WEBVTT - "Awards Shows" w/ Peaches 0:00:15.760 --> 0:00:16.759 Podcast starts now. 0:00:17.400 --> 0:00:20.880 Just kidding we trecked you as we have another amazing 0:00:20.880 --> 0:00:24.479 announcement about upcoming shows and I am not going to 0:00:24.480 --> 0:00:27.000 sugarcoat it. If you're in London, you can see me 0:00:27.160 --> 0:00:31.280 George Severs at the Soho Theater on February twenty fourth. 0:00:31.720 --> 0:00:34.040 The February twenty third show is sold out for the 0:00:34.040 --> 0:00:36.240 twenty fourth still has some tickets. 0:00:35.840 --> 0:00:38.280 And then I Sam, I'm doing an Hour in LA 0:00:38.800 --> 0:00:42.640 three times on March ninth, March twenty fourth, and April first. 0:00:42.800 --> 0:00:44.400 Get tickets to that as well. 0:00:44.600 --> 0:00:46.639 And if you are in New York City there are 0:00:46.760 --> 0:00:50.200 actually quite a few opportunities to see us. We will 0:00:50.240 --> 0:00:53.480 be doing a Stradio Lab live show at the Bellhouse. 0:00:53.520 --> 0:00:56.480 We are returning home to the Bell House, and that 0:00:56.720 --> 0:01:00.800 is on March thirteenth, Friday the third teenth, at seven 0:01:00.880 --> 0:01:01.760 thirty at the Bell House. 0:01:02.200 --> 0:01:04.880 And then in NYC, I Sam, I'm doing my Hour 0:01:05.040 --> 0:01:08.640 on the eighteenth at Union Hall, getting a bit intimate 0:01:08.680 --> 0:01:10.679 with it nights. 0:01:10.760 --> 0:01:14.000 Excuse me being British as kind of my thing. Sans 0:01:14.080 --> 0:01:15.240 MA shows are at London. 0:01:15.920 --> 0:01:18.600 So basically, if you are in London, New York City 0:01:18.680 --> 0:01:22.160 or Los Angeles, California, you have various opportunities to see 0:01:22.200 --> 0:01:23.800 us either together or separately. 0:01:24.520 --> 0:01:28.480 And that is all we have for now. Cheers. 0:01:29.240 --> 0:01:32.320 Podcast starts now, and Happy Monday, Happy Monday to all, 0:01:32.520 --> 0:01:35.600 Happy post Golden Globes Day to all of Hollywood. So 0:01:36.480 --> 0:01:38.160 you know, who knows when this will be coming out, 0:01:38.160 --> 0:01:40.480 but when we are recording, it is the day after. 0:01:40.480 --> 0:01:43.440 After the Golden Globes, which George did. I'll say it 0:01:43.760 --> 0:01:45.119 was there. I was there. 0:01:45.319 --> 0:01:49.160 I was not despite being employed by actually the Golden 0:01:49.160 --> 0:01:52.080 Globes organization to Clark Productions, I was not able to 0:01:52.120 --> 0:01:54.160 attend the actual show. I was in the overflow room 0:01:54.400 --> 0:01:58.800 for various amazing publicism producers and the people that keep 0:01:58.800 --> 0:01:59.600 this town running. 0:01:59.640 --> 0:02:02.160 Folks, Well, I think it's good that you weren't the 0:02:02.200 --> 0:02:03.720 main show, because I agree, what would I just look 0:02:03.720 --> 0:02:04.040 forward to? 0:02:04.920 --> 0:02:06.720 I was like, I hadn't eaten all day and I 0:02:06.800 --> 0:02:09.480 was trying to like find a block of cheese to 0:02:09.520 --> 0:02:13.840 eat while like like influencers are doing photo shoots and 0:02:13.880 --> 0:02:16.720 people were Do you know when you feel like legitimately invisible, 0:02:16.760 --> 0:02:19.320 like people are walking into you. Yeah, it was sort 0:02:19.320 --> 0:02:22.200 of amazing if it was like it actually felt like 0:02:22.280 --> 0:02:24.600 Zen Buddhism in that I was like, oh, here, I 0:02:24.639 --> 0:02:26.640 am invisible, despite the fact that I was in the 0:02:26.720 --> 0:02:28.760 least zen Buddhist place of all, which is a room 0:02:28.840 --> 0:02:33.040 full of kind of vultures and vampires. Yeah, it actually 0:02:33.720 --> 0:02:35.600 was such an out of body experience that I felt 0:02:35.639 --> 0:02:36.120 at peace. 0:02:36.520 --> 0:02:38.320 Well that's lovely. I have a question. 0:02:38.720 --> 0:02:40.720 So, when you're like working at an event like that, huh, 0:02:41.120 --> 0:02:44.639 do you transition into sort of employee mode, like sort 0:02:44.639 --> 0:02:46.440 of get pitiful. Whenever I'm in a space like that 0:02:46.480 --> 0:02:47.920 and working, I get pitiful quick. 0:02:48.040 --> 0:02:52.080 Oh, I see what you're saying. Hmm. Or are you 0:02:52.160 --> 0:02:53.520 like I'm taking up my space? 0:02:54.560 --> 0:02:54.720 No. 0:02:54.960 --> 0:02:58.840 I think my general plan is act like you belong, 0:02:59.120 --> 0:03:02.080 but don't make yourself known. I don't want to be 0:03:02.440 --> 0:03:04.840 at any point looking around as though I'm lost. 0:03:05.440 --> 0:03:07.519 Like, even if I don't know where I'm going, I'm 0:03:07.520 --> 0:03:10.639 power you're walking fast, somebody to know where the bathroom was. 0:03:10.639 --> 0:03:12.440 And I just started walking in a random direction, and 0:03:12.480 --> 0:03:14.000 I was like, well if I just keep walking because 0:03:14.000 --> 0:03:15.400 we were like I bumped into walk. 0:03:15.280 --> 0:03:17.880 Turn right like a sim Yeah, I'll eventually find it. 0:03:17.919 --> 0:03:23.840 But yeah, you don't know where you're going. Where I'm going, 0:03:24.240 --> 0:03:26.520 I have to say, you know, I saw a bunch 0:03:26.560 --> 0:03:29.520 of celebs. Yeah, were your starstruck? I have to say 0:03:29.560 --> 0:03:33.000 I was much more starstruck this morning meeting our guest 0:03:33.080 --> 0:03:34.560 than I was meeting anyone I met. 0:03:34.680 --> 0:03:38.440 Well name and it actually really and we will bring 0:03:38.480 --> 0:03:40.240 her in and I feel we're talking about her while 0:03:40.280 --> 0:03:40.800 she's in the room. 0:03:40.800 --> 0:03:44.040 But there's something she walked in. I was like, finally 0:03:44.080 --> 0:03:50.400 an artist. I call these losers. It was like I 0:03:50.440 --> 0:03:50.880 was like what. 0:03:51.080 --> 0:03:53.840 I kept talking to people that were completely normal, and 0:03:53.840 --> 0:03:55.080 then someone will come up to him be like, did 0:03:55.120 --> 0:03:57.400 you know that's so? And so I'm like, okay, well 0:03:57.440 --> 0:03:59.320 could have fooled me because you look like a normal girl. 0:03:59.800 --> 0:04:00.080 Well. 0:04:00.120 --> 0:04:02.480 This is the thing about actors is they're like literally 0:04:02.480 --> 0:04:04.400 just like falling into things. But you're like, wait, so 0:04:04.480 --> 0:04:07.640 you're famous, it's you just stumbled into that. You just like, 0:04:07.640 --> 0:04:08.440 we're really handsome. 0:04:08.440 --> 0:04:12.160 One day. At least act how do I put this? 0:04:12.400 --> 0:04:18.160 At least actors look like celebrities sort of bad musicians 0:04:18.200 --> 0:04:19.760 like tiktoki, bad musicians. 0:04:19.760 --> 0:04:21.360 Oh yeah, just normal people. 0:04:21.680 --> 0:04:25.159 There's something crazy like I'm like, where's the star power? 0:04:25.200 --> 0:04:25.560 Where's it? 0:04:25.640 --> 0:04:28.200 I can't imagine you, you know, eating a bat on 0:04:28.240 --> 0:04:29.160 stage or whatever. 0:04:29.960 --> 0:04:32.600 I'm like where's the punk rock? Right right right, right 0:04:32.680 --> 0:04:33.159 right right. 0:04:33.320 --> 0:04:37.600 So anyway, I I was proud of myself for not. 0:04:40.440 --> 0:04:42.440 Being more starstruck. 0:04:42.520 --> 0:04:44.720 I was like, Okay, I have some soul left, and 0:04:44.760 --> 0:04:46.120 you're like, to me, you guys are normal. 0:04:47.080 --> 0:04:49.880 Yeah. I was just pushing aside Amanda Stafer. I was like, 0:04:49.920 --> 0:04:53.800 excuse me, you're in my way. Did you plug the 0:04:53.800 --> 0:04:56.760 pod at all? Or were you like to come like 0:04:56.800 --> 0:04:57.599 you have to come on? 0:04:58.680 --> 0:05:01.080 Honestly, that's see, that's I will never succeed in this 0:05:01.120 --> 0:05:03.840 industry because no. I literally was like, I forget I 0:05:03.920 --> 0:05:06.360 was there. I forgot I'm in any way involved in 0:05:06.360 --> 0:05:07.279 the entertainment industry. 0:05:07.360 --> 0:05:09.200 That's why people kept being like, so what do you do. 0:05:09.240 --> 0:05:13.440 I'm like I don't. I don't and someone like nothing, 0:05:13.440 --> 0:05:13.840 I don't lose. 0:05:14.560 --> 0:05:17.159 I was like, oh, I wrote for I wrote for 0:05:17.360 --> 0:05:18.679 Marybeth on the Carpet. 0:05:18.760 --> 0:05:20.640 And then someone goes, are you a are you a 0:05:20.640 --> 0:05:24.120 writer outside of that? And I literally didn't know how 0:05:24.160 --> 0:05:26.680 to answer. It's like, the answer is yes, yes, I'm 0:05:26.720 --> 0:05:27.719 a professional writer. 0:05:28.000 --> 0:05:30.520 I get paid for it. But I didn't. I was like, oh, 0:05:31.200 --> 0:05:34.520 I've done some writing in the past. It's humiliating. I 0:05:34.839 --> 0:05:38.400 turned into that so bad, I get like sniveling. It's horrible. 0:05:38.560 --> 0:05:39.680 We need to bring in our gut, We need to 0:05:39.680 --> 0:05:42.600 bring in our guest. It is such a true honor. 0:05:42.960 --> 0:05:47.520 I'm buzzing. I'm buzzing. Please to the podcast Peaches. Oh hi, but. 0:05:48.160 --> 0:05:50.920 There wasn't one person that you were star struck about. 0:05:51.480 --> 0:05:53.520 Okay, let you know what, thank you call him out. 0:05:54.360 --> 0:05:58.960 Uh listen, when Julia Roberts walked by, you know, we 0:05:59.040 --> 0:06:02.159 grow up like that's someone that has been America sweethearts 0:06:02.200 --> 0:06:05.000 since we were kids. Obviously I was, I was starstruck. 0:06:05.040 --> 0:06:07.760 But the thing is, I don't think I said this 0:06:07.839 --> 0:06:10.720 to you earlier. But like my specific job there was 0:06:10.760 --> 0:06:15.000 on the carpet itself, so I legitimately saw every single person, 0:06:15.080 --> 0:06:19.080 like I probably saw two hundred famous people, and so 0:06:19.839 --> 0:06:21.120 you get desensitized so. 0:06:21.120 --> 0:06:23.520 Fast like I. So, you know, you turn around at 0:06:23.520 --> 0:06:27.560 some point you see I don't know, Leonardo DiCaprio or something, 0:06:27.680 --> 0:06:31.200 and he's like the tenth famous person in thirty seconds 0:06:31.200 --> 0:06:32.760 that you've seen in just to sort of like all right, 0:06:32.839 --> 0:06:33.360 keep it moving. 0:06:33.560 --> 0:06:35.440 But you don't because you don't hear what they're saying. 0:06:35.560 --> 0:06:37.719 You know, you get them because like if they said 0:06:37.720 --> 0:06:41.120 something that should actually like pique your interest. 0:06:41.400 --> 0:06:43.320 Yes, well that did happen to me and I have 0:06:43.400 --> 0:06:47.120 to redact the names. But an A list actress I 0:06:47.160 --> 0:06:50.360 was talking to her okay actor walks in. 0:06:51.320 --> 0:06:57.400 She goes, oh, here comes so and so he's gay. 0:06:58.600 --> 0:07:02.400 What does that mean? What does that mean? 0:07:03.760 --> 0:07:06.200 She meant that he was actually gay or she was 0:07:06.200 --> 0:07:09.000 making a joke. I sort of had this theory and 0:07:09.040 --> 0:07:11.720 maybe this is my only sexist. I had this theory 0:07:11.720 --> 0:07:14.520 that maybe he like had rejected her in the past, 0:07:14.800 --> 0:07:19.680 and so she had some like foranity like. 0:07:19.840 --> 0:07:20.800 I still like him. 0:07:23.560 --> 0:07:26.760 But the tone I was like, you're kookie, Well that's 0:07:26.880 --> 0:07:29.520 interesting to so I thought that was interesting. 0:07:29.960 --> 0:07:31.920 I did you know, I think it was interesting. 0:07:32.320 --> 0:07:34.920 I was just like, see, I was on Okay, I 0:07:34.960 --> 0:07:38.800 was playing charades with a bunch of people, which is 0:07:38.800 --> 0:07:43.640 funny with Germans who are not funny, and one person 0:07:43.920 --> 0:07:45.840 was like, oh. 0:07:45.760 --> 0:07:48.240 Yeah, you know this band. You know they're cool, but 0:07:48.760 --> 0:07:50.600 you know they're gay, And I was just like. 0:07:51.280 --> 0:07:53.840 What do you mean, Oh you thought they were using 0:07:53.880 --> 0:07:55.000 it like the derogatory way. 0:07:55.080 --> 0:07:57.800 I just didn't understand what it means. What does it mean? 0:07:57.960 --> 0:08:01.640 Like you know they're they're so cool to get like 0:08:01.680 --> 0:08:05.480 it was some kind of like crutch or some kind 0:08:05.520 --> 0:08:08.040 of like I don't know, so I don't know if 0:08:08.080 --> 0:08:08.720 it's interesting. 0:08:09.480 --> 0:08:14.400 Yeah, it's kind of like, okay, so what is that. 0:08:15.040 --> 0:08:17.280 I think what's interesting is just the idea of this 0:08:17.400 --> 0:08:21.040 like elegant actress in like a beautiful dress, seeing a 0:08:21.040 --> 0:08:23.360 guy walk in and being like the wort. 0:08:25.000 --> 0:08:26.440 Right, Okay, Yeah. 0:08:26.320 --> 0:08:29.200 It shows like a weird immaturity. 0:08:29.240 --> 0:08:29.440 Yeah. 0:08:29.960 --> 0:08:31.040 Well, I think that's what it is. 0:08:31.080 --> 0:08:34.080 And I think that was the most quote unquote interesting 0:08:34.080 --> 0:08:37.240 thing about it is seeing people let down the hair 0:08:37.280 --> 0:08:40.360 a little bit and be because they're like among their 0:08:40.360 --> 0:08:43.400 own kind, like be gossiping. 0:08:45.280 --> 0:08:47.840 I thought that's what they do. I know, I thought 0:08:47.840 --> 0:08:51.679 they do gossip. I know, anyone strategically gossiping. 0:08:51.840 --> 0:08:55.360 Anything too drunk the win. That's the thing. 0:08:55.400 --> 0:08:57.800 It's like, I don't know if you feel this way 0:08:57.840 --> 0:09:00.400 in the music world, but like I do think people, 0:09:00.679 --> 0:09:05.680 because there's phones everywhere, have gotten very worried about seeming 0:09:05.720 --> 0:09:06.960 out of control in any way. 0:09:07.240 --> 0:09:07.440 Yeah. 0:09:07.440 --> 0:09:09.280 I think that's across the board. 0:09:09.360 --> 0:09:11.959 Yeah, but that does make things like that less interesting, 0:09:12.040 --> 0:09:14.160 That's true. I didn't see anyone. I mean, I'm sure 0:09:14.160 --> 0:09:17.000 there were people doing drugs and stuff and not in 0:09:17.000 --> 0:09:19.200 front of me. But I feel like I don't know 0:09:19.400 --> 0:09:21.200 a few like twenty years ago, I would have been 0:09:21.240 --> 0:09:24.240 seeing people do lines at the after party. 0:09:24.080 --> 0:09:24.640 Right right. 0:09:24.720 --> 0:09:27.079 Yeah, they didn't like go in the bathroom and make 0:09:27.120 --> 0:09:30.360 that a thing like you and then you feel left 0:09:30.360 --> 0:09:32.920 out because they didn't invite you. And then you know, 0:09:33.280 --> 0:09:36.160 then you say okay once and then they're like come, come, come, 0:09:36.200 --> 0:09:37.040 mad that's gone, and then you. 0:09:37.040 --> 0:09:38.920 Don't want to again and then they're like, oh, you 0:09:39.040 --> 0:09:39.319 leave me. 0:09:39.440 --> 0:09:43.120 Hind totally, it's like this whole game, Like it's yeah, 0:09:43.160 --> 0:09:45.360 they like become mad at you. Yeah, they're mad at 0:09:45.360 --> 0:09:47.360 you because you're not doing enough or you don't want 0:09:47.400 --> 0:09:50.120 to do it at all or oh okay, then you're out. Yeah, 0:09:50.200 --> 0:09:53.760 and it's like but it's like I remember, I was 0:09:53.880 --> 0:09:57.319 a person just put it on the table. They made 0:09:57.400 --> 0:10:00.320 lines for everyone and they were like do it or not, 0:10:00.600 --> 0:10:01.200 I'm doing it. 0:10:01.240 --> 0:10:03.880 I just think like not that I care, but it 0:10:03.920 --> 0:10:05.480 was I care that they. 0:10:05.400 --> 0:10:08.160 Try and make it so secretive, secretive, and that it's 0:10:08.280 --> 0:10:13.480 like that's that's their little thing, like that's gonna like 0:10:13.559 --> 0:10:14.840 bring us together totally. 0:10:14.880 --> 0:10:17.160 Well, the whole point of I don't know, you would 0:10:17.160 --> 0:10:19.520 think the whole point of partying in substances is like 0:10:19.600 --> 0:10:21.680 to be inclusive in some way. 0:10:22.080 --> 0:10:24.360 Yeah, yeah, but it's all like I didn't, you didn't. 0:10:24.640 --> 0:10:28.200 Yeah, it's to find new levels of exclusions because first 0:10:28.240 --> 0:10:29.640 you have to get in. Then you have to get 0:10:29.679 --> 0:10:32.439 into the bathroom with these two people. Yeah, that's the 0:10:32.520 --> 0:10:33.480 extra extra VIP. 0:10:35.120 --> 0:10:37.920 It's funny because there's there's in Berlin. 0:10:38.240 --> 0:10:39.600 I start to say these things. 0:10:40.320 --> 0:10:42.439 No, but it's just cute. They have like they have. 0:10:42.400 --> 0:10:44.400 A room and everybody knows that's the room where you 0:10:44.400 --> 0:10:45.880 want to If you want to do that, you go 0:10:45.960 --> 0:10:46.280 in there. 0:10:46.400 --> 0:10:47.880 If you don't, you don't have to see it. But 0:10:47.920 --> 0:10:49.439 it's open, like to go in there. 0:10:49.960 --> 0:10:52.040 I want to ask you about Berlin because you mentioned 0:10:52.040 --> 0:10:54.600 something which is of course the universal truth, which is 0:10:54.640 --> 0:10:57.720 that Germans are not funny. You are very funny, which 0:10:57.720 --> 0:10:59.360 we're going to get into because we want to talk 0:10:59.400 --> 0:11:02.839 about the new album. My sister lives in Germany. I've 0:11:02.880 --> 0:11:03.880 spent time in Germany. 0:11:04.200 --> 0:11:05.480 How do you deal with that? 0:11:06.880 --> 0:11:08.000 It's hilarious. 0:11:08.960 --> 0:11:09.880 How do you deal with that? 0:11:10.280 --> 0:11:13.240 It's really funny because it's just like sometimes you wonder 0:11:13.360 --> 0:11:17.040 if it's like English is a second language, because you 0:11:17.080 --> 0:11:20.040 know which is not fair because I'm not learning German 0:11:20.559 --> 0:11:24.439 even though I'm there for so long. But if it's 0:11:24.480 --> 0:11:27.640 English as a second language, or they just can't let 0:11:27.679 --> 0:11:32.720 themselves go, they're just like oh no, or they don't 0:11:32.720 --> 0:11:35.720 get it, or there's this sort of like a cultural 0:11:35.960 --> 0:11:40.719 history with certain words that that that that feed into 0:11:40.800 --> 0:11:43.320 each other or in North America that they just don't get. 0:11:43.920 --> 0:11:47.000 I wish I could like cite a perfect example right now, 0:11:47.000 --> 0:11:52.040 but I I cannot think about it. But what they 0:11:52.120 --> 0:11:54.200 used to have this commercial like a long time ago 0:11:54.320 --> 0:11:57.520 on which I thought was pretty funny for Germans. They 0:11:57.520 --> 0:12:01.360 were it was talking about learn English and it was 0:12:01.360 --> 0:12:04.640 a commercial and in the commercial there's guys in a 0:12:04.679 --> 0:12:08.600 submarine and they're like sinking and they're like. 0:12:08.640 --> 0:12:10.040 Help help, we're sinking. 0:12:10.080 --> 0:12:13.040 We're sinking Their Americans we're sinking, and the Germans asking 0:12:13.160 --> 0:12:15.360 like what are you thinking about? 0:12:17.400 --> 0:12:17.880 But I thought that. 0:12:19.400 --> 0:12:26.960 They love like slapstick humor, which is really like bass immature, 0:12:27.080 --> 0:12:31.360 like whoa Somebody Fell, which is so funny. 0:12:31.040 --> 0:12:32.400 Because they hide themselves. 0:12:32.480 --> 0:12:37.800 They pride themselves in such like high you know, self intellectual. 0:12:38.679 --> 0:12:40.599 Well do you think it's like the It's like so 0:12:40.679 --> 0:12:42.959 much funnier to see a serious person slip and falling 0:12:42.960 --> 0:12:44.439 a ban appeal than like a silly person. 0:12:45.679 --> 0:12:47.640 It is, well, yeah, the funny thing is always the 0:12:47.640 --> 0:12:51.000 opposite what you're used to. But I also I wonder 0:12:51.000 --> 0:12:53.520 if slapstick, you know, with the Germans, obviously the elephant 0:12:53.520 --> 0:12:56.920 in the room is always oh, our history. I wonder if. 0:13:00.120 --> 0:13:02.240 The way for them to be like, well, if it's 0:13:02.400 --> 0:13:05.680 as far removed from the cerebral as possible, Like, there's 0:13:05.679 --> 0:13:08.400 no way for slapstick to be problematic. It's ultimately like 0:13:08.440 --> 0:13:10.760 the joke comes from the physical comedy. The joke comes 0:13:10.800 --> 0:13:13.280 from falling. You can't accidentally say the wrong thing. 0:13:13.520 --> 0:13:18.480 Whereas kind of like self flagellation, it's self flagellation, yeah right, right, Okay, 0:13:18.520 --> 0:13:21.720 that's cool. Whereas like a more sort of like intellectual 0:13:21.800 --> 0:13:25.520 humor or like your type of humor that's more sort 0:13:25.520 --> 0:13:30.160 of like sexual and word play and towing the line 0:13:30.240 --> 0:13:32.520 of being offensive, but then like bringing it back in 0:13:32.640 --> 0:13:33.680 that's maybe too risky. 0:13:34.000 --> 0:13:39.240 It's funny because I was in like a state theater 0:13:39.320 --> 0:13:42.360 production of a bertal Brech play where you can't like 0:13:42.480 --> 0:13:43.120 change stuff. 0:13:43.160 --> 0:13:45.600 So but the director. 0:13:47.400 --> 0:13:50.080 Did this amazing thing where she turned it into like 0:13:50.120 --> 0:13:55.360 a very like modern feminist act where she started to 0:13:55.960 --> 0:13:59.439 after the actual play, she started to bring in other 0:13:59.480 --> 0:14:01.760 elements and it turned into a peachiesh show where I 0:14:01.760 --> 0:14:04.800 could do what I want, but they had like translation 0:14:04.960 --> 0:14:08.520 of my lyrics and they just didn't translate in the 0:14:08.640 --> 0:14:13.280 poetic sense that I find them in their double entangres huh. 0:14:13.320 --> 0:14:15.520 And so people after the show they were like, that 0:14:15.679 --> 0:14:17.079 was very cross. 0:14:17.520 --> 0:14:20.840 You said this, and I'm like, well, it was so 0:14:20.920 --> 0:14:26.160 hard to explain to understand how that's like funny or interesting. 0:14:26.280 --> 0:14:26.480 Yeah. 0:14:26.560 --> 0:14:30.200 Yeah, the new album No Loops So Rude, No Loops 0:14:30.240 --> 0:14:30.960 So Rude. 0:14:30.800 --> 0:14:34.440 February twentieth, I should say, yeah, we've been listening to 0:14:34.480 --> 0:14:37.600 We've been listening It's to Die For. It's so it's 0:14:37.600 --> 0:14:43.080 like abrasive funny, like it's dancy fun and then like, yeah, 0:14:43.200 --> 0:14:45.680 you really are like so good at towing that line 0:14:45.800 --> 0:14:47.840 of abrasive and then like pulling it back and being 0:14:47.880 --> 0:14:51.240 like sweet and the really moments of transcendence and like 0:14:51.320 --> 0:14:55.040 true emotional depth. I think, yeah, like it's it's. 0:14:54.840 --> 0:14:58.960 Like double on lube sex whole and then suddenly it's 0:14:59.000 --> 0:15:02.280 a whole something will like take You'll be like, oh, 0:15:02.360 --> 0:15:06.120 this was all leading to like this profound statement I 0:15:06.480 --> 0:15:09.400 just was, really, it almost feels like a culmination Do 0:15:09.480 --> 0:15:11.960 you feel like it's like a culmination of I don't 0:15:12.000 --> 0:15:15.040 know everything you've done in the best. 0:15:15.000 --> 0:15:18.320 I mean, is it you kind of feel like, how 0:15:18.400 --> 0:15:22.520 can I bring in everything that I've done but also 0:15:23.480 --> 0:15:28.600 really feel present in twenty twenty six? You know? And 0:15:28.640 --> 0:15:33.600 I think production wise it's got real twenty twenty six 0:15:34.360 --> 0:15:38.360 feel to it. I think that I felt pushed more 0:15:38.440 --> 0:15:41.120 to just like go for the real dance and the 0:15:41.160 --> 0:15:44.080 real like power of it, you know. 0:15:46.720 --> 0:15:50.480 It just like, yeah, it's not easy though, of course, 0:15:50.520 --> 0:15:51.360 but yeah, I. 0:15:51.320 --> 0:15:57.560 Wanted to bring in emotion and vulnerability, but also understand 0:15:57.640 --> 0:16:01.760 that the revolution needs joy, the revolution needs humor. Yeah, 0:16:01.800 --> 0:16:04.640 well the revolution is humor and the revolution is on 0:16:05.000 --> 0:16:08.720 oh my God and also like the Sorry and. 0:16:10.280 --> 0:16:14.560 Canadians. So the last album was ten years. 0:16:14.320 --> 0:16:20.520 Ago, and it just seems like it's it's hitting harder 0:16:20.560 --> 0:16:23.680 and you got to go in harder and deeper. 0:16:34.520 --> 0:16:37.840 What I love about this album especially, but your music 0:16:37.880 --> 0:16:41.040 more broadly, is a lot of the messages you have 0:16:41.080 --> 0:16:44.120 which are about like, you know, there's a great lyric 0:16:44.200 --> 0:16:49.359 that's like technic crats eat a Josh technocrats eat. 0:16:49.480 --> 0:16:52.160 It's great. So I mean obviously it is anti imperialist, 0:16:52.240 --> 0:16:54.720 that is anti capitalist. That is uh, you know. 0:16:54.680 --> 0:16:58.000 You have very progressive politics, but so often music with 0:16:58.040 --> 0:17:00.960 those messages is like kind of corny and you are 0:17:01.320 --> 0:17:03.600 completely not that at all, and it's always huge. 0:17:05.200 --> 0:17:08.040 That's hard, It's really hard, and I appreciate it. But 0:17:08.240 --> 0:17:09.560 that's really the point. 0:17:09.760 --> 0:17:12.320 Yes, because I wanted to be music. 0:17:13.200 --> 0:17:15.359 But also like laugh out loud funny. 0:17:15.400 --> 0:17:17.080 I don't know we can yet that because I mean, 0:17:17.160 --> 0:17:20.000 like the the God, I should know. I wrote some 0:17:20.119 --> 0:17:24.159 lyric like Panna Cottacotta Delight that song. 0:17:24.359 --> 0:17:26.880 I was like, this is so funny, like this is. 0:17:26.920 --> 0:17:30.160 Wi old you mean like like I'm yes, I'm old, 0:17:30.200 --> 0:17:32.400 solid gold, a woman in control of all their holes 0:17:32.760 --> 0:17:35.400 and my roles, I feel my goals. 0:17:35.440 --> 0:17:38.560 Like what was the like, I still bless you. If 0:17:38.600 --> 0:17:40.480 you beg I will fist you up your ass past. 0:17:40.800 --> 0:17:42.760 Did you swear to me icon issues? 0:17:43.000 --> 0:17:45.200 I mean, come on, no, it's so amazing. 0:17:45.320 --> 0:17:47.679 I got venereal. Take me away straight to the clinic. 0:17:47.680 --> 0:17:50.080 Convert you to gay, keep. 0:17:50.000 --> 0:17:52.000 It up or get out of my way. 0:17:52.000 --> 0:17:55.520 Straight to the clinic. Convert you to gay. So no, 0:17:55.600 --> 0:17:56.280 that's really good. 0:17:56.359 --> 0:17:58.560 It's like okay, so, and. 0:17:58.560 --> 0:18:02.119 I also like it's crazy because I'll like conversion the 0:18:02.160 --> 0:18:05.000 conversion canter coming back, it's like, well, it's convert the 0:18:05.080 --> 0:18:07.840 other way, like you do that. And I think I 0:18:07.840 --> 0:18:10.480 play a lot with that like absurdity that I find 0:18:10.600 --> 0:18:14.120 things so absurd that if you switch it, people find 0:18:14.160 --> 0:18:16.440 it more absurd. But if you look at it, it's 0:18:16.520 --> 0:18:17.440 kind of the same thing. 0:18:18.080 --> 0:18:20.639 Well, you actually are doing what comedians are supposed to do, 0:18:20.680 --> 0:18:29.159 which is strip fascist topics of their like seriousness by 0:18:29.720 --> 0:18:32.120 making fun of them. You are saying, look at how 0:18:32.160 --> 0:18:34.640 stupid that is, and you're clipping it on its head. 0:18:34.680 --> 0:18:36.160 Well this we talk about this a lot where it's 0:18:36.200 --> 0:18:39.240 like people right now love to like point out hypocrisy 0:18:39.680 --> 0:18:41.959 and it's sort of like it doesn't do anything. It's 0:18:41.960 --> 0:18:43.439 sort of like, well they have to feel shame if 0:18:43.480 --> 0:18:45.600 you want to point on a hypocrisy and like you 0:18:45.720 --> 0:18:47.639 just being like I'm making fun of you, I'm telling 0:18:47.640 --> 0:18:49.280 you to eat a jog shrap. It's like almost like 0:18:49.359 --> 0:18:50.480 juvenile in the right way. 0:18:51.000 --> 0:18:53.400 Yeah, I mean, I'm sure a lot of people have 0:18:53.520 --> 0:18:59.480 feelings about like a South Park, but to me, it's 0:18:59.480 --> 0:19:04.280 got that like insane toilet humor, but also doing that. 0:19:04.440 --> 0:19:09.200 I'm sure people have feelings whatever, but I really that 0:19:09.640 --> 0:19:10.399 hit me hard. 0:19:10.560 --> 0:19:13.560 No, I'm a South Park stand Yeah, well we wanted 0:19:13.560 --> 0:19:15.399 to talk to you about People ask you a lot 0:19:15.400 --> 0:19:17.640 about your musical influences, but I want to talk about 0:19:17.640 --> 0:19:18.760 your comedic influences. 0:19:19.160 --> 0:19:21.480 So I mean, I'm definitely getting South Park. I'm definitely 0:19:21.480 --> 0:19:25.359 getting like John Waters, Like who else has influenced you? 0:19:25.560 --> 0:19:28.280 I mean, I don't know influence, but I love Maria Branford, 0:19:28.440 --> 0:19:34.640 Like there is somebody who's taken like mental health personally, 0:19:34.720 --> 0:19:38.600 but also like show shown who she is, and also 0:19:39.040 --> 0:19:42.200 like you don't know, you don't know where you stand 0:19:42.280 --> 0:19:46.000 with that in such a really important way. Yeah, and 0:19:46.480 --> 0:19:49.919 like also like almost like oh you okay, but also. 0:19:49.920 --> 0:19:52.399 This is amazing. You just did a stand up just 0:19:52.480 --> 0:19:53.720 for your parents. 0:19:53.480 --> 0:19:56.560