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Speaker 1: Hey everybody, this is Matt and my album Have You

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Speaker 1: Heard of Christmas is out now. Stream it wherever you

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Speaker 1: stream things, and also pre order the vinyl at www

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Speaker 1: dot Matt Rogersofficial dot com, where there's tons.

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Speaker 2: Of merch and also tickets for my tour.

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Speaker 1: I'm gonna be in London November thirteenth to eighteenth at

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Speaker 1: the Soho Theater.

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Speaker 2: Please come see me.

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Speaker 1: And then I start in Philly on December first, and

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Speaker 1: I'm all over in.

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Speaker 2: North America until December twenty third.

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Speaker 3: All right, thanks, look mare, oh, I see you my

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Speaker 3: own look over there is that culture. Yes, wow, lost culture.

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Speaker 2: Ding dong lost Culturistas calling. It's in nine am. Girl,

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Speaker 2: this is the Morning Show. Loves the Morning Show. Yeah,

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Speaker 2: I feel like I'm Bradley, I'm Chris right now? You

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Speaker 2: feel like Chris, Honey, I feel like Chris every day

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Speaker 2: of my life. The finale is tomorrow. I say, what's

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Speaker 2: gonna happened with Chris? You know? I guess she got

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Speaker 2: the Jennifer Andiston respare this spoon treatment where she disappeared

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Speaker 2: for a full two episodes or whatever and then came

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Speaker 2: back with the bench. I love that.

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Speaker 1: It's the Jennifer Aniston Reese with a spoon treatment and

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Speaker 1: referring to the fact that they just won't be in episodes.

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Speaker 2: Sorry. The Jennifer Anderson resar with this spoon treatment is

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Speaker 2: that you get to not be in every episode and

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Speaker 2: you also get paid an ep salary. Exactly exactly, Here's

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Speaker 2: what I'll say.

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Speaker 1: I like seeing that the girls were finally in a

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Speaker 1: scene together and to see that they had some conflict.

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Speaker 1: And this last episode, by the way, talk about this episode.

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Speaker 1: And by the way, so when I say this last episode,

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Speaker 1: I mean three h nine, the ninth episode, because now

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Speaker 1: as of this episode being out, the finale will be out,

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Speaker 1: so look for reactions for that later.

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Speaker 2: Yeah.

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Speaker 1: But the ninth episode of the show, I texted Bowen,

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Speaker 1: I'm like, I don't know what happened, but this show suddenly.

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Speaker 2: Became a show prestige TV in the way that it

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Speaker 2: always thinks it is.

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Speaker 1: But this this episode was such a knockdown, drag out.

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Speaker 2: Like you said, it finally works.

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Speaker 1: I guess I always feel it works, but this all

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Speaker 1: of a sudden was like every scene had energy motion.

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Speaker 1: You realize everything they've been putting in there like it's

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Speaker 1: working out to suddenly I found myself eating my hat.

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Speaker 2: I think these third graders are in college. These third

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Speaker 2: graders are in college, and they know that you need

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Speaker 2: to get to episode nine in a season for it

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Speaker 2: to really pick up. The second to last episode needs

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Speaker 2: to finally be the thing that makes you go yes,

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Speaker 2: the second last episode needs to go hard. Wait.

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Speaker 1: I'm also just noticing right now you have I'm sitting

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Speaker 1: here next to Tom Seller.

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Speaker 2: Woh yeah. Is this is the most I've ever seen

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Speaker 2: it growing. It's so I describe it as a pultry mustache.

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Speaker 2: It's Paul Tel But I think I'm kind of into it.

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Speaker 2: I think it's a vibe. But it has to go

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Speaker 2: for professional reasons. I just I had the week off.

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Speaker 2: I had the week off, and it went let me

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Speaker 2: just try this girl. Yeah, well, it's definitely more grown

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Speaker 2: in than I've ever seen it. I just I can't

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Speaker 2: do you really step into the mustache yiche? I need

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Speaker 2: to get back there. I think mustache for Christmas? What

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Speaker 2: is there any is? I think I'm going to start

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Speaker 2: growing my stuff out.

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Speaker 1: So maybe this is a little bit of a spoiler,

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Speaker 1: but I got put into drag by Trixie Mattel for

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Speaker 1: an upcoming YouTube collaboration that we're doing this, I show.

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Speaker 2: You didn't show me. You said that you did a

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Speaker 2: collab with Trixie. I'm going to show you me and

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Speaker 2: Drag right now.

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Speaker 1: I'm not going to say exactly what the fantasy we

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Speaker 1: were going for was, but I am going to say

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Speaker 1: that I went over to Trixy's YouTube studio and basically, girl, that's.

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Speaker 2: Why I'm showing. Oh, I want to say what this

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Speaker 2: is so badly. I mean I can't because no, no, no,

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Speaker 2: it's such a spoiler. No, this is main dromat. Can

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Speaker 2: you believe? That is ten out of ten? A plus?

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Speaker 2: I am a go aghast, not a ghast. I'm a dog.

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Speaker 1: He's a gast and agog. Yeah, it's time with Trixie.

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Speaker 1: But here's the thing about Drag. And I don't know

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Speaker 1: why I thought I could kind of get away with this,

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Speaker 1: but I was like, I can go over there and

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Speaker 1: have some stubble. And I go over to Tricksy studio.

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Speaker 1: She looks at me and she goes, well, girl, you

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Speaker 1: need to shave, and I was like, no, but can't

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Speaker 1: you you know? She goes, can I what?

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Speaker 2: Yeah? What did you think she could do? I don't know.

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Speaker 1: I just thought like I thought on drag Race, like

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Speaker 1: sometimes like you do see some of the girls with

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Speaker 1: stubble and then they go in their fantasy and they

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Speaker 1: beat their face and like it kind of disappears.

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Speaker 2: I think I'm saying. I think they just don't show

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Speaker 2: them shave it because they need to be over a thing.

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Speaker 2: You know what I mean? Girl? This is how you

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Speaker 2: know my co host is in the television industry. He

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Speaker 2: knows a movie magic. Girl, don't even speaking of TV magic.

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Speaker 2: But what do you think made it work? In three

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Speaker 2: h nine of the Morning. I'm going to tell you this.

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Speaker 1: Every single scene it was like, well, first of all,

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Speaker 1: the hat is.

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Speaker 2: Coming off to Reese. You think Reese listen. My takeaway,

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Speaker 2: I'm sorry, I love Reese down, but my takeaway was

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Speaker 2: finally Juliana gets to eat.

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Speaker 1: Well, they gave Julianna something to do, yes, And what

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Speaker 1: I've realized is like wow, so basically like okay, So

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Speaker 1: to give a little bit of what's going on, we

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Speaker 1: famously know Bradley Jackson went to the insurrection to report

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Speaker 1: on the ground, and she wore a hat over her

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Speaker 1: gorgeous blonde naturally blonde. I can't say enough naturally blonde

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Speaker 1: Bradley Jackson hair even though she's a redhead. She finds

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Speaker 1: her brother attacking a police officer. She just so happens

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Speaker 1: to be rolling her iPhone on it, and they have

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Speaker 1: a moment where she basically has caught her brother as

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Speaker 1: an insurrectionist, a violent insurrectionist assaulting a police officer. Certainly

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Speaker 1: he should go to prison, but she deletes the footage,

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Speaker 1: thereby invalidating.

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Speaker 2: Her as a journalist. Basically, Yes, so Corey aka Billy Crudup,

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Speaker 2: who is to this day giving one of the craziest

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Speaker 2: performance on television. Well, he's so like, I love him.

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Speaker 2: I love that his choice for this character is just

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Speaker 2: caricature of TV exactly. Yeah, like talking in a way

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Speaker 2: that is even more like I thought Succession became a

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Speaker 2: parody of itself sort of by the end, the way

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Speaker 2: that these characters talked and these like you know, oh,

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Speaker 2: you're doing a vulture stab like they would just make

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Speaker 2: up terms like business terms that you'd never heard. It

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Speaker 2: was an animal at Like the business terms on Succession

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Speaker 2: were always animal verb, yes, bear, hug, vulture stab like whatever,

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Speaker 2: And I'm like it's a line. Everyone's yeah, lion crawl whatever. Sorry,

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Speaker 2: to go on that tantra. But then now Billy I

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Speaker 2: think is so grotesquely cartoonishly a TV exect, evil businessman guy. Yeah,

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Speaker 2: and I kind of think that it works. It finally works,

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Speaker 2: it's working more and more. This is an Emmy winning performance.

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Speaker 1: He is playing network exact or head of this company

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Speaker 1: if it were Patrick Bateman. Yes, and that is really perfect.

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Speaker 1: But in this episode he fully sort of like starts

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Speaker 1: to break down.

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Speaker 2: Greta Lee is popping off.

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Speaker 1: So basically, anyway, what you need to know is that

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Speaker 1: Billy Crudup aka Patrick Bateman, psycho network exec, is in

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Speaker 1: love with Bradley Jackson, and he allowed them to delete

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Speaker 1: this footage so he said, I don't ever want to

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Speaker 1: fucking talk about this again. Somehow, Julianna Margulize gets to

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Speaker 1: typing and she finds out the whole thing that Bradley

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Speaker 1: has done. This the way she finds out I think

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Speaker 1: is actually well done because they all together to the

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Speaker 1: league from earlier in the season. Yes, like it's actually

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Speaker 1: all sequenced perfectly. Like she finds out in an organic

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Speaker 1: way that I think you know what they did well, Yeah,

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Speaker 1: they did interface, they did like person using technology. Yeah,

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Speaker 1: oh this is what you've been looking for, Like her

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Speaker 1: searching through the text and the emails between Bradley and

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Speaker 1: Corey to her finding out that how was that the insurrection?

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Speaker 1: I'm like and that and that Bradley was like, that

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Speaker 1: was actually really well done. It was very well done

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Speaker 1: in the Discovery. And I know what you're saying. So

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Speaker 1: Bowen has famously been like, I don't like the way

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Speaker 1: interaction with social media, texting, it's not reflected correctly in

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Speaker 1: media this year, saying was maybe the first time in

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Speaker 1: television history you've seen someone interact with First of all,

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Speaker 1: the I message.

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Speaker 2: App on a MacBook with into it.

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Speaker 1: Everyone is doing. Everyone is texting on computers. It's actually

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Speaker 1: really culture number fourteen. Every everyone is texting on computers.

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Speaker 2: I mean.

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Speaker 1: And then Juliana and Reese have this scene wonderful See

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Speaker 1: where Reese comes home to Juliana. They are lesbian lovers,

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Speaker 1: and Juliana basically puts it to her like I can

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Speaker 1: no longer respect you, I don't love you.

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Speaker 2: Anybody sit in that chair? How do you sit in

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Speaker 2: that chair?

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Speaker 1: And Reese has this moment where she goes to hug Juliana.

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Speaker 1: Margalise and Juliana goes, stay away from me, and Reese

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Speaker 1: goes okay, and then she realizes that Juliana is right,

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Speaker 1: and she camps herself down with a second okay, and

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Speaker 1: it sounds like this okay. I got mad and I

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Speaker 1: was just like, this is so present, and dropped in

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Speaker 1: and Juliana looks at Reese and mind you, these characters

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Speaker 1: have had they've been together on the show, but they've

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Speaker 1: had almost no chemistry.

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Speaker 2: Juliana goes, I thought we'd grow old together.

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Speaker 1: And I believe. I believed, there was no question in

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Speaker 1: my mind. I was watching the downfall of television's greatest couple.

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Speaker 2: I don't even know what television's greatest couple that did

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Speaker 2: not seem at all believable until its final moment. You

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Speaker 2: don't know what you got till it's gone. Period there,

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Speaker 2: Joni Mitchell.

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Speaker 1: Was right, and to speak of our Joni Mitchell, they

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Speaker 1: are never ever getting back together, girl, Oh my god.

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Speaker 1: And so that was just one scene of so many.

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Speaker 1: Oh then really spoiler al for three or nine, and

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Speaker 1: I can't tell you, like, if you're gonna get into what,

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Speaker 1: you gotta get into it, because the finale is out now.

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Speaker 2: I am so.

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Speaker 1: Excited for whatever this is gonna because I heard it's

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Speaker 1: so crazy and honestly, what.

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Speaker 2: Were the words that were said to you? I heard,

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Speaker 2: craziest moment in television history? Are you serious?

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Speaker 1: Well, okay, so I mean it will not be the case,

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Speaker 1: but I did hear that it's the craziest thing the

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Speaker 1: show has ever done, which I also heard on the

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Speaker 1: ground in bravocan.

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Speaker 2: Yes, oh my god, about whatever happens at the end

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Speaker 2: of Salt Lake City Housewives, right, and you had alluded

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Speaker 2: to this over text, and I'm really curious. We can't

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Speaker 2: really discuss it on this show.

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Speaker 1: I don't know because literally so someone goes, someone ad

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Speaker 1: bravocn it was, which I'll get into because it was

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Speaker 1: truly like more Disney World than Disney World, to be

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Speaker 1: honest with you. I was only there for two hours

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Speaker 1: and most of it I was working, but I was

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Speaker 1: looking around and I was like, God, I need to

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Speaker 1: come back here and just walk around. I didn't get

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Speaker 1: the chance to, but they did an amazing job, like

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Speaker 1: if you love Bravo walking around and just seeing like

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Speaker 1: the museums of props from like everything that they've done.

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Speaker 1: But on the ground, like people were talking about They're like,

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Speaker 1: do you know what happens at the end of soul? Like,

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Speaker 1: do you know what happens at the end of soul?

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Speaker 2: Like this was like scuttle that at the con.

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Speaker 1: It has to do with whatever a phone call it

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Speaker 1: is that Heather gets right, And I think I can

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Speaker 1: surmise that it has.

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Speaker 2: To do with Monica, Monica Garcia, Monica Garcia, something about

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Speaker 2: the mom. I don't know if it's the mom.

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Speaker 1: I don't know if it has to do with Deen Shaw,

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Speaker 1: but it's something that affects all of them in a

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Speaker 1: way that it's like makes Heather go, are you serious?

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Speaker 2: She goes, how could she do this to us? Go

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Speaker 2: go go go. No, guys, guys, guys, guys.

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Speaker 1: But apparently it's that insane. But just to loop it back,

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Speaker 1: Bradley Jackson resigns from the UBA EVWS and she breaks

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Speaker 1: down while she's resigning on television and no one knows

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Speaker 1: why she's doing it, and I said, you better propel

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Speaker 1: us into the finale. Meanwhile, John hamm is obviously the

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Speaker 1: most evil person in the world. Jennifer Anison is what digmatized.

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Speaker 1: We are seeing digmatization like we've never seen it on screen.

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Speaker 2: Before. I don't think i've seen digmatization since Adam and

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Speaker 2: Hannon on Girls.

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Speaker 1: We need to at some point perform the scene, which

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Speaker 1: is Bradley Jackson telling Alex Levy that she's concerned about

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Speaker 1: whether or not she can be obductive about John Ham,

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Speaker 1: because Jennifer Anison's like, well, basically okay, So again, this

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Speaker 1: is the craziest shit that's ever gone on. John Ham,

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Speaker 1: who's just bought Uba, wants to sell the company and

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Speaker 1: he's like basically taking Alex as his like partner in

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Speaker 1: starting a new network. So he goes, bring whoever you want,

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Speaker 1: bring Bradley. So she goes, you have to come with

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Speaker 1: me to this new company, and Bradley Jackson's energy is

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Speaker 1: basically like okay, like for sure, yeah, but like, sho

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Speaker 1: you trust this guy? I heard he's bad news, he's

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Speaker 1: evil Alex and Jennifer Anison dust her whole thing, oh

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Speaker 1: oh wow, oh okay, oh so you oh I see

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Speaker 1: now you're unbelievable. And Bradley's like Alex like what like

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Speaker 1: what are you doing? Like why are you being like this?

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Speaker 1: Like can you trust them? Are you stigmatized? And they

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Speaker 1: have this whole like sort of low stakes, put high stakes,

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Speaker 1: like fight, it's it was amazing, it's Elba God.

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Speaker 2: And we are literally about to see one of them away.

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Speaker 2: Do you think it's I think it's Bradley. It's Bradley's

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Speaker 2: the one who's losing it all. Bradley is Alphaba in

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Speaker 2: that situation.

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Speaker 1: But there was actually a compelling moment, like if you

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Speaker 1: think about like this character, you know what they did.

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Speaker 1: The third graders really grew up and went to college.

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Speaker 1: I'm telling you because they said at the beginning of

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Speaker 1: the year, what is the central tenant of these characters

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Speaker 1: and how can we challenge them? And Bradley Jackson's central

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Speaker 1: tenant is I am first and foremost a journalist. I

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Speaker 1: am a truth teller. And for her to be confronted

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Speaker 1: with the fact that when she was put in a

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Speaker 1: Kelly Clarkson calls her, yes, yeah, Kelly Clarkson called her

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Speaker 1: Bradley Jackson truth Kelly, because remember Kelly Clarkson's also a

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Speaker 1: character on The Morning Show as herself in.

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Speaker 2: This timeline, Kelly Clarkson is a Kelly Clarkson level artist.

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Speaker 1: Yeah, And I think that we're to believe that if

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Speaker 1: someone like Kelly Clarkson were to find out that Bradley

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Speaker 1: Jackson had betrayed her values this much, she'd be.

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Speaker 2: Like really, yeah, wait, I loved her.

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Speaker 1: She'd be like, wait, y'all, I thought that she was

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Speaker 1: one of those truth tellers, y'all.

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Speaker 2: Y'all.

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Speaker 1: It was wild because I was like, Wow, they're actually

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Speaker 1: like testing both of these protagonists in a way that

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Speaker 1: is in line with who they are, and like this

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Speaker 1: show ended up like the way that everything they set

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Speaker 1: up ended.

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Speaker 2: Up really a twain. It actually real plays, it plays,

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Speaker 2: and you're saying, Alex's thing is that like from the beginning,

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Speaker 2: like episode one, Bradley Jackson thing is, I'm truth teller,

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Speaker 2: I'm a journalist. Yes, episode one, Like what do we

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Speaker 2: think Alex's thing is?

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Speaker 1: Just like Alex has represented someone that has like been

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Speaker 1: so entrenched in problematic media instruction and men yes.

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Speaker 2: And and not really handling the boundaries of those things. Well,

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Speaker 2: she's been protected by structures, but she's also like violated

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Speaker 2: like every single appropriate quote unquote thing where like she

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Speaker 2: fucks Mitch, she is fucking John Ham. Now yeah, okay,

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Speaker 2: that's it.

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Speaker 1: I think what we're seeing with Alex is like we're

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Speaker 1: seeing a narcissist, like truly be confronted with the fact

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Speaker 1: that you can't just have everything you want, like and

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Speaker 1: it is possible for you to actually get got by

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Speaker 1: someone like this because like the John Hamm and Jennifer

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Speaker 1: Andison thing.

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Speaker 2: John Hamm, by the way, is playing the most triggering

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Speaker 2: man on television.

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Speaker 1: He's such a blatant egomaniac narcissist. And to watch her

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Speaker 1: get dicked so good. I remember she laid on top

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Speaker 1: of his butt. She they were the butt, which is tortoise,

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Speaker 1: cat tortoise. And so now we're seeing really the ramifications

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Speaker 1: of that. When you put your pussy on a man,

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Speaker 1: on a man's butt, you are mate it for life.

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Speaker 2: You are yes. And I think that even with Corey.

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Speaker 2: My note with Corey as a character was like, you

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Speaker 2: never see this man lose, No, this man needs to

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Speaker 2: take one l And then finally the crow is roosting.

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Speaker 2: What's the same. I think the chickens have come back

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Speaker 2: to roost chicken, But I love thinking about what the

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Speaker 2: crow would do if she were to use a croak

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Speaker 2: and roost. Can I say.

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Speaker 1: I was in Vegas and I was having an outdoor brunch.

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Speaker 1: There was this one crow a crowing. There was a crow,

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Speaker 1: and I can't even expect I can't even explain how

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Speaker 1: loud and disgusting this crow is being vile trying to

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Speaker 1: sit there and have some hair of the dog girl,

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Speaker 1: which everyone needs in Vegas. Yes, Desperado, oh manicato, oh gallo.

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Speaker 1: Here's how I want to talk about Vegas. Just ask questions. Okay,

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Speaker 1: what do you want to know? What?

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Speaker 2: I can answer anything? What was Usher giving?

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Speaker 1: Usher the energy was giving everyone in that crowd would

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Speaker 1: have willfully gotten an SDD from him.

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Speaker 2: That's so funny that he has like out magic Mike's

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Speaker 2: magic mic.

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Speaker 1: Magic Mic was found so dead because let me tell

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Speaker 1: you something, magic Mike needs like all the hottest men

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Speaker 1: in the world on stage or but.

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Speaker 2: They're all like sorry to say, I mean, they're all talented, wonderful,

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Speaker 2: beautiful men. They're all like just guys.

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Speaker 1: Yeah, they're they're like guys who are like Vegas hot,

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Speaker 1: you know what I mean. It's like they have like

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Speaker 1: let's call it like men's health cover body looking all

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Speaker 1: the same in the face. What I'll say about Usher

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Speaker 1: is he is really the only male object of desire

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Speaker 1: on stage. Yeah, he looks great. He sounds unbelievable. His

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Speaker 1: performance is amazing. At one point he comes out on

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Speaker 1: roller skates, wow, and does like skates skates and thank

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Speaker 1: you for making that distinction because we all know that

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Speaker 1: blades are much easier. Definitely, he's on roller skates on

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Speaker 1: the stage. It was so insane. Then all of his

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Speaker 1: backup dancers were like doing choreo on roller skates. But

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Speaker 1: what I really want to say is the exotic dancers

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Speaker 1: that he has in the show. The female performers top.

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Speaker 2: Full dancer on your story, she was let me tell

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Speaker 2: you something, it was olympic what these women were doing.

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Speaker 2: They are mesmers. Mesmer is a great word, mezmer. I

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Speaker 2: was mesmeras yes by the mesmers. Yes, that's actually really

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Speaker 2: culture number ninety. I was mes mess at Usher's Vegas residency.

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Speaker 2: Think about this. Usher has seen a whole generation of

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Speaker 2: people mature into their sexual adulthoods. Yeah, and now the

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Speaker 2: crow has come to roost. The crow was roosting down. Well,

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Speaker 2: now it's like we're all these grown ass people now

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Speaker 2: who like were horny for Usher when we were in

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Speaker 2: middle school. Yes, and he still looks incredible, and now

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Speaker 2: we're all like, I'm gonna pay top dollar to see

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Speaker 2: this man, yes, gyrate and sing and kroon whatever and

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Speaker 2: have his little dancers running around and I'm getting off.

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Speaker 1: It was get off culture for sure. There was really

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Speaker 1: two highlights. One was at one point Usher comes out

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Speaker 1: into the audience and he's doing the thing where he's

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Speaker 1: improvising singing and basically and to the beat, and he

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Speaker 1: would see people in the crowd and he'd be like, girl,

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Speaker 1: you got them titties, You got them big titties. And

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Speaker 1: then he goes and does like the I'm a suck

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Speaker 1: your titties noise, and I'm like, so we are in

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Speaker 1: an era right now where we are not even pretending

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Speaker 1: that the endgame isn't Usher sucks my titties nor cares.

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Speaker 2: No I mean, and that no one takes issue with that.

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Speaker 1: No, every single person that was there was like, what

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Speaker 1: I hope happens is Usher from the stage goes see

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Speaker 1: you damn in the pink trains with him titties, I'm

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Speaker 1: gonna suck them. And everyone's screaming in approval and we

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Speaker 1: are so lit and by the way, all the bops.

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Speaker 2: I'm sot up. Oh my god, does he do climax.

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Speaker 1: Yes, he did everything, but I would say the highlight

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Speaker 1: and we've talked about it on the show Burn.

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Speaker 2: Oh my god, Burn is an important song. Burn? Does

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Speaker 2: he do? You got it? Bad? Bab Imagine he did

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Speaker 2: not every single song you'd want to hear? Can you

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Speaker 2: say that you would? You used to matter, don't matter?

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Speaker 2: No Mo, you ignore my key all the time. I

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Speaker 2: think I'm in your key. No, you you fully blasted

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Speaker 2: past my key. We need to talk. I'm not happy

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00:21:11,760 --> 00:21:15,159
Speaker 2: what what key is because I'm a little horse today

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Speaker 2: this morning at you know, at ten am, nine am.

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Speaker 2: This is what I said. I think this is what

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Speaker 2: I did. When you say that you want it and

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Speaker 2: you really know what we used to matter don't matter?

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00:21:26,600 --> 00:21:28,240
Speaker 2: No month, but you went up? Okay?

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Speaker 1: So can I just be real? Sometimes? I no, it's

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00:21:32,640 --> 00:21:34,520
Speaker 1: not that you're off. You were doing what you needed

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Speaker 1: to do there for your voice.

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Speaker 2: Thank you.

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Speaker 1: I just sometimes feel like I can't help but singing

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Speaker 1: the original key, col.

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Speaker 2: You better be done it.

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Speaker 1: Oh it's so good. Wait, but Burne was so incredible

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Speaker 1: and then when when Yeah started, I mean I think

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Speaker 1: everybody fucked truor false.

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Speaker 2: I'm ready for this one. Every middle school dance. That

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00:22:04,000 --> 00:22:06,639
Speaker 2: was the song that everyone was waiting for. I was

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Speaker 2: I was at home, yeah, burning CDs yeah, where all

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Speaker 2: ten tracks were Yeah by Ushery yinging Twins ludicrous Yeah.

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Speaker 2: And I was like, I need to get off books

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Speaker 2: so that I can amaze everyone in the gymnasium. And

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Speaker 2: did you I know you did? No? I feel because

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Speaker 2: I didn't amaze anybody because we all knew the words.

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Speaker 2: We all knew every single word.

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Speaker 1: You know, it would be powerful to go back in

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Speaker 1: time in the DeLorean that we talked about in last

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Speaker 1: week's episode. And I would love to go back in

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Speaker 1: time and see you just running train on girls in

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Speaker 1: middle school to Yeah, like you and girls grinding out

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Speaker 1: in middle school dance to Usher.

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Speaker 2: Yeah, I would I would love winding down grinding culture.

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Speaker 2: I was so good at grinding. I was dropping it

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Speaker 2: to the floor. Holy shit. I was like really like

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Speaker 2: throwing my ass onto linoleum or whatever. Oh yeah, linole

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Speaker 2: that was really I remember.

432
00:23:02,600 --> 00:23:04,240
Speaker 1: We would do the thing where it was like we

433
00:23:04,280 --> 00:23:06,440
Speaker 1: would have like a social like that's what they called it,

434
00:23:06,560 --> 00:23:09,600
Speaker 1: the middle school social and at Iceland Middle School, and

435
00:23:09,600 --> 00:23:11,520
Speaker 1: what they would do is they would split the gym,

436
00:23:11,600 --> 00:23:13,000
Speaker 1: so you know, how those gyms.

437
00:23:12,720 --> 00:23:13,560
Speaker 2: In high school gyms.

438
00:23:13,640 --> 00:23:15,840
Speaker 1: Yes, they would have the ability to like make it

439
00:23:15,920 --> 00:23:18,840
Speaker 1: so that it was like two rooms wall flex wall,

440
00:23:18,880 --> 00:23:22,000
Speaker 1: thank you for that. And one side would be sports,

441
00:23:22,440 --> 00:23:25,440
Speaker 1: so like people playing knockout in basketball, and the other

442
00:23:25,520 --> 00:23:28,879
Speaker 1: side would be some of the horniest fourteen year olds

443
00:23:29,000 --> 00:23:31,760
Speaker 1: in the no, not twelve year olds in the country,

444
00:23:32,320 --> 00:23:35,840
Speaker 1: rubbing genitals on each other during a dance craze known

445
00:23:35,880 --> 00:23:40,760
Speaker 1: as grinding, and the songs would be like literally little

446
00:23:40,840 --> 00:23:45,719
Speaker 1: John screaming about like you know, like fucker nah, I

447
00:23:45,720 --> 00:23:48,280
Speaker 1: mean all this culture, like yep, we all of course,

448
00:23:48,320 --> 00:23:51,600
Speaker 1: we all remember the Crunk and Bee craze. Remember when

449
00:23:51,680 --> 00:23:53,439
Speaker 1: Ciarro was the princess of Crunk and.

450
00:23:53,480 --> 00:23:59,000
Speaker 2: Bee Crunk and Bee Sierra, Really, what do we think

451
00:24:00,080 --> 00:24:02,960
Speaker 2: so happy? What do we think? What do we think

452
00:24:03,720 --> 00:24:09,359
Speaker 2: about Ciara? First of all, your Ciara Sierra, the princess

453
00:24:09,560 --> 00:24:13,760
Speaker 2: is here, The princess is here. Bring that back. First

454
00:24:13,760 --> 00:24:15,199
Speaker 2: of all, what do I think? I think?

455
00:24:15,800 --> 00:24:19,440
Speaker 1: Great talent? Great talent, great talent. I mean, like, also,

456
00:24:19,600 --> 00:24:30,760
Speaker 1: she's got bops to what I love? Oh oh that

457
00:24:30,800 --> 00:24:33,280
Speaker 1: one that one wait, I'm sorry, my goodies is one

458
00:24:33,280 --> 00:24:35,800
Speaker 1: of the greatest time. I believe it's on the Great

459
00:24:35,840 --> 00:24:38,880
Speaker 1: Global Songbook. My goodies, I think it is.

460
00:24:39,080 --> 00:24:41,480
Speaker 2: I'm shocking. I think Sierra is very well represented on

461
00:24:41,560 --> 00:24:44,880
Speaker 2: the Great Global Songbook. But by the way, we're coming

462
00:24:44,920 --> 00:24:47,679
Speaker 2: up in four hundred. As you said, Deeth Myers, you

463
00:24:47,680 --> 00:24:51,080
Speaker 2: were fabulous. Thank you. Henry Melcher, producer, segment producer, Seth

464
00:24:51,119 --> 00:24:54,119
Speaker 2: Myers and Set themselves texted me, Matt was so funny.

465
00:24:54,200 --> 00:24:56,680
Speaker 2: Self texted you. Seth texted me Seth and I, you know,

466
00:24:58,000 --> 00:25:00,159
Speaker 2: I have to tell you, first of all, one of

467
00:25:00,160 --> 00:25:02,600
Speaker 2: the best men, one of the great men, one of

468
00:25:02,640 --> 00:25:03,280
Speaker 2: the great men.

469
00:25:03,480 --> 00:25:05,480
Speaker 1: And actually is it next week or the week after?

470
00:25:05,600 --> 00:25:07,280
Speaker 1: So I know the week after he's going to be

471
00:25:07,480 --> 00:25:13,160
Speaker 1: on this cult And I will say, the vibe immaculate.

472
00:25:13,680 --> 00:25:16,600
Speaker 1: Just when you go there, it's like everyone is so happy,

473
00:25:17,040 --> 00:25:19,800
Speaker 1: their staff has all been there for a really long time,

474
00:25:20,280 --> 00:25:24,959
Speaker 1: and just really great. And he couldn't He's a consummate host,

475
00:25:25,359 --> 00:25:28,000
Speaker 1: great dude, super funny as we all know.

476
00:25:28,119 --> 00:25:32,199
Speaker 2: But like it's also like just an icon. And I

477
00:25:32,320 --> 00:25:36,600
Speaker 2: use this word in a way that might feel off

478
00:25:37,840 --> 00:25:41,960
Speaker 2: classic classy, the classiest man. Yeah, I mean like just

479
00:25:42,560 --> 00:25:51,040
Speaker 2: whatever happened to class whatever happened to fair breading manners

480
00:25:51,160 --> 00:25:54,720
Speaker 2: and pure ethics. Nice, I need to get that. We

481
00:25:54,760 --> 00:25:56,240
Speaker 2: need to get back on Vegas.

482
00:25:56,480 --> 00:26:00,560
Speaker 1: Okay, yeah, so that the other thing I wanteday about Usher.

483
00:26:00,560 --> 00:26:02,200
Speaker 1: The one other thing I wanted to say is these

484
00:26:02,240 --> 00:26:06,680
Speaker 1: these dancers. Yeah, there was at one point a twenty

485
00:26:06,720 --> 00:26:10,560
Speaker 1: foot high pole where and one of these women just

486
00:26:10,840 --> 00:26:13,240
Speaker 1: with her only with her thighs, like climbed all the

487
00:26:13,280 --> 00:26:16,840
Speaker 1: way two stories. It was bowen and then she dropped

488
00:26:16,880 --> 00:26:19,399
Speaker 1: like the Tower of Terror and caught herself on the pole.

489
00:26:19,720 --> 00:26:23,440
Speaker 2: It was I'm telling her they trained for this, where

490
00:26:23,440 --> 00:26:25,720
Speaker 2: do they like practice this? Because I don't think there's

491
00:26:25,720 --> 00:26:29,960
Speaker 2: a studio, a two story tall dance studio. Maybe there is.

492
00:26:30,200 --> 00:26:32,560
Speaker 1: I think this is just I mean, first of all,

493
00:26:32,560 --> 00:26:36,680
Speaker 1: never forget Hustlers. We all have a documentary on this,

494
00:26:36,720 --> 00:26:39,720
Speaker 1: and it's Hustler starring Jennifer Lopez. But my thing was,

495
00:26:39,760 --> 00:26:41,960
Speaker 1: I was just like, wherever they learned it, I'm so

496
00:26:41,960 --> 00:26:42,800
Speaker 1: happy they're doing it.

497
00:26:42,760 --> 00:26:45,280
Speaker 2: On the world stage. Oh yeah, and I hope we

498
00:26:45,280 --> 00:26:47,960
Speaker 2: see it at the Super Bowl the Sphere. I'm like, Okay,

499
00:26:48,640 --> 00:26:51,359
Speaker 2: if the Sphere had a pole that led all the

500
00:26:51,359 --> 00:26:54,840
Speaker 2: way up to the top, yeah, and people could dance

501
00:26:54,880 --> 00:26:58,120
Speaker 2: on it. Catch me there, Catch me there. I don't.

502
00:26:58,320 --> 00:27:00,720
Speaker 2: Any time I see a photo of the Sphere, of

503
00:27:00,800 --> 00:27:03,280
Speaker 2: someone at the sphere, I have to stop and go.

504
00:27:03,880 --> 00:27:04,840
Speaker 2: I don't know about this.

505
00:27:05,400 --> 00:27:08,160
Speaker 1: Having been there a couple of times, like hearing how

506
00:27:08,160 --> 00:27:10,920
Speaker 1: excited everyone is about like everyone in Vegas is talking

507
00:27:10,960 --> 00:27:13,160
Speaker 1: about the sphere, I was like, I gotta go in there,

508
00:27:13,480 --> 00:27:15,359
Speaker 1: and I did not get the chance to because we

509
00:27:15,400 --> 00:27:18,159
Speaker 1: had a packed schedule. I'm telling you, like, it was

510
00:27:18,200 --> 00:27:19,960
Speaker 1: a first of all, I went from the airport to

511
00:27:20,080 --> 00:27:23,760
Speaker 1: Usher because Delta flopped this time, missed.

512
00:27:23,760 --> 00:27:25,719
Speaker 2: I think not, I don't miss anything.

513
00:27:25,760 --> 00:27:28,440
Speaker 1: I just walked in like and it was like Usher's

514
00:27:28,440 --> 00:27:30,760
Speaker 1: going on, so the energy was high. Then I had

515
00:27:30,760 --> 00:27:33,280
Speaker 1: Bravocan like the next day, and then at Dell that night,

516
00:27:33,320 --> 00:27:35,040
Speaker 1: so I didn't fit in the sphere. Also, I think

517
00:27:35,040 --> 00:27:37,879
Speaker 1: it's you two right now. The second that the sphere

518
00:27:37,960 --> 00:27:39,760
Speaker 1: books someone that I want to see even.

519
00:27:39,600 --> 00:27:43,040
Speaker 2: A little bit, Yeah, I want to go. It seems insane,

520
00:27:43,359 --> 00:27:49,160
Speaker 2: but just too insane. Yeah, I don't know. I need

521
00:27:49,200 --> 00:27:50,400
Speaker 2: to be convinced.

522
00:27:50,920 --> 00:27:53,639
Speaker 1: I would think that you as someone who like, what

523
00:27:53,640 --> 00:27:56,320
Speaker 1: are you to say? This isn't entirely fair, but I

524
00:27:56,320 --> 00:27:58,720
Speaker 1: feel like whenever there's a new advancement in technology, you're

525
00:27:58,720 --> 00:28:00,440
Speaker 1: always like engaging.

526
00:28:00,440 --> 00:28:07,040
Speaker 2: Not anymore. I've hit such a plateau with it. God,

527
00:28:07,160 --> 00:28:10,479
Speaker 2: remember Gizmoto anyway, I was like yes, but now that

528
00:28:10,480 --> 00:28:15,679
Speaker 2: we're in this web three point zero shit, like I'm like,

529
00:28:16,359 --> 00:28:19,760
Speaker 2: lose my number, lose my number because AI might be coming.

530
00:28:20,520 --> 00:28:23,520
Speaker 2: Well it's that. It's like, God, I had a driver,

531
00:28:24,000 --> 00:28:27,000
Speaker 2: lovely driver, but he was just he was maybe the

532
00:28:27,040 --> 00:28:29,960
Speaker 2: twentieth person in my life to explain blockchain to me,

533
00:28:31,240 --> 00:28:33,800
Speaker 2: and I haven't had that happen. I was trying to

534
00:28:33,840 --> 00:28:36,440
Speaker 2: keep up. I was like, oh yeah, ethereum uh huh.

535
00:28:37,119 --> 00:28:40,680
Speaker 2: And I was like, well, what about SBF and whatever whatever,

536
00:28:40,720 --> 00:28:42,640
Speaker 2: And he was just trying to explain it to me,

537
00:28:42,680 --> 00:28:44,320
Speaker 2: and he was really enthused about it, and I was

538
00:28:44,320 --> 00:28:50,320
Speaker 2: happy for him. I'm out, listen, take me back to Gaga.

539
00:28:50,480 --> 00:28:54,080
Speaker 2: Does this fear You're out? Yeah? Yeah, I don't even know.

540
00:28:54,360 --> 00:28:58,200
Speaker 2: Not even Gaga can get me to You're a total liar. No,

541
00:28:58,680 --> 00:29:02,400
Speaker 2: You're like, probably, I want to start an Amish community

542
00:29:02,600 --> 00:29:08,160
Speaker 2: that is two thousand and fourteen technology only. I've never

543
00:29:08,240 --> 00:29:11,760
Speaker 2: met anyone less met, but I've never I have never

544
00:29:11,840 --> 00:29:15,480
Speaker 2: met anyone who would do worse in an Amish community

545
00:29:15,520 --> 00:29:18,360
Speaker 2: than you I'm saying, it's not an amish community. It's

546
00:29:18,360 --> 00:29:21,480
Speaker 2: a community that has technology that only goes up to

547
00:29:21,560 --> 00:29:24,720
Speaker 2: twenty fourteen. Okay, so what what is that? Like?

548
00:29:24,800 --> 00:29:28,680
Speaker 1: What's in twenty fourteen? What was the iPhone six? We

549
00:29:28,840 --> 00:29:31,320
Speaker 1: all still kind of like had our iPods around?

550
00:29:31,560 --> 00:29:33,880
Speaker 2: Yeah? Yeah, yeah, it wasn't like a relic.

551
00:29:33,760 --> 00:29:34,240
Speaker 1: Right right?

552
00:29:34,360 --> 00:29:38,080
Speaker 2: Right? Oh my god. Anyway, quickly, we've talked about Adella

553
00:29:38,080 --> 00:29:39,800
Speaker 2: in Vegas before. To talk about a.

554
00:29:39,480 --> 00:29:42,600
Speaker 1: Dell was a fabulous She goes, I'm so sick, I'm sorry.

555
00:29:42,840 --> 00:29:45,600
Speaker 1: She then gave the most flawless vocal performance I've ever heard.

556
00:29:45,600 --> 00:29:48,040
Speaker 2: She was like, my chest is on fire, and if

557
00:29:48,080 --> 00:29:51,800
Speaker 2: I even speak, I'm gonna die. But I'm emotional. I'm

558
00:29:51,800 --> 00:29:54,920
Speaker 2: something emotional. It's emotional for me because I want to

559
00:29:54,920 --> 00:29:57,360
Speaker 2: do the last show. I've got shit voice tonight.

560
00:29:57,520 --> 00:30:00,040
Speaker 1: And she's going off about how sick she is, and

561
00:30:00,160 --> 00:30:02,200
Speaker 1: she goes, I'm gonna be turning the mic around, so

562
00:30:02,280 --> 00:30:04,120
Speaker 1: y'all have to sing for me almost the whole show.

563
00:30:04,360 --> 00:30:05,160
Speaker 2: I'm like, yeah, right.

564
00:30:05,760 --> 00:30:09,720
Speaker 1: She turns out the most stunning vocal, maybe even better

565
00:30:09,720 --> 00:30:14,080
Speaker 1: than last time. Wow, it was amazing, And then the

566
00:30:14,160 --> 00:30:17,520
Speaker 1: Bravo kan of it all I've never been so starstruck.

567
00:30:17,880 --> 00:30:21,200
Speaker 2: It must have been like everywhere he turned, it was like,

568
00:30:21,400 --> 00:30:25,920
Speaker 2: oh my god, you you you. It was truly surreal.

569
00:30:26,040 --> 00:30:30,040
Speaker 1: Like I think I was more nervous at Bravo Con

570
00:30:30,160 --> 00:30:32,560
Speaker 1: than I was when we've been to like the Emmys

571
00:30:33,000 --> 00:30:35,680
Speaker 1: and the Critics' Choice Awards, like because turning around and

572
00:30:35,720 --> 00:30:38,360
Speaker 1: seeing like Kristen Stewart is one thing.

573
00:30:38,920 --> 00:30:40,360
Speaker 2: Turning around and seeing like.

574
00:30:42,760 --> 00:30:45,719
Speaker 1: I went up to Dorrit to oh my god, tell me,

575
00:30:46,280 --> 00:30:48,960
Speaker 1: I was with three Retrainey. First she goes because Garcel

576
00:30:49,080 --> 00:30:52,680
Speaker 1: comes in. Garcel was giving well, I was too scared.

577
00:30:52,840 --> 00:30:56,760
Speaker 1: Garcel was giving top dog energy Like Garcel came in,

578
00:30:57,160 --> 00:30:59,480
Speaker 1: went to a corner and was like surrounded by people.

579
00:30:59,520 --> 00:31:01,800
Speaker 1: Her son was there, and she had like a whole

580
00:31:01,800 --> 00:31:04,560
Speaker 1: thing and she was sitting down talking to someone and

581
00:31:04,600 --> 00:31:07,400
Speaker 1: I was like, I am not going to interrupt her,

582
00:31:07,560 --> 00:31:09,520
Speaker 1: even though we've met a couple of times. She's been

583
00:31:09,560 --> 00:31:13,320
Speaker 1: on this podcast, Like I had a whole in with

584
00:31:13,360 --> 00:31:15,239
Speaker 1: her because I was there with Rory, who was in

585
00:31:15,920 --> 00:31:17,760
Speaker 1: I can't say what show, but Garcella was in a

586
00:31:17,800 --> 00:31:20,360
Speaker 1: show with Ree, and I had a whole opening where

587
00:31:20,360 --> 00:31:22,800
Speaker 1: I was like this is Ree likeda da da yea,

588
00:31:22,840 --> 00:31:24,320
Speaker 1: and Marie was like, can we please go over and

589
00:31:24,360 --> 00:31:25,720
Speaker 1: say her to Garcila And I was like, I have

590
00:31:25,760 --> 00:31:28,400
Speaker 1: to tell you something and actually too intimidated.

591
00:31:29,160 --> 00:31:34,760
Speaker 2: So now you understand my timidness around the house. I yes,

592
00:31:34,880 --> 00:31:36,920
Speaker 2: like I've always been too scared to go up to Meredith,

593
00:31:36,920 --> 00:31:38,680
Speaker 2: even though we've been in the same space several times.

594
00:31:39,320 --> 00:31:42,720
Speaker 2: I saw Whitney at Chucked, she walked past me. I

595
00:31:42,760 --> 00:31:44,680
Speaker 2: was too sky I was with Sudie say Hi. I

596
00:31:44,680 --> 00:31:47,600
Speaker 2: was like, no way, even if it's Whitney and Whitney

597
00:31:47,680 --> 00:31:50,560
Speaker 2: Rosa shucked would have been the only vibe for me.

598
00:31:50,880 --> 00:31:53,080
Speaker 2: Rina said hiding against Meanny Todd and yeah, I was.

599
00:31:53,600 --> 00:31:56,120
Speaker 2: She initiated and then it was a lovely interaction and

600
00:31:56,360 --> 00:31:59,280
Speaker 2: I actually stand Lisa Rena.

601
00:31:59,360 --> 00:32:01,680
Speaker 1: No, I'm and you have to Standley Serena like she

602
00:32:02,160 --> 00:32:06,600
Speaker 1: Sveronica Mars yes, and I'm on record as Alsarena Stan.

603
00:32:07,320 --> 00:32:10,320
Speaker 1: But it was really surreal because like you're walking around

604
00:32:10,400 --> 00:32:13,680
Speaker 1: and like you're seeing all these like characters that are

605
00:32:13,720 --> 00:32:16,920
Speaker 1: also soap characters, but it's like because they are real,

606
00:32:17,360 --> 00:32:20,480
Speaker 1: they're walking around doing it. So it's like being at

607
00:32:20,520 --> 00:32:22,720
Speaker 1: disney World and watching Mickey come in.

608
00:32:23,520 --> 00:32:25,880
Speaker 2: But Mickey never takes off the hood. You know what

609
00:32:25,920 --> 00:32:28,880
Speaker 2: I'm saying. Well, it's not just Mickey, It's it's Goofy,

610
00:32:29,000 --> 00:32:34,240
Speaker 2: Donald Pluto, it was Daisy, Yes, it's everybody walking around

611
00:32:34,240 --> 00:32:35,400
Speaker 2: being like hey people.

612
00:32:35,440 --> 00:32:38,000
Speaker 1: I was too scared to go up to garcel Alexia

613
00:32:38,040 --> 00:32:40,480
Speaker 1: and Marisol could not do it.

614
00:32:40,520 --> 00:32:42,120
Speaker 2: Wow, I did.

615
00:32:42,200 --> 00:32:44,440
Speaker 1: Giselle Bryant did come in the room and I turned

616
00:32:44,440 --> 00:32:45,640
Speaker 1: to Rya and I said, we have to go.

617
00:32:46,040 --> 00:32:48,959
Speaker 2: I was like, I can't. What are you afraid of?

618
00:32:49,080 --> 00:32:52,920
Speaker 2: What are she gonna do? Fucking be an appropriate and

619
00:32:53,000 --> 00:32:56,880
Speaker 2: like abuse, traumatize her children in front of you. No

620
00:32:58,080 --> 00:33:02,640
Speaker 2: fucking loser, No hate her? Okay, Bowen is Bowen's thing

621
00:33:02,680 --> 00:33:05,480
Speaker 2: with Giselle? Am I wrong? Or am I wrong? Her thing?

622
00:33:06,000 --> 00:33:08,920
Speaker 2: Everyone's like, Gazelle is so funny. Why do you hate her?

623
00:33:09,360 --> 00:33:12,480
Speaker 2: She's never told a joke in her life, She's never

624
00:33:12,520 --> 00:33:17,000
Speaker 2: said a funny thing. She's just drawn out her words.

625
00:33:17,760 --> 00:33:19,240
Speaker 2: And then I did it with a little flourish. I'm

626
00:33:19,240 --> 00:33:20,680
Speaker 2: gonna push back on you about this.

627
00:33:21,280 --> 00:33:23,240
Speaker 1: I think one of the one of the positive things

628
00:33:23,240 --> 00:33:26,800
Speaker 1: about Gizelle is I think that at least she gives

629
00:33:26,920 --> 00:33:30,480
Speaker 1: punch to I, kind of like Karen didn't give you

630
00:33:30,520 --> 00:33:33,800
Speaker 1: punch and says the funniest shit you've ever heard. I mean,

631
00:33:33,880 --> 00:33:36,280
Speaker 1: we are, of course team Karen, but like I would

632
00:33:36,320 --> 00:33:39,880
Speaker 1: say that, so we'll get into Potomac. But I just

633
00:33:39,880 --> 00:33:42,120
Speaker 1: wanted to wrap it up by saying I met like

634
00:33:42,360 --> 00:33:45,640
Speaker 1: Lisa Barlow, who was a legend. Yes, Whitney, I loved

635
00:33:45,680 --> 00:33:50,280
Speaker 1: hanging out. Picture with Lisa was huge. I saw John Barlow,

636
00:33:50,280 --> 00:33:53,959
Speaker 1: who's six ' nine and way hot in person.

637
00:33:54,800 --> 00:33:57,920
Speaker 2: Justin Rose was asome in person, which I don't think

638
00:33:57,920 --> 00:34:01,040
Speaker 2: comes across on sucked as well. Very oh.

639
00:34:01,040 --> 00:34:03,760
Speaker 1: I saw Jackie Goldschneider was It's always great to see her.

640
00:34:04,600 --> 00:34:09,200
Speaker 1: Jackie's love love Jackie, She's adorable. I saw Melissa Gorga

641
00:34:09,239 --> 00:34:11,000
Speaker 1: and Rachel Fuda and their husbands.

642
00:34:11,040 --> 00:34:13,799
Speaker 2: They were going off for the casino. I saw them

643
00:34:13,840 --> 00:34:16,960
Speaker 2: right after a Dell. Actually, your old friend, my pals.

644
00:34:17,000 --> 00:34:20,479
Speaker 1: My favorite person that I met, Shannon Strubs Badour, huge

645
00:34:20,480 --> 00:34:22,120
Speaker 1: fan of I love that for you. She came up

646
00:34:22,120 --> 00:34:25,160
Speaker 1: and was so nice. She was like, I just want

647
00:34:25,160 --> 00:34:27,000
Speaker 1: to say, I'm such a huge fan of I love

648
00:34:27,040 --> 00:34:29,040
Speaker 1: that for you. You know, I used to sell stuff

649
00:34:29,080 --> 00:34:31,719
Speaker 1: on QVC and I was like, you know, you're one

650
00:34:31,760 --> 00:34:34,600
Speaker 1: of Molly's favorites. She goes, I run into her every

651
00:34:34,640 --> 00:34:36,840
Speaker 1: now and then, and I'm always so starstruck when I

652
00:34:36,840 --> 00:34:39,880
Speaker 1: see her. I was like, well she is starstruck around you,

653
00:34:40,000 --> 00:34:43,960
Speaker 1: Shannon storms badour and Shannon goes, I just like love

654
00:34:44,000 --> 00:34:45,799
Speaker 1: how much you're on watching It Happens Live. And I

655
00:34:45,840 --> 00:34:48,440
Speaker 1: just think I'm such a fan. And she was so nice.

656
00:34:48,480 --> 00:34:50,520
Speaker 1: And I felt so bad because the last time I

657
00:34:50,600 --> 00:34:54,319
Speaker 1: was on watch It Happens Live, No, I said, Shan,

658
00:34:54,440 --> 00:34:57,040
Speaker 1: I didn't say mentally and well, I said, Shannon.

659
00:34:56,760 --> 00:34:59,120
Speaker 2: Is not well, I'm sorry I take it yet.

660
00:34:59,160 --> 00:35:01,840
Speaker 1: And I looked at her and I said, you look amazing,

661
00:35:02,480 --> 00:35:06,359
Speaker 1: and she goes, well, it's the Dui diet ooh, And

662
00:35:06,440 --> 00:35:08,920
Speaker 1: I went crosssied and I was like, I'm so happy.

663
00:35:08,960 --> 00:35:10,640
Speaker 1: You need to be doing better. She goes, I am

664
00:35:10,680 --> 00:35:11,600
Speaker 1: doing a lot better.

665
00:35:11,920 --> 00:35:14,120
Speaker 2: So this is the thing. It's like, this is the

666
00:35:14,160 --> 00:35:17,520
Speaker 2: air these women breathe, which is people knowing about the

667
00:35:17,640 --> 00:35:21,000
Speaker 2: darkest details of their personal lives. Yeah, And so I

668
00:35:21,040 --> 00:35:24,600
Speaker 2: couldn't help, but wonder, like, does Shannon storms the door?

669
00:35:24,840 --> 00:35:27,480
Speaker 2: Is she like used to this by now, like used

670
00:35:27,520 --> 00:35:28,919
Speaker 2: to people being like, how are you dealing?

671
00:35:29,080 --> 00:35:32,239
Speaker 1: I think it's been long enough because she understands, so

672
00:35:33,040 --> 00:35:35,320
Speaker 1: they all get that. It's a good, bad and ugly moment.

673
00:35:35,440 --> 00:35:38,440
Speaker 2: Sure, and when she sees you on TV going she's unwell,

674
00:35:38,880 --> 00:35:41,640
Speaker 2: I imagine that she kind of she sees that, she

675
00:35:41,760 --> 00:35:42,960
Speaker 2: nods and goes, yeah.

676
00:35:43,400 --> 00:35:46,000
Speaker 1: I think she probably was watching that season and was

677
00:35:46,120 --> 00:35:48,799
Speaker 1: clearly she's she was not well right, but now it's

678
00:35:48,840 --> 00:35:50,520
Speaker 1: like she's doing so much better. And I was like,

679
00:35:50,560 --> 00:35:53,320
Speaker 1: you're so lovely, and she goes, I really am nice,

680
00:35:53,560 --> 00:35:56,279
Speaker 1: and I was like, I amtore you. Tamarra was a

681
00:35:56,320 --> 00:35:59,480
Speaker 1: lot of fun. She was really being Tamra okay. I

682
00:35:59,560 --> 00:36:01,560
Speaker 1: was like, you are a ten out of ten. And

683
00:36:01,560 --> 00:36:04,320
Speaker 1: then I did the Rony panel and it was so

684
00:36:04,400 --> 00:36:06,960
Speaker 1: much fun. All those women are great. I didn't even

685
00:36:06,960 --> 00:36:09,440
Speaker 1: need to be won over by them, but SiO on

686
00:36:09,480 --> 00:36:11,920
Speaker 1: you over. I liked her a lot, and I also

687
00:36:11,960 --> 00:36:14,839
Speaker 1: get the sense that they all like each other a lot.

688
00:36:14,920 --> 00:36:16,880
Speaker 1: Like the vibes were really good and I was really

689
00:36:16,920 --> 00:36:20,520
Speaker 1: happy to not moderate a panel that had like an

690
00:36:20,600 --> 00:36:24,959
Speaker 1: actual lot of drama because almost every other panel.

691
00:36:24,760 --> 00:36:27,200
Speaker 2: Was like, like Robin Dixon got.

692
00:36:27,040 --> 00:36:29,040
Speaker 1: Boo she got booed, and that was like a boat

693
00:36:29,400 --> 00:36:30,920
Speaker 1: And can I say something about the booi.

694
00:36:31,120 --> 00:36:33,719
Speaker 2: That's not I don't think we need to boo, and like,

695
00:36:34,400 --> 00:36:38,560
Speaker 2: have you ever have you ever booed in your life? Never? Never?

696
00:36:38,760 --> 00:36:41,560
Speaker 2: It's actually such a low, classless fucking.

697
00:36:41,480 --> 00:36:44,279
Speaker 1: Because here's the deal, Like even Robin, who I've had

698
00:36:44,320 --> 00:36:47,480
Speaker 1: fun dragging on the show, I.

699
00:36:47,440 --> 00:36:50,080
Speaker 2: Don't hate her. I would never Boogeizelle. Here's the thing.

700
00:36:50,160 --> 00:36:53,320
Speaker 1: It's like, I take major issue with the way that

701
00:36:53,360 --> 00:36:55,800
Speaker 1: they've treated Wendy in Candae and just the way.

702
00:36:55,680 --> 00:36:56,600
Speaker 2: That they are on the show.

703
00:36:56,960 --> 00:36:58,600
Speaker 1: But even if I were to turn around and see

704
00:36:58,640 --> 00:37:00,839
Speaker 1: Robin Dixon, I wouldn't want her to think like, oh,

705
00:37:00,880 --> 00:37:03,840
Speaker 1: that's Matt Rogers, who quote unquote hates me. It's like

706
00:37:03,880 --> 00:37:07,000
Speaker 1: I watched the show. They get it when we'll get

707
00:37:07,000 --> 00:37:07,520
Speaker 1: into Potoma.

708
00:37:07,560 --> 00:37:09,160
Speaker 2: Because there's a lot to say, but.

709
00:37:09,120 --> 00:37:12,239
Speaker 1: Like it was very clear to me a how positive

710
00:37:12,280 --> 00:37:15,600
Speaker 1: the Bravo con atmosphere was. Especially it was really like

711
00:37:15,960 --> 00:37:20,480
Speaker 1: these people were so excited to see all these women

712
00:37:20,719 --> 00:37:23,880
Speaker 1: and the other Bravo people. But it didn't feel like

713
00:37:23,920 --> 00:37:27,240
Speaker 1: a bad vibe, which I think sometimes online the social

714
00:37:27,280 --> 00:37:30,440
Speaker 1: media around the show, and I feel like bad vibes

715
00:37:30,480 --> 00:37:33,560
Speaker 1: and I don't want to contribute to bad vibes. Anymore,

716
00:37:33,719 --> 00:37:36,920
Speaker 1: especially after having been around them, because it really was

717
00:37:36,960 --> 00:37:40,439
Speaker 1: a positive atmosphere. Set continue to have fun dragging them

718
00:37:40,719 --> 00:37:43,960
Speaker 1: in fun ways, but like my thing going forward is

719
00:37:43,960 --> 00:37:45,680
Speaker 1: I'm just gonna check myself when it feels like I'm

720
00:37:45,719 --> 00:37:46,800
Speaker 1: being a little too much.

721
00:37:47,160 --> 00:37:50,759
Speaker 2: Oh that's nice. That being said, that's interesting because I

722
00:37:50,760 --> 00:37:54,359
Speaker 2: feel like some dispatches from the ground were that, like

723
00:37:55,120 --> 00:37:57,719
Speaker 2: the vibe is a little like wrestling. It's a little

724
00:37:57,719 --> 00:38:02,480
Speaker 2: bit like wwee like for sure, chepping out like arms raised,

725
00:38:02,560 --> 00:38:04,880
Speaker 2: like oh, you know, like that kind of thing. It

726
00:38:04,920 --> 00:38:06,920
Speaker 2: gives that a little bit, which is no knock on

727
00:38:06,960 --> 00:38:12,320
Speaker 2: wrestling culture, but like that feels weird. It makes sense

728
00:38:13,040 --> 00:38:16,680
Speaker 2: that in a live, exteporaneous setting, yeah, that that happens,

729
00:38:16,680 --> 00:38:19,879
Speaker 2: but it is like a little bizarre. It was good.

730
00:38:19,960 --> 00:38:23,800
Speaker 2: People were interesting, people responding to like what basically is

731
00:38:23,840 --> 00:38:25,960
Speaker 2: like a reunion on stage with an audience. Yes, like

732
00:38:26,160 --> 00:38:28,880
Speaker 2: that is like a little disorienting.

733
00:38:28,520 --> 00:38:31,279
Speaker 1: And that's why I'm like really happy I had a

734
00:38:31,320 --> 00:38:35,280
Speaker 1: cast that was all like liking each other. Jenna Allions

735
00:38:35,400 --> 00:38:38,880
Speaker 1: wasn't there right, which was unfortunate, but I will say

736
00:38:39,760 --> 00:38:42,279
Speaker 1: having been there on stage and I know they really

737
00:38:42,280 --> 00:38:43,719
Speaker 1: want her to come back and I hope she comes

738
00:38:43,760 --> 00:38:46,319
Speaker 1: back to she is not essential to the success of

739
00:38:46,320 --> 00:38:49,600
Speaker 1: that show. No, not essential, like anyone being like, oh,

740
00:38:49,680 --> 00:38:53,000
Speaker 1: Jenna Allions is the show like m I think she's

741
00:38:53,040 --> 00:38:55,560
Speaker 1: a great part of the show, but you don't need

742
00:38:56,040 --> 00:38:57,360
Speaker 1: her for the show's definitely.

743
00:38:57,480 --> 00:39:00,319
Speaker 2: I think a diet proader or something did like a

744
00:39:00,400 --> 00:39:04,279
Speaker 2: whole feature on her, like how she like changed reality TV,

745
00:39:04,360 --> 00:39:06,120
Speaker 2: And I'm like, I want to be like, oh, certainly not. No,

746
00:39:06,239 --> 00:39:08,520
Speaker 2: she didn't. No, no, like to stop talking about her, Like,

747
00:39:08,920 --> 00:39:11,160
Speaker 2: where was this about Tiffany Pollard? You?

748
00:39:12,000 --> 00:39:14,840
Speaker 1: By the way, we should just say, I guess Tiffany

749
00:39:14,840 --> 00:39:16,360
Speaker 1: Pollard got voted out of the House.

750
00:39:16,200 --> 00:39:17,240
Speaker 2: Of Villas, evicted.

751
00:39:17,400 --> 00:39:19,560
Speaker 1: She's been evicted from the House of Villains, but not

752
00:39:19,719 --> 00:39:23,520
Speaker 1: before glowing into Omrosa.

753
00:39:23,200 --> 00:39:25,480
Speaker 2: Many Galt Newman, Stalworth whatever.

754
00:39:25,719 --> 00:39:27,880
Speaker 1: We can't really repeat what she said, but just go

755
00:39:28,000 --> 00:39:28,880
Speaker 1: online and see.

756
00:39:29,080 --> 00:39:33,040
Speaker 2: I mean, what's better knowing that you're not in the White.

757
00:39:35,040 --> 00:39:38,320
Speaker 1: I just want to say that you are a fucking

758
00:39:38,719 --> 00:39:43,839
Speaker 1: guzzling Republican and I sleep better at night knowing that

759
00:39:43,880 --> 00:39:47,600
Speaker 1: you are not in the White House. I mean, and

760
00:39:47,719 --> 00:39:50,000
Speaker 1: please bleep out everything that whole thing.

761
00:39:50,120 --> 00:39:53,960
Speaker 2: It's it's Omerosa. It's like woman has to be able

762
00:39:54,000 --> 00:39:58,839
Speaker 2: to receive this kind of poison, and I think she did.

763
00:39:59,000 --> 00:40:02,120
Speaker 1: She was just like, can you see, ladies and gentlemen,

764
00:40:02,760 --> 00:40:06,600
Speaker 1: this is why we're avicting And I was just like, wow, Wow,

765
00:40:06,880 --> 00:40:10,000
Speaker 1: thank God, like that that show, which I haven't watched.

766
00:40:10,000 --> 00:40:12,759
Speaker 2: I have to capitalized on having both of them there,

767
00:40:12,960 --> 00:40:14,960
Speaker 2: I know. I mean that is like, yeah, I mean,

768
00:40:15,440 --> 00:40:17,680
Speaker 2: what a major moment to have Omerosa in New York

769
00:40:17,680 --> 00:40:21,879
Speaker 2: in the same space I fell off Survivor. But people

770
00:40:21,920 --> 00:40:24,960
Speaker 2: at work were talking about this, but I hear the

771
00:40:25,040 --> 00:40:26,960
Speaker 2: characters are really like coming into their own but it

772
00:40:27,000 --> 00:40:30,200
Speaker 2: is still I think the theme this season was dweebs

773
00:40:31,040 --> 00:40:33,920
Speaker 2: a beach, dwaves on a beach. Yeah, there's such dweebs.

774
00:40:34,239 --> 00:40:36,800
Speaker 1: I will say a lot of people have been reaching

775
00:40:36,840 --> 00:40:41,120
Speaker 1: out to say, hey, actually we thought the season wasn't

776
00:40:41,120 --> 00:40:42,960
Speaker 1: gonna give, and it did end up it's.

777
00:40:42,800 --> 00:40:45,840
Speaker 2: Now like I hear, I hear, it's crystallizing and it's giving.

778
00:40:46,560 --> 00:40:49,240
Speaker 2: Someone at work is saying that this is her first

779
00:40:49,280 --> 00:40:51,839
Speaker 2: season and she loves it, and she goes, it's really

780
00:40:51,880 --> 00:40:53,879
Speaker 2: interesting and she's like, now that she's caught up, she's

781
00:40:53,920 --> 00:40:57,360
Speaker 2: like going back and dipping into I gave her your syllabus.

782
00:40:57,719 --> 00:40:59,640
Speaker 2: But she goes, it's really interesting to watch this season

783
00:40:59,719 --> 00:41:02,600
Speaker 2: knowing that these are all dweebs, that they're not playing

784
00:41:02,800 --> 00:41:05,040
Speaker 2: none of them are playing the game well, because now

785
00:41:05,320 --> 00:41:09,440
Speaker 2: I'm seeing what not to do first. Yeah, and then

786
00:41:09,440 --> 00:41:11,120
Speaker 2: she was like, I mean the mistake of going back

787
00:41:11,120 --> 00:41:13,000
Speaker 2: to watch Heres and Villains and it's a little over

788
00:41:13,040 --> 00:41:16,040
Speaker 2: my head because I'm like, they're all the games. Bravo

789
00:41:16,520 --> 00:41:19,280
Speaker 2: is too sophisticated on heroes and villains, and I'm missing

790
00:41:19,360 --> 00:41:22,200
Speaker 2: like the nuance. And I think it's interesting that she

791
00:41:22,400 --> 00:41:26,160
Speaker 2: is watching this season first, watching people who are actively

792
00:41:26,320 --> 00:41:27,600
Speaker 2: bad right at this.

793
00:41:27,880 --> 00:41:30,839
Speaker 1: Yeah, whenever I'm suggesting people watch the show, I try

794
00:41:30,840 --> 00:41:35,160
Speaker 1: to start them in a place where like either there's

795
00:41:35,200 --> 00:41:37,399
Speaker 1: a good mix of gameplay, like yet people that are

796
00:41:37,400 --> 00:41:39,160
Speaker 1: bad and people that are really good. Which is why

797
00:41:39,160 --> 00:41:41,760
Speaker 1: I would never say watch an All Stars season first, because,

798
00:41:42,000 --> 00:41:44,319
Speaker 1: like I'm saying, heroes versus Villains, if that's your first

799
00:41:44,360 --> 00:41:47,879
Speaker 1: Survivor season, that's like going to Bravocon and having never

800
00:41:47,920 --> 00:41:52,719
Speaker 1: seen how it's just a bunch of characters like being Tim.

801
00:41:53,200 --> 00:41:55,080
Speaker 1: Then like all of a sudden, there's like so much

802
00:41:55,360 --> 00:41:59,680
Speaker 1: crazy gameplay going on, and like you just wouldn't get why.

803
00:41:59,760 --> 00:42:00,880
Speaker 2: It's it's cool that.

804
00:42:00,840 --> 00:42:04,000
Speaker 1: Carverty whips out two immunity idols and saves people, right

805
00:42:04,080 --> 00:42:06,400
Speaker 1: if you didn't know, yes, but yeah, I mean so

806
00:42:06,560 --> 00:42:08,400
Speaker 1: I'll get into it, maybe even today on the plane,

807
00:42:08,560 --> 00:42:09,840
Speaker 1: Oh Survivor.

808
00:42:10,200 --> 00:42:14,880
Speaker 2: But they're ninety minutes episodes. Yeah, that's too long, that's

809
00:42:15,520 --> 00:42:17,799
Speaker 2: am out. That's what got me off of I had

810
00:42:17,800 --> 00:42:23,080
Speaker 2: a brief thing with the Bachelor Bachelorettes years ago, and

811
00:42:23,080 --> 00:42:25,160
Speaker 2: now with Golden Bachelor, they're just like I think most

812
00:42:25,200 --> 00:42:27,360
Speaker 2: of them are like an hour. Yeah, but there was

813
00:42:27,400 --> 00:42:29,839
Speaker 2: that time in Bachelor Nation where it was like two

814
00:42:29,840 --> 00:42:31,719
Speaker 2: hour episodes and it was like, how did you all

815
00:42:31,760 --> 00:42:32,160
Speaker 2: do this?

816
00:42:32,280 --> 00:42:34,359
Speaker 1: I watched the Rachel Lindsay season, which, by the way,

817
00:42:34,440 --> 00:42:37,000
Speaker 1: Rachel was a yes, there she was there, she was

818
00:42:37,040 --> 00:42:40,600
Speaker 1: doing the Potomac panel, and I was like, that is

819
00:42:40,640 --> 00:42:42,400
Speaker 1: not a position I would ever want to be in

820
00:42:43,040 --> 00:42:47,880
Speaker 1: because they're always just so tense rotten around that cast.

821
00:42:48,120 --> 00:42:51,319
Speaker 2: Yeah, what did you think of the first episode? There

822
00:42:51,360 --> 00:42:54,240
Speaker 2: was too much Robin And I texted you and our friends.

823
00:42:54,239 --> 00:42:57,239
Speaker 2: I was like, we're in for a frustrating season if

824
00:42:57,239 --> 00:42:58,879
Speaker 2: we're going to focus and it seems like we from

825
00:42:58,880 --> 00:43:01,839
Speaker 2: the trailer we are focused on Robin a lot of it,

826
00:43:02,680 --> 00:43:05,600
Speaker 2: and like, I'm not even necessarily excited for whatever moment

827
00:43:05,640 --> 00:43:07,279
Speaker 2: she like breaks down in that van and she goes,

828
00:43:07,280 --> 00:43:14,200
Speaker 2: do you know time, but she goes sobbing on the street.

829
00:43:14,320 --> 00:43:16,919
Speaker 2: I just think this is a woman who for years

830
00:43:17,840 --> 00:43:21,160
Speaker 2: has like no actual sense of herself and it's really

831
00:43:21,200 --> 00:43:24,000
Speaker 2: tough to watch, Like she doesn't know who she is,

832
00:43:24,840 --> 00:43:27,759
Speaker 2: and like, watching this episode is really tough, especially at

833
00:43:27,800 --> 00:43:29,440
Speaker 2: the end when she talks to Giselle and Ashley and

834
00:43:29,480 --> 00:43:33,200
Speaker 2: Therese and her whole thing is like apathy is literally

835
00:43:33,680 --> 00:43:38,280
Speaker 2: I don't care like car She drops a full octave

836
00:43:38,320 --> 00:43:41,480
Speaker 2: mid syllable in her tagline this season. The taglines this

837
00:43:41,600 --> 00:43:45,600
Speaker 2: season really rough except for canvases, and the rest of

838
00:43:45,640 --> 00:43:48,960
Speaker 2: them don't make any sense, especially Karen's I'm sorry, I

839
00:43:49,000 --> 00:43:52,560
Speaker 2: love we love Karen Karen. But Robin's like she's fully

840
00:43:52,560 --> 00:43:55,680
Speaker 2: referencing a lizo lyric from like six years ago. I'm like,

841
00:43:55,920 --> 00:43:57,600
Speaker 2: and then I realized, and I told you enjoyed this.

842
00:43:57,719 --> 00:44:01,239
Speaker 2: I was like, I used to love all of these women. Yeah,

843
00:44:01,239 --> 00:44:01,680
Speaker 2: and now.

844
00:44:03,960 --> 00:44:08,359
Speaker 1: Because it's early, I am not already likeugh, like I

845
00:44:08,400 --> 00:44:12,600
Speaker 1: get where you're at. But my thing is like I actually,

846
00:44:13,280 --> 00:44:18,800
Speaker 1: in that last long scene where Gizelle, Cherisse, and Ashley

847
00:44:18,840 --> 00:44:21,680
Speaker 1: are confronting Robin about like whether or not she's okay

848
00:44:21,680 --> 00:44:24,040
Speaker 1: and the want of it all, et cetera, I actually

849
00:44:24,080 --> 00:44:26,680
Speaker 1: felt I was team Robin in that scene because I

850
00:44:26,760 --> 00:44:29,960
Speaker 1: was just like, she's telling you what her truth is,

851
00:44:30,280 --> 00:44:33,439
Speaker 1: which is that if her husband has cheated on her,

852
00:44:33,840 --> 00:44:37,040
Speaker 1: she doesn't care. She wants it to work. So that's

853
00:44:37,080 --> 00:44:40,160
Speaker 1: the reality that you have to accept. And Gizelle kept

854
00:44:40,200 --> 00:44:42,240
Speaker 1: pushing it to the point where Robin was like, doese,

855
00:44:42,239 --> 00:44:43,480
Speaker 1: what do you have many to do? Gizelle like five

856
00:44:43,520 --> 00:44:45,480
Speaker 1: flight of wors? Is that what you want? She goes, no,

857
00:44:45,600 --> 00:44:47,960
Speaker 1: I want you to be happy. I'm like, yeah, you

858
00:44:48,080 --> 00:44:50,719
Speaker 1: think she'd be happier if she wasn't with him, So

859
00:44:50,760 --> 00:44:53,319
Speaker 1: what are you saying? You want this her marriage to

860
00:44:53,360 --> 00:44:55,759
Speaker 1: be over? And She's like, I'm checking in with you,

861
00:44:55,800 --> 00:44:58,080
Speaker 1: I'm checking in with you. I'm like not really, I

862
00:44:58,080 --> 00:45:00,920
Speaker 1: mean like you're saying like it's a fuck one moment, like.

863
00:45:01,040 --> 00:45:03,279
Speaker 2: One is the reason you're unhappy? Da da da da.

864
00:45:04,040 --> 00:45:06,879
Speaker 1: And I kind of got Robin in that scene because

865
00:45:06,880 --> 00:45:11,319
Speaker 1: it's like, this woman is exhausted, she's getting played by him,

866
00:45:11,560 --> 00:45:14,520
Speaker 1: or if she's not then it's too exhausting to explain.

867
00:45:15,120 --> 00:45:18,800
Speaker 1: And when she said that her joy had been stolen,

868
00:45:19,360 --> 00:45:21,399
Speaker 1: that was a bummer for me. I was like, uh,

869
00:45:22,280 --> 00:45:24,919
Speaker 1: you know, like I'm still in the position of I'm

870
00:45:25,080 --> 00:45:28,360
Speaker 1: trying yet again at the top of the season to

871
00:45:28,440 --> 00:45:30,359
Speaker 1: go with an open mind and we'll see if they

872
00:45:30,360 --> 00:45:30,880
Speaker 1: fuck it up.

873
00:45:30,920 --> 00:45:34,160
Speaker 2: I'm just watching for Wendy and Candice and Karen, and

874
00:45:34,200 --> 00:45:35,400
Speaker 2: I'm curious about Meka.

875
00:45:35,920 --> 00:45:38,759
Speaker 1: I'm already allergic to Mecca because I don't like this.

876
00:45:39,680 --> 00:45:42,000
Speaker 1: She said that Wendy's mother just does voodoo.

877
00:45:42,200 --> 00:45:45,480
Speaker 2: I mean, but that's like that is a big I

878
00:45:45,600 --> 00:45:47,960
Speaker 2: just can admire a big swing like that when you're

879
00:45:48,080 --> 00:45:50,520
Speaker 2: coming in fresh.

880
00:45:49,840 --> 00:45:54,040
Speaker 1: The tailor, being like Wendy being like my mother worship

881
00:45:54,080 --> 00:45:55,760
Speaker 1: our Lord and say here Jesus Christ.

882
00:45:56,040 --> 00:46:00,040
Speaker 2: And then Mecha goes during the day. At night she

883
00:46:00,040 --> 00:46:01,400
Speaker 2: brings the booda. She brings them.

884
00:46:01,520 --> 00:46:04,439
Speaker 1: She says something like, you know, like it was I'm

885
00:46:04,480 --> 00:46:07,200
Speaker 1: excited for I guess that. But I'm not gonna be

886
00:46:07,280 --> 00:46:09,480
Speaker 1: pro Neka because don't come for Wendy.

887
00:46:09,840 --> 00:46:13,800
Speaker 2: It's don't come for Wendy. But I with the robin

888
00:46:14,640 --> 00:46:17,880
Speaker 2: of it all, her saying that her joy haden stolen

889
00:46:18,080 --> 00:46:21,319
Speaker 2: is a bummer, but she's still misattributing it to like

890
00:46:22,040 --> 00:46:25,080
Speaker 2: the discourse around the marriage and not want I think

891
00:46:25,120 --> 00:46:27,320
Speaker 2: that's what Gizelle was like taking issh with. I agree

892
00:46:27,320 --> 00:46:30,360
Speaker 2: that Gizelle was pushing in a way that is, like

893
00:46:30,480 --> 00:46:35,839
Speaker 2: Gizelle inappropriate. I have had it with inappropriate people in

894
00:46:35,960 --> 00:46:38,719
Speaker 2: general and all in all sectors. You know what I'm

895
00:46:38,760 --> 00:46:43,439
Speaker 2: talking about, Some people especially, there's one person online who

896
00:46:43,440 --> 00:46:49,239
Speaker 2: has become the poster person for inappropriateness. Oh oh oh,

897
00:46:49,640 --> 00:46:50,600
Speaker 2: I did bleep.

898
00:46:50,360 --> 00:46:52,839
Speaker 1: That bleep that please but but yeah, I mean it's

899
00:46:52,880 --> 00:46:55,120
Speaker 1: all too fucking it's all too fucking much.

900
00:46:55,200 --> 00:46:58,279
Speaker 2: It's certainly gone to Okay. So when I watched this

901
00:46:58,360 --> 00:47:02,640
Speaker 2: premiere and I compared to the Miami we were cheering, hooping, hollering.

902
00:47:03,400 --> 00:47:05,520
Speaker 2: You literally said when we were watching the Miami premiere,

903
00:47:05,719 --> 00:47:08,919
Speaker 2: a triumph And this is my thing, like I need

904
00:47:08,960 --> 00:47:15,200
Speaker 2: to feel something powerful when it comes to a Housewives franchise. Now,

905
00:47:15,719 --> 00:47:18,840
Speaker 2: Salt Lake is delivering that, Miami is delivering that. Beverly

906
00:47:18,920 --> 00:47:22,000
Speaker 2: Hills is yet too. But I have hope it'll happen.

907
00:47:22,120 --> 00:47:25,480
Speaker 2: It'll happen. I'm sure Potomac will, But like Miami I

908
00:47:25,600 --> 00:47:27,799
Speaker 2: was so happy to see all of these women. I

909
00:47:27,880 --> 00:47:32,320
Speaker 2: was overjoyed. We cheered when Andreanna came out, we cheered

910
00:47:32,320 --> 00:47:35,200
Speaker 2: when Marisol came on. I'm so happy to hear that

911
00:47:35,280 --> 00:47:39,040
Speaker 2: Gurdy is cancer free as of amazing news. Like the

912
00:47:39,120 --> 00:47:41,920
Speaker 2: vibes are good, the vibes are frivolous. I mean it is.

913
00:47:42,120 --> 00:47:46,200
Speaker 2: That is melodrama. Gurdy sweeping in front of Larsa and

914
00:47:46,239 --> 00:47:48,040
Speaker 2: this premiere go like I'm gonna need you. I'm gonna

915
00:47:48,120 --> 00:47:53,000
Speaker 2: need you. It's like, I'm gonna need you. This is amazing.

916
00:47:53,239 --> 00:47:56,879
Speaker 2: It was like this because it's so truthful and yet

917
00:47:56,920 --> 00:48:01,320
Speaker 2: it's so big. Celestian was saying this about Myami, I Celester,

918
00:48:01,440 --> 00:48:06,840
Speaker 2: Sarah Sherman. They go the women on Miami dress sexy

919
00:48:07,440 --> 00:48:10,480
Speaker 2: just for themselves. Yeah, that's a really you know what

920
00:48:10,520 --> 00:48:14,400
Speaker 2: I mean, not even like a lander Potomac or Beverly Hill. Well, no,

921
00:48:14,440 --> 00:48:20,240
Speaker 2: Beverly Hills, maybe Beverly Hills. It's about glamour and the lads.

922
00:48:20,360 --> 00:48:23,560
Speaker 2: It's yeah, it's about stunting Miami. It's like, because it's

923
00:48:23,560 --> 00:48:26,200
Speaker 2: Miami culture, they just want to look hot. There's a

924
00:48:26,200 --> 00:48:29,640
Speaker 2: lot of personal style. Yes, that's something I think is

925
00:48:29,719 --> 00:48:32,680
Speaker 2: really fun. Personal and functional, like they're in a hot city,

926
00:48:32,840 --> 00:48:33,319
Speaker 2: you know what I mean.

927
00:48:33,560 --> 00:48:37,040
Speaker 1: I did go up to Lisa hawks scene and I said, Lisa,

928
00:48:37,200 --> 00:48:37,759
Speaker 1: I love you.

929
00:48:37,920 --> 00:48:43,759
Speaker 2: She literally turns over her shoulder. Thanks. That's a I

930
00:48:43,960 --> 00:48:46,600
Speaker 2: love that she paid me sort of does it was great?

931
00:48:47,000 --> 00:48:49,680
Speaker 2: I love wow. And I'm trying. She was. She was

932
00:48:49,719 --> 00:48:52,680
Speaker 2: too busy face too, she was. She was talking to Jodie.

933
00:48:52,719 --> 00:48:56,680
Speaker 2: She was there. She was the most shoulderless man in

934
00:48:56,840 --> 00:49:00,480
Speaker 2: the universe. He has no shoulders, but he's a lot

935
00:49:00,520 --> 00:49:03,480
Speaker 2: of heart. And oh, I'm so happy for them both. No,

936
00:49:03,600 --> 00:49:05,239
Speaker 2: he seems like a great guy. I'm just saying, like

937
00:49:05,280 --> 00:49:07,839
Speaker 2: the silhouette is jarring at first, and I'm still thinking

938
00:49:07,840 --> 00:49:10,440
Speaker 2: about but he seems lovely. I bet he's swinging.

939
00:49:10,719 --> 00:49:14,520
Speaker 1: Oh yeah, yeah, for sure, swinging, slang is swinging, sling

940
00:49:14,640 --> 00:49:15,640
Speaker 1: in all those things.

941
00:49:24,600 --> 00:49:26,640
Speaker 2: My girl has a flight to catch. I got a

942
00:49:26,680 --> 00:49:28,880
Speaker 2: flight to catch. So I'm wondering, is there anything that

943
00:49:28,960 --> 00:49:32,200
Speaker 2: we really need to discuss. The album's out.

944
00:49:32,920 --> 00:49:34,879
Speaker 1: Well, thank you for saying that my album is out.

945
00:49:34,960 --> 00:49:37,240
Speaker 1: Thank you all for streaming it. One of my songs

946
00:49:37,400 --> 00:49:40,480
Speaker 1: is doing really well. Three of your songs are doing

947
00:49:40,520 --> 00:49:41,920
Speaker 1: really A few of them are doing really well. But

948
00:49:42,000 --> 00:49:45,120
Speaker 1: one of them got put on a special Christmas playlist,

949
00:49:45,200 --> 00:49:47,200
Speaker 1: a couple of them, and they made me the face

950
00:49:47,239 --> 00:49:47,960
Speaker 1: of the playlist.

951
00:49:48,440 --> 00:49:49,760
Speaker 2: But my song called I Don't.

952
00:49:49,600 --> 00:49:51,040
Speaker 1: Need It to Be Christmas at All, which was the

953
00:49:51,080 --> 00:49:53,960
Speaker 1: one that we put on the album as the last track,

954
00:49:54,120 --> 00:49:56,840
Speaker 1: just because it was like more earnest in general, and

955
00:49:56,960 --> 00:49:59,080
Speaker 1: like we just wanted to have fun with it. It's

956
00:49:59,160 --> 00:50:01,800
Speaker 1: doing great, but I'm so happy with the way everyone's

957
00:50:01,880 --> 00:50:04,040
Speaker 1: been receiving the album.

958
00:50:04,600 --> 00:50:08,200
Speaker 2: Phenomenal. You sound so good at the production of me

959
00:50:08,719 --> 00:50:12,759
Speaker 2: Rock featuring. People love that track, I think, and I'm

960
00:50:12,840 --> 00:50:15,040
Speaker 2: using the mic that I used to record that don't

961
00:50:15,120 --> 00:50:18,400
Speaker 2: do this. I was eating up my vowels Towards the end,

962
00:50:18,600 --> 00:50:20,600
Speaker 2: everyone stood up with your performance. I'm listening to it.

963
00:50:20,680 --> 00:50:22,759
Speaker 2: I go, you can't hear the last syllable I say

964
00:50:23,200 --> 00:50:26,720
Speaker 2: in every line, And that's my fault. It's not your fault.

965
00:50:27,480 --> 00:50:28,560
Speaker 2: I'm not true.

966
00:50:29,000 --> 00:50:31,040
Speaker 1: Well, I'll have it, and don't be looking. Don't be

967
00:50:31,160 --> 00:50:33,560
Speaker 1: telling me that you don't think things are sound correct

968
00:50:33,600 --> 00:50:34,120
Speaker 1: on my album.

969
00:50:34,600 --> 00:50:35,680
Speaker 2: I'm talking about just me.

970
00:50:35,960 --> 00:50:38,319
Speaker 1: No, I'm part of my album. You're a featured artist.

971
00:50:40,200 --> 00:50:42,480
Speaker 1: You win a Grammy too, Is that true? No, I

972
00:50:42,520 --> 00:50:47,239
Speaker 1: don't think I'm saying to you that I think that

973
00:50:47,320 --> 00:50:49,600
Speaker 1: there will be a chance for me to redeem myself.

974
00:50:50,640 --> 00:50:54,920
Speaker 2: Girl maybe uh down live performance, live performance?

975
00:50:57,040 --> 00:50:59,880
Speaker 1: Yeah, thank you everyone, And I will say I mean

976
00:51:00,040 --> 00:51:02,719
Speaker 1: Ultrafest this weekend on Saturday. I'm going to be in

977
00:51:02,800 --> 00:51:05,719
Speaker 1: London the thirteenth to the eighteenth, and then the tour

978
00:51:05,880 --> 00:51:09,440
Speaker 1: took us are still on stale on stale. Yeah, it's

979
00:51:09,480 --> 00:51:11,640
Speaker 1: getting to the point where, like my brain is a

980
00:51:11,680 --> 00:51:13,080
Speaker 1: little soupy soupy.

981
00:51:13,040 --> 00:51:16,000
Speaker 2: You need to just put on an episode of what

982
00:51:16,120 --> 00:51:17,399
Speaker 2: did you say you're gonna watch on that? I guess

983
00:51:17,440 --> 00:51:19,680
Speaker 2: Survivor or you know what I wish you could watch

984
00:51:19,719 --> 00:51:22,320
Speaker 2: on a plane is Naked Attraction. Oh that would be

985
00:51:22,520 --> 00:51:26,680
Speaker 2: so great. I finally started watching, like random Traction, I

986
00:51:26,719 --> 00:51:28,680
Speaker 2: haven't thought about that in such a long time. No,

987
00:51:29,320 --> 00:51:31,560
Speaker 2: it's a fun show. I think it's making its way

988
00:51:31,560 --> 00:51:34,520
Speaker 2: stateside in a big way. I think people are really like,

989
00:51:34,719 --> 00:51:36,680
Speaker 2: like everyone at work is like Nicke Attraction, Nick Attraction.

990
00:51:36,760 --> 00:51:38,840
Speaker 2: I'm like, oh, it's like really in the air. Who's

991
00:51:38,880 --> 00:51:44,120
Speaker 2: hosting this week? Shealmy yes, Power Vibe so far great? Yeah?

992
00:51:44,480 --> 00:51:48,160
Speaker 2: Has he come through before? Yeah? Yes, yeah he had

993
00:51:48,200 --> 00:51:50,800
Speaker 2: a great show. And we're excited. He seems like he

994
00:51:50,800 --> 00:51:54,960
Speaker 2: would do a good job. Oh yeah, solid host Celeste

995
00:51:55,000 --> 00:51:57,320
Speaker 2: put on the clip we were in the office of

996
00:51:58,160 --> 00:52:01,800
Speaker 2: Timothy and Sirsha and Little Women in like Timothy confessing

997
00:52:01,840 --> 00:52:04,440
Speaker 2: his life. Just such a good scene. And I was like, damn,

998
00:52:04,640 --> 00:52:07,239
Speaker 2: I don't pay attention to this scene. But they're both

999
00:52:07,840 --> 00:52:10,839
Speaker 2: so I missed Sirsha. She's coming back, but I feel

1000
00:52:10,880 --> 00:52:12,960
Speaker 2: like she's been gone for a minute. Wait, isn't there

1001
00:52:12,960 --> 00:52:14,480
Speaker 2: a social movie that's like coming out?

1002
00:52:15,600 --> 00:52:17,600
Speaker 1: She has been taking a little bit of a breakaway.

1003
00:52:17,680 --> 00:52:20,280
Speaker 1: But then again, the industry is the industry is the industry.

1004
00:52:21,160 --> 00:52:22,600
Speaker 1: But wow, that seems amazing.

1005
00:52:22,840 --> 00:52:26,160
Speaker 2: Timothy. I'm like, oh yeah, like he's a damn star.

1006
00:52:26,320 --> 00:52:28,800
Speaker 1: Yeah, he's a damn star for sure. I think we

1007
00:52:28,880 --> 00:52:30,839
Speaker 1: can say that's a rural culture number eight.

1008
00:52:31,160 --> 00:52:34,600
Speaker 2: Timothy is a damn star in that movie especially, But

1009
00:52:34,680 --> 00:52:36,560
Speaker 2: and like in his general esthetic, he is like the

1010
00:52:36,600 --> 00:52:40,719
Speaker 2: most gorgeous lesbian you've ever seen. Yeah, beautiful lesbian, especially

1011
00:52:40,840 --> 00:52:44,080
Speaker 2: in that Little Women's scene, the puffy sleeves, that vast

1012
00:52:44,200 --> 00:52:47,360
Speaker 2: I'm like, this is so beautiful. He's slender like Jody.

1013
00:52:47,800 --> 00:52:51,000
Speaker 2: He's slender like No, but Timothy has shoulders Jody is

1014
00:52:52,160 --> 00:52:55,640
Speaker 2: the letter I what's the hotness vibe in person with Shallame?

1015
00:52:56,440 --> 00:53:00,239
Speaker 2: Can I be honest? Like and this is purely personal? Yeah,

1016
00:53:00,760 --> 00:53:04,080
Speaker 2: not my thing, not my thing either, but but I celebrate,

1017
00:53:04,200 --> 00:53:11,680
Speaker 2: but like Venus is a boy fucking Caravaggio man, I'm sorry, boy,

1018
00:53:12,040 --> 00:53:14,000
Speaker 2: Caravagio boy, Caravagio boy.

1019
00:53:14,120 --> 00:53:16,719
Speaker 1: Title of that title of that, Timothy, You'll never guess.

1020
00:53:16,920 --> 00:53:19,600
Speaker 1: Caravaggio Boy might be one of our best titles.

1021
00:53:19,960 --> 00:53:22,680
Speaker 2: Okay, let me show you. I'm gonna google image search

1022
00:53:24,440 --> 00:53:27,000
Speaker 2: like he's this, He's the boy with fruit you know

1023
00:53:27,040 --> 00:53:29,040
Speaker 2: what I mean? If you google the words boy with

1024
00:53:29,120 --> 00:53:32,680
Speaker 2: the basket of fruit, Caravaggio, You're gonna find Timothy Shallamy.

1025
00:53:32,680 --> 00:53:36,080
Speaker 1: Caravagio Boy is Timothy Shaman were in the basket of

1026
00:53:36,120 --> 00:53:37,960
Speaker 1: fruit vibes? He should play him in the film. He

1027
00:53:38,040 --> 00:53:40,640
Speaker 1: should with girl with a pearl leerring Boy with the

1028
00:53:40,719 --> 00:53:41,480
Speaker 1: Basket of fruits.

1029
00:53:42,080 --> 00:53:44,960
Speaker 2: Let's write it. We I don't think would do a

1030
00:53:45,000 --> 00:53:47,680
Speaker 2: good job writing. I think actually we would. Girl.

1031
00:53:47,800 --> 00:53:50,200
Speaker 1: Oh, I just realized my I don't think so, honey,

1032
00:53:50,600 --> 00:53:52,040
Speaker 1: and I think it might be a retreat. But I

1033
00:53:52,160 --> 00:53:54,719
Speaker 1: have to say this again. Should we go right into it?

1034
00:53:55,600 --> 00:53:57,480
Speaker 2: Yeah? Okay? Or do you not have one this week?

1035
00:53:57,600 --> 00:53:59,759
Speaker 2: I kind of have when it's a little petty, but yeah,

1036
00:54:00,000 --> 00:54:02,640
Speaker 2: it's a little petty. Well, yeah that's you know, I

1037
00:54:02,719 --> 00:54:04,520
Speaker 2: think I know what you're about to do. Well, this

1038
00:54:04,680 --> 00:54:07,959
Speaker 2: is I don't think so honey, And it's really a moment,

1039
00:54:08,239 --> 00:54:11,399
Speaker 2: which by the way, Jennifer Hudson, oh, I didn't even

1040
00:54:11,400 --> 00:54:13,719
Speaker 2: talk about that. I didn't really do one. But but

1041
00:54:13,840 --> 00:54:15,279
Speaker 2: you guys did a joint. I don't think we did

1042
00:54:15,320 --> 00:54:17,960
Speaker 2: a joint. I don't think so honey. That was majorly

1043
00:54:18,160 --> 00:54:20,400
Speaker 2: and you're right, maybe it's time to like just call it.

1044
00:54:21,280 --> 00:54:23,640
Speaker 2: Can I quickly tell my story about meeting Jennifer Adson,

1045
00:54:24,400 --> 00:54:25,920
Speaker 2: so because I went to say hi to you, and

1046
00:54:25,920 --> 00:54:27,920
Speaker 2: your makeup ship gotten there and gone there yet.

1047
00:54:28,440 --> 00:54:30,839
Speaker 1: So I go in and I meet her, and I'm

1048
00:54:30,840 --> 00:54:33,640
Speaker 1: of course gushing over her, and you know, I even

1049
00:54:33,680 --> 00:54:35,960
Speaker 1: went up to her and I sang, well, I don't

1050
00:54:36,239 --> 00:54:39,000
Speaker 1: like and she goes and I was like, I'm so

1051
00:54:39,040 --> 00:54:42,680
Speaker 1: happy you did it back, but we did this, I

1052
00:54:42,719 --> 00:54:44,680
Speaker 1: don't think, so, honey, and my I don't think so honey,

1053
00:54:44,880 --> 00:54:46,799
Speaker 1: was I don't think so many people saying it's too

1054
00:54:46,840 --> 00:54:49,160
Speaker 1: early for Christmas, like Christmas is here, It started at that.

1055
00:54:49,640 --> 00:54:53,400
Speaker 1: So she turns to me and she goes, you have

1056
00:54:53,440 --> 00:54:57,040
Speaker 1: a Christmas album and I said yes, and she goes,

1057
00:54:57,120 --> 00:54:59,480
Speaker 1: that's amazing. She goes, I want to do a Christmas album.

1058
00:54:59,480 --> 00:55:01,440
Speaker 1: I was like, you have to, oh my god, and

1059
00:55:01,520 --> 00:55:04,000
Speaker 1: then she said yeah, but I have a problem.

1060
00:55:04,320 --> 00:55:07,000
Speaker 2: I was like what. She goes, I don't know if

1061
00:55:07,040 --> 00:55:10,600
Speaker 2: it's going to be red and green Christmas or white Christmas.

1062
00:55:11,320 --> 00:55:13,960
Speaker 2: And I said that is actually so important. I said,

1063
00:55:14,000 --> 00:55:16,399
Speaker 2: what do you mean. She goes, well, if it's red

1064
00:55:16,440 --> 00:55:20,480
Speaker 2: and green Christmas, you have to sing certain types of songs. Wow.

1065
00:55:20,680 --> 00:55:23,400
Speaker 2: And if it's a white Christmas, well that's when you

1066
00:55:23,440 --> 00:55:26,920
Speaker 2: have to sing Silent Night. And I was like, you

1067
00:55:27,080 --> 00:55:28,960
Speaker 2: think that there's a difference. She goes, oh yeah.

1068
00:55:29,360 --> 00:55:32,720
Speaker 1: Then she goes, and there's also many other different kinds

1069
00:55:32,760 --> 00:55:35,600
Speaker 1: of Christmas. And I said, did you see Carrie Underwood's

1070
00:55:35,640 --> 00:55:36,240
Speaker 1: Christmas Special?

1071
00:55:36,360 --> 00:55:36,880
Speaker 2: She said no.

1072
00:55:37,320 --> 00:55:40,840
Speaker 1: I said, well, she wore a blue dress, and Jennifer

1073
00:55:40,920 --> 00:55:44,480
Speaker 1: Hudson said that's what I'm saying. So I was like,

1074
00:55:44,560 --> 00:55:47,040
Speaker 1: I don't know if this is like a synesthesia or

1075
00:55:47,080 --> 00:55:50,440
Speaker 1: something where she colors with certain songs.

1076
00:55:50,480 --> 00:55:52,439
Speaker 2: But she was like, I don't know if it's gonna

1077
00:55:52,440 --> 00:55:54,800
Speaker 2: be read in green Christmas or white Christmas. It's not

1078
00:55:54,960 --> 00:55:58,160
Speaker 2: maybe it's not full synesthesia, but the fact that this purse,

1079
00:55:58,280 --> 00:56:03,120
Speaker 2: this amazing musician vocalist is thinking in terms of color

1080
00:56:04,120 --> 00:56:05,759
Speaker 2: is so beautiful to me.

1081
00:56:05,960 --> 00:56:07,440
Speaker 1: And then I was like, are you gonna do a

1082
00:56:07,520 --> 00:56:09,640
Speaker 1: Holy Night? She goes, I mean, I guess I have

1083
00:56:09,760 --> 00:56:14,359
Speaker 1: to do. It's white Christmas. And so she goes, well,

1084
00:56:14,440 --> 00:56:16,759
Speaker 1: you know, not enough people do silent Night. And I

1085
00:56:16,880 --> 00:56:19,399
Speaker 1: was like, you think, bro, she that's not true.

1086
00:56:19,640 --> 00:56:21,680
Speaker 2: I was like, I don't know. She goes, look it up,

1087
00:56:21,880 --> 00:56:23,000
Speaker 2: no one does silent night.

1088
00:56:23,360 --> 00:56:25,080
Speaker 1: I was like, well, you have to do silent night,

1089
00:56:25,280 --> 00:56:26,960
Speaker 1: and I said to her, I was like, you should

1090
00:56:27,040 --> 00:56:29,080
Speaker 1: just not do a Holy Night because everyone expects it

1091
00:56:29,160 --> 00:56:31,960
Speaker 1: from you. She goes, okay, and then she's leaving and

1092
00:56:32,080 --> 00:56:35,320
Speaker 1: she goes, why Christmas. It was perfect.

1093
00:56:35,760 --> 00:56:38,720
Speaker 2: This could not have gone any better. It was amazing.

1094
00:56:39,080 --> 00:56:41,759
Speaker 1: She was so nice, and then she goes during that

1095
00:56:41,800 --> 00:56:43,319
Speaker 1: I don't think, so, honey, I'm gonna have to try

1096
00:56:43,320 --> 00:56:44,560
Speaker 1: to keep up with you, but I don't know if

1097
00:56:44,560 --> 00:56:46,000
Speaker 1: I can because you're fierce.

1098
00:56:46,480 --> 00:56:50,040
Speaker 2: She called you fear, and I was like, jea Louise

1099
00:56:50,239 --> 00:56:55,640
Speaker 2: from Saint Louis called you fear Saint Louise you. Oh

1100
00:56:55,680 --> 00:56:57,279
Speaker 2: my god, this is one of your this is one

1101
00:56:57,320 --> 00:56:57,880
Speaker 2: of your people.

1102
00:56:58,120 --> 00:57:00,360
Speaker 1: So my great meanings so far of my life. This

1103
00:57:00,520 --> 00:57:02,320
Speaker 1: is I don't know how it keeps happening like this.

1104
00:57:02,480 --> 00:57:04,160
Speaker 1: But I also met Gail King yesterday.

1105
00:57:04,320 --> 00:57:08,640
Speaker 2: Oh my god. Wait, the vibe is immaculate. Yeah, Gail King.

1106
00:57:08,760 --> 00:57:10,480
Speaker 2: She came right in the dressing room. She said, you know,

1107
00:57:10,560 --> 00:57:12,359
Speaker 2: I thought that was very funny. And here's the part

1108
00:57:12,400 --> 00:57:14,239
Speaker 2: of the interview I liked the most. And she said,

1109
00:57:14,320 --> 00:57:15,759
Speaker 2: like one part of the interview. And I was like, well,

1110
00:57:15,800 --> 00:57:18,600
Speaker 2: thank you, Gail. And she was just very nice.

1111
00:57:18,680 --> 00:57:21,720
Speaker 1: And she did that power move too, where like she

1112
00:57:21,920 --> 00:57:24,160
Speaker 1: left the room without saying goodbye. She sort it was

1113
00:57:24,240 --> 00:57:26,360
Speaker 1: just like I'm leaving you on this and then.

1114
00:57:26,280 --> 00:57:28,200
Speaker 2: She went away like it was nice to me you.

1115
00:57:28,360 --> 00:57:32,120
Speaker 2: She goes pleasure her. I'm not making this about me,

1116
00:57:33,120 --> 00:57:35,200
Speaker 2: but next time you see her. I know, I thought

1117
00:57:35,240 --> 00:57:38,120
Speaker 2: about this, telling her that you guys are both fifties. Well,

1118
00:57:38,160 --> 00:57:42,280
Speaker 2: that we held onto each other during all two well

1119
00:57:42,400 --> 00:57:45,200
Speaker 2: during all two well ten minute version, singing every word,

1120
00:57:46,640 --> 00:57:50,720
Speaker 2: and then Ryan Reynolds turns next to I've told the

1121
00:57:50,760 --> 00:57:53,680
Speaker 2: story too many times, Ryan, how were you guys. The

1122
00:57:53,800 --> 00:57:56,680
Speaker 2: song's been out for less than twenty four hours. How

1123
00:57:56,760 --> 00:57:58,720
Speaker 2: do you guys know all the words? So Gail King

1124
00:57:58,920 --> 00:58:02,640
Speaker 2: was actually off book? Yes, wow, you like we both

1125
00:58:02,680 --> 00:58:07,800
Speaker 2: think you charre my dad self effacing dad. Do you

1126
00:58:07,880 --> 00:58:10,040
Speaker 2: think that by the transit of property of this means

1127
00:58:10,080 --> 00:58:16,160
Speaker 2: that Oprah? Perhaps? I think Oprah definitely respects the Oprah

1128
00:58:16,240 --> 00:58:19,760
Speaker 2: Taylor interview is like coming, Yeah, where is that that's

1129
00:58:19,800 --> 00:58:21,760
Speaker 2: gonna be on the pipe unless tree Paint is like, no,

1130
00:58:21,880 --> 00:58:24,320
Speaker 2: we're not even talking to Oh. I mean Taylor is like,

1131
00:58:24,400 --> 00:58:25,960
Speaker 2: there's no reason for her to do Oprah.

1132
00:58:26,120 --> 00:58:28,040
Speaker 1: She's just not But also she's not one of those

1133
00:58:28,080 --> 00:58:31,480
Speaker 1: celebrities that like doesn't do interviews. She doesn't do him

1134
00:58:31,520 --> 00:58:34,320
Speaker 1: that much. Like I realized Taylor was on SETH to

1135
00:58:34,480 --> 00:58:37,160
Speaker 1: promote I think it was Red she released. She did

1136
00:58:37,640 --> 00:58:42,320
Speaker 1: SETH and Jimmy and SNL the same week for Red.

1137
00:58:42,640 --> 00:58:43,760
Speaker 1: They said she's in the building.

1138
00:58:44,040 --> 00:58:46,760
Speaker 2: Well, they said, she's doing the Triple Crown Society America

1139
00:58:47,360 --> 00:58:48,160
Speaker 2: and the World World.

1140
00:58:48,960 --> 00:59:00,840
Speaker 1: Wow, whah, all right, I have and I don't think

1141
00:59:00,880 --> 00:59:03,280
Speaker 1: so Honey to do You're gonna understand that I've been

1142
00:59:03,320 --> 00:59:05,200
Speaker 1: flying a lot, but I actually think I might have

1143
00:59:05,280 --> 00:59:08,680
Speaker 1: done this one before, but I actually don't care because

1144
00:59:08,840 --> 00:59:13,840
Speaker 1: I really need to say my truth about this and

1145
00:59:14,000 --> 00:59:15,560
Speaker 1: I need people's behaviors change.

1146
00:59:15,600 --> 00:59:17,720
Speaker 2: Okay, this is Matt Rogers. I don't think so, honey.

1147
00:59:17,800 --> 00:59:18,800
Speaker 2: His time starts now.

1148
00:59:19,080 --> 00:59:22,520
Speaker 1: I don't think so, honey. When you watch a violent, graphic,

1149
00:59:22,680 --> 00:59:27,000
Speaker 1: scary movie on the plane, oh, because I have to

1150
00:59:27,080 --> 00:59:31,600
Speaker 1: then see it when I am diagonally behind you, but diagonally,

1151
00:59:32,040 --> 00:59:34,400
Speaker 1: I have no choice but to watch what you watch.

1152
00:59:34,920 --> 00:59:37,080
Speaker 1: And the person in front of me was watching the

1153
00:59:37,160 --> 00:59:40,840
Speaker 1: latest Scream movie and I was just catching out of

1154
00:59:40,920 --> 00:59:44,880
Speaker 1: my eye the gore watching not for nothing, but because

1155
00:59:44,920 --> 00:59:48,640
Speaker 1: I do think she survives. Courtney Cox gets stabbed, watching

1156
00:59:49,000 --> 00:59:53,440
Speaker 1: people get ripped apart by truly ghost face. And I'm

1157
00:59:53,520 --> 00:59:55,520
Speaker 1: sitting there and now I'm in a state of anxiety,

1158
00:59:55,600 --> 00:59:57,840
Speaker 1: in an already an You're on your way to New York,

1159
00:59:58,200 --> 01:00:01,040
Speaker 1: where this film takes place, and I'm thinking, well, if

1160
01:00:01,080 --> 01:00:03,120
Speaker 1: I go on the subway, what's gonna go down?

1161
01:00:03,840 --> 01:00:04,840
Speaker 2: If I go to the bodega.

1162
01:00:05,160 --> 01:00:07,480
Speaker 1: I'm just saying, like, you have to be considerate about

1163
01:00:07,600 --> 01:00:09,920
Speaker 1: people that you are sitting around when it comes to

1164
01:00:10,080 --> 01:00:12,760
Speaker 1: the contact or watching. I would love for you guys

1165
01:00:13,200 --> 01:00:16,200
Speaker 1: to watch some gorgeous little rom com I can see

1166
01:00:16,200 --> 01:00:17,800
Speaker 1: over your shoulder, not this, and.

1167
01:00:17,920 --> 01:00:20,920
Speaker 2: That's one minute. I just it really put me in

1168
01:00:20,960 --> 01:00:25,000
Speaker 2: a state of anxiety. Girl, I'm so sorry, and I

1169
01:00:25,080 --> 01:00:28,640
Speaker 2: can't think of a more stressful scenario for you, my sister.

1170
01:00:29,640 --> 01:00:32,320
Speaker 2: I also was I'm saying, you know how to distract yourself.

1171
01:00:32,400 --> 01:00:34,480
Speaker 2: I was trying to distract myself, and also this was

1172
01:00:34,520 --> 01:00:37,880
Speaker 2: another distracting thing. I wonder if I should just say

1173
01:00:38,080 --> 01:00:40,160
Speaker 2: who it was. But I sat on the.

1174
01:00:40,200 --> 01:00:43,800
Speaker 1: Plane next to a person of notes, an a list star.

1175
01:00:44,240 --> 01:00:46,200
Speaker 1: I was excited in Vegas to New York, Vegas to

1176
01:00:46,240 --> 01:00:47,800
Speaker 1: New York. I was like, Oh, I'm gonna have this

1177
01:00:47,840 --> 01:00:50,480
Speaker 1: seat empty for me ya. Then I realized like the

1178
01:00:50,560 --> 01:00:53,479
Speaker 1: seat wasn't filled because this person wasn't going to board

1179
01:00:53,480 --> 01:00:57,600
Speaker 1: with everyone else. So I was already like on one

1180
01:00:57,720 --> 01:01:01,200
Speaker 1: because we were literally like sitting next I'm going to

1181
01:01:01,280 --> 01:01:03,000
Speaker 1: tell you who it was, and we're gonna bleep this out.

1182
01:01:04,280 --> 01:01:05,320
Speaker 2: Oh see.

1183
01:01:05,440 --> 01:01:07,800
Speaker 1: That reaction is also why I was like, oh my gosh,

1184
01:01:08,160 --> 01:01:10,840
Speaker 1: because I was like, let's just say it's an eccentric

1185
01:01:11,600 --> 01:01:14,880
Speaker 1: and I was like, it's someone who we've actually dragged

1186
01:01:14,920 --> 01:01:21,040
Speaker 1: on this pod before, Oscar Winner. But but basically like

1187
01:01:21,240 --> 01:01:24,600
Speaker 1: I was like sitting next to them, and well, one

1188
01:01:24,640 --> 01:01:27,480
Speaker 1: thing happened was I sneezed and this person, of course

1189
01:01:27,560 --> 01:01:34,720
Speaker 1: went gazunta, fuck ah, that's vile.

1190
01:01:37,200 --> 01:01:38,680
Speaker 2: And I was just like, thank you.

1191
01:01:38,880 --> 01:01:41,480
Speaker 1: And then we made eye contact and he registered that

1192
01:01:41,600 --> 01:01:44,640
Speaker 1: I knew who he was, and he goes, how you doing,

1193
01:01:45,080 --> 01:01:48,800
Speaker 1: and I was like, and I.

1194
01:01:48,840 --> 01:01:50,960
Speaker 2: Turned around and looked out the window. Would never never

1195
01:01:51,040 --> 01:01:51,959
Speaker 2: looked back, y'all.

1196
01:01:54,880 --> 01:01:58,400
Speaker 1: Though not spilling the team. Are you ready to do

1197
01:01:58,480 --> 01:02:00,480
Speaker 1: your I don't think so, honey, I am. And readers,

1198
01:02:00,560 --> 01:02:02,120
Speaker 1: let me know if I have done that one before.

1199
01:02:02,200 --> 01:02:05,200
Speaker 1: But I know you feel me all right, bow and yang,

1200
01:02:05,280 --> 01:02:06,840
Speaker 1: this is d I don't think so, honey. Your time

1201
01:02:06,880 --> 01:02:07,360
Speaker 1: starts now.

1202
01:02:07,600 --> 01:02:11,400
Speaker 2: I don't think so, honey. Calling a noise complaint on

1203
01:02:12,120 --> 01:02:15,480
Speaker 2: my housewarming party, girl, We were keeping it at a

1204
01:02:15,640 --> 01:02:20,760
Speaker 2: reasonable decibel level. The room was twenty people tops, not

1205
01:02:21,000 --> 01:02:24,720
Speaker 2: even twenty, and it was a Saturday night. Yeah that's

1206
01:02:25,040 --> 01:02:29,280
Speaker 2: and like, I'm sorry, I'm hearing the people upstairs with

1207
01:02:29,440 --> 01:02:33,360
Speaker 2: their four little kids stopping around screaming at all hours,

1208
01:02:33,800 --> 01:02:37,720
Speaker 2: and I don't make a fucking peep. Buying church mouse

1209
01:02:37,880 --> 01:02:40,400
Speaker 2: over here three hundred and sixty four days out of

1210
01:02:40,440 --> 01:02:44,080
Speaker 2: the year. I'm gonna throw a party once every other year.

1211
01:02:44,240 --> 01:02:47,160
Speaker 2: Perhaps I'm not a birthday person. This is a very

1212
01:02:47,440 --> 01:02:51,560
Speaker 2: singular thing, and I don't think we as a society

1213
01:02:51,640 --> 01:02:55,760
Speaker 2: have to structure our lives around families and couples. It's

1214
01:02:55,840 --> 01:02:58,040
Speaker 2: the thing of No, I'm not gonna trade you seats

1215
01:02:58,040 --> 01:02:59,959
Speaker 2: on the plane so that you guys can sit together,

1216
01:03:00,160 --> 01:03:03,440
Speaker 2: because you should have just bought your tickets together. Don't

1217
01:03:03,520 --> 01:03:07,080
Speaker 2: bank on people on single people worping distorting their lives

1218
01:03:07,120 --> 01:03:09,560
Speaker 2: around people with families. And that's one minute. I'm sick

1219
01:03:09,560 --> 01:03:12,560
Speaker 2: of it. I'm actually sick of it. Yeah, I completely understand.

1220
01:03:12,760 --> 01:03:15,160
Speaker 2: Do you have an idea of who it was? I don't.

1221
01:03:15,320 --> 01:03:16,760
Speaker 2: I ran it to a couple of my neighbors in

1222
01:03:16,800 --> 01:03:19,240
Speaker 2: the hallway the day of. I said, just letting you know,

1223
01:03:19,400 --> 01:03:21,960
Speaker 2: I'm having a little get together. It's not gonna be

1224
01:03:22,040 --> 01:03:25,160
Speaker 2: too bad, but if it is, let me know, like

1225
01:03:25,280 --> 01:03:27,680
Speaker 2: knock on my door. So I gave them that up

1226
01:03:27,720 --> 01:03:29,720
Speaker 2: to directly come to me and be like, hey, can

1227
01:03:29,800 --> 01:03:32,760
Speaker 2: you keep it down? No problem. If that happens, I

1228
01:03:32,840 --> 01:03:35,320
Speaker 2: go sure, But if you're gonna be a fucking tattle

1229
01:03:35,920 --> 01:03:38,720
Speaker 2: and call down stairs like the doorman is the one

1230
01:03:38,800 --> 01:03:42,280
Speaker 2: doorman was the one who's like, mister Bowen, we've received

1231
01:03:42,320 --> 01:03:46,080
Speaker 2: some complaints and I said, okay, some complaints or a

1232
01:03:46,200 --> 01:03:49,040
Speaker 2: complaint that is so said some And I think that

1233
01:03:49,200 --> 01:03:51,080
Speaker 2: was his way of softening it so that it wasn't

1234
01:03:51,160 --> 01:03:54,160
Speaker 2: like I don't want him to like seek out who

1235
01:03:54,560 --> 01:03:56,560
Speaker 2: like it could have been one, it could have been two, whatever,

1236
01:03:56,840 --> 01:04:00,560
Speaker 2: got it. I'm just saying, like, if it's the people upstairs,

1237
01:04:01,360 --> 01:04:04,280
Speaker 2: you guys like what I like to stand down when

1238
01:04:04,320 --> 01:04:08,840
Speaker 2: you have his little feet. Speaking of couples and like units,

1239
01:04:09,080 --> 01:04:11,960
Speaker 2: I love that you are cohabitating with other people. I

1240
01:04:12,200 --> 01:04:16,000
Speaker 2: really love that. I just think that I've lived next

1241
01:04:16,080 --> 01:04:20,120
Speaker 2: to across from the loudest, most toxic hetero couples who

1242
01:04:20,160 --> 01:04:25,760
Speaker 2: get into the most insane arguments, screaming matches. I don't.

1243
01:04:25,880 --> 01:04:29,720
Speaker 2: I have never once been like, can you guys keep it? Yeah? Yeah, yeah,

1244
01:04:29,800 --> 01:04:33,200
Speaker 2: they bring their people for fucking the games on Sunday. Yep,

1245
01:04:33,480 --> 01:04:35,000
Speaker 2: I just turn on my white noise machine if I

1246
01:04:35,080 --> 01:04:37,919
Speaker 2: need to go to bed Saturday night. Is you can't

1247
01:04:37,960 --> 01:04:41,200
Speaker 2: say anything. You can't. It's Saturday night is not for

1248
01:04:41,320 --> 01:04:43,240
Speaker 2: fucking squares like those people.

1249
01:04:43,560 --> 01:04:46,680
Speaker 1: Yeah, I would say, go figure it out and also

1250
01:04:46,800 --> 01:04:49,200
Speaker 1: like not for nothing, but like it's New York. Right,

1251
01:04:49,240 --> 01:04:50,560
Speaker 1: it's called a white noise machine.

1252
01:04:51,040 --> 01:04:54,360
Speaker 2: It's New York. It's New York. I actually promise you,

1253
01:04:54,520 --> 01:04:58,440
Speaker 2: my sister and readers Case publicist finalists, I was being

1254
01:04:58,760 --> 01:05:01,440
Speaker 2: quite reasonable. I don't think that there's.

1255
01:05:03,000 --> 01:05:07,960
Speaker 1: Party listen as someone who has lived above someone who

1256
01:05:08,040 --> 01:05:11,080
Speaker 1: had a problem when I simply just literally walked across

1257
01:05:11,160 --> 01:05:15,760
Speaker 1: my apartment. When these people just are the kinds of

1258
01:05:15,880 --> 01:05:18,480
Speaker 1: people who are sensitive to it and will make a

1259
01:05:18,560 --> 01:05:20,720
Speaker 1: big fuss about it. This is what I'm gonna say

1260
01:05:20,760 --> 01:05:23,000
Speaker 1: to you. Don't be surprised if it happens again. And

1261
01:05:23,560 --> 01:05:26,240
Speaker 1: maybe you're not cut out for this fucking city. Gotta go,

1262
01:05:26,480 --> 01:05:28,360
Speaker 1: gotta go. I have a place where you can go.

1263
01:05:28,920 --> 01:05:34,280
Speaker 2: The swamp, the swamp, rural town Trek. Yeah, hey, Shrek,

1264
01:05:34,360 --> 01:05:37,000
Speaker 2: go back to the swamp. Du Locks not for you, Shrek,

1265
01:05:37,560 --> 01:05:39,680
Speaker 2: get out of du Locks at the perfect time. Pro

1266
01:05:39,840 --> 01:05:43,720
Speaker 2: far Quad. I love city people, love lit Goal, Yeah,

1267
01:05:43,840 --> 01:05:46,400
Speaker 2: love lith Gow. He ate down in that film, and

1268
01:05:46,520 --> 01:05:50,400
Speaker 2: I was pro the village of Shrek were always slay

1269
01:05:50,960 --> 01:05:54,600
Speaker 2: lit Gal. Jennifer Saunders, being very godmother holding out for

1270
01:05:54,680 --> 01:05:57,280
Speaker 2: a hero was pussing boots a villain pussing boots was

1271
01:05:57,560 --> 01:06:00,320
Speaker 2: or was she just kind of mischievous enemies to love her? Yeah,

1272
01:06:01,480 --> 01:06:02,040
Speaker 2: please tell.

1273
01:06:01,960 --> 01:06:05,520
Speaker 1: Your lovers and friends which happened at Usher that r

1274
01:06:05,600 --> 01:06:07,520
Speaker 1: John and ludik Am I did it again.

1275
01:06:09,120 --> 01:06:11,960
Speaker 2: Anyway. That might be my neighbors just now hearing me

1276
01:06:12,400 --> 01:06:13,640
Speaker 2: go off, But I don't know think it was them.

1277
01:06:13,720 --> 01:06:16,840
Speaker 2: They seem nice. I think it's the people upstairs who

1278
01:06:16,920 --> 01:06:19,760
Speaker 2: it really is, like a seven person family. And I'm

1279
01:06:19,800 --> 01:06:22,880
Speaker 2: going which was their choice, because they don't punish me

1280
01:06:23,040 --> 01:06:26,880
Speaker 2: for being a single man who was able to I'm sorry,

1281
01:06:27,080 --> 01:06:30,040
Speaker 2: but like I shouldn't be punished for getting this apartment.

1282
01:06:30,720 --> 01:06:34,720
Speaker 2: Oh you said that, and'll first of all single handedly

1283
01:06:34,880 --> 01:06:36,480
Speaker 2: if you think I did it all alone, if you

1284
01:06:36,560 --> 01:06:38,880
Speaker 2: think it is that, because there's no one below you right, No,

1285
01:06:39,040 --> 01:06:42,240
Speaker 2: that's just a store. So it's definitely And I think

1286
01:06:42,440 --> 01:06:45,480
Speaker 2: I'm never hearing any noise from downstairs in any apartment

1287
01:06:45,520 --> 01:06:48,680
Speaker 2: that I've been in, I've never heard downstairs noise. Yeah,

1288
01:06:48,720 --> 01:06:51,200
Speaker 2: because correct me if I'm wrong, But like the noise

1289
01:06:51,200 --> 01:06:54,320
Speaker 2: doesn't travel up. I don't even I don't know. I

1290
01:06:54,680 --> 01:06:57,680
Speaker 2: can't even begin to get into this. I'm more of

1291
01:06:57,720 --> 01:07:01,120
Speaker 2: a caravagrio boy. Just I want to be a boy.

1292
01:07:01,440 --> 01:07:03,840
Speaker 2: That's not really how I look. I think it's kind

1293
01:07:03,880 --> 01:07:06,800
Speaker 2: of giving this. See like this boy is doing Caravaggio.

1294
01:07:07,000 --> 01:07:09,480
Speaker 2: That's kind of Matt Rogers. I thought that was Benny Drama.

1295
01:07:10,080 --> 01:07:14,000
Speaker 2: Oh yeah, Benny Drama is Caravagio. Happy birthday to him,

1296
01:07:14,280 --> 01:07:16,479
Speaker 2: Happy birthday to him. And also, wow, I can't believe

1297
01:07:16,480 --> 01:07:18,520
Speaker 2: I've gotten this long. This is Bowen Yang's birthday week.

1298
01:07:19,120 --> 01:07:23,560
Speaker 2: Oh stop, you know me, I'm not birthday Jesus here,

1299
01:07:24,280 --> 01:07:27,880
Speaker 2: someone will betray me. Welcome to it, you think so. No,

1300
01:07:27,920 --> 01:07:29,960
Speaker 2: I'm just kidding. Name the top three people whom I

1301
01:07:30,080 --> 01:07:39,080
Speaker 2: portray you this year. Lord michaels Ang WoT him. Jared

1302
01:07:39,080 --> 01:07:43,840
Speaker 2: Frieder He's not going to betray you. He's so sick

1303
01:07:43,960 --> 01:07:46,480
Speaker 2: this week. What happened? I don't know. He got some

1304
01:07:46,600 --> 01:07:49,320
Speaker 2: sort of stomach flu. I hope not for my party.

1305
01:07:49,800 --> 01:07:52,200
Speaker 2: I hope not from your party either. Oh my god.

1306
01:07:52,680 --> 01:07:56,440
Speaker 2: Cola Scola came by and held court until like four

1307
01:07:56,520 --> 01:08:00,440
Speaker 2: in the morning, after daylight savings. So it was five ay, Oh,

1308
01:08:00,560 --> 01:08:03,160
Speaker 2: that's why you gotta annoy his complain. No, we were

1309
01:08:03,160 --> 01:08:06,520
Speaker 2: winding it down. It went till five. Well, it was

1310
01:08:06,600 --> 01:08:09,600
Speaker 2: just me Cole, Josh Whittaker, and Tom Knight. It was

1311
01:08:09,680 --> 01:08:12,040
Speaker 2: just like the five of us, just Kiki and Kcaye

1312
01:08:12,080 --> 01:08:16,240
Speaker 2: and laughing Cole. I want to out them so bad

1313
01:08:16,320 --> 01:08:20,120
Speaker 2: for they want to post something in response to all

1314
01:08:20,160 --> 01:08:22,920
Speaker 2: the news that I think is actually genius, but they

1315
01:08:22,960 --> 01:08:26,559
Speaker 2: will never do Wait. Maybe now here's the thing. They

1316
01:08:26,600 --> 01:08:29,160
Speaker 2: are an ocean of secrets, they are, and I don't

1317
01:08:29,160 --> 01:08:30,760
Speaker 2: want to blow U through spot, but god they we

1318
01:08:30,840 --> 01:08:33,559
Speaker 2: were crying, laughing because and I said, Cole, this could

1319
01:08:33,680 --> 01:08:37,559
Speaker 2: heal the world and resolve this conflict in a real way,

1320
01:08:37,600 --> 01:08:39,439
Speaker 2: and they go, no, I'm not going to do it.

1321
01:08:40,200 --> 01:08:40,320
Speaker 1: All.

1322
01:08:40,600 --> 01:08:44,519
Speaker 2: If you see cold, Cole has the answers, Cole has

1323
01:08:44,760 --> 01:08:48,000
Speaker 2: maybe the funniest, the only funny thing that could possibly

1324
01:08:48,040 --> 01:08:51,519
Speaker 2: come out of this situation. And even if they don't

1325
01:08:51,560 --> 01:08:56,760
Speaker 2: post it, follow them on. So this has been an

1326
01:08:56,800 --> 01:09:00,640
Speaker 2: episode that was necessary, essential, and more. Thank you for

1327
01:09:00,760 --> 01:09:04,680
Speaker 2: your recap of Bravo con of Seth Myers, of your

1328
01:09:04,760 --> 01:09:10,000
Speaker 2: album release. Everybody, enjoy the Morning Show finale that's out

1329
01:09:10,080 --> 01:09:13,160
Speaker 2: right now. Wow, so much going on and we will

1330
01:09:13,200 --> 01:09:17,720
Speaker 2: stream the record, stream the record. Okay, let's end the

1331
01:09:17,840 --> 01:09:24,760
Speaker 2: song I'm so caught up, cut up normal? What it

1332
01:09:25,000 --> 01:09:32,800
Speaker 2: is I'm sot up, cut up. There was a clip

1333
01:09:32,920 --> 01:09:35,400
Speaker 2: of him going up to Kenya Moore in the audience

1334
01:09:35,960 --> 01:09:39,400
Speaker 2: and I thought they were gonna kiss that would I

1335
01:09:39,439 --> 01:09:42,800
Speaker 2: would pay money to see that, big money, Vegas money.

1336
01:09:44,920 --> 01:09:53,799
Speaker 2: May all your tips. Bye, sure bye bye Hey everybody.

1337
01:09:53,920 --> 01:09:56,200
Speaker 2: This is Matt and my album Have You Heard of Christmas?

1338
01:09:56,360 --> 01:09:57,040
Speaker 2: Is out now.

1339
01:09:57,280 --> 01:10:00,559
Speaker 1: Stream it wherever you stream things, and and also pre

1340
01:10:00,680 --> 01:10:04,559
Speaker 1: order the vinyl at www dot Matt rogersoficial dot com,

1341
01:10:04,960 --> 01:10:07,679
Speaker 1: where there's tons of merch and also tickets for my tour.

1342
01:10:08,400 --> 01:10:09,120
Speaker 2: I'm gonna be.

1343
01:10:09,160 --> 01:10:12,400
Speaker 1: In London November thirteenth to eighteenth at the Soho Theater.

1344
01:10:12,920 --> 01:10:13,920
Speaker 2: Please come see me.

1345
01:10:14,360 --> 01:10:16,960
Speaker 1: And then I start in Philly on December first, and

1346
01:10:17,040 --> 01:10:21,120
Speaker 1: I'm all over in North America until December twenty third.

1347
01:10:21,439 --> 01:10:22,479
Speaker 2: All right, thanks