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Speaker 1: Yo, yo, yo yo. Welcome, it's up their podcast. You

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Speaker 1: know you're dealing with Big Loom. For video, you go

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Speaker 1: to patreon dot com. It's up their podcast. Audio drops

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Speaker 1: every Monday. Thank you for so much for listening. Of

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Speaker 1: course we jump right into it. I want to start

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Speaker 1: with the little Dirk interview with Willow and gilling me

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Speaker 1: and I was worth a game shout out to the

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Speaker 1: home is you know in this space right here? Man,

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Speaker 1: it's um it's unique. I keep telling y'all that we

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Speaker 1: are never movers and shakers. We are not the people

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Speaker 1: who are making headlines. It's making the media cycle. Right.

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Speaker 1: We're able to control the narrative from a position of

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Speaker 1: power where we're able to tell our story. As you

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Speaker 1: know that into the line learns how to write every

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Speaker 1: store real be about the hunter, right. You never hear

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Speaker 1: the lines perspective. You never hear about the hunters that

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Speaker 1: went after the lines and failed and what that may

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Speaker 1: have looked like. Right, So you got to put yourself

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Speaker 1: in a position to know that. Okay, now shift is happening,

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Speaker 1: and I want to send a shout out to Willow,

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Speaker 1: you know specifically because I'm dealing with information, right, So

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Speaker 1: I peep the game that he's putting down. I see

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Speaker 1: what he's doing, right, So some people see Willow and

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Speaker 1: Gidle on me and I was worth a game, do

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Speaker 1: that podcast with Kodak, and simultaneously the album's number one.

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Speaker 1: Why the interview has done a million in a day,

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Speaker 1: and you see them package that and post that that's

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Speaker 1: not by coincidence. That's what's called a proof of concepts.

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Speaker 1: So what he's doing is he's pitching that to labels like,

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Speaker 1: look at the impact of our brand next to your

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Speaker 1: artists on his release date. So I want to send

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Speaker 1: a shout out to them for being able to understand

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Speaker 1: how to package these things. He's some of y'all can't

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Speaker 1: sell what you got because it ain't package right. I

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Speaker 1: even saw what dude on Shark Tank. I can't think

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Speaker 1: his name said that. Yo. I'll be meeting people that

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Speaker 1: I want to invest in, but they ain't even structured

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Speaker 1: right to even accept investment. The taxes and certain things

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Speaker 1: are not right to even accept the check for me

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Speaker 1: to even help them, right. So it's it's information, bro,

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Speaker 1: And so when I see Wilow and them doing that,

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Speaker 1: I understand that, and it's important for me to point

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Speaker 1: it out for the own looker. So now you can

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Speaker 1: view it from a business perspective. That's what it's up

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Speaker 1: there podcast does. It's what we're here in this space for. Right.

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Speaker 1: So Dirk went on me and I was worth a

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Speaker 1: game man, and it was a good interview. You know,

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Speaker 1: Dirk said a lot of things. He said something about

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Speaker 1: King Vaughan, and I was talking to one of the

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Speaker 1: homies about King Vaughan yesterday and the real Street niggas

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Speaker 1: really really felt Vaughn. You did what I'm saying, our

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Speaker 1: pe Vaughn. The real Street niggas really felt dude and

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Speaker 1: felt like he was one of us, you dig. So

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Speaker 1: it's not by coincidence. You hear Dirk say, yo, I

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Speaker 1: had more money than Vaughan. Von took care his people

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Speaker 1: more than me. He had me feeling a way like

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Speaker 1: I was slacking, Like you know what I mean. He

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Speaker 1: was taking care of his people from a perspective of

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Speaker 1: like he was super duple balling and I was the

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Speaker 1: one with the paper. And so for that, you know

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Speaker 1: what type texture Von was. You know. At some point

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Speaker 1: it's up there podcast. See the unique thing about my

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Speaker 1: podcast and what I do. I can take the interview

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Speaker 1: at any time, and it's gonna be really effective because

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Speaker 1: my perspective right, how I view things right, the questions

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Speaker 1: that I'm gonna have, how I how I'm able to

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Speaker 1: relate to certain parts of the game. And that's another

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Speaker 1: reason why I'm watching this wallow thing right with with

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Speaker 1: with him in Thirk and how they was talking and

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Speaker 1: how that's being received. It's a lot going on in

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Speaker 1: the game that I have to look at and view

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Speaker 1: as a certain way. Everything has power, Everything in this

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Speaker 1: space has power, right, So I'm dealing with enough information

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Speaker 1: to know that, and so when I look at things,

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Speaker 1: understand how I'm viewing them, and if you want to

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Speaker 1: mind you viewing them the same way. Dirt the Dirt

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Speaker 1: didn't want to do interviews for people. That's unawell. Dirk

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Speaker 1: was supposed to do academic show. Something is up with

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Speaker 1: academic show, right, It's probably doing good numbers, but I

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Speaker 1: don't know his See, this is a thing about talking,

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Speaker 1: interviewing and things like that. It's so stylistic. You gotta

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Speaker 1: have a certain technique, right, your brain gonna get you

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Speaker 1: in the dough. But now it's about how you sound

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Speaker 1: on the mic. What is your what you're doing, what

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Speaker 1: you're talking about, what's your topics? Right? And when your

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Speaker 1: gifts come? How does that interaction? A lot of people

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Speaker 1: are waiting to see that with me. Right when you're

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Speaker 1: sitting next to somebody, what does that look like? What

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Speaker 1: is it? What you know? What's the vibe? Dell? Right?

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Speaker 1: But hey, man, academic is gonna have to fine tune

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Speaker 1: that thing. Some is missing for podcasters. You don't want

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Speaker 1: to only compete when you have a big interview. You

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Speaker 1: want people to buy into your brand. Wallow and gill

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Speaker 1: It people are buying into them, right, and I have

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Speaker 1: their unique thing as well, drink chumps, Big Facts. We

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Speaker 1: all carry this thing about us, right, what people are like,

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Speaker 1: I'm buying into this person, so I can't wait to

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Speaker 1: see Like I was reading Big Facts podcasts comments yesterday.

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Speaker 1: I had looked at them. They interviewed Kodak black and

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Speaker 1: I was reading the comments. So many people was under

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Speaker 1: the saying, Yo man, I wish Kodak was sitting next

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Speaker 1: to Bank, and I wish Bank had I wish Kodak

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Speaker 1: was right there next like they just they don't bolt

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Speaker 1: into these people and that's what's gonna give you longevity

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Speaker 1: in the game. Everybody know being cool it's fragile. Everybody

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Speaker 1: to know being cool, It's fragile. You see what I'm saying.

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Speaker 1: So um Dirt decline the interview with academics, and I

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Speaker 1: think academics see Academics is using his brand in a

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Speaker 1: way that I would do too, But I just want

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Speaker 1: to be clear with people who's the own lookers. Academics

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Speaker 1: is using his brand, his social media presence as leverage

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Speaker 1: with artists right to secure interviews, because we know artists

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Speaker 1: are sometimes boogit. They don't want to sit down next

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Speaker 1: to dudes. You know, I don't know, because people fuck

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Speaker 1: with me, they fuck with with the game I'm putting down,

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Speaker 1: so they I don't necessarily got a trick them into

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Speaker 1: doing nothing, you know what I'm saying. But sometimes I

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Speaker 1: guess these dudes are having trouble with these artists, so

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Speaker 1: they tend to be like, Yo, I'm gonna push you

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Speaker 1: on my academics page or my social media platform for

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Speaker 1: you to come sit down with me and have a conversation.

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Speaker 1: Like those things are a trade off. And Dirk is

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Speaker 1: maneuver through these last couple of years very smart. He's

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Speaker 1: smarter than people think he's using all these people for

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Speaker 1: what they're worth, right, He's doing business. The dude is

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Speaker 1: doing business out there. You dig so um, you gotta

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Speaker 1: pay attention to know what I'm saying, and I may

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Speaker 1: get into it later and kind of break a little

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Speaker 1: bit of it down, you know. And so Dirt done

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Speaker 1: this interview right in the middle of his beef with

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Speaker 1: NBA young Boy, in the middle of you know, so

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Speaker 1: many of his homeboards or his little home is calling.

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Speaker 1: It's a lot going on on the internet, right, So

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Speaker 1: in the middle of all that he does this, he

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Speaker 1: does the album. So he says, I ain't doing no interview.

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Speaker 1: Willow and Gilly had to come to his hood, so

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Speaker 1: I'm gonna play a little bit of it and we'll

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Speaker 1: speak about it. But they came to his hood of

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Speaker 1: fifty to sixty niggas in there and had the interview.

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Speaker 1: They hit a lot of high points. Wallow and Gilly

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Speaker 1: did a great job, as they do sitting next to

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Speaker 1: us because we us right together, we us like it's

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Speaker 1: only gonna be magic. And that's what I tell these

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Speaker 1: companies that highlight me, like yo, just get me in

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Speaker 1: the building. I do the rest because that's us. Next

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Speaker 1: to us. So if I get around them and they

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Speaker 1: ain't want us, then we ain't gonna click, right, And

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Speaker 1: that's depending on whatever the tight niggas they is. Right,

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Speaker 1: I'm street nigga for show. I'm one of us. I

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Speaker 1: come from this coach. I must So if I come

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Speaker 1: in there and you don't, you don't accept us in me,

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Speaker 1: and then it is what it is and we'll move on.

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Speaker 1: But outside of that, we're looking for moments in this

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Speaker 1: coachure to create moments in this coach, and that's what

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Speaker 1: it's about. And that's what they did right here. So

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Speaker 1: we're about to watch a little bit of it. We're

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Speaker 1: about to watch the unique part in which Wallow was

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Speaker 1: talking to Dirt and he was talking to him about

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Speaker 1: forgiving his brother's killer, right. And see, I keep telling

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Speaker 1: y'all how important it is for us to speak to

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Speaker 1: them while they're in the middle of the tornado. You

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Speaker 1: know what I'm saying, a lot of times, it's rough

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Speaker 1: to communicate when your senses as at an all time high, right,

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Speaker 1: Like even when you're driving. You're driving, and you ever

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Speaker 1: wonder why people get roll raised, it's the heightened senses, right,

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Speaker 1: everything's heightened when you're in the air, like certain things

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Speaker 1: are just natural. Your senses are just heightened. And so

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Speaker 1: in the middle of a war, because let's not be confused,

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Speaker 1: when casualties are happening, this is war we're dealing with.

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Speaker 1: I've been that war. My family and my people been

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Speaker 1: in that war. One gone, this one gone, that one gone.

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Speaker 1: They gone, like, I know what that's like. That's a war,

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Speaker 1: and I ain't gonna miss categorize it. You understand, it's

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Speaker 1: war going on in the ghettos, man, And so a

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Speaker 1: lot of these rapping niggas is at war, you understand.

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Speaker 1: And this ain't ain't just necessarily telling my rap shit.

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Speaker 1: This rap shit is just fuel to the fire. But

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Speaker 1: this real shit going on behind the scenes, what people

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Speaker 1: getting hidden spots, is getting hidden shit is happening that

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Speaker 1: you would never hear about, because this is what the

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Speaker 1: ghetto has fours, right, Everybody want to be in each

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Speaker 1: other's spot. Don't nobody understand position? Right, Everybody jocking for

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Speaker 1: the one spot. They don't understand that your boy just

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Speaker 1: got thirty million for falling Kanye around with a camera,

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Speaker 1: but you got the first deal with the mind or

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Speaker 1: somebody that even know to say, Yo, I'm not so

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Speaker 1: caught up in myself that I don't see this something

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Speaker 1: special about this individual. So I'm gonna start documenting what

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Speaker 1: this dude is doing, Like what the fuck is I

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Speaker 1: ain't never seen no shit like this? What is this

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Speaker 1: dude doing? And so he got to he got the

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Speaker 1: first of all. All men want to be the boss.

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Speaker 1: All men want to be the boss. So he gotta

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Speaker 1: be overwhelming. It gotta be so obvious that it's it's

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Speaker 1: it's not even up for debate. You know that you

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Speaker 1: understand like something special with this dude. And I'm gonna

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Speaker 1: grab the camera. And they end up paying off. That

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Speaker 1: ended up paying off. But a lot of these dudes

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Speaker 1: that wore so Wallow went to telling them like, yo,

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Speaker 1: do not you know you gotta forgive your people killer.

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Speaker 1: Sometime things happen. Let's take a look at a little

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Speaker 1: bit of it, and we'll talk about it. Even if

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Speaker 1: you know some of you listen, We're gonna be real, man.

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Speaker 1: I gotta and I gotta say this because some of you,

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Speaker 1: some of some of y'all in this room, y'all might

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Speaker 1: not see next year, y'all might not see you next week,

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Speaker 1: and niggas ain't saying that to y'all because a lot

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Speaker 1: of ya niggas ain't got no fathers or none of

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Speaker 1: that ship. So my position is here and here or

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Speaker 1: some shit like damn, fuck with you young niggas, because

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Speaker 1: when I was young, ain't too many niggas give me

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Speaker 1: the game. And I know you niggas ain't got new

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Speaker 1: dads out here. You know, he happy and grown ass man,

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Speaker 1: and he happy to his dad back grown. He's like

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00:11:45,679 --> 00:11:47,520
Speaker 1: damn because he missed that ship. And I know a

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00:11:47,559 --> 00:11:49,280
Speaker 1: lot of nigga niggas that gave y'all game. They gave

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Speaker 1: y'all game that was beneficial to them, and it wasn't

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Speaker 1: beneficial to y'all, and it put you on the fuck

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Speaker 1: the position in life, y'all seeing niggas, you know, cheat

220
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Speaker 1: your mommy like a you know, like a sucker. So

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Speaker 1: y'all got a lot of shit in disconnect. I'm an

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Speaker 1: older black man and y'all just y'all just been disappointed

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Speaker 1: your whole life. But for you nigga's in who big brothers,

224
00:12:07,000 --> 00:12:11,200
Speaker 1: whose stepdads? Who? O Jesus in prison that took. I

225
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Speaker 1: try to be my best to do it for y'all

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Speaker 1: and get y'all righteous game. And I'm and it's coming

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Speaker 1: from a nigga's out here winning on legit. There's the

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Speaker 1: first time in my life, the first time in my life,

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Speaker 1: I've ever been listening nigga. Tomorrow, I'll be out of

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Speaker 1: penditiary five fucking years. I've never been out of penitentiary

231
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Speaker 1: a year since I was eleven. I spent five years

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Speaker 1: in the juvenile system, twenty years in the penitentiary. I'm

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Speaker 1: forty two years old. I spent most of my time

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Speaker 1: when it's playing it in the cell. So I'm just

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Speaker 1: sprinkling the game when y'all. Some of y'all gonna get in.

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Speaker 1: And I know some of y'all want to change, but

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Speaker 1: the environment don't allow you. You ain't got the shot,

238
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Speaker 1: you don't have any and and and that ghetto. You

239
00:12:48,280 --> 00:12:53,120
Speaker 1: just don't have the finances to really move outside of

240
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Speaker 1: the poverty and the conditions that we box the fuck into.

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Speaker 1: So I know, y'all up against the fucking eight ball.

242
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Speaker 1: But if you if you can think, man, don't never

243
00:13:00,440 --> 00:13:02,320
Speaker 1: lose your imagination because you're gonna be able to see

244
00:13:02,320 --> 00:13:05,360
Speaker 1: farther than the neighborhood and that's why every time y'all

245
00:13:05,360 --> 00:13:08,520
Speaker 1: go out with him on tour, go somewhere, take advantage

246
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Speaker 1: of what you're seeing. Man, that exposure would change your mind,

247
00:13:12,200 --> 00:13:14,600
Speaker 1: because we gotta get we gotta get it right so

248
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Speaker 1: we could take care of these babies. Because so many

249
00:13:18,160 --> 00:13:22,199
Speaker 1: of y'all in this room, the ogs, when they see you,

250
00:13:22,200 --> 00:13:25,800
Speaker 1: you know what, they say, you ryd just like your daddy,

251
00:13:26,240 --> 00:13:28,360
Speaker 1: your daddy, homies. It's not in position. They're just out

252
00:13:28,400 --> 00:13:30,920
Speaker 1: here living off of memories. When them nigga see you,

253
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Speaker 1: they can't give you no game because they're on drugs

254
00:13:33,160 --> 00:13:35,240
Speaker 1: or they ain't in position, so they'll just tell you

255
00:13:35,280 --> 00:13:37,760
Speaker 1: some shit. You just like your daddy. And the sad

256
00:13:37,840 --> 00:13:40,839
Speaker 1: thing is you just like told daddy. You never get

257
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Speaker 1: a chance to get another fucking life. Man, You never

258
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Speaker 1: got a shot. So I understand, I understand, man. But

259
00:13:48,040 --> 00:13:50,080
Speaker 1: if you can see, try to look outside of this ship,

260
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Speaker 1: because it's a world's motherfuck waiting for y'all. Man, It's

261
00:13:52,720 --> 00:13:55,520
Speaker 1: a real world that's waiting for y'all. And I'm telling you, man,

262
00:13:56,280 --> 00:14:00,320
Speaker 1: I'm telling you these babies and these women they depending

263
00:14:00,400 --> 00:14:04,080
Speaker 1: on y'all. You understand, you know what I mean? And

264
00:14:04,160 --> 00:14:08,360
Speaker 1: on some real shit. We're racing each other, but not again.

265
00:14:08,440 --> 00:14:10,920
Speaker 1: It's the condition of our mind and understand, but I'm

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00:14:10,920 --> 00:14:13,120
Speaker 1: telling you it's something. It's something waiting for you. And

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Speaker 1: I don't give fuck what you're going through right now,

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00:14:14,920 --> 00:14:17,360
Speaker 1: little homies. You're bigger than what you're going through. Nigga.

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Speaker 1: If you want them perks, you fucked up. Shit ain't

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00:14:19,680 --> 00:14:22,400
Speaker 1: right for you right now. You did living conditions, Nigga,

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00:14:22,440 --> 00:14:25,560
Speaker 1: you bigger than That's not you. You're not what the

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00:14:25,560 --> 00:14:27,520
Speaker 1: fuck you going through. So just hold on and keep

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Speaker 1: going because I'm telling you, man, I can name twenty

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Speaker 1: thirty niggas in my homies is dead. I'm here though,

275
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Speaker 1: and I'm gonna say some shit that like this is documented.

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Speaker 1: You know, I gotta ted talk. I forgave my brother's

277
00:14:41,040 --> 00:14:44,080
Speaker 1: killed saying it to say this. Nigga killed my brother.

278
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Speaker 1: My brother died in my grandma arms and the fucking

279
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Speaker 1: house that we grew up in. You sat. My brother

280
00:14:50,800 --> 00:14:53,800
Speaker 1: ran to the fucking he ran to the house. He

281
00:14:53,880 --> 00:14:57,000
Speaker 1: died in. Nanny hugs with she opened the door. So

282
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Speaker 1: I'm telling you this some real shit. Man. If I

283
00:15:00,680 --> 00:15:03,120
Speaker 1: ain't let that ship go, I won't be right here today.

284
00:15:03,200 --> 00:15:05,480
Speaker 1: I want to be here for my niece and my nephews.

285
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Speaker 1: Me again, wonna be throwing this y'all want to know me,

286
00:15:07,160 --> 00:15:08,480
Speaker 1: I wanna be able to kill you all this game.

287
00:15:10,320 --> 00:15:11,960
Speaker 1: But I had to leave. I had to let that

288
00:15:12,000 --> 00:15:14,800
Speaker 1: ship go. When I let that ship go, Nigga, I

289
00:15:14,800 --> 00:15:17,920
Speaker 1: started to grow and I started to glow. And now

290
00:15:17,920 --> 00:15:20,200
Speaker 1: I'm here today and it was harder than motherfucking man.

291
00:15:21,200 --> 00:15:22,960
Speaker 1: And I'm talking about this my big brother, Nigga. I

292
00:15:23,000 --> 00:15:24,800
Speaker 1: she had to sell with him. I shared to bed

293
00:15:24,800 --> 00:15:28,160
Speaker 1: with him with the fucking kids, this little Steve. But

294
00:15:28,200 --> 00:15:32,360
Speaker 1: I tell you one thing. Now I'm out here, teen kids,

295
00:15:32,440 --> 00:15:34,760
Speaker 1: daughter paying for to go to school. Team him, my nephew,

296
00:15:35,560 --> 00:15:37,920
Speaker 1: take him, my mom and my grandmama talk to him

297
00:15:38,400 --> 00:15:41,080
Speaker 1: so because I forgave my brother killer. But you know,

298
00:15:41,120 --> 00:15:43,640
Speaker 1: I understand. I understand what y'all going through. But I

299
00:15:43,760 --> 00:15:45,680
Speaker 1: love all you young niggas in here, and I mean

300
00:15:45,760 --> 00:15:49,080
Speaker 1: that shit. I love you niggas, man, and I hope

301
00:15:49,120 --> 00:15:51,160
Speaker 1: y'all make it out. I feel it, bro, I hope

302
00:15:51,200 --> 00:15:54,760
Speaker 1: y'all make it the fuck out. Man. He like hick

303
00:15:54,920 --> 00:15:57,400
Speaker 1: Up Man's so crazy here. It's more fucker really dropping

304
00:15:57,440 --> 00:16:01,920
Speaker 1: tears for this ship. Like shit for real, like club

305
00:16:01,960 --> 00:16:04,280
Speaker 1: being around the young niggas because like you do understand,

306
00:16:04,320 --> 00:16:07,280
Speaker 1: your niggas got so much life, and y'all pay don't

307
00:16:07,320 --> 00:16:09,560
Speaker 1: understand because you are young. But this system and the

308
00:16:09,560 --> 00:16:12,160
Speaker 1: way the structure is so scared of y'all because they saying,

309
00:16:12,160 --> 00:16:14,320
Speaker 1: if these niggas ever turned up that light cut onto

310
00:16:14,360 --> 00:16:16,480
Speaker 1: their head were in trouble because they the most fearless

311
00:16:16,520 --> 00:16:19,080
Speaker 1: motherfuckers that ever walked the planet earth. These young black

312
00:16:19,120 --> 00:16:22,160
Speaker 1: brothers in the ghetto don't fear enoughing. So when you

313
00:16:22,200 --> 00:16:25,680
Speaker 1: switch that shit and you do an energy transfer, oh

314
00:16:25,720 --> 00:16:27,840
Speaker 1: it's the fuck. It's over, y'all. Nigga ever, wake up,

315
00:16:27,880 --> 00:16:31,120
Speaker 1: it's over managing that buildings. Coming over and see for

316
00:16:31,200 --> 00:16:37,080
Speaker 1: Willow right, like you gotta understand right there right, so

317
00:16:37,280 --> 00:16:41,040
Speaker 1: man like shout out to Wallow again, Like if you

318
00:16:41,120 --> 00:16:43,120
Speaker 1: know me, you know, I speak like you know, this

319
00:16:43,160 --> 00:16:46,800
Speaker 1: is what I speak on, you know, information, you know,

320
00:16:46,920 --> 00:16:52,640
Speaker 1: liberation you know, observation you know, and giving game and

321
00:16:52,720 --> 00:16:56,040
Speaker 1: that's that's what I stand by, you know. So when

322
00:16:56,080 --> 00:16:59,080
Speaker 1: I see that, I you know, it feels I feel it.

323
00:16:59,360 --> 00:17:01,720
Speaker 1: I feel a way, you know, I receive it away

324
00:17:01,760 --> 00:17:04,200
Speaker 1: when I deal with that because I know I'm dealing

325
00:17:04,240 --> 00:17:07,800
Speaker 1: with Willow, and it seemed like that because he gave

326
00:17:07,920 --> 00:17:10,320
Speaker 1: his life to the game. Right It's almost like he

327
00:17:10,480 --> 00:17:13,639
Speaker 1: chasing them niggas down. It's almost like he's chasing the

328
00:17:13,680 --> 00:17:16,720
Speaker 1: wrap niggas down, trying to trying to tell them shit.

329
00:17:17,320 --> 00:17:19,280
Speaker 1: You see what I'm saying and the and that's that's

330
00:17:19,280 --> 00:17:21,400
Speaker 1: the kind of vibe I get from him. Right then,

331
00:17:22,000 --> 00:17:23,640
Speaker 1: I can't wait to sit with a lot of them.

332
00:17:23,680 --> 00:17:26,080
Speaker 1: You know, We'll speak about a lot of things and

333
00:17:26,160 --> 00:17:30,240
Speaker 1: hopefully I could spread some game in the way that

334
00:17:31,080 --> 00:17:35,880
Speaker 1: is effective to our community. Right. Um, but we need niggas,

335
00:17:35,880 --> 00:17:38,920
Speaker 1: this breathing life into the young niggas, this breathing life

336
00:17:38,920 --> 00:17:43,520
Speaker 1: in the niggas, like yo, get out the street ship. See.

337
00:17:43,560 --> 00:17:46,359
Speaker 1: People want to tell me that when I communicate my

338
00:17:46,480 --> 00:17:49,920
Speaker 1: standards about the nigga want to be street, that I'm wrong,

339
00:17:51,520 --> 00:17:55,440
Speaker 1: that I shouldn't said that. Well what was you doing

340
00:17:55,440 --> 00:17:58,359
Speaker 1: when you was young? Well listen, I know better now.

341
00:17:59,560 --> 00:18:03,560
Speaker 1: I only got away because God or something just had

342
00:18:03,640 --> 00:18:06,120
Speaker 1: me to get away. I wasn't post to get out

343
00:18:06,119 --> 00:18:09,199
Speaker 1: of that. I was gone, I was loose. I was

344
00:18:09,280 --> 00:18:12,639
Speaker 1: fucked right. So when I see them play around with it,

345
00:18:12,760 --> 00:18:18,400
Speaker 1: I'm saying, Yo, bro avoid the potholes in the role nigga,

346
00:18:18,680 --> 00:18:22,879
Speaker 1: which one of you like? Yo's offensive to me because

347
00:18:22,920 --> 00:18:26,160
Speaker 1: I feel like it's so much information out there. How

348
00:18:26,240 --> 00:18:31,639
Speaker 1: you still dealing with that low level vibration? How you

349
00:18:31,640 --> 00:18:33,600
Speaker 1: you know? But then on the other side, I get

350
00:18:33,640 --> 00:18:36,119
Speaker 1: it because when you're dealing with war, you can't trade

351
00:18:36,160 --> 00:18:42,000
Speaker 1: peace for war. So when you hear Willow talk like that, Yo,

352
00:18:42,160 --> 00:18:45,720
Speaker 1: even if we want to squash it, even if we

353
00:18:45,760 --> 00:18:47,800
Speaker 1: want to say it's over with, how we know it's

354
00:18:47,840 --> 00:18:52,399
Speaker 1: over with the wars that I know about in my town,

355
00:18:52,840 --> 00:18:55,440
Speaker 1: that the wars that I know about, they just stopped,

356
00:18:55,440 --> 00:18:59,280
Speaker 1: just boom out of nowhere. It ain't nobody to really

357
00:18:59,280 --> 00:19:07,359
Speaker 1: even say nothing, just the killing stop. But you can't

358
00:19:07,359 --> 00:19:09,320
Speaker 1: trade peace for war. So what do you do when

359
00:19:09,359 --> 00:19:11,520
Speaker 1: you're in the middle of a war but you want

360
00:19:11,560 --> 00:19:16,960
Speaker 1: to It's millions of dollars on the table. Wallow trying

361
00:19:17,000 --> 00:19:21,040
Speaker 1: to reach them niggas. But it's about information. So when

362
00:19:21,119 --> 00:19:23,399
Speaker 1: I come around, I'm trying to give information. When I

363
00:19:23,440 --> 00:19:27,600
Speaker 1: show up, you got help on your team. When I

364
00:19:27,720 --> 00:19:31,399
Speaker 1: come into building, you ain't got nothing detrimental to the

365
00:19:31,480 --> 00:19:35,240
Speaker 1: team that done showed up. You got help that done,

366
00:19:35,280 --> 00:19:38,480
Speaker 1: showed up, you gotta think of you gotta nigga that's

367
00:19:38,480 --> 00:19:40,720
Speaker 1: gonna go to extra mind. It's gonna figure it out.

368
00:19:40,880 --> 00:19:43,159
Speaker 1: That's gonna try to go and get in between the

369
00:19:43,600 --> 00:19:46,920
Speaker 1: problemental solution and figure out how to bridge together there.

370
00:19:46,960 --> 00:19:49,280
Speaker 1: What you got when I show up? Do you feel

371
00:19:49,280 --> 00:19:51,720
Speaker 1: what I'm saying? So when he when when you're dealing

372
00:19:51,720 --> 00:19:54,919
Speaker 1: with people like this, you gotta give him information. And

373
00:19:55,040 --> 00:19:57,320
Speaker 1: I don't got all the answers, but I do know

374
00:19:57,400 --> 00:20:00,200
Speaker 1: a disease no ons have to cure. So when you're

375
00:20:00,240 --> 00:20:02,480
Speaker 1: dealing with motherfucker's and you were able to say homing

376
00:20:03,440 --> 00:20:05,280
Speaker 1: the only way I was able to get out and

377
00:20:05,280 --> 00:20:07,240
Speaker 1: look at me now. And I may not be you

378
00:20:07,320 --> 00:20:09,240
Speaker 1: because you already on, but I may be one of

379
00:20:09,240 --> 00:20:14,040
Speaker 1: these other niggas in here. You may can't reach the

380
00:20:14,119 --> 00:20:16,760
Speaker 1: nigga that's already on, but it's other niggas in here.

381
00:20:16,800 --> 00:20:19,680
Speaker 1: And the energy made that. You see how it just drained.

382
00:20:20,200 --> 00:20:24,560
Speaker 1: It's like an energy just came and drained it. Even

383
00:20:24,560 --> 00:20:26,919
Speaker 1: if he wanted to hold it, he just came out.

384
00:20:27,520 --> 00:20:30,040
Speaker 1: You feel what I'm saying. And sometimes when you communicate

385
00:20:30,040 --> 00:20:32,679
Speaker 1: with people, you deal with that level of frequency and

386
00:20:32,720 --> 00:20:35,080
Speaker 1: you can't even you can't even stop it. But when

387
00:20:35,119 --> 00:20:39,719
Speaker 1: I look at podcasting, it's only a few people putting

388
00:20:39,760 --> 00:20:42,280
Speaker 1: game down like that. Everybody know me, know I talk

389
00:20:42,400 --> 00:20:45,280
Speaker 1: like that all the time. I got hundreds of clips

390
00:20:45,280 --> 00:20:47,640
Speaker 1: of that kind of game. That's the game I give, right,

391
00:20:48,160 --> 00:20:51,600
Speaker 1: And I'm watching how y'all receive it. I'm watching I'm

392
00:20:51,600 --> 00:20:56,560
Speaker 1: watching the reception right. I'm watching some of the people

393
00:20:56,600 --> 00:21:01,440
Speaker 1: who need to champion this kind of talk, right, and

394
00:21:02,040 --> 00:21:06,040
Speaker 1: I'm watching people ignored. I'm also on the flip side,

395
00:21:06,119 --> 00:21:11,479
Speaker 1: watching people celebrate it that don't celebrate it when it

396
00:21:11,520 --> 00:21:16,360
Speaker 1: doesn't come from someone in a position hide in them.

397
00:21:16,440 --> 00:21:19,399
Speaker 1: It's unfortunate that the truth don't affect you. Nigga's the

398
00:21:19,440 --> 00:21:23,920
Speaker 1: same way for me. The truth don't care who tell it.

399
00:21:27,200 --> 00:21:29,480
Speaker 1: The truth don't care who tell it. And it's a

400
00:21:29,480 --> 00:21:32,399
Speaker 1: lot of people selling a lot of things. It's a

401
00:21:32,400 --> 00:21:35,720
Speaker 1: lot of people promising shit on their podcasts. It's a

402
00:21:35,760 --> 00:21:37,960
Speaker 1: lot of people saying what they can do for you

403
00:21:38,280 --> 00:21:40,280
Speaker 1: and how much they can take it and get how

404
00:21:40,359 --> 00:21:43,080
Speaker 1: far they can get you in real estate on their podcast.

405
00:21:43,320 --> 00:21:46,640
Speaker 1: It's a lot of promises being made on these shows

406
00:21:46,680 --> 00:21:50,359
Speaker 1: and these other things. But there ain't a lot of

407
00:21:50,440 --> 00:21:52,679
Speaker 1: game being put down. And when you go to putting

408
00:21:52,760 --> 00:21:56,040
Speaker 1: game down, you posted respect the truth like you do

409
00:21:56,200 --> 00:21:59,880
Speaker 1: your mom and dad, and nigga, you post the respected

410
00:22:00,040 --> 00:22:04,280
Speaker 1: truth like you do God, nigga. So the truth don't

411
00:22:04,320 --> 00:22:08,879
Speaker 1: care who tell it. But one thing I know is

412
00:22:08,920 --> 00:22:12,880
Speaker 1: that it's only so long they can ignore the truth. Right.

413
00:22:12,920 --> 00:22:15,639
Speaker 1: And so when I see nigga celebrating and and and

414
00:22:16,000 --> 00:22:18,680
Speaker 1: I say that, oh boy, this touched me so much,

415
00:22:18,840 --> 00:22:21,119
Speaker 1: and I asked myself, well, why they ain't why they

416
00:22:21,119 --> 00:22:24,440
Speaker 1: ain't never posted loon Kloon talked like this every week.

417
00:22:27,480 --> 00:22:30,800
Speaker 1: And me, champion and me don't take nothing from wallow.

418
00:22:30,880 --> 00:22:34,399
Speaker 1: I just told y'all until the line, learn how to write.

419
00:22:34,400 --> 00:22:37,480
Speaker 1: Every story gonna be about the hunter. So I got

420
00:22:37,520 --> 00:22:39,480
Speaker 1: to say something when this the kind of game I'm

421
00:22:39,520 --> 00:22:43,280
Speaker 1: putting down, Oh everybody loved that kind of game. The

422
00:22:43,320 --> 00:22:46,640
Speaker 1: truth don't care who tell it. Nigga. When I tell

423
00:22:46,680 --> 00:22:51,520
Speaker 1: a lit, stopped the camera. Nigga, When I tell a lot,

424
00:22:51,640 --> 00:22:57,320
Speaker 1: stopped the camera. And so it shows man and this

425
00:22:57,480 --> 00:22:59,639
Speaker 1: people getting a lot of lights, making a lot of

426
00:22:59,760 --> 00:23:04,119
Speaker 1: money and getting a lot of views. And they're telling

427
00:23:04,280 --> 00:23:08,840
Speaker 1: lies they don't know even they don't even relate to

428
00:23:08,920 --> 00:23:13,440
Speaker 1: this thing, right and with me, I know that the truth. Man,

429
00:23:14,520 --> 00:23:17,240
Speaker 1: When I see Wallow said, he then boils the truth.

430
00:23:18,960 --> 00:23:23,840
Speaker 1: You don't even evoke that kind emotion when you ain't

431
00:23:23,880 --> 00:23:30,400
Speaker 1: dealing with the information. Sometime about twenty years behind the wall,

432
00:23:30,400 --> 00:23:32,840
Speaker 1: I'm dealing with the information of what this get us.

433
00:23:33,480 --> 00:23:35,800
Speaker 1: And I see all y'all on the same street I

434
00:23:35,920 --> 00:23:38,320
Speaker 1: was on over there, man, and this dog down in

435
00:23:38,359 --> 00:23:41,760
Speaker 1: that role right there ain't no lights, pothole, your car

436
00:23:41,880 --> 00:23:45,560
Speaker 1: guarantee to break down, ain't no gas stations. It's long.

437
00:23:46,080 --> 00:23:49,320
Speaker 1: It's man, I'm telling about. Man, it's rough going down

438
00:23:49,359 --> 00:23:52,119
Speaker 1: in that role, and it's pleasant on this other side.

439
00:23:54,200 --> 00:23:56,679
Speaker 1: The problem is as we think we don't control the

440
00:23:56,880 --> 00:24:02,639
Speaker 1: vehicle and we can't just merge over, oftentimes merging over me.

441
00:24:02,680 --> 00:24:05,040
Speaker 1: And I gotta take my eyes what's in front of me,

442
00:24:05,320 --> 00:24:07,520
Speaker 1: because I gotta look this way to be able to

443
00:24:07,600 --> 00:24:10,600
Speaker 1: merge that way. Right, and then and and and my

444
00:24:10,760 --> 00:24:15,000
Speaker 1: paranoia say, don't take your eyes off the role, because

445
00:24:15,200 --> 00:24:18,120
Speaker 1: anything making happen. Man, it's death involved with a lot

446
00:24:18,160 --> 00:24:21,000
Speaker 1: of these you know, wars that's going on, man, And

447
00:24:21,080 --> 00:24:23,680
Speaker 1: it's hard to tell a man that, hey, don't avenge

448
00:24:23,760 --> 00:24:27,960
Speaker 1: Joe Holman, he died on your watch. Let that go

449
00:24:29,400 --> 00:24:33,760
Speaker 1: them rough conversations. But it's important that you've don't dealt

450
00:24:33,800 --> 00:24:36,800
Speaker 1: with it before you can speak on him. You can't

451
00:24:36,840 --> 00:24:41,480
Speaker 1: teach what you ain't been taught. So when Willow say, yo,

452
00:24:41,520 --> 00:24:43,600
Speaker 1: I had to forgive my brother kill it, I already

453
00:24:43,680 --> 00:24:46,800
Speaker 1: sent a shock wave. All right. So he ain't just talking.

454
00:24:47,520 --> 00:24:50,479
Speaker 1: This ain't just an interviewer trying to be you know,

455
00:24:50,680 --> 00:24:52,760
Speaker 1: such and such. This a nigga that had the bear

456
00:24:53,040 --> 00:25:00,760
Speaker 1: is brought him. So he talking from experience. And we

457
00:25:00,880 --> 00:25:03,520
Speaker 1: highlight we we tend to highlight the things in the

458
00:25:03,600 --> 00:25:08,720
Speaker 1: ghetto that right that ruins us. Right, I ain't even

459
00:25:08,720 --> 00:25:11,159
Speaker 1: gonna say ruin us because it ain't it ain't. We

460
00:25:12,359 --> 00:25:15,320
Speaker 1: never ruin I don't want to misrepresent what I'm saying

461
00:25:15,400 --> 00:25:21,240
Speaker 1: or even use those kind of words to categorize such

462
00:25:21,280 --> 00:25:26,200
Speaker 1: a process that makes such a unique individual. Right when

463
00:25:26,200 --> 00:25:29,359
Speaker 1: we're dealing with the ghetto man, Sometimes it will skew

464
00:25:29,560 --> 00:25:35,320
Speaker 1: your opinion on things. It'll make you have an unconventional

465
00:25:35,400 --> 00:25:41,800
Speaker 1: approach to business relationships. Hardships feed in your family. You

466
00:25:41,920 --> 00:25:44,320
Speaker 1: learn how to make a meal with ten dollars in

467
00:25:44,400 --> 00:25:50,119
Speaker 1: the ghetto, it'll teach you how to be a warrior

468
00:25:50,520 --> 00:25:53,400
Speaker 1: in a world that's forgotten about the people. They put

469
00:25:53,440 --> 00:25:58,399
Speaker 1: you in something called the projects, and you make the

470
00:25:58,480 --> 00:26:02,240
Speaker 1: best of it, right. They throw out the scraps, and

471
00:26:02,320 --> 00:26:09,440
Speaker 1: you make soul fool right. And so half of it

472
00:26:09,480 --> 00:26:16,000
Speaker 1: is embracing it. Those things that we consider weaknesses are

473
00:26:16,080 --> 00:26:19,639
Speaker 1: also our strengthen certain areas. It's a reason why in

474
00:26:19,720 --> 00:26:22,639
Speaker 1: this podcast space I can run circles around dudes. It's

475
00:26:22,640 --> 00:26:25,080
Speaker 1: because I really come front the ghetto. I really made

476
00:26:25,160 --> 00:26:28,720
Speaker 1: money amongst those guys. I grew up again. I grew

477
00:26:28,800 --> 00:26:33,280
Speaker 1: up amongst the most rottenness dudes in the century. Right.

478
00:26:33,359 --> 00:26:35,399
Speaker 1: Just I'm just talking about it in the dope game

479
00:26:35,480 --> 00:26:38,919
Speaker 1: in my town. Just that it's just rotten shit going on.

480
00:26:39,040 --> 00:26:41,920
Speaker 1: It's just the triple cross and the prices, and they're

481
00:26:41,960 --> 00:26:44,240
Speaker 1: stepping on it and they're trying to find how you

482
00:26:44,720 --> 00:26:47,560
Speaker 1: like dudes, man, Listen, that's a whole other it's a

483
00:26:47,600 --> 00:26:52,000
Speaker 1: whole other thing. But the information into the the advantage

484
00:26:52,040 --> 00:26:55,360
Speaker 1: I got from having from having to dance in that arena.

485
00:26:55,720 --> 00:27:01,359
Speaker 1: Now I operate amongst these corporate settings in stealth mold.

486
00:27:03,119 --> 00:27:06,280
Speaker 1: I'm dealing with layers of information that they can't even

487
00:27:06,320 --> 00:27:10,040
Speaker 1: consider because their life was never hard enough to have

488
00:27:10,200 --> 00:27:13,800
Speaker 1: to compromise what it was that they thought was reality

489
00:27:13,880 --> 00:27:16,600
Speaker 1: or the truth. I had to compromise what I thought

490
00:27:16,680 --> 00:27:22,960
Speaker 1: was right. Nigga. I was fifteen years old, being arrested

491
00:27:23,000 --> 00:27:29,240
Speaker 1: and searched by police every single day for nothing. I was.

492
00:27:29,520 --> 00:27:33,560
Speaker 1: I remember one time being called at fifteen, my nigga.

493
00:27:33,720 --> 00:27:37,119
Speaker 1: I thought this was just normal. I remember at fifteen

494
00:27:37,200 --> 00:27:41,000
Speaker 1: the police poured all of us, oh out the hood

495
00:27:41,240 --> 00:27:44,679
Speaker 1: and took pictures of us and put them in their cause.

496
00:27:44,760 --> 00:27:48,440
Speaker 1: And you can't just take pictures of children and like yo.

497
00:27:48,920 --> 00:27:52,640
Speaker 1: But I had to compromise what I thought was reality,

498
00:27:53,200 --> 00:27:56,199
Speaker 1: and in that moment, one of my people And this

499
00:27:56,240 --> 00:27:58,200
Speaker 1: is why I'm trying to tell you about intel of

500
00:27:58,320 --> 00:28:01,800
Speaker 1: information in that more and we learned right, Oh, they're

501
00:28:01,800 --> 00:28:05,840
Speaker 1: taking pictures of people. So guess what people start doing

502
00:28:06,480 --> 00:28:10,160
Speaker 1: coming out with wigs, not wigs, but afro wigs and shit.

503
00:28:10,280 --> 00:28:12,600
Speaker 1: So what will happen is you'll take a picture of

504
00:28:12,640 --> 00:28:15,520
Speaker 1: my face and this big old and this big old afro.

505
00:28:15,640 --> 00:28:18,240
Speaker 1: I don't have an like just doing something to throw

506
00:28:18,320 --> 00:28:22,280
Speaker 1: that off, right, And so what I'm saying is you

507
00:28:22,320 --> 00:28:27,760
Speaker 1: can peep game when you come from game and no

508
00:28:28,000 --> 00:28:33,400
Speaker 1: same weaknesses can be viewed as strength. So you're fearless, say, bro,

509
00:28:33,520 --> 00:28:35,480
Speaker 1: you will go sitting in your home. You will go

510
00:28:35,600 --> 00:28:38,479
Speaker 1: sitting in your opting them bushes and wait for them

511
00:28:38,560 --> 00:28:41,320
Speaker 1: to come and pop out the bushes with their firearm

512
00:28:41,360 --> 00:28:43,280
Speaker 1: and hit one of them. Dude, jumping the cord, jump

513
00:28:43,400 --> 00:28:46,200
Speaker 1: right on the interstate. Like if you got that same

514
00:28:46,240 --> 00:28:51,320
Speaker 1: fearlessness in entrepreneurship, Man, do you know what they mean?

515
00:28:53,160 --> 00:28:57,040
Speaker 1: You will fly over to China instead of just placing

516
00:28:57,080 --> 00:29:00,640
Speaker 1: the online order. You're gonna meet the people you want

517
00:29:00,640 --> 00:29:04,240
Speaker 1: of them. You're fearless, But it ain't nothing wrong with you.

518
00:29:04,360 --> 00:29:07,320
Speaker 1: Ain't You just gotta change your target. And when we

519
00:29:07,360 --> 00:29:10,240
Speaker 1: deal with each other, we gotta start telling each other information.

520
00:29:10,280 --> 00:29:13,000
Speaker 1: But more important, we gotta start rising niggas up. That's

521
00:29:13,040 --> 00:29:16,720
Speaker 1: giving that kind of game. But I'm watching you, dudes,

522
00:29:17,480 --> 00:29:20,680
Speaker 1: I'm watching you other podcasts. People you people in position

523
00:29:20,840 --> 00:29:23,880
Speaker 1: is acting like y'all feel, you know, oh man, we

524
00:29:23,960 --> 00:29:26,520
Speaker 1: feel when people get this kind of game to our youth.

525
00:29:27,000 --> 00:29:29,800
Speaker 1: And y'all ain't y'all don't support nobody to get that

526
00:29:29,920 --> 00:29:32,959
Speaker 1: kind of game to the people when we deal with

527
00:29:33,000 --> 00:29:36,440
Speaker 1: the information, Because I look at it from a holistic standpoint.

528
00:29:36,480 --> 00:29:38,400
Speaker 1: I know this game. I know it like the back

529
00:29:38,400 --> 00:29:40,840
Speaker 1: of my hand. You know what I'm saying. And I

530
00:29:40,960 --> 00:29:43,360
Speaker 1: know in the ghetto what we get from the ghetto, y'all.

531
00:29:43,560 --> 00:29:47,600
Speaker 1: Y'all ain't been given. Certain things are explains, other things

532
00:29:47,600 --> 00:29:49,800
Speaker 1: are experienced, and we're dealing with both of them in

533
00:29:49,880 --> 00:29:53,400
Speaker 1: the ghetto, you know. And we also know that just

534
00:29:53,440 --> 00:29:56,360
Speaker 1: because you come from the ghetto doesn't devalue me in

535
00:29:56,440 --> 00:29:58,680
Speaker 1: the market place. I want to be clear to my

536
00:29:58,800 --> 00:30:03,840
Speaker 1: black people, who are I mean in this game financially unstable.

537
00:30:04,160 --> 00:30:06,480
Speaker 1: I don't need people to think because you come in

538
00:30:06,520 --> 00:30:10,520
Speaker 1: this game financially unstable that that speaks to your impact

539
00:30:10,560 --> 00:30:14,240
Speaker 1: on this game right, this game here, And when I

540
00:30:14,360 --> 00:30:17,800
Speaker 1: talk about this game, I mean culture because hip hop

541
00:30:17,880 --> 00:30:20,760
Speaker 1: runs culture and that's a period, that's a complete sentence.

542
00:30:21,440 --> 00:30:27,760
Speaker 1: You understand, hip hop runs culture. Culture runs pop culture, right,

543
00:30:28,080 --> 00:30:31,040
Speaker 1: and we are the storytellers of the future, right, So

544
00:30:31,080 --> 00:30:35,880
Speaker 1: when you deal with us, you gotta remember that. You

545
00:30:35,960 --> 00:30:40,840
Speaker 1: gotta remember that we control cool, the coolest fragile, So

546
00:30:40,880 --> 00:30:45,280
Speaker 1: we gotta control the business. And if we don't control

547
00:30:45,320 --> 00:30:49,120
Speaker 1: the business, that's when we make a mistake. But the

548
00:30:49,160 --> 00:30:53,440
Speaker 1: sweetest bears grow amongst the sharpest thorns, right, the ones

549
00:30:53,480 --> 00:30:55,400
Speaker 1: that come out to get all the ones that come

550
00:30:55,440 --> 00:30:58,880
Speaker 1: from nothing, the success story. That's why people acting like

551
00:30:58,920 --> 00:31:03,160
Speaker 1: they came from nothing, but you acting like you came

552
00:31:03,240 --> 00:31:05,560
Speaker 1: from nothing like and the problem be what that is

553
00:31:05,600 --> 00:31:07,920
Speaker 1: that we can see you, Yo, when you get around

554
00:31:07,960 --> 00:31:12,160
Speaker 1: somebody that came from nothing, you can't keep up. Niggas

555
00:31:12,200 --> 00:31:15,640
Speaker 1: run circles around you. Man, you know what I'm saying.

556
00:31:15,680 --> 00:31:18,880
Speaker 1: And it ain't fun coming from nothing. That would be

557
00:31:18,880 --> 00:31:21,840
Speaker 1: pissing me off about the fake get old people or

558
00:31:21,880 --> 00:31:25,040
Speaker 1: the people who fake like they come up hard. Yo, Bro,

559
00:31:25,240 --> 00:31:27,560
Speaker 1: you didn't really have to come up from nothing. You

560
00:31:27,600 --> 00:31:31,040
Speaker 1: didn't have to share the grill. Nigga, you didn't help.

561
00:31:31,120 --> 00:31:33,480
Speaker 1: I remember coming up in my neighborhood. They thought I

562
00:31:33,560 --> 00:31:36,520
Speaker 1: had something because I had a slightly bigger room than

563
00:31:36,600 --> 00:31:39,760
Speaker 1: people just because how the department was cut. We all

564
00:31:39,760 --> 00:31:45,520
Speaker 1: in the same apartments. But this just the perspective, you

565
00:31:45,600 --> 00:31:47,560
Speaker 1: know what I'm saying. But coming out of there, man,

566
00:31:47,600 --> 00:31:49,680
Speaker 1: are gonna be some of the greatest things that this

567
00:31:49,760 --> 00:31:54,240
Speaker 1: world has ever experienced coming out of us, coming out

568
00:31:54,280 --> 00:31:57,240
Speaker 1: of our culture. A lot of people got risk telling

569
00:31:57,280 --> 00:32:01,800
Speaker 1: our story. A lot of people got rich making TV

570
00:32:01,960 --> 00:32:06,400
Speaker 1: shows and shows and pitching certain things to our people

571
00:32:06,400 --> 00:32:11,040
Speaker 1: without even representation of our culture even anywhere in the building.

572
00:32:11,040 --> 00:32:14,640
Speaker 1: And I think moving forward, we gotta edit that. We

573
00:32:14,760 --> 00:32:16,880
Speaker 1: gotta edit that. It ain't no way we can continue

574
00:32:16,920 --> 00:32:20,560
Speaker 1: to allow that to happen. But yeah, man, great interview

575
00:32:20,600 --> 00:32:23,680
Speaker 1: with Willow and Gilly. You know, in this podcast space,

576
00:32:23,720 --> 00:32:27,400
Speaker 1: I think I provide a service right that not other

577
00:32:27,960 --> 00:32:32,640
Speaker 1: podcasts provide. And it's that kind of talk, that talk,

578
00:32:32,720 --> 00:32:37,600
Speaker 1: that real talk, that that real tale, and it ain't

579
00:32:37,640 --> 00:32:40,800
Speaker 1: low level. It ain't that low level game. It's high

580
00:32:40,920 --> 00:32:44,720
Speaker 1: level game. But if nothing else, I love to see Wallow,

581
00:32:44,800 --> 00:32:48,440
Speaker 1: Gilly them get my audience ready for me because if y'all,

582
00:32:48,480 --> 00:32:52,840
Speaker 1: if that's what y'all like, my catalog is gonna do numbers, right,

583
00:32:52,880 --> 00:32:55,320
Speaker 1: because this is how we talk over here every week.

584
00:32:55,520 --> 00:32:58,920
Speaker 1: You know. So, great interview, man, I think Wallow and

585
00:32:58,960 --> 00:33:02,560
Speaker 1: them serve a purpose in this space. I like Dirk's album.

586
00:33:02,720 --> 00:33:06,640
Speaker 1: I'm gonna give a quick dirt review Dirk album review.

587
00:33:06,920 --> 00:33:10,840
Speaker 1: You know. I like Dirk's album. I think it's it's

588
00:33:10,880 --> 00:33:13,240
Speaker 1: his sound. I think he does a great job and

589
00:33:13,360 --> 00:33:16,240
Speaker 1: kind of standing in the pocket that he's provided itself.

590
00:33:17,120 --> 00:33:20,240
Speaker 1: I do think he's outsmart than NBA young boy. He's

591
00:33:20,240 --> 00:33:22,440
Speaker 1: outsmart at a lot of these people. Again, I think

592
00:33:22,520 --> 00:33:26,680
Speaker 1: Dirk is doing high level business right. Academics though he

593
00:33:26,680 --> 00:33:28,719
Speaker 1: would get an interview, so he kind of covered him

594
00:33:28,760 --> 00:33:31,480
Speaker 1: from a certain kind of perspective. And if he say didn't,

595
00:33:31,480 --> 00:33:34,200
Speaker 1: we know that's not true. I'm dealing with the information.

596
00:33:34,560 --> 00:33:36,800
Speaker 1: I know how you dus do business right. So you

597
00:33:36,920 --> 00:33:41,160
Speaker 1: covered him favorable right, thinking that that interview was coming

598
00:33:42,960 --> 00:33:44,880
Speaker 1: and not saying he done nothing wrong. You do what

599
00:33:44,960 --> 00:33:46,680
Speaker 1: you want to do with your brand, and I think

600
00:33:46,680 --> 00:33:48,960
Speaker 1: he did the right thing. Sitting with Wall and Gilly

601
00:33:49,920 --> 00:33:54,200
Speaker 1: has a way different ficness sitting with academics, respectfully the academics,

602
00:33:54,200 --> 00:33:58,160
Speaker 1: but it's a different audience and it's a different perspective

603
00:33:58,840 --> 00:34:01,600
Speaker 1: with the interview. You know what I'm saying. So act

604
00:34:01,760 --> 00:34:04,360
Speaker 1: you'll get. He'll get his interview and we'll see what

605
00:34:04,520 --> 00:34:06,479
Speaker 1: kind of comes from it. I'm sure he'll have some

606
00:34:06,480 --> 00:34:08,360
Speaker 1: clips that come from it. But I'm just saying the

607
00:34:08,440 --> 00:34:12,239
Speaker 1: impact of it and and how you know, those interviews

608
00:34:12,320 --> 00:34:15,560
Speaker 1: need to be received by a culture. Some people got

609
00:34:15,560 --> 00:34:18,960
Speaker 1: to sit next to some people. Loone gotta sit with me,

610
00:34:19,880 --> 00:34:23,280
Speaker 1: loone gotta sit with Dirt. Loone gotta sit with et

611
00:34:23,880 --> 00:34:26,759
Speaker 1: loone gotta sit with nineteen Keys. Loone gotta sit with

612
00:34:26,920 --> 00:34:30,919
Speaker 1: Earn Your Leisure. Loone gotta sit with Charlemagne. Loone gotta

613
00:34:30,960 --> 00:34:34,239
Speaker 1: sit with Third Dame Dad certain names, gotta sit with

614
00:34:34,320 --> 00:34:37,200
Speaker 1: Loan because it can't do nothing but make it do

615
00:34:37,280 --> 00:34:40,000
Speaker 1: what it's supposed to do. The information that our people

616
00:34:40,320 --> 00:34:46,200
Speaker 1: gonna get from it should be should be impactful, you know,

617
00:34:46,280 --> 00:34:49,000
Speaker 1: to say the least, you see what I'm saying. I

618
00:34:49,040 --> 00:34:52,319
Speaker 1: think dirt, Like I said, how smarter people? You know?

619
00:34:52,400 --> 00:34:55,480
Speaker 1: Even with NBA Young Boy, he teased the record like

620
00:34:55,560 --> 00:34:57,440
Speaker 1: he was gonna be for the NBA Young Boy in

621
00:34:57,480 --> 00:35:00,560
Speaker 1: this album. All that is is what I tell, oh, y'all,

622
00:35:00,560 --> 00:35:03,799
Speaker 1: you know the game I brought to the game. All

623
00:35:03,920 --> 00:35:06,399
Speaker 1: that is is what I what I say all the time.

624
00:35:06,480 --> 00:35:08,960
Speaker 1: You pay with your eyeball. So what he did was

625
00:35:09,000 --> 00:35:12,360
Speaker 1: he got NBA Young Boy people watching him thinking that

626
00:35:12,520 --> 00:35:15,839
Speaker 1: this is coming now that inflaces my numbers. Right then

627
00:35:15,880 --> 00:35:19,080
Speaker 1: I drop a little eye high record to make them

628
00:35:19,120 --> 00:35:21,080
Speaker 1: think like, oh yeah, you get an album full of

629
00:35:21,120 --> 00:35:23,680
Speaker 1: this and that ain't even the case, right, So that's

630
00:35:23,680 --> 00:35:26,239
Speaker 1: another trick, didn't he even said the other day I

631
00:35:26,400 --> 00:35:29,880
Speaker 1: High Part two Midnight. Right, even if twenty percent of

632
00:35:29,920 --> 00:35:33,319
Speaker 1: his fans go to his page, that's still gonna push

633
00:35:33,400 --> 00:35:36,359
Speaker 1: the numbers just a tad bit, right, So he's he's

634
00:35:36,400 --> 00:35:39,759
Speaker 1: doing high level business and shout out to Todd masculus U.

635
00:35:40,239 --> 00:35:42,560
Speaker 1: I'll be in this DM. We'd be talking in the DM.

636
00:35:42,560 --> 00:35:44,799
Speaker 1: I'd be telling them that y'll send dirt to me. Man,

637
00:35:44,880 --> 00:35:47,319
Speaker 1: send some of them artists to me. Let me, let

638
00:35:47,400 --> 00:35:49,880
Speaker 1: me pick their brain, and let me pick your brain.

639
00:35:50,000 --> 00:35:52,400
Speaker 1: You know. I'd like to speak to the executives of

640
00:35:52,560 --> 00:35:56,040
Speaker 1: this space, right, the people that make the wheels move right,

641
00:35:56,080 --> 00:35:58,120
Speaker 1: just to get the game out to the people. And

642
00:35:58,239 --> 00:36:00,720
Speaker 1: what's really like being one of the people that really

643
00:36:00,800 --> 00:36:03,960
Speaker 1: make this thing happen, you know. I think again, certain

644
00:36:04,040 --> 00:36:07,200
Speaker 1: people just provide that runway for people to really get

645
00:36:07,239 --> 00:36:11,040
Speaker 1: the information now. And fortunate for my people, my fans,

646
00:36:11,440 --> 00:36:13,400
Speaker 1: Loan is one of them, and we're gonna continue to

647
00:36:13,400 --> 00:36:16,160
Speaker 1: build a brand in that way. I just think Dirk

648
00:36:16,200 --> 00:36:20,080
Speaker 1: out smarter people. You know, he didn't use his Drake versus.

649
00:36:20,440 --> 00:36:22,520
Speaker 1: I wonder what that's about. I think he's testing the

650
00:36:22,600 --> 00:36:27,120
Speaker 1: market to see what's really his impact. Like, what do

651
00:36:27,200 --> 00:36:29,960
Speaker 1: I stand in the market? You know without Drake, what

652
00:36:30,080 --> 00:36:32,440
Speaker 1: do I stand? You know, what I'm saying me is

653
00:36:32,480 --> 00:36:35,160
Speaker 1: a little Dirt without because he got several Drake Versus

654
00:36:35,320 --> 00:36:37,399
Speaker 1: right now, which I don't know if it's gonna come

655
00:36:37,400 --> 00:36:39,200
Speaker 1: on a deluxe or if he's gonna double back with

656
00:36:39,280 --> 00:36:41,520
Speaker 1: another album here at the end of the year or something,

657
00:36:41,719 --> 00:36:43,919
Speaker 1: but he gonna use them Drake Versus and it's gonna

658
00:36:43,920 --> 00:36:46,680
Speaker 1: inflate the numbers again and go up again. If he

659
00:36:46,800 --> 00:36:49,240
Speaker 1: do it on the deluxe, he'll sell another one something

660
00:36:49,320 --> 00:36:52,279
Speaker 1: again because Drake has that impact. And let's talk about

661
00:36:52,360 --> 00:36:55,560
Speaker 1: Drake for a second. Two because again I don't think

662
00:36:55,640 --> 00:36:59,359
Speaker 1: people give Drake his flowers enough. If you understand, if

663
00:36:59,400 --> 00:37:03,080
Speaker 1: you have any kind of game, right, Drake is up

664
00:37:03,160 --> 00:37:06,960
Speaker 1: under criticism from people who say, Yo, Drake rise people waves.

665
00:37:07,960 --> 00:37:11,359
Speaker 1: I think that Drake has an effect on people's careers man,

666
00:37:11,400 --> 00:37:15,399
Speaker 1: that it's not spoke about once you get to Drake

667
00:37:15,600 --> 00:37:18,600
Speaker 1: Versus is done, especially if he put his machine behind

668
00:37:18,680 --> 00:37:24,160
Speaker 1: it like he did Dirt. That song was like a

669
00:37:24,160 --> 00:37:26,560
Speaker 1: a single of Drake's, like it was pushed through the

670
00:37:27,520 --> 00:37:30,400
Speaker 1: through all the channels that Drake is pushed through, and

671
00:37:30,600 --> 00:37:35,120
Speaker 1: that consequently affected Dirk's whole career the same way he

672
00:37:35,160 --> 00:37:37,359
Speaker 1: did with Baby, the same way he did He didn't

673
00:37:37,400 --> 00:37:39,560
Speaker 1: got on songs with these dudes, man, and it really

674
00:37:39,560 --> 00:37:42,600
Speaker 1: has affected things, even future everybody, the future has that

675
00:37:42,680 --> 00:37:45,560
Speaker 1: effect to now. If he really wants to put you

676
00:37:45,600 --> 00:37:47,960
Speaker 1: on one of his singles and shoot it through the

677
00:37:48,000 --> 00:37:51,040
Speaker 1: future channels, you will get a certain level of eye

678
00:37:51,440 --> 00:37:54,839
Speaker 1: that dude career is set now, you know what I'm saying. See,

679
00:37:54,880 --> 00:37:58,120
Speaker 1: it's a different win. A Drake jumps on your song,

680
00:37:58,560 --> 00:38:02,200
Speaker 1: or you jump on a Drake song, or Future jumps

681
00:38:02,239 --> 00:38:04,960
Speaker 1: on your song, or Future put you on his song.

682
00:38:05,400 --> 00:38:08,960
Speaker 1: These are two totally different circumstances, but from a consume

683
00:38:09,040 --> 00:38:11,960
Speaker 1: where all they see is the finished product the song together.

684
00:38:12,400 --> 00:38:16,040
Speaker 1: But these things are handled two totally different ways. You know.

685
00:38:16,160 --> 00:38:19,439
Speaker 1: So Drake is not getting up kudos that I think

686
00:38:19,440 --> 00:38:22,520
Speaker 1: he should get from making dudes music career really boom

687
00:38:22,600 --> 00:38:25,839
Speaker 1: like it is, and he never says anything criticism from

688
00:38:25,840 --> 00:38:29,400
Speaker 1: your mental midges is heyo, Drake be stealing people thunder,

689
00:38:29,440 --> 00:38:32,480
Speaker 1: He rade people away. Now just think if Drake were

690
00:38:32,520 --> 00:38:35,319
Speaker 1: Bulge and not miss with nobody, what would they say?

691
00:38:35,360 --> 00:38:40,799
Speaker 1: Then they have a lot to say. Then Drake won't

692
00:38:40,840 --> 00:38:43,400
Speaker 1: even get nobody, No, song, Drake won't miss with nobody,

693
00:38:43,600 --> 00:38:46,520
Speaker 1: So you can't win. You can't win with the people.

694
00:38:46,920 --> 00:38:49,480
Speaker 1: You know what I'm saying, It's just an unfortunate circumstance

695
00:38:49,600 --> 00:38:52,839
Speaker 1: that people view you with those type of lenses when

696
00:38:52,880 --> 00:38:55,000
Speaker 1: you are the number, when you've been on Billboard for

697
00:38:55,080 --> 00:38:57,759
Speaker 1: ten years straight, and you're telling me what somebody was

698
00:38:57,880 --> 00:39:01,480
Speaker 1: six hundred thousand streams can do for me. Like bro,

699
00:39:01,640 --> 00:39:05,040
Speaker 1: I'm blessing the game around here as well as I

700
00:39:05,080 --> 00:39:09,719
Speaker 1: am using these things as little bitty colds in the fire. Now,

701
00:39:10,160 --> 00:39:13,080
Speaker 1: I ain't saying these things are unimpactful. I'm just saying

702
00:39:13,120 --> 00:39:16,080
Speaker 1: they're not as impactful as people are trying to portray

703
00:39:16,160 --> 00:39:20,080
Speaker 1: him to be in regards to Drake needs to lean

704
00:39:20,160 --> 00:39:22,360
Speaker 1: on him for any kind of thing. Dude is the

705
00:39:23,400 --> 00:39:26,040
Speaker 1: He's the pinnacle of music at this point. And so yeah,

706
00:39:26,120 --> 00:39:29,120
Speaker 1: so that's you know, that's my that's my outlook on

707
00:39:29,239 --> 00:39:33,320
Speaker 1: Dirk album and the Dirk and Wallow interview. You know,

708
00:39:33,400 --> 00:39:37,440
Speaker 1: let's see what else you get. Let's talk about the

709
00:39:37,520 --> 00:39:42,040
Speaker 1: Kanye West documentary. For those of you that maybe underwear,

710
00:39:42,120 --> 00:39:44,879
Speaker 1: Kanye West has a documentary You must be Sleeping under

711
00:39:44,880 --> 00:39:49,200
Speaker 1: the Rock. But nonetheless, Kanye West has a documentary on Netflix. Right.

712
00:39:49,200 --> 00:39:52,279
Speaker 1: I was just spoke about the guys who shot the

713
00:39:52,320 --> 00:39:57,399
Speaker 1: documententary got thirty million just for believing in their homeboy, right,

714
00:39:57,480 --> 00:40:01,080
Speaker 1: and so and this is a very extreme in case. Right,

715
00:40:01,160 --> 00:40:05,479
Speaker 1: So don't expect thirty million for filing your homeboardy route. Right.

716
00:40:05,480 --> 00:40:08,200
Speaker 1: He may not be as big as Kanye, but expect something.

717
00:40:08,280 --> 00:40:09,920
Speaker 1: You might get you something out of it in this

718
00:40:10,080 --> 00:40:14,319
Speaker 1: content era that we're in. Right, I had people on

719
00:40:14,360 --> 00:40:17,640
Speaker 1: my team that didn't understand process, right, Just dudes, it's

720
00:40:17,680 --> 00:40:20,680
Speaker 1: just not aware of things. And as much as I

721
00:40:20,719 --> 00:40:23,799
Speaker 1: speak about information, I noticed that when they're getting next

722
00:40:23,840 --> 00:40:26,520
Speaker 1: to you, they try to use that against you. I

723
00:40:26,640 --> 00:40:28,719
Speaker 1: go through that Joe Budden ship, like, Yo, you talk

724
00:40:28,760 --> 00:40:31,520
Speaker 1: to ownership, Bro, you can't even do business with me

725
00:40:31,600 --> 00:40:35,279
Speaker 1: without giving me ownership. It's like now, but but I'm

726
00:40:35,280 --> 00:40:37,480
Speaker 1: about to boost this up and this ain't even in

727
00:40:37,480 --> 00:40:40,359
Speaker 1: a place where it has any brand equity. So how

728
00:40:40,480 --> 00:40:44,879
Speaker 1: much ownership we talking about? With me doing all the legwork, right,

729
00:40:45,600 --> 00:40:49,480
Speaker 1: we're still talking business. And so it's lay us a

730
00:40:49,600 --> 00:40:52,520
Speaker 1: game up under that ownership talk that at some point

731
00:40:52,800 --> 00:40:56,920
Speaker 1: we gotta have conversations about right, and even information talks.

732
00:40:57,040 --> 00:40:59,319
Speaker 1: It's a lot of game that I gotta get to

733
00:40:59,440 --> 00:41:01,680
Speaker 1: and you gotta stay at the course of the ride

734
00:41:02,200 --> 00:41:05,319
Speaker 1: right to get this shit because I can't give it

735
00:41:05,360 --> 00:41:07,279
Speaker 1: all at one time. I don't know it all at

736
00:41:07,320 --> 00:41:09,839
Speaker 1: one time as I'm learning and I'm giving it. That's

737
00:41:09,880 --> 00:41:15,000
Speaker 1: how this thing go. But the documentary is called Genius

738
00:41:15,200 --> 00:41:19,520
Speaker 1: right on Netflix, and this last episode cranked up with

739
00:41:19,560 --> 00:41:23,719
Speaker 1: a very intense scene. You know, people may not have

740
00:41:23,760 --> 00:41:25,640
Speaker 1: took much from it. I took a lot from it

741
00:41:25,680 --> 00:41:28,880
Speaker 1: because when I view things, I view the form a

742
00:41:28,920 --> 00:41:32,440
Speaker 1: perspective of just trying to understand why things are being said.

743
00:41:33,400 --> 00:41:36,239
Speaker 1: I can respect what's being said if I can identify

744
00:41:36,360 --> 00:41:41,520
Speaker 1: why it's being said, right. I can't respect what's being

745
00:41:41,560 --> 00:41:44,480
Speaker 1: said if I can't identify why it's being scared right

746
00:41:44,719 --> 00:41:49,839
Speaker 1: said right. So if you just for analogy purposes, right,

747
00:41:50,400 --> 00:41:55,320
Speaker 1: if you look at me and tell me, yo, you're dirty,

748
00:41:54,560 --> 00:41:58,080
Speaker 1: and I look down and I look clean, I'm not

749
00:41:58,160 --> 00:42:01,080
Speaker 1: gonna understand why you said that. I'm not respecting what

750
00:42:01,120 --> 00:42:04,160
Speaker 1: was said. But if you say, yo, you look dirty today,

751
00:42:04,200 --> 00:42:06,239
Speaker 1: and I looked down and I got mud on me,

752
00:42:07,280 --> 00:42:09,560
Speaker 1: I got to respect that because I see why its

753
00:42:09,640 --> 00:42:13,400
Speaker 1: being said. Right. So I never ever, ever care what's

754
00:42:13,480 --> 00:42:16,719
Speaker 1: being said and to I identify wise being said. But

755
00:42:16,760 --> 00:42:20,759
Speaker 1: it cranked up with Kanye pleading this case as to

756
00:42:20,840 --> 00:42:24,239
Speaker 1: why he's a genius. And there's a guy named Ryan

757
00:42:24,400 --> 00:42:29,239
Speaker 1: Fest that that's in a studio with him, and Ryan

758
00:42:29,320 --> 00:42:32,560
Speaker 1: Fest said, I quote, I thought you were a genius

759
00:42:32,640 --> 00:42:34,920
Speaker 1: until I saw jay Z do a verse in five

760
00:42:35,000 --> 00:42:40,719
Speaker 1: minutes and then I said no. Kanye West then rebutted

761
00:42:40,880 --> 00:42:44,600
Speaker 1: to that. It's like, hey, Yo, look at all I'm doing. Bro.

762
00:42:46,000 --> 00:42:48,000
Speaker 1: He's like, Yo, not only did I right, I made

763
00:42:48,000 --> 00:42:50,680
Speaker 1: the beat this, I did that. I did that like,

764
00:42:51,040 --> 00:42:53,759
Speaker 1: and what I got from that is totally different from him,

765
00:42:53,840 --> 00:42:56,719
Speaker 1: from what everybody else got from that. What I got

766
00:42:56,760 --> 00:43:00,440
Speaker 1: from that is a YO loan. Ain't nobody gonna be

767
00:43:00,480 --> 00:43:06,160
Speaker 1: able to identify your motherfucking attributes if you can't identify, Yeah,

768
00:43:06,200 --> 00:43:08,480
Speaker 1: when you walk into the talking to these and walking

769
00:43:08,560 --> 00:43:11,759
Speaker 1: and talking to the folks, you gotta let d folk know, Hey, man,

770
00:43:11,840 --> 00:43:13,719
Speaker 1: you ain't seeing what I'm doing. Bo. I shoot this,

771
00:43:13,800 --> 00:43:15,759
Speaker 1: I edit this, I do that, I do this. I

772
00:43:15,840 --> 00:43:18,560
Speaker 1: put the game down without no notes. Ain't no coach

773
00:43:18,600 --> 00:43:22,000
Speaker 1: saying necessary. I come in rich. They got to respect this.

774
00:43:23,719 --> 00:43:26,719
Speaker 1: And then on top of being able to identify. You

775
00:43:26,840 --> 00:43:32,160
Speaker 1: really gotta believe it. And I always say if somebody

776
00:43:32,200 --> 00:43:34,880
Speaker 1: don't think you delusion or about what your dream is,

777
00:43:34,920 --> 00:43:38,080
Speaker 1: it ain't big enough. Even if you delusion or you

778
00:43:38,160 --> 00:43:42,560
Speaker 1: gotta believe it, because if you don't believe it, it

779
00:43:42,600 --> 00:43:45,319
Speaker 1: ain't gonna happen. Half of it is willing it in

780
00:43:45,360 --> 00:43:48,680
Speaker 1: the existence. You got the willess shit in the existence.

781
00:43:48,680 --> 00:43:53,239
Speaker 1: So how you gonna will something you don't believe? And

782
00:43:53,280 --> 00:43:55,319
Speaker 1: then look what they Look what mountain they put them

783
00:43:55,400 --> 00:43:57,640
Speaker 1: up against jay Z and it's praying. They say, Yo, bro,

784
00:43:57,680 --> 00:44:00,279
Speaker 1: I thought you was it too. It's like them telling me, boy,

785
00:44:00,360 --> 00:44:02,320
Speaker 1: I listen to your podcast, but I thought you was

786
00:44:02,360 --> 00:44:07,319
Speaker 1: the number one show boor until I heard Charlemagne, and

787
00:44:07,360 --> 00:44:09,000
Speaker 1: then I got to I got to say, hold up

788
00:44:09,040 --> 00:44:11,640
Speaker 1: with Charlemagne on the breadth of club, he got envy,

789
00:44:11,680 --> 00:44:14,319
Speaker 1: the throwing stuff at the like know Andrew show Like

790
00:44:14,400 --> 00:44:16,439
Speaker 1: I got to start. Point now, yo, man, you got

791
00:44:16,440 --> 00:44:20,400
Speaker 1: the start identify your attributes. It's unfortunate that they that

792
00:44:20,560 --> 00:44:24,200
Speaker 1: maybe took as a slight to any one. I hate

793
00:44:24,200 --> 00:44:26,480
Speaker 1: the culture that we're in right well, we can't dig

794
00:44:26,600 --> 00:44:31,000
Speaker 1: yourself up without someone else thinking you demonate light say

795
00:44:31,120 --> 00:44:33,680
Speaker 1: dal because I feel good about me, don't mean I

796
00:44:33,719 --> 00:44:39,600
Speaker 1: feel bad about you. That don't mean that, but you.

797
00:44:39,760 --> 00:44:42,680
Speaker 1: But you must be able to identify your attributes, man,

798
00:44:43,560 --> 00:44:46,200
Speaker 1: and really have some attributes because you don't got what

799
00:44:46,280 --> 00:44:51,160
Speaker 1: you can't identify. You do not have what you can't identify.

800
00:44:51,480 --> 00:44:54,040
Speaker 1: And I'm starting to place myself. You know, people are

801
00:44:54,120 --> 00:44:57,200
Speaker 1: asking me a very interesting question as I get closer

802
00:44:57,520 --> 00:45:00,040
Speaker 1: and closer to the top of this podcasting things, and

803
00:45:00,200 --> 00:45:06,920
Speaker 1: that's saying, what do you want? And that question sometimes

804
00:45:06,920 --> 00:45:11,120
Speaker 1: for me it seems to be too broad, But I

805
00:45:11,200 --> 00:45:15,520
Speaker 1: need to have an answer for that, because if I

806
00:45:15,560 --> 00:45:18,200
Speaker 1: don't have an answer for that, I may not be

807
00:45:18,280 --> 00:45:21,239
Speaker 1: sure about where I'm going. And I'm clear on that.

808
00:45:22,080 --> 00:45:24,920
Speaker 1: I know how much money I want. But what do

809
00:45:25,000 --> 00:45:28,600
Speaker 1: you want? At the game? See it get deep when

810
00:45:28,640 --> 00:45:30,960
Speaker 1: it's right there next to you, when somebody can make

811
00:45:31,000 --> 00:45:33,400
Speaker 1: it happen, right, So you gotta know what it is

812
00:45:33,400 --> 00:45:36,319
Speaker 1: you're looking forward to. And so when Kanye say yo,

813
00:45:36,719 --> 00:45:39,480
Speaker 1: he identifies the attributes, Oh look at all this I'm

814
00:45:39,480 --> 00:45:41,680
Speaker 1: doing like you bug out? Man? What are you saying

815
00:45:41,680 --> 00:45:45,000
Speaker 1: about me? The rhyme fitz dude say YoY? Why you

816
00:45:45,040 --> 00:45:47,319
Speaker 1: call yourself a genius? Bro? It ain't up to you

817
00:45:47,360 --> 00:45:50,920
Speaker 1: to call yourself a genius. Other people gotta call you

818
00:45:50,960 --> 00:45:54,560
Speaker 1: a genius. And I instantly thought to myself, Man, I'm

819
00:45:54,600 --> 00:45:57,240
Speaker 1: not waiting around for fake niggas to call me real.

820
00:45:59,320 --> 00:46:01,760
Speaker 1: Why we wait for fake niggas to call us real?

821
00:46:03,680 --> 00:46:05,480
Speaker 1: You know how long get to take a fake nigga

822
00:46:05,520 --> 00:46:09,160
Speaker 1: to call something real? Broke niggas to say I'm rich,

823
00:46:10,440 --> 00:46:13,319
Speaker 1: ladies and niggas to identify my work. You niggas ain't

824
00:46:13,360 --> 00:46:16,160
Speaker 1: got the fat two. You niggas ain't got the the

825
00:46:16,480 --> 00:46:20,200
Speaker 1: motherfucking eesight to see this shit. I ain't waiting around

826
00:46:20,200 --> 00:46:22,799
Speaker 1: for you niggas to say I'm a genius. Oh long,

827
00:46:22,920 --> 00:46:25,400
Speaker 1: putting game nigga. I know I'm putting game down. I

828
00:46:25,480 --> 00:46:29,080
Speaker 1: know I'm standing on it. I do a show by myself.

829
00:46:29,239 --> 00:46:32,080
Speaker 1: I know what I'm doing right. I ain't waiting around

830
00:46:32,080 --> 00:46:34,600
Speaker 1: for nobody to tell me, hey, yo, man, that what

831
00:46:34,680 --> 00:46:37,480
Speaker 1: you're doing is now my boy, I believe in this

832
00:46:37,560 --> 00:46:41,200
Speaker 1: is what I'm doing, hinch, why I'm doing it right?

833
00:46:41,440 --> 00:46:45,080
Speaker 1: And that ain't grandstanding or being arrogant. That's identifying the

834
00:46:45,200 --> 00:46:48,600
Speaker 1: sweat equin worker nigga put in slim or nigga them

835
00:46:48,640 --> 00:46:51,120
Speaker 1: being going hard with this. Niggas can't fuck with this

836
00:46:52,640 --> 00:46:55,000
Speaker 1: like and that ain't a slight that nobody we're dealing

837
00:46:55,040 --> 00:46:58,200
Speaker 1: with the information home ain't a whin the world. I'm

838
00:46:58,200 --> 00:47:00,600
Speaker 1: gonna wait on one of these other podcasts give me

839
00:47:00,640 --> 00:47:02,640
Speaker 1: some credit when I know they don't solve my ship

840
00:47:02,840 --> 00:47:07,400
Speaker 1: somewhere and they playing the no look game. I was

841
00:47:07,440 --> 00:47:11,520
Speaker 1: telling Paula Us today, Yo, Yo, we're putting number one. Bro.

842
00:47:11,600 --> 00:47:17,279
Speaker 1: You got to put a little you gotta put a

843
00:47:17,320 --> 00:47:22,000
Speaker 1: little expectations on the relationship with the guy. And why

844
00:47:22,040 --> 00:47:26,000
Speaker 1: I give a shout out to Richard and them say hey, yo,

845
00:47:26,080 --> 00:47:29,920
Speaker 1: we fuck with you. Yo, get us on the show

846
00:47:30,239 --> 00:47:34,560
Speaker 1: instantly made it happen. Want that Instagram playing want them game. See,

847
00:47:34,600 --> 00:47:37,080
Speaker 1: you gotta identify when you're dealing with a sucker. They're

848
00:47:37,080 --> 00:47:40,640
Speaker 1: playing Instagram, they playing these games that may they just

849
00:47:40,680 --> 00:47:44,400
Speaker 1: want you on the good side just in case, but

850
00:47:44,480 --> 00:47:46,200
Speaker 1: they don't want They ain't gonna hip you, but just

851
00:47:46,400 --> 00:47:48,560
Speaker 1: in case you blow up. I want to seem like

852
00:47:48,600 --> 00:47:50,880
Speaker 1: I was a little smaller now. May you got to

853
00:47:50,960 --> 00:47:53,000
Speaker 1: really really if you believe in something, you got to

854
00:47:53,080 --> 00:47:55,239
Speaker 1: hip something. And coming from the hood, you know, we

855
00:47:55,280 --> 00:48:00,839
Speaker 1: can identify the sneak the quarterback sneak. Huh, Niggas can

856
00:48:00,920 --> 00:48:04,360
Speaker 1: identify the quarterback sneak, So you ain't popping no game

857
00:48:04,440 --> 00:48:07,880
Speaker 1: on no nigga nigga identifying this shit and just categorizing

858
00:48:07,920 --> 00:48:13,239
Speaker 1: this shit. But I just think it's unfortunate that Number one.

859
00:48:13,719 --> 00:48:15,799
Speaker 1: I know, Jay was the pinnacle at the time. Don't

860
00:48:15,840 --> 00:48:17,920
Speaker 1: pull me up against Jay though, though I don't want

861
00:48:17,920 --> 00:48:20,919
Speaker 1: to go nick. I don't want to go against Jay, right,

862
00:48:20,920 --> 00:48:23,480
Speaker 1: but I want to identify my attributes. But don't make

863
00:48:23,560 --> 00:48:26,040
Speaker 1: me tell you right, because I know enough that I

864
00:48:26,160 --> 00:48:30,120
Speaker 1: was telling Chad from eight to five South yesterday, I

865
00:48:30,320 --> 00:48:33,920
Speaker 1: was telling them, say it, I know enough about all

866
00:48:33,960 --> 00:48:36,000
Speaker 1: these dudes. I can really grab hold of one of

867
00:48:36,000 --> 00:48:40,520
Speaker 1: these dudes, like I'm just saying verbally, right, I know

868
00:48:40,719 --> 00:48:44,000
Speaker 1: enough about everybody in the game. I had to study

869
00:48:44,000 --> 00:48:46,240
Speaker 1: the game. I come from a place I was outside

870
00:48:46,280 --> 00:48:50,400
Speaker 1: the infrastructure. I've everything, it got something to do with anything,

871
00:48:50,480 --> 00:48:53,120
Speaker 1: it got something to do with everything. I know something

872
00:48:53,160 --> 00:48:55,880
Speaker 1: about it. So when I'm dealing with these dudes, I

873
00:48:55,920 --> 00:48:59,080
Speaker 1: can just if I wanted to go, click baby, I

874
00:48:59,200 --> 00:49:01,440
Speaker 1: talked well enough. If I can just grab hold one

875
00:49:01,480 --> 00:49:04,440
Speaker 1: of these dude verbally and shake them up and just

876
00:49:04,520 --> 00:49:09,239
Speaker 1: take their audience. But I didn't want to come in

877
00:49:09,320 --> 00:49:11,280
Speaker 1: the game like that. I want to trust the game,

878
00:49:11,360 --> 00:49:14,560
Speaker 1: like yo, just put the game down. You're dealing with information.

879
00:49:14,680 --> 00:49:17,080
Speaker 1: Just make the game do what they do. And it's

880
00:49:17,120 --> 00:49:20,000
Speaker 1: been doing that. But we ain't waiting around for no

881
00:49:20,120 --> 00:49:24,560
Speaker 1: niggas to you know, call us or geniuses or acknowledge

882
00:49:24,560 --> 00:49:27,600
Speaker 1: our hustle. You niggas is lazy. You can't identify hustle.

883
00:49:28,360 --> 00:49:32,800
Speaker 1: You niggas is fake, you can't identify real You niggas

884
00:49:32,920 --> 00:49:37,040
Speaker 1: is down, You can't identify up right, So ween, come

885
00:49:37,080 --> 00:49:39,319
Speaker 1: on man, It's like, come on, man, we ain't doing that.

886
00:49:39,440 --> 00:49:42,319
Speaker 1: So we put ourselves in a position to identify our

887
00:49:42,360 --> 00:49:46,200
Speaker 1: own attributes. That's the problem when black people deal with

888
00:49:46,239 --> 00:49:49,680
Speaker 1: these companies. They're waiting on these companies to identify the

889
00:49:49,800 --> 00:49:53,600
Speaker 1: attributes instead of telling these companies, Yo, I come with this, this, that,

890
00:49:53,760 --> 00:49:56,440
Speaker 1: and the third, and my audience say this, this, that

891
00:49:56,600 --> 00:50:00,759
Speaker 1: and the third, and we stand on that. But I

892
00:50:00,800 --> 00:50:04,480
Speaker 1: guess I'm unique in my approach. I also learned from

893
00:50:04,480 --> 00:50:07,719
Speaker 1: the Kanye West documentary that he's been doing this traveling

894
00:50:08,400 --> 00:50:13,200
Speaker 1: show type listening session type thing. It was a unique

895
00:50:13,200 --> 00:50:15,640
Speaker 1: part and I hated it. For him or his mom

896
00:50:16,320 --> 00:50:20,560
Speaker 1: passed away on him. And it was a hell of

897
00:50:20,560 --> 00:50:24,160
Speaker 1: a thing because his mom was so influential in what

898
00:50:24,320 --> 00:50:27,400
Speaker 1: he thought was the way to go like she was

899
00:50:27,480 --> 00:50:31,200
Speaker 1: just so gave him so much confidence, so much love,

900
00:50:31,320 --> 00:50:34,239
Speaker 1: embraced what he was doing from a level where I

901
00:50:34,239 --> 00:50:38,319
Speaker 1: could only imagine what that was. When she left. Right

902
00:50:38,320 --> 00:50:41,720
Speaker 1: after that, you start seeing the rants, you know, because

903
00:50:41,880 --> 00:50:48,640
Speaker 1: I always talk about you know, especially black moms. Man.

904
00:50:49,800 --> 00:50:54,640
Speaker 1: They scared our people, man, They scared the hell out

905
00:50:54,680 --> 00:50:57,560
Speaker 1: of our people to even flirt with the ideal of

906
00:50:57,800 --> 00:51:00,440
Speaker 1: entrepreneurship when you deal with some of the old school

907
00:51:00,480 --> 00:51:04,319
Speaker 1: moms there till you get you a job and just

908
00:51:04,360 --> 00:51:07,440
Speaker 1: try to work your way up and go thirty and

909
00:51:07,480 --> 00:51:10,719
Speaker 1: forty years at that sage spot and put yourself in

910
00:51:10,800 --> 00:51:13,680
Speaker 1: a position to try to, you know, get the best

911
00:51:13,719 --> 00:51:16,799
Speaker 1: spot you can and don't you offend nobody and don't

912
00:51:16,840 --> 00:51:19,120
Speaker 1: make sure you got your shirt took it like they

913
00:51:19,200 --> 00:51:23,080
Speaker 1: you know, I mean, there is an attire in the

914
00:51:23,160 --> 00:51:28,160
Speaker 1: corporate setting. We don't want to ignore that. But they

915
00:51:28,200 --> 00:51:31,600
Speaker 1: had our mothers in the ghett old who won't the

916
00:51:31,680 --> 00:51:38,439
Speaker 1: best for us, want us to reidentify our sales right

917
00:51:38,480 --> 00:51:43,359
Speaker 1: to operate inside of the construct. I remember a time

918
00:51:43,400 --> 00:51:45,040
Speaker 1: where they would make you cut your head to get

919
00:51:45,080 --> 00:51:51,040
Speaker 1: a job. They would ask you to put on a

920
00:51:51,160 --> 00:51:54,920
Speaker 1: suit to go to an interview just for the possibility

921
00:51:54,960 --> 00:51:59,360
Speaker 1: to get the job. And this would be at a

922
00:51:59,400 --> 00:52:03,160
Speaker 1: place where you might be a warehouse worker. You would

923
00:52:03,160 --> 00:52:05,680
Speaker 1: show up dressed to the nines, and the white boy

924
00:52:05,760 --> 00:52:08,000
Speaker 1: come in and flip flops, and both of y'all got

925
00:52:08,040 --> 00:52:16,520
Speaker 1: the job. But you wonder, what's the requirements? You know.

926
00:52:16,760 --> 00:52:19,360
Speaker 1: So they want the best for us. And so to

927
00:52:19,400 --> 00:52:23,239
Speaker 1: see Kanye mom be like really really bite into the

928
00:52:23,280 --> 00:52:28,120
Speaker 1: fact that he was doing music and embrace it. It's

929
00:52:28,200 --> 00:52:30,879
Speaker 1: just always been unique to me, and it always been

930
00:52:30,960 --> 00:52:34,080
Speaker 1: something that I looked at and say, Yo, that relationship

931
00:52:34,200 --> 00:52:39,120
Speaker 1: right there is so so, so valuable. The thing about

932
00:52:39,200 --> 00:52:44,080
Speaker 1: when something's valuable, it hurt when you lose it. The

933
00:52:44,200 --> 00:52:47,200
Speaker 1: more valuable it is, the more pain attached to the

934
00:52:47,280 --> 00:52:51,840
Speaker 1: loss of it. And so when his mom died, you

935
00:52:51,880 --> 00:52:55,720
Speaker 1: see him gonna ranch, you see him start to reidentify

936
00:52:55,800 --> 00:52:58,040
Speaker 1: who he is. At this point, he's lost a part

937
00:52:58,120 --> 00:53:01,160
Speaker 1: of him. No, I have to hew you win like

938
00:53:01,200 --> 00:53:08,840
Speaker 1: I sailed the down with spiral circumstantial situation or losing

939
00:53:08,880 --> 00:53:13,719
Speaker 1: someone that close to you. And again, let this be

940
00:53:13,800 --> 00:53:17,280
Speaker 1: a moment of clarity for people that's around valuable individuals.

941
00:53:18,800 --> 00:53:21,360
Speaker 1: And when I say valuable, I mean valuable to the

942
00:53:21,480 --> 00:53:25,719
Speaker 1: entertainment structure, not that one person is more valuable than

943
00:53:25,800 --> 00:53:31,160
Speaker 1: the other. But again, identify your attributes. Right. If you're

944
00:53:31,200 --> 00:53:33,720
Speaker 1: around someone that you that might have a real shot

945
00:53:33,760 --> 00:53:39,120
Speaker 1: at things, learn your position. It's about position everybody on

946
00:53:39,160 --> 00:53:41,359
Speaker 1: the team. Don't shoot the last shot, but we're gonna

947
00:53:41,360 --> 00:53:49,080
Speaker 1: get the ring, we get the win, we get to chill, right,

948
00:53:50,200 --> 00:53:54,960
Speaker 1: And so it's about understanding that everybody has a network

949
00:53:55,000 --> 00:53:58,960
Speaker 1: of people. And that's a complete sentence. And try to

950
00:53:59,000 --> 00:54:06,279
Speaker 1: put yourself in valuables people's network and become valuable and

951
00:54:06,360 --> 00:54:14,840
Speaker 1: not that they expense. Become valuable to their experiment, Become

952
00:54:14,960 --> 00:54:19,640
Speaker 1: valuable to what they got going on, Become influential, Become

953
00:54:19,719 --> 00:54:22,359
Speaker 1: instrumental in what it is that they have going on,

954
00:54:22,440 --> 00:54:26,920
Speaker 1: whether that be welcoming the guests or you know, whatever

955
00:54:27,000 --> 00:54:29,680
Speaker 1: that is. Find your position. And this was this the

956
00:54:29,760 --> 00:54:32,239
Speaker 1: part that I didn't like about what Cody them did.

957
00:54:32,280 --> 00:54:34,399
Speaker 1: And I don't know if other people saw this or

958
00:54:36,000 --> 00:54:37,680
Speaker 1: or felt this kind of way, but there was a

959
00:54:38,120 --> 00:54:41,640
Speaker 1: there was a time where after the downward spiral. You know,

960
00:54:41,719 --> 00:54:45,160
Speaker 1: Kanye was searching back for It's just that feeling that family, feel,

961
00:54:45,239 --> 00:54:49,000
Speaker 1: that feel of being around people that know Kanye, you know,

962
00:54:49,080 --> 00:54:52,600
Speaker 1: not the people that that that that know the famous Kanye,

963
00:54:53,360 --> 00:54:55,520
Speaker 1: but the people that know me from being you know,

964
00:54:55,680 --> 00:55:03,920
Speaker 1: just me. And so we brought back Coolly. So he

965
00:55:04,040 --> 00:55:07,399
Speaker 1: got Coolly in the car and he had just said

966
00:55:07,440 --> 00:55:09,719
Speaker 1: that he was running for president, said some things about

967
00:55:09,760 --> 00:55:13,160
Speaker 1: a boortion on on stage and cried. Clearly the mayor's

968
00:55:13,280 --> 00:55:16,960
Speaker 1: was affecting him, right, The mayors was affecting his communication

969
00:55:17,440 --> 00:55:21,560
Speaker 1: and his perspective at the time. Whether that's good or bad,

970
00:55:22,640 --> 00:55:25,799
Speaker 1: it was affecting it. So he wasn't operating in the

971
00:55:25,880 --> 00:55:29,920
Speaker 1: confines or or as as they would expect that Kanye

972
00:55:30,000 --> 00:55:32,279
Speaker 1: or even somebody running for president. And it was just

973
00:55:32,320 --> 00:55:34,919
Speaker 1: a lot going on at that time, you know. So

974
00:55:35,320 --> 00:55:37,239
Speaker 1: he was in he was in a situation where he

975
00:55:37,360 --> 00:55:41,759
Speaker 1: was just misrepresenting his ideas, his feelings and his communication

976
00:55:41,880 --> 00:55:46,319
Speaker 1: will well off. And so he had said some things

977
00:55:46,320 --> 00:55:49,000
Speaker 1: about abortion, and they show him riding over to the

978
00:55:49,080 --> 00:55:53,000
Speaker 1: studio or somewhere. This time he's already rich, he is

979
00:55:53,040 --> 00:55:55,120
Speaker 1: who he is, right, so he's riding over to the

980
00:55:55,160 --> 00:55:57,640
Speaker 1: studio and Cool is in the back seat and he

981
00:55:57,760 --> 00:56:01,960
Speaker 1: on the phone with his father, and his father is

982
00:56:01,960 --> 00:56:05,719
Speaker 1: saying to him like, you know, of course, stay true

983
00:56:05,760 --> 00:56:08,240
Speaker 1: to you, but maybe just next time, don't say nothing

984
00:56:08,239 --> 00:56:10,800
Speaker 1: now loud, you know, don't say it in the open setting.

985
00:56:11,040 --> 00:56:16,279
Speaker 1: He trying to give his son the game, and it's

986
00:56:16,320 --> 00:56:20,520
Speaker 1: a nigga in the back seat Overcompen Satan, Oh we

987
00:56:20,600 --> 00:56:23,359
Speaker 1: got him now, Pops. Oh yeah, Pops, he on our

988
00:56:23,360 --> 00:56:26,840
Speaker 1: square now, Pops, Hey, Pops, he cooled now, Pops, he

989
00:56:26,920 --> 00:56:30,239
Speaker 1: in't good hands now. Kanye looked back like, yo, hey bro,

990
00:56:30,280 --> 00:56:32,640
Speaker 1: I'm talking to my father. Bro. He don't even know you, Bro,

991
00:56:32,719 --> 00:56:35,960
Speaker 1: he don't even remember you. Then he had to tell

992
00:56:36,000 --> 00:56:38,520
Speaker 1: it that like heh yo, this's cooling from twenty years ago,

993
00:56:38,640 --> 00:56:42,239
Speaker 1: like been around me the whole time, you know. But

994
00:56:42,320 --> 00:56:47,200
Speaker 1: it damned it made me cringe because it's like the

995
00:56:47,360 --> 00:56:53,360
Speaker 1: fame doesn't turn my homie into a cock buffer into

996
00:56:53,400 --> 00:56:55,680
Speaker 1: a nigga that's gonna say whatever it is he think

997
00:56:55,760 --> 00:57:00,279
Speaker 1: I want to heal into a nigga that's overcompence saying

998
00:57:00,320 --> 00:57:02,160
Speaker 1: when my father trying to talk to me, I didn't

999
00:57:02,160 --> 00:57:04,840
Speaker 1: got on here time about my mother wanted to abort me,

1000
00:57:05,480 --> 00:57:08,680
Speaker 1: or my daddy wanted to abort MENA said something I'm

1001
00:57:08,719 --> 00:57:11,400
Speaker 1: going on and my father trying to give me the game.

1002
00:57:11,640 --> 00:57:13,879
Speaker 1: How you gonna tell a nigga daddy that you've been

1003
00:57:13,920 --> 00:57:18,560
Speaker 1: around since the beginning. I'm the due father, Man, what

1004
00:57:18,640 --> 00:57:22,800
Speaker 1: are you talking about? The beginning? What's the beginning? That's

1005
00:57:22,800 --> 00:57:25,640
Speaker 1: why I'd be saying that's that's that's that the nigga

1006
00:57:25,720 --> 00:57:28,880
Speaker 1: reaching for straws. Man. But see, I'm one of these niggas.

1007
00:57:28,880 --> 00:57:33,120
Speaker 1: That why I'm moved by myself. I'm one of these niggas. Man.

1008
00:57:33,240 --> 00:57:36,120
Speaker 1: These niggas is trying to get next to niggas to

1009
00:57:36,160 --> 00:57:40,040
Speaker 1: try to get money out for niggas. Niggas don't have

1010
00:57:40,160 --> 00:57:45,120
Speaker 1: no hustle, you understand, you know. See, I know the

1011
00:57:45,160 --> 00:57:47,720
Speaker 1: old saying, if you're going the ball, you find you

1012
00:57:47,800 --> 00:57:52,280
Speaker 1: a table next to a waiter. That's how you get

1013
00:57:52,320 --> 00:57:56,200
Speaker 1: your food the quickest. So they think I'm the waiter,

1014
00:57:56,280 --> 00:57:59,400
Speaker 1: So they're trying to find positions next to me, right.

1015
00:57:59,440 --> 00:58:01,480
Speaker 1: And so when you here a dude in the back,

1016
00:58:01,560 --> 00:58:04,280
Speaker 1: see what Kanye telling about something, I've been his sister

1017
00:58:04,360 --> 00:58:07,160
Speaker 1: beginning While I'm talking to my dad about some shit

1018
00:58:07,280 --> 00:58:09,600
Speaker 1: that I said about our family, biding it that I

1019
00:58:09,640 --> 00:58:12,880
Speaker 1: shouldn't have said on a public form, and he trying

1020
00:58:12,880 --> 00:58:16,080
Speaker 1: to give me the game. But that's but see them

1021
00:58:16,160 --> 00:58:19,520
Speaker 1: same dudes. They be so lost in the fame and

1022
00:58:19,600 --> 00:58:21,640
Speaker 1: the money. And I all due respect to Home, I'm

1023
00:58:21,640 --> 00:58:24,760
Speaker 1: just giving my perspective on the game. This ain't no

1024
00:58:24,840 --> 00:58:29,160
Speaker 1: longer about Home now, this just about these kind of situations, right.

1025
00:58:29,680 --> 00:58:32,480
Speaker 1: You can't tell a nigga people you've been around sis,

1026
00:58:32,560 --> 00:58:36,360
Speaker 1: the beginning beginning of what beginning to some rap shit,

1027
00:58:36,560 --> 00:58:39,040
Speaker 1: This ain't no. We ain't talking no rap shit. Man,

1028
00:58:39,920 --> 00:58:43,360
Speaker 1: Quit looking at me, man, just thinking about rapid podcasts

1029
00:58:43,440 --> 00:58:46,560
Speaker 1: and contenting, money and shit. Were talking about my real life.

1030
00:58:46,760 --> 00:58:49,080
Speaker 1: Can't tell the people that birth me. You've been around, sister,

1031
00:58:49,160 --> 00:58:56,439
Speaker 1: beginning beginning of what These people ain't talking music Home

1032
00:58:57,320 --> 00:59:00,440
Speaker 1: and these same dudes. If you haven't watched the documentary,

1033
00:59:00,520 --> 00:59:02,800
Speaker 1: Once you watch, you you'll be able to understand what

1034
00:59:02,800 --> 00:59:05,680
Speaker 1: I'm saying. These dudes. Kanye pull up something with Tucker

1035
00:59:05,760 --> 00:59:09,280
Speaker 1: Carson talking about him. You ought to hear the car.

1036
00:59:09,560 --> 00:59:11,640
Speaker 1: Oh man, get this dude out of here. Man, this

1037
00:59:11,760 --> 00:59:15,240
Speaker 1: dude ain't talking about this dude lying Kanye like no

1038
00:59:15,320 --> 00:59:18,600
Speaker 1: he's not. Man, Yeah, he ain't saying. It's like they

1039
00:59:18,720 --> 00:59:21,960
Speaker 1: just saying whatever he think. Man, the fame doesn't turn.

1040
00:59:22,040 --> 00:59:26,120
Speaker 1: Your home is in the car buffers. Man. These dudes

1041
00:59:26,160 --> 00:59:28,880
Speaker 1: will do anything just to stay in the car. But

1042
00:59:28,920 --> 00:59:32,880
Speaker 1: they don't understand that I got elevation in my enterprise, nigga.

1043
00:59:33,200 --> 00:59:36,880
Speaker 1: I got room for elevation, nigga expansion, nigga. I'm not

1044
00:59:36,960 --> 00:59:39,480
Speaker 1: dealing with this dormant shit. You nigga's gonna have me

1045
00:59:39,640 --> 00:59:44,320
Speaker 1: dormant just around me just agreeing with all this, yo, Bro,

1046
00:59:44,400 --> 00:59:46,960
Speaker 1: don't do me like that. We gotta learn still sharp

1047
00:59:47,000 --> 00:59:50,880
Speaker 1: and still and don't argue just to be arguing with me.

1048
00:59:50,960 --> 00:59:53,120
Speaker 1: Some people get in that mode where they just want

1049
00:59:53,120 --> 00:59:55,080
Speaker 1: to have a comeback just for the sake of the

1050
00:59:55,240 --> 00:59:58,440
Speaker 1: dance with a nigga. Yo. Man, that shit ain't making sense.

1051
00:59:59,000 --> 01:00:02,400
Speaker 1: I'm dealing with it's my inventory. I don't got time fall.

1052
01:00:02,640 --> 01:00:06,040
Speaker 1: Let niggas is in bluetooth mold trying to learn, trying

1053
01:00:06,080 --> 01:00:08,240
Speaker 1: to get the information, but they don't locked us out

1054
01:00:08,280 --> 01:00:10,920
Speaker 1: some millions out of here. Man, it's all kind of

1055
01:00:10,920 --> 01:00:14,000
Speaker 1: shit going on. These tax cuts and shit gonna We

1056
01:00:14,040 --> 01:00:17,560
Speaker 1: ain't participating in no financial ship nigga, y'all, I'm on

1057
01:00:17,680 --> 01:00:20,520
Speaker 1: that role. What y'all doing talking to me about anything

1058
01:00:20,600 --> 01:00:24,600
Speaker 1: outside of some business, some game, some money, some information,

1059
01:00:25,000 --> 01:00:27,280
Speaker 1: or something that got something to do with further in

1060
01:00:27,400 --> 01:00:31,600
Speaker 1: something I can't waste time on it. But again, man,

1061
01:00:32,360 --> 01:00:35,040
Speaker 1: Kanye came a long way, did a lot of things,

1062
01:00:35,160 --> 01:00:40,800
Speaker 1: affected a lot of people, but believed before anything. When

1063
01:00:40,840 --> 01:00:44,280
Speaker 1: you see somebody stand on the square, when you see

1064
01:00:44,320 --> 01:00:46,920
Speaker 1: somebody come in here and do a podcast like me

1065
01:00:47,040 --> 01:00:52,720
Speaker 1: by their self, pulling from nobody, powerful young nigga. One

1066
01:00:52,760 --> 01:00:56,400
Speaker 1: thing they can negotiate with me as how my approaches

1067
01:00:56,480 --> 01:00:59,680
Speaker 1: and how powerful it is in the marketplace. I know

1068
01:00:59,840 --> 01:01:02,760
Speaker 1: that it only access to audience that we're waiting on

1069
01:01:02,880 --> 01:01:08,919
Speaker 1: at this point. That's it. That's it. But um, if

1070
01:01:08,920 --> 01:01:11,680
Speaker 1: you haven't watched that documentary, definitely go check it out.

1071
01:01:13,400 --> 01:01:15,680
Speaker 1: Let me address this. Then I'm gonna take a break,

1072
01:01:17,400 --> 01:01:22,000
Speaker 1: take a quick break. Donald Trump went on the Full

1073
01:01:22,080 --> 01:01:26,360
Speaker 1: Seeing podcast. Those of you unaware I've covered the Full

1074
01:01:26,440 --> 01:01:29,840
Speaker 1: Sein podcasts. I like what they're doing over there, the

1075
01:01:30,000 --> 01:01:33,240
Speaker 1: interview base. But it's why that they're dancing in a

1076
01:01:33,280 --> 01:01:36,160
Speaker 1: lot of arenas and I'm I'm looking at them. I've

1077
01:01:36,200 --> 01:01:38,520
Speaker 1: definitely got to compete with them guys as well, and

1078
01:01:39,160 --> 01:01:41,760
Speaker 1: they're doing a great job. But they had Donald Trump on,

1079
01:01:41,920 --> 01:01:45,800
Speaker 1: and Trump talked about the video being pulled. He told

1080
01:01:45,840 --> 01:01:48,640
Speaker 1: them that this video will get poured off YouTube, and

1081
01:01:48,720 --> 01:01:50,440
Speaker 1: I want to see what you guys do when they

1082
01:01:50,480 --> 01:01:55,880
Speaker 1: pull you off YouTube. Nonetheless, he said something at the

1083
01:01:55,920 --> 01:01:59,920
Speaker 1: beginning of that interview they rung true that struck me,

1084
01:02:00,120 --> 01:02:02,919
Speaker 1: that made me view things the way that I tend

1085
01:02:02,960 --> 01:02:08,080
Speaker 1: to view things. He said that you guys come highly

1086
01:02:08,120 --> 01:02:12,600
Speaker 1: recommended by Dana White. Dana White thanks the world of

1087
01:02:12,680 --> 01:02:15,560
Speaker 1: you guys. And if Dana White tells me to do

1088
01:02:15,600 --> 01:02:19,120
Speaker 1: the show, I'm gonna do the show. We tell my

1089
01:02:19,280 --> 01:02:23,760
Speaker 1: Donald Trump, President Trump, We tell my Trump. Now, first

1090
01:02:23,760 --> 01:02:25,760
Speaker 1: thing I thought about, who in the black coach is

1091
01:02:25,840 --> 01:02:30,800
Speaker 1: doing that? Who in the black coach is giving any

1092
01:02:30,880 --> 01:02:34,919
Speaker 1: kind of handoff about any kind of audience, any kind

1093
01:02:34,920 --> 01:02:37,800
Speaker 1: of interviews in this culture. Who's doing it? You tell

1094
01:02:37,880 --> 01:02:41,600
Speaker 1: me who's doing it. I'll wait when they don't stand

1095
01:02:41,680 --> 01:02:45,840
Speaker 1: the profit something. And even if they do, a lot

1096
01:02:45,840 --> 01:02:48,040
Speaker 1: of dudes, even in our game, won't make the move

1097
01:02:48,040 --> 01:02:50,960
Speaker 1: when they stand in the profit. So somebody tell me

1098
01:02:51,360 --> 01:02:54,720
Speaker 1: that who's going around saying yo, wallow jump on this show.

1099
01:02:54,800 --> 01:02:58,360
Speaker 1: Bro Hey yo you Joe, Hey yo, y'all gotta get

1100
01:02:58,400 --> 01:03:03,040
Speaker 1: on this show. Bro heyo. Audience, go listen to this podcast.

1101
01:03:04,000 --> 01:03:06,919
Speaker 1: Not just a posting. See these things that I even

1102
01:03:06,960 --> 01:03:09,600
Speaker 1: see this, I see people posting. That's why I do

1103
01:03:09,680 --> 01:03:12,320
Speaker 1: salute the ones in the game that really post me

1104
01:03:12,360 --> 01:03:15,680
Speaker 1: and show me love. A lot of people listen to it,

1105
01:03:17,240 --> 01:03:21,840
Speaker 1: but it's important to understand. Right, somebody posts something on

1106
01:03:21,880 --> 01:03:27,440
Speaker 1: their story and they don't even post like the people

1107
01:03:27,440 --> 01:03:29,920
Speaker 1: that post me there put Man, it's one of my

1108
01:03:29,920 --> 01:03:32,400
Speaker 1: favorite shows out right now. Like that kind of shit

1109
01:03:33,600 --> 01:03:37,200
Speaker 1: is effective. That's when you're really trying to help a nigga,

1110
01:03:37,400 --> 01:03:39,880
Speaker 1: even in this industry. They always say, because it'd be

1111
01:03:39,920 --> 01:03:43,120
Speaker 1: a lot of deal talking to Even in this industry,

1112
01:03:43,120 --> 01:03:45,000
Speaker 1: they always say it ain't a deal to its own

1113
01:03:45,040 --> 01:03:49,080
Speaker 1: paper because they know theyre word ain't nothing in this game.

1114
01:03:49,840 --> 01:03:52,160
Speaker 1: These dudes know they word ain't nothing. There. Meet your man.

1115
01:03:52,200 --> 01:03:54,120
Speaker 1: I'm gonna make you five million dollars next year. Man,

1116
01:03:54,160 --> 01:03:57,520
Speaker 1: I'm not playing about it. Then you won't hear from them.

1117
01:03:57,560 --> 01:04:00,360
Speaker 1: And that's why Jay Princeton put it push your hart line.

1118
01:04:00,400 --> 01:04:03,520
Speaker 1: They don't play that. You don't come through her promising

1119
01:04:03,560 --> 01:04:06,920
Speaker 1: to ghetto something then disappear. We don't play like that.

1120
01:04:07,160 --> 01:04:09,680
Speaker 1: Why should start getting hard on? Because you can make

1121
01:04:09,720 --> 01:04:13,200
Speaker 1: it uncomfortable for dudes. It's so easy to do right,

1122
01:04:13,320 --> 01:04:17,120
Speaker 1: and it's just it's unfortunate that dudes be placing themselves

1123
01:04:17,200 --> 01:04:20,080
Speaker 1: in them kind of situations. I just think, oh, if you,

1124
01:04:20,320 --> 01:04:22,880
Speaker 1: if you, if you're gonna be in this game, know

1125
01:04:23,000 --> 01:04:26,000
Speaker 1: what this game has to offer. See in our space,

1126
01:04:26,840 --> 01:04:29,040
Speaker 1: you can have people who hadn't done an interview in

1127
01:04:29,160 --> 01:04:33,560
Speaker 1: three years and may get an interview, a big interview

1128
01:04:33,720 --> 01:04:36,400
Speaker 1: like a Dave Chappelle or something after he'd been canceled.

1129
01:04:36,680 --> 01:04:39,400
Speaker 1: They're come out and do the interview instead of saying, now, man,

1130
01:04:39,760 --> 01:04:42,959
Speaker 1: there's a podcast they dropped every week, like, I haven't

1131
01:04:43,000 --> 01:04:46,600
Speaker 1: heard of a black podcast where somebody of that statue

1132
01:04:46,680 --> 01:04:49,160
Speaker 1: has sat out and been like such as such told

1133
01:04:49,240 --> 01:04:52,000
Speaker 1: me to do the show Man and I'm here, you

1134
01:04:52,080 --> 01:04:54,640
Speaker 1: feel what I'm saying that was black. I ain't talking

1135
01:04:54,640 --> 01:04:57,400
Speaker 1: about know white people involved nowhere behind the scenes. I'm

1136
01:04:57,400 --> 01:05:01,040
Speaker 1: talking about black people calling black people to say, yo,

1137
01:05:01,600 --> 01:05:03,560
Speaker 1: such and such, get on, get on such and such

1138
01:05:03,640 --> 01:05:06,920
Speaker 1: show man, And when he's sitting out like yo, I

1139
01:05:07,040 --> 01:05:09,640
Speaker 1: really haven't listened to a lot of your stuff. Such

1140
01:05:09,680 --> 01:05:11,480
Speaker 1: and such told me jump on your show is hot.

1141
01:05:11,560 --> 01:05:14,400
Speaker 1: So I'm here, man, and they get into the interview.

1142
01:05:14,480 --> 01:05:17,240
Speaker 1: We don't hear that. There's no handoffs in our culture.

1143
01:05:17,280 --> 01:05:21,000
Speaker 1: The information is locked in the room. The information is

1144
01:05:21,040 --> 01:05:23,520
Speaker 1: locked in the room, and the resources are in the

1145
01:05:23,640 --> 01:05:28,480
Speaker 1: same room as the information. And they won't let niggas

1146
01:05:28,560 --> 01:05:32,160
Speaker 1: in nobody's they just they keep fighting over the same pot.

1147
01:05:32,320 --> 01:05:36,400
Speaker 1: This my fourth time interviewing Nikki. It's my eighteen time

1148
01:05:36,560 --> 01:05:39,600
Speaker 1: interviewing such and such. Instead of reaching down and giving

1149
01:05:39,680 --> 01:05:42,280
Speaker 1: some of those interviews and spreading that audience out, I

1150
01:05:42,440 --> 01:05:44,920
Speaker 1: understand that we don't got no instructure and hill hoop

1151
01:05:45,000 --> 01:05:46,880
Speaker 1: and none of this ship. This ship is the most

1152
01:05:48,280 --> 01:05:52,400
Speaker 1: all over the place sit on the planet, right, And

1153
01:05:52,520 --> 01:05:55,560
Speaker 1: so until we identify what we really stand, man, we're

1154
01:05:55,560 --> 01:05:58,080
Speaker 1: gonna always have an issue, you feel me. So I'm

1155
01:05:58,080 --> 01:06:01,240
Speaker 1: gonna take a break and then we'll come back. You know,

1156
01:06:01,360 --> 01:06:04,520
Speaker 1: I like to examine the game right podcasting, because when

1157
01:06:04,600 --> 01:06:07,400
Speaker 1: I come in and tell you, like some that podcast

1158
01:06:07,560 --> 01:06:11,280
Speaker 1: is gonna be one of the most impactful podcasts or

1159
01:06:11,320 --> 01:06:16,200
Speaker 1: shows in the marketplace. That's a complete sentence. No way

1160
01:06:16,280 --> 01:06:18,680
Speaker 1: in there though that I say it to be easy,

1161
01:06:18,840 --> 01:06:20,920
Speaker 1: or it's not work to be done, or it's not

1162
01:06:21,080 --> 01:06:25,880
Speaker 1: gonna be tiresome, or it's not gonna be hectic, or

1163
01:06:25,920 --> 01:06:29,040
Speaker 1: it's not gonna be traffic. You know, no way in

1164
01:06:29,120 --> 01:06:32,760
Speaker 1: there that I say it was gonna be pleasant. I'm

1165
01:06:32,840 --> 01:06:37,200
Speaker 1: just clear on the direction. I ain't saying I'm gonna

1166
01:06:37,200 --> 01:06:41,280
Speaker 1: win immediately, but I'm saying I'm gonna win definitely. I

1167
01:06:41,320 --> 01:06:43,800
Speaker 1: don't speak to the time frame that it takes. I

1168
01:06:43,920 --> 01:06:46,720
Speaker 1: speak to the work that must be put in. That's

1169
01:06:46,840 --> 01:06:50,760
Speaker 1: number one. So when I deal with podcasting, I understand

1170
01:06:50,840 --> 01:06:55,880
Speaker 1: I got it's gonna be a hostile takeover. Right, the

1171
01:06:55,960 --> 01:07:00,040
Speaker 1: information is being put out. There's bubble gum. Right, the

1172
01:07:00,080 --> 01:07:02,720
Speaker 1: ship niggas is talking about it bubble gum. So when

1173
01:07:02,800 --> 01:07:06,200
Speaker 1: I come talking, the niggas is spitting bubble gum. Ain't

1174
01:07:06,200 --> 01:07:08,840
Speaker 1: gonna never want a champion of Nigga. This is giving

1175
01:07:08,920 --> 01:07:12,840
Speaker 1: the airheads out. You know, I'm giving out good candy,

1176
01:07:12,920 --> 01:07:15,479
Speaker 1: I'm giving out good game, and these dudes is giving

1177
01:07:15,560 --> 01:07:20,200
Speaker 1: low level game out. Low hanging fruit is being discussed.

1178
01:07:21,280 --> 01:07:25,320
Speaker 1: Millionnaires are speaking to millionnails about millionnaires, and they ain't

1179
01:07:25,320 --> 01:07:29,640
Speaker 1: speaking to how to become a million Now, everybody is

1180
01:07:29,640 --> 01:07:34,640
Speaker 1: speaking about black business. Niggas is speaking about rap business

1181
01:07:34,720 --> 01:07:36,840
Speaker 1: and beef and things. And they ain't even grew up

1182
01:07:36,880 --> 01:07:39,360
Speaker 1: in neighborhoods that would call for them. They even catch

1183
01:07:39,400 --> 01:07:43,680
Speaker 1: your fade at any point in their life. It's interesting

1184
01:07:43,760 --> 01:07:46,440
Speaker 1: to me, right, So I pay attention to the atmosphere.

1185
01:07:46,440 --> 01:07:48,440
Speaker 1: And when I see full Sin or I see these

1186
01:07:48,560 --> 01:07:51,480
Speaker 1: Joe Rogans, or I see the comics, because that's who

1187
01:07:52,120 --> 01:07:54,360
Speaker 1: is really making a killing in this space, and that's

1188
01:07:54,400 --> 01:07:58,880
Speaker 1: why champion eighty five South. And when I sit down

1189
01:07:58,960 --> 01:08:00,520
Speaker 1: with them, it's a lot of guy to speak to

1190
01:08:00,640 --> 01:08:05,000
Speaker 1: them about because in my opinion, for what they do

1191
01:08:06,600 --> 01:08:09,840
Speaker 1: and how much it is mentioned them ships is way

1192
01:08:09,960 --> 01:08:14,680
Speaker 1: off right for the level of work that I put in,

1193
01:08:15,040 --> 01:08:18,840
Speaker 1: for the level of influence, how much influence I have

1194
01:08:19,120 --> 01:08:23,280
Speaker 1: on business in this market, right, and how it's done.

1195
01:08:24,000 --> 01:08:26,200
Speaker 1: For that not to be spoke about it is always

1196
01:08:26,320 --> 01:08:28,880
Speaker 1: something And I don't mean from us we champion them,

1197
01:08:28,960 --> 01:08:32,439
Speaker 1: but my game is wider than that. My game go

1198
01:08:32,600 --> 01:08:36,640
Speaker 1: to all the comics. I know them all. I know

1199
01:08:36,760 --> 01:08:39,519
Speaker 1: who's really running the seven figure business on the side

1200
01:08:39,640 --> 01:08:42,280
Speaker 1: and they podcasting and doing good. I know the ads

1201
01:08:42,320 --> 01:08:46,479
Speaker 1: that they're running. You know the companies that they deal with. Right.

1202
01:08:47,120 --> 01:08:50,960
Speaker 1: I studied the game, and as much as I listen

1203
01:08:51,040 --> 01:08:54,280
Speaker 1: to them, and I love comics, I love the way

1204
01:08:54,320 --> 01:09:00,200
Speaker 1: they communicate, they just are keen communicators. And it's much

1205
01:09:00,240 --> 01:09:02,040
Speaker 1: as I listened to him, I yet to hear eighty

1206
01:09:02,080 --> 01:09:04,479
Speaker 1: five South mentioned by some of those guys on the

1207
01:09:04,600 --> 01:09:06,479
Speaker 1: other side, and it's a gap that needs to be

1208
01:09:06,680 --> 01:09:12,800
Speaker 1: bridge there. I'm not sure. Um, you know, I know

1209
01:09:12,880 --> 01:09:16,200
Speaker 1: it's a racial barrier, but I'm dealing with information and

1210
01:09:16,320 --> 01:09:19,000
Speaker 1: I know some people on that side dealing with information.

1211
01:09:19,120 --> 01:09:21,880
Speaker 1: So yo, y'all got to look at what being done

1212
01:09:21,960 --> 01:09:25,840
Speaker 1: and speak to who did it. We can't keep playing

1213
01:09:25,960 --> 01:09:30,519
Speaker 1: and acting like this ain't happening over here now, right,

1214
01:09:31,080 --> 01:09:34,639
Speaker 1: So you know, we let some of y'all super good

1215
01:09:34,720 --> 01:09:38,559
Speaker 1: whites come on over here, the great comedians. We accept

1216
01:09:38,680 --> 01:09:42,280
Speaker 1: them because we're dealing with information. He good on the stage,

1217
01:09:42,320 --> 01:09:44,040
Speaker 1: and look at the work he's putting in, Look how

1218
01:09:44,120 --> 01:09:47,240
Speaker 1: influential he's being. So I just it's interesting to me.

1219
01:09:47,400 --> 01:09:49,479
Speaker 1: But that's something I speak to them about. Right. But

1220
01:09:50,280 --> 01:09:53,360
Speaker 1: this this this space that we're in the range, you know,

1221
01:09:53,600 --> 01:09:56,880
Speaker 1: and in the game I put down it's always important

1222
01:09:56,920 --> 01:10:02,200
Speaker 1: that I remain cognitive and sit right, that it's gonna

1223
01:10:02,240 --> 01:10:07,240
Speaker 1: be hostile takeover because in this game, they're a smile,

1224
01:10:09,120 --> 01:10:12,360
Speaker 1: but they're intentions. You know, the handshake don't match the smile, right,

1225
01:10:12,439 --> 01:10:14,720
Speaker 1: they can do it with a smile along, they can

1226
01:10:14,880 --> 01:10:18,040
Speaker 1: keep keying ky ky while they while they're taking over

1227
01:10:18,200 --> 01:10:20,519
Speaker 1: your business and running it in the dirt or whatever

1228
01:10:20,640 --> 01:10:23,840
Speaker 1: the case may be. So eyes open right there, man,

1229
01:10:23,920 --> 01:10:28,280
Speaker 1: it's a lot of games being played. And for me, man,

1230
01:10:28,360 --> 01:10:32,200
Speaker 1: I know my reputation right perceives me I'm dealing with

1231
01:10:32,320 --> 01:10:35,160
Speaker 1: I'm I talk too well. They're gonna assume I know

1232
01:10:35,280 --> 01:10:38,960
Speaker 1: a little something. And that's the only down part about

1233
01:10:39,040 --> 01:10:43,080
Speaker 1: me being so front facing what the information is that

1234
01:10:43,400 --> 01:10:46,400
Speaker 1: when people are the people that's looking to get old

1235
01:10:46,520 --> 01:10:49,080
Speaker 1: on people and they're looking to do certain kind of business,

1236
01:10:49,160 --> 01:10:52,639
Speaker 1: they won't align themselves with me because they assume I'm

1237
01:10:52,680 --> 01:10:56,800
Speaker 1: a kitchen and it's a threat to the infrastructure, you

1238
01:10:56,880 --> 01:10:58,720
Speaker 1: know what I'm saying. So you gotta deal with me

1239
01:10:59,320 --> 01:11:03,160
Speaker 1: with a long don't handle spoon. I think that we

1240
01:11:03,360 --> 01:11:06,080
Speaker 1: need to do a better job with passing the paton,

1241
01:11:07,080 --> 01:11:12,439
Speaker 1: with being accessible to people that's really doing what they

1242
01:11:12,520 --> 01:11:15,240
Speaker 1: need to do in the business. I think that we

1243
01:11:15,439 --> 01:11:19,440
Speaker 1: have failed in regards to structuring any kind of runway

1244
01:11:20,200 --> 01:11:24,839
Speaker 1: for our people to really get access to information and audience.

1245
01:11:24,880 --> 01:11:26,559
Speaker 1: You know what I'm saying. I happen to be one

1246
01:11:26,600 --> 01:11:30,639
Speaker 1: of the lucky ones that just I spent too much

1247
01:11:30,800 --> 01:11:35,200
Speaker 1: time dealing with the facts of this ship. So I

1248
01:11:35,400 --> 01:11:37,400
Speaker 1: told niggas on the walk up about you know, I

1249
01:11:37,400 --> 01:11:39,280
Speaker 1: ain't leaving here with nothing. I know where all the

1250
01:11:39,400 --> 01:11:42,240
Speaker 1: money had in that, I know where they put everything

1251
01:11:42,360 --> 01:11:44,280
Speaker 1: in the house. I ain't leaving here with noneing y'all

1252
01:11:44,360 --> 01:11:47,160
Speaker 1: know that. I ain't saying it's a robbery, but I ain't.

1253
01:11:47,280 --> 01:11:49,920
Speaker 1: I ain't leaving here with nothing. Then we gotta figure

1254
01:11:49,960 --> 01:11:55,320
Speaker 1: out what that means. Yeah, man, So hey man, I

1255
01:11:55,439 --> 01:11:57,160
Speaker 1: don't want to have to take it, but I ain't

1256
01:11:57,240 --> 01:12:01,439
Speaker 1: leaving here with nothing. So we gotta figure something out, right.

1257
01:12:01,479 --> 01:12:03,559
Speaker 1: And So I came in the game with that kind

1258
01:12:03,600 --> 01:12:07,400
Speaker 1: of vibe about me and that level of information, So

1259
01:12:08,080 --> 01:12:10,679
Speaker 1: it was clear that I wouldn't leave the game with nothing,

1260
01:12:11,600 --> 01:12:15,000
Speaker 1: But it ain't clear how much I lead a game with, right,

1261
01:12:15,040 --> 01:12:17,160
Speaker 1: And so then we're dealing with I'm in the weird

1262
01:12:17,280 --> 01:12:22,800
Speaker 1: place where, see, cause you gotta understand I'm smart. You

1263
01:12:22,880 --> 01:12:28,439
Speaker 1: gotta understand I'm fucking with the money. You got to

1264
01:12:28,520 --> 01:12:32,000
Speaker 1: show me the money. If you're saying whatever, we got

1265
01:12:32,120 --> 01:12:35,840
Speaker 1: to get some money together. Let's get some paper together. Right,

1266
01:12:35,960 --> 01:12:37,880
Speaker 1: Let's get some money together. And do you got to

1267
01:12:37,960 --> 01:12:40,640
Speaker 1: show me as real? I told Paul Lay the other day, Yo,

1268
01:12:41,240 --> 01:12:43,280
Speaker 1: you gotta make some of them, dude, stand on that

1269
01:12:43,880 --> 01:12:47,439
Speaker 1: fake friendship on the internet. You know what I mean.

1270
01:12:47,560 --> 01:12:50,360
Speaker 1: You gotta make them do stand on it. You gotta say, yo, man,

1271
01:12:50,840 --> 01:12:53,000
Speaker 1: you know we've been messing around for a long time.

1272
01:12:53,080 --> 01:12:54,880
Speaker 1: You've been acting like you my boy, and you're gonna

1273
01:12:54,920 --> 01:12:57,080
Speaker 1: jump on my show. I'm coming to get you on

1274
01:12:57,200 --> 01:12:59,720
Speaker 1: the show like you gotta lean on it. And if

1275
01:12:59,760 --> 01:13:02,600
Speaker 1: they fuck with you, they're gonna say yeah for showing that.

1276
01:13:02,760 --> 01:13:06,880
Speaker 1: Ain't nothing right. And sometimes, man, it's fucked up because

1277
01:13:07,240 --> 01:13:09,719
Speaker 1: they're playing on each other. Like in this game, they're

1278
01:13:09,800 --> 01:13:12,720
Speaker 1: playing on you. Niggas are playing on you. You know

1279
01:13:12,800 --> 01:13:15,040
Speaker 1: what I'm saying. As long as they keep you at

1280
01:13:15,120 --> 01:13:18,160
Speaker 1: bay right there, you understand like they fucked with you,

1281
01:13:18,240 --> 01:13:20,519
Speaker 1: but they ain't giving you access to no money. They

1282
01:13:20,520 --> 01:13:23,679
Speaker 1: ain't letting me in no buildings. That's what meet me with, Tim.

1283
01:13:23,720 --> 01:13:26,000
Speaker 1: I ain't none of the big dogs put me in position.

1284
01:13:26,080 --> 01:13:28,960
Speaker 1: He's so called big dogs who put me in position

1285
01:13:29,000 --> 01:13:33,600
Speaker 1: to get some paper though, Yeah, the big dolls. You

1286
01:13:33,680 --> 01:13:35,839
Speaker 1: know what the big dogs do when they have puppets,

1287
01:13:35,920 --> 01:13:39,720
Speaker 1: How they feed the puppets. You understand me? Who who?

1288
01:13:40,040 --> 01:13:42,280
Speaker 1: Who was feeding the publish when we was puppets in

1289
01:13:42,400 --> 01:13:47,880
Speaker 1: our business, in our business, uh statue at that point

1290
01:13:49,000 --> 01:13:52,479
Speaker 1: we was puppets. Who was feeding the puppets? Nobody? Them

1291
01:13:52,560 --> 01:13:54,800
Speaker 1: niggas ain't gonna get you no access to that ship.

1292
01:13:54,920 --> 01:13:59,200
Speaker 1: Them niggas no better. But but anyway, Trump told the

1293
01:13:59,360 --> 01:14:02,719
Speaker 1: Full Sin podcast that, hey man, this video gonna get poored.

1294
01:14:02,760 --> 01:14:04,840
Speaker 1: I want to see how y'all react when you get poored.

1295
01:14:05,120 --> 01:14:06,800
Speaker 1: I want to see if y'all gonna stand on it,

1296
01:14:06,920 --> 01:14:10,080
Speaker 1: what y'all gonna do. He knew to get poored because

1297
01:14:10,120 --> 01:14:13,240
Speaker 1: he's speaking on the election and certain things like Danny,

1298
01:14:13,320 --> 01:14:17,760
Speaker 1: you know, if it's misinformation about that, they pulling that down.

1299
01:14:18,479 --> 01:14:21,720
Speaker 1: So they poured it down them dudes put it back

1300
01:14:21,800 --> 01:14:24,000
Speaker 1: up on their own website, which is you know, you

1301
01:14:24,080 --> 01:14:27,479
Speaker 1: knew they would do that. But I'm studying Trump right now.

1302
01:14:28,520 --> 01:14:32,080
Speaker 1: Trump is a keen communicator. You say what you want

1303
01:14:32,120 --> 01:14:34,960
Speaker 1: to about whatever, you say, what you want to say

1304
01:14:35,040 --> 01:14:38,560
Speaker 1: whatever you want to say about him. He's a keen communicator.

1305
01:14:38,600 --> 01:14:40,960
Speaker 1: When you look at his way of then, what I

1306
01:14:41,080 --> 01:14:43,760
Speaker 1: do notice is he has certain talking points in his

1307
01:14:43,920 --> 01:14:47,240
Speaker 1: head that it don't matter what you ask them. If

1308
01:14:47,320 --> 01:14:49,280
Speaker 1: he in a situation where he don't know what to

1309
01:14:49,360 --> 01:14:50,920
Speaker 1: say right there, he gonna go to one of them

1310
01:14:51,000 --> 01:14:54,280
Speaker 1: talking points. You know, you might ask him something about,

1311
01:14:54,920 --> 01:14:56,640
Speaker 1: you know, hey, man, what's next for you? Man, what

1312
01:14:56,760 --> 01:14:58,439
Speaker 1: you're gonna do? And if he don't have an answer

1313
01:14:58,479 --> 01:15:01,400
Speaker 1: for that, he'll say, it's a very it was a

1314
01:15:01,560 --> 01:15:04,000
Speaker 1: very long election, and the election was very long, and

1315
01:15:04,080 --> 01:15:05,960
Speaker 1: it was longer than and you know, he would go

1316
01:15:06,080 --> 01:15:08,600
Speaker 1: into that and it's it's funny to see him communicating

1317
01:15:08,640 --> 01:15:13,320
Speaker 1: how he does it, but he's a he's a keen communicator,

1318
01:15:13,400 --> 01:15:17,080
Speaker 1: and watching how he does it, it makes you understand

1319
01:15:18,120 --> 01:15:23,600
Speaker 1: how to manipulate right, manipulate what you want, how you

1320
01:15:23,680 --> 01:15:25,599
Speaker 1: want things to be viewed. Like when he had say

1321
01:15:25,640 --> 01:15:28,680
Speaker 1: the fake news, they're asking anything, he makes sure that

1322
01:15:28,760 --> 01:15:31,840
Speaker 1: when he addressed them about whatever he gonna say fake news.

1323
01:15:32,640 --> 01:15:34,880
Speaker 1: I think one of his biggest strengths is the way

1324
01:15:34,960 --> 01:15:38,240
Speaker 1: that he quantifies or he qualifies what he's about to say,

1325
01:15:38,800 --> 01:15:41,080
Speaker 1: right here. He had danced around a topic for a

1326
01:15:41,200 --> 01:15:43,320
Speaker 1: long time with a bunch of things that may or

1327
01:15:43,439 --> 01:15:45,920
Speaker 1: may not be true, and at the very end hit

1328
01:15:46,000 --> 01:15:49,760
Speaker 1: you with that that last little Paul was true. You

1329
01:15:49,840 --> 01:15:52,040
Speaker 1: see what I'm saying. And so they kind of conflating

1330
01:15:52,080 --> 01:15:55,040
Speaker 1: all of those things together. But man, I'm watching him

1331
01:15:55,200 --> 01:15:57,800
Speaker 1: right now like he that the game he would putting

1332
01:15:57,840 --> 01:16:01,200
Speaker 1: down got him my way into the presidents So if

1333
01:16:01,240 --> 01:16:04,360
Speaker 1: you think he got low level game, you tripping. He

1334
01:16:04,600 --> 01:16:08,719
Speaker 1: running good game. He come from outside of the political structure,

1335
01:16:08,760 --> 01:16:11,800
Speaker 1: and when it got the presidency, talked his way all

1336
01:16:11,880 --> 01:16:15,439
Speaker 1: way up through that motherfucking start Crooked Hillary and this

1337
01:16:15,600 --> 01:16:19,000
Speaker 1: and that. He started labeling things and these all are tactics.

1338
01:16:19,120 --> 01:16:21,760
Speaker 1: This is high level jiu jitsu mind tricks that I

1339
01:16:21,880 --> 01:16:25,040
Speaker 1: talk about. This ain't that low level of shit with

1340
01:16:25,120 --> 01:16:28,720
Speaker 1: you niggas, you know, calling arguing with people and shit.

1341
01:16:28,880 --> 01:16:33,400
Speaker 1: This is high level mental gymnastics. And if you ain't

1342
01:16:33,400 --> 01:16:35,680
Speaker 1: ready for that, you are never better compete with what

1343
01:16:35,840 --> 01:16:40,080
Speaker 1: I'm trying to do, because I understand that what looks

1344
01:16:40,160 --> 01:16:44,160
Speaker 1: like just a regular conversation is a well crafted thing

1345
01:16:44,320 --> 01:16:47,439
Speaker 1: that these dudes are doing, you know, and letting and

1346
01:16:47,560 --> 01:16:50,000
Speaker 1: be not deceived I peep it. You it may not

1347
01:16:50,160 --> 01:16:52,160
Speaker 1: peep it. Maybe you peep it now that I said.

1348
01:16:52,640 --> 01:16:55,280
Speaker 1: But just watch him, watch his hand, Justice, watch when

1349
01:16:55,320 --> 01:16:59,400
Speaker 1: he communicates. Just watch him. Just watch him. And for

1350
01:16:59,479 --> 01:17:03,040
Speaker 1: some people that's boring. They don't get the same things.

1351
01:17:03,439 --> 01:17:05,360
Speaker 1: You know, we can read the same books and we'll

1352
01:17:05,400 --> 01:17:07,639
Speaker 1: get two different things from it. That's why it's always

1353
01:17:07,680 --> 01:17:12,880
Speaker 1: about perspective. That's why I tell people it's always about perspective.

1354
01:17:12,920 --> 01:17:15,719
Speaker 1: A lot of people perspective be off and they wonder

1355
01:17:15,800 --> 01:17:19,479
Speaker 1: why they can't keep up. But to keep up, you

1356
01:17:19,560 --> 01:17:22,120
Speaker 1: gotta have. You gotta have what it takes to understand

1357
01:17:22,160 --> 01:17:25,640
Speaker 1: where everything is at, to understand where it's gone. This

1358
01:17:25,720 --> 01:17:29,599
Speaker 1: ship is a three step process. Understand where you at

1359
01:17:29,720 --> 01:17:32,599
Speaker 1: in it, understand where the game is, and understand where

1360
01:17:32,640 --> 01:17:35,960
Speaker 1: the game going. You gotta understand all those three things

1361
01:17:36,040 --> 01:17:39,400
Speaker 1: to get ahead of the game. Let's talk about Justice

1362
01:17:39,479 --> 01:17:43,280
Speaker 1: Smilett for those of you under where Justice Smilett was

1363
01:17:43,400 --> 01:17:47,080
Speaker 1: in a situation where he was caught in what police

1364
01:17:47,200 --> 01:17:53,640
Speaker 1: called one of the biggest lies ever told. There was

1365
01:17:53,720 --> 01:17:58,200
Speaker 1: a situation where he called the police. He said that

1366
01:17:58,320 --> 01:18:00,240
Speaker 1: he was at a subway. It was like you in

1367
01:18:00,320 --> 01:18:05,639
Speaker 1: the morning. Some people jumped out. Some Trump supporters jumped out,

1368
01:18:06,240 --> 01:18:09,519
Speaker 1: beat him up real bad, put a noose around his neck.

1369
01:18:10,080 --> 01:18:13,080
Speaker 1: You know, make America great again, said a bunch of

1370
01:18:13,200 --> 01:18:17,160
Speaker 1: like racist things, right, And he went home and called

1371
01:18:17,200 --> 01:18:19,439
Speaker 1: the police. When the police showed up, he still had

1372
01:18:19,479 --> 01:18:23,880
Speaker 1: the noose around his neck. When I first heard that,

1373
01:18:24,760 --> 01:18:27,040
Speaker 1: as much as I now look at it and say,

1374
01:18:27,120 --> 01:18:30,120
Speaker 1: what damn, it makes sense that why would you still

1375
01:18:30,200 --> 01:18:33,840
Speaker 1: have a noose on your neck, then I forgot that

1376
01:18:33,960 --> 01:18:37,599
Speaker 1: we're in America. And by no means do I think

1377
01:18:37,720 --> 01:18:39,960
Speaker 1: Justice small Lett is innocent. I want to be clear

1378
01:18:40,000 --> 01:18:42,280
Speaker 1: on that because my audience, I need you guys to

1379
01:18:42,400 --> 01:18:47,639
Speaker 1: understand I'm not pandering as I progress with my point, right,

1380
01:18:47,720 --> 01:18:49,880
Speaker 1: So I'm not in a situation where I'm trying to

1381
01:18:50,640 --> 01:18:55,160
Speaker 1: appease anyone. I'm here on behalf of myself, right, I'm

1382
01:18:55,200 --> 01:18:59,200
Speaker 1: not paid by anyone to say anything. I don't think

1383
01:18:59,280 --> 01:19:02,160
Speaker 1: he's innocent. The people he was in a situation with

1384
01:19:02,400 --> 01:19:05,640
Speaker 1: flipped on him, so they told him they yoe the

1385
01:19:05,680 --> 01:19:08,439
Speaker 1: gigs up and he's still stuck to it for whatever reason.

1386
01:19:10,280 --> 01:19:14,600
Speaker 1: But in America, as a black dude, and and and

1387
01:19:15,000 --> 01:19:17,080
Speaker 1: before I even go there, let me say this y'all

1388
01:19:17,160 --> 01:19:19,599
Speaker 1: can't fuck with us when y'all need us in regards

1389
01:19:19,680 --> 01:19:23,920
Speaker 1: to hey, I'm black now yo, I'm black, I'm my

1390
01:19:24,080 --> 01:19:27,759
Speaker 1: ancestors in yo, y'all never really got what the culture

1391
01:19:27,760 --> 01:19:31,599
Speaker 1: about nothing. Y'all never really got what the culture about

1392
01:19:31,680 --> 01:19:33,600
Speaker 1: nothing when you were piping hid in your career with

1393
01:19:33,760 --> 01:19:36,000
Speaker 1: going at all time, how you never tapped in with

1394
01:19:36,200 --> 01:19:39,280
Speaker 1: not one young creator, changed no lives, did nothing for

1395
01:19:39,400 --> 01:19:43,320
Speaker 1: anyone for free. You never went to a school, you

1396
01:19:43,439 --> 01:19:47,240
Speaker 1: never gave back in any way, you never reposted up

1397
01:19:47,320 --> 01:19:50,719
Speaker 1: and coming person in your field. You never co signed

1398
01:19:50,840 --> 01:19:54,120
Speaker 1: someone where you didn't stand to make a profit from it.

1399
01:19:54,240 --> 01:19:57,360
Speaker 1: Like so now that you find yourself on rough time,

1400
01:19:57,439 --> 01:20:02,800
Speaker 1: you want to scream black power, I'm black, my ancestors.

1401
01:20:04,560 --> 01:20:08,960
Speaker 1: And while that may be true, there's a disconnect between

1402
01:20:09,040 --> 01:20:15,240
Speaker 1: the people that that activates, right because be clear, I'm black,

1403
01:20:15,960 --> 01:20:19,040
Speaker 1: my ancestors, black power, those kind of things. When we

1404
01:20:19,200 --> 01:20:22,360
Speaker 1: really that does activate an audience of people and some

1405
01:20:22,520 --> 01:20:24,760
Speaker 1: of our people, but as a disconnect with a lot

1406
01:20:24,800 --> 01:20:27,599
Speaker 1: of the people that use it after they've been through

1407
01:20:27,640 --> 01:20:30,960
Speaker 1: the white markets and forgot about the coach in every

1408
01:20:31,040 --> 01:20:34,280
Speaker 1: sense of the word. And so you can't fuck with

1409
01:20:34,439 --> 01:20:37,400
Speaker 1: us when they come fucking with you, because you never

1410
01:20:37,560 --> 01:20:40,960
Speaker 1: fucked with us when they was fucking with you, you know,

1411
01:20:41,080 --> 01:20:43,200
Speaker 1: when they was giving you money, when they was putting

1412
01:20:43,200 --> 01:20:45,320
Speaker 1: you in position to say, Yo, who would you like

1413
01:20:45,520 --> 01:20:48,840
Speaker 1: to work with? You never called on a right So

1414
01:20:49,040 --> 01:20:53,080
Speaker 1: it's important that we understand that. But as a black

1415
01:20:53,160 --> 01:20:57,080
Speaker 1: man in America, right, it do be kind of crazy

1416
01:20:57,200 --> 01:21:01,439
Speaker 1: because there is a certain level of pressure in the

1417
01:21:01,600 --> 01:21:05,840
Speaker 1: police not believe in what you say. We do deal

1418
01:21:05,960 --> 01:21:09,200
Speaker 1: with that funny feeling that, Yo, if I'm the one

1419
01:21:09,280 --> 01:21:12,599
Speaker 1: that have to call the police about this, will they

1420
01:21:12,760 --> 01:21:17,200
Speaker 1: even believe that I'm on the right side of things? Right?

1421
01:21:17,320 --> 01:21:20,880
Speaker 1: So now I gotta overcompensate, right, I gotta you know,

1422
01:21:21,080 --> 01:21:23,320
Speaker 1: Let's say they come into the house and the house

1423
01:21:23,439 --> 01:21:26,280
Speaker 1: tow up. Nine times out of ten, they're gonna think

1424
01:21:26,400 --> 01:21:28,479
Speaker 1: that the black dude was the person that told the

1425
01:21:28,560 --> 01:21:30,880
Speaker 1: house up. So now if you happen to call the

1426
01:21:31,080 --> 01:21:38,040
Speaker 1: so again, it's just a level of paranoia attached to

1427
01:21:38,760 --> 01:21:41,680
Speaker 1: will the police even really believe your story? But the

1428
01:21:41,800 --> 01:21:43,479
Speaker 1: news on your neck? I would have took that off.

1429
01:21:43,479 --> 01:21:46,080
Speaker 1: I ain't living in that kind of trump right, So

1430
01:21:46,200 --> 01:21:48,000
Speaker 1: when he put the news on the neck, that's when

1431
01:21:48,040 --> 01:21:51,120
Speaker 1: they say, oh, he trying to play a game. He

1432
01:21:51,280 --> 01:21:53,280
Speaker 1: trying to get over on us and play the play

1433
01:21:53,320 --> 01:21:56,280
Speaker 1: a game. Right. So now the police say, yo, we're

1434
01:21:56,280 --> 01:22:00,240
Speaker 1: gonna get you about that. They stood on it. We're

1435
01:22:00,280 --> 01:22:02,720
Speaker 1: gonna get you about that. You gotta remember, right at

1436
01:22:02,760 --> 01:22:06,840
Speaker 1: that time, it was George Floyd. It was all kind

1437
01:22:06,920 --> 01:22:09,639
Speaker 1: of like the world was burning shit down, it was, right.

1438
01:22:09,840 --> 01:22:12,280
Speaker 1: So they took that serious, like, oh man, you tried

1439
01:22:12,360 --> 01:22:15,439
Speaker 1: to add fuel to this fire. That is they burn

1440
01:22:15,560 --> 01:22:19,760
Speaker 1: in the world down, not America, this is they burn

1441
01:22:19,840 --> 01:22:22,240
Speaker 1: in the world and they burning shit all across the

1442
01:22:22,400 --> 01:22:28,760
Speaker 1: world about this police brutality on black individuals, unarmed black men. Right,

1443
01:22:28,880 --> 01:22:31,840
Speaker 1: so he tried to add fuel to that fire, and

1444
01:22:31,920 --> 01:22:34,960
Speaker 1: he took it personal. Now he ends up getting time.

1445
01:22:35,320 --> 01:22:37,120
Speaker 1: Let's take a look at what they said to him

1446
01:22:37,160 --> 01:22:43,320
Speaker 1: in court before he left. Out to yourself, he's way

1447
01:22:43,400 --> 01:22:46,439
Speaker 1: beyond anything else that can happen to you from me

1448
01:22:47,280 --> 01:22:49,040
Speaker 1: or any other judge that would be sentence some me

1449
01:22:49,120 --> 01:22:51,360
Speaker 1: on this criminal case. This is his sentences are now

1450
01:22:51,439 --> 01:22:55,519
Speaker 1: a permanently convicted felon your family who loves you and

1451
01:22:55,640 --> 01:22:58,840
Speaker 1: supports you. I only want to use word forgive because

1452
01:22:58,840 --> 01:23:01,720
Speaker 1: because forget this and even necessary. They're with you so much,

1453
01:23:02,400 --> 01:23:04,360
Speaker 1: they're so tight knit, but you have to live with

1454
01:23:04,400 --> 01:23:06,000
Speaker 1: the fact that you really put them through a ringer.

1455
01:23:06,880 --> 01:23:10,080
Speaker 1: You've embarrassed your valuable friends in high places, that elected

1456
01:23:10,080 --> 01:23:13,760
Speaker 1: public officials, people in the media, You've embarrassed them. You

1457
01:23:13,840 --> 01:23:15,200
Speaker 1: have to live with that. I don't know if those

1458
01:23:15,320 --> 01:23:19,840
Speaker 1: relationship relationships can be repaired. You've become toxic in your

1459
01:23:19,880 --> 01:23:24,679
Speaker 1: own workplace. Your career future is uncertain. At very best,

1460
01:23:24,720 --> 01:23:27,960
Speaker 1: it was really on a rocket ship to success, and

1461
01:23:28,080 --> 01:23:31,760
Speaker 1: now you've you've turned yourself into Richester rags and it's

1462
01:23:31,760 --> 01:23:35,439
Speaker 1: so unfortunate. Your very name has become an adverb for lying,

1463
01:23:36,360 --> 01:23:38,720
Speaker 1: and I cannot imagine what could be worse than that.

1464
01:23:38,960 --> 01:23:40,800
Speaker 1: I'm trying to consider who you are as a person,

1465
01:23:40,960 --> 01:23:44,559
Speaker 1: how you got here, how somehow you straight away from

1466
01:23:44,600 --> 01:23:47,360
Speaker 1: your family value. Again, this is the judge speaking directly

1467
01:23:47,439 --> 01:23:51,920
Speaker 1: to Justice molt Selfish on his sentisin for his role

1468
01:23:52,200 --> 01:23:55,680
Speaker 1: in line to police about being abducted and beat up

1469
01:23:55,720 --> 01:23:58,120
Speaker 1: and put a noose on his neck. I've set and

1470
01:23:58,160 --> 01:24:01,160
Speaker 1: seeing you to thirty months stelling probation, and the probation

1471
01:24:01,320 --> 01:24:04,400
Speaker 1: is going to be to this court. You're going to

1472
01:24:04,479 --> 01:24:06,560
Speaker 1: be allowed to travel wherever you want. You do not

1473
01:24:06,680 --> 01:24:09,400
Speaker 1: have to live in the state of Illinois. You can

1474
01:24:09,479 --> 01:24:12,000
Speaker 1: report by phone. I know that if you're going to

1475
01:24:12,479 --> 01:24:14,040
Speaker 1: try to make a living and do some of the

1476
01:24:14,120 --> 01:24:17,759
Speaker 1: things you do, you may have to go to other places.

1477
01:24:17,800 --> 01:24:20,040
Speaker 1: In New York, in Los Angeles, you can do those things.

1478
01:24:21,160 --> 01:24:23,360
Speaker 1: You will pay a restitution to the City of Chicago

1479
01:24:23,840 --> 01:24:26,040
Speaker 1: in the amount of one hundred twenty thousand, one hundred

1480
01:24:26,040 --> 01:24:32,800
Speaker 1: and six dollars. You are five thousand dollars, and you

1481
01:24:32,840 --> 01:24:35,840
Speaker 1: will spend the first one hundred and fifty days of

1482
01:24:35,920 --> 01:24:38,160
Speaker 1: your sentence in the Cook County Jail. And that will

1483
01:24:38,200 --> 01:24:42,200
Speaker 1: start today, right here, right now, hundred fifty days you've

1484
01:24:42,240 --> 01:24:51,840
Speaker 1: gone to JA. I am not suicidal. Okay, I'm not suicidal. Okay,

1485
01:24:52,120 --> 01:24:55,960
Speaker 1: I am not suicidal. I am infant, and I am

1486
01:24:56,040 --> 01:24:58,840
Speaker 1: not suicidal. If I did this, then it means that

1487
01:24:58,880 --> 01:25:01,839
Speaker 1: I stuck my fist in the fears of black Americans

1488
01:25:01,880 --> 01:25:03,640
Speaker 1: in this country for over four hundred years, and the

1489
01:25:03,760 --> 01:25:06,800
Speaker 1: fears of the LGBTQ community, your honor. I respect you,

1490
01:25:06,920 --> 01:25:09,040
Speaker 1: and I respected Jersey. But I did not do this,

1491
01:25:09,520 --> 01:25:12,080
Speaker 1: and I am not suicidal. And if anything happens to

1492
01:25:12,160 --> 01:25:14,479
Speaker 1: me when I go in there, I did not do

1493
01:25:14,640 --> 01:25:18,800
Speaker 1: it to myself, and you must all know that I

1494
01:25:18,920 --> 01:25:22,840
Speaker 1: respect you, your honor, I respect your decision jail time.

1495
01:25:26,280 --> 01:25:30,120
Speaker 1: I am not suicidal. Okay, mister Hucha, let me inquire.

1496
01:25:30,160 --> 01:25:33,160
Speaker 1: Are there any post sentence emotions? He character presentatives? He

1497
01:25:33,960 --> 01:25:40,320
Speaker 1: ignored it. I am not suicidal. I am not suicidal,

1498
01:25:40,600 --> 01:25:42,760
Speaker 1: and I am interfect. I could have said that I

1499
01:25:42,880 --> 01:25:47,599
Speaker 1: was guilty a long time ago. He put a fist up.

1500
01:25:48,600 --> 01:25:52,639
Speaker 1: For those of you listening, uh, he put his fist

1501
01:25:52,800 --> 01:25:55,120
Speaker 1: up and walked out, you know, on some black power

1502
01:25:55,160 --> 01:25:59,559
Speaker 1: with time and again. Man, you know when you hear

1503
01:25:59,600 --> 01:26:01,640
Speaker 1: him say that as much as as much as you

1504
01:26:01,720 --> 01:26:03,599
Speaker 1: want to, you know, as much as people make fun

1505
01:26:03,680 --> 01:26:07,080
Speaker 1: of it, right, and it's it's hilarious, the idea that

1506
01:26:07,280 --> 01:26:10,720
Speaker 1: you would be caught lying, right, and then this is

1507
01:26:10,800 --> 01:26:14,280
Speaker 1: your role out at the end, I mean, you're sticking

1508
01:26:14,360 --> 01:26:16,479
Speaker 1: to the lie, to the point of at the end

1509
01:26:16,560 --> 01:26:20,120
Speaker 1: of it, you still is saying, you know, black power,

1510
01:26:20,160 --> 01:26:22,760
Speaker 1: while I did not do this. My ancestors and things

1511
01:26:22,840 --> 01:26:25,439
Speaker 1: like that, that that that's hilarious. But when you look

1512
01:26:25,520 --> 01:26:28,200
Speaker 1: at him, the first thing I say is, first of all,

1513
01:26:28,240 --> 01:26:32,280
Speaker 1: you DEALINGT want an actor. You're DEALINGT want an actor.

1514
01:26:32,800 --> 01:26:34,680
Speaker 1: So when you see him get up on this on that,

1515
01:26:34,760 --> 01:26:36,880
Speaker 1: that's that almost was like a scene in a movie,

1516
01:26:38,520 --> 01:26:41,479
Speaker 1: you know. But I wonder does he really believe like

1517
01:26:43,040 --> 01:26:47,719
Speaker 1: that they're gonna hurt him? I don't like I wonder

1518
01:26:47,800 --> 01:26:51,400
Speaker 1: man and they is pissed off. Now it ain't off

1519
01:26:51,479 --> 01:26:55,720
Speaker 1: the table. Now we've seen stranger things. Let's be clear

1520
01:26:55,760 --> 01:26:58,559
Speaker 1: about that. It ain't off the table. But it's interesting

1521
01:26:58,680 --> 01:27:05,240
Speaker 1: his approach to that, right, I can't say and then

1522
01:27:05,400 --> 01:27:07,400
Speaker 1: look at the games they play again. That's why I

1523
01:27:07,479 --> 01:27:09,720
Speaker 1: try to tell you it's about communication when you deal

1524
01:27:09,800 --> 01:27:12,519
Speaker 1: with everything in the world. That's why it's up the

1525
01:27:12,680 --> 01:27:16,760
Speaker 1: podcast is trying to teach communication and learn communication because

1526
01:27:16,760 --> 01:27:19,439
Speaker 1: we ain't at the top of the food chamber. We

1527
01:27:19,880 --> 01:27:22,040
Speaker 1: we somewhere up there when we when we deal with

1528
01:27:22,160 --> 01:27:25,920
Speaker 1: it from a holistic standpoint. But what I'm saying is,

1529
01:27:26,760 --> 01:27:29,160
Speaker 1: as you see, when he said all of that which

1530
01:27:29,280 --> 01:27:33,200
Speaker 1: would send shockwaves through certain people, a lot of those

1531
01:27:33,280 --> 01:27:37,240
Speaker 1: words were meaningful, right, but in that setting, everything he

1532
01:27:37,360 --> 01:27:42,479
Speaker 1: said meant nothing. You cannot operate inside them four walls

1533
01:27:42,520 --> 01:27:46,439
Speaker 1: in the courtroom, talking in there, that emotional talk, talking

1534
01:27:46,520 --> 01:27:50,160
Speaker 1: in there, that you got the emotion sixteen fourteen two.

1535
01:27:50,400 --> 01:27:53,559
Speaker 1: You got to have some shit, you know, you got

1536
01:27:53,680 --> 01:27:56,760
Speaker 1: to have some shit that that speaks directly to that

1537
01:27:56,920 --> 01:28:00,600
Speaker 1: structure that they have, right and so when you do that,

1538
01:28:00,840 --> 01:28:03,120
Speaker 1: you know that's for the cameras. You see. The judge

1539
01:28:03,120 --> 01:28:06,599
Speaker 1: didn't even acknowledge it. The judge didn't even say, okay,

1540
01:28:06,840 --> 01:28:09,800
Speaker 1: is there a reason you're saying this, sir? He said

1541
01:28:09,880 --> 01:28:12,000
Speaker 1: all of that, and he went right to somebody else.

1542
01:28:12,840 --> 01:28:15,920
Speaker 1: You gotta understand that and view that for what that's worth.

1543
01:28:16,960 --> 01:28:19,439
Speaker 1: That means that you ain't even communicating in the way

1544
01:28:19,520 --> 01:28:22,759
Speaker 1: that's effective in here. You talking, but what you're saying

1545
01:28:22,880 --> 01:28:26,000
Speaker 1: don't resonate in these walls right here. And if you

1546
01:28:26,040 --> 01:28:29,519
Speaker 1: don't communicate a certain way inside these walls, it's null

1547
01:28:29,600 --> 01:28:33,240
Speaker 1: and void. So he gotta pay one hundred fiftys one

1548
01:28:33,320 --> 01:28:38,480
Speaker 1: hundred and twenty that is I think the state's restitution,

1549
01:28:38,560 --> 01:28:41,200
Speaker 1: and then the twenty of that twenty five of that

1550
01:28:41,400 --> 01:28:45,680
Speaker 1: is is a fine. Of course they hit him with

1551
01:28:45,760 --> 01:28:49,439
Speaker 1: the maximum fine. Again, let this be a lesson to

1552
01:28:49,560 --> 01:28:51,840
Speaker 1: the young niggas. Don't go in the trick bag. I

1553
01:28:52,000 --> 01:28:55,200
Speaker 1: keep telling you, everybody that got a trick bag for you,

1554
01:28:55,360 --> 01:28:58,719
Speaker 1: your job is never ever going in the trick bag.

1555
01:29:00,640 --> 01:29:04,000
Speaker 1: And for me, going in a trick bag is you

1556
01:29:04,360 --> 01:29:06,559
Speaker 1: don't got caught up and wanting to get some cloud.

1557
01:29:07,080 --> 01:29:10,960
Speaker 1: And this is just assuming that what they're saying is true.

1558
01:29:11,040 --> 01:29:13,360
Speaker 1: And I haven't looked at everything, but according to what

1559
01:29:13,439 --> 01:29:15,679
Speaker 1: I've saw so far, man, it looked like the people

1560
01:29:15,760 --> 01:29:19,720
Speaker 1: flipped on him, like everything is stacked up against you. Man,

1561
01:29:19,760 --> 01:29:22,400
Speaker 1: you don't ride there one alway. It just don't make sense.

1562
01:29:22,560 --> 01:29:24,400
Speaker 1: You don't got caught in wanting to be a part

1563
01:29:24,479 --> 01:29:28,600
Speaker 1: of the conversation, right, a part of the conversation. He

1564
01:29:28,680 --> 01:29:31,240
Speaker 1: had even said after that he was the gay tupart

1565
01:29:31,960 --> 01:29:33,960
Speaker 1: like he had got caught up and wanting to get

1566
01:29:34,479 --> 01:29:37,600
Speaker 1: getting one of the cloud awards. And you rode that

1567
01:29:37,760 --> 01:29:40,360
Speaker 1: way too long in my peing though, See, I don't

1568
01:29:40,400 --> 01:29:44,080
Speaker 1: like lies. I don't like lies, and I don't mean

1569
01:29:44,200 --> 01:29:46,879
Speaker 1: people that get things wrong. See, you have a runway

1570
01:29:46,920 --> 01:29:50,759
Speaker 1: to make mistakes and the missin turpet right, that's different

1571
01:29:50,840 --> 01:29:53,800
Speaker 1: from lying. But see, and again I make all my

1572
01:29:53,960 --> 01:29:56,400
Speaker 1: money speaking, so I gotta be clear with certain things

1573
01:29:56,439 --> 01:29:59,640
Speaker 1: because they'll take what I'm saying and misrepresent it. I

1574
01:29:59,680 --> 01:30:05,160
Speaker 1: ain't speaking about someone that got information wrong misinterpreted. Maybe

1575
01:30:05,360 --> 01:30:09,800
Speaker 1: guess wrong, even I'm talking about someone that knows what

1576
01:30:10,000 --> 01:30:13,920
Speaker 1: they're saying it is not the truth, and that still

1577
01:30:14,080 --> 01:30:18,040
Speaker 1: continue to say that. I don't like dealing with them

1578
01:30:18,160 --> 01:30:22,599
Speaker 1: kind of individual. It's two people I don't like dealing

1579
01:30:22,680 --> 01:30:27,800
Speaker 1: with lies and people that the thieves lying instill in

1580
01:30:27,840 --> 01:30:32,080
Speaker 1: our next door neighbors. And again we're not talking about

1581
01:30:32,160 --> 01:30:35,080
Speaker 1: being wrong. You gotta run way to be wrong. But see,

1582
01:30:35,120 --> 01:30:38,320
Speaker 1: these celebrities gotta be careful. That gotta be careful that

1583
01:30:38,400 --> 01:30:41,680
Speaker 1: they don't start grabbing for straws. You know, when you

1584
01:30:41,840 --> 01:30:46,639
Speaker 1: start to lose some of that celebrity status, some people

1585
01:30:46,680 --> 01:30:48,960
Speaker 1: don't want to let their go. And they don't want

1586
01:30:48,960 --> 01:30:50,800
Speaker 1: to let their go because when they had it, they

1587
01:30:50,920 --> 01:30:53,760
Speaker 1: wasn't as effective as they wanted to be or that

1588
01:30:53,880 --> 01:30:57,800
Speaker 1: they needed to be. So it's important that when the

1589
01:30:57,880 --> 01:31:00,040
Speaker 1: lights go on, you understand it's time to get the

1590
01:31:00,160 --> 01:31:04,200
Speaker 1: work done. Right. It looked good, we're having a blast,

1591
01:31:04,280 --> 01:31:07,720
Speaker 1: but make sure we're getting their work done too. But yeah,

1592
01:31:07,840 --> 01:31:11,080
Speaker 1: so that that's my that's my outlook on justice mulet

1593
01:31:12,560 --> 01:31:16,480
Speaker 1: And so let's talk about this um Joe Budden conversation

1594
01:31:16,760 --> 01:31:19,519
Speaker 1: Joe Budden podcast conversation where they were talking about p

1595
01:31:20,320 --> 01:31:22,559
Speaker 1: SO it was a situation where they were talking about

1596
01:31:23,439 --> 01:31:26,040
Speaker 1: uh P and and and and how much work he's

1597
01:31:26,120 --> 01:31:28,240
Speaker 1: being put in and how people are viewed from the

1598
01:31:28,400 --> 01:31:31,200
Speaker 1: label and how much work needs to go into it,

1599
01:31:31,320 --> 01:31:34,400
Speaker 1: and it was a very heated conversation. I want to

1600
01:31:34,439 --> 01:31:36,200
Speaker 1: take a look at it, then we'll give some game

1601
01:31:36,280 --> 01:31:41,680
Speaker 1: about exactly what took place. If if if if Instagram

1602
01:31:42,120 --> 01:31:46,160
Speaker 1: is pushing in your Explorer page. Everything that you go

1603
01:31:46,400 --> 01:31:49,320
Speaker 1: look at Instagram is gonna get you more. When I'm

1604
01:31:49,360 --> 01:31:51,360
Speaker 1: on my business shit and I'm looking at real estate

1605
01:31:51,439 --> 01:31:53,479
Speaker 1: shit every fucking day. You know who, they send it

1606
01:31:53,520 --> 01:31:56,800
Speaker 1: to my page, Big business uh Gary V. They send

1607
01:31:56,840 --> 01:32:00,200
Speaker 1: it all these inspirational niggas to my page exactly. But

1608
01:32:00,280 --> 01:32:03,000
Speaker 1: when I start looking at the batties, the batties are

1609
01:32:03,080 --> 01:32:06,080
Speaker 1: in my Explorer page. That's what they gonna give you

1610
01:32:06,280 --> 01:32:09,400
Speaker 1: more of because they think you want more. So when

1611
01:32:09,520 --> 01:32:12,719
Speaker 1: Chief Keith set off and he started popping like surf said,

1612
01:32:12,840 --> 01:32:15,400
Speaker 1: we're gonna go to Chicago and get all these other

1613
01:32:15,520 --> 01:32:17,680
Speaker 1: niggas that sound, I just to go off with it.

1614
01:32:17,800 --> 01:32:21,000
Speaker 1: I've just never seen the label make a song. Always

1615
01:32:21,040 --> 01:32:23,400
Speaker 1: it's some little new hot nigga or somebody. My example

1616
01:32:23,520 --> 01:32:25,680
Speaker 1: was simple and I don't want to say anybody's name,

1617
01:32:25,680 --> 01:32:27,720
Speaker 1: but we've seen plenty of big albums that we can

1618
01:32:27,800 --> 01:32:29,799
Speaker 1: look at the track list thing and see the features,

1619
01:32:29,880 --> 01:32:33,519
Speaker 1: and see the producers and see the mixers cost a lot,

1620
01:32:33,600 --> 01:32:37,760
Speaker 1: and it's from their fucking flagship artists. We've seen three

1621
01:32:37,800 --> 01:32:39,599
Speaker 1: of them reasons, and there's no way that they said now,

1622
01:32:39,600 --> 01:32:41,519
Speaker 1: we're not gonna push the button on them right with

1623
01:32:41,680 --> 01:32:44,120
Speaker 1: all without spending eight hundred thousand on this project. But

1624
01:32:44,320 --> 01:32:46,560
Speaker 1: a little dirty nigga from New York, him and his

1625
01:32:46,640 --> 01:32:49,720
Speaker 1: friends basically go make a song that's not even the beat,

1626
01:32:49,840 --> 01:32:52,000
Speaker 1: is not even their well we go. We we found

1627
01:32:52,040 --> 01:32:54,160
Speaker 1: a song on YouTube and it was dope. But because

1628
01:32:54,240 --> 01:32:56,559
Speaker 1: it takes off on on YouTube, we have no choice.

1629
01:32:56,640 --> 01:32:58,360
Speaker 1: But they're going put X amount of dollars behind it.

1630
01:32:58,640 --> 01:33:02,040
Speaker 1: They quantify what's I would be. I would I would

1631
01:33:02,120 --> 01:33:04,320
Speaker 1: never fix my face to say that these labels or

1632
01:33:04,320 --> 01:33:08,080
Speaker 1: this systems or machine. But that's where to stop. I disagree.

1633
01:33:10,280 --> 01:33:13,400
Speaker 1: You could go get all the views on YouTube you want.

1634
01:33:14,520 --> 01:33:17,680
Speaker 1: If you're not signing your rights over to me, then

1635
01:33:17,720 --> 01:33:21,320
Speaker 1: there's no money going behind whatever you're doing. Whatever momentum

1636
01:33:21,400 --> 01:33:24,960
Speaker 1: there is and whatever leverage. That's why I said, that's

1637
01:33:25,000 --> 01:33:27,439
Speaker 1: the only I'm with what y'all saying. I just don't

1638
01:33:27,520 --> 01:33:30,479
Speaker 1: like the Bobby Schmurder example because I wasn't using Bobby

1639
01:33:30,520 --> 01:33:33,639
Speaker 1: because we own it. So when you go to NPR, hey,

1640
01:33:33,760 --> 01:33:35,360
Speaker 1: you could be sad that day, you could be happy

1641
01:33:35,400 --> 01:33:37,880
Speaker 1: that day, you could be whatever you is that day. Nigga,

1642
01:33:38,000 --> 01:33:40,600
Speaker 1: I'm gonna I own it. But I said, you go

1643
01:33:40,920 --> 01:33:44,439
Speaker 1: there if you have the money, Joe can't have the

1644
01:33:44,520 --> 01:33:47,760
Speaker 1: conversation into a nigga don't own it. Let me give

1645
01:33:47,760 --> 01:33:49,439
Speaker 1: you one. You have the money, Joe, right, If you

1646
01:33:49,520 --> 01:33:51,600
Speaker 1: have the money, Joe, you're looking for you're looking for,

1647
01:33:51,880 --> 01:33:55,080
Speaker 1: you kid. Is when when they don't own it is

1648
01:33:55,120 --> 01:33:57,840
Speaker 1: when they paint the picture of you with with with

1649
01:33:58,040 --> 01:34:01,519
Speaker 1: the weapons that they have. Just when TMZ comes to say,

1650
01:34:01,760 --> 01:34:04,840
Speaker 1: oh he hit a bit, Oh he's a crackhead. Let

1651
01:34:04,880 --> 01:34:08,720
Speaker 1: me this. They've demon that young young boy name that

1652
01:34:08,800 --> 01:34:15,200
Speaker 1: we just had Capella Gray. Yes. So he's talking about

1653
01:34:15,320 --> 01:34:17,599
Speaker 1: the way that you have to navigate in this game

1654
01:34:17,640 --> 01:34:19,599
Speaker 1: and how they're gonna find a way that if they're

1655
01:34:19,680 --> 01:34:25,720
Speaker 1: not again involved in your elevation, which makes them by

1656
01:34:26,200 --> 01:34:29,360
Speaker 1: proxy involved in the profit, then they're not gonna give

1657
01:34:29,400 --> 01:34:32,040
Speaker 1: you any leverage to do any more business outside of

1658
01:34:32,080 --> 01:34:35,280
Speaker 1: that little bullshit YouTube business to try and emulate that sound,

1659
01:34:35,360 --> 01:34:38,240
Speaker 1: or Jamaica to emulate that sound. You're right, and while

1660
01:34:38,360 --> 01:34:41,360
Speaker 1: they do it, if Capella Gray has that same attitude

1661
01:34:41,360 --> 01:34:43,680
Speaker 1: they add here, they're gonna get him the funk out

1662
01:34:43,680 --> 01:34:47,080
Speaker 1: of here. I'm not disagreeing with you, that's what I'm saying. No,

1663
01:34:47,280 --> 01:34:49,160
Speaker 1: but that's not what I'm saying. What I'm saying is

1664
01:34:49,479 --> 01:34:53,519
Speaker 1: he made that sound hot, right, the machine didn't. They're

1665
01:34:53,560 --> 01:34:55,559
Speaker 1: gonna go try to find niggas to tell me make

1666
01:34:55,640 --> 01:34:57,760
Speaker 1: one of them. If Joe has the money, Joe's going

1667
01:34:57,840 --> 01:35:00,720
Speaker 1: to look for somebody Like let's say Joe's gonna look

1668
01:35:00,760 --> 01:35:02,599
Speaker 1: for it, gonna go on you like, these companies are

1669
01:35:02,640 --> 01:35:05,439
Speaker 1: looking at the numbers first, like let's because it's no

1670
01:35:05,520 --> 01:35:08,040
Speaker 1: such thing as artist development in twenty twenty two. It's

1671
01:35:08,080 --> 01:35:10,920
Speaker 1: no such thing. You have to already be like you figured,

1672
01:35:10,960 --> 01:35:14,200
Speaker 1: like Benny and them was already selling those shows before

1673
01:35:14,240 --> 01:35:17,120
Speaker 1: Rock Nation pulled up the machine had. Your machine has

1674
01:35:17,120 --> 01:35:19,920
Speaker 1: to already be rolling before the machine even comes. They

1675
01:35:20,040 --> 01:35:22,280
Speaker 1: only quantify what you doing to It's kind of goes

1676
01:35:22,320 --> 01:35:25,280
Speaker 1: back to our argument about the only quantifi if you

1677
01:35:25,400 --> 01:35:27,639
Speaker 1: have the money. You will not go find a kid

1678
01:35:27,880 --> 01:35:31,800
Speaker 1: with five thousand followers not verified to say, yo, I'm

1679
01:35:31,800 --> 01:35:34,000
Speaker 1: about to put eight hundred thousand into his tape. That's

1680
01:35:34,040 --> 01:35:36,519
Speaker 1: not true. He's gonna be verified, one hundred and twenty

1681
01:35:36,560 --> 01:35:40,000
Speaker 1: thousand followers already busting on YouTube, and we're gonna we're

1682
01:35:40,040 --> 01:35:43,720
Speaker 1: gonna sprinkle this on there to make this bigger. You're

1683
01:35:43,800 --> 01:35:46,519
Speaker 1: the guy with the invisible dog collar. Like Neil de

1684
01:35:46,600 --> 01:35:51,680
Speaker 1: Grass calls me the cave man. It's the same exact thing.

1685
01:35:53,680 --> 01:35:59,240
Speaker 1: You're wrong. I think he sounds. I think everything, everything,

1686
01:35:59,640 --> 01:36:01,800
Speaker 1: every single thing he said is accurate if you're the

1687
01:36:01,840 --> 01:36:04,360
Speaker 1: guy with the dog collar, because that's all you can't

1688
01:36:04,400 --> 01:36:09,599
Speaker 1: see the dog caller. Give me the compeller. Listen to this. Yes,

1689
01:36:09,720 --> 01:36:14,960
Speaker 1: Benny was already selling out shows, so average mind says

1690
01:36:16,439 --> 01:36:18,680
Speaker 1: he should be able to continue to do that, and

1691
01:36:18,800 --> 01:36:22,080
Speaker 1: if you give him the opportunity, right, you should be

1692
01:36:22,120 --> 01:36:24,800
Speaker 1: able to do that. Like, so we in agreeance there.

1693
01:36:25,000 --> 01:36:27,240
Speaker 1: I'm with you. There. Where I say you have the

1694
01:36:27,360 --> 01:36:31,439
Speaker 1: dog caller is we don't know that. There's red lines

1695
01:36:31,479 --> 01:36:39,120
Speaker 1: and everything. So when it comes to venues, separated segregation.

1696
01:36:40,400 --> 01:36:44,240
Speaker 1: So while we're right, Benny sells out. So if given

1697
01:36:44,280 --> 01:36:48,240
Speaker 1: the opportunity, he should be able to do that. But

1698
01:36:48,439 --> 01:36:52,200
Speaker 1: you won't be given the opportunity because this is red

1699
01:36:52,280 --> 01:36:56,080
Speaker 1: line and these companies own these venues, and if you

1700
01:36:58,080 --> 01:37:05,000
Speaker 1: do what we think you could do, you got We're

1701
01:37:05,040 --> 01:37:09,680
Speaker 1: talking about the sound and that's where you started, all right.

1702
01:37:09,800 --> 01:37:14,439
Speaker 1: So I want to let y'all live on something with

1703
01:37:14,560 --> 01:37:20,679
Speaker 1: Joe Buden with what he's saying right there, Joe Budden

1704
01:37:20,880 --> 01:37:25,720
Speaker 1: is actively having trouble with venues for torn because he

1705
01:37:25,960 --> 01:37:30,559
Speaker 1: isn't in partnership with Spotify Live Nation any of these

1706
01:37:30,840 --> 01:37:33,439
Speaker 1: people who have deliveras to be able to make these

1707
01:37:33,560 --> 01:37:39,200
Speaker 1: calls to put him there. He's finding issue with getting

1708
01:37:39,520 --> 01:37:42,960
Speaker 1: the type of buildings that he needs to serve his

1709
01:37:43,120 --> 01:37:46,280
Speaker 1: audience and go on those runs to make those six

1710
01:37:46,400 --> 01:37:52,640
Speaker 1: figures plays. So he's speaking to without saying it. I mean,

1711
01:37:52,760 --> 01:37:54,760
Speaker 1: he's kind of saying it, but I guess some people

1712
01:37:54,800 --> 01:37:57,479
Speaker 1: are not peeping it. What he's saying is YO, because

1713
01:37:57,560 --> 01:38:00,640
Speaker 1: I'm not signed and I owned my part that YO.

1714
01:38:00,760 --> 01:38:08,519
Speaker 1: When I reach out to Webster Hall Municipal Auditorium, you know,

1715
01:38:08,680 --> 01:38:12,800
Speaker 1: your state events center, I'm getting some red lightnings because

1716
01:38:12,960 --> 01:38:16,080
Speaker 1: even though that event center doesn't have Live Nation on it.

1717
01:38:16,160 --> 01:38:21,040
Speaker 1: It's called Municipal Auditorium. It's owned by a company that

1718
01:38:21,160 --> 01:38:26,680
Speaker 1: has interests in other podcasts or just have interesting podcasting

1719
01:38:26,760 --> 01:38:31,680
Speaker 1: period because podcasting has a leg of touring attached to it.

1720
01:38:31,880 --> 01:38:34,800
Speaker 1: So it ain't because they really care about podcasting. It's

1721
01:38:34,840 --> 01:38:38,559
Speaker 1: because they care about touring, which by proxy makes them

1722
01:38:38,640 --> 01:38:42,280
Speaker 1: care about getting asses in the seats, which makes them

1723
01:38:42,360 --> 01:38:45,280
Speaker 1: care about comedy, which makes them care about wrap, which

1724
01:38:45,360 --> 01:38:49,040
Speaker 1: makes them care about anything that sells these events out right,

1725
01:38:49,160 --> 01:38:52,680
Speaker 1: Harlem globe trotters, all this shit, the circus, all this shit.

1726
01:38:52,800 --> 01:38:55,160
Speaker 1: They got interested in this ship because at the end

1727
01:38:55,240 --> 01:38:58,640
Speaker 1: of the day, although the number of the seat changes, right,

1728
01:38:58,760 --> 01:39:02,080
Speaker 1: the price of the seats changes, that venue stays the same,

1729
01:39:02,160 --> 01:39:04,040
Speaker 1: and we're trying to fill it up as many days

1730
01:39:04,080 --> 01:39:06,000
Speaker 1: as we can out of three hundred and sixty five

1731
01:39:06,080 --> 01:39:09,080
Speaker 1: in each other. So he speaking to being in a

1732
01:39:09,160 --> 01:39:13,120
Speaker 1: situation where he's finding redlining on getting venues to make

1733
01:39:13,280 --> 01:39:16,840
Speaker 1: money for his part, and you gotta understand that. To

1734
01:39:17,000 --> 01:39:22,639
Speaker 1: understand that, let's take a look at some more changed.

1735
01:39:24,160 --> 01:39:27,320
Speaker 1: My point started with what we enter when we introduce

1736
01:39:27,479 --> 01:39:31,000
Speaker 1: music business. So you start talking about the drill sound,

1737
01:39:31,600 --> 01:39:34,080
Speaker 1: and you said, do you think that the labels are

1738
01:39:34,160 --> 01:39:38,439
Speaker 1: pushing that sound with an agenda, right, And we said,

1739
01:39:39,000 --> 01:39:42,479
Speaker 1: I think that that's what the conversation is about, which

1740
01:39:42,960 --> 01:39:46,960
Speaker 1: it got in the p but the conversation is about yo,

1741
01:39:47,280 --> 01:39:50,600
Speaker 1: do you think the drill? Do you think the labels

1742
01:39:50,800 --> 01:39:57,920
Speaker 1: are amplifying the drill sound because of the profit, which

1743
01:39:58,080 --> 01:40:02,439
Speaker 1: by proxy causes death. Put a lot more eyes on

1744
01:40:02,560 --> 01:40:05,040
Speaker 1: a beef that would have been a neighborhood type beef.

1745
01:40:05,080 --> 01:40:07,880
Speaker 1: And we know that only goes as far as the neighborhood,

1746
01:40:08,280 --> 01:40:11,559
Speaker 1: but now it becomes worldwide, which now drags NBA young

1747
01:40:11,680 --> 01:40:14,200
Speaker 1: boy in it, which now drags Dirk in it, which

1748
01:40:14,280 --> 01:40:17,000
Speaker 1: now drags OTF and and now is dragging the baby

1749
01:40:17,120 --> 01:40:21,680
Speaker 1: in it. Right? Is the labels understanding that that impact

1750
01:40:21,960 --> 01:40:25,920
Speaker 1: is because their involvement, not necessarily that they're doing it

1751
01:40:26,040 --> 01:40:32,679
Speaker 1: on purpose, but because your involvement is called a nonintentional result,

1752
01:40:33,280 --> 01:40:36,560
Speaker 1: and it's not a harmless result, right, So it's not

1753
01:40:36,680 --> 01:40:40,200
Speaker 1: a harmless thing that's happening. So that means that even

1754
01:40:40,280 --> 01:40:44,240
Speaker 1: if you are not intending it to happen, what's happening

1755
01:40:44,439 --> 01:40:46,960
Speaker 1: is happening, and we would expect for you to acknowledge

1756
01:40:47,040 --> 01:40:49,680
Speaker 1: that and understand your involvement. I don't know how you

1757
01:40:49,760 --> 01:40:53,760
Speaker 1: approach it, but understanding that because they're putting a magnifying

1758
01:40:53,920 --> 01:40:57,000
Speaker 1: glass on a beef that would would have lasted for

1759
01:40:57,080 --> 01:41:01,000
Speaker 1: these four blocks and now it is dragging rap dudes,

1760
01:41:01,280 --> 01:41:04,040
Speaker 1: is look at the game, it's almost it's almost split

1761
01:41:04,120 --> 01:41:07,000
Speaker 1: down the middle. So that's what the conversation was originally about.

1762
01:41:07,240 --> 01:41:09,280
Speaker 1: They kind of spoke about p It's a lot being

1763
01:41:09,320 --> 01:41:13,559
Speaker 1: spoke about, but we're breaking the game down, so stay tuned,

1764
01:41:13,640 --> 01:41:16,360
Speaker 1: let's look at a little more. Jumped in and said, no,

1765
01:41:16,600 --> 01:41:18,880
Speaker 1: I think that they see the money behind that sound

1766
01:41:19,080 --> 01:41:20,920
Speaker 1: and so down that's they're just trying to push that

1767
01:41:21,120 --> 01:41:23,519
Speaker 1: because that's but it's not cont that's all they could

1768
01:41:23,560 --> 01:41:25,679
Speaker 1: do that. It's problem they can't do it. You labels

1769
01:41:25,760 --> 01:41:28,840
Speaker 1: can't do anything like I just can't imagine. I can't

1770
01:41:28,880 --> 01:41:31,519
Speaker 1: create a sound, right, I just can't imagine the label

1771
01:41:31,560 --> 01:41:33,519
Speaker 1: creating a sound and didn't finding a bunch of people

1772
01:41:33,560 --> 01:41:36,920
Speaker 1: to do it. All right, But y'all ignoring my point

1773
01:41:37,080 --> 01:41:41,400
Speaker 1: because yes, the label can't create a sound, they also

1774
01:41:41,560 --> 01:41:44,400
Speaker 1: don't have to when I have one million niggas that

1775
01:41:44,479 --> 01:41:49,040
Speaker 1: will sign away all rights for the chance that sound

1776
01:41:49,080 --> 01:41:50,880
Speaker 1: like what I need them to show what that sound

1777
01:41:51,000 --> 01:41:53,800
Speaker 1: does somewhere, and if you don't get that at that door,

1778
01:41:53,880 --> 01:41:56,040
Speaker 1: you'll get it at the concert. That's not where we started.

1779
01:41:56,280 --> 01:41:58,519
Speaker 1: That's not where that's not where this started. But we

1780
01:41:58,640 --> 01:42:01,880
Speaker 1: started talking about do we think that the label is

1781
01:42:02,880 --> 01:42:06,800
Speaker 1: covertly pushing that particular agenda right and they can't put

1782
01:42:06,920 --> 01:42:09,040
Speaker 1: that's where we started. But if they but if they're

1783
01:42:09,080 --> 01:42:12,000
Speaker 1: stripping you of your right to free will, option and

1784
01:42:12,160 --> 01:42:14,840
Speaker 1: decision making. But the niggas came into the door with

1785
01:42:15,120 --> 01:42:18,800
Speaker 1: that sound already, and with it, you come into the

1786
01:42:18,840 --> 01:42:20,000
Speaker 1: door with the sound and say I don't want to

1787
01:42:20,000 --> 01:42:22,120
Speaker 1: do the sound. If a sound, if a sound pop tomorrow,

1788
01:42:22,200 --> 01:42:26,240
Speaker 1: labels are going to like if something that the labels

1789
01:42:26,240 --> 01:42:28,599
Speaker 1: are gonna say, that's old, this is new, let's put

1790
01:42:28,640 --> 01:42:31,400
Speaker 1: out money here. If capella gray, But I see, we're

1791
01:42:31,400 --> 01:42:33,720
Speaker 1: gonna have a long part today, man, y'all live for

1792
01:42:33,840 --> 01:42:37,240
Speaker 1: a tree, y'all my day one fan. Man, these parts

1793
01:42:37,280 --> 01:42:39,960
Speaker 1: where we're gonna wild way deep like this be for y'all.

1794
01:42:41,000 --> 01:42:42,880
Speaker 1: That's what we're gonna that's what we want. A thousands

1795
01:42:42,880 --> 01:42:45,960
Speaker 1: of dollars. The numbers are showing that moving. It's so

1796
01:42:46,160 --> 01:42:48,599
Speaker 1: much game to be broken. Down when these guys talk,

1797
01:42:48,720 --> 01:42:51,120
Speaker 1: not only these people, everybody in the game. I can

1798
01:42:51,200 --> 01:42:53,600
Speaker 1: take and do this kind of thing where and just

1799
01:42:53,800 --> 01:42:57,479
Speaker 1: add to conversations. And this is valuable in this space, right,

1800
01:42:57,960 --> 01:42:59,920
Speaker 1: But we got to be able to collab a little

1801
01:43:00,200 --> 01:43:03,000
Speaker 1: bit more, to be able to to to really really

1802
01:43:03,120 --> 01:43:06,639
Speaker 1: amplify what this is inside them. Label sessions probably sound

1803
01:43:06,720 --> 01:43:10,320
Speaker 1: repetitive as shit. Probably that like what the label wants

1804
01:43:10,320 --> 01:43:12,160
Speaker 1: to keep. Probably or you know what I mean, you

1805
01:43:12,200 --> 01:43:14,080
Speaker 1: know you're going to the label session. Let's just probably

1806
01:43:14,080 --> 01:43:17,560
Speaker 1: sound repetitive as hell. And this is why this conversation

1807
01:43:17,720 --> 01:43:20,160
Speaker 1: is important, and it's going to continue to get interesting

1808
01:43:20,800 --> 01:43:24,240
Speaker 1: because you have young minds like sir, like Cappella Gray

1809
01:43:24,360 --> 01:43:27,160
Speaker 1: and so forth and so on. Right, Like Lady London,

1810
01:43:27,360 --> 01:43:33,640
Speaker 1: I'm really really like check Cappella Gray came here and

1811
01:43:33,800 --> 01:43:36,360
Speaker 1: spit all of that international shiit say, Yo, I'm not

1812
01:43:36,400 --> 01:43:38,720
Speaker 1: even really about to focus on America because my song

1813
01:43:38,920 --> 01:43:40,840
Speaker 1: is new in so many other countries. He said, y'all

1814
01:43:40,840 --> 01:43:43,280
Speaker 1: just got a passport four days ago. First thing I

1815
01:43:43,400 --> 01:43:47,200
Speaker 1: heard in my brain. Back to redlining. You know most

1816
01:43:47,280 --> 01:43:53,599
Speaker 1: of us don't get international, true, m. That's just one

1817
01:43:53,680 --> 01:43:57,320
Speaker 1: of the many disconnects there, like he's right. Cappella Gray

1818
01:43:57,439 --> 01:43:59,639
Speaker 1: is right. He should never be here for the next

1819
01:43:59,720 --> 01:44:06,320
Speaker 1: maybe five six years doing an album this quarter, But

1820
01:44:06,479 --> 01:44:08,240
Speaker 1: he'll come back here. You're about to go get him

1821
01:44:08,240 --> 01:44:11,519
Speaker 1: a couple million dollars overseas, but he'll come back over

1822
01:44:11,680 --> 01:44:14,960
Speaker 1: here and get into some shit that it's not time

1823
01:44:15,000 --> 01:44:18,240
Speaker 1: for him to get into because he went to somebody

1824
01:44:18,320 --> 01:44:20,640
Speaker 1: and said, Yo, what we did internationally, what we did

1825
01:44:20,720 --> 01:44:23,160
Speaker 1: in Africa, what we did here, what we did here,

1826
01:44:23,160 --> 01:44:25,720
Speaker 1: And he's gonna get back fuzziness. Well, he gonna get

1827
01:44:25,800 --> 01:44:28,280
Speaker 1: back something that he don't like unless his JV deal

1828
01:44:28,560 --> 01:44:32,720
Speaker 1: is different. Different when you could be but normally you

1829
01:44:32,920 --> 01:44:35,640
Speaker 1: run into those walls where you thought you had an

1830
01:44:35,680 --> 01:44:39,080
Speaker 1: answer for the design, and now it pushes you back

1831
01:44:39,560 --> 01:44:42,120
Speaker 1: to the design is all new artists. He gonna bump

1832
01:44:42,200 --> 01:44:46,080
Speaker 1: his head a whole bunch. What I'm saying, traps pit.

1833
01:44:46,720 --> 01:44:49,599
Speaker 1: He's talking to them specifically about being trying to get

1834
01:44:51,160 --> 01:44:53,240
Speaker 1: something going on behind the scenes with the talk about

1835
01:44:53,280 --> 01:44:55,519
Speaker 1: another one of them songs that becomes a new sound

1836
01:44:55,600 --> 01:45:00,080
Speaker 1: and it resembles that sound just resembles the label and

1837
01:45:00,439 --> 01:45:04,400
Speaker 1: it does the same numbers that Gallus did. Right. The

1838
01:45:04,560 --> 01:45:07,599
Speaker 1: label don't want to hear you talk nothing else investment

1839
01:45:08,160 --> 01:45:10,160
Speaker 1: ding ding ding, nigga, this is a hit. We know

1840
01:45:10,240 --> 01:45:12,439
Speaker 1: it's a hit. We see the numbers that it produced.

1841
01:45:13,280 --> 01:45:14,840
Speaker 1: I want you to do similar shit to that, and

1842
01:45:15,000 --> 01:45:17,960
Speaker 1: my response to that. Understand what you're saying. My response

1843
01:45:18,040 --> 01:45:21,960
Speaker 1: to that, And this side of the argument is continging

1844
01:45:22,080 --> 01:45:24,400
Speaker 1: upon how the label views him. What if they view

1845
01:45:24,520 --> 01:45:29,960
Speaker 1: him like little revolutionary nigga? He is master P. Didn't

1846
01:45:30,040 --> 01:45:33,560
Speaker 1: get a billion dollars from somebody. It's a reason for it.

1847
01:45:35,200 --> 01:45:37,960
Speaker 1: Do I think that he was worth that somewhere? You

1848
01:45:38,040 --> 01:45:40,200
Speaker 1: took it up? Is that his own fault? I think so.

1849
01:45:42,040 --> 01:45:45,360
Speaker 1: I think that I think that had young master P

1850
01:45:46,280 --> 01:45:51,400
Speaker 1: had the information he has today, he takes that universal dealing,

1851
01:45:51,479 --> 01:45:54,600
Speaker 1: he's a billionaire. I think at that point in his

1852
01:45:54,720 --> 01:45:57,040
Speaker 1: life niggas was still behind cars and buying dumb shit

1853
01:45:57,120 --> 01:45:58,960
Speaker 1: and doing a whole bunch of dumb shit. He'll say

1854
01:45:59,000 --> 01:46:01,800
Speaker 1: it today, Can you show your power? Took a universal deal? No,

1855
01:46:01,880 --> 01:46:03,400
Speaker 1: listen to what I'm saying. He would have said he

1856
01:46:03,400 --> 01:46:05,760
Speaker 1: would have took the universal deal and turned into a

1857
01:46:05,880 --> 01:46:11,000
Speaker 1: billion dollars. Now he's like, yo, I didn't know about trademarking, right.

1858
01:46:11,040 --> 01:46:14,639
Speaker 1: I watched Bill Bellamie the other day on TV. Look,

1859
01:46:14,680 --> 01:46:17,040
Speaker 1: I watched Bill Bellamie the other day on TV. Bill

1860
01:46:17,080 --> 01:46:19,200
Speaker 1: Bellamy's the first nigga that we ever heard say booty

1861
01:46:19,240 --> 01:46:22,880
Speaker 1: Call in a comic skit. He didn't know the trade market.

1862
01:46:23,400 --> 01:46:26,439
Speaker 1: They turned the ship into a movie called Booty Call.

1863
01:46:27,040 --> 01:46:30,040
Speaker 1: The ship that niggas know today to do master P

1864
01:46:30,200 --> 01:46:32,400
Speaker 1: and them niggas didn't know to do back then. I

1865
01:46:32,520 --> 01:46:35,360
Speaker 1: want to bling Bling you could have trade mark Bling

1866
01:46:35,600 --> 01:46:37,840
Speaker 1: Bling was in a diary. I want to be very

1867
01:46:37,960 --> 01:46:43,479
Speaker 1: clear on what you're saying, just to add perspective, because

1868
01:46:43,560 --> 01:46:49,240
Speaker 1: what master P produced made mad billions. Probably two niggas

1869
01:46:49,320 --> 01:46:52,560
Speaker 1: that had the information. So what to do with what

1870
01:46:52,680 --> 01:46:57,360
Speaker 1: you're saying is if master P had the information that

1871
01:46:57,520 --> 01:47:00,760
Speaker 1: he now has back then, he didn't even would have

1872
01:47:00,880 --> 01:47:05,479
Speaker 1: figured out a way to make his billions around the

1873
01:47:05,680 --> 01:47:12,360
Speaker 1: billions that he already made. The issue is, yeah, so

1874
01:47:12,680 --> 01:47:15,000
Speaker 1: let me let me explain that missing what he's saying,

1875
01:47:15,840 --> 01:47:21,719
Speaker 1: and um, these dudes are wizards, right, So he's basically

1876
01:47:21,880 --> 01:47:25,360
Speaker 1: speaking about the conversation is on one side is yo

1877
01:47:26,160 --> 01:47:28,479
Speaker 1: P didn't make the money because he didn't know how

1878
01:47:28,520 --> 01:47:31,600
Speaker 1: to make the money, right. He didn't know how to

1879
01:47:32,200 --> 01:47:34,120
Speaker 1: do what he needed to do to make the money.

1880
01:47:36,800 --> 01:47:39,960
Speaker 1: Joe is saying that, Yo, the money was made, the

1881
01:47:40,040 --> 01:47:45,280
Speaker 1: split wasn't right. The money was made, the split wasn't right.

1882
01:47:45,439 --> 01:47:49,439
Speaker 1: Even with the eighty five percent that was still other

1883
01:47:49,640 --> 01:47:53,479
Speaker 1: avenues he wasn't able to eat in, and they would

1884
01:47:53,520 --> 01:47:57,400
Speaker 1: never give us an exclusive opportunity to eat in all

1885
01:47:57,600 --> 01:48:01,680
Speaker 1: things AD revenue. That's where it's really at, right And

1886
01:48:01,760 --> 01:48:03,800
Speaker 1: that's why I send a shout out to revote, because

1887
01:48:03,880 --> 01:48:07,280
Speaker 1: my deal will revote is Yo, the ads come in

1888
01:48:07,479 --> 01:48:09,400
Speaker 1: like this, the number is this, the number is that,

1889
01:48:09,520 --> 01:48:12,400
Speaker 1: whatever AD that is. If it's a fifty million dollars AD,

1890
01:48:12,880 --> 01:48:15,120
Speaker 1: that's what the split is. And for me, that's a

1891
01:48:15,200 --> 01:48:18,719
Speaker 1: comfortable situation. All things ads now, we got to really

1892
01:48:18,880 --> 01:48:22,400
Speaker 1: know what we're what we're participating in across all you

1893
01:48:22,560 --> 01:48:25,240
Speaker 1: know how all of that works. So basically what he's

1894
01:48:25,240 --> 01:48:30,000
Speaker 1: saying is what he did for Universal, what Baby did

1895
01:48:30,080 --> 01:48:35,479
Speaker 1: for Universal was made billions of dollars. Baby is in

1896
01:48:35,560 --> 01:48:37,600
Speaker 1: a situation and where he is getting some of the

1897
01:48:37,680 --> 01:48:41,240
Speaker 1: fruits to his label, right, but it's still the split

1898
01:48:41,320 --> 01:48:45,439
Speaker 1: is still not it's not favorable for for us. It's

1899
01:48:45,479 --> 01:48:48,599
Speaker 1: just not right. Again, we don't know what a stream

1900
01:48:48,760 --> 01:48:51,439
Speaker 1: is worth. I keep telling y'all, at some point there'll

1901
01:48:51,479 --> 01:48:55,960
Speaker 1: be a class section lawsuit because they can't pay me

1902
01:48:56,160 --> 01:48:58,720
Speaker 1: as a podcast of the same that they paid an

1903
01:48:58,840 --> 01:49:02,120
Speaker 1: artist for a song. There's no way to pay artists

1904
01:49:02,200 --> 01:49:04,439
Speaker 1: that amount for a song there's three minutes, and pay

1905
01:49:04,520 --> 01:49:08,559
Speaker 1: me the same amount for podcasts it's three hours. There

1906
01:49:08,640 --> 01:49:11,040
Speaker 1: has to be something there that says this makes more

1907
01:49:11,120 --> 01:49:14,519
Speaker 1: money than a three minute song. That's just common sense.

1908
01:49:14,600 --> 01:49:16,800
Speaker 1: So at some point that will be a retro thing

1909
01:49:16,880 --> 01:49:19,640
Speaker 1: where people are looking to Yo, what's going on with

1910
01:49:19,760 --> 01:49:22,720
Speaker 1: the payment of these things. Something's off there, and I'm

1911
01:49:22,760 --> 01:49:25,680
Speaker 1: sure there'll be a settlement at some point, but it's

1912
01:49:25,720 --> 01:49:27,880
Speaker 1: a lot of information. We don't know what they're doing

1913
01:49:27,920 --> 01:49:30,280
Speaker 1: with the stream. Yo, how does what does red Lobster

1914
01:49:30,360 --> 01:49:32,800
Speaker 1: give you for putting that red Lobster banner on my

1915
01:49:32,960 --> 01:49:38,200
Speaker 1: podcasts for my fans to see or to cater that

1916
01:49:38,320 --> 01:49:41,080
Speaker 1: to whatever that person is watching. They got the AISO

1917
01:49:41,240 --> 01:49:45,000
Speaker 1: down packed at whatever whoever's looking at my podcast, they

1918
01:49:45,120 --> 01:49:48,799
Speaker 1: got your algorithm. So if you do like red Lobster,

1919
01:49:48,880 --> 01:49:51,320
Speaker 1: you'll see red Lobster. But if you fuck with Windos,

1920
01:49:51,360 --> 01:49:54,240
Speaker 1: you'll see Windys. If you fuk with Apple Air parts

1921
01:49:54,320 --> 01:49:55,800
Speaker 1: you'll see, you know what I mean. So they got

1922
01:49:55,880 --> 01:49:58,640
Speaker 1: it Taylor made for whoever is viewing it. So but

1923
01:49:58,720 --> 01:50:00,960
Speaker 1: I want to know how did you get that? And

1924
01:50:01,120 --> 01:50:04,280
Speaker 1: what is that worth for every thousand people that view that?

1925
01:50:04,680 --> 01:50:06,920
Speaker 1: But we'll never know that because once we know that,

1926
01:50:07,400 --> 01:50:09,800
Speaker 1: or by the time we know that, they'll switch it again.

1927
01:50:10,520 --> 01:50:12,599
Speaker 1: Like right when we figured out what they were doing

1928
01:50:12,640 --> 01:50:16,040
Speaker 1: with CDs, they it switched, you know, right when we

1929
01:50:16,160 --> 01:50:18,760
Speaker 1: figured out. Oh man, y'all yo, it cost this foot

1930
01:50:19,360 --> 01:50:22,400
Speaker 1: he yo, and then y'all charging us for scraping damage

1931
01:50:22,720 --> 01:50:26,479
Speaker 1: CDs and all this shit. What the right? So for

1932
01:50:26,600 --> 01:50:29,200
Speaker 1: y'all that don't know that when CDs first came out,

1933
01:50:29,400 --> 01:50:32,559
Speaker 1: or not first came out, until CDs were done, Until

1934
01:50:32,640 --> 01:50:37,040
Speaker 1: CDs were done, that was that was all. This ship

1935
01:50:37,160 --> 01:50:39,920
Speaker 1: was built on the artist, So the house the CDs.

1936
01:50:40,400 --> 01:50:43,719
Speaker 1: So let's say your artist that may get a million

1937
01:50:43,840 --> 01:50:46,720
Speaker 1: CDs printed up, but they're moving slow. You might got

1938
01:50:46,840 --> 01:50:49,639
Speaker 1: a housing feet that you're paying on that. You also

1939
01:50:49,800 --> 01:50:54,800
Speaker 1: got a scrap fee, meaning the CDs that's damaged through

1940
01:50:54,960 --> 01:50:58,000
Speaker 1: travel you gotta pay for, right, So they're making you

1941
01:50:58,120 --> 01:51:00,240
Speaker 1: pay for the scrap that you ain't even got none

1942
01:51:00,280 --> 01:51:02,559
Speaker 1: to do with they're making you pay for certain things

1943
01:51:02,640 --> 01:51:04,120
Speaker 1: that you ain't even had nothing to do with as

1944
01:51:04,120 --> 01:51:06,280
Speaker 1: the artist. So when we started to pay attention to that,

1945
01:51:06,840 --> 01:51:09,120
Speaker 1: or when we start to even have that information some

1946
01:51:09,320 --> 01:51:12,120
Speaker 1: kind of way, boom the game change. Now streaming and

1947
01:51:12,200 --> 01:51:14,640
Speaker 1: we had them for a quick second. They figured it

1948
01:51:14,720 --> 01:51:17,800
Speaker 1: out quick. See, the industry went in the panic when

1949
01:51:17,880 --> 01:51:22,240
Speaker 1: streaming first hit, when ring tones and shit first popped up.

1950
01:51:22,280 --> 01:51:24,599
Speaker 1: Just the industry went in the panic because the artist

1951
01:51:24,760 --> 01:51:26,600
Speaker 1: has started it has started to be more of a

1952
01:51:26,720 --> 01:51:30,000
Speaker 1: foul play. Y'all eat off what y'all provided, But this

1953
01:51:30,120 --> 01:51:32,040
Speaker 1: other shit over here, y'all don't got nothing to do with.

1954
01:51:32,479 --> 01:51:35,439
Speaker 1: So you would see soldier boys said two three million

1955
01:51:35,960 --> 01:51:39,000
Speaker 1: ring tones, te paint five million ring tones. These dudes

1956
01:51:39,000 --> 01:51:41,840
Speaker 1: were getting ring tone money. Applies. All these people were

1957
01:51:41,920 --> 01:51:45,240
Speaker 1: getting ring tone money on the side, right, and then

1958
01:51:45,320 --> 01:51:47,599
Speaker 1: then they figured out a deal. Call to three sixty.

1959
01:51:47,720 --> 01:51:49,720
Speaker 1: Now we eat off anything because we don't know what

1960
01:51:49,960 --> 01:51:52,800
Speaker 1: might pop up. Y'all coming up with new shit, So

1961
01:51:52,960 --> 01:51:55,320
Speaker 1: then we eat off anything. Got something to do with you.

1962
01:51:56,160 --> 01:51:58,000
Speaker 1: But we promised to put you here and here and

1963
01:51:58,080 --> 01:52:01,360
Speaker 1: here and here. Back to what he's talk about. We

1964
01:52:01,560 --> 01:52:04,919
Speaker 1: promised to put you here here here. Guess how because secretly,

1965
01:52:05,040 --> 01:52:08,160
Speaker 1: we own a little bit of this radio station, we

1966
01:52:08,360 --> 01:52:10,960
Speaker 1: own a little bit of this venue. We got a

1967
01:52:11,000 --> 01:52:14,000
Speaker 1: little interest in putting you on. You know, we can

1968
01:52:14,200 --> 01:52:15,960
Speaker 1: make a phone call and get you on Hot ninety

1969
01:52:16,000 --> 01:52:18,320
Speaker 1: Salem or the Breakfast Club and this, that and the third.

1970
01:52:18,680 --> 01:52:22,519
Speaker 1: But there's no runway for a regular guy. See what

1971
01:52:22,760 --> 01:52:25,120
Speaker 1: Joe is talking about about the touring thing, it's the

1972
01:52:25,200 --> 01:52:27,439
Speaker 1: same thing for us. Even to get an access to

1973
01:52:27,560 --> 01:52:31,800
Speaker 1: the audience. There's no avenue for you to contact Joe

1974
01:52:31,920 --> 01:52:37,080
Speaker 1: Button or Charlemagne or the Shade Room or Neighborhood Talk

1975
01:52:37,200 --> 01:52:40,559
Speaker 1: or academics. You can't just be like, yo, post one

1976
01:52:40,600 --> 01:52:43,519
Speaker 1: of my clips, bro. It just won't work like that.

1977
01:52:43,720 --> 01:52:46,240
Speaker 1: Somebody has to make a call from behind the scenes

1978
01:52:46,320 --> 01:52:50,479
Speaker 1: to make that a play, and that's unfortunate. But they're

1979
01:52:50,560 --> 01:52:53,880
Speaker 1: saying that YO, make the money around the money that

1980
01:52:54,000 --> 01:52:56,720
Speaker 1: you made, and it's like, Yo, you might not hear

1981
01:52:56,800 --> 01:53:00,680
Speaker 1: what I'm saying. That I made billions with them, But

1982
01:53:00,840 --> 01:53:06,160
Speaker 1: whatever split I got, Number One, I didn't make billions

1983
01:53:06,240 --> 01:53:10,639
Speaker 1: with them. They made billions off of my back right,

1984
01:53:10,760 --> 01:53:13,560
Speaker 1: and the split that I got wasn't a split that

1985
01:53:13,800 --> 01:53:18,200
Speaker 1: indicated my role in how influential I was in making

1986
01:53:18,320 --> 01:53:21,559
Speaker 1: whatever money that was made. Right, If I'm the most

1987
01:53:21,680 --> 01:53:25,719
Speaker 1: influential part in making the money here, that should probably

1988
01:53:25,880 --> 01:53:32,160
Speaker 1: be viewed or written that way in the contract made it.

1989
01:53:33,360 --> 01:53:36,840
Speaker 1: You're right. If I knew what was to come with

1990
01:53:37,080 --> 01:53:42,000
Speaker 1: the Spotify podcast development, my negotiation would have gone different.

1991
01:53:42,080 --> 01:53:45,840
Speaker 1: But I didn't know, you are right, Nor did they. No,

1992
01:53:46,000 --> 01:53:48,400
Speaker 1: they did. I don't think they did. I think they

1993
01:53:48,439 --> 01:53:51,719
Speaker 1: got it just as much information from you and working

1994
01:53:51,800 --> 01:53:55,439
Speaker 1: with you. Hit me out please. You were the first

1995
01:53:55,520 --> 01:53:59,040
Speaker 1: major nigg on Spotify. I wasn't Who was first, Amy

1996
01:53:59,080 --> 01:54:08,639
Speaker 1: Schumann nigga? No no, no, I think yeah, So seeing

1997
01:54:08,720 --> 01:54:10,880
Speaker 1: that speaks to kind of what might be finished. But

1998
01:54:11,680 --> 01:54:16,840
Speaker 1: I think you when you came it showed them how

1999
01:54:17,040 --> 01:54:21,040
Speaker 1: powerful this Spotify, I mean, this podcast division can be.

2000
01:54:21,880 --> 01:54:27,480
Speaker 1: Look what this boy's doing right with his demo that's marginalized.

2001
01:54:29,760 --> 01:54:34,760
Speaker 1: Imagine what we could do with Rogan Rogan. Don't know

2002
01:54:35,040 --> 01:54:37,400
Speaker 1: how much they might have made ten billion dollars off

2003
01:54:37,400 --> 01:54:40,200
Speaker 1: of Joe Rogan because they know what they made off

2004
01:54:40,240 --> 01:54:44,000
Speaker 1: of you doing a million a week or whatever you

2005
01:54:44,120 --> 01:54:48,240
Speaker 1: do a week an episode. He's doing eleven million a episode.

2006
01:54:48,840 --> 01:54:51,920
Speaker 1: So only no, Now we took the information we got

2007
01:54:52,000 --> 01:54:55,680
Speaker 1: from Joe. They didn't know that information was available from

2008
01:54:56,720 --> 01:54:59,000
Speaker 1: He was the test dummy, He's the crash dummy. Here.

2009
01:54:59,240 --> 01:55:01,840
Speaker 1: We know what we could get from Joe. Imagine what

2010
01:55:01,960 --> 01:55:04,080
Speaker 1: we could get from the other Joe. So we could

2011
01:55:04,080 --> 01:55:07,320
Speaker 1: go throw him a hundred million and this revolutionary, revolutionary

2012
01:55:07,360 --> 01:55:10,600
Speaker 1: in this space. But there's peanuts to them because we

2013
01:55:10,680 --> 01:55:12,280
Speaker 1: know what Joe did. They might have made a couple

2014
01:55:12,280 --> 01:55:15,120
Speaker 1: of hundred off of you. You never know, they might

2015
01:55:15,160 --> 01:55:16,920
Speaker 1: have made a couple hundred million off of you, and

2016
01:55:17,040 --> 01:55:19,000
Speaker 1: add dollars and this and that and all other ships

2017
01:55:19,040 --> 01:55:21,160
Speaker 1: that come along with it. No might have about it.

2018
01:55:21,560 --> 01:55:23,680
Speaker 1: We don't need to move past Joe. You do it?

2019
01:55:23,720 --> 01:55:26,400
Speaker 1: Why didn't I do it again? You know why? Because

2020
01:55:26,440 --> 01:55:28,560
Speaker 1: and I'm like, I'm gonna call you on yourself. Keep asking,

2021
01:55:28,760 --> 01:55:32,839
Speaker 1: they signed a contract. You do this when it benefits

2022
01:55:32,920 --> 01:55:38,000
Speaker 1: Sometimes tiptoe on the same argument you be having. They

2023
01:55:38,120 --> 01:55:41,880
Speaker 1: signed that? Who signed what? Baby? Baby signed a deal?

2024
01:55:43,120 --> 01:55:45,640
Speaker 1: You agree, we handshake. You're gonna get this. I'm gonna

2025
01:55:45,680 --> 01:55:50,080
Speaker 1: get this if I say for everyone up, because Joe,

2026
01:55:50,080 --> 01:55:52,120
Speaker 1: you're not about to be mad at exactly. They don't

2027
01:55:52,160 --> 01:55:54,920
Speaker 1: owe you a motherfucking thing because you stand on that

2028
01:55:55,040 --> 01:55:58,560
Speaker 1: side of the argument sometimes with regard to see you

2029
01:55:58,680 --> 01:56:01,080
Speaker 1: doing a lot of talk. No, not responded or nothing.

2030
01:56:01,120 --> 01:56:04,520
Speaker 1: I said, I am you just said yo dog. Ten

2031
01:56:04,640 --> 01:56:07,320
Speaker 1: years later, it's Baby held in the regard that he

2032
01:56:07,360 --> 01:56:09,880
Speaker 1: should be held You said take money out of it. Yes,

2033
01:56:09,960 --> 01:56:11,800
Speaker 1: we're gonna take money out of it. It's Lina Richie

2034
01:56:11,840 --> 01:56:13,560
Speaker 1: held in the regard that he should bet on Baby,

2035
01:56:13,760 --> 01:56:16,200
Speaker 1: Stay on Baby, stay on Baby, and p Masterp and

2036
01:56:16,280 --> 01:56:21,120
Speaker 1: Baby give me baby, Baby and master P. Now had

2037
01:56:21,280 --> 01:56:26,560
Speaker 1: Baby and master P moved differently in the nineties, they

2038
01:56:26,600 --> 01:56:29,960
Speaker 1: would be held in different regard. They moved like artists,

2039
01:56:30,320 --> 01:56:32,520
Speaker 1: and they move like artists. And because when you move

2040
01:56:32,600 --> 01:56:35,200
Speaker 1: in like an artist or a sub owner of the

2041
01:56:35,280 --> 01:56:39,440
Speaker 1: didn't nah, they moved like bosses. All that shit wasn'tours.

2042
01:56:39,680 --> 01:56:41,240
Speaker 1: Baby had none of that shit. I don't when he

2043
01:56:41,280 --> 01:56:43,640
Speaker 1: winning the buildings, that's wrong. It's you know, you might, guy,

2044
01:56:43,680 --> 01:56:48,560
Speaker 1: but that's wrong. The universe mine response to you. They

2045
01:56:48,640 --> 01:56:52,280
Speaker 1: weren't thinking like artists, not at all. It's almost offensive.

2046
01:56:52,320 --> 01:56:55,720
Speaker 1: It ain't almost an insult. That's fact thinking that both

2047
01:56:55,840 --> 01:56:59,600
Speaker 1: of them had at the time to close the types

2048
01:56:59,640 --> 01:57:04,160
Speaker 1: of ground breaking artists. Let me say what I'm saying

2049
01:57:05,520 --> 01:57:09,880
Speaker 1: to close the types of groundbreaking, industry changing deals that

2050
01:57:10,160 --> 01:57:15,360
Speaker 1: both of them did. It wasn't artist thinking, It was

2051
01:57:15,520 --> 01:57:21,680
Speaker 1: hustler one of the time. Right, yes, it was thinking

2052
01:57:22,320 --> 01:57:27,120
Speaker 1: that made them tons of money and their partners. So

2053
01:57:27,200 --> 01:57:29,280
Speaker 1: that's what you say is good business. No, I didn't

2054
01:57:29,280 --> 01:57:33,680
Speaker 1: say that. No, you say all the time that relationships

2055
01:57:33,800 --> 01:57:36,120
Speaker 1: it's a good business. So that's good business. We're not

2056
01:57:36,280 --> 01:57:40,600
Speaker 1: beefing there. We don't have a disagreement there. Mind. What

2057
01:57:40,760 --> 01:57:42,400
Speaker 1: I'm saying is when you take money out of it,

2058
01:57:42,480 --> 01:57:44,080
Speaker 1: but you don't have to because it's good business on

2059
01:57:44,160 --> 01:57:49,160
Speaker 1: both sides. Is in sheer regard Masterpe did something that

2060
01:57:49,360 --> 01:57:52,960
Speaker 1: the industry wanted to never happen again. They made sure

2061
01:57:53,040 --> 01:57:59,560
Speaker 1: that and they held secret meetings, they changed rules, they

2062
01:57:59,720 --> 01:58:03,840
Speaker 1: did man ship to assure that that. Gotta know what

2063
01:58:04,000 --> 01:58:07,320
Speaker 1: this topic comes from. This topic comes from my conversation

2064
01:58:07,440 --> 01:58:13,560
Speaker 1: on in apartments will play right cool? Somehow baby comes

2065
01:58:15,200 --> 01:58:18,400
Speaker 1: and you don't get that deal without Master, but he

2066
01:58:18,480 --> 01:58:22,120
Speaker 1: got sometimes wasn't too far from it, a nice one,

2067
01:58:22,560 --> 01:58:28,000
Speaker 1: and the same building said, wait a minute, they got

2068
01:58:28,080 --> 01:58:32,840
Speaker 1: us twice. We cannot have this happen. Now. My point

2069
01:58:33,000 --> 01:58:36,520
Speaker 1: is from that we cannot have this happened to Isa's

2070
01:58:36,560 --> 01:58:40,760
Speaker 1: earlier point of it's media time. Now we're not in business. Now,

2071
01:58:41,000 --> 01:58:43,720
Speaker 1: we're not in what you different? It's media time? Hey,

2072
01:58:45,280 --> 01:58:47,080
Speaker 1: this think it okay? No artists this think it such

2073
01:58:47,080 --> 01:58:49,760
Speaker 1: a such a such, such time. We just throw them,

2074
01:58:50,640 --> 01:58:54,320
Speaker 1: both of them, master, Pa and baby. And now public perception,

2075
01:58:54,360 --> 01:58:55,720
Speaker 1: which is why I say take money out of it.

2076
01:58:55,760 --> 01:58:58,040
Speaker 1: It was all successful too. Who cares take money out

2077
01:58:58,040 --> 01:59:00,760
Speaker 1: of it? Public perception? Just in ship the same way

2078
01:59:00,840 --> 01:59:03,720
Speaker 1: parks watch that fucking Kanye doctor say oh it's chee.

2079
01:59:04,360 --> 01:59:09,160
Speaker 1: Stop all this fun. You know how many geniuses they

2080
01:59:09,200 --> 01:59:14,320
Speaker 1: have been. They won't tell the story. Fuck transactions. Why

2081
01:59:14,480 --> 01:59:19,320
Speaker 1: won't they tell the story? He's cooking? Let me say this,

2082
01:59:20,240 --> 01:59:26,080
Speaker 1: he's cooking. I think when you deal with what I've

2083
01:59:26,120 --> 01:59:30,360
Speaker 1: spoke about so many times, is that the information is

2084
01:59:30,440 --> 01:59:35,000
Speaker 1: always the indicator. A lot of people view results its

2085
01:59:35,080 --> 01:59:38,320
Speaker 1: money based. I view them as information. How did you

2086
01:59:38,440 --> 01:59:41,400
Speaker 1: get the ads? What happened, what happens on the back end.

2087
01:59:41,880 --> 01:59:43,680
Speaker 1: Just get me in the room, I'll do the rest.

2088
01:59:43,800 --> 01:59:46,840
Speaker 1: Get out the way. A lot of people in rooms

2089
01:59:46,880 --> 01:59:51,920
Speaker 1: standing around his fans, loaners in rooms trying to cover

2090
01:59:52,040 --> 01:59:54,480
Speaker 1: the game. It's a lot of ground to be covered, right.

2091
01:59:55,040 --> 01:59:57,560
Speaker 1: So when we talk these high level things, right, the

2092
01:59:57,680 --> 02:00:00,240
Speaker 1: low level game that they've given out is just don't

2093
02:00:00,320 --> 02:00:04,200
Speaker 1: resonnate right. So when we deal with you, hear Joe

2094
02:00:04,320 --> 02:00:06,760
Speaker 1: kind of get upset because he's talking as an owner.

2095
02:00:07,520 --> 02:00:11,040
Speaker 1: He's speaking as a guy that's doing the same thing

2096
02:00:11,160 --> 02:00:13,720
Speaker 1: as me, navigating through the game, trying to figure this out,

2097
02:00:14,440 --> 02:00:18,840
Speaker 1: and you run across things. That's interesting, right, You thought

2098
02:00:18,880 --> 02:00:21,440
Speaker 1: you had all the answers and come to find out,

2099
02:00:22,680 --> 02:00:26,000
Speaker 1: damn they got it over here too. I thought all

2100
02:00:26,040 --> 02:00:27,880
Speaker 1: you had to do was own your party. You can

2101
02:00:27,960 --> 02:00:31,360
Speaker 1: just now because when you signed with us, you signed

2102
02:00:31,400 --> 02:00:33,160
Speaker 1: with us, and we're signed with them that signed with

2103
02:00:33,280 --> 02:00:35,600
Speaker 1: them and own this and own that it's a monopoly

2104
02:00:35,720 --> 02:00:38,840
Speaker 1: on the game. But when we deal with Pee and

2105
02:00:38,920 --> 02:00:43,760
Speaker 1: Baby always speak about it. They got it right. We

2106
02:00:43,920 --> 02:00:48,240
Speaker 1: can never downplay what they did in the game. When

2107
02:00:48,280 --> 02:00:51,080
Speaker 1: you hear him speak about yo, why they don't tell

2108
02:00:51,120 --> 02:00:54,360
Speaker 1: the story of the geniuses that didn't get the monetary game.

2109
02:00:56,600 --> 02:00:59,920
Speaker 1: You gotta understand what that means. And when I'm talking,

2110
02:01:00,000 --> 02:01:02,040
Speaker 1: and if you don't understand what I'm saying, you ain't

2111
02:01:02,080 --> 02:01:04,560
Speaker 1: one of mine. And I don't have enough time to

2112
02:01:04,680 --> 02:01:08,120
Speaker 1: try to too, the people that isn't caught up at

2113
02:01:08,200 --> 02:01:11,000
Speaker 1: least this far to comprehend the low level of things

2114
02:01:11,080 --> 02:01:14,000
Speaker 1: that I'm putting down to get to the high level conversation.

2115
02:01:14,720 --> 02:01:16,880
Speaker 1: You know what I'm saying. So when I'm doing that,

2116
02:01:17,040 --> 02:01:19,440
Speaker 1: you gotta be able to keep up or I gotta

2117
02:01:19,560 --> 02:01:23,240
Speaker 1: move passion. Because I'm speaking to the owners. I'm speaking

2118
02:01:23,280 --> 02:01:25,800
Speaker 1: to the entrepreneurs. I'm speaking to the niggas that got

2119
02:01:25,840 --> 02:01:28,800
Speaker 1: it out the mud, right, I'm speaking to them. I'm

2120
02:01:28,840 --> 02:01:31,320
Speaker 1: speaking to the winners, the people that never give up,

2121
02:01:31,360 --> 02:01:34,080
Speaker 1: the ones that go to that go to the extreme

2122
02:01:34,200 --> 02:01:39,040
Speaker 1: about it. I'm speaking to them. And so I know

2123
02:01:39,200 --> 02:01:40,920
Speaker 1: that I'm gonna miss some of y'all when I talk.

2124
02:01:41,000 --> 02:01:43,080
Speaker 1: I know some of y'all I'm speaking over your head.

2125
02:01:43,160 --> 02:01:45,400
Speaker 1: Or who this dude? Thank he is? And who who's

2126
02:01:45,400 --> 02:01:47,280
Speaker 1: in there? Why ain't nobody nixt to him? Why do

2127
02:01:47,360 --> 02:01:49,800
Speaker 1: you think he can talk like that? But I understand

2128
02:01:49,880 --> 02:01:52,000
Speaker 1: that you ain't one of mine. You ain't one of us.

2129
02:01:52,160 --> 02:01:55,440
Speaker 1: You ain't one of mine. I understand the difference between

2130
02:01:55,800 --> 02:01:59,320
Speaker 1: crocodiles and fish. I understand they got to shell of water.

2131
02:01:59,440 --> 02:02:01,200
Speaker 1: But a fish can stay in the water as long

2132
02:02:01,280 --> 02:02:04,600
Speaker 1: as he want to. He'll never be a crocodile, He'll

2133
02:02:04,680 --> 02:02:07,320
Speaker 1: never be an alligator. He can sit under water as

2134
02:02:07,400 --> 02:02:10,120
Speaker 1: long as he want to. Nothing can make him what

2135
02:02:10,280 --> 02:02:12,440
Speaker 1: I am. So I get that. So when I talk,

2136
02:02:12,720 --> 02:02:15,640
Speaker 1: I understand that. And for me, the CO sign is

2137
02:02:15,680 --> 02:02:19,720
Speaker 1: unnecessary because I'm dealing with information. Had I came in

2138
02:02:19,960 --> 02:02:23,840
Speaker 1: looking for validity, they would have had me. Had I

2139
02:02:24,000 --> 02:02:27,840
Speaker 1: sold up negotiating the need, they would have had me.

2140
02:02:28,480 --> 02:02:31,560
Speaker 1: But I'm looking for information and I'm dealing with information.

2141
02:02:31,680 --> 02:02:33,880
Speaker 1: It's hard to trick a man didn't know where the

2142
02:02:33,960 --> 02:02:37,320
Speaker 1: trick come from. I know when you wound up that

2143
02:02:37,480 --> 02:02:41,240
Speaker 1: way the curve ball's coming. I know what the fastball

2144
02:02:41,400 --> 02:02:44,880
Speaker 1: looked like. I've been at this mound a long time, right,

2145
02:02:45,320 --> 02:02:47,800
Speaker 1: So we're dealing with a certain level of game. But

2146
02:02:47,960 --> 02:02:50,600
Speaker 1: if I'm talking and you can't get it, I'm speaking

2147
02:02:50,720 --> 02:02:55,480
Speaker 1: directly to the CEOs. I've been told, y'all, nigga, not

2148
02:02:55,680 --> 02:02:58,440
Speaker 1: just universe of the game Old Baby more than the

2149
02:02:58,560 --> 02:03:03,080
Speaker 1: game Gave Baby, the game Old Baby more than the

2150
02:03:03,160 --> 02:03:06,040
Speaker 1: game Give Baby. Main Baby did something that come on

2151
02:03:06,160 --> 02:03:08,680
Speaker 1: And we're talking about back then, the game Old QC

2152
02:03:08,920 --> 02:03:12,120
Speaker 1: more than the game Give QC. But we're dealing with

2153
02:03:12,240 --> 02:03:15,160
Speaker 1: the South, and the storytellers ain't dealing with the information

2154
02:03:15,760 --> 02:03:19,640
Speaker 1: from the South. I don't know if it's about proximity

2155
02:03:19,720 --> 02:03:23,680
Speaker 1: or if it's playing out. I'm uninterested in knowing either way.

2156
02:03:23,800 --> 02:03:26,080
Speaker 1: All I know is that the story must be told,

2157
02:03:26,160 --> 02:03:29,080
Speaker 1: and the South is into the chat. Right, So when

2158
02:03:29,120 --> 02:03:35,040
Speaker 1: I speak, you're gonna hear me reference Jay, Prince Master, P, Baby, QCP.

2159
02:03:35,800 --> 02:03:38,640
Speaker 1: You're gonna hear me mention Uncle Luke. You're gonna hear

2160
02:03:38,680 --> 02:03:42,240
Speaker 1: me mention people that came up around the same time

2161
02:03:42,320 --> 02:03:44,680
Speaker 1: as some of the greats. You're gonna But you also

2162
02:03:44,760 --> 02:03:48,000
Speaker 1: gonna hear me mentioned, did it? Jay, You're gonna hear

2163
02:03:48,080 --> 02:03:52,080
Speaker 1: me mentioned. Dre fifty. You're gonna hear me mentioned, Dame Dad.

2164
02:03:52,800 --> 02:03:55,120
Speaker 1: You're gonna hear me mentioned Kanye. You're gonna hear me

2165
02:03:55,200 --> 02:03:59,480
Speaker 1: mentioned dudes from all across this thing because I understand it, right.

2166
02:03:59,600 --> 02:04:01,400
Speaker 1: But you what you won't hear me do is not

2167
02:04:01,600 --> 02:04:04,520
Speaker 1: mentioned the South in a lot of times. The perception

2168
02:04:04,640 --> 02:04:09,120
Speaker 1: of some of these people, it's without information. The perspective

2169
02:04:09,280 --> 02:04:12,320
Speaker 1: is off. Right. If you looked at Baby, they just

2170
02:04:12,480 --> 02:04:15,240
Speaker 1: mean his marketing work. If you looked at Baby and

2171
02:04:15,360 --> 02:04:17,560
Speaker 1: thought he was in the buildings with tattoos on his

2172
02:04:17,720 --> 02:04:20,400
Speaker 1: heads and goals in his mouth and chains around his

2173
02:04:20,520 --> 02:04:25,040
Speaker 1: nig You sadly mistaken, you, sadly mistaken baby was doing

2174
02:04:25,200 --> 02:04:28,360
Speaker 1: high level game man. He wasn't playing that. He was

2175
02:04:28,480 --> 02:04:32,440
Speaker 1: handling business and slim ain't never played the flashy game.

2176
02:04:33,240 --> 02:04:36,400
Speaker 1: Them dudes was handling big boy business man. So let's

2177
02:04:36,440 --> 02:04:39,840
Speaker 1: not mistake them guys or they position. But let's really

2178
02:04:39,920 --> 02:04:44,520
Speaker 1: really examine why they ain't a celebrated as we were,

2179
02:04:44,600 --> 02:04:48,080
Speaker 1: like as me understanding what their position is. You hear

2180
02:04:48,120 --> 02:04:51,960
Speaker 1: him poppet, ain't nobody over and I sold more than everybody, right,

2181
02:04:52,440 --> 02:04:55,320
Speaker 1: So you him Poppet, but you don't hear him celebrate it.

2182
02:04:56,360 --> 02:04:59,920
Speaker 1: But again, ain't no sympathy for the winners. I hit

2183
02:05:00,040 --> 02:05:04,360
Speaker 1: people now, Holland did a name now, ain't no sympathy

2184
02:05:04,400 --> 02:05:07,920
Speaker 1: for the winners. Dog, ain't no sympathy for the winners.

2185
02:05:07,960 --> 02:05:10,160
Speaker 1: The winners got to carry out to blame. They're gonna

2186
02:05:10,200 --> 02:05:13,120
Speaker 1: blame it on me. They're gonna blame it on me.

2187
02:05:13,480 --> 02:05:15,640
Speaker 1: If they're getting next to me and they ain't getting money,

2188
02:05:15,640 --> 02:05:18,720
Speaker 1: they're gonna blame it on me. With all the opportunities

2189
02:05:18,720 --> 02:05:21,080
Speaker 1: surrounding my name, they're gonna blame it on me. If

2190
02:05:21,120 --> 02:05:23,880
Speaker 1: they don't getting no money all the game I put down,

2191
02:05:23,920 --> 02:05:25,840
Speaker 1: they're gonna blame it on me. If they don't get

2192
02:05:25,880 --> 02:05:29,440
Speaker 1: to the next level, They're gonna blame me. It's easy

2193
02:05:29,520 --> 02:05:32,800
Speaker 1: to blame me. You know, they say a lazy work.

2194
02:05:32,840 --> 02:05:36,480
Speaker 1: I always blame its tools. Man, this drill ain't working,

2195
02:05:36,560 --> 02:05:39,080
Speaker 1: good man, It's how ain't man this right here ain't

2196
02:05:39,120 --> 02:05:41,400
Speaker 1: sharp enough? Man, Mike can't do it with this little

2197
02:05:41,400 --> 02:05:43,680
Speaker 1: bit of louder. They're gonna find a way to blame

2198
02:05:43,720 --> 02:05:45,960
Speaker 1: the tools instead of saying they ain't do it. But

2199
02:05:46,000 --> 02:05:49,280
Speaker 1: the ain't no sympathy for the winners. It is no

2200
02:05:49,480 --> 02:05:53,400
Speaker 1: And then fifthy know that didn't know that? Right? You're

2201
02:05:53,400 --> 02:05:56,440
Speaker 1: gonna hear people blame you for things. Bro Right, we

2202
02:05:56,600 --> 02:05:59,520
Speaker 1: do business right, Ain't nobody blaming these other people? And

2203
02:05:59,600 --> 02:06:03,320
Speaker 1: then I always say to myself, like, bro, you gotta

2204
02:06:03,400 --> 02:06:05,360
Speaker 1: keep your head on the swivel. First of all, you

2205
02:06:05,480 --> 02:06:08,680
Speaker 1: gotta understand the game you involved with. This game here

2206
02:06:08,840 --> 02:06:14,560
Speaker 1: is volatile. This game here is volatile. You know, niggas

2207
02:06:14,640 --> 02:06:17,640
Speaker 1: running the Instagram with shit they can call your phone about.

2208
02:06:20,000 --> 02:06:22,120
Speaker 1: You know, niggas running to the people with shit they

2209
02:06:22,160 --> 02:06:26,240
Speaker 1: can hit your lyne about it. They'll spick you to

2210
02:06:27,920 --> 02:06:32,240
Speaker 1: respond healthy to that. That's why I say, Bro, A

2211
02:06:32,320 --> 02:06:35,800
Speaker 1: lot of people have unreasonable expectations on people like Bro.

2212
02:06:35,920 --> 02:06:39,360
Speaker 1: You calling my name on Instagram or any records or

2213
02:06:39,520 --> 02:06:41,120
Speaker 1: this or that. But you know I'm in to be

2214
02:06:41,280 --> 02:06:47,400
Speaker 1: in dollar position to fix any mistake. Huh. Y'all. Niggas

2215
02:06:47,440 --> 02:06:51,720
Speaker 1: just ain't convinced me. Y'all have made a mistake. I

2216
02:06:51,840 --> 02:06:54,360
Speaker 1: don't see the mistake I made fucking with you niggas.

2217
02:06:54,400 --> 02:06:56,360
Speaker 1: I got you niggas rich, and you ain't done nothing

2218
02:06:56,400 --> 02:06:59,240
Speaker 1: since couldn't have been me, and I didn't care moving

2219
02:07:00,520 --> 02:07:02,520
Speaker 1: how I get you niggas riched A little time I

2220
02:07:02,640 --> 02:07:06,720
Speaker 1: did put into you, I got you booming you couldn't

2221
02:07:06,760 --> 02:07:11,400
Speaker 1: even sustain. But it's my fault. I just don't understand,

2222
02:07:11,560 --> 02:07:14,760
Speaker 1: Like Bro, somebody ain't. We're dealing with the results. So

2223
02:07:15,080 --> 02:07:18,400
Speaker 1: anybody that convinced me I own my pam, y'all just

2224
02:07:18,480 --> 02:07:22,840
Speaker 1: ain't convinced me. Y'all. Oh, y'all, what y'all do for

2225
02:07:22,920 --> 02:07:27,880
Speaker 1: the situation. Say you're telling me you've done something for

2226
02:07:27,960 --> 02:07:30,480
Speaker 1: me you can't do for you. You're telling me you

2227
02:07:30,600 --> 02:07:32,760
Speaker 1: got me popping in You ain't popping? Is that what

2228
02:07:32,880 --> 02:07:37,000
Speaker 1: I'm hearing? I get confused when people had these unreasonable

2229
02:07:37,120 --> 02:07:41,520
Speaker 1: expectations on fold man, right, my deal was bad man,

2230
02:07:41,640 --> 02:07:43,920
Speaker 1: and he made all the money, all right. So when

2231
02:07:43,960 --> 02:07:48,400
Speaker 1: I let you out to deal, what happened? All right?

2232
02:07:48,440 --> 02:07:50,480
Speaker 1: So when I when I cut ties with you and

2233
02:07:50,560 --> 02:07:52,800
Speaker 1: I whatever I was making, I just chalked it up

2234
02:07:52,840 --> 02:07:55,640
Speaker 1: is old. With what happened, you couldn't even sustain. I'm

2235
02:07:55,680 --> 02:07:58,960
Speaker 1: confused that about what did you do? Be saying? But

2236
02:07:59,120 --> 02:08:03,200
Speaker 1: I already know. I already know that they're gonna blame

2237
02:08:03,280 --> 02:08:07,400
Speaker 1: the tools. I already know. I already know they're gonna

2238
02:08:07,440 --> 02:08:11,160
Speaker 1: blame me. Yo, I was weird. I sat next year, Yo,

2239
02:08:11,240 --> 02:08:13,880
Speaker 1: I ain't make nothing, man I Yo, Man, I got

2240
02:08:13,960 --> 02:08:17,680
Speaker 1: an opportunity that's surrounded by me. Man, it's shit is

2241
02:08:17,720 --> 02:08:21,200
Speaker 1: happening everywhere around me. Made you better go yo, cool?

2242
02:08:21,240 --> 02:08:25,680
Speaker 1: It made thirty million jeath for falling Kanye with a camera. Well,

2243
02:08:25,760 --> 02:08:29,360
Speaker 1: y'all be time by man. It's opportunity around niggas is popping.

2244
02:08:30,720 --> 02:08:32,960
Speaker 1: But you don't know how to hustle, and it's my fault.

2245
02:08:34,560 --> 02:08:36,800
Speaker 1: You don't know how to maneuver, and it's my fault.

2246
02:08:38,840 --> 02:08:41,800
Speaker 1: It's interesting you look, niggas, it's weird those to me. Man,

2247
02:08:42,200 --> 02:08:45,240
Speaker 1: Let's see if they said anything ether Man, for sure,

2248
02:08:45,280 --> 02:08:48,280
Speaker 1: it could be the same exact fundamental thing, and y'all

2249
02:08:48,320 --> 02:08:50,880
Speaker 1: niggas will take a whole different side on the same thing.

2250
02:08:51,280 --> 02:08:52,680
Speaker 1: Back up what you said, just to the sense of,

2251
02:08:52,800 --> 02:08:55,320
Speaker 1: let's just choose the word growth. In one argument, we'll

2252
02:08:55,360 --> 02:08:57,080
Speaker 1: be talking about growth and how we need to grow

2253
02:08:57,280 --> 02:08:59,240
Speaker 1: and how it's necessary to grow to get where you

2254
02:08:59,280 --> 02:09:01,680
Speaker 1: gotta go. But then we'll take another conversation and go

2255
02:09:01,840 --> 02:09:03,840
Speaker 1: back and we start talking about growth and saying, hey,

2256
02:09:04,000 --> 02:09:05,920
Speaker 1: why isn't he where he's supposed to be? But then

2257
02:09:05,960 --> 02:09:10,320
Speaker 1: we can't use the heat didn't grow? Yeah, title that

2258
02:09:10,400 --> 02:09:12,520
Speaker 1: we just we just was talking about the conversation was

2259
02:09:12,560 --> 02:09:15,240
Speaker 1: growth before we put the players in for the argument, exactly.

2260
02:09:15,800 --> 02:09:17,800
Speaker 1: But now that we get in this topic, it's like,

2261
02:09:18,040 --> 02:09:21,280
Speaker 1: so now from just freestyling numbers from nineteen ninety three,

2262
02:09:21,360 --> 02:09:23,600
Speaker 1: you look up to twenty seventeen, it's like, there was

2263
02:09:23,680 --> 02:09:26,160
Speaker 1: no growth in him as a person. Why can't we

2264
02:09:26,280 --> 02:09:28,640
Speaker 1: use it for this argument? Okay, to respond to what

2265
02:09:28,720 --> 02:09:32,040
Speaker 1: you're saying, I have never used the word growth. No,

2266
02:09:32,200 --> 02:09:35,120
Speaker 1: we use no earlier today. And what we were trying

2267
02:09:35,120 --> 02:09:41,120
Speaker 1: to describe in this particular argument, my position is the

2268
02:09:41,240 --> 02:09:45,360
Speaker 1: opposite of this growth shit. It's as is, And that's

2269
02:09:45,360 --> 02:09:48,880
Speaker 1: where y'all keep combating what I'm saying. Y'all like y'all

2270
02:09:48,920 --> 02:09:50,640
Speaker 1: keep coming up and he's got tattoos on them his head.

2271
02:09:51,040 --> 02:09:56,640
Speaker 1: We're the flag. My position is as is. When I

2272
02:09:56,880 --> 02:10:01,560
Speaker 1: make you X amount of dollars, I should be regarded

2273
02:10:01,600 --> 02:10:04,800
Speaker 1: in a life. Now, I'm not even talking about the

2274
02:10:05,400 --> 02:10:08,680
Speaker 1: systemic oppression and why I'm not regarded in that like,

2275
02:10:08,800 --> 02:10:10,360
Speaker 1: or why I'm not paid for the work that I've

2276
02:10:10,360 --> 02:10:12,480
Speaker 1: done him that I took that off the table. Now,

2277
02:10:12,520 --> 02:10:14,400
Speaker 1: I'm just talking about the light that I'm viewed. And

2278
02:10:14,680 --> 02:10:19,360
Speaker 1: from the beginning of time, any one black artist or

2279
02:10:19,560 --> 02:10:23,880
Speaker 1: black entrepreneur, conglomerate that you name, from the beginning of time,

2280
02:10:24,000 --> 02:10:27,640
Speaker 1: this exists with and every time I position something that way,

2281
02:10:28,040 --> 02:10:30,960
Speaker 1: y'all come up with why it is so you feel

2282
02:10:30,960 --> 02:10:37,000
Speaker 1: like no artists deliberate excuse for him doing I'll have

2283
02:10:37,040 --> 02:10:39,360
Speaker 1: to you're smart enough to get what I'm saying. What's

2284
02:10:39,400 --> 02:10:42,400
Speaker 1: your excuse for Tyler Perry in the music business, I mean,

2285
02:10:42,600 --> 02:10:50,280
Speaker 1: in the movie business? Excuse for Tyler Perry? He's an outlier,

2286
02:10:50,400 --> 02:10:53,120
Speaker 1: it's success or did he do the things necessary to

2287
02:10:53,200 --> 02:10:57,440
Speaker 1: be what the fuck he is? You don't really want

2288
02:10:57,520 --> 02:11:01,280
Speaker 1: me to answer that. You don't read. You know why.

2289
02:11:01,280 --> 02:11:04,640
Speaker 1: I'm gonna tell you why because actually that argument supports

2290
02:11:04,720 --> 02:11:09,040
Speaker 1: what I'm arguing. That are your your example, Tyler Perry's support.

2291
02:11:09,080 --> 02:11:11,360
Speaker 1: You think Tyler wait time out. You think Tyler Perry

2292
02:11:11,480 --> 02:11:15,440
Speaker 1: is regarded the way they should be regarded. No, I

2293
02:11:15,520 --> 02:11:21,880
Speaker 1: don't think all right, So that was just a good conversation.

2294
02:11:21,960 --> 02:11:24,200
Speaker 1: I spoke to issue about that, man, like I say

2295
02:11:24,280 --> 02:11:27,120
Speaker 1: that they was cooking in there, and um, as you see,

2296
02:11:27,160 --> 02:11:29,680
Speaker 1: it's it's got upset with him. They went on through

2297
02:11:29,720 --> 02:11:34,400
Speaker 1: that man, Like you know, I'm a fan of great conversations.

2298
02:11:35,080 --> 02:11:37,960
Speaker 1: You did what I'm saying. I'm one of the few

2299
02:11:38,080 --> 02:11:40,000
Speaker 1: niggas that I ain't gonna hate on you. You know

2300
02:11:40,040 --> 02:11:43,440
Speaker 1: what I mean, I ain't really gonna do. I ain't

2301
02:11:43,520 --> 02:11:47,000
Speaker 1: doing too much hate on nobody about you know what

2302
02:11:47,240 --> 02:11:49,960
Speaker 1: they're doing or if it's a good conversation to be

2303
02:11:50,080 --> 02:11:53,200
Speaker 1: head man, I'm listening to it and I mean join it. So,

2304
02:11:53,520 --> 02:11:56,200
Speaker 1: I mean that was just a little game I wanted

2305
02:11:56,240 --> 02:11:59,640
Speaker 1: to put down. Um, I also want to speak about

2306
02:11:59,680 --> 02:12:02,560
Speaker 1: the m B A Young Boy and the Baby album.

2307
02:12:02,680 --> 02:12:05,520
Speaker 1: So for those underwhere NBA, Young Boy and the Baby

2308
02:12:05,600 --> 02:12:11,680
Speaker 1: dropped the album name better than you, just came out it.

2309
02:12:13,120 --> 02:12:17,600
Speaker 1: I think it peaked, It did make billboards, so that's

2310
02:12:17,640 --> 02:12:20,680
Speaker 1: pretty cool. So we're gonna deal with both things. We're

2311
02:12:20,680 --> 02:12:22,440
Speaker 1: gonna deal with the album and we're gonna deal with

2312
02:12:22,640 --> 02:12:25,760
Speaker 1: what seems to happen after the album. So let's deal

2313
02:12:25,800 --> 02:12:29,320
Speaker 1: with the response of the album number one. I think

2314
02:12:29,360 --> 02:12:32,560
Speaker 1: it's so like twenty five thousand copies somewhere around now,

2315
02:12:35,680 --> 02:12:41,400
Speaker 1: and there's been a slew of internet beef. I aimed

2316
02:12:41,440 --> 02:12:43,760
Speaker 1: at the Baby for doing a joint album with NBA

2317
02:12:43,880 --> 02:12:45,600
Speaker 1: Young Boy at the time when he's dissing a lot

2318
02:12:45,680 --> 02:12:47,640
Speaker 1: of different people and have what seems to be some

2319
02:12:47,800 --> 02:12:51,520
Speaker 1: kind of beef on the internet with these guys. These guys,

2320
02:12:51,720 --> 02:12:53,560
Speaker 1: you know, the rappers are going at it, and I

2321
02:12:53,640 --> 02:12:55,560
Speaker 1: don't think it's on the internet because I know dudes

2322
02:12:55,640 --> 02:12:58,640
Speaker 1: ain't playing. I know dudes got people that's willing to

2323
02:12:58,760 --> 02:13:01,800
Speaker 1: risk it. I noticed, for fact, you know, when you're

2324
02:13:01,800 --> 02:13:05,440
Speaker 1: dealing with money, you're dealing with power. When you're dealing

2325
02:13:05,520 --> 02:13:11,240
Speaker 1: with power, you're dealing with soldiers, and power is a

2326
02:13:11,440 --> 02:13:14,080
Speaker 1: very delicate thing for a young nigga to have, right,

2327
02:13:14,120 --> 02:13:17,320
Speaker 1: and so I get that. I understand that wholeheartedly. And

2328
02:13:17,520 --> 02:13:21,720
Speaker 1: all these young niggas got power because they having real money, right,

2329
02:13:21,840 --> 02:13:24,160
Speaker 1: And so we see even with Takashi, we see what

2330
02:13:24,680 --> 02:13:27,200
Speaker 1: money do for a click. A niggas that ain't got

2331
02:13:27,360 --> 02:13:30,240
Speaker 1: no money. Some of the most fearless niggas, I know

2332
02:13:30,360 --> 02:13:34,600
Speaker 1: it's broke. Yeah, I know some of the most toughest

2333
02:13:34,680 --> 02:13:38,880
Speaker 1: niggas knowing the man it works sadies at Logans. They

2334
02:13:38,960 --> 02:13:42,000
Speaker 1: got to close the logans on Sadais and work Sundays,

2335
02:13:42,040 --> 02:13:47,040
Speaker 1: supervisor working him sunday, knowing him like football, and he

2336
02:13:47,200 --> 02:13:51,240
Speaker 1: a fearless nigga. He'll kills something, but life has him

2337
02:13:51,280 --> 02:13:53,320
Speaker 1: and them kind of circumstances. I know some of the

2338
02:13:53,440 --> 02:13:57,320
Speaker 1: toughest niggas I know drive forklyphs. But it were to

2339
02:13:57,400 --> 02:13:59,920
Speaker 1: break money, you tough niggas down and seeing you niggas

2340
02:14:00,040 --> 02:14:03,760
Speaker 1: back into the ward shop, right, So being tough ain't

2341
02:14:03,800 --> 02:14:05,840
Speaker 1: worth much. I want to be clear when I'm speaking

2342
02:14:05,880 --> 02:14:11,080
Speaker 1: to my people, but it is an attribute that's needed, right,

2343
02:14:11,200 --> 02:14:14,200
Speaker 1: It's needed. Now. You got to be fearless because the

2344
02:14:14,320 --> 02:14:18,440
Speaker 1: structure gonna tell you it is impossible. So you gotta

2345
02:14:18,520 --> 02:14:21,240
Speaker 1: be damned near naive to get the job done. You

2346
02:14:21,320 --> 02:14:24,200
Speaker 1: gotta be damned near delusion or to keep it moving

2347
02:14:25,280 --> 02:14:28,440
Speaker 1: because the way it look it don't look favorable for us, right,

2348
02:14:28,560 --> 02:14:31,040
Speaker 1: but we gotta make sure that we understand it. No

2349
02:14:31,200 --> 02:14:33,640
Speaker 1: matter what it looked like, we went in on this side,

2350
02:14:35,560 --> 02:14:38,600
Speaker 1: You understand me. So I need my people to not

2351
02:14:39,640 --> 02:14:42,240
Speaker 1: ain't nothing wrong with the am just change the target. Right.

2352
02:14:42,320 --> 02:14:46,120
Speaker 1: We gotta be fearless in business. You know that same

2353
02:14:46,240 --> 02:14:49,320
Speaker 1: fearlessness we got to drive across the six seven state

2354
02:14:49,440 --> 02:14:52,920
Speaker 1: lines because we saved two thousand dollars on each one.

2355
02:14:54,040 --> 02:14:56,440
Speaker 1: Gotta have the same fearlessness when we say we've been

2356
02:14:56,560 --> 02:14:59,200
Speaker 1: investing X, Y, and Z, and we're gonna do it

2357
02:14:59,240 --> 02:15:01,880
Speaker 1: as a collective to take some of the some of

2358
02:15:01,920 --> 02:15:04,680
Speaker 1: the weight off each other's But if we win, we

2359
02:15:04,800 --> 02:15:06,800
Speaker 1: y'all win. And if we lose, man, we would have

2360
02:15:06,840 --> 02:15:12,440
Speaker 1: threw that somewhere in a way, right, expectations, expectations right,

2361
02:15:12,600 --> 02:15:16,240
Speaker 1: just understanding that. So you know the situation that Dirk

2362
02:15:16,320 --> 02:15:19,680
Speaker 1: and Bate and and and NBA young boy found themselves

2363
02:15:19,800 --> 02:15:24,120
Speaker 1: in uh and the baby kind of took the took

2364
02:15:24,200 --> 02:15:26,200
Speaker 1: the notion of Listen, man, y'all ain't gonna till me

2365
02:15:26,280 --> 02:15:29,240
Speaker 1: who I can make money with? Right, So he's standing

2366
02:15:29,320 --> 02:15:32,760
Speaker 1: on that. That's his that's his protocol, that's his that's

2367
02:15:32,840 --> 02:15:36,320
Speaker 1: his constitution. You understand, that's what he feels like he's

2368
02:15:36,320 --> 02:15:39,080
Speaker 1: standing on. So of course he get backlass. Some of

2369
02:15:39,160 --> 02:15:42,400
Speaker 1: the OTF dudes go at him, Callip boyd, go at him. Yo,

2370
02:15:42,480 --> 02:15:45,520
Speaker 1: how you expect not to get no beef when um,

2371
02:15:46,120 --> 02:15:48,520
Speaker 1: when you on this hill man and you know his problem,

2372
02:15:48,600 --> 02:15:51,160
Speaker 1: you know impression with the other side, you know it's

2373
02:15:51,160 --> 02:15:54,880
Speaker 1: gonna handsome beef And memo Polder has said, Yo, you

2374
02:15:55,000 --> 02:15:57,840
Speaker 1: can't blame the baby. He thought NBA M gonna sell

2375
02:15:57,880 --> 02:16:01,640
Speaker 1: his save his career. They end up selling twenty five thousands,

2376
02:16:01,680 --> 02:16:04,200
Speaker 1: So for so a lot of people, that's a loss.

2377
02:16:05,200 --> 02:16:10,200
Speaker 1: You know, when I think about it, I don't understand

2378
02:16:10,280 --> 02:16:13,080
Speaker 1: how they're selling twenty five Casey. What I think's happening

2379
02:16:13,360 --> 02:16:19,280
Speaker 1: is is that some of our artists don't understand that.

2380
02:16:19,760 --> 02:16:22,240
Speaker 1: They think it's really all about Now, I'm gonna keep

2381
02:16:22,240 --> 02:16:24,000
Speaker 1: it in that studio on making good songs, and I'm

2382
02:16:24,000 --> 02:16:27,520
Speaker 1: gonna make it. If they take you out this system,

2383
02:16:28,400 --> 02:16:32,520
Speaker 1: you might have a problem. You're still gonna move, but

2384
02:16:32,720 --> 02:16:35,640
Speaker 1: you might have a problem in regards to lifestyle. You

2385
02:16:35,760 --> 02:16:38,160
Speaker 1: might got the downgrade, just a tad bit if you

2386
02:16:38,160 --> 02:16:41,240
Speaker 1: ain't owning everything, because they can snatch you out this

2387
02:16:41,360 --> 02:16:44,160
Speaker 1: system where them playlists kind of draw. It's something they're

2388
02:16:44,200 --> 02:16:46,200
Speaker 1: doing and we may not know what it is, but

2389
02:16:46,400 --> 02:16:49,720
Speaker 1: some one that back end is happening. If you're favorable

2390
02:16:49,800 --> 02:16:52,200
Speaker 1: to these labels, they can put you in some kind

2391
02:16:52,240 --> 02:16:55,200
Speaker 1: of system. I'm not sure what it is, but I'm

2392
02:16:55,280 --> 02:16:57,600
Speaker 1: telling you it's happening. So for them to come out

2393
02:16:57,640 --> 02:17:01,720
Speaker 1: and see a twenty five K, it's just like they

2394
02:17:01,760 --> 02:17:05,879
Speaker 1: didn't put this in the system. And whatever system that happens.

2395
02:17:06,000 --> 02:17:09,160
Speaker 1: Because if we look at the numbers, we look at

2396
02:17:09,240 --> 02:17:12,080
Speaker 1: young board numbers. He got he a monster on YouTube here,

2397
02:17:12,080 --> 02:17:15,320
Speaker 1: a monster on Apple Music. Right, people want to look

2398
02:17:15,360 --> 02:17:18,840
Speaker 1: at Spotify. Won't really them Spotify numbers be off. I'm

2399
02:17:18,840 --> 02:17:22,000
Speaker 1: gonna just say that. You feel what I'm saying, So no, no, don't.

2400
02:17:22,040 --> 02:17:24,280
Speaker 1: When you hear I hear people going around judge and

2401
02:17:24,360 --> 02:17:28,879
Speaker 1: people off Spotify numbers, man them. Spotify numbers is inflated

2402
02:17:28,959 --> 02:17:32,360
Speaker 1: and most people are listening on Spotify. But we're dealing

2403
02:17:32,440 --> 02:17:35,720
Speaker 1: with a large number on Apple Music is well, now,

2404
02:17:36,560 --> 02:17:39,680
Speaker 1: let's be clear, man, like, let's not just say Spotify

2405
02:17:39,840 --> 02:17:42,920
Speaker 1: is everything in regards to number wise, because I hear

2406
02:17:43,000 --> 02:17:46,279
Speaker 1: the narrative of yo, if he got this many median

2407
02:17:46,360 --> 02:17:50,400
Speaker 1: listeners on Spotify, then that mean he the biggest now man,

2408
02:17:50,560 --> 02:17:54,440
Speaker 1: Spotifying just the only streaming platform. We can't be that naive.

2409
02:17:54,480 --> 02:17:57,600
Speaker 1: And I approached the thing, it's open this up and

2410
02:17:57,720 --> 02:17:59,800
Speaker 1: really look at it, right, what we're doing on you

2411
02:18:00,080 --> 02:18:03,240
Speaker 1: to what we're doing on Apple Music, Amazon Music, what

2412
02:18:03,360 --> 02:18:06,760
Speaker 1: we're doing on Fuego or whatever that shit is. You

2413
02:18:06,840 --> 02:18:09,240
Speaker 1: know what we're doing on some of these other platform

2414
02:18:10,040 --> 02:18:13,039
Speaker 1: you dig. So let's not let's not start that narrative.

2415
02:18:13,120 --> 02:18:16,119
Speaker 1: But the twenty five k is a low number because

2416
02:18:16,280 --> 02:18:18,360
Speaker 1: if you you know, I think Young Boy last time

2417
02:18:18,360 --> 02:18:21,040
Speaker 1: he dropped the album, he did like one thirty. He

2418
02:18:21,280 --> 02:18:24,560
Speaker 1: was competing with Drake when when the label pressed out

2419
02:18:24,560 --> 02:18:26,440
Speaker 1: all the buttons on the back end. So it was

2420
02:18:26,560 --> 02:18:29,680
Speaker 1: just funny about that. So the baby end up coming

2421
02:18:29,720 --> 02:18:33,920
Speaker 1: back out and saying, Yo, we got two point five

2422
02:18:34,040 --> 02:18:37,360
Speaker 1: meeting for two days worth work. And of course that's

2423
02:18:37,400 --> 02:18:39,960
Speaker 1: a great number, but I don't I don't know if

2424
02:18:40,040 --> 02:18:43,640
Speaker 1: that's a good number for our premire x in in

2425
02:18:44,080 --> 02:18:46,840
Speaker 1: hip ho hop, Like I know a couple of street

2426
02:18:46,920 --> 02:18:49,920
Speaker 1: niggas that got two point five met and investor if

2427
02:18:49,959 --> 02:18:52,400
Speaker 1: you're saying, all y'all need is two point five meeting

2428
02:18:52,440 --> 02:18:54,480
Speaker 1: and we can get an Nbay Young Boy and the

2429
02:18:54,600 --> 02:18:57,920
Speaker 1: Baby album and own it. Man, Man, I can get

2430
02:18:57,959 --> 02:19:02,119
Speaker 1: you two point five meeting out the street right if

2431
02:19:02,160 --> 02:19:04,720
Speaker 1: it's you know, for y'all too, for them too type

2432
02:19:04,760 --> 02:19:08,400
Speaker 1: caliber acts that are going tour and we can do

2433
02:19:08,520 --> 02:19:10,760
Speaker 1: a little rung with this and man, come on man

2434
02:19:10,879 --> 02:19:14,800
Speaker 1: and tied in with media and tagging nah man, and

2435
02:19:14,959 --> 02:19:18,600
Speaker 1: we own the rights to the music. Oh man, I

2436
02:19:18,760 --> 02:19:20,600
Speaker 1: might can get you that out the street. I'm thinking

2437
02:19:20,640 --> 02:19:23,480
Speaker 1: that I'm thinking that number was too low, you know

2438
02:19:23,520 --> 02:19:25,480
Speaker 1: what I'm saying. I'm thinking that number was too low.

2439
02:19:25,760 --> 02:19:27,200
Speaker 1: You know, maybe they could have just done it by

2440
02:19:27,280 --> 02:19:30,320
Speaker 1: their cell, just put it out, you know what I mean.

2441
02:19:30,760 --> 02:19:33,720
Speaker 1: And they undersold King Vana think King von So like

2442
02:19:33,920 --> 02:19:36,880
Speaker 1: sixty fifty six something like this, So he was he

2443
02:19:37,400 --> 02:19:41,359
Speaker 1: outsold them, and that's kind of that kind of started

2444
02:19:41,440 --> 02:19:44,640
Speaker 1: the thing. And people ask me, long, do you think

2445
02:19:44,720 --> 02:19:48,600
Speaker 1: that they're gonna drag him inte? I think they don't

2446
02:19:48,680 --> 02:19:51,080
Speaker 1: drugg him in it now, I think when he responded,

2447
02:19:51,320 --> 02:19:53,000
Speaker 1: But see, I don't know if all this shit is

2448
02:19:53,000 --> 02:19:55,960
Speaker 1: in and there. I really don't know, man, Like I

2449
02:19:56,080 --> 02:19:58,280
Speaker 1: really don't know. Like you know what I'm saying. I know,

2450
02:19:58,400 --> 02:20:00,440
Speaker 1: if you know these dudes get the run up on

2451
02:20:00,560 --> 02:20:03,440
Speaker 1: each other, something gonna happen, you know what I'm saying.

2452
02:20:03,520 --> 02:20:06,400
Speaker 1: So I just advise everybody to stay away from each other,

2453
02:20:07,360 --> 02:20:09,760
Speaker 1: you know, That's what I'm looking at it, Like they

2454
02:20:09,879 --> 02:20:14,400
Speaker 1: asked me, Also, what do I think the baby stands

2455
02:20:14,480 --> 02:20:17,240
Speaker 1: at just as an artist in regards to the market.

2456
02:20:18,320 --> 02:20:20,360
Speaker 1: It may it kind of seems like that he was

2457
02:20:20,440 --> 02:20:24,720
Speaker 1: compounding problems instead of compounding interests. You know, you gotta

2458
02:20:24,760 --> 02:20:27,240
Speaker 1: be careful with your approach to things and make sure

2459
02:20:27,320 --> 02:20:31,800
Speaker 1: that as you navigate a game like this that you

2460
02:20:31,920 --> 02:20:36,520
Speaker 1: compound your interests and not your problems, right, Like you

2461
02:20:36,600 --> 02:20:39,520
Speaker 1: don't align yourself with this dude and then had that

2462
02:20:39,720 --> 02:20:43,720
Speaker 1: issue and then the girl get kicked out like these justes.

2463
02:20:43,879 --> 02:20:46,400
Speaker 1: You gotta start some other shit on the other side.

2464
02:20:46,440 --> 02:20:49,680
Speaker 1: You gotta start showing something on the other side because

2465
02:20:49,720 --> 02:20:52,840
Speaker 1: you're dealing. You in a game where you gotta be

2466
02:20:53,000 --> 02:20:55,480
Speaker 1: loud about it because they're gonna scream your failures and

2467
02:20:55,560 --> 02:20:59,160
Speaker 1: they're gonna whisper your wins and when waiting around for

2468
02:20:59,240 --> 02:21:01,680
Speaker 1: fake niggas to say we're real. So we gotta make

2469
02:21:01,720 --> 02:21:03,840
Speaker 1: sure that people know man, and I don't think it's

2470
02:21:03,920 --> 02:21:08,280
Speaker 1: grandstanding like me, me celebrating myself shouldn't be took no

2471
02:21:08,440 --> 02:21:11,120
Speaker 1: way by one of you niggas. You know what I mean.

2472
02:21:11,160 --> 02:21:14,120
Speaker 1: I'm celebrating the hard work I put in, or the

2473
02:21:14,320 --> 02:21:17,320
Speaker 1: lives I'm changing, or the game that's being put down.

2474
02:21:17,440 --> 02:21:19,840
Speaker 1: Like you shouldn't feel away, Nigga. I got my people

2475
02:21:19,920 --> 02:21:22,960
Speaker 1: watching me, my children, my old lad I'm putting on

2476
02:21:23,120 --> 02:21:25,240
Speaker 1: from my family and Nigga, I'm showing them look what

2477
02:21:25,360 --> 02:21:28,480
Speaker 1: I took it from nothing to some the young nigga

2478
02:21:28,560 --> 02:21:31,680
Speaker 1: with no information. Nigga, it's on the other side. Nigga,

2479
02:21:32,120 --> 02:21:35,000
Speaker 1: it's over here. Come on, Nigga's on the other side

2480
02:21:35,680 --> 02:21:38,680
Speaker 1: right and I'm gonna continue to So you shouldn't feel

2481
02:21:38,760 --> 02:21:42,280
Speaker 1: no way for me celebrating myself. You understand me, and

2482
02:21:42,360 --> 02:21:46,600
Speaker 1: I shouldn't get view that's some kind of you know,

2483
02:21:46,920 --> 02:21:50,480
Speaker 1: arrogant individual. Because a win is a win. I don't

2484
02:21:50,520 --> 02:21:53,520
Speaker 1: care who done it. A win is a win. So

2485
02:21:53,680 --> 02:21:55,760
Speaker 1: if I went up nigga, I went up, and that's

2486
02:21:55,840 --> 02:21:57,800
Speaker 1: that on that. If you go up, you go up.

2487
02:21:58,280 --> 02:22:00,959
Speaker 1: If you fly, you fly. It's on that. We don't

2488
02:22:01,040 --> 02:22:04,680
Speaker 1: do no, Hayden, we don't participate now all that. Man.

2489
02:22:05,040 --> 02:22:07,640
Speaker 1: But but the baby got you know, start getting took

2490
02:22:07,680 --> 02:22:11,480
Speaker 1: off them playlists. His new records ain't really they ain't

2491
02:22:11,520 --> 02:22:13,400
Speaker 1: really giving it to him. But I think when they

2492
02:22:13,680 --> 02:22:16,600
Speaker 1: might press out the buttons. I'm just worried his interscope

2493
02:22:16,640 --> 02:22:19,920
Speaker 1: still there. That's the only thing I'm work because I

2494
02:22:19,959 --> 02:22:22,480
Speaker 1: don't know. It's it just ain't clear. They ain't clear

2495
02:22:22,560 --> 02:22:25,120
Speaker 1: with what they're doing, you know what I'm saying. Like

2496
02:22:25,200 --> 02:22:27,600
Speaker 1: I wanted this interscope still there with him. If they

2497
02:22:27,680 --> 02:22:29,920
Speaker 1: still there with him, he might be a far is

2498
02:22:30,000 --> 02:22:33,360
Speaker 1: the structure thing. If they not, man, we'll really get

2499
02:22:33,400 --> 02:22:36,160
Speaker 1: to see his pure fan base, you know what I mean.

2500
02:22:36,240 --> 02:22:38,600
Speaker 1: And I think that he just gotta be cognizant of

2501
02:22:39,160 --> 02:22:43,480
Speaker 1: his business over there and making sure that everything is cool.

2502
02:22:44,520 --> 02:22:47,680
Speaker 1: And see, I don't like to see the industry, you know,

2503
02:22:47,840 --> 02:22:51,039
Speaker 1: in regards to the Baby or the Nbay Young Boy

2504
02:22:51,200 --> 02:22:53,440
Speaker 1: beef or just the beef in the industry. Like but

2505
02:22:53,560 --> 02:22:56,080
Speaker 1: I don't, I don't know, I can't squash it, man,

2506
02:22:56,160 --> 02:22:59,320
Speaker 1: because I've been I just don't know, man, I don't

2507
02:22:59,400 --> 02:23:03,080
Speaker 1: know how to talk to those dudes about that because

2508
02:23:03,320 --> 02:23:06,080
Speaker 1: I know us and we ain't doing It's just like, man,

2509
02:23:06,160 --> 02:23:09,440
Speaker 1: when that blood get spilled, that's such a rough conversation. Man,

2510
02:23:09,520 --> 02:23:11,760
Speaker 1: and I just don't have the words. Just shit, I

2511
02:23:11,840 --> 02:23:14,920
Speaker 1: ain't found them right. I don't know if that's the past,

2512
02:23:15,000 --> 02:23:17,480
Speaker 1: the job. Don't really know who job ya. That's a

2513
02:23:17,680 --> 02:23:21,200
Speaker 1: mean though. That's a mean job. I ain't even because

2514
02:23:21,520 --> 02:23:24,000
Speaker 1: even the big home it talk. Really, I don't really

2515
02:23:24,080 --> 02:23:26,800
Speaker 1: be knowing if it's resonate man, because it's blood on

2516
02:23:26,920 --> 02:23:29,560
Speaker 1: the other side. This should be deep. You know what

2517
02:23:29,640 --> 02:23:32,120
Speaker 1: I'm saying, And we gotta still make the attempts, don't.

2518
02:23:32,160 --> 02:23:35,000
Speaker 1: I'm just saying I'm not comfortable. Just shit. I when

2519
02:23:35,040 --> 02:23:37,720
Speaker 1: I first approached the game, I'm like, man, you know what, man,

2520
02:23:37,760 --> 02:23:40,440
Speaker 1: I'm dealing with Supreme. I'm gonna start trying to bump

2521
02:23:40,480 --> 02:23:42,600
Speaker 1: down on some of these dudes and squatch somebody to be.

2522
02:23:43,080 --> 02:23:45,960
Speaker 1: But then when you start talking to these rappers or

2523
02:23:46,000 --> 02:23:48,400
Speaker 1: the entourage or some of the big homes, and they're like,

2524
02:23:48,520 --> 02:23:51,920
Speaker 1: now many dudes smoke my cousin. The man, they pulled up,

2525
02:23:52,000 --> 02:23:56,120
Speaker 1: man and shot my auntie house. It's like, say, what, oh, man,

2526
02:23:56,360 --> 02:23:59,800
Speaker 1: Like I gotta that ain't my business. That ain't my

2527
02:24:00,080 --> 02:24:04,600
Speaker 1: business respectfully too, man, because I won't better for us too. Man.

2528
02:24:05,280 --> 02:24:08,200
Speaker 1: That's just that job right there is just a unique one.

2529
02:24:08,240 --> 02:24:10,240
Speaker 1: And at some point I'm praying to be able to

2530
02:24:11,680 --> 02:24:14,000
Speaker 1: be able to speak truth to power like that. But

2531
02:24:14,200 --> 02:24:16,520
Speaker 1: I know the emotions on the other side because I've

2532
02:24:16,560 --> 02:24:20,279
Speaker 1: dealt with death, right, I've dealt with death in the street.

2533
02:24:20,879 --> 02:24:26,960
Speaker 1: Kanye West, Kim Kardashian d l hugely. It's a lot

2534
02:24:27,120 --> 02:24:31,320
Speaker 1: going down again. People ask me out of time. Charlemagne

2535
02:24:31,440 --> 02:24:35,600
Speaker 1: is now being through in this. This is an unfortunate situation.

2536
02:24:35,760 --> 02:24:41,600
Speaker 1: I think the unconventional approach by Kanye West to get

2537
02:24:41,720 --> 02:24:45,279
Speaker 1: with his family, which is Kim Kardashian and his children,

2538
02:24:45,360 --> 02:24:52,600
Speaker 1: I think it is a bit unique his approach. I

2539
02:24:52,760 --> 02:24:56,800
Speaker 1: think that it becomes overwhelming at points right dealing with people.

2540
02:24:56,959 --> 02:25:02,280
Speaker 1: But I also understand. I simply apathize and empathize with mistakes.

2541
02:25:02,720 --> 02:25:05,320
Speaker 1: They got love attested to him. I know his love that,

2542
02:25:05,480 --> 02:25:09,000
Speaker 1: I know how flattered he was to have her. See

2543
02:25:09,080 --> 02:25:12,320
Speaker 1: I remember to look at what things are. You must

2544
02:25:12,440 --> 02:25:16,720
Speaker 1: know where they come from history is important, right, So

2545
02:25:17,520 --> 02:25:21,760
Speaker 1: understanding how he championed himself, how that was one of

2546
02:25:21,800 --> 02:25:26,520
Speaker 1: the most that was high on his list in regards

2547
02:25:26,560 --> 02:25:29,920
Speaker 1: to what he wanted to accomplish, right, and to see

2548
02:25:29,959 --> 02:25:33,360
Speaker 1: where they land at is unfortunate. But you know, the

2549
02:25:33,520 --> 02:25:35,720
Speaker 1: one that you love the most gonna hurt you the most.

2550
02:25:35,800 --> 02:25:37,520
Speaker 1: That's just how it worked. That's why a lot of

2551
02:25:37,600 --> 02:25:42,840
Speaker 1: people don't welcome love as much, because once I love you,

2552
02:25:43,040 --> 02:25:45,720
Speaker 1: I give you the ability to hurt me. It's a

2553
02:25:45,959 --> 02:25:50,760
Speaker 1: vicious cycle right there. You understand, once I opened up,

2554
02:25:51,560 --> 02:25:54,400
Speaker 1: I give nown have the ability to be hit, to

2555
02:25:54,560 --> 02:25:59,040
Speaker 1: be you know, harmed. As long as I stay in

2556
02:25:59,120 --> 02:26:01,840
Speaker 1: the shell and stay closed up, no matter how good

2557
02:26:01,920 --> 02:26:03,680
Speaker 1: it is, it don't matter. You don't miss what you

2558
02:26:03,840 --> 02:26:09,000
Speaker 1: never had. And if it is bad, I'm protected from him. Right.

2559
02:26:09,080 --> 02:26:12,080
Speaker 1: And so when you do risk assessment, which most men do,

2560
02:26:12,280 --> 02:26:18,240
Speaker 1: they find themselves standing in shall Nonetheless, Dia hughl came

2561
02:26:18,320 --> 02:26:21,080
Speaker 1: man and said some things about Kanye West's approach. Let's

2562
02:26:21,120 --> 02:26:25,360
Speaker 1: listen to what he said and shout out the neighborhood tone. Yeah,

2563
02:26:25,360 --> 02:26:28,280
Speaker 1: I just never the difference between him and the other dude,

2564
02:26:28,360 --> 02:26:31,720
Speaker 1: get restraining orders on them. It's hundreds amazing, right, because

2565
02:26:31,720 --> 02:26:34,120
Speaker 1: he bought a house across the street that's not from

2566
02:26:34,160 --> 02:26:39,000
Speaker 1: her house. Listen, I don't I think that I've watched

2567
02:26:39,040 --> 02:26:43,000
Speaker 1: too many times when things like that happen and a

2568
02:26:43,080 --> 02:26:47,400
Speaker 1: woman or somebody's not believed and then things escalate. Yeah,

2569
02:26:48,000 --> 02:26:50,920
Speaker 1: he is stalking her. You can think it's cute. If

2570
02:26:50,959 --> 02:26:53,200
Speaker 1: it was my daughter, I do something about it. I

2571
02:26:53,280 --> 02:26:55,720
Speaker 1: don't think it's funny. I think that you can't write

2572
02:26:55,720 --> 02:26:57,880
Speaker 1: a beat so good that you get to do these things,

2573
02:26:58,440 --> 02:27:00,920
Speaker 1: and society last it off because they said, well, she

2574
02:27:01,040 --> 02:27:03,080
Speaker 1: showed her answer all the time, and he's this and

2575
02:27:03,160 --> 02:27:07,040
Speaker 1: he's that instead at a certain point, it is not

2576
02:27:07,240 --> 02:27:09,920
Speaker 1: unusual for men like that. The only difference between him

2577
02:27:09,959 --> 02:27:12,720
Speaker 1: and a restraining order is about twenty hits and a

2578
02:27:12,760 --> 02:27:15,640
Speaker 1: couple of hundred million dollars. I just don't think it's funny.

2579
02:27:15,760 --> 02:27:18,880
Speaker 1: I think that that that Kanye wouldn't get no pussy

2580
02:27:18,920 --> 02:27:20,600
Speaker 1: at all if he didn't write no hits. You know that, Like,

2581
02:27:20,920 --> 02:27:23,160
Speaker 1: it's not the kind of du you don't like he

2582
02:27:23,280 --> 02:27:26,200
Speaker 1: counts on the ship that he Yeah, I just never

2583
02:27:26,680 --> 02:27:28,879
Speaker 1: sow you hear what dear Hugh lets said right then,

2584
02:27:28,959 --> 02:27:33,000
Speaker 1: which they gotta respond side of Kanye. Um, again, that's

2585
02:27:33,040 --> 02:27:36,040
Speaker 1: a rough question. If that's your sister, if that's your mother, right,

2586
02:27:36,800 --> 02:27:40,440
Speaker 1: them is always rough questions when you're dealing with love.

2587
02:27:41,240 --> 02:27:45,000
Speaker 1: But at the end of the day, this Western world

2588
02:27:45,160 --> 02:27:50,480
Speaker 1: looks at marriage, or maybe everyone that every culture I believe,

2589
02:27:50,600 --> 02:27:54,400
Speaker 1: looks at marriage in a way where you know, YouTube

2590
02:27:54,480 --> 02:27:57,200
Speaker 1: now belong to each other, you become one. Right, So

2591
02:27:57,440 --> 02:28:01,240
Speaker 1: now there's nothing over that. Right. So then when you

2592
02:28:01,480 --> 02:28:03,800
Speaker 1: when you start to say like, it just gets weird,

2593
02:28:03,920 --> 02:28:06,959
Speaker 1: that whole shit, it just it just gets weird. Now,

2594
02:28:07,080 --> 02:28:11,160
Speaker 1: dear Hughlett comes out and says that, and then Kanye

2595
02:28:13,040 --> 02:28:24,280
Speaker 1: tweets this out. You're gonna miss him with fun chasing away?

2596
02:28:34,879 --> 02:28:39,720
Speaker 1: Who many corn as a one we can't nack? Remember,

2597
02:28:39,959 --> 02:28:42,160
Speaker 1: remember everyone want to give it a man. Things getting

2598
02:28:44,520 --> 02:28:58,720
Speaker 1: they were embrassed. I got you, I got you. Oh

2599
02:28:58,879 --> 02:29:00,960
Speaker 1: that's when he fell out. For those of you listen,

2600
02:29:01,040 --> 02:29:03,680
Speaker 1: I didn't even know that. For those of you listening.

2601
02:29:03,840 --> 02:29:08,000
Speaker 1: Kanye West now tweets South the video when d L.

2602
02:29:08,120 --> 02:29:10,800
Speaker 1: Hugler was in Zane and shout out Zane is in Nashville,

2603
02:29:11,200 --> 02:29:13,760
Speaker 1: and I think he fell out on stage and he

2604
02:29:13,920 --> 02:29:18,119
Speaker 1: says this, he says this. We're gonna stop. We're gonna

2605
02:29:18,120 --> 02:29:21,760
Speaker 1: stop letting practicing drug addicts be used by leftists to

2606
02:29:21,840 --> 02:29:24,560
Speaker 1: Willie Lynch our future, Black people with our own opinion

2607
02:29:25,480 --> 02:29:28,040
Speaker 1: are not allowed to speak in public. I am the

2608
02:29:28,120 --> 02:29:32,160
Speaker 1: glitch DL. God does not like you. You have no favor.

2609
02:29:32,320 --> 02:29:35,879
Speaker 1: Your family hates you. I would hate to be related

2610
02:29:35,959 --> 02:29:39,080
Speaker 1: to someone who used to be famous. Now you just

2611
02:29:39,280 --> 02:29:43,400
Speaker 1: known as a broke pawn. At least Oprah got billions allegedly.

2612
02:29:43,600 --> 02:29:45,960
Speaker 1: Come on, leftist, y'all got to do better than d L.

2613
02:29:46,080 --> 02:29:50,000
Speaker 1: This ya bring the real smoke, baby, show your face, Charlemagne,

2614
02:29:50,080 --> 02:29:53,040
Speaker 1: just don't hit the same duty. Who y'all gonna get there?

2615
02:29:53,200 --> 02:29:56,160
Speaker 1: God is with us, and you send DL to be

2616
02:29:56,280 --> 02:30:00,240
Speaker 1: against us. You lost no brilliant Hebrews will out to

2617
02:30:00,360 --> 02:30:04,280
Speaker 1: y'all no more, only dumbass drug addict house niggas. Don't

2618
02:30:04,360 --> 02:30:07,760
Speaker 1: play with me, don't play with God. Anybody related to

2619
02:30:07,920 --> 02:30:13,480
Speaker 1: DL called Chris McClean at Adidas. For Jesus, they're not

2620
02:30:13,640 --> 02:30:16,360
Speaker 1: free though we're running a business over here. He just

2621
02:30:16,520 --> 02:30:19,600
Speaker 1: getting ranned. You see, skeep missing work. Anybody else want

2622
02:30:19,640 --> 02:30:21,880
Speaker 1: to play with me? Please, please, for the love of God,

2623
02:30:22,000 --> 02:30:28,360
Speaker 1: come get me Let's see how it turns out. Now,

2624
02:30:30,400 --> 02:30:32,320
Speaker 1: this is the kind of shit that, like I say, man,

2625
02:30:32,360 --> 02:30:35,760
Speaker 1: you play on the internet. It's just it's gonna be

2626
02:30:35,840 --> 02:30:38,760
Speaker 1: a recipe for disaster. Somebody got a bear to grab

2627
02:30:38,840 --> 02:30:45,200
Speaker 1: that phone at your hand. And then Kanye tweeted Dar

2628
02:30:45,360 --> 02:30:49,600
Speaker 1: hugely what DL lives in Calabasas. Yo, God is good.

2629
02:30:54,120 --> 02:30:57,199
Speaker 1: And so they're taking these things. It's threats, right, They're

2630
02:30:57,200 --> 02:30:59,680
Speaker 1: taking these things. It's threats, and not for me. I'm

2631
02:30:59,680 --> 02:31:03,560
Speaker 1: gonna keep it real with you. I'm gonna keep it alway. Player.

2632
02:31:03,720 --> 02:31:07,199
Speaker 1: I don't think threatening nigga's worth a worth in beings

2633
02:31:07,320 --> 02:31:10,640
Speaker 1: is cool because then if something happened to you, we

2634
02:31:10,720 --> 02:31:12,800
Speaker 1: won't be able to figure out where it comes from.

2635
02:31:13,640 --> 02:31:16,240
Speaker 1: You gotta be careful with them kind of thing. And

2636
02:31:16,400 --> 02:31:19,240
Speaker 1: so after the dear hugly situation kind of went on

2637
02:31:19,320 --> 02:31:22,520
Speaker 1: the back burner, this is Sunday morning. Kanye then talks

2638
02:31:22,560 --> 02:31:26,520
Speaker 1: about Kim not allowing his kids to come to Sunday

2639
02:31:26,600 --> 02:31:29,120
Speaker 1: service or something. Let's listen to what he said. Hey, everybody,

2640
02:31:29,160 --> 02:31:31,039
Speaker 1: I just got off the phone when Kim I told

2641
02:31:31,080 --> 02:31:35,160
Speaker 1: her to stop antagonizing me with this TikTok thing. I said,

2642
02:31:35,160 --> 02:31:39,000
Speaker 1: it's never again, I am her father. I know y'all

2643
02:31:39,040 --> 02:31:42,640
Speaker 1: don't respect fathers and the idea of family, and media

2644
02:31:42,720 --> 02:31:46,200
Speaker 1: tries to promote something. I said, I am not allowing

2645
02:31:46,360 --> 02:31:51,200
Speaker 1: my daughter to be used by TikTok, to be used

2646
02:31:51,240 --> 02:31:56,480
Speaker 1: by Disney. I have to say so. And then when

2647
02:31:56,520 --> 02:31:58,760
Speaker 1: people say, all they're gonna use this for you in court,

2648
02:31:58,879 --> 02:32:00,840
Speaker 1: I don't even. I didn't have a say so on

2649
02:32:00,879 --> 02:32:04,200
Speaker 1: whether or nothing with the Sierra Kanyan. Most men do not.

2650
02:32:04,320 --> 02:32:07,920
Speaker 1: There's no such thing as fifty fifty custody with in

2651
02:32:08,080 --> 02:32:12,200
Speaker 1: society today. That's that's how even it always leans towards

2652
02:32:12,240 --> 02:32:16,880
Speaker 1: the mom. But right now, and I'm happy that you

2653
02:32:17,040 --> 02:32:19,720
Speaker 1: guys got to see just a small piece of what

2654
02:32:19,959 --> 02:32:27,400
Speaker 1: I dealt with. You understand what I'm saying. So, when

2655
02:32:27,440 --> 02:32:31,640
Speaker 1: we had the doc to release in Miami, I got

2656
02:32:31,760 --> 02:32:35,160
Speaker 1: a flight for all my kids to come from Calabasas

2657
02:32:35,200 --> 02:32:39,000
Speaker 1: to come in Miami to see the kids. Then assistant

2658
02:32:39,720 --> 02:32:41,680
Speaker 1: hit me and said all the kids. You know, they

2659
02:32:41,720 --> 02:32:44,280
Speaker 1: said the kids are there. When the plane took off,

2660
02:32:44,320 --> 02:32:47,800
Speaker 1: I got a text from him that said, North wonk

2661
02:32:47,879 --> 02:32:50,520
Speaker 1: be on the plane. You see, this is the kind

2662
02:32:50,560 --> 02:32:53,160
Speaker 1: of stuff that's just like the Chicago Birthday party, and

2663
02:32:53,240 --> 02:32:56,640
Speaker 1: I'm glad that y'all saw in the Variety piece what

2664
02:32:57,120 --> 02:32:59,520
Speaker 1: I have to deal with. Here go another thing that

2665
02:32:59,720 --> 02:33:04,640
Speaker 1: does high school basketball game. We hold one in California.

2666
02:33:05,160 --> 02:33:08,160
Speaker 1: My daughter loves basketball. I want her to see the

2667
02:33:08,280 --> 02:33:11,240
Speaker 1: league that her father is starting. North can't go to

2668
02:33:11,360 --> 02:33:14,280
Speaker 1: that game. Now. We got Sunday service the morning. This

2669
02:33:14,400 --> 02:33:18,840
Speaker 1: morning at ten am at its North had a sleepover,

2670
02:33:19,200 --> 02:33:22,400
Speaker 1: so she can't come to Sunday service. I moved the

2671
02:33:22,680 --> 02:33:26,040
Speaker 1: Sunday service up to ten am so that I can

2672
02:33:26,160 --> 02:33:29,480
Speaker 1: go to sat soccer game at twelve thirty. Move the

2673
02:33:29,720 --> 02:33:37,720
Speaker 1: entire thing. So I called different people I knew, and

2674
02:33:38,080 --> 02:33:40,840
Speaker 1: the best advice I got right now was from Tory

2675
02:33:40,959 --> 02:33:44,800
Speaker 1: Lanes and he just said to pray and ask for

2676
02:33:44,959 --> 02:33:48,760
Speaker 1: God to speak through me. You know, I got four children,

2677
02:33:49,680 --> 02:33:55,480
Speaker 1: and there's so many people who don't have a voice

2678
02:33:55,560 --> 02:33:58,160
Speaker 1: and have the opportunity to be able to speak up

2679
02:33:59,000 --> 02:34:03,960
Speaker 1: and just God, if it is in your will, you know,

2680
02:34:04,280 --> 02:34:08,720
Speaker 1: touch the people. So he's now praying on his Instagram

2681
02:34:08,920 --> 02:34:12,199
Speaker 1: pleading with her to bring his kids to a Sunday service,

2682
02:34:12,440 --> 02:34:18,640
Speaker 1: and that's really unfortunately all the children and and touch

2683
02:34:18,760 --> 02:34:24,879
Speaker 1: them and say, please bring my children to Sunday Service

2684
02:34:24,959 --> 02:34:31,640
Speaker 1: this morning at ten am. You know, God, just it's

2685
02:34:31,760 --> 02:34:33,360
Speaker 1: this is out of my hands. It's up to you.

2686
02:34:34,000 --> 02:34:38,920
Speaker 1: This whole conversation a custody, this whole narrative, gas lighting,

2687
02:34:40,240 --> 02:34:43,160
Speaker 1: you know, all of this. It's like, right now, this

2688
02:34:43,400 --> 02:34:47,320
Speaker 1: is up to you. I thank you for putting me

2689
02:34:47,360 --> 02:34:49,959
Speaker 1: in a position to be able to make Sunday Service

2690
02:34:50,040 --> 02:34:54,400
Speaker 1: and put this online and have my family, you know,

2691
02:34:55,280 --> 02:35:01,560
Speaker 1: be there, my children be there to hear about God,

2692
02:35:01,680 --> 02:35:04,360
Speaker 1: a sing about God, a sing about Jesus Christ. For

2693
02:35:04,520 --> 02:35:08,040
Speaker 1: us to be able to have the first right, the

2694
02:35:08,160 --> 02:35:11,600
Speaker 1: freedom of speech in America to still talk about God

2695
02:35:12,360 --> 02:35:17,240
Speaker 1: out loud this morning. God, please, you know there's no

2696
02:35:17,440 --> 02:35:23,240
Speaker 1: reason why these young children, upon their father's requests, shouldn't

2697
02:35:23,959 --> 02:35:29,160
Speaker 1: be allowed to come to Sunday Service. At this point,

2698
02:35:29,200 --> 02:35:34,800
Speaker 1: it's it's it's going too far. God, Please. The boyfriend

2699
02:35:35,320 --> 02:35:38,400
Speaker 1: texts me and taggonizing me, bragging about being in bed

2700
02:35:39,000 --> 02:35:42,320
Speaker 1: with my wife. I thought I thought it publicly for

2701
02:35:42,800 --> 02:35:44,959
Speaker 1: a year and a half has been I've been dragged

2702
02:35:45,040 --> 02:35:46,840
Speaker 1: and how she not my wife, she don't have a

2703
02:35:46,920 --> 02:35:49,520
Speaker 1: last name. And now he texted me talking and bragging

2704
02:35:49,560 --> 02:35:52,200
Speaker 1: about how he's in bed with my wife. And I'm like, well,

2705
02:35:52,240 --> 02:35:56,880
Speaker 1: who's watching my children? If he's texting me bragging about

2706
02:35:56,959 --> 02:36:03,120
Speaker 1: being in bed with my wife, I want to speak

2707
02:36:03,160 --> 02:36:06,880
Speaker 1: about that just a second. I think it's unfortunate that

2708
02:36:07,040 --> 02:36:11,920
Speaker 1: we deal with two different people with two different walks

2709
02:36:11,959 --> 02:36:13,959
Speaker 1: of life. And this is why you gotta make sure

2710
02:36:14,440 --> 02:36:19,360
Speaker 1: that who you coexist with you can stand to share

2711
02:36:19,480 --> 02:36:23,120
Speaker 1: coldure with. Right. And I'm not I'm not saying that

2712
02:36:23,240 --> 02:36:26,520
Speaker 1: you can't date outside your culture, but you have to

2713
02:36:26,680 --> 02:36:30,520
Speaker 1: date with a understanding of each other's coat. Right. When

2714
02:36:30,560 --> 02:36:33,280
Speaker 1: I look at this situation right here with Pete Davison

2715
02:36:33,360 --> 02:36:37,400
Speaker 1: and Kim Kardashian and Skied again, we dealing with family,

2716
02:36:37,879 --> 02:36:39,640
Speaker 1: and I view it that way, and I try to

2717
02:36:39,720 --> 02:36:42,400
Speaker 1: handle it with as much care as I can. But

2718
02:36:42,560 --> 02:36:45,720
Speaker 1: the information rang supreme in regards to what I want

2719
02:36:45,760 --> 02:36:49,800
Speaker 1: to make sure is at the forefront of my motherfucking conversation.

2720
02:36:49,959 --> 02:36:55,360
Speaker 1: So information is king and relationships a second right. That

2721
02:36:55,560 --> 02:36:59,240
Speaker 1: means that I try not to offend, but in searching

2722
02:36:59,360 --> 02:37:03,199
Speaker 1: for truth, I hope not to offend. But in searching

2723
02:37:03,280 --> 02:37:07,800
Speaker 1: for truth, the results just so happening to be the results.

2724
02:37:09,480 --> 02:37:14,440
Speaker 1: Right when I look at Kanye West being black and

2725
02:37:14,720 --> 02:37:18,920
Speaker 1: Pete Davidson being white. It shows me the difference between

2726
02:37:18,959 --> 02:37:22,720
Speaker 1: the two cultures because in black people's culture, you really

2727
02:37:22,800 --> 02:37:25,200
Speaker 1: don't want to be laying up with nobody wife. That

2728
02:37:25,440 --> 02:37:31,279
Speaker 1: is a violation of all contracts. Yeah, that's a violation

2729
02:37:31,400 --> 02:37:34,600
Speaker 1: of the terms and conditions laying with somebody white. So

2730
02:37:34,800 --> 02:37:37,160
Speaker 1: you don't want to be in a situation that that's

2731
02:37:37,200 --> 02:37:41,920
Speaker 1: an automatic v Niggas know that gets you hit. So

2732
02:37:42,120 --> 02:37:44,280
Speaker 1: for you to be doing that in texting about it,

2733
02:37:44,440 --> 02:37:48,320
Speaker 1: let me know. See that's the white boy games. See

2734
02:37:48,360 --> 02:37:50,760
Speaker 1: the white boys don't got no feelings for real with

2735
02:37:50,879 --> 02:37:55,320
Speaker 1: that kind of stuff. Sometimes it really be arrangement. And

2736
02:37:55,400 --> 02:37:59,040
Speaker 1: I'm not talking about all white dudes, but it's a

2737
02:37:59,160 --> 02:38:03,720
Speaker 1: subsection of them like that. Bro. That's if somebody creeping

2738
02:38:03,760 --> 02:38:06,760
Speaker 1: with somebody's wife, they is not trying to let that dude, No,

2739
02:38:07,040 --> 02:38:09,959
Speaker 1: they know it's a couple of different things. People dying

2740
02:38:10,040 --> 02:38:15,240
Speaker 1: about their woman, their kids, and their mother. Then other

2741
02:38:15,360 --> 02:38:17,760
Speaker 1: people you throw in your click, you're throwing your money,

2742
02:38:17,840 --> 02:38:20,480
Speaker 1: You're throwing your child. You know your your children is

2743
02:38:20,480 --> 02:38:22,600
Speaker 1: already on that that's part of your family, but their

2744
02:38:22,680 --> 02:38:26,640
Speaker 1: family money. You know, certain things niggas is dying about

2745
02:38:26,720 --> 02:38:29,840
Speaker 1: and their wife laying with your wife. That's a totally

2746
02:38:29,959 --> 02:38:33,280
Speaker 1: different thing. Bro we don't Black people don't play that that.

2747
02:38:33,440 --> 02:38:36,400
Speaker 1: So that's letting me know, oh man, we're dealing with.

2748
02:38:36,600 --> 02:38:39,199
Speaker 1: Oh Man, out him. Put my foot in this water

2749
02:38:39,400 --> 02:38:41,960
Speaker 1: right here, and they don't. They don't grab me and

2750
02:38:42,200 --> 02:38:44,160
Speaker 1: drug me in here. Now, I got to deal with

2751
02:38:44,320 --> 02:38:47,320
Speaker 1: this because black people don't play like that. You don't

2752
02:38:47,360 --> 02:38:49,760
Speaker 1: tell no nigga when no billions of dollars laying up

2753
02:38:49,800 --> 02:38:52,840
Speaker 1: with your wife. You don't tell a broke nigga laying

2754
02:38:52,959 --> 02:38:56,200
Speaker 1: up with your wife. You understand. So, man, that was

2755
02:38:56,360 --> 02:39:00,360
Speaker 1: weird to me. I thought this wasn't my wife. No

2756
02:39:00,520 --> 02:39:04,720
Speaker 1: more legally, since I got the you know, I got

2757
02:39:04,800 --> 02:39:08,000
Speaker 1: the lawyer to finally finish the divorce, because every time

2758
02:39:08,120 --> 02:39:10,640
Speaker 1: I finished this show, the Free Hoover Show, the next day,

2759
02:39:10,680 --> 02:39:12,400
Speaker 1: she dropping her last night. Every time I do some

2760
02:39:12,520 --> 02:39:15,360
Speaker 1: positive and some negative that's coming, I go and get

2761
02:39:15,400 --> 02:39:17,840
Speaker 1: the laptop from ray J then and she joking about divorce.

2762
02:39:18,080 --> 02:39:20,039
Speaker 1: I go and get the lawyer, change the lawyers who

2763
02:39:20,040 --> 02:39:22,480
Speaker 1: we can finally do the divorce. And then somehow I'm

2764
02:39:22,560 --> 02:39:26,800
Speaker 1: the one that's the stalker. God. I just need to

2765
02:39:26,920 --> 02:39:31,879
Speaker 1: protect you, protect the children. You. I know our nanny.

2766
02:39:32,080 --> 02:39:35,400
Speaker 1: Some of them are Christian. You touch them, please God

2767
02:39:35,520 --> 02:39:39,959
Speaker 1: today and have them bring my children to Sunday service

2768
02:39:40,080 --> 02:39:45,320
Speaker 1: this morning. The devil ain't gonna win. You know what

2769
02:39:45,320 --> 02:39:49,240
Speaker 1: I'm saying. This is gas lighting. Kim gets black people

2770
02:39:49,400 --> 02:39:52,160
Speaker 1: out of prisoner who puts black people in prison, the

2771
02:39:52,360 --> 02:39:55,640
Speaker 1: person that the boyfriend has a tattoo of Hillary. You

2772
02:39:55,760 --> 02:40:01,800
Speaker 1: understand the setup right here. You understand the narrative right here. God, please,

2773
02:40:02,640 --> 02:40:08,039
Speaker 1: and your son's name, our Lord and savior, Jesus Christ.

2774
02:40:08,920 --> 02:40:14,080
Speaker 1: Please make sure my kids come to Sunday service. Please amen.

2775
02:40:15,280 --> 02:40:19,119
Speaker 1: So here are the actual tweets. Bro Yo, it's skeet.

2776
02:40:19,879 --> 02:40:21,920
Speaker 1: Can you please take a second and calm down? As

2777
02:40:21,959 --> 02:40:24,000
Speaker 1: eight am? And I don't gotta be like this. Kim

2778
02:40:24,160 --> 02:40:27,000
Speaker 1: is literally the best mother I've ever met. What she

2779
02:40:27,160 --> 02:40:29,920
Speaker 1: does for those kids is amazing, and you're so fucking

2780
02:40:30,040 --> 02:40:33,320
Speaker 1: lucky that that's your kid's mom. I've decided I'm not

2781
02:40:33,480 --> 02:40:37,200
Speaker 1: gonna let you treat us this way anymore, and I'm

2782
02:40:37,240 --> 02:40:41,000
Speaker 1: done being quiet. Grow the fuck up, or you're using profanity.

2783
02:40:41,240 --> 02:40:45,279
Speaker 1: Where are you right now in bed with your wife

2784
02:40:46,440 --> 02:40:53,360
Speaker 1: and a picture? Son? Look at the picture she came

2785
02:40:53,560 --> 02:40:55,680
Speaker 1: if she right there letting them take a picture. Boy,

2786
02:40:55,720 --> 02:40:58,760
Speaker 1: that's it. I want y'all to know. This is deeper

2787
02:40:58,800 --> 02:41:01,879
Speaker 1: than Kanye and Pete. This is a clashing of cultures.

2788
02:41:02,600 --> 02:41:06,680
Speaker 1: This is a white boy and a black man, and

2789
02:41:06,879 --> 02:41:10,320
Speaker 1: this is a white dude who don't understand how dangerous

2790
02:41:10,400 --> 02:41:13,800
Speaker 1: it is to tell a man period that you laying

2791
02:41:13,840 --> 02:41:17,120
Speaker 1: with one of his most prize things that he cares

2792
02:41:17,160 --> 02:41:21,400
Speaker 1: about in his life, his wife, you you you Hey,

2793
02:41:21,520 --> 02:41:24,680
Speaker 1: that's deep. Now, to be fair, Kanye has said some

2794
02:41:24,840 --> 02:41:28,640
Speaker 1: things online. Let's be critical and let's be real. So

2795
02:41:28,840 --> 02:41:31,680
Speaker 1: we ain't saying that he has he has been harmless,

2796
02:41:32,520 --> 02:41:38,320
Speaker 1: but we're saying, all right, so you've now escalated the match. First,

2797
02:41:38,400 --> 02:41:40,240
Speaker 1: it was just a match in the ring where we

2798
02:41:40,320 --> 02:41:43,360
Speaker 1: were just a traditional wrestling man. Now we come out

2799
02:41:43,440 --> 02:41:48,000
Speaker 1: to ring Nan false count anywhere, NaN's ball room, Bra,

2800
02:41:48,160 --> 02:41:51,040
Speaker 1: I'm hitting niggas with ladders and yeah, you don't took

2801
02:41:51,080 --> 02:41:53,360
Speaker 1: it to another level. Now, you don't took the match

2802
02:41:53,440 --> 02:41:57,200
Speaker 1: somewhere up and he said, happy to see you out

2803
02:41:57,240 --> 02:41:59,680
Speaker 1: to rehab. This is what Kanye sent back. Then he

2804
02:41:59,760 --> 02:42:02,960
Speaker 1: said same here wonders what those places do when you

2805
02:42:03,080 --> 02:42:05,760
Speaker 1: go get help, You should try. I'm in La for

2806
02:42:05,840 --> 02:42:07,400
Speaker 1: the day. If you want to stop being a little

2807
02:42:07,440 --> 02:42:10,440
Speaker 1: internet bitch boy and talk, this is how you talking

2808
02:42:10,520 --> 02:42:13,920
Speaker 1: to Kanye. He called, yeah, you're being a bitch boy

2809
02:42:13,920 --> 02:42:16,520
Speaker 1: and talk. Then he told him you don't scare me, Bro,

2810
02:42:16,680 --> 02:42:20,440
Speaker 1: your actions are so pussy and embarrassing. It's so sad

2811
02:42:20,520 --> 02:42:23,320
Speaker 1: to watch you ruin your legacy on the daily. And

2812
02:42:23,440 --> 02:42:26,279
Speaker 1: he said, you're more than welcome to come to Sunday service.

2813
02:42:27,160 --> 02:42:29,800
Speaker 1: Why don't we meet after Sunday Service in Saints Game.

2814
02:42:29,879 --> 02:42:32,880
Speaker 1: I'll be at BHH. We can have food and talk

2815
02:42:32,959 --> 02:42:38,600
Speaker 1: it out in my room privately, one on one, man

2816
02:42:38,720 --> 02:42:42,160
Speaker 1: to man. What you are doing to your family is dangerous.

2817
02:42:42,200 --> 02:42:45,440
Speaker 1: Ain't gonna scare them for life. Please handle these matters privately, Bro,

2818
02:42:45,560 --> 02:42:47,760
Speaker 1: I beg you you want to see me come to

2819
02:42:47,840 --> 02:42:53,959
Speaker 1: Sunday service. This is in public, dude. I'm not here

2820
02:42:54,000 --> 02:42:57,400
Speaker 1: for pictures and press, which is obviously all you care about.

2821
02:42:57,480 --> 02:42:59,880
Speaker 1: My offer stands. I wish you man up for one

2822
02:43:00,080 --> 02:43:02,039
Speaker 1: seen your life. Let me help you, man. I struggle

2823
02:43:02,080 --> 02:43:04,800
Speaker 1: with mental stuff too. It's not an easy journey. You

2824
02:43:04,879 --> 02:43:07,280
Speaker 1: don't have to feel this way anymore. There's no shame

2825
02:43:07,320 --> 02:43:09,720
Speaker 1: in having a little help. You'll be so happy in

2826
02:43:09,840 --> 02:43:12,280
Speaker 1: that peace. You have no idea how nice I've been

2827
02:43:12,320 --> 02:43:14,920
Speaker 1: to you despite your actions towards me. I've stopped S

2828
02:43:15,000 --> 02:43:17,080
Speaker 1: and L from talking about you, making fun of you

2829
02:43:17,160 --> 02:43:20,600
Speaker 1: wish they wanted to do for months. I've stopped stand

2830
02:43:20,720 --> 02:43:24,800
Speaker 1: up comedians from doing bits about you because I don't

2831
02:43:24,800 --> 02:43:27,520
Speaker 1: want the father of my girls kids to look bad

2832
02:43:27,600 --> 02:43:30,400
Speaker 1: out there talking to you about your wife. I want

2833
02:43:30,440 --> 02:43:32,800
Speaker 1: to be clear, I have your back even though you

2834
02:43:32,879 --> 02:43:35,600
Speaker 1: treat me like shit, because I want everything to be smooth.

2835
02:43:35,680 --> 02:43:37,400
Speaker 1: But if you continue to press me like you have

2836
02:43:37,520 --> 02:43:40,560
Speaker 1: for the past six months, I'm gonna stop being nice.

2837
02:43:41,840 --> 02:43:46,240
Speaker 1: Kanye ways then tweet, then puts on his Instagram a message.

2838
02:43:46,280 --> 02:43:48,400
Speaker 1: It says Kim on the phone, He says, when I say,

2839
02:43:48,480 --> 02:43:51,040
Speaker 1: brain my kids somewhere, I'm not going through this anymore.

2840
02:43:51,640 --> 02:43:53,200
Speaker 1: Why the fuck is it up to you when my

2841
02:43:53,320 --> 02:43:57,000
Speaker 1: kids are if we're so called have joint custody. Then

2842
02:43:57,080 --> 02:43:59,440
Speaker 1: he writes, my dad won't even call Kim. I don't

2843
02:43:59,440 --> 02:44:02,160
Speaker 1: speak to my family because they've been allowing this kind

2844
02:44:02,200 --> 02:44:04,920
Speaker 1: of behavior. I am in no way trying to get

2845
02:44:05,000 --> 02:44:07,720
Speaker 1: this woman back. I moved on with my life. I

2846
02:44:07,800 --> 02:44:10,760
Speaker 1: just feel culturally, there's a bunch of white privilege people

2847
02:44:10,879 --> 02:44:14,000
Speaker 1: forcing the upbringing of a bunch of black children needs

2848
02:44:14,000 --> 02:44:17,360
Speaker 1: a trigger words and he's a smart man, high level

2849
02:44:17,480 --> 02:44:21,480
Speaker 1: jiu jitsu, mental games. I've seen a bunch of celebrities

2850
02:44:21,480 --> 02:44:24,800
Speaker 1: speak up against me, but a bit no one other

2851
02:44:24,879 --> 02:44:27,440
Speaker 1: than Candy someones that ever said that any of this

2852
02:44:27,600 --> 02:44:31,879
Speaker 1: bit of baby mama behavior is wrong, then somebody. Then

2853
02:44:32,000 --> 02:44:35,600
Speaker 1: Van tweeted back to DL hugely spoke to d L

2854
02:44:36,040 --> 02:44:39,120
Speaker 1: this am. He doesn't think threast to his familar professional

2855
02:44:39,160 --> 02:44:41,560
Speaker 1: slander are funny and it's gonna deal with it at corlet.

2856
02:44:42,200 --> 02:44:44,560
Speaker 1: He told me he'll be making a statement very soon.

2857
02:44:45,080 --> 02:44:48,080
Speaker 1: I do think it's I do think it's ill advised

2858
02:44:48,160 --> 02:44:51,360
Speaker 1: to threaten people worth that amount of money. Like I

2859
02:44:51,640 --> 02:44:54,160
Speaker 1: don't see you know what I'm saying. I don't see

2860
02:44:54,160 --> 02:44:56,880
Speaker 1: how that's effective. I mean, I know you're hurt, but

2861
02:44:57,000 --> 02:44:59,920
Speaker 1: you gotta be careful with your with your with your money, man,

2862
02:45:00,000 --> 02:45:01,960
Speaker 1: and you don't want to just give it away, like

2863
02:45:02,080 --> 02:45:04,240
Speaker 1: don't put them, don't let them walk in the trick bag.

2864
02:45:04,360 --> 02:45:07,240
Speaker 1: Got you threatening people and now let and you know

2865
02:45:07,400 --> 02:45:09,640
Speaker 1: now they now they make one of their people, they

2866
02:45:09,720 --> 02:45:12,280
Speaker 1: come on slide through. You know, Kanye said that, come on,

2867
02:45:12,440 --> 02:45:15,080
Speaker 1: shoot the house up right quick. Then they shoot get

2868
02:45:15,200 --> 02:45:17,040
Speaker 1: something one of their own people to shoot the house

2869
02:45:17,120 --> 02:45:20,400
Speaker 1: up and sue you about it, like, don't put yourself

2870
02:45:20,440 --> 02:45:22,360
Speaker 1: in them kind of Still you're going in the trick bag.

2871
02:45:22,480 --> 02:45:25,240
Speaker 1: We don't go in the trick bag for nobody. Yeah,

2872
02:45:25,320 --> 02:45:27,480
Speaker 1: we don't got about the trick bag. We don't play

2873
02:45:27,520 --> 02:45:30,320
Speaker 1: them games no more. It's old for that now. Dr

2874
02:45:30,480 --> 02:45:34,360
Speaker 1: hugely finally responds. He says, ain't no way in hell,

2875
02:45:34,400 --> 02:45:36,160
Speaker 1: I'd be scared of do who wears I know what

2876
02:45:36,240 --> 02:45:39,000
Speaker 1: you did last summer boots. He says, Hum, ain't it

2877
02:45:39,080 --> 02:45:41,840
Speaker 1: weird that Kanye supposedly has all these goons who will

2878
02:45:42,000 --> 02:45:44,200
Speaker 1: killed for him, but not one of them will get

2879
02:45:44,200 --> 02:45:47,880
Speaker 1: his prescription. Feel here's a thought. While you're on your

2880
02:45:47,920 --> 02:45:51,199
Speaker 1: way to kill me in Calabasas, how about somebody dropped

2881
02:45:51,240 --> 02:45:54,600
Speaker 1: by CBS and pick up his zan necks l hashtag

2882
02:45:54,720 --> 02:45:57,680
Speaker 1: team DL ain't no where, Ain't no way in hell

2883
02:45:57,680 --> 02:45:59,200
Speaker 1: I'd be scared of a do the way I know

2884
02:45:59,280 --> 02:46:02,840
Speaker 1: what you did last summer boots. So he's going at him,

2885
02:46:03,200 --> 02:46:05,200
Speaker 1: and I think he said one more thing and then

2886
02:46:05,280 --> 02:46:08,680
Speaker 1: we'll get out of him. And he said, Kanye, it's

2887
02:46:08,680 --> 02:46:10,320
Speaker 1: too bad for you to act in like a nut

2888
02:46:10,360 --> 02:46:12,800
Speaker 1: won't stop Pete from busting one. And then whack more

2889
02:46:12,879 --> 02:46:16,080
Speaker 1: Hunter gets here and cause him a part of the luminotty.

2890
02:46:16,200 --> 02:46:19,640
Speaker 1: So again, man, it's just a it's a fucked up situation,

2891
02:46:19,800 --> 02:46:23,400
Speaker 1: unfortunate situation. We'll probably talk about more next week. We

2892
02:46:23,520 --> 02:46:26,680
Speaker 1: gave y'all a good podcast today. We'll appreciate everybody that's

2893
02:46:26,720 --> 02:46:28,680
Speaker 1: tap dead. We're about to go to the next level.

2894
02:46:28,959 --> 02:46:33,440
Speaker 1: I want everybody to be ready, ready to support, ready

2895
02:46:33,480 --> 02:46:36,240
Speaker 1: to be loud about us being influential in the market,

2896
02:46:36,400 --> 02:46:41,680
Speaker 1: ready to be upfront about what the conversations are being

2897
02:46:41,760 --> 02:46:45,080
Speaker 1: started at, and making sure that we get our proper

2898
02:46:45,160 --> 02:46:48,000
Speaker 1: place in the game. Man, it's up there. Podcast. It's

2899
02:46:48,040 --> 02:46:50,879
Speaker 1: another episode or the fastest growing, the biggest