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Speaker 1: Forever. Look mad oh, I see you my line and

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Speaker 1: look over there? How is that culture? Yes, goodness, let

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Speaker 1: there is a little bit of verve and also a

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Speaker 1: little bit of swerve words. And what I love about

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Speaker 1: my best friend is that I can look him in

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Speaker 1: the eyes and he knows the cadence with which my

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Speaker 1: voice will take the rise in the falls? Mama, do

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Speaker 1: you think that is because we have spent so much

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Speaker 1: time together that cellularly we're together? This is the reason why.

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Speaker 1: And I can, I can trace it back and located

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Speaker 1: to a specific moment, and I think our guest was

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Speaker 1: actually in the room when this happen. Oftentimes, Well, this

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Speaker 1: was when we realized that, like, this is why we

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Speaker 1: have this sensibility that we share. Is because we were

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Speaker 1: watching one night we got we got a little stones

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Speaker 1: like five years and we were watching we were watching

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Speaker 1: the season finale of a season two finale of Grayson Anatomy,

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Speaker 1: and we watched the part where as he says, um,

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Speaker 1: it was me. It is all bad. Why I didn't

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Speaker 1: No one helped me. I thought I was a surgeon,

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Speaker 1: but I can I thought it was a surgeon, but

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Speaker 1: I'm not, so I quit. And then we realized we

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Speaker 1: laughed at that because we like, we're just like speaking

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Speaker 1: along with it, and we were. And then you said,

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Speaker 1: the reason why we find the same thing is funny

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Speaker 1: is because we we listened to that cadence do those things.

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Speaker 1: It's about the cadence. In fact, the funny thing that

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Speaker 1: we've been saying over the past couple of days and

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Speaker 1: you know what I'm gonna say is and this is

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Speaker 1: a great segue. It's a phenomenal segue. Is in the

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Speaker 1: promos for the SNL episode last week, you know what

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Speaker 1: I'm gonna say Tina fe and Nicki minaje. Yes, Tina

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Speaker 1: goes out here. Do you want to be ten? Or

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Speaker 1: should I be? You'd be you'd be nicking Albina? Okay, okay, great. Hi,

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Speaker 1: I'm Tina Fean. I'm hosting us all this week with

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Speaker 1: musical guest Nicki Minaj, Nicky Should I say it? Yes? Really? Yeah?

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Speaker 1: I say it. It's gonna be let. You shouldn't have

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Speaker 1: said that. Nicki Minaj is so good in these promos.

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Speaker 1: She's an actress first and foremost an actress. Now we

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Speaker 1: say Saturday Night Live and it's a phenomenal, phenomenal our

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Speaker 1: phenomenal guest who we are proud of realizing her destiny

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Speaker 1: each day truly, and I mean she's she's not gonna agreement,

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Speaker 1: She's not gonna It's been a journey to get her

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Speaker 1: back on. It's been a journey to get it back

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Speaker 1: because the bitches book. The book is. The bitch is

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Speaker 1: booked and busy and can't be bothered the credits. I mean,

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Speaker 1: let me tell you something. One of the like writers

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Speaker 1: Dujore of Saturday Night Live. Okay, you've all She's also

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Speaker 1: written for Maya and Marty. And I'm proud to say

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Speaker 1: that we have a web series out and I will

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Speaker 1: remind you of this till the day I die, called

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Speaker 1: Power Couple that is featuring Bowen Yang. And listen, there's many, many,

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Speaker 1: many fucking things to come because our guests, as Chris

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Speaker 1: Allen one said in a song, no one remembers, there

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Speaker 1: have no boundary. Boundary. It bears repeating. He says it

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Speaker 1: one more time, there are no boundaries. Well, let's introduce her,

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Speaker 1: shall we. Everyone. It's Sudy green Ship, a two time

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Speaker 1: guest Chris Allen. Remember Chris, No, I think the winner

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Speaker 1: of Season nine? Oh No, I think he was the

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Speaker 1: winner of season. Well, this is funny that we say

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Speaker 1: this because last night they crowned an American Idle winner. Sure,

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Speaker 1: and then did we and then who is it? Do

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Speaker 1: we care? Her name is Maddie Pope. Come on, Maddie Pope?

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Speaker 1: Wait do you do? You know what the tea is? Though?

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Speaker 1: So this is dating the number two guys dating in

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Speaker 1: the runner up, which they revealed live on the air.

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Speaker 1: It's like a Justin and Kelly called when you are

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Speaker 1: like in um, like in a you're in a captor

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Speaker 1: situation and yeah, like they were like in a in

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Speaker 1: the trenches together, you know what I mean? And it's

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Speaker 1: kind of it's actually exactly like not kind of like,

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Speaker 1: but it's two people on American idol ending up. Dating

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Speaker 1: is exactly like um, when they liberated the Jews from

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Speaker 1: the camps and then so many of those liberated Jews

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Speaker 1: um moved to towns together and created new families. So well,

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Speaker 1: because oh my god, you guys. I did the show

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Speaker 1: this weekend called You're the Experts, a podcast hosted by

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Speaker 1: Chris Stephie guy um. But he always brings on like

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Speaker 1: some academic, some scientist, person specialist whatever to come out

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Speaker 1: and then like it's a panel three comedians that sort

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Speaker 1: of play games to sort of talk about and riff

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Speaker 1: off of their profession. And it's usually some like cool

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Speaker 1: esoteric scientists that like it works with like brown dwarves

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Speaker 1: and space and like that kind of stuff. But the

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Speaker 1: doctor for this time that I was on was the

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Speaker 1: most success. Like she she is the scientists for match

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Speaker 1: dot com, she is the eight Books, she's a p

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Speaker 1: about love, she's the love anthropologists. Basically, she's a doctor.

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Speaker 1: And she was in love Doctor like fifty cents and

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Speaker 1: his song, and she was she was amazing. And what

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Speaker 1: she said was that like people who go through these

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Speaker 1: like very not traumatic experiences, but like us, just what

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Speaker 1: they like I mean that is that is something that

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Speaker 1: just sort of triggers some susceptibility to get it. I

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Speaker 1: get it. It's like it's like, um, why so many

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Speaker 1: co stars get together? There you go, there you go.

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Speaker 1: It's a way to hack love. If you so wish

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Speaker 1: to do you hacked love? Well, do you think that

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Speaker 1: she can help us? Because for the first time in

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Speaker 1: a long time, three of us are all single, single together.

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Speaker 1: Oh oh and you oh y'all, And let me announce

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Speaker 1: and I was not the person who came up with us.

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Speaker 1: I believe it was Matt. But it is the summer

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Speaker 1: of kunt. Can we reveal? We can reveal it is

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Speaker 1: the summer of kunt with a K. That is the

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Speaker 1: title of our group chat on the three of us yea,

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Speaker 1: and there's many different Um. We're also in a in

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Speaker 1: a group chat with a bunch of gay boys you

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Speaker 1: know and love called twink corrors, like when you core

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Speaker 1: a twink do you know? I thought it was called

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Speaker 1: twink choir, which would honestly which cho They could be

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Speaker 1: a beautiful choir. Um, But summers twinks when they get

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Speaker 1: had sex toy, they get a cord Oh gorgeous like

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Speaker 1: an apple? Yeah? Like cop, did you ever have like

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Speaker 1: one of those slicers in your kitchen that had like

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Speaker 1: all the little segments just like push it over? And

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Speaker 1: my mom eventually got rid of ours because she said,

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Speaker 1: too hard to clean. You hard to clean to get

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Speaker 1: in there and rub every surface. I just put it

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Speaker 1: in the dishwasher. Is it dishrusher safe? I believe because

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Speaker 1: bone is rich, very wealthy, but inswasher, like we can

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Speaker 1: just run it every two minutes for one item. You

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Speaker 1: do have a dishwasher? Don't you may play in Brooklyn? Yeah? Wait,

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Speaker 1: did you guys ever remember that song that you guys

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Speaker 1: brought into pop Roulette one day about the dishwasher. You know,

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Speaker 1: I'm gonta dishwasher? Oh my god? Was that I got

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Speaker 1: a dishwasher? I'm going on a Washersha, That's not how it?

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Speaker 1: How did it? Okay, you guys start in and you

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Speaker 1: get the two of you wrote. We did write it

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Speaker 1: together and it went like this. Then I got a

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Speaker 1: dishwasher and it changed my world. Then I got a

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Speaker 1: dishwasher and it changed my world. Cool boy, Oh my god,

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Speaker 1: I remember, and remember had a harmony because I had

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Speaker 1: a really good hartment. I went up on the third drink.

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Speaker 1: Oh boy, yeah, wow, oh my god? Waits a hit?

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Speaker 1: Was the game? Got a dishwasher and it changed my world? Yeah?

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Speaker 1: I got a dishwasher and changed myl was the game?

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Speaker 1: Just that we had a dishwasher? Was truly a nothing song.

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Speaker 1: The two of you knew it was never gonna go

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Speaker 1: and um you came in and you were like, I

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Speaker 1: think Matt was like, I'm going to go first, and

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Speaker 1: we're going to read this song. And I really viscerally

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Speaker 1: is like imprinted. You really remembered it? Oh yeah, definitely did.

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Speaker 1: I gotta say I brought in nothing but turd nuggets

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Speaker 1: to Popularly because I was still getting my sea legs

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Speaker 1: in terms of being a writer. But you were already

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Speaker 1: the beginning for you. But I was just like, what,

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Speaker 1: how does this work? But I also think you were

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Speaker 1: super in your head as always be like get out.

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Speaker 1: You wrote a couple of really good things. Though I

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Speaker 1: loved your Grinder song. Grinder was fun. He wrote like

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Speaker 1: a fifties like you about being on Grinder. My favorite

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Speaker 1: part about and I'm sorry, but the Grinder does remind

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Speaker 1: me of this My favorite part about the sketch group

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Speaker 1: that we were all together and which is called Papulett,

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Speaker 1: which you guys have talked about look it up. Yeah

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Speaker 1: you know do or don't, um, but we did take

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Speaker 1: But the best part about Popularlett would be we performed

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Speaker 1: a lot of this space called pit and um, we

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Speaker 1: would all be backstage because not all of us would

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Speaker 1: always be singing at once, and um, sometimes you would

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Speaker 1: just be hearing the performance going on and you would

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Speaker 1: just hear somebody eat it just one hot And I

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Speaker 1: did like a million times in Big and Beautiful, which

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Speaker 1: is like big is and it I'm hand and then

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Speaker 1: like they like you hear the pieces laugh on station.

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Speaker 1: I just remember there was one time that we take grinder.

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Speaker 1: It's like kids know, I know, because sometimes bombed so

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Speaker 1: hard in that space that like I could hear people

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Speaker 1: and then we would all be backstage and like look

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Speaker 1: at each other and it would be so funny because

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Speaker 1: everybody would just be like like this these pieces that

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Speaker 1: these pieces that we would rehearse to death, like because

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Speaker 1: we used tracks, it wasn't it wasn't like a band

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Speaker 1: situation where like there was a mess up and like

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Speaker 1: you can look at the band and like you can

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Speaker 1: jump back in. It was like no, if you funked

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Speaker 1: up to the track, you were done that. We everybody

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Speaker 1: did it. I mean everybody fully ate it um at

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Speaker 1: one point. But also the fact that we were so

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Speaker 1: overrehearsed at times or very well rehearsed at times, and

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Speaker 1: it would be like Dave Mazzony like you know, just

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Speaker 1: like his head blown up with power, like in the

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Speaker 1: basement of Tish and being like you move on fart

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Speaker 1: and he pops up on Come on, come broken doll.

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Speaker 1: Tess up, broken dolls, your parents buying new stuff at Christmas. Okay,

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Speaker 1: I'm all gonna be little Elf seven. Hey, it's so wait.

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Speaker 1: I will say this, though, I think that popular Lett

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Speaker 1: was my personal creative peak. That's not true. It was

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Speaker 1: one that's not true too, when studio is like, you know,

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Speaker 1: look up at the videos are don't didn't the three

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Speaker 1: of us on Summer of Con before it with Summer

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Speaker 1: of Con like do a little exchange recently of like

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Speaker 1: video links like within the last like a few months. Yeah,

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Speaker 1: remember this video and like the consensus so much. And

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Speaker 1: you know, also the thing is that, well, we are

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Speaker 1: incredibly young. He still me are very young, but also

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Speaker 1: like it's weird to say that we were so young

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Speaker 1: when those were coming out, Like I'm watching I remember, like,

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Speaker 1: you know, entire weeks of my life being like rehearsals,

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Speaker 1: preparing for the show, preparing for video shoots, you know,

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Speaker 1: putting money into this, and I'm like twenty two. Yeah,

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Speaker 1: I will say, I'm really I have no paper regrets

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Speaker 1: about pop. Did that because I knew City would hate it,

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Speaker 1: But that really was like that was rigorous. I mean

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Speaker 1: we we met twice a week for a long time

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Speaker 1: we were coming out of I think like also an

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Speaker 1: advantage that we had was we were coming out of

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Speaker 1: n y U, where we were used to that rehearsal schedule.

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Speaker 1: And I feel like a lot of times when people

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Speaker 1: start comedy, they didn't necessarily go to school for like

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Speaker 1: the arts or whatever, so it's not that mentality. And

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Speaker 1: in fact, pap Roulette wasn't really a lot of people

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Speaker 1: that identified as comedians, Like there were some people that

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Speaker 1: were like dabbling in both. I would say like half

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Speaker 1: the cast hadn't even thought in themselves that way before

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Speaker 1: the group, and now everybody is like so funny and

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Speaker 1: doing great things. But it was like, oh no, this

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Speaker 1: is like first and foremost an acting and performing group

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Speaker 1: and we want to just be snatched. Yes, it was

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Speaker 1: that really was. It was kind of just like especially

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Speaker 1: those first few remember that, like when we put the

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Speaker 1: show up at the pit and we're like, yeah, I'll

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Speaker 1: see what happens. And then people actually liked it and

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Speaker 1: it was it was cool. I I liked it. I mean,

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Speaker 1: just the fusion of sketch comedy and music so many

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Speaker 1: times in the first couple of months, Yeah, I think

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Speaker 1: it was. I just remember really viscerally, like you guys

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Speaker 1: had maybe met a couple of times, and Matt was like,

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Speaker 1: come in and like do musical sketches and I can't

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Speaker 1: sing and all this stuff, and then I think I

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Speaker 1: wrote a song about like finding Mitt Romney sexy or something.

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Speaker 1: Murray Hill was the first one, really good one that yeah,

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Speaker 1: oh you wrote a really good song about murray Hill.

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Speaker 1: And it was our first like big production number. And

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Speaker 1: it wasn't like you didn't come in with like a

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Speaker 1: realized song because you had never written a song before,

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Speaker 1: but um, it was so good. There were people in

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Speaker 1: the group that had real musical talent, so it was

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Speaker 1: this thing. And that's why I wanted you to come

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Speaker 1: in so bad, because I knew that we needed like

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Speaker 1: people to come in with really really really good communic ideas.

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Speaker 1: And this is even before you were in the group. Um,

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Speaker 1: but I knew that there was something possibly to that

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Speaker 1: fusion of like good sketch comedy material and people that

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Speaker 1: could execute performance on a high level. I was like,

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Speaker 1: there's gonna be something to that. And you know, we

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Speaker 1: were committed to that ship for a long time four years,

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Speaker 1: and probably two and a half of those years we

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Speaker 1: met twice a week. That's a that's a lot. And like,

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Speaker 1: look like my dream is to like do a little

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Speaker 1: like reunion show where we just love to do like

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Speaker 1: a live band and then we just sing the songs

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Speaker 1: and like maybe do do a new one or two.

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Speaker 1: And I would love to do that at some point

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Speaker 1: A great, great time, great time. Great. I also honestly,

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Speaker 1: like I look back on a lot of those videos

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Speaker 1: and I do. I feel very proud of them, even

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Speaker 1: if some of them I will give. I'll tell you

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Speaker 1: the one that I like that you wrote. It's so

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Speaker 1: fucking stupid, you guys. It's called name your Baby something weird, ridiculous.

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Speaker 1: It's just like this, like have to be high. Surely,

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Speaker 1: surely the moment that is a snapshot of time where

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Speaker 1: I was a walking, breathing marijuana leaf and like I

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Speaker 1: just had no money and like was wearing a nineties

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Speaker 1: romper every single other day. My parents are probably gonna

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Speaker 1: listen to this my deepest darker secrets, So it's all right,

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Speaker 1: But um, you know that was truly we would get

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Speaker 1: Oh my god, you I remember one time you went

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Speaker 1: over This is maybe so inside baseball, but whatever, it's

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Speaker 1: the three of us Um, I remember one time you

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Speaker 1: went to my apartment that I think you're going to

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Speaker 1: village and we got so stoned and watched Serena William's

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Speaker 1: documentary and then we were like, okay, we have paper

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Speaker 1: lett the Serena Williams Netflix documentary. What was about being

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Speaker 1: this hand? Serena? And um, Matt goes, okay, we should

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Speaker 1: write something, so we like go I think we went

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Speaker 1: into separate rooms or whatever, and you wrote this monologue

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Speaker 1: which was like, I am the Serena Williams a bar

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Speaker 1: tending yes, And it was so funny. It was so

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Speaker 1: funny Serena Williams of Mixology. So I guess what we're

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Speaker 1: saying is that you need drugs to be creative. That

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Speaker 1: was I also at the same the same day, I

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Speaker 1: wrote Freedom Tower. Oh my god, Yeah, that was sedome

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Speaker 1: to Dick of America, Penis in the Sky, Freedom Tower,

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Speaker 1: Penis of the Gods. I'm wagine it between my cars,

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Speaker 1: all so many feet up, baby, sleeping me up, fucking

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Speaker 1: me talk Esa Freedom Tower, did of America, Penison the Sky.

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Speaker 1: There we go for Talk of America Penis in Lost

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Speaker 1: and I'm so glad our parents paid for Tishe it's

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Speaker 1: worth every penny. It's worth every god damn the penny.

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Speaker 1: And I was just saying the other day actually that

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Speaker 1: I had been, like, I think college up until when

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Speaker 1: I got SNL, such a stoner. And the minute I

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Speaker 1: started working at SNL, I like I could not smoke wheed.

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Speaker 1: It made me so paranoid. I mean I would never, like,

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Speaker 1: you know, go to work high, but like you know,

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Speaker 1: you get home at like you know, ten eleven or whatever,

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Speaker 1: and I was just like smoke and watch TV. And

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Speaker 1: the minute I did, I just think everybody hates me

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Speaker 1: and what am I doing tomorrow? And I'm not funny

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Speaker 1: And I would just spin spence. Since been spin my wheels.

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Speaker 1: And now I feel like it's kind of set a

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Speaker 1: thing where like it's not as casual for me anymore.

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Speaker 1: Like I truly need to be in vacation mode and

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Speaker 1: have nothing on my plate. You need to be out

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Speaker 1: and off week on a dark week, on a dark week,

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Speaker 1: and not even have like a phone call that could happen.

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Speaker 1: That so clear. I mean I'm the same way now, truly,

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Speaker 1: like I don't do it. I have not smoked in

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Speaker 1: about a full month, and I don't like that's just

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Speaker 1: because like the last month has been crazy. I think

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Speaker 1: smoking during the day too. It's just like a different thing.

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Speaker 1: You can't do it anymore. I can't do anymore. No,

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Speaker 1: you're right, it wasn't. It was a thing for your

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Speaker 1: early twenties. It was. It's not a thing anymore. It

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Speaker 1: has changed. And once again we're bringing back the fact

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Speaker 1: that we are young. But at the time we were younger,

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Speaker 1: we were younger crazy anything. We actually also just talked

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Speaker 1: about this with Franchise Ramsey because she was on the

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Speaker 1: podcast UM recently, great app very very good. Hm. You honey,

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Speaker 1: you gotta respect hm. You always respect him to get

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Speaker 1: some lamare out of it there the eyes and ears,

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Speaker 1: trust they are. But she was also saying that she

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Speaker 1: used to be a real fucking stoner and now you

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Speaker 1: know not. But yeah, it does change over time. So

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Speaker 1: young kids, go ahead and get your toke on. So

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Speaker 1: we're so young now. I wanted to go to go

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Speaker 1: around the table and ask what does summer of kunt

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Speaker 1: mean to you? This summer? What are you what are

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Speaker 1: you hoping to get out of the summer of kunt?

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Speaker 1: I will go first. Um Study texted me today and

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Speaker 1: said she she always what I love that study is

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Speaker 1: she always frames thinks as a question. Okay, so she

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Speaker 1: said she yes, she and she goes, should we get

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Speaker 1: snatched the summer? And I was like, yeah, definitely we should.

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Speaker 1: Um it's not like, you know, let's get snatched this summer.

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Speaker 1: Should Um, yes we should. And my plan is to

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Speaker 1: um transform my body. That's my plan. And talk about

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Speaker 1: how your body has transformed up until this point, which

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Speaker 1: is I feel like you kind of have experienced something

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Speaker 1: where like your constant diet of chicken, fingers and cheese

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Speaker 1: has a little bit. You still look very good, still

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Speaker 1: look very good. That's the thing that was like, Matt

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Speaker 1: has all basically nothing to complain about. But I understand

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Speaker 1: wanting to aspire to something better. Here's what I think. Um,

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Speaker 1: you know we're talking about being single again so young.

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Speaker 1: You know, with being single again, you know you want

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Speaker 1: to impress, you want to be the best version of yourself,

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Speaker 1: and you know I would like to do that. That's all.

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Speaker 1: And you know it's interesting like lately and this has

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Speaker 1: been happening more lately. But and then of course we'll

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Speaker 1: continue to go around the circle. So I'll make this

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Speaker 1: very quick, but I I I compare myself to to

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Speaker 1: other people a lot, like on Instagram, and I'm like, oh,

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Speaker 1: they have a much better body than me. Yeah, it's

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Speaker 1: definitely a sickness and I know I need to get

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Speaker 1: out of that. But really I would just like to

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Speaker 1: look better for my for myself, and I also I

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Speaker 1: also I'm not stupid, like I know that, like in

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Speaker 1: the grand scheme of things, like I don't have too

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Speaker 1: much to complain about. I'm lucky to have like the

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Speaker 1: tabolism I have. We should all accept our bodies as

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Speaker 1: they are. And radical self love is the ultimately fuck

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Speaker 1: you the patriarchy um, but also a healthier lifestyle for you.

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Speaker 1: I love and you know, to see you, you know,

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Speaker 1: just even wearing a soft short, you know, with the

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Speaker 1: promise of maybe going on a jog. I've actually gone

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Speaker 1: on two jogs months. This is what This is what

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00:21:13,040 --> 00:21:14,399
Speaker 1: you and I have to do. We should go in

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Speaker 1: on like a cute pair of outdoor voices shorts top

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Speaker 1: for Matt, and I think that will be his starter pack. Yeah,

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Speaker 1: you definitely need a cute but you need like the

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Speaker 1: ship that will make you say, like Anthony, you need

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00:21:30,800 --> 00:21:33,600
Speaker 1: to like it needs to be the ship where you're like, oh,

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Speaker 1: you know what this is. I gotta put on my

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Speaker 1: outdoor Voices shorts and my Lulu Leah top and I'm

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Speaker 1: going to go for a make it a lifestyle moment.

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Speaker 1: I relieve your honey. But here's the thing, Like I

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Speaker 1: feel like I am. I'm very on the go as

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Speaker 1: a person. I am a very physical person. When when

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Speaker 1: you don't when I close the door, I'm dancing when

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Speaker 1: I'm in my room, I'm dancing. When you say you're

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Speaker 1: a physical person, you mean your horny all the time. Yeah,

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00:21:54,440 --> 00:22:02,160
Speaker 1: it's definitely true. Um like what I am. But okay,

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00:22:02,359 --> 00:22:06,120
Speaker 1: I know I said, but but listen, when I close

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Speaker 1: the door, I'm dancing when I'm in my room, dancing.

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Speaker 1: I'm always moving. I love to pace around, you see me.

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Speaker 1: I love to pace around. I love to walk. I

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00:22:14,440 --> 00:22:16,679
Speaker 1: walk sometimes, like when I can take the subway. I

391
00:22:16,720 --> 00:22:19,520
Speaker 1: like being on the What I need to do is

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Speaker 1: change my diet. You are right, it is bad, okay,

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Speaker 1: But here's here's what I want us to do in

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00:22:23,600 --> 00:22:25,879
Speaker 1: this exercise as well. I want the other members of

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Speaker 1: the circle to offer one suggestion of what they want

396
00:22:29,920 --> 00:22:31,880
Speaker 1: the person to get out of Summer of kunts Okay,

397
00:22:31,880 --> 00:22:33,840
Speaker 1: so now that we're talking about me, you guys go

398
00:22:33,920 --> 00:22:36,560
Speaker 1: and then you guys. So for you, Matt, I want

399
00:22:36,600 --> 00:22:40,639
Speaker 1: you to just expand your scope, your scope, your cultural

400
00:22:40,640 --> 00:22:42,679
Speaker 1: scope just a little bit because we because you and

401
00:22:42,720 --> 00:22:45,119
Speaker 1: I had to be on the view because no, no, no,

402
00:22:45,119 --> 00:22:49,680
Speaker 1: no, no no, no, beyond the view exactly. Um, just because

403
00:22:49,720 --> 00:22:51,639
Speaker 1: those six women all have a different perspective doesn't mean

404
00:22:51,640 --> 00:22:54,680
Speaker 1: that you're getting all the news exactly. Thank you for

405
00:22:54,720 --> 00:22:56,920
Speaker 1: saying there's six of them, because everyone forgets Paula Faris

406
00:22:57,000 --> 00:23:01,480
Speaker 1: sometimes as long I never forget Paula Fis. Matt and

407
00:23:01,520 --> 00:23:05,080
Speaker 1: I did um this assignment for this podcast, this other

408
00:23:05,119 --> 00:23:08,320
Speaker 1: podcast where we had to watch this documentary on Netflix

409
00:23:08,320 --> 00:23:10,639
Speaker 1: about K pop and I loved it and Matt I

410
00:23:10,640 --> 00:23:12,880
Speaker 1: could tell what was interested. But I think I want

411
00:23:12,920 --> 00:23:16,440
Speaker 1: Matt to see those as opportunities to widen his cultural

412
00:23:17,440 --> 00:23:21,000
Speaker 1: a scope and maybe read and listen to, you know,

413
00:23:21,600 --> 00:23:23,880
Speaker 1: did different music and that kind of thing. I want

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00:23:23,880 --> 00:23:27,359
Speaker 1: Matt's cultural palette to increase, expand. I famously like what

415
00:23:27,400 --> 00:23:32,240
Speaker 1: I like, but I hear that for you, this is

416
00:23:32,359 --> 00:23:41,840
Speaker 1: my wish. I want you to write. I really want

417
00:23:41,840 --> 00:23:46,320
Speaker 1: to write more. I want you to write something specific

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00:23:49,119 --> 00:23:53,919
Speaker 1: every day. That's probably a good one. And when you write,

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Speaker 1: I won't want you right to be you. Thank you, No,

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00:24:01,000 --> 00:24:04,240
Speaker 1: I really agree that's the most important. It's important to

421
00:24:04,359 --> 00:24:07,120
Speaker 1: be you. I agree with you in a real way.

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00:24:07,600 --> 00:24:09,600
Speaker 1: I think that you're so this is like kind of

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00:24:09,640 --> 00:24:12,200
Speaker 1: becoming a little self helping with I love it. But

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00:24:12,480 --> 00:24:14,280
Speaker 1: I think that you are so funny and creative. But

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00:24:14,320 --> 00:24:17,840
Speaker 1: I feel like when it comes to pen to paper

426
00:24:17,920 --> 00:24:21,760
Speaker 1: that you are not assigned. He needs an assignment. I

427
00:24:21,840 --> 00:24:24,680
Speaker 1: am the same way though I'm very I'm very disciplined

428
00:24:24,720 --> 00:24:28,000
Speaker 1: at work and very like ship like you know, but

429
00:24:28,080 --> 00:24:29,840
Speaker 1: then when I'm writing on my own, it's a completely

430
00:24:29,840 --> 00:24:33,520
Speaker 1: different ballgame. And I, um, you know, watch garbage. And

431
00:24:33,840 --> 00:24:35,560
Speaker 1: I used to write for fun more when I was

432
00:24:35,560 --> 00:24:37,600
Speaker 1: in college and after college for popular I would write

433
00:24:37,600 --> 00:24:39,160
Speaker 1: for fun all the time. And now you know what

434
00:24:39,200 --> 00:24:40,920
Speaker 1: I think happened. And then when I have a show

435
00:24:40,960 --> 00:24:43,000
Speaker 1: that I want to put up, put up. I always

436
00:24:43,040 --> 00:24:45,359
Speaker 1: impressed myself with what I can get done. But do

437
00:24:45,440 --> 00:24:47,960
Speaker 1: I miss I miss writing stuff. You were both always

438
00:24:48,000 --> 00:24:52,000
Speaker 1: so disciplined and that was that was inspiring, honestly, And

439
00:24:52,320 --> 00:24:54,800
Speaker 1: this is this is maybe now a little inside baseball,

440
00:24:54,800 --> 00:24:56,400
Speaker 1: And then we'll move on to we'll go around the table,

441
00:24:56,480 --> 00:25:00,960
Speaker 1: go to study. We'll continue the baseball, but baseball the

442
00:25:01,040 --> 00:25:03,320
Speaker 1: podcast and doing like all this kind of stuff around

443
00:25:03,359 --> 00:25:05,600
Speaker 1: the podcast and you know, writing the recaps and stuff

444
00:25:05,600 --> 00:25:07,680
Speaker 1: like that that takes a lot, takes a lot of

445
00:25:07,880 --> 00:25:09,840
Speaker 1: her time. And then it's like a lot of things

446
00:25:09,840 --> 00:25:12,119
Speaker 1: to manage and like, you know, all these things, and

447
00:25:12,160 --> 00:25:14,200
Speaker 1: all of a sudden, you're like, Wow, when's when's the

448
00:25:14,280 --> 00:25:17,159
Speaker 1: last time I wrote something fun for for for me?

449
00:25:17,240 --> 00:25:22,639
Speaker 1: I feel okay, now can I tell you something? You

450
00:25:22,640 --> 00:25:24,600
Speaker 1: can always tell me something about and my best friend?

451
00:25:24,640 --> 00:25:26,640
Speaker 1: Oh my god, thank you. Okay, this is a sponsor

452
00:25:26,680 --> 00:25:29,600
Speaker 1: that I truly love because it has impacted my life

453
00:25:29,840 --> 00:25:33,040
Speaker 1: in a really, really tangible way. Are you talking about Quip.

454
00:25:33,080 --> 00:25:35,679
Speaker 1: I'm talking about Quip because she talks about Quip. I

455
00:25:35,720 --> 00:25:39,760
Speaker 1: talk about her all the no. I love my Quip

456
00:25:39,760 --> 00:25:43,560
Speaker 1: toothbrush so much. I used to be pretty touch and

457
00:25:43,600 --> 00:25:47,720
Speaker 1: go with my toothbrushing habits. I'm gonna admit it's gross, disgusting,

458
00:25:47,840 --> 00:25:52,040
Speaker 1: It's just truly vile. But now Quip has sort of

459
00:25:52,160 --> 00:25:55,200
Speaker 1: changed the whole brushing game for me because it feels

460
00:25:55,240 --> 00:25:58,120
Speaker 1: so fun and so easy and so simple and it's

461
00:25:58,160 --> 00:26:00,480
Speaker 1: because most of us are brushing our teeth all wrong,

462
00:26:00,600 --> 00:26:02,840
Speaker 1: not for long enough, and forget to change our brush

463
00:26:02,920 --> 00:26:06,000
Speaker 1: on time. And most brands focus on selling flashy gimmicks

464
00:26:06,080 --> 00:26:08,720
Speaker 1: rather than better brushing, But not Quip. So what makes

465
00:26:08,800 --> 00:26:11,560
Speaker 1: Quips so different? Oh? I think I know. Quip go

466
00:26:11,720 --> 00:26:14,800
Speaker 1: off all right For starters. Quip is an electric toothbrush

467
00:26:14,840 --> 00:26:17,440
Speaker 1: that's a fraction of the cost of bulk gear brushes

468
00:26:17,640 --> 00:26:20,320
Speaker 1: while still packing just the right amount of vibrations to

469
00:26:20,359 --> 00:26:23,000
Speaker 1: help clean those teeth. That's right. Quips built in timer

470
00:26:23,080 --> 00:26:25,879
Speaker 1: helps you clean for the dentist recommended two minutes with

471
00:26:26,080 --> 00:26:29,040
Speaker 1: guiding pulses that remind you when to switch side. Next,

472
00:26:29,160 --> 00:26:32,680
Speaker 1: Quips subscription plans or for your health, not just convenience.

473
00:26:32,840 --> 00:26:36,440
Speaker 1: They deliver new EQUIP brush heads on a dentist recommended

474
00:26:36,480 --> 00:26:40,639
Speaker 1: schedule every three months for just five dollars, including free

475
00:26:40,680 --> 00:26:45,000
Speaker 1: shipping worldwide, no matter if you're in America or East Asia.

476
00:26:45,280 --> 00:26:47,560
Speaker 1: Quip also comes with the amount that sections right to

477
00:26:47,640 --> 00:26:49,840
Speaker 1: your mirror and unsticks to use as a cover for

478
00:26:49,920 --> 00:26:53,680
Speaker 1: hygienic travel wherever you take your teeth. And also, you, guys,

479
00:26:53,800 --> 00:26:56,800
Speaker 1: everyone loves Quip. They were on Oprah's Oh list. They

480
00:26:56,840 --> 00:26:59,520
Speaker 1: were named one of Time's Best Inventions, and it's the

481
00:26:59,560 --> 00:27:04,120
Speaker 1: first subscription electric toothbrush accepted by the American Dental Association,

482
00:27:04,240 --> 00:27:07,640
Speaker 1: the first. Plus they're backed by network of over twenty

483
00:27:07,800 --> 00:27:11,440
Speaker 1: thousand dentists and hygienists and hundreds of thousands of happy

484
00:27:11,480 --> 00:27:14,520
Speaker 1: brushers who use Quip every day like me. Uh huh.

485
00:27:14,600 --> 00:27:16,240
Speaker 1: And we have a little bit of an offer for

486
00:27:16,280 --> 00:27:19,520
Speaker 1: our last culture recess little baby listeners. Quip starts at

487
00:27:19,560 --> 00:27:21,400
Speaker 1: just twenty five dollars and if you go to get

488
00:27:21,520 --> 00:27:25,680
Speaker 1: quip dot com forward slash ding dong right now, you'll

489
00:27:25,720 --> 00:27:29,760
Speaker 1: get your first refill pack free with a Quip electric toothbrush.

490
00:27:29,800 --> 00:27:32,639
Speaker 1: That's your first refill pack free at get quip dot

491
00:27:32,720 --> 00:27:36,600
Speaker 1: com forward slash ding Dong. That's spelled g E t

492
00:27:37,119 --> 00:27:40,359
Speaker 1: q u i p dot com forward slash ding dong

493
00:27:40,680 --> 00:27:48,920
Speaker 1: d I n g O. Thank you, Get quip suit.

494
00:27:48,960 --> 00:27:50,520
Speaker 1: He's turn for summer of count. What are you hoping

495
00:27:50,560 --> 00:27:52,840
Speaker 1: to get out of that? I'm well, First of all,

496
00:27:52,880 --> 00:27:54,440
Speaker 1: I feel like I should say that my breakup is

497
00:27:54,560 --> 00:27:57,119
Speaker 1: very real and very raw, and that the other day,

498
00:27:57,359 --> 00:28:00,639
Speaker 1: um I cried in whole foods just looking at foods

499
00:28:00,720 --> 00:28:05,399
Speaker 1: that I used to eaten by with my lover. It

500
00:28:06,520 --> 00:28:10,080
Speaker 1: is truly was weeping in whole foods because I saw

501
00:28:10,119 --> 00:28:12,400
Speaker 1: like a fond du kit and I was just like

502
00:28:13,480 --> 00:28:18,680
Speaker 1: he used to eat cheese off my nipples. No. Um,

503
00:28:18,880 --> 00:28:21,080
Speaker 1: So that is the caveat which is that I'm raw

504
00:28:21,359 --> 00:28:24,880
Speaker 1: figuring it out every day. Um. But what I want

505
00:28:24,920 --> 00:28:29,600
Speaker 1: for summer of cunt I keep thinking that I would

506
00:28:29,640 --> 00:28:36,719
Speaker 1: like to make love with or two a thirty seven

507
00:28:36,800 --> 00:28:40,440
Speaker 1: to forty two year old man. And I don't even

508
00:28:40,480 --> 00:28:42,600
Speaker 1: know if I really want to. I don't know what

509
00:28:42,640 --> 00:28:45,320
Speaker 1: that is. I don't know, you know, south of the

510
00:28:45,400 --> 00:28:47,640
Speaker 1: border what that means. I don't know what above the

511
00:28:47,680 --> 00:28:49,680
Speaker 1: border that means. I don't know what kind of belly

512
00:28:49,720 --> 00:28:51,600
Speaker 1: situation I'm talking about. I don't know if I'm gonna

513
00:28:51,600 --> 00:28:53,560
Speaker 1: have to be on top on my side, you know

514
00:28:53,600 --> 00:28:56,440
Speaker 1: what I mean? What what are the mechanics of that?

515
00:28:56,720 --> 00:28:58,800
Speaker 1: I don't know when all that ship kicks in either.

516
00:29:00,280 --> 00:29:03,160
Speaker 1: I feel that what I want is a man with

517
00:29:03,320 --> 00:29:08,440
Speaker 1: no roommates to worship my body. That's what That's what

518
00:29:08,480 --> 00:29:12,160
Speaker 1: I really mean when I say I want fourty year

519
00:29:12,160 --> 00:29:14,920
Speaker 1: old man, which is like no roommates. I want you

520
00:29:14,960 --> 00:29:17,280
Speaker 1: to have like liquor, like I want you to have

521
00:29:17,320 --> 00:29:21,200
Speaker 1: a bar cart. Yes, I want like different brown liquids,

522
00:29:21,640 --> 00:29:25,120
Speaker 1: you know what I mean, Fasten me a drink and

523
00:29:25,160 --> 00:29:31,640
Speaker 1: then and then be like, just you know, I just

524
00:29:31,840 --> 00:29:34,880
Speaker 1: have that. Have to be wearing a bathrobe in the morning.

525
00:29:35,160 --> 00:29:38,960
Speaker 1: Oh absolutely, put the T shirt on immediately when it's done,

526
00:29:39,080 --> 00:29:42,280
Speaker 1: and have him say to you the morning after, I

527
00:29:42,280 --> 00:29:44,840
Speaker 1: gotta go, but stay as long as you want. I

528
00:29:44,920 --> 00:29:47,920
Speaker 1: just came. Yep, I just did. That's those are the best.

529
00:29:48,040 --> 00:29:50,760
Speaker 1: That's the best thing you can parents gonna listen to

530
00:29:50,760 --> 00:29:53,440
Speaker 1: this episode. They listen to you guys, and they listen

531
00:29:53,440 --> 00:30:00,480
Speaker 1: to you guys on their road trip to Miami. Oh

532
00:30:00,520 --> 00:30:02,959
Speaker 1: my god, I'm gonna have to warn them about this. Whatever.

533
00:30:03,000 --> 00:30:06,200
Speaker 1: Who cares? This is my truth. I don't want. I

534
00:30:06,880 --> 00:30:11,680
Speaker 1: was cutting strawberries today and I wept. I wept. I

535
00:30:11,720 --> 00:30:15,760
Speaker 1: wept for what I've lost. It is really hard, very

536
00:30:15,840 --> 00:30:19,920
Speaker 1: hard hard. Anyway, whatever breakups are hard, this is a

537
00:30:19,920 --> 00:30:22,040
Speaker 1: big breakthrough that I've discovered. I don't know if people

538
00:30:22,080 --> 00:30:25,160
Speaker 1: have talked about this before, but breakups really don't. I

539
00:30:25,160 --> 00:30:26,760
Speaker 1: think this is the first time people are really getting

540
00:30:26,800 --> 00:30:28,320
Speaker 1: I should write a book. You should write a book

541
00:30:28,320 --> 00:30:31,440
Speaker 1: about it. I should be the love anthropologist because I

542
00:30:31,440 --> 00:30:34,640
Speaker 1: went through one breakup. Okay, what are you going to

543
00:30:34,720 --> 00:30:41,360
Speaker 1: do for summer? Okay, okay, well tear me apart. No,

544
00:30:41,400 --> 00:30:43,040
Speaker 1: I'm not going to tell you apart. I'm not going

545
00:30:43,080 --> 00:30:48,160
Speaker 1: to tell you apart um. What I wish for you

546
00:30:49,120 --> 00:30:52,240
Speaker 1: is that I hope that it's very similar to what

547
00:30:52,280 --> 00:30:55,920
Speaker 1: you said to me. But I want. I think that

548
00:30:56,000 --> 00:30:59,360
Speaker 1: what you really want and something that you crave is

549
00:30:59,360 --> 00:31:02,520
Speaker 1: to sort of make a name for yourself again as

550
00:31:02,560 --> 00:31:05,880
Speaker 1: a performer, and I want you to do something fun

551
00:31:05,960 --> 00:31:10,360
Speaker 1: on stage. I want because what people I think, like

552
00:31:10,400 --> 00:31:12,280
Speaker 1: you know, in terms of what they might know about

553
00:31:12,360 --> 00:31:14,920
Speaker 1: you now, is that Sudi is very much a boss

554
00:31:14,960 --> 00:31:17,360
Speaker 1: at SNL and as a writing supervisor. And you know

555
00:31:17,440 --> 00:31:21,080
Speaker 1: you might have seen, you know, the feature on the

556
00:31:21,200 --> 00:31:24,480
Speaker 1: Kanye Quiet Place sketches she did, and that has many

557
00:31:24,560 --> 00:31:27,120
Speaker 1: images of Sudi being a boss director like on set

558
00:31:27,160 --> 00:31:31,080
Speaker 1: and etcetera, etcetera. But Sudi is also a phenomenal performer,

559
00:31:31,520 --> 00:31:34,920
Speaker 1: and it like, you know, before SML happened, you were

560
00:31:35,000 --> 00:31:38,360
Speaker 1: very much like performing a lot and on big stage

561
00:31:38,360 --> 00:31:41,080
Speaker 1: as y'all and really killing. And so what I and

562
00:31:41,320 --> 00:31:44,480
Speaker 1: I know we talked sometimes about how you know, you're

563
00:31:44,520 --> 00:31:47,000
Speaker 1: grateful for what you're doing and everything, but you also

564
00:31:47,120 --> 00:31:49,160
Speaker 1: like miss that and I saw I want you to

565
00:31:49,280 --> 00:31:51,960
Speaker 1: have that opportunity, and I think you can give it

566
00:31:52,000 --> 00:31:59,320
Speaker 1: to yourself and book and also know that we are

567
00:31:59,400 --> 00:32:01,680
Speaker 1: working as well and trying to create our own projects.

568
00:32:02,720 --> 00:32:06,840
Speaker 1: I'm creating our project the Air that we get to

569
00:32:06,840 --> 00:32:09,080
Speaker 1: do our project soon. There's some good things coming between

570
00:32:09,080 --> 00:32:11,880
Speaker 1: the two of you with some good people hopefully involved

571
00:32:12,320 --> 00:32:15,960
Speaker 1: um My studio. I think for you is um for

572
00:32:16,040 --> 00:32:23,840
Speaker 1: you to find other other um avenues of joy and

573
00:32:23,960 --> 00:32:27,640
Speaker 1: of relaxation, getting deep and gorgeous. I really love this. Yes,

574
00:32:27,800 --> 00:32:32,440
Speaker 1: find other avenues of join relaxation that go beyond and listen.

575
00:32:32,480 --> 00:32:36,000
Speaker 1: This is so necessary specifically for you to travel, but

576
00:32:36,160 --> 00:32:40,280
Speaker 1: I think I think you can find the things that

577
00:32:40,360 --> 00:32:44,200
Speaker 1: make you, that bring you joy, that makes you happy here. Yes, okay,

578
00:32:44,240 --> 00:32:45,880
Speaker 1: I'm so happy that you said that, because you do.

579
00:32:45,920 --> 00:32:48,680
Speaker 1: You travel a lot, and I think you should rediscover

580
00:32:48,720 --> 00:32:51,160
Speaker 1: New York. Yes, yes, I wanted to do that because

581
00:32:51,200 --> 00:32:53,320
Speaker 1: you know, there's places that I've never been, places I've

582
00:32:53,320 --> 00:32:58,680
Speaker 1: never gone. Also, you know, not to be um a classist,

583
00:32:58,960 --> 00:33:01,880
Speaker 1: but there's also I feel like a difference between having

584
00:33:01,960 --> 00:33:05,360
Speaker 1: a little money that you can spend on the place

585
00:33:05,760 --> 00:33:09,560
Speaker 1: in the restaurant, and it is kind of annoyingly like

586
00:33:09,600 --> 00:33:11,520
Speaker 1: a thing in New York where it's like there are

587
00:33:11,560 --> 00:33:16,320
Speaker 1: certain things that are just closing. You can go and

588
00:33:16,360 --> 00:33:19,840
Speaker 1: you can see the Yeah you know name I think.

589
00:33:19,880 --> 00:33:22,840
Speaker 1: But I think I'm very open for a Staycasian, I'm

590
00:33:22,880 --> 00:33:26,160
Speaker 1: I'm leaving my day job soon. All the time in

591
00:33:26,200 --> 00:33:31,080
Speaker 1: the world, I don't think they know, not the listeners know.

592
00:33:31,280 --> 00:33:41,360
Speaker 1: I want you to let your graphic design firms quitting

593
00:33:41,560 --> 00:33:46,760
Speaker 1: his day yet, because this is hum there's for almost

594
00:33:46,800 --> 00:33:48,840
Speaker 1: five years, and so this is this is a big one.

595
00:33:48,920 --> 00:33:51,200
Speaker 1: It's the right move. I claud him. I'm very proud

596
00:33:51,200 --> 00:33:55,840
Speaker 1: of you. Alread thought Summer of come was just about

597
00:33:55,880 --> 00:33:58,400
Speaker 1: us getting horny, but really it's about his getting deep

598
00:33:58,400 --> 00:34:00,480
Speaker 1: and connecting his sisters. I think this is a big

599
00:34:00,480 --> 00:34:03,400
Speaker 1: summer for us. I really do. And also I hope

600
00:34:03,440 --> 00:34:07,680
Speaker 1: this conversation is entertaining to literally anyone because really it

601
00:34:07,840 --> 00:34:13,040
Speaker 1: is really giving me life. Okay, that's the first time

602
00:34:13,040 --> 00:34:15,319
Speaker 1: that's been said on this podcast, giving me life. I

603
00:34:15,360 --> 00:34:19,160
Speaker 1: like it. Okay, bo now you go, Okay, um my

604
00:34:19,239 --> 00:34:24,680
Speaker 1: summer of khunt Um. I am looking forward to some

605
00:34:24,960 --> 00:34:27,120
Speaker 1: and I'm already feel that I feel some sort of

606
00:34:27,680 --> 00:34:30,319
Speaker 1: sexual loosening and I mean that what I mean by

607
00:34:30,320 --> 00:34:33,640
Speaker 1: that it was just like dusting off the cobwebs, like

608
00:34:33,760 --> 00:34:36,239
Speaker 1: figuring out, oh, this is what a successful date looks like.

609
00:34:36,680 --> 00:34:38,800
Speaker 1: Oh like this is Oh I am good at flirting,

610
00:34:38,800 --> 00:34:42,239
Speaker 1: like I am good at these things. Um, so that's fun.

611
00:34:42,280 --> 00:34:44,560
Speaker 1: I want to existing that as long as it seems

612
00:34:44,600 --> 00:34:46,359
Speaker 1: like in the past it's only ever sort of come

613
00:34:46,400 --> 00:34:48,640
Speaker 1: at me in little spurts. I want I want that

614
00:34:48,719 --> 00:34:52,400
Speaker 1: to be something. Um. Obviously, leaving the job is a

615
00:34:52,440 --> 00:34:56,400
Speaker 1: big deal. Having more time to myself to write. I

616
00:34:56,440 --> 00:34:59,319
Speaker 1: mean that's kind of the like the the main goal

617
00:34:59,320 --> 00:35:03,120
Speaker 1: out of all this to just have stuff. But um yeah,

618
00:35:03,200 --> 00:35:05,359
Speaker 1: that's it. Yeah, just just to just to be more

619
00:35:05,400 --> 00:35:09,560
Speaker 1: in touch with yes, myself. I mean that sounds so broad.

620
00:35:09,719 --> 00:35:17,280
Speaker 1: And this is my dream, thank you, is that you

621
00:35:17,320 --> 00:35:23,640
Speaker 1: are free every day every day, and when you are free,

622
00:35:24,880 --> 00:35:33,440
Speaker 1: you are you because I think that you needs to

623
00:35:33,520 --> 00:35:36,920
Speaker 1: just let go and have fun, honey, because sometimes I

624
00:35:37,120 --> 00:35:41,120
Speaker 1: you can you miss the forest for the trees, and

625
00:35:41,200 --> 00:35:44,319
Speaker 1: sometimes the call comes from inside the house because you're

626
00:35:44,400 --> 00:35:47,080
Speaker 1: your inter saboteur, and I want you to be fancy

627
00:35:47,120 --> 00:35:49,000
Speaker 1: free and say I'm Bowe and I have a lot

628
00:35:49,120 --> 00:35:52,760
Speaker 1: going for me. I'm cute, I'm fun I'm funny, I'm smart,

629
00:35:52,800 --> 00:35:55,680
Speaker 1: I got no day job, and just be like living

630
00:35:55,840 --> 00:35:58,920
Speaker 1: that life. I just have this image of you very

631
00:35:59,000 --> 00:36:03,200
Speaker 1: Cary Bradshaw, you know, Carrie Bradger, like the musical, not

632
00:36:03,280 --> 00:36:05,040
Speaker 1: Sex in the City of the Musical, but Carrie Bratchaw

633
00:36:05,040 --> 00:36:08,439
Speaker 1: on the musical trademark. Nobody can write this now because

634
00:36:08,440 --> 00:36:12,359
Speaker 1: we're going to write it. And you are still like

635
00:36:12,560 --> 00:36:16,839
Speaker 1: masculine man, but you are wearing a pink layered chip

636
00:36:16,920 --> 00:36:20,120
Speaker 1: on skirt and you're just kind of walking down the

637
00:36:20,160 --> 00:36:23,440
Speaker 1: street and you're really working the skirt and you're just

638
00:36:23,480 --> 00:36:26,200
Speaker 1: like in cobble Hill and people are just like clocking

639
00:36:26,200 --> 00:36:29,920
Speaker 1: you and smiling. And that's like my image of your

640
00:36:29,960 --> 00:36:34,000
Speaker 1: summer Closer at the end when um, when when Natalie

641
00:36:34,000 --> 00:36:36,760
Speaker 1: Portman is walking down the Times Square and everyone's turning

642
00:36:36,760 --> 00:36:39,600
Speaker 1: around and she's in that like white T shirt that

643
00:36:39,960 --> 00:36:42,080
Speaker 1: that I love that movie. Yeah, oh my god. I

644
00:36:42,080 --> 00:36:44,719
Speaker 1: saw Closer when it came out, which I think I

645
00:36:44,760 --> 00:36:49,440
Speaker 1: was pretty young. Okay, well once again we're young. Um.

646
00:36:49,600 --> 00:36:52,840
Speaker 1: That is the theme of the EPP and I remember

647
00:36:53,080 --> 00:37:00,319
Speaker 1: watching that movie with my dad. Nalie Poorman like up

648
00:37:00,320 --> 00:37:03,960
Speaker 1: her crotch and like tells Clive, oh, and her pussy

649
00:37:04,040 --> 00:37:07,920
Speaker 1: taste like sweet cream, and I just feel like I

650
00:37:07,960 --> 00:37:11,160
Speaker 1: don't even know what that means. Later on, there's this

651
00:37:11,200 --> 00:37:13,680
Speaker 1: scene where Clive Owen is confronting Julia Roberts about her

652
00:37:13,680 --> 00:37:16,320
Speaker 1: affair with Drew Law and he's like, what his come taste?

653
00:37:16,360 --> 00:37:20,759
Speaker 1: Like you watch that with your dad. I feel like

654
00:37:20,920 --> 00:37:24,880
Speaker 1: my parents and I had like this very this like

655
00:37:25,000 --> 00:37:27,360
Speaker 1: dynamic were like something would come up on the screen

656
00:37:27,400 --> 00:37:29,799
Speaker 1: and we didn't want to watch next to each other,

657
00:37:30,000 --> 00:37:32,279
Speaker 1: and then it would just be like this like kind

658
00:37:32,280 --> 00:37:34,920
Speaker 1: of silence and like people were like kind of side

659
00:37:34,920 --> 00:37:38,440
Speaker 1: eyeing people. And I feel like my my dad or

660
00:37:38,480 --> 00:37:41,040
Speaker 1: like my mom would eventually just got you know, like

661
00:37:41,640 --> 00:37:44,560
Speaker 1: like I'm gonna put your hands up. But then also

662
00:37:46,040 --> 00:37:49,440
Speaker 1: I remember one time my sister and I were watching

663
00:37:49,520 --> 00:37:53,960
Speaker 1: The L Word, which was like a sexual awakening for me.

664
00:37:54,680 --> 00:37:57,400
Speaker 1: We were watching The L Word. I really I really

665
00:37:58,239 --> 00:38:03,480
Speaker 1: used to just feel things watching just like sat down.

666
00:38:05,120 --> 00:38:08,960
Speaker 1: I'm just kind of watched and it's like, okay, I

667
00:38:08,960 --> 00:38:17,279
Speaker 1: shouldn't know. When I when I was first getting into

668
00:38:17,320 --> 00:38:19,000
Speaker 1: True Blood, I was home because I got my wisdom

669
00:38:19,000 --> 00:38:20,759
Speaker 1: teeth out, and I was just like watching so much

670
00:38:20,800 --> 00:38:22,640
Speaker 1: True Blood and every time my dad would walk in

671
00:38:22,640 --> 00:38:24,239
Speaker 1: the room to check on me, it would be like

672
00:38:24,239 --> 00:38:27,000
Speaker 1: a scene of like exclusively vampire sex. And there was

673
00:38:27,080 --> 00:38:29,640
Speaker 1: one part where that was like it was the scene

674
00:38:29,680 --> 00:38:33,880
Speaker 1: was only about Jason Stackhouse's ass, and I'm just watching

675
00:38:33,880 --> 00:38:36,399
Speaker 1: and he's like, are you watching porn? I was like, no,

676
00:38:36,760 --> 00:38:38,800
Speaker 1: Like every time you come in and it is porn,

677
00:38:38,960 --> 00:38:42,200
Speaker 1: like for sure, but like it's it's really dramatically potent

678
00:38:42,239 --> 00:38:45,200
Speaker 1: when you're not here. Um, I have to say what

679
00:38:45,239 --> 00:38:47,120
Speaker 1: I want from Bowen, I agree with I think you

680
00:38:47,160 --> 00:38:49,120
Speaker 1: need to give yourself a fucking break. Oh my god,

681
00:38:49,160 --> 00:38:51,759
Speaker 1: I've been so tightly wound for the last Yeah. Just

682
00:38:51,840 --> 00:38:58,120
Speaker 1: like oftentimes, like oftentimes I think like you're not thinking

683
00:38:58,160 --> 00:39:00,560
Speaker 1: about the good stuff, you know what I mean, Like

684
00:39:00,560 --> 00:39:02,680
Speaker 1: there's so much good stuff happening, and there's so much

685
00:39:02,760 --> 00:39:05,040
Speaker 1: fun to be had, and I sometimes will think like

686
00:39:05,680 --> 00:39:08,800
Speaker 1: I wish that like Bowen wasn't fixated on like the

687
00:39:09,200 --> 00:39:13,160
Speaker 1: things that are like, um, not of a situation and

688
00:39:13,200 --> 00:39:14,920
Speaker 1: just have fun, Like we have such a like a

689
00:39:15,000 --> 00:39:18,200
Speaker 1: fun summer coming up. I just want like you to

690
00:39:18,239 --> 00:39:22,280
Speaker 1: embrace like you know the good stuff that's that's happening,

691
00:39:22,320 --> 00:39:24,439
Speaker 1: and I think that I want that to bleed into

692
00:39:24,480 --> 00:39:27,719
Speaker 1: all aspects of your life. Like obviously I think that

693
00:39:28,600 --> 00:39:31,920
Speaker 1: the boys are in for it. So this summer, Honey,

694
00:39:31,920 --> 00:39:35,280
Speaker 1: when Bowen Yang hits the club, I think that all

695
00:39:35,360 --> 00:39:39,319
Speaker 1: are you need to be surfacing him immediately, bitch. I

696
00:39:39,360 --> 00:39:42,000
Speaker 1: think that everyone should get on the knees. I think

697
00:39:42,040 --> 00:39:50,960
Speaker 1: that everyone should flap the mouth. Let this character, this character,

698
00:39:51,760 --> 00:39:59,080
Speaker 1: who am you should do Paris is Burning? This is

699
00:39:59,080 --> 00:40:01,120
Speaker 1: a character that you're gonna right now because I do

700
00:40:01,239 --> 00:40:05,000
Speaker 1: like to also assign Matt characters. You should do Paris

701
00:40:05,280 --> 00:40:12,080
Speaker 1: is Burning? Ball mc giving giving financial advice. Oh you

702
00:40:13,160 --> 00:40:15,880
Speaker 1: bank and ask her what you can do to know

703
00:40:16,080 --> 00:40:20,200
Speaker 1: all the insurance rate. Matt was doing a character this

704
00:40:20,280 --> 00:40:24,200
Speaker 1: weekend during during downtime at fult Freestival. I have to

705
00:40:24,239 --> 00:40:27,959
Speaker 1: do it, and I think it's worth doing. Fine Matt

706
00:40:30,040 --> 00:40:35,920
Speaker 1: one on this run. It's like a stupid track queen

707
00:40:36,280 --> 00:40:42,000
Speaker 1: character whose catchphrase was there is nothing wrong with trans

708
00:40:42,120 --> 00:40:51,640
Speaker 1: there is nothing wrong with tran but so but the cadence.

709
00:40:51,680 --> 00:40:57,000
Speaker 1: What the vocal affect was, there is nothing wrong with tran.

710
00:40:57,120 --> 00:41:01,719
Speaker 1: It was this was the pitch is here. Just let

711
00:41:01,719 --> 00:41:12,560
Speaker 1: me tell you something. There is nothing wrong with wild Okay,

712
00:41:12,600 --> 00:41:14,560
Speaker 1: but this I'm so glad we did. This feels like

713
00:41:14,560 --> 00:41:18,799
Speaker 1: a real therapeutic Honestly, I hope so many comments felt

714
00:41:18,920 --> 00:41:23,080
Speaker 1: a conversation with three best friends because I love that.

715
00:41:23,800 --> 00:41:26,680
Speaker 1: I love it when people will like, um, come to

716
00:41:26,760 --> 00:41:30,040
Speaker 1: work or something or whatever and they're like, you guys

717
00:41:30,080 --> 00:41:33,640
Speaker 1: just seem like friends, and it's like, yeah, bitch, we

718
00:41:33,760 --> 00:41:37,120
Speaker 1: always been every fucking day together. There was a time

719
00:41:37,160 --> 00:41:41,959
Speaker 1: when that was true. And who isn't who isn't friends?

720
00:41:42,000 --> 00:41:44,200
Speaker 1: Who isn't friends with their coworkers? I don't know. I

721
00:41:44,200 --> 00:41:46,560
Speaker 1: guess a lot of people I do. Do you feel

722
00:41:46,640 --> 00:41:49,600
Speaker 1: very tight with people at work? Yes? Yeah, oh yeah,

723
00:41:49,800 --> 00:41:52,080
Speaker 1: like more so this year. I feel like, well, fran

724
00:41:52,239 --> 00:41:56,319
Speaker 1: Glespie might need to have her She's show, I know,

725
00:41:56,400 --> 00:41:57,520
Speaker 1: but I want to have a run as a g

726
00:41:58,840 --> 00:42:03,279
Speaker 1: She is truly the Actually, on Monday, I had an

727
00:42:03,320 --> 00:42:06,560
Speaker 1: audition and she walked in to the audition. We were

728
00:42:06,560 --> 00:42:08,800
Speaker 1: auditioning for the same part, and it was just so

729
00:42:09,040 --> 00:42:12,000
Speaker 1: funny and we weren't even really excited to see each

730
00:42:12,000 --> 00:42:17,000
Speaker 1: other because I spend every fucking waking moment with her.

731
00:42:17,040 --> 00:42:19,560
Speaker 1: We write a lot together, and like when you're producing

732
00:42:19,600 --> 00:42:21,840
Speaker 1: a sketch together, especially if you have a video sketch

733
00:42:21,840 --> 00:42:24,360
Speaker 1: and another sketch. And then she's just like she's my

734
00:42:24,400 --> 00:42:30,200
Speaker 1: whole world. The bitch buys me juice. She just text me.

735
00:42:30,320 --> 00:42:32,719
Speaker 1: She'll just text me juice press and I'll go yes,

736
00:42:32,840 --> 00:42:36,359
Speaker 1: and she knows what to get me. And I saw

737
00:42:36,360 --> 00:42:38,560
Speaker 1: her and we literally weren't excited to see each other,

738
00:42:38,600 --> 00:42:40,640
Speaker 1: and then we kind of started chatting and then she

739
00:42:40,719 --> 00:42:42,200
Speaker 1: had to go in, and then I was like, i'll

740
00:42:42,239 --> 00:42:46,200
Speaker 1: see you tonight. We literally had a dinner that night.

741
00:42:46,280 --> 00:42:51,120
Speaker 1: It's just so funny when when you see somebody every

742
00:42:51,200 --> 00:43:02,120
Speaker 1: day and they're just becomes like an unspoken language and

743
00:43:02,200 --> 00:43:05,120
Speaker 1: also like a shorthand of like telling people to shut

744
00:43:05,239 --> 00:43:08,440
Speaker 1: up or like we can't we well, we communicate so

745
00:43:08,520 --> 00:43:10,400
Speaker 1: much like I'll just say a friend, okay, I'm not

746
00:43:10,400 --> 00:43:12,520
Speaker 1: going to push it, which is like, oh I like

747
00:43:12,640 --> 00:43:14,759
Speaker 1: that joke. Oh yeah, well it didn't work. Okay, I'm

748
00:43:14,760 --> 00:43:16,000
Speaker 1: not gonna push it. We don't have to have a

749
00:43:16,040 --> 00:43:19,560
Speaker 1: five minute conversation about you know what I mean, Like Okay,

750
00:43:19,680 --> 00:43:22,680
Speaker 1: that's it. And and literally like I catch myself just

751
00:43:22,680 --> 00:43:24,560
Speaker 1: saying the friend and she does the same thing to me. No,

752
00:43:26,080 --> 00:43:29,239
Speaker 1: just that, just that, and you need that, you need that.

753
00:43:29,400 --> 00:43:31,360
Speaker 1: We have known that from the very beginning though, because

754
00:43:31,760 --> 00:43:35,800
Speaker 1: when when Sudie and I were in Hammercats, that's something

755
00:43:35,840 --> 00:43:38,520
Speaker 1: that the director who made me director said to me.

756
00:43:38,600 --> 00:43:41,680
Speaker 1: He was like, it's really important that the people who

757
00:43:41,680 --> 00:43:45,000
Speaker 1: will make decisions creatively together are just able to be

758
00:43:45,040 --> 00:43:47,560
Speaker 1: super honest and say, I don't think this is it.

759
00:43:47,560 --> 00:43:49,319
Speaker 1: It has to be let's move on to do something else.

760
00:43:49,360 --> 00:43:51,759
Speaker 1: And that you're just like, you can't be precious with

761
00:43:52,040 --> 00:43:53,640
Speaker 1: ideas like that. And so the fact that there's someone

762
00:43:53,680 --> 00:43:56,239
Speaker 1: at work that you can work closely with that it's like, well,

763
00:43:56,280 --> 00:43:59,120
Speaker 1: you just can't tiptoe. And it's not about tearing somebody

764
00:43:59,160 --> 00:44:02,239
Speaker 1: down at because also the minute you kind of go

765
00:44:02,360 --> 00:44:04,880
Speaker 1: in on somebody for like who they are, what they've written,

766
00:44:04,960 --> 00:44:07,800
Speaker 1: even if you think it's stupid, like that dynamic is ruined.

767
00:44:08,200 --> 00:44:10,840
Speaker 1: It can be a judgment thing. It's also not about you.

768
00:44:11,000 --> 00:44:14,920
Speaker 1: It's not about you, and it's just about like, okay,

769
00:44:15,520 --> 00:44:17,440
Speaker 1: once I feel like and this goes for like everybody.

770
00:44:17,480 --> 00:44:19,359
Speaker 1: Once you've been in comedy for a while, you know

771
00:44:19,560 --> 00:44:23,600
Speaker 1: when something feels right, feels funny, you know when something

772
00:44:23,640 --> 00:44:27,400
Speaker 1: feels like it's not there yet, and so it's just

773
00:44:27,480 --> 00:44:30,640
Speaker 1: all about like d and you don't even know what

774
00:44:30,680 --> 00:44:32,640
Speaker 1: you're doing, and then you just get to that feeling

775
00:44:32,680 --> 00:44:35,440
Speaker 1: that it's like okay, I mean maybe, and it's not

776
00:44:35,480 --> 00:44:37,759
Speaker 1: always brilliant, but it's like, okay, well I think we

777
00:44:37,800 --> 00:44:40,120
Speaker 1: can turn the way that we are. It's like if

778
00:44:40,120 --> 00:44:41,919
Speaker 1: it makes us laugh, that's how we know it's good.

779
00:44:42,000 --> 00:44:44,440
Speaker 1: And even like this weekend during Vulture Freest, like you

780
00:44:44,480 --> 00:44:46,160
Speaker 1: and I had to shoot out like a bunch of

781
00:44:46,200 --> 00:44:48,520
Speaker 1: segments like games where we would play with these celebrities,

782
00:44:48,560 --> 00:44:51,560
Speaker 1: like what if we played clingon or clingy And then

783
00:44:51,600 --> 00:44:53,520
Speaker 1: like like I pitched that and then that was like no,

784
00:44:53,680 --> 00:44:55,920
Speaker 1: And then I was mad for like a millisecond. I

785
00:44:55,960 --> 00:44:57,600
Speaker 1: was like, well come on, and then I was like, yeah,

786
00:44:57,600 --> 00:45:00,040
Speaker 1: I know he's right like that, there's always another you

787
00:45:00,080 --> 00:45:01,560
Speaker 1: have to get to, but you have to get to

788
00:45:01,600 --> 00:45:03,719
Speaker 1: that place of honesty and for the other person to

789
00:45:03,760 --> 00:45:06,879
Speaker 1: accept that this is all this is. This is not

790
00:45:07,120 --> 00:45:10,760
Speaker 1: about something personal. It's about just coming up with something funny,

791
00:45:10,800 --> 00:45:14,600
Speaker 1: because I mean, you're both there because you had that

792
00:45:14,640 --> 00:45:16,399
Speaker 1: relationship to begin with exactly, you know what I mean,

793
00:45:16,400 --> 00:45:19,480
Speaker 1: And truthfully. I mean that's like when anything that's ever

794
00:45:19,520 --> 00:45:21,600
Speaker 1: been successful, like with this podcast or any of our

795
00:45:21,640 --> 00:45:26,120
Speaker 1: creative endeavorsity like with Night Sober or whatever. Um, it's

796
00:45:26,120 --> 00:45:28,080
Speaker 1: because it's made us both laugh that you wanted to

797
00:45:28,080 --> 00:45:32,399
Speaker 1: do it. And I genuinely hold will always say if

798
00:45:32,440 --> 00:45:35,160
Speaker 1: you're having fun doing it, everyone that watches it will

799
00:45:35,160 --> 00:45:39,759
Speaker 1: have fun. And also, if you want to do comedy

800
00:45:39,920 --> 00:45:43,600
Speaker 1: and you want to be successful at it, you have

801
00:45:44,239 --> 00:45:48,799
Speaker 1: to sleep your way to the If you are a

802
00:45:48,840 --> 00:45:51,000
Speaker 1: woman in comedy, and I will say this, you know,

803
00:45:51,200 --> 00:45:54,080
Speaker 1: two kids have sex with you're a woman in comedy.

804
00:45:54,680 --> 00:45:57,320
Speaker 1: The thing about comedy is that it's a male Dominican industry,

805
00:45:57,920 --> 00:46:01,640
Speaker 1: So there's a lot of things and places and people

806
00:46:02,040 --> 00:46:05,239
Speaker 1: to do, even if they're not funny, you know, just

807
00:46:05,320 --> 00:46:08,080
Speaker 1: do it to prove that you're cool. Yeah, exactly exactly,

808
00:46:08,200 --> 00:46:11,680
Speaker 1: and to get better at sex, because guess what, you

809
00:46:11,800 --> 00:46:14,680
Speaker 1: might you might not be good the first time. That

810
00:46:14,840 --> 00:46:19,840
Speaker 1: having sex and being funny are separate, because let's be honest,

811
00:46:19,880 --> 00:46:21,880
Speaker 1: a lot of people that are funny never have sex.

812
00:46:22,440 --> 00:46:28,640
Speaker 1: But actually the more you buck and come, the funnier

813
00:46:28,760 --> 00:46:33,960
Speaker 1: you become. And it has been scientifically proven that like comedy,

814
00:46:34,080 --> 00:46:38,520
Speaker 1: is income and like you as if you get the calm,

815
00:46:38,600 --> 00:46:40,960
Speaker 1: then you become And also you might be thinking that

816
00:46:41,040 --> 00:46:43,560
Speaker 1: like what I'm saying is like crazy and untrue and

817
00:46:43,600 --> 00:46:48,440
Speaker 1: like obviously ridiculous because you're thinking, well, SUITI, what if

818
00:46:48,480 --> 00:46:51,759
Speaker 1: a woman is in powering comedy And the thing is

819
00:46:51,800 --> 00:46:55,439
Speaker 1: that that doesn't happen exactly and if they are, then

820
00:46:55,680 --> 00:47:00,359
Speaker 1: eat that pussy will but you will know of her

821
00:47:01,040 --> 00:47:05,480
Speaker 1: ever see a woman? No, never ever? And you know

822
00:47:05,520 --> 00:47:11,560
Speaker 1: what they say, um come is a great source of protein.

823
00:47:11,920 --> 00:47:14,560
Speaker 1: And also comedy and you know what they say, there

824
00:47:14,560 --> 00:47:18,960
Speaker 1: are only two genders. Yes, of course only two absolutely

825
00:47:19,719 --> 00:47:23,359
Speaker 1: to maybe just one which is men, which is men. Yeah,

826
00:47:23,360 --> 00:47:26,319
Speaker 1: well in comedy there's only one gender, right, there are

827
00:47:26,440 --> 00:47:29,399
Speaker 1: only two genders outside of that, but in comedy there's

828
00:47:29,400 --> 00:47:32,560
Speaker 1: only one gender. May we legally need to say we're kidding,

829
00:47:33,200 --> 00:47:35,800
Speaker 1: We're kidding, were kidding, We're kidding. Now, that's on the record.

830
00:47:36,360 --> 00:47:40,440
Speaker 1: Everything the HPJ given the thumbs up. HPJ is a witness,

831
00:47:40,440 --> 00:47:43,080
Speaker 1: and he actually has a notary here that is writing

832
00:47:43,080 --> 00:47:45,560
Speaker 1: down that we are kidding and that we are being

833
00:47:45,840 --> 00:47:50,440
Speaker 1: dumb stupid bitches, and we're all going to sign it. Okay, Sutie.

834
00:47:50,480 --> 00:47:55,040
Speaker 1: We've been asking all of our guests recently this, um,

835
00:47:55,040 --> 00:47:57,560
Speaker 1: and especially because you went to this very sort of

836
00:47:58,480 --> 00:48:00,239
Speaker 1: apocryphal No that's not the right word it, but this

837
00:48:00,440 --> 00:48:05,319
Speaker 1: very consequential showing of cats. Oh my god, watch, oh

838
00:48:05,360 --> 00:48:07,360
Speaker 1: my god. Yeah, so you went, you went to go

839
00:48:07,400 --> 00:48:10,080
Speaker 1: see Cats with our friends Patty and Mitra. Right, um,

840
00:48:10,239 --> 00:48:13,280
Speaker 1: so tell us about your experience with the musical Cats. Well,

841
00:48:13,320 --> 00:48:15,160
Speaker 1: I mean, what else is there to say? Have you

842
00:48:15,200 --> 00:48:19,279
Speaker 1: been asking everybody about cats? You would be shocked how

843
00:48:19,280 --> 00:48:22,000
Speaker 1: many times the musical Cats has come up on this podcast.

844
00:48:22,040 --> 00:48:24,560
Speaker 1: It's so stupid that many times. How many times come up?

845
00:48:24,560 --> 00:48:27,560
Speaker 1: But let me just say when Patty, when Patty talked

846
00:48:27,600 --> 00:48:29,480
Speaker 1: about Cat, she said that we went to lunch. We

847
00:48:29,520 --> 00:48:32,120
Speaker 1: didn't just go to lunch. We went to a cabab

848
00:48:32,640 --> 00:48:40,400
Speaker 1: Persian grill. Okay, we had some nice jab. He had

849
00:48:40,440 --> 00:48:45,120
Speaker 1: a beautiful hair, you know, Rice, We got ahshresh day,

850
00:48:45,320 --> 00:48:49,400
Speaker 1: you know all these things. And she is trying to

851
00:48:49,640 --> 00:48:55,240
Speaker 1: hide that she had a passion Patty. Patty too before

852
00:48:55,360 --> 00:48:59,040
Speaker 1: fit Your revision is history. This is like talking about

853
00:48:59,160 --> 00:49:04,960
Speaker 1: revolution without saying America had c I a coup in Iran. Okay,

854
00:49:05,200 --> 00:49:10,839
Speaker 1: we need the whole context. Patty June La Patty comes

855
00:49:10,880 --> 00:49:13,399
Speaker 1: back to the show. She can explain how she can

856
00:49:13,480 --> 00:49:18,320
Speaker 1: explain why she does not like pession. Why do Also

857
00:49:18,400 --> 00:49:24,000
Speaker 1: another thing that we must talk about four cats is

858
00:49:25,239 --> 00:49:32,520
Speaker 1: why there is no passion cat. Yeah, that's actually so.

859
00:49:32,680 --> 00:49:40,759
Speaker 1: There is in in in Cat, in the cat, in

860
00:49:40,960 --> 00:49:46,040
Speaker 1: ben affleck Argo, in Cat. There is fun cat who

861
00:49:46,239 --> 00:49:50,680
Speaker 1: is white cat. And I am thinking maybe this is

862
00:49:50,920 --> 00:49:56,920
Speaker 1: passion cat. But then and everyone you know in cat,

863
00:49:57,640 --> 00:50:03,400
Speaker 1: the white cat is the dance Captain Kent and a persimp.

864
00:50:03,440 --> 00:50:07,080
Speaker 1: You cannot dance like this one cat. So I said

865
00:50:07,120 --> 00:50:10,600
Speaker 1: that this cat did not put out any child. This

866
00:50:10,760 --> 00:50:15,680
Speaker 1: cat did not put out any nuts, not even no fruit.

867
00:50:16,080 --> 00:50:20,320
Speaker 1: So I said, this cat is not Persian cat. Well,

868
00:50:21,080 --> 00:50:26,000
Speaker 1: that is all that's crazy because we we've been like

869
00:50:26,120 --> 00:50:28,040
Speaker 1: to believe there's so much to say about it. But

870
00:50:28,120 --> 00:50:31,400
Speaker 1: that was your big problem with it? No, I mean, okay,

871
00:50:31,600 --> 00:50:35,319
Speaker 1: it was honestly the best day of my goddamn life. Um,

872
00:50:35,880 --> 00:50:39,480
Speaker 1: did you like it? Yes? Okay. So my family does

873
00:50:39,520 --> 00:50:42,799
Speaker 1: not like musicals. They didn't. They never really cared about them,

874
00:50:43,440 --> 00:50:46,960
Speaker 1: and they had no idea. I mean, I come from

875
00:50:47,000 --> 00:50:49,200
Speaker 1: a family that like everything is kind of I was

876
00:50:49,239 --> 00:50:51,600
Speaker 1: the youngest, and my dad is you know, funny, and

877
00:50:51,680 --> 00:50:54,000
Speaker 1: my sister and they would just basically make fun of

878
00:50:54,040 --> 00:50:57,520
Speaker 1: everything I did. And um, like all of a sudden,

879
00:50:57,520 --> 00:51:00,480
Speaker 1: when I was like really into Barber Strizing at like

880
00:51:00,719 --> 00:51:04,000
Speaker 1: seven years old, it was like, where did this come from?

881
00:51:04,040 --> 00:51:06,239
Speaker 1: What is this? Like I saw a funny girl at

882
00:51:06,280 --> 00:51:08,040
Speaker 1: a friend's house and I was just like, this is

883
00:51:08,080 --> 00:51:11,920
Speaker 1: the most amazing movie. You guys all need to watch it.

884
00:51:12,040 --> 00:51:15,399
Speaker 1: And my mom works at a library and they would

885
00:51:15,400 --> 00:51:18,319
Speaker 1: get like donations and stuff, and I think that she

886
00:51:18,480 --> 00:51:22,120
Speaker 1: found this like VHS copy of Cats, and so I

887
00:51:22,200 --> 00:51:25,239
Speaker 1: had this VHS and Cats also is like, you know,

888
00:51:25,360 --> 00:51:26,960
Speaker 1: for my dad and my sister, like that was like

889
00:51:26,960 --> 00:51:29,920
Speaker 1: a musical. Everybody made fun of like it it is stupid.

890
00:51:30,000 --> 00:51:31,840
Speaker 1: But I was like every time I was sick, I

891
00:51:31,880 --> 00:51:34,640
Speaker 1: was watching this VHS copy of Cats, and I like

892
00:51:34,719 --> 00:51:37,920
Speaker 1: it was like came from nowhere, you know what I mean?

893
00:51:38,000 --> 00:51:40,920
Speaker 1: So you get the show, you understand it? Um, yeah,

894
00:51:41,080 --> 00:51:45,840
Speaker 1: I do. I think that it is really Um, I

895
00:51:45,840 --> 00:51:50,040
Speaker 1: don't know. I think it's like early nineties like British kitch.

896
00:51:50,400 --> 00:51:53,040
Speaker 1: I think it's like very British and charming in that way.

897
00:51:53,239 --> 00:51:58,319
Speaker 1: I think that people love Cats, and it is when

898
00:51:58,360 --> 00:52:04,600
Speaker 1: you go and see Cats. Everybody in this show is

899
00:52:04,760 --> 00:52:10,799
Speaker 1: so amazingly talented and everyone is doing Cats like that's

900
00:52:10,800 --> 00:52:13,480
Speaker 1: the only thing you can think of. Is like the training,

901
00:52:14,080 --> 00:52:19,840
Speaker 1: the fucking pirouettes, the flexibility, the range, the choreography, everybody's

902
00:52:19,880 --> 00:52:23,719
Speaker 1: on stage the entire time, the makeup, the bodies. That

903
00:52:23,920 --> 00:52:26,680
Speaker 1: outfit is not forgetting. And everybody's putting all of those

904
00:52:26,719 --> 00:52:32,000
Speaker 1: resources and putting it into Cats. And that's so stupid

905
00:52:32,040 --> 00:52:35,239
Speaker 1: and funny and up to the objective of all of

906
00:52:35,239 --> 00:52:39,560
Speaker 1: that is just cats. It's art. It's truly art and commerce.

907
00:52:39,760 --> 00:52:42,160
Speaker 1: It is just like And also Cats is good because

908
00:52:42,200 --> 00:52:44,359
Speaker 1: I think that, um, you know, you can go and

909
00:52:44,400 --> 00:52:46,279
Speaker 1: see it and pretty much get it and not really

910
00:52:46,280 --> 00:52:49,080
Speaker 1: speak the language. And there was a lot of foreign

911
00:52:49,120 --> 00:52:52,960
Speaker 1: tourist groups and I was sitting next to a couple

912
00:52:53,000 --> 00:52:55,400
Speaker 1: that did not speak English. I don't know where they

913
00:52:55,440 --> 00:52:59,799
Speaker 1: were from. They were Asian and they um didn't speak well.

914
00:52:59,840 --> 00:53:02,640
Speaker 1: I didn't hear them speaking English. And the husband was

915
00:53:02,680 --> 00:53:05,920
Speaker 1: asleep for a lot of it. And then the woman

916
00:53:06,880 --> 00:53:09,920
Speaker 1: nunched him when Memories was playing and they both hummed

917
00:53:09,960 --> 00:53:15,359
Speaker 1: along to Memories and I was like, this is international Cats.

918
00:53:15,360 --> 00:53:19,480
Speaker 1: The Grizabella good. Yeah, she really was. She really was.

919
00:53:20,280 --> 00:53:22,000
Speaker 1: And you know what you should you should talk, you

920
00:53:22,040 --> 00:53:24,120
Speaker 1: should have and Drazin back on the podcast because she

921
00:53:24,160 --> 00:53:28,200
Speaker 1: has like like seminal cats experience herself. I need to

922
00:53:28,200 --> 00:53:30,360
Speaker 1: hear about that. And also my favorite part of Cats

923
00:53:30,719 --> 00:53:34,120
Speaker 1: is um there is a part where the cats get

924
00:53:34,400 --> 00:53:39,440
Speaker 1: sleepy and a little sexy and they go to sleep

925
00:53:39,480 --> 00:53:42,120
Speaker 1: on the stage and they kind of roll around on

926
00:53:42,160 --> 00:53:48,879
Speaker 1: each other and I was like, are the cats sexy? Yeah?

927
00:53:48,960 --> 00:53:51,200
Speaker 1: I think they are. Rum tum tugger. Isn't he like

928
00:53:51,200 --> 00:53:56,040
Speaker 1: a tug There's sexy. I'ld have like a like a sexy,

929
00:53:56,080 --> 00:54:00,800
Speaker 1: spoony cuddle. Sudi famously once told me a friend of

930
00:54:00,800 --> 00:54:02,600
Speaker 1: studies I think had like a crush on me, and

931
00:54:02,640 --> 00:54:05,200
Speaker 1: Sudi was trying to and I said to Suy, I

932
00:54:05,280 --> 00:54:10,439
Speaker 1: just can't picture having sex with him, and Sudi said, well, Matt,

933
00:54:10,560 --> 00:54:16,000
Speaker 1: everyone has sex, So I love it when you quote

934
00:54:16,000 --> 00:54:20,120
Speaker 1: me back to me, I love it. Well, Matt, everyone

935
00:54:20,200 --> 00:54:26,719
Speaker 1: has sex, and they do. Everyone has sex, And if

936
00:54:26,760 --> 00:54:29,160
Speaker 1: you want to make it in comedy, I feel like

937
00:54:29,160 --> 00:54:33,319
Speaker 1: what I said before, no, because I feel like what

938
00:54:33,360 --> 00:54:37,319
Speaker 1: I said before was kind of sexiest. I'm not very progressive,

939
00:54:37,480 --> 00:54:39,440
Speaker 1: and I want to get a caveat on what I

940
00:54:39,480 --> 00:54:43,840
Speaker 1: said earlier, which is that if you are a man again,

941
00:54:43,880 --> 00:54:46,000
Speaker 1: there are only two genders, and I will not go

942
00:54:46,040 --> 00:54:50,479
Speaker 1: back on that. If you are a man, you can

943
00:54:50,520 --> 00:54:53,040
Speaker 1: also sleep your way to the topic. I think that

944
00:54:53,040 --> 00:54:57,840
Speaker 1: that is actually feminism, absolutely, and I think that's like America,

945
00:54:57,960 --> 00:55:00,400
Speaker 1: that's actually really brave. We have a friend, and I

946
00:55:00,440 --> 00:55:03,520
Speaker 1: will not say who it is, but this friend one time,

947
00:55:03,840 --> 00:55:06,440
Speaker 1: like I said, like, we were talking about how another

948
00:55:06,520 --> 00:55:09,839
Speaker 1: mutual friend of ours had allegedly stept with the director

949
00:55:10,080 --> 00:55:12,080
Speaker 1: and like got apart, and I was like, did you

950
00:55:12,160 --> 00:55:15,800
Speaker 1: do that? And they were like, absolutely, that's what you do.

951
00:55:16,280 --> 00:55:21,200
Speaker 1: And I was like, no, I don't know. I don't

952
00:55:21,239 --> 00:55:24,479
Speaker 1: know if that's what you do. I mean, we're also old,

953
00:55:24,560 --> 00:55:26,640
Speaker 1: and like it was not a thing. I mean, I

954
00:55:26,680 --> 00:55:30,480
Speaker 1: think that dumb. You know, if you want to do that,

955
00:55:30,640 --> 00:55:32,680
Speaker 1: go ahead and do it. But I don't think that

956
00:55:32,680 --> 00:55:35,920
Speaker 1: that's how it works. No, it's not. But it's summer

957
00:55:35,960 --> 00:55:38,720
Speaker 1: of cunts. It's summer of kunt. And what if summer

958
00:55:38,760 --> 00:55:43,440
Speaker 1: of kunt means that we book I don't think I

959
00:55:43,480 --> 00:55:47,040
Speaker 1: probably won't book this summer. Love that I love that

960
00:55:47,080 --> 00:55:49,120
Speaker 1: I love looking at I love looking out on this

961
00:55:49,160 --> 00:55:51,120
Speaker 1: summer and just saying, you know what, the summer I'm

962
00:55:51,160 --> 00:55:54,080
Speaker 1: not going to book. I didn't book. I signed on

963
00:55:54,080 --> 00:55:58,040
Speaker 1: the dotted line and I can't book. Wow, okay wow,

964
00:55:58,239 --> 00:56:02,280
Speaker 1: And look at him and he's feeling exclusive. Honey. Wait.

965
00:56:02,760 --> 00:56:05,080
Speaker 1: I want to completely change the subject because I watched

966
00:56:05,080 --> 00:56:09,200
Speaker 1: something before this, which is I watched Kelly Clarkson's Billboard

967
00:56:09,360 --> 00:56:12,879
Speaker 1: Music Awards perform. Wow, thank you for bringing this up.

968
00:56:14,320 --> 00:56:18,799
Speaker 1: Sang a medley of other people's songs, kind of being

969
00:56:18,880 --> 00:56:24,399
Speaker 1: like I can sing all of your music. But did

970
00:56:24,480 --> 00:56:26,680
Speaker 1: you notice that she had like a lot of like

971
00:56:26,760 --> 00:56:30,760
Speaker 1: sweaty costume changes. Yes, she had a lot of costume changes.

972
00:56:30,960 --> 00:56:33,480
Speaker 1: She had like they were kept cutting to the audience

973
00:56:33,520 --> 00:56:35,360
Speaker 1: a lot. Well, mostly because you want to see, like

974
00:56:35,360 --> 00:56:38,440
Speaker 1: Taylor Swift here Kelly Clarkson, like, you know, sing what

975
00:56:38,600 --> 00:56:41,640
Speaker 1: you made me do and like lip sync to it herself.

976
00:56:41,719 --> 00:56:44,000
Speaker 1: I don't know her whole life as a performance, but

977
00:56:45,600 --> 00:56:48,040
Speaker 1: like then they were cutting away because it would be like, oh,

978
00:56:48,120 --> 00:56:50,680
Speaker 1: now she has a hat on and glasses because it's

979
00:56:50,680 --> 00:56:55,000
Speaker 1: Bruno Mars. Now there's there's there's feathers, And it just

980
00:56:55,160 --> 00:56:59,560
Speaker 1: reminded me of like you know, like when you're seeing

981
00:56:59,600 --> 00:57:03,960
Speaker 1: somebody do like a JFL character and there's like a

982
00:57:04,640 --> 00:57:09,680
Speaker 1: warm pots while they're like putting on a full flight suit,

983
00:57:10,600 --> 00:57:14,280
Speaker 1: where it's like you can just put on aviator glasses

984
00:57:14,280 --> 00:57:17,120
Speaker 1: and we'll get that you're a pilot, you know what

985
00:57:17,200 --> 00:57:20,680
Speaker 1: I mean. Well, Kelly's costume transitions were quite seamless at

986
00:57:20,680 --> 00:57:24,440
Speaker 1: the JFL callback I went to recently that wasn't well,

987
00:57:24,440 --> 00:57:27,360
Speaker 1: how is Kelly Clarkson's JF It was really good. She

988
00:57:27,560 --> 00:57:31,080
Speaker 1: her impressions were weak, but her ragional characters. That if

989
00:57:31,080 --> 00:57:34,200
Speaker 1: you can't do impressions, don't do them. That's what I

990
00:57:33,760 --> 00:57:36,880
Speaker 1: always say to Kelly Clarkson. If you can't do impressions,

991
00:57:36,920 --> 00:57:40,040
Speaker 1: have a take. Let me get a character. And a

992
00:57:40,080 --> 00:57:42,040
Speaker 1: lot of people on sn can't do impressions, but they

993
00:57:42,040 --> 00:57:44,600
Speaker 1: have takes. No, No, I bravely am going to say it.

994
00:57:44,640 --> 00:57:49,200
Speaker 1: A lot of people that are famouslyssion on SML can

995
00:57:49,320 --> 00:57:56,840
Speaker 1: do every voice and person in the land. You're right, suit.

996
00:57:56,840 --> 00:58:00,560
Speaker 1: He's on record for saying that even the celebrities come on,

997
00:58:00,720 --> 00:58:05,880
Speaker 1: oh yeah, no, every host is killed. I don't like this.

998
00:58:07,280 --> 00:58:09,560
Speaker 1: I don't like this. Wait wait okay, so what about

999
00:58:09,600 --> 00:58:11,240
Speaker 1: what else? About Kelly. Was that what you were going

1000
00:58:11,280 --> 00:58:15,760
Speaker 1: to say this? And also I agree that she has

1001
00:58:15,800 --> 00:58:21,080
Speaker 1: gotten a new stylist. Oh, there's a new stylist because

1002
00:58:21,880 --> 00:58:25,200
Speaker 1: they have found out how to dress her. There was

1003
00:58:25,240 --> 00:58:29,400
Speaker 1: a ten year period between my two thousand seven seventeen

1004
00:58:29,440 --> 00:58:32,560
Speaker 1: were since she has had the baby, people have not

1005
00:58:32,640 --> 00:58:36,400
Speaker 1: done her right styling Lise. And I think it's fashion people.

1006
00:58:36,520 --> 00:58:38,880
Speaker 1: I mean, I don't want to throw out generalizations, but

1007
00:58:38,960 --> 00:58:41,760
Speaker 1: I do think it's fashion people. And they see Mom

1008
00:58:41,800 --> 00:58:44,360
Speaker 1: and all of a sudden, their brains get scrambled and

1009
00:58:44,400 --> 00:58:46,480
Speaker 1: they see Mom that you know, it's in a size too,

1010
00:58:46,680 --> 00:58:49,560
Speaker 1: and it's like and then what the funk? That's what

1011
00:58:49,640 --> 00:58:51,400
Speaker 1: it is. And this is this is something I would

1012
00:58:51,400 --> 00:58:53,960
Speaker 1: really like to say, and I almost would do, and

1013
00:58:53,960 --> 00:58:55,840
Speaker 1: I don't think so honey about it, but I have

1014
00:58:56,000 --> 00:58:57,880
Speaker 1: a prepared topic, so I'm not going to But I

1015
00:58:57,880 --> 00:59:01,960
Speaker 1: will say this, the industry has done Kelly dirty for

1016
00:59:02,000 --> 00:59:04,439
Speaker 1: a long time and taking advantage of her. And what's

1017
00:59:04,520 --> 00:59:06,120
Speaker 1: kept her in the game as long as she is

1018
00:59:06,240 --> 00:59:09,320
Speaker 1: is her talent, because she will She's the one who

1019
00:59:09,560 --> 00:59:12,920
Speaker 1: every nine months or so she'll have like a viral

1020
00:59:13,080 --> 00:59:15,560
Speaker 1: singing moment and then one will be like, oh my god,

1021
00:59:15,640 --> 00:59:19,640
Speaker 1: Kelly Clarkson is amazing. Now. I think what happened is

1022
00:59:20,280 --> 00:59:24,280
Speaker 1: America has sort of rediscovered her in like a renaissance

1023
00:59:24,640 --> 00:59:27,080
Speaker 1: because she got out of the American contract and Meaning

1024
00:59:27,080 --> 00:59:31,320
Speaker 1: of Life is so amazing the album, and she loves

1025
00:59:31,480 --> 00:59:37,440
Speaker 1: Meaning of Life. Yeah, oh my god. Oh wait. Can

1026
00:59:37,480 --> 00:59:41,080
Speaker 1: I just really quick say one time I saw Hoda

1027
00:59:41,280 --> 00:59:44,040
Speaker 1: in Bertie Rock and I was really starstruck because I

1028
00:59:44,120 --> 00:59:47,479
Speaker 1: loved my best friend and I am my best friend Janan.

1029
00:59:47,600 --> 00:59:49,800
Speaker 1: We always say that we're holding in Kathy Lee, although

1030
00:59:49,840 --> 00:59:53,080
Speaker 1: in our dynamic I'm Kathy Lee, but I really do

1031
00:59:53,240 --> 00:59:55,640
Speaker 1: identify as a Hoda. Well, you know, compared to Jennanna.

1032
00:59:55,680 --> 00:59:59,040
Speaker 1: I kind of amath because she's like a mental health practitioner.

1033
01:00:00,200 --> 01:00:03,200
Speaker 1: She's yeah, she's definitely the Hoda. But I saw Hoda

1034
01:00:03,280 --> 01:00:05,240
Speaker 1: and I've never seen Hoda in the building before, and

1035
01:00:05,240 --> 01:00:07,400
Speaker 1: I kind of got like starstruck. And she walked past

1036
01:00:07,480 --> 01:00:09,080
Speaker 1: me and she's on the phone and I hear just say,

1037
01:00:09,240 --> 01:00:11,880
Speaker 1: I don't think it's a big deal, and I was like,

1038
01:00:11,880 --> 01:00:14,480
Speaker 1: how does chill? Hoda doesn't think it's a big deal.

1039
01:00:14,640 --> 01:00:16,760
Speaker 1: Whenever she's talking about she doesn't think it's a big deal.

1040
01:00:17,120 --> 01:00:21,040
Speaker 1: She's so chill, chill. I think about she must be

1041
01:00:21,120 --> 01:00:23,480
Speaker 1: chill because she fucking drinks every day on that show.

1042
01:00:23,520 --> 01:00:25,680
Speaker 1: I can't believe how much they drink. Well, you know,

1043
01:00:25,840 --> 01:00:29,240
Speaker 1: I think it's a beautiful art of like being a

1044
01:00:29,280 --> 01:00:33,240
Speaker 1: boss bitch but also just being I don't know. I

1045
01:00:33,240 --> 01:00:35,640
Speaker 1: hate to say likable because I think likability is like

1046
01:00:36,200 --> 01:00:39,320
Speaker 1: a ruse, But I mean she's likable. Everyone who's quote

1047
01:00:39,360 --> 01:00:43,360
Speaker 1: unquote likable is not actually likable. That's a performance. I

1048
01:00:43,360 --> 01:00:46,120
Speaker 1: don't think being likable matters. I really don't like Blair

1049
01:00:46,200 --> 01:00:49,240
Speaker 1: st Clair on her you know, final episode when they

1050
01:00:49,280 --> 01:00:53,680
Speaker 1: were doing the drag con um uh panels, she was like,

1051
01:00:53,720 --> 01:00:55,480
Speaker 1: I think the really important thing is to come off

1052
01:00:55,520 --> 01:00:58,800
Speaker 1: as likable. And I think that the minute you're doing

1053
01:00:58,840 --> 01:01:02,920
Speaker 1: a performance to cater to people, it's a trap. I

1054
01:01:02,920 --> 01:01:04,800
Speaker 1: think that people see through it. I think as long

1055
01:01:04,840 --> 01:01:08,560
Speaker 1: as you're being yourself and being vulnerable, people are interested.

1056
01:01:08,680 --> 01:01:11,840
Speaker 1: And I also think that likability is like a trap,

1057
01:01:12,320 --> 01:01:16,280
Speaker 1: like especially for women to be like accommodating and sweet

1058
01:01:16,440 --> 01:01:19,760
Speaker 1: and like, I don't find that interesting, you know, Like

1059
01:01:19,880 --> 01:01:23,760
Speaker 1: I don't find like, I here's the thing somebody that

1060
01:01:24,000 --> 01:01:27,200
Speaker 1: people always say is likable Kristen Bell, who I do like.

1061
01:01:27,680 --> 01:01:31,120
Speaker 1: I don't like Kristen Bell because she's crying about a

1062
01:01:31,160 --> 01:01:35,720
Speaker 1: sloth on Allen or she's doing a cute Whirlpool commercial

1063
01:01:35,840 --> 01:01:38,360
Speaker 1: with Dax. You like her because she's talented, because she's

1064
01:01:38,360 --> 01:01:41,600
Speaker 1: got great on The Good Place and that's a good

1065
01:01:41,640 --> 01:01:44,480
Speaker 1: show and she's good on it. We had this discussion.

1066
01:01:44,480 --> 01:01:47,480
Speaker 1: Actually I forget which episode, but we were talking specifically

1067
01:01:47,520 --> 01:01:52,360
Speaker 1: about Taylor Swift. Uh. We were talking about whether we

1068
01:01:52,480 --> 01:01:56,960
Speaker 1: preferred the Taylor Swift Disney princess or the Taylor Swift reputation.

1069
01:01:57,640 --> 01:02:02,120
Speaker 1: UM Like I'm like, like, yes, I actually um not

1070
01:02:02,200 --> 01:02:06,920
Speaker 1: an easy person as opposed to the filter. Yeah, and

1071
01:02:06,960 --> 01:02:09,800
Speaker 1: I it's it's it's a weird. It's a hard one

1072
01:02:09,800 --> 01:02:13,200
Speaker 1: to answer because I think she's now as of recently,

1073
01:02:13,360 --> 01:02:16,160
Speaker 1: like in the new social climate, I think she's pretty problematic.

1074
01:02:16,240 --> 01:02:19,280
Speaker 1: But I do prefer someone who's real. But also you

1075
01:02:19,320 --> 01:02:21,280
Speaker 1: have to think about and this is like something I

1076
01:02:21,280 --> 01:02:24,000
Speaker 1: think now, like in the era of times up, this

1077
01:02:24,120 --> 01:02:28,320
Speaker 1: is like definitely something that matters, and you can't separate

1078
01:02:28,680 --> 01:02:31,880
Speaker 1: what people do from their art. But you know, outside

1079
01:02:31,880 --> 01:02:34,800
Speaker 1: of that topic, you kind of have to ask yourself,

1080
01:02:34,800 --> 01:02:37,160
Speaker 1: like sn l A lot of people like, um, you know,

1081
01:02:37,240 --> 01:02:39,320
Speaker 1: like my parents, friends and stuff will ask me is

1082
01:02:39,360 --> 01:02:43,320
Speaker 1: that person nice? Are they nice? And like, first of all,

1083
01:02:43,400 --> 01:02:45,760
Speaker 1: even if they weren't, I can't say everything, you know

1084
01:02:45,840 --> 01:02:50,280
Speaker 1: what I mean? And also I don't need people to

1085
01:02:50,320 --> 01:02:53,600
Speaker 1: be nice, people to be assholes, but I don't need

1086
01:02:53,680 --> 01:02:55,760
Speaker 1: like the performance of like, hey, how are you blah

1087
01:02:55,760 --> 01:02:57,680
Speaker 1: blah blah blah blah. You know what I mean, Like,

1088
01:02:57,800 --> 01:02:59,640
Speaker 1: I mean, you just want something to be on the

1089
01:02:59,640 --> 01:03:01,760
Speaker 1: show and be like, you know, easy to work with,

1090
01:03:01,880 --> 01:03:06,440
Speaker 1: and almost everybody is. And it's like, I don't know that.

1091
01:03:06,600 --> 01:03:10,320
Speaker 1: I never think that. I never really like see somebody

1092
01:03:10,360 --> 01:03:13,240
Speaker 1: that I really like, you know, I never. I don't

1093
01:03:13,240 --> 01:03:16,520
Speaker 1: care if Nicole Kidman is nice, but I'm sure she

1094
01:03:16,640 --> 01:03:19,640
Speaker 1: is sometimes and I'm sure sometimes she's not being What

1095
01:03:19,680 --> 01:03:21,880
Speaker 1: does that mean? How does that prove out to you?

1096
01:03:22,000 --> 01:03:26,520
Speaker 1: There's no like agreed upon like action. I think that

1097
01:03:26,800 --> 01:03:30,040
Speaker 1: some people. I think that like maybe the more you

1098
01:03:30,080 --> 01:03:32,640
Speaker 1: care about celebrity and the more that you care about

1099
01:03:33,600 --> 01:03:36,920
Speaker 1: if that like who that person's real personality is sure,

1100
01:03:37,200 --> 01:03:40,160
Speaker 1: But everyone's curious because I think the media now is

1101
01:03:40,200 --> 01:03:42,960
Speaker 1: so sensitive that like we know almost everything, So why

1102
01:03:43,000 --> 01:03:44,880
Speaker 1: don't why shouldn't we know everything? You know what I mean?

1103
01:03:44,920 --> 01:03:46,920
Speaker 1: Like there is so much access and so much coverage,

1104
01:03:46,960 --> 01:03:48,920
Speaker 1: so it's like, well, we know this much. Why not

1105
01:03:49,000 --> 01:03:53,320
Speaker 1: find out the truth that, like anybody who is successful

1106
01:03:53,480 --> 01:03:56,880
Speaker 1: and powerful can't be nice all the time because the

1107
01:03:56,880 --> 01:04:00,760
Speaker 1: world isn't nice and sometimes you have to blow us up.

1108
01:04:01,400 --> 01:04:05,960
Speaker 1: Stops stop. Can't be drinking pickle juice, can be drinking

1109
01:04:05,960 --> 01:04:09,200
Speaker 1: pickle juice. I truly was like on set um Nicki

1110
01:04:09,240 --> 01:04:15,280
Speaker 1: Minaj did that. I did not co write a song? Yes,

1111
01:04:15,360 --> 01:04:18,960
Speaker 1: she did. I did not. I wrote because it would

1112
01:04:18,960 --> 01:04:21,920
Speaker 1: say it would say lyrics by and did you write

1113
01:04:22,000 --> 01:04:25,360
Speaker 1: lyrics to that song? This revisionist history answer the question

1114
01:04:25,360 --> 01:04:26,960
Speaker 1: did you write lyrics to that song? Yes? I did?

1115
01:04:27,120 --> 01:04:29,120
Speaker 1: Did Nicki Minaj also write lyrics that are on that side?

1116
01:04:29,440 --> 01:04:36,040
Speaker 1: So the technically yeah, which is whatever if the E

1117
01:04:36,280 --> 01:04:42,720
Speaker 1: God willing, you will be nominated together and inshalla it's nominated,

1118
01:04:43,200 --> 01:04:46,320
Speaker 1: and you and Nikki stand up on that stage together, okay,

1119
01:04:46,400 --> 01:04:49,840
Speaker 1: and she's we don't play with these April fools. And

1120
01:04:49,920 --> 01:04:52,880
Speaker 1: Nikki would definitely go to the Creative Arts m She

1121
01:04:52,960 --> 01:04:55,880
Speaker 1: goes every year, whether she's nominated or not. I think

1122
01:04:55,920 --> 01:05:00,200
Speaker 1: it's important Creative Arts because she really wants to recognize,

1123
01:05:00,240 --> 01:05:03,320
Speaker 1: you know, the best web series of the year and

1124
01:05:03,360 --> 01:05:06,040
Speaker 1: the best like digital content that was paired with the

1125
01:05:06,080 --> 01:05:11,120
Speaker 1: show versus the digital content that's just purely digital content, right,

1126
01:05:11,400 --> 01:05:13,800
Speaker 1: you know what I mean, not like you know, exclusive

1127
01:05:13,840 --> 01:05:18,080
Speaker 1: to you know, you guys know the difference and the Emmies.

1128
01:05:18,080 --> 01:05:20,760
Speaker 1: Oh wait, no, yes, no, I'm talking specifically about digital

1129
01:05:20,840 --> 01:05:24,160
Speaker 1: content and what those categories are. Okay, Yeah, she definitely

1130
01:05:24,200 --> 01:05:27,320
Speaker 1: goes in, you know why because she really wants to

1131
01:05:27,360 --> 01:05:31,320
Speaker 1: meet Tom Calichio And every time she goes to the

1132
01:05:31,360 --> 01:05:34,120
Speaker 1: Creative Arts Emmies, you know, it's always like a thing

1133
01:05:34,120 --> 01:05:36,080
Speaker 1: with her people and his people, and she never gets

1134
01:05:36,120 --> 01:05:37,760
Speaker 1: to meet him, and so she goes the next year's

1135
01:05:37,800 --> 01:05:40,040
Speaker 1: just like I really want to meet Tom Calikio. There's

1136
01:05:40,120 --> 01:05:46,720
Speaker 1: a lot oh yeah. Um. But so Nicki Minaj when

1137
01:05:46,760 --> 01:05:48,400
Speaker 1: she was like kind of early in her career, she

1138
01:05:48,480 --> 01:05:50,480
Speaker 1: put out this YouTube video that three of us are

1139
01:05:50,520 --> 01:05:53,880
Speaker 1: obsessed with ya. She talks about bossed up and she

1140
01:05:53,960 --> 01:05:58,600
Speaker 1: talks basically just she's very eloquently explains how like they're

1141
01:05:58,600 --> 01:06:02,680
Speaker 1: different stands between men and in and when when men

1142
01:06:02,680 --> 01:06:05,160
Speaker 1: are Yeah, she does pre Donald Trump, when men are

1143
01:06:05,280 --> 01:06:08,360
Speaker 1: bosses it's a good thing. And when women are bosses

1144
01:06:08,400 --> 01:06:12,280
Speaker 1: their bitches. And I was watching Nicki like slay on

1145
01:06:12,440 --> 01:06:15,200
Speaker 1: set and I was just like thinking, oh my god,

1146
01:06:15,240 --> 01:06:17,400
Speaker 1: how many times have I watched that boss up video?

1147
01:06:17,520 --> 01:06:20,360
Speaker 1: And like also thought to myself, like, you bossed up,

1148
01:06:20,400 --> 01:06:22,680
Speaker 1: you bossed up? And if I had accepted the pickle

1149
01:06:22,760 --> 01:06:28,800
Speaker 1: juice right now, spill a little t She's slate on set. Oh,

1150
01:06:28,920 --> 01:06:34,320
Speaker 1: she's slide. It was crazy. She shows up, drops her

1151
01:06:34,520 --> 01:06:40,040
Speaker 1: black chinchilla coat, hands it to an assistant, goes, this

1152
01:06:40,120 --> 01:06:44,680
Speaker 1: is my mark sits they play the playback sl slight

1153
01:06:44,800 --> 01:06:49,280
Speaker 1: every time, I mean every time. She's a superstar star.

1154
01:06:49,720 --> 01:06:51,800
Speaker 1: We were watching um she knows. She's been kind of

1155
01:06:51,840 --> 01:06:54,040
Speaker 1: absent for a couple of years after pink Print. Now

1156
01:06:54,080 --> 01:06:56,120
Speaker 1: she's back. But I was over at Dave's and we

1157
01:06:56,160 --> 01:06:59,600
Speaker 1: were watching Chunley and Barbie Thing's the videos. She is

1158
01:06:59,600 --> 01:07:02,800
Speaker 1: a superstar, and it makes you realize that all these

1159
01:07:02,800 --> 01:07:06,640
Speaker 1: other ones, you know, there's there are stars, and there's

1160
01:07:06,760 --> 01:07:11,000
Speaker 1: a talented artists, and then there are superstars. Nicki Minajh

1161
01:07:11,120 --> 01:07:15,000
Speaker 1: is a superstar. She's a superstar. And I have thoughts

1162
01:07:15,040 --> 01:07:20,600
Speaker 1: on this later. I love that, I love I love

1163
01:07:20,600 --> 01:07:23,560
Speaker 1: a tease of a thought. Um, let me finish my

1164
01:07:23,720 --> 01:07:29,520
Speaker 1: thought about Kelly. Yes, I don't like that people got

1165
01:07:29,600 --> 01:07:31,600
Speaker 1: rid of her, and the only reason they got rid

1166
01:07:31,640 --> 01:07:33,520
Speaker 1: of her because she was the biggest pop star in

1167
01:07:33,520 --> 01:07:35,440
Speaker 1: the world since You've Been Gone era. She shot, she

1168
01:07:35,560 --> 01:07:37,400
Speaker 1: closed the v M A s and all that they

1169
01:07:37,440 --> 01:07:40,760
Speaker 1: got rid of her because she wanted to God forbid,

1170
01:07:40,840 --> 01:07:43,640
Speaker 1: make her own choices about her third album I December,

1171
01:07:44,080 --> 01:07:47,680
Speaker 1: and Clive Davis like tried to ruin her. And I

1172
01:07:47,680 --> 01:07:50,040
Speaker 1: don't want anyone to ever forget that. I do not

1173
01:07:50,200 --> 01:07:54,800
Speaker 1: like Clive Clive Davis at all. He killed Whitney, Okay,

1174
01:07:58,640 --> 01:08:02,160
Speaker 1: I would say, you know, it's one of the reasons

1175
01:08:02,160 --> 01:08:05,680
Speaker 1: she was unhealthy with him. Okay, But anyway, but but

1176
01:08:05,880 --> 01:08:09,200
Speaker 1: I don't like and her death and the details of it,

1177
01:08:09,480 --> 01:08:11,960
Speaker 1: I don't. I don't. I don't like him because he

1178
01:08:12,000 --> 01:08:13,720
Speaker 1: of what he did to her, And then I think

1179
01:08:14,000 --> 01:08:15,640
Speaker 1: she had to throw up a red flag and she

1180
01:08:15,800 --> 01:08:17,720
Speaker 1: had to put make all those shitty songs by the

1181
01:08:17,760 --> 01:08:19,920
Speaker 1: way with Dr Luke, who she said I don't want

1182
01:08:19,920 --> 01:08:21,519
Speaker 1: to work with, and they forced her to work with

1183
01:08:21,600 --> 01:08:27,480
Speaker 1: him anyway she knew because she had a bad Kelly

1184
01:08:27,680 --> 01:08:30,600
Speaker 1: has now come out and said she had a bad

1185
01:08:30,680 --> 01:08:36,120
Speaker 1: quote unquote just bad relationship with him while they recorded

1186
01:08:36,200 --> 01:08:38,759
Speaker 1: Since You've Been Gone and Behind These has Allies, those

1187
01:08:38,760 --> 01:08:42,880
Speaker 1: were her two biggest songs, Like she didn't get a

1188
01:08:42,880 --> 01:08:46,519
Speaker 1: songwriting credit and like he pushed what happened was, you

1189
01:08:46,600 --> 01:08:50,160
Speaker 1: know what happened was those songs were huge hits, but

1190
01:08:50,560 --> 01:08:52,680
Speaker 1: she did not like the experience of working with him.

1191
01:08:52,760 --> 01:08:54,960
Speaker 1: She said, he's quote not a nice guy, not a

1192
01:08:54,960 --> 01:08:59,360
Speaker 1: good dude. Um. And she said after the third album

1193
01:08:59,439 --> 01:09:02,479
Speaker 1: was was not going great and she was like, Okay,

1194
01:09:02,560 --> 01:09:05,120
Speaker 1: you guys win, Um, I'll make another like straight up

1195
01:09:05,160 --> 01:09:07,960
Speaker 1: pop album. I just have one thing. I don't want

1196
01:09:08,000 --> 01:09:11,800
Speaker 1: to work with Dr Luke. They said, okay, on the

1197
01:09:11,800 --> 01:09:14,479
Speaker 1: schedule Dr Luke. My life What Stuck Without You was

1198
01:09:14,520 --> 01:09:16,880
Speaker 1: produced by Dr Luke, and she said, I told you

1199
01:09:17,000 --> 01:09:20,400
Speaker 1: I don't want to work with him, and they got

1200
01:09:20,439 --> 01:09:22,360
Speaker 1: the song and it was written by Dr Luke, and

1201
01:09:22,400 --> 01:09:24,320
Speaker 1: so you know, because it was written by Dr Luke,

1202
01:09:24,320 --> 01:09:27,120
Speaker 1: it was a lot of sexy lyrics that didn't weren't

1203
01:09:27,160 --> 01:09:29,320
Speaker 1: her brand, and so she wrote rewrote a lot of

1204
01:09:29,360 --> 01:09:31,960
Speaker 1: the song. That song was a number one hit. It

1205
01:09:32,040 --> 01:09:33,679
Speaker 1: kind of like made her like a pop star again.

1206
01:09:33,720 --> 01:09:37,200
Speaker 1: There for a while, but she said, don't put my

1207
01:09:37,280 --> 01:09:41,640
Speaker 1: name on the on the uh songwriting credits because I

1208
01:09:41,680 --> 01:09:44,520
Speaker 1: refused to have my name next to his. I'm embarrassed

1209
01:09:44,560 --> 01:09:46,840
Speaker 1: that I even worked with him and I and she

1210
01:09:46,880 --> 01:09:49,800
Speaker 1: just she says, now she probably missed out on like

1211
01:09:49,880 --> 01:09:52,560
Speaker 1: millions of dollars from that song because she said, I

1212
01:09:52,600 --> 01:09:54,720
Speaker 1: don't want my name next to fuck Dr Luke. And

1213
01:09:54,760 --> 01:09:57,599
Speaker 1: also fuck Ryan Tedder for doing her dirty too. Ryan

1214
01:09:57,640 --> 01:10:00,439
Speaker 1: Tedder did her very dirty because Ryan Tedder he is

1215
01:10:00,479 --> 01:10:03,040
Speaker 1: a I'm sorry not to throw shade, but Jack anton

1216
01:10:03,080 --> 01:10:06,000
Speaker 1: off in that all that ship sounds the same. The

1217
01:10:06,120 --> 01:10:10,559
Speaker 1: Ryan Tedder shut ship. Halo what right he does? Halo

1218
01:10:10,960 --> 01:10:14,080
Speaker 1: already gone? And like they snuck up Ryan there. It's

1219
01:10:14,080 --> 01:10:17,639
Speaker 1: really really I'm like, no, it's mad about your embrace

1220
01:10:17,720 --> 01:10:23,000
Speaker 1: And now you saying, umm, already gone? Oh, how does

1221
01:10:23,040 --> 01:10:30,719
Speaker 1: it already gonna go? What you know? Right? Of course

1222
01:10:30,720 --> 01:10:32,240
Speaker 1: it's one of my favorite songs of hers. I can't

1223
01:10:32,240 --> 01:10:35,080
Speaker 1: believe I can't just spit it out. Um. But anyway,

1224
01:10:35,320 --> 01:10:37,839
Speaker 1: so she had like another bad experience on that album

1225
01:10:38,160 --> 01:10:41,599
Speaker 1: and her being quote unquote difficult because they were making

1226
01:10:41,600 --> 01:10:43,280
Speaker 1: her douche it. She said she didn't want to do

1227
01:10:43,760 --> 01:10:46,759
Speaker 1: ability again. And also she gained a little bit of weight,

1228
01:10:46,880 --> 01:10:51,200
Speaker 1: because God forbid some women do that, Um, how dare they?

1229
01:10:51,720 --> 01:10:57,400
Speaker 1: And they get smaller. You never groll a woman. If

1230
01:10:57,439 --> 01:11:00,000
Speaker 1: she starts out, then that at the end she must disappear.

1231
01:11:00,840 --> 01:11:05,479
Speaker 1: There's nothing wrong with grow there and then and then

1232
01:11:05,520 --> 01:11:07,720
Speaker 1: you know, she became a mother and forget it. Like

1233
01:11:07,760 --> 01:11:09,759
Speaker 1: it was like, we'll put out one single for me

1234
01:11:10,120 --> 01:11:15,599
Speaker 1: say it was painful. It hurt me to see Kelly

1235
01:11:15,760 --> 01:11:18,760
Speaker 1: in that first week of the Voice auditions in that

1236
01:11:19,040 --> 01:11:25,000
Speaker 1: bedazzled football jersey. I think it looks cute. No, I

1237
01:11:25,040 --> 01:11:28,719
Speaker 1: think I got to say to you and start off

1238
01:11:28,760 --> 01:11:34,679
Speaker 1: the shoulder bedazzled football jersey. I like Kelly to give

1239
01:11:34,720 --> 01:11:39,240
Speaker 1: me a dull level glance she is, Well, that was

1240
01:11:39,320 --> 01:11:42,439
Speaker 1: part of that. You know, she was a sneeze. She

1241
01:11:42,600 --> 01:11:46,240
Speaker 1: was a sneeze away from doing a cold shoulder top

1242
01:11:47,320 --> 01:11:49,960
Speaker 1: all right. Well, Also, if you noticed this about the

1243
01:11:49,960 --> 01:11:53,120
Speaker 1: meaning of life, should not be wearing at Taylor Loft, honey,

1244
01:11:53,240 --> 01:11:55,320
Speaker 1: if you notice this about the meaning of life? Also

1245
01:11:55,520 --> 01:11:59,520
Speaker 1: is there letting her have her hair bigger and like

1246
01:11:59,520 --> 01:12:02,519
Speaker 1: like she should have while they straightened the ship out

1247
01:12:02,560 --> 01:12:05,040
Speaker 1: of her hair on all the album, Like what doesn't

1248
01:12:05,120 --> 01:12:08,200
Speaker 1: kill you yea, which, by the way, thank God for that.

1249
01:12:08,520 --> 01:12:12,880
Speaker 1: But they put her terrific bang this brown hair that

1250
01:12:12,920 --> 01:12:15,400
Speaker 1: didn't work her. She should be blonde. I love it

1251
01:12:15,400 --> 01:12:19,320
Speaker 1: when like somebody with a voice, truly, like the set

1252
01:12:19,400 --> 01:12:23,000
Speaker 1: piece is just their look, their costume and they don't

1253
01:12:23,040 --> 01:12:25,840
Speaker 1: move and they sit there and they just play Ibara

1254
01:12:26,080 --> 01:12:30,040
Speaker 1: Barbara share Elton John couldn't move on that piano and

1255
01:12:30,080 --> 01:12:32,400
Speaker 1: so then he would do all these outrageous things with

1256
01:12:32,439 --> 01:12:36,960
Speaker 1: this outfits because that was part of this show. Kelly

1257
01:12:37,360 --> 01:12:40,040
Speaker 1: is amazing for two reasons, her incredible talent and her

1258
01:12:40,400 --> 01:12:45,559
Speaker 1: amazing personality and and she right, and she's in this

1259
01:12:45,640 --> 01:12:48,800
Speaker 1: moment now where she gets too on the voice. They

1260
01:12:48,840 --> 01:12:52,680
Speaker 1: just booked her again for next season Honey with Jennifer Hudson,

1261
01:12:52,920 --> 01:12:58,120
Speaker 1: Jennifer Hudson Kelly and then but Kelly and Kelly and

1262
01:12:58,200 --> 01:13:01,679
Speaker 1: Jennifer being on the same season as Good Kill Me. Wait, okay,

1263
01:13:01,800 --> 01:13:06,679
Speaker 1: you know what I also watched was Christina and Demi.

1264
01:13:08,479 --> 01:13:13,240
Speaker 1: I gotta say it is Demi Levado. The Billboard Music

1265
01:13:13,280 --> 01:13:15,360
Speaker 1: Awards are truly her night. She is the queen of

1266
01:13:15,360 --> 01:13:17,479
Speaker 1: the Billboard Music Awards. She was not at the Gray

1267
01:13:17,600 --> 01:13:20,360
Speaker 1: Music Year and Demi Levado is the queen of the

1268
01:13:20,400 --> 01:13:22,960
Speaker 1: Billboard Music. You see her face when Taylor won and

1269
01:13:23,000 --> 01:13:27,000
Speaker 1: she didn't know the cameramen were shady. They cut to

1270
01:13:27,080 --> 01:13:30,800
Speaker 1: Demi and Demi was stone faced because Demi does not

1271
01:13:30,880 --> 01:13:33,960
Speaker 1: like tell us what because I'm sure Taylor her life

1272
01:13:34,000 --> 01:13:36,879
Speaker 1: in somewhere. Did you guys watch the Demi Levado YouTube

1273
01:13:37,320 --> 01:13:43,280
Speaker 1: documentary together? Simply complicated, so good. It was so like

1274
01:13:43,880 --> 01:13:47,960
Speaker 1: I thought about that, Yeah, me too, I stand for

1275
01:13:48,040 --> 01:13:50,760
Speaker 1: Demi was always Demi. It was nervous to talk to

1276
01:13:50,800 --> 01:13:54,479
Speaker 1: you today. Why because the last time I sat down

1277
01:13:54,479 --> 01:13:56,639
Speaker 1: and talked to someone this long, I was on cocaine.

1278
01:13:58,000 --> 01:14:03,320
Speaker 1: First three minutes of the documentary And my favorite thing

1279
01:14:03,479 --> 01:14:06,040
Speaker 1: is that in the documentary and everybody it's on YouTube

1280
01:14:06,080 --> 01:14:12,760
Speaker 1: and it's called like can I Be Me or something,

1281
01:14:13,439 --> 01:14:16,439
Speaker 1: which I also have to talk about. Okay. Demi in

1282
01:14:16,840 --> 01:14:20,719
Speaker 1: the YouTube documentary is super super fascinating because she talks

1283
01:14:20,760 --> 01:14:24,400
Speaker 1: all about like her addiction issues and she's like super

1284
01:14:24,439 --> 01:14:28,639
Speaker 1: candid about it. Her eating disorder. She still battles with that. Yeah,

1285
01:14:28,680 --> 01:14:31,200
Speaker 1: like she really really goes in and the first hour

1286
01:14:31,280 --> 01:14:33,680
Speaker 1: of the documentary they talk about her whole journey that

1287
01:14:34,160 --> 01:14:36,400
Speaker 1: you know them covering up the abuse and all this

1288
01:14:36,439 --> 01:14:39,479
Speaker 1: stuff and it's super super real and Row. The second

1289
01:14:39,520 --> 01:14:42,519
Speaker 1: half of the documentary is more about her like life today,

1290
01:14:43,240 --> 01:14:47,680
Speaker 1: and it is just a series of photo shoots and

1291
01:14:47,760 --> 01:14:52,280
Speaker 1: like planned music video shoots, and it will and it

1292
01:14:52,360 --> 01:14:56,000
Speaker 1: corresponds with each album, so like the song will be

1293
01:14:56,080 --> 01:14:59,200
Speaker 1: like only Forever, which is like a bop. That whole

1294
01:14:59,240 --> 01:15:04,800
Speaker 1: album is really good, Only Forever, and she'll be like,

1295
01:15:04,920 --> 01:15:07,840
Speaker 1: I guess um, but they won't like talk about that

1296
01:15:07,880 --> 01:15:09,400
Speaker 1: song and it'll just be in an interview with her

1297
01:15:09,439 --> 01:15:11,840
Speaker 1: and she'll be like, I guess I'm still kind of

1298
01:15:12,080 --> 01:15:15,800
Speaker 1: looking for that person that I'll be with forever. Cut

1299
01:15:18,360 --> 01:15:20,920
Speaker 1: cut to her in a nightgown all of a sudden,

1300
01:15:20,960 --> 01:15:23,599
Speaker 1: in like a bedroom, like with a four poster bed,

1301
01:15:23,680 --> 01:15:26,519
Speaker 1: like looking at the camera and it's like she's also

1302
01:15:26,840 --> 01:15:31,160
Speaker 1: so fucking she's so hot. She's so hot. Okay, wait,

1303
01:15:31,160 --> 01:15:34,360
Speaker 1: and then this part is like a creamy surface. Yeah,

1304
01:15:34,600 --> 01:15:41,000
Speaker 1: her skin is like her face is beats. Her face

1305
01:15:41,040 --> 01:15:44,840
Speaker 1: is so beat. The best part is when she is

1306
01:15:44,920 --> 01:15:48,240
Speaker 1: singing only Forever, and she's singing that big note where

1307
01:15:48,320 --> 01:15:53,080
Speaker 1: just she goes and then she goes down, She goes down,

1308
01:15:53,680 --> 01:15:57,240
Speaker 1: and she just says she like takes her headphones off

1309
01:15:57,280 --> 01:16:02,320
Speaker 1: and she's like how is That's like amazing and he's

1310
01:16:02,320 --> 01:16:04,400
Speaker 1: like freaking out or whatever, the producer, and then she goes,

1311
01:16:05,600 --> 01:16:08,440
Speaker 1: I just want to make sure that vibrato was consistent.

1312
01:16:09,240 --> 01:16:11,559
Speaker 1: And then they see on the computer like her sound

1313
01:16:11,560 --> 01:16:14,120
Speaker 1: waves and it's just like perfectly space and it's like,

1314
01:16:14,800 --> 01:16:18,840
Speaker 1: you fucking bitch knew your vibrato was consistent. I love that.

1315
01:16:19,080 --> 01:16:20,760
Speaker 1: I always wanted to say that. I wish I were

1316
01:16:20,800 --> 01:16:22,160
Speaker 1: in a position in my life where I could just

1317
01:16:22,160 --> 01:16:26,320
Speaker 1: be like I just want to for me, like and

1318
01:16:26,479 --> 01:16:29,439
Speaker 1: hanging like this, Like whenever I write music of the show,

1319
01:16:29,479 --> 01:16:32,439
Speaker 1: it's like, um, I think it's kind of like how

1320
01:16:32,479 --> 01:16:34,000
Speaker 1: does it work? How does it work to write a

1321
01:16:34,040 --> 01:16:35,320
Speaker 1: song of the show? Do you have to sing it

1322
01:16:35,360 --> 01:16:40,559
Speaker 1: to the talent? And then like, well, you know, I think, well,

1323
01:16:40,600 --> 01:16:44,120
Speaker 1: I mean I've only ever really written songs with um

1324
01:16:44,400 --> 01:16:48,800
Speaker 1: cast members, and bad Cast is just so like musically talented,

1325
01:16:49,560 --> 01:16:52,679
Speaker 1: and it's like, oh yeah, she is Cecily and eighty

1326
01:16:52,760 --> 01:16:57,160
Speaker 1: of really strong music backgrounds. I mean like even Melissa

1327
01:16:57,160 --> 01:16:59,800
Speaker 1: can sing so well. Chris Red like used to be

1328
01:16:59,840 --> 01:17:03,560
Speaker 1: a rapper, Like, um, yeah, it's kind of just and

1329
01:17:03,600 --> 01:17:05,320
Speaker 1: then we also have a musical director and kind of

1330
01:17:05,360 --> 01:17:07,240
Speaker 1: all in that way just like all comes together. So

1331
01:17:07,360 --> 01:17:09,800
Speaker 1: most actors, even if they say like oh, I'm not

1332
01:17:09,840 --> 01:17:12,120
Speaker 1: a singer, like they can sing well, they have some

1333
01:17:12,360 --> 01:17:16,280
Speaker 1: sense of I love I love when I really can't

1334
01:17:16,320 --> 01:17:25,599
Speaker 1: sing and then like a very limited range that is

1335
01:17:25,760 --> 01:17:32,720
Speaker 1: super high and like hard to hold on. Wait, can

1336
01:17:32,760 --> 01:17:34,880
Speaker 1: you watch the screen. We're just gonna make sure my

1337
01:17:34,960 --> 01:17:52,360
Speaker 1: Robarto is consistent. Olivera the wave it looks good. Consistent. Wow,

1338
01:17:53,200 --> 01:17:55,479
Speaker 1: and you were worried that your vibrato wasn't going to

1339
01:17:55,520 --> 01:18:02,760
Speaker 1: be consistent. Brata vibrato. She's not a woman. Vibrato is

1340
01:18:02,760 --> 01:18:07,960
Speaker 1: a man. She's a man. Okay, so um wait what

1341
01:18:08,560 --> 01:18:10,960
Speaker 1: were like just there was there was something we were talking. Oh,

1342
01:18:11,040 --> 01:18:13,719
Speaker 1: Christina Aguilera, we can before we move on to voice memo,

1343
01:18:13,760 --> 01:18:18,240
Speaker 1: you bitch her. Two songs that she's released are both flops.

1344
01:18:18,280 --> 01:18:25,080
Speaker 1: What I like accelerates, No, it's bad. You know what

1345
01:18:25,120 --> 01:18:28,400
Speaker 1: I about to say for Summer of Kunt, The Summer

1346
01:18:28,400 --> 01:18:31,960
Speaker 1: of Kunt I want to be Christina Aguilera and I

1347
01:18:32,000 --> 01:18:36,760
Speaker 1: want to be new Lips Forwards and I'm going to

1348
01:18:36,880 --> 01:18:40,360
Speaker 1: get and I'm gonna do know, I make up. So

1349
01:18:40,479 --> 01:18:45,000
Speaker 1: it's all about my lips. And I'm just gonna lips.

1350
01:18:46,400 --> 01:18:49,960
Speaker 1: You already got them, can't you see? My god, can't

1351
01:18:49,960 --> 01:18:53,719
Speaker 1: you see? I have no like dip in my upper

1352
01:18:53,760 --> 01:18:58,559
Speaker 1: lip because it's so full. But they told me what

1353
01:18:58,600 --> 01:19:00,840
Speaker 1: do you want to get it filled with? And I

1354
01:19:00,920 --> 01:19:03,240
Speaker 1: said candy. Oh my god, I was gonna say candy.

1355
01:19:03,240 --> 01:19:06,960
Speaker 1: I was gonna say like skittles. Today today I had

1356
01:19:06,960 --> 01:19:09,559
Speaker 1: a mango and I was like, oh my god, fruit

1357
01:19:09,720 --> 01:19:15,200
Speaker 1: is what candy is based on. Oh my god, this

1358
01:19:15,240 --> 01:19:19,240
Speaker 1: tastes like a mango. I honestly have that. It's actually

1359
01:19:19,240 --> 01:19:22,080
Speaker 1: a rule of culture number sixty six. Fruit is what

1360
01:19:22,160 --> 01:19:25,599
Speaker 1: candy is based on. I do have that thought regularly.

1361
01:19:26,040 --> 01:19:28,639
Speaker 1: I'll eat the most delicious tanderin. I'm like, oh, this

1362
01:19:28,680 --> 01:19:31,160
Speaker 1: is as good as candy. We'll also half the time

1363
01:19:31,160 --> 01:19:34,599
Speaker 1: that I crepe gummy bears. I realized, I'm like creaning fruit.

1364
01:19:35,240 --> 01:19:38,160
Speaker 1: Should the title of this be simply complicated? I think

1365
01:19:38,680 --> 01:19:44,000
Speaker 1: summer of simply complicated or um consistent vibrato, but about

1366
01:19:44,360 --> 01:19:50,120
Speaker 1: there are only two genders. Um, okay, listen. It's at

1367
01:19:50,160 --> 01:19:52,879
Speaker 1: this time where we have to move on to a

1368
01:19:52,920 --> 01:19:57,080
Speaker 1: segment that we like to call voice mem oh you bitch,

1369
01:19:58,280 --> 01:20:01,800
Speaker 1: and today are voice memo is coming to us from

1370
01:20:01,840 --> 01:20:06,080
Speaker 1: a friend named Christie Cello. Christie and she is excited

1371
01:20:06,120 --> 01:20:09,000
Speaker 1: to call in and she has some she's got a

1372
01:20:09,000 --> 01:20:10,400
Speaker 1: great voice, and you guys are all going to hear it,

1373
01:20:10,439 --> 01:20:12,160
Speaker 1: and you have heard it if you listen to her episode.

1374
01:20:12,479 --> 01:20:14,880
Speaker 1: And I'm excited because she's got some tips for us

1375
01:20:15,200 --> 01:20:17,760
Speaker 1: and she's excited about us, but she got tips. Okay, okay,

1376
01:20:17,840 --> 01:20:22,799
Speaker 1: let's listen. Hey, Matt, Hey Bowen. This is Christie Cello.

1377
01:20:23,800 --> 01:20:27,960
Speaker 1: First off, I just need to congratulate you on all

1378
01:20:28,000 --> 01:20:31,479
Speaker 1: of your success as of late. I have social media,

1379
01:20:31,840 --> 01:20:38,200
Speaker 1: I'm connected. I know what's happening. And Vulture Fast looked incredible.

1380
01:20:38,560 --> 01:20:42,599
Speaker 1: It looks so incredible, and I'm so happy for you guys.

1381
01:20:42,800 --> 01:20:49,599
Speaker 1: I saw photographs of many important celebrities in attendance. I

1382
01:20:49,600 --> 01:20:52,720
Speaker 1: saw a photo of Donny Osmond. You know, I just

1383
01:20:52,720 --> 01:20:57,840
Speaker 1: saw the stars of Nickelodeon's Drake and Josh and I

1384
01:20:57,880 --> 01:21:03,719
Speaker 1: think I actually saw the Michelin man with his family,

1385
01:21:04,000 --> 01:21:06,519
Speaker 1: which is really sweet. Like I love when stars bring

1386
01:21:06,600 --> 01:21:10,080
Speaker 1: their families out of hiding, when they you know, let

1387
01:21:10,080 --> 01:21:12,920
Speaker 1: them out of the closet and the cages that they're

1388
01:21:12,960 --> 01:21:16,920
Speaker 1: held inside. But I'm just thrilled for you both, and

1389
01:21:16,960 --> 01:21:23,000
Speaker 1: I can't think of two performers, to thespians, to artistic

1390
01:21:23,120 --> 01:21:28,000
Speaker 1: souls more deserving of success. But I'm gonna be real

1391
01:21:28,080 --> 01:21:33,960
Speaker 1: with you. With success comes a lot of pressure, Okay,

1392
01:21:34,080 --> 01:21:38,880
Speaker 1: a lot of pressure, a lot of ego, right, and

1393
01:21:39,080 --> 01:21:44,439
Speaker 1: a lot of fame. Fame, it's what's going to come.

1394
01:21:44,520 --> 01:21:48,719
Speaker 1: Fame is knock. Did you hear that knock? That's fame

1395
01:21:49,160 --> 01:21:53,559
Speaker 1: knocking on your door. I give you, guys, approximately three

1396
01:21:53,640 --> 01:21:58,599
Speaker 1: days to two weeks, and you're gonna be superstars. And

1397
01:21:59,200 --> 01:22:02,439
Speaker 1: as somebody who has lived it, because as you know,

1398
01:22:02,920 --> 01:22:09,400
Speaker 1: I am incredibly famous, my advice to you both is

1399
01:22:09,439 --> 01:22:14,759
Speaker 1: to absolutely let the fame change you. Let it change

1400
01:22:14,760 --> 01:22:18,360
Speaker 1: you entirely. What do I mean by that? I mean

1401
01:22:19,800 --> 01:22:23,200
Speaker 1: the old person you know, the mat and the bowen

1402
01:22:23,320 --> 01:22:26,719
Speaker 1: that you are. Now when you become famous, those people die,

1403
01:22:27,479 --> 01:22:30,719
Speaker 1: you hold a funeral for them, You mourn them for

1404
01:22:30,880 --> 01:22:33,240
Speaker 1: about a day, and then you never think of them

1405
01:22:33,240 --> 01:22:36,040
Speaker 1: again because now you're famous and you only talk to

1406
01:22:36,120 --> 01:22:41,080
Speaker 1: people who can help you emotionally financially. If somebody can

1407
01:22:41,240 --> 01:22:45,720
Speaker 1: offer you something, they know it exist in your world. Okay,

1408
01:22:45,760 --> 01:22:48,680
Speaker 1: So let that theme change you and if you have

1409
01:22:48,760 --> 01:22:51,600
Speaker 1: any questions you can call you know what, as I

1410
01:22:51,640 --> 01:22:53,760
Speaker 1: was gonna say, you could call me, but you know

1411
01:22:53,840 --> 01:22:56,519
Speaker 1: I'm very famous, so I might I might be too

1412
01:22:56,520 --> 01:23:00,559
Speaker 1: busy for you. Actually, what what was that? Well? Is

1413
01:23:00,560 --> 01:23:04,960
Speaker 1: that someone someone famous is Okay? Well, guys, they have

1414
01:23:05,080 --> 01:23:09,400
Speaker 1: to go because somebody famous is here to see me. Um,

1415
01:23:09,439 --> 01:23:15,759
Speaker 1: but congratulations, and I'm looking forward to your fame. Okay

1416
01:23:15,840 --> 01:23:20,920
Speaker 1: to lose I'm coming. Oh my god, famous famous, Well,

1417
01:23:20,960 --> 01:23:24,559
Speaker 1: thank you, Christie. That was famous celebrity Christie Chellow and

1418
01:23:24,560 --> 01:23:27,880
Speaker 1: I have some tea spill. Christie and I crushed a

1419
01:23:27,920 --> 01:23:31,519
Speaker 1: white Castle commercial audition and they told us we could

1420
01:23:31,720 --> 01:23:34,600
Speaker 1: release the dates. I don't understand what happened. Are you

1421
01:23:34,840 --> 01:23:37,320
Speaker 1: going to say we crushed a white Castle like just

1422
01:23:37,479 --> 01:23:40,519
Speaker 1: rolled in? No, no, famous, don't even white Castle. But

1423
01:23:40,560 --> 01:23:43,840
Speaker 1: I was thrilled to be the face of it for

1424
01:23:43,880 --> 01:23:46,080
Speaker 1: a moment. Well, now you can never be because you

1425
01:23:46,160 --> 01:23:49,439
Speaker 1: said I famously don't like like now I'm holding out

1426
01:23:49,479 --> 01:23:52,599
Speaker 1: for that McDonald's money. Oh yeah, you'll get that McDonald's money.

1427
01:23:52,600 --> 01:23:54,720
Speaker 1: And really, if McDonald knew how much I've supported them

1428
01:23:54,760 --> 01:23:58,519
Speaker 1: over the years, they would be asking me. It would

1429
01:23:58,520 --> 01:24:00,880
Speaker 1: barely make it back. Oh you know McDonald's by my

1430
01:24:00,920 --> 01:24:06,040
Speaker 1: house just got renovated. Yeah, but McDonald's, Yeah, no, it's

1431
01:24:06,160 --> 01:24:08,360
Speaker 1: like new and improved and gorgeous, the one that you

1432
01:24:08,479 --> 01:24:10,400
Speaker 1: always used to go to, which was like a true

1433
01:24:10,560 --> 01:24:15,519
Speaker 1: nineties mc nineties McDonald's chaos everything on Graham Avenue, Baby

1434
01:24:16,280 --> 01:24:21,400
Speaker 1: Grand Avenue where I live. Um, so we should let

1435
01:24:21,400 --> 01:24:23,920
Speaker 1: fame change us. We should, we said, well, and it

1436
01:24:24,000 --> 01:24:27,760
Speaker 1: has already. I love that. I love that for you,

1437
01:24:27,960 --> 01:24:33,320
Speaker 1: and I wonder for you guys because we I feel

1438
01:24:33,400 --> 01:24:40,120
Speaker 1: like our celebrity adjacent. Yeah, not adjacent, that's almost like

1439
01:24:40,240 --> 01:24:43,200
Speaker 1: too close. I would say that all three of us

1440
01:24:43,240 --> 01:24:46,920
Speaker 1: have talked to somebody insanely rich and famous. Is that

1441
01:24:47,080 --> 01:24:51,120
Speaker 1: anything to brag about? We don't know. But when you

1442
01:24:51,240 --> 01:24:57,519
Speaker 1: go home, does anybody in the grocery store that maybe

1443
01:24:57,800 --> 01:25:04,240
Speaker 1: was a soccer mom or hockey mom say famous, own famous,

1444
01:25:04,800 --> 01:25:09,240
Speaker 1: famous famous. It hasn't happened yet, not from a soccer mom. Wow.

1445
01:25:09,280 --> 01:25:11,840
Speaker 1: I feel bad for you, guys, but I do I

1446
01:25:11,840 --> 01:25:16,360
Speaker 1: do want to spill a little bit of tea about Yes,

1447
01:25:17,080 --> 01:25:24,280
Speaker 1: Hillary Duff gave us hugs, different, Sutton Foster loved us,

1448
01:25:24,320 --> 01:25:27,120
Speaker 1: and Julianna Marghalie told me I could be Matt Boehmer's brother,

1449
01:25:28,000 --> 01:25:30,880
Speaker 1: bo Bo Burnham and that that's huge. That's a huge deal, man,

1450
01:25:31,240 --> 01:25:34,920
Speaker 1: huge compliment that you look like Matt bomerum Bo bo

1451
01:25:35,040 --> 01:25:38,960
Speaker 1: Burnham recognized me and from the Tyra Banks and he

1452
01:25:39,080 --> 01:25:41,599
Speaker 1: was not the only one one of the girls. Oh

1453
01:25:41,640 --> 01:25:43,559
Speaker 1: my god, you had a viral vid. We haven't even

1454
01:25:43,600 --> 01:25:46,000
Speaker 1: talked about the viral, did? I mean? You know whatever

1455
01:25:46,040 --> 01:25:50,160
Speaker 1: it happened. Aisha from the Bold Type also immediately people

1456
01:25:50,160 --> 01:25:53,679
Speaker 1: know what the viral man. I mean, you guys know

1457
01:25:54,160 --> 01:25:58,719
Speaker 1: about Bowen's lip sync to Tyra Banks is famous. Meltdown,

1458
01:25:59,240 --> 01:26:03,479
Speaker 1: different model, you seem thinner and what happened? Richer, tell

1459
01:26:03,520 --> 01:26:05,280
Speaker 1: them what you mean and that this weekend was in

1460
01:26:05,360 --> 01:26:07,920
Speaker 1: an all sort of came full circle entire finally tweeted back.

1461
01:26:08,600 --> 01:26:11,719
Speaker 1: She said, I mean dot dot dot genius and the cycle,

1462
01:26:11,800 --> 01:26:14,240
Speaker 1: the cycle is complete. You're done now. I feel like

1463
01:26:14,320 --> 01:26:17,640
Speaker 1: I have a chief sentience and I don't really know

1464
01:26:17,680 --> 01:26:20,040
Speaker 1: what that means, but I do throw it out a lot.

1465
01:26:20,360 --> 01:26:25,679
Speaker 1: You've achieved knowledge. When I am like Evan rachel Wood

1466
01:26:25,720 --> 01:26:28,559
Speaker 1: in West World and I'm like, there's so much beauty

1467
01:26:28,600 --> 01:26:33,639
Speaker 1: in this morning. Okay, yes, and can I spoiler alert

1468
01:26:33,720 --> 01:26:36,960
Speaker 1: this episode which is spoiler alert, which is the Showgun

1469
01:26:37,000 --> 01:26:43,960
Speaker 1: episode which I watched Evan Rachel Wood and James Marston

1470
01:26:44,160 --> 01:26:47,160
Speaker 1: and James Marston like they have this whole scene where

1471
01:26:48,800 --> 01:26:52,240
Speaker 1: he says to her, I'm going to botch the line,

1472
01:26:52,280 --> 01:26:56,200
Speaker 1: but it really filled me with something where he says

1473
01:26:57,800 --> 01:27:02,920
Speaker 1: I'm going to see the world with you or whatever,

1474
01:27:03,080 --> 01:27:05,559
Speaker 1: like basically saying like I know that I'm a robot

1475
01:27:05,640 --> 01:27:08,880
Speaker 1: and I'm going to see this truth with you. And

1476
01:27:08,920 --> 01:27:11,240
Speaker 1: I was just like, I just want a man to

1477
01:27:11,280 --> 01:27:13,240
Speaker 1: say to me that they're going to see the world

1478
01:27:13,280 --> 01:27:16,240
Speaker 1: with me, like for everything it's good and it's bad

1479
01:27:16,439 --> 01:27:19,840
Speaker 1: and it's hard truths and whatever, like I'm gonna walk

1480
01:27:19,880 --> 01:27:22,800
Speaker 1: and step with you. And I was like watching them

1481
01:27:23,160 --> 01:27:26,120
Speaker 1: make love and it's like you don't really see her body,

1482
01:27:26,160 --> 01:27:27,880
Speaker 1: but you see his butt at the end, and I

1483
01:27:27,960 --> 01:27:33,280
Speaker 1: was just yes, you see his full butt. Yes, yes,

1484
01:27:33,400 --> 01:27:35,640
Speaker 1: I've not seen that. This is spoiler alert? Have you

1485
01:27:35,680 --> 01:27:39,000
Speaker 1: do you not watch? I love Celebrity Men's but I

1486
01:27:39,040 --> 01:27:42,680
Speaker 1: know I know. So it was so gorgeous and I

1487
01:27:42,720 --> 01:27:44,880
Speaker 1: was kind of feeling like those notebook feels where just

1488
01:27:44,920 --> 01:27:47,439
Speaker 1: something just like hits you deep in you and you're

1489
01:27:47,479 --> 01:27:50,720
Speaker 1: just like that man, you know what I mean. And

1490
01:27:50,760 --> 01:27:58,360
Speaker 1: then she takes a moment I know it, into a

1491
01:27:58,680 --> 01:28:05,439
Speaker 1: room where there is a dead, rotting cow carcass and

1492
01:28:05,720 --> 01:28:10,880
Speaker 1: she says, this can't be you. I know this is you.

1493
01:28:11,800 --> 01:28:15,840
Speaker 1: And then men come in and take him and she

1494
01:28:16,200 --> 01:28:18,320
Speaker 1: they made love and he said that whole speech to

1495
01:28:18,400 --> 01:28:23,479
Speaker 1: her and everything, and then these guys like take him

1496
01:28:23,600 --> 01:28:25,840
Speaker 1: and like are going to reset his brain or something,

1497
01:28:25,960 --> 01:28:31,040
Speaker 1: and she knew that was true. She planned it, and

1498
01:28:31,080 --> 01:28:35,280
Speaker 1: I was like, this is good TV. I'm sorry if

1499
01:28:35,320 --> 01:28:41,760
Speaker 1: I spoil I definitely spoiled. We spoiler alert rule of

1500
01:28:41,760 --> 01:28:43,920
Speaker 1: culture number ninety two. If you say spoiler alert, that's all.

1501
01:28:44,960 --> 01:28:47,240
Speaker 1: That's all you need to do. It's time to move

1502
01:28:47,280 --> 01:28:51,439
Speaker 1: on to I don't think so honey, Well not yet.

1503
01:28:52,760 --> 01:28:56,840
Speaker 1: This is alright, so and tell them what I don't

1504
01:28:56,840 --> 01:28:58,240
Speaker 1: think so honey? Is I don't think so honey. Is

1505
01:28:58,240 --> 01:29:00,600
Speaker 1: our segment in which we take each one minute to

1506
01:29:00,920 --> 01:29:03,519
Speaker 1: rail against something in culture and repeat the phrase I

1507
01:29:03,560 --> 01:29:05,800
Speaker 1: don't think so honey. So m I have something? Do

1508
01:29:05,840 --> 01:29:07,960
Speaker 1: you have something? I do? Okay? So then this is

1509
01:29:07,960 --> 01:29:10,280
Speaker 1: the first who would like to go first? Then um,

1510
01:29:10,320 --> 01:29:12,360
Speaker 1: I can go first, as can a custom. Great, this

1511
01:29:12,439 --> 01:29:15,559
Speaker 1: is okay, great, that's not true. You always say that

1512
01:29:15,720 --> 01:29:19,200
Speaker 1: I always go first. That's not true. Okay, all right,

1513
01:29:19,200 --> 01:29:22,320
Speaker 1: well anyway, I will crunch the numbers later. Real tension

1514
01:29:22,920 --> 01:29:27,160
Speaker 1: is the actual tension. But anyway, this is Matt rodgerss

1515
01:29:27,200 --> 01:29:30,360
Speaker 1: with Matt Rogers and bowen you and that's alphabetic goal. Yeah,

1516
01:29:30,360 --> 01:29:33,160
Speaker 1: but okay, no, we're not getting into this. Um. This

1517
01:29:33,240 --> 01:29:35,120
Speaker 1: is Matt Rodgers as I don't think so, honey, and

1518
01:29:35,160 --> 01:29:37,600
Speaker 1: his time starts now. I don't think so, honey. The

1519
01:29:37,640 --> 01:29:39,400
Speaker 1: people on the street who want you to like sign

1520
01:29:39,400 --> 01:29:42,360
Speaker 1: their petitions or give money to a cause, not because

1521
01:29:42,400 --> 01:29:45,160
Speaker 1: they're doing that. When I say I'm so sorry I

1522
01:29:45,200 --> 01:29:48,440
Speaker 1: have to go and then they say something snarky or bitchy,

1523
01:29:48,600 --> 01:29:52,040
Speaker 1: I don't think so, honey. That listen to me right now.

1524
01:29:52,479 --> 01:29:55,160
Speaker 1: I am not the unusual thing for needing to go

1525
01:29:55,320 --> 01:29:58,479
Speaker 1: somewhere while I'm walking down the street. You are for

1526
01:29:58,600 --> 01:30:01,120
Speaker 1: standing there trying to get me to stop and sign

1527
01:30:01,200 --> 01:30:05,120
Speaker 1: your ship, and you are really pushing it, honey when

1528
01:30:05,160 --> 01:30:09,839
Speaker 1: you say, like, okay, when I am trying to go somewhere,

1529
01:30:10,360 --> 01:30:12,200
Speaker 1: and let me tell you what you don't want me

1530
01:30:12,240 --> 01:30:14,160
Speaker 1: to do, which I will do next time someone does

1531
01:30:14,200 --> 01:30:18,160
Speaker 1: this to me, turn around and say what, because I

1532
01:30:18,200 --> 01:30:22,439
Speaker 1: will bitch if you say, okay, fine, I'm going to

1533
01:30:22,520 --> 01:30:24,719
Speaker 1: turn around and say what was weird about what I said?

1534
01:30:24,840 --> 01:30:27,040
Speaker 1: I polite you to politely told you I needed somewhere

1535
01:30:27,040 --> 01:30:31,880
Speaker 1: to go. You should get a fucking job. Okay. I

1536
01:30:31,960 --> 01:30:34,679
Speaker 1: am not weird for needing to go somewhere. You're weird

1537
01:30:34,760 --> 01:30:36,639
Speaker 1: for standing there with nothing to do in a clipboard

1538
01:30:36,680 --> 01:30:40,840
Speaker 1: in your goddamn hands. I don't think so. And also,

1539
01:30:40,960 --> 01:30:42,920
Speaker 1: like when they give you shade and you give them

1540
01:30:42,960 --> 01:30:46,080
Speaker 1: shade back and then they're shady. It's just like, look, uh,

1541
01:30:47,200 --> 01:30:49,519
Speaker 1: I am walking somewhere with purpose. This is New York

1542
01:30:49,560 --> 01:30:52,439
Speaker 1: City and I am going somewhere. You're like, hey, can

1543
01:30:52,439 --> 01:30:53,880
Speaker 1: I stop you for a second. I say, no, I

1544
01:30:53,880 --> 01:30:56,040
Speaker 1: actually have to go somewhere, which I'm actually in the

1545
01:30:56,080 --> 01:30:58,240
Speaker 1: process of doing, which you can see and you know,

1546
01:30:58,320 --> 01:30:59,519
Speaker 1: being on the streets of New York, this is what

1547
01:30:59,520 --> 01:31:01,760
Speaker 1: I'm in. You didn't even owe them that respond no,

1548
01:31:01,960 --> 01:31:04,960
Speaker 1: And I said, I'm so sorry, I have to get somewhere,

1549
01:31:05,080 --> 01:31:09,200
Speaker 1: and they do, Why are you doing that? Now? You

1550
01:31:09,280 --> 01:31:11,840
Speaker 1: have made it unpleasant? Like and guess what, I there

1551
01:31:11,920 --> 01:31:15,599
Speaker 1: was no social contract that said, like I had to

1552
01:31:16,240 --> 01:31:18,280
Speaker 1: stop and listen to what you had to say. I

1553
01:31:18,320 --> 01:31:19,840
Speaker 1: know what you have to say, and I don't have

1554
01:31:19,880 --> 01:31:22,080
Speaker 1: time for it. I think eye contact and you have

1555
01:31:22,120 --> 01:31:24,360
Speaker 1: headphones on, and then you avoid it all together. And

1556
01:31:24,439 --> 01:31:26,719
Speaker 1: let me clarify, it's not the people that are doing

1557
01:31:26,720 --> 01:31:28,320
Speaker 1: that that I I don't think so, honey. It's the

1558
01:31:28,360 --> 01:31:31,880
Speaker 1: people that do that and then give fresh attitude and

1559
01:31:31,920 --> 01:31:35,400
Speaker 1: I wish don't be fresh. It's actually real coaching number seven,

1560
01:31:35,600 --> 01:31:39,960
Speaker 1: don't be fresh? Don't be fresh? Day. Did your mom

1561
01:31:40,240 --> 01:31:41,759
Speaker 1: used to tell you that when you were a little

1562
01:31:42,320 --> 01:31:44,320
Speaker 1: don't be fresh? My mom said that all the time,

1563
01:31:44,439 --> 01:31:49,120
Speaker 1: word for word and perfect English. Okay, so this is

1564
01:31:49,160 --> 01:31:52,519
Speaker 1: bowen yangs. I don't think so, honey. Ready, your time

1565
01:31:52,560 --> 01:31:55,640
Speaker 1: starts now. I don't think so, honey. Getty Images, who

1566
01:31:55,720 --> 01:31:57,799
Speaker 1: do you think you are trying to sell a picture

1567
01:31:57,800 --> 01:32:04,679
Speaker 1: of me for five dollars? Dollars in some cases? Look,

1568
01:32:05,400 --> 01:32:09,320
Speaker 1: have you heard of miss Mindy Tucker? Motherfucker? She is

1569
01:32:09,360 --> 01:32:11,920
Speaker 1: one of the best out there. And guess what she

1570
01:32:12,080 --> 01:32:15,800
Speaker 1: does hug gig fulfe most of the time. Mama, we'd

1571
01:32:15,840 --> 01:32:18,640
Speaker 1: pay her every now and then. Bitch, Getty Images, I

1572
01:32:18,680 --> 01:32:20,679
Speaker 1: don't know who the funk you are? Your camera people

1573
01:32:20,720 --> 01:32:23,240
Speaker 1: having to voice tag or whatever the funk it is

1574
01:32:23,280 --> 01:32:26,240
Speaker 1: they say when they talk into their cameras and say names,

1575
01:32:26,320 --> 01:32:30,799
Speaker 1: looking like a fucking lunatic, bitch, Get your ship together,

1576
01:32:31,320 --> 01:32:35,280
Speaker 1: get over yourself, stop, get your water marks are off.

1577
01:32:35,320 --> 01:32:37,240
Speaker 1: I can hack it, and I can get those watermarks

1578
01:32:37,240 --> 01:32:39,360
Speaker 1: off myself. And fifteen as long as I know some

1579
01:32:39,400 --> 01:32:41,400
Speaker 1: of my way around photoshop, but most people don't and

1580
01:32:41,479 --> 01:32:46,120
Speaker 1: don't have this prohibitive thing on your site. Five five

1581
01:32:46,200 --> 01:32:52,040
Speaker 1: dollars more like five hundred reasons to fucking hate Getty Images, bitch.

1582
01:32:52,320 --> 01:32:56,519
Speaker 1: I don't think so, honey, Getty images. I have a great,

1583
01:32:56,640 --> 01:32:58,840
Speaker 1: great love for getting images. Now that we've been in them,

1584
01:32:59,439 --> 01:33:01,680
Speaker 1: I'd like to keep being in them. But I um

1585
01:33:02,000 --> 01:33:06,040
Speaker 1: do know we love Getty images, but that is no.

1586
01:33:06,200 --> 01:33:09,200
Speaker 1: But we love after every I don't think so, honey.

1587
01:33:09,280 --> 01:33:14,120
Speaker 1: You just went no love, no, but we love. OK,

1588
01:33:14,560 --> 01:33:17,600
Speaker 1: we're gonna do this. We're gonna do this, but we

1589
01:33:18,040 --> 01:33:21,080
Speaker 1: gonna wait. Hold on someone's face timing us? Who's face timing?

1590
01:33:23,880 --> 01:33:27,200
Speaker 1: He definitely made a mistake immediately, it was a FaceTime.

1591
01:33:28,240 --> 01:33:30,760
Speaker 1: I know him alright. So this is Sudi Green. This

1592
01:33:30,840 --> 01:33:32,720
Speaker 1: is Sudy Green's I don't think it's so honey, and

1593
01:33:32,920 --> 01:33:35,960
Speaker 1: her time starts now. I don't think so honey. People

1594
01:33:36,000 --> 01:33:38,559
Speaker 1: saying that we can't have Nicki Minaj now that there's

1595
01:33:38,640 --> 01:33:43,559
Speaker 1: Cardi B. Listen, it is being talked about, and I

1596
01:33:43,640 --> 01:33:49,040
Speaker 1: absolutely disagree. We have two female rappers in the game

1597
01:33:49,160 --> 01:33:51,560
Speaker 1: right now, and the fact that that is like revolutionary

1598
01:33:51,640 --> 01:33:55,960
Speaker 1: and like mind bawling boggling for some people is a bullshit. Okay,

1599
01:33:56,160 --> 01:33:58,479
Speaker 1: just because you had a pastrami sandwich for the last

1600
01:33:58,520 --> 01:34:00,720
Speaker 1: seven years, which is Nicki Mina, and all of a

1601
01:34:00,720 --> 01:34:03,240
Speaker 1: sudden you got tuna salad which is Cardi B, doesn't

1602
01:34:03,240 --> 01:34:05,720
Speaker 1: mean that you're only eating tuna salad out because guess what,

1603
01:34:05,920 --> 01:34:08,880
Speaker 1: how many male sandwiches rappers are out there, so many

1604
01:34:08,880 --> 01:34:11,639
Speaker 1: different We're not saying that we can't have me, gooes

1605
01:34:11,760 --> 01:34:15,200
Speaker 1: and common, you know what I'm saying. Also, Kanye West,

1606
01:34:15,240 --> 01:34:18,080
Speaker 1: who as we know, is very wise and present, on Twitter,

1607
01:34:18,360 --> 01:34:21,320
Speaker 1: said that he wanted to see a tour with Nicki

1608
01:34:21,360 --> 01:34:22,960
Speaker 1: Minaj and Cardi B. And I agree. I think that

1609
01:34:23,000 --> 01:34:25,200
Speaker 1: they are powerful. I think they should release a song together.

1610
01:34:25,240 --> 01:34:26,960
Speaker 1: I think their music is different, and I want them

1611
01:34:27,000 --> 01:34:29,400
Speaker 1: to exist in the same space and unite together because

1612
01:34:29,400 --> 01:34:32,280
Speaker 1: they have more star power than all of those men

1613
01:34:32,320 --> 01:34:34,719
Speaker 1: in the game come by. I don't think so, Honey

1614
01:34:34,880 --> 01:34:37,840
Speaker 1: to queens and I want a new era of queens. Yes,

1615
01:34:37,920 --> 01:34:40,640
Speaker 1: and that's one minutes. Also, you know what, there's a

1616
01:34:40,640 --> 01:34:43,280
Speaker 1: lot of ones that like got pushed out, which really

1617
01:34:43,320 --> 01:34:46,000
Speaker 1: they didn't leave voluntarily. I mean, you know on them,

1618
01:34:46,040 --> 01:34:48,240
Speaker 1: where the hell is Eve? Where the hell is Foxy Brown?

1619
01:34:48,280 --> 01:34:51,479
Speaker 1: Where the hell is like Elliott Elliott. I don't mean

1620
01:34:51,520 --> 01:34:54,559
Speaker 1: to say that there are only two women, but because

1621
01:34:54,640 --> 01:34:58,599
Speaker 1: honestly though I love no but you know what, it's

1622
01:34:58,680 --> 01:35:01,479
Speaker 1: it is true we've like done this thing where and

1623
01:35:01,520 --> 01:35:03,639
Speaker 1: you know what people I think people think like it's

1624
01:35:03,640 --> 01:35:06,160
Speaker 1: because they wear fun costumes and wigs, which all the

1625
01:35:06,200 --> 01:35:08,320
Speaker 1: white chicks wear fun costumes and wigs. And you're not

1626
01:35:08,360 --> 01:35:13,400
Speaker 1: saying that music is different. To say that one cancels

1627
01:35:13,439 --> 01:35:16,920
Speaker 1: the other out is such bullshit. Their styles are very different.

1628
01:35:17,000 --> 01:35:19,120
Speaker 1: What was the situation with them when they talked at

1629
01:35:19,120 --> 01:35:21,439
Speaker 1: the Metcalo? Did they have a beef and they had

1630
01:35:21,479 --> 01:35:24,920
Speaker 1: a confrontation? No, no, no, there there there was no beef.

1631
01:35:24,920 --> 01:35:29,680
Speaker 1: But Nikki was on Beats one radio she sounded heard

1632
01:35:29,680 --> 01:35:36,040
Speaker 1: about something where um like Cardi maybe just maybe it

1633
01:35:36,080 --> 01:35:38,880
Speaker 1: was about motorsport. It's about motorsport and about how like

1634
01:35:38,960 --> 01:35:42,559
Speaker 1: they couldn't get them together, and how the media narrative was, oh,

1635
01:35:42,640 --> 01:35:46,120
Speaker 1: Nikki's being Nicki and Nikki and doesn't want Cardi to

1636
01:35:46,160 --> 01:35:47,920
Speaker 1: be in the same room as her, and no one,

1637
01:35:48,160 --> 01:35:49,760
Speaker 1: none of the Mei goes and not even Cardi, no

1638
01:35:49,800 --> 01:35:52,160
Speaker 1: one backed her up and support her and say, actually, no,

1639
01:35:52,200 --> 01:35:54,920
Speaker 1: this is a total lie. I really think it would

1640
01:35:54,960 --> 01:35:59,439
Speaker 1: be so cool if they released a song together, because

1641
01:36:00,360 --> 01:36:03,840
Speaker 1: they really are both stars and they really like It's

1642
01:36:03,880 --> 01:36:06,479
Speaker 1: like when I remember when it was peak Gaga and

1643
01:36:06,520 --> 01:36:13,639
Speaker 1: peak Beyonce and they released video Phone Phone. I don't

1644
01:36:13,640 --> 01:36:15,439
Speaker 1: think that that would be a good idea for Cardi

1645
01:36:15,600 --> 01:36:18,120
Speaker 1: to go on a track with Nicki Minash. Why because

1646
01:36:18,200 --> 01:36:21,760
Speaker 1: Nicki Minash is a beast. Yes, that was card She's not.

1647
01:36:21,439 --> 01:36:24,559
Speaker 1: She's not, Matt No, you haven't even given her album

1648
01:36:24,560 --> 01:36:27,120
Speaker 1: a full listen, Yes I have. She She's not. She's not.

1649
01:36:27,400 --> 01:36:31,240
Speaker 1: She's not. She's not as skilled and I'm seeing in

1650
01:36:31,280 --> 01:36:33,080
Speaker 1: the way that Nikki is and that's fine, you know

1651
01:36:33,080 --> 01:36:35,639
Speaker 1: what I mean. I think I think Dualipa is amazing.

1652
01:36:35,760 --> 01:36:37,880
Speaker 1: I don't think it's a good idea for Dualipa, a

1653
01:36:37,960 --> 01:36:44,040
Speaker 1: duet with Beyonce Cardy. Yeah, I don't think that she's

1654
01:36:44,080 --> 01:36:47,599
Speaker 1: at Nikki's level. She's not at her level yet. And

1655
01:36:47,680 --> 01:36:52,720
Speaker 1: also Cardi has a real like pop poppy or like

1656
01:36:52,800 --> 01:36:55,439
Speaker 1: catchy commercial rap album. I think a lot of her

1657
01:36:55,479 --> 01:36:58,960
Speaker 1: songs are good. Be careful with me, That's all I

1658
01:36:59,000 --> 01:37:01,000
Speaker 1: have to say. And I don't say to everybody, Hey,

1659
01:37:01,160 --> 01:37:04,160
Speaker 1: be careful, studies Anthem and also, guys, check out these

1660
01:37:04,200 --> 01:37:09,880
Speaker 1: other female mcs, Jungle Pussy, Lizzo amazing, like even Azalea. Still,

1661
01:37:09,920 --> 01:37:12,439
Speaker 1: I mean, like whatever, if you're willing to forgive and

1662
01:37:12,520 --> 01:37:16,880
Speaker 1: Yang endorsing Azalia, oh my god, truly maybe yes, um,

1663
01:37:16,920 --> 01:37:19,400
Speaker 1: but there's so many options out there. We still then

1664
01:37:19,400 --> 01:37:21,120
Speaker 1: it's a whole deli. It's a whole deli. There's a

1665
01:37:21,160 --> 01:37:24,360
Speaker 1: notary here. There are stars, and then there are superstars.

1666
01:37:24,479 --> 01:37:27,000
Speaker 1: Nicki Minaj is a superstar, hardy as a superstars. But

1667
01:37:27,080 --> 01:37:29,599
Speaker 1: I don't I don't know. I think time will tell.

1668
01:37:30,360 --> 01:37:32,240
Speaker 1: I don't get why you're being so shaty with Cardia.

1669
01:37:32,320 --> 01:37:34,280
Speaker 1: I'm not being shady. I'm just saying she's been out

1670
01:37:34,320 --> 01:37:35,920
Speaker 1: for less than a year, Like you know what, I mean,

1671
01:37:35,960 --> 01:37:41,240
Speaker 1: like it's like chance the wrapper coming in and then

1672
01:37:41,240 --> 01:37:44,080
Speaker 1: it's like jay Z. I mean like, obviously there's a difference.

1673
01:37:44,400 --> 01:37:49,400
Speaker 1: We love right, right, But you have to acknowledge that

1674
01:37:49,439 --> 01:37:51,240
Speaker 1: one of them is a legend and one of them

1675
01:37:51,320 --> 01:37:54,760
Speaker 1: has promised to be to get there. That's all I'm saying. Yes,

1676
01:37:54,840 --> 01:37:57,559
Speaker 1: it's a difference between icon versus legend. And I think

1677
01:37:57,560 --> 01:37:59,559
Speaker 1: that Nikki is an icon and a legend, and I

1678
01:37:59,560 --> 01:38:02,200
Speaker 1: think card okay, So then let me ask you this.

1679
01:38:02,439 --> 01:38:05,400
Speaker 1: She doesn't tend Nikki just just released Pink Friday and

1680
01:38:05,439 --> 01:38:08,280
Speaker 1: there's all to speak between her and Lokim. What about that? Like,

1681
01:38:08,360 --> 01:38:11,200
Speaker 1: isn't that an iconom legend situation too? I think that.

1682
01:38:11,520 --> 01:38:14,800
Speaker 1: But I think that well, and I think the fact

1683
01:38:14,840 --> 01:38:18,160
Speaker 1: that they were pitting against each other whatever happened. But then,

1684
01:38:18,320 --> 01:38:20,280
Speaker 1: but now it seems like you're the one who's pitting

1685
01:38:20,280 --> 01:38:22,040
Speaker 1: them against you know, I'm not pitting them against each other.

1686
01:38:22,080 --> 01:38:23,840
Speaker 1: I'm just saying I don't think it's a good idea.

1687
01:38:23,840 --> 01:38:26,080
Speaker 1: It would be a good idea for Cardi to go

1688
01:38:26,120 --> 01:38:28,559
Speaker 1: on a track with just Nicki Minaj, because I don't

1689
01:38:28,560 --> 01:38:31,400
Speaker 1: think that Cardi would benefit from that just yet, until

1690
01:38:31,439 --> 01:38:33,479
Speaker 1: she cultivates her skills to that level. I think Nikki

1691
01:38:33,640 --> 01:38:35,559
Speaker 1: is a beast. I think she's an actress. I think

1692
01:38:35,560 --> 01:38:38,800
Speaker 1: she's like a performer and a like artist in a

1693
01:38:38,840 --> 01:38:41,960
Speaker 1: way that like we we haven't seen that fully fleshed

1694
01:38:41,960 --> 01:38:44,640
Speaker 1: out with Cardi. I'm not pitting them against eachither. I'm

1695
01:38:44,680 --> 01:38:47,160
Speaker 1: just saying one is on an no way another level.

1696
01:38:47,320 --> 01:38:52,160
Speaker 1: The same way that when Nikki was on that Kanye

1697
01:38:52,240 --> 01:38:55,160
Speaker 1: Monster song, and Nikki had that like star turn moment

1698
01:38:55,240 --> 01:38:58,479
Speaker 1: because she was being brought you know, it's preparation meets

1699
01:38:58,479 --> 01:39:00,720
Speaker 1: the opportunity, and she had the oppertu and then she

1700
01:39:00,920 --> 01:39:05,400
Speaker 1: stay up and she had that amazing, amazing verse. I

1701
01:39:05,400 --> 01:39:07,760
Speaker 1: think that Cardi would turn out a Bodac yellow for

1702
01:39:07,880 --> 01:39:10,040
Speaker 1: Nicki Minaj, and we've seen Cardi slay and that is

1703
01:39:10,080 --> 01:39:13,280
Speaker 1: Bodac yellow. I mean, that's a slick. That's what I'm saying.

1704
01:39:13,280 --> 01:39:15,560
Speaker 1: And I feel like I'm I can't believe I'm like

1705
01:39:15,600 --> 01:39:18,680
Speaker 1: an expert on wrap. You are insane. I want to

1706
01:39:18,720 --> 01:39:22,320
Speaker 1: say that Barbie Tinks and Trenley, they're both like pretty middle,

1707
01:39:22,479 --> 01:39:24,360
Speaker 1: middle of the road Nikki songs in terms of skill

1708
01:39:24,360 --> 01:39:27,479
Speaker 1: and dexterity and flow, She's not like doing the whole

1709
01:39:27,479 --> 01:39:29,560
Speaker 1: monster level things she's not doing, even stuff that she

1710
01:39:29,600 --> 01:39:34,080
Speaker 1: did on pink Print, like Cardi on on what is

1711
01:39:34,120 --> 01:39:39,280
Speaker 1: it called her album? Um, no one's gonna help me out?

1712
01:39:39,560 --> 01:39:45,080
Speaker 1: Forget what? Oh? Um? So how come? How come I'm

1713
01:39:45,080 --> 01:39:47,000
Speaker 1: the one attacking Cardy But I'm the only one who

1714
01:39:47,000 --> 01:39:50,559
Speaker 1: knows how album are you are attacking? She's just it's

1715
01:39:50,600 --> 01:39:52,920
Speaker 1: so good and has blown is like is spitting fire.

1716
01:39:52,960 --> 01:39:55,920
Speaker 1: But anyway, that was no one's gonna help me up.

1717
01:39:56,240 --> 01:39:59,200
Speaker 1: That was no one's gonna help me out, Like when

1718
01:39:59,240 --> 01:40:01,760
Speaker 1: that that video Christina Aguila when someone cost during her

1719
01:40:01,800 --> 01:40:07,400
Speaker 1: interview coughing during my interview. Really, I think that Devon

1720
01:40:07,640 --> 01:40:10,160
Speaker 1: is just Christina Aguilar being funny and being joking, being

1721
01:40:10,200 --> 01:40:15,320
Speaker 1: like coughing during my joking. That's clearly. But when but

1722
01:40:15,439 --> 01:40:17,200
Speaker 1: when Boone said no, he's gonna help me out, he

1723
01:40:17,240 --> 01:40:21,080
Speaker 1: was not kidding. It's gonna help me out. I'm a

1724
01:40:21,160 --> 01:40:24,519
Speaker 1: bit bitch. But the bit that ye and who are

1725
01:40:24,520 --> 01:40:28,920
Speaker 1: we whose songs are saying you are careful with me,

1726
01:40:29,040 --> 01:40:31,040
Speaker 1: You'll be careful with me. Don't bite the hand. I

1727
01:40:31,160 --> 01:40:34,720
Speaker 1: don't nobody in here bite the hand? Why are you

1728
01:40:34,800 --> 01:40:39,000
Speaker 1: seating me? Chick? Don't nobody We had a great time

1729
01:40:39,000 --> 01:40:43,559
Speaker 1: with nobody in here and nobody in here bite the hand.

1730
01:40:43,640 --> 01:40:46,200
Speaker 1: And you know that's one of my famous catchphrase, stupid,

1731
01:40:47,360 --> 01:40:49,320
Speaker 1: don't bite the hand. I don't know my words, but

1732
01:40:49,360 --> 01:40:53,360
Speaker 1: I do. It's like opportunity have been since you were

1733
01:40:53,400 --> 01:40:56,240
Speaker 1: both young children. No, I mean, look, I'm gonna start listening.

1734
01:40:56,320 --> 01:40:58,880
Speaker 1: I invited no no, no, no no. I invited you

1735
01:40:59,000 --> 01:41:04,080
Speaker 1: to the what was that place went? I don't started

1736
01:41:04,080 --> 01:41:08,839
Speaker 1: your career. This has been a great time with episode

1737
01:41:08,880 --> 01:41:11,640
Speaker 1: marks a seed change in Last Culture Resta's lore and

1738
01:41:11,680 --> 01:41:15,320
Speaker 1: the Last Culturesta's universe and the l CU. Because Matt

1739
01:41:15,320 --> 01:41:17,360
Speaker 1: has had a monopoly on all the catchphrases, I'm going

1740
01:41:17,400 --> 01:41:21,200
Speaker 1: to start turning out the phrases. Bit. No one's gonna

1741
01:41:21,200 --> 01:41:25,080
Speaker 1: help me out with this, really really, so stay tuned

1742
01:41:25,120 --> 01:41:27,240
Speaker 1: for that. Um oh my god. This has been such

1743
01:41:27,240 --> 01:41:34,280
Speaker 1: a fun episode. Just a reminder. Really, I really have

1744
01:41:34,520 --> 01:41:37,800
Speaker 1: enjoyed this time. I feel like the worst side of

1745
01:41:37,800 --> 01:41:40,400
Speaker 1: me has come out, and I want to thank you

1746
01:41:40,640 --> 01:41:44,240
Speaker 1: for giving me the freedom to platform to say things

1747
01:41:44,240 --> 01:41:47,920
Speaker 1: that I will definitely regret absolutely and that you will

1748
01:41:48,000 --> 01:41:49,559
Speaker 1: call us that a week later to be like can

1749
01:41:49,600 --> 01:41:51,679
Speaker 1: we take these parts out? We'll be like, yeah, of course,

1750
01:41:52,360 --> 01:41:55,920
Speaker 1: I don't know. I don't think anything's nothing nothing. I'm kidding. Well,

1751
01:41:55,960 --> 01:41:59,720
Speaker 1: I'll only request certain things stay in of course, and

1752
01:41:59,760 --> 01:42:02,200
Speaker 1: we'll we'll make the choices. Ahun went to cot. Yeah,

1753
01:42:02,280 --> 01:42:05,200
Speaker 1: you guys make the choices, but I'm I'm on the

1754
01:42:05,240 --> 01:42:11,080
Speaker 1: side of a rob here truth. Thank you, unfiltered, unedited. Um.

1755
01:42:11,160 --> 01:42:14,720
Speaker 1: We do end every episode with a song, and I

1756
01:42:14,720 --> 01:42:17,280
Speaker 1: think we know what song we're gonna end it with.

1757
01:42:19,200 --> 01:42:23,760
Speaker 1: And I got a dishwasher and it change my world. Yeah,

1758
01:42:23,840 --> 01:42:29,240
Speaker 1: I got a dish washer and change my Oh. By

1759
01:42:29,840 --> 01:42:36,840
Speaker 1: by Forever. This has been a Forever Dog production executive

1760
01:42:36,840 --> 01:42:41,200
Speaker 1: produced by Brett Bohum, Joe Cilio, and Alex Ramsey. For

1761
01:42:41,280 --> 01:42:46,160
Speaker 1: more original podcasts, please visit Forever Dog Podcasts dot com

1762
01:42:46,200 --> 01:42:50,160
Speaker 1: and subscribe to our shows on Apple Podcasts, Spotify, or

1763
01:42:50,200 --> 01:42:52,960
Speaker 1: wherever you get your podcasts. Keep up with the latest

1764
01:42:53,000 --> 01:42:57,040
Speaker 1: Forever Dog news by following us on Twitter and Instagram

1765
01:42:57,080 --> 01:43:01,120
Speaker 1: at Forever Dog Team, and liking our age on Facebook.