WEBVTT - Episode 63 w/ Stevie J

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine and More. Everybody who loves honey glaze

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<v Speaker 1>a delicious compliment to a sweet, bright muscato. Wine is

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<v Speaker 1>or just bring the wine we love to share are

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<v Speaker 1>always low prices and ridiculous selection this spring at Total

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<v Speaker 1>Wine and More. Cheers y'all. He's a legendary queen's rapper,

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<v Speaker 1>Hang Segre is your boy in He's a Miami hip

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<v Speaker 1>hop pioneer. What Up is d J e f N.

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players in music and sport. You know, I mean the

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<v Speaker 1>most professional, unprofessional podcast and your number one source for

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<v Speaker 1>drunk facts. This is Drinks chap Radi wh every Day

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<v Speaker 1>is New Year's e Just Ron Hey, he taking me

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<v Speaker 1>on the South your boy and on the podcast and

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<v Speaker 1>first all, not only do we have one of the

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<v Speaker 1>arguably best of producers of all fucking times in the

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<v Speaker 1>building with us. We're also at what is Atlanta's only

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<v Speaker 1>crab place, Because I've been in Atlanta. I think I

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<v Speaker 1>caught crabs in Atlanta. I gotta relax. But but we

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<v Speaker 1>got we got who's arguably one of the people who

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<v Speaker 1>crafted Biggie Small Sound, one of the people who crafted

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<v Speaker 1>Bad Boys, one of the people who original one of

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<v Speaker 1>the people who crafted pop Daddy sound may sound every

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<v Speaker 1>like heat single hand the ly was the person that

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<v Speaker 1>did that. And today, if you don't understand who we're

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<v Speaker 1>talking about right now, let's make some noise from Stevie

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<v Speaker 1>J and the motherfucker Bill because I see a lot

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<v Speaker 1>of people get it twisted and they say Stevie J

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<v Speaker 1>from Loving hip Hop, And I know you don't like

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<v Speaker 1>this more. You a lot of mon more making a

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<v Speaker 1>lot of money. I'm making some cool paper, some cool

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<v Speaker 1>but I know that. It's like when somebody tell me, um,

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<v Speaker 1>you know, Nori from whatever whatever, and I'd be like, damn,

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<v Speaker 1>you can't tell me the War report. You know all

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<v Speaker 1>the other accolades I did, and it's it's it's wonderful

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<v Speaker 1>to see a person like you of your caliber continuing

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<v Speaker 1>and to do your thing. So now my first question is, um,

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<v Speaker 1>how was your approach to do love and hip hop? Originally? Well,

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<v Speaker 1>I was approached by um Mona Scott, you know, she

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<v Speaker 1>um asked directly. She asked me if I was interested

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<v Speaker 1>in doing love and hip hop Atlanta, you know, being

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<v Speaker 1>as though I just got off a hiatus of producing

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<v Speaker 1>the Honeymion records and four grand he said, a hundred

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<v Speaker 1>million records. God damn it, you don't hear that. Goddamn

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<v Speaker 1>it continues, dabe. You know, you know, I just got

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<v Speaker 1>back into Atlanta and I was, you know, rebuilding myself

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<v Speaker 1>and I was looking for the look, you know what

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<v Speaker 1>I'm saying. So when she called me, that was the

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<v Speaker 1>look that I needed. I felt, you know, I reached

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<v Speaker 1>a pinnacle in the music game. And you know, the

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<v Speaker 1>same catch that you know what I'm saying, I made

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<v Speaker 1>rich wasn't funk with me, Which it's not cool, it's

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<v Speaker 1>not It's not a problem to me, you know what

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<v Speaker 1>I'm saying. That nobody owed me ship and love of

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<v Speaker 1>hip hop was a New York was already at New

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<v Speaker 1>York was already in place. And you know, but I

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<v Speaker 1>was the first one to bring the two ladies to

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<v Speaker 1>the table on the show we told about me, me

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<v Speaker 1>and Josh, Me, me and Jos not just bring him

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<v Speaker 1>to the table. I was working with him at the

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<v Speaker 1>same time with each other, you know what I'm saying.

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<v Speaker 1>So when you look at these duds, yeah, yeah, yeah,

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<v Speaker 1>like that little you was ready good? Were all that?

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<v Speaker 1>All right? Thanks? Straight? Absolutely? We know. Yeah. So at

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<v Speaker 1>the end of the day, when you look at all

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<v Speaker 1>the carbing copies and the stuff doubles and all that

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<v Speaker 1>I created, that I see that. Yeah yeah, so um,

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<v Speaker 1>now you you came up with the famous Stevie J face.

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<v Speaker 1>Was that something you did from the beginning or been

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<v Speaker 1>doing that? Oh? You've been doing that? That was all No,

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<v Speaker 1>I've been saying because because I'm one of the people

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<v Speaker 1>that looked at it, and I'm one of the people

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<v Speaker 1>that corrected everybody every time they was like this guy

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<v Speaker 1>is you know, he's doing it for TV. I'm like,

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<v Speaker 1>ye'all don't know who he is. I had to dumb

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<v Speaker 1>it down for TV. Yeah, exactly what I'm saying. You know,

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<v Speaker 1>the DJ STEVI shout out to DJ STEVIEJ and all that,

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<v Speaker 1>you know what I'm saying. But yeah, the Stevie j

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<v Speaker 1>let's talk about that because I always wondered that was

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<v Speaker 1>you Actually did you take it a certain way? Because

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<v Speaker 1>taking the way I look at his homage. You know

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<v Speaker 1>what I'm saying. Has he ever paid homage to you?

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<v Speaker 1>You know what I'm saying. But hold on, we talked. Yeah,

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<v Speaker 1>we talked to Houston, and you know what I'm saying.

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<v Speaker 1>We hung out and everything was cool. Everything is great,

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<v Speaker 1>you know what I'm saying. Much respect. So there was

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<v Speaker 1>no Hamas paid. Thought mean it was Hamas paid a

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<v Speaker 1>little bit. Yeah, you know, I don't feel like you

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<v Speaker 1>were satisfied. I mean, you know, I just look at

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<v Speaker 1>guys like us, never satisfied at the end of the day.

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<v Speaker 1>We'll take that. And you know what I'm saying. You know,

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<v Speaker 1>you know, these these these younger guys, we just gotta

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<v Speaker 1>take what we can get and keep it pushing. You

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<v Speaker 1>know what I'm saying. We made guys, We we put

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<v Speaker 1>that work. So let's not bring it to early Biggie. Okay,

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<v Speaker 1>Now Puff tells you I got this guy named Biggie.

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<v Speaker 1>Did you say Biggie Smalls or Biggie Biggie all right,

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<v Speaker 1>and he says, I got this guy named Biggie. Now

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<v Speaker 1>you look at big and he's not traditional wrapper looking.

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<v Speaker 1>I think Puff came on our podcast and describes him

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<v Speaker 1>as disruptive, definitely definitely disrupted. So how did you know

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<v Speaker 1>to give him these classic upscale beats? Because the way

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<v Speaker 1>it was just, you know, the way he would describe

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<v Speaker 1>what he wanted to do, How do you wanted to

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<v Speaker 1>approach life after death? He would just say words. He

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<v Speaker 1>would just spit rhymes and be like, yeah, I need

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<v Speaker 1>something like that, feel like this, like you know what

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<v Speaker 1>I'm saying, like armed and dangerous. Ain't too many can

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<v Speaker 1>bang with us? Straight up? We know Angel does label

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<v Speaker 1>us no torus niggers a lot of buses playing to us.

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<v Speaker 1>You know we're describing right now that we're describing like

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<v Speaker 1>you know what I'm saying. It's like, you know, he

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<v Speaker 1>would give you what he wanted to sound like you

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<v Speaker 1>know what I'm saying, a couple of lyrics and let

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<v Speaker 1>you go there right at you even having to beat, Yeah,

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<v Speaker 1>you produce a round his but yeah, most of the time,

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<v Speaker 1>you know what I'm saying that he would just be like, yo,

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<v Speaker 1>I gotta, I gotta, I need something for like, like

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<v Speaker 1>because somebody got the die mm like, but you said

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<v Speaker 1>life after Death? Didn't you work on Ready to Die

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<v Speaker 1>as well? Just like that Life after Death? And then

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<v Speaker 1>he would just give me titles and songs, and I

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<v Speaker 1>would go in and just tight wait wait wait, wait,

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<v Speaker 1>time out time. So he would come to you and

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<v Speaker 1>give you titles and then tell you to work around that. Yeah,

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<v Speaker 1>nasty boy, you will work off the field of the title. Yeah,

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<v Speaker 1>I'm gonna be honest. One time, we paid for me

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<v Speaker 1>whatever for me was asking for for a price, and

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<v Speaker 1>I paid for me up front, but I couldn't get

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<v Speaker 1>a beat that I loved from him until I actually

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<v Speaker 1>gave him the title. But I had no idea that

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<v Speaker 1>I was following that tradition. But I'm saying that's how

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<v Speaker 1>we really, just really You give us the title, and

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<v Speaker 1>we like, you know, we like producers and we like scientists.

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<v Speaker 1>We want to go ahead and create the formula, you know,

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<v Speaker 1>designated to the title that you give us absolutely has

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<v Speaker 1>to sound just like the film. So how did you

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<v Speaker 1>and Puff Initiative connect? Um? Me and Puff connected? Um.

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<v Speaker 1>I was on a jode tour with Jo to See

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<v Speaker 1>and bad Boy, and you know what I said, I

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<v Speaker 1>never met Puff iine you know I was, you were

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<v Speaker 1>Joda see yeah yeah I was. I was singing, I

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<v Speaker 1>was singing. I was singing backgrounds for them, playing guitar

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<v Speaker 1>for them. I never heard was playing keyboards, guitar, singing

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<v Speaker 1>backgrounds on the tour, no like I'm really yeah. Yeah,

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<v Speaker 1>so you was on tour with Joe to see So

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<v Speaker 1>how did I that was on the tour. So but

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<v Speaker 1>but what I'm saying, even you being on tour with

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<v Speaker 1>Joe to see, you wasn't the main character. So I

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<v Speaker 1>don't think it was like young Ni up there rocking,

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<v Speaker 1>singing like know this that sing because it was right.

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<v Speaker 1>So puff I was in the studio with Total playing

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<v Speaker 1>guitar and singing with them in the booth. Puff came

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<v Speaker 1>in the booth like Stevie j right, I got a

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<v Speaker 1>contract for you my car. So we laughed and we

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<v Speaker 1>just sat and talked for a while. I'm saying, you man,

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<v Speaker 1>was like you all right out here. I was fucked up. Wow,

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<v Speaker 1>I was wounded, but you said you was over good. Yeah. Yeah.

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<v Speaker 1>Everybody say somebody actually if you're good, like paper Wise

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<v Speaker 1>right right? He was wounded like that was was never

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<v Speaker 1>I was like, I say, he's like, all right, he

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<v Speaker 1>had it all figured out, you know, yet you just

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<v Speaker 1>hold this down six eight bands. I mean, come see

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<v Speaker 1>me in the morning. He gave you that. Yeah, when

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<v Speaker 1>you were start working with Big was Big Bagels already

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<v Speaker 1>big Big ready to die after million, million and some change.

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<v Speaker 1>So you know what I'm saying. And we just would

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<v Speaker 1>vibe out in the studio. So now that's one of

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<v Speaker 1>your first records you ever worked on is for Biggie

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<v Speaker 1>Small Life That Your Dead. Yeah, that was the record,

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<v Speaker 1>the first record. Man, I can't really remember the first record.

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<v Speaker 1>All I remember we was in Trinidad and doing all

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<v Speaker 1>the Hitman was in Trinidad, Yeah, and Big came down,

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<v Speaker 1>you know what I'm saying, and we were just we

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<v Speaker 1>did like fifty tracks. She was yeah. I mean like

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<v Speaker 1>and when you say the hit Man, let's describe with

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<v Speaker 1>the me. I'm in rod Na brody he did all this, brody, Damn,

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<v Speaker 1>I don't want to miss somebody. Uh prestige. Oh Chuckie Thompson. Yeah,

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<v Speaker 1>my bro Checkie Thompson. That's not blunk. And somebody passed

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<v Speaker 1>me up, like not really just it was just like

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<v Speaker 1>it was like we teamed up. We teamed up down

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<v Speaker 1>in Trinidad, you know what I'm saying. It was like,

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<v Speaker 1>but y'all weren't official. It was just like, y'all know

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<v Speaker 1>we would signed hit Man, and it was like, and

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<v Speaker 1>Carlos will be on the team, um and I'm and

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<v Speaker 1>Rod would be on the team. Chucky and Prestige and

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<v Speaker 1>me and puff Well being on squads and you'll be like, yea,

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<v Speaker 1>who can make the best joints? Now we've seen We've

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<v Speaker 1>seen pictures of you back in the days with you

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<v Speaker 1>on Mariah carry with your shirt off, pretty loose eving

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<v Speaker 1>back then? What about her? She was loose too, That's true.

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<v Speaker 1>I don't know where you're going, Stevie J. But I'm

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<v Speaker 1>ready to go wherever you. I wasn't super yeah, but

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<v Speaker 1>I'm definitely happy we're in there. That's bigger if you're

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<v Speaker 1>look at the CD small. She called me a fat

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<v Speaker 1>muffin man. Mariah came to the but I'm in the

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<v Speaker 1>hood lad. We had crates in the her lab I'm

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<v Speaker 1>talking about. She drank Pinot grigio out of a phone cup.

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<v Speaker 1>She was like, I love Nori. She was like you're

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<v Speaker 1>my favorite rapper in the hood. Lady's cool. That's my buddy.

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<v Speaker 1>So now, Stevie, when Pap initially approached you, did you

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<v Speaker 1>know who Pap was? Or no, no, I did. Okay,

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<v Speaker 1>so I'm saying I was just you know, I was

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<v Speaker 1>rocking with Joe to see. That was it? You know

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<v Speaker 1>what saying that? How did you bet Joe to see?

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<v Speaker 1>Thought Joe to see? I was singing at the fashion

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<v Speaker 1>show in Rochester, and you know, after it was over,

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<v Speaker 1>there was like, yo, who did the tracks? She was

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<v Speaker 1>singing on Yo, you dope women. I was like, you're

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<v Speaker 1>singing on your own track? Yeah, and it's like, yo,

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<v Speaker 1>ship is dope. I'm like, alright, cool, like from upstate

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<v Speaker 1>absolutely don't know that, absolutely New York all day. So

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<v Speaker 1>and I was like, it's a piano in the back,

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<v Speaker 1>I know, oh yeah ship. There was like you'll get

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<v Speaker 1>the funk out of here. Went to the back start

0:13:02.840 --> 0:13:04.640
<v Speaker 1>of playing the ship, singing the ship. There's like, yo,

0:13:04.720 --> 0:13:08.640
<v Speaker 1>you with us? So you actually really know how to

0:13:08.679 --> 0:13:11.400
<v Speaker 1>play the piano, like, because there's a lot of producers

0:13:11.920 --> 0:13:15.120
<v Speaker 1>that played the piano through MP scene. I called it

0:13:15.240 --> 0:13:18.760
<v Speaker 1>joking around the student me. You know what, I'm saying,

0:13:18.800 --> 0:13:24.840
<v Speaker 1>put it Stevie one to John Yeah, self talk, Yeah,

0:13:25.200 --> 0:13:29.959
<v Speaker 1>let's make some noise for that. So now piano is

0:13:30.000 --> 0:13:32.200
<v Speaker 1>just one of the instrues. So now I just want

0:13:32.240 --> 0:13:36.319
<v Speaker 1>to So now Puff sees you, says I want you

0:13:36.400 --> 0:13:41.520
<v Speaker 1>to be with us, and then Biggie is already Biggie,

0:13:41.800 --> 0:13:44.800
<v Speaker 1>right yeah, So now you get in the studio, how

0:13:44.840 --> 0:13:48.160
<v Speaker 1>do you know what tracks to get Biggie? Because I

0:13:48.280 --> 0:13:51.600
<v Speaker 1>just because if Big is already big, he could shut

0:13:51.679 --> 0:13:55.559
<v Speaker 1>you down relax right right, he could be like relaxed,

0:13:55.600 --> 0:13:59.040
<v Speaker 1>but he was like, give me all the joys, whatever

0:13:59.080 --> 0:14:06.319
<v Speaker 1>you got, let me get all that. Don't relax like

0:14:06.520 --> 0:14:09.360
<v Speaker 1>He's like, give me him tractor like handed in he

0:14:09.480 --> 0:14:10.960
<v Speaker 1>was like, yo, you an't need them. Let me write

0:14:11.000 --> 0:14:14.360
<v Speaker 1>on that one. Let me keep that. So now I

0:14:14.559 --> 0:14:20.000
<v Speaker 1>they does that. How do you not relax? Because I

0:14:20.160 --> 0:14:30.400
<v Speaker 1>didn't relax. You know, it was full steamen head. You

0:14:30.440 --> 0:14:32.960
<v Speaker 1>know what I'm saying, all the cars because a lot

0:14:33.000 --> 0:14:36.640
<v Speaker 1>of people don't really really understand, like all right, the

0:14:36.800 --> 0:14:41.720
<v Speaker 1>bad boy era was era like none. Yeah, I respect

0:14:41.800 --> 0:14:44.440
<v Speaker 1>I respect baby them, cash money in them, but I

0:14:44.600 --> 0:14:51.280
<v Speaker 1>really invent in too. Blame blame. I was spending two

0:14:51.360 --> 0:14:55.000
<v Speaker 1>million on jul back then, back then, that makes a

0:14:55.360 --> 0:15:01.880
<v Speaker 1>TVJ Yeah, yeah, I came keep a getting to keep

0:15:01.880 --> 0:15:08.240
<v Speaker 1>a good kid. So so pup put you in charge

0:15:09.200 --> 0:15:11.840
<v Speaker 1>or the biggie part, because that's how that's how the people. Well,

0:15:13.240 --> 0:15:16.040
<v Speaker 1>it was like d Di big up to d Angel.

0:15:16.080 --> 0:15:19.080
<v Speaker 1>Let my big bro Savage with the he could put

0:15:19.120 --> 0:15:23.120
<v Speaker 1>together the mad Rapper was great at A and R

0:15:23.160 --> 0:15:26.680
<v Speaker 1>and and putting together directions for the album. D That's

0:15:26.720 --> 0:15:30.160
<v Speaker 1>been sleepless nights putting together the album. And thanks to him,

0:15:30.440 --> 0:15:31.800
<v Speaker 1>you know what I'm saying, I was able to get

0:15:31.840 --> 0:15:34.760
<v Speaker 1>the direction, the right direction between him and Puff to

0:15:35.040 --> 0:15:36.800
<v Speaker 1>you know what I'm saying, get Biggie everything you need.

0:15:36.960 --> 0:15:39.200
<v Speaker 1>But how does this phone call happen? Because this is

0:15:39.240 --> 0:15:42.320
<v Speaker 1>what I'm trying to get to is you said Biggie

0:15:42.440 --> 0:15:47.560
<v Speaker 1>was already bigg right, so now you get Puff Puff

0:15:47.680 --> 0:15:50.520
<v Speaker 1>says it's all good, we're gonna we're gonna bring you through.

0:15:50.840 --> 0:15:54.720
<v Speaker 1>But now this is still Biggie. How do you hand

0:15:54.800 --> 0:15:58.160
<v Speaker 1>selectly pick these tracks? It was like, Yo, Stevie, go

0:15:58.240 --> 0:16:00.240
<v Speaker 1>to the MIDI room, Puff, you know, Stevie going to

0:16:00.320 --> 0:16:06.040
<v Speaker 1>the mini room mini or mini mini mini, Yeah, mini room,

0:16:06.640 --> 0:16:11.800
<v Speaker 1>Daddy's house studio. Yeah, studio studio, in the MIDI room,

0:16:12.480 --> 0:16:15.120
<v Speaker 1>going in, crank him out, d that wire, coming in

0:16:15.120 --> 0:16:16.720
<v Speaker 1>and check on me. He'd be like he just shake

0:16:16.760 --> 0:16:18.840
<v Speaker 1>his head every time he come in, like like no,

0:16:19.400 --> 0:16:27.200
<v Speaker 1>like yeah, the kid, Yeah, keep working. So you know, Big,

0:16:27.320 --> 0:16:30.000
<v Speaker 1>every track I gave Big he would love. It. Wasn't

0:16:30.040 --> 0:16:32.680
<v Speaker 1>one track that I gave Big that he didn't rhyme. Wow,

0:16:34.360 --> 0:16:38.320
<v Speaker 1>that's kind of incredible. I did. I did. I did

0:16:39.400 --> 0:16:43.080
<v Speaker 1>like that, I Get Some Ice. That was my album.

0:16:43.160 --> 0:16:48.720
<v Speaker 1>I did puff album, No way out so publicly I

0:16:48.840 --> 0:16:53.520
<v Speaker 1>did that. Yeah, and that was a double album right now,

0:16:53.600 --> 0:16:56.280
<v Speaker 1>Biggies wasn't double Biggie Biggie. So I'm gonna get a

0:16:56.320 --> 0:16:59.280
<v Speaker 1>little dark for a second because at one point you

0:16:59.480 --> 0:17:02.320
<v Speaker 1>left the man you laughed and he was like, I'm

0:17:02.360 --> 0:17:04.639
<v Speaker 1>not I'm not doing that. How was that period and

0:17:04.760 --> 0:17:07.120
<v Speaker 1>why was that period happen? I mean it was why

0:17:07.160 --> 0:17:10.520
<v Speaker 1>did you leave it less? Like you know what I'm saying.

0:17:10.560 --> 0:17:12.080
<v Speaker 1>You know we could do when we do this, I'm

0:17:12.080 --> 0:17:13.520
<v Speaker 1>gonna give you that. When we get that, I'm gonna

0:17:13.560 --> 0:17:18.400
<v Speaker 1>give you that. And I'm like, yeah, but it never

0:17:18.520 --> 0:17:23.359
<v Speaker 1>happens at the exact time. It never happened. Sometimes at all.

0:17:23.600 --> 0:17:28.160
<v Speaker 1>Sometimes that never happened. Let's be frank, you know, let's

0:17:28.160 --> 0:17:30.440
<v Speaker 1>be fright, so you know it didn't happen. I'm like,

0:17:31.000 --> 0:17:32.600
<v Speaker 1>you know, I'm like cool, you know what I'm saying.

0:17:32.880 --> 0:17:36.520
<v Speaker 1>And you're fifty per cent of everybody, everybody, you know

0:17:36.560 --> 0:17:40.000
<v Speaker 1>what I'm saying, kicking up and all that. And I'm

0:17:40.040 --> 0:17:42.480
<v Speaker 1>just getting you know what I'm saying, marshals and all that.

0:17:43.000 --> 0:17:45.919
<v Speaker 1>I want to kick up doing all the work Marshals.

0:17:47.560 --> 0:17:51.000
<v Speaker 1>I don't know if the thing little like marshals. Let's

0:17:51.000 --> 0:17:55.000
<v Speaker 1>say part see you the marshals. You know, at the

0:17:55.080 --> 0:17:58.280
<v Speaker 1>end of the day, it was was I skated off

0:17:58.320 --> 0:18:00.800
<v Speaker 1>to l A, went and work with the Jackson family,

0:18:00.880 --> 0:18:05.440
<v Speaker 1>the whole Jackson You know what I'm saying. Not really,

0:18:06.119 --> 0:18:08.720
<v Speaker 1>That's when I gained all my information on the industry.

0:18:09.240 --> 0:18:11.119
<v Speaker 1>You know what I'm saying, working with the Jackson family.

0:18:11.200 --> 0:18:13.639
<v Speaker 1>You know, Jackie Jackson at the time, one of my

0:18:13.720 --> 0:18:16.800
<v Speaker 1>best friends and mentors, showed me the game. You know

0:18:16.800 --> 0:18:22.679
<v Speaker 1>what I'm saying that Jackie Jackson, Jackson brother. What they

0:18:22.800 --> 0:18:25.359
<v Speaker 1>teach you like, what did they like the site? You

0:18:25.400 --> 0:18:27.240
<v Speaker 1>know what I'm saying. You know what I'm saying. The

0:18:27.359 --> 0:18:30.280
<v Speaker 1>business I would imagine they taught to you how crazy

0:18:30.320 --> 0:18:32.520
<v Speaker 1>ship is too. Yeah, they taught me how crazy ship is.

0:18:32.560 --> 0:18:35.720
<v Speaker 1>But they taught me the business, how to handle my

0:18:35.840 --> 0:18:39.159
<v Speaker 1>business and deal with their business and funk all the

0:18:39.280 --> 0:18:42.560
<v Speaker 1>flash and sigence, shiny suits and the flashing lights. Let's

0:18:42.600 --> 0:18:45.320
<v Speaker 1>handle this business. You ain't like the shiny shoes, I mean,

0:18:45.440 --> 0:18:51.320
<v Speaker 1>you know your business. I love the shoes. I'm not

0:18:51.440 --> 0:18:55.480
<v Speaker 1>mad at I'm not I'm not mad at nothing the

0:18:55.560 --> 0:18:59.760
<v Speaker 1>business first. Also, I also was mad that It's not

0:19:00.040 --> 0:19:02.840
<v Speaker 1>that I was mad that they was dancing. I was

0:19:03.000 --> 0:19:06.000
<v Speaker 1>mad that I couldn't dance. Yeah, I just can't dance

0:19:06.080 --> 0:19:10.119
<v Speaker 1>like jsters, can't dance like stuff we got, y'all. I

0:19:10.200 --> 0:19:12.520
<v Speaker 1>was dancing and fucking all the business. Let's make some

0:19:12.600 --> 0:19:18.159
<v Speaker 1>lost bad boy, I mean, so you know, after that,

0:19:18.359 --> 0:19:26.840
<v Speaker 1>it was like, oh, yeah, thank you appreciated. You know,

0:19:26.920 --> 0:19:30.359
<v Speaker 1>I can't pay for my body day. It's very steep

0:19:30.440 --> 0:19:36.080
<v Speaker 1>as well. But I went in. But Zeno Crap yea, yeah,

0:19:36.400 --> 0:19:43.240
<v Speaker 1>Zeno Craps was amazing. Man, break it down, you know.

0:19:43.359 --> 0:19:46.040
<v Speaker 1>So you know, after that, um, you know, some things

0:19:46.040 --> 0:19:48.000
<v Speaker 1>started to happen in l a where you know what

0:19:48.040 --> 0:19:50.320
<v Speaker 1>I'm saying. I was just cool with all of you

0:19:50.400 --> 0:19:52.879
<v Speaker 1>know what I'm saying, the d boys and things getting

0:19:52.880 --> 0:19:56.040
<v Speaker 1>money and all that things happening where you know, somebody

0:19:56.080 --> 0:19:59.479
<v Speaker 1>got kidnapped for my crip. M It's not a good thing.

0:19:59.680 --> 0:20:01.399
<v Speaker 1>Not a good thing, you know what I'm saying. And

0:20:01.480 --> 0:20:03.399
<v Speaker 1>niggas know me and know my energy. No, I'm not

0:20:03.480 --> 0:20:05.640
<v Speaker 1>with none of the ship. But it was my house,

0:20:05.760 --> 0:20:12.119
<v Speaker 1>so your family, it's me. Yeah, absolutely, So you know

0:20:12.160 --> 0:20:14.280
<v Speaker 1>what I'm saying. That's when she got really dark, you

0:20:14.320 --> 0:20:16.760
<v Speaker 1>know what I'm saying. And it was like, all right, Ship.

0:20:18.400 --> 0:20:20.720
<v Speaker 1>Jackson's was like, oh, all right, we're not working with

0:20:20.800 --> 0:20:25.840
<v Speaker 1>you no more. We're talking about Mike. We're talking about yeah, Mike,

0:20:26.080 --> 0:20:30.320
<v Speaker 1>Mikes and yeah, yeah, yeah, okay, okay, but actually we're

0:20:30.320 --> 0:20:34.480
<v Speaker 1>going yeah exactly. So it's just like it got real

0:20:34.640 --> 0:20:37.560
<v Speaker 1>ugly at that point. And and that's when it was like,

0:20:37.640 --> 0:20:39.080
<v Speaker 1>all right, let me, let me get out of here

0:20:39.080 --> 0:20:41.440
<v Speaker 1>and go back to the A. You know what I'm saying.

0:20:41.440 --> 0:20:43.879
<v Speaker 1>And that's because you lived in the A. Yeah, I

0:20:43.960 --> 0:20:45.480
<v Speaker 1>lived in the A before. You know what I'm saying.

0:20:45.720 --> 0:20:47.760
<v Speaker 1>It's like I lived in a couple of times, you

0:20:47.880 --> 0:20:49.520
<v Speaker 1>know what I'm saying. So at the end of the

0:20:49.640 --> 0:20:51.600
<v Speaker 1>day when I came back here, it was like I

0:20:51.720 --> 0:20:54.760
<v Speaker 1>had to start all over. You know, I'm sending back

0:20:54.800 --> 0:20:58.600
<v Speaker 1>to the streets, back to whatever I was doing. And

0:20:59.280 --> 0:21:02.440
<v Speaker 1>that's when I got the call about Mona. Okay, so

0:21:02.600 --> 0:21:05.960
<v Speaker 1>now now before we go back into mona um, but

0:21:06.080 --> 0:21:14.960
<v Speaker 1>now Big Big was probably arguably everybody's on everybody's top five.

0:21:18.080 --> 0:21:23.080
<v Speaker 1>You you you work well, uh yo to see and

0:21:23.200 --> 0:21:29.879
<v Speaker 1>then you get this call from Puffs. How was the

0:21:29.920 --> 0:21:35.080
<v Speaker 1>twelve album, the Total album, the Biggie album, Black Rob Album,

0:21:35.800 --> 0:21:40.920
<v Speaker 1>No Way Out album. Everything sucked me up? I was

0:21:40.960 --> 0:21:44.840
<v Speaker 1>gonna go just alright, but all right, I want to

0:21:44.840 --> 0:21:48.840
<v Speaker 1>go to Ooras albums. By the way, but BIG's album?

0:21:50.119 --> 0:21:52.280
<v Speaker 1>Did you know how great Big was? Did you know

0:21:52.520 --> 0:21:56.000
<v Speaker 1>you're working with the greatest rapper of all time? Yes,

0:21:56.119 --> 0:21:58.200
<v Speaker 1>I mean, based upon just you know what I'm saying,

0:21:58.240 --> 0:22:00.840
<v Speaker 1>man and man in Aura. You know what I'm saying

0:22:00.880 --> 0:22:02.440
<v Speaker 1>that what I felt from the guy. You know what

0:22:02.440 --> 0:22:09.120
<v Speaker 1>I'm saying, Man, great spirit, humble, always laughing, always laughing, Yeah, yeah, yeah,

0:22:09.440 --> 0:22:13.639
<v Speaker 1>and any chick you know what I'm saying that. I

0:22:13.680 --> 0:22:15.960
<v Speaker 1>remember one time I brought some chicks from Philly to

0:22:16.040 --> 0:22:17.600
<v Speaker 1>the studio. I'm like, your Big, hold him down. I'm

0:22:17.640 --> 0:22:20.600
<v Speaker 1>going to get to the um dom Perry on Malibu

0:22:20.880 --> 0:22:23.680
<v Speaker 1>Cranberry pineapple juice, and I'm going to brand is that

0:22:23.760 --> 0:22:26.800
<v Speaker 1>the Stevie J. That's that's Biggie, that's what he Oh no, no,

0:22:27.080 --> 0:22:33.280
<v Speaker 1>that's Malleibu Mallibu babies. Oh madam. So when the Brandson

0:22:33.400 --> 0:22:36.800
<v Speaker 1>came back, Big was in the booth getting letters from

0:22:36.840 --> 0:22:47.840
<v Speaker 1>both of the chicks. So now, Stevie J. You sit

0:22:47.960 --> 0:22:52.080
<v Speaker 1>there and you're working with Big, and you said you

0:22:52.200 --> 0:22:57.119
<v Speaker 1>already recognized Big was the greatest all time. Absolutely. At

0:22:57.200 --> 0:23:01.920
<v Speaker 1>what moment did you feel like, maybe Big will never

0:23:02.000 --> 0:23:07.680
<v Speaker 1>be here again? Never? Right? I mean you you're at

0:23:07.760 --> 0:23:14.840
<v Speaker 1>this party, let's be clear, at the old spent eight

0:23:15.160 --> 0:23:22.600
<v Speaker 1>dollars got but he's there, like I don't I spent

0:23:24.280 --> 0:23:28.480
<v Speaker 1>Like listen, listen every time they describe and God, bless

0:23:28.520 --> 0:23:31.200
<v Speaker 1>me for the for the way I'm saying it. No, no,

0:23:31.400 --> 0:23:34.280
<v Speaker 1>the way I'm saying that. Every time you speak about

0:23:34.320 --> 0:23:38.080
<v Speaker 1>Biggie Small's death. A lot of people like like Pop's

0:23:38.160 --> 0:23:43.119
<v Speaker 1>last picture was, but a lot of people don't realize

0:23:43.640 --> 0:23:50.400
<v Speaker 1>that in that party it's you Puff and Big. You're

0:23:50.520 --> 0:23:56.040
<v Speaker 1>actually there. Absolutely, So that night, did you feel funny

0:23:56.280 --> 0:23:58.119
<v Speaker 1>or no, of course, you know what I'm saying that

0:23:58.160 --> 0:24:00.520
<v Speaker 1>wait wait wait wait wait wait you get just said

0:24:00.960 --> 0:24:03.320
<v Speaker 1>before he would know like a vibe, know what I'm saying,

0:24:03.359 --> 0:24:11.040
<v Speaker 1>because it was a vibe party to us. Yeah, that's

0:24:11.040 --> 0:24:13.879
<v Speaker 1>what I'm asking for. Anything. Did you feel a vibe

0:24:14.040 --> 0:24:16.159
<v Speaker 1>at that party or you felt the vibe for the

0:24:16.200 --> 0:24:19.440
<v Speaker 1>whole trip the entire night, that entire night, that entire night,

0:24:19.960 --> 0:24:22.679
<v Speaker 1>and now can you describe that? So I mean more

0:24:22.760 --> 0:24:24.920
<v Speaker 1>or less? It just felt funny, you know what I'm saying.

0:24:24.960 --> 0:24:28.000
<v Speaker 1>We was at um Andre Herrell House and everybody like

0:24:28.080 --> 0:24:30.760
<v Speaker 1>we're going out boom, you know what I'm saying. And

0:24:30.840 --> 0:24:34.840
<v Speaker 1>it was like, all right, let's go out when enthusiastic

0:24:34.920 --> 0:24:36.680
<v Speaker 1>and that, you know what I'm saying. And got to

0:24:36.760 --> 0:24:39.040
<v Speaker 1>the party. We turned up and it just felt like,

0:24:39.160 --> 0:24:41.240
<v Speaker 1>you know, at a certain point, you know, the crowd

0:24:41.320 --> 0:24:44.080
<v Speaker 1>just started getting thin. We locked everybody over there, know

0:24:44.080 --> 0:24:46.200
<v Speaker 1>what I'm saying. The crowd just started getting thin, and

0:24:46.280 --> 0:24:49.320
<v Speaker 1>it was like you saw people dissipate. Because what I

0:24:49.480 --> 0:24:53.120
<v Speaker 1>heard was there was people when Hypnotized came on, there's

0:24:53.160 --> 0:24:57.040
<v Speaker 1>people actually like saying fuck y'all. And what he said,

0:24:57.119 --> 0:24:59.520
<v Speaker 1>he said it got thin. Then yeah, I never heard

0:24:59.560 --> 0:25:03.159
<v Speaker 1>this part that the crowd got thin, like and when

0:25:03.200 --> 0:25:05.280
<v Speaker 1>you meet got then you what you're saying is people

0:25:05.480 --> 0:25:09.359
<v Speaker 1>laughs when Big games that when Big came, like you

0:25:09.400 --> 0:25:11.400
<v Speaker 1>know what I'm saying, a certain clods of certain point

0:25:11.440 --> 0:25:13.720
<v Speaker 1>of the parties, like you know what I'm saying, We're

0:25:13.760 --> 0:25:16.320
<v Speaker 1>not about the closest joint down and then you just

0:25:16.359 --> 0:25:18.879
<v Speaker 1>started again. This was like, but that was bad boy style.

0:25:19.119 --> 0:25:21.920
<v Speaker 1>Bad boy style was taking over the whole party and

0:25:22.040 --> 0:25:25.639
<v Speaker 1>closing it. But it wasn't that time. He's what he's saying. No,

0:25:25.800 --> 0:25:32.600
<v Speaker 1>I'm saying, I'm I'm I'm yeah. Because after died pop

0:25:32.680 --> 0:25:36.720
<v Speaker 1>Pastor absolutely and for you you saying it felt weird,

0:25:36.880 --> 0:25:39.920
<v Speaker 1>absolutely like it didn't feel like any other time bad Boy.

0:25:41.080 --> 0:25:43.240
<v Speaker 1>It's like, yo, what I'm saying, what time we're getting

0:25:43.240 --> 0:25:46.639
<v Speaker 1>out of this joint? And you felt it? Yeah, And

0:25:46.680 --> 0:25:48.840
<v Speaker 1>then you know you heard Nigga's making a little comments

0:25:49.280 --> 0:25:52.920
<v Speaker 1>like yeah, you know what I'm saying. So you know

0:25:53.400 --> 0:25:56.159
<v Speaker 1>what kind of comments though, like the East Coast, you

0:25:56.160 --> 0:26:00.800
<v Speaker 1>know what I'm saying exactly, Listen after Big, I'm sorry

0:26:00.800 --> 0:26:04.240
<v Speaker 1>to cut you off at the Big Die. Even when

0:26:04.280 --> 0:26:07.040
<v Speaker 1>I went to l A the record label were highest security,

0:26:07.119 --> 0:26:10.600
<v Speaker 1>whether I wanted it or not. Like I would land

0:26:10.800 --> 0:26:13.359
<v Speaker 1>and they would already be there and me, you know,

0:26:13.440 --> 0:26:16.680
<v Speaker 1>I surprised myself for not having security, but that was

0:26:16.760 --> 0:26:19.320
<v Speaker 1>the only place where they would say, shut the funk up.

0:26:19.920 --> 0:26:22.840
<v Speaker 1>You got security out there at the Big Dime, so

0:26:22.960 --> 0:26:27.960
<v Speaker 1>I could actually But but you could describe the situation

0:26:28.040 --> 0:26:31.320
<v Speaker 1>better than anybody else because like a lot of people

0:26:31.600 --> 0:26:36.040
<v Speaker 1>see again, I want to reiterate what I said. A

0:26:36.080 --> 0:26:39.200
<v Speaker 1>lot of people see box last picture and they see

0:26:39.600 --> 0:26:43.040
<v Speaker 1>him and Sugar, but that's after they drove off. If

0:26:43.080 --> 0:26:48.520
<v Speaker 1>you look at bigs last pictures, it's d J big

0:26:48.720 --> 0:26:51.639
<v Speaker 1>and puff and and my lying like absolutely correct, Like

0:26:51.720 --> 0:26:57.280
<v Speaker 1>I'm and they had crystall and they had it's very

0:26:57.480 --> 0:27:06.360
<v Speaker 1>excuse me all the money. Yeah, But so you're you're

0:27:06.400 --> 0:27:10.240
<v Speaker 1>telling me that even in the party, even being comfortable,

0:27:10.320 --> 0:27:13.760
<v Speaker 1>even being you know, smoking and drinking, spending it on,

0:27:13.920 --> 0:27:17.240
<v Speaker 1>throwing Perry on, you kind of felt something. You couldn't

0:27:17.240 --> 0:27:19.840
<v Speaker 1>have knew he was gonna die because had the street

0:27:19.920 --> 0:27:23.320
<v Speaker 1>understand like when she just stopped feeling funny. You know

0:27:23.359 --> 0:27:25.520
<v Speaker 1>what I'm saying, it's time to get up like that motherfucker.

0:27:25.640 --> 0:27:29.680
<v Speaker 1>You know what I'm saying, and you know it was

0:27:29.720 --> 0:27:32.320
<v Speaker 1>time to go, and we left, and you know, we

0:27:32.480 --> 0:27:33.960
<v Speaker 1>went through the light. I was in the car with

0:27:34.080 --> 0:27:39.359
<v Speaker 1>Puff and you know, I got a question for you.

0:27:39.400 --> 0:27:42.000
<v Speaker 1>How many cars back y'all was from Biggie It was

0:27:42.880 --> 0:27:45.200
<v Speaker 1>Muff went through the light and Big Big and that

0:27:45.320 --> 0:27:49.960
<v Speaker 1>was right behind us, Big and season. Yeah, and just

0:27:50.080 --> 0:27:52.480
<v Speaker 1>for the dumb people out there, please Stevie J, please

0:27:52.520 --> 0:27:57.520
<v Speaker 1>say this, Puff had nothing to do with that. Like,

0:27:57.920 --> 0:28:00.560
<v Speaker 1>I just hate when the people say no, it's a

0:28:00.640 --> 0:28:05.720
<v Speaker 1>lot the whole documentary saying that pop Like I just

0:28:05.920 --> 0:28:11.840
<v Speaker 1>hate the sugar conspiracy. But yeah, I just hate that. Yeah,

0:28:11.880 --> 0:28:14.720
<v Speaker 1>I hate that conspiracy so much. I didn't even he

0:28:15.280 --> 0:28:18.639
<v Speaker 1>did this. It's not and he ever what he did.

0:28:18.720 --> 0:28:21.320
<v Speaker 1>He did this show, and I didn't. I didn't even

0:28:21.440 --> 0:28:24.000
<v Speaker 1>want to say it because I just felt so dumb

0:28:24.440 --> 0:28:29.159
<v Speaker 1>even even even bringing that certain Yeah, we don't we

0:28:30.080 --> 0:28:31.800
<v Speaker 1>ain't got to entertain that. You know what I'm saying,

0:28:31.840 --> 0:28:34.240
<v Speaker 1>like that was his men's That was just you know,

0:28:34.280 --> 0:28:37.040
<v Speaker 1>I'm saying, starts skinting hutch. You know, I'm saying, stick

0:28:37.119 --> 0:28:39.400
<v Speaker 1>the clutch and all that. Now, how it was bad

0:28:39.520 --> 0:28:45.280
<v Speaker 1>boy after that, I mean it was because I'm not

0:28:45.320 --> 0:28:47.840
<v Speaker 1>gonna say ruined, but it was. It was. It was

0:28:48.200 --> 0:28:50.960
<v Speaker 1>major off balance. It was dark, you know what I'm saying.

0:28:51.000 --> 0:28:53.360
<v Speaker 1>When everybody was hurt. You know what I'm saying. It

0:28:53.520 --> 0:28:55.720
<v Speaker 1>was in the studio. Everybody was in the studio was

0:28:55.800 --> 0:28:58.920
<v Speaker 1>like candles lad and you know what I'm saying that

0:28:59.000 --> 0:29:02.320
<v Speaker 1>we're listening to because Big was your funny guy. Like

0:29:02.440 --> 0:29:05.320
<v Speaker 1>I remember going to the Bad Boy and I remember

0:29:05.400 --> 0:29:08.360
<v Speaker 1>recording Tier one because I recorded Tier one Bad Boy,

0:29:08.640 --> 0:29:13.800
<v Speaker 1>and I remember Iris and call Us Browery, and I

0:29:13.920 --> 0:29:17.680
<v Speaker 1>remember going and I remember seeing y'all always smile. And

0:29:17.720 --> 0:29:22.080
<v Speaker 1>then I remember after the Big Guy and nobody was smiling,

0:29:22.160 --> 0:29:24.560
<v Speaker 1>and like everybody was just sitting there. And don't get

0:29:24.600 --> 0:29:27.640
<v Speaker 1>me wrong, y'all was still giving beachy. Was still nothing

0:29:27.720 --> 0:29:30.520
<v Speaker 1>smiling about it, because you know, because it was in

0:29:30.640 --> 0:29:34.200
<v Speaker 1>your opinion, was it a dark day from there? It

0:29:34.360 --> 0:29:36.720
<v Speaker 1>was a dark It was a dark year from there.

0:29:37.720 --> 0:29:40.000
<v Speaker 1>It was a dark year from there pretty much, because

0:29:40.080 --> 0:29:42.800
<v Speaker 1>you know, even if you look at all the interviews

0:29:42.840 --> 0:29:45.720
<v Speaker 1>were big talking about the situation when pot he would

0:29:45.720 --> 0:29:49.000
<v Speaker 1>never entertain the Bullshe know what I'm saying. He was

0:29:49.120 --> 0:29:53.520
<v Speaker 1>never like it wasn't trying. He was positive, you know

0:29:53.560 --> 0:29:55.080
<v Speaker 1>what I'm saying. That's why I me and he was

0:29:55.120 --> 0:29:57.240
<v Speaker 1>sitting down in l A. I was having the sun

0:29:57.320 --> 0:29:59.120
<v Speaker 1>around the time, and he was having the sun around

0:29:59.120 --> 0:30:01.800
<v Speaker 1>the time, and you know what I'm saying. He was like, Yo,

0:30:02.280 --> 0:30:04.240
<v Speaker 1>I'm gonna be your son, got father, and you're gonna

0:30:04.240 --> 0:30:07.200
<v Speaker 1>be my son got fired. You know what I'm saying. So, Chris,

0:30:07.280 --> 0:30:09.760
<v Speaker 1>I'm Chris guy father. You know I'm saying. So at

0:30:09.800 --> 0:30:12.080
<v Speaker 1>the end of the day, it's just like he would

0:30:12.120 --> 0:30:14.040
<v Speaker 1>just tell me, like, you know, I don't entertain ship

0:30:14.200 --> 0:30:16.320
<v Speaker 1>because I don't want to be a part of the negativity,

0:30:16.640 --> 0:30:18.480
<v Speaker 1>you know what I'm saying. And then the next day

0:30:18.520 --> 0:30:20.719
<v Speaker 1>for this to happen, that sucked everything up. And then

0:30:20.840 --> 0:30:24.280
<v Speaker 1>for you, the crazy ship is because you got to

0:30:24.440 --> 0:30:28.520
<v Speaker 1>experience the first rappers that ever got killed some real ships.

0:30:29.360 --> 0:30:31.880
<v Speaker 1>With all this ship that's going on now, I don't

0:30:31.920 --> 0:30:34.400
<v Speaker 1>take it serious, you know what I'm saying, Like like

0:30:35.240 --> 0:30:38.080
<v Speaker 1>the Young Droll ship, you know, Young droves on here. Yeah,

0:30:42.840 --> 0:30:47.680
<v Speaker 1>I wasn't ready. Yes, I'm just saying, I don't know.

0:30:49.680 --> 0:30:52.400
<v Speaker 1>All I know. All I know is getting money. You

0:30:52.480 --> 0:30:55.680
<v Speaker 1>know I'm saying I'm getting all I know is you know,

0:30:58.600 --> 0:31:00.320
<v Speaker 1>I'm kind of I'm a fly guy. You know what

0:31:00.320 --> 0:31:03.320
<v Speaker 1>I'm saying. You know, I like, should we make noise

0:31:03.360 --> 0:31:06.680
<v Speaker 1>for you being I got I got a little story

0:31:06.680 --> 0:31:12.200
<v Speaker 1>to place, so you know, I just pay attention and

0:31:12.320 --> 0:31:18.240
<v Speaker 1>my inbox be going off. Yeah, my DM stories to

0:31:18.320 --> 0:31:24.160
<v Speaker 1>tell about people like the young what's his name? You

0:31:24.240 --> 0:31:27.000
<v Speaker 1>got there? You get throw it out. It's okay, he

0:31:27.080 --> 0:31:32.360
<v Speaker 1>pointed young. Yeah, you know what I mean. Like, you know,

0:31:32.560 --> 0:31:36.080
<v Speaker 1>they're like I could d ms from all types of communities,

0:31:36.160 --> 0:31:43.880
<v Speaker 1>like the transgender community, not a different gold on. Wait

0:31:43.920 --> 0:31:53.480
<v Speaker 1>a minute, I got one. All right, all right, I'm

0:31:53.720 --> 0:31:55.320
<v Speaker 1>you know, but you know, at the end of the day,

0:31:55.720 --> 0:31:57.600
<v Speaker 1>you know, I just I just be bowling my lane.

0:31:57.680 --> 0:32:00.120
<v Speaker 1>So I advised cast the bowl le lane. You know

0:32:00.160 --> 0:32:03.640
<v Speaker 1>what I'm saying. I own my bowling alley. They got

0:32:03.760 --> 0:32:12.120
<v Speaker 1>to rent a ball, then they really written balls. It's

0:32:12.160 --> 0:32:18.520
<v Speaker 1>be easy. Guys, were going, alright, hold on, we would

0:32:18.600 --> 0:32:24.120
<v Speaker 1>leave you by the way. Since we are, we live,

0:32:24.560 --> 0:32:28.120
<v Speaker 1>we live, we live, we live and be live. Busino

0:32:28.240 --> 0:32:34.600
<v Speaker 1>scrapchat Zeno, scrap trap, zose crap trap, crap trap. All right,

0:32:34.640 --> 0:32:38.560
<v Speaker 1>we're gonna do it like this. I was about to change.

0:32:38.880 --> 0:32:40.320
<v Speaker 1>How was your drinks? Let me get a little bit

0:32:40.360 --> 0:32:43.600
<v Speaker 1>more a little bit. We're drinking my scale by the

0:32:43.640 --> 0:32:51.120
<v Speaker 1>way at Martel and Rocks and I'm only drinking. I'm drinking.

0:32:51.280 --> 0:33:02.000
<v Speaker 1>I gotta relax. This is thing just for you, This

0:33:02.120 --> 0:33:06.680
<v Speaker 1>is a podcast. And home Base is quite flustered right now.

0:33:07.040 --> 0:33:11.520
<v Speaker 1>And then he's looking Then it says, he's looking quite well.

0:33:11.800 --> 0:33:15.000
<v Speaker 1>You are my king, you know what to do what?

0:33:17.240 --> 0:33:19.920
<v Speaker 1>And now he looks away, you know, shout out to

0:33:20.360 --> 0:33:23.520
<v Speaker 1>bad Boy entertaining. Dang you soon were in the building,

0:33:23.880 --> 0:33:27.200
<v Speaker 1>Shout out to zero Crab trap and everything. You know

0:33:27.240 --> 0:33:33.960
<v Speaker 1>what I'm saying, what I mean. You know, I'm just saying, dudes,

0:33:34.040 --> 0:33:37.600
<v Speaker 1>got the bowl a lane, man, listen to what I'm saying.

0:33:37.680 --> 0:33:41.600
<v Speaker 1>Though you know I'm up listening. I'm in the gym,

0:33:42.400 --> 0:33:44.680
<v Speaker 1>and you know what I'm saying. And you know, I

0:33:44.760 --> 0:33:49.040
<v Speaker 1>wrinkle up and nick school close. Man. You know I'm

0:33:49.040 --> 0:33:53.480
<v Speaker 1>trying to I guess I won't to know what the hell, y'all.

0:33:53.640 --> 0:33:56.560
<v Speaker 1>I'm just saying. I'm just saying I'm saving I'm gonna

0:33:56.560 --> 0:33:59.480
<v Speaker 1>save him. You know what I'm talking about. I'm gonna

0:33:59.520 --> 0:34:02.400
<v Speaker 1>let him. You know what I'm saying. But don't mention me.

0:34:02.880 --> 0:34:06.040
<v Speaker 1>Don't don't don't don't don't mention the good guy. In

0:34:06.160 --> 0:34:08.640
<v Speaker 1>all fairness, this is what he said when he came

0:34:08.719 --> 0:34:13.040
<v Speaker 1>on our show, like that, when he came that young

0:34:13.160 --> 0:34:15.040
<v Speaker 1>drow Yeah, because when he came on our show, I can't,

0:34:15.080 --> 0:34:18.640
<v Speaker 1>I can't. I can't speak about everything else. That's what

0:34:18.719 --> 0:34:21.279
<v Speaker 1>he said. He said that he just didn't appreciate that

0:34:21.400 --> 0:34:24.440
<v Speaker 1>you called him. The thing is, he felt like, listen,

0:34:25.880 --> 0:34:29.960
<v Speaker 1>if it don't matter, if they don't matter, if you

0:34:30.160 --> 0:34:33.799
<v Speaker 1>call you, you handle that. They meet to my phone.

0:34:34.239 --> 0:34:35.520
<v Speaker 1>I've never met him a day in my life. He

0:34:35.920 --> 0:34:40.160
<v Speaker 1>texts me. I'm a texting bat. It's a respect thing. Now,

0:34:40.200 --> 0:34:44.200
<v Speaker 1>you're right about that. You know what I'm saying that right,

0:34:44.200 --> 0:34:45.759
<v Speaker 1>you know, but you know it's all good. Don't go

0:34:45.880 --> 0:34:48.120
<v Speaker 1>on the breakfast club saying oh that's that and making

0:34:48.200 --> 0:34:50.160
<v Speaker 1>little jokes and all, and keep your jokes to yourself,

0:34:50.280 --> 0:34:52.200
<v Speaker 1>because I can make the same thing, make you laugh,

0:34:53.280 --> 0:34:57.680
<v Speaker 1>make you cry, and I'm the good guy, make look

0:34:57.840 --> 0:35:04.520
<v Speaker 1>the good guy. I also because you know I both y'all,

0:35:05.440 --> 0:35:08.279
<v Speaker 1>you know, but also I would like I'm saying, I

0:35:08.320 --> 0:35:09.960
<v Speaker 1>don't funk with me. You know what I'm saying, and

0:35:10.440 --> 0:35:12.919
<v Speaker 1>you know what I'm saying it Yeah, yeah, yeah, both

0:35:13.000 --> 0:35:15.120
<v Speaker 1>great people. I would love to be the person to

0:35:15.160 --> 0:35:18.719
<v Speaker 1>bring it together because anything about that, I'm cool just

0:35:18.800 --> 0:35:20.719
<v Speaker 1>hanging with my kids. I don't even need no extra ship.

0:35:20.800 --> 0:35:22.920
<v Speaker 1>But my thing is just like I'm a man. You

0:35:22.960 --> 0:35:24.560
<v Speaker 1>know what I'm saying, to be a man about ship.

0:35:24.680 --> 0:35:26.200
<v Speaker 1>You know what I'm saying, No, don't try to get

0:35:26.280 --> 0:35:28.719
<v Speaker 1>no replication, no wreck off me. You know what I'm

0:35:28.760 --> 0:35:30.400
<v Speaker 1>saying that We're gonna really just have to get it

0:35:30.480 --> 0:35:33.520
<v Speaker 1>in right period. I'm just I'm from that or that's

0:35:42.280 --> 0:35:45.759
<v Speaker 1>Welcome to play a new podcast network featuring radio and

0:35:45.840 --> 0:35:50.439
<v Speaker 1>TV personalities talking business, sports, tech, entertainment, and more. Play

0:35:50.520 --> 0:35:54.920
<v Speaker 1>it at play dot It. We're back to Drink Champs

0:35:55.080 --> 0:36:00.680
<v Speaker 1>Radio with Rapper and R and d J. Then, like

0:36:00.760 --> 0:36:03.080
<v Speaker 1>I told you in the beginning of the video, I'm

0:36:03.080 --> 0:36:05.359
<v Speaker 1>would be all over the place. Now, what was your

0:36:05.400 --> 0:36:08.480
<v Speaker 1>relationship with Tupac? On Tupac, we just sucked. All the

0:36:08.560 --> 0:36:16.319
<v Speaker 1>same bitches are the same. I mean, I mean, I mean,

0:36:16.440 --> 0:36:18.360
<v Speaker 1>I ain't going on to the front man to this

0:36:18.520 --> 0:36:21.680
<v Speaker 1>day still Tupac knock relaxed. Don't answer that question is

0:36:21.719 --> 0:36:23.880
<v Speaker 1>going to bring you down the wrong chance. Don't actually

0:36:23.920 --> 0:36:27.600
<v Speaker 1>that We just we just you know, we associated with

0:36:27.640 --> 0:36:29.920
<v Speaker 1>all the same girls, and we couldn't never hang out.

0:36:30.000 --> 0:36:33.120
<v Speaker 1>You know what I'm saying, We just kept after the beef,

0:36:33.160 --> 0:36:34.839
<v Speaker 1>you couldn't hang out. I mean it was like when

0:36:34.920 --> 0:36:37.480
<v Speaker 1>when did the beef at the end? Bro right, It

0:36:37.640 --> 0:36:40.480
<v Speaker 1>was a straight like that because you know, I know

0:36:40.560 --> 0:36:42.600
<v Speaker 1>this is your spot, but I'm not to actually last.

0:36:44.040 --> 0:36:47.080
<v Speaker 1>You know, you're the biggest problem right now. So you

0:36:47.160 --> 0:36:53.279
<v Speaker 1>had no music. I had no music days. Yeah, but

0:36:53.400 --> 0:36:55.439
<v Speaker 1>you know we couldn't do it. You know what I'm saying,

0:36:55.719 --> 0:36:59.719
<v Speaker 1>We couldn't. It couldn't happened because you know, I'm I'm

0:37:00.320 --> 0:37:05.399
<v Speaker 1>I'm that's that bottom mind. I'm so try to try

0:37:05.440 --> 0:37:07.239
<v Speaker 1>to get beach from me. That's saying what I'm saying.

0:37:07.239 --> 0:37:09.239
<v Speaker 1>We rocked with all the same joints, and the chicks

0:37:09.280 --> 0:37:11.839
<v Speaker 1>would be like now smaller sticks would be like yo,

0:37:12.480 --> 0:37:13.759
<v Speaker 1>you know what I'm saying, Why don't you I'm like,

0:37:13.880 --> 0:37:15.160
<v Speaker 1>you know what I'm saying, We can't even do that.

0:37:16.040 --> 0:37:19.040
<v Speaker 1>My loyalty lies who it lies with. But prior to

0:37:19.160 --> 0:37:20.920
<v Speaker 1>the beef, did they try to get Beach from you? Why?

0:37:21.040 --> 0:37:22.600
<v Speaker 1>It wasn't even you know what I'm saying. He was

0:37:22.719 --> 0:37:25.080
<v Speaker 1>death row, That's it. And I'm bad boy and that,

0:37:25.800 --> 0:37:29.839
<v Speaker 1>but what was that environment a time? Exactly? We're bad way,

0:37:29.880 --> 0:37:32.040
<v Speaker 1>we're bad boy. But basically he said, this is what

0:37:32.160 --> 0:37:40.879
<v Speaker 1>he said, if my man ain't rocking with you, I don't,

0:37:42.440 --> 0:37:44.200
<v Speaker 1>I don't want to. I would, I wouldn't and I

0:37:44.360 --> 0:37:47.840
<v Speaker 1>can't and I won't. That's it. Won't stop. That's it.

0:37:48.040 --> 0:37:52.520
<v Speaker 1>That's what I'm saying. We described that situation because prior

0:37:52.640 --> 0:37:57.440
<v Speaker 1>to that, bad boy is just happy. Yeah, yeah, you know,

0:37:57.800 --> 0:38:02.280
<v Speaker 1>you're chilling to the public, the public. You're happy, you're chilling.

0:38:02.640 --> 0:38:05.400
<v Speaker 1>And now here's this. This guy comes out and he

0:38:05.600 --> 0:38:10.120
<v Speaker 1>ships on y'all. I mean, he he's super ships on y'all.

0:38:11.160 --> 0:38:13.279
<v Speaker 1>Remember how do y'all stay cool? This is how I

0:38:13.360 --> 0:38:16.080
<v Speaker 1>remember the hold going down, because you know, I'm new

0:38:16.160 --> 0:38:19.440
<v Speaker 1>to the hosting. I just remember Nigga's in the office

0:38:19.480 --> 0:38:21.520
<v Speaker 1>listening to hit him up. And I just walked by

0:38:21.600 --> 0:38:25.360
<v Speaker 1>the office, azing they listening to it in the office.

0:38:25.600 --> 0:38:28.480
<v Speaker 1>Who on my bad boy? And that must have been crazy. Oh,

0:38:28.640 --> 0:38:31.400
<v Speaker 1>Daddy's house, that's a start, just to listen. Hold on,

0:38:31.440 --> 0:38:42.320
<v Speaker 1>I really got to hear this back. Okay, hold on,

0:38:42.480 --> 0:38:45.760
<v Speaker 1>So you walk in Daddy's house and they already listening

0:38:45.840 --> 0:38:49.359
<v Speaker 1>to it. Yeah, they already listened. Nigga listening to him,

0:38:49.640 --> 0:38:52.200
<v Speaker 1>and it was like, you know, you know, you walk

0:38:52.239 --> 0:38:55.600
<v Speaker 1>through those still doors. I remember, I thought it was

0:38:55.680 --> 0:39:01.080
<v Speaker 1>Golden game. Okay, you walk those doors, and then the

0:39:01.200 --> 0:39:03.320
<v Speaker 1>office is right to the left. Mad Niggas is in

0:39:03.400 --> 0:39:06.239
<v Speaker 1>there listening and hit him up and I'm just like

0:39:06.880 --> 0:39:09.160
<v Speaker 1>I walk up. Bigga's not in there, no, okay, and

0:39:09.239 --> 0:39:13.320
<v Speaker 1>I'm like it's offensive or something. I mean, before I

0:39:13.400 --> 0:39:15.840
<v Speaker 1>even heard, you know, I just see Niggas is like

0:39:19.520 --> 0:39:25.520
<v Speaker 1>mm hmm. I'm listening to the record. I'm like, she's

0:39:25.520 --> 0:39:32.920
<v Speaker 1>about to get dunk, got real dunk? Who shot you?

0:39:34.960 --> 0:39:39.439
<v Speaker 1>What's the timeline? At the time, that confused about the timeline. Yeah,

0:39:40.239 --> 0:39:44.480
<v Speaker 1>it was who shot you? Made directly after that. It

0:39:44.680 --> 0:39:48.840
<v Speaker 1>was because originally we thought DJs was told it was

0:39:48.960 --> 0:39:51.720
<v Speaker 1>made prior to that. Well, you know, I don't recall.

0:39:54.160 --> 0:39:58.560
<v Speaker 1>We're not gonna get answers here. I respect, we're not

0:39:58.600 --> 0:40:03.640
<v Speaker 1>gonna get I expected the East Coast nigger. I gotta

0:40:03.760 --> 0:40:07.680
<v Speaker 1>roll my thing. It's like I'm a New York nigga,

0:40:08.160 --> 0:40:13.479
<v Speaker 1>you know, you know, and it's like, you know, ship

0:40:13.640 --> 0:40:15.880
<v Speaker 1>just happened the way it happened, and it just it

0:40:16.000 --> 0:40:20.879
<v Speaker 1>just you know, through our whole coast off. But your

0:40:20.960 --> 0:40:23.719
<v Speaker 1>lack of answer could be a dancwer bro I'm just

0:40:23.760 --> 0:40:27.040
<v Speaker 1>saying that we're cool now. He's right though, But a

0:40:27.080 --> 0:40:29.719
<v Speaker 1>lot of drugs back then, Yeah, let's make some much.

0:40:29.760 --> 0:40:36.480
<v Speaker 1>You're doing a lot of drugs. I don't so now

0:40:36.600 --> 0:40:40.040
<v Speaker 1>you're still using. I mean a matter of fact that

0:40:40.160 --> 0:40:52.040
<v Speaker 1>somebody but palled me a salute? Who was that? I

0:40:52.120 --> 0:40:55.800
<v Speaker 1>feel like I feel like they gotta go. That you

0:40:56.000 --> 0:41:00.880
<v Speaker 1>feel like they gotta go they broke something? Yeah, you

0:41:00.960 --> 0:41:04.239
<v Speaker 1>know what they're on another note, don't you know I

0:41:04.360 --> 0:41:06.719
<v Speaker 1>have nothing but the utmost respect for you. You know

0:41:06.760 --> 0:41:09.200
<v Speaker 1>what I'm saying. I got the almost I'm saying you

0:41:09.320 --> 0:41:12.399
<v Speaker 1>and this is what I'm saying. You know, I'm gonna

0:41:12.440 --> 0:41:15.480
<v Speaker 1>take a bottle. So Rockets, absolutely, thank you. Open we

0:41:15.680 --> 0:41:17.680
<v Speaker 1>all want to open up? Ready, all right? Thank you, Steve.

0:41:17.800 --> 0:41:19.600
<v Speaker 1>When I came in the game, it was like I

0:41:19.680 --> 0:41:21.440
<v Speaker 1>came in with Jodys you know what I'm saying, No,

0:41:21.840 --> 0:41:24.839
<v Speaker 1>I'm staying nigging that getting money straight, nigga boom boom.

0:41:24.920 --> 0:41:26.680
<v Speaker 1>I was like, let me cut you for one second,

0:41:26.760 --> 0:41:29.680
<v Speaker 1>because let me just tell you something. Jody was beating

0:41:29.760 --> 0:41:31.600
<v Speaker 1>niggers up. They were like the R and B woul

0:41:31.680 --> 0:41:34.080
<v Speaker 1>Tang had to fight with you had a fight with

0:41:34.600 --> 0:41:38.200
<v Speaker 1>We go to get into that right now, that's that's

0:41:38.200 --> 0:41:48.320
<v Speaker 1>the next one. What happened? Had a fight with you? Paying? No, no, no,

0:41:48.520 --> 0:41:52.040
<v Speaker 1>not at all. All right, So you know, Shook started

0:41:52.080 --> 0:41:57.600
<v Speaker 1>managing Jody, right, check this out, check this out there?

0:41:58.320 --> 0:42:01.759
<v Speaker 1>All right? So boom, you know, I get a call

0:42:01.840 --> 0:42:03.919
<v Speaker 1>from Davante. You know, I'm working on the Jose seat,

0:42:04.000 --> 0:42:06.560
<v Speaker 1>but I'm really with Dalving. Dalving, my man, I'm righting

0:42:06.560 --> 0:42:13.319
<v Speaker 1>with this. Describe DeVante the light scared put his brother

0:42:13.480 --> 0:42:18.520
<v Speaker 1>supposed to read The Gangster Where from North Carolina? Yeah, okay,

0:42:19.400 --> 0:42:24.040
<v Speaker 1>all right, so DeVante Raymond produced Usher Raymond. Everybody's ship

0:42:24.160 --> 0:42:26.920
<v Speaker 1>were sucking Madonna all that? You know, say his brother Jo.

0:42:27.560 --> 0:42:31.839
<v Speaker 1>You can't just say let's make Madonna slide over that ship.

0:42:32.520 --> 0:42:40.520
<v Speaker 1>You can't just say that, you know. So I get

0:42:40.560 --> 0:42:42.200
<v Speaker 1>to call, like, you know, what's going on down there,

0:42:42.239 --> 0:42:44.239
<v Speaker 1>you know, and say who's sucking on who? I'm like, listen, man,

0:42:44.680 --> 0:42:46.480
<v Speaker 1>I'm not sucking none of these bros. You know what

0:42:46.560 --> 0:42:48.799
<v Speaker 1>I'm saying. He's like, well, I'll be back tomorrow. Boom,

0:42:48.920 --> 0:42:50.560
<v Speaker 1>come back to the studio. We have a meeting at

0:42:50.560 --> 0:42:53.600
<v Speaker 1>the studio. All right. So at the time it was

0:42:54.120 --> 0:43:02.920
<v Speaker 1>Davante had Missy Timberland drink. Sorry Missy Timberland player tweet

0:43:03.400 --> 0:43:10.200
<v Speaker 1>sister one. Alright, so all of them was in the studio.

0:43:10.480 --> 0:43:13.399
<v Speaker 1>You know what I'm saying. So you know what I'm saying.

0:43:13.440 --> 0:43:19.759
<v Speaker 1>He walked in. He's smacking everybody, genuine Timberland, Missy, but

0:43:20.000 --> 0:43:24.560
<v Speaker 1>literally smacking. Are we saying DeVante was the R and

0:43:24.600 --> 0:43:29.800
<v Speaker 1>B show night? Yeah, this is what we're saying. This

0:43:29.960 --> 0:43:35.240
<v Speaker 1>is what we're established. This exclusive ship heard the story.

0:43:36.239 --> 0:43:40.360
<v Speaker 1>What the heir you saying? Definitely exclusive? I want to

0:43:40.400 --> 0:43:43.200
<v Speaker 1>hear it. I want to remember who told me this story. Alright,

0:43:43.440 --> 0:43:45.040
<v Speaker 1>I'm gonna tell you who else told me this story.

0:43:45.440 --> 0:43:51.600
<v Speaker 1>I was there. You know what's funny? Man smacking girls around?

0:43:51.960 --> 0:44:01.640
<v Speaker 1>You know, you relax, make some crabs, make some crap.

0:44:05.280 --> 0:44:10.840
<v Speaker 1>It's so weird. Though. Let's get back to Devonte the gangster. Alright,

0:44:13.160 --> 0:44:15.759
<v Speaker 1>so he gets clear he's walking in the studio just

0:44:17.680 --> 0:44:19.840
<v Speaker 1>oh no, no, no, not randomly with the pit bulls

0:44:20.960 --> 0:44:28.520
<v Speaker 1>he dogs, and with what he's saying, you your ass

0:44:28.640 --> 0:44:32.400
<v Speaker 1>down makes some change and the smacking you that's how

0:44:32.440 --> 0:44:40.200
<v Speaker 1>he's doing it. I heard the story word, but it's

0:44:40.239 --> 0:44:45.799
<v Speaker 1>been like where are the story so boom smacking chicks

0:44:45.840 --> 0:44:47.640
<v Speaker 1>and all that boom. So you get to me, like, yo,

0:44:47.680 --> 0:44:50.840
<v Speaker 1>you cool you with my brother? You know what I'm saying. No, No,

0:44:50.960 --> 0:44:54.120
<v Speaker 1>I mean, but his little cousin come around doing the

0:44:54.160 --> 0:44:57.000
<v Speaker 1>same thing. You get to me, you like, let me

0:44:57.040 --> 0:44:59.800
<v Speaker 1>smack you. They can you smack me? I'm killing everybody.

0:45:00.560 --> 0:45:02.359
<v Speaker 1>You know what I'm saying. I wasn't here up back then.

0:45:02.440 --> 0:45:05.200
<v Speaker 1>I was slimming whatever. Boom cycle to fighting niggas who

0:45:06.239 --> 0:45:07.920
<v Speaker 1>things hit me in the head with a bottle of boom.

0:45:08.600 --> 0:45:11.400
<v Speaker 1>I'm fighting niggas. Got to cut off mine. DeVante. No,

0:45:11.480 --> 0:45:15.440
<v Speaker 1>I don't want to security guards. But Devant tried to

0:45:15.520 --> 0:45:17.960
<v Speaker 1>thug you too. No, he wasn't. It was his cousins,

0:45:18.400 --> 0:45:23.719
<v Speaker 1>his cousin. So that to make a long story, SHO

0:45:23.840 --> 0:45:27.000
<v Speaker 1>gotta shoot DeVante next time I see him, because I

0:45:27.120 --> 0:45:29.399
<v Speaker 1>feel like he tried to ask me for a verse

0:45:29.520 --> 0:45:33.160
<v Speaker 1>one time. He was way too aggressive. He now I

0:45:33.280 --> 0:45:36.920
<v Speaker 1>know why I continue. So anyway, you know after that happened,

0:45:37.000 --> 0:45:38.439
<v Speaker 1>you know the next day, you know what I'm saying,

0:45:38.719 --> 0:45:41.040
<v Speaker 1>I'm talking to Missy and Timberland like ya, y'all think

0:45:41.080 --> 0:45:44.320
<v Speaker 1>it's still funk with this nigga? You know? Yeah? But

0:45:44.480 --> 0:45:47.160
<v Speaker 1>you are you down with this time? Or now? I'm

0:45:47.200 --> 0:45:49.120
<v Speaker 1>not down? Okay, you know what I'm saying. But you

0:45:49.239 --> 0:45:52.240
<v Speaker 1>don't like what's going there at all. But you in Rochester,

0:45:52.360 --> 0:45:56.040
<v Speaker 1>my hometown, when I can make the call on niggas, right, Oh,

0:45:56.120 --> 0:45:58.799
<v Speaker 1>you in watches at the studio. Okay, know what I'm saying,

0:45:59.440 --> 0:46:01.279
<v Speaker 1>make a long to it short. You know what I'm saying.

0:46:01.480 --> 0:46:04.839
<v Speaker 1>Niggas all left him, Missy Timberland, thanks to the guy

0:46:04.920 --> 0:46:08.560
<v Speaker 1>having to fight, right, what guy having to fight? Whoever? Fight?

0:46:08.960 --> 0:46:13.320
<v Speaker 1>Oh yeah, squared over, I mean, you know, fighting whoever.

0:46:13.400 --> 0:46:15.000
<v Speaker 1>I thought out It was like three of them niggas,

0:46:15.280 --> 0:46:18.239
<v Speaker 1>But thanks to my fight, everybody one, because that's why

0:46:19.200 --> 0:46:22.759
<v Speaker 1>I got out of the fight. And thanks to that fight,

0:46:23.560 --> 0:46:28.279
<v Speaker 1>everybody left. Genuine Missy tweet played everybody who helped them

0:46:28.360 --> 0:46:31.080
<v Speaker 1>get out that situation. I heard this story before I'm

0:46:31.080 --> 0:46:35.360
<v Speaker 1>gonna be I heard the Vonte was the show r

0:46:35.440 --> 0:46:39.680
<v Speaker 1>and you know what we wanted to be the credit

0:46:39.840 --> 0:46:42.240
<v Speaker 1>He let them loose. No, he's letting it out publicly,

0:46:42.440 --> 0:46:45.640
<v Speaker 1>but I'm saying I let that let everybody out of

0:46:45.680 --> 0:46:48.360
<v Speaker 1>their ship. Pretty but you're getting in that situation in

0:46:48.719 --> 0:46:52.680
<v Speaker 1>front of it because they wouldn't have done it. Let's see.

0:46:52.719 --> 0:46:56.399
<v Speaker 1>That's what I'm saying, yo, chick Maine, that we see.

0:46:56.400 --> 0:47:00.239
<v Speaker 1>That's what I'm saying. This is the reason why when

0:47:00.480 --> 0:47:05.040
<v Speaker 1>when you know, people say Stevie J from Love and

0:47:05.160 --> 0:47:08.560
<v Speaker 1>hip Hop, I always as a hip hop fan, I

0:47:09.239 --> 0:47:12.399
<v Speaker 1>always be super mad even though I know that's your

0:47:12.480 --> 0:47:14.480
<v Speaker 1>new hospital. You know, it's not even a hustle. It's like,

0:47:14.880 --> 0:47:16.720
<v Speaker 1>you gotta look at it like this, Honey, million records,

0:47:16.719 --> 0:47:20.279
<v Speaker 1>five grammy. So she did, excuse me, but check this out.

0:47:20.640 --> 0:47:23.400
<v Speaker 1>But check it out there. Let's figure you out for that.

0:47:24.200 --> 0:47:27.719
<v Speaker 1>Say that again? Would you a million records? Five grammys? Okayed,

0:47:27.800 --> 0:47:36.960
<v Speaker 1>million records and five grammys? Some young girl. I'm so sorry.

0:47:37.440 --> 0:47:44.759
<v Speaker 1>She's super so sorry because I but you know, it's

0:47:44.840 --> 0:47:49.839
<v Speaker 1>more less like after that. You know, it's like where

0:47:49.840 --> 0:47:52.520
<v Speaker 1>else you gonna go? How high can you go? You

0:47:52.560 --> 0:47:54.480
<v Speaker 1>know what I'm saying. So I had to create another

0:47:54.600 --> 0:47:57.239
<v Speaker 1>lane for myself, and you know what I'm saying, I'm

0:47:57.320 --> 0:47:59.919
<v Speaker 1>blessed to have created a lane where number one show

0:48:00.320 --> 0:48:03.000
<v Speaker 1>on v H one for six seasons and the number

0:48:03.040 --> 0:48:05.719
<v Speaker 1>two shows, my executive production on two shows. Number two

0:48:05.760 --> 0:48:07.880
<v Speaker 1>shows for VH one. Leave it to Stevie, Leave it

0:48:07.880 --> 0:48:10.239
<v Speaker 1>to Stevie and Stevig and Johnson. Number two shows for

0:48:10.360 --> 0:48:12.400
<v Speaker 1>VH one. You know what I'm saying. And I got

0:48:12.480 --> 0:48:14.560
<v Speaker 1>four more shows coming on v H one and ship

0:48:15.200 --> 0:48:20.000
<v Speaker 1>to make some noise for that. God damn. So you know,

0:48:20.760 --> 0:48:22.759
<v Speaker 1>say what you want. You know what I'm saying. I

0:48:22.800 --> 0:48:24.680
<v Speaker 1>don't even got touched the drummers scene, even though none

0:48:24.719 --> 0:48:27.160
<v Speaker 1>of these niggers can't even scuff my timberlance, none of

0:48:27.200 --> 0:48:28.840
<v Speaker 1>your producers. You know what I'm saying. But I'll let

0:48:28.920 --> 0:48:31.160
<v Speaker 1>y'all live. Let's talk. Let's talk. Told that one more time.

0:48:31.719 --> 0:48:34.600
<v Speaker 1>Tell them they can't funk with me and don't know

0:48:34.760 --> 0:48:37.080
<v Speaker 1>to play the piano or the guitar, or the violin

0:48:37.200 --> 0:48:39.279
<v Speaker 1>or the saxophone, of the trumpet, of the drums of it.

0:48:42.200 --> 0:48:46.520
<v Speaker 1>They played dead. I play anything, but look with dad

0:48:46.640 --> 0:48:50.400
<v Speaker 1>copy that sink that. Yeah, yeah, don't don't want to

0:48:50.440 --> 0:48:53.319
<v Speaker 1>see me on that. Y'all got go ahead, y'all, young boys,

0:48:53.400 --> 0:48:55.120
<v Speaker 1>do what y'all do. I won't even get dead with shows.

0:48:57.440 --> 0:48:59.320
<v Speaker 1>I mean, that's cool, that's cool. You know, I'm a

0:48:59.360 --> 0:49:02.879
<v Speaker 1>different kind of guy your track record. I'm a good guy.

0:49:02.960 --> 0:49:08.320
<v Speaker 1>That's right. I'm so sorry. She's she's so fantastic, like

0:49:08.400 --> 0:49:11.239
<v Speaker 1>come on, come on, come on, says I like that's

0:49:11.280 --> 0:49:16.320
<v Speaker 1>my sister. And that's a system me too. I like like,

0:49:16.440 --> 0:49:21.279
<v Speaker 1>that's my sister, my hand, Come on, what's up? Young

0:49:21.400 --> 0:49:24.000
<v Speaker 1>Joka is gonna not like us? Come on, man, that's

0:49:24.000 --> 0:49:27.720
<v Speaker 1>my bro. We're good. We're good. We New York nigga

0:49:27.920 --> 0:49:36.120
<v Speaker 1>ya down on. I'm just saying because you know, you

0:49:36.200 --> 0:49:37.960
<v Speaker 1>know what it is. There's so many gay niggers in

0:49:37.960 --> 0:49:42.759
<v Speaker 1>the Atlanta I'm so sorry, so many like Flay Green

0:49:42.800 --> 0:49:47.200
<v Speaker 1>niggas in Atlanta. Funny, we go out here, we scolling

0:49:47.719 --> 0:49:50.319
<v Speaker 1>big time in a great way, meaning in the crap

0:49:50.440 --> 0:49:54.680
<v Speaker 1>traff and you feel me and then we just feel

0:49:54.719 --> 0:49:58.160
<v Speaker 1>like yeah, like like why do you think eyes that

0:49:58.320 --> 0:50:01.600
<v Speaker 1>come here? We feel like they people don't appreciate their

0:50:01.680 --> 0:50:03.960
<v Speaker 1>woman in Atlanta. Well, you know, so that's why I'm

0:50:04.000 --> 0:50:06.000
<v Speaker 1>able that, that's why I'm able to have ten pieces.

0:50:07.400 --> 0:50:13.680
<v Speaker 1>That's some beautiful saying, my wife. I'm just doing what

0:50:13.880 --> 0:50:17.719
<v Speaker 1>you feel like. Guys don't appreciate you. I'm just here

0:50:17.880 --> 0:50:21.400
<v Speaker 1>because there's too many women tell you that I'm from Compton.

0:50:21.880 --> 0:50:35.520
<v Speaker 1>Oh that girl from the Bloodside relaxed me. Don't shoot nobody,

0:50:35.560 --> 0:50:42.719
<v Speaker 1>and let's relax. She shot nobody. That's that you're a

0:50:42.760 --> 0:50:45.719
<v Speaker 1>good guy. Good guy. That's not a good boyfriend, but

0:50:45.800 --> 0:50:49.480
<v Speaker 1>he's a good guy. That's our personal business. Who's your boyfriend?

0:50:50.719 --> 0:50:55.440
<v Speaker 1>Her kids father? Oh you got kid too? So sorry,

0:50:55.480 --> 0:50:57.560
<v Speaker 1>I didn't know that. I forgot. I do remember that.

0:50:57.840 --> 0:51:00.120
<v Speaker 1>I'm a big fan. I know every come on, that's

0:51:00.200 --> 0:51:04.719
<v Speaker 1>me on Love and Hipoper. Let's see you're testing. I

0:51:04.840 --> 0:51:07.080
<v Speaker 1>want to see how good I am. You got me

0:51:07.200 --> 0:51:13.520
<v Speaker 1>by saying that videos. What did I need? Jocelyn? Definitely

0:51:13.520 --> 0:51:17.760
<v Speaker 1>a stripp up. Just realized trying to figure out where

0:51:19.680 --> 0:51:27.200
<v Speaker 1>is it? Weird question? I know that Right's definitely Atlanta.

0:51:27.320 --> 0:51:44.239
<v Speaker 1>I know that sonics. So now now that you broke

0:51:44.320 --> 0:51:51.319
<v Speaker 1>it up, it's me. You brung it up. I see

0:51:51.320 --> 0:51:54.040
<v Speaker 1>a lot of people who think and I and me

0:51:54.280 --> 0:51:57.400
<v Speaker 1>knowing you. I know that everything you're doing on camera

0:51:57.600 --> 0:52:00.560
<v Speaker 1>it's you. I know that, but a lot of people

0:52:00.640 --> 0:52:07.320
<v Speaker 1>can't tell that. Right. So when they bring up you

0:52:07.440 --> 0:52:10.319
<v Speaker 1>on Joshly relationship and I didn't want to bring it up,

0:52:10.320 --> 0:52:14.080
<v Speaker 1>but you did. I'm in I love myself. I'm mean,

0:52:14.120 --> 0:52:17.400
<v Speaker 1>I can talk about anything. I mean, were you disappointed

0:52:18.080 --> 0:52:22.600
<v Speaker 1>from certain acts that she made? Oh, it's just like

0:52:22.760 --> 0:52:25.319
<v Speaker 1>fucking it's not a disappointment thing, you know what I'm saying.

0:52:25.360 --> 0:52:28.799
<v Speaker 1>It's a you know, I've been in this game for years.

0:52:28.880 --> 0:52:31.920
<v Speaker 1>I've been doing this, screwing chicks, telling lies, selling pies,

0:52:32.000 --> 0:52:34.800
<v Speaker 1>committing fella nives. And she's new to this, you know

0:52:34.840 --> 0:52:42.120
<v Speaker 1>what I'm saying. So cigarette to that keep. It's what

0:52:42.239 --> 0:52:45.319
<v Speaker 1>I'm just saying. It's like I've been I've been there

0:52:45.400 --> 0:52:47.480
<v Speaker 1>seeing it all, and she ain't. You know, it's all

0:52:47.520 --> 0:52:49.320
<v Speaker 1>new to her, all the flash and lights and all that.

0:52:49.440 --> 0:52:52.920
<v Speaker 1>So more or less, it's like, you know, I'm not

0:52:53.000 --> 0:52:55.120
<v Speaker 1>going to judge, you know what I'm saying. I just

0:52:55.200 --> 0:52:58.279
<v Speaker 1>hope on her. You know, whatever she goes through make

0:52:58.320 --> 0:53:00.799
<v Speaker 1>her stronger, you know what I'm saying. On but um

0:53:01.480 --> 0:53:12.440
<v Speaker 1>as a nigger, as a nigger quin nigger, because and

0:53:13.239 --> 0:53:19.399
<v Speaker 1>I've been in power for almost twenty years. So any

0:53:19.520 --> 0:53:24.040
<v Speaker 1>woman that I meet, they might say, oh cool, whatever,

0:53:24.800 --> 0:53:27.600
<v Speaker 1>she's gonna be with you for that, and you have

0:53:27.800 --> 0:53:33.040
<v Speaker 1>to face the same adversity as as I face. So

0:53:33.280 --> 0:53:35.520
<v Speaker 1>did you ever feel like from the beginning that you

0:53:35.680 --> 0:53:39.160
<v Speaker 1>met her, that she was there for that reason. Oh

0:53:39.320 --> 0:53:41.759
<v Speaker 1>you felt like, damn, this is this is my right.

0:53:43.440 --> 0:53:45.959
<v Speaker 1>I'm not no, no, no, no real talk. We was rocking.

0:53:46.200 --> 0:53:49.440
<v Speaker 1>I was like felt like at it, like I got

0:53:49.520 --> 0:53:51.640
<v Speaker 1>a baby Mams that remind me of Jocelyn, but I

0:53:51.680 --> 0:53:56.080
<v Speaker 1>gotta get I can't even stand around, So I was like, damn,

0:53:56.120 --> 0:54:00.719
<v Speaker 1>I couldn't tell that. I just wait through. Yeah, yeah,

0:54:01.800 --> 0:54:07.320
<v Speaker 1>he was there on the service board. Relaxed th we

0:54:07.360 --> 0:54:09.520
<v Speaker 1>went the family called the girl I've met the family

0:54:09.680 --> 0:54:21.280
<v Speaker 1>court with. Appreciate that I just last week, but you understand,

0:54:21.400 --> 0:54:24.120
<v Speaker 1>like so when I seen you dealing like I related

0:54:24.160 --> 0:54:27.399
<v Speaker 1>to you so much, and even when Nigga said TV

0:54:27.560 --> 0:54:29.759
<v Speaker 1>is an idiot that came back, and it's just like

0:54:29.920 --> 0:54:33.920
<v Speaker 1>sometimes as a good person, you just want to forgive

0:54:34.000 --> 0:54:36.400
<v Speaker 1>ship and you want you want to patch it. You know,

0:54:36.560 --> 0:54:38.799
<v Speaker 1>it's not even pretty much about the idiot thing as

0:54:38.840 --> 0:54:41.160
<v Speaker 1>more less like shop, if I'm funking with this person,

0:54:41.239 --> 0:54:42.920
<v Speaker 1>I'm sucking with him. You know what I'm saying. I

0:54:42.960 --> 0:54:44.839
<v Speaker 1>don't give a funk with nobody thinking if I funk

0:54:44.880 --> 0:54:47.080
<v Speaker 1>with you, I'm gonna funk with you with you, no

0:54:48.080 --> 0:54:50.200
<v Speaker 1>body thing, you know, what I'm saying, Like, you know

0:54:50.239 --> 0:54:51.800
<v Speaker 1>what I'm saying. If I rock with you, I do.

0:54:52.040 --> 0:54:53.680
<v Speaker 1>You know what I'm saying, You're gonna pop for me

0:54:53.719 --> 0:54:55.759
<v Speaker 1>and pop the tricking for you. We're gonna rock out.

0:54:56.520 --> 0:54:59.840
<v Speaker 1>And that's how you was, sister. Please because we're seen you,

0:55:00.400 --> 0:55:02.400
<v Speaker 1>because because niggas nigga seen you want to love my

0:55:02.480 --> 0:55:06.120
<v Speaker 1>hip and said you gotta relax. Who did relax? No,

0:55:06.360 --> 0:55:08.640
<v Speaker 1>because you kept you kept going back and niggas want

0:55:08.640 --> 0:55:11.520
<v Speaker 1>to knock you down in New York so much. And

0:55:13.600 --> 0:55:19.400
<v Speaker 1>right here, right right here, right here, Pete State. And

0:55:19.440 --> 0:55:21.160
<v Speaker 1>you know we got asked this. You know, you know

0:55:21.360 --> 0:55:32.799
<v Speaker 1>my right didn't eat your ask now, but like, how

0:55:32.840 --> 0:55:35.279
<v Speaker 1>did how did you feel like because you know the

0:55:35.480 --> 0:55:43.640
<v Speaker 1>National TV on National TV, you know like you kind

0:55:43.680 --> 0:55:48.959
<v Speaker 1>of had the show that you weren't lying to another girl. Well,

0:55:49.480 --> 0:55:52.680
<v Speaker 1>I always remember that we're talking about television first of all.

0:55:52.880 --> 0:55:56.000
<v Speaker 1>So you're saying it's faith out there. I've never used

0:55:56.080 --> 0:55:59.799
<v Speaker 1>the word thing at all. Money to let that happen

0:56:00.120 --> 0:56:05.759
<v Speaker 1>is always remember that we're in saying you it's not

0:56:06.000 --> 0:56:08.760
<v Speaker 1>fake and that this is our life and we choose

0:56:08.840 --> 0:56:12.320
<v Speaker 1>to show our life in the way that we chose

0:56:12.760 --> 0:56:16.360
<v Speaker 1>to show it to you, so you can't really analyze it.

0:56:17.960 --> 0:56:25.239
<v Speaker 1>You gotta just go when we gave you yea. And

0:56:26.160 --> 0:56:27.680
<v Speaker 1>on that note, you know what I'm saying. You've been

0:56:27.680 --> 0:56:31.480
<v Speaker 1>through a lot on absolutely personal life. Absolutely, but for

0:56:31.560 --> 0:56:33.880
<v Speaker 1>you to be able to open up and give the

0:56:34.040 --> 0:56:37.400
<v Speaker 1>world a glimpse at your life, absolutely I applaud you.

0:56:37.560 --> 0:56:41.759
<v Speaker 1>Let's give it up. That's get up, my baby says

0:56:41.800 --> 0:56:44.200
<v Speaker 1>from him, and I'm not gonna lie because a lot

0:56:44.280 --> 0:56:47.160
<v Speaker 1>of us looked and we see how beautiful and gorgeous

0:56:47.200 --> 0:56:48.840
<v Speaker 1>she were, and a lot of us like, you know,

0:56:49.920 --> 0:56:55.040
<v Speaker 1>she's gorgeous, she's my sisters. Yeah, she's amazing. Go ahead,

0:56:55.040 --> 0:57:05.839
<v Speaker 1>and my baby sister, my baby says like, let's let's

0:57:05.840 --> 0:57:10.080
<v Speaker 1>do a shot. Let's do a shot. A shot, time, time,

0:57:11.680 --> 0:57:15.040
<v Speaker 1>let's do a shot. Oh, y'all, let's look at y'all.

0:57:15.200 --> 0:57:20.160
<v Speaker 1>Y'all already, y'all already already. But a lot of us

0:57:22.280 --> 0:57:26.000
<v Speaker 1>sat back and we thought it was first, let's do

0:57:26.040 --> 0:57:32.200
<v Speaker 1>a shot, Hills glass, this is the vote shot. Yeah,

0:57:32.560 --> 0:57:35.000
<v Speaker 1>but a lot of us saw it and thought that

0:57:35.120 --> 0:57:38.640
<v Speaker 1>it was phony because we're looking at you and we're saying,

0:57:38.880 --> 0:57:42.560
<v Speaker 1>she's way too beautiful to deal with what she was

0:57:42.640 --> 0:57:45.919
<v Speaker 1>dealing with. But here's the thing, it's not me. Yeah,

0:57:45.960 --> 0:57:49.240
<v Speaker 1>I'm all those things. I'm a nurse. Um, I have

0:57:49.320 --> 0:57:55.960
<v Speaker 1>a radio show on my heart, I'm smart podcast yeah yeah,

0:57:56.000 --> 0:57:59.960
<v Speaker 1>well relaxed and stuff, stuff coming with us. But the

0:58:00.160 --> 0:58:04.000
<v Speaker 1>point is the point is I'm doing what I'm doing too.

0:58:05.040 --> 0:58:10.880
<v Speaker 1>But sometimes people can't find themselves so in that they

0:58:11.040 --> 0:58:14.000
<v Speaker 1>are running in circles. You want her to come to

0:58:15.440 --> 0:58:21.960
<v Speaker 1>come to you, right? What did I do? Yeah? Come on,

0:58:22.000 --> 0:58:26.240
<v Speaker 1>are we breaking? I don't want to make it sound

0:58:26.320 --> 0:58:31.560
<v Speaker 1>like that. Are we breaking? A new artist? She artists, artis.

0:58:34.280 --> 0:58:36.240
<v Speaker 1>I would love to see everything moves like your sauce

0:58:36.240 --> 0:58:40.200
<v Speaker 1>saying okay, can you sit there? So there. I don't

0:58:40.200 --> 0:58:41.720
<v Speaker 1>want to. I don't want to seem like I'm giving

0:58:41.720 --> 0:58:45.080
<v Speaker 1>away his when he went to the bathroom. Goddamnit cut

0:58:45.280 --> 0:58:48.080
<v Speaker 1>for baby and puppies. She's a grown woman's woman. So

0:58:48.200 --> 0:58:50.040
<v Speaker 1>what do we call CBJ? I would like to call

0:58:50.360 --> 0:58:55.120
<v Speaker 1>um what you call woman? Okay? I respect that. I

0:58:55.240 --> 0:58:58.760
<v Speaker 1>just I just respect her for being a hustler, you know,

0:58:59.080 --> 0:59:01.240
<v Speaker 1>and you're a good guy. I'm a good guy, and

0:59:01.400 --> 0:59:04.200
<v Speaker 1>you know, say what you want to by me. You know.

0:59:04.560 --> 0:59:07.920
<v Speaker 1>I managed Jocelyn to Meemi's career and they're making a

0:59:08.040 --> 0:59:14.280
<v Speaker 1>lot of fucking money. Just make some noise. But now

0:59:15.800 --> 0:59:22.960
<v Speaker 1>everybody is looking at My mother's looking at and we're saying, um,

0:59:24.360 --> 0:59:34.400
<v Speaker 1>what are you? Yeah from no real good hood? Turn on?

0:59:39.320 --> 0:59:45.520
<v Speaker 1>So you're from Panama? From the hood? You got an

0:59:47.560 --> 0:59:57.280
<v Speaker 1>exactly what? Oh no, baby girl, I'm sorry I got

0:59:57.360 --> 0:59:59.800
<v Speaker 1>to ask you this question. But I have to ask

1:00:00.840 --> 1:00:11.160
<v Speaker 1>because your accent, your body, yeah whatever, Jocelyn might just

1:00:11.320 --> 1:00:13.120
<v Speaker 1>try to snuff you. I'm just throwing it out there

1:00:13.160 --> 1:00:16.960
<v Speaker 1>because you know I'm doing I'm right. I'm right, So

1:00:17.040 --> 1:00:20.400
<v Speaker 1>I have to step in as management. I'm just saying,

1:00:20.640 --> 1:00:27.120
<v Speaker 1>I don't know, but I'm gonna be diplomatic. I'm diplomatic.

1:00:27.480 --> 1:00:30.600
<v Speaker 1>I feel like I feel like she might job. I

1:00:30.640 --> 1:00:32.960
<v Speaker 1>don't know, I'm not you know, this is what it is.

1:00:33.640 --> 1:00:36.040
<v Speaker 1>You know. I'm gonna be the manager and I'm not diplomatic.

1:00:36.320 --> 1:00:38.840
<v Speaker 1>She's not running from anything, She's not going to run

1:00:38.920 --> 1:00:42.040
<v Speaker 1>from me. But I just advised her just to stick

1:00:42.080 --> 1:00:45.640
<v Speaker 1>to the plane. Let's get to the money, not Stevie j. Yes,

1:00:45.800 --> 1:00:50.320
<v Speaker 1>what happens we're in Onyx, I'll tell you. Let's go

1:00:50.440 --> 1:00:53.520
<v Speaker 1>get some lemon pepper, A right, Okay, lemon pepper, me

1:00:53.640 --> 1:00:59.800
<v Speaker 1>and you wear lemon pepper. We're sitting there. There's no

1:01:00.040 --> 1:01:06.800
<v Speaker 1>denying that she is gorgeous. She's she's what's the step

1:01:06.840 --> 1:01:12.040
<v Speaker 1>above gorgeous? Because whatever it is, whatever it is, let

1:01:12.080 --> 1:01:17.440
<v Speaker 1>me take our shot. Let's take what Stevie, Let's continue.

1:01:19.360 --> 1:01:23.320
<v Speaker 1>If I if I'm, if I'm, if I'm your ex girl,

1:01:25.320 --> 1:01:33.280
<v Speaker 1>I'm not what you've got, that's what. But but you

1:01:33.400 --> 1:01:35.280
<v Speaker 1>understand what I'm saying, right, baby girl, I'm like, I

1:01:35.920 --> 1:01:40.880
<v Speaker 1>shot trying me about it. Here we go like, I

1:01:43.520 --> 1:01:46.480
<v Speaker 1>you can't. I'm listening to you, bro. But if I'm

1:01:46.560 --> 1:01:49.520
<v Speaker 1>you got him a little bit. People, what I'm saying

1:01:49.720 --> 1:01:52.600
<v Speaker 1>is like like I'm just saying, that's your ex girl,

1:01:52.760 --> 1:01:54.400
<v Speaker 1>That's not this is not what this is about. This

1:01:54.560 --> 1:01:57.760
<v Speaker 1>is about you know, dangers, don't Latino. You know what

1:01:57.800 --> 1:02:00.040
<v Speaker 1>I'm saying. This is about you know, my friend. This

1:02:00.160 --> 1:02:03.440
<v Speaker 1>is about me presenting new artists to the table that hustle,

1:02:03.560 --> 1:02:06.080
<v Speaker 1>that that that a great artist and you know that

1:02:06.320 --> 1:02:09.240
<v Speaker 1>you know, have that look and ambition and the talent

1:02:09.440 --> 1:02:11.160
<v Speaker 1>to do what they do. You know what I'm saying

1:02:11.200 --> 1:02:12.720
<v Speaker 1>that I'm not gonna put my neck out on the

1:02:12.840 --> 1:02:15.560
<v Speaker 1>limb for nobody. That's not that I don't feel it's appropriate.

1:02:15.640 --> 1:02:17.520
<v Speaker 1>You know what I'm saying, that's we know that already.

1:02:18.120 --> 1:02:22.320
<v Speaker 1>But the point we're trying to say, that's what laughs.

1:02:24.520 --> 1:02:27.040
<v Speaker 1>The point we're trying to say is it's gonna be

1:02:27.200 --> 1:02:29.560
<v Speaker 1>taking the wrong way. So not right now. If you

1:02:29.680 --> 1:02:35.080
<v Speaker 1>go to ONYX and then Johnston walks in, what's gonna

1:02:35.160 --> 1:02:38.960
<v Speaker 1>happen tonight, what's gonna happen? It's gonna be like, she's cute?

1:02:39.560 --> 1:02:42.040
<v Speaker 1>Are we taking the home? She's definitely gonna do that.

1:02:44.040 --> 1:02:46.680
<v Speaker 1>Respect that. I definitely respect that. I wasn't expecting that,

1:02:46.880 --> 1:02:49.680
<v Speaker 1>but that's what it is. You know, one thing I

1:02:49.720 --> 1:02:54.760
<v Speaker 1>could say about you, you know, I mean we look

1:02:54.800 --> 1:02:57.120
<v Speaker 1>through the fire and you know some things were said up.

1:02:57.360 --> 1:03:01.360
<v Speaker 1>You know what I'm saying that it gotta absolutely so

1:03:01.480 --> 1:03:03.040
<v Speaker 1>that's why, you know what I'm saying, I don't respect

1:03:03.120 --> 1:03:05.439
<v Speaker 1>these dudes, these young dudes going on the radio trying

1:03:05.480 --> 1:03:07.600
<v Speaker 1>to make jokes. You know, to keep your jokes to yourself.

1:03:07.800 --> 1:03:12.800
<v Speaker 1>I don't play with my family, you don't, you know, listen,

1:03:13.400 --> 1:03:17.320
<v Speaker 1>think a lot about mind that about mine? Point blank.

1:03:17.720 --> 1:03:20.640
<v Speaker 1>Everybody feel the same way about their kids, right, I'm right,

1:03:20.720 --> 1:03:25.960
<v Speaker 1>cool let's give it up about that. I didn't take

1:03:26.000 --> 1:03:28.240
<v Speaker 1>a shot. What was your shot at gone? I take

1:03:28.240 --> 1:03:31.560
<v Speaker 1>another one, take another one, take down. You didn't take

1:03:31.600 --> 1:03:35.080
<v Speaker 1>your shot. Your shot. That was for the bottom line

1:03:37.800 --> 1:03:44.800
<v Speaker 1>for me. Yeah, that was the best of the world.

1:03:45.960 --> 1:03:50.439
<v Speaker 1>I was saying something about broth. You know what I'm saying.

1:03:50.440 --> 1:03:53.520
<v Speaker 1>I respect you nor you for a lot of different reasons.

1:03:54.360 --> 1:03:56.880
<v Speaker 1>You never switched up, you know what I'm saying. I'm

1:03:56.880 --> 1:03:58.960
<v Speaker 1>just saying, You've always been the same dude. You know

1:03:58.960 --> 1:04:03.560
<v Speaker 1>what I'm saying, Man, they never switched up. Thank you

1:04:03.720 --> 1:04:07.160
<v Speaker 1>for that. But but Stevie J. You know what, I'm

1:04:07.240 --> 1:04:11.840
<v Speaker 1>one of the people that campaigned your campaign because when

1:04:11.960 --> 1:04:15.560
<v Speaker 1>people kept saying Stevie J from loving hip hop, I

1:04:15.720 --> 1:04:18.840
<v Speaker 1>was single handedly the person that that I didn't want.

1:04:19.200 --> 1:04:21.920
<v Speaker 1>I mean, I get love and hip hop, I get it,

1:04:22.080 --> 1:04:24.560
<v Speaker 1>but you know not. I just wanted people to recognize

1:04:24.600 --> 1:04:27.840
<v Speaker 1>your current. Look. My nephew is a young he's a millennial.

1:04:29.400 --> 1:04:32.720
<v Speaker 1>He's one of my artist statements, right, He's a millennial.

1:04:33.120 --> 1:04:34.920
<v Speaker 1>These dudes only know me from love and hip hop

1:04:35.000 --> 1:04:37.800
<v Speaker 1>at Lancer, I'm saying, unless you go ahead and google

1:04:37.840 --> 1:04:41.400
<v Speaker 1>how many Google niggers we got out here? Google around.

1:04:41.480 --> 1:04:43.680
<v Speaker 1>I'm like Google, is you know what I'm saying? And

1:04:44.160 --> 1:04:46.400
<v Speaker 1>all my nephew be like, Yo, they know you. You

1:04:46.440 --> 1:04:49.120
<v Speaker 1>know what I'm saying. For the producer, they do their research.

1:04:49.200 --> 1:04:50.640
<v Speaker 1>They know you from Love and Hip Hop, person that

1:04:50.960 --> 1:04:53.640
<v Speaker 1>you know what I'm saying. So my nephew makes sure

1:04:53.680 --> 1:04:55.960
<v Speaker 1>that all these young niggers know what's something. You know

1:04:56.000 --> 1:04:58.120
<v Speaker 1>what I'm saying with you. I just you know I'm saying,

1:04:58.120 --> 1:05:00.280
<v Speaker 1>I applaud you, I respect you, and I said port

1:05:00.360 --> 1:05:03.200
<v Speaker 1>you whatever. Nobody never but I've never said nothing filing

1:05:03.200 --> 1:05:12.400
<v Speaker 1>about Yeah, I'm gonna do that. Do that. I'm nice

1:05:12.440 --> 1:05:19.280
<v Speaker 1>like boxing four times a week nowt Stevie just now

1:05:20.560 --> 1:05:25.320
<v Speaker 1>when when you get because yo, you you get booked

1:05:25.360 --> 1:05:29.040
<v Speaker 1>for shows a lot. And when they say, you know

1:05:29.160 --> 1:05:32.080
<v Speaker 1>Stevie J from Love and Hip Hop, how does Stevie jail?

1:05:32.440 --> 1:05:34.280
<v Speaker 1>And That's what I'm always like, you know, don't forget

1:05:34.600 --> 1:05:37.680
<v Speaker 1>the Stevie j huneymen, right? Is so fine? You know

1:05:37.720 --> 1:05:40.000
<v Speaker 1>what I'm saying. You almost let him know. But so

1:05:40.200 --> 1:05:42.840
<v Speaker 1>you do you actually tell them to change the flyer

1:05:43.160 --> 1:05:48.080
<v Speaker 1>or no, I tell them when I get there, just

1:05:48.200 --> 1:05:50.280
<v Speaker 1>have the bag your quinn. They got the front end.

1:05:50.280 --> 1:05:53.760
<v Speaker 1>They got the back endish while I was sitting over

1:05:53.840 --> 1:05:55.720
<v Speaker 1>that twenty minutes ago. Somebody got the back for you.

1:05:58.600 --> 1:06:04.880
<v Speaker 1>He collects all my back end that. So now you

1:06:05.000 --> 1:06:08.800
<v Speaker 1>see now you sweetheart, Now you did and we heard

1:06:08.880 --> 1:06:12.360
<v Speaker 1>you're doing love and hip hop again. We heard you

1:06:12.440 --> 1:06:15.680
<v Speaker 1>signed back on Wow. Did you Yeah? Yeah, you know,

1:06:18.000 --> 1:06:37.000
<v Speaker 1>let me negotiate your contracts last saxo. Okay, but yeah

1:06:38.200 --> 1:06:41.720
<v Speaker 1>you gotta you gotta stay tuned, right, stay tuned now.

1:06:42.400 --> 1:06:45.360
<v Speaker 1>And in that season, did you did you feel? It

1:06:45.520 --> 1:06:49.800
<v Speaker 1>was like, right, now, there's a lot of things wrong

1:06:49.880 --> 1:06:54.320
<v Speaker 1>with that, same with my situation, with your situation because

1:06:54.400 --> 1:06:57.200
<v Speaker 1>when Shorty rolled up on you and then you said

1:06:58.840 --> 1:07:01.720
<v Speaker 1>I'm gonna show you you know you are funny? Why

1:07:01.720 --> 1:07:05.240
<v Speaker 1>do you keep concentrating on that part? Because that sucked

1:07:05.280 --> 1:07:09.320
<v Speaker 1>me up. It was like, oh, bitches is all here

1:07:09.360 --> 1:07:14.240
<v Speaker 1>with videos? Yeah you video? Like I mean, I mean,

1:07:14.400 --> 1:07:18.040
<v Speaker 1>but I feel you because the way it was it

1:07:18.160 --> 1:07:20.560
<v Speaker 1>was approached, it was like that was you. That's what

1:07:21.400 --> 1:07:25.280
<v Speaker 1>yeah exactly. So it's like and when she comes the

1:07:25.360 --> 1:07:29.160
<v Speaker 1>reason why I felt you was her approaching you exactly

1:07:29.680 --> 1:07:34.880
<v Speaker 1>when she approached you, I mean, like if and before that,

1:07:35.240 --> 1:07:38.480
<v Speaker 1>nobody ever remembers. So when people always think about that

1:07:38.640 --> 1:07:41.680
<v Speaker 1>scene or have an opinion about it. They never remember

1:07:41.720 --> 1:07:45.040
<v Speaker 1>the beginning when he said, before the show even started

1:07:45.040 --> 1:07:47.120
<v Speaker 1>and you didn't know who we were. She came to

1:07:47.240 --> 1:07:51.280
<v Speaker 1>my house. So that's big for me. From shed to

1:07:51.400 --> 1:07:53.080
<v Speaker 1>my house money, you're gonna come to my house for

1:07:53.200 --> 1:07:57.160
<v Speaker 1>our kids later years now we forever have beef. Why

1:07:57.720 --> 1:08:04.200
<v Speaker 1>it's right or some real tip out? She was? She

1:08:04.640 --> 1:08:08.160
<v Speaker 1>she was with jock and hip hop, loving hip hop,

1:08:08.160 --> 1:08:10.680
<v Speaker 1>be able to your address. No, it was before I'm

1:08:10.720 --> 1:08:14.040
<v Speaker 1>telling you all of this. I think I love him pocket.

1:08:14.400 --> 1:08:17.640
<v Speaker 1>It was before before that. It was before Why did

1:08:17.680 --> 1:08:19.920
<v Speaker 1>she come to the outside here because she was looking

1:08:19.960 --> 1:08:21.600
<v Speaker 1>for her what she felt was her man. But I

1:08:21.680 --> 1:08:26.160
<v Speaker 1>have kids with That was definitely disrespectful and you don't

1:08:26.200 --> 1:08:30.880
<v Speaker 1>come to my house. But I didn't love hip hop Stevie,

1:08:31.200 --> 1:08:33.320
<v Speaker 1>And you know what, I still root for you. Still.

1:08:34.520 --> 1:08:36.599
<v Speaker 1>I'll be like, you know what, and you'd be saying

1:08:36.640 --> 1:08:43.799
<v Speaker 1>you're a good guy. You gave me a lot of excooses, excuses.

1:08:43.920 --> 1:08:46.639
<v Speaker 1>Is over if you watch leave it to Stevie. Yeah,

1:08:47.040 --> 1:08:50.720
<v Speaker 1>we watched someone with Stevie had all your kids there.

1:08:51.000 --> 1:08:55.240
<v Speaker 1>My kids lives in one place. I respected that and

1:08:55.520 --> 1:08:59.320
<v Speaker 1>my son is playing Division one ball, little Stevie, number

1:08:59.360 --> 1:09:09.680
<v Speaker 1>one school in his division. That's a big Listen. At

1:09:09.720 --> 1:09:11.519
<v Speaker 1>the end of the day, I love my kids. You know,

1:09:11.720 --> 1:09:13.960
<v Speaker 1>say one than I loved me. And when you say

1:09:14.000 --> 1:09:16.080
<v Speaker 1>you're a good guy, you really believe it. Yeah, I

1:09:16.160 --> 1:09:18.960
<v Speaker 1>mean it's it's really a good fats. I take care

1:09:19.000 --> 1:09:22.000
<v Speaker 1>of this man, my family. Where you'll be sticking your

1:09:22.040 --> 1:09:25.840
<v Speaker 1>ship at sometimes they're just you just I'm gonna be honest.

1:09:25.880 --> 1:09:28.679
<v Speaker 1>You don't suck anything. At one point you was sucking anything.

1:09:28.720 --> 1:09:38.559
<v Speaker 1>I'm just throwing out. That's a I don't. I think

1:09:38.680 --> 1:09:44.120
<v Speaker 1>is like platinum and diamonds, not like not a lot

1:09:44.160 --> 1:09:47.160
<v Speaker 1>of what I'm saying. I'd rather whack my ship than

1:09:47.240 --> 1:09:51.040
<v Speaker 1>going to have these um foul older is smelling joints

1:09:51.160 --> 1:09:54.400
<v Speaker 1>be he's joints. A lot of these joints don't even

1:09:54.439 --> 1:09:59.920
<v Speaker 1>want their joint be smell bad, Like boss, I teach

1:10:00.120 --> 1:10:06.760
<v Speaker 1>like doing knobs. Yeah, facts, I mean soaking the tub

1:10:07.240 --> 1:10:09.040
<v Speaker 1>and even it's soaking the tub and putting out a

1:10:09.120 --> 1:10:15.959
<v Speaker 1>soap soap, she smells like hot trash. And in Atlanta,

1:10:16.040 --> 1:10:18.720
<v Speaker 1>it's a lot of hot trackh man. That's like there's

1:10:18.720 --> 1:10:26.639
<v Speaker 1>a lot of secret like motherfucker. So many of our

1:10:27.479 --> 1:10:34.240
<v Speaker 1>good friends. That's gay when a girl's flaying a straight guy,

1:10:34.720 --> 1:10:38.240
<v Speaker 1>gay dude. But that's about people respect. I don't know

1:10:38.280 --> 1:10:40.360
<v Speaker 1>respect people. But you know that's why I can have

1:10:41.080 --> 1:10:49.439
<v Speaker 1>they love me. You know that's big brothers. Yeah, yeah,

1:10:50.520 --> 1:10:55.679
<v Speaker 1>I said everything. Time for the wait, wait a minute, waiting,

1:11:00.200 --> 1:11:08.360
<v Speaker 1>like let me let me clarify. That's what I'm saying.

1:11:08.640 --> 1:11:12.680
<v Speaker 1>Atlanta is like in a certain sense, but in a

1:11:12.800 --> 1:11:16.240
<v Speaker 1>different sense because it's all black and a lot there's

1:11:16.240 --> 1:11:18.920
<v Speaker 1>a lot of gay brothers out here, but I respect them.

1:11:19.240 --> 1:11:21.640
<v Speaker 1>I see him in Lennox Small. I gave him my

1:11:21.680 --> 1:11:29.840
<v Speaker 1>head nah, and they gave me a head nag. It's

1:11:29.880 --> 1:11:33.280
<v Speaker 1>the one thing I noticed. If the gay guy wants

1:11:33.360 --> 1:11:35.519
<v Speaker 1>to bother is because he knows something about you. You

1:11:35.600 --> 1:11:44.400
<v Speaker 1>don't know that with me. Yeah, gay guys said to me,

1:11:44.439 --> 1:11:46.439
<v Speaker 1>and they like they look at me like a gangster

1:11:46.520 --> 1:11:48.840
<v Speaker 1>and they're like, what up, nigga? Be like what up? Niggle?

1:11:51.400 --> 1:11:58.920
<v Speaker 1>We did and we're good. Like I'm gonna keep it

1:11:59.000 --> 1:12:07.519
<v Speaker 1>on its like, let's get it. I'm gonna do you story,

1:12:08.080 --> 1:12:11.960
<v Speaker 1>down your story, now, your story. You know, I got

1:12:12.040 --> 1:12:18.400
<v Speaker 1>caught out of pure and teeth bring babies, Righteth. This's

1:12:18.439 --> 1:12:23.400
<v Speaker 1>when Twin is able body, like Twins when he's walking around, right.

1:12:24.080 --> 1:12:27.240
<v Speaker 1>So I'm looking at Twin and then and we walk

1:12:27.360 --> 1:12:32.240
<v Speaker 1>in Cheeth a baby. But it's nothing. The gay guys, right,

1:12:32.960 --> 1:12:37.599
<v Speaker 1>but they but you gotta respect them. But it's night.

1:12:37.680 --> 1:12:40.200
<v Speaker 1>But the gangs, the gay guys, it's not it's not.

1:12:40.400 --> 1:12:43.439
<v Speaker 1>It's not the guy. There's nothing gay guys to get

1:12:43.479 --> 1:12:51.280
<v Speaker 1>it on with. Everybody shot kill you, They're gonna pop you.

1:12:51.360 --> 1:12:55.800
<v Speaker 1>I'm keeping it, honey, don't matter. And I'm like hands

1:12:55.840 --> 1:12:59.240
<v Speaker 1>to now mind you. They ain't looking at me, so

1:12:59.280 --> 1:13:04.840
<v Speaker 1>I ain't looking at them. We're looking at the other side.

1:13:05.640 --> 1:13:11.280
<v Speaker 1>Ch I'm chilling Twin. Twin is able body, he's not handicapped.

1:13:11.360 --> 1:13:14.080
<v Speaker 1>So Twin goals you'll give me a drink and the

1:13:14.240 --> 1:13:17.680
<v Speaker 1>dude walks right behind him and say, I got your drink. Right,

1:13:18.600 --> 1:13:21.800
<v Speaker 1>So I look look at Twin and I don't want

1:13:21.840 --> 1:13:23.800
<v Speaker 1>to be like. I don't want to yell. I don't

1:13:23.800 --> 1:13:25.200
<v Speaker 1>want to be like, if you want to keep a cool,

1:13:26.560 --> 1:13:28.280
<v Speaker 1>I don't want to say, well, let you do that.

1:13:28.400 --> 1:13:35.559
<v Speaker 1>Then it's on me hand because now I'm doing every

1:13:35.640 --> 1:13:42.040
<v Speaker 1>other thing but yelling hand signals. I'm like, I'm like

1:13:42.120 --> 1:13:49.479
<v Speaker 1>the guy the airplane. I'm like, I'm like, relax, but

1:13:50.000 --> 1:13:53.519
<v Speaker 1>you don't catch on. So I'm like, it's too late.

1:13:54.479 --> 1:13:58.040
<v Speaker 1>They gave him to drink drink. He turns around and

1:13:58.160 --> 1:14:04.879
<v Speaker 1>he looks at me like, why you tell me? Relixed?

1:14:05.800 --> 1:14:09.639
<v Speaker 1>Too late? So I don't know why I went there,

1:14:09.920 --> 1:14:15.599
<v Speaker 1>but it's too late. Now I'm gonna keep going. Sorry, bro,

1:14:17.360 --> 1:14:23.519
<v Speaker 1>I'm sorry. I feel so bad. So now I'm looking

1:14:23.840 --> 1:14:26.120
<v Speaker 1>there at this ship, they looking at that at me.

1:14:27.320 --> 1:14:31.280
<v Speaker 1>So now the guys realized I'm noory. The whole time,

1:14:31.720 --> 1:14:36.760
<v Speaker 1>nobody realized the gate guy unless you know the bell there,

1:14:37.640 --> 1:14:40.880
<v Speaker 1>I don't giving a fun realized you know, I don't

1:14:40.880 --> 1:14:44.960
<v Speaker 1>give a fun but I don't care. But the thing is,

1:14:45.479 --> 1:14:51.479
<v Speaker 1>they always said then they equal white, he equal white,

1:14:54.840 --> 1:14:59.560
<v Speaker 1>but they wanted egual whites. But so this is what

1:14:59.680 --> 1:15:02.360
<v Speaker 1>I did. And these are my niggers. I'll expect these guys,

1:15:03.240 --> 1:15:09.720
<v Speaker 1>but they want eagle whites, ego white death. So what

1:15:09.880 --> 1:15:15.800
<v Speaker 1>happened when they talk my little man and they talking

1:15:15.800 --> 1:15:20.600
<v Speaker 1>about right, they funny talked, what you mean when they

1:15:20.720 --> 1:15:24.880
<v Speaker 1>gave him? They got clear clear from my mind, like

1:15:29.640 --> 1:15:40.880
<v Speaker 1>kind of like finger ahead. They understand past tonight when

1:15:40.920 --> 1:15:44.680
<v Speaker 1>they actually did everything, they didn't got away with it.

1:15:45.000 --> 1:15:53.160
<v Speaker 1>Not everything, Bro can't do everything everything great podcast tonight.

1:15:53.800 --> 1:15:59.559
<v Speaker 1>In my mind, I gotta wait a great podcast tonight. Guys,

1:15:59.640 --> 1:16:04.360
<v Speaker 1>I said, let me finish finished the story because I

1:16:04.439 --> 1:16:06.760
<v Speaker 1>don't even know where he's going with it. Shut up,

1:16:07.479 --> 1:16:14.080
<v Speaker 1>none of them go for it happened, and my my mind,

1:16:14.120 --> 1:16:16.880
<v Speaker 1>they got away with everything. So now I want to

1:16:17.000 --> 1:16:22.840
<v Speaker 1>leave now. That's no, that's what everybody's wondering. You were.

1:16:23.800 --> 1:16:27.439
<v Speaker 1>And then they came over with everything. No, they had

1:16:27.479 --> 1:16:35.280
<v Speaker 1>everything already, but other people coming up. Yet some people surrendered. Man,

1:16:41.840 --> 1:16:45.880
<v Speaker 1>I'm just playing. I'm here. I'm just give me two

1:16:45.920 --> 1:16:50.960
<v Speaker 1>more minutes. I'm just playing jo. But this is the thing.

1:16:51.560 --> 1:16:56.320
<v Speaker 1>So when they left, the one guy said to me, Nor,

1:16:58.280 --> 1:17:02.559
<v Speaker 1>I recognize you now, so he said, he said, take

1:17:02.640 --> 1:17:06.559
<v Speaker 1>a flick of me, and I said no. He said,

1:17:06.680 --> 1:17:08.360
<v Speaker 1>why are you gonna tak a flick with me? Because

1:17:08.360 --> 1:17:10.559
<v Speaker 1>I felt like he was about to say, you're gonna

1:17:10.600 --> 1:17:13.400
<v Speaker 1>be honest the gage And I said, you want equal

1:17:13.600 --> 1:17:20.000
<v Speaker 1>rights and he said yeah. And I said, if you

1:17:20.160 --> 1:17:24.240
<v Speaker 1>was a straight nigger, we would have killed you. Everything

1:17:24.400 --> 1:17:28.519
<v Speaker 1>you just did. I would have definitely popped you at

1:17:28.600 --> 1:17:30.760
<v Speaker 1>least in your foot like we got, we got. You

1:17:30.800 --> 1:17:33.439
<v Speaker 1>know what I'm saying what I feel is but I respect. Yeah, yeah,

1:17:33.479 --> 1:17:41.280
<v Speaker 1>I understanding. You know what I'm saying this man, man,

1:17:42.200 --> 1:17:46.360
<v Speaker 1>equal rights. I'm telling you about how I feeling. And

1:17:46.439 --> 1:17:48.840
<v Speaker 1>it's like, man, let them rock. How they want to

1:17:48.880 --> 1:17:50.840
<v Speaker 1>let them stay in your lane? You know what I'm

1:17:50.840 --> 1:17:54.080
<v Speaker 1>saying that that night they were staying in their land.

1:17:54.600 --> 1:17:59.519
<v Speaker 1>That night they was it's like this too, like don know,

1:17:59.600 --> 1:18:05.400
<v Speaker 1>somebody to Miami, let me let me lane, you know,

1:18:05.640 --> 1:18:08.519
<v Speaker 1>and and do what they do with the young droes.

1:18:08.600 --> 1:18:15.640
<v Speaker 1>But God bless Stevie J. He stands up and up

1:18:16.880 --> 1:18:20.840
<v Speaker 1>Stevie J. That's ended out. We're gonna end it out.

1:18:20.880 --> 1:18:23.360
<v Speaker 1>We're gonna end it out. You get just do that

1:18:24.400 --> 1:18:30.400
<v Speaker 1>ended out picture everything now take a shot live down

1:18:30.520 --> 1:18:35.600
<v Speaker 1>to down please please. So we're looking at her and

1:18:35.720 --> 1:18:42.920
<v Speaker 1>we're saying, holy moli wakam, only is there are no more?

1:18:43.479 --> 1:18:46.000
<v Speaker 1>Is this the newest? It's not, it's not no, it's

1:18:46.040 --> 1:18:49.400
<v Speaker 1>not about the nine. This is about danger zone management.

1:18:49.720 --> 1:18:54.639
<v Speaker 1>New challenge. Sauce artist, beautiful person. She's taking the acting

1:18:54.720 --> 1:18:56.880
<v Speaker 1>classes and she supted to do what she do. Now

1:18:56.920 --> 1:18:59.680
<v Speaker 1>it's time for you to talk, you gotta say all

1:18:59.760 --> 1:19:05.160
<v Speaker 1>right from the Yes, I'm from colog I'm from Panama,

1:19:05.560 --> 1:19:09.040
<v Speaker 1>I have Thomason's I'm from another country. Of course I'm

1:19:09.040 --> 1:19:12.960
<v Speaker 1>gonna sound Latino because I am talking about anybody. I'm

1:19:13.040 --> 1:19:20.240
<v Speaker 1>athleta Cantero and that ship. He's right, he's right, he's right, right,

1:19:20.840 --> 1:19:23.560
<v Speaker 1>that ship, he's right. So you can give us a

1:19:23.640 --> 1:19:28.679
<v Speaker 1>little sample with your side side of its called frank.

1:19:29.120 --> 1:19:33.280
<v Speaker 1>I guess all school salsa um to be compared to

1:19:33.400 --> 1:19:36.679
<v Speaker 1>Frankie rees. We have a little bit of Salia cruise

1:19:36.720 --> 1:19:46.840
<v Speaker 1>in the man. Someone I have to actually relax. That's

1:19:47.360 --> 1:19:53.679
<v Speaker 1>not hero, No, that's that's who listening to reporter weekends.

1:19:53.760 --> 1:19:55.439
<v Speaker 1>I don't know if you know, you know I look

1:19:55.479 --> 1:19:58.360
<v Speaker 1>black as hellas on the drink. Champions of what you've got,

1:19:58.439 --> 1:20:00.840
<v Speaker 1>and you've got some stats, some letting let us get

1:20:00.880 --> 1:20:03.559
<v Speaker 1>a little one. Let's make Josh and bad. Right now,

1:20:03.680 --> 1:20:13.479
<v Speaker 1>that's a Drake chap for me. Right now. You gotta relax.

1:20:14.520 --> 1:20:18.639
<v Speaker 1>We relaxed, but please give him something that's gonna listen

1:20:18.680 --> 1:20:22.519
<v Speaker 1>to us. You know that's not what we're doing. Drake

1:20:24.120 --> 1:20:29.080
<v Speaker 1>not want you to listeners. Sorry, we want you to

1:20:29.160 --> 1:20:32.120
<v Speaker 1>give our listeners. Something Stevie j s baby Ja, we

1:20:32.200 --> 1:20:34.400
<v Speaker 1>wanted to see what our listening to something in Spanish.

1:20:34.880 --> 1:20:37.680
<v Speaker 1>We don't care, Stevie Jane. This is what we're gonna do.

1:20:38.000 --> 1:20:41.000
<v Speaker 1>Stay to love the hip hop and letting you know

1:20:41.240 --> 1:20:45.120
<v Speaker 1>and you see tonight need Stevie, Steve, look he come

1:20:45.160 --> 1:20:53.240
<v Speaker 1>back over to Stevie. She listen. I'm not think but

1:20:53.360 --> 1:20:55.519
<v Speaker 1>what about the people who listening to the audio age,

1:20:55.600 --> 1:20:59.479
<v Speaker 1>the must you to the audience to the autio, pay

1:20:59.640 --> 1:21:03.519
<v Speaker 1>tax and Loving hip Hop Atlanta season six and you

1:21:03.600 --> 1:21:07.080
<v Speaker 1>know you have everything you need. You can't lose. You

1:21:07.160 --> 1:21:10.640
<v Speaker 1>can't even though I feel like I feel like you

1:21:10.640 --> 1:21:13.240
<v Speaker 1>should still saying because I feel like she's not feel

1:21:13.280 --> 1:21:17.240
<v Speaker 1>like you're not just a body. We just introduced your

1:21:17.280 --> 1:21:20.599
<v Speaker 1>as a body. I feel like you should share something.

1:21:20.720 --> 1:21:26.519
<v Speaker 1>Just say two lines. You can't do it. Get what

1:21:26.680 --> 1:21:29.519
<v Speaker 1>y'all stands that put on my grand mixtape out right

1:21:29.600 --> 1:21:41.960
<v Speaker 1>now that my host about smoking is a west Side Yeah,

1:21:43.960 --> 1:21:49.080
<v Speaker 1>your boy chinking and we're all here to you. You know,

1:21:49.680 --> 1:22:20.800
<v Speaker 1>stay your state, You're all find all your favorite movies

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<v Speaker 1>the store today to learn more. Restrictions of life