WEBVTT - Questlove Supreme: Eric Roberson Part 2

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<v Speaker 1>Quest Love Supreme is a production of iHeartRadio.

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<v Speaker 2>What's Up? What's Up? What's up? Y'all?

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<v Speaker 3>This is Questlove. Welcome to another Quest Love Supreme. As

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<v Speaker 3>you know, we're doing these special episodes of which each

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<v Speaker 3>team supremember in abuse of person their passionate album Sugar.

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<v Speaker 4>Steve sort of kicked it off with a two part incredible.

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<v Speaker 3>Two part conversation with one of his musical heroes, Elvis Costello,

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<v Speaker 3>that we did at Electrically Studios, and Corus Fonte again

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<v Speaker 3>his special solo session with singer songwriter Eric Roperson and

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<v Speaker 3>these men are friends. They made an album together and

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<v Speaker 3>it's an excellent look into the lives of two artists.

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<v Speaker 3>And if you haven't heard part one, please check it

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<v Speaker 3>out because this is part two from Fonte and Eric

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<v Speaker 3>to Hilario only on Quest Love Supreme.

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<v Speaker 4>All right, y'all enjoy it.

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<v Speaker 5>What was the record for you that as an independent artist,

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<v Speaker 5>you know, because you have you have your moments, so

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<v Speaker 5>you have some records that like will go all all

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<v Speaker 5>the way off, and then you had some to.

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<v Speaker 2>Just be like, all right, this did cool.

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<v Speaker 5>What was the record for you that like kind of

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<v Speaker 5>was the one where you was like Okay, I think

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<v Speaker 5>I got it because I can tell you what it

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<v Speaker 5>was for me as a fan, but I don't know

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<v Speaker 5>what it was like for you on the business side.

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<v Speaker 4>For me, it was Left.

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<v Speaker 5>And I ain't even saying that just because I was

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<v Speaker 5>on it, but like Left, I mean, I got Vault

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<v Speaker 5>one point five. That was the first record I ever

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<v Speaker 5>bought of yours. I actually got that one before I

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<v Speaker 5>got Esoteric. I was in I was in Chicago. We

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<v Speaker 5>was on a Little Brother We was on a Little

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<v Speaker 5>Brother tour stop and we went to it was that

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<v Speaker 5>Virgin Mega store that used to be uh in Chicago,

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<v Speaker 5>like that that big Virgin Mega store, and I just

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<v Speaker 5>saw you.

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<v Speaker 4>I just saw your joint, Eric Robson, and I knew

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<v Speaker 4>you from.

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<v Speaker 5>The Jazzy Jeff album and so I was like, I

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<v Speaker 5>was like, oh, he got an I was like, oh,

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<v Speaker 5>I caught this, and I bought that and I played

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<v Speaker 5>you know the first record you know is you know

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<v Speaker 5>is she couldn't hear me over the music, and I

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<v Speaker 5>was just like, oh my god, and like I ran

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<v Speaker 5>that whole record. That record got me through that tour,

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<v Speaker 5>you know what I'm saying. And so that was the

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<v Speaker 5>first one and then when I saw that one and

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<v Speaker 5>I saw it was produced by Redhead Kingpin, I was like, what, like,

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<v Speaker 5>how did that come about?

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<v Speaker 6>Months first, Red had one of the most talented producers, visionaries.

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<v Speaker 6>I've ever even been in a room with Right and

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<v Speaker 6>I'm honest that they even allowed me to do that

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<v Speaker 6>song with him, But I would tell you couldn't hear

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<v Speaker 6>me all the music was probably the song that probably

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<v Speaker 6>like changed everything, and then from there it was able

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<v Speaker 6>to grow Right So here everyone's like Eric, that's Eric

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<v Speaker 6>was in a songwriter and truth be Told Even before that,

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<v Speaker 6>like when I was doing songs off fatic and off

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<v Speaker 6>of like when I was doing the Vault album, a

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<v Speaker 6>lot of the times played when I played the songs,

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<v Speaker 6>when people heard the songs, they were like, can we

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<v Speaker 6>buy them? So that was so the left the Vault

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<v Speaker 6>was was a heavy draw the line in the saying

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<v Speaker 6>I'm not selling these songs like it was like you know,

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<v Speaker 6>and and truth be Told off.

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<v Speaker 2>So it's Vault Volume one point five. Why is it that?

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<v Speaker 6>Because Volume one had hold On, which eventually went to

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<v Speaker 6>dwell a.

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<v Speaker 5>Yo, yeah, I want to ask you to yeah, like

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<v Speaker 5>so that because I love that fucking song. Dwayne Bay,

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<v Speaker 5>what's the what's the deal with him?

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<v Speaker 2>Like, how did you guys know what the college together? Man?

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<v Speaker 2>We met.

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<v Speaker 6>I was walking into the Drew Hall at Howard University

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<v Speaker 6>freshman year with a keyboard under my arm. He was like, Yo,

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<v Speaker 6>you do music, and I was like, yeah, I do too,

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<v Speaker 6>and he came my room and I think he was

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<v Speaker 6>my room freshman. Like it was just like I had

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<v Speaker 6>this little small room by the size of this chair

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<v Speaker 6>I'm sitting there, and it's like everybody saw me walk

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<v Speaker 6>into that that dorm room with a keyboard and like

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<v Speaker 6>some little minuscule equipment and it was like what's on

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<v Speaker 6>and popping in this room?

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<v Speaker 2>Like my room was never empty. People would just work

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<v Speaker 2>on music.

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<v Speaker 6>And guess what, it is an honor that there's still

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<v Speaker 6>a lot of Dwayne on my new album that we

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<v Speaker 6>just put out, and you know, with Jermaine mob Lea

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<v Speaker 6>and you know, so many, so many brothers, Tracy Lee,

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<v Speaker 6>so many cats I met when I got there and

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<v Speaker 6>just started bonding with that. We still do do music,

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<v Speaker 6>you know, to this day. But yeah, that was that

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<v Speaker 6>was just right right with homies. But the first album

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<v Speaker 6>eventually had to be changed because, yeah, I was heavy

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<v Speaker 6>in the songwriter Carl Thomas I wrote Reround was on Rebound,

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<v Speaker 6>so it was like, okay, let's change this up one

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<v Speaker 6>point five and then from this point on like this,

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<v Speaker 6>this is this is it Now I'm not selling anything.

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<v Speaker 2>You're not gonna hear no problems, no whatever whatever.

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<v Speaker 6>I think Volume one had one time with with Jill

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<v Speaker 6>Scott on it and stuff like that, so it was like,

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<v Speaker 6>so the boom, but then it.

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<v Speaker 4>Was previous was previous catch? Was that on the vault?

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<v Speaker 6>No, previous cats was I never I had never released it,

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<v Speaker 6>previous catch I had just played for I wrote it

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<v Speaker 6>in college with Jermaine Mobley, but I played it for music,

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<v Speaker 6>just a demo of it, and interesting enough before he

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<v Speaker 6>ever had a record deal, and he was like, I

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<v Speaker 6>want that for my second album. I was like, like, what,

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<v Speaker 6>you ain't even sign on your first album yet, Like

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<v Speaker 6>he gets signed. It was like, yeah that previous catch, No, no,

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<v Speaker 6>that's my second album, all right, cool man, shoot your shot.

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<v Speaker 2>He puts the album out.

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<v Speaker 6>Of course he comes music soulcha and then and then

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<v Speaker 6>sure enough he called me like, hey, I'm started my

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<v Speaker 6>second album. You still got that previous cat song. I

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<v Speaker 6>was like Yo, you different, man, you different. I was like, yeah,

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<v Speaker 6>we recorded, but I don't know why I never put

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<v Speaker 6>that song because me and Jermaine Mobley worked on a

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<v Speaker 6>lot of records. He's on that, he's on that Vault album.

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<v Speaker 6>But for some reason, uh, I think you know what

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<v Speaker 6>real talk. By the time I'm starting to release the records,

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<v Speaker 6>and I think that's the song right in me. Like

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<v Speaker 6>once music said I liked the song even if I

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<v Speaker 6>wanted my an album, I was like, this is.

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<v Speaker 2>For music now.

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<v Speaker 6>I like, probably I've never even considered it for myself,

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<v Speaker 6>which is probably why it was not on the Vault record.

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<v Speaker 4>Or no, it's funny you say that. I'm the exact

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<v Speaker 4>same way.

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<v Speaker 5>Like for me if someone is speaking for it, like

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<v Speaker 5>our mentality in our campus that there's always another song.

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<v Speaker 5>So if someone if we write something and they like, yo,

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<v Speaker 5>I want it, it's like, all right, cool, it's yours

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<v Speaker 5>and we're just city. It's whenever you're ready for it,

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<v Speaker 5>because we can always make something else. So the Vault

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<v Speaker 5>one point five that was you know, you say that

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<v Speaker 5>was the one that kind of you know, that was

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<v Speaker 5>kind of line in the sand and.

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<v Speaker 4>Then left for me, that was the moment.

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<v Speaker 5>When I saw because you know, I was, I mean,

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<v Speaker 5>I was just a fan. So when you hit me

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<v Speaker 5>that night when you came to Jersey we went to

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<v Speaker 5>your crib, I was just like, all right, I'm just

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<v Speaker 5>kicking it one of the homies. Like I was not aware.

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<v Speaker 5>I mean I knew your catalog, I knew like you're

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<v Speaker 5>writing and stuff. But you know, I'm just like, man,

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<v Speaker 5>I'm just kicking it this this big bro, I'm just

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<v Speaker 5>kicking it. But when Left came out, and when I

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<v Speaker 5>saw the response that like being in love and I

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<v Speaker 5>saw it was people hit me.

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<v Speaker 4>Like, yo, you I heard you on Arrow Eric Rob

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<v Speaker 4>was the new album, and I was.

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<v Speaker 5>Like, oh like this dude, like oh wow, Like he

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<v Speaker 5>got people like really out here.

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<v Speaker 4>You know what I'm saying.

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<v Speaker 5>That was that was just that was from my experience.

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<v Speaker 5>That was you know, from my vantage point. When that

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<v Speaker 5>record came out, I just saw, you know, just the

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<v Speaker 5>people that were hit me.

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<v Speaker 2>I mean it was.

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<v Speaker 4>It really put a lot of eyes on me that

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<v Speaker 4>I did not expect at all.

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<v Speaker 2>Well probably vice versa.

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<v Speaker 6>I think, you know, our relationship just in general, every

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<v Speaker 6>time we did a song, I think it ith it

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<v Speaker 6>definitely boosted me and if it if it boosted you,

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<v Speaker 6>that was great idea, it did, you know, I think

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<v Speaker 6>left everything was a growing lesson.

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<v Speaker 2>You know.

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<v Speaker 6>Right after that we did music fan first, and we

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<v Speaker 6>getting That's when we studied nominating for Grammys and stuff

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<v Speaker 6>like that.

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<v Speaker 5>So we and must we have to know because all

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<v Speaker 5>our listeners, Aero and I have the honor of losing

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<v Speaker 5>the same Grammy to Indian.

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<v Speaker 6>Right, thank you for submitting your song and uh beating

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<v Speaker 6>out me both asses to the crib right right. So

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<v Speaker 6>you know, it was just different. Everything was just different levels.

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<v Speaker 6>It was like it was constantly growing. It was just

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<v Speaker 6>like you know, for me and and I'll be honest

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<v Speaker 6>with you, I mean I probably kept my head down

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<v Speaker 6>and just worked so much. I probably didn't spend much

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<v Speaker 6>time like acknowledging the groundwork that was being laid in,

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<v Speaker 6>like how much things were moving.

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<v Speaker 2>You know. I just remember being a struggling artist and

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<v Speaker 2>then one day not struggling. One day, like you know.

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<v Speaker 5>Man, listen, I remember I remember us having that conversation

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<v Speaker 5>during Tigularro where it's just like, listen, man, I'm finally

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<v Speaker 5>at the point in my life where I'm making the

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<v Speaker 5>music I want to make and I'm not fucking broke.

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<v Speaker 4>Yeah, yeah, like that's I mean, that's it.

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<v Speaker 5>You know, whatever you get on top of that is gravy,

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<v Speaker 5>you know what I mean. But I remember, I certainly

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<v Speaker 5>remember those conversations when when you did uh it was

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<v Speaker 5>it was a music fan first the box album. I

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<v Speaker 5>want to specifically ask a boy that one you did

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<v Speaker 5>a record which is like still like one of my

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<v Speaker 5>top five eer Row record, it might be top three,

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<v Speaker 5>I don't know, but your record with the just imagine

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<v Speaker 5>with King, Oh my god.

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<v Speaker 4>I was so mad when I heard that. I was like,

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<v Speaker 4>oh my god, please talk about Paris and Amberg. Man.

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<v Speaker 5>I just love them to death. And you know we've

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<v Speaker 5>all been long time supporters of them.

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<v Speaker 2>Yeah, we know.

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<v Speaker 6>I want to make sure I say it on this

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<v Speaker 6>platform too, because it's very important something I've been talking about,

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<v Speaker 6>especially with my students.

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<v Speaker 2>You know.

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<v Speaker 6>I teach at Berkeley College of Music in Boston, and

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<v Speaker 6>one of the things I learned when I got there

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<v Speaker 6>was like, how how many female musicians or female artists

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<v Speaker 6>have been talked out of their greatness out of ignorance

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<v Speaker 6>of men, out of ignorance of just surroundings of just

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<v Speaker 6>like the fact that like that, we should be shocked

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<v Speaker 6>that a female could make a dope beat, right, Like, how

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<v Speaker 6>insult the right you make that beat? Like, yo, you female,

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<v Speaker 6>you made a beat like that. It's almost kind of

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<v Speaker 6>like it's the ignorant statements.

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<v Speaker 4>That he speaks so well or some shit.

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<v Speaker 6>It's like.

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<v Speaker 2>A black person, what.

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<v Speaker 6>Do you mean you know so so so Like I'm

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<v Speaker 6>I'm really dedicated to try to change that character that

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<v Speaker 6>the situation. But let's say, even before I learned of

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<v Speaker 6>the ignorance, I was always one If you dope, you dope, right,

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<v Speaker 6>and male females look at the history of my work,

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<v Speaker 6>whether who's been on stage with me, who I've done

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<v Speaker 6>songs with, whatever, whatever.

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<v Speaker 2>If you dope, you dope, whether you a female, male whatever.

0:10:31.240 --> 0:10:36.719
<v Speaker 6>Right. I was in LA just my my wife had

0:10:36.760 --> 0:10:39.560
<v Speaker 6>got tickets with her girlfriend to go see Oprah's last

0:10:39.880 --> 0:10:41.720
<v Speaker 6>you know, her last show or whatever. You was in

0:10:41.880 --> 0:10:44.000
<v Speaker 6>LA and they got tickets at LIC So we had

0:10:44.000 --> 0:10:45.080
<v Speaker 6>just had my first son.

0:10:45.160 --> 0:10:45.760
<v Speaker 2>I'm in LA.

0:10:45.880 --> 0:10:49.760
<v Speaker 6>We had some Mexican restaurant. I'm really just babysitting. I

0:10:49.760 --> 0:10:52.400
<v Speaker 6>got my kid and my my wife and this young

0:10:52.480 --> 0:10:56.360
<v Speaker 6>lady walked up and goes can I take a picture,

0:10:56.440 --> 0:10:58.600
<v Speaker 6>you know, a big fan of your music.

0:10:58.800 --> 0:11:01.440
<v Speaker 2>I'm like, no problem, yeah, sure, So we take a picture.

0:11:01.440 --> 0:11:04.120
<v Speaker 6>And then while we're taking the picture, she says, you know,

0:11:04.360 --> 0:11:06.800
<v Speaker 6>I just did an album with when my sister and

0:11:06.840 --> 0:11:09.120
<v Speaker 6>a good friend of mine and I produced it and

0:11:09.200 --> 0:11:09.679
<v Speaker 6>mixed it.

0:11:10.640 --> 0:11:12.560
<v Speaker 2>And I was like, I was like, oh.

0:11:12.440 --> 0:11:14.440
<v Speaker 6>Word, okay, cool. I said, can I buy it? Can

0:11:14.440 --> 0:11:16.319
<v Speaker 6>I buy it from you? And now she's not give me no, no, no, no,

0:11:16.320 --> 0:11:18.680
<v Speaker 6>I'm gonna buy it from you. And she gave me something.

0:11:18.720 --> 0:11:20.800
<v Speaker 6>I gave her a twenty dollar bill and she gave

0:11:20.800 --> 0:11:22.160
<v Speaker 6>me and then I noticed it was only three songs,

0:11:22.160 --> 0:11:23.520
<v Speaker 6>and I said, damn, I just paid twenty dollars for

0:11:23.559 --> 0:11:25.800
<v Speaker 6>three songs, right, And I was like, it's all good.

0:11:25.679 --> 0:11:26.160
<v Speaker 2>It's all up.

0:11:26.800 --> 0:11:30.319
<v Speaker 6>That's the track source prices, right. But I was like cool,

0:11:30.880 --> 0:11:32.959
<v Speaker 6>but just in just basic. I was like, I was like,

0:11:33.559 --> 0:11:34.199
<v Speaker 6>what's your name is?

0:11:34.240 --> 0:11:36.120
<v Speaker 2>Said? She said name was Paris and I was like,

0:11:36.200 --> 0:11:37.600
<v Speaker 2>all right, cool, group's named King.

0:11:37.640 --> 0:11:39.160
<v Speaker 6>I was like, all right, cool, this is great, yo,

0:11:39.440 --> 0:11:41.920
<v Speaker 6>listen my information this that is that just just sowing

0:11:42.000 --> 0:11:43.320
<v Speaker 6>into it, like yo, this seems dope.

0:11:43.760 --> 0:11:44.559
<v Speaker 2>Like the other album cover.

0:11:44.679 --> 0:11:48.760
<v Speaker 6>Whatever, we get in the car and The first song

0:11:48.800 --> 0:11:51.280
<v Speaker 6>has this like drum beat intro, and I went, whatever

0:11:51.280 --> 0:11:56.400
<v Speaker 6>it did, and I paused it exactly when I even

0:11:56.440 --> 0:11:58.319
<v Speaker 6>came in. I stopped it, and my wife will tell

0:11:58.320 --> 0:12:00.520
<v Speaker 6>you I looked at it. I said, this is about

0:12:00.520 --> 0:12:05.240
<v Speaker 6>to be incredible. Just off the intro to get to

0:12:05.679 --> 0:12:07.880
<v Speaker 6>I stopped it. I was like, get ready because I

0:12:08.000 --> 0:12:10.640
<v Speaker 6>just realized this is something different here, this is.

0:12:10.840 --> 0:12:12.360
<v Speaker 2>I said, this is about to be incredible.

0:12:12.760 --> 0:12:14.800
<v Speaker 6>So we press play, and I mean, I could not

0:12:14.840 --> 0:12:17.560
<v Speaker 6>stop listening to this music for like it was just

0:12:17.559 --> 0:12:18.800
<v Speaker 6>the soundtrack for whatever.

0:12:18.880 --> 0:12:21.040
<v Speaker 2>So I call her back like, oh my god, who

0:12:21.040 --> 0:12:22.119
<v Speaker 2>are this is incredible?

0:12:22.520 --> 0:12:25.800
<v Speaker 6>And then I remember Prince calls and Eric aba Do calls,

0:12:25.840 --> 0:12:28.520
<v Speaker 6>and I remember like just hearing her going, oh my god,

0:12:28.760 --> 0:12:30.560
<v Speaker 6>beget these calls and then boom.

0:12:30.600 --> 0:12:36.160
<v Speaker 2>Now we all know Kings as King and.

0:12:34.600 --> 0:12:36.920
<v Speaker 6>It's an honor that I called her and was like, yo,

0:12:37.000 --> 0:12:39.840
<v Speaker 6>I want you to produce a song on my album,

0:12:39.920 --> 0:12:42.080
<v Speaker 6>like I want you to not not because you're dope

0:12:42.080 --> 0:12:46.040
<v Speaker 6>female and not whatever whatever you dope period period, and

0:12:48.600 --> 0:12:50.600
<v Speaker 6>I want y'all on it, like I want I want

0:12:50.679 --> 0:12:53.320
<v Speaker 6>y'all on it. And I think the world knows King

0:12:53.640 --> 0:12:54.440
<v Speaker 6>clearly now.

0:12:54.760 --> 0:12:55.280
<v Speaker 2>But I was.

0:12:55.400 --> 0:12:58.640
<v Speaker 6>I was honored to be like, yo, everybody, this is King,

0:12:58.840 --> 0:13:00.760
<v Speaker 6>like you know, like you know, I want you all

0:13:00.800 --> 0:13:03.439
<v Speaker 6>to shine some light on this and I want you

0:13:03.440 --> 0:13:04.400
<v Speaker 6>to write a check.

0:13:04.440 --> 0:13:05.520
<v Speaker 2>To this young lady.

0:13:05.960 --> 0:13:09.240
<v Speaker 6>Let's talk about who's wearing this hat as a producer

0:13:09.400 --> 0:13:11.280
<v Speaker 6>on my record, Like you know, it was like let's

0:13:11.360 --> 0:13:13.960
<v Speaker 6>let's let's redo it, and and it came out as

0:13:14.000 --> 0:13:16.720
<v Speaker 6>a killer song just imagine as well as I keep

0:13:16.760 --> 0:13:20.000
<v Speaker 6>it really one hundred. It's one of the rare songs

0:13:20.160 --> 0:13:23.200
<v Speaker 6>on one of my albums I did not write, if

0:13:23.240 --> 0:13:25.800
<v Speaker 6>not the very first one. Like like she wrote it,

0:13:25.800 --> 0:13:28.480
<v Speaker 6>she produced it. It was like no, like like and

0:13:28.520 --> 0:13:31.240
<v Speaker 6>I it's like it wasn't a statement. It just it's dope.

0:13:31.280 --> 0:13:33.560
<v Speaker 6>It's like listen, I don't need to write it's fire

0:13:33.640 --> 0:13:34.400
<v Speaker 6>to track fire.

0:13:34.440 --> 0:13:36.800
<v Speaker 2>I was like, this is I want this, you know

0:13:36.840 --> 0:13:37.240
<v Speaker 2>what I mean?

0:13:37.360 --> 0:13:41.280
<v Speaker 6>So uh And that she's still like still one of

0:13:41.280 --> 0:13:42.800
<v Speaker 6>my favorite producers.

0:13:42.960 --> 0:13:46.440
<v Speaker 4>Oh man, yeah, I man, I love that to death.

0:13:46.480 --> 0:13:48.680
<v Speaker 5>Like I was so happy to see them, like you know,

0:13:48.800 --> 0:13:51.439
<v Speaker 5>playing with with cold Play. It was just like what

0:13:51.480 --> 0:13:54.480
<v Speaker 5>the fuck are you kidding me? Like, I mean so

0:13:54.679 --> 0:14:01.720
<v Speaker 5>so happy for them, man, big ups the King. I

0:14:01.800 --> 0:14:04.160
<v Speaker 5>wanted to talk to you about go back to Picture

0:14:04.200 --> 0:14:08.600
<v Speaker 5>Perfect because I will never forget. At that time, it was,

0:14:08.679 --> 0:14:10.400
<v Speaker 5>you know, kind of going back to the you know,

0:14:10.559 --> 0:14:13.640
<v Speaker 5>with the label things happening, that record was about to

0:14:13.679 --> 0:14:17.360
<v Speaker 5>be out of here, and then what happened.

0:14:18.320 --> 0:14:22.120
<v Speaker 6>Uh, so we we we got distributed through E one

0:14:22.560 --> 0:14:26.440
<v Speaker 6>and that's when Shadow was there. So Shadow was like

0:14:26.480 --> 0:14:29.440
<v Speaker 6>the main radio and the main reason I think, you know,

0:14:29.480 --> 0:14:32.680
<v Speaker 6>we're going from music fan first to like, all right,

0:14:32.840 --> 0:14:35.600
<v Speaker 6>how do we follow up like these the Grammy nominations

0:14:35.600 --> 0:14:37.840
<v Speaker 6>that were losing in India, the second one I lost,

0:14:37.840 --> 0:14:42.440
<v Speaker 6>the selot shout out to Sea Lo and uh and

0:14:42.480 --> 0:14:44.120
<v Speaker 6>it was like, well, why don't we do this situation

0:14:44.280 --> 0:14:46.040
<v Speaker 6>at that point, you know, you did the record with

0:14:46.120 --> 0:14:48.800
<v Speaker 6>Anthony David and Algebra, that joint went crazy, you know

0:14:50.040 --> 0:14:52.360
<v Speaker 6>record yeah, evermore And it was like it seemed like

0:14:52.400 --> 0:14:53.080
<v Speaker 6>a good spot.

0:14:53.200 --> 0:14:53.640
<v Speaker 2>And then.

0:14:55.160 --> 0:14:57.520
<v Speaker 6>It's just once again, my whole thing is like just

0:14:57.560 --> 0:14:59.560
<v Speaker 6>stay on your path, man, Like, just stay on your path,

0:14:59.640 --> 0:15:01.480
<v Speaker 6>keep doing. And then so here we go doing this

0:15:01.520 --> 0:15:03.520
<v Speaker 6>thing because it seemed like with this Shadow and radio

0:15:03.520 --> 0:15:06.200
<v Speaker 6>and stuff like that, Shadow leaves and it just like

0:15:06.240 --> 0:15:08.800
<v Speaker 6>there was no momentum. There's no momentum, but mind you

0:15:08.840 --> 0:15:13.160
<v Speaker 6>even with that picture. Purple was a huge record for me.

0:15:13.240 --> 0:15:14.960
<v Speaker 6>It was a it was a it was a really

0:15:15.080 --> 0:15:18.760
<v Speaker 6>impactful moment to me. But it was also a moment

0:15:18.760 --> 0:15:22.360
<v Speaker 6>where I was like it really anchored us into like

0:15:22.360 --> 0:15:25.160
<v Speaker 6>like we we really don't need these other companies, like

0:15:25.280 --> 0:15:28.240
<v Speaker 6>we probably would have made Peter Purple would have probably

0:15:28.320 --> 0:15:32.760
<v Speaker 6>arguably been bigger if we just did everything ourselves. It

0:15:32.840 --> 0:15:36.479
<v Speaker 6>was completely one hundred percent ourselves, Like you know, we're

0:15:36.520 --> 0:15:38.480
<v Speaker 6>coming off this thing, and so it was the only

0:15:38.520 --> 0:15:41.320
<v Speaker 6>time where I technically had muscle, if you want to

0:15:41.360 --> 0:15:43.440
<v Speaker 6>call that muscle, and it was like if we actually

0:15:43.440 --> 0:15:47.120
<v Speaker 6>did less than what I think my my actual team

0:15:47.840 --> 0:15:50.520
<v Speaker 6>would have done, if we if we controlled the whole thing,

0:15:50.680 --> 0:15:51.960
<v Speaker 6>you know what I'm saying. But it was, like I said,

0:15:51.960 --> 0:15:53.760
<v Speaker 6>it was, it was still a I can't get off

0:15:53.840 --> 0:15:55.680
<v Speaker 6>stage without singing the song.

0:15:55.920 --> 0:15:57.480
<v Speaker 5>You know, Oh yeah, no, you ain't making it all

0:15:57.560 --> 0:15:59.080
<v Speaker 5>the building, if you know what I'm saying, that it's

0:15:59.160 --> 0:15:59.680
<v Speaker 5>not happening.

0:16:00.280 --> 0:16:03.040
<v Speaker 6>But yet when you look at like the album Afore

0:16:03.040 --> 0:16:06.760
<v Speaker 6>that which we which we put everything together for, you know,

0:16:07.040 --> 0:16:09.000
<v Speaker 6>we can't get off stage out singing, dealing. We can't

0:16:09.000 --> 0:16:11.040
<v Speaker 6>get off stage singing, you know, So certain things. So

0:16:11.400 --> 0:16:12.840
<v Speaker 6>it was one of those things where it's like, yo,

0:16:13.680 --> 0:16:15.760
<v Speaker 6>you're doing all right, like stay on your stay.

0:16:15.520 --> 0:16:16.640
<v Speaker 2>On your path, you know.

0:16:17.440 --> 0:16:22.120
<v Speaker 6>And uh, you said something not too long ago on uh,

0:16:22.880 --> 0:16:24.720
<v Speaker 6>I think you're just doing you was talking on ig

0:16:26.080 --> 0:16:28.720
<v Speaker 6>and I think you were like it never goes wrong,

0:16:29.720 --> 0:16:32.520
<v Speaker 6>like when when when it's like when it's just me

0:16:32.840 --> 0:16:36.360
<v Speaker 6>doing it, when I like when wet on yourself, it

0:16:36.440 --> 0:16:38.400
<v Speaker 6>was like it was just like it was just anchoring

0:16:38.440 --> 0:16:42.080
<v Speaker 6>in it. It's like, man, you know, I'm fine, Like

0:16:42.160 --> 0:16:45.520
<v Speaker 6>mind you. I always tell everybody completion is the most

0:16:45.560 --> 0:16:48.320
<v Speaker 6>important word in music business. It's like it's it's it.

0:16:48.680 --> 0:16:51.120
<v Speaker 6>It's the difference between who wins and who loses, you know,

0:16:51.240 --> 0:16:55.160
<v Speaker 6>my company and now we are celebrating twenty one years now.

0:16:55.120 --> 0:16:57.680
<v Speaker 4>Right talk that sh bro Yes, yes, and.

0:16:58.080 --> 0:17:02.200
<v Speaker 6>We're not celebrating it because we've we successfully did everything right,

0:17:02.360 --> 0:17:04.040
<v Speaker 6>We completed everything we tried.

0:17:04.560 --> 0:17:06.800
<v Speaker 5>Yeah, and the thing, let's be clear up something twenty

0:17:06.840 --> 0:17:08.959
<v Speaker 5>one years. So I want to make this you know,

0:17:09.000 --> 0:17:14.080
<v Speaker 5>this specification twenty one years as independent r and b

0:17:14.480 --> 0:17:18.880
<v Speaker 5>artists like people have no idea, you know, like when

0:17:19.280 --> 0:17:22.199
<v Speaker 5>when Dame Dash when he was like years you know,

0:17:22.400 --> 0:17:26.359
<v Speaker 5>decades ago, when he was like, you know, selling rap

0:17:26.520 --> 0:17:29.000
<v Speaker 5>is like selling crack, but like selling R and B

0:17:29.160 --> 0:17:32.399
<v Speaker 5>is like selling coke. It just requires a different you know,

0:17:32.440 --> 0:17:34.840
<v Speaker 5>when he was talking about you know, the Christian album

0:17:34.880 --> 0:17:37.960
<v Speaker 5>and why it didn't really go on Rockefeller and you know,

0:17:38.000 --> 0:17:40.040
<v Speaker 5>and I listen, I've never sold drugs a day of

0:17:40.040 --> 0:17:42.520
<v Speaker 5>my life. But I understood what he was saying when

0:17:42.560 --> 0:17:45.679
<v Speaker 5>I got into the business because I can be you know,

0:17:46.160 --> 0:17:48.080
<v Speaker 5>hip hop, like I'm sitting right here at my hoodie

0:17:48.080 --> 0:17:51.040
<v Speaker 5>and in like sweatpants. I can take a selfie right

0:17:51.080 --> 0:17:53.560
<v Speaker 5>now and be like this is the cover of my

0:17:53.640 --> 0:17:56.119
<v Speaker 5>new album and as long as I'm spitting on it,

0:17:56.200 --> 0:17:58.760
<v Speaker 5>like no one will care. But R and B you

0:17:58.920 --> 0:18:01.600
<v Speaker 5>do not have that at Liberty, Like the look gotta

0:18:01.600 --> 0:18:04.080
<v Speaker 5>be right, Like R and B is a money game, bro,

0:18:04.359 --> 0:18:07.640
<v Speaker 5>and to do it for twenty one years, I mean

0:18:07.720 --> 0:18:10.840
<v Speaker 5>that really is is a testament. And I want you

0:18:10.840 --> 0:18:13.000
<v Speaker 5>to speak to just the challenges of that, just so

0:18:13.359 --> 0:18:15.040
<v Speaker 5>some of our listeners and something, because we have a

0:18:15.080 --> 0:18:16.879
<v Speaker 5>lot of a lot of artists that listen to the

0:18:16.880 --> 0:18:18.639
<v Speaker 5>show and kind of tap in just for you know,

0:18:18.680 --> 0:18:21.360
<v Speaker 5>for different game. So just talk to them about your

0:18:21.720 --> 0:18:24.640
<v Speaker 5>you know, how you're able to make it work without

0:18:24.840 --> 0:18:27.119
<v Speaker 5>having that, you know, one hundred thousand or whatever to

0:18:27.119 --> 0:18:29.679
<v Speaker 5>spin on a video or just to be frivolous. You know,

0:18:29.720 --> 0:18:30.600
<v Speaker 5>how do you make that work?

0:18:30.640 --> 0:18:34.560
<v Speaker 6>I think the difference really comes down to is the

0:18:34.600 --> 0:18:37.320
<v Speaker 6>first thing that separates in R and B was quality.

0:18:37.680 --> 0:18:39.800
<v Speaker 6>So the first the first opscole we had the show

0:18:39.880 --> 0:18:42.000
<v Speaker 6>was that, yo, this is of the same quality. Right,

0:18:42.080 --> 0:18:46.760
<v Speaker 6>So immediately think acts hip hop independently or major is

0:18:46.800 --> 0:18:48.480
<v Speaker 6>to say it wasn't looked at you if you could

0:18:48.480 --> 0:18:51.760
<v Speaker 6>spit the best fire, it's cool. We accept it. With

0:18:52.119 --> 0:18:55.000
<v Speaker 6>R and B and soul music. If it wasn't a major,

0:18:55.359 --> 0:18:57.399
<v Speaker 6>you for some reason looked at it like this is

0:18:57.840 --> 0:19:00.760
<v Speaker 6>this is less, this is not effort was put in you?

0:19:00.840 --> 0:19:01.880
<v Speaker 4>Like no, no, you could tell.

0:19:02.160 --> 0:19:04.359
<v Speaker 5>You could tell, like you could always see that artists

0:19:04.359 --> 0:19:06.800
<v Speaker 5>where like, Okay, they have a major album and it's like, okay,

0:19:06.840 --> 0:19:08.840
<v Speaker 5>this is the major album. But then they get off

0:19:08.880 --> 0:19:11.399
<v Speaker 5>the major and they put out something theyself and like

0:19:11.480 --> 0:19:13.640
<v Speaker 5>the cover looked like fucking clip art.

0:19:14.240 --> 0:19:17.880
<v Speaker 4>You know what I'm saying. It sounds like just it's

0:19:17.920 --> 0:19:20.720
<v Speaker 4>just the presentation is just all the way, it's not

0:19:20.880 --> 0:19:21.840
<v Speaker 4>up the par you know.

0:19:21.840 --> 0:19:23.959
<v Speaker 6>I think I think one thing that I've been very

0:19:24.000 --> 0:19:26.800
<v Speaker 6>fortunate also, and I got to say that is that

0:19:27.560 --> 0:19:32.200
<v Speaker 6>you know, we got Drey and Vidal on records when

0:19:32.200 --> 0:19:35.360
<v Speaker 6>they're working on Usher and music and Jail and they're

0:19:35.359 --> 0:19:38.560
<v Speaker 6>working on my record. We got Rich Harrison, he's working

0:19:38.560 --> 0:19:41.520
<v Speaker 6>on Beyonce, but yeah, he's worked on my record, you

0:19:41.600 --> 0:19:43.919
<v Speaker 6>know what I mean, as well as mixed with my

0:19:44.000 --> 0:19:47.919
<v Speaker 6>brother b Jazz and and you know, just Aaron Harden

0:19:47.960 --> 0:19:51.320
<v Speaker 6>for my band. It's different people. But again, if you're dope,

0:19:51.359 --> 0:19:54.879
<v Speaker 6>you're dope, whether you're a super producer, Grammy Award, whatever,

0:19:54.960 --> 0:19:56.879
<v Speaker 6>or you just a homie I met in the house

0:19:56.920 --> 0:19:57.880
<v Speaker 6>band in Florida.

0:19:57.960 --> 0:19:59.280
<v Speaker 2>If you're dope, you're dope.

0:19:59.560 --> 0:20:02.000
<v Speaker 6>I have no no problem with working with whoever right

0:20:02.680 --> 0:20:05.600
<v Speaker 6>and but yet at the same time, it has to

0:20:05.920 --> 0:20:08.919
<v Speaker 6>has to move like that. That whole thing chasing goosebumps

0:20:08.920 --> 0:20:12.480
<v Speaker 6>means everything. Like for me, that's the only rule in

0:20:12.480 --> 0:20:15.040
<v Speaker 6>the studio. Does it give you goose bumps? But that

0:20:15.160 --> 0:20:17.240
<v Speaker 6>same thing with the album covered, the album cover gotta

0:20:17.280 --> 0:20:20.120
<v Speaker 6>make you go, oh my god, that's crazy. I wish

0:20:20.160 --> 0:20:21.879
<v Speaker 6>I thought of that all. You know, that's crazy.

0:20:21.880 --> 0:20:25.280
<v Speaker 5>You know, So the first man speaking of album covers,

0:20:25.320 --> 0:20:30.399
<v Speaker 5>I just before we cannot forget. Man, we lost a

0:20:30.720 --> 0:20:34.159
<v Speaker 5>mutual friend the past year in a Fave you know

0:20:34.160 --> 0:20:36.920
<v Speaker 5>what I'm saying. Yeah, Fave is the brother he did

0:20:36.960 --> 0:20:42.600
<v Speaker 5>to mister Nice Guy album cover. He podcaster, singer, producer.

0:20:43.240 --> 0:20:44.800
<v Speaker 5>Fave had a hot sauce.

0:20:44.640 --> 0:20:51.280
<v Speaker 4>Like Fave, y'all Renaissnce Man. He had a multi company.

0:20:51.119 --> 0:20:55.760
<v Speaker 6>Bota company, No dude was It's crazy because you know,

0:20:55.800 --> 0:20:58.040
<v Speaker 6>and it was tough. That was tough losing Fave and

0:20:58.080 --> 0:21:01.360
<v Speaker 6>we missed him truly. But he's been a graphic designer

0:21:01.400 --> 0:21:04.159
<v Speaker 6>for me. And it's crazy because like he did the

0:21:04.760 --> 0:21:06.120
<v Speaker 6>Mister Nice Guy album cover.

0:21:06.880 --> 0:21:08.480
<v Speaker 2>Uh, he designed multiple T shirts.

0:21:08.480 --> 0:21:10.840
<v Speaker 6>I put out a Christmas card every year, like a

0:21:10.880 --> 0:21:14.960
<v Speaker 6>growing Christmas card, animated christ Yeah right.

0:21:16.680 --> 0:21:16.920
<v Speaker 5>Yeah.

0:21:17.040 --> 0:21:21.199
<v Speaker 6>And then but then he also produced a music for me.

0:21:22.240 --> 0:21:26.960
<v Speaker 6>He's shot photography. I mean, he's he's won so many hats.

0:21:27.080 --> 0:21:29.800
<v Speaker 6>He's been a part of my team and as well

0:21:29.840 --> 0:21:33.440
<v Speaker 6>as the entire movement. He's won so many hats of

0:21:33.560 --> 0:21:37.280
<v Speaker 6>like like I said, whether it's the sauce he was

0:21:37.320 --> 0:21:41.640
<v Speaker 6>cooking with with a bow tie company, you know, and

0:21:41.640 --> 0:21:43.000
<v Speaker 6>and even that it was like when he made the

0:21:43.000 --> 0:21:45.720
<v Speaker 6>bow tie, like that was Demo's laying demo was the

0:21:45.720 --> 0:21:47.480
<v Speaker 6>bow tie guy, so out of respect was like, yo,

0:21:47.480 --> 0:21:50.080
<v Speaker 6>I'm pass that off the DV. You rock with that,

0:21:50.359 --> 0:21:52.600
<v Speaker 6>but the bow ties was killing, Like so he's won

0:21:52.720 --> 0:21:55.359
<v Speaker 6>so many, so many hats, and you know this is

0:21:55.840 --> 0:21:59.399
<v Speaker 6>this was tough, like you know, uh, I lost a

0:21:59.400 --> 0:22:03.840
<v Speaker 6>lot of good friends and during the pandemic that were

0:22:03.960 --> 0:22:07.560
<v Speaker 6>very intricate to like what what we do. And Fave

0:22:07.720 --> 0:22:09.879
<v Speaker 6>was one of the people. Man, we're like, you know,

0:22:09.920 --> 0:22:12.240
<v Speaker 6>this Christmas was this last Christmas was tough because guess

0:22:12.240 --> 0:22:15.399
<v Speaker 6>what he was in this Christmas card. And then as

0:22:15.400 --> 0:22:17.479
<v Speaker 6>we're going into the album and figuring out how we're

0:22:17.520 --> 0:22:19.439
<v Speaker 6>going to make the new T shirts of the graphic,

0:22:19.520 --> 0:22:20.760
<v Speaker 6>he's the first call.

0:22:20.680 --> 0:22:20.879
<v Speaker 2>You know.

0:22:21.040 --> 0:22:22.960
<v Speaker 6>And and and in a big up you know, I

0:22:22.960 --> 0:22:24.680
<v Speaker 6>will say this. I make sure I say it because

0:22:24.720 --> 0:22:27.040
<v Speaker 6>Jarell was our point person between that like Drell is

0:22:27.040 --> 0:22:29.640
<v Speaker 6>always the one who was sitting with Fades and make sure.

0:22:30.480 --> 0:22:32.399
<v Speaker 2>My wife would be happy with how she was drawing

0:22:32.520 --> 0:22:33.240
<v Speaker 2>or whatever this and.

0:22:33.200 --> 0:22:36.840
<v Speaker 6>That, you know, and and and he really, you know,

0:22:36.880 --> 0:22:39.280
<v Speaker 6>he really he really lost a partner in that way.

0:22:39.520 --> 0:22:42.800
<v Speaker 2>But Fave was a solid dude man, and.

0:22:42.400 --> 0:22:45.040
<v Speaker 4>We tried to beautiful brother man, beautiful guy.

0:22:45.040 --> 0:22:47.000
<v Speaker 6>Like that was one man, but he was one, but

0:22:47.040 --> 0:22:50.240
<v Speaker 6>he was one of the people who you know, up

0:22:50.280 --> 0:22:53.520
<v Speaker 6>two o'clock, three o'clock in the morning making slight changes

0:22:54.200 --> 0:22:56.399
<v Speaker 6>so that when people see it, they see the effort,

0:22:56.800 --> 0:22:59.000
<v Speaker 6>they see the quality. And I think at the end

0:22:59.000 --> 0:23:00.399
<v Speaker 6>of the day, it just comes down to that, like

0:23:01.040 --> 0:23:03.920
<v Speaker 6>I want you to put my album next to Whoever's album,

0:23:04.000 --> 0:23:09.199
<v Speaker 6>D'Angelo usher, whoever, faith whatever, I want you to put

0:23:09.240 --> 0:23:12.080
<v Speaker 6>against the best album that year, and whether it's better

0:23:12.200 --> 0:23:13.800
<v Speaker 6>or not, I'm not here to say it's better. I'm

0:23:13.800 --> 0:23:15.520
<v Speaker 6>here to say it's gonna be all the same quality.

0:23:15.600 --> 0:23:18.879
<v Speaker 6>Guess what, we just go with the same mics we

0:23:18.920 --> 0:23:20.880
<v Speaker 6>shot out with the same type of photographers we were.

0:23:21.000 --> 0:23:24.919
<v Speaker 6>We are investing in in our and it doesn't have

0:23:25.000 --> 0:23:27.240
<v Speaker 6>to be that it's a five hundred thousand dollars budget.

0:23:27.440 --> 0:23:30.280
<v Speaker 6>You know, guess what, We all are operating on million

0:23:30.359 --> 0:23:32.520
<v Speaker 6>dollar budgets. Whether whether you got a million dollars anb

0:23:32.560 --> 0:23:35.160
<v Speaker 6>we all putting our best foot forward. Takeile were putting

0:23:35.160 --> 0:23:38.000
<v Speaker 6>our best foot forward, you know, writing weld challenge each

0:23:38.040 --> 0:23:39.439
<v Speaker 6>other and you.

0:23:39.440 --> 0:23:41.639
<v Speaker 5>Know, I mean that was so even to the Leo.

0:23:41.880 --> 0:23:44.879
<v Speaker 5>Even that was like the way the cover art and everything.

0:23:44.920 --> 0:23:47.639
<v Speaker 5>It was just I mean that was because at the time,

0:23:47.880 --> 0:23:50.159
<v Speaker 5>you I think you were on tour or you know

0:23:50.200 --> 0:23:51.639
<v Speaker 5>where you had, you know, your kids, and then I

0:23:51.680 --> 0:23:53.800
<v Speaker 5>was on tour. So we never had a real photo

0:23:53.800 --> 0:23:56.560
<v Speaker 5>shoot for that album. We never had a photo shoot.

0:23:56.560 --> 0:23:58.719
<v Speaker 6>No, but let's find a dope picture. Let's figure out

0:23:58.760 --> 0:24:00.760
<v Speaker 6>dope way to put it together that could that could

0:24:00.800 --> 0:24:02.600
<v Speaker 6>tell a story. And to this day, I mean, it's

0:24:02.720 --> 0:24:05.280
<v Speaker 6>it's one of the it's so it's like a minimalist,

0:24:05.320 --> 0:24:08.439
<v Speaker 6>simplistic album, but it's so and you ran point more

0:24:08.520 --> 0:24:10.399
<v Speaker 6>on that one real talk, but we are from the

0:24:10.440 --> 0:24:14.639
<v Speaker 6>same place like these, uh these album covers tell a

0:24:14.760 --> 0:24:16.880
<v Speaker 6>story and there's a reason why this picture is this

0:24:16.920 --> 0:24:17.639
<v Speaker 6>way or whatever.

0:24:18.040 --> 0:24:20.280
<v Speaker 4>And yeah, that was the thing because I saw the joke.

0:24:20.320 --> 0:24:22.439
<v Speaker 5>We had the picture and I was like, all right, Well,

0:24:23.000 --> 0:24:24.960
<v Speaker 5>my whole thought was I'm like, okay, we got these

0:24:25.000 --> 0:24:27.480
<v Speaker 5>pictures of us live and they did a mock up

0:24:27.520 --> 0:24:28.640
<v Speaker 5>of us like singing.

0:24:29.160 --> 0:24:29.359
<v Speaker 2>You know.

0:24:29.520 --> 0:24:32.280
<v Speaker 4>There was some pictures from our Chicago show at the Shrine, Rest.

0:24:32.119 --> 0:24:34.919
<v Speaker 5>Of the Beasts, you know what I mean, we did

0:24:34.960 --> 0:24:39.120
<v Speaker 5>them shows at the Shrine and uh we brother it

0:24:39.160 --> 0:24:39.520
<v Speaker 5>took him.

0:24:39.520 --> 0:24:40.520
<v Speaker 4>I cannot remember his name.

0:24:40.560 --> 0:24:43.520
<v Speaker 5>Please forgive me, but I got something from him and

0:24:43.560 --> 0:24:45.199
<v Speaker 5>he had him and I was like, all right, this

0:24:45.280 --> 0:24:47.520
<v Speaker 5>is dope. And we did a couple of mock ups

0:24:47.560 --> 0:24:51.040
<v Speaker 5>with my man, my man Chris Charles and so. But

0:24:51.200 --> 0:24:56.000
<v Speaker 5>when I showed it to everyone's independent Soul and our

0:24:56.200 --> 0:24:57.919
<v Speaker 5>butter and so bounce all.

0:24:57.880 --> 0:25:00.639
<v Speaker 4>Right, but yeah, shout out, shout out to.

0:25:00.640 --> 0:25:04.680
<v Speaker 5>The buttress in red velvet, uh Susan. But I sent

0:25:04.720 --> 0:25:06.560
<v Speaker 5>her a mock up of it and she was like, Yo,

0:25:06.600 --> 0:25:08.399
<v Speaker 5>this is dope, but it looks like a live album

0:25:08.440 --> 0:25:11.440
<v Speaker 5>and I was like, oh nah, like that. So that's

0:25:11.440 --> 0:25:13.800
<v Speaker 5>when I got that there. I was like, Okay, if

0:25:13.840 --> 0:25:17.120
<v Speaker 5>I drop it down where it's just our faces like

0:25:17.560 --> 0:25:20.760
<v Speaker 5>covering over, it'll look like the King of Rock cover,

0:25:21.040 --> 0:25:23.280
<v Speaker 5>you know what I'm saying, the run DMC. And then

0:25:23.560 --> 0:25:27.119
<v Speaker 5>if we put the titles on the front with the

0:25:27.160 --> 0:25:30.320
<v Speaker 5>bar code, that's a call back to Urban Haynes Sweet.

0:25:30.840 --> 0:25:33.639
<v Speaker 5>So it's like the double It's like, that's that to

0:25:33.760 --> 0:25:36.880
<v Speaker 5>me was what Tigolo represent. I'm like, we are two

0:25:36.960 --> 0:25:39.119
<v Speaker 5>hip hop dudes, like without a doubt, but you know,

0:25:39.200 --> 0:25:42.359
<v Speaker 5>also with soul and shit worked.

0:25:43.880 --> 0:25:48.120
<v Speaker 6>But think, like I said, we're taking Run DMC and

0:25:48.160 --> 0:25:51.119
<v Speaker 6>Maxwell and put it together. That is tigolero, you know

0:25:51.160 --> 0:25:53.320
<v Speaker 6>what I'm saying. So it's like it was all it

0:25:53.400 --> 0:25:55.640
<v Speaker 6>was all playing and all well thought out. But that's

0:25:55.680 --> 0:25:58.080
<v Speaker 6>to talking about like it ain't just no, we ain't

0:25:58.119 --> 0:26:00.280
<v Speaker 6>just throwing this together. It's putting some f for a

0:26:00.359 --> 0:26:04.119
<v Speaker 6>time and like a science behind it, and it makes

0:26:04.440 --> 0:26:07.399
<v Speaker 6>it makes sense. And every album cover I've seen you do,

0:26:07.480 --> 0:26:09.520
<v Speaker 6>every song I've seen you do, it's the same effort,

0:26:09.520 --> 0:26:10.680
<v Speaker 6>and I feel like the same.

0:26:10.480 --> 0:26:14.000
<v Speaker 4>Thing we do for you. You be kicking my ass.

0:26:14.080 --> 0:26:15.720
<v Speaker 4>I'd be like, damn, Arrol got another album.

0:26:17.920 --> 0:26:20.320
<v Speaker 5>I'm like, man, you got you did? You came to

0:26:20.359 --> 0:26:22.359
<v Speaker 5>hear from here? I was like, damn, we ain't been

0:26:22.359 --> 0:26:24.359
<v Speaker 5>in the house for two months. This nigga got album already.

0:26:24.400 --> 0:26:28.479
<v Speaker 6>I'm like, damn, that's what that's Because I was scared

0:26:28.800 --> 0:26:31.280
<v Speaker 6>and I was like shows getting canceled.

0:26:31.560 --> 0:26:33.760
<v Speaker 2>I'm not going back to teaching. I'm like, what is happening.

0:26:33.840 --> 0:26:35.240
<v Speaker 2>I was like, give me the pen real quick.

0:26:35.520 --> 0:26:38.600
<v Speaker 6>Let me you know, for me, whenever, whenever I feel

0:26:38.840 --> 0:26:40.359
<v Speaker 6>I mean I mean that like.

0:26:40.960 --> 0:26:45.520
<v Speaker 2>Music for me is like my ass friend or whatever.

0:26:45.800 --> 0:26:50.880
<v Speaker 6>Like when I when Fave passed, when Paris Bowen's passed,

0:26:50.880 --> 0:26:54.520
<v Speaker 6>when Chadwick, Chadrick Boseman pay, when any of that stuff.

0:26:54.520 --> 0:26:57.800
<v Speaker 6>The first thing I did was I turned the equipment on,

0:26:58.440 --> 0:27:01.560
<v Speaker 6>you know, not like, oh, it's just that's when when

0:27:01.600 --> 0:27:03.639
<v Speaker 6>the pandemic started, I turned the equipment on. It's like,

0:27:04.040 --> 0:27:07.640
<v Speaker 6>for me, my whole view on creativity, my whole view

0:27:07.680 --> 0:27:08.840
<v Speaker 6>on art, my whole view on.

0:27:08.800 --> 0:27:09.960
<v Speaker 2>All of it is different.

0:27:10.200 --> 0:27:13.560
<v Speaker 6>And I'm a I have a album called music Fan First,

0:27:13.720 --> 0:27:16.240
<v Speaker 6>and it means I'm the fan of it first. First thing.

0:27:16.720 --> 0:27:18.760
<v Speaker 6>It's the soundtrack to my life. It's what brings me

0:27:18.840 --> 0:27:21.600
<v Speaker 6>peace and what brings me ease. So on my worst day,

0:27:21.600 --> 0:27:23.919
<v Speaker 6>I'm picking a pin up. On the worst day, I'm

0:27:23.960 --> 0:27:26.040
<v Speaker 6>picking a guitar worst day. On my best day, I'm

0:27:26.040 --> 0:27:28.320
<v Speaker 6>doing it as well. So so yeah, it's not like

0:27:28.520 --> 0:27:31.000
<v Speaker 6>I'm like I'm racing. I'm making the first pandemic album.

0:27:31.040 --> 0:27:35.239
<v Speaker 6>It's like, nah, gonna beat everybody to the punch. It

0:27:35.320 --> 0:27:36.720
<v Speaker 6>was just more like, so.

0:27:36.680 --> 0:27:40.119
<v Speaker 2>What mortgage is doing? You know who's sick? Oh my god,

0:27:41.200 --> 0:27:41.920
<v Speaker 2>let me just write.

0:27:42.040 --> 0:27:44.080
<v Speaker 6>And I just started recording, like you know what I mean,

0:27:44.600 --> 0:27:46.879
<v Speaker 6>I didn't know any anybody. It's crazy. I've done two

0:27:46.960 --> 0:27:51.800
<v Speaker 6>albums during the pandemic. But but I just couldn't start writing,

0:27:52.200 --> 0:27:52.720
<v Speaker 6>you know what I mean.

0:27:53.440 --> 0:27:55.560
<v Speaker 5>I wanted to talk to you when you speak on

0:27:55.640 --> 0:28:00.080
<v Speaker 5>as well, Man, you you know I met through you,

0:28:00.000 --> 0:28:03.600
<v Speaker 5>you know kind of you know, through you Anakin Invader Man.

0:28:04.200 --> 0:28:07.240
<v Speaker 5>These brothers are just amazing. Shout out to them, like

0:28:07.280 --> 0:28:07.760
<v Speaker 5>those my.

0:28:07.800 --> 0:28:10.359
<v Speaker 2>Guys, amazing brothers man.

0:28:10.800 --> 0:28:13.840
<v Speaker 5>Man, And you brought them on to executive produce your

0:28:13.840 --> 0:28:18.200
<v Speaker 5>new album, Lessons, which is you know again, just great record, man,

0:28:18.240 --> 0:28:20.800
<v Speaker 5>like just that, can't you know, to the top to bottom,

0:28:21.320 --> 0:28:22.560
<v Speaker 5>just always consistent.

0:28:24.040 --> 0:28:26.200
<v Speaker 4>How did you link up with them?

0:28:26.520 --> 0:28:30.600
<v Speaker 5>And what was the decision to make Lessons kind of

0:28:30.640 --> 0:28:32.000
<v Speaker 5>the first single?

0:28:33.240 --> 0:28:35.200
<v Speaker 2>So meeting them goes back a while.

0:28:35.240 --> 0:28:37.520
<v Speaker 6>And this is a lesson for people just to shoot

0:28:37.520 --> 0:28:38.320
<v Speaker 6>your shot, right.

0:28:38.400 --> 0:28:40.120
<v Speaker 2>So you know.

0:28:40.720 --> 0:28:44.240
<v Speaker 6>Now, I got three kids, and usually when I do

0:28:44.320 --> 0:28:47.320
<v Speaker 6>a show, now I'm catching the first thing smoking to

0:28:47.400 --> 0:28:50.080
<v Speaker 6>get back home, right. So a lot of times you'll

0:28:50.120 --> 0:28:52.080
<v Speaker 6>find me at the airport five o'clock in the morning,

0:28:52.640 --> 0:28:56.640
<v Speaker 6>you know, right after the show that dog tired walking

0:28:56.640 --> 0:28:58.760
<v Speaker 6>through all like a zombie, and I was at an

0:28:58.800 --> 0:29:01.000
<v Speaker 6>airport and I was just trying to stay awake. I remember,

0:29:01.040 --> 0:29:03.600
<v Speaker 6>I was just like trying not to fall asleep. So

0:29:03.680 --> 0:29:05.720
<v Speaker 6>I was like just scrolling through Instagram whatever I could

0:29:05.720 --> 0:29:08.320
<v Speaker 6>do to keep myself occupied, and I saw somebody attack

0:29:08.440 --> 0:29:12.360
<v Speaker 6>me on something and the name was Anakin Invader, and

0:29:12.400 --> 0:29:14.640
<v Speaker 6>I was like, did.

0:29:14.640 --> 0:29:17.040
<v Speaker 2>Y'all name me yourselves? After Star Wars feelings?

0:29:17.160 --> 0:29:20.240
<v Speaker 6>That's the first thing caught my attention, like like, it

0:29:20.320 --> 0:29:25.680
<v Speaker 6>isn't dar Vader, isn't Anakin. I was like, that's interesting,

0:29:25.800 --> 0:29:28.440
<v Speaker 6>so click. I clicked it because it caught my attention

0:29:29.160 --> 0:29:32.480
<v Speaker 6>and it was showing up. It was like Skywalker fighting

0:29:32.560 --> 0:29:36.600
<v Speaker 6>Darth Vader with like a hip hop beat under it,

0:29:36.640 --> 0:29:40.640
<v Speaker 6>and I was like, oh, that's dooke okay, next one,

0:29:41.400 --> 0:29:45.040
<v Speaker 6>and then it was like Princess Leiah like kissing Hans Solo.

0:29:44.880 --> 0:29:45.280
<v Speaker 2>With like.

0:29:46.720 --> 0:29:49.480
<v Speaker 6>And I was like, y'all kind of got that off,

0:29:49.680 --> 0:29:52.480
<v Speaker 6>so that's what y'all doing. And it probably like ten

0:29:53.160 --> 0:29:55.560
<v Speaker 6>like I went through that page. I probably spent like

0:29:55.560 --> 0:29:57.800
<v Speaker 6>ten minutes on that page, and then I hit them back.

0:29:57.840 --> 0:30:00.240
<v Speaker 6>I said, yo, you got my attention, what's up? And

0:30:00.280 --> 0:30:02.680
<v Speaker 6>then like before the plane could take off, I remember

0:30:02.800 --> 0:30:05.560
<v Speaker 6>like within ten minutes, it was like as if they

0:30:05.600 --> 0:30:07.240
<v Speaker 6>could see that I was looking at their page or whatever.

0:30:07.280 --> 0:30:09.280
<v Speaker 6>I don't know, but as soon as I said, you

0:30:09.320 --> 0:30:11.640
<v Speaker 6>got my attention, what's up? A dropbox link?

0:30:11.920 --> 0:30:12.200
<v Speaker 4>Clean?

0:30:12.480 --> 0:30:13.320
<v Speaker 2>It came right back.

0:30:13.800 --> 0:30:17.120
<v Speaker 5>They stay ready Like Jared Broke, he would hit me like, man,

0:30:17.120 --> 0:30:18.920
<v Speaker 5>I don't want to overwhelm you, like he would send

0:30:18.960 --> 0:30:21.560
<v Speaker 5>you a pholto with like one hundred joints, and it's just like,

0:30:21.600 --> 0:30:23.720
<v Speaker 5>bro Like those dudes are animals.

0:30:23.720 --> 0:30:24.600
<v Speaker 4>Man, love those dudes.

0:30:24.600 --> 0:30:29.120
<v Speaker 6>And I really yeah, I was like, did you just

0:30:29.120 --> 0:30:31.520
<v Speaker 6>send me a dropbox link? And then before the plane

0:30:31.520 --> 0:30:34.600
<v Speaker 6>could take off, I like open the dropbox link, downloaded it,

0:30:34.680 --> 0:30:37.240
<v Speaker 6>and I had like five songs written before the plane landed.

0:30:37.320 --> 0:30:39.400
<v Speaker 2>Like it was just like who are y'all?

0:30:39.960 --> 0:30:43.840
<v Speaker 6>And it's been a great friendship, great partnership since then.

0:30:44.200 --> 0:30:49.320
<v Speaker 6>We've been working NonStop. And they sent me the Lessons track,

0:30:50.000 --> 0:30:52.520
<v Speaker 6>which got to think at that point, I'm not even

0:30:52.560 --> 0:30:54.520
<v Speaker 6>it's not on my radar to make another album.

0:30:54.560 --> 0:30:55.400
<v Speaker 2>I just did hear from here.

0:30:55.440 --> 0:30:57.880
<v Speaker 6>I'm not even like, Okay, I'm kind of good and

0:30:57.920 --> 0:31:01.200
<v Speaker 6>we're kind of stealing the whole pandemic. But I knew

0:31:01.240 --> 0:31:04.680
<v Speaker 6>the record was like this is a special track, this

0:31:04.800 --> 0:31:09.400
<v Speaker 6>one is killing, And immediately immediately I was, yo, can't

0:31:09.440 --> 0:31:11.520
<v Speaker 6>have it, Like we write a check for it. Whatever, like,

0:31:11.560 --> 0:31:13.760
<v Speaker 6>what's up with this track? And he was like, yo,

0:31:14.000 --> 0:31:16.560
<v Speaker 6>my bad. I did send it out just all transparency.

0:31:16.600 --> 0:31:19.600
<v Speaker 6>I sent it out to like another artist first, can

0:31:19.680 --> 0:31:21.360
<v Speaker 6>we like just wait and see what they say first?

0:31:21.440 --> 0:31:23.200
<v Speaker 6>Since I just sent it them first, I didn't respect them.

0:31:23.240 --> 0:31:26.440
<v Speaker 6>I'm like, no problem, let's listen. No problem. And then

0:31:26.480 --> 0:31:29.200
<v Speaker 6>about three days later they said, we haven't heard back

0:31:29.240 --> 0:31:31.320
<v Speaker 6>from them. So if you if you still want it,

0:31:31.800 --> 0:31:35.400
<v Speaker 6>shoot your shy on. Most definitely still want it. And

0:31:35.480 --> 0:31:37.880
<v Speaker 6>I'm going down the studio right now, like I'm going

0:31:37.960 --> 0:31:41.280
<v Speaker 6>down and like before it to remove all that all doubt.

0:31:42.080 --> 0:31:44.680
<v Speaker 6>And what happened was what's interesting though, was when I

0:31:44.720 --> 0:31:47.040
<v Speaker 6>went down there. Now it's like two o'clock in the

0:31:47.080 --> 0:31:51.640
<v Speaker 6>morning of my anniversary, right and I think if I

0:31:51.760 --> 0:31:53.880
<v Speaker 6>wrote the track, if I wrote to the track the

0:31:53.920 --> 0:31:55.200
<v Speaker 6>first day they gave it to me, I don't wrote

0:31:55.200 --> 0:31:55.800
<v Speaker 6>a different song.

0:31:56.480 --> 0:31:58.400
<v Speaker 2>But I think when I went down there.

0:31:59.000 --> 0:32:01.200
<v Speaker 6>You know, it's my anniverse.

0:32:01.280 --> 0:32:03.080
<v Speaker 2>Okay man, it's still in this pandemic.

0:32:03.520 --> 0:32:06.840
<v Speaker 6>You know, lost a few friends and y'all me and

0:32:06.880 --> 0:32:09.080
<v Speaker 6>with kids every healthy parents, I was, you know, just

0:32:09.080 --> 0:32:11.200
<v Speaker 6>started thinking just that while I'm just loading everything up.

0:32:11.360 --> 0:32:12.800
<v Speaker 6>It was I was just kind of thinking. You know,

0:32:12.880 --> 0:32:15.760
<v Speaker 6>for me, I'm one who wants to figure out who

0:32:15.800 --> 0:32:17.520
<v Speaker 6>do I want to be in a song and try

0:32:17.560 --> 0:32:19.560
<v Speaker 6>to define that person as much as possible and then

0:32:19.640 --> 0:32:22.560
<v Speaker 6>just hit record. That's how like if I if I

0:32:22.600 --> 0:32:24.360
<v Speaker 6>cut out all things, I don't have to say, there's

0:32:24.360 --> 0:32:26.160
<v Speaker 6>only things left is this, and then just make it

0:32:26.240 --> 0:32:29.640
<v Speaker 6>rhyme and that's gonna be a song. And that was it,

0:32:29.720 --> 0:32:32.800
<v Speaker 6>and it just happened. I like, I had a camera

0:32:32.840 --> 0:32:35.080
<v Speaker 6>set up for some thing I did the day before

0:32:35.480 --> 0:32:37.959
<v Speaker 6>in the room and I was like, let's turn this

0:32:38.000 --> 0:32:40.560
<v Speaker 6>on and let us hit record.

0:32:41.040 --> 0:32:43.000
<v Speaker 2>God, that's a funny way showing.

0:32:43.120 --> 0:32:45.160
<v Speaker 6>And it was like after that was like and that

0:32:45.280 --> 0:32:48.560
<v Speaker 6>was really like, let's transfer this my phone, post it,

0:32:49.000 --> 0:32:50.880
<v Speaker 6>go to bed, and just go to bed.

0:32:50.920 --> 0:32:52.480
<v Speaker 2>I wasn't even like thinking nothing of.

0:32:52.400 --> 0:32:57.160
<v Speaker 6>It at all and walk up to like just what

0:32:57.680 --> 0:32:57.959
<v Speaker 6>is going?

0:32:58.400 --> 0:33:00.040
<v Speaker 2>What are you doing? What is this?

0:33:00.040 --> 0:33:00.880
<v Speaker 4>This is great?

0:33:00.960 --> 0:33:03.800
<v Speaker 6>You know, and it was like, Okay, let's uh, I

0:33:03.880 --> 0:33:04.800
<v Speaker 6>might want to finish this.

0:33:05.200 --> 0:33:07.480
<v Speaker 2>You might want to finish this up. I want to

0:33:07.520 --> 0:33:08.400
<v Speaker 2>be this one done.

0:33:08.800 --> 0:33:11.040
<v Speaker 6>And I probably went I probably went, honestly, and I

0:33:11.040 --> 0:33:13.120
<v Speaker 6>probably never said this before. I probably went to bed

0:33:13.720 --> 0:33:15.640
<v Speaker 6>kind of hesitant to post it because I was like,

0:33:16.560 --> 0:33:18.880
<v Speaker 6>I didn't look at the beautiful beauty of like how

0:33:18.920 --> 0:33:21.360
<v Speaker 6>transparent it was and how many people could relate to it.

0:33:21.720 --> 0:33:23.440
<v Speaker 6>I almost was worried a little bit that it was

0:33:23.520 --> 0:33:26.520
<v Speaker 6>kind of like a jab and like all the ex girlfriends,

0:33:26.560 --> 0:33:28.520
<v Speaker 6>which I didn't want it to be everyone who let

0:33:28.560 --> 0:33:30.640
<v Speaker 6>me down led me to you. But it is true.

0:33:30.680 --> 0:33:33.160
<v Speaker 6>I mean, guess what, every failed record deal, every everything

0:33:33.200 --> 0:33:36.600
<v Speaker 6>that happened in my life had to have happened for

0:33:36.640 --> 0:33:39.000
<v Speaker 6>me to have the kids here, you know what I mean.

0:33:39.120 --> 0:33:41.840
<v Speaker 6>It wasn't really like a you know, guess what. I

0:33:41.880 --> 0:33:43.280
<v Speaker 6>had to do that for you for you to be

0:33:43.280 --> 0:33:46.680
<v Speaker 6>where you at too. And uh but I kind of

0:33:46.760 --> 0:33:48.200
<v Speaker 6>I think that was my last thought of the night.

0:33:48.280 --> 0:33:51.520
<v Speaker 2>Was kind of like tomorrow changed that line because that

0:33:51.600 --> 0:33:55.440
<v Speaker 2>was a little a little heavy, you know.

0:33:55.600 --> 0:33:57.320
<v Speaker 6>But then when I woke up the next day and

0:33:57.360 --> 0:34:01.480
<v Speaker 6>I was like, this is my song and I was like, yeah,

0:34:01.480 --> 0:34:08.240
<v Speaker 6>we're not changing that line. Had to eat that one.

0:34:10.000 --> 0:34:10.319
<v Speaker 2>Ben you.

0:34:10.360 --> 0:34:11.840
<v Speaker 5>We was laughing about this the other day on the

0:34:11.880 --> 0:34:15.280
<v Speaker 5>phone with Jared from Any Innovader.

0:34:15.760 --> 0:34:17.520
<v Speaker 4>He described us.

0:34:17.600 --> 0:34:20.799
<v Speaker 5>He was like, yeah, working with y'all man, he was like, Arrow,

0:34:21.760 --> 0:34:22.960
<v Speaker 5>he's a show pony, but.

0:34:22.920 --> 0:34:23.759
<v Speaker 2>You a racehorse.

0:34:26.160 --> 0:34:29.000
<v Speaker 5>I was like, dude, that is so fucking I was like,

0:34:29.960 --> 0:34:32.959
<v Speaker 5>our dynamic, that's that's our dynamic. That is out that

0:34:33.360 --> 0:34:35.799
<v Speaker 5>like arrow, Like he's gonna show up, he's gonna be

0:34:35.920 --> 0:34:38.799
<v Speaker 5>dressed to the fucking nines, Like he's gonna have the

0:34:38.920 --> 0:34:41.080
<v Speaker 5>hat like you know, just you know, And that was

0:34:41.120 --> 0:34:43.000
<v Speaker 5>the thing I will say. I know, just I picked

0:34:43.040 --> 0:34:44.680
<v Speaker 5>up from you just kind of you know, going out

0:34:44.719 --> 0:34:47.799
<v Speaker 5>on tour and just watching you. You know, everywhere you go,

0:34:47.960 --> 0:34:50.239
<v Speaker 5>you always look like Eric Robson. You know what I'm saying,

0:34:50.719 --> 0:34:54.239
<v Speaker 5>Always like dressed to the nines is always if if

0:34:54.880 --> 0:34:56.640
<v Speaker 5>we damn Chick fil A, you know what I'm saying,

0:34:56.719 --> 0:34:58.520
<v Speaker 5>a chow can breakout, I'm gonna be ready to give

0:34:58.560 --> 0:35:01.160
<v Speaker 5>a show. And you know, and that was just something

0:35:01.200 --> 0:35:03.000
<v Speaker 5>that was always you with me. I'm just like, look,

0:35:03.000 --> 0:35:05.200
<v Speaker 5>I'm showing up. The day of the race. Showed me

0:35:05.200 --> 0:35:07.759
<v Speaker 5>who ass I'm beating. I'm running my race. I'm beating

0:35:07.760 --> 0:35:09.640
<v Speaker 5>your niggas ass, and I'm going home. I'm not staying

0:35:09.680 --> 0:35:11.839
<v Speaker 5>after for autographs. I don't want to talk about the race,

0:35:12.520 --> 0:35:15.000
<v Speaker 5>like I don't want to. I did my job, you

0:35:15.040 --> 0:35:15.399
<v Speaker 5>know what I mean.

0:35:16.800 --> 0:35:19.719
<v Speaker 2>You know what's funny even talking about that our shows.

0:35:20.040 --> 0:35:22.800
<v Speaker 6>You're actually right, I got a hat on a suit,

0:35:22.960 --> 0:35:24.880
<v Speaker 6>a blazer at least or something like that, and you

0:35:24.960 --> 0:35:26.600
<v Speaker 6>have on a black hoodie and it worked.

0:35:27.520 --> 0:35:29.520
<v Speaker 2>It worked. It wasn't like, well, why he got a

0:35:29.560 --> 0:35:30.560
<v Speaker 2>suit on one? He got a hook?

0:35:30.840 --> 0:35:34.560
<v Speaker 6>It actually no when you see the pictures, it works,

0:35:34.840 --> 0:35:37.440
<v Speaker 6>I guess. But it's like that, that might be that,

0:35:37.560 --> 0:35:41.959
<v Speaker 6>that might be. The next album is like the race course.

0:35:42.280 --> 0:35:43.120
<v Speaker 6>That's all I do.

0:35:43.200 --> 0:35:44.960
<v Speaker 2>Take a fist. I gotta be a bag on pony,

0:35:45.200 --> 0:35:45.680
<v Speaker 2>you know what I'm.

0:35:45.560 --> 0:35:49.880
<v Speaker 4>Saying, Hey, what's on shared? Right? Right? Why can't I

0:35:49.960 --> 0:35:52.560
<v Speaker 4>be a thoroughbred? Respect on my name?

0:35:53.640 --> 0:35:56.520
<v Speaker 2>I need to be I'll be it.

0:35:57.000 --> 0:35:59.680
<v Speaker 6>But but but once again you're talking about too you

0:35:59.680 --> 0:36:03.399
<v Speaker 6>know three because Anakin Evader is actually a three three group,

0:36:03.400 --> 0:36:08.359
<v Speaker 6>absolutely solid brothers man, solid solid brothers, life changing man.

0:36:08.400 --> 0:36:11.719
<v Speaker 6>Once again, you know, we can go on here and

0:36:11.760 --> 0:36:13.520
<v Speaker 6>talk about so many amazing people we talk about and

0:36:13.520 --> 0:36:15.399
<v Speaker 6>we're gonna miss so many names. And I apologize because

0:36:15.400 --> 0:36:18.120
<v Speaker 6>I work with so many great people. But definitely, you know,

0:36:18.840 --> 0:36:22.040
<v Speaker 6>meeting those guys, it has, it's definitely made me.

0:36:22.080 --> 0:36:24.239
<v Speaker 2>Better, you know what I mean, Definitely made me back

0:36:24.280 --> 0:36:27.399
<v Speaker 2>wise and I really do. Yeah.

0:36:27.520 --> 0:36:30.040
<v Speaker 5>Lastly, man, I wanted to just touch on because this

0:36:30.160 --> 0:36:32.520
<v Speaker 5>is something that me and you we talk about, you know,

0:36:32.560 --> 0:36:34.799
<v Speaker 5>from time to time, but just like you know, just

0:36:34.840 --> 0:36:37.680
<v Speaker 5>for our listeners, just man, I just want to talk

0:36:37.719 --> 0:36:40.680
<v Speaker 5>about just you know, how you balance just like I mean,

0:36:40.680 --> 0:36:42.839
<v Speaker 5>you have three boys, you know what I'm saying.

0:36:42.880 --> 0:36:44.040
<v Speaker 4>I mean I have two boys, My boys.

0:36:44.040 --> 0:36:45.719
<v Speaker 5>I mean they're you know older now my boys are

0:36:45.760 --> 0:36:48.840
<v Speaker 5>twenty one and sixteen, so yeah, they but but you

0:36:48.920 --> 0:36:51.440
<v Speaker 5>have like, you know, young kids, and uh, I.

0:36:51.360 --> 0:36:53.080
<v Speaker 4>Just wanted to, you know, talk to me about like how.

0:36:52.920 --> 0:36:56.080
<v Speaker 5>Do you you know, balance you know, being in business

0:36:56.080 --> 0:37:00.960
<v Speaker 5>for yourself and you know, being a husband, being good

0:37:01.000 --> 0:37:03.799
<v Speaker 5>a father and and not just being a husband father

0:37:03.880 --> 0:37:05.960
<v Speaker 5>and just like I just pay for shit and you know,

0:37:06.040 --> 0:37:09.280
<v Speaker 5>go to my the basement, but you know, actually being present,

0:37:09.520 --> 0:37:12.200
<v Speaker 5>you know in you know, being present for your family

0:37:12.360 --> 0:37:12.960
<v Speaker 5>in that way.

0:37:13.920 --> 0:37:15.319
<v Speaker 4>How do you manage that?

0:37:16.880 --> 0:37:17.080
<v Speaker 2>You know?

0:37:17.280 --> 0:37:20.200
<v Speaker 6>First, you know, it's funny, my whole theory on balance

0:37:20.680 --> 0:37:23.160
<v Speaker 6>is different, right, Like the fact there's like I don't

0:37:23.320 --> 0:37:25.440
<v Speaker 6>there is no balance right.

0:37:25.640 --> 0:37:28.239
<v Speaker 2>Right, It's like how do you balance it? Right? For me?

0:37:30.160 --> 0:37:32.280
<v Speaker 6>We talk about the word process, right, so I practice

0:37:32.320 --> 0:37:35.080
<v Speaker 6>this thing called process over product. Like everything is, it

0:37:35.120 --> 0:37:37.640
<v Speaker 6>is connected to the process, this very conversation we have

0:37:37.800 --> 0:37:41.319
<v Speaker 6>right now. I can't worry about how many listeners will have,

0:37:41.520 --> 0:37:43.520
<v Speaker 6>or how in tune would people be, or was it

0:37:43.520 --> 0:37:45.120
<v Speaker 6>a great interview or whatever. I could just be that,

0:37:45.239 --> 0:37:47.280
<v Speaker 6>you know, I'm talking to my brother, and how connected

0:37:47.320 --> 0:37:50.160
<v Speaker 6>can I be in this conversation. The same way as songwriting,

0:37:50.640 --> 0:37:53.680
<v Speaker 6>you know, it's probably strengthened through songwriters, strengthened through music.

0:37:53.680 --> 0:37:54.960
<v Speaker 6>Every time I sit down to write a song, I

0:37:54.960 --> 0:37:56.680
<v Speaker 6>can't think about the last song. I can't think about

0:37:56.719 --> 0:37:58.719
<v Speaker 6>the successes or the failures. I can only think about

0:37:58.719 --> 0:37:59.239
<v Speaker 6>what I'm doing.

0:37:59.480 --> 0:38:01.799
<v Speaker 5>Yo, Bro, that's so crazy you say that. That's the

0:38:01.880 --> 0:38:04.000
<v Speaker 5>same thing. Like I take that. It was like a

0:38:04.040 --> 0:38:06.399
<v Speaker 5>my football coach in high school. He was like, you know, look,

0:38:06.520 --> 0:38:09.400
<v Speaker 5>you gotta have a bad memory. Like talk about quarterbacks.

0:38:09.400 --> 0:38:11.320
<v Speaker 5>He was like, quarterback, you gotta have a bad memory

0:38:11.320 --> 0:38:12.960
<v Speaker 5>to be a quarterback. You know what I'm saying. If

0:38:13.120 --> 0:38:16.879
<v Speaker 5>you can't think about if you fumbled on second down, hey,

0:38:16.880 --> 0:38:18.120
<v Speaker 5>look bro, that shit over it.

0:38:18.239 --> 0:38:20.080
<v Speaker 4>You know you got another down.

0:38:19.920 --> 0:38:23.000
<v Speaker 6>But you also can't think about the touchdown. You can't, right,

0:38:23.080 --> 0:38:25.000
<v Speaker 6>you can't think these of it. You got to think

0:38:25.000 --> 0:38:27.279
<v Speaker 6>about the play you're doing and just put all the

0:38:27.320 --> 0:38:29.120
<v Speaker 6>confidence that it will work out, whether it will or

0:38:29.160 --> 0:38:30.880
<v Speaker 6>will not, that's product, right.

0:38:30.719 --> 0:38:32.080
<v Speaker 4>Because that's the only play you got.

0:38:32.239 --> 0:38:34.520
<v Speaker 6>It's only play you got this very second, right now,

0:38:34.560 --> 0:38:36.400
<v Speaker 6>this minute we talking right now, this is this is

0:38:36.440 --> 0:38:39.440
<v Speaker 6>the only minute right The next MANU ain't guaranteed in

0:38:39.440 --> 0:38:41.920
<v Speaker 6>any forum fashion. So why not just trust this minute

0:38:41.920 --> 0:38:44.920
<v Speaker 6>that we in right now, right like, enjoy the sixty seconds.

0:38:45.239 --> 0:38:48.520
<v Speaker 6>So for me, now, process over product transfers to different

0:38:48.520 --> 0:38:50.680
<v Speaker 6>things that how do I practice process or a product

0:38:50.680 --> 0:38:53.920
<v Speaker 6>with my marriage? How do I practice processing product over

0:38:54.000 --> 0:38:57.440
<v Speaker 6>product in my as a parent? Who are friendships or whatever?

0:38:57.680 --> 0:39:00.680
<v Speaker 6>So guess what I mean, really what I tour schedule,

0:39:00.719 --> 0:39:02.920
<v Speaker 6>with our teaching schedule, with our studio schedule, with all

0:39:02.920 --> 0:39:05.480
<v Speaker 6>that stuff like that. I mean I respectfully to say

0:39:05.480 --> 0:39:08.560
<v Speaker 6>that there's not enough time to be the best friend

0:39:08.560 --> 0:39:11.960
<v Speaker 6>to every friend. I have to really be the best father, debate,

0:39:12.040 --> 0:39:13.960
<v Speaker 6>best husband. I'm gonna try my best to be that.

0:39:14.080 --> 0:39:16.840
<v Speaker 6>What it is is really how connected can I be

0:39:16.960 --> 0:39:18.480
<v Speaker 6>with you in the time that we have?

0:39:19.600 --> 0:39:19.799
<v Speaker 2>Right?

0:39:20.239 --> 0:39:22.280
<v Speaker 6>So if I only have an hour in the studio,

0:39:22.480 --> 0:39:24.640
<v Speaker 6>can I get lost in the studio for fifty nine minutes.

0:39:24.680 --> 0:39:26.680
<v Speaker 6>I can't walk in the studio going damn money, got

0:39:26.680 --> 0:39:30.919
<v Speaker 6>an hour time. It's like, no, I'm gonna kill this hour.

0:39:31.000 --> 0:39:33.200
<v Speaker 6>I got in here and the same same thing as

0:39:33.239 --> 0:39:35.680
<v Speaker 6>I go upstairs, and I know I'm leaving on Friday,

0:39:36.040 --> 0:39:37.400
<v Speaker 6>but you know, I can play with the kids all

0:39:37.440 --> 0:39:39.960
<v Speaker 6>day day. Let's just get lost, Like how much can

0:39:40.000 --> 0:39:41.880
<v Speaker 6>I can't worry if you're gonna be a doctor or

0:39:42.120 --> 0:39:43.040
<v Speaker 6>this and that, this and that.

0:39:44.320 --> 0:39:46.280
<v Speaker 2>What's crazy? Literally from this podcast.

0:39:46.400 --> 0:39:49.320
<v Speaker 6>Just before I came here to do this podcast, my

0:39:49.440 --> 0:39:52.560
<v Speaker 6>kids are on spring break, and I was like, man, today,

0:39:52.680 --> 0:39:55.200
<v Speaker 6>today's busy, right, and it Wednesday's busy, and this is

0:39:55.400 --> 0:39:58.440
<v Speaker 6>I looked at the schedule. So yesterday, like I was

0:39:58.440 --> 0:40:00.759
<v Speaker 6>just telling my wife, I said, I'm just taking the kids.

0:40:00.760 --> 0:40:04.040
<v Speaker 6>We going to Pokonos. So I just grabbed them, throwing

0:40:04.120 --> 0:40:06.560
<v Speaker 6>the car. We just balled out for like twenty four hours.

0:40:06.600 --> 0:40:09.319
<v Speaker 6>Just went to a water park and just kids. Stayed

0:40:09.400 --> 0:40:11.279
<v Speaker 6>up till like four o'clock in the morning, got up,

0:40:11.440 --> 0:40:13.960
<v Speaker 6>got went back in the water, literally got out the water,

0:40:14.680 --> 0:40:17.120
<v Speaker 6>put clothes on, and drove back here just to get

0:40:17.120 --> 0:40:19.640
<v Speaker 6>on this microphone and talk talk with you. And it's

0:40:19.680 --> 0:40:21.400
<v Speaker 6>like Yo, guess well, we only had twenty four hours,

0:40:21.440 --> 0:40:24.000
<v Speaker 6>but guess what, we just gonna ball out for twenty

0:40:24.040 --> 0:40:26.560
<v Speaker 6>four hours. And that's balance is how much can you

0:40:26.640 --> 0:40:28.120
<v Speaker 6>be in tune with what time you have?

0:40:28.920 --> 0:40:29.240
<v Speaker 2>Right?

0:40:29.320 --> 0:40:33.560
<v Speaker 4>So yeah, no, I know I completely relate to that.

0:40:34.360 --> 0:40:36.440
<v Speaker 5>I kind of look at it like, you know, to

0:40:36.480 --> 0:40:39.719
<v Speaker 5>your point, when people think of balance, they think of

0:40:39.920 --> 0:40:42.359
<v Speaker 5>just like, oh, I have the exact amount of time

0:40:42.400 --> 0:40:43.680
<v Speaker 5>to do this and the exact amount.

0:40:44.440 --> 0:40:44.719
<v Speaker 2>To me.

0:40:45.200 --> 0:40:47.319
<v Speaker 5>In my career, balance has always kind of been more

0:40:47.360 --> 0:40:52.040
<v Speaker 5>so an oscillation between two extremes, right, So, like when

0:40:52.040 --> 0:40:54.799
<v Speaker 5>I'm locked in the studio, like like when we was Tickilero, right,

0:40:54.840 --> 0:40:56.319
<v Speaker 5>it's like, Okay, I'm locked in.

0:40:56.960 --> 0:40:59.480
<v Speaker 4>I just have to It's the.

0:40:59.400 --> 0:41:02.680
<v Speaker 5>Word that just my mind always is just surrender, Like yeah,

0:41:02.719 --> 0:41:04.719
<v Speaker 5>I just have to just surrender. It's like, bro, this

0:41:04.760 --> 0:41:06.560
<v Speaker 5>is not gonna make no sense. I'm about to be

0:41:06.719 --> 0:41:10.120
<v Speaker 5>up for like you know, thirty six hours. I'm about

0:41:10.160 --> 0:41:11.880
<v Speaker 5>to like my sleep sched's about to be shit. I'm

0:41:11.880 --> 0:41:14.120
<v Speaker 5>about to eat like shit for like a month, Like

0:41:14.239 --> 0:41:16.319
<v Speaker 5>you just know. It's just like there's no run, Like

0:41:16.400 --> 0:41:18.400
<v Speaker 5>if you try to make sense of this shit, you're lost.

0:41:18.840 --> 0:41:21.720
<v Speaker 5>So you just got to give in. But then once

0:41:21.760 --> 0:41:23.839
<v Speaker 5>the record is done, and once the work is done,

0:41:24.440 --> 0:41:27.080
<v Speaker 5>now for the next you know, month, for the next

0:41:27.080 --> 0:41:30.040
<v Speaker 5>two months, I'm just playing PS five and that's it,

0:41:30.120 --> 0:41:32.440
<v Speaker 5>you know what I mean. So you kind of have

0:41:32.600 --> 0:41:35.640
<v Speaker 5>those you know, those kind of two extremes, And that

0:41:35.760 --> 0:41:38.279
<v Speaker 5>has been the closest I've been able, you know, to

0:41:38.280 --> 0:41:40.719
<v Speaker 5>get to balance. You know, that makes you know, the

0:41:40.719 --> 0:41:43.160
<v Speaker 5>most sense for my life. But I've always been curious

0:41:43.200 --> 0:41:44.719
<v Speaker 5>as to how you you manage it with all the

0:41:44.719 --> 0:41:45.520
<v Speaker 5>things you have going on.

0:41:46.000 --> 0:41:48.879
<v Speaker 6>What I'll tell you is that music, and I say

0:41:48.960 --> 0:41:51.520
<v Speaker 6>art in general, is the most selfish thing I've ever

0:41:51.800 --> 0:41:54.880
<v Speaker 6>seen in my life. Music wants everything out of you.

0:41:55.040 --> 0:41:58.320
<v Speaker 6>It wants to brother everything, It wants all your time

0:41:58.520 --> 0:41:59.600
<v Speaker 6>in a moment that like.

0:41:59.680 --> 0:42:01.960
<v Speaker 4>And it will test you in every way.

0:42:04.960 --> 0:42:07.520
<v Speaker 6>Guess what the biggest, the biggest show offer you're gonna

0:42:07.520 --> 0:42:11.040
<v Speaker 6>have every year is your kids on kid's birthday, the

0:42:11.080 --> 0:42:13.319
<v Speaker 6>biggest you know, the promoter's gonna call you with that

0:42:13.520 --> 0:42:14.719
<v Speaker 6>bag of bags.

0:42:15.160 --> 0:42:15.960
<v Speaker 2>It's gonna be your.

0:42:15.960 --> 0:42:19.480
<v Speaker 6>Kid's birthday, on your anniversary or some like the first three, right,

0:42:19.760 --> 0:42:22.360
<v Speaker 6>you know, it's like, you know, our wives already accept

0:42:22.440 --> 0:42:24.719
<v Speaker 6>Valentine's Day, Go get that money, go get that right,

0:42:24.800 --> 0:42:25.160
<v Speaker 6>right right?

0:42:25.880 --> 0:42:28.680
<v Speaker 2>But like why does the show always have to land

0:42:28.680 --> 0:42:29.960
<v Speaker 2>on their birthday? Right?

0:42:30.640 --> 0:42:33.759
<v Speaker 4>Or Christmas Eve, New Year's like any of the.

0:42:34.480 --> 0:42:36.600
<v Speaker 6>Yeah, it's like, but that's the take. Are you gonna

0:42:36.600 --> 0:42:37.919
<v Speaker 6>take it? Are you gonna take the show?

0:42:38.160 --> 0:42:38.839
<v Speaker 2>You? You know what I mean?

0:42:38.880 --> 0:42:41.520
<v Speaker 6>And it's like, but that's that's this that's this craft

0:42:41.560 --> 0:42:43.320
<v Speaker 6>and it and like as soon as I'm supposed to

0:42:43.360 --> 0:42:45.880
<v Speaker 6>turn the equipment off and go upstairs and kind of

0:42:45.960 --> 0:42:48.160
<v Speaker 6>check in, here's the next idea pops in your head,

0:42:48.160 --> 0:42:50.239
<v Speaker 6>You're like, oh my god, that's a crazy idea, and

0:42:50.280 --> 0:42:51.160
<v Speaker 6>then you turn it equipment.

0:42:51.200 --> 0:42:53.239
<v Speaker 2>So it's like it is the most but you know.

0:42:53.520 --> 0:42:56.040
<v Speaker 5>Because it's elusive, like I think like when you you know,

0:42:56.080 --> 0:42:58.520
<v Speaker 5>when you say like because I bro I feel you

0:42:58.600 --> 0:43:00.880
<v Speaker 5>like when you bought to go to bed. And you know,

0:43:00.960 --> 0:43:03.000
<v Speaker 5>Quincy Jones is like he thought we had him on

0:43:03.000 --> 0:43:05.200
<v Speaker 5>the show like years ago, and he was talking about

0:43:05.239 --> 0:43:07.879
<v Speaker 5>just kind of that alpha state, you know he calls

0:43:07.920 --> 0:43:10.319
<v Speaker 5>the alpha state when your mind is just you know,

0:43:10.360 --> 0:43:13.560
<v Speaker 5>it's three four in the morning and you're not thinking,

0:43:13.760 --> 0:43:16.040
<v Speaker 5>you're just doing, you're just existing.

0:43:16.360 --> 0:43:17.480
<v Speaker 4>And so it's like you.

0:43:17.400 --> 0:43:19.520
<v Speaker 5>Know that four in the morning where you have that time,

0:43:19.600 --> 0:43:22.200
<v Speaker 5>and it's like, man, I really know. I know I

0:43:22.200 --> 0:43:24.040
<v Speaker 5>got to get up and be in the car pool

0:43:24.080 --> 0:43:25.160
<v Speaker 5>line in three hours.

0:43:25.239 --> 0:43:28.640
<v Speaker 4>But if I go to sleep, I could lose this.

0:43:28.520 --> 0:43:30.840
<v Speaker 5>Moment and I'll never be able to recapture it, you

0:43:30.920 --> 0:43:33.960
<v Speaker 5>know what I'm saying. And it's just it's that elusive

0:43:34.080 --> 0:43:36.520
<v Speaker 5>thing that you're chasing, and so when you catch it,

0:43:36.520 --> 0:43:39.839
<v Speaker 5>it's just like, yeah, it's like catching a fucking shooting star.

0:43:39.920 --> 0:43:41.319
<v Speaker 5>You're like, man, I just got to hold onto this,

0:43:41.520 --> 0:43:42.719
<v Speaker 5>you know what I mean, and keep some of this

0:43:42.800 --> 0:43:43.640
<v Speaker 5>magic for myself.

0:43:44.080 --> 0:43:46.360
<v Speaker 6>So I'm gonna tell you what's interesting. This is what

0:43:46.480 --> 0:43:49.319
<v Speaker 6>I like, I said, my whole few on creativity is

0:43:49.320 --> 0:43:56.440
<v Speaker 6>different now and I'm one now where I can I

0:43:56.440 --> 0:43:59.719
<v Speaker 6>can turn the equipment off in that moment, right, And

0:43:59.760 --> 0:44:02.880
<v Speaker 6>it's more because I'm at the realization now and I

0:44:02.920 --> 0:44:04.680
<v Speaker 6>feel like truth be told. And I say this before

0:44:04.760 --> 0:44:06.480
<v Speaker 6>we say this statement, I feel like my pen is

0:44:06.480 --> 0:44:08.880
<v Speaker 6>stronger than ever right now, right, I feel like that

0:44:09.120 --> 0:44:14.520
<v Speaker 6>it's our connection whatever. But creativity is often some we

0:44:14.600 --> 0:44:18.480
<v Speaker 6>treated like a best friend we don't deserve, right, So

0:44:18.680 --> 0:44:20.359
<v Speaker 6>in a moment where we should turn the equipment off

0:44:20.400 --> 0:44:22.960
<v Speaker 6>and go upstairs, it's like when it shows up, we're like,

0:44:23.040 --> 0:44:24.000
<v Speaker 6>oh my god, you showed up.

0:44:24.600 --> 0:44:28.000
<v Speaker 2>Help my wife, help my kids, right right right, Creativity,

0:44:28.160 --> 0:44:30.040
<v Speaker 2>come come on in, come on in, have see have

0:44:30.080 --> 0:44:33.000
<v Speaker 2>a see what you gotta tell me, you know. And

0:44:33.040 --> 0:44:33.719
<v Speaker 2>that's how it was.

0:44:33.760 --> 0:44:36.760
<v Speaker 6>Like I was probably that way for like the seventy

0:44:36.800 --> 0:44:38.879
<v Speaker 6>five percent of my life, Like I would, I would

0:44:38.960 --> 0:44:40.880
<v Speaker 6>leave the Christmas table, I would leave the middle of

0:44:40.880 --> 0:44:46.759
<v Speaker 6>making love. Wow, idea pops in like you know, softest Lips.

0:44:46.800 --> 0:44:49.560
<v Speaker 6>I can say now like softest Lips happened, like the song,

0:44:49.640 --> 0:44:52.160
<v Speaker 6>the idea of the song happened while kissing somebody and

0:44:52.200 --> 0:44:55.040
<v Speaker 6>I stopped. I remember, like I stopped doing what I

0:44:55.120 --> 0:44:56.759
<v Speaker 6>was doing to write the song.

0:44:57.080 --> 0:44:59.919
<v Speaker 4>You know, and it's never been devoted there gro.

0:45:00.880 --> 0:45:05.480
<v Speaker 2>Look coming you have wants to be that devoted, you know.

0:45:06.160 --> 0:45:08.840
<v Speaker 6>But but what happens is like yo, but we have

0:45:08.920 --> 0:45:12.120
<v Speaker 6>to realize that creativity needs us just like it needs

0:45:12.719 --> 0:45:15.160
<v Speaker 6>we need it. And like Quincy Jones was so worried

0:45:15.160 --> 0:45:17.640
<v Speaker 6>over what was it? Was it Michael Jackson, Prince said

0:45:17.960 --> 0:45:20.279
<v Speaker 6>he couldn't leave the creativity alone because he was worried

0:45:20.320 --> 0:45:23.880
<v Speaker 6>they would go visit Michael Jackson, Right, So yeah, but

0:45:23.960 --> 0:45:27.799
<v Speaker 6>I'm I'm I'm satisfied with now telling creativity.

0:45:28.400 --> 0:45:30.040
<v Speaker 2>I'm busy right now. Can you come back?

0:45:30.440 --> 0:45:33.480
<v Speaker 6>That sounds crazy, That sounds crazy, but it's almost the

0:45:33.480 --> 0:45:35.680
<v Speaker 6>same thing of like if.

0:45:35.560 --> 0:45:37.680
<v Speaker 4>You confidence, it sounds it sounds like confidence, but.

0:45:37.719 --> 0:45:40.640
<v Speaker 2>It's confidence, it's trust. Right. So it's like, I'll give

0:45:40.640 --> 0:45:41.480
<v Speaker 2>you the anledgy of this.

0:45:42.239 --> 0:45:44.359
<v Speaker 6>If you called me and I was like, let's say

0:45:44.400 --> 0:45:46.719
<v Speaker 6>I'm in the middle of just like a super game

0:45:46.760 --> 0:45:48.839
<v Speaker 6>with my kids right now, and you called me, was like, Yo,

0:45:48.920 --> 0:45:50.279
<v Speaker 6>I need to rap with your minute. I was like, Yo,

0:45:50.480 --> 0:45:53.080
<v Speaker 6>all right, hold up, I'm give me two seconds. I'm

0:45:53.120 --> 0:45:55.200
<v Speaker 6>in this crazy battle with my kids and this that

0:45:55.320 --> 0:45:57.120
<v Speaker 6>we having fun whatever whatever, or we are the pool.

0:45:57.200 --> 0:46:00.399
<v Speaker 6>Let's say we're the pool. Give a couple hours. I'm

0:46:00.400 --> 0:46:01.759
<v Speaker 6>gonna call you back, you know what I mean?

0:46:01.960 --> 0:46:02.360
<v Speaker 4>Like cool?

0:46:02.440 --> 0:46:02.760
<v Speaker 2>Cool?

0:46:03.080 --> 0:46:04.560
<v Speaker 6>And then we come in the pool or whatever whatever,

0:46:04.600 --> 0:46:07.279
<v Speaker 6>And I call you back three hours later and I'm like, Yo,

0:46:07.400 --> 0:46:07.799
<v Speaker 6>so what's up?

0:46:07.840 --> 0:46:09.960
<v Speaker 2>And You're like, man, I can't even remb what I

0:46:10.000 --> 0:46:13.799
<v Speaker 2>was what I was calling you about, right, But I

0:46:13.800 --> 0:46:16.080
<v Speaker 2>was like, oh, that's cool. What's you up to now?

0:46:16.120 --> 0:46:18.560
<v Speaker 6>First of all, just knowing you and we friends and

0:46:18.600 --> 0:46:21.359
<v Speaker 6>we have talked we've chopped it up, We've had deep,

0:46:21.440 --> 0:46:25.120
<v Speaker 6>deep conversations because of who we are for each other,

0:46:25.719 --> 0:46:28.480
<v Speaker 6>that next conversation might not be what you initially called it.

0:46:28.560 --> 0:46:34.040
<v Speaker 6>It's gonna be great to the problem is we go

0:46:34.120 --> 0:46:36.359
<v Speaker 6>into it like the quarterbacks still thinking about the last

0:46:36.360 --> 0:46:37.560
<v Speaker 6>touchdown or last interception.

0:46:37.640 --> 0:46:40.000
<v Speaker 2>So I'm so worried about, like, can you remember what

0:46:40.040 --> 0:46:42.839
<v Speaker 2>you was gonna tell me? I can't lose it, lose it.

0:46:43.000 --> 0:46:45.799
<v Speaker 6>That we not being natural, We're not treating creativity like

0:46:45.840 --> 0:46:47.360
<v Speaker 6>it really it just wants to be invited.

0:46:47.400 --> 0:46:49.239
<v Speaker 2>It just want to kick it, you know what I mean.

0:46:49.360 --> 0:46:52.640
<v Speaker 6>So it's like, allow creativity to show up and be

0:46:52.760 --> 0:46:55.879
<v Speaker 6>what it's gonna be, and guess what. Sometimes it's gonna

0:46:56.000 --> 0:46:58.560
<v Speaker 6>we already know. Listen, Sometimes it's gonna be great. Sometimes

0:46:58.560 --> 0:47:01.000
<v Speaker 6>it's not. How many times that we've written a song

0:47:01.040 --> 0:47:02.600
<v Speaker 6>and thought it was this is the one. I'm buying

0:47:02.600 --> 0:47:06.960
<v Speaker 6>my Bentley, I'm paying my mama house there, and it's

0:47:07.000 --> 0:47:11.200
<v Speaker 6>straight crickets right off, the most fire thing you thought

0:47:11.239 --> 0:47:11.959
<v Speaker 6>you ever did.

0:47:12.360 --> 0:47:14.480
<v Speaker 2>And it's straight crickets. And it hiss this.

0:47:14.560 --> 0:47:18.239
<v Speaker 5>Wondering on your phone, You put on your phone and

0:47:18.280 --> 0:47:19.680
<v Speaker 5>wake up the next morning, and that.

0:47:19.680 --> 0:47:21.880
<v Speaker 6>She was a nothing of it, and now that this

0:47:21.960 --> 0:47:23.319
<v Speaker 6>is the joint that now you got a toil for

0:47:23.360 --> 0:47:25.440
<v Speaker 6>two years. You can't never get off stage without saying

0:47:25.480 --> 0:47:27.239
<v Speaker 6>you know what I'm saying. So, so why are we

0:47:27.320 --> 0:47:30.040
<v Speaker 6>prejudging creativity at the end of day, when it shows

0:47:30.120 --> 0:47:32.600
<v Speaker 6>up and you have time for it, then treat it

0:47:32.719 --> 0:47:34.640
<v Speaker 6>treated like it's supposed to be. And if you don't,

0:47:34.960 --> 0:47:37.480
<v Speaker 6>then then put the time in other in other areas.

0:47:37.640 --> 0:47:40.560
<v Speaker 6>And and going back to even the balance thing, my

0:47:40.680 --> 0:47:44.920
<v Speaker 6>wife has to feel seen sometimes more than music. She

0:47:45.120 --> 0:47:48.040
<v Speaker 6>has to feel like I chose music over sometimes my

0:47:48.160 --> 0:47:51.200
<v Speaker 6>kids as well. My kids have have literally been raised

0:47:51.400 --> 0:47:54.080
<v Speaker 6>watching me in the studio and sometimes they have to

0:47:54.080 --> 0:47:56.680
<v Speaker 6>see me turn the equipment off for them, you know

0:47:56.680 --> 0:47:59.359
<v Speaker 6>what I mean. They have to they have to see that.

0:47:59.800 --> 0:48:02.040
<v Speaker 6>So oh, you have to be there, and I have

0:48:02.080 --> 0:48:05.160
<v Speaker 6>to trust that. Like I feel like my music's gotten

0:48:05.200 --> 0:48:07.560
<v Speaker 6>better the more I've been like, nah, let me live,

0:48:08.560 --> 0:48:09.120
<v Speaker 6>oh man.

0:48:09.040 --> 0:48:10.480
<v Speaker 5>Cause you got if you don't live, ain't gonna have

0:48:10.520 --> 0:48:12.799
<v Speaker 5>shit to write about. Like what am I gonna sing about?

0:48:12.920 --> 0:48:13.120
<v Speaker 4>Yeah?

0:48:13.160 --> 0:48:14.719
<v Speaker 5>And it was you know, and for me it was

0:48:14.920 --> 0:48:17.680
<v Speaker 5>you know, with your boys. You know, your boys are

0:48:17.680 --> 0:48:20.160
<v Speaker 5>really young. You know what I'm saying. And for me,

0:48:20.239 --> 0:48:21.880
<v Speaker 5>you know, my boy I had you know, kids like

0:48:21.960 --> 0:48:25.120
<v Speaker 5>super young, and so it kind of worked out in

0:48:25.160 --> 0:48:28.320
<v Speaker 5>a good way because when I was when they were young,

0:48:28.480 --> 0:48:30.520
<v Speaker 5>and you know, they you know, they really just.

0:48:30.480 --> 0:48:32.160
<v Speaker 4>Wanted to be around their mama all the time.

0:48:32.400 --> 0:48:34.200
<v Speaker 5>So I was touring this stuff, you know what I mean,

0:48:34.239 --> 0:48:36.920
<v Speaker 5>I was out really getting it. But then by the

0:48:36.960 --> 0:48:39.799
<v Speaker 5>time they got the teenageers, that was when you know,

0:48:40.000 --> 0:48:42.880
<v Speaker 5>I kind of transitioned into fie, like we start our label,

0:48:43.120 --> 0:48:45.759
<v Speaker 5>so I could actually be around for those years with

0:48:45.920 --> 0:48:48.080
<v Speaker 5>like they really it's like, okay, no, we need dad,

0:48:48.400 --> 0:48:50.799
<v Speaker 5>like you know, it's you know what I'm saying. So

0:48:51.080 --> 0:48:52.879
<v Speaker 5>it kind of worked out for me in that way,

0:48:52.960 --> 0:48:56.279
<v Speaker 5>and I was thankful to have that. But but nah, man,

0:48:56.400 --> 0:49:00.080
<v Speaker 5>that is uh, that is really sage advice. I the

0:49:00.160 --> 0:49:03.440
<v Speaker 5>equipment for me. What has been my life savor like

0:49:03.440 --> 0:49:06.080
<v Speaker 5>that has saved me, you know, from stand up to

0:49:06.200 --> 0:49:09.080
<v Speaker 5>the crack of dawn has been just having voice notes

0:49:09.160 --> 0:49:14.120
<v Speaker 5>like I have I have a I have Emancipation triple

0:49:14.160 --> 0:49:18.000
<v Speaker 5>disc albums on my voice note because I just have

0:49:18.080 --> 0:49:19.520
<v Speaker 5>to just get it down. And if I can just

0:49:19.600 --> 0:49:22.200
<v Speaker 5>get that down, I would know to come back to it.

0:49:22.239 --> 0:49:23.920
<v Speaker 5>But I have to have just some kind of bookmark

0:49:24.000 --> 0:49:25.640
<v Speaker 5>and then I can cut the equipment off.

0:49:25.719 --> 0:49:29.879
<v Speaker 6>But my you know, our voice notes if we dare shit,

0:49:29.960 --> 0:49:32.200
<v Speaker 6>it's probably my biggest pro possession as well as just

0:49:32.200 --> 0:49:34.400
<v Speaker 6>the note to my phone. Well, I'll tell you I

0:49:34.400 --> 0:49:37.080
<v Speaker 6>don't write in the studio, but I'm always writing. I'm

0:49:37.160 --> 0:49:41.120
<v Speaker 6>always writing, always staying staying in shape because I think,

0:49:41.640 --> 0:49:43.759
<v Speaker 6>really we're just trying to find an inspiration, like we

0:49:43.800 --> 0:49:46.280
<v Speaker 6>know how to write songs. So now I'm just constantly

0:49:46.280 --> 0:49:49.360
<v Speaker 6>collecting things that take my breath away. Somebody says a statement,

0:49:49.360 --> 0:49:51.719
<v Speaker 6>I go, oh my god, that's that's crazy, right, I'll

0:49:51.760 --> 0:49:54.319
<v Speaker 6>just documented someone see something and like how do I

0:49:54.360 --> 0:49:57.279
<v Speaker 6>transfer that into words? So I mean, yeah, it's like

0:49:57.400 --> 0:50:00.160
<v Speaker 6>it's endless. It's endless just collections and some of what

0:50:00.200 --> 0:50:02.759
<v Speaker 6>I use and pull from it whatever. But yeah, we

0:50:02.800 --> 0:50:05.439
<v Speaker 6>are constantly We're constantly with the collect But that does help,

0:50:05.520 --> 0:50:07.720
<v Speaker 6>like the fact that we can document a moment.

0:50:08.960 --> 0:50:10.359
<v Speaker 2>But then for me, like when I go in.

0:50:10.280 --> 0:50:13.239
<v Speaker 6>The studio, it's like, how, like I said, locked in,

0:50:13.280 --> 0:50:16.440
<v Speaker 6>can I be you know, and the trust the product

0:50:16.440 --> 0:50:19.320
<v Speaker 6>will work out, like you know, trust the product that

0:50:19.400 --> 0:50:22.040
<v Speaker 6>it will take care of if I stay focused on

0:50:22.080 --> 0:50:22.680
<v Speaker 6>the process.

0:50:22.960 --> 0:50:24.920
<v Speaker 2>The product will work itself out.

0:50:25.120 --> 0:50:25.879
<v Speaker 4>I love it. Man.

0:50:26.239 --> 0:50:29.000
<v Speaker 5>Well listen ero bro man, this has been, you know,

0:50:29.080 --> 0:50:32.160
<v Speaker 5>a long time coming. I guess the conversation we need

0:50:32.160 --> 0:50:34.040
<v Speaker 5>to have. I didn't think we'd be having it in

0:50:34.080 --> 0:50:38.600
<v Speaker 5>front of thousands of strangers on the fucking internet. But

0:50:38.600 --> 0:50:41.560
<v Speaker 5>but nonetheless, but U but nah, seriously, man, I just

0:50:41.800 --> 0:50:43.200
<v Speaker 5>you know, I've told you this, you know, time and

0:50:43.239 --> 0:50:45.719
<v Speaker 5>time again, but I just really just want to just

0:50:45.800 --> 0:50:48.759
<v Speaker 5>thank you, you know what I mean for just really uh,

0:50:49.000 --> 0:50:51.320
<v Speaker 5>just showing up in my life and in my career

0:50:51.600 --> 0:50:55.800
<v Speaker 5>in a way that really, you know, for me, just

0:50:55.840 --> 0:50:58.160
<v Speaker 5>showed me the importance of mentorship, you know what I mean,

0:50:58.280 --> 0:51:02.160
<v Speaker 5>And you know, you really just everything from the business

0:51:02.239 --> 0:51:04.440
<v Speaker 5>to like the show presentation, because I mean I was like,

0:51:04.520 --> 0:51:08.319
<v Speaker 5>I'm straight rapped, dude, So going into R and B,

0:51:08.440 --> 0:51:11.279
<v Speaker 5>I had no fucking clue what that well, I'm like, yo,

0:51:11.440 --> 0:51:12.759
<v Speaker 5>what what is that?

0:51:12.920 --> 0:51:13.160
<v Speaker 2>You know?

0:51:13.600 --> 0:51:17.279
<v Speaker 5>And you definitely were a huge you know, mentor and

0:51:17.640 --> 0:51:20.279
<v Speaker 5>model and just you know, big homie and the whole

0:51:20.360 --> 0:51:22.960
<v Speaker 5>nine man. And you know, my my career would not

0:51:23.080 --> 0:51:25.920
<v Speaker 5>be where it was where it is, you know, without

0:51:26.040 --> 0:51:28.800
<v Speaker 5>just your influence and just your God, it's just taking

0:51:28.840 --> 0:51:31.320
<v Speaker 5>time just to holler at me whenever I had questions

0:51:31.320 --> 0:51:34.040
<v Speaker 5>and just put me up on game. So, nah man,

0:51:34.080 --> 0:51:36.080
<v Speaker 5>this conversation was a dream come true, brother, and I

0:51:36.120 --> 0:51:37.840
<v Speaker 5>just wanted, you know the world to hit this, you know,

0:51:37.920 --> 0:51:40.200
<v Speaker 5>and just to hear your journey and you know, really

0:51:40.239 --> 0:51:42.600
<v Speaker 5>just you know, give you that respect. Man, twenty one

0:51:42.680 --> 0:51:45.399
<v Speaker 5>years doing this shit independently. Bro, Hey, this ship will

0:51:45.440 --> 0:51:47.440
<v Speaker 5>break big niggas with muscles.

0:51:49.800 --> 0:51:52.520
<v Speaker 4>This shit ain't sweet, bro. So, nah man, I just

0:51:52.560 --> 0:51:54.239
<v Speaker 4>want to just give you a flowers, just thank you.

0:51:54.400 --> 0:51:55.839
<v Speaker 4>I love you. Man. Man.

0:51:56.320 --> 0:51:57.800
<v Speaker 2>You know, it's been on a pleasure.

0:51:57.880 --> 0:52:00.520
<v Speaker 6>It's been on a pleasure to watch your dream consistently

0:52:00.680 --> 0:52:01.240
<v Speaker 6>come true.

0:52:01.440 --> 0:52:01.880
<v Speaker 2>You know what I mean.

0:52:01.920 --> 0:52:03.520
<v Speaker 6>I think one of the pleasures that I've had is

0:52:03.520 --> 0:52:05.759
<v Speaker 6>watch a lot of people's dreams come true. And you

0:52:07.000 --> 0:52:09.040
<v Speaker 6>not only being one of the most prolific people I know,

0:52:09.480 --> 0:52:12.120
<v Speaker 6>one of the greatest voices I know, so the voice

0:52:12.120 --> 0:52:14.359
<v Speaker 6>being utilized in so many the ways. I can't tell

0:52:14.360 --> 0:52:17.600
<v Speaker 6>you how proud I was just just when you joined,

0:52:17.600 --> 0:52:19.440
<v Speaker 6>when this quest love Supreme and you were on it,

0:52:19.440 --> 0:52:21.200
<v Speaker 6>I was like, yo, this first of you also are

0:52:21.239 --> 0:52:24.279
<v Speaker 6>the most knowledgeable. I always say this, you don't hear

0:52:24.320 --> 0:52:27.040
<v Speaker 6>this for the first time. I've never ever told you

0:52:27.080 --> 0:52:29.080
<v Speaker 6>of a record or a producer or a.

0:52:28.920 --> 0:52:33.600
<v Speaker 2>Song that you did not more than not one time

0:52:33.680 --> 0:52:34.239
<v Speaker 2>have I ever?

0:52:34.480 --> 0:52:34.560
<v Speaker 6>Yo?

0:52:34.680 --> 0:52:35.520
<v Speaker 4>It was one Yo.

0:52:35.680 --> 0:52:37.239
<v Speaker 5>It was one time you got me, and it was

0:52:37.239 --> 0:52:39.239
<v Speaker 5>a big one too. It was the night we went,

0:52:39.520 --> 0:52:41.000
<v Speaker 5>the night we did been in love.

0:52:41.520 --> 0:52:41.680
<v Speaker 4>Bro.

0:52:41.840 --> 0:52:43.200
<v Speaker 5>I don't even know if I told you this. You

0:52:43.280 --> 0:52:46.200
<v Speaker 5>were the first person to put me on to Todd Rungnger.

0:52:47.640 --> 0:52:50.200
<v Speaker 2>Wow, wow, Like he.

0:52:50.320 --> 0:52:53.200
<v Speaker 5>Was one of those artists. I always saw his name

0:52:53.320 --> 0:52:55.279
<v Speaker 5>and like I would see him. I knew who is

0:52:55.320 --> 0:52:58.359
<v Speaker 5>associated with, but I didn't really know. And so then

0:52:58.440 --> 0:53:00.400
<v Speaker 5>I think you played me. I saw the life and

0:53:00.440 --> 0:53:02.640
<v Speaker 5>I was like, oh my god, that's Todd Runger, Like

0:53:02.640 --> 0:53:03.960
<v Speaker 5>I've been hearing that song forever.

0:53:04.360 --> 0:53:05.920
<v Speaker 2>Why you put me on?

0:53:05.960 --> 0:53:08.440
<v Speaker 4>Like the all we ran through to something anything album.

0:53:08.440 --> 0:53:09.680
<v Speaker 2>That's one time.

0:53:11.960 --> 0:53:15.279
<v Speaker 6>One, like the entire I was like this joint from

0:53:15.320 --> 0:53:19.319
<v Speaker 6>nineteen seventy two, b side this record, like, oh, that's

0:53:19.320 --> 0:53:20.960
<v Speaker 6>such and such and that's why they ain't playing tellow

0:53:20.960 --> 0:53:23.480
<v Speaker 6>on it. No, that's killing I'm like, oh my god,

0:53:23.719 --> 0:53:25.759
<v Speaker 6>here's this new indie artist. I'm at the Bay Area

0:53:25.960 --> 0:53:29.000
<v Speaker 6>killing it. They selling independent records in the flea market.

0:53:29.120 --> 0:53:30.680
<v Speaker 6>Oh yeah, that's such and such and such. Yeah I

0:53:30.680 --> 0:53:31.200
<v Speaker 6>got that record.

0:53:31.320 --> 0:53:33.840
<v Speaker 2>I won't we link you up? How do you know?

0:53:34.160 --> 0:53:37.120
<v Speaker 2>All of this stuff is really mind blowing. Man.

0:53:37.640 --> 0:53:39.239
<v Speaker 6>I'm gonna just say this, and I gotta say you know,

0:53:39.680 --> 0:53:41.400
<v Speaker 6>first of all, you know you my brother, and I

0:53:41.560 --> 0:53:42.759
<v Speaker 6>love you, love you, love it.

0:53:43.040 --> 0:53:43.200
<v Speaker 4>Man.

0:53:43.560 --> 0:53:46.160
<v Speaker 6>You're so true to your art. You're so true to

0:53:46.239 --> 0:53:48.640
<v Speaker 6>your craft, to your friendship and to who the person

0:53:48.960 --> 0:53:53.319
<v Speaker 6>who you are. You know what's so funny. You are

0:53:53.360 --> 0:53:57.160
<v Speaker 6>the first person like to curse in front of my

0:53:57.320 --> 0:53:59.719
<v Speaker 6>mom and she didn't even like hesitate.

0:54:00.320 --> 0:54:01.400
<v Speaker 5>What like yo?

0:54:01.840 --> 0:54:05.319
<v Speaker 2>You know, listen, you know you are a cursor, right,

0:54:05.400 --> 0:54:07.040
<v Speaker 2>it is, it is, It is fine, it's.

0:54:10.320 --> 0:54:12.200
<v Speaker 6>So you. And like you know, at that time, my

0:54:12.239 --> 0:54:14.279
<v Speaker 6>studio was in my parents' house, right, so we did

0:54:15.160 --> 0:54:18.440
<v Speaker 6>my parents and just even with my dad. It wasn't like, oh,

0:54:18.480 --> 0:54:19.920
<v Speaker 6>this is how he talked to me, and then this

0:54:20.040 --> 0:54:22.040
<v Speaker 6>is how he talks to my mom and dad. It's like, no,

0:54:22.200 --> 0:54:25.200
<v Speaker 6>this is how he talks and whoever the around want

0:54:25.239 --> 0:54:29.719
<v Speaker 6>to accept this and love him. And my parents loved you.

0:54:29.880 --> 0:54:31.600
<v Speaker 6>It was like who this guy you brought in the

0:54:31.680 --> 0:54:33.399
<v Speaker 6>house to this party? They were like, no, we love

0:54:33.520 --> 0:54:37.320
<v Speaker 6>Fonte bring him as many times he wants. But it

0:54:37.400 --> 0:54:39.880
<v Speaker 6>was like it was I remember watching like the Dynamic

0:54:40.000 --> 0:54:42.200
<v Speaker 6>you talk into like my parents, and it was still

0:54:42.280 --> 0:54:45.279
<v Speaker 6>the same way. It was like the MFS and where

0:54:46.520 --> 0:54:49.640
<v Speaker 6>and I was like, yeah, that's how he really he

0:54:49.840 --> 0:54:52.040
<v Speaker 6>really fired off. But it was but guess what it

0:54:52.160 --> 0:54:54.840
<v Speaker 6>was like genuine is love and it's like a genuineness

0:54:54.920 --> 0:54:57.920
<v Speaker 6>behind it. It ain't like some shock value whatever, Like, Yo,

0:54:58.000 --> 0:55:00.400
<v Speaker 6>you're just a true brother, you like for real, like

0:55:00.520 --> 0:55:03.000
<v Speaker 6>for real, for real, anyone who knows you know you're

0:55:03.080 --> 0:55:06.080
<v Speaker 6>just a true brother. And it's like just mad, I

0:55:06.160 --> 0:55:08.520
<v Speaker 6>got mad respect for you. You already know, like like

0:55:09.280 --> 0:55:11.959
<v Speaker 6>anytime you call, like y'all need you to break dance

0:55:12.000 --> 0:55:16.040
<v Speaker 6>in this video or like this melody this joint on

0:55:16.160 --> 0:55:18.239
<v Speaker 6>his like just singing the background vocals on the joint.

0:55:18.280 --> 0:55:20.319
<v Speaker 6>You know, I'm like, all right, let's let's do it man.

0:55:20.360 --> 0:55:23.160
<v Speaker 5>You know likewise too, and everybody has a TICKULARI to that,

0:55:23.280 --> 0:55:25.640
<v Speaker 5>like when y'all doing it, get like we're gonna do

0:55:25.760 --> 0:55:26.240
<v Speaker 5>it again.

0:55:26.360 --> 0:55:29.680
<v Speaker 4>I'm I'm definitely I would certainly love to do another week.

0:55:29.880 --> 0:55:31.560
<v Speaker 5>You know, it's just hopefully we can do it at

0:55:31.600 --> 0:55:34.600
<v Speaker 5>a time where like people ain't dying and you having kids,

0:55:34.680 --> 0:55:37.160
<v Speaker 5>and like you know, we have more order in our

0:55:37.200 --> 0:55:38.160
<v Speaker 5>life this time around.

0:55:38.880 --> 0:55:41.640
<v Speaker 6>You know what I'm saying right right, I'm looking forward

0:55:41.680 --> 0:55:43.160
<v Speaker 6>to it, but I just need to let you know, man,

0:55:43.160 --> 0:55:44.840
<v Speaker 6>I appreciate you having me on and I love you

0:55:44.920 --> 0:55:46.520
<v Speaker 6>brother and look forward to doing more with you.

0:55:47.160 --> 0:55:47.840
<v Speaker 2>Love you too, bro.

0:55:48.040 --> 0:55:52.439
<v Speaker 5>For real, man, well listen on behalf of Unpaid Bill Shit,

0:55:52.600 --> 0:55:56.560
<v Speaker 5>Steve a Mere, Oscar winning a mere, my work wife

0:55:56.800 --> 0:55:59.640
<v Speaker 5>like Iah, this has been quest Love spring. I'm not

0:55:59.760 --> 0:56:05.640
<v Speaker 5>quest Love, I'm Fontelo. But no, man, thank y'all so

0:56:05.760 --> 0:56:07.440
<v Speaker 5>much for tuning in. We'll catch y' all on the

0:56:07.520 --> 0:56:09.640
<v Speaker 5>next go around. Tap In with Eric Robinson is the

0:56:09.680 --> 0:56:12.680
<v Speaker 5>album Lessons out right now on our platforms. Go get it,

0:56:13.239 --> 0:56:15.200
<v Speaker 5>and yeah, we'll catch y'all on next one.

0:56:24.280 --> 0:56:30.719
<v Speaker 1>How Much Love Supreme is a production of iHeartRadio. For

0:56:30.840 --> 0:56:33.919
<v Speaker 1>more podcasts from iHeart Radio, visit the iHeart Radio app,

0:56:34.160 --> 0:56:37.200
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.