WEBVTT - Extreme Music, Extremely Bad Things, and Always Doing the Right Thing

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<v Speaker 1>Hey, discos, need a little more Disgraceland in your life,

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<v Speaker 1>just to touch to get you through. Yeah, me too.

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<v Speaker 2>This is the podcast.

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<v Speaker 1>It comes after the podcast. Welcome to Disgraceland, the after Party.

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<v Speaker 2>Welcome to the Disgraceland bonus episode, a little thing we

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<v Speaker 2>like to call the after party. This is the show

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<v Speaker 2>after the show, the party after the party. The bridge

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<v Speaker 2>to get you from one full episode of Disgraceland to

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<v Speaker 2>the other. The backyard, to dig into the dirt, our

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<v Speaker 2>mission to uncover the truth, to confront the myth, to

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<v Speaker 2>reclaim the story. On this bonus episode, the person that

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<v Speaker 2>you expected to be here behind the mic talking to

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<v Speaker 2>all of you beautiful people out there. The man, the myth,

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<v Speaker 2>the legend, Jake Brennan. Jake is stuck. Man. He's at

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<v Speaker 2>the airport, He's at the terminal. He's hanging on the telephone,

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<v Speaker 2>flight after flight canceled. And so just like he is

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<v Speaker 2>stuck in aviation purgatory, so too, you are stuck with

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<v Speaker 2>me today the good doctor, doctor Lundy, talking about extreme

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<v Speaker 2>music and extreme moments from music history. Plus we've got

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<v Speaker 2>a brand new spanked episode of this film should be

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<v Speaker 2>played loud to talk about all right, discos, let's get

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<v Speaker 2>into it. It's true, guys, this is a first. The

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<v Speaker 2>after party will not be hosted by Jake as usual today.

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<v Speaker 2>This is not a drill. This ain't no prank. I'm

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<v Speaker 2>not fool in, as Def Leppard would say, I was

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<v Speaker 2>absolutely telling you the truth earlier. Typically, the way this

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<v Speaker 2>works is that Jake writes and records these after party

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<v Speaker 2>episodes on Wednesdays. He and I taped the exclusive all

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<v Speaker 2>access portion on Wednesday Day as well, and then of

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<v Speaker 2>course they're released into the wild on Thursdays. But Jake

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<v Speaker 2>called me on Tuesday afternoon this week. He's been traveling

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<v Speaker 2>with his family, and he called me to say that

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<v Speaker 2>his flight home that night had been canceled, and by

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<v Speaker 2>the time his rescheduled flight got him back on the

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<v Speaker 2>saddle the next day, he wouldn't have enough time to

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<v Speaker 2>write and record the after party. So here we are.

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<v Speaker 2>I'm like, you know, Elvis Costello when he used to

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<v Speaker 2>guest host for Letterman when Letterman went on vacation, and

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<v Speaker 2>I'm psyched to be here. Actually, you know, I really

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<v Speaker 2>am talking with all of you discos because you guys

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<v Speaker 2>are the best. You know that, and I know that

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<v Speaker 2>a lot of you are already probably familiar with my

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<v Speaker 2>voice since I host the rap party over in our

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<v Speaker 2>sister show, Hollywood Land. But all that said, thanks for

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<v Speaker 2>bearing with us here. And you know, like Steve Winwood

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<v Speaker 2>once said, you got to roll with it. Speaking of

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<v Speaker 2>roll with it, that's a song that the band Slipknot

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<v Speaker 2>would likely never cover. Well, I don't know, never say never.

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<v Speaker 2>Did you guys know that? Way back in the day,

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<v Speaker 2>way back in the early days of Slipknot, they covered

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<v Speaker 2>the Humpty Dance by Digital Underground. Hell yeah, man, my

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<v Speaker 2>name is Humpty pronounced with an umpty. How I'd like

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<v Speaker 2>to funk? The slip Knot definitely one of the most

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<v Speaker 2>extreme sounding bands we've ever covered here in Disgraceland. I

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<v Speaker 2>was thinking about the other bands and artists that we've

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<v Speaker 2>covered that are in a similar extreme sounding zone. There's

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<v Speaker 2>Mayhem and Bursham and all the bands at the center

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<v Speaker 2>of the Norwegian black metal scene that we covered way

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<v Speaker 2>back in season one. There's gg Allen we covered him

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<v Speaker 2>in season two. Pantera and the Murder of Dimebag Darryl

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<v Speaker 2>Metallica early Metallica, which features in our story about the

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<v Speaker 2>tragic death of their original bassist Cliff Burton Pentagram perhaps,

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<v Speaker 2>but of course, in the case of slip Knot, their

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<v Speaker 2>music has been accused of being so extreme that it

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<v Speaker 2>led in one case, to murder. Back in two thousand

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<v Speaker 2>and three, in sam Bernardino, California, twenty two year old

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<v Speaker 2>Terry Ray Taylor was brewly murdered by a twenty year

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<v Speaker 2>old and a sixteen year old who said that they

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<v Speaker 2>had been listening to Slipknot immediately before and after the murder,

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<v Speaker 2>specifically the song Disaster Piece, which was analyzed by authorities

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<v Speaker 2>as this case went to trial. I'm not going to

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<v Speaker 2>burn this story here. You can hear all about it

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<v Speaker 2>in our new episode on Slipknot that just hit your

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<v Speaker 2>feed this week on Tuesday. It's right behind this episode

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<v Speaker 2>if you haven't listened to it yet. And as I

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<v Speaker 2>know you guys know, this, of course isn't the first

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<v Speaker 2>time that music, rock and roll, heavy metal, whatever you

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<v Speaker 2>want to call it, has been put in the hot

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<v Speaker 2>seat when something truly bad happens. We've covered a lot

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<v Speaker 2>of these stories here, as you guys know, but here

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<v Speaker 2>are some of the most disgraceful instances of music being

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<v Speaker 2>blamed for extreme violence. In nineteen eighty five, two teenagers

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<v Speaker 2>in Nevada entered a suicide pact. One died, the other

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<v Speaker 2>one sustained severe injuries. Their families later sued Judas Priest,

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<v Speaker 2>claiming that the band had purposefully inserted the phrase do

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<v Speaker 2>it into their song better by You, Better by Me.

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<v Speaker 2>Also in nineteen eighty five, the family of a nineteen

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<v Speaker 2>year old Indio, California boy who had taken his own

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<v Speaker 2>life the year prior, sued Ozzy Osbourne, alleging that the

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<v Speaker 2>tragedy happened after he listened to Ozzie's Son Suicide Solution.

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<v Speaker 2>In two thousand, the parents of a fifteen year old

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<v Speaker 2>girl who had been murdered a few years prior by

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<v Speaker 2>a group of teenage boys sued Slayer, claiming that the

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<v Speaker 2>band's music had inspired the killing. And then there's all

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<v Speaker 2>the stuff with the Beatles and Charles Manson, the Helter

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<v Speaker 2>Skelter thing, the party line about Manson being inspired by

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<v Speaker 2>the White album to start a race war. There's ACDC

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<v Speaker 2>and the night Stalker Richard Ramirez, a fan of the band,

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<v Speaker 2>and the ACDC hat left behind at one of the

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<v Speaker 2>crime scenes, and how the band was blamed in the press.

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<v Speaker 2>For inspiring that killing spree. Heavy music. Extreme music always

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<v Speaker 2>had this stigma attached to it. When I was growing

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<v Speaker 2>up back in the nineteen eighties, you didn't fuck with

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<v Speaker 2>the dudes who listened to Priest or Slayer or early Metallica. Okay,

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<v Speaker 2>they wore jean jackets and they grew peach fuzz mustaches.

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<v Speaker 2>You crossed the street when they were coming your way.

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<v Speaker 2>They were these social outcasts who were into weird shit,

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<v Speaker 2>extreme shit, or so went the thinking. It's really fucked

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<v Speaker 2>up to me, you know. Once I grew up and

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<v Speaker 2>realized that the stigma what I believed about extreme music people,

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<v Speaker 2>for lack of a better term, it was fabricated by

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<v Speaker 2>so called polite society, you know, and then the flames

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<v Speaker 2>were fanned by the media to turn us against the

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<v Speaker 2>kind of music that again so called polite society found offensive.

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<v Speaker 2>The same thing would happen with hip hop as well,

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<v Speaker 2>though by that time I was catching on and figuring

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<v Speaker 2>the shit out.

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<v Speaker 3>You know.

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<v Speaker 2>It's also funny to get older and to discover that

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<v Speaker 2>the metal community or the hardcore community, these subcultures of

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<v Speaker 2>quote unquote extreme music were actually full of some of

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<v Speaker 2>the nicest people, people who were not at all what

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<v Speaker 2>they appeared to be to kids like me, extremely uncool

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<v Speaker 2>kids who were blasting Huey Lewis and John Mellencamp and

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<v Speaker 2>oldies radio. I will fully own how uncool I was

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<v Speaker 2>when I was a kid, by the way, But you know,

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<v Speaker 2>be thinking about all this, be thinking about extreme music

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<v Speaker 2>and the stigma of these you know, musical subcultures while

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<v Speaker 2>you're listening to our new episode on Slipknot, which is

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<v Speaker 2>in your feed right now. Coming up next right after

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<v Speaker 2>this after Party is our Rewind episode from our archive

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<v Speaker 2>on Talking Heads. This was originally released on July ninth,

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<v Speaker 2>twenty twenty four. This episode deals with New York City

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<v Speaker 2>in the nineteen seventies when a psycho killer was on

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<v Speaker 2>the loose. You don't want to miss this episode. Listen

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<v Speaker 2>to it to find out all about all the crazy

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<v Speaker 2>shit that was happening in New York at this time,

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<v Speaker 2>not only the son of Sam who was terrorizing all

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<v Speaker 2>five Burrows, but you know, the blackouts, the trash strikes,

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<v Speaker 2>the Yankees on a tear, and how all of it

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<v Speaker 2>coincided with the birth of punk rock. Then after the Rewind,

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<v Speaker 2>coming next Tuesday, We've got a brand new episode on

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<v Speaker 2>John Fruscante of the Red Hot Chili Peppers. Also, it's

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<v Speaker 2>about River Phoenix and about how River Phoenix really died.

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<v Speaker 2>John and River were friends. River Phoenix, if those who

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<v Speaker 2>don't know, was also a musician he had a band.

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<v Speaker 2>We covered Rivers story previously in Hollywood Land, but now

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<v Speaker 2>this is the John Fruschante story, largely set during the

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<v Speaker 2>making of Bloodshe Sex Magic and immediately thereafter. And then

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<v Speaker 2>to bridge the gap here between, We've got Slipknot this

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<v Speaker 2>week and then the Chili Peppers next week. Later here

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<v Speaker 2>in the exclusive portion of this episode, I'm going to

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<v Speaker 2>dig into the history of the Mansion, which is the

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<v Speaker 2>house on Laurel Canyon Boulevard in Los Angeles that Rick

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<v Speaker 2>Rubin purchased and turned into a recording studio, a studio

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<v Speaker 2>and a house that is allegedly haunted according to bands

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<v Speaker 2>like Slipknot and the Chili Peppers who have recorded there.

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<v Speaker 2>And I'm also going to talk about other supposedly haunted

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<v Speaker 2>recording studios as well. These are some really freaky stories, guys,

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<v Speaker 2>some that you probably have heard and others that you'd

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<v Speaker 2>never heard. And again I'm going to talk about that

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<v Speaker 2>later in the exclusive portion. If you're not yet a

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<v Speaker 2>member of disgrace Land All Access, which is how you

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<v Speaker 2>hear the exclusive portion of the after party, just go

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<v Speaker 2>to disgrace landpod dot com to sign up today. Perks

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<v Speaker 2>of membership include ad free listening of all Disgraceland and

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<v Speaker 2>Hollywood Land episodes, plus bonus material like the exclusive section

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<v Speaker 2>I'm talking about, and if you join on Patreon, you

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<v Speaker 2>also get access to our monthly video podcast, This Film

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<v Speaker 2>Should Be Played Loud, co hosted by Yours Truly and

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<v Speaker 2>Jake Brennan, all about the greatest music in some of

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<v Speaker 2>our favorite movies of all time. Now, when you're listening

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<v Speaker 2>next week to our brand new episode of Disgraceland on

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<v Speaker 2>John Fruschante, be thinking about the nineteen nineties, all right,

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<v Speaker 2>Be thinking about your favorite songs from the nineteen nineties

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<v Speaker 2>and what made them resonate so much with you. Maybe

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<v Speaker 2>it's a song like the Chili Peppers under the Bridge,

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<v Speaker 2>which is dominated so much by Fruschonte's like iconic guitar part.

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<v Speaker 2>Or maybe it's something much more underground than that. Let

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<v Speaker 2>us know. Give us a call, send us attack six

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<v Speaker 2>one seven nine oh six six six three eight. You

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<v Speaker 2>can also email us Disgrace Lampod at gmail dot com

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<v Speaker 2>or hit us up on the socials at Disgrace Lampod

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<v Speaker 2>and you might hear your answer on next week's after party.

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<v Speaker 2>All right, Discos, I'm gonna take a real quick break here,

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<v Speaker 2>but when we come back, i'm gonna have your voicemails, texts,

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<v Speaker 2>dms and more. So don't nobody go nowhere. Okay, So

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<v Speaker 2>you want to be a rock and roll star, then

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<v Speaker 2>listen how here what I say. I'm in the phone booth.

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<v Speaker 2>It's the one across the hall discos six one seven

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<v Speaker 2>nine oh six six six three eight. That's how you

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<v Speaker 2>get in touch and participate in the after party real quick.

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<v Speaker 2>Before I get to your calls and your texts and stuff.

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<v Speaker 2>I just wanted to mention guys. This just came across

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<v Speaker 2>the news as I was preparing to record this this morning,

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<v Speaker 2>but word came down that Glen Hansard, the great Irish

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<v Speaker 2>singer songwriter, Oscar winning songwriter, has died at the age

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<v Speaker 2>of fifty six. He was killed in a motorcycle crash

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<v Speaker 2>in Dublin. Glenn Hansard was in this band called The

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<v Speaker 2>Frames and then later in the Swell Season, and he

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<v Speaker 2>co starred in a great movie from two thousand and

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<v Speaker 2>seven called Once, about a couple of struggling musicians in Dublin.

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<v Speaker 2>His song Falling Slowly from that film won him an

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<v Speaker 2>Academy Award. That was the first time I had ever

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<v Speaker 2>heard of Glenn Hansard. I think a lot of us

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<v Speaker 2>here in the States heard about him for the first

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<v Speaker 2>time with that movie. Totally worth checking out if you

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<v Speaker 2>haven't seen it. It felt very original and very fresh

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<v Speaker 2>when it was released. And this is really shitty news.

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<v Speaker 2>I'm rip to Glenn Hanswred all right, So, as promised,

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<v Speaker 2>we're going to hear from you guys, and first we're

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<v Speaker 2>going to go over to the two one four. We

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<v Speaker 2>got a call here from d who has an awesome

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<v Speaker 2>Slipknot story for us. D take it away.

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<v Speaker 4>Hey, Jake, be from Dallas. It's been a while and

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<v Speaker 4>I just listened to your slip Knot episode and I

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<v Speaker 4>had to call and tell you about my interaction with them.

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<v Speaker 4>I want to say. It was two thousand and four

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<v Speaker 4>and oz Fest was in town. We didn't have the

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<v Speaker 4>cash to go to the show, but we did have

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<v Speaker 4>a plan to hopefully meet up with some of the bands.

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<v Speaker 4>After the show, we went to the Clubhouse in Dallas,

0:13:28.960 --> 0:13:32.240
<v Speaker 4>as you know, which was opened by Vinnie Paul and

0:13:32.360 --> 0:13:37.400
<v Speaker 4>dine back Darrell from Pantera, as it was always the

0:13:37.880 --> 0:13:43.000
<v Speaker 4>final destination of any reputable bands. We got there early

0:13:43.400 --> 0:13:48.280
<v Speaker 4>and we're watching people as they came in. Tall guy

0:13:48.320 --> 0:13:51.400
<v Speaker 4>at the bar who was wearing an Exorcist T shirt

0:13:52.720 --> 0:13:55.199
<v Speaker 4>was like, Oh, that's a really fucking cool hurt. Let

0:13:55.200 --> 0:13:57.240
<v Speaker 4>me go find out where he got it. And so

0:13:57.600 --> 0:14:00.240
<v Speaker 4>I went to him and asked, and he said, oh,

0:14:00.360 --> 0:14:03.720
<v Speaker 4>someone gave it to me backstage. And I said back stage,

0:14:03.840 --> 0:14:07.480
<v Speaker 4>what are you talking about? And he said, my name

0:14:07.679 --> 0:14:10.679
<v Speaker 4>is Cory and I'm in a band that you probably

0:14:10.800 --> 0:14:15.240
<v Speaker 4>haven't heard of called Fripknot. That's right, Are you fucking

0:14:15.320 --> 0:14:18.320
<v Speaker 4>kidding me? I said, please, don't go anywhere. I went

0:14:18.720 --> 0:14:21.440
<v Speaker 4>got my husband came back and we said we are

0:14:21.760 --> 0:14:25.600
<v Speaker 4>huge and we love what you guys are doing. You

0:14:25.640 --> 0:14:29.320
<v Speaker 4>guys are just going to be megastars. And he thanked

0:14:29.400 --> 0:14:32.280
<v Speaker 4>us and was very He was so sweet and so kind,

0:14:32.880 --> 0:14:35.880
<v Speaker 4>and as he started to walk away, he turned back

0:14:35.960 --> 0:14:39.360
<v Speaker 4>and gave us like the universal like, hey, come with me,

0:14:40.280 --> 0:14:45.920
<v Speaker 4>And we ended up at a table where later Twiggy Ramirez,

0:14:46.560 --> 0:14:52.239
<v Speaker 4>Marilyn Manson and what I can only assume are additional

0:14:52.280 --> 0:14:55.880
<v Speaker 4>members of Slip Knot, and also Vinnie Paul and the

0:14:55.920 --> 0:14:59.680
<v Speaker 4>biggest bottle of tequila I've ever seen in my life.

0:15:00.360 --> 0:15:03.840
<v Speaker 4>We partied, had a great time. There were girls everywhere.

0:15:03.920 --> 0:15:07.760
<v Speaker 4>We didn't have to worry about this thing. And as

0:15:07.840 --> 0:15:11.720
<v Speaker 4>we're leaving, Vinny Paul is at the door and in

0:15:11.760 --> 0:15:16.360
<v Speaker 4>his gravelly voice is like, you guys aren't driving right, No,

0:15:16.400 --> 0:15:19.920
<v Speaker 4>we're not driving. We're responsible. We're going to get a cabin.

0:15:20.000 --> 0:15:23.600
<v Speaker 4>He said, no, you're not. He arranged for us a

0:15:23.720 --> 0:15:26.560
<v Speaker 4>private town car to take us back to our room.

0:15:27.600 --> 0:15:30.880
<v Speaker 4>And I just wanted to say a huge thank you

0:15:31.200 --> 0:15:34.800
<v Speaker 4>to Corey. I always knew you guys were gonna make

0:15:34.840 --> 0:15:38.040
<v Speaker 4>it and just be super megastars. I just want to

0:15:38.080 --> 0:15:42.680
<v Speaker 4>thank you for one of the most memorable moments of

0:15:42.800 --> 0:15:46.000
<v Speaker 4>my life. I've always been a fan of metal, I've

0:15:46.040 --> 0:15:51.560
<v Speaker 4>done VIP backstage, and that night was still, to this day,

0:15:52.520 --> 0:15:57.960
<v Speaker 4>hands down my best rock and roll experience. So thank you, Corey,

0:15:58.240 --> 0:15:59.920
<v Speaker 4>and I hope you get to hear it.

0:16:01.000 --> 0:16:05.280
<v Speaker 2>D that is that is an incredible story. Thank you

0:16:05.400 --> 0:16:08.240
<v Speaker 2>so much for calling in and sharing that with us all,

0:16:08.320 --> 0:16:12.200
<v Speaker 2>and you're proving my point from earlier, the whole like

0:16:12.600 --> 0:16:15.800
<v Speaker 2>stigma that we had back in the day of like

0:16:15.960 --> 0:16:20.440
<v Speaker 2>extreme music makers and listeners and how they're the nicest

0:16:20.440 --> 0:16:24.040
<v Speaker 2>fucking people, you know what I mean. For those of

0:16:24.080 --> 0:16:25.920
<v Speaker 2>you who know, if you know, you know, like you're

0:16:25.960 --> 0:16:29.800
<v Speaker 2>not surprised by this story at all, but you know,

0:16:30.120 --> 0:16:33.120
<v Speaker 2>eleven year old me back in nineteen eighty six or

0:16:33.160 --> 0:16:36.800
<v Speaker 2>seven or eight, whatever, would have been very fucking surprised

0:16:36.840 --> 0:16:39.760
<v Speaker 2>by this so incredible story. Thank you so much for

0:16:39.800 --> 0:16:42.120
<v Speaker 2>calling in d love that love to hear from you.

0:16:42.400 --> 0:16:45.600
<v Speaker 2>We got another voicemail here from the six one seven

0:16:45.680 --> 0:16:48.080
<v Speaker 2>from let's see Jake in the six one seven. Let's

0:16:48.080 --> 0:16:48.800
<v Speaker 2>take a listen to this.

0:16:49.320 --> 0:16:52.600
<v Speaker 3>Hey, this is Jake in the six one seven. What's up?

0:16:52.720 --> 0:16:56.360
<v Speaker 3>My first question is, what in the hell is going on?

0:16:57.560 --> 0:17:00.200
<v Speaker 3>Where are you? Wait? By you, I mean me, where

0:17:00.200 --> 0:17:05.800
<v Speaker 3>am I? I'm in Boston. I am stuck here. And

0:17:05.840 --> 0:17:08.440
<v Speaker 3>you might be like, why how do you get stuck in? Boss? Well,

0:17:08.920 --> 0:17:11.880
<v Speaker 3>the weather apparently up there in the skies has made

0:17:11.880 --> 0:17:14.720
<v Speaker 3>for some tough flyings, so our flight was Canceled's supposed

0:17:14.720 --> 0:17:17.680
<v Speaker 3>to be back recording the after party I'm not zess.

0:17:18.119 --> 0:17:20.880
<v Speaker 3>I know. I said I was going to be back Thursday.

0:17:20.920 --> 0:17:23.160
<v Speaker 3>It's now looking like I'm going to be back on Saturday.

0:17:23.280 --> 0:17:27.439
<v Speaker 3>But guys, have no fear all as well. Everybody's healthy,

0:17:27.600 --> 0:17:29.360
<v Speaker 3>everybody's got all the fingers and toes.

0:17:29.840 --> 0:17:30.600
<v Speaker 4>It's all good.

0:17:31.160 --> 0:17:34.480
<v Speaker 3>Life could be much worse, it's not, Thankfully, Hopefully we

0:17:34.520 --> 0:17:35.320
<v Speaker 3>get home safely.

0:17:36.440 --> 0:17:37.360
<v Speaker 4>What's going on?

0:17:37.560 --> 0:17:39.919
<v Speaker 3>What's happening? What do you I don't even know what

0:17:39.920 --> 0:17:41.920
<v Speaker 3>you're talking about there. I guess we had the slipnot

0:17:41.960 --> 0:17:45.080
<v Speaker 3>episode this weekend. We had Dollar parton last weekend. We've

0:17:45.119 --> 0:17:48.400
<v Speaker 3>got John Frusciante coming up next week, which I'm very,

0:17:48.480 --> 0:17:50.360
<v Speaker 3>very very excited about. I can't wait for you guys

0:17:50.400 --> 0:17:51.600
<v Speaker 3>to hear the story. It's not just the story of

0:17:51.680 --> 0:17:55.280
<v Speaker 3>John Frusciante. It's the story of John and his pal

0:17:55.480 --> 0:18:01.480
<v Speaker 3>Ruver Phoenix, and the idea that some people have that

0:18:02.040 --> 0:18:04.840
<v Speaker 3>John had something to do with River's death, and that

0:18:04.920 --> 0:18:07.320
<v Speaker 3>he was more than something to do with it. The

0:18:07.400 --> 0:18:10.880
<v Speaker 3>idea a leegendly that he was directly responsible for River's death.

0:18:10.920 --> 0:18:14.280
<v Speaker 3>So we get into all of that Johnny Death's Fifer Room.

0:18:14.359 --> 0:18:16.240
<v Speaker 3>That's all coming out next week. I can't wait to

0:18:16.320 --> 0:18:18.920
<v Speaker 3>talk to you all about it. Han't fun up here.

0:18:19.200 --> 0:18:21.160
<v Speaker 3>Went to a SOCX game. They're out of town now,

0:18:21.600 --> 0:18:24.560
<v Speaker 3>they're not on the West Coast, and I want to

0:18:24.560 --> 0:18:27.520
<v Speaker 3>see my dad play with his BANDI other n I

0:18:27.640 --> 0:18:31.120
<v Speaker 3>brought my kids. My eight year old had a Jay

0:18:31.119 --> 0:18:35.280
<v Speaker 3>Giles T shirt on. Some drunk dude went up to him,

0:18:35.480 --> 0:18:38.080
<v Speaker 3>sat down right at our table and was like, why

0:18:38.119 --> 0:18:41.639
<v Speaker 3>do you like Jay Giles? Think very kind of ornery.

0:18:42.280 --> 0:18:45.600
<v Speaker 3>And I got to say, my son handled himself very well.

0:18:45.680 --> 0:18:49.720
<v Speaker 3>He was prepared for the moment. He immediately responded. He said, well,

0:18:50.080 --> 0:18:53.200
<v Speaker 3>I liked him because my three favorite songs are must

0:18:53.240 --> 0:18:56.879
<v Speaker 3>Have Got Lost, Angel in the Centerfold, and Free s Frame.

0:18:57.640 --> 0:19:00.199
<v Speaker 3>And then the guy pressed him even harder. He was like,

0:19:00.359 --> 0:19:03.960
<v Speaker 3>how did you learn about Jay Giles? He said, well,

0:19:04.080 --> 0:19:07.120
<v Speaker 3>I heard Angel in the Centerfold and then I saw

0:19:07.160 --> 0:19:09.199
<v Speaker 3>the cassette at a store and I bought it and

0:19:09.240 --> 0:19:11.399
<v Speaker 3>I put it on and I was like, I like

0:19:11.480 --> 0:19:15.080
<v Speaker 3>this band. And then the guy offered a BioMA Corona.

0:19:15.359 --> 0:19:19.160
<v Speaker 3>It was fantastic. So yeah, we're having fun in Boston.

0:19:19.200 --> 0:19:22.320
<v Speaker 3>I can't wait to get back though, and back in

0:19:22.359 --> 0:19:25.200
<v Speaker 3>the chair talking to all you guys into the microphone.

0:19:25.440 --> 0:19:29.360
<v Speaker 3>Big thank you Zef for holding it down in my absence.

0:19:29.520 --> 0:19:33.000
<v Speaker 3>Lots of cool stuff coming your way guys very shortly. Again,

0:19:33.640 --> 0:19:35.800
<v Speaker 3>can't wait to talk about that Foshanty episode with you

0:19:36.119 --> 0:19:36.800
<v Speaker 3>that's next week.

0:19:36.920 --> 0:19:44.119
<v Speaker 2>I thought that was you, Jake, Oh, sneaky, sneaky. Great

0:19:44.119 --> 0:19:46.000
<v Speaker 2>to hear your voice. That sucks that you guys are

0:19:46.000 --> 0:19:48.680
<v Speaker 2>stuck there until Saturday. Hopefully you don't meet any more

0:19:48.800 --> 0:19:51.919
<v Speaker 2>ornery Jay Giles fans like, give the fucking kid a

0:19:51.920 --> 0:19:54.720
<v Speaker 2>break man. You know, he gave you his three favorite

0:19:54.720 --> 0:19:57.479
<v Speaker 2>songs like why do you have to press him even harder?

0:19:58.280 --> 0:20:00.359
<v Speaker 2>And I'm also glad you got to see the right socks,

0:20:00.359 --> 0:20:03.160
<v Speaker 2>though I'd like to blow your cover there or out

0:20:03.160 --> 0:20:06.400
<v Speaker 2>your little secret and let people know that you guys attended.

0:20:06.640 --> 0:20:10.800
<v Speaker 2>I believe the game in which they lost their wind streak, right,

0:20:10.800 --> 0:20:12.879
<v Speaker 2>they were on like a fifteen game win streak and

0:20:12.920 --> 0:20:15.320
<v Speaker 2>then you guys went and they lost. So I don't

0:20:15.320 --> 0:20:20.760
<v Speaker 2>know do with that what you but yeah, I'm excited

0:20:20.760 --> 0:20:23.800
<v Speaker 2>to hear this John Freschante episode next week as well.

0:20:24.000 --> 0:20:26.360
<v Speaker 2>You know, you mentioned River Phoenix, who's a big part

0:20:26.359 --> 0:20:28.800
<v Speaker 2>of this episode, and I remember when I wrote the

0:20:28.880 --> 0:20:32.320
<v Speaker 2>River Phoenix episode for Hollywood Land you know, this subject

0:20:32.359 --> 0:20:35.320
<v Speaker 2>came up about free Chante and River's death and stuff,

0:20:35.320 --> 0:20:37.160
<v Speaker 2>and I just didn't I didn't even want to touch

0:20:37.160 --> 0:20:39.600
<v Speaker 2>it with a ten foot pole. So I may have

0:20:39.600 --> 0:20:41.639
<v Speaker 2>alluded to it at some point in the episode, but

0:20:41.640 --> 0:20:43.440
<v Speaker 2>I didn't really get into it. But of course leave

0:20:43.480 --> 0:20:47.520
<v Speaker 2>it to Jake to figure out a really thoughtful, creative

0:20:47.560 --> 0:20:49.680
<v Speaker 2>way to get into this, to talk about it, to

0:20:50.119 --> 0:20:51.760
<v Speaker 2>face it head on, and to come out at the

0:20:51.840 --> 0:20:55.000
<v Speaker 2>end with some conclusions. So anyways, good to hear from

0:20:55.040 --> 0:20:57.600
<v Speaker 2>your brother, and looking forward to having you back in

0:20:57.640 --> 0:21:00.920
<v Speaker 2>the saddle here with us again soon, barring any more

0:21:01.440 --> 0:21:05.399
<v Speaker 2>crazy ass Boston weather, which I think it's sunny there.

0:21:05.400 --> 0:21:07.680
<v Speaker 2>I'm not really sure what the issue is with the weather.

0:21:08.320 --> 0:21:12.320
<v Speaker 2>Jake Brennan will return to the after Party next week. Meanwhile,

0:21:12.400 --> 0:21:14.680
<v Speaker 2>let's get on to some other text messages we've got here.

0:21:14.880 --> 0:21:17.840
<v Speaker 2>Six one seven nine oh six six six three eight

0:21:17.960 --> 0:21:20.400
<v Speaker 2>is how you get in touch. We got a text

0:21:20.400 --> 0:21:23.440
<v Speaker 2>here from the two to oh three and it reads, Hi,

0:21:23.560 --> 0:21:26.560
<v Speaker 2>Jake and Zeth, this is Melissa from the two oh three.

0:21:26.600 --> 0:21:28.800
<v Speaker 2>I heard you mention that there will be a Smashing

0:21:28.800 --> 0:21:31.960
<v Speaker 2>Pumpkins episode coming up. I will of course listen, but

0:21:32.040 --> 0:21:34.359
<v Speaker 2>I have never been into those guys. I went to

0:21:34.400 --> 0:21:37.639
<v Speaker 2>Lallapalooza in nineteen ninety four with my friend Walter. The

0:21:37.680 --> 0:21:40.879
<v Speaker 2>b C Boys played second to last and Smashing Pumpkins

0:21:41.240 --> 0:21:44.720
<v Speaker 2>were the headliners. Five minutes into Smashing Pumpkins, Walter and

0:21:44.800 --> 0:21:46.600
<v Speaker 2>I looked at each other and said, let's get out

0:21:46.600 --> 0:21:49.359
<v Speaker 2>of here. That festival was amazing back then, but I

0:21:49.440 --> 0:21:52.800
<v Speaker 2>still cannot understand how the Smashing Pumpkins were the headliners

0:21:52.840 --> 0:21:55.960
<v Speaker 2>over the Beastie Boys. Fun fact, I heard on one

0:21:55.960 --> 0:21:59.160
<v Speaker 2>of those MTV shows that the name for Hello Nasty,

0:21:59.400 --> 0:22:02.320
<v Speaker 2>which is a Beast Boys record, came from a receptionist

0:22:02.400 --> 0:22:05.600
<v Speaker 2>answering the phone and saying hello Nasty. The business was

0:22:05.680 --> 0:22:08.200
<v Speaker 2>part of their production or management team, and the full

0:22:08.320 --> 0:22:11.239
<v Speaker 2>name had the word nasty in it. Thanks for all

0:22:11.240 --> 0:22:15.920
<v Speaker 2>the pods. Rock a rolla Melissa, great great message here.

0:22:16.080 --> 0:22:19.479
<v Speaker 2>Lots to get into here. First of all, yes, Hello Nasty.

0:22:19.520 --> 0:22:23.719
<v Speaker 2>The BC Boys record was named after their publicity their

0:22:23.760 --> 0:22:27.439
<v Speaker 2>PR firm called Nasty little Man, and they would answer

0:22:27.440 --> 0:22:29.840
<v Speaker 2>the people would answer the phone Hello Nasty, And that's

0:22:29.840 --> 0:22:32.280
<v Speaker 2>and that's where that that phrase came from. When I

0:22:32.400 --> 0:22:36.440
<v Speaker 2>was a music critic in my former life, worked with

0:22:36.520 --> 0:22:38.480
<v Speaker 2>Nasty Little Man a lot. They represented a lot of

0:22:38.520 --> 0:22:41.760
<v Speaker 2>a really really big great artists like the Beasts and

0:22:41.760 --> 0:22:44.800
<v Speaker 2>and Beck and Paul McCartney and Foo Fighters and all

0:22:44.800 --> 0:22:47.119
<v Speaker 2>the all the heavy hitters were with Nasty Little Man,

0:22:47.160 --> 0:22:49.040
<v Speaker 2>it seemed. And also the guy that ran that company

0:22:49.080 --> 0:22:51.520
<v Speaker 2>was named Steve Martin, but it wasn't the Steve Martin.

0:22:51.600 --> 0:22:55.280
<v Speaker 2>It was Nasty little Man's Steve Martin. Anyways, Smashing Pumpkins

0:22:55.320 --> 0:22:58.440
<v Speaker 2>headlining Lalla Palooza, I think that there was some sort

0:22:58.480 --> 0:23:02.240
<v Speaker 2>of shenanigans there with how they got to headline Lollapalooza.

0:23:02.560 --> 0:23:05.200
<v Speaker 2>I think Nirvana had pulled out and then they went

0:23:05.240 --> 0:23:09.080
<v Speaker 2>in the top slot. And looking back, it's you go,

0:23:09.600 --> 0:23:12.480
<v Speaker 2>why why would Smashing Pumpkins be there? I agree with

0:23:12.520 --> 0:23:14.880
<v Speaker 2>you over the BC Boys, just because the BC Boys

0:23:14.920 --> 0:23:18.760
<v Speaker 2>seemed to have so much more lasting cultural resonance. But

0:23:19.320 --> 0:23:22.200
<v Speaker 2>remember the time. This is ninety four, this is the

0:23:22.280 --> 0:23:25.359
<v Speaker 2>year that Kurt Cobain died. Smashing Pumpkins were sort of

0:23:25.440 --> 0:23:29.160
<v Speaker 2>like filling the void, the Nirvana void at the time,

0:23:29.600 --> 0:23:31.920
<v Speaker 2>as like the biggest rock band on the planet. I mean,

0:23:31.960 --> 0:23:34.600
<v Speaker 2>Siame's Dream and Melancholy and the Infinite Sadness were fucking

0:23:34.800 --> 0:23:37.720
<v Speaker 2>huge records. We get into that in the episode that

0:23:37.760 --> 0:23:40.520
<v Speaker 2>we have coming out on them. So anyways, there's a

0:23:40.560 --> 0:23:43.399
<v Speaker 2>little behind the scenes there on Nasty little Man and

0:23:43.440 --> 0:23:46.680
<v Speaker 2>the Pumpkins. Thanks for the message, Melissa six one seven

0:23:46.760 --> 0:23:51.320
<v Speaker 2>nine oh six six six three eight. We've got a

0:23:51.359 --> 0:23:55.440
<v Speaker 2>text here from the seven six three. Jake was talking

0:23:55.440 --> 0:24:00.520
<v Speaker 2>about summer reading, watching, and listening recommendations last week, So

0:24:00.600 --> 0:24:03.439
<v Speaker 2>the seven sixty three text in Good Evening Jake summer

0:24:03.480 --> 0:24:08.520
<v Speaker 2>recommendations for books. I have joined the Dungeon Crawler Carl Bandwagon.

0:24:09.000 --> 0:24:11.520
<v Speaker 2>Great read, really easy to get into, more so if

0:24:11.560 --> 0:24:14.280
<v Speaker 2>you have ever played video games. For movies, I just

0:24:14.320 --> 0:24:18.679
<v Speaker 2>rewatched be kind Rewind with Jack Black and Mustaf very funny,

0:24:18.680 --> 0:24:21.480
<v Speaker 2>doesn't take itself too seriously. For music, I've been listening

0:24:21.520 --> 0:24:23.879
<v Speaker 2>to a lot of live Bruce Springsteen. Just listened to

0:24:23.920 --> 0:24:26.199
<v Speaker 2>his show from the Born to Run tour in New

0:24:26.280 --> 0:24:30.200
<v Speaker 2>Jersey in nineteen eighty five. Great show, great music, especially

0:24:30.240 --> 0:24:34.359
<v Speaker 2>for July fourth. Thanks for all you do well. Thank

0:24:34.640 --> 0:24:38.840
<v Speaker 2>you very much seven six' three for the. RECOMMENDATIONS i

0:24:38.880 --> 0:24:42.720
<v Speaker 2>remember liking be Kind rewind when that came. Out that's

0:24:42.720 --> 0:24:45.159
<v Speaker 2>A Michelle gondry. FILM i think that's the one he

0:24:45.200 --> 0:24:48.679
<v Speaker 2>made right After Eternal sunshine in The Spotless. Mind you

0:24:48.720 --> 0:24:51.040
<v Speaker 2>know you can't go wroun With bruce circa nineteen eighty.

0:24:51.040 --> 0:24:55.040
<v Speaker 2>Five the guy was just a. Machine even the clips

0:24:55.080 --> 0:24:58.440
<v Speaker 2>now At bruce and The Eastreet band playing look. AMAZING

0:24:58.480 --> 0:25:00.440
<v Speaker 2>i saw. Them the one TIME i was them was

0:25:00.520 --> 0:25:05.840
<v Speaker 2>nineteen ninety nine WHEN i think THE i think everybody

0:25:05.880 --> 0:25:08.600
<v Speaker 2>was back in the, fold like Little steven And clarence

0:25:08.640 --> 0:25:11.080
<v Speaker 2>and like it was all the original members of THE

0:25:11.080 --> 0:25:13.360
<v Speaker 2>Ea Street band were back together for the first time

0:25:13.359 --> 0:25:15.720
<v Speaker 2>in a little. BIT i think was after Like bruce's

0:25:15.880 --> 0:25:17.800
<v Speaker 2>couple of solo records he had done there or. Whatever

0:25:18.240 --> 0:25:20.879
<v Speaker 2>AND i just remember it was at The garden In,

0:25:20.920 --> 0:25:24.760
<v Speaker 2>boston AND i just remember the seating was completely surrounded the.

0:25:24.800 --> 0:25:27.359
<v Speaker 2>Stage it filled up the entire, garden And, bruce like

0:25:27.840 --> 0:25:31.040
<v Speaker 2>throughout the show would turn so that he would face

0:25:31.680 --> 0:25:35.080
<v Speaker 2>all four sides of the of the, garden so that

0:25:35.119 --> 0:25:37.440
<v Speaker 2>everybody so you, know you weren't looking At bruce's back

0:25:37.480 --> 0:25:39.399
<v Speaker 2>the whole. Time it was a cool thing he. Was

0:25:39.760 --> 0:25:42.359
<v Speaker 2>he was really giving, it giving it up for the fans.

0:25:42.400 --> 0:25:42.680
<v Speaker 3>There it was.

0:25:42.720 --> 0:25:46.920
<v Speaker 2>GREAT i got a text here from three oh four that,

0:25:47.040 --> 0:25:49.880
<v Speaker 2>says were you guys talking About Edward Hopper's New york.

0:25:50.040 --> 0:25:53.560
<v Speaker 2>Interior why, yes three or? Four that is the painting

0:25:53.760 --> 0:25:56.359
<v Speaker 2>That jake AND i were talking about in one of

0:25:56.400 --> 0:25:59.760
<v Speaker 2>the shows last, week And jake had a controversial take

0:25:59.800 --> 0:26:01.879
<v Speaker 2>on the painting a little bit more later in this

0:26:01.920 --> 0:26:05.000
<v Speaker 2>episode about. That, okay everybody else out, there be like

0:26:05.040 --> 0:26:07.720
<v Speaker 2>your fellow discos here that we just heard, from and

0:26:07.760 --> 0:26:09.840
<v Speaker 2>give us a call or send us a text at

0:26:09.880 --> 0:26:13.840
<v Speaker 2>six one seven nine oh six six six three. Eight

0:26:14.560 --> 0:26:17.960
<v Speaker 2>maybe give me your answer to next week's question of the,

0:26:18.080 --> 0:26:21.159
<v Speaker 2>week which, is when you're listening to the New disgraceline

0:26:21.160 --> 0:26:24.440
<v Speaker 2>episode On John, forschante be thinking about the nineteen, nineties

0:26:24.440 --> 0:26:28.640
<v Speaker 2>what's your favorite song from the? Nineties? Uh favorite songs

0:26:28.680 --> 0:26:30.920
<v Speaker 2>from the? Nineties what made them resonate so? Much sixty

0:26:30.960 --> 0:26:36.320
<v Speaker 2>one seven nine oh six six six three. Eight all, right,

0:26:36.359 --> 0:26:38.960
<v Speaker 2>Guys i'm gonna take another quick break, here but when

0:26:39.000 --> 0:26:41.280
<v Speaker 2>we come, Back i'm gonna get into your emails and

0:26:41.400 --> 0:26:57.320
<v Speaker 2>much more, so stay. Tuned all, Right, discos we are

0:26:57.400 --> 0:27:00.919
<v Speaker 2>back in the after. Party Doctor lundy here holding it

0:27:00.960 --> 0:27:05.720
<v Speaker 2>down today While Jake brennan is uh in parts, Unknown

0:27:05.760 --> 0:27:07.520
<v Speaker 2>actually we know where he. Is he's In. Boston he's

0:27:07.520 --> 0:27:11.240
<v Speaker 2>in The Greater boston. Area don't. Worry he's. Safe someone's

0:27:11.240 --> 0:27:15.280
<v Speaker 2>giving him water and they've left the windows cracked And

0:27:15.320 --> 0:27:18.280
<v Speaker 2>Steely dan is on the, stereo so he's. Fine don't

0:27:18.320 --> 0:27:20.040
<v Speaker 2>worry about. It if you want to get in touch

0:27:20.040 --> 0:27:22.280
<v Speaker 2>with us here, guys six one seven nine oh six

0:27:22.320 --> 0:27:25.360
<v Speaker 2>six six three eight is the, number or you can

0:27:25.359 --> 0:27:30.680
<v Speaker 2>always Email disgrace lambpod at gmail dot com to connect

0:27:30.680 --> 0:27:34.400
<v Speaker 2>with us and your fellow, discos just like our Guy

0:27:34.520 --> 0:27:36.720
<v Speaker 2>delbert here who wrote an email to us with the

0:27:36.760 --> 0:27:41.000
<v Speaker 2>subject Line. Dolly it reads just want to throw out some.

0:27:41.119 --> 0:27:44.520
<v Speaker 2>Love The Dolly parton episode was an amazing testament to your.

0:27:44.600 --> 0:27:49.040
<v Speaker 2>Storytelling you finally smoked The pentagram, episode ending from the

0:27:49.080 --> 0:27:51.639
<v Speaker 2>intro expressing what anyone growing up in the eighties or

0:27:51.720 --> 0:27:54.840
<v Speaker 2>nineties thought Of dolly to the understanding we have, now

0:27:55.080 --> 0:27:58.560
<v Speaker 2>the background record, scratches and the gradual guitar strumming as

0:27:58.600 --> 0:28:01.879
<v Speaker 2>the story. Progresses just wanted to tell you that this

0:28:01.960 --> 0:28:05.280
<v Speaker 2>new chapter Of disgraceland is something to. Experience thanks for

0:28:05.359 --> 0:28:07.199
<v Speaker 2>all you do and the guys that double us do

0:28:07.359 --> 0:28:11.520
<v Speaker 2>rock A. Rolla thanks so, Much. Delbert that means so

0:28:11.680 --> 0:28:15.000
<v Speaker 2>much because as you alluded to. There you, know we're

0:28:15.040 --> 0:28:19.840
<v Speaker 2>always evolving the way that we always, evolving always iterating

0:28:19.920 --> 0:28:22.600
<v Speaker 2>how we do what we, do the creative part of our,

0:28:22.680 --> 0:28:25.480
<v Speaker 2>job the editorial part of our. Job and we've been

0:28:25.560 --> 0:28:28.800
<v Speaker 2>slowly sort of, massaging you, know the structure of our

0:28:28.840 --> 0:28:32.680
<v Speaker 2>episodes how we tell these, stories partly, because as we'll

0:28:32.720 --> 0:28:35.359
<v Speaker 2>all become clear, soon we're working on some new stuff

0:28:35.400 --> 0:28:37.679
<v Speaker 2>and it's going to fit into this new stuff that

0:28:37.680 --> 0:28:39.840
<v Speaker 2>we're working. On But i'm glad that it's. Landing And

0:28:39.840 --> 0:28:42.479
<v Speaker 2>i'm glad you enjoyed this episode in. Particular not to

0:28:42.480 --> 0:28:44.600
<v Speaker 2>toot my own horn or, anything BUT i wrote The

0:28:44.600 --> 0:28:48.600
<v Speaker 2>Dolly parton episode AND i was really happy with, it

0:28:48.920 --> 0:28:51.840
<v Speaker 2>And i'm glad that it resonated with.

0:28:51.880 --> 0:28:51.960
<v Speaker 3>You.

0:28:52.200 --> 0:28:54.560
<v Speaker 2>Delbert thank you for writing in and letting us.

0:28:54.600 --> 0:28:55.160
<v Speaker 3>Know all.

0:28:55.240 --> 0:28:59.280
<v Speaker 2>Right got another email here From bill and the subject

0:28:59.320 --> 0:29:02.920
<v Speaker 2>line is art Slash Edward hopper Slash covers and it,

0:29:03.000 --> 0:29:06.440
<v Speaker 2>Reads Hey, Jake bill from the two one five. Here

0:29:06.480 --> 0:29:08.400
<v Speaker 2>you guys were so all over the place on that

0:29:08.480 --> 0:29:11.520
<v Speaker 2>last wrap, party and it was. Great i'm a working

0:29:11.640 --> 0:29:14.240
<v Speaker 2>artist In. Philadelphia that's HOW i make my. LIVING i,

0:29:14.320 --> 0:29:16.280
<v Speaker 2>know you know how hard that can be, sometimes AND

0:29:16.320 --> 0:29:18.880
<v Speaker 2>i appreciate your grind as a musician and media. Person,

0:29:19.400 --> 0:29:21.800
<v Speaker 2>anyway my ears perked up when you reference The hopper

0:29:21.840 --> 0:29:25.080
<v Speaker 2>painting that featured on your screen at. Home AM i

0:29:25.200 --> 0:29:28.600
<v Speaker 2>right that it's Called New York? Interior hopper was such

0:29:28.600 --> 0:29:30.760
<v Speaker 2>a voyeur in his, painting AND i think you're on

0:29:30.800 --> 0:29:33.360
<v Speaker 2>the right track and your assessment of what's. Happening there

0:29:33.400 --> 0:29:36.400
<v Speaker 2>seems to be a man's hat behind, her giving us

0:29:36.400 --> 0:29:38.720
<v Speaker 2>a clue that she has. Company the front of her

0:29:38.800 --> 0:29:40.960
<v Speaker 2>dress is hyped, up but no other evidence of a

0:29:41.000 --> 0:29:44.080
<v Speaker 2>second party other than the things around. Her i'm attaching

0:29:44.080 --> 0:29:46.040
<v Speaker 2>a pick of the. Painting if it's not the, one even,

0:29:46.080 --> 0:29:49.040
<v Speaker 2>better let's see that, music, movies, stories and art are

0:29:49.040 --> 0:29:50.840
<v Speaker 2>basically my whole. Life so thanks to you and the

0:29:50.880 --> 0:29:54.080
<v Speaker 2>good doctor for helping me to scratch those. Itches rock

0:29:54.120 --> 0:29:57.280
<v Speaker 2>A rolla and Then bill followed up with we apparently

0:29:57.320 --> 0:29:59.920
<v Speaker 2>may have our minds in the, gutter though some research

0:30:00.080 --> 0:30:03.560
<v Speaker 2>says she's sowing a white garment with that outstretched arm

0:30:03.880 --> 0:30:09.000
<v Speaker 2>raised with a. Needle who's to, say, Thanks, bill thank

0:30:09.040 --> 0:30:11.720
<v Speaker 2>you for your investigation into. This, guys if you missed

0:30:11.720 --> 0:30:15.080
<v Speaker 2>this last, Week jake was talking about he's got this

0:30:15.120 --> 0:30:17.440
<v Speaker 2>thing on HIS tv where it when he's not WATCHING.

0:30:17.440 --> 0:30:21.600
<v Speaker 2>Tv it displays a piece of art and he has

0:30:21.640 --> 0:30:23.840
<v Speaker 2>This Edward hopper painting up that we've discovered is Called

0:30:23.880 --> 0:30:28.360
<v Speaker 2>New York interior of a woman and we're looking at

0:30:28.400 --> 0:30:31.440
<v Speaker 2>her from behind And jake thinks that she's getting it

0:30:31.440 --> 0:30:34.760
<v Speaker 2>on in this, painting that there's some mystery man beneath her.

0:30:34.760 --> 0:30:37.480
<v Speaker 2>There it was very controversial. Take it was a take

0:30:37.520 --> 0:30:40.520
<v Speaker 2>THAT i did not, believe ALTHOUGH i did not believe,

0:30:40.560 --> 0:30:42.680
<v Speaker 2>it and then he sent me a text of the

0:30:42.720 --> 0:30:46.400
<v Speaker 2>picture after we recorded the episode that was, like NOW

0:30:46.440 --> 0:30:49.320
<v Speaker 2>i can't unsee, it and probably just because our minds

0:30:49.360 --> 0:30:52.440
<v Speaker 2>are on the. Gutter As bill alluded, To bill appreciate

0:30:52.520 --> 0:30:55.600
<v Speaker 2>the again the investigation here and appreciates you being an.

0:30:55.680 --> 0:30:58.320
<v Speaker 2>ARTIST i do know how hard that can, be AND

0:30:58.680 --> 0:31:02.480
<v Speaker 2>i appreciate your grind. There brother. Guys we're also On

0:31:02.560 --> 0:31:06.240
<v Speaker 2>patreon in the, chat not just on text or voicemail

0:31:06.600 --> 0:31:10.200
<v Speaker 2>or emails or the social you, know we're talking always

0:31:10.240 --> 0:31:13.600
<v Speaker 2>over there about. Recommendations this. Week if you guys heard

0:31:13.600 --> 0:31:16.920
<v Speaker 2>the rap party over in The Hollywood lamb, podcasts that was.

0:31:17.000 --> 0:31:19.640
<v Speaker 2>YESTERDAY i Had matt On Matt, boden our head of

0:31:19.680 --> 0:31:21.960
<v Speaker 2>production here at Double. Elvis With jake being out of,

0:31:22.000 --> 0:31:25.880
<v Speaker 2>Town matt AND i were talking about, biopicks everything from

0:31:26.320 --> 0:31:30.160
<v Speaker 2>The Marilyn monroe Biopick blonde to this one Called born

0:31:30.200 --> 0:31:34.080
<v Speaker 2>To Be blue About Chet baker Starring Ethan. Hawk because

0:31:34.960 --> 0:31:37.440
<v Speaker 2>over In Hollywood land The feed this week we have

0:31:37.520 --> 0:31:41.280
<v Speaker 2>our part one episode from The archive On Marilyn, monroe

0:31:41.320 --> 0:31:43.440
<v Speaker 2>AND i was thinking, about you, KNOW i had recently

0:31:43.480 --> 0:31:46.160
<v Speaker 2>watched The blonde biopic AND i was just thinking about

0:31:46.160 --> 0:31:49.680
<v Speaker 2>biopics in. General that prompted the question to all of

0:31:49.720 --> 0:31:54.080
<v Speaker 2>you guys over, there what is your Favorite Marilyn monroe?

0:31:54.360 --> 0:31:57.320
<v Speaker 2>FILM i want to, know so again six one seven

0:31:57.400 --> 0:31:59.920
<v Speaker 2>nine oh six six six three Eight disgrace Lamb Potter

0:32:00.040 --> 0:32:02.480
<v Speaker 2>gmail dot com or over In, patreon let me know

0:32:02.480 --> 0:32:05.040
<v Speaker 2>what your favorite film. IS i, really really really Like,

0:32:05.160 --> 0:32:07.400
<v Speaker 2>niagara which is a movie that we're going to cover

0:32:07.520 --> 0:32:11.040
<v Speaker 2>in the screening room in The Hollywood Land feed tomorrow On.

0:32:11.160 --> 0:32:14.480
<v Speaker 2>Friday but this weekend we're all gonna be Watching river

0:32:14.600 --> 0:32:17.920
<v Speaker 2>Of No, return which is the nineteen fifty four auto

0:32:18.000 --> 0:32:22.320
<v Speaker 2>premiger film Starring Marilyn monroe And Robert. Mitcham believe it

0:32:22.360 --> 0:32:25.360
<v Speaker 2>was the only time those two performed together And i'm

0:32:25.360 --> 0:32:27.800
<v Speaker 2>going to talk about it next week the Next friday Screening,

0:32:27.880 --> 0:32:31.240
<v Speaker 2>Room so make sure you're subscribed To Hollywood land On Apple,

0:32:31.280 --> 0:32:37.080
<v Speaker 2>podcasts The iHeartRadio, app or wherever you get your. Podcasts all, right,

0:32:37.120 --> 0:32:40.320
<v Speaker 2>guys as, Promised i'm going to talk about The mansion

0:32:40.680 --> 0:32:44.600
<v Speaker 2>and other haunted recording studios coming up in the exclusive

0:32:44.640 --> 0:32:47.760
<v Speaker 2>section of this. Episode right after this, again go to

0:32:47.800 --> 0:32:51.080
<v Speaker 2>disgrace lampod dot com to sign up and listen and

0:32:51.120 --> 0:32:55.640
<v Speaker 2>to unlock more exclusive content like this plus ad free.

0:32:55.760 --> 0:33:09.280
<v Speaker 2>Listening all, right, guys we'll be right back after. This all,

0:33:09.400 --> 0:33:11.680
<v Speaker 2>Right DOCTOR lundi here with you guys in the hot

0:33:11.720 --> 0:33:15.000
<v Speaker 2>seat one last time for one last block of this after. Party.

0:33:15.240 --> 0:33:18.320
<v Speaker 2>Listen it's been a pleasure guest hosting the after party here.

0:33:18.320 --> 0:33:20.520
<v Speaker 2>TODAY i hope you guys have had a good, time

0:33:20.880 --> 0:33:23.440
<v Speaker 2>AND i WISH i wish our, Guy Jake, brennan you,

0:33:23.480 --> 0:33:26.280
<v Speaker 2>know unexpected a few more days In. Boston sorry to

0:33:26.280 --> 0:33:28.760
<v Speaker 2>hear that you're, stuck but there are worst places to.

0:33:28.800 --> 0:33:31.400
<v Speaker 2>Be looking forward to having you back here with us very.

0:33:31.440 --> 0:33:34.520
<v Speaker 2>SOON i just want to, say guys mentioned earlier episodes

0:33:34.560 --> 0:33:38.280
<v Speaker 2>On Judas, Priest Ozzy osbourne And metallica in this, episode

0:33:38.280 --> 0:33:40.720
<v Speaker 2>and of course we have episodes on all those artists

0:33:41.040 --> 0:33:44.080
<v Speaker 2>in our archive of over two hundred and fifty. Artists

0:33:44.360 --> 0:33:47.320
<v Speaker 2>matt will grab the episode info on these subjects and

0:33:47.360 --> 0:33:49.240
<v Speaker 2>put them in the show notes so that you can

0:33:49.280 --> 0:33:52.040
<v Speaker 2>easily navigate to hear those. Stories so NOW i guess

0:33:52.080 --> 0:33:53.960
<v Speaker 2>we're at the recap. Time right here we. Go it's

0:33:53.960 --> 0:33:58.040
<v Speaker 2>recap strap in number. One this. Week our new episode

0:33:58.200 --> 0:34:01.840
<v Speaker 2>is out on slipknot number two in the rewind slot this.

0:34:01.920 --> 0:34:05.920
<v Speaker 2>Week our classic episode On Talking heads number three next

0:34:05.920 --> 0:34:09.120
<v Speaker 2>week coming. Up our next new episode On tuesday is

0:34:09.160 --> 0:34:11.880
<v Speaker 2>all About John feschante of The Red Hot Chili peppers

0:34:11.880 --> 0:34:15.720
<v Speaker 2>And River. Phoenix number Four. Zeth, hey that's me gives

0:34:15.719 --> 0:34:18.880
<v Speaker 2>you Those hollywood and crime vibes In Hollywood, land so

0:34:18.960 --> 0:34:23.160
<v Speaker 2>make sure you are subscribed and listen every, week usually every,

0:34:23.160 --> 0:34:26.120
<v Speaker 2>week not this, week but every. Week jake AND i

0:34:26.160 --> 0:34:28.840
<v Speaker 2>give you guys music and movie recommendations there in The

0:34:28.920 --> 0:34:32.720
<v Speaker 2>Rap party as. Well number five our latest this film

0:34:32.760 --> 0:34:36.400
<v Speaker 2>should be played loud video podcast episode On do The

0:34:36.480 --> 0:34:39.880
<v Speaker 2>Right thing is available right, now and our next episode

0:34:39.920 --> 0:34:43.759
<v Speaker 2>On Licorice pizza is Coming august twenty. Six go To

0:34:43.800 --> 0:34:46.279
<v Speaker 2>disgrace lampod dot com to sign up to become An

0:34:46.320 --> 0:34:50.160
<v Speaker 2>All access member and unlock exclusive content just like, this

0:34:50.320 --> 0:34:53.839
<v Speaker 2>along with ad free. Listening number six hit us up

0:34:53.960 --> 0:34:57.040
<v Speaker 2>six one seven nine oh six six six three. Eight

0:34:57.120 --> 0:35:00.000
<v Speaker 2>your voice keeps us digging into the dark corners of music.

0:35:00.080 --> 0:35:02.799
<v Speaker 2>History so keep, calling texting with your answers to this

0:35:02.840 --> 0:35:05.120
<v Speaker 2>week's question of the, week or with whatever else you

0:35:05.160 --> 0:35:08.000
<v Speaker 2>want to talk. About number, seven don't forget Disco's this

0:35:08.160 --> 0:35:11.040
<v Speaker 2>isn't just. Content it's a, community a community of the.

0:35:11.080 --> 0:35:14.560
<v Speaker 2>Obsessed no one cares about, music, books, records and the

0:35:14.600 --> 0:35:17.279
<v Speaker 2>crime and grime that ties them all together like you.

0:35:17.360 --> 0:35:21.240
<v Speaker 2>Do and well that's a, disgrace all. Right back On

0:35:21.360 --> 0:35:25.239
<v Speaker 2>may twenty, third two thousand and, three Two california teenagers

0:35:25.400 --> 0:35:28.160
<v Speaker 2>committed a brutal, murder and this is What america was

0:35:28.200 --> 0:35:32.360
<v Speaker 2>listening to that. Day according to The Billboard. Charts number,

0:35:32.360 --> 0:35:36.760
<v Speaker 2>One Get busy By Sean paul last week, one peak

0:35:36.800 --> 0:35:41.879
<v Speaker 2>position one weeks On chart. Thirteen number two twenty One

0:35:41.960 --> 0:35:46.680
<v Speaker 2>questions fifty cent Featuring Nate dogg last week, four peak

0:35:46.680 --> 0:35:49.920
<v Speaker 2>position two weeks on chart. NINE I know What You.

0:35:49.960 --> 0:35:53.399
<v Speaker 2>Want number Three It's ignition by R Kelly heats last

0:35:53.400 --> 0:35:57.440
<v Speaker 2>week three peak position, two peak weeks on chart twenty eight,

0:35:57.440 --> 0:36:01.839
<v Speaker 2>weeks number four week Into club Seven Peaky bodie last

0:36:01.920 --> 0:36:05.360
<v Speaker 2>week and, two peak position one and weeks On sharksage

0:36:05.400 --> 0:36:06.000
<v Speaker 2>napety Five.

0:36:06.120 --> 0:36:07.400
<v Speaker 4>Okay week was number.

0:36:07.160 --> 0:36:08.920
<v Speaker 2>Five NUMBER I Can't Let You. Go it was a

0:36:09.200 --> 0:36:27.440
<v Speaker 2>fabulous Features Mike, short quit talking and start mixing