WEBVTT - Edith Wharton: Novelist and Designer

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<v Speaker 1>She was a born storyteller. At the age of three

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<v Speaker 1>or four, um she would be observed holding a book

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<v Speaker 1>in her hands, off and upside down, and she would

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<v Speaker 1>walk back and forth and make up and create a

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<v Speaker 1>story that her mother arranged for a play date with

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<v Speaker 1>young friends. He would actually refuse them and insist that

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<v Speaker 1>her mother played with him so that she could she

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<v Speaker 1>could continue on making up. That was Susan Whistler talking

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<v Speaker 1>about young Edith Wharton, the first woman to win the

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<v Speaker 1>Pulitzer Prize for Literature. Wharton is the author of classics

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<v Speaker 1>like The Age of Innocence and The House of Mirth.

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<v Speaker 1>She created an unforgettable portrait of nineteenth century America and

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<v Speaker 1>women's role in it. I'm a land Ververe and this

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<v Speaker 1>is Seneca's one Women to Hear. We are bringing you

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<v Speaker 1>one hundred of the world's most inspiring and history making

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<v Speaker 1>women you need to hear. Edith Wharton's books continue to

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<v Speaker 1>sell widely, even a hundred years after their publication, and

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<v Speaker 1>they've been the source for many movies starring everyone from

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<v Speaker 1>Betty Davis to Michelle Peiffer. But Wharton was more than

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<v Speaker 1>a novelist. She was also a forward looking designer, of

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<v Speaker 1>homes and gardens, and for her relief work during World

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<v Speaker 1>War One, she was a hero to the French people.

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<v Speaker 1>We got a fascinating insight into Wharton's life from Susan Whistler,

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<v Speaker 1>the executive director of the Mount, the beautiful estate Wharton

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<v Speaker 1>built in the Berkshire Mountains of Massachusetts. Listen and learn

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<v Speaker 1>from Susan Whistler why Edith Wharton is one of Seneca's

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<v Speaker 1>One Women to hear. I'm speaking today to Susan Whistler,

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<v Speaker 1>the executive director of the Mount the Estate of Edith Wharton,

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<v Speaker 1>and we're going to be speaking about Edith Wharton and

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<v Speaker 1>her place in America's literary history and so much more. Susan,

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<v Speaker 1>it is a wonderful pleasure to have you with us today. Well, Malan,

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<v Speaker 1>thank you. I'm delighted to be here. Edith Wharton wrote

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<v Speaker 1>about the world of the wealthy during the Gilded Age

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<v Speaker 1>the late eighteen hundreds. She gave us memorable novels, including

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<v Speaker 1>The Age of Innocence in the House of Mirth. She

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<v Speaker 1>was the first woman to win the Pulitzer Prize for

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<v Speaker 1>Literature for the Age of Innocence. She was also a

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<v Speaker 1>designer and a decorator, and her passion for houses and

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<v Speaker 1>gardens obviously comes out at the Mount when one visits.

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<v Speaker 1>What do you think she should be remembered for? How

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<v Speaker 1>do you see her legacy? You have an intimate engagement

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<v Speaker 1>with her almost every day as you're there at the Mount.

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<v Speaker 1>Well Edith Wharton, I would say, is and should probably

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<v Speaker 1>best known for her enduring classics of the House of

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<v Speaker 1>Mirth Ethan Frome, and also the Age of Innocence, which

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<v Speaker 1>is probably her best known work. It's the one that

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<v Speaker 1>one of the Pulitzer Prize when it was published in

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<v Speaker 1>nineteen twenty, and it hit number one on the bestseller

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<v Speaker 1>lists again in nine three, following Martin Scorsese's release of

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<v Speaker 1>his film starring Michelle Peifer and Daniel day Lewis, which

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<v Speaker 1>is based on the novel but Um, I would say,

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<v Speaker 1>even though she's mostly known as a novelist, her literary

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<v Speaker 1>legacy is actually so much bigger. Um. She wrote across

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<v Speaker 1>many genres, including short stories, to travel books, literary essays

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<v Speaker 1>and poetry, and her first well known and sort of

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<v Speaker 1>I would say hit, was a book that was actually

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<v Speaker 1>about interior design, called The Decoration of Houses. It was

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<v Speaker 1>published in eight and it's still taught in design schools today. Um.

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<v Speaker 1>I think she also should be remembered for taking on

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<v Speaker 1>subject matter that I would say, even today might seem audacious.

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<v Speaker 1>She her books and her novels addressed issues ranging from

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<v Speaker 1>euthanasia to war um to female sexual desire, especially that

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<v Speaker 1>of older women. And I would say that she and

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<v Speaker 1>her works defy any easy categorization. I would say. And

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<v Speaker 1>then of course there is, um what I think she

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<v Speaker 1>considered her most important creation, or one of her most

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<v Speaker 1>important creations, and that is the estate that she gotagned

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<v Speaker 1>and build from the Berkshires, the Mount Um. And she

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<v Speaker 1>was as proud of that as any of the literary

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<v Speaker 1>work that she produced. Just an exceptional legacy for sure.

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<v Speaker 1>Now you're the executive director of the Mount. Her long

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<v Speaker 1>time state is you just mentioned in the Beautiful Berkshires

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<v Speaker 1>And you used to practice law in New York? What

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<v Speaker 1>got you interested in Edith Warren and how did you

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<v Speaker 1>come to head the Mount? Well, I thank serendipity for

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<v Speaker 1>for my journey. Um. My last legal job was actually

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<v Speaker 1>with a firm here in the Berkshires, and Um, the

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<v Speaker 1>partner that I was closest with unfortunately died of cancer

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<v Speaker 1>while I was there, and it was it was a

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<v Speaker 1>big moment in my life, and I took that opportunity

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<v Speaker 1>to step away from the law and decided i'd really

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<v Speaker 1>actually rather spend more time outdoors. And I spent the

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<v Speaker 1>next couple of years as a sort of itinerant tradesperson.

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<v Speaker 1>I was a carpenter, I did landscaping, I did painting, UM,

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<v Speaker 1>just sort of odd jobs here and there and UM.

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<v Speaker 1>But I was growing tired of that. It was getting

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<v Speaker 1>a little tiring, and I certainly wasn't making a lot

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<v Speaker 1>of money. And a friend notified me that there was

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<v Speaker 1>an opening here at the Mount, involved with operations, and

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<v Speaker 1>I applied on the labor day, and too, I think

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<v Speaker 1>I applied on a Friday in two thousand one, in

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<v Speaker 1>September and started the following Monday. And I fell in

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<v Speaker 1>love with the property. And I have never look back.

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<v Speaker 1>And it's hard to believe that that was nearly twenty

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<v Speaker 1>years ago. It's an exceptional story serendipity, though it might

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<v Speaker 1>be in terms of how you got engaged. But I

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<v Speaker 1>think the Mount is very fortunate too, to have such

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<v Speaker 1>an exceptional lawyer and committed leader of that beautiful place.

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<v Speaker 1>You mentioned at the outset some of Edith's great literary achievements,

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<v Speaker 1>And she wrote so many years ago, and yet her

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<v Speaker 1>books remained so popular today. What do you think that's

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<v Speaker 1>the case and and what does she tell us about

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<v Speaker 1>the wider culture in in terms of her time and

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<v Speaker 1>our time. Well, when Wharton was at the peak of

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<v Speaker 1>her career, women's rights were arguably expanding, Divorce was becoming

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<v Speaker 1>more common, more women were entering the workforce and um,

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<v Speaker 1>and then of course the Nineteenth Amendment was ratified in

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<v Speaker 1>nineteen nineteen. And despite all of this scene progress, a

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<v Speaker 1>major theme in Wharton's work is how women's options remain constrictive.

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<v Speaker 1>Marriage was often unsatisfactory, and of course women continue to

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<v Speaker 1>be treated unequally. And I would say that is one

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<v Speaker 1>thing that runs throughout her work that continues to resonate today.

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<v Speaker 1>And another big theme was, I would say, the huge

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<v Speaker 1>divide between the enormously wealthy, the one percentagers perhaps, and

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<v Speaker 1>the working class. So I don't think it's hard to

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<v Speaker 1>draw parallels between her time and ours, And I think

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<v Speaker 1>the themes that she addresses in her works continue to

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<v Speaker 1>be themes that we as individuals and as a society

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<v Speaker 1>continued to struggle with. But I think perhaps the principal

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<v Speaker 1>reason she remains popular is because she's just a wonderful writer,

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<v Speaker 1>and she's got memorable characters, engaging plots, beautiful language, and

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<v Speaker 1>I would say a clean, even muscular writing style. And

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<v Speaker 1>so her work is has has stood the test of time,

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<v Speaker 1>and I think a century from now we will still

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<v Speaker 1>talking about her. It's it's so interesting, and those two

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<v Speaker 1>things that you mentioned are certainly very much with us today.

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<v Speaker 1>Um she lived between eighteen sixty two and nineteen thirty seven.

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<v Speaker 1>What was happening then that had a great deal to

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<v Speaker 1>say about shaping her and what she eventually would write about.

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<v Speaker 1>That's a great question on um. Well, Wharton was born

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<v Speaker 1>into the old money New York society uh or. By

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<v Speaker 1>way of example, on the US Census, her father listed

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<v Speaker 1>his occupation as a gentleman of leisure. So this was

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<v Speaker 1>the world into which she was born. Her family belonged

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<v Speaker 1>to a class of people who loved art but distrusted artists,

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<v Speaker 1>and it was also a class that felt themselves under siege,

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<v Speaker 1>particularly by the new money class. And because she was

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<v Speaker 1>a bona fide member of this class, she knew it.

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<v Speaker 1>She understood it warts and all. She knew it intimately

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<v Speaker 1>and it provided her with terrific material for her writing. UM.

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<v Speaker 1>She was also heavily influenced by European culture as a child.

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<v Speaker 1>Edith had spent much of her life in Europe, mainly

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<v Speaker 1>in France, Germany and Italy, and it was there that

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<v Speaker 1>she developed both her gifts for languages, but also a

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<v Speaker 1>deep appreciation for beauty. UH. She loved art, architecture, and literature,

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<v Speaker 1>and this is where all of those passions were ignited. UM.

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<v Speaker 1>I would also say that she had an incredible intellectual

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<v Speaker 1>curiosity and that drove her to read just an extraordinary

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<v Speaker 1>range of books, not just literature, but she also was

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<v Speaker 1>fascinated by science and philosophy and religion, and her library

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<v Speaker 1>here at the Mount actually includes multiple copies of her

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<v Speaker 1>books by Darwin, whose works and theories were of course

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<v Speaker 1>hotly debated in the day. UM. So those were some

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<v Speaker 1>of the forces in terms of events that shaped your life.

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<v Speaker 1>I would say World War One was perhaps the most influential. UM.

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<v Speaker 1>From nineteen fourteen to nineteen eighteen, she wasn't was in France,

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<v Speaker 1>in Paris, and she devoted herself to creating a complex,

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<v Speaker 1>really extensive network with charitable and humanitarian organizations that included

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<v Speaker 1>work rooms for the unemployed, convalescent homes for people with berculosis.

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<v Speaker 1>She created hospitals for refugees and schools for children and UM.

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<v Speaker 1>She also wrote extensively about the war. She was one

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<v Speaker 1>of a handful journalists that was actually allowed to UH

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<v Speaker 1>report from the front lines, and her work was so

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<v Speaker 1>extensive that UM in nineteen sixteen she was actually awarded

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<v Speaker 1>the French Legion of loner UM. And I would say

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<v Speaker 1>mentioned one last thing that I would say was a

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<v Speaker 1>big force on her life. UM. During her lifetime, they

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<v Speaker 1>were incredible social, economic, and needed technological changes. UM. So

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<v Speaker 1>she went from a horse and buggy era to air travel.

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<v Speaker 1>And I would say this progress affected her deeply and

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<v Speaker 1>can be seen in her writing. And by the time

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<v Speaker 1>she's in the nineteen twenties, she was actually quite dismayed

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<v Speaker 1>at what she saw as the commercialization of popular culture UM.

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<v Speaker 1>And she wrote about this in in her novels. So

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<v Speaker 1>in the Children, for example, she makes fun of Hollywood

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<v Speaker 1>in the movie industry. In Hudson Riverbracketed, she she goes

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<v Speaker 1>after the publishing industry and and specifically the Pulitzer Prise.

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<v Speaker 1>And then in Twilight Sleep, which is one of her

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<v Speaker 1>last novels, she turns her pen scuba modern medicine and

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<v Speaker 1>the wonder pills that were on the wage of the day.

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<v Speaker 1>She was such an interesting and complicated personality. Obviously, I

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<v Speaker 1>wonder listening to your description of her and what shaped her.

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<v Speaker 1>It sounds like she could have done any number of things.

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<v Speaker 1>Why did she become a writer? Oh? Um? Well, as

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<v Speaker 1>she was born a writer. I think she she had

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<v Speaker 1>no choice but to be him a writer. She was

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<v Speaker 1>a born storyteller, so even before she could read, she

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<v Speaker 1>writes her memoir that she would engage in an exercise

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<v Speaker 1>or an activity that she called making up. And so

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<v Speaker 1>you know, at the age of three or four, um

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<v Speaker 1>she would be observed holding a book in her hands

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<v Speaker 1>off an upside down and she would walk back and

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<v Speaker 1>forth and make up and create a story. Um with

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<v Speaker 1>her mother arranged for a play date with um uh

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<v Speaker 1>young friends, she would actually refuse them and insist that

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<v Speaker 1>her mother play with him so that she could she

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<v Speaker 1>could continue on making up. So the storytelling piece came

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<v Speaker 1>to her naturally, and I think she was driven right,

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<v Speaker 1>which is not to say that it was easy. Um.

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<v Speaker 1>Her family I believe was a little bit in awe

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<v Speaker 1>of the sort of a natural and sort of driven

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<v Speaker 1>nature of Edith to too right, and they ordered her

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<v Speaker 1>as a young girl. In fact, um Wharton's first book,

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<v Speaker 1>first published book, was the book of poems that she

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<v Speaker 1>wrote at the age of sixteen, and her mother actually

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<v Speaker 1>undertook the private publication of that. So I think they

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<v Speaker 1>were quite proud of her. But once she was a

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<v Speaker 1>woman of a certain age where the expectations were that

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<v Speaker 1>she was to marry and settle down, UM, I would say,

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<v Speaker 1>the tables turned for her, and um, at the age

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<v Speaker 1>of twenty one, she is engaged to a young man.

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<v Speaker 1>The engagement was broken for very complicated reasons, and the

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<v Speaker 1>newspapers actually report that the engagement was called off because

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<v Speaker 1>Wharton was an ambitious authoress and too intellectual, and that

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<v Speaker 1>was a huge humiliation for her. UM. And as she

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<v Speaker 1>even as she became you know, critically and a critical

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<v Speaker 1>and popular success, UM, she was often not taken seriously

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<v Speaker 1>as a writer. She was frequently dismissed as either just

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<v Speaker 1>a pale imitation of Henry James, who was a good friend,

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<v Speaker 1>or as someone who's worked with trivial because they were

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<v Speaker 1>only concerned with the rich. And this was despite her

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<v Speaker 1>having often written stories with working class protagonists. UM. I

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<v Speaker 1>would say at least a third of her works deal

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<v Speaker 1>with people who are not of the of the wealthy class.

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<v Speaker 1>Sounds like some of the criticisms that were lobbed against

0:14:28.720 --> 0:14:34.920
<v Speaker 1>her continue in varying ways today against women. That criticism

0:14:34.920 --> 0:14:40.040
<v Speaker 1>of being just too intellectual strikes me as one for sure. UM.

0:14:40.360 --> 0:14:43.520
<v Speaker 1>And I just love that image that you painted of

0:14:43.600 --> 0:14:47.680
<v Speaker 1>her as a child holding a book upside down, uh,

0:14:47.680 --> 0:14:52.480
<v Speaker 1>and storytelling as as she's pacing around. So I think

0:14:52.520 --> 0:14:55.720
<v Speaker 1>you're so right. It does sound so much like she

0:14:55.840 --> 0:14:59.360
<v Speaker 1>was born to be a writer. Speaking of her work,

0:14:59.720 --> 0:15:05.400
<v Speaker 1>The Age of Innocence celebrated its hundredth anniversary last year.

0:15:06.080 --> 0:15:09.200
<v Speaker 1>What's the story behind that book? For listeners who are

0:15:09.280 --> 0:15:12.920
<v Speaker 1>not familiar with it, The Age of Innocence was written

0:15:13.400 --> 0:15:17.480
<v Speaker 1>in nineteen twenty, after World War One, and um after

0:15:17.520 --> 0:15:21.000
<v Speaker 1>the death of many of Warton's closest friends, including Henry

0:15:21.080 --> 0:15:26.200
<v Speaker 1>James and Teddy Roosevelt. UM. And it is set uh,

0:15:26.280 --> 0:15:29.680
<v Speaker 1>not in the twenties, but in the eighteen seventies. And

0:15:29.880 --> 0:15:33.960
<v Speaker 1>it is I would say both um, homage too, and

0:15:34.080 --> 0:15:36.400
<v Speaker 1>a critique of the society that you grew up in.

0:15:37.000 --> 0:15:39.600
<v Speaker 1>Um And it was a book that she didn't want

0:15:39.640 --> 0:15:43.400
<v Speaker 1>to write. Her previous book was a war, a war novel,

0:15:44.040 --> 0:15:46.720
<v Speaker 1>and it had the misfortune of coming out just as

0:15:46.760 --> 0:15:49.480
<v Speaker 1>the war was ending and the public was basically sick

0:15:49.880 --> 0:15:54.160
<v Speaker 1>of war stories and um and but she wanted to

0:15:54.160 --> 0:15:57.440
<v Speaker 1>write another one, and her publisher said, no, we need

0:15:57.480 --> 0:16:02.240
<v Speaker 1>another sort of House of Mirth, like uh, novel of matters.

0:16:02.280 --> 0:16:04.480
<v Speaker 1>And so she needed money she by that time and

0:16:04.560 --> 0:16:08.360
<v Speaker 1>purchased a couple of houses in France and um and

0:16:08.440 --> 0:16:12.280
<v Speaker 1>so she actually penn The House of Mirth in I

0:16:12.320 --> 0:16:16.520
<v Speaker 1>think a little less than a year and um. In

0:16:16.560 --> 0:16:20.000
<v Speaker 1>many ways, I would say it is the most autobiographical novel,

0:16:20.320 --> 0:16:23.520
<v Speaker 1>and it involves three major characters. It's kind of a

0:16:23.560 --> 0:16:27.440
<v Speaker 1>love trying the story. There's a gentleman new and Archer,

0:16:27.600 --> 0:16:33.320
<v Speaker 1>and then there is the very mysterious and somewhat socially

0:16:33.360 --> 0:16:37.160
<v Speaker 1>disgraced because she's divorced, Countess Elena Lensta. And then there's

0:16:37.240 --> 0:16:43.200
<v Speaker 1>Maywell and the sort of perfect product of New York

0:16:43.320 --> 0:16:51.360
<v Speaker 1>society woman who knew and is expected to wed and um. Anyway,

0:16:51.360 --> 0:16:54.440
<v Speaker 1>it's a it's it's basically a love story and it

0:16:54.600 --> 0:16:58.280
<v Speaker 1>but again it is in many ways autobiographical. UM. And

0:16:58.320 --> 0:17:01.880
<v Speaker 1>I'll just draw maybe attention to a couple of the

0:17:02.520 --> 0:17:06.200
<v Speaker 1>reasons why I say this. Um. Ellen Olenska is probably

0:17:06.240 --> 0:17:10.800
<v Speaker 1>the most obvious person based on Edith Wharton's character. Ellen

0:17:11.040 --> 0:17:14.160
<v Speaker 1>and Edith were both very comfortable and felt at home

0:17:14.200 --> 0:17:17.120
<v Speaker 1>in Europe Um not just because they grew up there,

0:17:17.119 --> 0:17:20.760
<v Speaker 1>but also because they were both very sophisticated women. They

0:17:20.800 --> 0:17:23.439
<v Speaker 1>were equally at home with fashion and as well as

0:17:23.600 --> 0:17:27.720
<v Speaker 1>part um. Both Ellen Olenska and Edith Wharton had a

0:17:27.800 --> 0:17:31.000
<v Speaker 1>husband who seized their fortune and spent it on the

0:17:31.000 --> 0:17:34.399
<v Speaker 1>mistresses um. In the novel, one of the reasons the

0:17:34.520 --> 0:17:37.000
<v Speaker 1>Lenska has returned to New York is because her husband

0:17:37.640 --> 0:17:41.720
<v Speaker 1>um uh Is has embezzled her money and was also

0:17:41.760 --> 0:17:45.960
<v Speaker 1>not poriously unfaithful. That fits that description also fits edith

0:17:46.160 --> 0:17:50.119
<v Speaker 1>husband Teddy to a te Um. He behaved very badly.

0:17:50.200 --> 0:17:53.920
<v Speaker 1>He embezzled about over fifty thou dollars of the money,

0:17:53.960 --> 0:17:56.399
<v Speaker 1>which would be about one and a half million dollars today,

0:17:57.200 --> 0:18:00.800
<v Speaker 1>and speculated poorly in the stock market, and also purchased

0:18:00.800 --> 0:18:05.160
<v Speaker 1>the house in Boston. The House of Mistress Um and

0:18:05.480 --> 0:18:08.359
<v Speaker 1>both in the novel and Wharton in real life, Ultimately

0:18:08.359 --> 0:18:11.159
<v Speaker 1>they leave their husbands and live alone in Paris and

0:18:11.200 --> 0:18:16.639
<v Speaker 1>apartments where Um the pass a mare, and they both

0:18:16.760 --> 0:18:20.800
<v Speaker 1>entertain a steady stream of frenchise society. So there are

0:18:20.960 --> 0:18:24.879
<v Speaker 1>very many similarities between Wharton and Eleanor Leinska. But there

0:18:24.920 --> 0:18:28.400
<v Speaker 1>are also similarities between Wharton and Newland Archer, and Newland

0:18:28.400 --> 0:18:32.080
<v Speaker 1>represents who Warton might have been had she remained in

0:18:32.119 --> 0:18:36.119
<v Speaker 1>New York and not escaped all of the bonds and

0:18:37.160 --> 0:18:41.320
<v Speaker 1>shackles of the expectations that her class put upon her.

0:18:41.960 --> 0:18:46.240
<v Speaker 1>Um the young Newland Archer and Edith are both undeniably similar.

0:18:46.240 --> 0:18:48.639
<v Speaker 1>They both are very much a part of society. They

0:18:48.640 --> 0:18:50.959
<v Speaker 1>attend the opera, they go with dinners and balls, They

0:18:51.000 --> 0:18:55.120
<v Speaker 1>participate in all the activities of old New York um Um.

0:18:55.480 --> 0:18:59.639
<v Speaker 1>And despite these useful represemblances, their adult lives take very

0:18:59.640 --> 0:19:02.600
<v Speaker 1>different has. By the end of the novel, knew in

0:19:02.680 --> 0:19:05.760
<v Speaker 1>this fifty seven, and that's the same age Wharton was

0:19:05.760 --> 0:19:08.080
<v Speaker 1>when she was writing it. And this new one is

0:19:08.240 --> 0:19:12.119
<v Speaker 1>very different from from Wharton. The office, Uh, he is

0:19:12.160 --> 0:19:16.080
<v Speaker 1>no longer friends with writers, He no longer is dreaming

0:19:16.080 --> 0:19:20.720
<v Speaker 1>of making art and intellectual conversation central to his life. Uh. Instead,

0:19:21.480 --> 0:19:24.359
<v Speaker 1>just like everyone else in his social circle, he is

0:19:24.400 --> 0:19:27.600
<v Speaker 1>governed by convention in the following tradition, and in the

0:19:27.680 --> 0:19:30.159
<v Speaker 1>last pages of the novel, as he reflects back on

0:19:30.240 --> 0:19:33.320
<v Speaker 1>his life, he realizes that he is sunk deep into

0:19:33.560 --> 0:19:38.400
<v Speaker 1>a rut. And Wharton, on the other hand, avoided all

0:19:38.400 --> 0:19:42.000
<v Speaker 1>of these ruts because her insatiable curiosity never left her

0:19:42.359 --> 0:19:45.439
<v Speaker 1>and um and chief at the end of her life

0:19:45.480 --> 0:19:47.680
<v Speaker 1>is in Paris and in the south of France, where

0:19:47.840 --> 0:19:52.679
<v Speaker 1>artists and literature and clever conversation are just a steady

0:19:52.720 --> 0:19:56.880
<v Speaker 1>diet in her life. And this is probably more information

0:19:56.920 --> 0:19:58.480
<v Speaker 1>than you want, but I did want to spend a

0:19:58.480 --> 0:20:02.840
<v Speaker 1>little moment on May. Uh the betrothed to Newland, and

0:20:02.920 --> 0:20:08.000
<v Speaker 1>May is the woman that high society included including Wharton's husband,

0:20:08.040 --> 0:20:12.040
<v Speaker 1>probably expected and wanted wanted Warton to be. And while

0:20:12.080 --> 0:20:14.080
<v Speaker 1>for many years he was able to pull off the

0:20:14.119 --> 0:20:17.720
<v Speaker 1>dual role dual role of dutiful wife and bestselling author,

0:20:18.119 --> 0:20:21.480
<v Speaker 1>eventually it became too much for her and she abandons

0:20:21.480 --> 0:20:25.399
<v Speaker 1>her wifely duties and leaves Teddy and ultimately divorces him.

0:20:25.440 --> 0:20:28.240
<v Speaker 1>So the age of Innocence, I think, is a novel

0:20:28.280 --> 0:20:31.040
<v Speaker 1>that can be read many times, and each time you

0:20:31.119 --> 0:20:33.359
<v Speaker 1>read it you'll get something different. And one of the

0:20:33.720 --> 0:20:37.800
<v Speaker 1>I think most brilliant aspects of the novel is that

0:20:37.840 --> 0:20:41.399
<v Speaker 1>it is written from the perspective of the male Newland archer.

0:20:42.000 --> 0:20:45.600
<v Speaker 1>And as you read the novel, perhaps the first time

0:20:45.680 --> 0:20:47.560
<v Speaker 1>you read it you don't realize it, but certainly on

0:20:47.600 --> 0:20:50.280
<v Speaker 1>the second and third reading, you realize that he is

0:20:50.320 --> 0:20:55.680
<v Speaker 1>a completely unreliable narrator and um and you can't at

0:20:55.760 --> 0:21:00.440
<v Speaker 1>one he he is misinterpreting signs and clues that that

0:21:01.000 --> 0:21:04.200
<v Speaker 1>come before him as the plot unfolds, and in many

0:21:04.200 --> 0:21:08.760
<v Speaker 1>ways is completely clueless. And the women in the story

0:21:08.800 --> 0:21:13.160
<v Speaker 1>who are portrayed on the first reads perhaps lesser characters,

0:21:13.200 --> 0:21:17.359
<v Speaker 1>are actually the brilliant ones. Well, speaking of brilliant, Susan,

0:21:17.400 --> 0:21:20.480
<v Speaker 1>I feel like you're brilliant, professor of literature with that

0:21:21.160 --> 0:21:25.360
<v Speaker 1>extraordinary answer, and it is enough. I think UH listeners

0:21:25.359 --> 0:21:27.840
<v Speaker 1>will agree to have us all go out and pick

0:21:27.960 --> 0:21:31.240
<v Speaker 1>up The Age of Innocence and read it, either for

0:21:31.280 --> 0:21:34.240
<v Speaker 1>the first time or for the second or third time.

0:21:34.280 --> 0:21:39.440
<v Speaker 1>As you pointed out, senecas one hundred women to hear

0:21:39.560 --> 0:21:52.600
<v Speaker 1>will be back after the short break. Let's talk about

0:21:52.640 --> 0:21:55.720
<v Speaker 1>the mount a little bit where you spend so much

0:21:55.760 --> 0:22:00.480
<v Speaker 1>of your time. Warton designed and built it in nineteen

0:22:00.520 --> 0:22:03.479
<v Speaker 1>o two for people who haven't been there, and I

0:22:03.600 --> 0:22:06.679
<v Speaker 1>have recently been there for the second time, and it

0:22:06.840 --> 0:22:11.720
<v Speaker 1>is just a beautiful and remarkable place. Tell us how

0:22:11.760 --> 0:22:15.679
<v Speaker 1>she made it happen, how it reflects who she is, because,

0:22:16.520 --> 0:22:19.840
<v Speaker 1>just speaking for myself, when you walk through that front door,

0:22:20.560 --> 0:22:23.959
<v Speaker 1>you walk into a world onto itself in terms of

0:22:24.000 --> 0:22:28.440
<v Speaker 1>its beauty and everything it represents about her. She came

0:22:28.480 --> 0:22:31.960
<v Speaker 1>to the Virture's Um. This is probably one good thing

0:22:32.119 --> 0:22:36.080
<v Speaker 1>that her husband Teddy did, is Teddy's family actually summered

0:22:36.119 --> 0:22:38.760
<v Speaker 1>in the Berkshire's and that is how she came to

0:22:38.760 --> 0:22:43.840
<v Speaker 1>to know to know the Berkshire's um. Wharton's family watering

0:22:43.920 --> 0:22:47.200
<v Speaker 1>their their their summer place was in Newport. And while

0:22:47.600 --> 0:22:50.639
<v Speaker 1>Wharton loved Newport as a child when she was free

0:22:50.680 --> 0:22:54.639
<v Speaker 1>to play tennis or swim, or sale or ride, once

0:22:54.680 --> 0:22:57.840
<v Speaker 1>she was a young married woman uh the again, the

0:22:57.960 --> 0:23:03.320
<v Speaker 1>expectations of entertainment, either being entertained or to entertained proved

0:23:03.320 --> 0:23:06.920
<v Speaker 1>too great for her and um and she was all

0:23:06.960 --> 0:23:09.679
<v Speaker 1>of her time that she had hoped to devote to writing,

0:23:09.880 --> 0:23:13.280
<v Speaker 1>was taken up with societal duties, and so in nineteen

0:23:13.320 --> 0:23:16.480
<v Speaker 1>o one she and Teddy decide to leave Newport and

0:23:16.600 --> 0:23:21.600
<v Speaker 1>Wharton comes to the Berkshire's Uh they find a beautiful

0:23:21.680 --> 0:23:28.320
<v Speaker 1>one acre property which had been previously farmland, and they

0:23:28.359 --> 0:23:32.080
<v Speaker 1>purchase it. We've got a wonderful photograph, the historic photograph

0:23:32.119 --> 0:23:36.000
<v Speaker 1>of Petty and Edith, and they were both huge dog lovers,

0:23:36.040 --> 0:23:38.119
<v Speaker 1>and they're like three little dogs, and they're all standing

0:23:38.160 --> 0:23:41.520
<v Speaker 1>on this rocky mound, pointing as if this is they're

0:23:41.560 --> 0:23:44.119
<v Speaker 1>they're they're telling the person who's taking the photograph, this

0:23:44.240 --> 0:23:46.480
<v Speaker 1>is the place, this is what where we are going

0:23:46.520 --> 0:23:50.640
<v Speaker 1>to build our home and UM. Wharton had a huge

0:23:50.680 --> 0:23:54.800
<v Speaker 1>interest in both architecture and landscape design, and so she

0:23:55.040 --> 0:23:59.720
<v Speaker 1>was involved heavily in every aspect of the construction of

0:23:59.720 --> 0:24:02.879
<v Speaker 1>the State and Um. She intended that it would be

0:24:02.920 --> 0:24:05.080
<v Speaker 1>a home that would meet all of her needs, both

0:24:05.119 --> 0:24:08.440
<v Speaker 1>as a designer, as a gardener, as a hostess, and

0:24:08.840 --> 0:24:12.400
<v Speaker 1>most importantly as a writer. So one of the most

0:24:12.440 --> 0:24:15.080
<v Speaker 1>distinguishing features of the mount there are there are a few.

0:24:15.600 --> 0:24:19.120
<v Speaker 1>One is that it is built far far away from

0:24:19.160 --> 0:24:21.879
<v Speaker 1>the roads. It's not even visible from any of the

0:24:21.920 --> 0:24:25.159
<v Speaker 1>main highways or arteries, and that's because she really wanted

0:24:25.160 --> 0:24:27.560
<v Speaker 1>it to be a retreat. It was not built to

0:24:27.640 --> 0:24:30.399
<v Speaker 1>be a symbol of her wealth, though at that point

0:24:30.440 --> 0:24:33.800
<v Speaker 1>she was a very successful writer and her wealth was considerable.

0:24:34.160 --> 0:24:36.720
<v Speaker 1>It was meant to be a place where she could

0:24:36.720 --> 0:24:40.000
<v Speaker 1>retire from society, should she choose. It was also it's

0:24:40.000 --> 0:24:43.320
<v Speaker 1>also a very it's a very beautiful and elegant house,

0:24:43.440 --> 0:24:46.280
<v Speaker 1>but in terms of the number of people that it

0:24:46.280 --> 0:24:49.919
<v Speaker 1>will accommodate, it's actually quite small. The dining room is

0:24:50.960 --> 0:24:54.840
<v Speaker 1>designed to seat six, and there are only two guest bedrooms.

0:24:54.960 --> 0:24:59.040
<v Speaker 1>And so it was again it's primary purpose was to

0:24:59.320 --> 0:25:03.320
<v Speaker 1>entertain at most your most intimate friends, and then also

0:25:03.400 --> 0:25:06.159
<v Speaker 1>to give her a place where she could create. Um.

0:25:06.280 --> 0:25:10.120
<v Speaker 1>She was very proud of the mount Um. She there's

0:25:10.160 --> 0:25:14.399
<v Speaker 1>a nineteen o nineteen o six letter that she writes

0:25:14.440 --> 0:25:19.040
<v Speaker 1>to her lover Morton Fullerton, where she actually says, and

0:25:19.119 --> 0:25:21.960
<v Speaker 1>I know this line my heart, but quote decidedly, I'm

0:25:22.000 --> 0:25:25.960
<v Speaker 1>a better landscape gardener than novelist. And this place, every

0:25:26.040 --> 0:25:29.040
<v Speaker 1>line of which is my own work, far surpasses the

0:25:29.040 --> 0:25:33.720
<v Speaker 1>House of Mirth. And just to put that in context,

0:25:34.000 --> 0:25:38.119
<v Speaker 1>the House of Mirth was the runaway bestseller of nineteen

0:25:38.160 --> 0:25:41.720
<v Speaker 1>o five. It was published I think in October, and

0:25:41.880 --> 0:25:46.240
<v Speaker 1>in the remaining months of the year it out sold

0:25:46.240 --> 0:25:49.520
<v Speaker 1>by enormous amounts every other novel that had been published

0:25:49.680 --> 0:25:54.359
<v Speaker 1>that that in that in that year. So um. The

0:25:54.400 --> 0:25:57.679
<v Speaker 1>Wharton's unfortunately only lived at the Mount for ten years,

0:25:58.200 --> 0:26:01.919
<v Speaker 1>but it was a transformational decade for for Edith. Um.

0:26:01.960 --> 0:26:08.280
<v Speaker 1>She had many professional triumphs and much emotional turmoil. Um. Uh.

0:26:08.400 --> 0:26:11.720
<v Speaker 1>It was during her period at the Amount that Um

0:26:11.720 --> 0:26:16.720
<v Speaker 1>Teddy's mental instability really began to take hold. I think um.

0:26:16.760 --> 0:26:19.280
<v Speaker 1>It was probably not easy for Teddy to be Edith

0:26:19.280 --> 0:26:24.919
<v Speaker 1>Wharton's husband. He was not her intellectual peer and um

0:26:24.960 --> 0:26:28.399
<v Speaker 1>and he had really not a lot to bring to

0:26:28.520 --> 0:26:31.440
<v Speaker 1>the table. And as she grew more and more financially

0:26:31.640 --> 0:26:36.879
<v Speaker 1>successful and independent, I think he um, he began to

0:26:36.920 --> 0:26:41.200
<v Speaker 1>resent it and uh, and that resentment began to manifest

0:26:41.240 --> 0:26:44.080
<v Speaker 1>itself in ways that we're not not healthy or good

0:26:44.080 --> 0:26:48.360
<v Speaker 1>for either either of them. Well, she clearly thought seriously,

0:26:48.560 --> 0:26:52.440
<v Speaker 1>and that description that you you posed, that comparative with

0:26:52.440 --> 0:26:56.480
<v Speaker 1>the House of Mirth to her own house. She cared

0:26:56.480 --> 0:26:59.920
<v Speaker 1>about interior design, clearly, she cared about gardens. She cared

0:27:00.000 --> 0:27:04.480
<v Speaker 1>about decorations, she wrote about it. How would you describe

0:27:04.520 --> 0:27:08.400
<v Speaker 1>her design philosophy if she had one. Oh, she certainly

0:27:08.440 --> 0:27:12.399
<v Speaker 1>had a design philosophy. And um, what she was advocating for,

0:27:12.720 --> 0:27:15.800
<v Speaker 1>and it is the basic premise of her book, The

0:27:15.800 --> 0:27:20.040
<v Speaker 1>Decoration of Houses is a return to what she termed

0:27:20.040 --> 0:27:24.240
<v Speaker 1>as the classical style that you would find in Europe,

0:27:24.560 --> 0:27:27.960
<v Speaker 1>characterized by symmetry, balance and proportion. Those were the three

0:27:28.560 --> 0:27:33.560
<v Speaker 1>the three main tenets of any good design. And um,

0:27:33.720 --> 0:27:36.280
<v Speaker 1>you had to pay close attention to how houses and

0:27:36.359 --> 0:27:40.080
<v Speaker 1>gardens were to be used. Um. She grew up in

0:27:40.119 --> 0:27:43.240
<v Speaker 1>the Victorian era. Uh. And then I would say that

0:27:43.520 --> 0:27:47.560
<v Speaker 1>Victorian era was characterized by houses that were over upholstered,

0:27:47.680 --> 0:27:52.240
<v Speaker 1>over draperied, full of bric a brac and um. And

0:27:52.320 --> 0:27:55.120
<v Speaker 1>they also gave rise to what were sort of very

0:27:55.160 --> 0:27:59.600
<v Speaker 1>ostentatious properties of the newly rich who built their houses

0:27:59.680 --> 0:28:04.600
<v Speaker 1>to basically show and flaunt their wealth. Um. And they

0:28:05.600 --> 0:28:07.439
<v Speaker 1>the big houses of the guild of there. Of the

0:28:07.480 --> 0:28:12.800
<v Speaker 1>Berkshire cottages, I would say many of them, uh put

0:28:12.800 --> 0:28:16.560
<v Speaker 1>a greater value in how showy they were versus how

0:28:16.640 --> 0:28:21.320
<v Speaker 1>functional they were. And for Wharton, Um, she was always

0:28:21.520 --> 0:28:23.840
<v Speaker 1>very accumul at tuned to the fact that houses are

0:28:23.880 --> 0:28:27.520
<v Speaker 1>in fact, first and foremost meant who lived in UM.

0:28:27.560 --> 0:28:29.680
<v Speaker 1>She also felt that the house, the gardens, and the

0:28:29.760 --> 0:28:33.159
<v Speaker 1>landscape should all be in harmony, and that the transition

0:28:33.280 --> 0:28:36.280
<v Speaker 1>between one and the other should be gradual. But the

0:28:36.320 --> 0:28:39.920
<v Speaker 1>harmonious component was not unlike a great work of art,

0:28:40.040 --> 0:28:43.560
<v Speaker 1>and that is how she viewed house and landscape design.

0:28:44.720 --> 0:28:48.320
<v Speaker 1>Beautifully said, Now, you've had a major impact on the

0:28:48.360 --> 0:28:52.160
<v Speaker 1>mountain in many ways, but one was certainly to retire

0:28:52.320 --> 0:28:56.120
<v Speaker 1>its debt, which was no small feat UM in two

0:28:56.160 --> 0:29:01.000
<v Speaker 1>thousand and fifteen. That was really extraordinary, UM. And you

0:29:01.200 --> 0:29:04.320
<v Speaker 1>have managed to get some of Wharton's books a return

0:29:04.440 --> 0:29:07.320
<v Speaker 1>to the library where they have their special place. Now

0:29:07.840 --> 0:29:11.720
<v Speaker 1>tell us about that and why those books are so important. Oh,

0:29:11.800 --> 0:29:15.240
<v Speaker 1>another wonderful question. Long thank you, UM. The books. Yes,

0:29:15.280 --> 0:29:19.000
<v Speaker 1>we have all that what we believed to be UM,

0:29:19.200 --> 0:29:22.800
<v Speaker 1>perhaps not all, but the majority of what remains of

0:29:22.840 --> 0:29:28.000
<v Speaker 1>Wharton's own original library. It's about volumes. We know that

0:29:28.080 --> 0:29:31.280
<v Speaker 1>her her full library was actually far more extensive than

0:29:31.320 --> 0:29:35.160
<v Speaker 1>that UM. She bequeathed it to Godsons. Half of it

0:29:35.360 --> 0:29:38.560
<v Speaker 1>ended up being destroyed in the war as it was

0:29:38.600 --> 0:29:41.080
<v Speaker 1>waiting on the docks of London to be shipped to

0:29:41.120 --> 0:29:46.600
<v Speaker 1>America for safety. But the other half um was bequeathed

0:29:46.680 --> 0:29:49.880
<v Speaker 1>to the son of Sir Kenneth Clark, the great historian,

0:29:50.440 --> 0:29:55.040
<v Speaker 1>and they sort of languished and were protected throughout the

0:29:55.040 --> 0:29:58.600
<v Speaker 1>war in Saltwood Castle, which was out in the English countryside.

0:29:58.800 --> 0:30:01.120
<v Speaker 1>And and thanks they ended up in the hands of

0:30:01.120 --> 0:30:05.000
<v Speaker 1>a bookseller who became so fascinated with Edith Wharton that

0:30:05.120 --> 0:30:08.239
<v Speaker 1>he spent probably thirty years of his life trying to

0:30:08.360 --> 0:30:12.280
<v Speaker 1>continue to collect what I would call the orphans and

0:30:12.320 --> 0:30:16.080
<v Speaker 1>the strays that had been perhaps loaned by the Clarks

0:30:16.080 --> 0:30:19.240
<v Speaker 1>out to other people. And he tried. He was very

0:30:19.360 --> 0:30:22.960
<v Speaker 1>keen on making sure that the collection remained together as

0:30:22.960 --> 0:30:25.720
<v Speaker 1>a whole. And the reason why he was so keen

0:30:25.800 --> 0:30:28.600
<v Speaker 1>on that is because Wharton was a very active reader,

0:30:29.120 --> 0:30:33.160
<v Speaker 1>and she she annotated her books. She wrote notes in

0:30:33.200 --> 0:30:38.440
<v Speaker 1>the fly leafs, she underscored, she used exclamations. When you

0:30:38.680 --> 0:30:41.200
<v Speaker 1>look at all of these markings, it's like you are

0:30:41.200 --> 0:30:44.560
<v Speaker 1>reading the book with her alongside her, and it just

0:30:44.640 --> 0:30:49.920
<v Speaker 1>tells you so much. Um. She also the books. Many

0:30:49.960 --> 0:30:53.040
<v Speaker 1>of the books are gifts from some of her closest friends, uh.

0:30:53.280 --> 0:30:57.440
<v Speaker 1>For example, Teddy Roosevelt and Henry James and their infamite

0:30:57.480 --> 0:31:01.400
<v Speaker 1>inscriptions as they gifted books to her UH tells us

0:31:01.440 --> 0:31:05.480
<v Speaker 1>a lot. It gives insights into the nature of their relationship,

0:31:05.920 --> 0:31:11.040
<v Speaker 1>for example, how much humor UH there was in the

0:31:11.120 --> 0:31:14.480
<v Speaker 1>kind of repartee that Wharton had, particularly with Henry James,

0:31:14.480 --> 0:31:19.720
<v Speaker 1>but also also with Petty Roosevelt. UM and uh. And

0:31:19.840 --> 0:31:23.320
<v Speaker 1>so we really consider the books as um as the

0:31:23.320 --> 0:31:26.600
<v Speaker 1>heart and soul of the property. And they also attest

0:31:26.680 --> 0:31:32.600
<v Speaker 1>to the incredible breadth of Wharton's curiosity. UM. In addition

0:31:32.640 --> 0:31:38.320
<v Speaker 1>to literature, gardening, travel, UM, there are numerous volumes on history, philosophy, religion,

0:31:38.760 --> 0:31:42.920
<v Speaker 1>and science UM and it and the breadth of the books,

0:31:43.040 --> 0:31:45.239
<v Speaker 1>I mean, we have books that she was given as

0:31:45.280 --> 0:31:47.920
<v Speaker 1>a child, that were given to her by her brothers

0:31:48.080 --> 0:31:51.480
<v Speaker 1>um uh you know, for Christmas. And then we also

0:31:51.560 --> 0:31:53.920
<v Speaker 1>have the books that she was reading, you know, within

0:31:54.000 --> 0:31:55.800
<v Speaker 1>months of her death. And we know that because the

0:31:55.840 --> 0:31:58.320
<v Speaker 1>publication date of the book was, you know, just two

0:31:58.360 --> 0:32:02.240
<v Speaker 1>months prior to her prior to her dying. And UM.

0:32:02.320 --> 0:32:05.680
<v Speaker 1>So it's been just an incredible tool in in deepening

0:32:05.680 --> 0:32:09.080
<v Speaker 1>our understanding of what UM, I would say, her personality

0:32:09.120 --> 0:32:12.320
<v Speaker 1>practically springs from the pages and uh and so it's

0:32:12.320 --> 0:32:16.280
<v Speaker 1>just a wealth of information for the next generation of

0:32:16.320 --> 0:32:21.760
<v Speaker 1>scholars and and storytellers. And we actually are regularly welcoming

0:32:21.760 --> 0:32:24.480
<v Speaker 1>scholars who come to peer through the pages to see

0:32:24.520 --> 0:32:27.880
<v Speaker 1>what what little tidbits of information they might be able

0:32:27.920 --> 0:32:31.440
<v Speaker 1>to bleed. It's really a very very special part of

0:32:31.480 --> 0:32:35.280
<v Speaker 1>the house. To see those annotated books and to read

0:32:35.280 --> 0:32:40.760
<v Speaker 1>the inscriptions. You do feel like you're learning something that

0:32:40.800 --> 0:32:44.680
<v Speaker 1>nobody else knows. It's really an insight into her. So

0:32:45.240 --> 0:32:49.160
<v Speaker 1>congratulations on being able to get those books returned so

0:32:49.240 --> 0:32:52.840
<v Speaker 1>that they could be at the mount today. We are

0:32:52.880 --> 0:32:55.600
<v Speaker 1>closely running out of time, and I wanted to just

0:32:56.200 --> 0:32:59.400
<v Speaker 1>ask about one of the aspects of her life that's

0:32:59.440 --> 0:33:04.120
<v Speaker 1>really less well known. You alluded several times to her

0:33:04.200 --> 0:33:07.720
<v Speaker 1>years in France. She lived there before World War One,

0:33:07.880 --> 0:33:10.920
<v Speaker 1>she worked with the Red Cross during the war. She

0:33:11.000 --> 0:33:15.360
<v Speaker 1>was even awarded the French Legion of Honor. Um. What

0:33:15.480 --> 0:33:19.000
<v Speaker 1>was it about her devotion to France and what it

0:33:19.120 --> 0:33:23.200
<v Speaker 1>meant to her? Well, Um, I think the love of

0:33:23.200 --> 0:33:27.320
<v Speaker 1>France probably was seated deeply in Edith when she was

0:33:27.400 --> 0:33:29.920
<v Speaker 1>a child, So from the age of four to ten,

0:33:31.000 --> 0:33:34.640
<v Speaker 1>the Whartons spent most of their time traveling around Europe. Uh.

0:33:34.680 --> 0:33:37.680
<v Speaker 1>And she spent a great deal of time living in

0:33:37.720 --> 0:33:42.160
<v Speaker 1>France as well as Germany and Italy. And she was

0:33:42.320 --> 0:33:47.120
<v Speaker 1>fluent in French, and she was deeply engrossed in and

0:33:47.240 --> 0:33:50.480
<v Speaker 1>I would say influenced by French literature. So her library

0:33:50.560 --> 0:33:55.840
<v Speaker 1>includes all the French greats from balls Act of Voltaire, um,

0:33:56.000 --> 0:34:01.000
<v Speaker 1>and so huge impact there. UM. But I think it

0:34:01.640 --> 0:34:07.440
<v Speaker 1>actually was probably um World War One that really cemented

0:34:07.480 --> 0:34:11.400
<v Speaker 1>her love for France and the French people. When the

0:34:11.400 --> 0:34:14.880
<v Speaker 1>war breaks out, she's actually in England looking at a

0:34:14.920 --> 0:34:19.879
<v Speaker 1>property to possibly purchase, and um, there's some just really

0:34:19.920 --> 0:34:23.360
<v Speaker 1>beautiful letters that talks about the anguish that she feels

0:34:23.360 --> 0:34:27.080
<v Speaker 1>because she's unable to return because the borders have closed

0:34:27.120 --> 0:34:30.959
<v Speaker 1>and uh. And it takes her several weeks or maybe

0:34:30.960 --> 0:34:34.880
<v Speaker 1>even several months before she's actually admitted back into the country,

0:34:35.080 --> 0:34:39.600
<v Speaker 1>and she's just absolutely horrified by the by the carnage

0:34:39.719 --> 0:34:43.840
<v Speaker 1>and the and the devastation and um. And then of

0:34:43.880 --> 0:34:47.120
<v Speaker 1>course nineteen fourteen to nineteen eighteen she throws herself into

0:34:47.200 --> 0:34:50.040
<v Speaker 1>humanitarian work on the part of France and the French

0:34:50.760 --> 0:34:55.040
<v Speaker 1>and I think, UM, I think that's where her her

0:34:55.120 --> 0:34:57.880
<v Speaker 1>love and her loyalties shifted. And I also think she

0:34:58.040 --> 0:35:01.840
<v Speaker 1>never was that comfortable in in the United States. She

0:35:01.840 --> 0:35:05.239
<v Speaker 1>she hated Um, she hated New York, she thought it

0:35:05.320 --> 0:35:09.160
<v Speaker 1>was deplorably. She did not feel accepted in Boston, where

0:35:09.160 --> 0:35:12.279
<v Speaker 1>she was being too fashionable. And she just loved the

0:35:12.360 --> 0:35:15.920
<v Speaker 1>layout and the architecture and the sensibilities of the European cities,

0:35:16.080 --> 0:35:20.800
<v Speaker 1>at particularly Paris. And so I think that's why Um.

0:35:20.840 --> 0:35:23.680
<v Speaker 1>And then, of course towards the I would say, in

0:35:23.719 --> 0:35:27.120
<v Speaker 1>the latter third of her life after the war, Um

0:35:27.200 --> 0:35:31.000
<v Speaker 1>she is continuing to write prolifically, but I would say

0:35:31.040 --> 0:35:34.200
<v Speaker 1>her first passion at that point becomes gardening. And she

0:35:34.920 --> 0:35:39.680
<v Speaker 1>purchases this amazing ancient wreck of the chateau on the Riviera,

0:35:40.280 --> 0:35:44.319
<v Speaker 1>and Um purchases an entire hillside that goes with it,

0:35:44.480 --> 0:35:48.759
<v Speaker 1>and then throws herself into into gardening, and is um

0:35:49.920 --> 0:35:55.719
<v Speaker 1>credited in part with actually creating the Mediterranean garden. The

0:35:55.800 --> 0:35:58.200
<v Speaker 1>English were starting to settle on the south of France.

0:35:58.480 --> 0:36:02.239
<v Speaker 1>The French had no particular interest in gardens, but the

0:36:02.280 --> 0:36:04.760
<v Speaker 1>English had a passion for it. And so she developed

0:36:04.760 --> 0:36:08.000
<v Speaker 1>a small group of very close friends and they took

0:36:08.080 --> 0:36:11.319
<v Speaker 1>the Mediterranean garden to tell they really put it on

0:36:11.360 --> 0:36:14.239
<v Speaker 1>the map as a as a as a as a

0:36:14.280 --> 0:36:18.680
<v Speaker 1>genre of gardening. UM. So that that that also, I

0:36:18.719 --> 0:36:21.640
<v Speaker 1>think was important. And I believe she felt that France

0:36:21.880 --> 0:36:27.640
<v Speaker 1>um where women and men engaged in society and conversation together. Uh,

0:36:27.920 --> 0:36:31.160
<v Speaker 1>that France had more respect for women and educated them

0:36:31.200 --> 0:36:34.319
<v Speaker 1>actually better than America did. And so I think she

0:36:34.440 --> 0:36:38.359
<v Speaker 1>felt in some ways that the French were in were

0:36:38.440 --> 0:36:41.600
<v Speaker 1>superior to the to the Americans in terms of how

0:36:41.640 --> 0:36:45.680
<v Speaker 1>they organized and structured their lives. Well, I regret that

0:36:45.840 --> 0:36:49.400
<v Speaker 1>we can't keep talking about Edith for hours more because

0:36:49.480 --> 0:36:54.279
<v Speaker 1>she is both a fascinating figure and you are wonderfully

0:36:54.320 --> 0:36:58.279
<v Speaker 1>descriptive in giving us insights into who she was and

0:36:58.320 --> 0:37:01.760
<v Speaker 1>what she did. A before we let you go, Susan,

0:37:01.880 --> 0:37:05.560
<v Speaker 1>how can listeners visit them out? Um? Do you have

0:37:05.640 --> 0:37:08.680
<v Speaker 1>ongoing events and programs? And if you do, how can

0:37:08.760 --> 0:37:12.240
<v Speaker 1>we learn about them? We are open every day, seven

0:37:12.280 --> 0:37:15.680
<v Speaker 1>days a week between now and the end of October,

0:37:15.760 --> 0:37:17.880
<v Speaker 1>and then we are open on weekends. We've got a

0:37:17.880 --> 0:37:21.960
<v Speaker 1>wonderful website, Edith Wharton dot go rg uh. There are

0:37:22.040 --> 0:37:24.560
<v Speaker 1>numerous ways you can experience the site. You can take

0:37:25.040 --> 0:37:27.520
<v Speaker 1>a guided tour with a person, you can take a

0:37:27.520 --> 0:37:30.920
<v Speaker 1>self guided tour, or you can UM, or you can

0:37:30.920 --> 0:37:34.800
<v Speaker 1>take an audio tour. UM. We have a beautiful cafe

0:37:35.239 --> 0:37:39.600
<v Speaker 1>on our terrace which you can enjoy sort of good

0:37:39.600 --> 0:37:43.839
<v Speaker 1>food and incredible views. And then we also have just

0:37:44.120 --> 0:37:50.000
<v Speaker 1>UM an ongoing roster of programs that include a sculpture

0:37:50.000 --> 0:37:54.880
<v Speaker 1>exhibit across about fifty acres thirty large scaled contemporary pieces.

0:37:55.920 --> 0:37:58.040
<v Speaker 1>We have a lecture series that runs through the end

0:37:58.040 --> 0:38:02.400
<v Speaker 1>of August. We have concerts UH regularly. UM. We often

0:38:02.440 --> 0:38:06.239
<v Speaker 1>have theatrical performances. I think we've got an opera performance scheduled.

0:38:06.719 --> 0:38:10.439
<v Speaker 1>There will be a spoken word festival in September, UM

0:38:10.640 --> 0:38:14.840
<v Speaker 1>and UH. Starting in November, we will be launching the

0:38:14.880 --> 0:38:18.080
<v Speaker 1>second year of Knighthood, which is an immersive sound and

0:38:18.200 --> 0:38:21.520
<v Speaker 1>light show that you can experience through the grounds and

0:38:21.600 --> 0:38:25.080
<v Speaker 1>that that is incredible and UM. But again, the best

0:38:25.120 --> 0:38:28.439
<v Speaker 1>way to UM to figure out and plan your trip

0:38:28.680 --> 0:38:30.960
<v Speaker 1>is to visit our website and to sign up for

0:38:31.000 --> 0:38:33.600
<v Speaker 1>our e newsletter, and you could also follow us on

0:38:33.640 --> 0:38:38.040
<v Speaker 1>social media. We have a hashtag at the Mount Lenox. Well.

0:38:38.120 --> 0:38:42.760
<v Speaker 1>Thank you so much, Susan Whistler for this just wonderful conversation,

0:38:43.360 --> 0:38:46.640
<v Speaker 1>your great ability to enable us to come to know

0:38:47.200 --> 0:38:51.960
<v Speaker 1>and be much smarter about that great literary giant, Edith Wharton.

0:38:52.239 --> 0:38:55.560
<v Speaker 1>And thank you too for what you've been doing over

0:38:55.600 --> 0:38:59.480
<v Speaker 1>the last many years to make the mount come alive

0:38:59.760 --> 0:39:02.879
<v Speaker 1>and be that very special place that it is. It's

0:39:02.920 --> 0:39:05.880
<v Speaker 1>so great to have had you with us today. Thank you, Milan,

0:39:06.000 --> 0:39:08.040
<v Speaker 1>Thank you. This has been lots of fun and I

0:39:08.080 --> 0:39:10.600
<v Speaker 1>hope I haven't talked too much now. It's been terrific.

0:39:10.680 --> 0:39:17.560
<v Speaker 1>Thank you so much. I learned so much about Edith

0:39:17.560 --> 0:39:21.680
<v Speaker 1>Wharton and talking to the remarkable Susan Whistler. Here are

0:39:21.719 --> 0:39:27.200
<v Speaker 1>three things I took from that conversation. First, Edith Wharton

0:39:27.239 --> 0:39:31.560
<v Speaker 1>remains popular today, more than a hundred years after publication

0:39:31.760 --> 0:39:36.160
<v Speaker 1>of her most famous novels and no Wonder. She writes

0:39:36.239 --> 0:39:39.800
<v Speaker 1>about women trying to find their way in a culture

0:39:39.840 --> 0:39:43.920
<v Speaker 1>that wants to constrain them, and about the expectations are

0:39:44.000 --> 0:39:48.000
<v Speaker 1>friends and family place on all of us. Her novels

0:39:48.040 --> 0:39:54.719
<v Speaker 1>are compelling and timeless. Second, it's also worth looking at

0:39:54.719 --> 0:39:58.280
<v Speaker 1>the other side of Edith Wharton, the house and garden designer.

0:39:58.920 --> 0:40:03.560
<v Speaker 1>Check out a copy of her even Design manual, The

0:40:03.680 --> 0:40:10.520
<v Speaker 1>Decoration of houses for guidelines that never go out of style. Finally,

0:40:11.239 --> 0:40:14.520
<v Speaker 1>if you're on the East Coast, try to visit the Mount,

0:40:15.000 --> 0:40:20.160
<v Speaker 1>the magnificent estate that Edith Wharton built in Lenox, Massachusetts.

0:40:21.160 --> 0:40:26.759
<v Speaker 1>Besides touring the house and grounds, you can enjoy nature walks, lectures,

0:40:27.400 --> 0:40:32.320
<v Speaker 1>sculpture exhibits, music, and even lunch on the beautiful Terrorists.

0:40:33.360 --> 0:40:39.279
<v Speaker 1>To learn more, visit Edith Wharton dot org. Tune in

0:40:39.400 --> 0:40:43.080
<v Speaker 1>next Tuesday to learn about our next featured woman and

0:40:43.120 --> 0:40:46.919
<v Speaker 1>discover why she's one of Seneca's one Women to Hear.

0:40:48.760 --> 0:40:51.560
<v Speaker 1>Seneca's one hundred Women to Hear is a collaboration between

0:40:51.560 --> 0:40:54.480
<v Speaker 1>the Seneca Women Podcast Network and I Heart Radio, with

0:40:54.560 --> 0:41:03.239
<v Speaker 1>support from founding partner Pung. Have a great Day,