1 00:00:00,200 --> 00:00:04,600 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:04,800 --> 00:00:06,560 Speaker 2: I would love to know if you could tell us 3 00:00:06,600 --> 00:00:09,960 Speaker 2: a story, Linda. You're so good at them, of where 4 00:00:10,039 --> 00:00:16,040 Speaker 2: you saw something or experience something that was maybe something 5 00:00:16,040 --> 00:00:18,920 Speaker 2: that was telling the human light detector that you are 6 00:00:18,960 --> 00:00:21,079 Speaker 2: a story in an incident where you spotted something that 7 00:00:21,200 --> 00:00:22,239 Speaker 2: was not favorable. 8 00:00:23,360 --> 00:00:25,000 Speaker 3: Yeah, thank you so much, Lisa. I want to I 9 00:00:25,000 --> 00:00:28,480 Speaker 3: want to mention this again and again to the Coast 10 00:00:28,480 --> 00:00:32,239 Speaker 3: to Coast audience and to you. My book will be 11 00:00:32,360 --> 00:00:38,839 Speaker 3: released nationwide the sixth of January and your audience, No, no, no, 12 00:00:39,000 --> 00:00:42,080 Speaker 3: here's the beautiful part about it, because the being here 13 00:00:42,120 --> 00:00:45,800 Speaker 3: with your audience and sharing with you on the weekend 14 00:00:45,840 --> 00:00:48,479 Speaker 3: and the e prior to it is so excited because 15 00:00:48,520 --> 00:00:53,760 Speaker 3: you are right. You can pre order it now on Amazon, 16 00:00:54,000 --> 00:00:57,040 Speaker 3: Barnes and Noble wherever you get your books, and on 17 00:00:57,080 --> 00:00:59,880 Speaker 3: the website where you can get all those bonuses. So 18 00:01:00,240 --> 00:01:03,800 Speaker 3: I want your audience to know this is special. We're 19 00:01:03,920 --> 00:01:08,559 Speaker 3: doing this for them. I'm telling you we saw still did, honey, 20 00:01:08,640 --> 00:01:12,840 Speaker 3: And I'm excited. So again, as I talk about before 21 00:01:13,400 --> 00:01:15,480 Speaker 3: friends all the time when I'm in town because I 22 00:01:15,480 --> 00:01:17,880 Speaker 3: travel to luck, I get invited out, right, I get 23 00:01:17,880 --> 00:01:20,480 Speaker 3: invited out at one A dear friend called me up 24 00:01:20,520 --> 00:01:22,080 Speaker 3: and says, I think this is the one. I think 25 00:01:22,080 --> 00:01:23,920 Speaker 3: he's the one. And I said, here we go again. 26 00:01:23,959 --> 00:01:26,360 Speaker 3: You said it, and you said it two months ago. 27 00:01:26,760 --> 00:01:29,959 Speaker 3: That got one. You said it. And so I says, look, 28 00:01:30,040 --> 00:01:32,800 Speaker 3: you know my favorite place. You know, I like fine dining. 29 00:01:33,040 --> 00:01:34,600 Speaker 3: So we got to go to my Shoeshoe Poo poo 30 00:01:34,600 --> 00:01:38,680 Speaker 3: restaurant and so so, and let me tell you so, 31 00:01:38,800 --> 00:01:41,240 Speaker 3: I I arrived a little bit early the major d 32 00:01:41,800 --> 00:01:45,000 Speaker 3: you know, he knows my favorite area. And so she 33 00:01:45,240 --> 00:01:49,760 Speaker 3: walks in the restaurant with her date, and this is 34 00:01:49,800 --> 00:01:51,360 Speaker 3: what she did. You know, she she knew I was 35 00:01:51,400 --> 00:01:53,600 Speaker 3: going to be there because it was part of the plan. Fellas, 36 00:01:53,600 --> 00:01:56,080 Speaker 3: I'm telling you this right. So she walks in with 37 00:01:56,160 --> 00:02:01,280 Speaker 3: her date and she looks over to me and she says, 38 00:02:01,640 --> 00:02:05,120 Speaker 3: oh my gosh, what a coincidence to see you here. 39 00:02:05,360 --> 00:02:07,800 Speaker 3: Now this is what she did. And for those of 40 00:02:07,880 --> 00:02:10,560 Speaker 3: you that are listening, because I have to be a 41 00:02:10,760 --> 00:02:14,160 Speaker 3: theater on air, if you will, her eyebrows went up. 42 00:02:14,440 --> 00:02:16,760 Speaker 3: Her eyebrows was everyone out there, I want you to 43 00:02:16,840 --> 00:02:19,520 Speaker 3: raise your eyes eyebrows like your surprised, Lisa, come on, 44 00:02:19,639 --> 00:02:22,560 Speaker 3: I can feel it. Raise like, wow, really x y 45 00:02:22,680 --> 00:02:25,560 Speaker 3: Z one that billion dollar lottery. Wow, your eye eyebrows 46 00:02:25,600 --> 00:02:30,959 Speaker 3: go up. It's called an eyebrow flash. Eyebrow flash. So 47 00:02:31,120 --> 00:02:33,519 Speaker 3: you're getting this sneak peek and all this juicy stuff 48 00:02:33,520 --> 00:02:36,480 Speaker 3: and from the book, so an eyebrow flash when you 49 00:02:36,560 --> 00:02:42,560 Speaker 3: see that someone's in the surprise, Oh, intrigue, Oh are curious? Okay, 50 00:02:42,720 --> 00:02:44,640 Speaker 3: the eyebrows go up. So she says, oh, what a 51 00:02:44,680 --> 00:02:46,960 Speaker 3: surprise to see you here. And so, you know, she says, 52 00:02:47,040 --> 00:02:49,720 Speaker 3: let me introduce you to you know, introduce me to 53 00:02:49,760 --> 00:02:52,120 Speaker 3: the gentlem. I'm just gonna use the name Kevin just 54 00:02:52,200 --> 00:02:55,000 Speaker 3: for just to protect the innocent and the guilty. All right, 55 00:02:55,560 --> 00:02:57,840 Speaker 3: she says, let me tradition to Kevin, and why don't 56 00:02:57,840 --> 00:03:00,840 Speaker 3: you join us now? Right when she when she said that, 57 00:03:01,240 --> 00:03:03,920 Speaker 3: all of a sudden, he was like, taken aback. And 58 00:03:03,960 --> 00:03:05,400 Speaker 3: by the way, I want you to think of the 59 00:03:05,520 --> 00:03:09,560 Speaker 3: verbal terms that we use, chip on my shoulder, taken aback. 60 00:03:09,880 --> 00:03:13,400 Speaker 3: So when I say the word taken aback, he physically 61 00:03:13,800 --> 00:03:17,360 Speaker 3: stepped back because probably thinking Lisa, oh my gosh, now 62 00:03:17,360 --> 00:03:18,959 Speaker 3: I'm picking you out in the day, do I got 63 00:03:18,960 --> 00:03:21,880 Speaker 3: to pay for your friend too. You know, we're sitting 64 00:03:22,080 --> 00:03:25,960 Speaker 3: there at the table. Now, remember my friend. You know 65 00:03:26,040 --> 00:03:28,600 Speaker 3: we went to school together. It's my girl. You know 66 00:03:28,680 --> 00:03:31,040 Speaker 3: how you guys you got your buds and all this. 67 00:03:31,280 --> 00:03:33,680 Speaker 3: It's my girl. And so we're sitting at the table 68 00:03:33,680 --> 00:03:37,400 Speaker 3: and I'm looking at the menu and just having conversation. 69 00:03:37,520 --> 00:03:39,560 Speaker 3: By the way, if you ever go out to dinner 70 00:03:39,560 --> 00:03:43,440 Speaker 3: to lunch with anyone your coworkers or friends, and everyone's 71 00:03:43,440 --> 00:03:44,800 Speaker 3: trying to vote us to where we're going to go 72 00:03:44,840 --> 00:03:47,120 Speaker 3: to eat, and someone in the group says, well, I 73 00:03:47,160 --> 00:03:48,680 Speaker 3: want to go to this place, and someone else says 74 00:03:48,720 --> 00:03:50,560 Speaker 3: I want to go to that place. And the person 75 00:03:50,600 --> 00:03:53,400 Speaker 3: who wanted to go, let's say, have Mexican. Someone else 76 00:03:53,400 --> 00:03:56,200 Speaker 3: wanted to go have Chinese or tie, but they the 77 00:03:56,400 --> 00:03:59,400 Speaker 3: person wants to have Mexican didn't win, and so now 78 00:03:59,400 --> 00:04:02,000 Speaker 3: we're going some place else. You can always tell who's 79 00:04:02,000 --> 00:04:05,720 Speaker 3: interested in the restaurant and the food because their body language. 80 00:04:05,720 --> 00:04:08,440 Speaker 3: They're leaning in. Why I've leaning in, yar me, Let's 81 00:04:08,440 --> 00:04:11,400 Speaker 3: look at the menu. What's on here? Oh the stuff crabcakes. Oh, 82 00:04:11,560 --> 00:04:14,440 Speaker 3: they've got vegetarian options. The person who didn't want to 83 00:04:14,440 --> 00:04:17,960 Speaker 3: be there, they're setting up straight and they hold the 84 00:04:18,000 --> 00:04:20,360 Speaker 3: menu as if they're disconnected. By the way, I'm teaching 85 00:04:20,640 --> 00:04:23,280 Speaker 3: in moments and in stories. So getting back to him, 86 00:04:24,480 --> 00:04:27,479 Speaker 3: I said, so, Lisa, I said, So, everyone listened to 87 00:04:27,520 --> 00:04:31,800 Speaker 3: my tone. You hear melodic tone. So how long have 88 00:04:31,880 --> 00:04:36,600 Speaker 3: you been dating? He said? About three months? Okay. Now, 89 00:04:36,680 --> 00:04:38,640 Speaker 3: when I used to tell them, when I said so, 90 00:04:39,480 --> 00:04:42,560 Speaker 3: the words so and the tone melodic going up a 91 00:04:42,560 --> 00:04:45,719 Speaker 3: little bit. I tilted the head slightly to the right, 92 00:04:46,040 --> 00:04:49,279 Speaker 3: as if I'm listening, I'm connected and going into the 93 00:04:49,360 --> 00:04:52,920 Speaker 3: emotional around So, how long have you been dating? Then 94 00:04:53,040 --> 00:04:58,599 Speaker 3: I decide to ask the second question, level head. And 95 00:04:58,640 --> 00:05:01,800 Speaker 3: when I say levelhead, many of you men and women 96 00:05:01,839 --> 00:05:04,600 Speaker 3: out there, as anyone ever said to you or someone 97 00:05:04,600 --> 00:05:07,520 Speaker 3: that you know love trust, said, Okay, it's gonna be 98 00:05:07,520 --> 00:05:10,280 Speaker 3: all right. Keep your chin up. I mean keep your 99 00:05:10,320 --> 00:05:13,479 Speaker 3: chin up, not tilted back. Keep your chin up. Basically, Hey, 100 00:05:13,520 --> 00:05:15,680 Speaker 3: you got to keep a level head about this. Think 101 00:05:15,720 --> 00:05:19,440 Speaker 3: about the terms we use. So with the head straight up, 102 00:05:19,480 --> 00:05:22,200 Speaker 3: not tilted, Lisa, not tilted, with the head straight up 103 00:05:22,240 --> 00:05:24,640 Speaker 3: and level, and I said, and the tone changed, by 104 00:05:24,680 --> 00:05:26,520 Speaker 3: the way, when you do that, when you tilt their 105 00:05:26,520 --> 00:05:30,800 Speaker 3: head towards the right, your tone is serious, you're curious, 106 00:05:30,839 --> 00:05:34,560 Speaker 3: but it softened. You're curious, you're concerned. When you level head, 107 00:05:34,920 --> 00:05:38,400 Speaker 3: your tone even changed because now you're getting really serious. 108 00:05:38,640 --> 00:05:42,120 Speaker 3: And I said, so, have you ever been married before? 109 00:05:43,040 --> 00:05:47,000 Speaker 2: Oh, that's a great first question. 110 00:05:47,640 --> 00:05:50,440 Speaker 3: Lies because you know this is my girl, my friend. 111 00:05:50,760 --> 00:05:54,760 Speaker 3: You're go we look out, Lisa. You could hear a 112 00:05:55,080 --> 00:06:00,760 Speaker 3: pin drop the palls. The answer was in a pause, 113 00:06:01,560 --> 00:06:04,919 Speaker 3: and he responded because all of a sudden, the mikhla 114 00:06:05,000 --> 00:06:08,520 Speaker 3: got hijacked and his mid brain couldn't have everything. The 115 00:06:08,560 --> 00:06:11,159 Speaker 3: neo cortex is trying to think of something, he said, 116 00:06:11,360 --> 00:06:14,960 Speaker 3: and this is what did it sort of kind of. 117 00:06:14,960 --> 00:06:19,400 Speaker 2: Oh, like being almost pregnant. 118 00:06:19,839 --> 00:06:23,120 Speaker 3: Yeah, like if you're pregnant, not sort of kind of right, 119 00:06:23,600 --> 00:06:26,039 Speaker 3: And then his body began to react. He took his 120 00:06:26,120 --> 00:06:29,400 Speaker 3: hands off the table way from the menu. And remember 121 00:06:29,400 --> 00:06:31,680 Speaker 3: we talked about earlier in the first part of the 122 00:06:31,720 --> 00:06:36,000 Speaker 3: show thigh cleansing, and started stroking his thighs. So, needless 123 00:06:36,040 --> 00:06:38,760 Speaker 3: to say, he was after a few more things that 124 00:06:38,839 --> 00:06:41,920 Speaker 3: was happening there. And she noticed because she's been hanging 125 00:06:41,920 --> 00:06:43,839 Speaker 3: at me for a long time and going to my 126 00:06:43,920 --> 00:06:47,400 Speaker 3: sessions and reading my work. She noticed that all of 127 00:06:47,440 --> 00:06:52,840 Speaker 3: a sudden, his behavior begins began to change. And these 128 00:06:53,000 --> 00:06:57,640 Speaker 3: are the first signs. Now I want everyone out there 129 00:06:58,680 --> 00:07:03,640 Speaker 3: to really listen to this when reading nonverbal communication, Lisa, 130 00:07:03,640 --> 00:07:05,320 Speaker 3: do I have time to give them just a little quickie, 131 00:07:05,480 --> 00:07:10,400 Speaker 3: Pa say yes, yes. Reading nonverbal communication, first thing, you 132 00:07:10,400 --> 00:07:13,360 Speaker 3: want to make sure you're building rapport and you know 133 00:07:13,400 --> 00:07:17,240 Speaker 3: the person's baseline. When I use the term FBI CIA, 134 00:07:17,280 --> 00:07:21,400 Speaker 3: anybody use the term baseline that that's their norm, that's 135 00:07:21,440 --> 00:07:24,880 Speaker 3: who they are, without any stress. It's like, oh, that's 136 00:07:24,920 --> 00:07:29,520 Speaker 3: just Linda, that's just Lisa, that's just George, Pam Kevin. Girl, 137 00:07:29,600 --> 00:07:32,360 Speaker 3: don't take it personal, Harry, don't tell that's who they are. 138 00:07:32,720 --> 00:07:34,800 Speaker 3: Oh I didn't know, you know, because the way he 139 00:07:34,880 --> 00:07:37,680 Speaker 3: or she was acting, the baseline is the person's norm. 140 00:07:38,000 --> 00:07:41,760 Speaker 3: And when I say baseline, you will know when someone 141 00:07:41,880 --> 00:07:45,280 Speaker 3: is off base. How many of out there have children? 142 00:07:45,400 --> 00:07:48,000 Speaker 3: Are ever been a child before? So that should be everybody, right. 143 00:07:48,320 --> 00:07:51,600 Speaker 3: So if the child comes home from school, takes off 144 00:07:51,600 --> 00:07:55,320 Speaker 3: the backpack, goes to the fridge, gets a little snack, 145 00:07:55,480 --> 00:07:58,680 Speaker 3: goes to the computer, does it on Monday? He or 146 00:07:58,720 --> 00:08:03,640 Speaker 3: she does it Tuesday Wednesday. But what happens, Lisa, if 147 00:08:03,640 --> 00:08:06,320 Speaker 3: the child doesn't do that routine because it's their basse. 148 00:08:06,520 --> 00:08:11,280 Speaker 3: Something's off right Thursday or Friday, and that's being in 149 00:08:11,360 --> 00:08:14,320 Speaker 3: tune to what's off. So once you understand and Bill, 150 00:08:14,320 --> 00:08:16,760 Speaker 3: take time to build the baseline and you can assess 151 00:08:16,800 --> 00:08:19,120 Speaker 3: it in seconds, minutes, or days if you need to. 152 00:08:19,840 --> 00:08:23,600 Speaker 3: So the first thing you wanted three seeds three seeds. 153 00:08:23,840 --> 00:08:28,960 Speaker 3: You must read nonverbal communication in clusters. What do you mean, Linda, 154 00:08:28,960 --> 00:08:32,520 Speaker 3: what do you mean by cluster? Looking for more than 155 00:08:32,640 --> 00:08:37,280 Speaker 3: one movement to validate the thing that you're thinking. So 156 00:08:37,760 --> 00:08:41,040 Speaker 3: if someone doesn't want they are not open or they 157 00:08:41,040 --> 00:08:43,160 Speaker 3: don't want to be in the room. So you walk 158 00:08:43,160 --> 00:08:45,560 Speaker 3: into the room and you're thinking, okay, well here comes 159 00:08:45,600 --> 00:08:48,679 Speaker 3: the speaker who's a going to be our presenter. And 160 00:08:48,720 --> 00:08:52,160 Speaker 3: the speaker walks in after after the MC does a 161 00:08:52,160 --> 00:08:56,000 Speaker 3: great introduction, and the speaker says, hello, everybody, I'm excited 162 00:08:56,000 --> 00:08:59,679 Speaker 3: to be here. But their arms are folded, Lisa, the 163 00:08:59,800 --> 00:09:03,160 Speaker 3: arm are folded. Now you're sitting in there, well, well 164 00:09:03,360 --> 00:09:06,360 Speaker 3: you don't look too excited. The arms are folded. So 165 00:09:06,559 --> 00:09:09,800 Speaker 3: you're thinking, because the individual is covering up or blocking 166 00:09:09,840 --> 00:09:12,480 Speaker 3: a power zone. When I say power zone, that's the 167 00:09:12,559 --> 00:09:15,600 Speaker 3: chest area that's the heart. So you decide, you know what, 168 00:09:15,720 --> 00:09:17,920 Speaker 3: I'm out of here. I'm not going to listen to speaker. 169 00:09:17,920 --> 00:09:20,520 Speaker 3: They're closed off, So you walk out of the room, Lisa, 170 00:09:20,840 --> 00:09:24,400 Speaker 3: and then you miss the second movement of the clusters. 171 00:09:24,800 --> 00:09:27,240 Speaker 3: The arms were folded. Then all of a sudden, you 172 00:09:27,320 --> 00:09:29,320 Speaker 3: know how you get a little chili and little cold 173 00:09:29,520 --> 00:09:32,800 Speaker 3: and you start rubbing your outer shoulders, your arms. You 174 00:09:32,840 --> 00:09:35,880 Speaker 3: start rubbing your arms. Oh, it's the second movement. First 175 00:09:35,880 --> 00:09:39,960 Speaker 3: movement was folded arms. Second movement they start, you know, like, ooh, 176 00:09:40,120 --> 00:09:42,960 Speaker 3: little chili in here, and then someone brings them a jacket, 177 00:09:42,960 --> 00:09:45,959 Speaker 3: a sweater or a coat. Oh my goodness, I walked 178 00:09:46,000 --> 00:09:49,360 Speaker 3: out of the room. I judged the person on the 179 00:09:49,360 --> 00:09:52,720 Speaker 3: first movement. So for those that are out there, watch 180 00:09:52,840 --> 00:09:56,199 Speaker 3: for more than one movement. And I call them clusters 181 00:09:56,520 --> 00:10:00,000 Speaker 3: because they usually happen one after the other. The second 182 00:10:00,040 --> 00:10:06,679 Speaker 3: and see is congruency. When the words and the tone 183 00:10:07,240 --> 00:10:13,040 Speaker 3: and the nonverbal don't agree, then there's a disconnect in 184 00:10:13,120 --> 00:10:14,600 Speaker 3: the message between you and me. 185 00:10:15,160 --> 00:10:17,520 Speaker 2: So that's when you say I'm doing fine and you 186 00:10:17,559 --> 00:10:21,079 Speaker 2: shake your head no exactly, okay, exactly. 187 00:10:21,480 --> 00:10:26,400 Speaker 3: And the last sea is context. So just if you 188 00:10:26,400 --> 00:10:30,000 Speaker 3: could if you can visualize this, picture this, and I'm 189 00:10:30,040 --> 00:10:32,480 Speaker 3: talking to the visuals out there. And for those that 190 00:10:32,520 --> 00:10:36,640 Speaker 3: can imagine, the temperature is ninety degrees, just imagine it's 191 00:10:36,720 --> 00:10:40,720 Speaker 3: ninety degrees outside. Hot, hot, everybody's trying to cool off. 192 00:10:40,840 --> 00:10:43,720 Speaker 3: I know it's the winter, but just imagine then all 193 00:10:43,760 --> 00:10:46,440 Speaker 3: of a sudden, then all of a sudden, then I 194 00:10:46,559 --> 00:10:50,800 Speaker 3: walk up and I'm wearing full length winter gear, a 195 00:10:50,800 --> 00:10:53,920 Speaker 3: full length fur coat, be it real fur or faux fur. 196 00:10:54,160 --> 00:10:56,000 Speaker 3: So I don't want about to get upset, but it's 197 00:10:56,080 --> 00:10:59,760 Speaker 3: out of context. It's out of context the same thing. 198 00:10:59,760 --> 00:11:03,679 Speaker 3: It doesn't match the situation. The environment is like if 199 00:11:03,679 --> 00:11:06,160 Speaker 3: we're taking a long trip saying, let's go, let's go 200 00:11:06,160 --> 00:11:08,559 Speaker 3: to Europe, Lisa, let's go to Europe, and we're taking 201 00:11:08,559 --> 00:11:11,760 Speaker 3: a flight that's at eighteen twenty hours. You or me 202 00:11:11,960 --> 00:11:14,440 Speaker 3: or someone comes to the airport and our party no 203 00:11:14,679 --> 00:11:18,960 Speaker 3: checking luggage, no carry on, and they're little jumping when 204 00:11:19,000 --> 00:11:22,400 Speaker 3: we're talking to them. Okay, what's up. It's out of context. 205 00:11:22,760 --> 00:11:25,040 Speaker 3: So those are your three seas. Now there is a bonus. 206 00:11:25,040 --> 00:11:28,640 Speaker 3: C Okay, there's a see, Lisa, I don't get them. 207 00:11:28,679 --> 00:11:31,600 Speaker 3: I just don't get my seased. Everyone okay, we're getting 208 00:11:31,640 --> 00:11:34,760 Speaker 3: to see. You're getting to see. You're getting to see 209 00:11:34,800 --> 00:11:37,520 Speaker 3: because your coast to coast audience got it going on. 210 00:11:38,120 --> 00:11:42,720 Speaker 3: And the bonus sea is culture. When in Rome, do 211 00:11:42,760 --> 00:11:44,920 Speaker 3: as the Romans do. You want to fit in. You 212 00:11:44,920 --> 00:11:46,960 Speaker 3: don't want to stand out because you can be making 213 00:11:47,559 --> 00:11:53,319 Speaker 3: gestures hand gestures that can be insulting in that particular country. 214 00:11:53,559 --> 00:11:56,840 Speaker 3: In the United States, when we make the okay sign 215 00:11:57,160 --> 00:11:59,880 Speaker 3: a okay, but let's say out of habit, you do 216 00:12:00,120 --> 00:12:03,040 Speaker 3: that in another country, to certain parts of the world, 217 00:12:03,640 --> 00:12:06,760 Speaker 3: that is an obscene gesture. So you have to be 218 00:12:06,840 --> 00:12:10,240 Speaker 3: aware of the emblems, the signs, the things that we do. 219 00:12:10,840 --> 00:12:14,640 Speaker 3: Even that is so critical. So those are your seas there, 220 00:12:14,640 --> 00:12:16,199 Speaker 3: it is there, it is cut it out of me. 221 00:12:16,240 --> 00:12:17,439 Speaker 3: You got the bonus there. 222 00:12:19,520 --> 00:12:23,520 Speaker 2: Things like folding your arms over your midric areas like 223 00:12:23,559 --> 00:12:26,679 Speaker 2: you're folding it over your power center. What do you 224 00:12:26,880 --> 00:12:31,160 Speaker 2: do or how have you taught people to walk into 225 00:12:31,200 --> 00:12:34,720 Speaker 2: a room to show confidence and how does it look 226 00:12:34,760 --> 00:12:37,880 Speaker 2: to walk into a room with a lack of confidence? 227 00:12:38,840 --> 00:12:42,080 Speaker 3: First of all, people who walk into the room with 228 00:12:42,280 --> 00:12:46,560 Speaker 3: the attitude of power presence confidence If you will the 229 00:12:46,559 --> 00:12:49,760 Speaker 3: word see the confidence word. The shoulders are back. The 230 00:12:49,960 --> 00:12:55,320 Speaker 3: posture is correct. They're walking properly and they feel like 231 00:12:55,360 --> 00:12:58,800 Speaker 3: they own the world versus someone who has the lack 232 00:12:58,880 --> 00:13:03,000 Speaker 3: of confidence and feels like the world is on their shoulders. 233 00:13:03,559 --> 00:13:06,040 Speaker 3: It is demonstrated when they come in. They may not 234 00:13:06,120 --> 00:13:09,080 Speaker 3: be as brisk or smooth in their gait as the 235 00:13:09,120 --> 00:13:11,959 Speaker 3: other person. And they may come in and they may 236 00:13:12,000 --> 00:13:15,600 Speaker 3: come in with baggage and listen to what I'm saying. 237 00:13:15,600 --> 00:13:17,920 Speaker 3: With baggage, and I'm saying this specifically to the women 238 00:13:17,920 --> 00:13:21,680 Speaker 3: that are listening. Men will do it. Sometimes they're coming 239 00:13:21,679 --> 00:13:23,240 Speaker 3: in they got the brief in one hand, this on 240 00:13:23,280 --> 00:13:25,760 Speaker 3: the other hand, this, and it's like they're way down, 241 00:13:26,360 --> 00:13:30,160 Speaker 3: or they come in apologetic, just that look on their face, 242 00:13:30,640 --> 00:13:33,640 Speaker 3: and it's like easing over to the chair and the 243 00:13:33,679 --> 00:13:38,080 Speaker 3: shoulders are slump. Your posture is key. When you feel 244 00:13:38,200 --> 00:13:42,920 Speaker 3: good and you have a commitment and conviction in your 245 00:13:43,160 --> 00:13:48,280 Speaker 3: purpose and your mission, it's like an orchestra. The body 246 00:13:48,559 --> 00:13:51,080 Speaker 3: displays it. Here's a good way to remember. I'm gonna 247 00:13:51,080 --> 00:13:55,240 Speaker 3: give you a SoundBite. When you think it, your body 248 00:13:55,400 --> 00:14:00,559 Speaker 3: inks it. So when you think it, it's written all 249 00:14:00,600 --> 00:14:03,760 Speaker 3: over your face. When you think it, it shows up 250 00:14:03,840 --> 00:14:08,480 Speaker 3: in the matter because the from the mind. Whatever is 251 00:14:08,600 --> 00:14:11,080 Speaker 3: on the mind shows up in the matter. How do 252 00:14:11,120 --> 00:14:16,360 Speaker 3: you know, because even as kids it sometimes comes out 253 00:14:16,480 --> 00:14:19,040 Speaker 3: when we are adults. When you don't want, you're done, 254 00:14:19,080 --> 00:14:20,840 Speaker 3: You don't want, you don't want to sign the contract, 255 00:14:20,960 --> 00:14:22,960 Speaker 3: you don't want to hear it. Do you realize with 256 00:14:23,040 --> 00:14:25,560 Speaker 3: your partner, your spouse, your significant other, your loved one, 257 00:14:25,640 --> 00:14:28,640 Speaker 3: when you're done, there a tendency you'll close off a 258 00:14:28,680 --> 00:14:31,280 Speaker 3: power zone. You may fold your arms, you may turn 259 00:14:31,360 --> 00:14:34,760 Speaker 3: away from the individual. So when I say power zones, 260 00:14:35,240 --> 00:14:38,560 Speaker 3: the throat area, everyone right now, touch the throat area, 261 00:14:38,760 --> 00:14:42,840 Speaker 3: Touch that little dimple, that dip. It's called the supersternal notch. 262 00:14:43,440 --> 00:14:45,320 Speaker 3: People have a tendency to touch that area. Of men 263 00:14:45,320 --> 00:14:47,440 Speaker 3: are wearing shirts that are a little bit tight, things 264 00:14:47,480 --> 00:14:50,000 Speaker 3: are getting hot around the collar, they'll try to loosen 265 00:14:50,000 --> 00:14:51,960 Speaker 3: that area because a lot of blood is going to 266 00:14:52,080 --> 00:14:55,000 Speaker 3: that area. When the stress level is high, women will 267 00:14:55,000 --> 00:14:58,480 Speaker 3: have a tendency to stroke it to do self pacifying gestures. 268 00:14:59,160 --> 00:15:04,040 Speaker 3: Princess died uh Diana. When she was feeling less confident 269 00:15:04,520 --> 00:15:07,040 Speaker 3: in a relationship at her marriage, she would often tilt 270 00:15:07,040 --> 00:15:11,160 Speaker 3: her head and stroke her supersternal notch. Okay, and so 271 00:15:11,360 --> 00:15:12,640 Speaker 3: that's a power zone. 272 00:15:14,640 --> 00:15:17,920 Speaker 1: Listen to more Coast to Coast AM every weeknight at 273 00:15:17,960 --> 00:15:21,200 Speaker 1: one am Eastern, and go to Coast to coastam dot 274 00:15:21,240 --> 00:15:22,000 Speaker 1: com for more