1 00:00:00,200 --> 00:00:03,480 Speaker 1: Now here's a highlight from Coast to Coast AM on 2 00:00:03,600 --> 00:00:07,280 Speaker 1: I Heart Radio. I screwed up Kelly Carlin's bio so 3 00:00:07,360 --> 00:00:10,160 Speaker 1: badly the first time. I'm just gonna read it. I 4 00:00:10,200 --> 00:00:11,959 Speaker 1: tried to do it from memory last time, and I 5 00:00:12,000 --> 00:00:14,480 Speaker 1: didn't do it very well. So I'll just so I 6 00:00:14,480 --> 00:00:17,799 Speaker 1: get it right, Kelly Marie Carlin. Right, that's what it 7 00:00:17,800 --> 00:00:20,919 Speaker 1: says on your on your on your Twitter feed. I 8 00:00:20,920 --> 00:00:24,200 Speaker 1: think has always been curious about the big questions of life. 9 00:00:24,280 --> 00:00:27,000 Speaker 1: Watching her father George Carlin, being a kind of classic 10 00:00:27,080 --> 00:00:30,840 Speaker 1: comedy legend, certainly didn't hurt too. Like him, she loves 11 00:00:30,880 --> 00:00:33,800 Speaker 1: to use humor to question the status quo, and she 12 00:00:33,880 --> 00:00:36,840 Speaker 1: loves to seek out the unique angle into any subject 13 00:00:36,960 --> 00:00:40,720 Speaker 1: she tackles. But unlike him, Kelly Carlin brings a more 14 00:00:40,840 --> 00:00:45,360 Speaker 1: personal and emotional tone to her work. With her personal story, pathos, 15 00:00:45,400 --> 00:00:49,760 Speaker 1: emotion and psychological insulate insight. She reveals the joy and 16 00:00:49,880 --> 00:00:52,320 Speaker 1: challenges that come from trying to live an authentic life. 17 00:00:52,360 --> 00:00:55,800 Speaker 1: She's a public speaker, hosts both The Kelly Carlin Show 18 00:00:55,840 --> 00:01:00,000 Speaker 1: on Sirius XM and Waking from the American Dream on smodcast. 19 00:01:00,120 --> 00:01:03,920 Speaker 1: But I thought you didn't do that anymore. But I 20 00:01:03,920 --> 00:01:06,560 Speaker 1: still do my podcast yet I got it. Uh And 21 00:01:06,720 --> 00:01:09,959 Speaker 1: a Carlin Home Companion is now an author of the 22 00:01:10,000 --> 00:01:12,679 Speaker 1: memoir Our carl and Home Companion, was published by St. 23 00:01:12,720 --> 00:01:15,720 Speaker 1: Martin's Press to Rave Reviews. Congratulations on all of that. 24 00:01:16,319 --> 00:01:18,040 Speaker 1: And I really did enjoy talking with you last time. 25 00:01:18,080 --> 00:01:19,800 Speaker 1: And I just hated the fact that we were just 26 00:01:20,160 --> 00:01:22,200 Speaker 1: or at least I was just getting interested in we 27 00:01:22,280 --> 00:01:25,800 Speaker 1: read out of time. Uh so, but this is so 28 00:01:26,040 --> 00:01:28,800 Speaker 1: what again, we're here. It's the forty anniversary of this 29 00:01:28,959 --> 00:01:37,200 Speaker 1: amazing time when the FCC, who had originally been chartered 30 00:01:37,319 --> 00:01:42,520 Speaker 1: to only essentially be the traffic cop for broadcasting. They 31 00:01:42,520 --> 00:01:46,040 Speaker 1: were there to keep track of frequencies. They would hand 32 00:01:46,040 --> 00:01:48,960 Speaker 1: out fines of people juiced up their transmitters to try 33 00:01:49,000 --> 00:01:52,600 Speaker 1: to reach farther. I mean, they had a very important function, 34 00:01:52,960 --> 00:01:55,960 Speaker 1: but from the very beginning it was it was clearly 35 00:01:56,000 --> 00:01:58,400 Speaker 1: expressed to them that they were never supposed to get 36 00:01:58,400 --> 00:02:02,400 Speaker 1: into the content. And there are all sorts of mechanisms 37 00:02:03,000 --> 00:02:05,920 Speaker 1: for problems with content. For example, if there are a 38 00:02:05,920 --> 00:02:08,160 Speaker 1: lot of complaints with the radio station, they go into 39 00:02:08,160 --> 00:02:11,000 Speaker 1: the public file of that radio station and then the 40 00:02:11,080 --> 00:02:13,799 Speaker 1: f c C can decide whether or not it would 41 00:02:13,840 --> 00:02:18,040 Speaker 1: renew that radio station's license or left up to the 42 00:02:18,040 --> 00:02:20,800 Speaker 1: free market as we had. You know, we we don't 43 00:02:20,800 --> 00:02:23,440 Speaker 1: have a government run media. We we have a free 44 00:02:23,440 --> 00:02:26,280 Speaker 1: market that runs it. And so you know, if advertisers 45 00:02:26,280 --> 00:02:29,000 Speaker 1: said we don't like this, and nobody sponsored these programs, 46 00:02:29,120 --> 00:02:31,320 Speaker 1: they go off the air. And that was the way 47 00:02:31,320 --> 00:02:38,280 Speaker 1: it was established until until your dad mixed everything up. Um. 48 00:02:38,400 --> 00:02:41,919 Speaker 1: So you know, George Carlin did the did really started 49 00:02:41,919 --> 00:02:45,000 Speaker 1: with the first time he did. The bit was not 50 00:02:45,120 --> 00:02:47,840 Speaker 1: the bit that got that changed everything for the FEC. 51 00:02:48,000 --> 00:02:50,680 Speaker 1: The first one was just those the words, you know, 52 00:02:50,720 --> 00:02:54,040 Speaker 1: the seven the seven dirty words you can't say on television. 53 00:02:54,960 --> 00:02:57,440 Speaker 1: That was the first one. It was the second time 54 00:02:57,480 --> 00:03:00,200 Speaker 1: when he revisited that on the later album. That's one 55 00:03:00,240 --> 00:03:03,160 Speaker 1: that got played on the radio in Long Island. Um. 56 00:03:03,360 --> 00:03:06,840 Speaker 1: And that's when things you know, went too So we'll 57 00:03:06,840 --> 00:03:08,840 Speaker 1: get back to that. But so what was it like? 58 00:03:09,080 --> 00:03:13,799 Speaker 1: What what was your dad's feeling about that first bit. 59 00:03:13,840 --> 00:03:15,720 Speaker 1: I mean, he was just he was kind of making 60 00:03:15,720 --> 00:03:18,720 Speaker 1: the transition from a traditional stand up comic and a 61 00:03:18,800 --> 00:03:22,680 Speaker 1: former disc jockey himself to being a counter culture comic. 62 00:03:23,280 --> 00:03:24,920 Speaker 1: What was that like for him? And what was that 63 00:03:24,960 --> 00:03:29,079 Speaker 1: like in your house. Yeah, it was. I mean it 64 00:03:29,160 --> 00:03:33,920 Speaker 1: was quite a radical change on the outside, certainly for 65 00:03:34,000 --> 00:03:37,640 Speaker 1: him and for the work he did, you know, his 66 00:03:37,800 --> 00:03:41,000 Speaker 1: insides in the sixties, even though he looked like the 67 00:03:41,080 --> 00:03:44,920 Speaker 1: clean cut comic with the tie and he was, you know, 68 00:03:45,200 --> 00:03:50,680 Speaker 1: entertaining the parents of the kids who were in colleges, 69 00:03:50,880 --> 00:03:55,720 Speaker 1: smoking a weed and everything, but inside he was you know, 70 00:03:55,880 --> 00:03:58,960 Speaker 1: he was George Carlin, the guy with the you know, 71 00:03:59,000 --> 00:04:01,520 Speaker 1: with the more radical thinking. He'd been a pot smoker 72 00:04:01,560 --> 00:04:05,160 Speaker 1: since he was fourteen. He hung out with musicians on 73 00:04:05,200 --> 00:04:07,600 Speaker 1: the road. Those were his friends, you know, I mean 74 00:04:07,640 --> 00:04:11,000 Speaker 1: he was he was that person on the inside. And 75 00:04:11,080 --> 00:04:13,120 Speaker 1: so you know what had happened to him through the 76 00:04:13,160 --> 00:04:16,640 Speaker 1: sixties as he got more and more success and he 77 00:04:16,720 --> 00:04:20,080 Speaker 1: started he started wanting to change more as an artist 78 00:04:20,160 --> 00:04:24,440 Speaker 1: and too, you know, evolve as everyone else was evolving 79 00:04:24,480 --> 00:04:27,960 Speaker 1: at the time artistically. Um, he was getting real pushed 80 00:04:28,000 --> 00:04:32,240 Speaker 1: back in resistance and um, you know, he got arrested 81 00:04:32,240 --> 00:04:35,120 Speaker 1: in Vegas. I mean, not arrested, I'm sorry, he got 82 00:04:35,160 --> 00:04:40,400 Speaker 1: fired in Vegas for saying one of those seven words. 83 00:04:40,720 --> 00:04:43,960 Speaker 1: And um, and that was a big blow. He'd been 84 00:04:44,200 --> 00:04:46,440 Speaker 1: He was, you know, opening for the Supremes. You know, 85 00:04:46,520 --> 00:04:48,599 Speaker 1: making twelve thou dollars a week. I mean, that was 86 00:04:48,680 --> 00:04:51,640 Speaker 1: good money in nineteen sixty nine. It's good money still, 87 00:04:51,960 --> 00:04:54,960 Speaker 1: it sure is. And um, so he was on the 88 00:04:55,000 --> 00:04:57,600 Speaker 1: top of his game and so he got fired and 89 00:04:57,680 --> 00:05:00,720 Speaker 1: he dropped some acid, and he just knew that he 90 00:05:00,760 --> 00:05:04,200 Speaker 1: could not live with himself or the rest of his life, 91 00:05:04,400 --> 00:05:07,440 Speaker 1: you know, being you know, being just the hippie dippie 92 00:05:07,480 --> 00:05:10,200 Speaker 1: Weatherman or just the Indian sergeant or whatever that you know, 93 00:05:10,240 --> 00:05:13,200 Speaker 1: the variety shows wanted him to be. And so he 94 00:05:13,240 --> 00:05:16,000 Speaker 1: turned to my mother and said, I have I have 95 00:05:16,160 --> 00:05:18,799 Speaker 1: to do something different. I have to spread my own wings. 96 00:05:18,880 --> 00:05:20,640 Speaker 1: And this is going to mean a change for us. 97 00:05:21,279 --> 00:05:23,240 Speaker 1: And it did. You know, we moved from our little 98 00:05:23,279 --> 00:05:27,120 Speaker 1: rented house in Beverly Hills to a apartment down in 99 00:05:27,240 --> 00:05:30,479 Speaker 1: Venice Beach before Venice Beach was full of luxury condos 100 00:05:31,360 --> 00:05:34,920 Speaker 1: and um, and we started over. Now, you know, him 101 00:05:34,960 --> 00:05:39,240 Speaker 1: starting over was doing first FM AM, which I thought 102 00:05:39,320 --> 00:05:43,479 Speaker 1: was such a brilliant way of letting your audience know, Hey, 103 00:05:43,560 --> 00:05:47,240 Speaker 1: I'm making this change. And so here's what it looks like. 104 00:05:47,360 --> 00:05:50,320 Speaker 1: On the AM side is the old George Carlin and 105 00:05:50,400 --> 00:05:53,240 Speaker 1: on the FM side is the new George Garland. I mean, 106 00:05:53,279 --> 00:05:57,160 Speaker 1: it's it's one of the most clever things, it really is. 107 00:05:57,720 --> 00:06:00,599 Speaker 1: And then of course Class Clown came out and then 108 00:06:00,600 --> 00:06:03,680 Speaker 1: Occupation Fool and so that was the ark there of 109 00:06:03,720 --> 00:06:06,880 Speaker 1: those three years in a row, those albums came out, 110 00:06:07,160 --> 00:06:10,200 Speaker 1: and that's when everything changed for him, you know, I 111 00:06:10,240 --> 00:06:15,600 Speaker 1: mean he was suddenly now a counterculture superstar. And UM. 112 00:06:15,640 --> 00:06:19,400 Speaker 1: I have a specific personal memory around this is in 113 00:06:19,440 --> 00:06:22,640 Speaker 1: the summer of seventy two, before Class Clown came out, 114 00:06:23,400 --> 00:06:26,080 Speaker 1: we were summertime, so mom and I were on the 115 00:06:26,160 --> 00:06:28,200 Speaker 1: road with him and we went to a couple of places. 116 00:06:28,240 --> 00:06:31,159 Speaker 1: One place we went to was Kent State. My dad 117 00:06:31,200 --> 00:06:33,640 Speaker 1: took me to the memorial where the kids have been shot, 118 00:06:33,839 --> 00:06:35,920 Speaker 1: you know, told me a little nine year old all 119 00:06:35,960 --> 00:06:39,200 Speaker 1: about this, which freaked me out completely because it was 120 00:06:39,560 --> 00:06:43,080 Speaker 1: kind of scary back then, I mean, weren't living through it. 121 00:06:43,080 --> 00:06:46,000 Speaker 1: It was the freaks versus the Straits, and my dad 122 00:06:46,080 --> 00:06:50,479 Speaker 1: was officially a freak and um, and then our next 123 00:06:50,480 --> 00:06:55,440 Speaker 1: stop was um summer Fest in in Milwaukee, and so 124 00:06:55,520 --> 00:06:58,120 Speaker 1: here it is my dad's opening for Harlow Gut three 125 00:06:58,279 --> 00:07:02,760 Speaker 1: at summer Fest, which is outdoor festival, as my friend says, 126 00:07:03,279 --> 00:07:06,640 Speaker 1: which is like, you know, an island of sausage surrounded 127 00:07:06,640 --> 00:07:11,440 Speaker 1: by beer. Basically, there's a lot of drunk people. There's 128 00:07:11,520 --> 00:07:13,960 Speaker 1: thousands of drunk people in the audience, and my dad's 129 00:07:14,000 --> 00:07:16,920 Speaker 1: trying to do class clown bits, you know, bits from 130 00:07:16,920 --> 00:07:19,560 Speaker 1: the new album that that isn't even out yet. The 131 00:07:19,600 --> 00:07:21,960 Speaker 1: album is not even out yet, so the promoter doesn't 132 00:07:21,960 --> 00:07:24,760 Speaker 1: even know what my dad's gonna do. And of course 133 00:07:24,800 --> 00:07:27,440 Speaker 1: my dad's using some language and he's dropping the language 134 00:07:27,440 --> 00:07:31,640 Speaker 1: in here and there, and there's some policemen there who 135 00:07:31,720 --> 00:07:35,520 Speaker 1: decide that they're not happy with this language. And uh so, 136 00:07:35,560 --> 00:07:38,360 Speaker 1: the so we're backstage. The promoter comes up to my 137 00:07:38,440 --> 00:07:40,640 Speaker 1: mom and says, to my mom, the cops are here 138 00:07:41,280 --> 00:07:43,360 Speaker 1: and they're going to arrest George the minute he gets 139 00:07:43,400 --> 00:07:46,200 Speaker 1: off stage. And now my mom knew that my dad 140 00:07:46,280 --> 00:07:50,440 Speaker 1: had some coke and marijuana in his pockets, and so 141 00:07:50,560 --> 00:07:53,320 Speaker 1: she went on stage with a glass of water. And 142 00:07:53,360 --> 00:07:55,280 Speaker 1: we have the recording of it. You can hear him 143 00:07:55,320 --> 00:07:57,080 Speaker 1: like saying, hey, what are you doing out here? And 144 00:07:57,120 --> 00:08:00,000 Speaker 1: then they whisper to each other and she basically says, 145 00:08:00,240 --> 00:08:03,040 Speaker 1: get off stage left. We're we're gonna you know, this 146 00:08:03,120 --> 00:08:07,160 Speaker 1: is what's going down. We he'd keep Finally. Um, So, 147 00:08:07,200 --> 00:08:08,840 Speaker 1: the minute she tells him that that the cops are 148 00:08:08,840 --> 00:08:11,160 Speaker 1: going to arrest him, he doesn't just say to the crowd, oh, 149 00:08:11,240 --> 00:08:14,480 Speaker 1: I gotta go now, um, you know, and and be 150 00:08:14,720 --> 00:08:17,040 Speaker 1: you know, a good boy. No, this is when he 151 00:08:17,160 --> 00:08:20,840 Speaker 1: starts in with the seven dirty words routine. He just 152 00:08:21,000 --> 00:08:23,400 Speaker 1: goes for it. And of course, all of a sudden, 153 00:08:23,440 --> 00:08:24,960 Speaker 1: about I don't know, a few minutes into it, the 154 00:08:25,040 --> 00:08:29,240 Speaker 1: microphone goes mute. He walks off the stage. We go backstage. 155 00:08:29,320 --> 00:08:32,560 Speaker 1: They're stashing the drugs and the drummers, you know, based 156 00:08:32,600 --> 00:08:35,680 Speaker 1: drum um and so and and all of a sudden 157 00:08:35,679 --> 00:08:38,600 Speaker 1: there's this big bang noise and I start crying. I 158 00:08:38,640 --> 00:08:41,400 Speaker 1: think the cops are shooting at us. It was a balloon. 159 00:08:41,520 --> 00:08:44,839 Speaker 1: Someone had popped a balloon. We were safe. But when 160 00:08:44,840 --> 00:08:47,839 Speaker 1: the door opened there were the cops, and um, they 161 00:08:47,880 --> 00:08:50,520 Speaker 1: took my dad away, and it was absolutely terrifying for me. 162 00:08:50,640 --> 00:08:53,440 Speaker 1: My mom knew what to do because she had been 163 00:08:53,480 --> 00:08:55,440 Speaker 1: there when Lenny and my dad had been arrested in 164 00:08:55,520 --> 00:08:58,840 Speaker 1: nine and you know, she knew to go get a 165 00:08:58,880 --> 00:09:01,520 Speaker 1: civil rights attorney. And so I spent the weekend with 166 00:09:01,559 --> 00:09:04,559 Speaker 1: the promoters family and my mom spent the weekend getting 167 00:09:04,559 --> 00:09:07,120 Speaker 1: my dad out of jail, which the course, I think 168 00:09:07,320 --> 00:09:09,560 Speaker 1: the court threw it out. I think, you know, it 169 00:09:09,600 --> 00:09:11,480 Speaker 1: was like they gave him a small fine for like, 170 00:09:11,640 --> 00:09:14,240 Speaker 1: you know, disturbing the piece or something like that. This 171 00:09:14,320 --> 00:09:17,200 Speaker 1: is the This is the interesting thing too, is that 172 00:09:17,200 --> 00:09:19,400 Speaker 1: that you mentioned You just kind of toss that off. 173 00:09:19,440 --> 00:09:21,080 Speaker 1: But I want to go back to that, the that 174 00:09:21,200 --> 00:09:25,600 Speaker 1: famous incident where your dad got arrested with Lenny Bruce 175 00:09:26,640 --> 00:09:32,040 Speaker 1: and Lenny Bruce. He wasn't particularly he thought, I mean, 176 00:09:32,080 --> 00:09:33,800 Speaker 1: I think I'll clean up his language. I think he 177 00:09:33,840 --> 00:09:36,760 Speaker 1: called your dad like an idiot for being willing to 178 00:09:36,760 --> 00:09:39,400 Speaker 1: get arrested, to get thrown into the pattiwagon when he 179 00:09:39,440 --> 00:09:43,320 Speaker 1: didn't have to be. He did, Okay, that's all that 180 00:09:43,320 --> 00:09:46,120 Speaker 1: it was, Yeah, exactly. I thought there was an F 181 00:09:46,240 --> 00:09:48,680 Speaker 1: word in there with schmuck somewhere, but okay, fine. So 182 00:09:49,000 --> 00:09:53,200 Speaker 1: if it was my mom, my mom, you know, bailed 183 00:09:53,240 --> 00:09:55,920 Speaker 1: them out that week weekend. You know, she write down 184 00:09:55,920 --> 00:09:59,600 Speaker 1: the Pattiwagon in Chicago, and she was there. But he 185 00:09:59,640 --> 00:10:01,920 Speaker 1: wasn't doing that. He wasn't doing the FM thing yet, 186 00:10:01,920 --> 00:10:05,600 Speaker 1: which is interesting. He was just idolizing Lenny Bruce, who 187 00:10:05,800 --> 00:10:08,920 Speaker 1: was doing it. This is sixth one. This is actually 188 00:10:08,960 --> 00:10:11,600 Speaker 1: on my dad's career. He's not even really anybody yet 189 00:10:11,640 --> 00:10:15,920 Speaker 1: at this point. He's completely idolizing Lenny. Lenny had gotten 190 00:10:16,000 --> 00:10:19,120 Speaker 1: him a manager at that point and had seen him, 191 00:10:19,160 --> 00:10:20,880 Speaker 1: you know, do some work down at the Bitter End 192 00:10:20,960 --> 00:10:23,520 Speaker 1: or something like that in New York. And yeah, and 193 00:10:23,559 --> 00:10:26,240 Speaker 1: basically how that went down was the cops were checking 194 00:10:26,280 --> 00:10:27,920 Speaker 1: I d s in the club because they wanted to 195 00:10:27,960 --> 00:10:30,559 Speaker 1: bust the club owner. That's how they were going to 196 00:10:30,600 --> 00:10:33,400 Speaker 1: get shut down the club. And they had already arrested 197 00:10:33,559 --> 00:10:35,480 Speaker 1: Lenny and they're checking I d s. And my dad 198 00:10:35,520 --> 00:10:38,959 Speaker 1: said to the cople I don't believe in identification, and 199 00:10:39,160 --> 00:10:44,120 Speaker 1: you know, which is just you know, in trouble. He's 200 00:10:44,240 --> 00:10:48,520 Speaker 1: tweaking him. You throw him in the back, like you said, 201 00:10:48,520 --> 00:10:50,720 Speaker 1: at the back of the pattiwagon with Lenny, and Lenny's 202 00:10:50,760 --> 00:10:55,160 Speaker 1: just looking at him like you know Jesus. Listen to 203 00:10:55,200 --> 00:10:58,520 Speaker 1: more Coast to Coast AM every weeknight at one a m. 204 00:10:58,600 --> 00:11:01,240 Speaker 1: Eastern and go to the Coast to Coast am dot 205 00:11:01,280 --> 00:11:02,040 Speaker 1: com for more