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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Everybody who loves honey glaze

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Speaker 1: carrots a great side dish for your springtime celebration and

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Speaker 1: a delicious compliment to a sweet, bright muscato. Wine is

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Speaker 1: made in virtually every country in the world, and I'm

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Speaker 1: one serving lamb this season. Try it with a bold

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Speaker 1: cabernet from the trendy Apostle Robles region. Whether you're hosting

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Speaker 1: or just bring the wine we love to share are

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Speaker 1: always low prices and ridiculous selection this spring at Total

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Speaker 1: Wine and More. Cheers y'all. He's a legendary queen's rapper,

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Speaker 1: Hang Segre is your boy in He's a Miami hip

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Speaker 1: hop pioneer. What Up is d J e f N.

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in music and sport. You know, I mean the

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Speaker 1: most professional, unprofessional podcast and your number one source for

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Speaker 1: drunk facts. This is Drinks chap Radi wh every Day

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Speaker 1: is New Year's e Just Ron Hey, he taking me

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Speaker 1: on the South your boy and on the podcast and

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Speaker 1: first all, not only do we have one of the

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Speaker 1: arguably best of producers of all fucking times in the

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Speaker 1: building with us. We're also at what is Atlanta's only

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Speaker 1: crab place, Because I've been in Atlanta. I think I

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Speaker 1: caught crabs in Atlanta. I gotta relax. But but we

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Speaker 1: got we got who's arguably one of the people who

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Speaker 1: crafted Biggie Small Sound, one of the people who crafted

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Speaker 1: Bad Boys, one of the people who original one of

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Speaker 1: the people who crafted pop Daddy sound may sound every

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Speaker 1: like heat single hand the ly was the person that

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Speaker 1: did that. And today, if you don't understand who we're

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Speaker 1: talking about right now, let's make some noise from Stevie

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Speaker 1: J and the motherfucker Bill because I see a lot

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Speaker 1: of people get it twisted and they say Stevie J

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Speaker 1: from Loving hip Hop, And I know you don't like

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Speaker 1: this more. You a lot of mon more making a

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Speaker 1: lot of money. I'm making some cool paper, some cool

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Speaker 1: but I know that. It's like when somebody tell me, um,

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Speaker 1: you know, Nori from whatever whatever, and I'd be like, damn,

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Speaker 1: you can't tell me the War report. You know all

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Speaker 1: the other accolades I did, and it's it's it's wonderful

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Speaker 1: to see a person like you of your caliber continuing

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Speaker 1: and to do your thing. So now my first question is, um,

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Speaker 1: how was your approach to do love and hip hop? Originally? Well,

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Speaker 1: I was approached by um Mona Scott, you know, she

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Speaker 1: um asked directly. She asked me if I was interested

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Speaker 1: in doing love and hip hop Atlanta, you know, being

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Speaker 1: as though I just got off a hiatus of producing

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Speaker 1: the Honeymion records and four grand he said, a hundred

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Speaker 1: million records. God damn it, you don't hear that. Goddamn

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Speaker 1: it continues, dabe. You know, you know, I just got

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Speaker 1: back into Atlanta and I was, you know, rebuilding myself

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Speaker 1: and I was looking for the look, you know what

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Speaker 1: I'm saying. So when she called me, that was the

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Speaker 1: look that I needed. I felt, you know, I reached

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Speaker 1: a pinnacle in the music game. And you know, the

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Speaker 1: same catch that you know what I'm saying, I made

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Speaker 1: rich wasn't funk with me, Which it's not cool, it's

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Speaker 1: not It's not a problem to me, you know what

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Speaker 1: I'm saying. That nobody owed me ship and love of

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Speaker 1: hip hop was a New York was already at New

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Speaker 1: York was already in place. And you know, but I

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Speaker 1: was the first one to bring the two ladies to

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Speaker 1: the table on the show we told about me, me

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Speaker 1: and Josh, Me, me and Jos not just bring him

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Speaker 1: to the table. I was working with him at the

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Speaker 1: same time with each other, you know what I'm saying.

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Speaker 1: So when you look at these duds, yeah, yeah, yeah,

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Speaker 1: like that little you was ready good? Were all that?

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Speaker 1: All right? Thanks? Straight? Absolutely? We know. Yeah. So at

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Speaker 1: the end of the day, when you look at all

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Speaker 1: the carbing copies and the stuff doubles and all that

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Speaker 1: I created, that I see that. Yeah yeah, so um,

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Speaker 1: now you you came up with the famous Stevie J face.

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Speaker 1: Was that something you did from the beginning or been

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Speaker 1: doing that? Oh? You've been doing that? That was all No,

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Speaker 1: I've been saying because because I'm one of the people

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Speaker 1: that looked at it, and I'm one of the people

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Speaker 1: that corrected everybody every time they was like this guy

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Speaker 1: is you know, he's doing it for TV. I'm like,

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Speaker 1: ye'all don't know who he is. I had to dumb

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Speaker 1: it down for TV. Yeah, exactly what I'm saying. You know,

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Speaker 1: the DJ STEVI shout out to DJ STEVIEJ and all that,

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Speaker 1: you know what I'm saying. But yeah, the Stevie j

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Speaker 1: let's talk about that because I always wondered that was

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Speaker 1: you Actually did you take it a certain way? Because

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Speaker 1: taking the way I look at his homage. You know

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Speaker 1: what I'm saying. Has he ever paid homage to you?

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Speaker 1: You know what I'm saying. But hold on, we talked. Yeah,

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Speaker 1: we talked to Houston, and you know what I'm saying.

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Speaker 1: We hung out and everything was cool. Everything is great,

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Speaker 1: you know what I'm saying. Much respect. So there was

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Speaker 1: no Hamas paid. Thought mean it was Hamas paid a

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Speaker 1: little bit. Yeah, you know, I don't feel like you

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Speaker 1: were satisfied. I mean, you know, I just look at

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Speaker 1: guys like us, never satisfied at the end of the day.

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Speaker 1: We'll take that. And you know what I'm saying. You know,

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Speaker 1: you know, these these these younger guys, we just gotta

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Speaker 1: take what we can get and keep it pushing. You

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Speaker 1: know what I'm saying. We made guys, We we put

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Speaker 1: that work. So let's not bring it to early Biggie. Okay,

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Speaker 1: Now Puff tells you I got this guy named Biggie.

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Speaker 1: Did you say Biggie Smalls or Biggie Biggie all right,

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Speaker 1: and he says, I got this guy named Biggie. Now

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Speaker 1: you look at big and he's not traditional wrapper looking.

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Speaker 1: I think Puff came on our podcast and describes him

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Speaker 1: as disruptive, definitely definitely disrupted. So how did you know

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Speaker 1: to give him these classic upscale beats? Because the way

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Speaker 1: it was just, you know, the way he would describe

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Speaker 1: what he wanted to do, How do you wanted to

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Speaker 1: approach life after death? He would just say words. He

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Speaker 1: would just spit rhymes and be like, yeah, I need

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Speaker 1: something like that, feel like this, like you know what

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Speaker 1: I'm saying, like armed and dangerous. Ain't too many can

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Speaker 1: bang with us? Straight up? We know Angel does label

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Speaker 1: us no torus niggers a lot of buses playing to us.

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Speaker 1: You know we're describing right now that we're describing like

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Speaker 1: you know what I'm saying. It's like, you know, he

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Speaker 1: would give you what he wanted to sound like you

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Speaker 1: know what I'm saying, a couple of lyrics and let

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Speaker 1: you go there right at you even having to beat, Yeah,

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Speaker 1: you produce a round his but yeah, most of the time,

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Speaker 1: you know what I'm saying that he would just be like, yo,

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Speaker 1: I gotta, I gotta, I need something for like, like

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Speaker 1: because somebody got the die mm like, but you said

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Speaker 1: life after Death? Didn't you work on Ready to Die

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Speaker 1: as well? Just like that Life after Death? And then

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Speaker 1: he would just give me titles and songs, and I

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Speaker 1: would go in and just tight wait wait wait, wait,

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Speaker 1: time out time. So he would come to you and

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Speaker 1: give you titles and then tell you to work around that. Yeah,

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Speaker 1: nasty boy, you will work off the field of the title. Yeah,

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Speaker 1: I'm gonna be honest. One time, we paid for me

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Speaker 1: whatever for me was asking for for a price, and

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Speaker 1: I paid for me up front, but I couldn't get

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Speaker 1: a beat that I loved from him until I actually

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Speaker 1: gave him the title. But I had no idea that

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Speaker 1: I was following that tradition. But I'm saying that's how

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Speaker 1: we really, just really You give us the title, and

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Speaker 1: we like, you know, we like producers and we like scientists.

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Speaker 1: We want to go ahead and create the formula, you know,

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Speaker 1: designated to the title that you give us absolutely has

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Speaker 1: to sound just like the film. So how did you

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Speaker 1: and Puff Initiative connect? Um? Me and Puff connected? Um.

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Speaker 1: I was on a jode tour with Jo to See

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Speaker 1: and bad Boy, and you know what I said, I

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Speaker 1: never met Puff iine you know I was, you were

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Speaker 1: Joda see yeah yeah I was. I was singing, I

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Speaker 1: was singing. I was singing backgrounds for them, playing guitar

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Speaker 1: for them. I never heard was playing keyboards, guitar, singing

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Speaker 1: backgrounds on the tour, no like I'm really yeah. Yeah,

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Speaker 1: so you was on tour with Joe to see So

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Speaker 1: how did I that was on the tour. So but

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Speaker 1: but what I'm saying, even you being on tour with

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Speaker 1: Joe to see, you wasn't the main character. So I

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Speaker 1: don't think it was like young Ni up there rocking,

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Speaker 1: singing like know this that sing because it was right.

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Speaker 1: So puff I was in the studio with Total playing

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Speaker 1: guitar and singing with them in the booth. Puff came

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Speaker 1: in the booth like Stevie j right, I got a

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Speaker 1: contract for you my car. So we laughed and we

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Speaker 1: just sat and talked for a while. I'm saying, you man,

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Speaker 1: was like you all right out here. I was fucked up. Wow,

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Speaker 1: I was wounded, but you said you was over good. Yeah. Yeah.

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Speaker 1: Everybody say somebody actually if you're good, like paper Wise

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Speaker 1: right right? He was wounded like that was was never

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Speaker 1: I was like, I say, he's like, all right, he

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Speaker 1: had it all figured out, you know, yet you just

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Speaker 1: hold this down six eight bands. I mean, come see

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Speaker 1: me in the morning. He gave you that. Yeah, when

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Speaker 1: you were start working with Big was Big Bagels already

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Speaker 1: big Big ready to die after million, million and some change.

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Speaker 1: So you know what I'm saying. And we just would

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Speaker 1: vibe out in the studio. So now that's one of

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Speaker 1: your first records you ever worked on is for Biggie

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Speaker 1: Small Life That Your Dead. Yeah, that was the record,

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Speaker 1: the first record. Man, I can't really remember the first record.

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Speaker 1: All I remember we was in Trinidad and doing all

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Speaker 1: the Hitman was in Trinidad, Yeah, and Big came down,

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Speaker 1: you know what I'm saying, and we were just we

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Speaker 1: did like fifty tracks. She was yeah. I mean like

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Speaker 1: and when you say the hit Man, let's describe with

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Speaker 1: the me. I'm in rod Na brody he did all this, brody, Damn,

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Speaker 1: I don't want to miss somebody. Uh prestige. Oh Chuckie Thompson. Yeah,

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Speaker 1: my bro Checkie Thompson. That's not blunk. And somebody passed

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Speaker 1: me up, like not really just it was just like

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Speaker 1: it was like we teamed up. We teamed up down

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Speaker 1: in Trinidad, you know what I'm saying. It was like,

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Speaker 1: but y'all weren't official. It was just like, y'all know

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Speaker 1: we would signed hit Man, and it was like, and

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Speaker 1: Carlos will be on the team, um and I'm and

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Speaker 1: Rod would be on the team. Chucky and Prestige and

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Speaker 1: me and puff Well being on squads and you'll be like, yea,

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Speaker 1: who can make the best joints? Now we've seen We've

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Speaker 1: seen pictures of you back in the days with you

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Speaker 1: on Mariah carry with your shirt off, pretty loose eving

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Speaker 1: back then? What about her? She was loose too, That's true.

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Speaker 1: I don't know where you're going, Stevie J. But I'm

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Speaker 1: ready to go wherever you. I wasn't super yeah, but

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Speaker 1: I'm definitely happy we're in there. That's bigger if you're

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Speaker 1: look at the CD small. She called me a fat

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Speaker 1: muffin man. Mariah came to the but I'm in the

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Speaker 1: hood lad. We had crates in the her lab I'm

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Speaker 1: talking about. She drank Pinot grigio out of a phone cup.

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Speaker 1: She was like, I love Nori. She was like you're

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Speaker 1: my favorite rapper in the hood. Lady's cool. That's my buddy.

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Speaker 1: So now, Stevie, when Pap initially approached you, did you

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Speaker 1: know who Pap was? Or no, no, I did. Okay,

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Speaker 1: so I'm saying I was just you know, I was

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Speaker 1: rocking with Joe to see. That was it? You know

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Speaker 1: what saying that? How did you bet Joe to see?

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Speaker 1: Thought Joe to see? I was singing at the fashion

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Speaker 1: show in Rochester, and you know, after it was over,

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Speaker 1: there was like, yo, who did the tracks? She was

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Speaker 1: singing on Yo, you dope women. I was like, you're

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Speaker 1: singing on your own track? Yeah, and it's like, yo,

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Speaker 1: ship is dope. I'm like, alright, cool, like from upstate

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Speaker 1: absolutely don't know that, absolutely New York all day. So

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Speaker 1: and I was like, it's a piano in the back,

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Speaker 1: I know, oh yeah ship. There was like you'll get

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Speaker 1: the funk out of here. Went to the back start

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Speaker 1: of playing the ship, singing the ship. There's like, yo,

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Speaker 1: you with us? So you actually really know how to

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Speaker 1: play the piano, like, because there's a lot of producers

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Speaker 1: that played the piano through MP scene. I called it

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Speaker 1: joking around the student me. You know what, I'm saying,

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Speaker 1: put it Stevie one to John Yeah, self talk, Yeah,

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Speaker 1: let's make some noise for that. So now piano is

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Speaker 1: just one of the instrues. So now I just want

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Speaker 1: to So now Puff sees you, says I want you

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Speaker 1: to be with us, and then Biggie is already Biggie,

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Speaker 1: right yeah, So now you get in the studio, how

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Speaker 1: do you know what tracks to get Biggie? Because I

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Speaker 1: just because if Big is already big, he could shut

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Speaker 1: you down relax right right, he could be like relaxed,

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Speaker 1: but he was like, give me all the joys, whatever

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Speaker 1: you got, let me get all that. Don't relax like

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Speaker 1: He's like, give me him tractor like handed in he

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Speaker 1: was like, yo, you an't need them. Let me write

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Speaker 1: on that one. Let me keep that. So now I

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Speaker 1: they does that. How do you not relax? Because I

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Speaker 1: didn't relax. You know, it was full steamen head. You

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Speaker 1: know what I'm saying, all the cars because a lot

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Speaker 1: of people don't really really understand, like all right, the

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Speaker 1: bad boy era was era like none. Yeah, I respect

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Speaker 1: I respect baby them, cash money in them, but I

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Speaker 1: really invent in too. Blame blame. I was spending two

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Speaker 1: million on jul back then, back then, that makes a

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Speaker 1: TVJ Yeah, yeah, I came keep a getting to keep

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Speaker 1: a good kid. So so pup put you in charge

250
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Speaker 1: or the biggie part, because that's how that's how the people. Well,

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Speaker 1: it was like d Di big up to d Angel.

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Speaker 1: Let my big bro Savage with the he could put

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Speaker 1: together the mad Rapper was great at A and R

254
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Speaker 1: and and putting together directions for the album. D That's

255
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Speaker 1: been sleepless nights putting together the album. And thanks to him,

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Speaker 1: you know what I'm saying, I was able to get

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Speaker 1: the direction, the right direction between him and Puff to

258
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Speaker 1: you know what I'm saying, get Biggie everything you need.

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Speaker 1: But how does this phone call happen? Because this is

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Speaker 1: what I'm trying to get to is you said Biggie

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Speaker 1: was already bigg right, so now you get Puff Puff

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Speaker 1: says it's all good, we're gonna we're gonna bring you through.

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Speaker 1: But now this is still Biggie. How do you hand

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Speaker 1: selectly pick these tracks? It was like, Yo, Stevie, go

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Speaker 1: to the MIDI room, Puff, you know, Stevie going to

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Speaker 1: the mini room mini or mini mini mini, Yeah, mini room,

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Speaker 1: Daddy's house studio. Yeah, studio studio, in the MIDI room,

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Speaker 1: going in, crank him out, d that wire, coming in

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Speaker 1: and check on me. He'd be like he just shake

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Speaker 1: his head every time he come in, like like no,

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Speaker 1: like yeah, the kid, Yeah, keep working. So you know, Big,

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Speaker 1: every track I gave Big he would love. It. Wasn't

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Speaker 1: one track that I gave Big that he didn't rhyme. Wow,

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Speaker 1: that's kind of incredible. I did. I did. I did

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Speaker 1: like that, I Get Some Ice. That was my album.

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Speaker 1: I did puff album, No way out so publicly I

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Speaker 1: did that. Yeah, and that was a double album right now,

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Speaker 1: Biggies wasn't double Biggie Biggie. So I'm gonna get a

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Speaker 1: little dark for a second because at one point you

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Speaker 1: left the man you laughed and he was like, I'm

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Speaker 1: not I'm not doing that. How was that period and

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Speaker 1: why was that period happen? I mean it was why

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Speaker 1: did you leave it less? Like you know what I'm saying.

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Speaker 1: You know we could do when we do this, I'm

285
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Speaker 1: gonna give you that. When we get that, I'm gonna

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Speaker 1: give you that. And I'm like, yeah, but it never

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Speaker 1: happens at the exact time. It never happened. Sometimes at all.

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Speaker 1: Sometimes that never happened. Let's be frank, you know, let's

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Speaker 1: be fright, so you know it didn't happen. I'm like,

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Speaker 1: you know, I'm like cool, you know what I'm saying.

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Speaker 1: And you're fifty per cent of everybody, everybody, you know

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Speaker 1: what I'm saying, kicking up and all that. And I'm

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Speaker 1: just getting you know what I'm saying, marshals and all that.

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Speaker 1: I want to kick up doing all the work Marshals.

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Speaker 1: I don't know if the thing little like marshals. Let's

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Speaker 1: say part see you the marshals. You know, at the

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Speaker 1: end of the day, it was was I skated off

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Speaker 1: to l A, went and work with the Jackson family,

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Speaker 1: the whole Jackson You know what I'm saying. Not really,

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Speaker 1: That's when I gained all my information on the industry.

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Speaker 1: You know what I'm saying, working with the Jackson family.

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Speaker 1: You know, Jackie Jackson at the time, one of my

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Speaker 1: best friends and mentors, showed me the game. You know

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Speaker 1: what I'm saying that Jackie Jackson, Jackson brother. What they

305
00:18:22,800 --> 00:18:25,359
Speaker 1: teach you like, what did they like the site? You

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Speaker 1: know what I'm saying. You know what I'm saying. The

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00:18:27,359 --> 00:18:30,280
Speaker 1: business I would imagine they taught to you how crazy

308
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Speaker 1: ship is too. Yeah, they taught me how crazy ship is.

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Speaker 1: But they taught me the business, how to handle my

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Speaker 1: business and deal with their business and funk all the

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Speaker 1: flash and sigence, shiny suits and the flashing lights. Let's

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Speaker 1: handle this business. You ain't like the shiny shoes, I mean,

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Speaker 1: you know your business. I love the shoes. I'm not

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Speaker 1: mad at I'm not I'm not mad at nothing the

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Speaker 1: business first. Also, I also was mad that It's not

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Speaker 1: that I was mad that they was dancing. I was

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Speaker 1: mad that I couldn't dance. Yeah, I just can't dance

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Speaker 1: like jsters, can't dance like stuff we got, y'all. I

319
00:19:10,200 --> 00:19:12,520
Speaker 1: was dancing and fucking all the business. Let's make some

320
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Speaker 1: lost bad boy, I mean, so you know, after that,

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Speaker 1: it was like, oh, yeah, thank you appreciated. You know,

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Speaker 1: I can't pay for my body day. It's very steep

323
00:19:30,440 --> 00:19:36,080
Speaker 1: as well. But I went in. But Zeno Crap yea, yeah,

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00:19:36,400 --> 00:19:43,240
Speaker 1: Zeno Craps was amazing. Man, break it down, you know.

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Speaker 1: So you know, after that, um, you know, some things

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Speaker 1: started to happen in l a where you know what

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Speaker 1: I'm saying. I was just cool with all of you

328
00:19:50,400 --> 00:19:52,879
Speaker 1: know what I'm saying, the d boys and things getting

329
00:19:52,880 --> 00:19:56,040
Speaker 1: money and all that things happening where you know, somebody

330
00:19:56,080 --> 00:19:59,479
Speaker 1: got kidnapped for my crip. M It's not a good thing.

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00:19:59,680 --> 00:20:01,399
Speaker 1: Not a good thing, you know what I'm saying. And

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00:20:01,480 --> 00:20:03,399
Speaker 1: niggas know me and know my energy. No, I'm not

333
00:20:03,480 --> 00:20:05,640
Speaker 1: with none of the ship. But it was my house,

334
00:20:05,760 --> 00:20:12,119
Speaker 1: so your family, it's me. Yeah, absolutely, So you know

335
00:20:12,160 --> 00:20:14,280
Speaker 1: what I'm saying. That's when she got really dark, you

336
00:20:14,320 --> 00:20:16,760
Speaker 1: know what I'm saying. And it was like, all right, Ship.

337
00:20:18,400 --> 00:20:20,720
Speaker 1: Jackson's was like, oh, all right, we're not working with

338
00:20:20,800 --> 00:20:25,840
Speaker 1: you no more. We're talking about Mike. We're talking about yeah, Mike,

339
00:20:26,080 --> 00:20:30,320
Speaker 1: Mikes and yeah, yeah, yeah, okay, okay, but actually we're

340
00:20:30,320 --> 00:20:34,480
Speaker 1: going yeah exactly. So it's just like it got real

341
00:20:34,640 --> 00:20:37,560
Speaker 1: ugly at that point. And and that's when it was like,

342
00:20:37,640 --> 00:20:39,080
Speaker 1: all right, let me, let me get out of here

343
00:20:39,080 --> 00:20:41,440
Speaker 1: and go back to the A. You know what I'm saying.

344
00:20:41,440 --> 00:20:43,879
Speaker 1: And that's because you lived in the A. Yeah, I

345
00:20:43,960 --> 00:20:45,480
Speaker 1: lived in the A before. You know what I'm saying.

346
00:20:45,720 --> 00:20:47,760
Speaker 1: It's like I lived in a couple of times, you

347
00:20:47,880 --> 00:20:49,520
Speaker 1: know what I'm saying. So at the end of the

348
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Speaker 1: day when I came back here, it was like I

349
00:20:51,720 --> 00:20:54,760
Speaker 1: had to start all over. You know, I'm sending back

350
00:20:54,800 --> 00:20:58,600
Speaker 1: to the streets, back to whatever I was doing. And

351
00:20:59,280 --> 00:21:02,440
Speaker 1: that's when I got the call about Mona. Okay, so

352
00:21:02,600 --> 00:21:05,960
Speaker 1: now now before we go back into mona um, but

353
00:21:06,080 --> 00:21:14,960
Speaker 1: now Big Big was probably arguably everybody's on everybody's top five.

354
00:21:18,080 --> 00:21:23,080
Speaker 1: You you you work well, uh yo to see and

355
00:21:23,200 --> 00:21:29,879
Speaker 1: then you get this call from Puffs. How was the

356
00:21:29,920 --> 00:21:35,080
Speaker 1: twelve album, the Total album, the Biggie album, Black Rob Album,

357
00:21:35,800 --> 00:21:40,920
Speaker 1: No Way Out album. Everything sucked me up? I was

358
00:21:40,960 --> 00:21:44,840
Speaker 1: gonna go just alright, but all right, I want to

359
00:21:44,840 --> 00:21:48,840
Speaker 1: go to Ooras albums. By the way, but BIG's album?

360
00:21:50,119 --> 00:21:52,280
Speaker 1: Did you know how great Big was? Did you know

361
00:21:52,520 --> 00:21:56,000
Speaker 1: you're working with the greatest rapper of all time? Yes,

362
00:21:56,119 --> 00:21:58,200
Speaker 1: I mean, based upon just you know what I'm saying,

363
00:21:58,240 --> 00:22:00,840
Speaker 1: man and man in Aura. You know what I'm saying

364
00:22:00,880 --> 00:22:02,440
Speaker 1: that what I felt from the guy. You know what

365
00:22:02,440 --> 00:22:09,120
Speaker 1: I'm saying, Man, great spirit, humble, always laughing, always laughing, Yeah, yeah, yeah,

366
00:22:09,440 --> 00:22:13,639
Speaker 1: and any chick you know what I'm saying that. I

367
00:22:13,680 --> 00:22:15,960
Speaker 1: remember one time I brought some chicks from Philly to

368
00:22:16,040 --> 00:22:17,600
Speaker 1: the studio. I'm like, your Big, hold him down. I'm

369
00:22:17,640 --> 00:22:20,600
Speaker 1: going to get to the um dom Perry on Malibu

370
00:22:20,880 --> 00:22:23,680
Speaker 1: Cranberry pineapple juice, and I'm going to brand is that

371
00:22:23,760 --> 00:22:26,800
Speaker 1: the Stevie J. That's that's Biggie, that's what he Oh no, no,

372
00:22:27,080 --> 00:22:33,280
Speaker 1: that's Malleibu Mallibu babies. Oh madam. So when the Brandson

373
00:22:33,400 --> 00:22:36,800
Speaker 1: came back, Big was in the booth getting letters from

374
00:22:36,840 --> 00:22:47,840
Speaker 1: both of the chicks. So now, Stevie J. You sit

375
00:22:47,960 --> 00:22:52,080
Speaker 1: there and you're working with Big, and you said you

376
00:22:52,200 --> 00:22:57,119
Speaker 1: already recognized Big was the greatest all time. Absolutely. At

377
00:22:57,200 --> 00:23:01,920
Speaker 1: what moment did you feel like, maybe Big will never

378
00:23:02,000 --> 00:23:07,680
Speaker 1: be here again? Never? Right? I mean you you're at

379
00:23:07,760 --> 00:23:14,840
Speaker 1: this party, let's be clear, at the old spent eight

380
00:23:15,160 --> 00:23:22,600
Speaker 1: dollars got but he's there, like I don't I spent

381
00:23:24,280 --> 00:23:28,480
Speaker 1: Like listen, listen every time they describe and God, bless

382
00:23:28,520 --> 00:23:31,200
Speaker 1: me for the for the way I'm saying it. No, no,

383
00:23:31,400 --> 00:23:34,280
Speaker 1: the way I'm saying that. Every time you speak about

384
00:23:34,320 --> 00:23:38,080
Speaker 1: Biggie Small's death. A lot of people like like Pop's

385
00:23:38,160 --> 00:23:43,119
Speaker 1: last picture was, but a lot of people don't realize

386
00:23:43,640 --> 00:23:50,400
Speaker 1: that in that party it's you Puff and Big. You're

387
00:23:50,520 --> 00:23:56,040
Speaker 1: actually there. Absolutely, So that night, did you feel funny

388
00:23:56,280 --> 00:23:58,119
Speaker 1: or no, of course, you know what I'm saying that

389
00:23:58,160 --> 00:24:00,520
Speaker 1: wait wait wait wait wait wait you get just said

390
00:24:00,960 --> 00:24:03,320
Speaker 1: before he would know like a vibe, know what I'm saying,

391
00:24:03,359 --> 00:24:11,040
Speaker 1: because it was a vibe party to us. Yeah, that's

392
00:24:11,040 --> 00:24:13,879
Speaker 1: what I'm asking for. Anything. Did you feel a vibe

393
00:24:14,040 --> 00:24:16,159
Speaker 1: at that party or you felt the vibe for the

394
00:24:16,200 --> 00:24:19,440
Speaker 1: whole trip the entire night, that entire night, that entire night,

395
00:24:19,960 --> 00:24:22,679
Speaker 1: and now can you describe that? So I mean more

396
00:24:22,760 --> 00:24:24,920
Speaker 1: or less? It just felt funny, you know what I'm saying.

397
00:24:24,960 --> 00:24:28,000
Speaker 1: We was at um Andre Herrell House and everybody like

398
00:24:28,080 --> 00:24:30,760
Speaker 1: we're going out boom, you know what I'm saying. And

399
00:24:30,840 --> 00:24:34,840
Speaker 1: it was like, all right, let's go out when enthusiastic

400
00:24:34,920 --> 00:24:36,680
Speaker 1: and that, you know what I'm saying. And got to

401
00:24:36,760 --> 00:24:39,040
Speaker 1: the party. We turned up and it just felt like,

402
00:24:39,160 --> 00:24:41,240
Speaker 1: you know, at a certain point, you know, the crowd

403
00:24:41,320 --> 00:24:44,080
Speaker 1: just started getting thin. We locked everybody over there, know

404
00:24:44,080 --> 00:24:46,200
Speaker 1: what I'm saying. The crowd just started getting thin, and

405
00:24:46,280 --> 00:24:49,320
Speaker 1: it was like you saw people dissipate. Because what I

406
00:24:49,480 --> 00:24:53,120
Speaker 1: heard was there was people when Hypnotized came on, there's

407
00:24:53,160 --> 00:24:57,040
Speaker 1: people actually like saying fuck y'all. And what he said,

408
00:24:57,119 --> 00:24:59,520
Speaker 1: he said it got thin. Then yeah, I never heard

409
00:24:59,560 --> 00:25:03,159
Speaker 1: this part that the crowd got thin, like and when

410
00:25:03,200 --> 00:25:05,280
Speaker 1: you meet got then you what you're saying is people

411
00:25:05,480 --> 00:25:09,359
Speaker 1: laughs when Big games that when Big came, like you

412
00:25:09,400 --> 00:25:11,400
Speaker 1: know what I'm saying, a certain clods of certain point

413
00:25:11,440 --> 00:25:13,720
Speaker 1: of the parties, like you know what I'm saying, We're

414
00:25:13,760 --> 00:25:16,320
Speaker 1: not about the closest joint down and then you just

415
00:25:16,359 --> 00:25:18,879
Speaker 1: started again. This was like, but that was bad boy style.

416
00:25:19,119 --> 00:25:21,920
Speaker 1: Bad boy style was taking over the whole party and

417
00:25:22,040 --> 00:25:25,639
Speaker 1: closing it. But it wasn't that time. He's what he's saying. No,

418
00:25:25,800 --> 00:25:32,600
Speaker 1: I'm saying, I'm I'm I'm yeah. Because after died pop

419
00:25:32,680 --> 00:25:36,720
Speaker 1: Pastor absolutely and for you you saying it felt weird,

420
00:25:36,880 --> 00:25:39,920
Speaker 1: absolutely like it didn't feel like any other time bad Boy.

421
00:25:41,080 --> 00:25:43,240
Speaker 1: It's like, yo, what I'm saying, what time we're getting

422
00:25:43,240 --> 00:25:46,639
Speaker 1: out of this joint? And you felt it? Yeah, And

423
00:25:46,680 --> 00:25:48,840
Speaker 1: then you know you heard Nigga's making a little comments

424
00:25:49,280 --> 00:25:52,920
Speaker 1: like yeah, you know what I'm saying. So you know

425
00:25:53,400 --> 00:25:56,159
Speaker 1: what kind of comments though, like the East Coast, you

426
00:25:56,160 --> 00:26:00,800
Speaker 1: know what I'm saying exactly, Listen after Big, I'm sorry

427
00:26:00,800 --> 00:26:04,240
Speaker 1: to cut you off at the Big Die. Even when

428
00:26:04,280 --> 00:26:07,040
Speaker 1: I went to l A the record label were highest security,

429
00:26:07,119 --> 00:26:10,600
Speaker 1: whether I wanted it or not. Like I would land

430
00:26:10,800 --> 00:26:13,359
Speaker 1: and they would already be there and me, you know,

431
00:26:13,440 --> 00:26:16,680
Speaker 1: I surprised myself for not having security, but that was

432
00:26:16,760 --> 00:26:19,320
Speaker 1: the only place where they would say, shut the funk up.

433
00:26:19,920 --> 00:26:22,840
Speaker 1: You got security out there at the Big Dime, so

434
00:26:22,960 --> 00:26:27,960
Speaker 1: I could actually But but you could describe the situation

435
00:26:28,040 --> 00:26:31,320
Speaker 1: better than anybody else because like a lot of people

436
00:26:31,600 --> 00:26:36,040
Speaker 1: see again, I want to reiterate what I said. A

437
00:26:36,080 --> 00:26:39,200
Speaker 1: lot of people see box last picture and they see

438
00:26:39,600 --> 00:26:43,040
Speaker 1: him and Sugar, but that's after they drove off. If

439
00:26:43,080 --> 00:26:48,520
Speaker 1: you look at bigs last pictures, it's d J big

440
00:26:48,720 --> 00:26:51,639
Speaker 1: and puff and and my lying like absolutely correct, Like

441
00:26:51,720 --> 00:26:57,280
Speaker 1: I'm and they had crystall and they had it's very

442
00:26:57,480 --> 00:27:06,360
Speaker 1: excuse me all the money. Yeah, But so you're you're

443
00:27:06,400 --> 00:27:10,240
Speaker 1: telling me that even in the party, even being comfortable,

444
00:27:10,320 --> 00:27:13,760
Speaker 1: even being you know, smoking and drinking, spending it on,

445
00:27:13,920 --> 00:27:17,240
Speaker 1: throwing Perry on, you kind of felt something. You couldn't

446
00:27:17,240 --> 00:27:19,840
Speaker 1: have knew he was gonna die because had the street

447
00:27:19,920 --> 00:27:23,320
Speaker 1: understand like when she just stopped feeling funny. You know

448
00:27:23,359 --> 00:27:25,520
Speaker 1: what I'm saying, it's time to get up like that motherfucker.

449
00:27:25,640 --> 00:27:29,680
Speaker 1: You know what I'm saying, and you know it was

450
00:27:29,720 --> 00:27:32,320
Speaker 1: time to go, and we left, and you know, we

451
00:27:32,480 --> 00:27:33,960
Speaker 1: went through the light. I was in the car with

452
00:27:34,080 --> 00:27:39,359
Speaker 1: Puff and you know, I got a question for you.

453
00:27:39,400 --> 00:27:42,000
Speaker 1: How many cars back y'all was from Biggie It was

454
00:27:42,880 --> 00:27:45,200
Speaker 1: Muff went through the light and Big Big and that

455
00:27:45,320 --> 00:27:49,960
Speaker 1: was right behind us, Big and season. Yeah, and just

456
00:27:50,080 --> 00:27:52,480
Speaker 1: for the dumb people out there, please Stevie J, please

457
00:27:52,520 --> 00:27:57,520
Speaker 1: say this, Puff had nothing to do with that. Like,

458
00:27:57,920 --> 00:28:00,560
Speaker 1: I just hate when the people say no, it's a

459
00:28:00,640 --> 00:28:05,720
Speaker 1: lot the whole documentary saying that pop Like I just

460
00:28:05,920 --> 00:28:11,840
Speaker 1: hate the sugar conspiracy. But yeah, I just hate that. Yeah,

461
00:28:11,880 --> 00:28:14,720
Speaker 1: I hate that conspiracy so much. I didn't even he

462
00:28:15,280 --> 00:28:18,639
Speaker 1: did this. It's not and he ever what he did.

463
00:28:18,720 --> 00:28:21,320
Speaker 1: He did this show, and I didn't. I didn't even

464
00:28:21,440 --> 00:28:24,000
Speaker 1: want to say it because I just felt so dumb

465
00:28:24,440 --> 00:28:29,159
Speaker 1: even even even bringing that certain Yeah, we don't we

466
00:28:30,080 --> 00:28:31,800
Speaker 1: ain't got to entertain that. You know what I'm saying,

467
00:28:31,840 --> 00:28:34,240
Speaker 1: like that was his men's That was just you know,

468
00:28:34,280 --> 00:28:37,040
Speaker 1: I'm saying, starts skinting hutch. You know, I'm saying, stick

469
00:28:37,119 --> 00:28:39,400
Speaker 1: the clutch and all that. Now, how it was bad

470
00:28:39,520 --> 00:28:45,280
Speaker 1: boy after that, I mean it was because I'm not

471
00:28:45,320 --> 00:28:47,840
Speaker 1: gonna say ruined, but it was. It was. It was

472
00:28:48,200 --> 00:28:50,960
Speaker 1: major off balance. It was dark, you know what I'm saying.

473
00:28:51,000 --> 00:28:53,360
Speaker 1: When everybody was hurt. You know what I'm saying. It

474
00:28:53,520 --> 00:28:55,720
Speaker 1: was in the studio. Everybody was in the studio was

475
00:28:55,800 --> 00:28:58,920
Speaker 1: like candles lad and you know what I'm saying that

476
00:28:59,000 --> 00:29:02,320
Speaker 1: we're listening to because Big was your funny guy. Like

477
00:29:02,440 --> 00:29:05,320
Speaker 1: I remember going to the Bad Boy and I remember

478
00:29:05,400 --> 00:29:08,360
Speaker 1: recording Tier one because I recorded Tier one Bad Boy,

479
00:29:08,640 --> 00:29:13,800
Speaker 1: and I remember Iris and call Us Browery, and I

480
00:29:13,920 --> 00:29:17,680
Speaker 1: remember going and I remember seeing y'all always smile. And

481
00:29:17,720 --> 00:29:22,080
Speaker 1: then I remember after the Big Guy and nobody was smiling,

482
00:29:22,160 --> 00:29:24,560
Speaker 1: and like everybody was just sitting there. And don't get

483
00:29:24,600 --> 00:29:27,640
Speaker 1: me wrong, y'all was still giving beachy. Was still nothing

484
00:29:27,720 --> 00:29:30,520
Speaker 1: smiling about it, because you know, because it was in

485
00:29:30,640 --> 00:29:34,200
Speaker 1: your opinion, was it a dark day from there? It

486
00:29:34,360 --> 00:29:36,720
Speaker 1: was a dark It was a dark year from there.

487
00:29:37,720 --> 00:29:40,000
Speaker 1: It was a dark year from there pretty much, because

488
00:29:40,080 --> 00:29:42,800
Speaker 1: you know, even if you look at all the interviews

489
00:29:42,840 --> 00:29:45,720
Speaker 1: were big talking about the situation when pot he would

490
00:29:45,720 --> 00:29:49,000
Speaker 1: never entertain the Bullshe know what I'm saying. He was

491
00:29:49,120 --> 00:29:53,520
Speaker 1: never like it wasn't trying. He was positive, you know

492
00:29:53,560 --> 00:29:55,080
Speaker 1: what I'm saying. That's why I me and he was

493
00:29:55,120 --> 00:29:57,240
Speaker 1: sitting down in l A. I was having the sun

494
00:29:57,320 --> 00:29:59,120
Speaker 1: around the time, and he was having the sun around

495
00:29:59,120 --> 00:30:01,800
Speaker 1: the time, and you know what I'm saying. He was like, Yo,

496
00:30:02,280 --> 00:30:04,240
Speaker 1: I'm gonna be your son, got father, and you're gonna

497
00:30:04,240 --> 00:30:07,200
Speaker 1: be my son got fired. You know what I'm saying. So, Chris,

498
00:30:07,280 --> 00:30:09,760
Speaker 1: I'm Chris guy father. You know I'm saying. So at

499
00:30:09,800 --> 00:30:12,080
Speaker 1: the end of the day, it's just like he would

500
00:30:12,120 --> 00:30:14,040
Speaker 1: just tell me, like, you know, I don't entertain ship

501
00:30:14,200 --> 00:30:16,320
Speaker 1: because I don't want to be a part of the negativity,

502
00:30:16,640 --> 00:30:18,480
Speaker 1: you know what I'm saying. And then the next day

503
00:30:18,520 --> 00:30:20,719
Speaker 1: for this to happen, that sucked everything up. And then

504
00:30:20,840 --> 00:30:24,280
Speaker 1: for you, the crazy ship is because you got to

505
00:30:24,440 --> 00:30:28,520
Speaker 1: experience the first rappers that ever got killed some real ships.

506
00:30:29,360 --> 00:30:31,880
Speaker 1: With all this ship that's going on now, I don't

507
00:30:31,920 --> 00:30:34,400
Speaker 1: take it serious, you know what I'm saying, Like like

508
00:30:35,240 --> 00:30:38,080
Speaker 1: the Young Droll ship, you know, Young droves on here. Yeah,

509
00:30:42,840 --> 00:30:47,680
Speaker 1: I wasn't ready. Yes, I'm just saying, I don't know.

510
00:30:49,680 --> 00:30:52,400
Speaker 1: All I know. All I know is getting money. You

511
00:30:52,480 --> 00:30:55,680
Speaker 1: know I'm saying I'm getting all I know is you know,

512
00:30:58,600 --> 00:31:00,320
Speaker 1: I'm kind of I'm a fly guy. You know what

513
00:31:00,320 --> 00:31:03,320
Speaker 1: I'm saying. You know, I like, should we make noise

514
00:31:03,360 --> 00:31:06,680
Speaker 1: for you being I got I got a little story

515
00:31:06,680 --> 00:31:12,200
Speaker 1: to place, so you know, I just pay attention and

516
00:31:12,320 --> 00:31:18,240
Speaker 1: my inbox be going off. Yeah, my DM stories to

517
00:31:18,320 --> 00:31:24,160
Speaker 1: tell about people like the young what's his name? You

518
00:31:24,240 --> 00:31:27,000
Speaker 1: got there? You get throw it out. It's okay, he

519
00:31:27,080 --> 00:31:32,360
Speaker 1: pointed young. Yeah, you know what I mean. Like, you know,

520
00:31:32,560 --> 00:31:36,080
Speaker 1: they're like I could d ms from all types of communities,

521
00:31:36,160 --> 00:31:43,880
Speaker 1: like the transgender community, not a different gold on. Wait

522
00:31:43,920 --> 00:31:53,480
Speaker 1: a minute, I got one. All right, all right, I'm

523
00:31:53,720 --> 00:31:55,320
Speaker 1: you know, but you know, at the end of the day,

524
00:31:55,720 --> 00:31:57,600
Speaker 1: you know, I just I just be bowling my lane.

525
00:31:57,680 --> 00:32:00,120
Speaker 1: So I advised cast the bowl le lane. You know

526
00:32:00,160 --> 00:32:03,640
Speaker 1: what I'm saying. I own my bowling alley. They got

527
00:32:03,760 --> 00:32:12,120
Speaker 1: to rent a ball, then they really written balls. It's

528
00:32:12,160 --> 00:32:18,520
Speaker 1: be easy. Guys, were going, alright, hold on, we would

529
00:32:18,600 --> 00:32:24,120
Speaker 1: leave you by the way. Since we are, we live,

530
00:32:24,560 --> 00:32:28,120
Speaker 1: we live, we live, we live and be live. Busino

531
00:32:28,240 --> 00:32:34,600
Speaker 1: scrapchat Zeno, scrap trap, zose crap trap, crap trap. All right,

532
00:32:34,640 --> 00:32:38,560
Speaker 1: we're gonna do it like this. I was about to change.

533
00:32:38,880 --> 00:32:40,320
Speaker 1: How was your drinks? Let me get a little bit

534
00:32:40,360 --> 00:32:43,600
Speaker 1: more a little bit. We're drinking my scale by the

535
00:32:43,640 --> 00:32:51,120
Speaker 1: way at Martel and Rocks and I'm only drinking. I'm drinking.

536
00:32:51,280 --> 00:33:02,000
Speaker 1: I gotta relax. This is thing just for you, This

537
00:33:02,120 --> 00:33:06,680
Speaker 1: is a podcast. And home Base is quite flustered right now.

538
00:33:07,040 --> 00:33:11,520
Speaker 1: And then he's looking Then it says, he's looking quite well.

539
00:33:11,800 --> 00:33:15,000
Speaker 1: You are my king, you know what to do what?

540
00:33:17,240 --> 00:33:19,920
Speaker 1: And now he looks away, you know, shout out to

541
00:33:20,360 --> 00:33:23,520
Speaker 1: bad Boy entertaining. Dang you soon were in the building,

542
00:33:23,880 --> 00:33:27,200
Speaker 1: Shout out to zero Crab trap and everything. You know

543
00:33:27,240 --> 00:33:33,960
Speaker 1: what I'm saying, what I mean. You know, I'm just saying, dudes,

544
00:33:34,040 --> 00:33:37,600
Speaker 1: got the bowl a lane, man, listen to what I'm saying.

545
00:33:37,680 --> 00:33:41,600
Speaker 1: Though you know I'm up listening. I'm in the gym,

546
00:33:42,400 --> 00:33:44,680
Speaker 1: and you know what I'm saying. And you know, I

547
00:33:44,760 --> 00:33:49,040
Speaker 1: wrinkle up and nick school close. Man. You know I'm

548
00:33:49,040 --> 00:33:53,480
Speaker 1: trying to I guess I won't to know what the hell, y'all.

549
00:33:53,640 --> 00:33:56,560
Speaker 1: I'm just saying. I'm just saying I'm saving I'm gonna

550
00:33:56,560 --> 00:33:59,480
Speaker 1: save him. You know what I'm talking about. I'm gonna

551
00:33:59,520 --> 00:34:02,400
Speaker 1: let him. You know what I'm saying. But don't mention me.

552
00:34:02,880 --> 00:34:06,040
Speaker 1: Don't don't don't don't don't mention the good guy. In

553
00:34:06,160 --> 00:34:08,640
Speaker 1: all fairness, this is what he said when he came

554
00:34:08,719 --> 00:34:13,040
Speaker 1: on our show, like that, when he came that young

555
00:34:13,160 --> 00:34:15,040
Speaker 1: drow Yeah, because when he came on our show, I can't,

556
00:34:15,080 --> 00:34:18,640
Speaker 1: I can't. I can't speak about everything else. That's what

557
00:34:18,719 --> 00:34:21,279
Speaker 1: he said. He said that he just didn't appreciate that

558
00:34:21,400 --> 00:34:24,440
Speaker 1: you called him. The thing is, he felt like, listen,

559
00:34:25,880 --> 00:34:29,960
Speaker 1: if it don't matter, if they don't matter, if you

560
00:34:30,160 --> 00:34:33,799
Speaker 1: call you, you handle that. They meet to my phone.

561
00:34:34,239 --> 00:34:35,520
Speaker 1: I've never met him a day in my life. He

562
00:34:35,920 --> 00:34:40,160
Speaker 1: texts me. I'm a texting bat. It's a respect thing. Now,

563
00:34:40,200 --> 00:34:44,200
Speaker 1: you're right about that. You know what I'm saying that right,

564
00:34:44,200 --> 00:34:45,759
Speaker 1: you know, but you know it's all good. Don't go

565
00:34:45,880 --> 00:34:48,120
Speaker 1: on the breakfast club saying oh that's that and making

566
00:34:48,200 --> 00:34:50,160
Speaker 1: little jokes and all, and keep your jokes to yourself,

567
00:34:50,280 --> 00:34:52,200
Speaker 1: because I can make the same thing, make you laugh,

568
00:34:53,280 --> 00:34:57,680
Speaker 1: make you cry, and I'm the good guy, make look

569
00:34:57,840 --> 00:35:04,520
Speaker 1: the good guy. I also because you know I both y'all,

570
00:35:05,440 --> 00:35:08,279
Speaker 1: you know, but also I would like I'm saying, I

571
00:35:08,320 --> 00:35:09,960
Speaker 1: don't funk with me. You know what I'm saying, and

572
00:35:10,440 --> 00:35:12,919
Speaker 1: you know what I'm saying it Yeah, yeah, yeah, both

573
00:35:13,000 --> 00:35:15,120
Speaker 1: great people. I would love to be the person to

574
00:35:15,160 --> 00:35:18,719
Speaker 1: bring it together because anything about that, I'm cool just

575
00:35:18,800 --> 00:35:20,719
Speaker 1: hanging with my kids. I don't even need no extra ship.

576
00:35:20,800 --> 00:35:22,920
Speaker 1: But my thing is just like I'm a man. You

577
00:35:22,960 --> 00:35:24,560
Speaker 1: know what I'm saying, to be a man about ship.

578
00:35:24,680 --> 00:35:26,200
Speaker 1: You know what I'm saying, No, don't try to get

579
00:35:26,280 --> 00:35:28,719
Speaker 1: no replication, no wreck off me. You know what I'm

580
00:35:28,760 --> 00:35:30,400
Speaker 1: saying that We're gonna really just have to get it

581
00:35:30,480 --> 00:35:33,520
Speaker 1: in right period. I'm just I'm from that or that's

582
00:35:42,280 --> 00:35:45,759
Speaker 1: Welcome to play a new podcast network featuring radio and

583
00:35:45,840 --> 00:35:50,439
Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play

584
00:35:50,520 --> 00:35:54,920
Speaker 1: it at play dot It. We're back to Drink Champs

585
00:35:55,080 --> 00:36:00,680
Speaker 1: Radio with Rapper and R and d J. Then, like

586
00:36:00,760 --> 00:36:03,080
Speaker 1: I told you in the beginning of the video, I'm

587
00:36:03,080 --> 00:36:05,359
Speaker 1: would be all over the place. Now, what was your

588
00:36:05,400 --> 00:36:08,480
Speaker 1: relationship with Tupac? On Tupac, we just sucked. All the

589
00:36:08,560 --> 00:36:16,319
Speaker 1: same bitches are the same. I mean, I mean, I mean,

590
00:36:16,440 --> 00:36:18,360
Speaker 1: I ain't going on to the front man to this

591
00:36:18,520 --> 00:36:21,680
Speaker 1: day still Tupac knock relaxed. Don't answer that question is

592
00:36:21,719 --> 00:36:23,880
Speaker 1: going to bring you down the wrong chance. Don't actually

593
00:36:23,920 --> 00:36:27,600
Speaker 1: that We just we just you know, we associated with

594
00:36:27,640 --> 00:36:29,920
Speaker 1: all the same girls, and we couldn't never hang out.

595
00:36:30,000 --> 00:36:33,120
Speaker 1: You know what I'm saying, We just kept after the beef,

596
00:36:33,160 --> 00:36:34,839
Speaker 1: you couldn't hang out. I mean it was like when

597
00:36:34,920 --> 00:36:37,480
Speaker 1: when did the beef at the end? Bro right, It

598
00:36:37,640 --> 00:36:40,480
Speaker 1: was a straight like that because you know, I know

599
00:36:40,560 --> 00:36:42,600
Speaker 1: this is your spot, but I'm not to actually last.

600
00:36:44,040 --> 00:36:47,080
Speaker 1: You know, you're the biggest problem right now. So you

601
00:36:47,160 --> 00:36:53,279
Speaker 1: had no music. I had no music days. Yeah, but

602
00:36:53,400 --> 00:36:55,439
Speaker 1: you know we couldn't do it. You know what I'm saying,

603
00:36:55,719 --> 00:36:59,719
Speaker 1: We couldn't. It couldn't happened because you know, I'm I'm

604
00:37:00,320 --> 00:37:05,399
Speaker 1: I'm that's that bottom mind. I'm so try to try

605
00:37:05,440 --> 00:37:07,239
Speaker 1: to get beach from me. That's saying what I'm saying.

606
00:37:07,239 --> 00:37:09,239
Speaker 1: We rocked with all the same joints, and the chicks

607
00:37:09,280 --> 00:37:11,839
Speaker 1: would be like now smaller sticks would be like yo,

608
00:37:12,480 --> 00:37:13,759
Speaker 1: you know what I'm saying, Why don't you I'm like,

609
00:37:13,880 --> 00:37:15,160
Speaker 1: you know what I'm saying, We can't even do that.

610
00:37:16,040 --> 00:37:19,040
Speaker 1: My loyalty lies who it lies with. But prior to

611
00:37:19,160 --> 00:37:20,920
Speaker 1: the beef, did they try to get Beach from you? Why?

612
00:37:21,040 --> 00:37:22,600
Speaker 1: It wasn't even you know what I'm saying. He was

613
00:37:22,719 --> 00:37:25,080
Speaker 1: death row, That's it. And I'm bad boy and that,

614
00:37:25,800 --> 00:37:29,839
Speaker 1: but what was that environment a time? Exactly? We're bad way,

615
00:37:29,880 --> 00:37:32,040
Speaker 1: we're bad boy. But basically he said, this is what

616
00:37:32,160 --> 00:37:40,879
Speaker 1: he said, if my man ain't rocking with you, I don't,

617
00:37:42,440 --> 00:37:44,200
Speaker 1: I don't want to. I would, I wouldn't and I

618
00:37:44,360 --> 00:37:47,840
Speaker 1: can't and I won't. That's it. Won't stop. That's it.

619
00:37:48,040 --> 00:37:52,520
Speaker 1: That's what I'm saying. We described that situation because prior

620
00:37:52,640 --> 00:37:57,440
Speaker 1: to that, bad boy is just happy. Yeah, yeah, you know,

621
00:37:57,800 --> 00:38:02,280
Speaker 1: you're chilling to the public, the public. You're happy, you're chilling.

622
00:38:02,640 --> 00:38:05,400
Speaker 1: And now here's this. This guy comes out and he

623
00:38:05,600 --> 00:38:10,120
Speaker 1: ships on y'all. I mean, he he's super ships on y'all.

624
00:38:11,160 --> 00:38:13,279
Speaker 1: Remember how do y'all stay cool? This is how I

625
00:38:13,360 --> 00:38:16,080
Speaker 1: remember the hold going down, because you know, I'm new

626
00:38:16,160 --> 00:38:19,440
Speaker 1: to the hosting. I just remember Nigga's in the office

627
00:38:19,480 --> 00:38:21,520
Speaker 1: listening to hit him up. And I just walked by

628
00:38:21,600 --> 00:38:25,360
Speaker 1: the office, azing they listening to it in the office.

629
00:38:25,600 --> 00:38:28,480
Speaker 1: Who on my bad boy? And that must have been crazy. Oh,

630
00:38:28,640 --> 00:38:31,400
Speaker 1: Daddy's house, that's a start, just to listen. Hold on,

631
00:38:31,440 --> 00:38:42,320
Speaker 1: I really got to hear this back. Okay, hold on,

632
00:38:42,480 --> 00:38:45,760
Speaker 1: So you walk in Daddy's house and they already listening

633
00:38:45,840 --> 00:38:49,359
Speaker 1: to it. Yeah, they already listened. Nigga listening to him,

634
00:38:49,640 --> 00:38:52,200
Speaker 1: and it was like, you know, you know, you walk

635
00:38:52,239 --> 00:38:55,600
Speaker 1: through those still doors. I remember, I thought it was

636
00:38:55,680 --> 00:39:01,080
Speaker 1: Golden game. Okay, you walk those doors, and then the

637
00:39:01,200 --> 00:39:03,320
Speaker 1: office is right to the left. Mad Niggas is in

638
00:39:03,400 --> 00:39:06,239
Speaker 1: there listening and hit him up and I'm just like

639
00:39:06,880 --> 00:39:09,160
Speaker 1: I walk up. Bigga's not in there, no, okay, and

640
00:39:09,239 --> 00:39:13,320
Speaker 1: I'm like it's offensive or something. I mean, before I

641
00:39:13,400 --> 00:39:15,840
Speaker 1: even heard, you know, I just see Niggas is like

642
00:39:19,520 --> 00:39:25,520
Speaker 1: mm hmm. I'm listening to the record. I'm like, she's

643
00:39:25,520 --> 00:39:32,920
Speaker 1: about to get dunk, got real dunk? Who shot you?

644
00:39:34,960 --> 00:39:39,439
Speaker 1: What's the timeline? At the time, that confused about the timeline. Yeah,

645
00:39:40,239 --> 00:39:44,480
Speaker 1: it was who shot you? Made directly after that. It

646
00:39:44,680 --> 00:39:48,840
Speaker 1: was because originally we thought DJs was told it was

647
00:39:48,960 --> 00:39:51,720
Speaker 1: made prior to that. Well, you know, I don't recall.

648
00:39:54,160 --> 00:39:58,560
Speaker 1: We're not gonna get answers here. I respect, we're not

649
00:39:58,600 --> 00:40:03,640
Speaker 1: gonna get I expected the East Coast nigger. I gotta

650
00:40:03,760 --> 00:40:07,680
Speaker 1: roll my thing. It's like I'm a New York nigga,

651
00:40:08,160 --> 00:40:13,479
Speaker 1: you know, you know, and it's like, you know, ship

652
00:40:13,640 --> 00:40:15,880
Speaker 1: just happened the way it happened, and it just it

653
00:40:16,000 --> 00:40:20,879
Speaker 1: just you know, through our whole coast off. But your

654
00:40:20,960 --> 00:40:23,719
Speaker 1: lack of answer could be a dancwer bro I'm just

655
00:40:23,760 --> 00:40:27,040
Speaker 1: saying that we're cool now. He's right though, But a

656
00:40:27,080 --> 00:40:29,719
Speaker 1: lot of drugs back then, Yeah, let's make some much.

657
00:40:29,760 --> 00:40:36,480
Speaker 1: You're doing a lot of drugs. I don't so now

658
00:40:36,600 --> 00:40:40,040
Speaker 1: you're still using. I mean a matter of fact that

659
00:40:40,160 --> 00:40:52,040
Speaker 1: somebody but palled me a salute? Who was that? I

660
00:40:52,120 --> 00:40:55,800
Speaker 1: feel like I feel like they gotta go. That you

661
00:40:56,000 --> 00:41:00,880
Speaker 1: feel like they gotta go they broke something? Yeah, you

662
00:41:00,960 --> 00:41:04,239
Speaker 1: know what they're on another note, don't you know I

663
00:41:04,360 --> 00:41:06,719
Speaker 1: have nothing but the utmost respect for you. You know

664
00:41:06,760 --> 00:41:09,200
Speaker 1: what I'm saying. I got the almost I'm saying you

665
00:41:09,320 --> 00:41:12,399
Speaker 1: and this is what I'm saying. You know, I'm gonna

666
00:41:12,440 --> 00:41:15,480
Speaker 1: take a bottle. So Rockets, absolutely, thank you. Open we

667
00:41:15,680 --> 00:41:17,680
Speaker 1: all want to open up? Ready, all right? Thank you, Steve.

668
00:41:17,800 --> 00:41:19,600
Speaker 1: When I came in the game, it was like I

669
00:41:19,680 --> 00:41:21,440
Speaker 1: came in with Jodys you know what I'm saying, No,

670
00:41:21,840 --> 00:41:24,839
Speaker 1: I'm staying nigging that getting money straight, nigga boom boom.

671
00:41:24,920 --> 00:41:26,680
Speaker 1: I was like, let me cut you for one second,

672
00:41:26,760 --> 00:41:29,680
Speaker 1: because let me just tell you something. Jody was beating

673
00:41:29,760 --> 00:41:31,600
Speaker 1: niggers up. They were like the R and B woul

674
00:41:31,680 --> 00:41:34,080
Speaker 1: Tang had to fight with you had a fight with

675
00:41:34,600 --> 00:41:38,200
Speaker 1: We go to get into that right now, that's that's

676
00:41:38,200 --> 00:41:48,320
Speaker 1: the next one. What happened? Had a fight with you? Paying? No, no, no,

677
00:41:48,520 --> 00:41:52,040
Speaker 1: not at all. All right, So you know, Shook started

678
00:41:52,080 --> 00:41:57,600
Speaker 1: managing Jody, right, check this out, check this out there?

679
00:41:58,320 --> 00:42:01,759
Speaker 1: All right? So boom, you know, I get a call

680
00:42:01,840 --> 00:42:03,919
Speaker 1: from Davante. You know, I'm working on the Jose seat,

681
00:42:04,000 --> 00:42:06,560
Speaker 1: but I'm really with Dalving. Dalving, my man, I'm righting

682
00:42:06,560 --> 00:42:13,319
Speaker 1: with this. Describe DeVante the light scared put his brother

683
00:42:13,480 --> 00:42:18,520
Speaker 1: supposed to read The Gangster Where from North Carolina? Yeah, okay,

684
00:42:19,400 --> 00:42:24,040
Speaker 1: all right, so DeVante Raymond produced Usher Raymond. Everybody's ship

685
00:42:24,160 --> 00:42:26,920
Speaker 1: were sucking Madonna all that? You know, say his brother Jo.

686
00:42:27,560 --> 00:42:31,839
Speaker 1: You can't just say let's make Madonna slide over that ship.

687
00:42:32,520 --> 00:42:40,520
Speaker 1: You can't just say that, you know. So I get

688
00:42:40,560 --> 00:42:42,200
Speaker 1: to call, like, you know, what's going on down there,

689
00:42:42,239 --> 00:42:44,239
Speaker 1: you know, and say who's sucking on who? I'm like, listen, man,

690
00:42:44,680 --> 00:42:46,480
Speaker 1: I'm not sucking none of these bros. You know what

691
00:42:46,560 --> 00:42:48,799
Speaker 1: I'm saying. He's like, well, I'll be back tomorrow. Boom,

692
00:42:48,920 --> 00:42:50,560
Speaker 1: come back to the studio. We have a meeting at

693
00:42:50,560 --> 00:42:53,600
Speaker 1: the studio. All right. So at the time it was

694
00:42:54,120 --> 00:43:02,920
Speaker 1: Davante had Missy Timberland drink. Sorry Missy Timberland player tweet

695
00:43:03,400 --> 00:43:10,200
Speaker 1: sister one. Alright, so all of them was in the studio.

696
00:43:10,480 --> 00:43:13,399
Speaker 1: You know what I'm saying. So you know what I'm saying.

697
00:43:13,440 --> 00:43:19,759
Speaker 1: He walked in. He's smacking everybody, genuine Timberland, Missy, but

698
00:43:20,000 --> 00:43:24,560
Speaker 1: literally smacking. Are we saying DeVante was the R and

699
00:43:24,600 --> 00:43:29,800
Speaker 1: B show night? Yeah, this is what we're saying. This

700
00:43:29,960 --> 00:43:35,240
Speaker 1: is what we're established. This exclusive ship heard the story.

701
00:43:36,239 --> 00:43:40,360
Speaker 1: What the heir you saying? Definitely exclusive? I want to

702
00:43:40,400 --> 00:43:43,200
Speaker 1: hear it. I want to remember who told me this story. Alright,

703
00:43:43,440 --> 00:43:45,040
Speaker 1: I'm gonna tell you who else told me this story.

704
00:43:45,440 --> 00:43:51,600
Speaker 1: I was there. You know what's funny? Man smacking girls around?

705
00:43:51,960 --> 00:44:01,640
Speaker 1: You know, you relax, make some crabs, make some crap.

706
00:44:05,280 --> 00:44:10,840
Speaker 1: It's so weird. Though. Let's get back to Devonte the gangster. Alright,

707
00:44:13,160 --> 00:44:15,759
Speaker 1: so he gets clear he's walking in the studio just

708
00:44:17,680 --> 00:44:19,840
Speaker 1: oh no, no, no, not randomly with the pit bulls

709
00:44:20,960 --> 00:44:28,520
Speaker 1: he dogs, and with what he's saying, you your ass

710
00:44:28,640 --> 00:44:32,400
Speaker 1: down makes some change and the smacking you that's how

711
00:44:32,440 --> 00:44:40,200
Speaker 1: he's doing it. I heard the story word, but it's

712
00:44:40,239 --> 00:44:45,799
Speaker 1: been like where are the story so boom smacking chicks

713
00:44:45,840 --> 00:44:47,640
Speaker 1: and all that boom. So you get to me, like, yo,

714
00:44:47,680 --> 00:44:50,840
Speaker 1: you cool you with my brother? You know what I'm saying. No, No,

715
00:44:50,960 --> 00:44:54,120
Speaker 1: I mean, but his little cousin come around doing the

716
00:44:54,160 --> 00:44:57,000
Speaker 1: same thing. You get to me, you like, let me

717
00:44:57,040 --> 00:44:59,800
Speaker 1: smack you. They can you smack me? I'm killing everybody.

718
00:45:00,560 --> 00:45:02,359
Speaker 1: You know what I'm saying. I wasn't here up back then.

719
00:45:02,440 --> 00:45:05,200
Speaker 1: I was slimming whatever. Boom cycle to fighting niggas who

720
00:45:06,239 --> 00:45:07,920
Speaker 1: things hit me in the head with a bottle of boom.

721
00:45:08,600 --> 00:45:11,400
Speaker 1: I'm fighting niggas. Got to cut off mine. DeVante. No,

722
00:45:11,480 --> 00:45:15,440
Speaker 1: I don't want to security guards. But Devant tried to

723
00:45:15,520 --> 00:45:17,960
Speaker 1: thug you too. No, he wasn't. It was his cousins,

724
00:45:18,400 --> 00:45:23,719
Speaker 1: his cousin. So that to make a long story, SHO

725
00:45:23,840 --> 00:45:27,000
Speaker 1: gotta shoot DeVante next time I see him, because I

726
00:45:27,120 --> 00:45:29,399
Speaker 1: feel like he tried to ask me for a verse

727
00:45:29,520 --> 00:45:33,160
Speaker 1: one time. He was way too aggressive. He now I

728
00:45:33,280 --> 00:45:36,920
Speaker 1: know why I continue. So anyway, you know after that happened,

729
00:45:37,000 --> 00:45:38,439
Speaker 1: you know the next day, you know what I'm saying,

730
00:45:38,719 --> 00:45:41,040
Speaker 1: I'm talking to Missy and Timberland like ya, y'all think

731
00:45:41,080 --> 00:45:44,320
Speaker 1: it's still funk with this nigga? You know? Yeah? But

732
00:45:44,480 --> 00:45:47,160
Speaker 1: you are you down with this time? Or now? I'm

733
00:45:47,200 --> 00:45:49,120
Speaker 1: not down? Okay, you know what I'm saying. But you

734
00:45:49,239 --> 00:45:52,240
Speaker 1: don't like what's going there at all. But you in Rochester,

735
00:45:52,360 --> 00:45:56,040
Speaker 1: my hometown, when I can make the call on niggas, right, Oh,

736
00:45:56,120 --> 00:45:58,799
Speaker 1: you in watches at the studio. Okay, know what I'm saying,

737
00:45:59,440 --> 00:46:01,279
Speaker 1: make a long to it short. You know what I'm saying.

738
00:46:01,480 --> 00:46:04,839
Speaker 1: Niggas all left him, Missy Timberland, thanks to the guy

739
00:46:04,920 --> 00:46:08,560
Speaker 1: having to fight, right, what guy having to fight? Whoever? Fight?

740
00:46:08,960 --> 00:46:13,320
Speaker 1: Oh yeah, squared over, I mean, you know, fighting whoever.

741
00:46:13,400 --> 00:46:15,000
Speaker 1: I thought out It was like three of them niggas,

742
00:46:15,280 --> 00:46:18,239
Speaker 1: But thanks to my fight, everybody one, because that's why

743
00:46:19,200 --> 00:46:22,759
Speaker 1: I got out of the fight. And thanks to that fight,

744
00:46:23,560 --> 00:46:28,279
Speaker 1: everybody left. Genuine Missy tweet played everybody who helped them

745
00:46:28,360 --> 00:46:31,080
Speaker 1: get out that situation. I heard this story before I'm

746
00:46:31,080 --> 00:46:35,360
Speaker 1: gonna be I heard the Vonte was the show r

747
00:46:35,440 --> 00:46:39,680
Speaker 1: and you know what we wanted to be the credit

748
00:46:39,840 --> 00:46:42,240
Speaker 1: He let them loose. No, he's letting it out publicly,

749
00:46:42,440 --> 00:46:45,640
Speaker 1: but I'm saying I let that let everybody out of

750
00:46:45,680 --> 00:46:48,360
Speaker 1: their ship. Pretty but you're getting in that situation in

751
00:46:48,719 --> 00:46:52,680
Speaker 1: front of it because they wouldn't have done it. Let's see.

752
00:46:52,719 --> 00:46:56,399
Speaker 1: That's what I'm saying, yo, chick Maine, that we see.

753
00:46:56,400 --> 00:47:00,239
Speaker 1: That's what I'm saying. This is the reason why when

754
00:47:00,480 --> 00:47:05,040
Speaker 1: when you know, people say Stevie J from Love and

755
00:47:05,160 --> 00:47:08,560
Speaker 1: hip Hop, I always as a hip hop fan, I

756
00:47:09,239 --> 00:47:12,399
Speaker 1: always be super mad even though I know that's your

757
00:47:12,480 --> 00:47:14,480
Speaker 1: new hospital. You know, it's not even a hustle. It's like,

758
00:47:14,880 --> 00:47:16,720
Speaker 1: you gotta look at it like this, Honey, million records,

759
00:47:16,719 --> 00:47:20,279
Speaker 1: five grammy. So she did, excuse me, but check this out.

760
00:47:20,640 --> 00:47:23,400
Speaker 1: But check it out there. Let's figure you out for that.

761
00:47:24,200 --> 00:47:27,719
Speaker 1: Say that again? Would you a million records? Five grammys? Okayed,

762
00:47:27,800 --> 00:47:36,960
Speaker 1: million records and five grammys? Some young girl. I'm so sorry.

763
00:47:37,440 --> 00:47:44,759
Speaker 1: She's super so sorry because I but you know, it's

764
00:47:44,840 --> 00:47:49,839
Speaker 1: more less like after that. You know, it's like where

765
00:47:49,840 --> 00:47:52,520
Speaker 1: else you gonna go? How high can you go? You

766
00:47:52,560 --> 00:47:54,480
Speaker 1: know what I'm saying. So I had to create another

767
00:47:54,600 --> 00:47:57,239
Speaker 1: lane for myself, and you know what I'm saying, I'm

768
00:47:57,320 --> 00:47:59,919
Speaker 1: blessed to have created a lane where number one show

769
00:48:00,320 --> 00:48:03,000
Speaker 1: on v H one for six seasons and the number

770
00:48:03,040 --> 00:48:05,719
Speaker 1: two shows, my executive production on two shows. Number two

771
00:48:05,760 --> 00:48:07,880
Speaker 1: shows for VH one. Leave it to Stevie, Leave it

772
00:48:07,880 --> 00:48:10,239
Speaker 1: to Stevie and Stevig and Johnson. Number two shows for

773
00:48:10,360 --> 00:48:12,400
Speaker 1: VH one. You know what I'm saying. And I got

774
00:48:12,480 --> 00:48:14,560
Speaker 1: four more shows coming on v H one and ship

775
00:48:15,200 --> 00:48:20,000
Speaker 1: to make some noise for that. God damn. So you know,

776
00:48:20,760 --> 00:48:22,759
Speaker 1: say what you want. You know what I'm saying. I

777
00:48:22,800 --> 00:48:24,680
Speaker 1: don't even got touched the drummers scene, even though none

778
00:48:24,719 --> 00:48:27,160
Speaker 1: of these niggers can't even scuff my timberlance, none of

779
00:48:27,200 --> 00:48:28,840
Speaker 1: your producers. You know what I'm saying. But I'll let

780
00:48:28,920 --> 00:48:31,160
Speaker 1: y'all live. Let's talk. Let's talk. Told that one more time.

781
00:48:31,719 --> 00:48:34,600
Speaker 1: Tell them they can't funk with me and don't know

782
00:48:34,760 --> 00:48:37,080
Speaker 1: to play the piano or the guitar, or the violin

783
00:48:37,200 --> 00:48:39,279
Speaker 1: or the saxophone, of the trumpet, of the drums of it.

784
00:48:42,200 --> 00:48:46,520
Speaker 1: They played dead. I play anything, but look with dad

785
00:48:46,640 --> 00:48:50,400
Speaker 1: copy that sink that. Yeah, yeah, don't don't want to

786
00:48:50,440 --> 00:48:53,319
Speaker 1: see me on that. Y'all got go ahead, y'all, young boys,

787
00:48:53,400 --> 00:48:55,120
Speaker 1: do what y'all do. I won't even get dead with shows.

788
00:48:57,440 --> 00:48:59,320
Speaker 1: I mean, that's cool, that's cool. You know, I'm a

789
00:48:59,360 --> 00:49:02,879
Speaker 1: different kind of guy your track record. I'm a good guy.

790
00:49:02,960 --> 00:49:08,320
Speaker 1: That's right. I'm so sorry. She's she's so fantastic, like

791
00:49:08,400 --> 00:49:11,239
Speaker 1: come on, come on, come on, says I like that's

792
00:49:11,280 --> 00:49:16,320
Speaker 1: my sister. And that's a system me too. I like like,

793
00:49:16,440 --> 00:49:21,279
Speaker 1: that's my sister, my hand, Come on, what's up? Young

794
00:49:21,400 --> 00:49:24,000
Speaker 1: Joka is gonna not like us? Come on, man, that's

795
00:49:24,000 --> 00:49:27,720
Speaker 1: my bro. We're good. We're good. We New York nigga

796
00:49:27,920 --> 00:49:36,120
Speaker 1: ya down on. I'm just saying because you know, you

797
00:49:36,200 --> 00:49:37,960
Speaker 1: know what it is. There's so many gay niggers in

798
00:49:37,960 --> 00:49:42,759
Speaker 1: the Atlanta I'm so sorry, so many like Flay Green

799
00:49:42,800 --> 00:49:47,200
Speaker 1: niggas in Atlanta. Funny, we go out here, we scolling

800
00:49:47,719 --> 00:49:50,319
Speaker 1: big time in a great way, meaning in the crap

801
00:49:50,440 --> 00:49:54,680
Speaker 1: traff and you feel me and then we just feel

802
00:49:54,719 --> 00:49:58,160
Speaker 1: like yeah, like like why do you think eyes that

803
00:49:58,320 --> 00:50:01,600
Speaker 1: come here? We feel like they people don't appreciate their

804
00:50:01,680 --> 00:50:03,960
Speaker 1: woman in Atlanta. Well, you know, so that's why I'm

805
00:50:04,000 --> 00:50:06,000
Speaker 1: able that, that's why I'm able to have ten pieces.

806
00:50:07,400 --> 00:50:13,680
Speaker 1: That's some beautiful saying, my wife. I'm just doing what

807
00:50:13,880 --> 00:50:17,719
Speaker 1: you feel like. Guys don't appreciate you. I'm just here

808
00:50:17,880 --> 00:50:21,400
Speaker 1: because there's too many women tell you that I'm from Compton.

809
00:50:21,880 --> 00:50:35,520
Speaker 1: Oh that girl from the Bloodside relaxed me. Don't shoot nobody,

810
00:50:35,560 --> 00:50:42,719
Speaker 1: and let's relax. She shot nobody. That's that you're a

811
00:50:42,760 --> 00:50:45,719
Speaker 1: good guy. Good guy. That's not a good boyfriend, but

812
00:50:45,800 --> 00:50:49,480
Speaker 1: he's a good guy. That's our personal business. Who's your boyfriend?

813
00:50:50,719 --> 00:50:55,440
Speaker 1: Her kids father? Oh you got kid too? So sorry,

814
00:50:55,480 --> 00:50:57,560
Speaker 1: I didn't know that. I forgot. I do remember that.

815
00:50:57,840 --> 00:51:00,120
Speaker 1: I'm a big fan. I know every come on, that's

816
00:51:00,200 --> 00:51:04,719
Speaker 1: me on Love and Hipoper. Let's see you're testing. I

817
00:51:04,840 --> 00:51:07,080
Speaker 1: want to see how good I am. You got me

818
00:51:07,200 --> 00:51:13,520
Speaker 1: by saying that videos. What did I need? Jocelyn? Definitely

819
00:51:13,520 --> 00:51:17,760
Speaker 1: a stripp up. Just realized trying to figure out where

820
00:51:19,680 --> 00:51:27,200
Speaker 1: is it? Weird question? I know that Right's definitely Atlanta.

821
00:51:27,320 --> 00:51:44,239
Speaker 1: I know that sonics. So now now that you broke

822
00:51:44,320 --> 00:51:51,319
Speaker 1: it up, it's me. You brung it up. I see

823
00:51:51,320 --> 00:51:54,040
Speaker 1: a lot of people who think and I and me

824
00:51:54,280 --> 00:51:57,400
Speaker 1: knowing you. I know that everything you're doing on camera

825
00:51:57,600 --> 00:52:00,560
Speaker 1: it's you. I know that, but a lot of people

826
00:52:00,640 --> 00:52:07,320
Speaker 1: can't tell that. Right. So when they bring up you

827
00:52:07,440 --> 00:52:10,319
Speaker 1: on Joshly relationship and I didn't want to bring it up,

828
00:52:10,320 --> 00:52:14,080
Speaker 1: but you did. I'm in I love myself. I'm mean,

829
00:52:14,120 --> 00:52:17,400
Speaker 1: I can talk about anything. I mean, were you disappointed

830
00:52:18,080 --> 00:52:22,600
Speaker 1: from certain acts that she made? Oh, it's just like

831
00:52:22,760 --> 00:52:25,319
Speaker 1: fucking it's not a disappointment thing, you know what I'm saying.

832
00:52:25,360 --> 00:52:28,799
Speaker 1: It's a you know, I've been in this game for years.

833
00:52:28,880 --> 00:52:31,920
Speaker 1: I've been doing this, screwing chicks, telling lies, selling pies,

834
00:52:32,000 --> 00:52:34,800
Speaker 1: committing fella nives. And she's new to this, you know

835
00:52:34,840 --> 00:52:42,120
Speaker 1: what I'm saying. So cigarette to that keep. It's what

836
00:52:42,239 --> 00:52:45,319
Speaker 1: I'm just saying. It's like I've been I've been there

837
00:52:45,400 --> 00:52:47,480
Speaker 1: seeing it all, and she ain't. You know, it's all

838
00:52:47,520 --> 00:52:49,320
Speaker 1: new to her, all the flash and lights and all that.

839
00:52:49,440 --> 00:52:52,920
Speaker 1: So more or less, it's like, you know, I'm not

840
00:52:53,000 --> 00:52:55,120
Speaker 1: going to judge, you know what I'm saying. I just

841
00:52:55,200 --> 00:52:58,279
Speaker 1: hope on her. You know, whatever she goes through make

842
00:52:58,320 --> 00:53:00,799
Speaker 1: her stronger, you know what I'm saying. On but um

843
00:53:01,480 --> 00:53:12,440
Speaker 1: as a nigger, as a nigger quin nigger, because and

844
00:53:13,239 --> 00:53:19,399
Speaker 1: I've been in power for almost twenty years. So any

845
00:53:19,520 --> 00:53:24,040
Speaker 1: woman that I meet, they might say, oh cool, whatever,

846
00:53:24,800 --> 00:53:27,600
Speaker 1: she's gonna be with you for that, and you have

847
00:53:27,800 --> 00:53:33,040
Speaker 1: to face the same adversity as as I face. So

848
00:53:33,280 --> 00:53:35,520
Speaker 1: did you ever feel like from the beginning that you

849
00:53:35,680 --> 00:53:39,160
Speaker 1: met her, that she was there for that reason. Oh

850
00:53:39,320 --> 00:53:41,759
Speaker 1: you felt like, damn, this is this is my right.

851
00:53:43,440 --> 00:53:45,959
Speaker 1: I'm not no, no, no, no real talk. We was rocking.

852
00:53:46,200 --> 00:53:49,440
Speaker 1: I was like felt like at it, like I got

853
00:53:49,520 --> 00:53:51,640
Speaker 1: a baby Mams that remind me of Jocelyn, but I

854
00:53:51,680 --> 00:53:56,080
Speaker 1: gotta get I can't even stand around, So I was like, damn,

855
00:53:56,120 --> 00:54:00,719
Speaker 1: I couldn't tell that. I just wait through. Yeah, yeah,

856
00:54:01,800 --> 00:54:07,320
Speaker 1: he was there on the service board. Relaxed th we

857
00:54:07,360 --> 00:54:09,520
Speaker 1: went the family called the girl I've met the family

858
00:54:09,680 --> 00:54:21,280
Speaker 1: court with. Appreciate that I just last week, but you understand,

859
00:54:21,400 --> 00:54:24,120
Speaker 1: like so when I seen you dealing like I related

860
00:54:24,160 --> 00:54:27,399
Speaker 1: to you so much, and even when Nigga said TV

861
00:54:27,560 --> 00:54:29,759
Speaker 1: is an idiot that came back, and it's just like

862
00:54:29,920 --> 00:54:33,920
Speaker 1: sometimes as a good person, you just want to forgive

863
00:54:34,000 --> 00:54:36,400
Speaker 1: ship and you want you want to patch it. You know,

864
00:54:36,560 --> 00:54:38,799
Speaker 1: it's not even pretty much about the idiot thing as

865
00:54:38,840 --> 00:54:41,160
Speaker 1: more less like shop, if I'm funking with this person,

866
00:54:41,239 --> 00:54:42,920
Speaker 1: I'm sucking with him. You know what I'm saying. I

867
00:54:42,960 --> 00:54:44,839
Speaker 1: don't give a funk with nobody thinking if I funk

868
00:54:44,880 --> 00:54:47,080
Speaker 1: with you, I'm gonna funk with you with you, no

869
00:54:48,080 --> 00:54:50,200
Speaker 1: body thing, you know, what I'm saying, Like, you know

870
00:54:50,239 --> 00:54:51,800
Speaker 1: what I'm saying. If I rock with you, I do.

871
00:54:52,040 --> 00:54:53,680
Speaker 1: You know what I'm saying, You're gonna pop for me

872
00:54:53,719 --> 00:54:55,759
Speaker 1: and pop the tricking for you. We're gonna rock out.

873
00:54:56,520 --> 00:54:59,840
Speaker 1: And that's how you was, sister. Please because we're seen you,

874
00:55:00,400 --> 00:55:02,400
Speaker 1: because because niggas nigga seen you want to love my

875
00:55:02,480 --> 00:55:06,120
Speaker 1: hip and said you gotta relax. Who did relax? No,

876
00:55:06,360 --> 00:55:08,640
Speaker 1: because you kept you kept going back and niggas want

877
00:55:08,640 --> 00:55:11,520
Speaker 1: to knock you down in New York so much. And

878
00:55:13,600 --> 00:55:19,400
Speaker 1: right here, right right here, right here, Pete State. And

879
00:55:19,440 --> 00:55:21,160
Speaker 1: you know we got asked this. You know, you know

880
00:55:21,360 --> 00:55:32,799
Speaker 1: my right didn't eat your ask now, but like, how

881
00:55:32,840 --> 00:55:35,279
Speaker 1: did how did you feel like because you know the

882
00:55:35,480 --> 00:55:43,640
Speaker 1: National TV on National TV, you know like you kind

883
00:55:43,680 --> 00:55:48,959
Speaker 1: of had the show that you weren't lying to another girl. Well,

884
00:55:49,480 --> 00:55:52,680
Speaker 1: I always remember that we're talking about television first of all.

885
00:55:52,880 --> 00:55:56,000
Speaker 1: So you're saying it's faith out there. I've never used

886
00:55:56,080 --> 00:55:59,799
Speaker 1: the word thing at all. Money to let that happen

887
00:56:00,120 --> 00:56:05,759
Speaker 1: is always remember that we're in saying you it's not

888
00:56:06,000 --> 00:56:08,760
Speaker 1: fake and that this is our life and we choose

889
00:56:08,840 --> 00:56:12,320
Speaker 1: to show our life in the way that we chose

890
00:56:12,760 --> 00:56:16,360
Speaker 1: to show it to you, so you can't really analyze it.

891
00:56:17,960 --> 00:56:25,239
Speaker 1: You gotta just go when we gave you yea. And

892
00:56:26,160 --> 00:56:27,680
Speaker 1: on that note, you know what I'm saying. You've been

893
00:56:27,680 --> 00:56:31,480
Speaker 1: through a lot on absolutely personal life. Absolutely, but for

894
00:56:31,560 --> 00:56:33,880
Speaker 1: you to be able to open up and give the

895
00:56:34,040 --> 00:56:37,400
Speaker 1: world a glimpse at your life, absolutely I applaud you.

896
00:56:37,560 --> 00:56:41,759
Speaker 1: Let's give it up. That's get up, my baby says

897
00:56:41,800 --> 00:56:44,200
Speaker 1: from him, and I'm not gonna lie because a lot

898
00:56:44,280 --> 00:56:47,160
Speaker 1: of us looked and we see how beautiful and gorgeous

899
00:56:47,200 --> 00:56:48,840
Speaker 1: she were, and a lot of us like, you know,

900
00:56:49,920 --> 00:56:55,040
Speaker 1: she's gorgeous, she's my sisters. Yeah, she's amazing. Go ahead,

901
00:56:55,040 --> 00:57:05,839
Speaker 1: and my baby sister, my baby says like, let's let's

902
00:57:05,840 --> 00:57:10,080
Speaker 1: do a shot. Let's do a shot. A shot, time, time,

903
00:57:11,680 --> 00:57:15,040
Speaker 1: let's do a shot. Oh, y'all, let's look at y'all.

904
00:57:15,200 --> 00:57:20,160
Speaker 1: Y'all already, y'all already already. But a lot of us

905
00:57:22,280 --> 00:57:26,000
Speaker 1: sat back and we thought it was first, let's do

906
00:57:26,040 --> 00:57:32,200
Speaker 1: a shot, Hills glass, this is the vote shot. Yeah,

907
00:57:32,560 --> 00:57:35,000
Speaker 1: but a lot of us saw it and thought that

908
00:57:35,120 --> 00:57:38,640
Speaker 1: it was phony because we're looking at you and we're saying,

909
00:57:38,880 --> 00:57:42,560
Speaker 1: she's way too beautiful to deal with what she was

910
00:57:42,640 --> 00:57:45,919
Speaker 1: dealing with. But here's the thing, it's not me. Yeah,

911
00:57:45,960 --> 00:57:49,240
Speaker 1: I'm all those things. I'm a nurse. Um, I have

912
00:57:49,320 --> 00:57:55,960
Speaker 1: a radio show on my heart, I'm smart podcast yeah yeah,

913
00:57:56,000 --> 00:57:59,960
Speaker 1: well relaxed and stuff, stuff coming with us. But the

914
00:58:00,160 --> 00:58:04,000
Speaker 1: point is the point is I'm doing what I'm doing too.

915
00:58:05,040 --> 00:58:10,880
Speaker 1: But sometimes people can't find themselves so in that they

916
00:58:11,040 --> 00:58:14,000
Speaker 1: are running in circles. You want her to come to

917
00:58:15,440 --> 00:58:21,960
Speaker 1: come to you, right? What did I do? Yeah? Come on,

918
00:58:22,000 --> 00:58:26,240
Speaker 1: are we breaking? I don't want to make it sound

919
00:58:26,320 --> 00:58:31,560
Speaker 1: like that. Are we breaking? A new artist? She artists, artis.

920
00:58:34,280 --> 00:58:36,240
Speaker 1: I would love to see everything moves like your sauce

921
00:58:36,240 --> 00:58:40,200
Speaker 1: saying okay, can you sit there? So there. I don't

922
00:58:40,200 --> 00:58:41,720
Speaker 1: want to. I don't want to seem like I'm giving

923
00:58:41,720 --> 00:58:45,080
Speaker 1: away his when he went to the bathroom. Goddamnit cut

924
00:58:45,280 --> 00:58:48,080
Speaker 1: for baby and puppies. She's a grown woman's woman. So

925
00:58:48,200 --> 00:58:50,040
Speaker 1: what do we call CBJ? I would like to call

926
00:58:50,360 --> 00:58:55,120
Speaker 1: um what you call woman? Okay? I respect that. I

927
00:58:55,240 --> 00:58:58,760
Speaker 1: just I just respect her for being a hustler, you know,

928
00:58:59,080 --> 00:59:01,240
Speaker 1: and you're a good guy. I'm a good guy, and

929
00:59:01,400 --> 00:59:04,200
Speaker 1: you know, say what you want to by me. You know.

930
00:59:04,560 --> 00:59:07,920
Speaker 1: I managed Jocelyn to Meemi's career and they're making a

931
00:59:08,040 --> 00:59:14,280
Speaker 1: lot of fucking money. Just make some noise. But now

932
00:59:15,800 --> 00:59:22,960
Speaker 1: everybody is looking at My mother's looking at and we're saying, um,

933
00:59:24,360 --> 00:59:34,400
Speaker 1: what are you? Yeah from no real good hood? Turn on?

934
00:59:39,320 --> 00:59:45,520
Speaker 1: So you're from Panama? From the hood? You got an

935
00:59:47,560 --> 00:59:57,280
Speaker 1: exactly what? Oh no, baby girl, I'm sorry I got

936
00:59:57,360 --> 00:59:59,800
Speaker 1: to ask you this question. But I have to ask

937
01:00:00,840 --> 01:00:11,160
Speaker 1: because your accent, your body, yeah whatever, Jocelyn might just

938
01:00:11,320 --> 01:00:13,120
Speaker 1: try to snuff you. I'm just throwing it out there

939
01:00:13,160 --> 01:00:16,960
Speaker 1: because you know I'm doing I'm right. I'm right, So

940
01:00:17,040 --> 01:00:20,400
Speaker 1: I have to step in as management. I'm just saying,

941
01:00:20,640 --> 01:00:27,120
Speaker 1: I don't know, but I'm gonna be diplomatic. I'm diplomatic.

942
01:00:27,480 --> 01:00:30,600
Speaker 1: I feel like I feel like she might job. I

943
01:00:30,640 --> 01:00:32,960
Speaker 1: don't know, I'm not you know, this is what it is.

944
01:00:33,640 --> 01:00:36,040
Speaker 1: You know. I'm gonna be the manager and I'm not diplomatic.

945
01:00:36,320 --> 01:00:38,840
Speaker 1: She's not running from anything, She's not going to run

946
01:00:38,920 --> 01:00:42,040
Speaker 1: from me. But I just advised her just to stick

947
01:00:42,080 --> 01:00:45,640
Speaker 1: to the plane. Let's get to the money, not Stevie j. Yes,

948
01:00:45,800 --> 01:00:50,320
Speaker 1: what happens we're in Onyx, I'll tell you. Let's go

949
01:00:50,440 --> 01:00:53,520
Speaker 1: get some lemon pepper, A right, Okay, lemon pepper, me

950
01:00:53,640 --> 01:00:59,800
Speaker 1: and you wear lemon pepper. We're sitting there. There's no

951
01:01:00,040 --> 01:01:06,800
Speaker 1: denying that she is gorgeous. She's she's what's the step

952
01:01:06,840 --> 01:01:12,040
Speaker 1: above gorgeous? Because whatever it is, whatever it is, let

953
01:01:12,080 --> 01:01:17,440
Speaker 1: me take our shot. Let's take what Stevie, Let's continue.

954
01:01:19,360 --> 01:01:23,320
Speaker 1: If I if I'm, if I'm, if I'm your ex girl,

955
01:01:25,320 --> 01:01:33,280
Speaker 1: I'm not what you've got, that's what. But but you

956
01:01:33,400 --> 01:01:35,280
Speaker 1: understand what I'm saying, right, baby girl, I'm like, I

957
01:01:35,920 --> 01:01:40,880
Speaker 1: shot trying me about it. Here we go like, I

958
01:01:43,520 --> 01:01:46,480
Speaker 1: you can't. I'm listening to you, bro. But if I'm

959
01:01:46,560 --> 01:01:49,520
Speaker 1: you got him a little bit. People, what I'm saying

960
01:01:49,720 --> 01:01:52,600
Speaker 1: is like like I'm just saying, that's your ex girl,

961
01:01:52,760 --> 01:01:54,400
Speaker 1: That's not this is not what this is about. This

962
01:01:54,560 --> 01:01:57,760
Speaker 1: is about you know, dangers, don't Latino. You know what

963
01:01:57,800 --> 01:02:00,040
Speaker 1: I'm saying. This is about you know, my friend. This

964
01:02:00,160 --> 01:02:03,440
Speaker 1: is about me presenting new artists to the table that hustle,

965
01:02:03,560 --> 01:02:06,080
Speaker 1: that that that a great artist and you know that

966
01:02:06,320 --> 01:02:09,240
Speaker 1: you know, have that look and ambition and the talent

967
01:02:09,440 --> 01:02:11,160
Speaker 1: to do what they do. You know what I'm saying

968
01:02:11,200 --> 01:02:12,720
Speaker 1: that I'm not gonna put my neck out on the

969
01:02:12,840 --> 01:02:15,560
Speaker 1: limb for nobody. That's not that I don't feel it's appropriate.

970
01:02:15,640 --> 01:02:17,520
Speaker 1: You know what I'm saying, that's we know that already.

971
01:02:18,120 --> 01:02:22,320
Speaker 1: But the point we're trying to say, that's what laughs.

972
01:02:24,520 --> 01:02:27,040
Speaker 1: The point we're trying to say is it's gonna be

973
01:02:27,200 --> 01:02:29,560
Speaker 1: taking the wrong way. So not right now. If you

974
01:02:29,680 --> 01:02:35,080
Speaker 1: go to ONYX and then Johnston walks in, what's gonna

975
01:02:35,160 --> 01:02:38,960
Speaker 1: happen tonight, what's gonna happen? It's gonna be like, she's cute?

976
01:02:39,560 --> 01:02:42,040
Speaker 1: Are we taking the home? She's definitely gonna do that.

977
01:02:44,040 --> 01:02:46,680
Speaker 1: Respect that. I definitely respect that. I wasn't expecting that,

978
01:02:46,880 --> 01:02:49,680
Speaker 1: but that's what it is. You know, one thing I

979
01:02:49,720 --> 01:02:54,760
Speaker 1: could say about you, you know, I mean we look

980
01:02:54,800 --> 01:02:57,120
Speaker 1: through the fire and you know some things were said up.

981
01:02:57,360 --> 01:03:01,360
Speaker 1: You know what I'm saying that it gotta absolutely so

982
01:03:01,480 --> 01:03:03,040
Speaker 1: that's why, you know what I'm saying, I don't respect

983
01:03:03,120 --> 01:03:05,439
Speaker 1: these dudes, these young dudes going on the radio trying

984
01:03:05,480 --> 01:03:07,600
Speaker 1: to make jokes. You know, to keep your jokes to yourself.

985
01:03:07,800 --> 01:03:12,800
Speaker 1: I don't play with my family, you don't, you know, listen,

986
01:03:13,400 --> 01:03:17,320
Speaker 1: think a lot about mind that about mine? Point blank.

987
01:03:17,720 --> 01:03:20,640
Speaker 1: Everybody feel the same way about their kids, right, I'm right,

988
01:03:20,720 --> 01:03:25,960
Speaker 1: cool let's give it up about that. I didn't take

989
01:03:26,000 --> 01:03:28,240
Speaker 1: a shot. What was your shot at gone? I take

990
01:03:28,240 --> 01:03:31,560
Speaker 1: another one, take another one, take down. You didn't take

991
01:03:31,600 --> 01:03:35,080
Speaker 1: your shot. Your shot. That was for the bottom line

992
01:03:37,800 --> 01:03:44,800
Speaker 1: for me. Yeah, that was the best of the world.

993
01:03:45,960 --> 01:03:50,439
Speaker 1: I was saying something about broth. You know what I'm saying.

994
01:03:50,440 --> 01:03:53,520
Speaker 1: I respect you nor you for a lot of different reasons.

995
01:03:54,360 --> 01:03:56,880
Speaker 1: You never switched up, you know what I'm saying. I'm

996
01:03:56,880 --> 01:03:58,960
Speaker 1: just saying, You've always been the same dude. You know

997
01:03:58,960 --> 01:04:03,560
Speaker 1: what I'm saying, Man, they never switched up. Thank you

998
01:04:03,720 --> 01:04:07,160
Speaker 1: for that. But but Stevie J. You know what, I'm

999
01:04:07,240 --> 01:04:11,840
Speaker 1: one of the people that campaigned your campaign because when

1000
01:04:11,960 --> 01:04:15,560
Speaker 1: people kept saying Stevie J from loving hip hop, I

1001
01:04:15,720 --> 01:04:18,840
Speaker 1: was single handedly the person that that I didn't want.

1002
01:04:19,200 --> 01:04:21,920
Speaker 1: I mean, I get love and hip hop, I get it,

1003
01:04:22,080 --> 01:04:24,560
Speaker 1: but you know not. I just wanted people to recognize

1004
01:04:24,600 --> 01:04:27,840
Speaker 1: your current. Look. My nephew is a young he's a millennial.

1005
01:04:29,400 --> 01:04:32,720
Speaker 1: He's one of my artist statements, right, He's a millennial.

1006
01:04:33,120 --> 01:04:34,920
Speaker 1: These dudes only know me from love and hip hop

1007
01:04:35,000 --> 01:04:37,800
Speaker 1: at Lancer, I'm saying, unless you go ahead and google

1008
01:04:37,840 --> 01:04:41,400
Speaker 1: how many Google niggers we got out here? Google around.

1009
01:04:41,480 --> 01:04:43,680
Speaker 1: I'm like Google, is you know what I'm saying? And

1010
01:04:44,160 --> 01:04:46,400
Speaker 1: all my nephew be like, Yo, they know you. You

1011
01:04:46,440 --> 01:04:49,120
Speaker 1: know what I'm saying. For the producer, they do their research.

1012
01:04:49,200 --> 01:04:50,640
Speaker 1: They know you from Love and Hip Hop, person that

1013
01:04:50,960 --> 01:04:53,640
Speaker 1: you know what I'm saying. So my nephew makes sure

1014
01:04:53,680 --> 01:04:55,960
Speaker 1: that all these young niggers know what's something. You know

1015
01:04:56,000 --> 01:04:58,120
Speaker 1: what I'm saying with you. I just you know I'm saying,

1016
01:04:58,120 --> 01:05:00,280
Speaker 1: I applaud you, I respect you, and I said port

1017
01:05:00,360 --> 01:05:03,200
Speaker 1: you whatever. Nobody never but I've never said nothing filing

1018
01:05:03,200 --> 01:05:12,400
Speaker 1: about Yeah, I'm gonna do that. Do that. I'm nice

1019
01:05:12,440 --> 01:05:19,280
Speaker 1: like boxing four times a week nowt Stevie just now

1020
01:05:20,560 --> 01:05:25,320
Speaker 1: when when you get because yo, you you get booked

1021
01:05:25,360 --> 01:05:29,040
Speaker 1: for shows a lot. And when they say, you know

1022
01:05:29,160 --> 01:05:32,080
Speaker 1: Stevie J from Love and Hip Hop, how does Stevie jail?

1023
01:05:32,440 --> 01:05:34,280
Speaker 1: And That's what I'm always like, you know, don't forget

1024
01:05:34,600 --> 01:05:37,680
Speaker 1: the Stevie j huneymen, right? Is so fine? You know

1025
01:05:37,720 --> 01:05:40,000
Speaker 1: what I'm saying. You almost let him know. But so

1026
01:05:40,200 --> 01:05:42,840
Speaker 1: you do you actually tell them to change the flyer

1027
01:05:43,160 --> 01:05:48,080
Speaker 1: or no, I tell them when I get there, just

1028
01:05:48,200 --> 01:05:50,280
Speaker 1: have the bag your quinn. They got the front end.

1029
01:05:50,280 --> 01:05:53,760
Speaker 1: They got the back endish while I was sitting over

1030
01:05:53,840 --> 01:05:55,720
Speaker 1: that twenty minutes ago. Somebody got the back for you.

1031
01:05:58,600 --> 01:06:04,880
Speaker 1: He collects all my back end that. So now you

1032
01:06:05,000 --> 01:06:08,800
Speaker 1: see now you sweetheart, Now you did and we heard

1033
01:06:08,880 --> 01:06:12,360
Speaker 1: you're doing love and hip hop again. We heard you

1034
01:06:12,440 --> 01:06:15,680
Speaker 1: signed back on Wow. Did you Yeah? Yeah, you know,

1035
01:06:18,000 --> 01:06:37,000
Speaker 1: let me negotiate your contracts last saxo. Okay, but yeah

1036
01:06:38,200 --> 01:06:41,720
Speaker 1: you gotta you gotta stay tuned, right, stay tuned now.

1037
01:06:42,400 --> 01:06:45,360
Speaker 1: And in that season, did you did you feel? It

1038
01:06:45,520 --> 01:06:49,800
Speaker 1: was like, right, now, there's a lot of things wrong

1039
01:06:49,880 --> 01:06:54,320
Speaker 1: with that, same with my situation, with your situation because

1040
01:06:54,400 --> 01:06:57,200
Speaker 1: when Shorty rolled up on you and then you said

1041
01:06:58,840 --> 01:07:01,720
Speaker 1: I'm gonna show you you know you are funny? Why

1042
01:07:01,720 --> 01:07:05,240
Speaker 1: do you keep concentrating on that part? Because that sucked

1043
01:07:05,280 --> 01:07:09,320
Speaker 1: me up. It was like, oh, bitches is all here

1044
01:07:09,360 --> 01:07:14,240
Speaker 1: with videos? Yeah you video? Like I mean, I mean,

1045
01:07:14,400 --> 01:07:18,040
Speaker 1: but I feel you because the way it was it

1046
01:07:18,160 --> 01:07:20,560
Speaker 1: was approached, it was like that was you. That's what

1047
01:07:21,400 --> 01:07:25,280
Speaker 1: yeah exactly. So it's like and when she comes the

1048
01:07:25,360 --> 01:07:29,160
Speaker 1: reason why I felt you was her approaching you exactly

1049
01:07:29,680 --> 01:07:34,880
Speaker 1: when she approached you, I mean, like if and before that,

1050
01:07:35,240 --> 01:07:38,480
Speaker 1: nobody ever remembers. So when people always think about that

1051
01:07:38,640 --> 01:07:41,680
Speaker 1: scene or have an opinion about it. They never remember

1052
01:07:41,720 --> 01:07:45,040
Speaker 1: the beginning when he said, before the show even started

1053
01:07:45,040 --> 01:07:47,120
Speaker 1: and you didn't know who we were. She came to

1054
01:07:47,240 --> 01:07:51,280
Speaker 1: my house. So that's big for me. From shed to

1055
01:07:51,400 --> 01:07:53,080
Speaker 1: my house money, you're gonna come to my house for

1056
01:07:53,200 --> 01:07:57,160
Speaker 1: our kids later years now we forever have beef. Why

1057
01:07:57,720 --> 01:08:04,200
Speaker 1: it's right or some real tip out? She was? She

1058
01:08:04,640 --> 01:08:08,160
Speaker 1: she was with jock and hip hop, loving hip hop,

1059
01:08:08,160 --> 01:08:10,680
Speaker 1: be able to your address. No, it was before I'm

1060
01:08:10,720 --> 01:08:14,040
Speaker 1: telling you all of this. I think I love him pocket.

1061
01:08:14,400 --> 01:08:17,640
Speaker 1: It was before before that. It was before Why did

1062
01:08:17,680 --> 01:08:19,920
Speaker 1: she come to the outside here because she was looking

1063
01:08:19,960 --> 01:08:21,600
Speaker 1: for her what she felt was her man. But I

1064
01:08:21,680 --> 01:08:26,160
Speaker 1: have kids with That was definitely disrespectful and you don't

1065
01:08:26,200 --> 01:08:30,880
Speaker 1: come to my house. But I didn't love hip hop Stevie,

1066
01:08:31,200 --> 01:08:33,320
Speaker 1: And you know what, I still root for you. Still.

1067
01:08:34,520 --> 01:08:36,599
Speaker 1: I'll be like, you know what, and you'd be saying

1068
01:08:36,640 --> 01:08:43,799
Speaker 1: you're a good guy. You gave me a lot of excooses, excuses.

1069
01:08:43,920 --> 01:08:46,639
Speaker 1: Is over if you watch leave it to Stevie. Yeah,

1070
01:08:47,040 --> 01:08:50,720
Speaker 1: we watched someone with Stevie had all your kids there.

1071
01:08:51,000 --> 01:08:55,240
Speaker 1: My kids lives in one place. I respected that and

1072
01:08:55,520 --> 01:08:59,320
Speaker 1: my son is playing Division one ball, little Stevie, number

1073
01:08:59,360 --> 01:09:09,680
Speaker 1: one school in his division. That's a big Listen. At

1074
01:09:09,720 --> 01:09:11,519
Speaker 1: the end of the day, I love my kids. You know,

1075
01:09:11,720 --> 01:09:13,960
Speaker 1: say one than I loved me. And when you say

1076
01:09:14,000 --> 01:09:16,080
Speaker 1: you're a good guy, you really believe it. Yeah, I

1077
01:09:16,160 --> 01:09:18,960
Speaker 1: mean it's it's really a good fats. I take care

1078
01:09:19,000 --> 01:09:22,000
Speaker 1: of this man, my family. Where you'll be sticking your

1079
01:09:22,040 --> 01:09:25,840
Speaker 1: ship at sometimes they're just you just I'm gonna be honest.

1080
01:09:25,880 --> 01:09:28,679
Speaker 1: You don't suck anything. At one point you was sucking anything.

1081
01:09:28,720 --> 01:09:38,559
Speaker 1: I'm just throwing out. That's a I don't. I think

1082
01:09:38,680 --> 01:09:44,120
Speaker 1: is like platinum and diamonds, not like not a lot

1083
01:09:44,160 --> 01:09:47,160
Speaker 1: of what I'm saying. I'd rather whack my ship than

1084
01:09:47,240 --> 01:09:51,040
Speaker 1: going to have these um foul older is smelling joints

1085
01:09:51,160 --> 01:09:54,400
Speaker 1: be he's joints. A lot of these joints don't even

1086
01:09:54,439 --> 01:09:59,920
Speaker 1: want their joint be smell bad, Like boss, I teach

1087
01:10:00,120 --> 01:10:06,760
Speaker 1: like doing knobs. Yeah, facts, I mean soaking the tub

1088
01:10:07,240 --> 01:10:09,040
Speaker 1: and even it's soaking the tub and putting out a

1089
01:10:09,120 --> 01:10:15,959
Speaker 1: soap soap, she smells like hot trash. And in Atlanta,

1090
01:10:16,040 --> 01:10:18,720
Speaker 1: it's a lot of hot trackh man. That's like there's

1091
01:10:18,720 --> 01:10:26,639
Speaker 1: a lot of secret like motherfucker. So many of our

1092
01:10:27,479 --> 01:10:34,240
Speaker 1: good friends. That's gay when a girl's flaying a straight guy,

1093
01:10:34,720 --> 01:10:38,240
Speaker 1: gay dude. But that's about people respect. I don't know

1094
01:10:38,280 --> 01:10:40,360
Speaker 1: respect people. But you know that's why I can have

1095
01:10:41,080 --> 01:10:49,439
Speaker 1: they love me. You know that's big brothers. Yeah, yeah,

1096
01:10:50,520 --> 01:10:55,679
Speaker 1: I said everything. Time for the wait, wait a minute, waiting,

1097
01:11:00,200 --> 01:11:08,360
Speaker 1: like let me let me clarify. That's what I'm saying.

1098
01:11:08,640 --> 01:11:12,680
Speaker 1: Atlanta is like in a certain sense, but in a

1099
01:11:12,800 --> 01:11:16,240
Speaker 1: different sense because it's all black and a lot there's

1100
01:11:16,240 --> 01:11:18,920
Speaker 1: a lot of gay brothers out here, but I respect them.

1101
01:11:19,240 --> 01:11:21,640
Speaker 1: I see him in Lennox Small. I gave him my

1102
01:11:21,680 --> 01:11:29,840
Speaker 1: head nah, and they gave me a head nag. It's

1103
01:11:29,880 --> 01:11:33,280
Speaker 1: the one thing I noticed. If the gay guy wants

1104
01:11:33,360 --> 01:11:35,519
Speaker 1: to bother is because he knows something about you. You

1105
01:11:35,600 --> 01:11:44,400
Speaker 1: don't know that with me. Yeah, gay guys said to me,

1106
01:11:44,439 --> 01:11:46,439
Speaker 1: and they like they look at me like a gangster

1107
01:11:46,520 --> 01:11:48,840
Speaker 1: and they're like, what up, nigga? Be like what up? Niggle?

1108
01:11:51,400 --> 01:11:58,920
Speaker 1: We did and we're good. Like I'm gonna keep it

1109
01:11:59,000 --> 01:12:07,519
Speaker 1: on its like, let's get it. I'm gonna do you story,

1110
01:12:08,080 --> 01:12:11,960
Speaker 1: down your story, now, your story. You know, I got

1111
01:12:12,040 --> 01:12:18,400
Speaker 1: caught out of pure and teeth bring babies, Righteth. This's

1112
01:12:18,439 --> 01:12:23,400
Speaker 1: when Twin is able body, like Twins when he's walking around, right.

1113
01:12:24,080 --> 01:12:27,240
Speaker 1: So I'm looking at Twin and then and we walk

1114
01:12:27,360 --> 01:12:32,240
Speaker 1: in Cheeth a baby. But it's nothing. The gay guys, right,

1115
01:12:32,960 --> 01:12:37,599
Speaker 1: but they but you gotta respect them. But it's night.

1116
01:12:37,680 --> 01:12:40,200
Speaker 1: But the gangs, the gay guys, it's not it's not.

1117
01:12:40,400 --> 01:12:43,439
Speaker 1: It's not the guy. There's nothing gay guys to get

1118
01:12:43,479 --> 01:12:51,280
Speaker 1: it on with. Everybody shot kill you, They're gonna pop you.

1119
01:12:51,360 --> 01:12:55,800
Speaker 1: I'm keeping it, honey, don't matter. And I'm like hands

1120
01:12:55,840 --> 01:12:59,240
Speaker 1: to now mind you. They ain't looking at me, so

1121
01:12:59,280 --> 01:13:04,840
Speaker 1: I ain't looking at them. We're looking at the other side.

1122
01:13:05,640 --> 01:13:11,280
Speaker 1: Ch I'm chilling Twin. Twin is able body, he's not handicapped.

1123
01:13:11,360 --> 01:13:14,080
Speaker 1: So Twin goals you'll give me a drink and the

1124
01:13:14,240 --> 01:13:17,680
Speaker 1: dude walks right behind him and say, I got your drink. Right,

1125
01:13:18,600 --> 01:13:21,800
Speaker 1: So I look look at Twin and I don't want

1126
01:13:21,840 --> 01:13:23,800
Speaker 1: to be like. I don't want to yell. I don't

1127
01:13:23,800 --> 01:13:25,200
Speaker 1: want to be like, if you want to keep a cool,

1128
01:13:26,560 --> 01:13:28,280
Speaker 1: I don't want to say, well, let you do that.

1129
01:13:28,400 --> 01:13:35,559
Speaker 1: Then it's on me hand because now I'm doing every

1130
01:13:35,640 --> 01:13:42,040
Speaker 1: other thing but yelling hand signals. I'm like, I'm like

1131
01:13:42,120 --> 01:13:49,479
Speaker 1: the guy the airplane. I'm like, I'm like, relax, but

1132
01:13:50,000 --> 01:13:53,519
Speaker 1: you don't catch on. So I'm like, it's too late.

1133
01:13:54,479 --> 01:13:58,040
Speaker 1: They gave him to drink drink. He turns around and

1134
01:13:58,160 --> 01:14:04,879
Speaker 1: he looks at me like, why you tell me? Relixed?

1135
01:14:05,800 --> 01:14:09,639
Speaker 1: Too late? So I don't know why I went there,

1136
01:14:09,920 --> 01:14:15,599
Speaker 1: but it's too late. Now I'm gonna keep going. Sorry, bro,

1137
01:14:17,360 --> 01:14:23,519
Speaker 1: I'm sorry. I feel so bad. So now I'm looking

1138
01:14:23,840 --> 01:14:26,120
Speaker 1: there at this ship, they looking at that at me.

1139
01:14:27,320 --> 01:14:31,280
Speaker 1: So now the guys realized I'm noory. The whole time,

1140
01:14:31,720 --> 01:14:36,760
Speaker 1: nobody realized the gate guy unless you know the bell there,

1141
01:14:37,640 --> 01:14:40,880
Speaker 1: I don't giving a fun realized you know, I don't

1142
01:14:40,880 --> 01:14:44,960
Speaker 1: give a fun but I don't care. But the thing is,

1143
01:14:45,479 --> 01:14:51,479
Speaker 1: they always said then they equal white, he equal white,

1144
01:14:54,840 --> 01:14:59,560
Speaker 1: but they wanted egual whites. But so this is what

1145
01:14:59,680 --> 01:15:02,360
Speaker 1: I did. And these are my niggers. I'll expect these guys,

1146
01:15:03,240 --> 01:15:09,720
Speaker 1: but they want eagle whites, ego white death. So what

1147
01:15:09,880 --> 01:15:15,800
Speaker 1: happened when they talk my little man and they talking

1148
01:15:15,800 --> 01:15:20,600
Speaker 1: about right, they funny talked, what you mean when they

1149
01:15:20,720 --> 01:15:24,880
Speaker 1: gave him? They got clear clear from my mind, like

1150
01:15:29,640 --> 01:15:40,880
Speaker 1: kind of like finger ahead. They understand past tonight when

1151
01:15:40,920 --> 01:15:44,680
Speaker 1: they actually did everything, they didn't got away with it.

1152
01:15:45,000 --> 01:15:53,160
Speaker 1: Not everything, Bro can't do everything everything great podcast tonight.

1153
01:15:53,800 --> 01:15:59,559
Speaker 1: In my mind, I gotta wait a great podcast tonight. Guys,

1154
01:15:59,640 --> 01:16:04,360
Speaker 1: I said, let me finish finished the story because I

1155
01:16:04,439 --> 01:16:06,760
Speaker 1: don't even know where he's going with it. Shut up,

1156
01:16:07,479 --> 01:16:14,080
Speaker 1: none of them go for it happened, and my my mind,

1157
01:16:14,120 --> 01:16:16,880
Speaker 1: they got away with everything. So now I want to

1158
01:16:17,000 --> 01:16:22,840
Speaker 1: leave now. That's no, that's what everybody's wondering. You were.

1159
01:16:23,800 --> 01:16:27,439
Speaker 1: And then they came over with everything. No, they had

1160
01:16:27,479 --> 01:16:35,280
Speaker 1: everything already, but other people coming up. Yet some people surrendered. Man,

1161
01:16:41,840 --> 01:16:45,880
Speaker 1: I'm just playing. I'm here. I'm just give me two

1162
01:16:45,920 --> 01:16:50,960
Speaker 1: more minutes. I'm just playing jo. But this is the thing.

1163
01:16:51,560 --> 01:16:56,320
Speaker 1: So when they left, the one guy said to me, Nor,

1164
01:16:58,280 --> 01:17:02,559
Speaker 1: I recognize you now, so he said, he said, take

1165
01:17:02,640 --> 01:17:06,559
Speaker 1: a flick of me, and I said no. He said,

1166
01:17:06,680 --> 01:17:08,360
Speaker 1: why are you gonna tak a flick with me? Because

1167
01:17:08,360 --> 01:17:10,559
Speaker 1: I felt like he was about to say, you're gonna

1168
01:17:10,600 --> 01:17:13,400
Speaker 1: be honest the gage And I said, you want equal

1169
01:17:13,600 --> 01:17:20,000
Speaker 1: rights and he said yeah. And I said, if you

1170
01:17:20,160 --> 01:17:24,240
Speaker 1: was a straight nigger, we would have killed you. Everything

1171
01:17:24,400 --> 01:17:28,519
Speaker 1: you just did. I would have definitely popped you at

1172
01:17:28,600 --> 01:17:30,760
Speaker 1: least in your foot like we got, we got. You

1173
01:17:30,800 --> 01:17:33,439
Speaker 1: know what I'm saying what I feel is but I respect. Yeah, yeah,

1174
01:17:33,479 --> 01:17:41,280
Speaker 1: I understanding. You know what I'm saying this man, man,

1175
01:17:42,200 --> 01:17:46,360
Speaker 1: equal rights. I'm telling you about how I feeling. And

1176
01:17:46,439 --> 01:17:48,840
Speaker 1: it's like, man, let them rock. How they want to

1177
01:17:48,880 --> 01:17:50,840
Speaker 1: let them stay in your lane? You know what I'm

1178
01:17:50,840 --> 01:17:54,080
Speaker 1: saying that that night they were staying in their land.

1179
01:17:54,600 --> 01:17:59,519
Speaker 1: That night they was it's like this too, like don know,

1180
01:17:59,600 --> 01:18:05,400
Speaker 1: somebody to Miami, let me let me lane, you know,

1181
01:18:05,640 --> 01:18:08,519
Speaker 1: and and do what they do with the young droes.

1182
01:18:08,600 --> 01:18:15,640
Speaker 1: But God bless Stevie J. He stands up and up

1183
01:18:16,880 --> 01:18:20,840
Speaker 1: Stevie J. That's ended out. We're gonna end it out.

1184
01:18:20,880 --> 01:18:23,360
Speaker 1: We're gonna end it out. You get just do that

1185
01:18:24,400 --> 01:18:30,400
Speaker 1: ended out picture everything now take a shot live down

1186
01:18:30,520 --> 01:18:35,600
Speaker 1: to down please please. So we're looking at her and

1187
01:18:35,720 --> 01:18:42,920
Speaker 1: we're saying, holy moli wakam, only is there are no more?

1188
01:18:43,479 --> 01:18:46,000
Speaker 1: Is this the newest? It's not, it's not no, it's

1189
01:18:46,040 --> 01:18:49,400
Speaker 1: not about the nine. This is about danger zone management.

1190
01:18:49,720 --> 01:18:54,639
Speaker 1: New challenge. Sauce artist, beautiful person. She's taking the acting

1191
01:18:54,720 --> 01:18:56,880
Speaker 1: classes and she supted to do what she do. Now

1192
01:18:56,920 --> 01:18:59,680
Speaker 1: it's time for you to talk, you gotta say all

1193
01:18:59,760 --> 01:19:05,160
Speaker 1: right from the Yes, I'm from colog I'm from Panama,

1194
01:19:05,560 --> 01:19:09,040
Speaker 1: I have Thomason's I'm from another country. Of course I'm

1195
01:19:09,040 --> 01:19:12,960
Speaker 1: gonna sound Latino because I am talking about anybody. I'm

1196
01:19:13,040 --> 01:19:20,240
Speaker 1: athleta Cantero and that ship. He's right, he's right, he's right, right,

1197
01:19:20,840 --> 01:19:23,560
Speaker 1: that ship, he's right. So you can give us a

1198
01:19:23,640 --> 01:19:28,679
Speaker 1: little sample with your side side of its called frank.

1199
01:19:29,120 --> 01:19:33,280
Speaker 1: I guess all school salsa um to be compared to

1200
01:19:33,400 --> 01:19:36,679
Speaker 1: Frankie rees. We have a little bit of Salia cruise

1201
01:19:36,720 --> 01:19:46,840
Speaker 1: in the man. Someone I have to actually relax. That's

1202
01:19:47,360 --> 01:19:53,679
Speaker 1: not hero, No, that's that's who listening to reporter weekends.

1203
01:19:53,760 --> 01:19:55,439
Speaker 1: I don't know if you know, you know I look

1204
01:19:55,479 --> 01:19:58,360
Speaker 1: black as hellas on the drink. Champions of what you've got,

1205
01:19:58,439 --> 01:20:00,840
Speaker 1: and you've got some stats, some letting let us get

1206
01:20:00,880 --> 01:20:03,559
Speaker 1: a little one. Let's make Josh and bad. Right now,

1207
01:20:03,680 --> 01:20:13,479
Speaker 1: that's a Drake chap for me. Right now. You gotta relax.

1208
01:20:14,520 --> 01:20:18,639
Speaker 1: We relaxed, but please give him something that's gonna listen

1209
01:20:18,680 --> 01:20:22,519
Speaker 1: to us. You know that's not what we're doing. Drake

1210
01:20:24,120 --> 01:20:29,080
Speaker 1: not want you to listeners. Sorry, we want you to

1211
01:20:29,160 --> 01:20:32,120
Speaker 1: give our listeners. Something Stevie j s baby Ja, we

1212
01:20:32,200 --> 01:20:34,400
Speaker 1: wanted to see what our listening to something in Spanish.

1213
01:20:34,880 --> 01:20:37,680
Speaker 1: We don't care, Stevie Jane. This is what we're gonna do.

1214
01:20:38,000 --> 01:20:41,000
Speaker 1: Stay to love the hip hop and letting you know

1215
01:20:41,240 --> 01:20:45,120
Speaker 1: and you see tonight need Stevie, Steve, look he come

1216
01:20:45,160 --> 01:20:53,240
Speaker 1: back over to Stevie. She listen. I'm not think but

1217
01:20:53,360 --> 01:20:55,519
Speaker 1: what about the people who listening to the audio age,

1218
01:20:55,600 --> 01:20:59,479
Speaker 1: the must you to the audience to the autio, pay

1219
01:20:59,640 --> 01:21:03,519
Speaker 1: tax and Loving hip Hop Atlanta season six and you

1220
01:21:03,600 --> 01:21:07,080
Speaker 1: know you have everything you need. You can't lose. You

1221
01:21:07,160 --> 01:21:10,640
Speaker 1: can't even though I feel like I feel like you

1222
01:21:10,640 --> 01:21:13,240
Speaker 1: should still saying because I feel like she's not feel

1223
01:21:13,280 --> 01:21:17,240
Speaker 1: like you're not just a body. We just introduced your

1224
01:21:17,280 --> 01:21:20,599
Speaker 1: as a body. I feel like you should share something.

1225
01:21:20,720 --> 01:21:26,519
Speaker 1: Just say two lines. You can't do it. Get what

1226
01:21:26,680 --> 01:21:29,519
Speaker 1: y'all stands that put on my grand mixtape out right

1227
01:21:29,600 --> 01:21:41,960
Speaker 1: now that my host about smoking is a west Side Yeah,

1228
01:21:43,960 --> 01:21:49,080
Speaker 1: your boy chinking and we're all here to you. You know,

1229
01:21:49,680 --> 01:22:20,800
Speaker 1: stay your state, You're all find all your favorite movies

1230
01:22:20,840 --> 01:22:23,559
Speaker 1: and shows. Factor with excinity, just speaking to the excellent

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Speaker 1: voice for most to search across Live CV on demand,

1232
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Speaker 1: even Netflix and Prime Video Now. That's simple, easy, awesome.

1233
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Speaker 1: Switch to Excenity today and get a great offer. You'll

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Speaker 1: favorite streaming apps like Netflix, YouTube and now Prime Video.

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Speaker 1: Go to Axcinity dot com, call one exity, or visit

1237
01:22:43,240 --> 01:22:45,559
Speaker 1: the store today to learn more. Restrictions of life