1 00:00:05,160 --> 00:00:08,320 Speaker 1: Hey, this is Annie and Samantha Shone never told your 2 00:00:08,320 --> 00:00:21,119 Speaker 1: production of high Radio. So Annie, are you excited for 3 00:00:21,200 --> 00:00:25,720 Speaker 1: episode number two? Okay, we are together. I think we 4 00:00:25,840 --> 00:00:28,680 Speaker 1: told y'all on the first episode. We are trying different 5 00:00:28,680 --> 00:00:32,040 Speaker 1: methods and I really wanted to do it this way 6 00:00:32,280 --> 00:00:34,400 Speaker 1: where Annie and I are together so I can see 7 00:00:34,440 --> 00:00:37,400 Speaker 1: the reactions on our face no delay. However, what's the 8 00:00:37,440 --> 00:00:40,400 Speaker 1: funny is we are so close to each other. We 9 00:00:40,440 --> 00:00:42,199 Speaker 1: are very cozy right now and I have even had 10 00:00:42,200 --> 00:00:44,880 Speaker 1: to turn off the air so it's a little warm 11 00:00:44,920 --> 00:00:48,239 Speaker 1: as well. So we're doing all the things. However, we 12 00:00:48,320 --> 00:00:53,360 Speaker 1: are together recording on one mike, so yeah, So we 13 00:00:53,400 --> 00:00:56,560 Speaker 1: are having a joyous time. And we are sipping on 14 00:00:56,600 --> 00:01:00,840 Speaker 1: our drinks for our edition of Sex in the City viewing. Yes, 15 00:01:01,120 --> 00:01:03,280 Speaker 1: for this happy hour. What are you drinking on Annie, 16 00:01:03,640 --> 00:01:06,640 Speaker 1: I'm a drinking a Gin and tonic made with Impress Gin, 17 00:01:07,440 --> 00:01:09,440 Speaker 1: which is purple gin if you haven't seen it. It 18 00:01:09,520 --> 00:01:11,800 Speaker 1: is very, very pretty and very delicious. Yes, and I 19 00:01:11,920 --> 00:01:14,320 Speaker 1: stuck with my dark and stormy. I just love ginger 20 00:01:14,319 --> 00:01:18,120 Speaker 1: beer so much. Ginger beer, it is so and Today's 21 00:01:18,160 --> 00:01:22,160 Speaker 1: episode of Sex and the City Season one, Episode two 22 00:01:22,240 --> 00:01:27,560 Speaker 1: is titled You ready. Okay, it's called Models and Mortals. 23 00:01:28,400 --> 00:01:31,440 Speaker 1: Can you tell me what you think it's going to 24 00:01:31,480 --> 00:01:35,600 Speaker 1: happen in what this episode is about models and mortals? 25 00:01:39,000 --> 00:01:42,959 Speaker 1: I guess it's too early for plot lines to continue, 26 00:01:43,880 --> 00:01:48,280 Speaker 1: is it big has already been introduced? I'm thinking too 27 00:01:48,360 --> 00:01:54,440 Speaker 1: much into this, Okay. I think that models they're going 28 00:01:54,480 --> 00:01:59,320 Speaker 1: to discuss dating models and how attractive if if that's 29 00:01:59,480 --> 00:02:01,560 Speaker 1: too much if you're dating a model, and like if 30 00:02:01,600 --> 00:02:08,040 Speaker 1: there's some kind of brain relationships. Okay, yeah, I think 31 00:02:08,040 --> 00:02:10,720 Speaker 1: they're going to have a conversation about like models and 32 00:02:10,800 --> 00:02:12,680 Speaker 1: dating some of us. Two you think it's too pretty 33 00:02:12,680 --> 00:02:15,160 Speaker 1: for you or it is like too pretty? And then 34 00:02:15,240 --> 00:02:24,680 Speaker 1: the mortals part, m hmm, somebody experience his heartbreak? Okay, 35 00:02:26,000 --> 00:02:29,040 Speaker 1: as we can get I think a lot better at 36 00:02:29,080 --> 00:02:32,880 Speaker 1: these is when I get Yeah, but right now, like 37 00:02:33,000 --> 00:02:37,120 Speaker 1: the mottles of mortals, unless you're talking about like Donna's 38 00:02:37,120 --> 00:02:41,280 Speaker 1: and gods and hercules. Yes, I love it, um And 39 00:02:41,280 --> 00:02:44,079 Speaker 1: if we find some really entertaining parts, and if you 40 00:02:44,160 --> 00:02:46,800 Speaker 1: all are interested, we may do a really bad reading 41 00:02:47,200 --> 00:02:49,640 Speaker 1: of some of these episodes. I mean, there's definitely some 42 00:02:49,800 --> 00:02:53,600 Speaker 1: good bits in here. And you remember this one, okay, 43 00:02:53,639 --> 00:02:57,680 Speaker 1: Oh yeah, here we go. Ready. Yes, Gabriel mocked us 44 00:02:57,680 --> 00:03:01,160 Speaker 1: in this one. Who I had a huge question because 45 00:03:01,200 --> 00:03:03,880 Speaker 1: he was like on a lot of romantic comedies. I 46 00:03:03,960 --> 00:03:11,239 Speaker 1: think he was on suits. Oh okay, okay, And we're 47 00:03:11,240 --> 00:03:14,440 Speaker 1: in with the intro, Yes, and we're doing a very 48 00:03:14,800 --> 00:03:21,200 Speaker 1: sad dance, but joyous sad. Are you saying I'm a 49 00:03:21,240 --> 00:03:28,000 Speaker 1: sad dancer? No? No, it may not be wrong. You 50 00:03:28,080 --> 00:03:31,000 Speaker 1: can't bring around anymore these so called models. Neck it's 51 00:03:31,040 --> 00:03:32,520 Speaker 1: too deprived. I don't know if I've never met a 52 00:03:32,520 --> 00:03:35,000 Speaker 1: person who would tell someone they can't bring somebody to 53 00:03:35,080 --> 00:03:38,920 Speaker 1: an event, no matter what. Yeah, have you ever had 54 00:03:38,920 --> 00:03:42,360 Speaker 1: that happened to you? I've had. I've had friend groups 55 00:03:42,640 --> 00:03:46,480 Speaker 1: splinter and fracture, for sure, and it usually wasn't like 56 00:03:46,960 --> 00:03:50,080 Speaker 1: you can't, but it was heavily applied. Please do not 57 00:03:50,320 --> 00:03:54,520 Speaker 1: need this. I have had people I wish i'd been like, 58 00:03:54,800 --> 00:03:57,680 Speaker 1: please don't bring them around. I never had the courage 59 00:03:57,680 --> 00:04:05,920 Speaker 1: to do that. What I want to know is when 60 00:04:05,960 --> 00:04:08,320 Speaker 1: did all the men get together and decide that they 61 00:04:08,360 --> 00:04:12,240 Speaker 1: would only get it up for giraffes with big breaths. 62 00:04:14,600 --> 00:04:22,279 Speaker 1: Miranda has a little too abrupt on that one. I 63 00:04:22,360 --> 00:04:25,920 Speaker 1: hate my thighs. Oh, come on, I can't even open 64 00:04:25,960 --> 00:04:29,760 Speaker 1: a magazine without thinking dies, dies Dies. Well, I'll take 65 00:04:29,800 --> 00:04:33,479 Speaker 1: your thighs and raise you a chin. This is very familiar. 66 00:04:33,720 --> 00:04:39,479 Speaker 1: We all do this. What come on? I happen to 67 00:04:39,560 --> 00:04:41,200 Speaker 1: love the way I thought, and this is where I 68 00:04:41,200 --> 00:04:44,840 Speaker 1: do love. At first, at first I was very taken aback. 69 00:04:45,000 --> 00:04:47,520 Speaker 1: But the fact that Samantha just is quiet, and when 70 00:04:47,520 --> 00:04:49,760 Speaker 1: they wait for her to say something de pervating about herself, 71 00:04:49,760 --> 00:04:51,560 Speaker 1: she's like, what I like the way I look? I 72 00:04:51,600 --> 00:04:59,160 Speaker 1: love it. Yeah that's awesome. So you're saying it's easy 73 00:04:59,200 --> 00:05:02,680 Speaker 1: to meet them, No, not so easy. The trick is 74 00:05:03,040 --> 00:05:05,240 Speaker 1: you got to treat them like the regular girls. You've 75 00:05:05,240 --> 00:05:07,480 Speaker 1: got to be able to roll into a super sexist 76 00:05:07,760 --> 00:05:12,720 Speaker 1: this conversation. Conversation is very sexist. It's about dogs and things. 77 00:05:13,760 --> 00:05:19,440 Speaker 1: You're calling women things things. Yeah, well they are things beautiful. 78 00:05:24,279 --> 00:05:26,560 Speaker 1: Shouldn't you be spending the night with some girl from 79 00:05:26,560 --> 00:05:31,800 Speaker 1: the show. Never date models. I think they're stupid. Have 80 00:05:31,920 --> 00:05:34,640 Speaker 1: you ever had a one night stand? No? I only 81 00:05:34,640 --> 00:05:38,000 Speaker 1: tried the one time, and yeah I had a one 82 00:05:38,120 --> 00:05:41,640 Speaker 1: night stand. It wasn't purposeful, but I was super embarrassed. 83 00:05:41,680 --> 00:05:44,040 Speaker 1: So I've never talked to him again, ghosted real hard. 84 00:05:45,080 --> 00:05:49,320 Speaker 1: Did he try to contact you? Yeah? Yeah, I think 85 00:05:49,320 --> 00:05:52,600 Speaker 1: he told me had poems? Oh no, I mean I 86 00:05:52,880 --> 00:05:56,880 Speaker 1: probably disappeared. Yeah, the poem part wasn't that preacked me out. 87 00:05:56,920 --> 00:06:00,279 Speaker 1: It was just everything else. But he was one of 88 00:06:00,320 --> 00:06:08,000 Speaker 1: those what do you want to be when you grew up? 89 00:06:08,680 --> 00:06:10,880 Speaker 1: I'd like to move back to Iowa and have kids, 90 00:06:11,120 --> 00:06:15,800 Speaker 1: to be a good old Iowa boy. He's just a 91 00:06:15,920 --> 00:06:21,280 Speaker 1: city boy. No way, he's just a cont boy. It's 92 00:06:21,320 --> 00:06:23,960 Speaker 1: about to say I got that wrong. You've been in 93 00:06:24,600 --> 00:06:26,920 Speaker 1: You did grow up in a very small town. But 94 00:06:30,880 --> 00:06:34,160 Speaker 1: to be fair, it probably is. If you know anything 95 00:06:34,200 --> 00:06:36,800 Speaker 1: about my hometown. We would go to Kanton, Georgia, which 96 00:06:36,839 --> 00:06:39,599 Speaker 1: people still don't know, and that was a city to 97 00:06:39,680 --> 00:06:44,679 Speaker 1: me right. Mine was Gainesville, Georgia, and then Dawsonville, Georgia 98 00:06:44,839 --> 00:06:51,360 Speaker 1: actually got big enough. Don't you want to go out 99 00:06:51,440 --> 00:06:53,680 Speaker 1: with a girl your own age? It's got nothing to 100 00:06:53,720 --> 00:07:00,960 Speaker 1: do with age. I think you're luminous, Yoda, luminous be Zoe. 101 00:07:03,760 --> 00:07:07,800 Speaker 1: None of that's the reference here. A Star Wars reference 102 00:07:09,760 --> 00:07:15,120 Speaker 1: is a Star Wars reference. But the thing is this, 103 00:07:16,640 --> 00:07:19,640 Speaker 1: after a while, you just want to be with the 104 00:07:19,640 --> 00:07:22,200 Speaker 1: one that makes you laugh. After a while, you just 105 00:07:22,240 --> 00:07:23,680 Speaker 1: want to be with the one that makes you laugh. 106 00:07:24,240 --> 00:07:28,440 Speaker 1: Apparently models can't be funny, and you can't be a 107 00:07:28,480 --> 00:07:34,600 Speaker 1: model if you're funny. Right, Okay, see you. So he 108 00:07:34,680 --> 00:07:37,160 Speaker 1: stalks her at this coffee shop that she told him 109 00:07:37,200 --> 00:07:39,880 Speaker 1: that's where she she writes sometimes. That was part of that, 110 00:07:40,160 --> 00:07:44,720 Speaker 1: to tell her two sentences to walk away. Yeah, I 111 00:07:44,720 --> 00:07:46,640 Speaker 1: always find it so interesting and shows like this, like 112 00:07:46,680 --> 00:07:49,480 Speaker 1: how did you know she was there? M She said, 113 00:07:49,520 --> 00:07:52,679 Speaker 1: sometimes she's there. So he went and stalked her missing 114 00:07:52,720 --> 00:07:57,440 Speaker 1: New York Times and she happened to be there. Perhaps 115 00:07:57,440 --> 00:07:59,760 Speaker 1: that model hasn't left her apartment yet and she had 116 00:07:59,800 --> 00:08:23,520 Speaker 1: to go. All right, you did it. We did episode two. However, 117 00:08:24,040 --> 00:08:29,080 Speaker 1: we did so you were halfway right, So I'll give 118 00:08:29,080 --> 00:08:31,680 Speaker 1: you a half credit. Thank you, thank you, And do 119 00:08:31,800 --> 00:08:34,680 Speaker 1: talk about the model standard. Here We do see a 120 00:08:34,760 --> 00:08:38,080 Speaker 1: lot of things that if it was portrayed today, they 121 00:08:38,080 --> 00:08:40,880 Speaker 1: would get a lot of help for it, especially for 122 00:08:41,000 --> 00:08:44,079 Speaker 1: like sweeping it under the rug, the way they talk 123 00:08:44,120 --> 00:08:46,720 Speaker 1: about women in general, the way they talk about models, 124 00:08:46,760 --> 00:08:50,360 Speaker 1: because that's such a stereotype played in so deeply that 125 00:08:50,520 --> 00:08:54,440 Speaker 1: it's like oh no h. And also it was one 126 00:08:54,480 --> 00:08:56,679 Speaker 1: of those putting down women in order to feel better 127 00:08:56,679 --> 00:09:01,719 Speaker 1: about yourself moment that you're like why right, yeah, and 128 00:09:01,760 --> 00:09:07,640 Speaker 1: the binary we discussed so yeah, yeah, but it's it's 129 00:09:07,640 --> 00:09:10,080 Speaker 1: still it is interesting to me. I keep trying to 130 00:09:10,120 --> 00:09:14,880 Speaker 1: imagine watching this was it. I would be curious at 131 00:09:14,960 --> 00:09:18,640 Speaker 1: how much of like a breakdown of time they spend 132 00:09:18,679 --> 00:09:23,200 Speaker 1: together versus like when they're off on their own separate adventures. 133 00:09:24,880 --> 00:09:26,800 Speaker 1: So it is interesting because you do get to see 134 00:09:26,840 --> 00:09:30,160 Speaker 1: all the perspectives and I appreciate that for sure, because 135 00:09:30,200 --> 00:09:32,040 Speaker 1: you do have a lot of different tales to tell, 136 00:09:32,200 --> 00:09:37,200 Speaker 1: and we didn't see much of Charlotte's. I just realized 137 00:09:37,240 --> 00:09:39,520 Speaker 1: that she wasn't really a big part of this conversation, 138 00:09:39,760 --> 00:09:41,760 Speaker 1: but she will come back to the whole hating her 139 00:09:41,800 --> 00:09:44,840 Speaker 1: thighs moments we do see her do that. This episode 140 00:09:44,840 --> 00:09:47,160 Speaker 1: is one of the more cringe e episodes to me 141 00:09:47,640 --> 00:09:51,679 Speaker 1: because of things like that, I'm like, no, um, But 142 00:09:51,800 --> 00:09:54,640 Speaker 1: I do also love kind of the interactions that they 143 00:09:54,640 --> 00:09:57,360 Speaker 1: have and trying to understand a little bit of each other. 144 00:09:57,920 --> 00:10:01,960 Speaker 1: Let's say that very loosely. I also love Sam's perspective 145 00:10:01,960 --> 00:10:04,760 Speaker 1: of herself and I'm like, I want to do that. 146 00:10:05,559 --> 00:10:08,920 Speaker 1: I want to be able to exude that maybe one day, 147 00:10:09,280 --> 00:10:13,000 Speaker 1: maybe I'm getting closer. I'm getting closer, but there's definitely 148 00:10:13,040 --> 00:10:15,080 Speaker 1: still like I'm going to need to change this and 149 00:10:15,160 --> 00:10:20,000 Speaker 1: this and this about myself. But overall, there you go. 150 00:10:20,720 --> 00:10:23,720 Speaker 1: So tell me which one was a better episode? This one? 151 00:10:23,720 --> 00:10:26,040 Speaker 1: I'm the first one. We're gonna start do rankings. I 152 00:10:26,080 --> 00:10:30,200 Speaker 1: guess I liked the first one better, but it's tough 153 00:10:30,840 --> 00:10:34,080 Speaker 1: to I mean, I can and it's kind of like 154 00:10:34,120 --> 00:10:36,480 Speaker 1: the I've been commenting on this whole time. You can 155 00:10:36,480 --> 00:10:40,959 Speaker 1: tell these conversations are meant to stir up, like the 156 00:10:41,080 --> 00:10:44,320 Speaker 1: kind of talk that gets people going, right, how could 157 00:10:44,320 --> 00:10:47,440 Speaker 1: you like, would you damn, what's your celebrity? You would 158 00:10:47,480 --> 00:10:50,800 Speaker 1: have like they're meant to do that, And so I think, 159 00:10:50,840 --> 00:10:54,000 Speaker 1: you know, in the beginning, they're probably they're still filling 160 00:10:54,000 --> 00:10:56,920 Speaker 1: out there, trying to get people talking about it, but 161 00:10:56,960 --> 00:11:00,120 Speaker 1: also still filling things out. And so it's interesting. I'm 162 00:11:00,160 --> 00:11:02,000 Speaker 1: excited for like when I reached the point when I 163 00:11:02,040 --> 00:11:04,800 Speaker 1: know that characters really well and I could just kind 164 00:11:04,800 --> 00:11:08,120 Speaker 1: of be like, okay, okay, you know I'm invested in 165 00:11:08,200 --> 00:11:10,200 Speaker 1: I know, like who's going to do what? Or I 166 00:11:10,200 --> 00:11:14,719 Speaker 1: have a better idea of the shenanigans they might get into. Oh, 167 00:11:15,320 --> 00:11:16,920 Speaker 1: I anticipate a lot of shanning is. But I did 168 00:11:16,960 --> 00:11:18,960 Speaker 1: really enjoy even though it was problematic in the sense 169 00:11:18,960 --> 00:11:21,720 Speaker 1: they were, you know, talking how about parts they didn't like. 170 00:11:21,760 --> 00:11:23,440 Speaker 1: I did like that scene where they were eating together 171 00:11:23,480 --> 00:11:25,839 Speaker 1: and just talking like that. That's probably my favorite. That 172 00:11:25,920 --> 00:11:28,679 Speaker 1: was very real moment. It's very real, like not one 173 00:11:28,720 --> 00:11:30,439 Speaker 1: of this or how you feel about that. To me, 174 00:11:30,559 --> 00:11:32,120 Speaker 1: this is not just a girl thing. It's just the 175 00:11:32,200 --> 00:11:35,000 Speaker 1: overall insecurity of trying to figure out the entirety of 176 00:11:35,040 --> 00:11:39,560 Speaker 1: comparing yourself and what fills damaging and what doesn't to 177 00:11:39,600 --> 00:11:41,800 Speaker 1: have at least one character to be like non selling 178 00:11:41,840 --> 00:11:45,880 Speaker 1: myself again, very like, uh, that's a good changeup. I 179 00:11:45,960 --> 00:11:48,840 Speaker 1: like that. And I think originally again, like I said, 180 00:11:48,840 --> 00:11:51,640 Speaker 1: I was taken aback. I was like, You're not supposed 181 00:11:51,640 --> 00:11:53,840 Speaker 1: to say that as a woman. I'm supposed to be 182 00:11:53,880 --> 00:11:57,600 Speaker 1: okay with what you look like and to have that 183 00:11:57,640 --> 00:12:00,920 Speaker 1: now and like hindsight is like, God, I wish I'd 184 00:12:01,000 --> 00:12:05,640 Speaker 1: learned that for myself. But all that to say, and 185 00:12:05,679 --> 00:12:15,200 Speaker 1: there you go. We are finished with episode two and 186 00:12:15,440 --> 00:12:18,560 Speaker 1: we hope we haven't bored you, and yeah, let us 187 00:12:18,600 --> 00:12:20,360 Speaker 1: know what you think, let us know what your opinions 188 00:12:20,360 --> 00:12:22,080 Speaker 1: are and how you saw this. Maybe it's a little 189 00:12:22,080 --> 00:12:25,160 Speaker 1: different view. We love that. Yes, well this has been 190 00:12:25,200 --> 00:12:27,760 Speaker 1: so fun. It's been so cool to to see you 191 00:12:27,840 --> 00:12:31,640 Speaker 1: in person, Samantha, UM listening as we hope that you're 192 00:12:31,880 --> 00:12:36,720 Speaker 1: enjoying this. UM, maybe watching along definitely let us know 193 00:12:36,760 --> 00:12:39,800 Speaker 1: if there's something we should be keeping track of or 194 00:12:39,840 --> 00:12:42,040 Speaker 1: like fun counts. We could do fun games, we could 195 00:12:42,040 --> 00:12:46,240 Speaker 1: do maybe we'll do watch events. UM. All of these 196 00:12:46,280 --> 00:12:51,319 Speaker 1: are options. And also don't worry like we're not. It's 197 00:12:51,360 --> 00:12:55,000 Speaker 1: just a fun eventually very long segment we're testing, but 198 00:12:55,120 --> 00:12:57,360 Speaker 1: all of our other contents saying the same. We'll be 199 00:12:57,400 --> 00:13:00,080 Speaker 1: back with some more non Second City happy hours of 200 00:13:00,080 --> 00:13:03,840 Speaker 1: all kinds. UM. But we do hope you're having fun. 201 00:13:04,559 --> 00:13:06,320 Speaker 1: As always, we would love to hear from you. You 202 00:13:06,320 --> 00:13:08,080 Speaker 1: can emails at stuff Me your mom and stuff at 203 00:13:08,120 --> 00:13:10,439 Speaker 1: iHeart media dot com. You can find us on Twitter 204 00:13:10,480 --> 00:13:12,320 Speaker 1: at Mom's a podcast, or on Instagram and stuff one 205 00:13:12,360 --> 00:13:15,040 Speaker 1: ever told you. Thanks It's always to our amazing super 206 00:13:15,080 --> 00:13:18,720 Speaker 1: producer Christina, thank you, and thanks to you for listening. 207 00:13:18,960 --> 00:13:20,840 Speaker 1: Stuff I Never Told You. User protection of I heart Radio. 208 00:13:20,880 --> 00:13:22,760 Speaker 1: For more podcast on I Heart Radio visit the heart 209 00:13:22,840 --> 00:13:24,880 Speaker 1: radio app, Apple podcast, or wherever you listen to your 210 00:13:24,920 --> 00:13:25,560 Speaker 1: favorite shows.