WEBVTT - SYSK Distraction Playlist: How Rodney Dangerfield Worked, Live From LA

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<v Speaker 1>Welcome to stuff you should know from house stuff works

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<v Speaker 1>dot com. Hey, and well, hey, I guess I want

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<v Speaker 1>to say hey and welcome to the podcast. But this

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<v Speaker 1>is a little different because this is a this is

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<v Speaker 1>the intro to the podcast. That's right. We recorded a

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<v Speaker 1>live episode at the l A Podcast Festival and uh,

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<v Speaker 1>this is it. Yeah, this is it. We did one

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<v Speaker 1>on Rodney Dangerfield. It was September nineteen fifteen. The Sophie

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<v Speaker 1>Tell and Beverly Hill. Very chic, very che and it

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<v Speaker 1>was a lot of fun. So greed. We hope you

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<v Speaker 1>guys have fun listening to it and stick around after

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<v Speaker 1>the credits roll, so to speak, because we have a

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<v Speaker 1>little bonus track at the end of this one. How

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<v Speaker 1>are you guys doing? Thank you very much for coming

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<v Speaker 1>to our show. We do this normally, but um, it's

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<v Speaker 1>usually just two of us and Jay are you sitting

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<v Speaker 1>here on Facebook while we record like eating me so soup?

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<v Speaker 1>She loves me so soup? Um, and then you know,

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<v Speaker 1>we do live shows too, but normally there's like a

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<v Speaker 1>gulf of a stage between us and like, you guys

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<v Speaker 1>are right here, so we're watching YouTube. I guess that's

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<v Speaker 1>what I'm saying. She's got one of our shirts. Nice,

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<v Speaker 1>nice shirt, and she's the only one. Oh I like that.

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<v Speaker 1>I oh there, of course they are, he says, I

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<v Speaker 1>listened to podcasts before Cereal burn. Yeah, and on the

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<v Speaker 1>back it says, but I love serially right we should.

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<v Speaker 1>We should also say hi to everybody in lives Oh yeah,

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<v Speaker 1>streaming folks Hello, and of course thanks to Audible and

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<v Speaker 1>square Space and the rest of those people don't sponsor us.

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<v Speaker 1>So I don't feel right then anything? Does that count

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<v Speaker 1>as a mid role land? Sure? Okay, check out with

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<v Speaker 1>a stack of money waiting outside, Mr Monopolies hanging out outside? Okay, So, um,

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<v Speaker 1>what do you got anything to start with? I've got

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<v Speaker 1>nothing to start with. I usually don't drink this early

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<v Speaker 1>in the day, but coming the nerves and is U

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<v Speaker 1>felt it would be fitting as a tribute to our

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<v Speaker 1>our topic, which we're gonna get into. So I decided

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<v Speaker 1>to work up a heavy sweat because Rodney Dangerfield is

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<v Speaker 1>known for drinking and sweating. Yeah, you're basically missing the tie.

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<v Speaker 1>Got everything else covered? Thanks you guys familiar with the

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<v Speaker 1>one Mr Rodney Dangerfield. Yeah that's good. I'm glad to

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<v Speaker 1>hear that he's a an increasingly underappreciated comedian. Like I've

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<v Speaker 1>talked to it at least a couple of people who

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<v Speaker 1>have not seen Back to School? I know boom And

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<v Speaker 1>I was actually talking to someone who works here at

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<v Speaker 1>the festival who said, is he dead? And I said, yeah,

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<v Speaker 1>that happens a lot to that, because she said, why

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<v Speaker 1>don't I remember that? Al it's no respect, no respect.

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<v Speaker 1>That's the cool thing about the guy like he that

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<v Speaker 1>was his whole stick, that was his whole um hook. Right, Well,

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<v Speaker 1>we need to start in the traditional way. Okay, you're ready,

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<v Speaker 1>very nice, hey, and welcome to the podcast. I'm Josh Clark,

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<v Speaker 1>There's Charles W. Chuckers Bryant, and we are here at

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<v Speaker 1>l A Pop Fest and uh all you lovely people,

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<v Speaker 1>give yourselves a hand. Thank Is that better you feel

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<v Speaker 1>a little more? You guys happy with that too? Okay? Um, well,

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<v Speaker 1>now we have to start over people. How many people

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<v Speaker 1>have seen Back to School? Great start? So, as we

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<v Speaker 1>were saying, um, the weird thing about Rodney Dangerfield is that,

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<v Speaker 1>um he was his whole, his whole stick about um

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<v Speaker 1>no spect. It was actually really really close to accurate

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<v Speaker 1>as a matter of fact, and and not just while

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<v Speaker 1>he was growing up. He had a really tragic, terrible childhood,

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<v Speaker 1>but also as he got older and older, and even

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<v Speaker 1>after he blew up, um, he's still people just kind

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<v Speaker 1>of took what he was saying and ran with it.

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<v Speaker 1>Like he he had this one story where, um, he

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<v Speaker 1>opened a club which we'll talk about called Danger Fields,

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<v Speaker 1>so it's very obviously his club, and he was on

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<v Speaker 1>his way up to the stage. He'd just been like

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<v Speaker 1>called up there, and on his way some guy stops

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<v Speaker 1>him and says, Rodney, can I have your autograph? And

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<v Speaker 1>can you also give me some more butter? And like

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<v Speaker 1>this this happened to this guy quite a bit. Actually, Yeah,

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<v Speaker 1>so it does turn out that you will see even

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<v Speaker 1>after death, the guy got no respect. But um, as

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<v Speaker 1>Chuck will assert later, I predict um he he is.

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<v Speaker 1>He's a comedians comedian and very actually well respected by

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<v Speaker 1>the ones that count. And Uh, I don't know if

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<v Speaker 1>you guys know this, but a lot of can medians

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<v Speaker 1>have inner pain, uh, which is the reason a lot

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<v Speaker 1>of them get into comedy and a reason that many

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<v Speaker 1>of them drink until they black out on many nights. Uh.

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<v Speaker 1>Interer pain is no secret to the comedy world. But

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<v Speaker 1>you'd be hard pressed to find someone who was as

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<v Speaker 1>legitimately depressed and sad as Rodney Dangerfield. He was like

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<v Speaker 1>a crying clown for real. He was. He often talked

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<v Speaker 1>about the heaviness he felt every day when he woke up.

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<v Speaker 1>He said he would wake up in every day and

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<v Speaker 1>there it was, lingering above him, was his heaviness. Yeah.

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<v Speaker 1>And if you've ever if you ever want to go

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<v Speaker 1>down to YouTube rat hole, just look up some interviews

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<v Speaker 1>with the guy on YouTube from like the eighties, and

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<v Speaker 1>you know, he does a lot of interviews that just

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<v Speaker 1>like local TV stations promoting movies and stuff. And when

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<v Speaker 1>he's out of his stick element, it's one of the

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<v Speaker 1>saddest things you've ever seen. Man, it's really depressing. Uh.

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<v Speaker 1>He's he just had this air about him. You could

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<v Speaker 1>tell he had the weight of life on his shoulders

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<v Speaker 1>and at all. Pretty much stems from his awful, awful,

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<v Speaker 1>awful childhood. Childhood. It is hilarious so far, everybody. Uh,

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<v Speaker 1>so we should start at the beginning with him. Um

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<v Speaker 1>he was born in n on Long Island. Not in

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<v Speaker 1>Long Island, Chuck tells me. Um, And uh, he was

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<v Speaker 1>born to a Vauvilian father who took off with one

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<v Speaker 1>of Rodney's brothers to go hit the circuit. And that

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<v Speaker 1>was that. Like he I think he saw him like

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<v Speaker 1>once or twice a year for a half hour, an

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<v Speaker 1>hour or something like that. Yeah, he said he saw

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<v Speaker 1>his dad literally like twice a year growing up. And uh.

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<v Speaker 1>He was born Jacob Cohen. Uh, and his dad was

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<v Speaker 1>a juggler and a comic who, um, apparently hit the

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<v Speaker 1>road because of his wife, Um, who was. You know,

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<v Speaker 1>we were talking about what an awful person she was,

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<v Speaker 1>and we were going over this stuff and that she was.

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<v Speaker 1>But the more I thought about it, Um, she she

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<v Speaker 1>had a serious problem. It was you know, back in

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<v Speaker 1>the nineteen twenties. He didn't diagnose things like they do today, right,

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<v Speaker 1>you just ran off to the vaudeville pretty much. But

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<v Speaker 1>she was clearly depressed, like profoundly depressed and uh sadly

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<v Speaker 1>completely abandoned emotionally and neglected a little rot or I guess,

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<v Speaker 1>a little Jacob. Uh he was. He was left on

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<v Speaker 1>his own from the time he could remember. His mom

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<v Speaker 1>literally never hugged him once, never kissed him once. He

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<v Speaker 1>swore up and down, Yeah, and never complimented him or

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<v Speaker 1>like tried to build him up. She Uh, she was

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<v Speaker 1>a bad lady. And Um. At starting probably around age

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<v Speaker 1>eight or something like that, he um realized that if

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<v Speaker 1>he was going to eat dinner on a regular basis,

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<v Speaker 1>he was gonna have to go get a job and

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<v Speaker 1>go grocery shopping himself. Right, So he basically raised himself

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<v Speaker 1>storrying about age eight or so. Um and uh, speaking

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<v Speaker 1>of grocer's one of the one of the great things

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<v Speaker 1>that stuck out to him about his childhood. He was, Um,

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<v Speaker 1>he had to get a job, and after after school job,

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<v Speaker 1>he was still in school. Um. And he lived in

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<v Speaker 1>a fairly wealthy neighborhood, but he was not wealthy, so

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<v Speaker 1>he used to deliver groceries to his classmates UM home,

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<v Speaker 1>which is kind of demoralizing when you're like ten, you know. Um.

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<v Speaker 1>And he also, while he was out there running around

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<v Speaker 1>on the streets, there's a he wrote an autobiography the

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<v Speaker 1>year he died in two thousand and four, and um

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<v Speaker 1>he called this chapter male Prostitute because he was like

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<v Speaker 1>ten and he was so unsupervised that they were apparently

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<v Speaker 1>at least one or two local molesters that were like Hey, Rodney,

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<v Speaker 1>come on up, I got a nickel for you. And

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<v Speaker 1>he swears up and down that it was just uh

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<v Speaker 1>that it was it was just kissing. Everybody, don't worry.

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<v Speaker 1>The child was just kissed by the grown man for

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<v Speaker 1>a nickel. Um. But he and it happened a lot,

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<v Speaker 1>and he was doing it because he needed the money.

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<v Speaker 1>So anyway, Rodney danger feel, let's fast forward out of

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<v Speaker 1>this horrible, horrible funk. And by the way, we're gonna

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<v Speaker 1>Pepper in some of his bets boakes here and there. Uh.

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<v Speaker 1>And I debated on whether or not to try and

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<v Speaker 1>do it as him, because it's I've already promised certain

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<v Speaker 1>people here there. It's hard to do that. It's hard

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<v Speaker 1>to tell a Rodney Dangerfield joke without kind of doing him.

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<v Speaker 1>And I took a little informal pole last night with

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<v Speaker 1>some folks and they're like, yeah, you sort of have to. Yeah,

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<v Speaker 1>I think that's not like it's a good impression. But

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<v Speaker 1>plus it makes me delivering it my flat weirdo affect

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<v Speaker 1>where I'm not even trying it all the weirder, So

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<v Speaker 1>prepare for that too. But one thing that he did,

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<v Speaker 1>and that, of course a lot of comics do is

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<v Speaker 1>They turned that pain into funny, and he really relied

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<v Speaker 1>on his uh. His jokes is a way to uh.

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<v Speaker 1>I mean the only time he was happy was when

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<v Speaker 1>he was on stage performing, and as soon as he left,

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<v Speaker 1>that heaviness would come back. But he often joked about

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<v Speaker 1>his mom. He would say, uh, my mom never breastfed me.

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<v Speaker 1>She told me she always thought of me as a friend,

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<v Speaker 1>which is a funny joke. But when you know the

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<v Speaker 1>real pain behind it, it's it's just like the saddest

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<v Speaker 1>thing you've ever heard. It takes a dead bit of

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<v Speaker 1>the funniness away from it. I've got a good parent one.

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<v Speaker 1>You're ready. So I remember the time, and this is

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<v Speaker 1>my writing danger, Phil. I remember the time I was kidnapped.

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<v Speaker 1>They sent a piece of my finger to my father.

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<v Speaker 1>He said he wanted more proof. That probably did not happen.

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<v Speaker 1>But it gets the point across, you know, And plus

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<v Speaker 1>it's funny, and so if you're a one more parent joke, Okay,

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<v Speaker 1>So I tell you my parents hated me. My bath

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<v Speaker 1>toys were a toaster in a radio funny. All right,

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<v Speaker 1>that's going over better than I thought it wouldn't. So so,

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<v Speaker 1>starting about age fifteen, he starts, he realizes he's actually

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<v Speaker 1>kind of hilarious and that he has a talent for

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<v Speaker 1>taking all of this horrible, tragic stuff and turning into

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<v Speaker 1>funny stuff. Um and uh, he started writing jokes and

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<v Speaker 1>he got good pretty quick. He started selling jokes age

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<v Speaker 1>fifteen or sixteen to establish comedians, right, yeah, and he

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<v Speaker 1>kept them. He had the stuffel bag. He would write

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<v Speaker 1>jokes by hand his entire career and put him in

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<v Speaker 1>the stuffel bag. So he literally had a suffel bag

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<v Speaker 1>full of like thousands and thousands of jokes. And apparently

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<v Speaker 1>I think, uh you said that. During a typical performance

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<v Speaker 1>later like once he hit the big time, he would

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<v Speaker 1>tell like over three hundred jokes in a set, like

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<v Speaker 1>three fifty Yeah, in an hour. He ran at their

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<v Speaker 1>quick jokes, but still, but he remembered them all and

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<v Speaker 1>he knew which one's fit best. Like the guy was

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<v Speaker 1>a comic genius. Hopefully that's coming across here or will

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<v Speaker 1>by the end of this, right. So he gets this

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<v Speaker 1>big break at age nineteen. He's written jokes for a

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<v Speaker 1>few years and he's gonna try this out, and he

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<v Speaker 1>gets a job at a cat skills resort for twelve

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<v Speaker 1>bucks a week, ten weeks, including room and board, thin

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<v Speaker 1>dirty dancing, that kind of scene very much. So. Yeah,

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<v Speaker 1>but he's like the up and coming comic on stage. Right.

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<v Speaker 1>Have you guys ever seen iron Man meets Dirty Dancing

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<v Speaker 1>that mash up? Now go check it out. Actually, it's

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<v Speaker 1>so bizarre. It's one of the better things you'll ever see.

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<v Speaker 1>That has nothing to do with the Rodney dangerfield. That

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<v Speaker 1>was just to add on basically. But um, so he's working.

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<v Speaker 1>He's working hard. Um the stint and the cats skills. Like,

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<v Speaker 1>I don't think he gets read up, but he he

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<v Speaker 1>keeps going back to the cat skills. It's one of

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<v Speaker 1>his regular gigs. But on the on the side, while

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<v Speaker 1>he's working, he's a singing waiter at the Polish Falcons

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<v Speaker 1>nightclub where, yeah, where Lenny Bruce's mom was the MC.

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<v Speaker 1>He was an acrobatic diver, right, Um, but I don't

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<v Speaker 1>know what you're all thinking, triple indy. No, he did

0:12:29.480 --> 0:12:32.319
<v Speaker 1>not do the triple indy in the movie obviously. Uh

0:12:32.480 --> 0:12:34.439
<v Speaker 1>for those of you who have not seen Back to School,

0:12:34.800 --> 0:12:38.320
<v Speaker 1>that was an in joke. He was a diver in

0:12:38.360 --> 0:12:40.640
<v Speaker 1>the movie, a competitive diver. Yeah, well, I was going

0:12:40.679 --> 0:12:44.720
<v Speaker 1>to punish them for not having seen it. Okay, sorry,

0:12:44.760 --> 0:12:47.760
<v Speaker 1>he's trying to drive him a point. Uh. So, in

0:12:47.960 --> 0:12:51.080
<v Speaker 1>nineteen fifty one, he gets married for the first time

0:12:51.120 --> 0:12:55.200
<v Speaker 1>to a jazz singer name Joyce Indig, and he had

0:12:55.240 --> 0:12:57.720
<v Speaker 1>a couple of kids and moved to New Jersey, which

0:12:57.760 --> 0:12:59.720
<v Speaker 1>we all know is the death knell for any comedian

0:13:00.320 --> 0:13:02.319
<v Speaker 1>trying to work in New York. Kind of means you've

0:13:02.360 --> 0:13:06.400
<v Speaker 1>given up. Um, But he didn't give up just yet.

0:13:06.720 --> 0:13:09.280
<v Speaker 1>He did for a minute, for sure. Yeah, not not

0:13:09.320 --> 0:13:11.240
<v Speaker 1>at that point though. He was still trying to work.

0:13:12.080 --> 0:13:14.760
<v Speaker 1>But when he turned twenty seven, he quit comedy and

0:13:14.840 --> 0:13:18.800
<v Speaker 1>literally did not perform from the age of forty one.

0:13:19.400 --> 0:13:23.160
<v Speaker 1>And at forty one he was like, let's try this again, right, Well,

0:13:23.240 --> 0:13:25.360
<v Speaker 1>he and his wife divorced, so he's like, I've got

0:13:25.360 --> 0:13:27.480
<v Speaker 1>a little more time. I think I'm gonna go try

0:13:27.559 --> 0:13:30.480
<v Speaker 1>comedy again. And they actually got back together like the

0:13:30.520 --> 0:13:33.280
<v Speaker 1>next year and stayed married for another ten years or

0:13:33.320 --> 0:13:36.240
<v Speaker 1>something like that. But this time around, um, he was like,

0:13:36.320 --> 0:13:37.599
<v Speaker 1>let me see if I can figure out how to

0:13:37.679 --> 0:13:40.080
<v Speaker 1>how to balance home life with this. I'm trying to

0:13:40.080 --> 0:13:42.360
<v Speaker 1>break into comedy, right yeah, and let me try and

0:13:42.400 --> 0:13:44.640
<v Speaker 1>develop an act. I think the first time, he flounder

0:13:44.720 --> 0:13:46.640
<v Speaker 1>because he didn't he didn't know what kind of comedian

0:13:46.640 --> 0:13:49.280
<v Speaker 1>he wanted to be. He tried singing, he tried impressions,

0:13:49.320 --> 0:13:51.760
<v Speaker 1>he even tried prop comedy for a little while. But

0:13:51.840 --> 0:13:53.560
<v Speaker 1>he also I mean, and he had these jokes about

0:13:53.600 --> 0:13:55.560
<v Speaker 1>how much his life sucked. Like he used some of

0:13:55.559 --> 0:13:58.160
<v Speaker 1>these same jokes his whole life, um, but they just

0:13:58.200 --> 0:14:00.800
<v Speaker 1>didn't hang on him quite right, because he had his

0:14:00.800 --> 0:14:02.679
<v Speaker 1>whole life ahead of him and he was young and

0:14:02.679 --> 0:14:05.199
<v Speaker 1>full of promise. That second time around, he was right

0:14:05.240 --> 0:14:07.920
<v Speaker 1>there in the sweet spot, like age forty one ish,

0:14:08.080 --> 0:14:11.800
<v Speaker 1>a little desperate, kind of sweaty, and uh, these jokes

0:14:11.800 --> 0:14:14.960
<v Speaker 1>about how bad is life, these jokes about how bad

0:14:15.040 --> 0:14:18.760
<v Speaker 1>his life where it was going, um like really just

0:14:18.840 --> 0:14:21.720
<v Speaker 1>kind of hit a lot more. He adopted a persona basically,

0:14:22.200 --> 0:14:26.080
<v Speaker 1>and uh, that definitely helped. Yeah, I mean it was

0:14:26.200 --> 0:14:28.720
<v Speaker 1>it was sort of him, but it was also a character.

0:14:29.320 --> 0:14:31.480
<v Speaker 1>And when I was researching this, I was like, I

0:14:31.560 --> 0:14:33.880
<v Speaker 1>was kind of thinking about the you don't see a

0:14:33.920 --> 0:14:37.520
<v Speaker 1>lot of character comedians anymore. Like that was the sort

0:14:37.560 --> 0:14:41.320
<v Speaker 1>of the Heyday with like Andrew Dice Clay and uh,

0:14:41.320 --> 0:14:44.960
<v Speaker 1>while Ronnie Dangerfield and Emo Phillips, and it seemed like

0:14:45.040 --> 0:14:46.920
<v Speaker 1>there were a lot of characters, but now no one.

0:14:47.120 --> 0:14:50.160
<v Speaker 1>Now it's just like, look at this thing that happened

0:14:50.160 --> 0:14:52.560
<v Speaker 1>in my life, and how funny it is. Look at

0:14:52.600 --> 0:14:57.920
<v Speaker 1>all these witty observations about my life. I'd like to

0:14:57.920 --> 0:15:00.960
<v Speaker 1>see some good character comedians come. I can't think of it.

0:15:01.080 --> 0:15:03.880
<v Speaker 1>There any out there. I guess Brent Winback. That's kind

0:15:03.880 --> 0:15:06.160
<v Speaker 1>of a wait. Wait, what about like Larry the Cable Guy.

0:15:06.200 --> 0:15:10.640
<v Speaker 1>He's total I assume a character because he started out

0:15:10.640 --> 0:15:13.120
<v Speaker 1>as as a completely different kind of comedian and then

0:15:13.160 --> 0:15:16.080
<v Speaker 1>adopted that persona. But I don't count him as a comedian.

0:15:16.160 --> 0:15:23.000
<v Speaker 1>So yeah, he's not watching. Don't worry, he's not. He's

0:15:23.000 --> 0:15:29.560
<v Speaker 1>writing bad jokes and start a flame war with Larry

0:15:29.600 --> 0:15:32.400
<v Speaker 1>the Cable Guy. I'll totally take him up on that

0:15:32.440 --> 0:15:36.320
<v Speaker 1>flame war. Uh, although kids squashed me with his sacks

0:15:36.360 --> 0:15:41.000
<v Speaker 1>of money. Um, so he adopts his character. Uh. He

0:15:41.120 --> 0:15:44.640
<v Speaker 1>changes his name legally at this point to Jack Roy,

0:15:44.880 --> 0:15:48.640
<v Speaker 1>which was that his father's name. His father's stage name

0:15:48.720 --> 0:15:50.800
<v Speaker 1>was Phil Roy. Yeah, and so he changed his name

0:15:50.880 --> 0:15:53.160
<v Speaker 1>legally to Jack Roy and that was his real name

0:15:53.240 --> 0:15:55.600
<v Speaker 1>till the day he died. Uh. And he was performing

0:15:55.680 --> 0:15:58.800
<v Speaker 1>under that name for a while until he tried this

0:15:58.880 --> 0:16:02.400
<v Speaker 1>second go and decide, I don't want anyone to remember

0:16:02.480 --> 0:16:05.120
<v Speaker 1>Jack Roy. So um, he told this guy that was

0:16:05.160 --> 0:16:07.120
<v Speaker 1>booking him at a club in Manhattan, could you just

0:16:07.160 --> 0:16:08.680
<v Speaker 1>make up a name for me and put that on

0:16:08.720 --> 0:16:11.840
<v Speaker 1>the on the I guess it would a marquee, but yeah,

0:16:12.000 --> 0:16:14.200
<v Speaker 1>or you know, in any ad they took out. So

0:16:14.280 --> 0:16:17.520
<v Speaker 1>the guy who ran this place, the Inwood Lounge, I

0:16:17.560 --> 0:16:20.760
<v Speaker 1>think um came up the Rodney danger Field, right. But

0:16:20.800 --> 0:16:24.400
<v Speaker 1>the weird thing is um he had actually lifted the

0:16:24.480 --> 0:16:26.720
<v Speaker 1>name from a Jack Benny character, Like there was an

0:16:26.720 --> 0:16:30.680
<v Speaker 1>original Rodney Dangerfield and it wasn't Rodney Dangerfield, right, were

0:16:30.800 --> 0:16:34.240
<v Speaker 1>the giant twist of of the podcast. It's all downhill

0:16:34.320 --> 0:16:38.480
<v Speaker 1>from here. So the the Jack Benny came up with

0:16:38.480 --> 0:16:40.640
<v Speaker 1>his character and I think the forties maybe or something

0:16:40.720 --> 0:16:45.400
<v Speaker 1>like that, Um of this grade Z Western hero named

0:16:45.520 --> 0:16:50.320
<v Speaker 1>Rodney Dangerfield, and um, I guess the the lounge owner

0:16:50.400 --> 0:16:53.000
<v Speaker 1>remembered it and came up with that Rodney Dangerfield had

0:16:53.040 --> 0:16:55.960
<v Speaker 1>no idea about this. So he's walking around like using

0:16:55.960 --> 0:16:59.320
<v Speaker 1>this name for years And apparently he met Johnny Carson

0:16:59.400 --> 0:17:01.600
<v Speaker 1>once that one of his shows and Johnny Carson was like,

0:17:01.680 --> 0:17:04.160
<v Speaker 1>you know where your name came from? Right, and he said,

0:17:05.359 --> 0:17:07.879
<v Speaker 1>what are you talking about? Yeah, he explained that the

0:17:07.920 --> 0:17:11.000
<v Speaker 1>whole Jack Benny thing, and later on he uh saw

0:17:11.080 --> 0:17:13.480
<v Speaker 1>Jack Benny, and Jack Benny wasn't like Matt or anything.

0:17:13.520 --> 0:17:16.320
<v Speaker 1>Actually said I really love what you did with the character,

0:17:16.840 --> 0:17:18.960
<v Speaker 1>and you really you know, you did it just right.

0:17:19.000 --> 0:17:21.960
<v Speaker 1>So no harm, no felt, and they hugged it out

0:17:22.000 --> 0:17:27.880
<v Speaker 1>from that very famously. So on the second go round

0:17:27.960 --> 0:17:31.359
<v Speaker 1>he was he was making a living doing okay. But

0:17:31.440 --> 0:17:34.159
<v Speaker 1>he got his real big break in nineteen six seven

0:17:34.880 --> 0:17:38.040
<v Speaker 1>with Ed Sullivan. He was, um, he couldn't get booked

0:17:38.080 --> 0:17:40.760
<v Speaker 1>on Ed Sullivan, but at the time they would book

0:17:40.800 --> 0:17:44.880
<v Speaker 1>other comedians for the run throughs as like just placeholders

0:17:44.920 --> 0:17:48.040
<v Speaker 1>for dress rehearsal basically, And so he got a spot

0:17:48.080 --> 0:17:50.960
<v Speaker 1>booked on that and apparently did so well and dress

0:17:51.000 --> 0:17:53.639
<v Speaker 1>rehearsal that Ed Sullivan, you know, took note on the

0:17:53.640 --> 0:17:55.320
<v Speaker 1>side of the stage, which means he went like this,

0:17:57.440 --> 0:18:00.640
<v Speaker 1>you know you're funny. That's how you knew Sullivan thought

0:18:00.640 --> 0:18:08.120
<v Speaker 1>you were funny. It works for Nixon to do that.

0:18:08.880 --> 0:18:12.200
<v Speaker 1>Nixon actually that was the result of a huge long shot.

0:18:12.320 --> 0:18:15.280
<v Speaker 1>He told his agent like, just get me on Ed

0:18:15.359 --> 0:18:18.200
<v Speaker 1>Sullivan and it it played out, panned out very well.

0:18:18.359 --> 0:18:21.280
<v Speaker 1>He ended up being on Ed Sullivan like seventeen times

0:18:21.320 --> 0:18:22.720
<v Speaker 1>or something like that, and it led to all these

0:18:22.760 --> 0:18:26.480
<v Speaker 1>other late night appearances. He was on Carson, like I

0:18:26.520 --> 0:18:28.520
<v Speaker 1>think a record. He holds the record for being on

0:18:28.600 --> 0:18:33.560
<v Speaker 1>Carson the most seventy times something like that. Merv Griffin, Dino,

0:18:33.800 --> 0:18:35.680
<v Speaker 1>like all the dudes who are running late night and

0:18:35.720 --> 0:18:38.240
<v Speaker 1>basically where the taste makers for all of the comedians

0:18:38.400 --> 0:18:44.399
<v Speaker 1>were suddenly promoting the sweaty, weird, coked up uh pothead,

0:18:44.800 --> 0:18:49.600
<v Speaker 1>booze hound, huge potha Rodney dangerfield, right, and he took

0:18:49.640 --> 0:18:51.840
<v Speaker 1>it and ran with it, like right when he hit

0:18:51.920 --> 0:18:55.280
<v Speaker 1>the nineteen sixty seven he got to work like that.

0:18:55.480 --> 0:18:58.280
<v Speaker 1>He was such a big pothead. Actually, the original name

0:18:58.280 --> 0:19:00.760
<v Speaker 1>of his biography was going to be My Love Affair

0:19:00.800 --> 0:19:03.800
<v Speaker 1>with Marijuana, and he was serious he wanted to call

0:19:03.800 --> 0:19:05.960
<v Speaker 1>it that because he smoked potty, said for you know,

0:19:06.080 --> 0:19:10.440
<v Speaker 1>sixty something years. Uh, but well up until the day

0:19:10.440 --> 0:19:13.639
<v Speaker 1>he died. Really, I think from on like he was

0:19:13.640 --> 0:19:17.080
<v Speaker 1>smoking pot in I see you in the hospital. Because

0:19:17.119 --> 0:19:21.119
<v Speaker 1>he had an early medical marijuana exemption long before anyone

0:19:21.160 --> 0:19:25.000
<v Speaker 1>even knew it that way. I don't even knew what

0:19:25.080 --> 0:19:27.240
<v Speaker 1>that was. But if he flashed it in your face,

0:19:27.280 --> 0:19:32.119
<v Speaker 1>you didn't ask questions. So, uh, he got his big break. Actually,

0:19:32.240 --> 0:19:35.800
<v Speaker 1>Carson had blackballed them for a while because he accused

0:19:35.800 --> 0:19:37.960
<v Speaker 1>Carson in a letter of stealing or one of his

0:19:38.000 --> 0:19:40.880
<v Speaker 1>writers of stealing one of his jokes. So Carson famously

0:19:40.880 --> 0:19:42.600
<v Speaker 1>wouldn't have him on the show for a long time

0:19:43.040 --> 0:19:46.760
<v Speaker 1>until they eventually right, until they eventually met um and

0:19:46.800 --> 0:19:49.520
<v Speaker 1>worked it out, and then Johnny became like the biggest

0:19:49.520 --> 0:19:52.240
<v Speaker 1>fan ever. And if you want to enjoy yourself at

0:19:52.280 --> 0:19:55.560
<v Speaker 1>home on the YouTube's just go look up Johnny Carson

0:19:55.600 --> 0:19:58.159
<v Speaker 1>on Rodney or Rodney Danger Build on Carson. There's a

0:19:58.160 --> 0:20:00.959
<v Speaker 1>lot of clips where I mean Carson was just like

0:20:01.080 --> 0:20:04.159
<v Speaker 1>the ultimate set up dude. It just let him do

0:20:04.240 --> 0:20:06.159
<v Speaker 1>his thing. Yeah, and he would laugh until he was

0:20:06.200 --> 0:20:09.200
<v Speaker 1>crying because he couldn't believe that Danger Fields Getting Away

0:20:09.240 --> 0:20:10.879
<v Speaker 1>was saying most of the stuff he was saying on

0:20:10.960 --> 0:20:14.800
<v Speaker 1>TV on Carson's own show, it was good. So he's

0:20:14.920 --> 0:20:17.880
<v Speaker 1>he's married, he's working a lot, and uh, he decides

0:20:17.920 --> 0:20:21.120
<v Speaker 1>that he doesn't want to happen to his own kids.

0:20:21.119 --> 0:20:23.600
<v Speaker 1>What happened to him, which was to be neglected. So

0:20:23.680 --> 0:20:25.960
<v Speaker 1>he said, you know what I'm gonna do, Um, even

0:20:25.960 --> 0:20:28.600
<v Speaker 1>though no one's ever done this. I'm gonna borrow a

0:20:28.600 --> 0:20:31.200
<v Speaker 1>bunch of money of a million dollars and I'm gonna

0:20:31.240 --> 0:20:33.520
<v Speaker 1>open my own comedy club in New York City so

0:20:33.560 --> 0:20:37.120
<v Speaker 1>I can stay home with my children, Brian and Melanie.

0:20:37.160 --> 0:20:38.960
<v Speaker 1>I think, right. And it's not like he had any money,

0:20:39.080 --> 0:20:41.640
<v Speaker 1>right then, you know, like this is a huge, huge risk.

0:20:42.000 --> 0:20:43.919
<v Speaker 1>He's doing okay, but he had to borrow off not

0:20:44.040 --> 0:20:46.919
<v Speaker 1>that okay, right, so um, everybody tries to talk him

0:20:46.920 --> 0:20:49.160
<v Speaker 1>out of it. He goes ahead with it, and it's

0:20:49.200 --> 0:20:50.960
<v Speaker 1>such a success. He has a loan paid off in

0:20:51.000 --> 0:20:53.280
<v Speaker 1>like eighteen months. Just a huge success. And this this

0:20:53.440 --> 0:20:56.360
<v Speaker 1>club actually became venerable in its own right. Yeah, still

0:20:56.400 --> 0:20:59.199
<v Speaker 1>there today, run the Danger Fields in New York And um,

0:20:59.240 --> 0:21:02.359
<v Speaker 1>it had this HBO special that broadcast out of in

0:21:02.440 --> 0:21:05.080
<v Speaker 1>A bunch of comedians got their big breaks on that show,

0:21:05.119 --> 0:21:10.359
<v Speaker 1>like Seinfeld, Um, Chris Rock I think, yeah, Jim Carey, Uh,

0:21:10.400 --> 0:21:15.120
<v Speaker 1>what's his face, saggot, Jeff Foxworthy, Yeah, Jeff Foxworthy, fans

0:21:15.160 --> 0:21:18.640
<v Speaker 1>in the room, Rita Rudner of course, Sam Kennison completely

0:21:18.680 --> 0:21:21.960
<v Speaker 1>made Sam Kennison's career and that was what he uh,

0:21:22.040 --> 0:21:24.040
<v Speaker 1>and that's why comedians love him so much, because it

0:21:24.119 --> 0:21:26.680
<v Speaker 1>meant more to him to play father to these young

0:21:26.760 --> 0:21:29.879
<v Speaker 1>comics and to give them their start than almost anything else.

0:21:29.880 --> 0:21:32.439
<v Speaker 1>He really that was sort of his life's goal, was

0:21:32.520 --> 0:21:35.199
<v Speaker 1>to seek out talent that he thought was original and

0:21:35.240 --> 0:21:38.800
<v Speaker 1>really kind of boost them up. He was a huge Freudian. Yeah, yeah,

0:21:38.840 --> 0:21:44.760
<v Speaker 1>the whole father son thing. And I wonder why, so, Chuck,

0:21:45.520 --> 0:21:49.359
<v Speaker 1>where were you at? Uh? We are at danger Fields.

0:21:49.359 --> 0:21:54.760
<v Speaker 1>It is nineteen eighty and he decides that, you know what,

0:21:55.720 --> 0:22:00.119
<v Speaker 1>I should start making movies because well he may a

0:22:00.119 --> 0:22:02.479
<v Speaker 1>few movies before that, but nothing that anyone would know.

0:22:02.840 --> 0:22:06.439
<v Speaker 1>He's actually cast first by Stanley Kubrick in nineteen fifty

0:22:06.480 --> 0:22:09.879
<v Speaker 1>six for the movie Uh, the Killer, The Killing, The Killing,

0:22:10.280 --> 0:22:17.720
<v Speaker 1>great movie. Who said, yeah, wow, yeah, great movie. So

0:22:17.800 --> 0:22:24.040
<v Speaker 1>he plays onlooker, um, big part. Uh. And then he

0:22:24.080 --> 0:22:25.960
<v Speaker 1>was in another movie what was that up on? Called

0:22:25.960 --> 0:22:28.320
<v Speaker 1>The Projectionist. Yeah, it was a big part in a

0:22:28.400 --> 0:22:30.120
<v Speaker 1>very small movie. He said that it was the type

0:22:30.119 --> 0:22:31.960
<v Speaker 1>of movie where they went to go shoot on location

0:22:32.000 --> 0:22:35.560
<v Speaker 1>by taking the subway. Um, it's probably true. Yeah, I

0:22:35.560 --> 0:22:39.399
<v Speaker 1>think it was. But he played this movie projectionist boss

0:22:39.440 --> 0:22:42.240
<v Speaker 1>and the projectionists had quite an imagination and he was

0:22:42.280 --> 0:22:47.120
<v Speaker 1>a superhero, and um, Dangerfield was this arch villain nemesis.

0:22:47.440 --> 0:22:51.840
<v Speaker 1>Didn't it didn't go very far. But he learned almost

0:22:51.840 --> 0:22:54.040
<v Speaker 1>nothing about how to shoot a movie because this was

0:22:54.119 --> 0:22:58.199
<v Speaker 1>seventy seven and apparently his huge, huge breakthrough came in Caddyshack. Right,

0:22:58.200 --> 0:23:00.720
<v Speaker 1>he was already very much a well respe the comedian.

0:23:01.080 --> 0:23:05.399
<v Speaker 1>But um, when he when he shot Keddy shacked Harold Ramos, right, yeah,

0:23:05.440 --> 0:23:08.800
<v Speaker 1>when he directed it, he said later on that, Um,

0:23:08.800 --> 0:23:10.800
<v Speaker 1>clearly Dangerfield didn't know what he was doing. He was

0:23:10.920 --> 0:23:14.479
<v Speaker 1>a live performer. So when when Harold Ramos said action,

0:23:15.119 --> 0:23:17.320
<v Speaker 1>Rodney Dajerfield was just stand there and be like, you

0:23:17.359 --> 0:23:20.879
<v Speaker 1>want me to do my bit? Now, Like that's what

0:23:20.960 --> 0:23:23.359
<v Speaker 1>action means, right, do your bit? And uh So then

0:23:23.440 --> 0:23:25.119
<v Speaker 1>Rodney would just turn to the camera and like do

0:23:25.240 --> 0:23:28.159
<v Speaker 1>his whole bit into the camera. He's like, hold on,

0:23:28.200 --> 0:23:30.439
<v Speaker 1>we gotta we gotta get this right here, so pretend

0:23:30.440 --> 0:23:33.680
<v Speaker 1>the camera's not there one and um, he finally got

0:23:33.760 --> 0:23:35.239
<v Speaker 1>to do it because that was the thing that just

0:23:35.320 --> 0:23:38.880
<v Speaker 1>broke him out. Yeah, and he hated making movies. Um,

0:23:39.560 --> 0:23:41.560
<v Speaker 1>Like you said, he loved performing live in front of

0:23:41.600 --> 0:23:44.000
<v Speaker 1>people and that's where he got his his rush. And

0:23:44.040 --> 0:23:46.840
<v Speaker 1>he once compared making movies to um. He said, like

0:23:46.880 --> 0:23:48.480
<v Speaker 1>you know when you make a kid write something a

0:23:48.520 --> 0:23:50.800
<v Speaker 1>hundred times on the chalkboard and they've done something wrong,

0:23:51.000 --> 0:23:53.439
<v Speaker 1>He's like, that's what making the movies like, he hated

0:23:53.480 --> 0:23:57.320
<v Speaker 1>doing all these takes. He hated standing around and waiting. Uh,

0:23:57.320 --> 0:23:58.960
<v Speaker 1>that's why he didn't make a ton of him. And

0:23:59.000 --> 0:24:02.240
<v Speaker 1>he felt like the live audience is like he compared

0:24:02.280 --> 0:24:04.479
<v Speaker 1>it to a heroin attic, like shooting up. You know,

0:24:04.560 --> 0:24:07.720
<v Speaker 1>like he just loved that rush. And uh, he definitely

0:24:07.760 --> 0:24:10.200
<v Speaker 1>didn't get that from movies, which I mean you got

0:24:10.240 --> 0:24:13.200
<v Speaker 1>like the crew standing around looking at you, waiting for lunch.

0:24:13.240 --> 0:24:14.920
<v Speaker 1>You know, it wasn't his bag at all. It was

0:24:15.000 --> 0:24:18.800
<v Speaker 1>not his bag. Uh. You found this um description from

0:24:19.000 --> 0:24:23.200
<v Speaker 1>Rolling Stone editor Ben Fong Torres, which I think describes

0:24:23.320 --> 0:24:27.000
<v Speaker 1>him like to a t. Do you want to read that?

0:24:27.080 --> 0:24:30.840
<v Speaker 1>S okay? So Ben Fong Torres, who was in almost

0:24:30.960 --> 0:24:36.440
<v Speaker 1>famous Uh he Uh, he had a quote he says, Uh,

0:24:36.560 --> 0:24:39.880
<v Speaker 1>Rodney Deserfield looks like a midlife crisis. There's a surface

0:24:39.960 --> 0:24:42.879
<v Speaker 1>orderliness he's groomed, and he's dressed like a businessman at

0:24:42.880 --> 0:24:46.640
<v Speaker 1>a convention. Gray hair slicked back over a haggard shades

0:24:46.640 --> 0:24:51.440
<v Speaker 1>of mayor daily face. Dark suit, white shirt, bright red tie, silk,

0:24:51.840 --> 0:24:55.359
<v Speaker 1>silk stockings, shiny shoes. But the neatness gives way to

0:24:55.440 --> 0:24:58.600
<v Speaker 1>what he calls the heaviness that looms over him. Life

0:24:58.600 --> 0:25:02.080
<v Speaker 1>gives Rodney Dangerfield the He's in a constant sweat. He

0:25:02.119 --> 0:25:05.280
<v Speaker 1>wipes his brow incessantly, tugs at his tie, herky jerky

0:25:05.480 --> 0:25:07.800
<v Speaker 1>as he recounts the horrors of his daily life. He

0:25:07.880 --> 0:25:10.800
<v Speaker 1>shifts his shoulders uncomfortably, and his eyes bug out of

0:25:10.800 --> 0:25:13.919
<v Speaker 1>their bags. He moves the floor, mic around as he

0:25:14.000 --> 0:25:17.160
<v Speaker 1>roams the comedy store stage looking for sympathy, but all

0:25:17.160 --> 0:25:21.239
<v Speaker 1>he gets their laughs. I just think that's fantastic man.

0:25:21.280 --> 0:25:25.480
<v Speaker 1>He nailed Rodney dangerfielding absolutely and his shirt and tie

0:25:25.520 --> 0:25:30.080
<v Speaker 1>that came about because well, he hated clothes in fashion. Yeah,

0:25:30.160 --> 0:25:31.720
<v Speaker 1>let's just go ahead and say that. I think it's

0:25:31.800 --> 0:25:35.000
<v Speaker 1>time he was a slab. He was a slab, he

0:25:35.160 --> 0:25:37.199
<v Speaker 1>said in interviews how much he hated clothes, so he

0:25:37.240 --> 0:25:40.560
<v Speaker 1>never cared about clothes and fashion and was comfortable in

0:25:40.560 --> 0:25:44.960
<v Speaker 1>a robe. Basically and uh. But for one of his

0:25:45.000 --> 0:25:46.480
<v Speaker 1>first acts, he put on the red tie in the

0:25:46.480 --> 0:25:49.119
<v Speaker 1>black suit and like dressed all dapper, and when it

0:25:49.200 --> 0:25:52.119
<v Speaker 1>came for the second performance, he was like, well, they

0:25:52.440 --> 0:25:54.560
<v Speaker 1>liked me in that, so I'm just gonna wear that.

0:25:54.760 --> 0:25:57.520
<v Speaker 1>And that became his stick. Was you know, this very

0:25:57.680 --> 0:26:00.639
<v Speaker 1>dapper looking guy who's always a very will put together.

0:26:01.080 --> 0:26:03.800
<v Speaker 1>In fact, I just saw earlier today, um, when he

0:26:03.840 --> 0:26:06.840
<v Speaker 1>gave out a Best Makeup award at the think eight

0:26:07.000 --> 0:26:10.280
<v Speaker 1>seven Academy Awards. Yeah, and he and he walked up

0:26:10.320 --> 0:26:12.639
<v Speaker 1>and he said, hey, nice tuxed to everybody, right, and

0:26:12.640 --> 0:26:17.800
<v Speaker 1>he went underneath torn under shorts. You get this feeling

0:26:17.880 --> 0:26:20.280
<v Speaker 1>that like that was the dead truth. Yeah, probably had

0:26:20.280 --> 0:26:24.040
<v Speaker 1>like holy underwear. You should look at it too. Man.

0:26:24.080 --> 0:26:27.680
<v Speaker 1>That's great because he basically does five minutes of stand

0:26:27.760 --> 0:26:31.000
<v Speaker 1>up at the Academy Awards and it gives out an award.

0:26:31.240 --> 0:26:34.639
<v Speaker 1>So iron Man versus dirty dancing. Yeah, take some notes

0:26:34.720 --> 0:26:38.440
<v Speaker 1>and then some danger fields stuff. Um, should we take

0:26:38.480 --> 0:26:42.680
<v Speaker 1>a break here, Chuck, take an ad break? Yeah, yeah,

0:26:42.720 --> 0:26:56.240
<v Speaker 1>and we'll be right back after this big announcement folks.

0:26:57.160 --> 0:27:00.840
<v Speaker 1>It's called a podcast event. All the message that's right,

0:27:00.960 --> 0:27:04.440
<v Speaker 1>thanks to ge podcast Theater and Panoply. There is an

0:27:04.440 --> 0:27:07.719
<v Speaker 1>eight part series out right now called The Message, and

0:27:07.760 --> 0:27:09.720
<v Speaker 1>you can get it wherever you get your podcasts. Yeah,

0:27:09.720 --> 0:27:12.280
<v Speaker 1>and you know what, it's gonna blow your collective scientific

0:27:12.320 --> 0:27:16.520
<v Speaker 1>minds because it's currently rocking our worlds. So The Message

0:27:16.560 --> 0:27:19.840
<v Speaker 1>follows the story of Nicki Tomlin, who is a PhD

0:27:19.880 --> 0:27:22.720
<v Speaker 1>in linguistics, right, that's right at the University of Chicago,

0:27:22.760 --> 0:27:25.119
<v Speaker 1>if I'm not mistaken, that's right. And she's following a

0:27:25.119 --> 0:27:28.800
<v Speaker 1>team of cryptologists, which, really, if you say cryptology, you've

0:27:28.840 --> 0:27:32.120
<v Speaker 1>really got me hooked already. Their research thank tank called Cipher,

0:27:32.359 --> 0:27:34.320
<v Speaker 1>and they're trying to dacode a message received from outer

0:27:34.400 --> 0:27:37.560
<v Speaker 1>space from seventy years ago. Yeah, it's from outer space,

0:27:37.720 --> 0:27:39.720
<v Speaker 1>we think. And if you're not familiar with the story,

0:27:39.760 --> 0:27:41.760
<v Speaker 1>well then I guess you better go listen to the Message.

0:27:41.800 --> 0:27:44.040
<v Speaker 1>You can get it on iTunes, you can get it

0:27:44.080 --> 0:27:47.000
<v Speaker 1>on any of your podcast apps. Just go search for

0:27:47.040 --> 0:27:49.480
<v Speaker 1>the Message and subscribe today. Yeah, so thanks to the

0:27:49.720 --> 0:27:52.840
<v Speaker 1>podcast Theater and Panopoly for pushing the boundaries of the medium.

0:27:52.880 --> 0:27:55.320
<v Speaker 1>You guys are doing a great job. Subscribe to The

0:27:55.320 --> 0:28:10.480
<v Speaker 1>Message and listen today, and we're back, all right. I

0:28:10.560 --> 0:28:16.320
<v Speaker 1>told you that would work. So he makes Caddy Shack huge,

0:28:16.400 --> 0:28:18.840
<v Speaker 1>huge hit. Um, he's allowed to kind of just do

0:28:18.960 --> 0:28:21.639
<v Speaker 1>his thing in that movie. And I'm sure most people

0:28:21.640 --> 0:28:24.840
<v Speaker 1>have seen that classic comedy, which Josh said would stink

0:28:24.880 --> 0:28:27.480
<v Speaker 1>if it weren't for Rodney Dangerfield and m Bill Murray.

0:28:27.560 --> 0:28:29.840
<v Speaker 1>The rest of it. It's like a tepid coming of

0:28:29.880 --> 0:28:36.880
<v Speaker 1>age dramedy sucks. Ted Knight he was fine, but I mean,

0:28:36.920 --> 0:28:38.880
<v Speaker 1>you can watch too close for Comfort and get just

0:28:38.960 --> 0:28:41.440
<v Speaker 1>as much as you want. You know, I just don't

0:28:41.440 --> 0:28:44.000
<v Speaker 1>think it needs to be in the movie. I think

0:28:44.040 --> 0:28:46.680
<v Speaker 1>it was Bill Murray and Rodney Dangerfield That's what made

0:28:46.680 --> 0:28:50.440
<v Speaker 1>Caddy Shack a classic. Chevy Chase tada. You know how

0:28:50.480 --> 0:28:53.040
<v Speaker 1>I feel about Chevy Chase. My father raised me to

0:28:53.160 --> 0:28:57.239
<v Speaker 1>hate Chevy Chase. Did he really? He really did? Your

0:28:57.280 --> 0:28:59.400
<v Speaker 1>dad didn't like him? Oh man, still does not like

0:28:59.480 --> 0:29:01.600
<v Speaker 1>Chevy Chase. Why. I just didn't think he's funny or

0:29:01.600 --> 0:29:06.400
<v Speaker 1>he thought, yeah yeah, something about Chevy Chase sticks in

0:29:06.480 --> 0:29:11.760
<v Speaker 1>my dad's crawl and he passed it on me. Isn't

0:29:11.800 --> 0:29:14.840
<v Speaker 1>that weird? It is totally weird. That's what you get

0:29:14.840 --> 0:29:17.760
<v Speaker 1>when your dad's not a vaudevillian. They pass on weird

0:29:17.840 --> 0:29:21.000
<v Speaker 1>stuff like that to you, you know. So, Uh, he

0:29:21.040 --> 0:29:23.080
<v Speaker 1>makes Caddyshack. It was a huge hit. Now he was

0:29:23.160 --> 0:29:26.240
<v Speaker 1>a legitimate Uh, he was sought after for movies. Uh.

0:29:26.280 --> 0:29:29.160
<v Speaker 1>And then a nineteen three he wrote a movie called

0:29:29.200 --> 0:29:33.360
<v Speaker 1>Easy Money. Uh. Where's anybody seen that? Anyway, it's actually

0:29:33.440 --> 0:29:36.160
<v Speaker 1>pretty cool movie. It's not bad. It's a little weird structurally,

0:29:36.160 --> 0:29:38.160
<v Speaker 1>which kind of makes sense that he wrote it, because

0:29:38.160 --> 0:29:40.120
<v Speaker 1>he clearly did not how to write it right a scratch,

0:29:41.000 --> 0:29:42.680
<v Speaker 1>you know, how to write a bunch of good jokes though.

0:29:43.080 --> 0:29:47.640
<v Speaker 1>So he played Monty Capelletti, an Italian American drunk pothead,

0:29:48.400 --> 0:29:51.520
<v Speaker 1>uh baby photographer because because this is back in the

0:29:51.560 --> 0:29:55.200
<v Speaker 1>early eighties when anyone of any ethnicity could play any

0:29:55.200 --> 0:29:59.080
<v Speaker 1>one of another ethnicity, right, because he was Hungarian born,

0:29:59.520 --> 0:30:02.920
<v Speaker 1>but hey, play an Italian guy. It's cool. Uh. So

0:30:03.000 --> 0:30:06.080
<v Speaker 1>in the movie, his mother in law was the inspiration

0:30:06.160 --> 0:30:09.560
<v Speaker 1>for twin beds and uh hated her son in law.

0:30:09.600 --> 0:30:11.640
<v Speaker 1>And when she died, she said, all right, you can

0:30:11.680 --> 0:30:14.000
<v Speaker 1>have all this money, Um if for one year, I

0:30:14.040 --> 0:30:16.560
<v Speaker 1>think like ten million bucks, if for one year you

0:30:16.640 --> 0:30:21.440
<v Speaker 1>quit gambling and boozing and smoking and uh and doing drugs.

0:30:21.680 --> 0:30:24.440
<v Speaker 1>So easy money was you know I had Joe Pesci

0:30:24.520 --> 0:30:26.920
<v Speaker 1>it was it was okay, right, Like the first half

0:30:26.920 --> 0:30:30.200
<v Speaker 1>of this movie is just a series of vignettes to

0:30:30.320 --> 0:30:34.040
<v Speaker 1>where he just completely screws everything up and like that

0:30:34.160 --> 0:30:37.840
<v Speaker 1>your stomachs all upset and everything, and like you're really emotional,

0:30:37.880 --> 0:30:41.840
<v Speaker 1>and then nothing comes of it whatsoever. Right, and then

0:30:41.880 --> 0:30:45.080
<v Speaker 1>finally halfway through the plot arrives and then it gets

0:30:45.160 --> 0:30:48.520
<v Speaker 1>kind of good. Actually, yeah, I agreed. Yeah, a lot

0:30:48.560 --> 0:30:50.800
<v Speaker 1>of build up, not a lot of payoff in that one.

0:30:51.080 --> 0:30:54.640
<v Speaker 1>But one Roger Ebert uh like the movie, even though

0:30:54.640 --> 0:30:58.280
<v Speaker 1>it was a little weird, and said, uh, basically the

0:30:58.320 --> 0:31:01.080
<v Speaker 1>movie was about watching Ronney danger beale. He said, Rodney

0:31:01.120 --> 0:31:04.200
<v Speaker 1>Dangerfield gloriously playing himself as the nearest thing we were

0:31:04.240 --> 0:31:07.400
<v Speaker 1>likely to get to W. C. Fields in this lifetime. Uh.

0:31:07.440 --> 0:31:09.840
<v Speaker 1>And Rodney himself said that it was that was pretty

0:31:09.920 --> 0:31:11.520
<v Speaker 1>much me on screen. That's as close as you can

0:31:11.520 --> 0:31:15.200
<v Speaker 1>come to my real life in Easy Money. Yeah right, Yeah,

0:31:15.360 --> 0:31:21.200
<v Speaker 1>he's a maybe photographer. So nineteen six is when he

0:31:21.200 --> 0:31:24.240
<v Speaker 1>finally makes back to school, which was his biggest hit.

0:31:24.600 --> 0:31:29.000
<v Speaker 1>I think it costs like million to eleven million a

0:31:29.080 --> 0:31:32.000
<v Speaker 1>gross swell over a hundred million um, which in nineteen

0:31:32.040 --> 0:31:34.760
<v Speaker 1>eighties six. I mean today that's still good money. And

0:31:34.840 --> 0:31:40.440
<v Speaker 1>today dollars, that's a hundred fifty billion dollars. It's inflation

0:31:40.560 --> 0:31:44.080
<v Speaker 1>for you, right. Uh. And uh, this one he played,

0:31:44.240 --> 0:31:46.160
<v Speaker 1>he he had the idea. I think he got a

0:31:46.200 --> 0:31:48.120
<v Speaker 1>story credit of a guy, a father that goes back

0:31:48.120 --> 0:31:50.320
<v Speaker 1>to school. He was a big loser in life, so

0:31:50.400 --> 0:31:51.840
<v Speaker 1>he goes back to school with his son to get

0:31:51.840 --> 0:31:54.160
<v Speaker 1>his degree. And he and he told that idea to

0:31:54.200 --> 0:31:56.560
<v Speaker 1>Harold Ramos and he was like, that's good. But what

0:31:56.600 --> 0:31:59.520
<v Speaker 1>if he was rich. What if he was wealthy and

0:31:59.600 --> 0:32:02.080
<v Speaker 1>had it all and still goes back to school like

0:32:02.120 --> 0:32:04.360
<v Speaker 1>knowing what he knows now with a lot of money,

0:32:04.360 --> 0:32:07.000
<v Speaker 1>And and Riney was like, Okay, that's the movie. Yeah,

0:32:07.000 --> 0:32:08.880
<v Speaker 1>it's a good idea, and it actually, I mean that

0:32:09.000 --> 0:32:11.000
<v Speaker 1>was a huge movie when it came out. It was

0:32:11.080 --> 0:32:14.960
<v Speaker 1>the sixth biggest movie of n six. That was behind

0:32:15.360 --> 0:32:21.920
<v Speaker 1>Top Gun, Platoon, Karate Kid, to Star Trek four, and

0:32:21.960 --> 0:32:25.080
<v Speaker 1>there's one other one that's written down somewhere and here,

0:32:26.080 --> 0:32:27.880
<v Speaker 1>but they were big movies. And it was like the

0:32:27.920 --> 0:32:31.200
<v Speaker 1>six highest grossing movie of the year. And it's Rodney Dangerfield,

0:32:31.360 --> 0:32:33.880
<v Speaker 1>right yeah, And so he has hit it big at

0:32:33.880 --> 0:32:38.120
<v Speaker 1>this time and is a huge, huge movie star and

0:32:38.440 --> 0:32:40.360
<v Speaker 1>in the in the biggest comic. I think they did

0:32:40.480 --> 0:32:42.800
<v Speaker 1>a survey in the late seventies right before his movies

0:32:43.480 --> 0:32:47.480
<v Speaker 1>with college students that said that they were Rodney Dangerfield

0:32:47.520 --> 0:32:52.160
<v Speaker 1>was their favorite comic and he was sixty one years old,

0:32:53.200 --> 0:32:55.440
<v Speaker 1>fifty eight years old. Same thing basically was when he

0:32:55.520 --> 0:32:58.520
<v Speaker 1>hit it big as a comedian. Fifty eight years old, right,

0:32:58.680 --> 0:33:02.080
<v Speaker 1>and like, college kids are like into this guy. And actually,

0:33:02.080 --> 0:33:05.280
<v Speaker 1>if you've seen if all you've seen back to school,

0:33:05.280 --> 0:33:06.960
<v Speaker 1>if that's all you've seen of Rodney danger Phil, you

0:33:07.000 --> 0:33:09.640
<v Speaker 1>don't quite have the the understanding of what he was

0:33:09.680 --> 0:33:13.280
<v Speaker 1>actually like. He was pretty edgy comic actually, and pretty hilarious,

0:33:13.520 --> 0:33:16.680
<v Speaker 1>and college kids loved him. In the seventies, he hosted

0:33:16.720 --> 0:33:20.000
<v Speaker 1>Sarah Live in when when he was I think like

0:33:20.160 --> 0:33:23.320
<v Speaker 1>sixty or something fifty nine, um, and he started to

0:33:23.320 --> 0:33:27.680
<v Speaker 1>blow up like at about age sixty. Isn't that crazy? Uh?

0:33:27.760 --> 0:33:29.480
<v Speaker 1>Should we tell a few more of his favorite jokes?

0:33:29.480 --> 0:33:31.800
<v Speaker 1>I think it's high time now to you guys. We'll

0:33:31.840 --> 0:33:33.520
<v Speaker 1>go over a few of these. Uh. He has a

0:33:33.560 --> 0:33:37.600
<v Speaker 1>great joke about his psychiatrists. I told my psychiatrist that

0:33:37.680 --> 0:33:40.200
<v Speaker 1>everyone hates me. And he said, I was being ridiculous.

0:33:40.240 --> 0:33:47.479
<v Speaker 1>Everyone hasn't met me yet. Classic. Uh, let's see. Uh,

0:33:47.600 --> 0:33:50.239
<v Speaker 1>I like this one. It's a little brow, but I

0:33:50.280 --> 0:33:54.040
<v Speaker 1>like it. You know what classes when you were alone,

0:33:54.120 --> 0:33:59.920
<v Speaker 1>you far you say, excuse me, that's class. That weird.

0:34:02.360 --> 0:34:04.320
<v Speaker 1>So if you haven't noticed, a lot of his jokes

0:34:04.360 --> 0:34:08.040
<v Speaker 1>were they were self deprecating for himself, but also about

0:34:08.040 --> 0:34:10.880
<v Speaker 1>his family. He talked about his wife was dumb and fat,

0:34:11.200 --> 0:34:14.520
<v Speaker 1>and his son it was stupid. Uh. And even when

0:34:14.520 --> 0:34:16.200
<v Speaker 1>he wasn't I mean, it was all a character. So

0:34:16.280 --> 0:34:18.439
<v Speaker 1>even when he wasn't married, he was telling jokes about

0:34:18.440 --> 0:34:20.600
<v Speaker 1>his wife, which must have made it a lot easier

0:34:20.680 --> 0:34:25.080
<v Speaker 1>when he went home. And I probably so. But one

0:34:25.080 --> 0:34:27.279
<v Speaker 1>of my favorite wife jokes was, I tell you my

0:34:27.320 --> 0:34:29.960
<v Speaker 1>wife can't cook at all? How can toast have bones?

0:34:32.600 --> 0:34:36.239
<v Speaker 1>And and your impression is getting better as well. I'm

0:34:36.320 --> 0:34:40.319
<v Speaker 1>drinking whiskey, so I'm not saying that all of us.

0:34:41.680 --> 0:34:44.680
<v Speaker 1>Let's see, I've got one. Um. So this is so

0:34:45.040 --> 0:34:47.160
<v Speaker 1>like I said, it's a little weird, and I like

0:34:47.280 --> 0:34:50.600
<v Speaker 1>that in a comic, just just bizarre stuff. Um. He

0:34:50.760 --> 0:34:53.200
<v Speaker 1>was talking about the bar that he was doing stand

0:34:53.280 --> 0:34:55.200
<v Speaker 1>up in that night. Says what did joint. I asked

0:34:55.200 --> 0:34:57.040
<v Speaker 1>the bartender for a double and he brought out a

0:34:57.040 --> 0:35:02.320
<v Speaker 1>guy who looks like me. And those days, man, where

0:35:02.800 --> 0:35:06.080
<v Speaker 1>comedians just wrote great jokes, set up punchlines, set up

0:35:06.080 --> 0:35:10.279
<v Speaker 1>punchline over and over. Yeah, I'll tell you a drink

0:35:10.320 --> 0:35:12.080
<v Speaker 1>too much. The last time I went to the doctor,

0:35:12.120 --> 0:35:13.719
<v Speaker 1>I gave him a yurine sample. I had an olive

0:35:13.760 --> 0:35:20.719
<v Speaker 1>in it. Classic. And then another thing I've learned about

0:35:20.840 --> 0:35:23.160
<v Speaker 1>Rodney Danger Hilman. You go back and listen to his stuff.

0:35:23.200 --> 0:35:26.680
<v Speaker 1>He wasn't like mean, He was self deprecating. Even when

0:35:26.680 --> 0:35:29.640
<v Speaker 1>he was targeting like his family, mostly non existent family,

0:35:29.960 --> 0:35:32.560
<v Speaker 1>all of it reflected back on him and basically what

0:35:32.719 --> 0:35:35.719
<v Speaker 1>a loser he was, right, um, And he didn't have

0:35:35.800 --> 0:35:39.040
<v Speaker 1>very many mean jokes. He didn't tell like many gay jokes.

0:35:39.120 --> 0:35:41.839
<v Speaker 1>He he didn't tell racist jokes anything like that. Which

0:35:41.880 --> 0:35:44.719
<v Speaker 1>and this is like in the seventies when like everybody

0:35:44.800 --> 0:35:47.400
<v Speaker 1>was telling jokes like that, Right, But he did have

0:35:47.480 --> 0:35:51.040
<v Speaker 1>this bat joke that stuck out to me. Are you fat?

0:35:51.400 --> 0:36:03.160
<v Speaker 1>Do you look at the menu and say, okay, I

0:36:03.440 --> 0:36:07.320
<v Speaker 1>love love getting laughs from Ronnie Daserfields chocks we should

0:36:07.320 --> 0:36:09.160
<v Speaker 1>just do this was about to say, I think we

0:36:09.239 --> 0:36:11.879
<v Speaker 1>have a new act. You should know one day talk

0:36:11.920 --> 0:36:17.560
<v Speaker 1>about a rush. I got one more. I'll tell you

0:36:17.600 --> 0:36:19.200
<v Speaker 1>I was dating a woman. She called and said, come

0:36:19.239 --> 0:36:22.000
<v Speaker 1>on over. Nobody's home. I went over and nobody was home.

0:36:25.480 --> 0:36:32.560
<v Speaker 1>Good stuff. I have a new career reading Rodney Dangerfield chokes.

0:36:32.719 --> 0:36:38.480
<v Speaker 1>That's the whole. No one's done that cover comedians, Oh Man, Sharknado,

0:36:38.680 --> 0:36:43.200
<v Speaker 1>and now this you're all aware of? Chuck predicted Sharknado.

0:36:43.360 --> 0:36:51.160
<v Speaker 1>Right he did. You're welcome. Okay, no more, you got

0:36:51.160 --> 0:36:52.879
<v Speaker 1>any more? You like the one about his dog, tell

0:36:52.920 --> 0:36:56.960
<v Speaker 1>that one? Okay, all right? My dog is lazy. He's

0:36:57.000 --> 0:36:59.080
<v Speaker 1>so lazy. He doesn't chase cars. He just lays in

0:36:59.120 --> 0:37:06.399
<v Speaker 1>the driveway taking own license plates. All right, So now

0:37:06.400 --> 0:37:10.600
<v Speaker 1>we're in Uh, it's a nut stop last. In the

0:37:10.600 --> 0:37:13.600
<v Speaker 1>early nineteen eighties, he's making these movies. He won Best

0:37:13.640 --> 0:37:17.279
<v Speaker 1>Comedy Album Grammy for the album No Respect, beating out

0:37:17.360 --> 0:37:22.719
<v Speaker 1>Richard Pryor, Monty Python, Gilda Radner, and father Guido Sarducci. Uh.

0:37:22.760 --> 0:37:26.279
<v Speaker 1>And in nineteen eighty two, the Smithsonian Institution put his

0:37:26.840 --> 0:37:30.560
<v Speaker 1>red tie and his shirt uh in the Smithsonian Uh,

0:37:30.600 --> 0:37:34.680
<v Speaker 1>the American History National Museum of American History. Uh. Right,

0:37:34.719 --> 0:37:38.640
<v Speaker 1>along with Jimmy Dranny's hat, Archie Bunker's recliner, and Charles

0:37:38.680 --> 0:37:42.560
<v Speaker 1>Lindbergh's plane. But the joke Bridden, he said, was he

0:37:42.640 --> 0:37:44.200
<v Speaker 1>got a feeling after they left they were just gonna

0:37:44.280 --> 0:37:49.240
<v Speaker 1>use the shirt to wipe down the plane. Always self deprecating. Yeah, Andy,

0:37:49.360 --> 0:37:51.160
<v Speaker 1>And when he handed him the shirt, he said, this

0:37:51.239 --> 0:37:53.440
<v Speaker 1>is a big, big deal. I only have two shirts,

0:37:55.120 --> 0:37:57.840
<v Speaker 1>which may have been true. Uh. And also in the

0:37:57.920 --> 0:38:01.440
<v Speaker 1>nineteen eighties, Um, who remembers the Miller Lete commercials from

0:38:01.440 --> 0:38:05.200
<v Speaker 1>the nineteen eighties tastes great less spelling. That man back

0:38:05.239 --> 0:38:09.040
<v Speaker 1>there has his hand up the best, right. They were

0:38:09.080 --> 0:38:11.239
<v Speaker 1>great commercials. They were named it was like named the

0:38:11.280 --> 0:38:15.440
<v Speaker 1>eight best advertising campaign in history. Uh, from McCann ericson

0:38:15.520 --> 0:38:18.960
<v Speaker 1>the ad agency. And uh I went and watched a

0:38:19.080 --> 0:38:22.080
<v Speaker 1>ton of them earlier today, and uh I remember them

0:38:22.080 --> 0:38:24.200
<v Speaker 1>all from being a little kid, and it was weird.

0:38:24.320 --> 0:38:26.839
<v Speaker 1>They were. Um, for those of you who haven't seen them,

0:38:27.200 --> 0:38:30.160
<v Speaker 1>the premise was you would get a bunch of ex

0:38:30.280 --> 0:38:35.800
<v Speaker 1>athletes and then Mickey Spillane and Rodney Dangerfield and some

0:38:35.960 --> 0:38:40.000
<v Speaker 1>other random pop cultural icons at the time and to

0:38:40.120 --> 0:38:42.080
<v Speaker 1>sell Miller Lite and you know, getting a big argument

0:38:42.120 --> 0:38:44.280
<v Speaker 1>about tastes great and less felling. At the end. Rodney

0:38:44.320 --> 0:38:47.680
<v Speaker 1>would usually come in as the ship who does something

0:38:47.719 --> 0:38:50.880
<v Speaker 1>wrong to spoil everything. It was just such a weird

0:38:51.120 --> 0:38:56.600
<v Speaker 1>like Bubba Smith and Dick Buckus and baseball players. I

0:38:56.640 --> 0:38:59.280
<v Speaker 1>don't know, it was so strange, but they were huge

0:38:59.480 --> 0:39:01.320
<v Speaker 1>and they he was the one who could score the

0:39:01.400 --> 0:39:04.640
<v Speaker 1>weed for everybody else. They him. They led him on

0:39:05.920 --> 0:39:12.560
<v Speaker 1>uh January. Um, if anyone remembers his hit rap single

0:39:13.000 --> 0:39:17.439
<v Speaker 1>rapping Rodney, have you guys heard this? Really? It's something

0:39:17.520 --> 0:39:20.040
<v Speaker 1>else it is And it was a big hit. Actually

0:39:20.080 --> 0:39:23.960
<v Speaker 1>it was a top sixty hit, just pretty big, top

0:39:24.080 --> 0:39:28.160
<v Speaker 1>top fifty nine, Chuck, give it its du That means

0:39:28.200 --> 0:39:31.920
<v Speaker 1>it was number fifty nine. Yeah, yeah. So um it

0:39:32.080 --> 0:39:35.640
<v Speaker 1>was right behind Uptown Girl. And it was Rodney Dangerfield

0:39:35.880 --> 0:39:39.719
<v Speaker 1>rapping about being old, which sounds really bizarre now, but

0:39:40.000 --> 0:39:43.040
<v Speaker 1>like legitimate rappers at the time, like say the sugar

0:39:43.120 --> 0:39:45.759
<v Speaker 1>Hill Gang, we're rapping about like having dinner at your

0:39:46.000 --> 0:39:48.719
<v Speaker 1>friend's mom's house. So it wasn't that far off the

0:39:48.800 --> 0:39:50.960
<v Speaker 1>mark for the time. You know, it's like being nice

0:39:50.960 --> 0:39:54.279
<v Speaker 1>to your family. That's what raps were about. It the

0:39:54.320 --> 0:39:57.440
<v Speaker 1>good old days. Uh. He was on the Simpsons, I

0:39:57.480 --> 0:40:02.600
<v Speaker 1>think a couple of times. Whitney, Um, yeah, I don't

0:40:02.880 --> 0:40:04.719
<v Speaker 1>know if he was on more than once. I think

0:40:04.760 --> 0:40:08.360
<v Speaker 1>he's on twice. But in he played Mr Burns, illegitimate

0:40:08.400 --> 0:40:12.200
<v Speaker 1>sun herb who got no regard, no regard at all.

0:40:13.280 --> 0:40:15.160
<v Speaker 1>I wonder why they didn't say respect to day Not.

0:40:16.760 --> 0:40:19.600
<v Speaker 1>I think there was just a joke, messing around. Okay, yeah,

0:40:19.719 --> 0:40:21.600
<v Speaker 1>the man himself was there. I would have been surprised

0:40:21.600 --> 0:40:23.520
<v Speaker 1>if he was like, look, guys, just one thing, I

0:40:23.560 --> 0:40:25.560
<v Speaker 1>don't want to say respect? Maybe not? Can we just

0:40:25.600 --> 0:40:28.799
<v Speaker 1>avoid on trying new things here? Trying to branch out,

0:40:28.840 --> 0:40:30.440
<v Speaker 1>which actually he did branch out. He was actually a

0:40:30.480 --> 0:40:33.919
<v Speaker 1>really creative guy. Um. He had a live Broadway show

0:40:34.120 --> 0:40:37.759
<v Speaker 1>that ran for a couple of weeks in called appropriately

0:40:38.160 --> 0:40:42.040
<v Speaker 1>Um Rodney Daingerfield Live on Broadway exclamation point. For a

0:40:42.080 --> 0:40:47.600
<v Speaker 1>couple of weeks. He wrote a romance novel, uh called

0:40:47.680 --> 0:40:50.640
<v Speaker 1>La Contessa. And if you google the image for this, um,

0:40:50.880 --> 0:40:55.040
<v Speaker 1>it's it's disturbing. Yeah, it's basically like uh, your typical.

0:40:55.160 --> 0:40:57.880
<v Speaker 1>It was like it's fabio basically with a woman, except

0:40:57.920 --> 0:41:01.440
<v Speaker 1>it's got Rodney Dangerfield's face on it. Uh. And and

0:41:02.200 --> 0:41:05.320
<v Speaker 1>it's available on Audible. Oh is it really Yes, it

0:41:05.480 --> 0:41:08.640
<v Speaker 1>is with Rodney Dangerfield reading it. No way, I I

0:41:08.800 --> 0:41:11.040
<v Speaker 1>kid you not what I joke about. What's on Audible?

0:41:14.120 --> 0:41:16.000
<v Speaker 1>Well his I looked up earlier to see if his

0:41:16.040 --> 0:41:18.440
<v Speaker 1>autoback autobiography was on there. It is not. It's the

0:41:18.520 --> 0:41:22.279
<v Speaker 1>only Rodney Dangerfield thing on there. It's awesome because it

0:41:22.320 --> 0:41:25.320
<v Speaker 1>has the album mark too, so you get that for

0:41:25.440 --> 0:41:31.239
<v Speaker 1>free with the audiobook he wrote. Uh, and I guess

0:41:31.320 --> 0:41:33.880
<v Speaker 1>he didn't direct it, but he produced and wrote the

0:41:34.000 --> 0:41:38.440
<v Speaker 1>movie Rover danger Field, the animated UM classic about a

0:41:38.520 --> 0:41:42.680
<v Speaker 1>dog who gets no respect. And then, uh, Mr Oliver

0:41:42.800 --> 0:41:45.160
<v Speaker 1>Stone called him up one day and said, I had

0:41:45.239 --> 0:41:47.840
<v Speaker 1>this role for you in a movie UM called Natural

0:41:47.880 --> 0:41:51.480
<v Speaker 1>Born Killers, and it's about this sadistic father who was

0:41:51.600 --> 0:41:55.520
<v Speaker 1>molesting his daughter raping his daughter, and I think he'd

0:41:55.560 --> 0:41:59.560
<v Speaker 1>be perfect for it. And Rodney didn't get it at first.

0:41:59.600 --> 0:42:01.279
<v Speaker 1>He was like, do you want me for for this

0:42:01.400 --> 0:42:04.920
<v Speaker 1>kind of role? He's like you'll see yeah, And uh,

0:42:05.120 --> 0:42:07.520
<v Speaker 1>did you guys see that Natural Born Killers? You can

0:42:07.560 --> 0:42:09.560
<v Speaker 1>get the scene on YouTube. It's when Oliver Stone did

0:42:09.800 --> 0:42:13.239
<v Speaker 1>the phony sitcom. That's how they portrayed that that part

0:42:13.280 --> 0:42:15.799
<v Speaker 1>of the movie. Uh. So they have a laugh track,

0:42:15.880 --> 0:42:19.839
<v Speaker 1>and it's it's really disturbing. It's like three layers of bizarre, right,

0:42:19.880 --> 0:42:22.680
<v Speaker 1>So there's so it's like Rodney Dangerville is a sadistic,

0:42:22.800 --> 0:42:28.480
<v Speaker 1>ancestuous molester um, but it's Rodney danger Fields. That's the

0:42:28.560 --> 0:42:31.400
<v Speaker 1>weird part. And then there's a laugh track to just

0:42:31.520 --> 0:42:34.440
<v Speaker 1>throw you off that little extra bit. You know, it is.

0:42:34.520 --> 0:42:37.080
<v Speaker 1>It's very jarring. It was pretty well done. But the um.

0:42:38.040 --> 0:42:41.120
<v Speaker 1>The notable thing about that is that Oliver Stone let

0:42:41.200 --> 0:42:44.160
<v Speaker 1>Rodney Dangerfield rewrite all of his lines and he got

0:42:44.200 --> 0:42:46.040
<v Speaker 1>a lot of critical acclaimed for it, but he was like,

0:42:46.200 --> 0:42:53.319
<v Speaker 1>Rodney Dangerfield, we had no idea And he's like, seriously, Uh,

0:42:53.640 --> 0:42:56.640
<v Speaker 1>if you go today and just google um the Rodney

0:42:56.719 --> 0:43:00.239
<v Speaker 1>Dangerfield of you can find a whole list of things.

0:43:00.520 --> 0:43:03.959
<v Speaker 1>He's such a cultural icon that phrase itself has become

0:43:04.000 --> 0:43:07.239
<v Speaker 1>a thing now, like Petit Sara is the Rodney danger

0:43:07.320 --> 0:43:12.520
<v Speaker 1>Field of California wines, or the Memphis, Tennessee City Council

0:43:12.640 --> 0:43:16.640
<v Speaker 1>is the Rodney danger Field of local government. Seriously, that's

0:43:16.680 --> 0:43:20.560
<v Speaker 1>the thing. Evan saw. A guitar pre amp was known

0:43:20.600 --> 0:43:24.600
<v Speaker 1>as the Rodney danger Field of guitar preamps. My favorite

0:43:24.760 --> 0:43:27.920
<v Speaker 1>is a palladium is the Rodney danger field of precious metals.

0:43:30.640 --> 0:43:35.880
<v Speaker 1>That's stupid. We're not making this up, so chuck right

0:43:35.920 --> 0:43:39.080
<v Speaker 1>about now, let's uh, let's step back a second, press

0:43:39.120 --> 0:43:42.239
<v Speaker 1>pause on this and have a beautiful little message break.

0:44:02.880 --> 0:44:05.279
<v Speaker 1>Uh So, here's some more examples of the lack of

0:44:05.400 --> 0:44:08.880
<v Speaker 1>respect and and here's sort of the thing. The irony is,

0:44:08.920 --> 0:44:12.480
<v Speaker 1>he got nothing but respect from his peers throughout his career. Um,

0:44:12.840 --> 0:44:16.960
<v Speaker 1>but outside of that that was still just Doses Pepper

0:44:17.040 --> 0:44:19.880
<v Speaker 1>throughout his life. And examples of times where he didn't

0:44:19.920 --> 0:44:23.560
<v Speaker 1>get any respect, like when he sued Star magazine. They

0:44:23.640 --> 0:44:26.520
<v Speaker 1>published a story about him being in Las Vegas and

0:44:26.560 --> 0:44:29.920
<v Speaker 1>said he would drink like tumblerfuls of vodka and smoke

0:44:30.000 --> 0:44:32.960
<v Speaker 1>pot all day long in duke cocaine, which was all

0:44:33.040 --> 0:44:36.400
<v Speaker 1>completely true on but he knew that they couldn't prove it,

0:44:36.480 --> 0:44:39.399
<v Speaker 1>so he sued them for libel and the court ruled

0:44:39.400 --> 0:44:42.040
<v Speaker 1>in his favor. Right, Yeah, so that's respect. Right, So

0:44:42.600 --> 0:44:45.560
<v Speaker 1>they awarded him one dollar for his damage to his

0:44:45.640 --> 0:44:50.600
<v Speaker 1>reputation and one dollar for personal distresss Yeah, and then

0:44:50.640 --> 0:44:57.120
<v Speaker 1>the judge went, yeah, sorry, live stream people, he did uh,

0:44:57.200 --> 0:45:00.680
<v Speaker 1>he did get awarded forty five tho dollars for presumed

0:45:00.760 --> 0:45:04.040
<v Speaker 1>damages and uh, I did a little more research today

0:45:04.080 --> 0:45:06.759
<v Speaker 1>on that he um. Apparently he blew it all on

0:45:06.800 --> 0:45:10.719
<v Speaker 1>cocon weed. Apparently Star Magazine showed that they didn't turn

0:45:10.760 --> 0:45:12.880
<v Speaker 1>a profit, so he couldn't go after him for uh.

0:45:13.040 --> 0:45:15.200
<v Speaker 1>He couldn't appeal for more money, so he tried to

0:45:15.239 --> 0:45:17.440
<v Speaker 1>go after their parent company and it went all the

0:45:17.480 --> 0:45:19.640
<v Speaker 1>way to the Supreme Court and they said you you

0:45:19.719 --> 0:45:26.839
<v Speaker 1>didn't start the suit that way. They were no respect. Uh.

0:45:27.000 --> 0:45:30.400
<v Speaker 1>And even in death, as we mentioned earlier, Rodney Dangerfield

0:45:30.480 --> 0:45:32.759
<v Speaker 1>is dead. Why didn't I know that? Oh? I have

0:45:32.880 --> 0:45:35.320
<v Speaker 1>an example for you, hold on before he dies. He

0:45:35.440 --> 0:45:38.320
<v Speaker 1>was on Howard's during the year he died, and somebody

0:45:38.320 --> 0:45:41.440
<v Speaker 1>watched that interview. Yeah, man, that's depressing. He's eighty one.

0:45:41.560 --> 0:45:44.279
<v Speaker 1>He's clearly like at death store, but he still has

0:45:44.400 --> 0:45:47.200
<v Speaker 1>this his sense of humor about him. Um. But somebody

0:45:47.280 --> 0:45:50.560
<v Speaker 1>called in to Howard Stern and said, hey, Rodney, it's

0:45:50.600 --> 0:45:53.760
<v Speaker 1>Bob Hope. I'll see you in fifteen minutes. And Howard

0:45:53.840 --> 0:45:56.480
<v Speaker 1>Stern is like, well, that's not funny. Bob Hope is dead.

0:45:57.280 --> 0:45:59.239
<v Speaker 1>So they were saying like that Bob Hope was calling

0:45:59.320 --> 0:46:01.400
<v Speaker 1>from behind the grade even with see Rodney Dangerfield in

0:46:01.480 --> 0:46:04.640
<v Speaker 1>fifteen minutes and if you can't get respect from a

0:46:04.680 --> 0:46:08.400
<v Speaker 1>caller on the Howard Stern Show, where can you get respect?

0:46:10.040 --> 0:46:12.080
<v Speaker 1>So it's actually in that interview, which I said, is

0:46:12.160 --> 0:46:14.760
<v Speaker 1>it's like forty five minutes long and it's completely depressing,

0:46:14.840 --> 0:46:18.360
<v Speaker 1>so don't go watch it. Um but uh, and not

0:46:18.480 --> 0:46:20.040
<v Speaker 1>just because he was old, but Howards trying to talk

0:46:20.080 --> 0:46:21.800
<v Speaker 1>to him about his childhood and stuff, and well, he

0:46:21.840 --> 0:46:24.600
<v Speaker 1>had just written his autobiography and really just laid it

0:46:24.680 --> 0:46:26.919
<v Speaker 1>all out there, like he'd alluded to the rough life

0:46:26.960 --> 0:46:28.840
<v Speaker 1>that he had had in interviews and stuff like that,

0:46:29.000 --> 0:46:31.719
<v Speaker 1>but he published this book right before he died, and

0:46:31.840 --> 0:46:34.360
<v Speaker 1>it was it was rough. Well. I think the saddest

0:46:34.360 --> 0:46:37.520
<v Speaker 1>thing to me about his mom was that despite being

0:46:37.560 --> 0:46:41.120
<v Speaker 1>completely neglected emotionally and getting no love at all as

0:46:41.160 --> 0:46:45.000
<v Speaker 1>a child, he still wanted to be like a good kid,

0:46:45.160 --> 0:46:47.960
<v Speaker 1>and he still worked to support her and like apparently

0:46:48.000 --> 0:46:49.640
<v Speaker 1>came home and showed her his report card. He worked

0:46:49.640 --> 0:46:51.400
<v Speaker 1>hard to get good grades. She wouldn't even look at it.

0:46:51.760 --> 0:46:54.320
<v Speaker 1>She just like signed it without looking. And Uh, that

0:46:54.440 --> 0:46:56.759
<v Speaker 1>was the saddest part is he he still sort of

0:46:56.840 --> 0:46:59.800
<v Speaker 1>defended her in that interview. Uh like right before he

0:46:59.920 --> 0:47:01.560
<v Speaker 1>was he was dying, and then he made up with

0:47:01.600 --> 0:47:05.759
<v Speaker 1>his dad before his dad died apparently, Um, even though

0:47:05.800 --> 0:47:07.400
<v Speaker 1>he never saw him, he said he forgave him for

0:47:07.560 --> 0:47:10.160
<v Speaker 1>all that stuff. Oh yeah, yeah, really sad stuff. Though.

0:47:11.280 --> 0:47:15.440
<v Speaker 1>You want to hear some more jokes? Uh, well, well, actually,

0:47:15.440 --> 0:47:18.680
<v Speaker 1>why don't you tell him how he died? Okay, Well

0:47:18.800 --> 0:47:22.000
<v Speaker 1>in this interview. In the same interview, he's telling Howard Stern.

0:47:22.080 --> 0:47:24.520
<v Speaker 1>Howard turns like he's about to go in for um

0:47:25.360 --> 0:47:28.200
<v Speaker 1>for the should I pretend there's not a siren in

0:47:28.280 --> 0:47:32.000
<v Speaker 1>the background. Um, he's going in for surgery, and Howard

0:47:32.040 --> 0:47:34.440
<v Speaker 1>Stern asks him, like, are you afraid you're gonna die?

0:47:34.480 --> 0:47:37.160
<v Speaker 1>And he goes, you know what, dying in surgery would

0:47:37.200 --> 0:47:39.200
<v Speaker 1>be the best way to go. Like I would go

0:47:39.360 --> 0:47:41.759
<v Speaker 1>to they drug me up, I go to sleep, and

0:47:41.840 --> 0:47:44.000
<v Speaker 1>then I just wouldn't wake up. That's like as good

0:47:44.040 --> 0:47:46.480
<v Speaker 1>as it gets, right, So he goes in for this

0:47:46.680 --> 0:47:51.359
<v Speaker 1>very surgery. He falls into a coma during surgery, almost there,

0:47:51.640 --> 0:47:54.200
<v Speaker 1>and then he wakes up. Then he has a heart attack,

0:47:54.440 --> 0:47:59.000
<v Speaker 1>then he dies. That's how Rodney danjer Phield went after

0:47:59.120 --> 0:48:00.680
<v Speaker 1>that life that he had. That's how he went. He

0:48:00.760 --> 0:48:03.040
<v Speaker 1>was so close to going the way that he wanted

0:48:03.080 --> 0:48:07.520
<v Speaker 1>to go. And no, no respect. You want to hear

0:48:07.560 --> 0:48:10.640
<v Speaker 1>no respect. A year after he died, CNN tried to

0:48:10.680 --> 0:48:13.239
<v Speaker 1>get in touch with him to get his reaction about

0:48:13.320 --> 0:48:18.400
<v Speaker 1>the passing of Johnny Carson and and and if you

0:48:18.480 --> 0:48:22.000
<v Speaker 1>read his obituaries, a lot of them, a shocking amount

0:48:22.120 --> 0:48:24.239
<v Speaker 1>mentioned that he was well known for his role in

0:48:24.320 --> 0:48:27.000
<v Speaker 1>The Scout. He wasn't in the Scout. I got to

0:48:27.080 --> 0:48:30.200
<v Speaker 1>the bottom of that. Oh oh late on me. He

0:48:30.719 --> 0:48:33.600
<v Speaker 1>was going to be in The Scout. The role was

0:48:33.680 --> 0:48:38.320
<v Speaker 1>originally intended for him and Sam Kennison, and he didn't

0:48:38.320 --> 0:48:40.759
<v Speaker 1>do it for unknown reasons, and it ended up going

0:48:40.800 --> 0:48:43.719
<v Speaker 1>to Albert Brooks and Brendan Fraser. But it was one

0:48:43.719 --> 0:48:46.120
<v Speaker 1>of those things. I think we're one of those internet

0:48:46.280 --> 0:48:48.200
<v Speaker 1>neat things on the Internet where someone prints something that

0:48:48.239 --> 0:48:50.839
<v Speaker 1>everyone else's copies and bays it. So I think one

0:48:50.960 --> 0:48:53.760
<v Speaker 1>person wrote that because everything else I saw was worded

0:48:53.800 --> 0:48:57.040
<v Speaker 1>the exact same way, like list his movies as The Scout,

0:48:57.160 --> 0:48:59.719
<v Speaker 1>which he was never in. No, he wasn't. No thanks

0:48:59.760 --> 0:49:02.480
<v Speaker 1>for looking into that, man. That's what you get when

0:49:02.480 --> 0:49:06.760
<v Speaker 1>you hang with Chuck. But he did find love again.

0:49:07.080 --> 0:49:11.319
<v Speaker 1>Um in a in a situation in everyone probably thought

0:49:11.440 --> 0:49:13.680
<v Speaker 1>was like a typical gold digger. He was sixty one

0:49:13.760 --> 0:49:16.319
<v Speaker 1>years old. Uh, and he married a thirty year old

0:49:16.400 --> 0:49:19.520
<v Speaker 1>woman who was really hot and blonde in l A.

0:49:19.960 --> 0:49:24.080
<v Speaker 1>But Um, by all accounts everything I looked into, it

0:49:24.280 --> 0:49:26.960
<v Speaker 1>was not that, Like she really really loved him and

0:49:27.120 --> 0:49:29.360
<v Speaker 1>was great for him and they were super happy together

0:49:30.000 --> 0:49:32.359
<v Speaker 1>um or as happy as he could be. And um,

0:49:33.160 --> 0:49:34.920
<v Speaker 1>it turns out that it wasn't that kind of a

0:49:35.000 --> 0:49:37.120
<v Speaker 1>deal after all, which made me feel good. Yeah. Like,

0:49:37.239 --> 0:49:39.480
<v Speaker 1>for example, when he died, she made sure that his

0:49:39.600 --> 0:49:43.279
<v Speaker 1>funeral wasn't until five or dusk because he always asked

0:49:43.320 --> 0:49:45.960
<v Speaker 1>her not to schedule any appointment for him before five pm,

0:49:46.560 --> 0:49:49.680
<v Speaker 1>so she made sure his funeral didn't come until after that. Uh.

0:49:49.800 --> 0:49:52.200
<v Speaker 1>And his funeral was a really big deal. Everyone basically

0:49:52.280 --> 0:49:56.360
<v Speaker 1>came out in droves. Um. His pallbearers included Jim Carrey,

0:49:56.440 --> 0:49:58.960
<v Speaker 1>who he took Jim Carrey on the road for two

0:49:59.040 --> 0:50:01.040
<v Speaker 1>years when he was a stroke glin comedian and he

0:50:01.120 --> 0:50:03.399
<v Speaker 1>opened for him in Vegas and Jim Carrey was getting

0:50:03.400 --> 0:50:06.040
<v Speaker 1>booed off the stage. Everyone hated him, and Rodney stuck

0:50:06.040 --> 0:50:08.279
<v Speaker 1>by him for like a full two years, and Jim

0:50:08.360 --> 0:50:12.200
<v Speaker 1>Carey never forgot that. Chris Rock, Tim Allen, Larry David,

0:50:12.239 --> 0:50:15.560
<v Speaker 1>George Carlin, Jay Leno, um Adam Sandler, and then your

0:50:15.600 --> 0:50:21.560
<v Speaker 1>boy Michael Bolton. Michael Bolton, he was supposed to sing,

0:50:21.680 --> 0:50:23.640
<v Speaker 1>wasn't He was, but he was too choked up to

0:50:23.680 --> 0:50:27.479
<v Speaker 1>sing at Rodney danger Field's funeral. Apparently they were really, really,

0:50:27.560 --> 0:50:32.640
<v Speaker 1>really tight friends because Michael Bolton's song Everybody's Crazy was

0:50:32.719 --> 0:50:34.920
<v Speaker 1>in Back to School, and I guess he parlayed that

0:50:35.120 --> 0:50:37.080
<v Speaker 1>into a trip to the set where you got to

0:50:37.120 --> 0:50:39.040
<v Speaker 1>meet Riding dajer Field and they became friends for the

0:50:39.080 --> 0:50:41.319
<v Speaker 1>rest of the life. So Michael Bolton was too sad

0:50:41.480 --> 0:50:44.680
<v Speaker 1>to sing at danger Field's funeral, and you know, everybody

0:50:44.760 --> 0:50:50.120
<v Speaker 1>was disappointed. I bet there were a couple of people

0:50:50.160 --> 0:50:55.160
<v Speaker 1>there that were like, Yeah, it's okay, Michael, we know

0:50:55.239 --> 0:50:57.480
<v Speaker 1>you're upset. You don't you don't have to do this

0:50:57.600 --> 0:51:01.480
<v Speaker 1>if you don't want it's everybody will understand. And that's

0:51:01.520 --> 0:51:06.400
<v Speaker 1>what they said to us before we went on. So

0:51:06.680 --> 0:51:09.239
<v Speaker 1>we're gonna close this with with a final nice little

0:51:09.600 --> 0:51:13.440
<v Speaker 1>cherry on top about um Rodney Dangerfield and sort of

0:51:13.520 --> 0:51:16.759
<v Speaker 1>his outlook on his lack of respect with when it

0:51:16.840 --> 0:51:20.719
<v Speaker 1>comes to the Academy of Motion Pictures motion Picture sciencests. Yes,

0:51:21.040 --> 0:51:23.360
<v Speaker 1>what it's called, as you guys call it in l A,

0:51:23.600 --> 0:51:27.439
<v Speaker 1>the Academy. Right. He applied for membership because he wanted

0:51:27.480 --> 0:51:29.200
<v Speaker 1>to be in the Academy and he had the credentials.

0:51:29.239 --> 0:51:32.000
<v Speaker 1>He was in movies, and uh, they said, no, no,

0:51:32.239 --> 0:51:33.799
<v Speaker 1>you you had to be in like at least three

0:51:34.000 --> 0:51:37.399
<v Speaker 1>major roles. He had thirteen under his belt by this time,

0:51:37.480 --> 0:51:39.839
<v Speaker 1>including Natural Born Killers, for which he received a lot

0:51:39.880 --> 0:51:43.319
<v Speaker 1>of critical praise. Right, and they turned him down like jerks. Right.

0:51:43.719 --> 0:51:48.040
<v Speaker 1>He even got a letter from Malcolm McDowell Roddy McDowell,

0:51:49.600 --> 0:51:52.680
<v Speaker 1>which one was Malcolm McDowell, he's the good one. Are

0:51:52.719 --> 0:51:56.560
<v Speaker 1>they brothers? I don't know, are they no relation? But

0:51:56.760 --> 0:52:01.360
<v Speaker 1>Roddy okay, was Roddy? Was Roddy with it was Malcolm McDowell.

0:52:02.239 --> 0:52:05.200
<v Speaker 1>Was Roddy McDowell and Clocker Gorings or Malcolm McDowell. That

0:52:05.320 --> 0:52:08.040
<v Speaker 1>was Malcolm McDowell. Oh well, okay, good, because I felt

0:52:08.040 --> 0:52:11.080
<v Speaker 1>a lot better about this than Ron McDowell. Wasn't Planet

0:52:11.120 --> 0:52:14.600
<v Speaker 1>of the Apes. Yeah, so okay, good. I'm glad that

0:52:14.680 --> 0:52:16.400
<v Speaker 1>those two were separating. My mind, because I was like,

0:52:16.480 --> 0:52:20.719
<v Speaker 1>I really liked him in Clockercorns. Good. Roddy McDowell, who

0:52:20.800 --> 0:52:25.719
<v Speaker 1>everybody hates, wrote a letter to Rodney Dangerfield, this rejection

0:52:25.840 --> 0:52:29.560
<v Speaker 1>letter that said that he um had not he had

0:52:29.600 --> 0:52:32.280
<v Speaker 1>not had enough of the kind of roles that allow

0:52:32.320 --> 0:52:35.680
<v Speaker 1>our performer to demonstrate a mastery of his craft. Basically,

0:52:35.920 --> 0:52:38.360
<v Speaker 1>you're just playing Rodney Dangerfield and we all know it,

0:52:38.600 --> 0:52:41.200
<v Speaker 1>even though he had all the credentials to get in right. So,

0:52:41.440 --> 0:52:45.080
<v Speaker 1>Rodney Jsfield, He's like, let's see what years it? What years?

0:52:46.680 --> 0:52:50.360
<v Speaker 1>What's new? What's on the horizon? Well, the internet. I

0:52:50.440 --> 0:52:54.000
<v Speaker 1>think I'll build the world's first ever entertainment website. And

0:52:54.120 --> 0:52:58.600
<v Speaker 1>he built his own website and realized that this would

0:52:58.640 --> 0:53:00.680
<v Speaker 1>be a great place for his fans come like vent

0:53:00.760 --> 0:53:03.040
<v Speaker 1>their anger. And it was, as a matter of fact,

0:53:03.120 --> 0:53:06.840
<v Speaker 1>like this guy like think about that, and um, his

0:53:06.960 --> 0:53:09.360
<v Speaker 1>bands came on and we're like, to heck with the

0:53:09.440 --> 0:53:13.760
<v Speaker 1>Academy that kind of stuff, and um, the Academy actually

0:53:13.800 --> 0:53:17.640
<v Speaker 1>relented and said you're in, man, You're in, Rodney, come

0:53:17.680 --> 0:53:20.640
<v Speaker 1>on in. That's right, And what do you say? Nope, yep,

0:53:21.920 --> 0:53:29.879
<v Speaker 1>he said, thanks, but no thanks. He still has a website. Uh,

0:53:30.120 --> 0:53:32.520
<v Speaker 1>Rodney dot com and if you go to that. I

0:53:32.680 --> 0:53:35.560
<v Speaker 1>just found this out earlier. There's a section called jokes

0:53:35.760 --> 0:53:37.919
<v Speaker 1>and had audio clips. I was like, oh, this is great,

0:53:38.560 --> 0:53:42.480
<v Speaker 1>but it's not him. It's some dude reading like as

0:53:42.560 --> 0:53:45.880
<v Speaker 1>bad as me, really just saying his little one liners

0:53:45.920 --> 0:53:48.080
<v Speaker 1>over and over and it's not in front of people.

0:53:48.160 --> 0:53:50.799
<v Speaker 1>It's like dead quiet and it's just some dude saying

0:53:50.880 --> 0:53:53.399
<v Speaker 1>his jokes. It's really weird. I can't tell you how

0:53:53.600 --> 0:53:59.000
<v Speaker 1>much I'd love the cover comedian idea. Just you know

0:53:59.080 --> 0:54:01.440
<v Speaker 1>how stealing for other comics is such a taboo. We

0:54:01.560 --> 0:54:03.279
<v Speaker 1>just need to just to get out in front of

0:54:03.360 --> 0:54:06.759
<v Speaker 1>the Yeah, mix up a little like Mitch Hedberg and

0:54:06.920 --> 0:54:10.279
<v Speaker 1>rich Little Little Mind do a little Stephen right there

0:54:10.320 --> 0:54:13.560
<v Speaker 1>in the middle. Yea perhaps, Yeah, I like so that's

0:54:13.680 --> 0:54:17.560
<v Speaker 1>Rodney Dangerfield everybody, that's our show. If you want it anymore,

0:54:17.800 --> 0:54:22.040
<v Speaker 1>you're s O l R. Yeah, you can clap if

0:54:22.080 --> 0:54:34.719
<v Speaker 1>you want it. Hey, that was fun, right, that was

0:54:34.840 --> 0:54:36.480
<v Speaker 1>a lot of one. Yeah, we had a great time

0:54:36.520 --> 0:54:38.840
<v Speaker 1>and big thanks to the l A Podcast Festival for

0:54:39.440 --> 0:54:41.920
<v Speaker 1>having us out and um, yeah please have us back.

0:54:41.960 --> 0:54:43.759
<v Speaker 1>We'd love to. Yeah, it was really cool. We got

0:54:43.800 --> 0:54:46.359
<v Speaker 1>to see other shows and Uh, we did our own

0:54:46.480 --> 0:54:49.640
<v Speaker 1>and had a nice little crowd there, very supportive, nice

0:54:49.760 --> 0:54:51.960
<v Speaker 1>kind people all the way around. And look for the

0:54:52.080 --> 0:54:56.320
<v Speaker 1>next l A podcast best coming, I would imagine next September.

0:54:57.920 --> 0:55:00.480
<v Speaker 1>Hopefully we'll be there. Yeah, keep keep your ears out

0:55:00.520 --> 0:55:02.080
<v Speaker 1>for it. We'll mention it whether we are or not,

0:55:02.120 --> 0:55:04.480
<v Speaker 1>because we're that kind of guys. That's right. No listener

0:55:04.560 --> 0:55:06.360
<v Speaker 1>mail for me, buddy. No, but if you want to

0:55:06.360 --> 0:55:08.400
<v Speaker 1>get in touch with us, you can tweet to us

0:55:08.400 --> 0:55:10.560
<v Speaker 1>at s y s K podcast. You can join us

0:55:10.560 --> 0:55:13.120
<v Speaker 1>on Facebook dot com, slash stuff you Should Know. You

0:55:13.200 --> 0:55:15.560
<v Speaker 1>can send us an email to Stuff Podcast at how

0:55:15.600 --> 0:55:17.920
<v Speaker 1>stuff Works dot com and has always joined us at

0:55:17.960 --> 0:55:20.520
<v Speaker 1>our super awesome home on the web, Stuff you Should

0:55:20.520 --> 0:55:27.960
<v Speaker 1>Know dot com for more on this and thousands of

0:55:28.000 --> 0:55:38.560
<v Speaker 1>other topics. Is it how stuff Works dot com? Mike, I,

0:55:38.840 --> 0:55:42.960
<v Speaker 1>my psychiatrist said, you're crazy. Oh, hold on, already mess

0:55:43.000 --> 0:55:46.680
<v Speaker 1>it up. No, no, no, that's right. My psychiatrist said

0:55:46.680 --> 0:55:48.520
<v Speaker 1>I'm crazy. I told him I wanted a second opinion.

0:55:48.560 --> 0:55:52.560
<v Speaker 1>He said, okay, you're ugly too. Yeah. He wrote that joke. Man,

0:55:52.719 --> 0:55:56.680
<v Speaker 1>everybody knows that joke. It's a good joke. Uh. When

0:55:56.760 --> 0:55:59.480
<v Speaker 1>my wife has sex, she screams, especially when I walk

0:55:59.520 --> 0:56:03.919
<v Speaker 1>in on her. Boy he wrote a lot of jokes

0:56:03.920 --> 0:56:06.640
<v Speaker 1>about his wife's cheating on him, like hundreds and hundreds

0:56:06.640 --> 0:56:10.000
<v Speaker 1>of boats because he wasn't married. Uh. If it wasn't

0:56:10.040 --> 0:56:15.560
<v Speaker 1>for pickpockets, I'd have no sex life at all. Gross.

0:56:17.200 --> 0:56:19.919
<v Speaker 1>The football team from my high school was tough. After

0:56:20.000 --> 0:56:24.040
<v Speaker 1>they sacked the quarterback, they went after his family. That's

0:56:24.040 --> 0:56:27.520
<v Speaker 1>a good, clean joke. That's good, it's nice. Uh what

0:56:27.640 --> 0:56:30.360
<v Speaker 1>else we got here? I solved my drinking problem. I

0:56:30.440 --> 0:56:32.400
<v Speaker 1>joined a A. I mean I still drink, I just

0:56:32.520 --> 0:56:37.799
<v Speaker 1>use a different name. I'm getting old at my age.

0:56:37.840 --> 0:56:44.919
<v Speaker 1>Shooting up means using an anema bag. I think there's

0:56:44.960 --> 0:56:46.759
<v Speaker 1>one more about a dog that I Oh, Yeah, what

0:56:46.880 --> 0:56:49.040
<v Speaker 1>a dog? I got? What a dog? His favorite bone

0:56:49.120 --> 0:56:54.879
<v Speaker 1>is in my arm. I think that's it for me. Yeah,

0:56:55.160 --> 0:56:56.800
<v Speaker 1>I'm pretty sure. I want to say that I have

0:56:56.880 --> 0:57:00.560
<v Speaker 1>another one hiding in here somewhere, but I can't find it. Yeah.

0:57:00.880 --> 0:57:03.560
<v Speaker 1>Go to the YouTube, folks. Yeah, make sure look up

0:57:03.920 --> 0:57:09.320
<v Speaker 1>Iron Man versus Dirty Dancing. You will love it. And

0:57:10.120 --> 0:57:12.680
<v Speaker 1>that's it all right, Thanks everybody, Thank you very much too.