. When

956
00:39:57,520 --> 00:39:59,720
Speaker 3: I tell you low income, I mean like food stampslow

957
00:39:59,800 --> 00:40:02,080
Speaker 3: in you feel me. And so for me now, it's

958
00:40:02,160 --> 00:40:04,160
Speaker 3: like all I want to do is really just do

959
00:40:04,280 --> 00:40:06,879
Speaker 3: my job, do what I love to do, music TV,

960
00:40:07,360 --> 00:40:09,560
Speaker 3: help the little girls, take care of Bonnie, have another

961
00:40:09,640 --> 00:40:12,160
Speaker 3: child with my husband. Yes, I'm an audist. Yes I

962
00:40:12,239 --> 00:40:14,600
Speaker 3: do messed up things. Yes I'm out there. You might

963
00:40:14,640 --> 00:40:17,360
Speaker 3: see something. Oh she crazy. I'm not crazy.

964
00:40:17,480 --> 00:40:17,640
Speaker 1: You know.

965
00:40:17,680 --> 00:40:20,320
Speaker 3: I'm not gonna ever do anything that truly in my

966
00:40:20,480 --> 00:40:23,080
Speaker 3: heart don't feel like I need to do, and I'm

967
00:40:23,120 --> 00:40:24,439
Speaker 3: gonna take the consequences.

968
00:40:24,520 --> 00:40:27,480
Speaker 1: Afterwards, we got more with Johnson Henandas when we come back,

969
00:40:27,520 --> 00:40:30,200
Speaker 1: don't move. It's the Breakfast Club. Good morning everybody. It's

970
00:40:30,200 --> 00:40:33,919
Speaker 1: the dj NZ, Charlomagne the God. We are the Breakfast Club.

971
00:40:33,920 --> 00:40:37,000
Speaker 11: We're still kicking it with Jocelyn Hernandez. Jess Solaris is here,

972
00:40:37,080 --> 00:40:39,040
Speaker 11: Charlamagne is out for a couple of days. Do you

973
00:40:39,120 --> 00:40:40,840
Speaker 11: turn up for the cameras? The reason I say that

974
00:40:40,960 --> 00:40:47,440
Speaker 11: is absolutely when people talk about Johnson, I'm like, I've

975
00:40:47,480 --> 00:40:50,320
Speaker 11: been on flights with Jocelyn, like, and she's the coolest.

976
00:40:50,400 --> 00:40:53,239
Speaker 10: Comments, how's your family, how's your wife doing? So then

977
00:40:53,239 --> 00:40:54,920
Speaker 10: when I turn on the TV, I'm like, that's not

978
00:40:55,120 --> 00:40:55,439
Speaker 10: the person.

979
00:40:55,480 --> 00:40:56,840
Speaker 1: I just do it for three hours.

980
00:40:56,880 --> 00:40:59,279
Speaker 10: I'm like, that's not the same person. So you you

981
00:40:59,360 --> 00:41:01,000
Speaker 10: make it your business to entertain?

982
00:41:01,160 --> 00:41:03,680
Speaker 3: Can I tell you something you could ask my family?

983
00:41:03,800 --> 00:41:05,520
Speaker 3: You could ask my best friend Melissa, which is my

984
00:41:05,600 --> 00:41:08,160
Speaker 3: manager and my husband. But listen, say I am a trip.

985
00:41:08,239 --> 00:41:11,080
Speaker 3: I wake up in the morning tripping. I'm tripping. I'm

986
00:41:11,200 --> 00:41:14,640
Speaker 3: high off life. I'm recently clean. And when I say clean, listen,

987
00:41:14,719 --> 00:41:16,879
Speaker 3: let me tell you I'm grown. I could do whatever

988
00:41:17,000 --> 00:41:19,000
Speaker 3: I want. I got my stuff together. I ain't never

989
00:41:19,080 --> 00:41:19,880
Speaker 3: been in the streets.

990
00:41:20,760 --> 00:41:20,920
Speaker 1: Y'all.

991
00:41:20,960 --> 00:41:23,239
Speaker 3: Ain't never heard that I owe nobody money. You ain't

992
00:41:23,280 --> 00:41:25,520
Speaker 3: never heard that I'm broke. You ain't never heard that

993
00:41:25,560 --> 00:41:27,440
Speaker 3: I ain't getting no money. You ain't never heard that

994
00:41:27,520 --> 00:41:29,080
Speaker 3: I'm a junkie outside shooting up.

995
00:41:29,239 --> 00:41:29,279
Speaker 1: No.

996
00:41:29,600 --> 00:41:32,320
Speaker 3: Did I like to party, Absolutely, still love to. But

997
00:41:32,440 --> 00:41:33,680
Speaker 3: I know that I have to focus and I have

998
00:41:33,760 --> 00:41:35,239
Speaker 3: to be as clean as I can to be the

999
00:41:35,280 --> 00:41:37,200
Speaker 3: best that I can be. Right, But you could ask

1000
00:41:37,239 --> 00:41:39,800
Speaker 3: this too. I don't have to have nothing in my system.

1001
00:41:39,880 --> 00:41:42,320
Speaker 3: I wake up with the bush. Just like a funny person.

1002
00:41:42,880 --> 00:41:44,520
Speaker 3: People always be like, you should be a commedian. No,

1003
00:41:44,960 --> 00:41:46,640
Speaker 3: I'm funny because I don't want to be a commedian.

1004
00:41:46,680 --> 00:41:48,759
Speaker 3: I'm funny because that's just who I am as a person.

1005
00:41:48,880 --> 00:41:51,440
Speaker 3: So like I do turn off for the cameras, but

1006
00:41:51,719 --> 00:41:54,440
Speaker 3: envy I'm a funny ass. No matter what, Like I

1007
00:41:54,600 --> 00:41:56,840
Speaker 3: wake up funny. I just like to have fun. I

1008
00:41:56,960 --> 00:41:59,040
Speaker 3: like to have fun, I think, and I'm very and

1009
00:41:59,080 --> 00:42:00,759
Speaker 3: you got to remember, when I'm working and filming, I

1010
00:42:00,880 --> 00:42:02,919
Speaker 3: have to be very strict. And the second I getting

1011
00:42:02,920 --> 00:42:05,040
Speaker 3: out to be strict, I'm gonna be funny, I'm gonna

1012
00:42:05,040 --> 00:42:07,000
Speaker 3: be a bitch. I would be cracking jokes everything.

1013
00:42:07,080 --> 00:42:07,839
Speaker 10: Now you said you're clean?

1014
00:42:08,160 --> 00:42:10,480
Speaker 1: Is it? You're clean because you have your baby? And

1015
00:42:10,520 --> 00:42:13,279
Speaker 1: you're like, I have to change or what decided you? Like?

1016
00:42:13,320 --> 00:42:13,560
Speaker 5: You know what?

1017
00:42:13,640 --> 00:42:15,359
Speaker 10: I want to be clean? And what does clean mean?

1018
00:42:15,760 --> 00:42:17,520
Speaker 3: Well, you're not clean? Is not you know, you know,

1019
00:42:17,640 --> 00:42:22,960
Speaker 3: not doing it? Want to not doing it? One too?

1020
00:42:23,560 --> 00:42:25,839
Speaker 3: I'm done but doing not doing?

1021
00:42:25,960 --> 00:42:29,319
Speaker 1: What did baby make?

1022
00:42:29,360 --> 00:42:30,680
Speaker 10: You want to say? You know what I got to change?

1023
00:42:30,719 --> 00:42:31,880
Speaker 10: Or what was it that made Was it a.

1024
00:42:31,920 --> 00:42:33,040
Speaker 1: Scare or it wasn't?

1025
00:42:33,160 --> 00:42:34,279
Speaker 3: Like no scared? No, scared?

1026
00:42:34,360 --> 00:42:34,400
Speaker 4: No.

1027
00:42:34,520 --> 00:42:37,560
Speaker 3: I always being very cautious and I do everything very limited,

1028
00:42:37,880 --> 00:42:39,320
Speaker 3: you know, because I'm I'm cuteed.

1029
00:42:39,560 --> 00:42:41,040
Speaker 1: I want to stay that way, you know what I'm saying.

1030
00:42:41,360 --> 00:42:42,920
Speaker 3: So I'm like, you know, I be like you know

1031
00:42:42,960 --> 00:42:45,239
Speaker 3: when I hang out with my you know, I'm I'm more.

1032
00:42:45,200 --> 00:42:46,680
Speaker 1: Like a social party person.

1033
00:42:46,960 --> 00:42:48,120
Speaker 3: You know what I mean, and I don't hang out

1034
00:42:48,120 --> 00:42:50,440
Speaker 3: all the time, but I feel so much stronger and

1035
00:42:50,560 --> 00:42:52,759
Speaker 3: so much better. It's like I feel like I don't

1036
00:42:52,840 --> 00:42:55,239
Speaker 3: need the crutches anymore. To me, the way I think

1037
00:42:55,239 --> 00:42:56,840
Speaker 3: about it's like a crutch, and I just feel like

1038
00:42:57,120 --> 00:42:59,400
Speaker 3: I'm finally walking without them and I don't need them.

1039
00:42:59,440 --> 00:43:03,040
Speaker 3: And I feel younger, I feel smarter, I feel sharper. Look,

1040
00:43:03,280 --> 00:43:05,520
Speaker 3: I finished working last night too. In the morning, I

1041
00:43:05,600 --> 00:43:07,880
Speaker 3: went to sleep, and I'm back up at seven o'clock.

1042
00:43:08,040 --> 00:43:10,320
Speaker 3: I told my manager, so, I said, I cannot believe.

1043
00:43:10,560 --> 00:43:13,080
Speaker 3: I took a poop, I brushed my teeth, I drank

1044
00:43:13,160 --> 00:43:15,840
Speaker 3: some tea, I drank some water, I did some medicine.

1045
00:43:15,840 --> 00:43:18,239
Speaker 3: I did my haird and my makeup and got here

1046
00:43:18,320 --> 00:43:19,120
Speaker 3: by I said, that is.

1047
00:43:19,160 --> 00:43:25,160
Speaker 1: Not Johnson r Nan. That's that's evolution.

1048
00:43:25,360 --> 00:43:29,720
Speaker 3: That's having open that's making sure that you don't abuse

1049
00:43:29,800 --> 00:43:32,680
Speaker 3: any drugs, you don't abuse anything in your path that

1050
00:43:32,760 --> 00:43:35,759
Speaker 3: could potentially throw you off being the best you.

1051
00:43:36,160 --> 00:43:36,359
Speaker 1: Yeah.

1052
00:43:36,440 --> 00:43:38,480
Speaker 11: I want to ask you know, after the Floyd fight,

1053
00:43:38,600 --> 00:43:41,520
Speaker 11: we we spoke about your relationship with your husband, right,

1054
00:43:41,680 --> 00:43:43,400
Speaker 11: and I want to ask you about that because what

1055
00:43:43,520 --> 00:43:45,120
Speaker 11: we said was and this is what I said on

1056
00:43:45,239 --> 00:43:46,919
Speaker 11: a I said, you know, I look at my wife

1057
00:43:46,960 --> 00:43:50,000
Speaker 11: as not only as my wife, my lover, she's my sister,

1058
00:43:50,160 --> 00:43:52,719
Speaker 11: she's my best friend. So if she swing, I'm swinging.

1059
00:43:52,840 --> 00:43:54,120
Speaker 11: And then when we get home, I got to find

1060
00:43:54,120 --> 00:43:55,520
Speaker 11: out if she was right or wrong. That's just how

1061
00:43:55,600 --> 00:43:58,600
Speaker 11: our relationship works. But how is your relationship when it

1062
00:43:58,640 --> 00:44:00,239
Speaker 11: comes to those type of things, because you are on

1063
00:44:00,360 --> 00:44:02,799
Speaker 11: TV and you are you know, taped all the time,

1064
00:44:02,880 --> 00:44:04,840
Speaker 11: and you are out and about, So how is that

1065
00:44:04,920 --> 00:44:06,560
Speaker 11: relationship with you and you and your man?

1066
00:44:07,080 --> 00:44:09,880
Speaker 3: Well, shout out to Relistick. He is the man of

1067
00:44:09,960 --> 00:44:12,560
Speaker 3: my dreams. I love that man. How she did a

1068
00:44:12,640 --> 00:44:13,200
Speaker 3: day dream room.

1069
00:44:14,520 --> 00:44:15,040
Speaker 9: I love that.

1070
00:44:15,600 --> 00:44:17,920
Speaker 3: We know, but the relationship is say, I'm gonna tell

1071
00:44:17,920 --> 00:44:20,760
Speaker 3: you like this, if he swings on the man, I'm swinging.

1072
00:44:21,000 --> 00:44:23,400
Speaker 3: If I swing, he don't swing. It's just that he

1073
00:44:23,560 --> 00:44:26,120
Speaker 3: always there in the moment by me making sure that

1074
00:44:26,200 --> 00:44:29,040
Speaker 3: don't nobody else but the person that is involved is

1075
00:44:29,120 --> 00:44:29,880
Speaker 3: not doing nothing.

1076
00:44:30,000 --> 00:44:31,640
Speaker 10: Chara, say, he just gonna hold the other girl.

1077
00:44:31,800 --> 00:44:34,920
Speaker 1: But no, no, no, never, never never never.

1078
00:44:37,480 --> 00:44:39,680
Speaker 3: No, He'll be like, why the is you here? He

1079
00:44:39,800 --> 00:44:42,480
Speaker 3: gonna be he gonna say, why is you here? Now

1080
00:44:42,560 --> 00:44:45,279
Speaker 3: you know johnsonally don't want your ass here, you know.

1081
00:44:45,440 --> 00:44:48,960
Speaker 3: But my man is a very respectful man. He's been

1082
00:44:49,000 --> 00:44:52,840
Speaker 3: around all the ladies from the cabaret. He's a trusted

1083
00:44:52,920 --> 00:44:55,239
Speaker 3: man and he's a real man. He will not swing

1084
00:44:55,320 --> 00:44:57,560
Speaker 3: on the lady. And he's never swung on old lady.

1085
00:44:58,080 --> 00:44:59,879
Speaker 3: If he looks at the heat of the moment where

1086
00:45:00,040 --> 00:45:02,200
Speaker 3: he might be screaming on their whole day making sure

1087
00:45:02,280 --> 00:45:04,759
Speaker 3: that don't nobody else do anything to me. He gonna

1088
00:45:04,800 --> 00:45:06,960
Speaker 3: always do that as a man, because that's what the

1089
00:45:07,040 --> 00:45:09,120
Speaker 3: man is supposed to do, you know. And he's so strong,

1090
00:45:09,200 --> 00:45:11,440
Speaker 3: he's got all the African power. If he's swings on

1091
00:45:11,480 --> 00:45:12,319
Speaker 3: a lady, she's dead.

1092
00:45:12,440 --> 00:45:13,040
Speaker 1: Look at that man.

1093
00:45:13,320 --> 00:45:16,880
Speaker 3: That man six feet sometime two hundred and sometimes. He's

1094
00:45:16,920 --> 00:45:19,080
Speaker 3: a big, old strong man, you know. So he know

1095
00:45:19,200 --> 00:45:21,239
Speaker 3: better than that. You know. He doesn't do it now,

1096
00:45:21,480 --> 00:45:24,040
Speaker 3: you know, without talking about the incident. But you perform

1097
00:45:24,120 --> 00:45:26,440
Speaker 3: that night I performed. That was my first time performing

1098
00:45:26,640 --> 00:45:28,919
Speaker 3: at an arena. Shout out to let me for letting

1099
00:45:28,960 --> 00:45:30,480
Speaker 3: me do that, because I asked let me, let me

1100
00:45:30,760 --> 00:45:33,160
Speaker 3: let me well from the owners network, he put the

1101
00:45:33,239 --> 00:45:35,520
Speaker 3: fight together and I was like, oh my gosh, let

1102
00:45:35,560 --> 00:45:37,239
Speaker 3: me can I perform there and he was like sure.

1103
00:45:37,680 --> 00:45:39,520
Speaker 10: I was like, yeah, how was that performance? Yeah, butterflies,

1104
00:45:39,560 --> 00:45:40,919
Speaker 10: because I mean you perform.

1105
00:45:40,960 --> 00:45:41,759
Speaker 2: I mean you not.

1106
00:45:42,480 --> 00:45:44,920
Speaker 3: I perform in my shows that people know my music

1107
00:45:45,000 --> 00:45:46,719
Speaker 3: and they come to see me and pay to see me.

1108
00:45:47,040 --> 00:45:49,520
Speaker 3: I never performed in a place.

1109
00:45:49,280 --> 00:45:54,000
Speaker 1: Where they go you feel me.

1110
00:45:54,160 --> 00:45:56,320
Speaker 3: So that was my first time. So I was I

1111
00:45:56,440 --> 00:45:58,839
Speaker 3: was nervous. But we've been practicing because I'm also filming

1112
00:45:58,880 --> 00:46:00,640
Speaker 3: the Cabaret here in New York. So we been dancing

1113
00:46:00,719 --> 00:46:02,920
Speaker 3: every day and it went really good. And then actually

1114
00:46:03,280 --> 00:46:05,200
Speaker 3: the girls that I had just picked, four dancers that

1115
00:46:05,280 --> 00:46:07,680
Speaker 3: I just meant in New York to dance with me.

1116
00:46:07,840 --> 00:46:11,760
Speaker 3: So we we learned that routine twenty four hours prior,

1117
00:46:11,880 --> 00:46:14,360
Speaker 3: and you trusted them and not even I mean, I

1118
00:46:14,440 --> 00:46:17,919
Speaker 3: gotta trust something if you want to If I wanted

1119
00:46:17,960 --> 00:46:20,239
Speaker 3: to go well and it went well, look it would look.

1120
00:46:21,120 --> 00:46:23,319
Speaker 3: Here's what I can't say. When I did my first song,

1121
00:46:23,520 --> 00:46:28,719
Speaker 3: they were clapping about the rhythm and they clapping for me.

1122
00:46:28,840 --> 00:46:31,040
Speaker 3: This is this is this is good stuff. These people

1123
00:46:31,080 --> 00:46:32,719
Speaker 3: don't know. My mean said this. All people coming to

1124
00:46:32,760 --> 00:46:34,960
Speaker 3: see people fight like them. All people don't be out

1125
00:46:35,000 --> 00:46:37,480
Speaker 3: there really just knowing what you know like the underground

1126
00:46:37,520 --> 00:46:39,680
Speaker 3: artists on myself is really doing like yeah, they might

1127
00:46:39,719 --> 00:46:41,279
Speaker 3: have heard my song, do it like if you'll be there,

1128
00:46:41,480 --> 00:46:43,920
Speaker 3: I want to write in their in their grandkids you

1129
00:46:44,000 --> 00:46:45,480
Speaker 3: know house or the children house.

1130
00:46:45,560 --> 00:46:46,640
Speaker 1: But not like that.

1131
00:46:46,960 --> 00:46:48,480
Speaker 3: But you don't know, you don't know, you could have.

1132
00:46:48,920 --> 00:46:50,800
Speaker 3: You don't know if some of them old people was

1133
00:46:50,800 --> 00:46:55,400
Speaker 3: probably leaving it like yeah whatever, but you never know

1134
00:46:55,560 --> 00:46:58,080
Speaker 3: that would happened. I was like, oh, many fads, so

1135
00:46:58,200 --> 00:46:58,480
Speaker 3: I was.

1136
00:46:58,760 --> 00:46:59,719
Speaker 1: I was excited about that.

1137
00:46:59,920 --> 00:47:01,839
Speaker 3: I did like a three songs said because I only

1138
00:47:01,880 --> 00:47:04,160
Speaker 3: had like seven minutes and thirty seconds, and I thought

1139
00:47:04,160 --> 00:47:04,600
Speaker 3: it was great.

1140
00:47:04,719 --> 00:47:06,920
Speaker 10: Now when you drunk that night, because people asked were

1141
00:47:06,960 --> 00:47:07,359
Speaker 10: you drunk?

1142
00:47:07,640 --> 00:47:10,239
Speaker 3: I had a lemonary youself. I always love to say

1143
00:47:10,320 --> 00:47:12,600
Speaker 3: I wasn't drunk, but I would have one or two

1144
00:47:12,760 --> 00:47:15,399
Speaker 3: drinks and for some reason, and I think, because I'm

1145
00:47:15,400 --> 00:47:18,000
Speaker 3: not chasing it with any drugs, it just hits me

1146
00:47:18,120 --> 00:47:20,520
Speaker 3: so much harder. Yeah, because I remember when I used

1147
00:47:20,520 --> 00:47:22,120
Speaker 3: to be on my she could drink ten drinks.

1148
00:47:22,560 --> 00:47:24,040
Speaker 1: You know what I'm saying. I could drink ten drinks.

1149
00:47:24,200 --> 00:47:26,200
Speaker 3: But it's not like I tell my husband, oh my gosh,

1150
00:47:26,239 --> 00:47:28,160
Speaker 3: I got a headache. How many drinks your hell, but

1151
00:47:28,320 --> 00:47:30,880
Speaker 3: only I like to drinks. I was neay with a headache.

1152
00:47:30,880 --> 00:47:32,600
Speaker 3: It's like it's like my brain just don't want to

1153
00:47:32,680 --> 00:47:33,040
Speaker 3: go back.

1154
00:47:33,239 --> 00:47:34,879
Speaker 1: It's called age.

1155
00:47:36,120 --> 00:47:36,680
Speaker 10: That's what it's called.

1156
00:47:38,719 --> 00:47:42,160
Speaker 1: What you talking age? Get it called age.

1157
00:47:42,520 --> 00:47:44,160
Speaker 10: When we come back, we got more with Johnson and

1158
00:47:44,200 --> 00:47:45,279
Speaker 10: there this is the Breakfast Club.

1159
00:47:45,320 --> 00:47:50,160
Speaker 1: Good morning morning everybody to Envy, Charlomagne to God, we

1160
00:47:50,320 --> 00:47:51,480
Speaker 1: are the Breakfast Club.

1161
00:47:51,520 --> 00:47:54,560
Speaker 11: Were still kicking it with Jocelyn Hernandez. Jess Solaris is here,

1162
00:47:54,680 --> 00:47:56,160
Speaker 11: Charlomage's out for a couple of days.

1163
00:47:56,320 --> 00:47:56,560
Speaker 1: Jess.

1164
00:47:56,920 --> 00:48:00,520
Speaker 3: Okay, So how is your co parents and relationship with Stevie?

1165
00:48:00,719 --> 00:48:01,080
Speaker 2: I was that?

1166
00:48:01,320 --> 00:48:03,440
Speaker 3: How were y'all? I mean, you know, I don't really

1167
00:48:03,680 --> 00:48:05,520
Speaker 3: never talk to him. He talks to Bonnie on the

1168
00:48:05,640 --> 00:48:08,480
Speaker 3: phone and uh, you know, he says, sir, I have

1169
00:48:08,760 --> 00:48:11,320
Speaker 3: I have primary custody of Bonnie. I have physical custody

1170
00:48:11,360 --> 00:48:14,040
Speaker 3: of Bonnie, and uh, he's seen her life. He's you know,

1171
00:48:14,160 --> 00:48:16,239
Speaker 3: he has the right to see her whenever he wants to.

1172
00:48:16,400 --> 00:48:17,920
Speaker 1: So I think I think it's pretty cool.

1173
00:48:18,000 --> 00:48:20,600
Speaker 3: Yeah, I think it's good. And you know, my husband

1174
00:48:20,680 --> 00:48:22,879
Speaker 3: being with Bonnie since she was six months and he's

1175
00:48:22,920 --> 00:48:24,640
Speaker 3: been taking care of her because I me and my husband.

1176
00:48:24,640 --> 00:48:26,520
Speaker 3: When Bonnie was like six two eight months, it was

1177
00:48:26,560 --> 00:48:28,759
Speaker 3: really she was like a like a little toddler, like

1178
00:48:28,880 --> 00:48:30,920
Speaker 3: a little baby, not even a taller, she was a baby. Yeah.

1179
00:48:31,120 --> 00:48:33,680
Speaker 3: And so you know she loves she loves my husband,

1180
00:48:33,719 --> 00:48:36,080
Speaker 3: and you know she has a great relationship with her dad.

1181
00:48:36,080 --> 00:48:37,920
Speaker 3: I'm sure she loves him too. So sure, I mean

1182
00:48:38,080 --> 00:48:40,319
Speaker 3: I think I think it's great. So she has two dads,

1183
00:48:40,760 --> 00:48:43,960
Speaker 3: I mean I never put it that way because yeah,

1184
00:48:45,680 --> 00:48:46,839
Speaker 3: all the time, it's just two dads.

1185
00:48:46,920 --> 00:48:47,080
Speaker 8: Yeah.

1186
00:48:47,200 --> 00:48:48,280
Speaker 10: Now what made you do college?

1187
00:48:48,360 --> 00:48:50,719
Speaker 1: Hill? Did you want to go back to school with that?

1188
00:48:50,760 --> 00:48:50,960
Speaker 2: One of it?

1189
00:48:51,080 --> 00:48:52,480
Speaker 10: Was that one of your dreams? Like I want to

1190
00:48:52,719 --> 00:48:53,000
Speaker 10: can I.

1191
00:48:53,000 --> 00:48:53,480
Speaker 3: Tell you something?

1192
00:48:53,840 --> 00:48:55,200
Speaker 1: Yes? Really yes?

1193
00:48:55,480 --> 00:48:57,040
Speaker 3: And I told my husband, I'm like, damn, I got

1194
00:48:57,040 --> 00:48:58,600
Speaker 3: the opportunity to go back to school.

1195
00:48:58,640 --> 00:48:59,040
Speaker 1: I never want.

1196
00:48:59,040 --> 00:49:00,719
Speaker 3: First of all, I didn't even fit high school yard.

1197
00:49:00,880 --> 00:49:04,160
Speaker 3: I'm very smart though. I got ownership for always got ownership.

1198
00:49:04,480 --> 00:49:04,640
Speaker 5: Big.

1199
00:49:05,760 --> 00:49:07,200
Speaker 1: You gotta go get your g D first before you

1200
00:49:07,280 --> 00:49:09,120
Speaker 1: are But you skipped the ged you went to college

1201
00:49:09,680 --> 00:49:10,800
Speaker 1: that experience.

1202
00:49:10,680 --> 00:49:12,480
Speaker 3: So well, First of all, it was a great experience

1203
00:49:12,520 --> 00:49:14,880
Speaker 3: because HBCU, a lot of people always see this is

1204
00:49:14,960 --> 00:49:16,560
Speaker 3: something I need to clarify, maybe I need to do

1205
00:49:16,600 --> 00:49:20,040
Speaker 3: it at the Breafast Club with Chatu because I've always

1206
00:49:20,160 --> 00:49:22,800
Speaker 3: considered myself a black woman. But I was born in

1207
00:49:22,840 --> 00:49:25,440
Speaker 3: Puerto Rico and I speak Spanish. My first language is Spanish.

1208
00:49:25,880 --> 00:49:27,960
Speaker 3: But that's that that doesn't take away from the pack.

1209
00:49:28,000 --> 00:49:29,960
Speaker 3: When I walk in the building, people look at me

1210
00:49:30,040 --> 00:49:32,440
Speaker 3: and they say, that is a black woman, right, And

1211
00:49:32,560 --> 00:49:35,000
Speaker 3: so I always been cool and love to be a

1212
00:49:35,080 --> 00:49:38,400
Speaker 3: black woman, and they'd be like, Afro Latina. No, I

1213
00:49:38,520 --> 00:49:40,840
Speaker 3: don't have an afro. I don't have an afro. I

1214
00:49:40,880 --> 00:49:44,000
Speaker 3: don't have an afro. And I am a black woman

1215
00:49:44,080 --> 00:49:45,759
Speaker 3: that was born in the island of Puerto Rico. That's

1216
00:49:45,760 --> 00:49:46,400
Speaker 3: space Spanish.

1217
00:49:46,680 --> 00:49:48,920
Speaker 1: And I teach my daughter, my daughter confused out of

1218
00:49:48,960 --> 00:49:51,080
Speaker 1: somebody right now, but go ahead, but why because you're

1219
00:49:51,080 --> 00:49:54,719
Speaker 1: Puerto Rican? I am Puerto Rican. But back to the HBCU.

1220
00:49:54,880 --> 00:49:56,799
Speaker 1: In the HBCU, you know what I learned.

1221
00:49:57,120 --> 00:49:59,560
Speaker 3: I learned that the Puerto Ricans, the people that were

1222
00:49:59,640 --> 00:50:02,239
Speaker 3: born in Pero Rica that were black too, and back

1223
00:50:02,280 --> 00:50:04,480
Speaker 3: in the days, back in those days, they were definitely

1224
00:50:04,840 --> 00:50:07,600
Speaker 3: Afro Latinos because they all used to wear you know,

1225
00:50:07,719 --> 00:50:10,080
Speaker 3: the big the big here. But you know that the

1226
00:50:10,400 --> 00:50:12,759
Speaker 3: Black African American and the Puerto Ricas. They were tight,

1227
00:50:13,280 --> 00:50:14,840
Speaker 3: you know that when they were trying to do everything

1228
00:50:14,920 --> 00:50:17,680
Speaker 3: with the freeing the Negro and stuff like that. That's

1229
00:50:17,680 --> 00:50:20,200
Speaker 3: the stuff that I learned at the HBCU in the Alabama.

1230
00:50:20,520 --> 00:50:21,920
Speaker 3: You know, they were kind of telling us how the

1231
00:50:22,080 --> 00:50:26,080
Speaker 3: black Spanish and the Black African American came together and

1232
00:50:26,160 --> 00:50:28,279
Speaker 3: they were so much tighter than we actually are now.

1233
00:50:28,680 --> 00:50:31,560
Speaker 3: But me, I considered myself culture. Yeah, I consider myself

1234
00:50:31,600 --> 00:50:33,239
Speaker 3: a black woman that was born in Puerto Rico. Yes,

1235
00:50:33,280 --> 00:50:36,919
Speaker 3: I'm Latina because of course I see Spanish and I'm Latin.

1236
00:50:37,360 --> 00:50:40,560
Speaker 3: But for me, it's more than just saying that. For me,

1237
00:50:40,600 --> 00:50:42,759
Speaker 3: it's just that I'm proud to be black, whether I'm

1238
00:50:42,760 --> 00:50:45,120
Speaker 3: Spanish or not. And I just feel like a lot

1239
00:50:45,120 --> 00:50:47,320
Speaker 3: of people just have a problem with me being so proud.

1240
00:50:47,080 --> 00:50:47,560
Speaker 1: To be black.

1241
00:50:47,880 --> 00:50:49,760
Speaker 3: What's your with me proud that I have for this color?

1242
00:50:50,360 --> 00:50:53,400
Speaker 3: Like what's the problem? And was that what kind of

1243
00:50:53,440 --> 00:50:55,880
Speaker 3: like takes you off with Amber? Like because I kind

1244
00:50:55,920 --> 00:50:58,080
Speaker 3: of seen that. It was like even like what happened

1245
00:50:58,120 --> 00:51:00,719
Speaker 3: because I don't know what to what happened with I mean,

1246
00:51:00,840 --> 00:51:02,480
Speaker 3: I didn't have the camera, I wasn't in the class.

1247
00:51:05,480 --> 00:51:07,759
Speaker 3: She was like selling her, like, yo, like you don't

1248
00:51:07,800 --> 00:51:09,080
Speaker 3: want to be black, you don't want to be black.

1249
00:51:09,080 --> 00:51:10,640
Speaker 10: I've seen you told am, but she didn't want to

1250
00:51:10,640 --> 00:51:10,919
Speaker 10: be black.

1251
00:51:11,719 --> 00:51:14,919
Speaker 3: But I've seen previous you know, like it's been years.

1252
00:51:15,000 --> 00:51:15,360
Speaker 1: Everybody.

1253
00:51:15,400 --> 00:51:18,040
Speaker 3: It's not no damn secret, you know. And but really

1254
00:51:18,680 --> 00:51:21,160
Speaker 3: she you know, she she liked to dismiss the black

1255
00:51:21,200 --> 00:51:21,640
Speaker 3: side of her.

1256
00:51:21,680 --> 00:51:22,680
Speaker 1: I mean, it is what it is.

1257
00:51:22,840 --> 00:51:26,080
Speaker 3: I mean, she wasn't lying. I guess that's just a trigger,

1258
00:51:26,200 --> 00:51:31,279
Speaker 3: you know what I mean, you was lying. I wasn't lying.

1259
00:51:31,320 --> 00:51:33,600
Speaker 3: I was lying because I wasn't lying, And you know,

1260
00:51:33,640 --> 00:51:36,520
Speaker 3: I wasn't lying because we were talking about being black.

1261
00:51:36,840 --> 00:51:38,640
Speaker 3: And I just have to let them know. You don't

1262
00:51:38,680 --> 00:51:40,319
Speaker 3: want to be black. You came out of a big

1263
00:51:40,400 --> 00:51:42,960
Speaker 3: black just like I did. My mama got a big

1264
00:51:43,000 --> 00:51:45,160
Speaker 3: old black pidy. She's a perto Rican woman, but that

1265
00:51:45,239 --> 00:51:47,839
Speaker 3: lady black and her mama was blacker than the table

1266
00:51:47,920 --> 00:51:50,799
Speaker 3: my mama. So I come out of black. You came

1267
00:51:50,840 --> 00:51:52,440
Speaker 3: out of a black people. You don't want to you

1268
00:51:52,480 --> 00:51:54,600
Speaker 3: don't want to say you're black. That's weird to me.

1269
00:51:55,000 --> 00:51:56,680
Speaker 3: That's so weird to me. I don't care where your

1270
00:51:56,719 --> 00:51:59,040
Speaker 3: color is. I always thought she considered herself black too,

1271
00:51:59,080 --> 00:52:00,520
Speaker 3: Like I really seen that she was a Karen.

1272
00:52:00,840 --> 00:52:04,040
Speaker 1: When I got there, I was like, whoa, whoa, whoa.

1273
00:52:04,360 --> 00:52:06,080
Speaker 1: It was just pretty whoa.

1274
00:52:07,160 --> 00:52:09,440
Speaker 3: He said, that was crazy to find out that she

1275
00:52:09,600 --> 00:52:10,080
Speaker 3: was a Karen.

1276
00:52:10,360 --> 00:52:11,840
Speaker 11: What do you mean Karen? Like she she did not

1277
00:52:12,000 --> 00:52:14,239
Speaker 11: respect black rights. We like, because I didn't see that

1278
00:52:14,280 --> 00:52:16,000
Speaker 11: the show. So I'm confused. So I want you to

1279
00:52:16,040 --> 00:52:16,880
Speaker 11: tell me because I don't know.

1280
00:52:17,280 --> 00:52:19,319
Speaker 3: You know what a Karen is. I do, But then

1281
00:52:19,360 --> 00:52:19,920
Speaker 3: that's what she is.

1282
00:52:20,760 --> 00:52:22,120
Speaker 1: I'm telling you, yo, It's just not.

1283
00:52:22,360 --> 00:52:24,239
Speaker 3: The only one that say that. You can go so

1284
00:52:24,400 --> 00:52:26,560
Speaker 3: it come up. It's just yeah, it was like it

1285
00:52:26,719 --> 00:52:28,600
Speaker 3: was you were just saying that for the first time there,

1286
00:52:28,680 --> 00:52:31,280
Speaker 3: but then that for the first time to her, like period,

1287
00:52:31,400 --> 00:52:33,399
Speaker 3: like when she was getting upset about what I was saying,

1288
00:52:33,880 --> 00:52:35,880
Speaker 3: the joke I was being ignoredt at school. Sometimes you

1289
00:52:35,880 --> 00:52:38,600
Speaker 3: go to school, you would you want to be in Glasgow.

1290
00:52:38,600 --> 00:52:39,160
Speaker 1: I was just talking.

1291
00:52:39,440 --> 00:52:41,160
Speaker 3: I was like, man, I'm the biggest I got up

1292
00:52:41,239 --> 00:52:43,160
Speaker 3: that day. I said, I'm the biggest man.

1293
00:52:43,520 --> 00:52:47,320
Speaker 1: Then you got into a Philly in Miami scuffle. We

1294
00:52:47,440 --> 00:52:51,879
Speaker 1: got a little scuffle. Listen that Joan is not from

1295
00:52:51,920 --> 00:52:53,399
Speaker 1: the part of the Philly that you think she's from.

1296
00:52:53,520 --> 00:52:56,360
Speaker 1: And yo, I don't it's not.

1297
00:52:58,080 --> 00:53:01,840
Speaker 10: Johnson practice that when that Joe, And mean, the.

1298
00:53:01,920 --> 00:53:04,000
Speaker 3: Only thing I practiced is my bullet points that I'm

1299
00:53:04,000 --> 00:53:06,080
Speaker 3: supposed to speak on. I don't practice nothing else. Everything

1300
00:53:06,120 --> 00:53:07,080
Speaker 3: else is gonna always be me.

1301
00:53:07,160 --> 00:53:09,719
Speaker 1: And you should know that that John that Joe when

1302
00:53:09,719 --> 00:53:10,640
Speaker 1: you know her husband.

1303
00:53:10,440 --> 00:53:12,200
Speaker 3: Is to Philly. So you know, I know a few words.

1304
00:53:12,400 --> 00:53:17,600
Speaker 10: Really, I gotta ask you, big LEXI, I don't know that, Okay,

1305
00:53:17,760 --> 00:53:18,200
Speaker 10: I really.

1306
00:53:18,080 --> 00:53:18,600
Speaker 2: Want to know who she is.

1307
00:53:18,640 --> 00:53:19,480
Speaker 10: I didn't really know who she is.

1308
00:53:19,960 --> 00:53:21,560
Speaker 1: I don't know. I don't know that.

1309
00:53:22,920 --> 00:53:24,239
Speaker 10: I wanted to know what you know what we don't know.

1310
00:53:25,239 --> 00:53:26,200
Speaker 3: We don't know. We don't know her.

1311
00:53:26,360 --> 00:53:29,080
Speaker 1: I never knew, we never know her. No, I just know.

1312
00:53:29,239 --> 00:53:29,560
Speaker 1: I don't know.

1313
00:53:29,760 --> 00:53:31,320
Speaker 10: I'm just trying to figure out because I know I

1314
00:53:31,760 --> 00:53:33,640
Speaker 10: googled that. I seemed like that night I googled and

1315
00:53:33,719 --> 00:53:35,360
Speaker 10: I seen and I was trying to figure out know

1316
00:53:35,440 --> 00:53:38,000
Speaker 10: that I don't know. So I was gonna ask Love

1317
00:53:38,000 --> 00:53:38,839
Speaker 10: and Hip Hop, would you ever.

1318
00:53:38,800 --> 00:53:39,160
Speaker 1: Do it again?

1319
00:53:39,200 --> 00:53:40,080
Speaker 10: It seems like the ratings.

1320
00:53:40,440 --> 00:53:41,840
Speaker 3: Literally I want to go do it. I want to

1321
00:53:41,880 --> 00:53:45,480
Speaker 3: do it right now, please I right now, whoever charge

1322
00:53:45,480 --> 00:53:45,960
Speaker 3: of love a hip.

1323
00:53:46,000 --> 00:53:48,360
Speaker 1: I come home at the Princess. I'm gonna come through ballistic.

1324
00:53:48,400 --> 00:53:50,200
Speaker 10: It's cool going on there and then having the family

1325
00:53:50,239 --> 00:53:50,680
Speaker 10: and everything.

1326
00:53:50,920 --> 00:53:51,840
Speaker 3: Oh, no, accident.

1327
00:53:52,000 --> 00:53:56,080
Speaker 1: I don't listen Like look man, I'm already this farr

1328
00:53:56,200 --> 00:53:57,880
Speaker 1: I'm I'm just gonna.

1329
00:53:57,680 --> 00:53:59,680
Speaker 3: Say they need some more ratings, and I just I

1330
00:53:59,840 --> 00:54:01,400
Speaker 3: need how to go ahead on over there? Man, what

1331
00:54:01,480 --> 00:54:02,960
Speaker 3: you should I go to the one in Miami or

1332
00:54:03,000 --> 00:54:06,040
Speaker 3: the one in Atlanta, Miami, turn up anyone she is

1333
00:54:06,080 --> 00:54:08,880
Speaker 3: because I live in Miami. Please go to you.

1334
00:54:09,000 --> 00:54:09,480
Speaker 1: You gave you.

1335
00:54:09,640 --> 00:54:11,600
Speaker 3: You don't owe nothing else to Atlanta, and you you

1336
00:54:11,760 --> 00:54:14,279
Speaker 3: already put that franchise on the missap I need you

1337
00:54:14,360 --> 00:54:16,400
Speaker 3: to do Miami. I do I do her hoodie?

1338
00:54:16,680 --> 00:54:17,000
Speaker 8: Why not?

1339
00:54:17,200 --> 00:54:19,000
Speaker 10: Are you making money off the mook shot? They said

1340
00:54:19,040 --> 00:54:20,319
Speaker 10: that you were put there.

1341
00:54:20,400 --> 00:54:24,680
Speaker 3: Everybody, get listen. Jocelyn Cabaret Tour dot Com. I should

1342
00:54:24,680 --> 00:54:25,520
Speaker 3: have brought your something. Listen.

1343
00:54:25,520 --> 00:54:27,239
Speaker 1: Why ain't wearing? Why warn't bring Jessica? Now?

1344
00:54:27,360 --> 00:54:30,479
Speaker 3: So you're selling I am and it's going to make it. Listen.

1345
00:54:31,080 --> 00:54:34,480
Speaker 3: Can you please go download that there right there, because

1346
00:54:34,480 --> 00:54:35,839
Speaker 3: you're gonna it go it look good. I had them

1347
00:54:35,880 --> 00:54:38,439
Speaker 3: deluver time briefcase with the Louisverton shoes, and the louisver

1348
00:54:38,480 --> 00:54:40,879
Speaker 3: Time glasses, the mud shot and and and the gene

1349
00:54:40,920 --> 00:54:44,279
Speaker 3: Now for oh, I was flying is like it was show.

1350
00:54:44,480 --> 00:54:46,239
Speaker 3: Oh yeah, babe, I thought I would say potty and

1351
00:54:46,400 --> 00:54:49,040
Speaker 3: killing it. Yeah, thank you? So God got your T shirts? Yeah,

1352
00:54:49,239 --> 00:54:51,279
Speaker 3: Johnson discabaret to dot com you could go get them.

1353
00:54:51,320 --> 00:54:53,840
Speaker 10: Well, Johnson, we appreciate you for joining us. Thank you

1354
00:54:53,920 --> 00:54:54,200
Speaker 10: so much.

1355
00:54:54,320 --> 00:54:55,600
Speaker 11: Like I said, I see you all the time, and

1356
00:54:55,680 --> 00:54:58,239
Speaker 11: and you're so calm and so nice. But I ain't

1357
00:54:58,239 --> 00:54:58,840
Speaker 11: gonna front you.

1358
00:54:58,920 --> 00:55:01,480
Speaker 1: Gotta you. You might to get in boxing after this

1359
00:55:01,600 --> 00:55:04,439
Speaker 1: is all. You might just want to just maybe even

1360
00:55:04,600 --> 00:55:05,600
Speaker 1: you know a couple of them.

1361
00:55:05,719 --> 00:55:08,319
Speaker 3: Can I truly tell you something? If I didn't, if

1362
00:55:08,360 --> 00:55:10,439
Speaker 3: I wasn't an autist and I didn't care about breaking

1363
00:55:10,480 --> 00:55:12,799
Speaker 3: my face, I would do UFC. Oh yeah, I would.

1364
00:55:12,880 --> 00:55:13,320
Speaker 3: I love it.

1365
00:55:13,400 --> 00:55:15,719
Speaker 1: I do UFC. I want to box. I would do UFC.

1366
00:55:15,840 --> 00:55:17,440
Speaker 3: But I can't. I told my husband all the time,

1367
00:55:17,960 --> 00:55:19,480
Speaker 3: and her I'd be like, I would do it, but

1368
00:55:19,560 --> 00:55:21,319
Speaker 3: I can't because the first thing is going to break

1369
00:55:21,360 --> 00:55:23,360
Speaker 3: on me is my nose and then it's over. But

1370
00:55:23,480 --> 00:55:25,279
Speaker 3: she is so fixed she could set it up how

1371
00:55:25,360 --> 00:55:27,080
Speaker 3: she want to set it up and she know, no,

1372
00:55:27,719 --> 00:55:29,640
Speaker 3: that is not fair. No, that's why I said wrestling.

1373
00:55:29,719 --> 00:55:31,440
Speaker 3: I mean because she can do wrestling and that that's

1374
00:55:31,520 --> 00:55:35,879
Speaker 3: big money. No, I would do you break this just down.

1375
00:55:37,160 --> 00:55:40,360
Speaker 3: I'm a great fighter. You know what I told somebody

1376
00:55:40,400 --> 00:55:42,839
Speaker 3: the other day, I said, because I told somebody, I said,

1377
00:55:42,840 --> 00:55:44,440
Speaker 3: do you do karate? Don't? You ain't gonna do no

1378
00:55:44,480 --> 00:55:46,880
Speaker 3: more karate than me. I don't know karate, but I

1379
00:55:46,960 --> 00:55:50,040
Speaker 3: know crazy. I know crazy?

1380
00:55:50,120 --> 00:55:51,560
Speaker 1: You know? You know what's his name? Said that?

1381
00:55:52,080 --> 00:55:55,160
Speaker 3: What's the singer name, James Brown in the song? I

1382
00:55:55,200 --> 00:55:57,680
Speaker 3: don't know karate, but I know crazy. You know James Brown?

1383
00:55:57,760 --> 00:55:57,880
Speaker 1: To you?

1384
00:55:57,960 --> 00:56:00,960
Speaker 10: I know that's right, ladies and general man. Oh, last

1385
00:56:01,040 --> 00:56:02,840
Speaker 10: question is that your security go out there that I

1386
00:56:02,920 --> 00:56:03,920
Speaker 10: was out there at the fight that night.

1387
00:56:04,239 --> 00:56:06,439
Speaker 3: You know what, I troubled with about twenty security guards.

1388
00:56:06,440 --> 00:56:08,440
Speaker 11: So I'm not sure you know which one I'm talking about.

1389
00:56:08,880 --> 00:56:10,160
Speaker 11: I'm talking about the three pizza?

1390
00:56:10,480 --> 00:56:12,120
Speaker 1: Is that the one right there? The three pizza?

1391
00:56:12,360 --> 00:56:15,120
Speaker 3: And is it a slap slap test that they gotta get?

1392
00:56:16,040 --> 00:56:16,080
Speaker 12: You?

1393
00:56:16,160 --> 00:56:19,399
Speaker 1: Can? I say y'all to say y'all so funny? Why

1394
00:56:19,520 --> 00:56:20,279
Speaker 1: is y'all so funny?

1395
00:56:20,320 --> 00:56:22,520
Speaker 10: When I see them? I noticed him before I noticed you.

1396
00:56:22,600 --> 00:56:24,400
Speaker 1: I said, it's like, no, we want to be like you,

1397
00:56:24,480 --> 00:56:30,960
Speaker 1: good good, like that. I don't want to do acces that.

1398
00:56:32,120 --> 00:56:32,640
Speaker 1: I'm gonna tell you.

1399
00:56:32,920 --> 00:56:34,800
Speaker 3: They got plenty of money from the suits. They'll be

1400
00:56:34,960 --> 00:56:35,359
Speaker 3: just fine.

1401
00:56:35,920 --> 00:56:38,920
Speaker 10: Right, we know that, Ladies and gentlemen.

1402
00:56:38,920 --> 00:56:42,400
Speaker 3: It's Johnson, the Puto, Rican Princess, the biggest.

1403
00:56:42,440 --> 00:56:42,719
Speaker 2: It's the.

1404
00:56:46,200 --> 00:56:53,120
Speaker 1: Donkey up today. By damn heg, it's time to donkey.

1405
00:56:54,200 --> 00:56:55,880
Speaker 1: I mean, trying to be dunky today.

1406
00:56:56,000 --> 00:56:56,239
Speaker 7: No more.

1407
00:56:56,280 --> 00:56:58,520
Speaker 1: They should be embarrassed by what they already did. I'm

1408
00:56:58,560 --> 00:57:00,520
Speaker 1: not making these people do these days called Donkey of

1409
00:57:00,640 --> 00:57:03,200
Speaker 1: the day, and it really caught me off guard.

1410
00:57:03,400 --> 00:57:06,799
Speaker 3: Damn Charlamagne, who got the donkey out of day to day?

1411
00:57:08,480 --> 00:57:11,560
Speaker 1: Welless hilarious. Donkey of to Day for Tuesday, March twenty

1412
00:57:11,600 --> 00:57:13,960
Speaker 1: eight was a double donkey. It goes to thirty eighth

1413
00:57:14,000 --> 00:57:17,600
Speaker 1: year old Chief Chastain and the Clovis Police Department. It

1414
00:57:17,640 --> 00:57:19,760
Speaker 1: comes a point in time in life where we all

1415
00:57:19,840 --> 00:57:23,919
Speaker 1: must remember it takes to you. Okay, to you, all right, kids,

1416
00:57:24,000 --> 00:57:25,920
Speaker 1: gather around your uncle Sharloh would like to tell you

1417
00:57:26,040 --> 00:57:27,920
Speaker 1: about some things that have been going on since the

1418
00:57:28,040 --> 00:57:30,840
Speaker 1: nineteen hundreds. Okay, One of those things is the saying

1419
00:57:31,360 --> 00:57:34,760
Speaker 1: it takes to you, okay, are it takes to you

1420
00:57:35,200 --> 00:57:39,120
Speaker 1: to tango? That means that a situational argument involves two

1421
00:57:39,280 --> 00:57:43,960
Speaker 1: people and they are both therefore responsible for it. I repeat,

1422
00:57:44,120 --> 00:57:48,000
Speaker 1: it takes to you to tango. Means that a situational

1423
00:57:48,160 --> 00:57:51,480
Speaker 1: argument involves two people and they are both therefore responsible

1424
00:57:51,560 --> 00:57:53,920
Speaker 1: for it. It takes two. There's also a classic hip

1425
00:57:53,920 --> 00:57:56,480
Speaker 1: hop record that will make anyone with a soul who

1426
00:57:56,560 --> 00:57:59,320
Speaker 1: grew up in the nineteen hundreds and eighties lose their mind.

1427
00:58:00,520 --> 00:58:02,400
Speaker 1: The reason I'm giving you this history lesson to day

1428
00:58:02,480 --> 00:58:05,040
Speaker 1: is because in this donkey that I'm delivering, it absolutely

1429
00:58:05,160 --> 00:58:09,080
Speaker 1: took to you. All right. See, Keith was arrested ten

1430
00:58:09,200 --> 00:58:13,480
Speaker 1: times in one monff. I repeat, Keith Chastain was arrested

1431
00:58:13,800 --> 00:58:16,720
Speaker 1: ten times in one monf See y'all think I'd be lying.

1432
00:58:16,960 --> 00:58:18,680
Speaker 1: Let's go to Fox twenty six News for the report.

1433
00:58:18,720 --> 00:58:23,000
Speaker 13: Police local law enforcement agencies say they are very familiar

1434
00:58:23,240 --> 00:58:26,080
Speaker 13: with thirty eight year old Keith Chastain, who has been

1435
00:58:26,120 --> 00:58:30,240
Speaker 13: booked in Fresno County jail not once, not twice, but

1436
00:58:30,520 --> 00:58:34,240
Speaker 13: ten times in the last thirty one days. Chastain is

1437
00:58:34,280 --> 00:58:38,440
Speaker 13: from Fresno, and it's currently facing eighteen felonies and fifteen

1438
00:58:38,560 --> 00:58:42,440
Speaker 13: misdemeanors from his recent arrests. According to Clovis Police Department,

1439
00:58:42,720 --> 00:58:48,160
Speaker 13: his charges include stealing six vehicles, a dui, vandalism, fraud,

1440
00:58:48,640 --> 00:58:53,080
Speaker 13: possession of controlled substance, and more. Clovis Police Department alone

1441
00:58:53,440 --> 00:58:57,080
Speaker 13: says it has arrested Chastain six times in the last month.

1442
00:58:57,400 --> 00:59:00,840
Speaker 13: Around nine thirty Tuesday morning, Clovis Police received a call

1443
00:59:00,920 --> 00:59:04,480
Speaker 13: about a stolen truck that Chastain was suspected of driving.

1444
00:59:05,080 --> 00:59:08,200
Speaker 13: Police sayan officer found the stolen truck driving an old

1445
00:59:08,280 --> 00:59:12,600
Speaker 13: town Clovis and followed it until more officers arrived. Officers

1446
00:59:12,640 --> 00:59:15,880
Speaker 13: pulled Chastain over in front of Clovis Police Department and

1447
00:59:16,080 --> 00:59:19,520
Speaker 13: arrested him without incident. Police say he was the only

1448
00:59:19,600 --> 00:59:22,240
Speaker 13: person in the stolen truck and happened to be on

1449
00:59:22,400 --> 00:59:25,240
Speaker 13: his way to pick up his personal property from Clovis

1450
00:59:25,280 --> 00:59:28,880
Speaker 13: Police Department. From the last time he was arrested. Mind you,

1451
00:59:29,280 --> 00:59:30,800
Speaker 13: he was in a stolen vehicle.

1452
00:59:34,480 --> 00:59:38,800
Speaker 1: Now. As you just heard, Keith Chastain was arrested ten

1453
00:59:38,920 --> 00:59:43,720
Speaker 1: times by Clovis Police six times, okay, six times by

1454
00:59:43,760 --> 00:59:47,600
Speaker 1: Clovis Police and four times by other agencies he was

1455
00:59:47,800 --> 00:59:50,760
Speaker 1: in a stolen vehicle on the way to pick up

1456
00:59:51,200 --> 00:59:55,360
Speaker 1: his items from the jail. Okay, Now, if he had

1457
00:59:55,400 --> 00:59:58,160
Speaker 1: gotten locked up by different agencies once or twice, I

1458
00:59:58,200 --> 00:59:59,800
Speaker 1: would understand. But if you get locked up by the

1459
00:59:59,800 --> 01:00:03,920
Speaker 1: s AIM agency the Clothes Police department six times, six times,

1460
01:00:04,120 --> 01:00:07,560
Speaker 1: at what point does it become the police department's fault

1461
01:00:08,200 --> 01:00:11,040
Speaker 1: as well for constantly letting you out? At what point

1462
01:00:11,080 --> 01:00:13,720
Speaker 1: does it become a judge's fault for constantly grant you bail.

1463
01:00:13,960 --> 01:00:17,360
Speaker 1: He's facing eighteen felonies in fifteen misdemeanors, with charges including

1464
01:00:17,440 --> 01:00:21,920
Speaker 1: stealing six vehicles, dui vandalism, fraud, possession of a controlled substance,

1465
01:00:22,080 --> 01:00:24,520
Speaker 1: and a whole lot more. At some point, maybe after

1466
01:00:24,640 --> 01:00:29,760
Speaker 1: arrest number three, possibly after arrest number five, surely at

1467
01:00:29,840 --> 01:00:33,080
Speaker 1: arrest number six, someone at the Clovis Police Department has

1468
01:00:33,120 --> 01:00:35,560
Speaker 1: to say, no need to let this man out, because

1469
01:00:35,560 --> 01:00:37,840
Speaker 1: he's just gonna come right back. Okay. If the Clovis

1470
01:00:37,880 --> 01:00:41,200
Speaker 1: Police Department had a customer loyalty program like Starbucks or

1471
01:00:41,240 --> 01:00:44,120
Speaker 1: Subway or Sophara, this man Keith would get his tenth

1472
01:00:44,200 --> 01:00:46,800
Speaker 1: arrest for free. Okay, hit the rest of nine times,

1473
01:00:46,840 --> 01:00:49,520
Speaker 1: get your tenth for rest for free. Clearly this man

1474
01:00:49,600 --> 01:00:51,680
Speaker 1: has a boyfriend behind those walls. Either that or he

1475
01:00:51,800 --> 01:00:54,520
Speaker 1: likes the food. Okay. When someone shows you who they are,

1476
01:00:54,680 --> 01:00:57,720
Speaker 1: believe them. And this man Keif has shown us he's

1477
01:00:57,760 --> 01:01:00,800
Speaker 1: a serial criminal. Okay, so give him what he wants,

1478
01:01:01,120 --> 01:01:04,680
Speaker 1: and what he wants is clearly zero bond, ten arrest

1479
01:01:04,880 --> 01:01:08,440
Speaker 1: in thirty one days. Insanity is doing the same thing

1480
01:01:08,560 --> 01:01:11,240
Speaker 1: over and over and expecting different results. So yes, Keith

1481
01:01:11,320 --> 01:01:14,320
Speaker 1: is insane because he keeps committing crimes in the same

1482
01:01:14,400 --> 01:01:17,080
Speaker 1: crimes and getting locked up. And the Clovis Police Department

1483
01:01:17,160 --> 01:01:20,080
Speaker 1: is insane because they keep locking Keith up for these crimes,

1484
01:01:20,240 --> 01:01:22,840
Speaker 1: the same crimes and letting them out. They both are

1485
01:01:22,920 --> 01:01:25,520
Speaker 1: to blame. So please give Keith Chastain a heat and

1486
01:01:25,640 --> 01:01:28,960
Speaker 1: give the Clovis Police Department a hall together, because it

1487
01:01:29,080 --> 01:01:35,560
Speaker 1: takes two to give them the biggest he hal. This

1488
01:01:35,680 --> 01:01:37,480
Speaker 1: man wrote his name in jail, yo, that's why they said,

1489
01:01:37,480 --> 01:01:39,600
Speaker 1: don't write you name. They don't write your name on

1490
01:01:39,720 --> 01:01:42,439
Speaker 1: the walls in jail. You keep coming back to that jail.

1491
01:01:42,720 --> 01:01:50,880
Speaker 1: Jesus the breakfast club morning, Everybody's dja envy Cholamagne to God,

1492
01:01:51,000 --> 01:01:54,480
Speaker 1: we are the Breakfast Club. Of course, Jess Hilaries is here, yes, indeed,

1493
01:01:54,600 --> 01:01:56,520
Speaker 1: and we got a special guests in the building, Dion Co.

1494
01:01:57,200 --> 01:01:57,480
Speaker 7: Wow.

1495
01:01:57,760 --> 01:02:01,480
Speaker 2: Hello, Hello, hello, my brother. How's everybody doing?

1496
01:02:04,080 --> 01:02:05,600
Speaker 3: Yes, yes, I'm happy to see you.

1497
01:02:05,680 --> 01:02:08,080
Speaker 1: I can't I'm just I'm so happy.

1498
01:02:09,080 --> 01:02:16,960
Speaker 2: Yeah. Yeah, yeah, definitely, man, thanks for having me.

1499
01:02:17,080 --> 01:02:20,400
Speaker 1: Yeah, absolutely a lot to talk about. You got Average Joe.

1500
01:02:21,200 --> 01:02:22,720
Speaker 1: Are you you're in a new color purple too? Right?

1501
01:02:23,040 --> 01:02:26,760
Speaker 2: Yeah? Okay, absolutely yeah yeah, new color purple, Average Joe.

1502
01:02:27,120 --> 01:02:28,919
Speaker 1: We just talked about that yesterday. We were talking about

1503
01:02:28,920 --> 01:02:31,160
Speaker 1: they just released the trailer. What's your thoughts on the movie?

1504
01:02:31,160 --> 01:02:32,200
Speaker 1: Because we were like, Color Purple?

1505
01:02:32,320 --> 01:02:33,200
Speaker 10: Is that a movie that you do.

1506
01:02:33,520 --> 01:02:34,840
Speaker 1: Hard to remake? Classics? Man?

1507
01:02:35,560 --> 01:02:40,320
Speaker 2: So the director Blizz I don't know. He did Beyonce's

1508
01:02:41,040 --> 01:02:43,720
Speaker 2: The Lion King where she was like han Jay. They

1509
01:02:43,920 --> 01:02:47,440
Speaker 2: was like, uh, live action Lion King. Yeah, but remember

1510
01:02:47,480 --> 01:02:49,720
Speaker 2: this video she had. It was like a twenty minute

1511
01:02:49,800 --> 01:02:52,760
Speaker 2: video where she was like and cars and on the

1512
01:02:52,840 --> 01:02:57,520
Speaker 2: beach running and Jay had these like suits and stuff whatever.

1513
01:02:57,520 --> 01:03:01,680
Speaker 2: It was like very beautifully yeah yeah, all of that. Yeah, yeah,

1514
01:03:02,040 --> 01:03:04,760
Speaker 2: he directed all of that. And so for him to

1515
01:03:04,840 --> 01:03:07,560
Speaker 2: take that vis and then apply it to this movie.

1516
01:03:07,840 --> 01:03:11,000
Speaker 2: It's like bananas. Plus it's a different spin on it.

1517
01:03:11,080 --> 01:03:15,400
Speaker 2: It's a whole different spin on a color purple. So

1518
01:03:16,000 --> 01:03:18,800
Speaker 2: it's gonna be way different than the other one. But

1519
01:03:18,920 --> 01:03:21,480
Speaker 2: still in it's all right, you know, holding up to

1520
01:03:21,680 --> 01:03:24,480
Speaker 2: what it is. But I ain't really big on remakes,

1521
01:03:24,600 --> 01:03:27,840
Speaker 2: neither like that. But but this one, Yeah, it's crazy

1522
01:03:27,880 --> 01:03:29,600
Speaker 2: because it's a different perspective now.

1523
01:03:29,560 --> 01:03:30,960
Speaker 1: That I was saying the twenty twenty three you can't

1524
01:03:31,000 --> 01:03:33,640
Speaker 1: do color purple. You have to have to be woke. Yeah, yeah,

1525
01:03:33,720 --> 01:03:34,560
Speaker 1: so much. Yeah.

1526
01:03:34,640 --> 01:03:38,040
Speaker 2: Yeah, it's a whole different, whole different look on it,

1527
01:03:38,040 --> 01:03:39,240
Speaker 2: a whole different span on it.

1528
01:03:39,320 --> 01:03:41,160
Speaker 11: But you know, some of the remakes so like I

1529
01:03:41,240 --> 01:03:43,440
Speaker 11: didn't like Coming to America too, right, I just the

1530
01:03:43,480 --> 01:03:44,400
Speaker 11: first one, which is classic.

1531
01:03:44,400 --> 01:03:45,160
Speaker 10: I don't touch that.

1532
01:03:45,280 --> 01:03:47,760
Speaker 1: Yeah, yeah, I didn't like There was another remake that

1533
01:03:47,800 --> 01:03:49,640
Speaker 1: they did, but people told me white Man Can't Jump.

1534
01:03:49,640 --> 01:03:50,960
Speaker 1: I didn't want to go see that, but people telling

1535
01:03:50,960 --> 01:03:53,000
Speaker 1: me it's really really good, so I guess it can

1536
01:03:53,120 --> 01:03:54,720
Speaker 1: if they come from a different perspective for a new

1537
01:03:54,720 --> 01:03:56,080
Speaker 1: way House Party was another one.

1538
01:03:56,120 --> 01:03:57,360
Speaker 10: I didn't like it though, I didn't. I don't really

1539
01:03:57,440 --> 01:03:57,760
Speaker 10: like that one.

1540
01:03:57,840 --> 01:03:59,760
Speaker 11: But yeah, when they do it from a different perspective

1541
01:04:00,120 --> 01:04:01,880
Speaker 11: or shot. Well, I don't think there's a problem.

1542
01:04:02,680 --> 01:04:09,040
Speaker 2: Yeah, I play our Fonzo, So I play Cee's father,

1543
01:04:09,560 --> 01:04:12,000
Speaker 2: got when I take Philly.

1544
01:04:12,440 --> 01:04:14,880
Speaker 1: You can't have you can't have I can't remember, you

1545
01:04:14,920 --> 01:04:15,800
Speaker 1: can't have her, but you can have.

1546
01:04:21,960 --> 01:04:26,640
Speaker 2: Exactly. Yeah, yeah, I play him kept. No, No, it's

1547
01:04:27,080 --> 01:04:30,439
Speaker 2: it's different. Yeah, but you know you still you still

1548
01:04:30,520 --> 01:04:32,840
Speaker 2: get it. He's still that dude got you.

1549
01:04:33,200 --> 01:04:33,360
Speaker 1: Yeah.

1550
01:04:33,440 --> 01:04:34,240
Speaker 2: Yeah, yeah, it's.

1551
01:04:34,080 --> 01:04:42,560
Speaker 1: Still call it ugly and woke away because of this

1552
01:04:42,680 --> 01:04:42,960
Speaker 1: new era.

1553
01:04:43,560 --> 01:04:46,720
Speaker 2: Yo, Yeah I do. I do hate it definitely. That's

1554
01:04:46,760 --> 01:04:49,360
Speaker 2: why I don't understand why people who don't like that

1555
01:04:49,520 --> 01:04:51,120
Speaker 2: kind of stuff, Like why do you even come to

1556
01:04:51,240 --> 01:04:53,240
Speaker 2: the shows? You're messing it up for the people that

1557
01:04:53,640 --> 01:04:57,040
Speaker 2: really pay to come see in here, you know what

1558
01:04:57,120 --> 01:04:58,800
Speaker 2: I mean? Like, why would you come in there with

1559
01:04:58,880 --> 01:05:02,160
Speaker 2: your beliefs and feeling it's about something that I thought of,

1560
01:05:02,600 --> 01:05:04,400
Speaker 2: And you ain't in my world. You ain't in my

1561
01:05:04,560 --> 01:05:07,080
Speaker 2: tax bracket, you ain't around the people I'm around, you

1562
01:05:07,160 --> 01:05:09,880
Speaker 2: ain't not about my culture. But you come over here

1563
01:05:09,960 --> 01:05:11,400
Speaker 2: and try to tell me what I need to be

1564
01:05:11,480 --> 01:05:14,840
Speaker 2: saying and doing. It don't even make sense. So yeah,

1565
01:05:14,920 --> 01:05:17,560
Speaker 2: I hate that that we have to kind of conform

1566
01:05:17,720 --> 01:05:19,840
Speaker 2: to that. And I heard somebody say that in the

1567
01:05:19,920 --> 01:05:22,680
Speaker 2: interview that we don't and if and it's not a problem,

1568
01:05:22,800 --> 01:05:25,360
Speaker 2: and it is a problem. I think honestly, you got Lenny,

1569
01:05:25,400 --> 01:05:27,840
Speaker 2: Bruce and Richard and all these people who stood up

1570
01:05:27,920 --> 01:05:29,440
Speaker 2: for us to be able to say whatever we want

1571
01:05:29,520 --> 01:05:32,760
Speaker 2: to say, and now we can't. It's like, it's crazy

1572
01:05:32,800 --> 01:05:34,960
Speaker 2: to take away from the whole thing. It's like, now

1573
01:05:35,080 --> 01:05:36,960
Speaker 2: you go to comedy shows and they tell you what

1574
01:05:37,240 --> 01:05:39,840
Speaker 2: they think you want to hear in order to be safe, right,

1575
01:05:40,000 --> 01:05:41,680
Speaker 2: you know what I mean. But there's certain comics that

1576
01:05:41,960 --> 01:05:44,120
Speaker 2: are still out on the front line that get loose,

1577
01:05:44,240 --> 01:05:48,640
Speaker 2: you know, like Dave just don't give a note about nothing,

1578
01:05:48,760 --> 01:05:51,600
Speaker 2: you know. So you got great comics that's still out

1579
01:05:51,640 --> 01:05:55,240
Speaker 2: here fighting for that that voice that we all have

1580
01:05:55,520 --> 01:05:58,000
Speaker 2: and that people want to hear, except for certain people

1581
01:05:58,040 --> 01:05:58,439
Speaker 2: that don't.

1582
01:05:58,520 --> 01:06:01,880
Speaker 1: So and your circumstances because you you definitely edgy on stage,

1583
01:06:01,920 --> 01:06:03,040
Speaker 1: but then you got all the court.

1584
01:06:03,000 --> 01:06:08,200
Speaker 2: Going on, yeah, yeah, exactly, yeah, yeah, I can't yeah,

1585
01:06:08,240 --> 01:06:15,680
Speaker 2: I can't say exactly what I wanted to say. That's

1586
01:06:15,720 --> 01:06:17,959
Speaker 2: what that's my whole life, sitting back trying to figure

1587
01:06:18,000 --> 01:06:20,920
Speaker 2: out another way. That's what That's all I do. How

1588
01:06:20,960 --> 01:06:24,320
Speaker 2: can I say this another way and still be able

1589
01:06:24,400 --> 01:06:24,720
Speaker 2: to say it?

1590
01:06:24,840 --> 01:06:28,280
Speaker 1: But you know, you to face an old Spice bro crazy,

1591
01:06:28,480 --> 01:06:30,560
Speaker 1: Like that's why if you really think about it, it's

1592
01:06:30,680 --> 01:06:33,520
Speaker 1: really wild. It's like time only think of two people.

1593
01:06:34,040 --> 01:06:35,440
Speaker 1: The dude who used to ride the horse back.

1594
01:06:35,320 --> 01:06:43,160
Speaker 2: Then yeah, yeah, yeah, yeah yeah yeah yeah, it's crazy

1595
01:06:43,280 --> 01:06:46,320
Speaker 2: right yeah. I couldn't even even when they came to

1596
01:06:46,400 --> 01:06:48,720
Speaker 2: me about it. I was just like, wow, they can't

1597
01:06:48,720 --> 01:06:49,240
Speaker 2: even say, hey.

1598
01:06:49,200 --> 01:06:50,960
Speaker 10: We want you to do this old Spice commercially be

1599
01:06:51,000 --> 01:06:52,200
Speaker 10: the fake? What was your thought?

1600
01:06:52,440 --> 01:06:55,280
Speaker 2: So at first they came to me and they was like,

1601
01:06:55,600 --> 01:06:57,520
Speaker 2: I guess they have seen me do all these different

1602
01:06:57,640 --> 01:07:01,600
Speaker 2: kind of like quirky like characters like on Angie, Tribeca

1603
01:07:01,800 --> 01:07:05,080
Speaker 2: and Conan and Blackish, and I was doing all these

1604
01:07:05,280 --> 01:07:07,760
Speaker 2: like trippy characters, and I guess they were like, yo,

1605
01:07:08,880 --> 01:07:11,360
Speaker 2: it made sense where it was like yo, you come

1606
01:07:11,440 --> 01:07:13,600
Speaker 2: in and yo we can all we can rock And

1607
01:07:13,720 --> 01:07:15,320
Speaker 2: I was like yeah, I was like yeah I can

1608
01:07:15,400 --> 01:07:18,320
Speaker 2: do that. So they flew me to Portugal, man, and

1609
01:07:18,440 --> 01:07:22,439
Speaker 2: I shot all of this basically how old Spices get down,

1610
01:07:22,520 --> 01:07:25,160
Speaker 2: you know what I mean? Like really wild in the woods,

1611
01:07:25,360 --> 01:07:29,360
Speaker 2: beard growed and throwing trees and you know, I did

1612
01:07:29,480 --> 01:07:31,560
Speaker 2: all of that, and then I came back to the

1613
01:07:31,720 --> 01:07:33,960
Speaker 2: US and there's like they ain't they didn't want to

1614
01:07:34,080 --> 01:07:37,760
Speaker 2: use none of all of that and then use none

1615
01:07:37,800 --> 01:07:40,520
Speaker 2: of it. And then they came to me about something else.

1616
01:07:41,160 --> 01:07:42,280
Speaker 3: And then me and.

1617
01:07:43,760 --> 01:07:45,720
Speaker 2: I, Me and this other guy, we was just sitting.

1618
01:07:45,760 --> 01:07:48,760
Speaker 2: I mean this other guy, he was cute. He was

1619
01:07:49,520 --> 01:07:52,720
Speaker 2: writing this whole new premise. And then when it came

1620
01:07:52,760 --> 01:07:54,800
Speaker 2: to me about it, and I was like, man, that's cool,

1621
01:07:55,000 --> 01:07:58,120
Speaker 2: and so we did it, and man, it took off.

1622
01:07:58,680 --> 01:08:01,919
Speaker 2: You know, just me and my girl a Gap. Yeah, yeah,

1623
01:08:02,040 --> 01:08:03,280
Speaker 2: we just we just got it.

1624
01:08:03,400 --> 01:08:03,560
Speaker 4: Then.

1625
01:08:03,720 --> 01:08:06,520
Speaker 2: Yeah, we just I went and grabbed Gap and was like, yeah,

1626
01:08:06,560 --> 01:08:09,320
Speaker 2: they're thinking about this, this thing where it's relationship with

1627
01:08:09,520 --> 01:08:12,360
Speaker 2: a couple and trying to take your old spice, and

1628
01:08:12,640 --> 01:08:15,600
Speaker 2: you know, they was like, yeah, let's do it. This man,

1629
01:08:15,840 --> 01:08:16,360
Speaker 2: we did it.

1630
01:08:16,479 --> 01:08:22,719
Speaker 3: And because it's a storyline, commercial story I was supposed

1631
01:08:22,720 --> 01:08:23,479
Speaker 3: to be in one of them.

1632
01:08:24,720 --> 01:08:25,000
Speaker 1: Sister.

1633
01:08:25,160 --> 01:08:26,479
Speaker 3: Yeah he brought that up.

1634
01:08:29,200 --> 01:08:34,400
Speaker 1: Yeah man, yeah, I don't know.

1635
01:08:34,479 --> 01:08:35,080
Speaker 2: They picked.

1636
01:08:38,560 --> 01:08:49,839
Speaker 3: Like family member and it was know, you're here supposed

1637
01:08:49,840 --> 01:08:52,080
Speaker 3: to tell me get your black ass hands on my

1638
01:08:52,240 --> 01:08:57,000
Speaker 3: something and again because somebody else, they never would have

1639
01:08:57,000 --> 01:08:57,280
Speaker 3: said that.

1640
01:08:59,479 --> 01:09:02,679
Speaker 1: I cut the every time I see that, that's supposed

1641
01:09:02,680 --> 01:09:07,639
Speaker 1: to be me. I'm serious, I'm supposed to be listening. Yeah. Really,

1642
01:09:07,680 --> 01:09:09,320
Speaker 1: ain't gonna tell you. You know, you were at the top.

1643
01:09:11,680 --> 01:09:14,240
Speaker 1: So when we come back, we got more with Dion Cole.

1644
01:09:14,240 --> 01:09:16,200
Speaker 1: It's the World's Most Dangerous Morning short of Breakfast Club.

1645
01:09:16,280 --> 01:09:18,040
Speaker 1: Welcome back to the World's Most Dangerous Morning short of

1646
01:09:18,040 --> 01:09:20,800
Speaker 1: Breakfast Club. Charlomage the God just hilarious Dion Cole.

1647
01:09:21,080 --> 01:09:22,960
Speaker 3: Now, Jess, So I want to know, are you doctor

1648
01:09:23,680 --> 01:09:24,960
Speaker 3: because I saw you just you know.

1649
01:09:25,280 --> 01:09:29,360
Speaker 2: Yeah, yeah, absolutely, Like if somebody on the plane high

1650
01:09:29,439 --> 01:09:31,960
Speaker 2: out they need a doctor, they're gonna be ass out,

1651
01:09:32,040 --> 01:09:35,120
Speaker 2: but they ain't the doctor. But yeah, yeah, I just

1652
01:09:35,240 --> 01:09:37,720
Speaker 2: got that, just gotragulation.

1653
01:09:38,000 --> 01:09:39,559
Speaker 1: Yeah, yeah, that's crazy.

1654
01:09:39,960 --> 01:09:42,560
Speaker 2: Clander Smith College, which is now about because you're in

1655
01:09:42,600 --> 01:09:44,360
Speaker 2: the first city. Yeah, thanks man, it's.

1656
01:09:44,520 --> 01:09:45,720
Speaker 10: How did you for all the work that you did

1657
01:09:45,760 --> 01:09:46,120
Speaker 10: and everything?

1658
01:09:46,280 --> 01:09:46,439
Speaker 1: Yeah?

1659
01:09:46,680 --> 01:09:49,920
Speaker 2: Yeah, absolutely, and uh paid for his Yeah.

1660
01:09:51,680 --> 01:09:54,360
Speaker 1: I got an endowment at South Carolina State University, Okay,

1661
01:09:54,960 --> 01:09:57,519
Speaker 1: made me an honorary doctor it is. And I get

1662
01:09:57,560 --> 01:09:58,320
Speaker 1: a commitment speech.

1663
01:09:58,520 --> 01:10:00,880
Speaker 2: Yeah, yeah I did too. It was I gave mine.

1664
01:10:00,960 --> 01:10:05,519
Speaker 2: They really didn't give to what I was saying. I

1665
01:10:05,600 --> 01:10:08,760
Speaker 2: thought I was dropping some gems sitting down there on

1666
01:10:08,880 --> 01:10:09,360
Speaker 2: their phone.

1667
01:10:11,360 --> 01:10:15,680
Speaker 1: I was like out there like this might have been

1668
01:10:15,720 --> 01:10:20,840
Speaker 1: taking think, so do you keep going when you see that? Man?

1669
01:10:21,120 --> 01:10:23,720
Speaker 2: It was I was bombing, like for real, like I was.

1670
01:10:23,800 --> 01:10:26,240
Speaker 2: I was giving it and then it'd be like a

1671
01:10:26,320 --> 01:10:29,240
Speaker 2: couple of chuckles, a couple of coughs, and then I

1672
01:10:29,439 --> 01:10:31,599
Speaker 2: just keep going, like just going up to the next

1673
01:10:31,680 --> 01:10:32,439
Speaker 2: topic or whatever.

1674
01:10:32,600 --> 01:10:33,720
Speaker 1: But yeah, yeah, it wasn't.

1675
01:10:34,240 --> 01:10:36,800
Speaker 2: I was thinking I was doing like stand up you

1676
01:10:36,880 --> 01:10:39,040
Speaker 2: thinking in front of an audience like that, you're about

1677
01:10:39,040 --> 01:10:39,639
Speaker 2: to be ripping.

1678
01:10:40,240 --> 01:10:40,400
Speaker 5: Nah.

1679
01:10:40,560 --> 01:10:42,240
Speaker 2: They was out there like, nah, I want to see

1680
01:10:42,280 --> 01:10:45,640
Speaker 2: my baby cross and get her degree, and that's what

1681
01:10:45,760 --> 01:10:46,240
Speaker 2: I'm here for.

1682
01:10:46,400 --> 01:10:48,320
Speaker 1: But that's standing up, muscled on kicking when you see

1683
01:10:48,320 --> 01:10:51,120
Speaker 1: people like ignoring you because you know you you'd get

1684
01:10:51,160 --> 01:10:52,280
Speaker 1: at somebody for that. Nah.

1685
01:10:52,680 --> 01:10:55,599
Speaker 2: Like nah, I'm I'm quick to leave.

1686
01:10:56,240 --> 01:10:56,719
Speaker 10: I leave.

1687
01:10:58,560 --> 01:11:03,400
Speaker 2: I leave, man, I didn't up some shows. Yeah, I

1688
01:11:03,680 --> 01:11:06,400
Speaker 2: try it and I keep going. If it ain't working,

1689
01:11:07,000 --> 01:11:09,720
Speaker 2: I just know that I ain't for them, and I go.

1690
01:11:10,760 --> 01:11:16,400
Speaker 2: I'm Trevor good Night. I leave A whole nother name.

1691
01:11:20,520 --> 01:11:20,800
Speaker 3: Sean.

1692
01:11:21,000 --> 01:11:26,800
Speaker 1: He's Outville Sunky joke coming out through it.

1693
01:11:27,600 --> 01:11:31,559
Speaker 2: Yeah, yeah, I was Joe. Man. This this was thank

1694
01:11:31,640 --> 01:11:34,280
Speaker 2: you so much. It was man, this was a labor

1695
01:11:34,320 --> 01:11:40,080
Speaker 2: of love. It's like a darkly comedic drama takes place

1696
01:11:40,120 --> 01:11:44,400
Speaker 2: in Pittsburgh. This dude, his father dies and these mob

1697
01:11:44,520 --> 01:11:47,439
Speaker 2: dudes is looking for him and the Joe. He don't

1698
01:11:47,439 --> 01:11:50,040
Speaker 2: know what's going on, but his father left some money

1699
01:11:50,160 --> 01:11:52,800
Speaker 2: trying to figure out what's going on, and he had

1700
01:11:52,840 --> 01:11:56,519
Speaker 2: to make these decisions between like you know, family and money.

1701
01:11:56,560 --> 01:12:00,040
Speaker 2: But yeah, it's it's funny, but it's it's dark. I

1702
01:12:00,080 --> 01:12:05,160
Speaker 2: can say, like we was leaving set miserable just from.

1703
01:12:05,080 --> 01:12:07,640
Speaker 1: Being like a comic. You gotta you know, you you

1704
01:12:07,680 --> 01:12:09,800
Speaker 1: can be good to do comedy, but.

1705
01:12:10,520 --> 01:12:15,120
Speaker 2: Every day just to leave murdering, lying and de seaful

1706
01:12:15,280 --> 01:12:20,160
Speaker 2: and heartache and losing people and every day leave you know.

1707
01:12:20,760 --> 01:12:23,240
Speaker 2: That was the first time I started realizing I understand

1708
01:12:23,280 --> 01:12:25,640
Speaker 2: how like people kind of break when they when they

1709
01:12:25,760 --> 01:12:27,920
Speaker 2: do movies and stuff. That was the very first time

1710
01:12:28,040 --> 01:12:31,559
Speaker 2: I used to be like, he ain't that deep into characters.

1711
01:12:31,720 --> 01:12:34,880
Speaker 2: But nah, Like if you keep doing that and you

1712
01:12:35,080 --> 01:12:37,920
Speaker 2: have to constantly be that person, do that like you

1713
01:12:38,000 --> 01:12:40,280
Speaker 2: used to like, that's where on you. I used to

1714
01:12:40,280 --> 01:12:42,840
Speaker 2: always think like like with Parc, they always say Park

1715
01:12:43,000 --> 01:12:48,360
Speaker 2: became like yeah, he became Bishop from Juice or whatever. Anyway,

1716
01:12:49,000 --> 01:12:51,080
Speaker 2: that's how that show was. Man, we was down there,

1717
01:12:51,120 --> 01:12:52,960
Speaker 2: we were shooting in the lineup. Boy, it was like

1718
01:12:53,120 --> 01:12:56,720
Speaker 2: we was doing like sixteen hours sometimes twenty hours, you know,

1719
01:12:56,880 --> 01:13:00,760
Speaker 2: shooting up. But we got a nice piece of work,

1720
01:13:00,920 --> 01:13:03,280
Speaker 2: and man, it's it's gonna be something if y'all like

1721
01:13:03,439 --> 01:13:07,519
Speaker 2: Murder and Mayhem. Absolutely yeah, yeah, you're gonna you're gonna

1722
01:13:07,560 --> 01:13:07,800
Speaker 2: love this.

1723
01:13:08,200 --> 01:13:13,040
Speaker 1: Your lead crazy the first time Crazy.

1724
01:13:15,320 --> 01:13:17,680
Speaker 3: She's looking at you, talk about this amazing because even

1725
01:13:17,720 --> 01:13:20,960
Speaker 3: as comics, we we can still we can play any part.

1726
01:13:21,000 --> 01:13:23,839
Speaker 3: We can do anything. You always think of Robin Williams,

1727
01:13:24,600 --> 01:13:27,040
Speaker 3: you know, the comics, especially going from comedy to Drive

1728
01:13:27,200 --> 01:13:30,760
Speaker 3: and Jim Carrey and you know, even like what you

1729
01:13:30,960 --> 01:13:33,200
Speaker 3: just say, like how you sixteen hours? You got a

1730
01:13:33,240 --> 01:13:36,000
Speaker 3: status person and you got it. It's like you used

1731
01:13:36,040 --> 01:13:38,760
Speaker 3: to being, you know, but no, it's different. But the

1732
01:13:38,840 --> 01:13:39,800
Speaker 3: fact that you can do it.

1733
01:13:40,400 --> 01:13:42,840
Speaker 2: Yeah, But it's like I remember when I when they

1734
01:13:42,960 --> 01:13:45,719
Speaker 2: when when they when I took the job. Because usually

1735
01:13:45,840 --> 01:13:47,560
Speaker 2: I'm I'm a type of cat. I go play my

1736
01:13:47,680 --> 01:13:50,320
Speaker 2: part and I go get my drop top and we rolling.

1737
01:13:50,400 --> 01:13:51,040
Speaker 1: You know what I mean.

1738
01:13:51,280 --> 01:13:53,320
Speaker 2: Like, that's what I did on Blackets for eight years.

1739
01:13:53,400 --> 01:13:55,439
Speaker 1: I did my part, that was out.

1740
01:13:55,560 --> 01:13:58,080
Speaker 2: I was gone when I signed on to do this,

1741
01:13:58,360 --> 01:14:02,280
Speaker 2: And seem like six he paid scripts and I'm in

1742
01:14:02,479 --> 01:14:05,519
Speaker 2: like ninety percent of it. I'm looking right like I

1743
01:14:05,600 --> 01:14:12,120
Speaker 2: got a real job. I'm like, I can't leave. They like, man,

1744
01:14:12,640 --> 01:14:15,680
Speaker 2: the first one hair last to leave. You Like what

1745
01:14:16,640 --> 01:14:18,960
Speaker 2: it was an adjustment because I still had other things

1746
01:14:19,080 --> 01:14:23,080
Speaker 2: going on and other businesses and other projects and trying

1747
01:14:23,120 --> 01:14:25,439
Speaker 2: to write that and do that and trying to do this.

1748
01:14:26,120 --> 01:14:28,599
Speaker 2: I had to learn to I had to cut all

1749
01:14:28,720 --> 01:14:32,160
Speaker 2: that out and just focus dead on this and get

1750
01:14:32,240 --> 01:14:34,800
Speaker 2: it done. But yeah, being you got to watch what

1751
01:14:34,920 --> 01:14:36,840
Speaker 2: you pray for. You gotta know how to pray. You

1752
01:14:36,920 --> 01:14:39,280
Speaker 2: know a lot of people don't know how to pray.

1753
01:14:39,400 --> 01:14:41,200
Speaker 2: And you know, that was one of the things that

1754
01:14:41,320 --> 01:14:44,679
Speaker 2: I learned. You know, a person to ask, man, Lord,

1755
01:14:44,720 --> 01:14:46,360
Speaker 2: can I have a man? Can I have a woman?

1756
01:14:46,479 --> 01:14:49,120
Speaker 2: And they'll get you one and they won't have a job.

1757
01:14:50,680 --> 01:14:51,760
Speaker 1: They won't have a job.

1758
01:14:54,000 --> 01:14:56,240
Speaker 2: I forgot to ask for a job with that person.

1759
01:14:56,840 --> 01:14:58,800
Speaker 1: When it comes to comedy and drama, right, they always say,

1760
01:14:58,800 --> 01:15:00,519
Speaker 1: it's a thin line. That's what the whole tears of

1761
01:15:00,560 --> 01:15:02,479
Speaker 1: a clown can come from. Toether comic, you don't lean

1762
01:15:02,560 --> 01:15:03,400
Speaker 1: into trauma.

1763
01:15:03,680 --> 01:15:06,760
Speaker 2: Yeah, absolutely, that's that's exactly what I did, you know

1764
01:15:06,800 --> 01:15:09,280
Speaker 2: what I mean. But it wasn't like that at first.

1765
01:15:09,600 --> 01:15:13,040
Speaker 2: Like another another turning point, when we was doing the

1766
01:15:13,160 --> 01:15:15,880
Speaker 2: Hearder They Fall, I was like I walked on set

1767
01:15:15,960 --> 01:15:17,400
Speaker 2: and was like, Yeah.

1768
01:15:17,360 --> 01:15:19,519
Speaker 3: What's going on, Hey, what's going on on?

1769
01:15:19,720 --> 01:15:23,040
Speaker 2: Funny and comedian comedian? I remember Jonathan Majors and all them.

1770
01:15:23,120 --> 01:15:25,799
Speaker 2: They was just all sitting back and doorl Roy Lindo.

1771
01:15:25,880 --> 01:15:27,880
Speaker 2: They was all just quiet and just chilling, and I

1772
01:15:28,000 --> 01:15:29,720
Speaker 2: was like, Hey, what's going on? And beyond Hey, so

1773
01:15:29,760 --> 01:15:32,000
Speaker 2: we're going knock the South and we're gonna they was

1774
01:15:32,160 --> 01:15:34,840
Speaker 2: just like And then when we werehearsed, they was just

1775
01:15:35,000 --> 01:15:38,960
Speaker 2: like so like and like it was so real, and

1776
01:15:39,120 --> 01:15:42,720
Speaker 2: so it just was like, man, I remember Jonathan told me,

1777
01:15:42,800 --> 01:15:46,800
Speaker 2: he was like, man, you shouldn't acting is the worst

1778
01:15:46,880 --> 01:15:49,519
Speaker 2: title for this job. This is what you should not

1779
01:15:49,640 --> 01:15:53,439
Speaker 2: be doing. You should not be acting. You should become

1780
01:15:54,000 --> 01:15:57,000
Speaker 2: you should become that person instead of acting. And so

1781
01:15:57,200 --> 01:15:59,680
Speaker 2: it made me be like oh really, So then I

1782
01:16:00,000 --> 01:16:03,360
Speaker 2: went back changed my whole demean up man, just from

1783
01:16:03,439 --> 01:16:06,040
Speaker 2: that conversation and came back and was like, all right,

1784
01:16:06,640 --> 01:16:09,960
Speaker 2: we gotta we gotta just be calmness person. And I

1785
01:16:10,120 --> 01:16:14,320
Speaker 2: remember that all the time, just becoming you know.

1786
01:16:14,520 --> 01:16:16,600
Speaker 1: And so when we come back, we got more with

1787
01:16:16,680 --> 01:16:18,519
Speaker 1: Dion Cole, it is the World's Most Dangerous Mornings for

1788
01:16:18,600 --> 01:16:24,280
Speaker 1: the Breakfast Club, The Breakfast Club. Welcome back to the

1789
01:16:24,320 --> 01:16:26,760
Speaker 1: world Most Dangerous Morning. Sh to Breakfast Club, CHARLAMAGNEA God,

1790
01:16:26,880 --> 01:16:29,479
Speaker 1: just hilarious, Dion Cole, what about when you're not in

1791
01:16:29,560 --> 01:16:33,040
Speaker 1: the mind state? The joke all work like like like

1792
01:16:33,560 --> 01:16:36,280
Speaker 1: did you give yourself time to grieve after your mother path?

1793
01:16:36,680 --> 01:16:41,760
Speaker 2: So I am like still dealing with that, Like that's

1794
01:16:41,960 --> 01:16:45,800
Speaker 2: like really with me still, and I'm trying because I

1795
01:16:45,880 --> 01:16:50,120
Speaker 2: was the only child, no father, Yeah, no, thank you man,

1796
01:16:50,200 --> 01:16:53,080
Speaker 2: And I'm still like That's why I try to stay

1797
01:16:53,120 --> 01:16:57,360
Speaker 2: as busy as possible because anytime I like have downtime

1798
01:16:57,560 --> 01:17:01,120
Speaker 2: or anything good happened, like that's with me because I'd

1799
01:17:01,120 --> 01:17:03,439
Speaker 2: be wishing she was here, that she can like be

1800
01:17:03,600 --> 01:17:05,639
Speaker 2: here and be a part of that. And people out

1801
01:17:05,680 --> 01:17:08,120
Speaker 2: there that that's going through the state, they know what

1802
01:17:08,160 --> 01:17:11,320
Speaker 2: I'm talking about, Like anything good happen to you. You

1803
01:17:11,600 --> 01:17:14,280
Speaker 2: just it's like a bit of sweet moment, you know,

1804
01:17:14,600 --> 01:17:17,120
Speaker 2: like even with the color purple coming out, I'm not

1805
01:17:17,280 --> 01:17:20,320
Speaker 2: like in it like that, but I just wish my

1806
01:17:20,439 --> 01:17:23,280
Speaker 2: mama would have been there to see that. And you know,

1807
01:17:23,360 --> 01:17:25,920
Speaker 2: it's things like that, even average Joe being the lead,

1808
01:17:26,080 --> 01:17:29,000
Speaker 2: it's like, I wish my mama was here so she

1809
01:17:29,120 --> 01:17:32,040
Speaker 2: could like see that and feel that because there's stuff

1810
01:17:32,080 --> 01:17:35,040
Speaker 2: we talked about, even getting my doctorate, for her to

1811
01:17:35,200 --> 01:17:38,760
Speaker 2: know that her son was now like doc having a

1812
01:17:38,920 --> 01:17:42,639
Speaker 2: degree like that. It's just I would have like center,

1813
01:17:42,920 --> 01:17:45,519
Speaker 2: you know what I mean. So anytime these situations happen,

1814
01:17:45,600 --> 01:17:48,479
Speaker 2: it's like it's nice. But I also just getting to

1815
01:17:48,720 --> 01:17:51,600
Speaker 2: like and people don't and people always be like you

1816
01:17:51,720 --> 01:17:54,360
Speaker 2: need to go talk to somebody and something, and it's like, yeah,

1817
01:17:54,439 --> 01:17:56,920
Speaker 2: you can do that, but this just happened to me.

1818
01:17:57,160 --> 01:17:58,360
Speaker 1: Yeah, you know what I mean.

1819
01:17:58,560 --> 01:18:01,640
Speaker 2: It's like, I don't know nobody who has something like

1820
01:18:01,720 --> 01:18:03,400
Speaker 2: this can just happen to you and you go talk

1821
01:18:03,479 --> 01:18:06,080
Speaker 2: to somebody and you all good. If anybody's like that,

1822
01:18:06,360 --> 01:18:09,960
Speaker 2: they weird to me, like you should be able to agree,

1823
01:18:10,600 --> 01:18:12,760
Speaker 2: like you said, and you should be able to have

1824
01:18:12,960 --> 01:18:16,960
Speaker 2: these moments. And you don't rush people in these situations,

1825
01:18:17,080 --> 01:18:19,280
Speaker 2: you know, just just be there for them, you know.

1826
01:18:19,640 --> 01:18:22,040
Speaker 2: And I had a lot of people leave me, Like

1827
01:18:22,240 --> 01:18:25,160
Speaker 2: a lot of people leave me because I wasn't who

1828
01:18:25,280 --> 01:18:29,280
Speaker 2: they wanted me to be when I was good. Your

1829
01:18:29,360 --> 01:18:32,360
Speaker 2: mom just passed, come on, I know, but everybody left

1830
01:18:32,880 --> 01:18:36,840
Speaker 2: and it was weird. And people out there that's dealing

1831
01:18:36,920 --> 01:18:40,120
Speaker 2: with death and they know what I'm talking about, Like,

1832
01:18:40,400 --> 01:18:42,960
Speaker 2: people leave you because you shain't And now I'm not

1833
01:18:43,080 --> 01:18:45,439
Speaker 2: the person out out that that I was when they

1834
01:18:45,560 --> 01:18:48,280
Speaker 2: met me. And I understand that. But if you're a

1835
01:18:48,400 --> 01:18:51,599
Speaker 2: good friend and you really there, you're gonna you're gonna

1836
01:18:51,680 --> 01:18:55,040
Speaker 2: understand the severity of this, and you're gonna understand that,

1837
01:18:55,479 --> 01:18:58,400
Speaker 2: you know, being the only child, not having nobody else

1838
01:18:58,479 --> 01:19:00,760
Speaker 2: and no mother, no father, nothing thing like that, and

1839
01:19:01,120 --> 01:19:04,519
Speaker 2: that's gonna wail on you. You basically in the world alone,

1840
01:19:05,240 --> 01:19:07,040
Speaker 2: you know what I mean, You really don't have nobody else.

1841
01:19:07,200 --> 01:19:09,800
Speaker 2: I mean I got family, cousins and stuff like that.

1842
01:19:10,000 --> 01:19:13,160
Speaker 2: But media, it's it's hard.

1843
01:19:13,320 --> 01:19:13,479
Speaker 7: Man.

1844
01:19:13,600 --> 01:19:15,920
Speaker 2: I go through it every day and I try to

1845
01:19:16,600 --> 01:19:20,280
Speaker 2: try to be better, and you know, I try to advocate.

1846
01:19:20,400 --> 01:19:23,280
Speaker 2: Tell everybody, Man, if you got your mother, your father,

1847
01:19:23,760 --> 01:19:27,320
Speaker 2: any of that. Man, take pictures of them, video them,

1848
01:19:27,720 --> 01:19:30,280
Speaker 2: talk to them. Even if you don't get along with them,

1849
01:19:30,520 --> 01:19:33,280
Speaker 2: just be around them, man, because you just never know.

1850
01:19:33,439 --> 01:19:36,920
Speaker 2: Because my mom died suddenly, was nothing wrong with just

1851
01:19:37,760 --> 01:19:40,600
Speaker 2: I came from audition calling her and they was like,

1852
01:19:40,760 --> 01:19:43,080
Speaker 2: she didn't make it, and thinking that she was going

1853
01:19:43,120 --> 01:19:45,000
Speaker 2: to an appointment. I was like an appointment.

1854
01:19:45,200 --> 01:19:46,519
Speaker 1: It's like, nah, she ain't make it.

1855
01:19:46,560 --> 01:19:48,759
Speaker 2: And I'm like make what You could.

1856
01:19:48,640 --> 01:19:50,640
Speaker 1: Not understand that, Like, what do you mean she make it?

1857
01:19:50,880 --> 01:19:53,640
Speaker 2: They told me that. I just like, I was like,

1858
01:19:53,720 --> 01:19:55,559
Speaker 2: I just talked to her, What are you talking about?

1859
01:19:56,479 --> 01:19:59,280
Speaker 2: I ain't even want to, Like even with my Netflix special,

1860
01:19:59,360 --> 01:20:01,840
Speaker 2: I didn't even want to do that. That wasn't even

1861
01:20:01,920 --> 01:20:05,559
Speaker 2: something I was planning to do. But I got cornered

1862
01:20:05,640 --> 01:20:08,320
Speaker 2: into shooting that special on that day, you know, like

1863
01:20:08,560 --> 01:20:12,120
Speaker 2: the day that my mom died, September tenth, and I

1864
01:20:12,200 --> 01:20:15,280
Speaker 2: was looking for a spot. Usually when you tour, if

1865
01:20:15,280 --> 01:20:18,000
Speaker 2: you're about to shoot a special, you won't perform in

1866
01:20:18,080 --> 01:20:21,200
Speaker 2: that city. So I was gonna do Philly. Philly was

1867
01:20:21,280 --> 01:20:24,640
Speaker 2: city I was gonna shoot my special win, but we

1868
01:20:24,720 --> 01:20:26,519
Speaker 2: were taking too long with the deal and I ended

1869
01:20:26,640 --> 01:20:28,360
Speaker 2: up doing Philly right, and now I had nowhere else

1870
01:20:28,439 --> 01:20:31,479
Speaker 2: to go, and I wanted to shoot. I thought about

1871
01:20:31,560 --> 01:20:33,400
Speaker 2: New York, but I just was like, you got to

1872
01:20:33,479 --> 01:20:36,200
Speaker 2: be from New York in order to do New York,

1873
01:20:36,360 --> 01:20:38,760
Speaker 2: you know what I mean, Like it's New York is

1874
01:20:38,920 --> 01:20:40,680
Speaker 2: just different, you know, It's like you got to be

1875
01:20:40,840 --> 01:20:44,479
Speaker 2: from there. But when it came around to me shooting special,

1876
01:20:44,600 --> 01:20:46,840
Speaker 2: Netflix is like, you got shooting September, and I was like,

1877
01:20:46,880 --> 01:20:48,479
Speaker 2: make sure it's at the end of September because I

1878
01:20:48,520 --> 01:20:50,960
Speaker 2: know I couldn't shoot around a year later from the

1879
01:20:51,080 --> 01:20:54,479
Speaker 2: day my mom passed. They came back not even knowing.

1880
01:20:54,760 --> 01:20:56,960
Speaker 2: They was like this, yeah, we got the venue. I'm like, man,

1881
01:20:57,040 --> 01:20:58,439
Speaker 2: let's do it. I was like what day They was

1882
01:20:58,479 --> 01:21:01,800
Speaker 2: like September tenth. I was like, I said nah. I

1883
01:21:01,920 --> 01:21:03,479
Speaker 2: was like, I was like, I ain't gonna do it.

1884
01:21:04,120 --> 01:21:06,240
Speaker 2: Then about the days later, my mom was like, you

1885
01:21:06,320 --> 01:21:09,400
Speaker 2: know what, don't even mourn like that, like celebrate her.

1886
01:21:09,640 --> 01:21:15,280
Speaker 2: Shoot on that day, dedicate this to her and celebrate her,

1887
01:21:15,400 --> 01:21:19,400
Speaker 2: because when people pass man, you have to like make

1888
01:21:19,479 --> 01:21:22,360
Speaker 2: them live through you. Of course, even if it's a password,

1889
01:21:22,840 --> 01:21:24,400
Speaker 2: you know what I mean, if you get it, if

1890
01:21:24,439 --> 01:21:27,120
Speaker 2: you set a password and you put their name in

1891
01:21:27,280 --> 01:21:31,000
Speaker 2: every day you that's that's day. They stay with you

1892
01:21:31,120 --> 01:21:32,680
Speaker 2: every day, you know what I mean. And so I

1893
01:21:32,800 --> 01:21:34,720
Speaker 2: was like, you didn't password, No, I did not.

1894
01:21:35,040 --> 01:21:40,679
Speaker 1: I didn't know, but y'all.

1895
01:21:41,160 --> 01:21:42,920
Speaker 2: And I just was like, man, I'm gonna shoot it,

1896
01:21:43,120 --> 01:21:44,880
Speaker 2: and I shot it like on that day. But I

1897
01:21:45,040 --> 01:21:48,080
Speaker 2: also was trying to show people and teach people that

1898
01:21:48,800 --> 01:21:53,120
Speaker 2: with comedians and entertain us, even y'all, people don't understand

1899
01:21:53,479 --> 01:21:57,519
Speaker 2: we we got problems and when we perform and you

1900
01:21:57,840 --> 01:22:00,360
Speaker 2: never know what that comic is going through. So that

1901
01:22:00,520 --> 01:22:03,120
Speaker 2: was a whole deal with my Netflix special. It was

1902
01:22:03,240 --> 01:22:06,600
Speaker 2: that I wanted to perform without telling nobody what was

1903
01:22:06,680 --> 01:22:09,439
Speaker 2: going on, and then at the end of the special

1904
01:22:09,560 --> 01:22:11,840
Speaker 2: let them know I was up here rocking with y'all.

1905
01:22:12,360 --> 01:22:14,720
Speaker 2: You're not even knowing what I was going through. I

1906
01:22:15,520 --> 01:22:18,120
Speaker 2: just cried right before I walked out on stage. I

1907
01:22:18,280 --> 01:22:21,479
Speaker 2: was backstage wiping my eyes, took a deep breath, and

1908
01:22:21,560 --> 01:22:25,680
Speaker 2: walked out there, performed the whole special with them not

1909
01:22:25,800 --> 01:22:29,000
Speaker 2: even knowing that this was like the one year anniversary

1910
01:22:29,680 --> 01:22:32,360
Speaker 2: of my mom's death, and I wanted tend to see

1911
01:22:32,439 --> 01:22:36,360
Speaker 2: that us performers, we had to put aside whatever.

1912
01:22:36,120 --> 01:22:39,439
Speaker 1: We're going through you said something powerful that I would

1913
01:22:39,520 --> 01:22:41,760
Speaker 1: like for you to talk about, just because that's something

1914
01:22:41,840 --> 01:22:44,240
Speaker 1: I struggle with. How do you show up as a

1915
01:22:44,320 --> 01:22:48,320
Speaker 1: friend when somebody had somebody that they lose that's close

1916
01:22:48,360 --> 01:22:51,400
Speaker 1: to them, like a parent or significant other. Would you

1917
01:22:51,479 --> 01:22:53,639
Speaker 1: have wanted your friends to do in that moment.

1918
01:22:54,080 --> 01:22:58,280
Speaker 2: So if I'm now different, and we ain't buying bottles

1919
01:22:58,360 --> 01:23:00,599
Speaker 2: and kicking it, and I ain't none club, and I'm

1920
01:23:00,680 --> 01:23:02,880
Speaker 2: now I'm in the club with you, but I'm but

1921
01:23:02,960 --> 01:23:07,280
Speaker 2: I'm daydreaming and I'm zoned out, and I ain't helping

1922
01:23:07,360 --> 01:23:09,439
Speaker 2: you pull all the women in the club and all

1923
01:23:09,520 --> 01:23:13,040
Speaker 2: that or whatever. Now I'm boring to you. I'm not

1924
01:23:13,400 --> 01:23:17,120
Speaker 2: what you was. If you're a friend, you're gonna be like, man,

1925
01:23:17,200 --> 01:23:20,200
Speaker 2: let's get out this club. Let's go ahead, let's go chill,

1926
01:23:20,479 --> 01:23:23,439
Speaker 2: let's go get you together, Let's go chill. If you're

1927
01:23:23,520 --> 01:23:26,400
Speaker 2: any way different, even if I'm snappy, even if I'm

1928
01:23:26,439 --> 01:23:29,519
Speaker 2: not understanding, if I don't hear you correctly at any

1929
01:23:29,600 --> 01:23:34,240
Speaker 2: of that, understand that I wasn't normally like this. So

1930
01:23:34,400 --> 01:23:36,439
Speaker 2: therefore you have to know that there's some kind of

1931
01:23:36,520 --> 01:23:39,120
Speaker 2: issue going on with me, right, So therefore you have

1932
01:23:39,280 --> 01:23:42,920
Speaker 2: to channel that and understand that and get to know

1933
01:23:43,080 --> 01:23:45,760
Speaker 2: who I am now or who I'm about to be,

1934
01:23:46,439 --> 01:23:48,160
Speaker 2: because now I'm embarking on.

1935
01:23:48,240 --> 01:23:49,000
Speaker 1: A new normal.

1936
01:23:49,479 --> 01:23:51,439
Speaker 2: And that's what everybody has to do. It out there

1937
01:23:51,479 --> 01:23:56,160
Speaker 2: and embark on a new normal for absolutely. And once

1938
01:23:56,240 --> 01:23:58,920
Speaker 2: a true friend understand that, yo, he's he's embarking on

1939
01:23:59,000 --> 01:24:01,120
Speaker 2: the new normal. And I have to be here to

1940
01:24:01,240 --> 01:24:03,680
Speaker 2: learn that new normal in order to be there, to

1941
01:24:03,800 --> 01:24:06,000
Speaker 2: be there for that, you know what I mean. So

1942
01:24:06,160 --> 01:24:10,000
Speaker 2: once a person understands that, and they'll be there, they

1943
01:24:10,080 --> 01:24:12,519
Speaker 2: won't leave you, and they gonna be there and they

1944
01:24:12,600 --> 01:24:14,519
Speaker 2: gonna and they're gonna help you out and they not

1945
01:24:14,560 --> 01:24:17,480
Speaker 2: gonna leave because all of a sudden you don't understand

1946
01:24:17,720 --> 01:24:20,439
Speaker 2: them and all of that, and it's like it's it's

1947
01:24:20,560 --> 01:24:23,360
Speaker 2: so whack or whatever. And I lost not only I

1948
01:24:23,479 --> 01:24:26,479
Speaker 2: lose my mother, I lost like other family members and

1949
01:24:26,800 --> 01:24:30,000
Speaker 2: friends and so it was very and I'm still in

1950
01:24:30,120 --> 01:24:32,680
Speaker 2: that kind of lonely spot right now, you know, but

1951
01:24:33,000 --> 01:24:35,400
Speaker 2: it's a lot better because I'm working and I got

1952
01:24:35,439 --> 01:24:38,559
Speaker 2: all these other projects coming out and about the pop

1953
01:24:38,720 --> 01:24:40,800
Speaker 2: and bubble and all that, and so it's taking up

1954
01:24:40,840 --> 01:24:43,519
Speaker 2: my mind frame and you know, me working on a

1955
01:24:43,640 --> 01:24:46,120
Speaker 2: whole New Hour, the tour with and all of that.

1956
01:24:46,400 --> 01:24:50,280
Speaker 2: So you know, I'm not feeling as left out and

1957
01:24:50,439 --> 01:24:53,439
Speaker 2: lonely no more, because you know, I got a lot

1958
01:24:53,560 --> 01:24:56,639
Speaker 2: going on. But as a friend, that's what a friend does.

1959
01:24:56,720 --> 01:25:00,400
Speaker 2: A friend understands that you changed, and they gonna change

1960
01:25:00,439 --> 01:25:02,080
Speaker 2: with you, and they're gonna be there for you, and

1961
01:25:02,120 --> 01:25:05,120
Speaker 2: they gonna find out how are you now, find out

1962
01:25:05,200 --> 01:25:06,080
Speaker 2: what makes you happy?

1963
01:25:06,160 --> 01:25:06,320
Speaker 1: Now?

1964
01:25:06,439 --> 01:25:08,840
Speaker 2: What makes you sad? Now you know, and they're gonna

1965
01:25:08,840 --> 01:25:10,439
Speaker 2: be that for you, you know what I mean. But

1966
01:25:11,040 --> 01:25:14,880
Speaker 2: falling back and and it's a selfish move, a lot

1967
01:25:14,920 --> 01:25:17,120
Speaker 2: of people go because they go, oh, you're not making

1968
01:25:17,200 --> 01:25:22,040
Speaker 2: me feel comfortable around you or and now it's about them, yeah,

1969
01:25:22,360 --> 01:25:25,760
Speaker 2: you and not you, you know what I mean. So yeah,

1970
01:25:25,840 --> 01:25:28,280
Speaker 2: it's it's a it's a trip that situation. And I'm

1971
01:25:28,320 --> 01:25:31,040
Speaker 2: still learning, you know what I mean. And uh, and

1972
01:25:32,000 --> 01:25:35,000
Speaker 2: the friends that I do have, Man, we've been rocking

1973
01:25:35,240 --> 01:25:37,880
Speaker 2: and you know, we having a ball and we're gonna

1974
01:25:37,920 --> 01:25:38,439
Speaker 2: keep it moving.

1975
01:25:38,479 --> 01:25:40,519
Speaker 10: We appreciate you, brother, and we love you brother.

1976
01:25:40,880 --> 01:25:42,920
Speaker 2: I love y'all man, and I thank y'all man for

1977
01:25:43,000 --> 01:25:44,960
Speaker 2: this platform. I hate that it got serious.

1978
01:25:45,120 --> 01:25:53,400
Speaker 1: Like always give the best conversations and I love it. Yeah, yeah, yeah, yeah.

1979
01:25:53,640 --> 01:25:56,800
Speaker 2: I appreciate y'all, man, and y'all keep doing, y'all doing

1980
01:25:56,960 --> 01:26:01,040
Speaker 2: y'all very I just want to say, y'all, y'all very powerful,

1981
01:26:01,640 --> 01:26:05,479
Speaker 2: more powerful than what y'all even probably thinking though, and

1982
01:26:05,600 --> 01:26:08,160
Speaker 2: I want you all to understand that and keep doing

1983
01:26:08,560 --> 01:26:11,040
Speaker 2: good with with with the positions y'all.

1984
01:26:12,240 --> 01:26:14,720
Speaker 11: Average Joe premiere June twenty fifth on B E T

1985
01:26:14,920 --> 01:26:16,400
Speaker 11: Plus and thank you brother for joining us.

1986
01:26:16,760 --> 01:26:17,680
Speaker 1: Thank you so much. Man.

1987
01:26:17,760 --> 01:26:18,439
Speaker 2: Y'all check it out.

1988
01:26:19,920 --> 01:26:23,000
Speaker 1: Cole. It's the Breakfast Club. Good morning, the Breakfast Club.

1989
01:26:23,080 --> 01:26:25,280
Speaker 1: Your mornings will never be the same.