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Speaker 1: Ingredients and being many old fellow seekers of the dark.

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Speaker 1: I'm your host, Dally Israel. Welcome to Nocturno. Tales from

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Speaker 1: the shadows. Join me as we dare to enter the

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Speaker 1: flames of fright, where the veil between worlds wrote in

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Speaker 1: and the haunting legends and lore of Latin America stir

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Speaker 1: tolke retold with a twist, but be worn for as

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Speaker 1: we crossed to the other side, you never know what

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Speaker 1: nightmare awaits?

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Speaker 2: Are you ready? Follow me? As we travel to a

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Speaker 2: hospital Mexico.

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Speaker 1: Long have these halls echoed with a curious refrain. La

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Speaker 1: Blanchella the ghost nurse clad in immaculine iron uniform. There

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Speaker 1: have been many sightings over the past century, some reportedly good, others.

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Speaker 2: Not so much. But what determines whether she is helpful

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Speaker 2: or harmful?

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Speaker 1: Perhaps another nurse will help shed some life.

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Speaker 2: Her chieft is just about to start. Join us. No

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Speaker 2: need to make an appointment.

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Speaker 3: In ghost era, A tale of La Blanchallah.

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Speaker 4: Hi, Nina, how are you?

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Speaker 5: I'm working?

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Speaker 6: Doctor sentos you It's got it and no, I'd just

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Speaker 6: like to wear this lab.

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Speaker 4: Coat for fun.

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Speaker 7: Yeah, Hey, quick question, isn't today or day off?

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Speaker 6: Day? Off.

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Speaker 5: What's that? Doctor?

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Speaker 7: Oh you know when you take time for yourself.

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Speaker 4: Need you do something wrong.

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Speaker 6: As count?

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Speaker 4: Uh can't tell if that's a joke or cry for help.

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Speaker 6: Hah funny.

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Speaker 7: Well, if you ever do get an actual day off,

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Speaker 7: you should let me take you out some more.

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Speaker 6: Oh yeah, you know.

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Speaker 7: Actually the target in my neighborhood is just it's really

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Speaker 7: really amazing, you know, for for errands.

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Speaker 6: Tempting, but sorry, it's against my role.

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Speaker 4: What not dating doctors?

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Speaker 5: No, dating anyone funnier than me? Well on, step on?

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Speaker 7: No, wouldn't that mean though, that you could date basically

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Speaker 7: the whole hospital.

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Speaker 5: Wow, isn't it against your oath to choose violence?

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Speaker 8: Huh?

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Speaker 9: After that, maybe I will date the entire hospital.

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Speaker 6: Sorry, back of the line, buster.

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Speaker 7: Ouch, Uh, that's okay. I'll just check myself into the er.

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Speaker 7: Then you'll be forced to spend time with me.

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Speaker 10: But at least you'll be getting that for it.

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Speaker 2: I worked too hard and put you in the ear.

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Speaker 5: Another life, perhaps.

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Speaker 11: Perhaps what what?

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Speaker 5: Nothing?

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Speaker 1: I see?

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Speaker 12: You got that look again?

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Speaker 5: What look? Jacqueline?

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Speaker 12: You know dog in heat?

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Speaker 11: Ah?

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Speaker 5: Oh my god, I'm gonna kill you.

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Speaker 12: And usually you don't even know if it is They

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Speaker 12: know with your people pleasing ass? Why is he the

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Speaker 12: only one I know how to say?

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Speaker 13: No?

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Speaker 12: So today isn't your day off?

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Speaker 5: I'd love to answer that, but you know, live startstake,

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Speaker 5: so have to get going.

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Speaker 12: And they wrote you in your working room thirteen?

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Speaker 6: Maybe why room.

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Speaker 5: Thirteen is a code gray?

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Speaker 12: Oh yeah, and you're hitting m He just seems unhinged

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Speaker 12: but negative for drugs, so who knows?

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Speaker 14: Hi?

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Speaker 5: Good evening, mister. Hello, where I see?

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Speaker 1: Hello?

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Speaker 11: What them?

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Speaker 15: Stop?

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Speaker 12: This isn't funny.

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Speaker 5: Someone opened the door? Hello? Someone in here? Is someone

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Speaker 5: in here?

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Speaker 15: Oh?

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Speaker 11: My god?

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Speaker 16: Okay, no, no, no, no, no, huh?

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Speaker 5: What where am I? Where the hell am I?

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Speaker 9: Hulling?

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Speaker 5: Excuse me? Where am I?

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Speaker 12: Where is this place?

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Speaker 14: Oh?

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Speaker 4: Oh you don't know?

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Speaker 12: No no, no, I have no idea.

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Speaker 4: Oh my dear, you're dead.

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Speaker 5: No no, no, this can't be. I'm death.

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Speaker 4: Oh and I'm afraid so now.

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Speaker 5: Serving one billion?

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Speaker 12: And the DMV Oh no no, no is this hell?

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Speaker 4: No? No, no no no.

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Speaker 14: People tend to think of life and death has two states,

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Speaker 14: but it's much more complicated than that. You see, under

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Speaker 14: normal circumstances.

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Speaker 8: You have been sent to any number of waiting rooms.

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Speaker 4: Wait, but this place.

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Speaker 14: This place is research for supernatural deaths.

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Speaker 6: Supernatural Oh my god, good gray?

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Speaker 5: So he was what he was possessed? No, no, no,

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Speaker 5: I can't. I can't believe this.

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Speaker 4: No.

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Speaker 14: By the way, I am called Ricardo Rivas, nineteenth century

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Speaker 14: botanist extraordinari at your service.

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Speaker 4: Okay, I'm Nina now serving one billion and.

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Speaker 15: Six a will.

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Speaker 4: That would be you?

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Speaker 5: Uh hello, one one billion and six?

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Speaker 11: Uh well, well, well, well, okay, let's see.

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Speaker 17: Nina Navarro died of supernatural causes, attacked by an upper

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Speaker 17: level demon. That's rare, I am or from the admin

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Speaker 17: in charge of the Supernatural Death Division here in Afterlife.

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Speaker 9: Cool cool, Well, as is.

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Speaker 18: Sometimes the case in our division, you weren't technically supposed

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Speaker 18: to die yet? What Yeah, you're presumed d O D

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Speaker 18: that that's date of death wasn't until decades from now.

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Speaker 5: Uh oh, well that sucks. Why did it happen then?

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Speaker 9: Not clear? You see, those things aren't so black and white.

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Speaker 18: I guess you could say it's a bit of a

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Speaker 18: cold gray area. What I'm sorry, kind of going through

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Speaker 18: some things that I try my hand at humor. Anyways,

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Speaker 18: So it's not just that you die before your time

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Speaker 18: if you notice your file looks different than the others,

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Speaker 18: and that is because you meet the criteria to become

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Speaker 18: wait for it, la.

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Speaker 5: Blanchalla, la blanchada, the ghost nurse.

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Speaker 9: That feels a bit reductive, but sure, the ghost nurse.

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Speaker 9: So you, specifically, you have the option to.

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Speaker 18: Either pass on to the next stage of afterlife or

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Speaker 18: return to the mortal world.

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Speaker 6: Okay, what happens? What happens if I don't want to

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Speaker 6: be a ghost?

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Speaker 5: What if I pass on?

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Speaker 9: Then everyone you know will die?

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Speaker 5: Oh my eventually? Oh, come on of it.

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Speaker 15: The options are these, pass on and maybe see your

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Speaker 15: loved once again, maybe not, or become a plunder and

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Speaker 15: see some of them at the hospital.

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Speaker 9: A hospital, might I add, where you can continue your

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Speaker 9: chosen profection.

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Speaker 18: Okay, so I'll be helping people more or less.

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Speaker 5: What does that mean?

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Speaker 18: Well, technically speaking, you'll be helping death stay on schedule. Okay,

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Speaker 18: getting patients as close to their presumed DoD as possible.

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Speaker 5: I'm sorry.

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Speaker 18: Yes, they're usually pretty punctual, but as you know, things

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Speaker 18: can get messy in hospitals.

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Speaker 4: Wow.

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Speaker 5: Okay, that that seems a.

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Speaker 9: Little and now I know it's a bit daunting. You

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Speaker 9: can take your time.

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Speaker 5: No, no, no, no, you know what, I'm gonna do it. Yep,

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Speaker 5: I'm gonna do it.

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Speaker 18: That's it, And this is why we love nurses for

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Speaker 18: this job.

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Speaker 4: Marvel.

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Speaker 9: We'll get the paperwork started. I suppose there is only

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Speaker 9: one thing left to do, WI you job, bring it in.

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Speaker 11: Oh my god, here is.

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Speaker 9: Your planchada uniform?

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Speaker 5: What's this from the nineteen twenties thirties? Actually? Oh so

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Speaker 5: is it too late to change my mind?

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Speaker 11: Nursery one.

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Speaker 8: Eyes this eve, I don't believe it.

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Speaker 6: Yeah, I just finished a week of training and I'm

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Speaker 6: gonna be one of last planchadas.

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Speaker 5: Wow, that's so crazy to say.

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Speaker 4: I don't know what that is, but it sounds important.

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Speaker 5: Yeah, you know what it kind of is.

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Speaker 9: Really.

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Speaker 6: The only drawback is this damn uniform.

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Speaker 5: This is just so old.

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Speaker 14: I mean the fashion is fresh ricardo form feeding Hi

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Speaker 14: so much?

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Speaker 9: Ankle pepa?

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Speaker 5: My eyes are up here?

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Speaker 4: Is that death? Yes?

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Speaker 5: What's he doing here that?

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Speaker 4: I don't want to know?

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Speaker 14: But must be very important to come here itself?

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Speaker 4: Ah, there you are?

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Speaker 5: This way to this all right, I gotta follow the courier,

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Speaker 5: but but.

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Speaker 3: See you around I hope, so good luck.

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Speaker 4: I regard my startling wild flower.

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Speaker 13: It's okay to be nervous.

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Speaker 4: No, I'm not.

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Speaker 13: I'll lest You're in a little secret. This elevator here,

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Speaker 13: it plays mood music, okay, meaning it reflects the mood

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Speaker 13: of the passenger, which is how I can tell.

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Speaker 2: Oh you're nervous.

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Speaker 5: Oh really?

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Speaker 6: Uh hm, well that seems a little inpasive.

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Speaker 2: No.

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Speaker 13: No, it's used to help the SDD decipher the true

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Speaker 13: nature of the departed souls or supernatural deaths. Sometimes the

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Speaker 13: soul can be corrupted or worse.

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Speaker 5: And what do you do when that happens.

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Speaker 13: Well, an emergency protocol is triggered and the elevator that

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Speaker 13: sends straight down to the underworld. Some call it McLean

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Speaker 13: or Shiva Labah or hell, whatever your take. It's where

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Speaker 13: they send all the malevolent souls.

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Speaker 5: Okay, hey, we are in. I know I don't need.

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Speaker 6: Oxygen, but it's good to be back.

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Speaker 5: Imps. Oh can I think the sort?

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Speaker 4: Yes?

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Speaker 13: No, not unless we want them to. Oh well that's

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Speaker 13: how supposed to work anyway. Okay, Well you luck, my dear.

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Speaker 13: I'll be back later to check it.

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Speaker 5: Oh you're leaving okay, uh bye? Okay? Oh wow, I

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Speaker 5: really can't see everyone's DoD. Oh my god, this is

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Speaker 5: really trippy. Oh he's the old just changed.

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Speaker 6: Oh that's not good.

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Speaker 5: Oh my god. Hey hey that's jack La doglit. Oh right,

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Speaker 5: she can't hear me.

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Speaker 12: I just don't understand why that piece of ships still here.

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Speaker 19: I mean, he's in a coma.

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Speaker 5: So where are you two headed? I guess I'll just

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Speaker 5: tag along.

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Speaker 19: Hey, you're going to be okay, maybe you should take

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Speaker 19: the day.

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Speaker 12: I've already taken the week, So no, I need to

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Speaker 12: be busy right now.

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Speaker 19: Okay, Well, mister Agustine might need his Branda just changed,

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Speaker 19: so all right, I'll leave you to it.

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Speaker 5: Oh chaplin got ill?

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Speaker 4: Oh you're back? What? Yeah, you didn't realize you were

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Speaker 4: working tonight?

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Speaker 5: Oh oh you meant her? Okay, right, I switched.

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Speaker 4: Oh okay, Well you know.

234
00:14:42,720 --> 00:14:44,440
Speaker 12: It's pretty obvious you've been avoiding me.

235
00:14:44,800 --> 00:14:48,240
Speaker 4: What. Uh No, I've just been busy him.

236
00:14:48,560 --> 00:14:50,080
Speaker 12: It's okay to talk about her.

237
00:14:49,920 --> 00:14:54,240
Speaker 4: You know I know that. But like I said, I

238
00:14:54,440 --> 00:14:58,680
Speaker 4: I've been swamped lately.

239
00:14:58,720 --> 00:15:01,560
Speaker 12: Okay, then why are so many patients waiting to see you?

240
00:15:02,720 --> 00:15:03,560
Speaker 5: I saw the list.

241
00:15:03,920 --> 00:15:06,320
Speaker 12: There's that kid, Eric, there's one way, there's.

242
00:15:06,240 --> 00:15:09,200
Speaker 4: What are you doing? Are you keeping tabs on me.

243
00:15:09,800 --> 00:15:12,760
Speaker 12: No, I just I just feel like Nina would have

244
00:15:12,800 --> 00:15:13,480
Speaker 12: wanted us to.

245
00:15:14,000 --> 00:15:22,560
Speaker 4: Okay, you know what, Yeah, I can't do this right now. Okay,

246
00:15:22,640 --> 00:15:27,760
Speaker 4: I can hear. I have to go, got it. I'm sorry.

247
00:15:27,760 --> 00:15:33,280
Speaker 5: I maybe I wanted to talk about her, asshole. I'm

248
00:15:33,320 --> 00:15:33,800
Speaker 5: right here.

249
00:15:34,240 --> 00:15:36,080
Speaker 12: I can't believe he don't want to talk about whatever.

250
00:15:36,080 --> 00:15:38,840
Speaker 6: I don't even want to think about him anymore. So

251
00:15:39,160 --> 00:15:43,120
Speaker 6: I guess you guys, are you know taking this pretty hard?

252
00:15:43,400 --> 00:15:43,720
Speaker 2: Okay?

253
00:15:43,840 --> 00:15:44,320
Speaker 1: Got it?

254
00:15:44,720 --> 00:15:46,240
Speaker 5: Wait, Jackie, it's the wrong bottle.

255
00:15:47,280 --> 00:15:48,040
Speaker 6: There's the right one.

256
00:15:48,240 --> 00:15:48,680
Speaker 12: Uh?

257
00:15:48,880 --> 00:15:51,280
Speaker 5: Here is what did they say? It goes training?

258
00:15:51,800 --> 00:15:55,840
Speaker 6: You have to focus on the tingly feelings.

259
00:15:55,840 --> 00:15:59,680
Speaker 5: Okay, try to bring them all together holding in my

260
00:15:59,760 --> 00:16:08,200
Speaker 5: hand and okay, okay, okay, there we go.

261
00:16:08,400 --> 00:16:17,200
Speaker 12: Damn we just quarrels took what the Oh yeah, let's go.

262
00:16:17,400 --> 00:16:17,800
Speaker 11: I did it?

263
00:16:18,560 --> 00:16:22,200
Speaker 12: Oh ship God, damn, I almost gave you the wrong prescription.

264
00:16:23,000 --> 00:16:23,880
Speaker 5: Oh it's so stupid.

265
00:16:23,880 --> 00:16:27,360
Speaker 12: Okay, let me see. This is the right one. Okay,

266
00:16:27,400 --> 00:16:28,160
Speaker 12: that was lucky.

267
00:16:28,520 --> 00:16:32,120
Speaker 5: You are so welcome, both of you. Wow, I'm already

268
00:16:32,160 --> 00:16:35,520
Speaker 5: questioning it. Maybe I should help everyday with some of

269
00:16:35,560 --> 00:16:45,120
Speaker 5: his patients. Well, being dead can kind of suck.

270
00:16:47,840 --> 00:16:53,360
Speaker 11: Wow, wow, I noise? Oh excuse me?

271
00:16:57,400 --> 00:16:59,360
Speaker 19: How long to see been in a coma since the

272
00:16:59,400 --> 00:17:02,280
Speaker 19: exact let's we Oh this is the guy.

273
00:17:02,520 --> 00:17:07,000
Speaker 5: Good great, Oh my god, I can see it now.

274
00:17:07,359 --> 00:17:10,639
Speaker 5: The thing can sign. So that's what a demon looks like.

275
00:17:15,200 --> 00:17:23,160
Speaker 11: Let's remove them.

276
00:17:24,040 --> 00:17:25,320
Speaker 8: Excuse me, nurse?

277
00:17:25,560 --> 00:17:28,440
Speaker 6: Uh, who's this kid talking to this?

278
00:17:29,480 --> 00:17:31,639
Speaker 5: Hey? Are you talking to me?

279
00:17:32,160 --> 00:17:32,400
Speaker 3: Yeah?

280
00:17:32,920 --> 00:17:33,120
Speaker 1: Hi?

281
00:17:33,600 --> 00:17:37,280
Speaker 11: Oh you you can see me? Oh oh, I'm sorry.

282
00:17:37,640 --> 00:17:42,360
Speaker 5: I'm I'm not supposed to interact a talk with patients directly.

283
00:17:42,800 --> 00:17:45,600
Speaker 12: Oh so sorry, So then you can't help me.

284
00:17:46,280 --> 00:17:51,000
Speaker 5: I'm not supposed to No, bye bye? Did you what

285
00:17:51,480 --> 00:17:51,960
Speaker 5: did you see?

286
00:17:52,000 --> 00:17:52,560
Speaker 4: The bad thing?

287
00:17:53,400 --> 00:17:59,520
Speaker 5: The bad thing? It was hiding that man? Why? Why

288
00:17:59,520 --> 00:18:02,120
Speaker 5: why don't we get you back back into back?

289
00:18:02,119 --> 00:18:11,120
Speaker 12: Come on, okay, let's go come back.

290
00:18:13,840 --> 00:18:19,720
Speaker 5: There you go? Heh comfy mm hmm, oh my god.

291
00:18:20,000 --> 00:18:24,080
Speaker 5: Your do od is my what? Nothing?

292
00:18:24,359 --> 00:18:27,520
Speaker 12: Just uh, I'm gonna take a look at your charge.

293
00:18:27,560 --> 00:18:27,840
Speaker 5: Okay.

294
00:18:30,760 --> 00:18:35,760
Speaker 6: Huh, Eric mancha appendicitis full recovery. But your do o

295
00:18:35,800 --> 00:18:37,920
Speaker 6: D why why is your time almost gone?

296
00:18:38,000 --> 00:18:40,080
Speaker 4: I feel a lot better now, huh.

297
00:18:40,200 --> 00:18:42,560
Speaker 2: But bad thing?

298
00:18:43,040 --> 00:18:43,480
Speaker 5: Uh huh.

299
00:18:44,400 --> 00:18:46,720
Speaker 4: He keeps talking to me in my dreams.

300
00:18:47,400 --> 00:18:48,800
Speaker 2: He says really scary things.

301
00:18:49,760 --> 00:18:55,280
Speaker 11: He said, oh, what's what.

302
00:18:57,760 --> 00:18:58,240
Speaker 2: Here?

303
00:19:00,080 --> 00:19:00,159
Speaker 15: You?

304
00:19:02,800 --> 00:19:03,280
Speaker 17: And no?

305
00:19:06,560 --> 00:19:06,800
Speaker 15: Good?

306
00:19:07,080 --> 00:19:08,679
Speaker 11: Give me a boy?

307
00:19:08,960 --> 00:19:09,000
Speaker 15: No?

308
00:19:12,080 --> 00:19:14,760
Speaker 5: Oh, I didn't know to do that? Were got the

309
00:19:15,200 --> 00:19:16,440
Speaker 5: get that right now?

310
00:19:18,640 --> 00:19:19,840
Speaker 11: That's the fuck?

311
00:19:20,000 --> 00:19:21,760
Speaker 10: Uck my Oh look you touch this boy?

312
00:19:22,359 --> 00:19:42,960
Speaker 11: Way we can stay.

313
00:19:37,560 --> 00:19:38,040
Speaker 4: Harry again?

314
00:19:38,240 --> 00:19:48,000
Speaker 11: Restrain him right day? D him flat, hold him for

315
00:19:48,119 --> 00:19:48,720
Speaker 11: the sedative.

316
00:19:57,359 --> 00:19:59,720
Speaker 5: Oh I thank god, Eric, How are you?

317
00:20:00,320 --> 00:20:00,359
Speaker 10: No?

318
00:20:00,560 --> 00:20:02,080
Speaker 4: No, no, no, no, no no no.

319
00:20:04,119 --> 00:20:04,760
Speaker 2: How yourself?

320
00:20:05,000 --> 00:20:05,119
Speaker 1: Oh?

321
00:20:05,320 --> 00:20:10,360
Speaker 13: Courier is your I thought saving your violation? You must

322
00:20:10,359 --> 00:20:11,800
Speaker 13: return to the SDD in after life.

323
00:20:12,160 --> 00:20:16,040
Speaker 2: What no, no, America, this is a request.

324
00:20:27,400 --> 00:20:29,639
Speaker 12: I feel like I should explain, not to me.

325
00:20:29,960 --> 00:20:38,320
Speaker 6: No, no, courier please, she does not look happy?

326
00:20:39,480 --> 00:20:41,040
Speaker 9: Non, no one, have you done?

327
00:20:41,600 --> 00:20:43,880
Speaker 5: I was trying to help, I promise. I mean, really,

328
00:20:43,960 --> 00:20:44,879
Speaker 5: isn't that what the job is?

329
00:20:45,000 --> 00:20:47,800
Speaker 9: Your job is to help death keep order?

330
00:20:47,960 --> 00:20:50,119
Speaker 5: Okay, yes, but but if you could just let me

331
00:20:50,160 --> 00:20:52,040
Speaker 5: explain a little bit, I know I would tell you everything.

332
00:20:52,160 --> 00:20:55,000
Speaker 9: Only did you have direct contact with the living? Your

333
00:20:55,119 --> 00:20:57,480
Speaker 9: actions cost one of them to move past their d

334
00:20:57,520 --> 00:21:00,399
Speaker 9: O D Yes, but he was just a child. I

335
00:21:01,320 --> 00:21:04,200
Speaker 9: get it. But we do not get to decide these things.

336
00:21:04,400 --> 00:21:08,160
Speaker 9: We don't maintain order. Then everything fulls apart. But it's

337
00:21:08,200 --> 00:21:11,960
Speaker 9: cold on caring and sometimes brutal. Yes, but this is

338
00:21:12,200 --> 00:21:13,720
Speaker 9: the afterlife. Do you understand?

339
00:21:14,480 --> 00:21:18,240
Speaker 5: Yes, but what's going to happen to the kid?

340
00:21:18,560 --> 00:21:21,240
Speaker 9: You should be more worried about yourself. Perhaps I was

341
00:21:21,320 --> 00:21:24,280
Speaker 9: wrong to make you applanchiada no order a police. Maybe

342
00:21:25,840 --> 00:21:26,920
Speaker 9: maybe it's Tanny passed on.

343
00:21:27,119 --> 00:21:28,560
Speaker 20: I saw no, no, no, no, no, no, you mean

344
00:21:28,640 --> 00:21:33,040
Speaker 20: larrier at the paperwork, but norm seventh or eat dot e.

345
00:21:33,160 --> 00:21:35,320
Speaker 12: Please my pleasure, don't do this.

346
00:21:35,480 --> 00:21:37,040
Speaker 5: Don't do this ord of a polease.

347
00:21:37,680 --> 00:21:38,560
Speaker 9: It's so chy.

348
00:21:38,720 --> 00:21:46,800
Speaker 14: Hopefully no serving one.

349
00:21:54,119 --> 00:21:55,199
Speaker 4: Is this seat taken?

350
00:21:57,119 --> 00:21:57,520
Speaker 5: Ricardo?

351
00:21:59,119 --> 00:22:04,280
Speaker 14: I over heard the courier's talk demon last business.

352
00:22:06,160 --> 00:22:08,800
Speaker 5: What was I supposed to do? Just let him die,

353
00:22:08,880 --> 00:22:12,760
Speaker 5: Let nothing take him? How did I get here?

354
00:22:12,840 --> 00:22:13,040
Speaker 6: You know?

355
00:22:14,760 --> 00:22:16,240
Speaker 5: Maybe if I would have just said no to the

356
00:22:16,320 --> 00:22:19,719
Speaker 5: extra shift here, no to the colgre Maybe maybe if

357
00:22:19,760 --> 00:22:24,040
Speaker 5: I would have said yes to garrielton I just I

358
00:22:24,200 --> 00:22:25,560
Speaker 5: just have so much regret right now.

359
00:22:25,840 --> 00:22:27,520
Speaker 4: You know, come close, my dady.

360
00:22:28,680 --> 00:22:31,600
Speaker 14: Do you know what DI is most fantasmas to the air,

361
00:22:32,600 --> 00:22:35,800
Speaker 14: not through a waiting room in the afterlife.

362
00:22:37,040 --> 00:22:41,600
Speaker 2: It's not love or hate. It's a regret.

363
00:22:42,960 --> 00:22:44,960
Speaker 5: No, no, no, this can't be the last thing I do.

364
00:22:45,080 --> 00:22:45,840
Speaker 5: It just it can't.

365
00:22:47,240 --> 00:22:51,080
Speaker 6: No, I have to do something. I think you're right, yes, but.

366
00:22:52,560 --> 00:22:53,320
Speaker 5: What can I do?

367
00:22:54,160 --> 00:22:54,360
Speaker 1: Oh?

368
00:22:54,440 --> 00:23:00,320
Speaker 14: Well, for one, if I could, I joined you down

369
00:23:00,400 --> 00:23:02,960
Speaker 14: at the hospital and throw the hell out of that demon.

370
00:23:03,480 --> 00:23:07,480
Speaker 6: Actually he pushed me and we made contact and I felt,

371
00:23:08,240 --> 00:23:08,959
Speaker 6: I felt tingly.

372
00:23:10,200 --> 00:23:10,480
Speaker 3: That's it.

373
00:23:10,840 --> 00:23:12,240
Speaker 5: I think I know how I can help the boy.

374
00:23:13,160 --> 00:23:14,800
Speaker 4: Oh and how is that?

375
00:23:15,880 --> 00:23:16,280
Speaker 14: Regardles?

376
00:23:16,400 --> 00:23:19,720
Speaker 5: Please? Can I ask you for a huge thing?

377
00:23:20,240 --> 00:23:29,000
Speaker 2: Absolutely, my dad, I have heard it.

378
00:23:29,440 --> 00:23:31,000
Speaker 4: I demand to see the manager.

379
00:23:31,359 --> 00:23:34,119
Speaker 14: I cannot suffer another moment in this place. I need

380
00:23:34,200 --> 00:23:36,800
Speaker 14: to be moved to more aproree accommodate the river.

381
00:23:37,480 --> 00:23:41,040
Speaker 13: Please come down, crawl.

382
00:23:42,680 --> 00:23:47,560
Speaker 4: One hundred and fifty years. Regard that right now, what's

383
00:23:47,600 --> 00:23:50,840
Speaker 4: the problem? Why tell you what my problem? No idea

384
00:23:52,280 --> 00:23:53,080
Speaker 4: with young man?

385
00:24:00,080 --> 00:24:04,760
Speaker 11: Come on.

386
00:24:14,000 --> 00:24:15,280
Speaker 13: The money, stop the elevator.

387
00:24:17,240 --> 00:24:34,480
Speaker 5: Okay, yes, that's more life. Okay, first things first, I'm

388
00:24:34,520 --> 00:24:42,879
Speaker 5: gonna need some help. And there she is perfect, she's alone.

389
00:24:45,359 --> 00:24:45,679
Speaker 4: Section.

390
00:24:46,760 --> 00:24:54,880
Speaker 5: Okay, here we go, focus and focus everything tickling? Okay,

391
00:24:56,280 --> 00:24:59,320
Speaker 5: come on, I think this isn't it?

392
00:25:01,160 --> 00:25:05,760
Speaker 16: Joh Hello Jack?

393
00:25:08,040 --> 00:25:08,240
Speaker 20: Yeah?

394
00:25:09,119 --> 00:25:10,400
Speaker 5: Yes, who's there?

395
00:25:11,760 --> 00:25:12,280
Speaker 6: Jacqueline?

396
00:25:14,200 --> 00:25:14,680
Speaker 11: Oh my god?

397
00:25:14,720 --> 00:25:14,960
Speaker 14: What the.

398
00:25:16,960 --> 00:25:17,120
Speaker 3: Talk?

399
00:25:18,040 --> 00:25:18,520
Speaker 4: What's me?

400
00:25:19,040 --> 00:25:19,080
Speaker 14: What?

401
00:25:20,560 --> 00:25:20,600
Speaker 10: What?

402
00:25:20,800 --> 00:25:21,360
Speaker 11: Nina? Look?

403
00:25:21,960 --> 00:25:23,879
Speaker 5: Look look at me, Nina.

404
00:25:26,000 --> 00:25:26,840
Speaker 19: What's going on?

405
00:25:27,400 --> 00:25:31,280
Speaker 6: Jacqueline, be cool, Be cool, you jack Why are you screaming?

406
00:25:31,840 --> 00:25:33,520
Speaker 5: You don't see you don't see what?

407
00:25:34,000 --> 00:25:35,080
Speaker 4: She's right there?

408
00:25:36,080 --> 00:25:36,480
Speaker 15: Who is?

409
00:25:36,800 --> 00:25:40,159
Speaker 5: She can't see me? Dude? I need your help, Jackie.

410
00:25:40,640 --> 00:25:45,879
Speaker 5: What are you talking about? Tell her to leave? I

411
00:25:46,760 --> 00:25:50,000
Speaker 5: guess nothing. I think you can leave?

412
00:25:50,280 --> 00:25:55,240
Speaker 12: Yes, okay, what is happening right now?

413
00:25:55,280 --> 00:25:57,040
Speaker 5: And why the fuck are you dressed like that? I

414
00:25:57,160 --> 00:25:59,960
Speaker 5: know I look insane, but listen, I don't have much time.

415
00:26:00,480 --> 00:26:01,400
Speaker 5: I know this is super.

416
00:26:01,240 --> 00:26:04,680
Speaker 12: Reasonable, but I need your help, like to pass on?

417
00:26:05,240 --> 00:26:08,840
Speaker 5: No, that part covered. Actually, what I need is, hey,

418
00:26:08,960 --> 00:26:16,920
Speaker 5: do you trust me? Oh? Well, good, he's sleeping. Wait

419
00:26:17,040 --> 00:26:17,800
Speaker 5: that that's the boy.

420
00:26:18,320 --> 00:26:25,560
Speaker 6: Yeah, okay, what are you doing helping?

421
00:26:26,080 --> 00:26:26,960
Speaker 2: No, it's weird.

422
00:26:27,080 --> 00:26:27,640
Speaker 9: Stop stop.

423
00:26:27,680 --> 00:26:39,119
Speaker 12: I can move you by myself. Okay, be careful, okay, okay.

424
00:26:39,240 --> 00:26:42,399
Speaker 5: How much trouble do you think I'll get in for this? Okay, listen,

425
00:26:42,480 --> 00:26:44,520
Speaker 5: we're just moving him to a sacred location.

426
00:26:45,960 --> 00:26:49,879
Speaker 12: What's happening, Hi, Eric, I'm just going to move you

427
00:26:50,000 --> 00:26:51,600
Speaker 12: to another more comfortable room.

428
00:26:51,800 --> 00:26:57,040
Speaker 5: Okay, okay, Hi, Hi, wait, he can just go.

429
00:26:57,240 --> 00:27:02,159
Speaker 7: Joe's going okay, excuse me, excuse me, Jacqueline, what.

430
00:27:02,240 --> 00:27:02,760
Speaker 8: Are you doing?

431
00:27:03,560 --> 00:27:03,720
Speaker 10: Hi?

432
00:27:04,160 --> 00:27:07,400
Speaker 14: Doctor santos Hi what are you doing with my patient?

433
00:27:07,600 --> 00:27:09,080
Speaker 15: Oh? You know, just.

434
00:27:10,560 --> 00:27:11,400
Speaker 12: Just moving him?

435
00:27:11,720 --> 00:27:12,399
Speaker 9: Why tell him?

436
00:27:12,400 --> 00:27:13,240
Speaker 6: Because it isn't safe.

437
00:27:13,720 --> 00:27:15,679
Speaker 12: I need to move him to a safer location.

438
00:27:16,200 --> 00:27:17,000
Speaker 4: No you don't.

439
00:27:17,040 --> 00:27:18,280
Speaker 2: You need to leave him here?

440
00:27:20,480 --> 00:27:22,680
Speaker 9: Oh no, what we have to go.

441
00:27:22,920 --> 00:27:24,800
Speaker 5: We have to go now. I'm sorry, Gabe, but we

442
00:27:24,880 --> 00:27:26,440
Speaker 5: have to leave. You're just gonna have to trust me,

443
00:27:27,000 --> 00:27:27,480
Speaker 5: do I do?

444
00:27:27,560 --> 00:27:28,600
Speaker 4: I need to call security?

445
00:27:29,000 --> 00:27:29,119
Speaker 1: Oh?

446
00:27:30,160 --> 00:27:31,200
Speaker 2: He's you.

447
00:27:32,040 --> 00:27:35,960
Speaker 4: You are not okay, you're not supposed to be out

448
00:27:36,000 --> 00:27:36,440
Speaker 4: of bed.

449
00:27:37,040 --> 00:27:39,040
Speaker 2: In fact, you were sedated.

450
00:27:39,960 --> 00:28:01,240
Speaker 11: You over him? Come on, come on, oh shit, okay, okay, okay,

451
00:28:04,280 --> 00:28:06,560
Speaker 11: so what can you just to stand right there?

452
00:28:06,840 --> 00:28:08,360
Speaker 12: What are you serious?

453
00:28:08,880 --> 00:28:09,080
Speaker 4: Yes?

454
00:28:09,680 --> 00:28:11,720
Speaker 5: Mm hmm what kind of elevator is that?

455
00:28:12,000 --> 00:28:12,040
Speaker 10: No?

456
00:28:12,160 --> 00:28:14,199
Speaker 5: No, no, no no, maybe maybe we should get security.

457
00:28:14,359 --> 00:28:16,200
Speaker 5: No no, no, no, no no, there's no time. Just

458
00:28:16,320 --> 00:28:17,280
Speaker 5: wait right here?

459
00:28:17,400 --> 00:28:17,840
Speaker 4: Can you do that?

460
00:28:19,000 --> 00:28:19,200
Speaker 1: Yeah?

461
00:28:19,320 --> 00:28:20,800
Speaker 11: Yeah, I guess if you're sure.

462
00:28:21,560 --> 00:28:22,760
Speaker 6: Okay, I'll be right back.

463
00:28:23,840 --> 00:28:24,960
Speaker 11: Where's she going?

464
00:28:25,359 --> 00:28:27,920
Speaker 12: It's okay, it's okay, we're gonna be okay, just hold

465
00:28:27,960 --> 00:28:28,320
Speaker 12: my hand.

466
00:28:29,119 --> 00:28:29,480
Speaker 14: There you go.

467
00:28:30,000 --> 00:28:30,480
Speaker 5: It's okay.

468
00:28:32,560 --> 00:28:36,600
Speaker 11: Oh oh hey, hey, ask Oh you stay back, I'm

469
00:28:36,680 --> 00:28:37,560
Speaker 11: not playing with you.

470
00:28:41,440 --> 00:28:45,280
Speaker 2: Come give him to me.

471
00:28:50,200 --> 00:29:07,280
Speaker 5: Up here. I didn't.

472
00:29:09,520 --> 00:29:09,960
Speaker 4: I did it?

473
00:29:10,520 --> 00:29:13,040
Speaker 5: I think Okay I think I think everything is gonna

474
00:29:13,040 --> 00:29:20,920
Speaker 5: be okay. Now, Oh, what the hell is that? What's

475
00:29:20,960 --> 00:29:21,520
Speaker 5: it doing here?

476
00:29:21,760 --> 00:29:21,800
Speaker 14: What?

477
00:29:22,520 --> 00:29:22,560
Speaker 15: What?

478
00:29:22,760 --> 00:29:23,200
Speaker 1: What is it?

479
00:29:24,800 --> 00:29:24,840
Speaker 16: No?

480
00:29:25,080 --> 00:29:29,600
Speaker 12: No, no, no, no, no, oh my god, Jack generally no, no, no, no,

481
00:29:29,920 --> 00:29:30,960
Speaker 12: I I don't.

482
00:29:30,840 --> 00:29:32,800
Speaker 15: Feel so no.

483
00:29:34,600 --> 00:29:39,440
Speaker 11: No no, I'm here.

484
00:29:45,480 --> 00:29:51,480
Speaker 9: It's not nana, Nina, Nina?

485
00:29:53,280 --> 00:29:53,880
Speaker 5: What was all that?

486
00:29:54,040 --> 00:29:54,560
Speaker 7: I heard it?

487
00:29:54,680 --> 00:29:59,000
Speaker 20: It sounded like, yes, yes, you have so closely altered

488
00:29:59,040 --> 00:30:02,400
Speaker 20: the dead schedule, the death itself had to re issue

489
00:30:02,560 --> 00:30:05,120
Speaker 20: all new dods to everyone in this hospital.

490
00:30:05,840 --> 00:30:09,040
Speaker 9: Oh my god, I see the boy is safe. Are

491
00:30:09,040 --> 00:30:11,080
Speaker 9: your friend not so much?

492
00:30:12,080 --> 00:30:12,200
Speaker 4: Why?

493
00:30:12,280 --> 00:30:13,320
Speaker 5: Why is her number so low?

494
00:30:13,400 --> 00:30:13,440
Speaker 15: That?

495
00:30:13,560 --> 00:30:14,200
Speaker 5: This isn't right?

496
00:30:14,440 --> 00:30:17,280
Speaker 9: This is the way things are now, given the state

497
00:30:17,320 --> 00:30:20,720
Speaker 9: of things need, Death has decreed that you must work

498
00:30:20,760 --> 00:30:23,760
Speaker 9: here or every one of the new dods have been meant.

499
00:30:24,320 --> 00:30:25,280
Speaker 5: No, this isn't right.

500
00:30:25,600 --> 00:30:28,280
Speaker 18: Death has also decreed you should fail to do your

501
00:30:28,400 --> 00:30:32,120
Speaker 18: job again, everyone in this hospital will die.

502
00:30:32,400 --> 00:30:33,840
Speaker 12: What immediately?

503
00:30:34,240 --> 00:30:34,760
Speaker 5: What the fuck?

504
00:30:41,960 --> 00:30:44,480
Speaker 2: Oh?

505
00:30:44,680 --> 00:30:47,760
Speaker 14: My ah?

506
00:30:48,640 --> 00:30:48,920
Speaker 6: Fuck?

507
00:30:49,040 --> 00:30:50,640
Speaker 2: I hate hospital bets.

508
00:30:54,480 --> 00:31:01,880
Speaker 5: Hello, Gabriel, is that you? Yes?

509
00:31:04,120 --> 00:31:05,480
Speaker 4: This is a dream, isn't it?

510
00:31:06,640 --> 00:31:06,800
Speaker 13: Oh?

511
00:31:08,360 --> 00:31:09,080
Speaker 5: I wish it was.

512
00:31:12,880 --> 00:31:14,200
Speaker 4: Oh, I've missed you.

513
00:31:16,840 --> 00:31:17,160
Speaker 5: Covered.

514
00:31:19,960 --> 00:31:20,240
Speaker 14: I know.

515
00:31:38,160 --> 00:31:41,440
Speaker 10: If you see that Baa, will she be there to

516
00:31:41,560 --> 00:31:45,920
Speaker 10: help or to her It's not a matter of motive,

517
00:31:46,280 --> 00:31:49,120
Speaker 10: but instead just a matter of time.

518
00:31:56,000 --> 00:31:58,480
Speaker 2: Until next time Death Willing.

519
00:32:07,600 --> 00:32:08,280
Speaker 4: Nocturno.

520
00:32:08,720 --> 00:32:12,400
Speaker 14: Tales from the Shadows was produced by Sonoro in partnership

521
00:32:12,480 --> 00:32:17,719
Speaker 14: with Our Heartsmichael Tura Podcast Network. Produced and directed by

522
00:32:17,840 --> 00:32:22,960
Speaker 14: Luis Eduardo Cassillo, Developed and produced by Bettina Lopez.

523
00:32:23,800 --> 00:32:25,160
Speaker 8: Executive produced by.

524
00:32:25,160 --> 00:32:29,440
Speaker 14: Colonel Burn and Giselle Benzs for iHeart and Camilla Victoriano

525
00:32:29,520 --> 00:32:31,640
Speaker 14: and Josho Weinstein for Sonoro.

526
00:32:33,360 --> 00:32:35,160
Speaker 4: This episode was written by.

527
00:32:36,120 --> 00:32:45,120
Speaker 14: Ela Ja Sarrignana. Performances in this episode by Dani Trejo, Shannon,

528
00:32:45,280 --> 00:32:54,200
Speaker 14: Gisela Fernandomoye, My Name, Bill Philippe, Baujan Pacolosano, Adan, James Carrico,

529
00:32:54,640 --> 00:33:00,960
Speaker 14: kue Ten, Shila, Sheila Corci, Amador Placentia, Reggie de Leon,

530
00:33:01,480 --> 00:33:08,760
Speaker 14: and Pedro Hollywood River. Our production manager is Carinsa Chaies.

531
00:33:09,520 --> 00:33:15,160
Speaker 14: Recording engineering and sound designed by Cassandra Tinajerro and Andres Bayena.

532
00:33:16,040 --> 00:33:22,160
Speaker 14: Casting a coordination by Ansley Martinez, Alex Gonzalez, Carensa Chaides

533
00:33:22,520 --> 00:33:23,720
Speaker 14: and Pettina Lopez.

534
00:33:24,800 --> 00:33:28,800
Speaker 8: Voices recorded at the Invisible Studios and Out Loud Audio

535
00:33:28,920 --> 00:33:33,280
Speaker 8: in Los Angeles, the Relic Room in New York Panoramic

536
00:33:33,400 --> 00:33:38,400
Speaker 8: Audio in Miami, Bill Carcery Productions in San Diego, Matt

537
00:33:38,480 --> 00:33:41,800
Speaker 8: Block Sound in San Juan, Puerto Rico, and low Key

538
00:33:41,960 --> 00:33:46,160
Speaker 8: Entertainment in Lima, Peru, with.

539
00:33:46,320 --> 00:33:54,800
Speaker 14: Engineering by Charles Carroll, Stephen George, John Anderson, Lester Dangler, JK. Hurrado,

540
00:33:55,400 --> 00:34:02,280
Speaker 14: Brett Tubin, Ethan Grafton, Manuel Duran, Rojo a Dio and

541
00:34:02,520 --> 00:34:03,400
Speaker 14: Bill Corkery

542
00:34:05,680 --> 00:34:05,720
Speaker 10: H