WEBVTT -  Imagining a World Without White People ft. Sky Full of Elephants Author Cebo Campbell

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<v Speaker 1>You have to understand that the majority of the time

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<v Speaker 1>that Black Americans is spent in this country, it's been

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<v Speaker 1>spent on the side of being an other and it

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<v Speaker 1>still is today, and it's important for someone to understand

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<v Speaker 1>what the other feels like so that they can have

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<v Speaker 1>compassion for someone else. You can get into the complexities

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<v Speaker 1>of the stories and the complexity of the individual characters

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<v Speaker 1>and everything they're going through. Ultimately, it's like, listen, this

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<v Speaker 1>is what it feels like. And if you look at

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<v Speaker 1>that book and you go it makes me uncomfortable. Understand

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<v Speaker 1>that that discomfort is what other people are feeling when

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<v Speaker 1>you aren't recognizing them in their context of what's really

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<v Speaker 1>going on in the country.

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<v Speaker 2>Hey va, fam, I am honestly what an amazing idea.

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<v Speaker 2>I had to create a podcast where I can just

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<v Speaker 2>get incredible people to talk to me and people whose

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<v Speaker 2>work I have gotten to enjoy. And this is the

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<v Speaker 2>first time I feel like I don't think I've had

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<v Speaker 2>an author of a fiction novel. We do lots of

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<v Speaker 2>author interviews at Brown Ambition BA fan, you know, we

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<v Speaker 2>do because we love our career in our finance books.

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<v Speaker 2>But I am such a fiction fan. I mean, my

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<v Speaker 2>guilty secret as a personal finance and negotiation expert is

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<v Speaker 2>that the majority of what I read has nothing to

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<v Speaker 2>do with business and finance. It is escapism, It is

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<v Speaker 2>science fiction, it is fantasy, little romance. I love books.

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<v Speaker 2>They are so especially at a time like this, crucial,

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<v Speaker 2>as like an escape route from reality. Sometimes and then

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<v Speaker 2>there are books like sky Full of Elephants by today's

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<v Speaker 2>guest ce Bo Campbell, not Williams. Even though I will

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<v Speaker 2>never live down the mistake I made when I don't

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<v Speaker 2>know why I want you to be Williams so bad,

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<v Speaker 2>we'll just leave that alone. I have the author of

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<v Speaker 2>the novel sky Full of Elephants with us today, be

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<v Speaker 2>a fan, and I couldn't be more grateful. This is

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<v Speaker 2>just such a treat and such a joy for me

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<v Speaker 2>to be here. And he's in New York at Simon

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<v Speaker 2>and Schuster. On the seventh we talked about the seventeenth

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<v Speaker 2>floor on the celebrity floor. Now as someone who has

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<v Speaker 2>always loved books, and like also we'll talk about your

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<v Speaker 2>career path. You know you you work full time, you

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<v Speaker 2>have your own business. I'm just geeked for you, like

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<v Speaker 2>I am excited for you as a person who has

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<v Speaker 2>written this book who has which has become such a

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<v Speaker 2>massive success, and everybody black is talking about this book.

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<v Speaker 2>Everybody black. It's like sky full of elephants cinners. That's

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<v Speaker 2>my thread speed.

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<v Speaker 1>That's it, that's the that's what I want, that's what

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<v Speaker 1>I want. I want. It was for black people, so

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<v Speaker 1>it was it was important to me, indeed, And when

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<v Speaker 1>we did the initial marketing, I was like, I know,

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<v Speaker 1>you want to like try to get it in your times.

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<v Speaker 1>You want to try to get it in you know,

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<v Speaker 1>Alley Town's a possim Clobelet's find the black bookstrogrammers. Let's

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<v Speaker 1>go talk to them first. Let's give them arcs, Let's

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<v Speaker 1>give them space. And I put it out. I was like,

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<v Speaker 1>anyone that's trying to do a book club, there's four

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<v Speaker 1>people in that book club. There's twenty people in that

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<v Speaker 1>book club. I'm coming. Or you got to do is

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<v Speaker 1>say the word and I'll be there. And I did.

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<v Speaker 1>I mean, I was, I don't even know. I did

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<v Speaker 1>like a hundred book clubs. I've done so many, and

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<v Speaker 1>it's like I want to have a conversation with black people.

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<v Speaker 1>And that the impetus came from like coming to my

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<v Speaker 1>aroun I first wrote the book my mom. I went

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<v Speaker 1>home to visit a mom and she invited all of

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<v Speaker 1>her church friends to the house and she was like,

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<v Speaker 1>they all need to talk to you about this book.

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<v Speaker 1>And I was like okay, and I said how they

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<v Speaker 1>had read it? My mom had an arc, so I

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<v Speaker 1>gave her a couple of early arts and she was

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<v Speaker 1>passing the minds all beat up, and they just they

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<v Speaker 1>were like, we want to talk to you. And it

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<v Speaker 1>was the range of conversation, the things that they really

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<v Speaker 1>didn't have space to communicate, didn't have space to get into,

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<v Speaker 1>they did and it was really remarkable, and I realized,

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<v Speaker 1>that's what that's what it's all about. The book is

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<v Speaker 1>a flat tape that we can gather around.

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<v Speaker 2>That's metaphor number two that I will steal.

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<v Speaker 1>And the anchor, fine, you can have it, you can

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<v Speaker 1>have it.

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<v Speaker 2>What a book? All right? I got to tell you something,

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<v Speaker 2>so bea fam I'm by the way, spoilers are ahead.

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<v Speaker 2>I'm not Terry Gross. I don't know how to do

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<v Speaker 2>a book interview and not reveal spoilers about the plot.

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<v Speaker 2>And the great thing about Sky Full of Elephants is

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<v Speaker 2>that the plot feels like a spoiler, And that's when

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<v Speaker 2>you know it's going to be good, because they're telling

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<v Speaker 2>you upfront. All the white people in the in America,

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<v Speaker 2>in North America, I think that's what we established in

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<v Speaker 2>the book, have found the nearest body of water and

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<v Speaker 2>unlive themselves, just walked on in. And we come to

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<v Speaker 2>this New America about a year after this so called event,

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<v Speaker 2>and we meet a couple of characters. We first meet Charlie,

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<v Speaker 2>who I love and do you are you someone? Cibo?

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<v Speaker 2>Like do you have? Do you picture someone in your

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<v Speaker 2>mind when you're writing your characters like we readers do?

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<v Speaker 2>Can I tell you the guy I was picturing the

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<v Speaker 2>whole time was the boxing coach from the Wire? Did

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<v Speaker 2>you watch the Wire? Whoever that boxing was?

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<v Speaker 1>That's good. That's pretty accurate. That's pretty accurate.

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<v Speaker 2>Who all the moms in the neighborhood would come up

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<v Speaker 2>and be like, Oh, we got a pie for you, coach.

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<v Speaker 1>I don't even know his name. That's pretty accurate. Though

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<v Speaker 1>I don't know his name either, but I honestly I

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<v Speaker 1>had whenever I write, I will have like I'll make

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<v Speaker 1>my sort of outline, and outline is literally just a

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<v Speaker 1>sentence free chapter and then I will start to accumulate

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<v Speaker 1>photos of people places, and I have a whole board,

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<v Speaker 1>like a Pinterest board, like a visual Pints board of

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<v Speaker 1>just like celebrities that I think, people that I think

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<v Speaker 1>will fit the characters sort of way, not necessarily always

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<v Speaker 1>how they look, but their way of being. And then

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<v Speaker 1>I have a whole bunch of like places that I

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<v Speaker 1>can describe them, you know, And so you're not far off,

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<v Speaker 1>you know, for who did you picture? Tell me? I

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<v Speaker 1>actually actually actually had my dad. I know it sounds

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<v Speaker 1>that's lame, but my dad was trying because my dad

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<v Speaker 1>was just like Charlie. He was very He was really

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<v Speaker 1>really gifted. He could he could make anything. He could

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<v Speaker 1>make anything. So watch him sketch houses that he wanted

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<v Speaker 1>to build when I was a kid, and he was

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<v Speaker 1>sketching in blueprint and he could do most of it.

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<v Speaker 1>He could, you know, he could do he could make

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<v Speaker 1>his own concrete before the foundation, he could do the

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<v Speaker 1>carpentry work, he could do the plumbing. He was really gifted.

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<v Speaker 1>But he was just not fulfilled, and like his potential

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<v Speaker 1>sort of crashed down onto itself and he became angry

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<v Speaker 1>all the time. And you know, he went from having

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<v Speaker 1>the potential of being extraordinary father to being a really

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<v Speaker 1>terrible one. And I wanted to imagine a world in

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<v Speaker 1>which he was fulfilled, like he got to achieve all

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<v Speaker 1>the things that he wanted. What would that look like?

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<v Speaker 1>And so Charlie was the arc of that, that transition

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<v Speaker 1>into feeling unworthy to feeling worthy.

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<v Speaker 2>Wow, I'm just blown away. I mean I'm not blown away,

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<v Speaker 2>but when you hear something like that, you know, we're

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<v Speaker 2>both parents now and you look at these little humans

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<v Speaker 2>and it's like our only jobs as parents really feels

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<v Speaker 2>like giving you the tools to cope with this world.

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<v Speaker 2>And it's a miracle when parents are damaged and aren't

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<v Speaker 2>able to heal that their kids go on to, you know,

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<v Speaker 2>become such a great dad. Like I can already tell

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<v Speaker 2>that you're a great dad and an artist, and like,

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<v Speaker 2>in spite of all that, it's just really beautiful. And

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<v Speaker 2>the way that you incorporated that story into your art

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<v Speaker 2>is just like, that's what it's about.

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<v Speaker 1>Yeah, that's what That's how we process these process those

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<v Speaker 1>the feelings that we don't have language for. We try

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<v Speaker 1>to articulate them in such a way that other people

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<v Speaker 1>can share in it too. In whatever form that they

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<v Speaker 1>they sort of experience it. And so yeah, I think

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<v Speaker 1>I've always thought that our kids are like and and

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<v Speaker 1>Charlie it was the same way he looked at Sydney's

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<v Speaker 1>sort of like she was the she could redeem it.

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<v Speaker 1>Any our children came in, Oh my god, my dms

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<v Speaker 1>are all Sydney. Everybody's Sydney. They they're so it's either

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<v Speaker 1>love or hate, and that there's no in between, knowing between.

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<v Speaker 1>Hard to write that character Sydney, but yeah, the idea

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<v Speaker 1>is that she reflects he reflects back to Charlie his

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<v Speaker 1>own sort of value system. I think I think as

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<v Speaker 1>a dad of girls, and in particular the girls will

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<v Speaker 1>look I look at them and I see, you know,

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<v Speaker 1>how they're developing. I see the space that they feel

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<v Speaker 1>like they occupy. I see, you know, whether or not

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<v Speaker 1>they're aspirations no matter what they are, or at least

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<v Speaker 1>have the space to be fulfilled if that's not happening.

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<v Speaker 1>It's reflection on me. It's reflection on the type of

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<v Speaker 1>father that I am, the type of person that I am.

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<v Speaker 1>It's reflection on what I've given them. And so when

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<v Speaker 1>you think of it from a cultural standpoint, my wife

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<v Speaker 1>is biracial, and so our kids are multiracial in that way,

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<v Speaker 1>and I go, we live in a predominantly white area

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<v Speaker 1>in the UK, and I go, I gotta take them

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<v Speaker 1>to Florida so they can see my mom. I gotta

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<v Speaker 1>take them Florida so they can have this chicken. They

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<v Speaker 1>take them in Florida, taken experience this culture because it

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<v Speaker 1>needs to be balanced. And I want to be the

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<v Speaker 1>person that gives them that, Like, that's my gift, and

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<v Speaker 1>so I wanted Charlie to experience that too.

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<v Speaker 2>Love that stopped giving me so many distracting things to

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<v Speaker 2>talk about, because now I'm going to be like, that's

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<v Speaker 2>why we had the insane. I like, my family's from Georgia,

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<v Speaker 2>and my dad's from Georgia. Oh, I'm going to get

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<v Speaker 2>into my history. It's going to blow your mind. But

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<v Speaker 2>so my dad's from Georgia. I'm obviously biracial. Maybe not obviously,

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<v Speaker 2>but I am, and my kids are half Hispanic. My

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<v Speaker 2>husband's Dominicans, so they're multiracial. And the world I think

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<v Speaker 2>we'll see them racially as Hispanic or Dominican or whatever,

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<v Speaker 2>because that's how they present. And I'm just like, oh no,

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<v Speaker 2>they're gonna know they have a black mama from the

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<v Speaker 2>South and back. And it's like I want them to

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<v Speaker 2>see so many different like iterations, like so many different

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<v Speaker 2>examples of what blackness can look like, and to love it,

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<v Speaker 2>like they love my dad, they love my aunt, their

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<v Speaker 2>great aunt Brenda, who's like my grandma, Like they love

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<v Speaker 2>their cousins on that side, like I want them to

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<v Speaker 2>see and be around, you know, and to feel like

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<v Speaker 2>I love that, you know, so that they can grow

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<v Speaker 2>up without a doubt, like being consciously aware of the

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<v Speaker 2>beauty of blackness and the pride of it, and to

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<v Speaker 2>know that they are. And I mean it's a brag,

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<v Speaker 2>but my son colors himself with a brown cranky talk

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<v Speaker 2>about the appear at night. They do their like their

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<v Speaker 2>giant portraits of themselves. I was like Leo, his name

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<v Speaker 2>is Rio, like baby, not even in the brightest summer

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<v Speaker 2>would you ever achieve that shape. But I love that

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<v Speaker 2>he wants to be chalk.

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<v Speaker 1>I love it. That's beautiful. That gives me a lot

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<v Speaker 1>of joy. That gives me a lot of joy.

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<v Speaker 2>And he did girls on his hair.

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<v Speaker 1>That's magical. It's magical. Honestly, the idea of the culture

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<v Speaker 1>is really funny because like it's when you almost have

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<v Speaker 1>to claim it. It claims you, but you almost have

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<v Speaker 1>to claim it. But when you leave America, the specifically

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<v Speaker 1>the black American experience is the American experience. For so

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<v Speaker 1>many people outside of the country they think of like

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<v Speaker 1>when they think of America, so many of the traits

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<v Speaker 1>they're thinking are part of the black culture. It's not

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<v Speaker 1>necessarily the white culture, right or not shocking at all.

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<v Speaker 1>It's fascinating they you know, they're they're wearing the j's,

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<v Speaker 1>they're they're talking to talk you know of maybe like

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<v Speaker 1>occasionally acting like a Texan or a Californian. Everything else

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<v Speaker 1>is just black, Like they think of it as black,

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<v Speaker 1>and it's and it's a counterweight to the concept of

0:12:09.960 --> 0:12:13.439
<v Speaker 1>like like trump Ism. You get to like they almost

0:12:13.520 --> 0:12:17.240
<v Speaker 1>treat it like it's odd and over there. They're like,

0:12:17.320 --> 0:12:19.000
<v Speaker 1>that's why are you guys doing that? And I'm like,

0:12:19.120 --> 0:12:21.920
<v Speaker 1>I know why i a'll be doing that. And to them,

0:12:22.160 --> 0:12:25.800
<v Speaker 1>it's like that the export is blackness, not trump Ism,

0:12:25.880 --> 0:12:27.520
<v Speaker 1>and not these other elements.

0:12:28.080 --> 0:12:33.319
<v Speaker 2>So the art, the music, the films, the TV, the

0:12:33.360 --> 0:12:37.920
<v Speaker 2>pop culture that is us and so deeply it's very insidious.

0:12:38.920 --> 0:12:43.960
<v Speaker 2>The other side. Okay, well I stopped distracting me, all right,

0:12:43.960 --> 0:12:46.439
<v Speaker 2>We're gonna get to Charlie. So to establish Charlie, we

0:12:46.559 --> 0:12:48.880
<v Speaker 2>meet and you know and thank you for telling that.

0:12:49.240 --> 0:12:51.520
<v Speaker 2>Example of how that you know your father is woven

0:12:51.559 --> 0:12:54.360
<v Speaker 2>into Charlie's character. We meet him twenty years after he's

0:12:54.400 --> 0:12:58.600
<v Speaker 2>been imprisoned and he is released after the event they

0:12:58.679 --> 0:13:02.720
<v Speaker 2>break out because all the white people are unalive, they're dead.

0:13:03.480 --> 0:13:06.839
<v Speaker 2>And he is a professor at Howard when we meet him,

0:13:07.160 --> 0:13:11.600
<v Speaker 2>he's teaching what is he teaching? Solar solar Yeah, it's.

0:13:11.520 --> 0:13:16.079
<v Speaker 1>Like electrical systems, and he's teaching a portion of that

0:13:16.360 --> 0:13:17.800
<v Speaker 1>class is solar panels.

0:13:18.280 --> 0:13:21.400
<v Speaker 2>Oh gotcha. I selfishly, I really wanted to like see

0:13:21.440 --> 0:13:23.439
<v Speaker 2>what one of his classes would sound like and what

0:13:23.559 --> 0:13:26.319
<v Speaker 2>the kids are asking him about and if they're kids whatever.

0:13:26.400 --> 0:13:29.880
<v Speaker 2>But anyway, maybe the sequel And he gets a call

0:13:30.640 --> 0:13:34.439
<v Speaker 2>from someone he never knew existed, his daughter, Sydney, who

0:13:34.840 --> 0:13:40.360
<v Speaker 2>lives in far Flung, Wisconsin, and basically tells him she's in.

0:13:40.800 --> 0:13:45.640
<v Speaker 2>Sydney's mother is white, and she tells him you're my dad,

0:13:45.840 --> 0:13:47.160
<v Speaker 2>and I need you to come. I need you to

0:13:47.200 --> 0:13:49.800
<v Speaker 2>come get me because I've been here for a year. Surviving,

0:13:50.520 --> 0:13:54.120
<v Speaker 2>and I'm trying to get to, of all places, Alabama.

0:13:55.000 --> 0:13:57.640
<v Speaker 2>She wants to go to Alabama for some reason. Sydney

0:13:57.720 --> 0:14:02.400
<v Speaker 2>feels like Alabama is where the world hasn't changed, and

0:14:02.600 --> 0:14:06.319
<v Speaker 2>she's going to find her people, her people, her people,

0:14:06.840 --> 0:14:09.760
<v Speaker 2>her people, the ones that could be left in Alabama.

0:14:10.440 --> 0:14:14.640
<v Speaker 2>And Charlie gets in his little Prius or whatever whatever

0:14:14.720 --> 0:14:14.959
<v Speaker 2>it is.

0:14:16.640 --> 0:14:18.640
<v Speaker 1>It's definitely a prius, says, no doubt. There's a lot

0:14:18.640 --> 0:14:22.240
<v Speaker 1>of preous So well, Prius.

0:14:22.560 --> 0:14:25.200
<v Speaker 2>I know just a picture that it's very like interesting.

0:14:25.600 --> 0:14:30.360
<v Speaker 2>The blackmail hero not driving like a muscle car or something.

0:14:31.480 --> 0:14:34.400
<v Speaker 2>She gets into the electric car. He finds his way

0:14:35.120 --> 0:14:38.320
<v Speaker 2>to Wisconsin, so I'll pause there. He's about to meet

0:14:38.360 --> 0:14:42.920
<v Speaker 2>his daughter. She's nineteen. Will we meet Sydney nineteen? And

0:14:43.760 --> 0:14:46.120
<v Speaker 2>I'll tell you that I actually started to read The

0:14:46.160 --> 0:14:48.640
<v Speaker 2>Sky Full of Elephants, or listen. I listened to it.

0:14:48.720 --> 0:14:51.240
<v Speaker 2>I did a combo listening and reading on my on

0:14:51.360 --> 0:14:53.560
<v Speaker 2>my on my phone, like an e book thing. And

0:14:55.240 --> 0:14:59.360
<v Speaker 2>I was visiting my sister in Wisconsin and my mother

0:15:00.040 --> 0:15:04.680
<v Speaker 2>in Wisconsin where my mother's from. What my mother is white?

0:15:05.800 --> 0:15:09.400
<v Speaker 2>My mother is white, She's born and raised in Wisconsin. Oh,

0:15:09.520 --> 0:15:12.400
<v Speaker 2>my gosh, my sister and I have different fathers, so

0:15:12.640 --> 0:15:16.280
<v Speaker 2>my older sister and my older brother are fully white.

0:15:16.280 --> 0:15:19.000
<v Speaker 2>We were raised as siblings, so you know whatever. And

0:15:19.080 --> 0:15:22.480
<v Speaker 2>then my younger brother and I are both biracial. And

0:15:22.880 --> 0:15:26.200
<v Speaker 2>when we meet Sydney, she's not only in Wisconsin, she's

0:15:26.240 --> 0:15:29.080
<v Speaker 2>also the biracial, the only biracial child in her family.

0:15:29.240 --> 0:15:32.520
<v Speaker 2>So she's had to watch her brothers, her mother, her

0:15:32.560 --> 0:15:36.720
<v Speaker 2>stepfather walk into the lake behind their house and kill themselves,

0:15:36.960 --> 0:15:39.280
<v Speaker 2>and she's tried to save them, you know, at that

0:15:39.400 --> 0:15:42.240
<v Speaker 2>scene where she's trying to save them and she can't

0:15:42.320 --> 0:15:45.040
<v Speaker 2>and she can't make herself drown because her will to live,

0:15:45.240 --> 0:15:49.280
<v Speaker 2>Like whatever. I got chills just telling you that. And

0:15:49.880 --> 0:15:52.240
<v Speaker 2>I started to read it, and I was in the

0:15:52.360 --> 0:15:54.760
<v Speaker 2>kitchen with my mom and my sister, and I was like, so,

0:15:54.840 --> 0:16:04.040
<v Speaker 2>I'm reading this book. No, no, I don't know why

0:16:05.320 --> 0:16:09.200
<v Speaker 2>sometimes I choose violence. It is really uncomfortable to tell

0:16:09.200 --> 0:16:11.280
<v Speaker 2>your white mom that you're reading a book about how

0:16:11.760 --> 0:16:17.640
<v Speaker 2>all the white people are dead. She was like, now, listen,

0:16:17.720 --> 0:16:21.080
<v Speaker 2>we've she and I we have gotten through two Trump terms,

0:16:21.160 --> 0:16:24.080
<v Speaker 2>you know, like two Trump elections, and in the first one,

0:16:24.160 --> 0:16:27.119
<v Speaker 2>she did not vote on the right side of progression

0:16:27.880 --> 0:16:31.120
<v Speaker 2>and she's come around, like she's made so many strides,

0:16:31.200 --> 0:16:33.200
<v Speaker 2>but that was a tough one for her to swallow.

0:16:33.280 --> 0:16:36.040
<v Speaker 2>She wasn't pleased about the premise. And then I realized,

0:16:36.080 --> 0:16:38.080
<v Speaker 2>I can't explain this to her. It's not for her.

0:16:39.200 --> 0:16:43.760
<v Speaker 2>You know, Hey, ba fam, we got to take a

0:16:43.840 --> 0:16:46.520
<v Speaker 2>quick break, pay some bills, and we'll be right back.

0:16:47.520 --> 0:16:50.160
<v Speaker 2>All right, ba fam, We're back. But the way that, like,

0:16:50.400 --> 0:16:53.360
<v Speaker 2>there is so much overlap with my story in Sydney's story,

0:16:53.480 --> 0:16:57.000
<v Speaker 2>and like I would have been Sidney Devin, I could

0:16:57.120 --> 0:16:59.840
<v Speaker 2>I could actually kind of put I could put myself

0:17:00.040 --> 0:17:02.000
<v Speaker 2>and how she might have put myself in her shoes?

0:17:02.120 --> 0:17:04.880
<v Speaker 2>Like what if it had been in my teenage years

0:17:05.280 --> 0:17:08.360
<v Speaker 2>when we all did live together and only my brother

0:17:08.440 --> 0:17:10.800
<v Speaker 2>and I would be left because my mom and dad

0:17:10.840 --> 0:17:13.119
<v Speaker 2>split up, So then I would have had to go

0:17:13.520 --> 0:17:16.560
<v Speaker 2>find well, he wasn't there, he was in Atlanta anyone

0:17:16.640 --> 0:17:17.159
<v Speaker 2>that party.

0:17:18.720 --> 0:17:23.560
<v Speaker 1>But wow, I don't think I've ever met anyone that

0:17:23.920 --> 0:17:25.600
<v Speaker 1>has that close to parallel.

0:17:26.000 --> 0:17:30.840
<v Speaker 2>That's incredible, right, So I was like, why, Wisconsin, why

0:17:31.119 --> 0:17:33.560
<v Speaker 2>you know what? How did Sydney the character get formed?

0:17:34.320 --> 0:17:36.879
<v Speaker 1>Well, she was initially based off of my wife and

0:17:37.000 --> 0:17:40.520
<v Speaker 1>my older daughter to some degree, right, so my wife,

0:17:41.000 --> 0:17:42.800
<v Speaker 1>like when I first wrote the first chapter with just

0:17:43.040 --> 0:17:45.760
<v Speaker 1>Charlie early on, I gave it to my wife and

0:17:45.920 --> 0:17:49.000
<v Speaker 1>she responded to it like she was like, this isn't

0:17:49.040 --> 0:17:53.600
<v Speaker 1>my experience. She goes my experience growing up bi racial

0:17:53.800 --> 0:17:57.560
<v Speaker 1>in West London, I didn't have black culture around me.

0:17:57.880 --> 0:18:01.560
<v Speaker 1>I didn't indeed, I didn't even know how to interact

0:18:01.720 --> 0:18:03.200
<v Speaker 1>with it. There were times when I would see a

0:18:03.200 --> 0:18:04.680
<v Speaker 1>bunch of black women together, I didn't feel like I

0:18:04.720 --> 0:18:06.360
<v Speaker 1>could just roll up on them like that. I didn't

0:18:06.400 --> 0:18:09.159
<v Speaker 1>feel my blackness. And she traveled back and forth to

0:18:09.240 --> 0:18:11.320
<v Speaker 1>New York quite a lot as a kid, and she

0:18:11.359 --> 0:18:12.720
<v Speaker 1>goes the only time I felt when I was in

0:18:12.720 --> 0:18:15.520
<v Speaker 1>New York with my grandmother, who was from Trinidad. But

0:18:15.600 --> 0:18:18.000
<v Speaker 1>then she'd go back to London and she would be disconnected,

0:18:18.040 --> 0:18:20.040
<v Speaker 1>and so I started to think, well, I want to

0:18:20.080 --> 0:18:23.359
<v Speaker 1>incorporate her experience. At the same time, my daughter was

0:18:23.440 --> 0:18:26.240
<v Speaker 1>having trouble with her hair and she was just like, Dad,

0:18:26.240 --> 0:18:28.240
<v Speaker 1>I just want you to like either shave it or

0:18:28.320 --> 0:18:30.480
<v Speaker 1>just do dreadlocks, because I don't even want to have to.

0:18:30.640 --> 0:18:32.320
<v Speaker 1>I don't want to have to comb these curls out

0:18:32.320 --> 0:18:34.000
<v Speaker 1>every day, I don't want to deal with it. And

0:18:34.320 --> 0:18:36.720
<v Speaker 1>I realized how much her hair as signed itself to

0:18:37.040 --> 0:18:39.440
<v Speaker 1>her identity and she didn't understand it. I hadn't done

0:18:39.480 --> 0:18:41.600
<v Speaker 1>the work to help her understand how important it was.

0:18:41.680 --> 0:18:43.760
<v Speaker 1>Now she loves her hair, and so I started there.

0:18:44.400 --> 0:18:49.040
<v Speaker 1>And then Wisconsin was for two reasons. One that there

0:18:49.080 --> 0:18:51.840
<v Speaker 1>are cities in Wisconsin. I'm sure you know that are

0:18:52.000 --> 0:18:56.159
<v Speaker 1>like the whitest cities literally in America. Like one I

0:18:56.240 --> 0:18:57.560
<v Speaker 1>was looking at her. I want to say it was

0:18:57.600 --> 0:19:00.600
<v Speaker 1>maybe Kenosha. It was ninety eight point one per white,

0:19:00.720 --> 0:19:03.040
<v Speaker 1>which is like, that's crazy, Like that's a lot. That's

0:19:03.200 --> 0:19:06.159
<v Speaker 1>like a lot of not it's a lot of homogeny

0:19:06.280 --> 0:19:09.960
<v Speaker 1>happening right like it's it's real strong and so. And

0:19:10.200 --> 0:19:13.200
<v Speaker 1>it just so happened that many years before I wrote

0:19:13.240 --> 0:19:16.680
<v Speaker 1>this book, I was profiled in the store one time.

0:19:17.200 --> 0:19:18.720
<v Speaker 1>And it wasn't bad, but it was one of those

0:19:18.760 --> 0:19:21.280
<v Speaker 1>things that you know, you're just annoyed that somebody comes

0:19:21.359 --> 0:19:24.320
<v Speaker 1>up to you asking a bunch of stupid questions, wanted

0:19:24.359 --> 0:19:26.119
<v Speaker 1>you to show them your bag to make sure you

0:19:26.119 --> 0:19:28.560
<v Speaker 1>didn't steal anything, like come on, So I walk out

0:19:28.560 --> 0:19:32.000
<v Speaker 1>of this store. This was this was in Florida. But

0:19:32.160 --> 0:19:34.040
<v Speaker 1>I was with I was with a bunch of friends

0:19:34.040 --> 0:19:36.840
<v Speaker 1>who were from Wisconsin. They're from White white Fish Bay

0:19:37.200 --> 0:19:40.720
<v Speaker 1>and from Milwaukee. And I walk out and I tell

0:19:40.760 --> 0:19:42.639
<v Speaker 1>them I was like, this thing just happened. And I

0:19:42.720 --> 0:19:44.320
<v Speaker 1>was kind of like, you know what happens, you know

0:19:44.440 --> 0:19:47.480
<v Speaker 1>to black people. And one of the people, this girl

0:19:47.560 --> 0:19:50.359
<v Speaker 1>shoes there, she goes, she goes, could you just be

0:19:50.480 --> 0:19:52.960
<v Speaker 1>making that up? I was like, why the world would

0:19:52.960 --> 0:19:54.600
<v Speaker 1>I make that up? And she goes, well, black people

0:19:54.600 --> 0:19:56.159
<v Speaker 1>say that type of stuff all the time and more

0:19:56.200 --> 0:19:58.080
<v Speaker 1>if you're just maybe picking up on it because you

0:19:58.240 --> 0:20:00.880
<v Speaker 1>just feel connected to other black people. And I'm looking

0:20:00.880 --> 0:20:02.360
<v Speaker 1>at her like that doesn't need one does it even

0:20:02.440 --> 0:20:06.200
<v Speaker 1>makes sense? But two, It's like I'm trying to tell

0:20:06.240 --> 0:20:08.119
<v Speaker 1>you the sky is full of elephants, and I can

0:20:08.160 --> 0:20:10.520
<v Speaker 1>see the elephants and you can't. And one day those

0:20:10.560 --> 0:20:12.320
<v Speaker 1>elephantsre gonna crash down. And you said it just like

0:20:12.400 --> 0:20:15.000
<v Speaker 1>that to her, And that became eventually the title of

0:20:15.080 --> 0:20:17.680
<v Speaker 1>the book. And because she was from Wisconsin, and because

0:20:17.760 --> 0:20:22.400
<v Speaker 1>Wisconsin was such a strong concentration of whiteness and sort

0:20:22.400 --> 0:20:25.639
<v Speaker 1>of culturally in my experience at least, I was like

0:20:25.760 --> 0:20:29.280
<v Speaker 1>this feels right, and then you know, Kenosha with that

0:20:29.359 --> 0:20:31.800
<v Speaker 1>guy Kyle Rittenhouse happened and I was like, yeah, let's

0:20:31.840 --> 0:20:34.320
<v Speaker 1>go there, let's do it there, and so it worked

0:20:34.359 --> 0:20:36.160
<v Speaker 1>out that way. Yeah.

0:20:38.400 --> 0:20:45.600
<v Speaker 2>Way, let me tell you what I thought about hit

0:20:45.720 --> 0:20:48.199
<v Speaker 2>me and you know your name? I couldn't tell. I'm like, oh,

0:20:48.280 --> 0:20:50.240
<v Speaker 2>is this a guy written who's written this? Or a woman?

0:20:50.400 --> 0:20:53.080
<v Speaker 2>So I found out I don't like to necessarily go

0:20:53.200 --> 0:20:56.080
<v Speaker 2>into a book understanding everything about the author because it's

0:20:56.160 --> 0:20:59.040
<v Speaker 2>not always super relevant. But I did.

0:20:59.160 --> 0:20:59.600
<v Speaker 1>I had.

0:20:59.680 --> 0:21:01.960
<v Speaker 2>The more I got into the book, we meet Sydney

0:21:02.520 --> 0:21:06.600
<v Speaker 2>and she has internalized so much. Well, I mean, I'll

0:21:06.600 --> 0:21:08.320
<v Speaker 2>tell you what my perception is, and you can kind

0:21:08.359 --> 0:21:09.560
<v Speaker 2>of tell me. But when I feel like when we

0:21:09.640 --> 0:21:13.480
<v Speaker 2>meet her, she's so she's so traumatized and devastated by

0:21:13.840 --> 0:21:17.720
<v Speaker 2>the death of her family that she looks to the

0:21:17.840 --> 0:21:20.600
<v Speaker 2>only people that she feels like she can blame. Who

0:21:20.720 --> 0:21:23.520
<v Speaker 2>is who's left? And who's left? Yes, appear to be

0:21:24.240 --> 0:21:26.840
<v Speaker 2>you know, well, actually I don't think I'm even clear

0:21:26.880 --> 0:21:29.480
<v Speaker 2>on who's all left. Is it just black people who

0:21:29.520 --> 0:21:31.480
<v Speaker 2>are left? Or are there others?

0:21:31.720 --> 0:21:35.120
<v Speaker 1>It's there are others, there's you know, Latinos are left

0:21:35.160 --> 0:21:38.000
<v Speaker 1>and Asians are left, and Native Indigenous people are left.

0:21:38.320 --> 0:21:40.920
<v Speaker 1>But I had this image in my head or to

0:21:41.040 --> 0:21:44.280
<v Speaker 1>sound bite in my head, and it was a James Baldwin.

0:21:44.560 --> 0:21:47.600
<v Speaker 1>He has said something along the lines of he goes,

0:21:47.640 --> 0:21:50.040
<v Speaker 1>I know white people don't know a lot of things,

0:21:50.119 --> 0:21:52.200
<v Speaker 1>but I do know this, you don't want to be

0:21:52.280 --> 0:21:54.240
<v Speaker 1>black here. And it was that. I was like, it

0:21:54.359 --> 0:21:57.760
<v Speaker 1>was the concept of like sort of anti blackness that

0:21:57.960 --> 0:22:00.639
<v Speaker 1>created the event, and it was less about you know,

0:22:00.800 --> 0:22:02.560
<v Speaker 1>if a person is this type of black or this

0:22:02.680 --> 0:22:05.680
<v Speaker 1>type of black, but rather the desire to not be

0:22:05.840 --> 0:22:09.000
<v Speaker 1>black was what sort of inspired it. And that was

0:22:09.480 --> 0:22:10.960
<v Speaker 1>how I was picturing it in my mind. Is like,

0:22:11.080 --> 0:22:12.879
<v Speaker 1>because people ask me all the time that like is

0:22:13.080 --> 0:22:15.119
<v Speaker 1>this is this white? Or is this white? And I'm like,

0:22:15.200 --> 0:22:16.960
<v Speaker 1>I'm not really thinking about what it's white. I'm thinking

0:22:16.960 --> 0:22:19.000
<v Speaker 1>about what doesn't want to be black? What is avoidant

0:22:19.040 --> 0:22:21.520
<v Speaker 1>of black? And that's what was important to me.

0:22:21.880 --> 0:22:23.840
<v Speaker 2>Well, when we meet Sydney, she definitely doesn't want to

0:22:23.880 --> 0:22:24.240
<v Speaker 2>be black.

0:22:24.680 --> 0:22:25.720
<v Speaker 1>I know she does not.

0:22:26.119 --> 0:22:31.200
<v Speaker 2>She is so much internalized well even like delusion, because

0:22:31.200 --> 0:22:34.320
<v Speaker 2>I don't even think she really fully accepts her blackness.

0:22:34.600 --> 0:22:36.239
<v Speaker 2>You know, she's kind of grown up in this all

0:22:36.320 --> 0:22:39.119
<v Speaker 2>white area, and I too. I mean, I mean I

0:22:39.240 --> 0:22:42.120
<v Speaker 2>grew up in the suburbs of Atlanta, so I wasn't

0:22:42.200 --> 0:22:45.920
<v Speaker 2>as isolated from you know, diversity in a good way.

0:22:46.040 --> 0:22:47.480
<v Speaker 2>But then I would still go to schools where I

0:22:47.560 --> 0:22:49.359
<v Speaker 2>was the only chocolate chip in the pancake. And then

0:22:49.400 --> 0:22:52.800
<v Speaker 2>it's like, do you feel othered? And my dad was

0:22:52.840 --> 0:22:56.119
<v Speaker 2>in my life, so I couldn't, but I still, you know,

0:22:56.200 --> 0:22:58.480
<v Speaker 2>I did have that tug of war that she feels

0:22:59.160 --> 0:23:02.560
<v Speaker 2>when she finally does does get to have community and

0:23:02.680 --> 0:23:06.920
<v Speaker 2>meet other you know, black people, that feeling of like

0:23:07.040 --> 0:23:07.879
<v Speaker 2>does she belong here?

0:23:07.920 --> 0:23:08.320
<v Speaker 1>And all of that.

0:23:08.440 --> 0:23:11.200
<v Speaker 2>I definitely grapple with that is just like your wife,

0:23:11.920 --> 0:23:15.200
<v Speaker 2>you know, did feeling like, well, if there's a that's

0:23:15.240 --> 0:23:17.080
<v Speaker 2>who I want to be around, but do they want me?

0:23:17.240 --> 0:23:19.840
<v Speaker 2>Am I gonna like pass the test to get you know?

0:23:20.720 --> 0:23:24.159
<v Speaker 2>And but yeah, it was really difficult to read the

0:23:24.240 --> 0:23:27.160
<v Speaker 2>character of Sydney because she has internalized so much racism

0:23:27.560 --> 0:23:32.080
<v Speaker 2>and bigotry and prejudice. And I was like, all right,

0:23:32.160 --> 0:23:35.320
<v Speaker 2>Sydney girl, I'm gonna trust we are gonna go on

0:23:35.400 --> 0:23:35.800
<v Speaker 2>a ride.

0:23:36.840 --> 0:23:38.399
<v Speaker 1>You're gonna figure this out. That's it.

0:23:38.680 --> 0:23:45.360
<v Speaker 2>That's it. So people, I'm not surprised people. It's been

0:23:45.480 --> 0:23:51.240
<v Speaker 2>so polarizing. Like you said the response to her, I

0:23:51.359 --> 0:23:56.159
<v Speaker 2>also feel like it was a brave character choice for

0:23:56.240 --> 0:24:02.120
<v Speaker 2>her because those feeling are very real, Like they're very

0:24:02.200 --> 0:24:06.280
<v Speaker 2>believable if we give into the idea that like, humanity

0:24:06.400 --> 0:24:10.159
<v Speaker 2>is capable of incredible racism and prejudice and self hatred,

0:24:10.560 --> 0:24:15.199
<v Speaker 2>self loathing. Those are human feelings and emotions that exist,

0:24:16.320 --> 0:24:20.119
<v Speaker 2>and at a time like this, I think it's I

0:24:20.200 --> 0:24:23.440
<v Speaker 2>think it's important to acknowledge that they exist so that

0:24:23.560 --> 0:24:26.680
<v Speaker 2>we can try to change them or you know, or

0:24:26.760 --> 0:24:28.800
<v Speaker 2>be aware of them. We can't be in this like

0:24:29.119 --> 0:24:34.840
<v Speaker 2>state of you know, a state of like I don't

0:24:34.840 --> 0:24:38.160
<v Speaker 2>know a little bit of delusion or ignorance about what's

0:24:38.200 --> 0:24:40.040
<v Speaker 2>really happening, because then we end up being like, wait,

0:24:40.119 --> 0:24:42.280
<v Speaker 2>what how is tack here again?

0:24:43.000 --> 0:24:45.960
<v Speaker 1>I definitely think it's an ignorance. It's in part because

0:24:46.160 --> 0:24:49.399
<v Speaker 1>we're constantly sort of distracted and put in the teams,

0:24:49.440 --> 0:24:51.520
<v Speaker 1>and then you go, the only community I have is

0:24:51.520 --> 0:24:53.600
<v Speaker 1>this team that I'm on, and you haven't really vetted

0:24:53.640 --> 0:24:56.080
<v Speaker 1>in because it's probably distracted all the time about something else.

0:24:56.560 --> 0:25:00.080
<v Speaker 1>And Sydney, for her part, you're exactly right in that

0:25:00.280 --> 0:25:04.520
<v Speaker 1>you know, she was internalized and she had developed, you know,

0:25:04.800 --> 0:25:10.879
<v Speaker 1>these similar feelings about about black blackness and black culture.

0:25:10.920 --> 0:25:14.440
<v Speaker 1>But simultaneously, the loss of her mother, the loss of

0:25:14.560 --> 0:25:17.240
<v Speaker 1>her her family, made her want to hold on to it.

0:25:17.680 --> 0:25:22.199
<v Speaker 1>And so at once she's gripping in order to claim

0:25:22.320 --> 0:25:26.640
<v Speaker 1>something and unwilling to release that claim to claim something else,

0:25:27.240 --> 0:25:31.840
<v Speaker 1>claim claim more. And there's this tension. And so there's

0:25:31.880 --> 0:25:35.159
<v Speaker 1>actually two parts in the book, and I realized they

0:25:35.440 --> 0:25:38.560
<v Speaker 1>sort of I wrote them to be ripped quite subtly,

0:25:38.680 --> 0:25:42.800
<v Speaker 1>but there were projections of both Charlie and Sidney Psyche.

0:25:43.800 --> 0:25:47.840
<v Speaker 1>So you had when Charlie leaves DC and he's driving

0:25:47.920 --> 0:25:51.320
<v Speaker 1>across to go meet Sidney. The first person Charlie encounters

0:25:51.600 --> 0:25:57.560
<v Speaker 1>is is uh the woman? The woman? And again I

0:25:57.720 --> 0:26:00.480
<v Speaker 1>like that she was she was, I really like it.

0:26:00.560 --> 0:26:03.440
<v Speaker 1>I know she was great. The earth was burned black

0:26:03.520 --> 0:26:07.399
<v Speaker 1>all around. And he arrives to her and she immediately

0:26:07.760 --> 0:26:10.840
<v Speaker 1>like sort of reorients him to himself. She gives him

0:26:10.880 --> 0:26:13.720
<v Speaker 1>some food, nourishes him, she gives him wisdom, and she

0:26:14.040 --> 0:26:15.840
<v Speaker 1>sort of goes, you know, who are you going to be?

0:26:16.480 --> 0:26:18.440
<v Speaker 1>And sends him on his way to become it. In

0:26:18.560 --> 0:26:21.000
<v Speaker 1>my mind, that was a projection of his psyche. He

0:26:21.200 --> 0:26:24.040
<v Speaker 1>literally had to drive into the blackness in order to

0:26:24.200 --> 0:26:27.199
<v Speaker 1>reach a person that felt ancestral, who could go, let

0:26:27.280 --> 0:26:30.920
<v Speaker 1>me point you in the right direction. Right, And she says,

0:26:30.960 --> 0:26:34.199
<v Speaker 1>she's like, you're going to Wisconsin to figure out your life, right,

0:26:34.640 --> 0:26:39.440
<v Speaker 1>to find something. When Sydney leaves Wisconsin, or leaves Oscosch,

0:26:39.520 --> 0:26:42.560
<v Speaker 1>the first place she comes as Kenosha, and that town

0:26:42.680 --> 0:26:45.160
<v Speaker 1>is spray painted in white and a chaos of whiteness.

0:26:45.800 --> 0:26:49.560
<v Speaker 1>And she meets Little, and Little is wearing the KKK uniform.

0:26:49.640 --> 0:26:53.439
<v Speaker 1>His blackness is shrouded in white. And he grabs Sydney

0:26:53.480 --> 0:26:55.120
<v Speaker 1>and he says, you're one of us, and he doesn't

0:26:55.119 --> 0:26:58.080
<v Speaker 1>want to let her go. That's her psyche, that's her

0:26:58.119 --> 0:27:01.640
<v Speaker 1>whiteness going. You can't leave this place, you can't leave

0:27:01.720 --> 0:27:04.639
<v Speaker 1>this way of being, and it is chaotic, and the

0:27:04.680 --> 0:27:07.479
<v Speaker 1>whole town is the only town is busted again. All

0:27:07.520 --> 0:27:10.639
<v Speaker 1>the other towns are actually intact, but that one's busted up.

0:27:11.480 --> 0:27:15.040
<v Speaker 1>And when she falls into Charlie's arms, that's when her

0:27:15.280 --> 0:27:20.680
<v Speaker 1>journey towards claiming blackness begins. But up until then, she's

0:27:20.800 --> 0:27:23.760
<v Speaker 1>sort of starting to go the route of Little, where

0:27:24.000 --> 0:27:28.040
<v Speaker 1>it's breaking something's breaking in her mind, and so both

0:27:28.080 --> 0:27:28.960
<v Speaker 1>of those things are true.

0:27:29.520 --> 0:27:31.920
<v Speaker 2>What's the total I'm trying to think like that the

0:27:32.600 --> 0:27:35.160
<v Speaker 2>novel takes place over how many days? It doesn't feel

0:27:35.200 --> 0:27:35.680
<v Speaker 2>like that long.

0:27:36.640 --> 0:27:38.960
<v Speaker 1>No, it's not that long. It's I'm gonna say maybe

0:27:39.000 --> 0:27:40.680
<v Speaker 1>like seven eight days something like that.

0:27:40.880 --> 0:27:43.600
<v Speaker 2>Yeah, it's like a week. So for me, when I

0:27:43.720 --> 0:27:45.600
<v Speaker 2>realized that, like towards the end of the novel, I

0:27:45.600 --> 0:27:48.000
<v Speaker 2>don't want to give anything away. Also, Doug, go buy

0:27:48.040 --> 0:27:54.119
<v Speaker 2>the novel. I'm trying to give Sydney grace because she

0:27:54.320 --> 0:27:56.879
<v Speaker 2>has such a long way to go. Like it's not

0:27:57.640 --> 0:28:00.720
<v Speaker 2>like I'm glad that she got her hair moist and

0:28:00.880 --> 0:28:03.879
<v Speaker 2>she got loved on by some beautiful black queens like,

0:28:05.040 --> 0:28:07.560
<v Speaker 2>but Homegirls still doesn't know how to do her hair

0:28:07.640 --> 0:28:11.200
<v Speaker 2>by herself. If she ever has children, like she's gonna

0:28:11.200 --> 0:28:12.960
<v Speaker 2>have to deal with it all again. Like she needs

0:28:13.040 --> 0:28:16.359
<v Speaker 2>a lot of therapy. And you know, I tried to

0:28:16.440 --> 0:28:21.280
<v Speaker 2>have compassion for her. Yeah, it was definitely painful to

0:28:21.320 --> 0:28:23.399
<v Speaker 2>you to see her be in so much pain and

0:28:23.480 --> 0:28:25.280
<v Speaker 2>to like miss out on all the love she could

0:28:25.320 --> 0:28:28.320
<v Speaker 2>have for herself. But I try to like what gave

0:28:28.400 --> 0:28:31.320
<v Speaker 2>me peace was like it's only been a week. She

0:28:31.800 --> 0:28:33.119
<v Speaker 2>has a long life ahead.

0:28:32.880 --> 0:28:37.359
<v Speaker 1>Of her working away. I think that was that was

0:28:37.440 --> 0:28:39.600
<v Speaker 1>something that kind of got lost as well. There are two.

0:28:39.760 --> 0:28:42.960
<v Speaker 1>The one there is like a constant motif of the lavender,

0:28:43.040 --> 0:28:44.920
<v Speaker 1>and the lavender was a nod to have.

0:28:45.040 --> 0:28:49.560
<v Speaker 2>Great my mom's favorite scent. I didn't even mention that, Oh, that's.

0:28:49.400 --> 0:28:55.680
<v Speaker 1>So funny, weird. And Elizabeth Laura Jane.

0:28:58.640 --> 0:29:00.440
<v Speaker 2>I have not talked about your book with her since

0:29:00.440 --> 0:29:03.800
<v Speaker 2>I read it because she really didn't like. I was like,

0:29:05.080 --> 0:29:06.600
<v Speaker 2>I was like, Mom, it's not like I want you

0:29:06.720 --> 0:29:09.960
<v Speaker 2>to die. She's like, but you're reading this book. I'm like, yeah,

0:29:10.080 --> 0:29:12.080
<v Speaker 2>but I didn't think it. This guy did.

0:29:14.400 --> 0:29:16.200
<v Speaker 1>Let me talk to your mom to get jump in

0:29:16.200 --> 0:29:16.480
<v Speaker 1>a book?

0:29:17.840 --> 0:29:19.720
<v Speaker 2>What would you say? I mean, you don't have to

0:29:19.760 --> 0:29:22.160
<v Speaker 2>answer to her, like or anybody really about it's your book.

0:29:22.280 --> 0:29:25.720
<v Speaker 1>But it's not about answering. The whole point is to

0:29:26.080 --> 0:29:28.520
<v Speaker 1>expand us a little bit, to make us, you know,

0:29:29.120 --> 0:29:32.840
<v Speaker 1>to expand our minds towards imagining a different reality. Because

0:29:32.840 --> 0:29:36.120
<v Speaker 1>the truth is is, while your mom might go, you know,

0:29:36.200 --> 0:29:39.520
<v Speaker 1>I don't this this is suggestive of like killing all

0:29:39.560 --> 0:29:43.000
<v Speaker 1>the white people. You have to understand that the majority

0:29:43.080 --> 0:29:46.719
<v Speaker 1>of the time that Black Americans is spent in this country.

0:29:47.200 --> 0:29:49.640
<v Speaker 1>It's been spent on the side of being an other,

0:29:50.640 --> 0:29:54.280
<v Speaker 1>and it still is today. And it's important for someone

0:29:54.400 --> 0:29:57.360
<v Speaker 1>to understand what the other and feels like so that

0:29:57.480 --> 0:30:00.160
<v Speaker 1>they can have compassion for someone else. You can get

0:30:00.200 --> 0:30:03.040
<v Speaker 1>into the complexities of the stories and the complexity of

0:30:03.120 --> 0:30:06.680
<v Speaker 1>the individual characters and everything they're going through. Ultimately, it's like, listen,

0:30:08.520 --> 0:30:11.160
<v Speaker 1>this is what it feels like. And if you look

0:30:11.200 --> 0:30:13.280
<v Speaker 1>at that book and you go it makes me uncomfortable,

0:30:13.680 --> 0:30:16.640
<v Speaker 1>understand that that discomfort is what other people are feeling

0:30:17.400 --> 0:30:21.040
<v Speaker 1>when you aren't recognizing them in the context of what's

0:30:21.080 --> 0:30:23.200
<v Speaker 1>really going on in the country, what their needs are.

0:30:23.760 --> 0:30:25.720
<v Speaker 1>And so if you feel that that's an important feeling,

0:30:25.720 --> 0:30:29.880
<v Speaker 1>it's an important feeling to process, an important pathway towards empathy.

0:30:29.960 --> 0:30:32.640
<v Speaker 1>I think then you get into the characters. You know,

0:30:32.680 --> 0:30:36.120
<v Speaker 1>when you get into the characters, you understand that the

0:30:36.280 --> 0:30:39.480
<v Speaker 1>idea that some of these characters in the story could

0:30:39.760 --> 0:30:44.240
<v Speaker 1>endure what would be a massive, massive, massive change in

0:30:44.320 --> 0:30:46.840
<v Speaker 1>the country. To have that many people, I mean, that's

0:30:46.840 --> 0:30:51.400
<v Speaker 1>sixty percent of the country disappearing. Like to see that

0:30:52.000 --> 0:30:56.200
<v Speaker 1>and to go, that's really really bad. And somehow I

0:30:56.320 --> 0:31:00.360
<v Speaker 1>feel free. Like if someone said that to you, saying

0:31:00.400 --> 0:31:02.280
<v Speaker 1>that because they're mean. They're not saying that because they

0:31:02.400 --> 0:31:04.680
<v Speaker 1>dislike you. They're saying that because that is the degree

0:31:04.720 --> 0:31:07.160
<v Speaker 1>to which they feel oppressed. And I want people to

0:31:07.280 --> 0:31:09.760
<v Speaker 1>understand that, like, that's not if someone says to you

0:31:09.800 --> 0:31:13.720
<v Speaker 1>they will feel freer. That's that's an orient yourself to that,

0:31:14.000 --> 0:31:15.760
<v Speaker 1>to like where they at, because that means that they're

0:31:15.800 --> 0:31:19.200
<v Speaker 1>in a place that they feel really really restricted and

0:31:19.320 --> 0:31:21.680
<v Speaker 1>half for a long time, so much so that they

0:31:22.080 --> 0:31:24.440
<v Speaker 1>are breath of this, like they've been indoors for the

0:31:24.560 --> 0:31:26.560
<v Speaker 1>last two hundred years and all of a sudden they're like,

0:31:27.000 --> 0:31:29.640
<v Speaker 1>this is what air feels like. It's amazing. And I

0:31:29.720 --> 0:31:34.160
<v Speaker 1>think there's there's certainly a need for understanding and compassion,

0:31:35.200 --> 0:31:37.280
<v Speaker 1>but I think when I think about it, the word

0:31:37.400 --> 0:31:40.360
<v Speaker 1>is always empathy. It's like, just exchange the emotion and

0:31:40.480 --> 0:31:43.680
<v Speaker 1>you'll see, and when you see, hopefully it impacts your emotions.

0:31:44.880 --> 0:31:46.640
<v Speaker 1>And there's no reason to be angry, no no reason

0:31:46.680 --> 0:31:48.640
<v Speaker 1>to be mad, there's no reason to feel I mean,

0:31:48.960 --> 0:31:52.280
<v Speaker 1>I say this to people all the time, like the

0:31:52.360 --> 0:31:54.720
<v Speaker 1>whole of Middle Earth was created in a book and

0:31:54.760 --> 0:31:57.720
<v Speaker 1>they're ain't a single black person like they're elves. Man,

0:31:57.880 --> 0:31:59.920
<v Speaker 1>there's like hobbits where they're no black people.

0:32:00.560 --> 0:32:03.360
<v Speaker 2>You know, there's so much logic. People don't listen. I mean,

0:32:03.720 --> 0:32:07.160
<v Speaker 2>there's so much logic. We don't have time for logic.

0:32:09.040 --> 0:32:12.440
<v Speaker 1>I mean, like it's not this datage. So but yeah,

0:32:13.080 --> 0:32:16.600
<v Speaker 1>I like that conversation and I and frankly, I think Sidney,

0:32:17.200 --> 0:32:22.280
<v Speaker 1>you know, ultimately, I think she represents the grace that

0:32:22.480 --> 0:32:26.560
<v Speaker 1>black people have had towards what is an astounding amount

0:32:26.600 --> 0:32:29.160
<v Speaker 1>of racism over a long period of time. It's always

0:32:29.240 --> 0:32:32.360
<v Speaker 1>been with grace. It's always been with like you you

0:32:32.800 --> 0:32:35.960
<v Speaker 1>slap me, and yet I'm still standing here, willing to

0:32:36.120 --> 0:32:38.600
<v Speaker 1>be at the table with you. I'm still here, you know.

0:32:38.720 --> 0:32:42.640
<v Speaker 1>And I feel like that is Sidney sort of represents

0:32:42.720 --> 0:32:45.240
<v Speaker 1>the other side of that, and it does. It's like

0:32:45.440 --> 0:32:48.880
<v Speaker 1>Lavender is like a reminder of grace, and then at

0:32:48.880 --> 0:32:51.160
<v Speaker 1>the end of the book without giving away the full inning,

0:32:51.960 --> 0:32:54.280
<v Speaker 1>and she has to go off man and go figure

0:32:54.320 --> 0:32:56.040
<v Speaker 1>that out. And a lot of people say that to me,

0:32:56.080 --> 0:32:57.640
<v Speaker 1>They're like, I want more. I want to see what

0:32:57.720 --> 0:33:00.320
<v Speaker 1>happens after that, and it's like, I know, you do.

0:33:00.720 --> 0:33:02.600
<v Speaker 1>That's why I wrote it that way, because at the point.

0:33:03.400 --> 0:33:05.520
<v Speaker 1>That's the point, like think, like take it with you

0:33:05.840 --> 0:33:10.040
<v Speaker 1>and imagine, like imagine what that that the healing feels like,

0:33:10.200 --> 0:33:13.680
<v Speaker 1>you know, and so yeah, Sidney's I would love it.

0:33:13.720 --> 0:33:16.240
<v Speaker 1>I would love that conversation with your mouths. Yeah.

0:33:17.000 --> 0:33:19.880
<v Speaker 2>I just wanted Sydney to know that that what was

0:33:19.920 --> 0:33:22.600
<v Speaker 2>a guy's name, the cutie that she was crushing on.

0:33:22.840 --> 0:33:24.480
<v Speaker 1>Sugar fella fella.

0:33:25.360 --> 0:33:30.320
<v Speaker 2>Oh what a beautiful name. Fella fella. Uh yeah, tell

0:33:30.360 --> 0:33:33.200
<v Speaker 2>me little things. I wondered, is it too much on

0:33:33.320 --> 0:33:38.560
<v Speaker 2>the nose too, like the parallel between the Great Passage,

0:33:38.720 --> 0:33:42.520
<v Speaker 2>you know, like slaves being brought across the sea and

0:33:42.680 --> 0:33:45.000
<v Speaker 2>dying in the water and then that's how the white

0:33:45.000 --> 0:33:47.600
<v Speaker 2>people die. Was that too much of a parallel for

0:33:47.640 --> 0:33:49.240
<v Speaker 2>me to draw? What was the water?

0:33:50.000 --> 0:33:52.760
<v Speaker 1>The water? No, no, no, The water was meant to

0:33:52.880 --> 0:33:56.640
<v Speaker 1>be an erasure. So it was partially tactical because I

0:33:56.720 --> 0:33:58.520
<v Speaker 1>wanted I didn't want a whole bunch of dead bodies

0:33:58.560 --> 0:34:01.360
<v Speaker 1>lying around, so I couldn't like have you know, Stephen

0:34:01.400 --> 0:34:04.080
<v Speaker 1>Kenby wanted it to feel right. It just wont me

0:34:04.120 --> 0:34:07.200
<v Speaker 1>to look, so I needed the erasio. I definitely wanted

0:34:07.280 --> 0:34:10.720
<v Speaker 1>the idea of the tide coming back to be prevalent,

0:34:11.280 --> 0:34:13.279
<v Speaker 1>and then I wanted to be visible that no matter

0:34:13.360 --> 0:34:15.880
<v Speaker 1>where you went, you couldn't escape this sensation. If you

0:34:15.920 --> 0:34:17.440
<v Speaker 1>saw a river, if you saw a lake, if you

0:34:17.480 --> 0:34:20.560
<v Speaker 1>saw a bath, the water suggested a rebirth and a

0:34:20.680 --> 0:34:23.880
<v Speaker 1>change in a sort of evolution. And you know it.

0:34:24.200 --> 0:34:26.520
<v Speaker 1>When Charlie had his bath, when Sydney had her bath,

0:34:26.560 --> 0:34:28.920
<v Speaker 1>they were changed. You know, there's a lot of these

0:34:28.960 --> 0:34:32.799
<v Speaker 1>sort of interactions with water, but the Middle Passage specifically

0:34:34.960 --> 0:34:37.120
<v Speaker 1>one of the early questions I got. And I don't

0:34:37.120 --> 0:34:39.200
<v Speaker 1>think they think I had an answer. They were like, well,

0:34:39.360 --> 0:34:42.640
<v Speaker 1>bodies float. This was my first book talk I did

0:34:43.000 --> 0:34:46.080
<v Speaker 1>in New York. I think this guy thought he had

0:34:46.080 --> 0:34:47.719
<v Speaker 1>in the corner. He was like, well, bodies float. So

0:34:47.960 --> 0:34:49.879
<v Speaker 1>if the body's walking into the water, water were they're

0:34:49.880 --> 0:34:52.759
<v Speaker 1>foating all over? And I just went, have you heard

0:34:52.800 --> 0:34:54.840
<v Speaker 1>of the Middle Passage? He's like yeah. And I was like,

0:34:54.920 --> 0:34:57.680
<v Speaker 1>our ancestors held them down, and so they got us.

0:34:58.280 --> 0:35:00.680
<v Speaker 1>That's all. That's all you need to know. In that water,

0:35:01.280 --> 0:35:03.319
<v Speaker 1>they got us, and so they gave the world back

0:35:03.360 --> 0:35:05.960
<v Speaker 1>to us. So there was a connection. It wasn't as

0:35:06.200 --> 0:35:08.680
<v Speaker 1>as clear as like, it wasn't as metaphoric for me

0:35:08.760 --> 0:35:12.200
<v Speaker 1>as quite literal in that they were there, the spirits

0:35:12.239 --> 0:35:15.359
<v Speaker 1>of them, you know, held them down and wouldn't let

0:35:15.400 --> 0:35:17.520
<v Speaker 1>those bodies float. They sort of allowed the world to

0:35:17.560 --> 0:35:20.239
<v Speaker 1>come back to us. There's a scene where Sydney's where

0:35:20.280 --> 0:35:22.400
<v Speaker 1>her parents walked to the water and she says she

0:35:22.560 --> 0:35:24.680
<v Speaker 1>tried to pull them up as she physically couldn't. It

0:35:24.800 --> 0:35:26.440
<v Speaker 1>was like trying to pull the whole earth up with him.

0:35:26.800 --> 0:35:28.839
<v Speaker 1>And that is the idea is they were being held.

0:35:31.160 --> 0:35:33.359
<v Speaker 2>Hey, ba fam, We're going to take a quick break,

0:35:33.600 --> 0:35:37.319
<v Speaker 2>pay some bills, and we'll be right back. Welcome back,

0:35:37.360 --> 0:35:39.719
<v Speaker 2>be a fam. Let's get back to the show. Well,

0:35:39.880 --> 0:35:42.480
<v Speaker 2>I haven't had a chance to read it again. Like

0:35:42.560 --> 0:35:45.400
<v Speaker 2>I said, I have two small children. I read a

0:35:45.480 --> 0:35:48.239
<v Speaker 2>book through one time. So that's a win. That shows

0:35:48.280 --> 0:35:49.319
<v Speaker 2>you how much I wanted to.

0:35:49.360 --> 0:35:49.960
<v Speaker 1>Read the book.

0:35:50.320 --> 0:35:54.000
<v Speaker 2>Huge if she wanted and I really wanted to read

0:35:54.040 --> 0:35:59.280
<v Speaker 2>this book, you like, I haven't even read the plot twist.

0:35:59.320 --> 0:36:00.759
<v Speaker 2>I know there's going to be we're going to find

0:36:00.760 --> 0:36:04.759
<v Speaker 2>out who did this and what did this? But I

0:36:04.880 --> 0:36:07.000
<v Speaker 2>want to read it again because I'm still trying to

0:36:07.320 --> 0:36:09.400
<v Speaker 2>My brain is still trying to unravel the last like

0:36:09.480 --> 0:36:12.560
<v Speaker 2>twenty five percent of the book because the emotion, you know,

0:36:13.040 --> 0:36:16.200
<v Speaker 2>and yeah, it's the emotions were carrying me through the

0:36:16.280 --> 0:36:18.359
<v Speaker 2>first part of the book and the feeling and the whoa,

0:36:18.440 --> 0:36:21.080
<v Speaker 2>I'm just like on this ride, and then the technical

0:36:21.120 --> 0:36:22.480
<v Speaker 2>stuff comes in and I'm like, I can't.

0:36:22.560 --> 0:36:25.080
<v Speaker 1>I can't process this exactly. It's a lot, but it's

0:36:25.440 --> 0:36:28.120
<v Speaker 1>it's it's complex, and I wanted it to be really

0:36:28.200 --> 0:36:31.680
<v Speaker 1>complex because a lot of there's a there's like an

0:36:31.760 --> 0:36:34.719
<v Speaker 1>excavation of history and if I'm tangenting, just tell me,

0:36:35.280 --> 0:36:37.759
<v Speaker 1>but there's a lot of excavation of history about America

0:36:38.760 --> 0:36:41.759
<v Speaker 1>and then Haiti and I wanted to give a nod

0:36:41.840 --> 0:36:44.560
<v Speaker 1>to the relationship is something larger than that, something big.

0:36:45.040 --> 0:36:47.239
<v Speaker 1>And the Shango bone is a note in that that

0:36:47.520 --> 0:36:49.520
<v Speaker 1>that bone is real, Like I didn't make that up.

0:36:49.920 --> 0:36:52.320
<v Speaker 1>That bone is literally twenty five thousand years old and

0:36:52.440 --> 0:36:54.000
<v Speaker 1>it has we talk about the bone.

0:36:54.960 --> 0:36:56.759
<v Speaker 2>You decided to say, I don't want to be super

0:36:56.800 --> 0:36:58.320
<v Speaker 2>spoiling spoilery.

0:36:57.960 --> 0:36:59.800
<v Speaker 1>But got it. Got it. The bone it's called the

0:37:00.040 --> 0:37:03.440
<v Speaker 1>jungle bone, and it was found on the Nile, not

0:37:03.600 --> 0:37:07.479
<v Speaker 1>far from the Congo and they when they discovered this bone,

0:37:07.640 --> 0:37:09.320
<v Speaker 1>it's not big bones like the size of a pencil.

0:37:09.719 --> 0:37:11.840
<v Speaker 1>There are striations on the bones. Marking on the bones

0:37:11.840 --> 0:37:14.880
<v Speaker 1>that did note it a very complex mathematical system. I

0:37:14.920 --> 0:37:19.080
<v Speaker 1>think it's the equivalent of computational binary, like really complex

0:37:19.600 --> 0:37:24.320
<v Speaker 1>like mathematics on a bone the size of a pencil.

0:37:24.880 --> 0:37:27.480
<v Speaker 1>And when they first found it, they did the carbon

0:37:27.560 --> 0:37:30.520
<v Speaker 1>dating on it, and they thought it was five thousand

0:37:30.600 --> 0:37:35.640
<v Speaker 1>years old. Now, for context, the Greeks are three thousand,

0:37:35.880 --> 0:37:39.440
<v Speaker 1>so it's still older than the Greeks. And what we're

0:37:39.440 --> 0:37:41.560
<v Speaker 1>talking about is like Pythagoras and all that is two

0:37:41.640 --> 0:37:44.680
<v Speaker 1>thousand years older than they thought. It was two thousand

0:37:44.760 --> 0:37:48.120
<v Speaker 1>years older than Pathagonas America is only two hundred, two

0:37:48.160 --> 0:37:51.360
<v Speaker 1>hundred and seventy years old, So two thousand years before Pythagoras.

0:37:51.440 --> 0:37:53.960
<v Speaker 1>They found his bone, and then they a couple of

0:37:54.000 --> 0:37:56.120
<v Speaker 1>years later they redid the carbon dating on it. Because

0:37:56.120 --> 0:37:58.440
<v Speaker 1>of the technology for carbon dating evolved, they found it

0:37:58.560 --> 0:38:03.440
<v Speaker 1>was twenty five thousand years That's it's hard for me

0:38:03.520 --> 0:38:07.000
<v Speaker 1>to comprehend. It's not hard now, but like when I

0:38:07.080 --> 0:38:09.480
<v Speaker 1>first heard about this, I'm like, wait a minute. The

0:38:09.560 --> 0:38:12.000
<v Speaker 1>people that you've been telling me all of my life

0:38:12.640 --> 0:38:16.040
<v Speaker 1>are like living in huts and trees. Were able to

0:38:16.560 --> 0:38:21.160
<v Speaker 1>put the equivalent of computational mathematics on a bone twenty

0:38:21.239 --> 0:38:26.160
<v Speaker 1>five thousand years ago. That happened, and it had and

0:38:26.239 --> 0:38:29.440
<v Speaker 1>then I started to look at more stuff discover such

0:38:29.560 --> 0:38:32.960
<v Speaker 1>amazing stuff like the Dogon and Mali and all these

0:38:33.000 --> 0:38:36.480
<v Speaker 1>different places they were doing extraordinary things, and so I

0:38:36.560 --> 0:38:39.800
<v Speaker 1>wanted the book to sort of have a turn towards

0:38:39.880 --> 0:38:42.640
<v Speaker 1>that and go, hey, what we're talking about here is

0:38:42.680 --> 0:38:45.200
<v Speaker 1>we're talking about America. We're talking about this the healing

0:38:45.480 --> 0:38:51.120
<v Speaker 1>of all of the trauma of enslavement and Jim Crow

0:38:51.239 --> 0:38:54.000
<v Speaker 1>and all of it. But there's a whole lot more

0:38:54.040 --> 0:38:56.960
<v Speaker 1>stuff that you still don't know yet that are signals

0:38:57.040 --> 0:38:59.160
<v Speaker 1>in the air that you can have access to, and

0:38:59.280 --> 0:39:02.080
<v Speaker 1>it's really found is really complex, and so the whole

0:39:02.160 --> 0:39:05.719
<v Speaker 1>nod to Nikola Tesla was was to that because he's

0:39:06.120 --> 0:39:09.120
<v Speaker 1>doing a lot of the experiments that he did was

0:39:09.200 --> 0:39:12.120
<v Speaker 1>based off of experiments that were already done in Egypt

0:39:12.160 --> 0:39:14.400
<v Speaker 1>and different parts of Kimmit, and so I was like,

0:39:14.480 --> 0:39:15.719
<v Speaker 1>I want to give a nod to that. And so

0:39:15.800 --> 0:39:19.279
<v Speaker 1>it went a bit complex, but I like it.

0:39:19.840 --> 0:39:23.640
<v Speaker 2>But our history is complex and it's it's it's deep,

0:39:25.040 --> 0:39:26.759
<v Speaker 2>you know. I think being black in America you do

0:39:26.880 --> 0:39:28.520
<v Speaker 2>kind of grow up with the understanding and like our

0:39:28.600 --> 0:39:31.120
<v Speaker 2>history was stolen from us and we don't know where

0:39:31.160 --> 0:39:34.400
<v Speaker 2>we come from and all of that. But but we

0:39:34.800 --> 0:39:37.120
<v Speaker 2>we have to do more work. But it's there. So

0:39:37.239 --> 0:39:39.240
<v Speaker 2>if you were picking, if you were like putting together

0:39:39.400 --> 0:39:42.400
<v Speaker 2>a great like like you know, read Sky Full of

0:39:42.480 --> 0:39:44.680
<v Speaker 2>Elephants and then go to this museum or read this

0:39:44.840 --> 0:39:48.160
<v Speaker 2>book or you know what kind of if someone's really

0:39:48.239 --> 0:39:50.560
<v Speaker 2>curious to learn more about these topics, what we're in,

0:39:50.680 --> 0:39:53.759
<v Speaker 2>sources of inspiration for you or places you can point

0:39:54.239 --> 0:39:54.960
<v Speaker 2>be a fan too.

0:39:55.800 --> 0:39:58.640
<v Speaker 1>Yeah, I mean I love the book anything about France Fanan.

0:39:59.480 --> 0:40:04.640
<v Speaker 1>His work is a lot about decolonization and colonization and decolonization.

0:40:05.200 --> 0:40:08.719
<v Speaker 1>Uh Chinwa Chepe who wrote Things Fall Apart, and he

0:40:08.840 --> 0:40:11.800
<v Speaker 1>wrote it, I want to say he wanted in the sixties,

0:40:12.200 --> 0:40:16.600
<v Speaker 1>but it was like telling the actual stories of people

0:40:16.719 --> 0:40:21.400
<v Speaker 1>that were living in nations when a colonization was happening.

0:40:22.719 --> 0:40:26.200
<v Speaker 1>Things Fall Apart is great or God is Great, and

0:40:26.239 --> 0:40:29.480
<v Speaker 1>anything about Friends for on. But I really love Wretched

0:40:29.560 --> 0:40:33.680
<v Speaker 1>of the Earth. It's like, man, it's intense, really intense.

0:40:34.480 --> 0:40:41.720
<v Speaker 1>And then I would say Maladoma Patrisse some who wrote

0:40:43.239 --> 0:40:47.560
<v Speaker 1>of Water and Spirit and I love this book so much.

0:40:48.520 --> 0:40:51.760
<v Speaker 1>It's about this kid who's growing up in Burkina Fosso,

0:40:51.840 --> 0:40:55.200
<v Speaker 1>which Burkina Fosso right now is like leading the sort

0:40:55.239 --> 0:40:59.440
<v Speaker 1>of African ascendency right now. They're doing amazing stuff. He

0:40:59.600 --> 0:41:01.920
<v Speaker 1>was he was Braisen Bikino fossil in a tribe that

0:41:02.400 --> 0:41:06.800
<v Speaker 1>had a specific religion called Tagara, and he was kidnapped.

0:41:06.800 --> 0:41:10.400
<v Speaker 1>Although the children were kidnapped and taken to a monastery

0:41:10.520 --> 0:41:15.279
<v Speaker 1>to become you know, preachers and nuns, and then they

0:41:15.320 --> 0:41:19.760
<v Speaker 1>were sent back to sort of bring the people to Christ,

0:41:20.520 --> 0:41:23.360
<v Speaker 1>and so he was. And this was happening over generations

0:41:23.400 --> 0:41:25.800
<v Speaker 1>and many jurations. So he was kidnapped when he was

0:41:25.880 --> 0:41:29.359
<v Speaker 1>like eight, taken to this place and he was never

0:41:29.480 --> 0:41:32.160
<v Speaker 1>able to do his When they turned thirteen, they do

0:41:32.280 --> 0:41:34.480
<v Speaker 1>their ceremony to become an adult. He was never able

0:41:34.560 --> 0:41:36.640
<v Speaker 1>to do it. He ran away when he was nineteen.

0:41:37.080 --> 0:41:39.399
<v Speaker 1>He goes back to his tribe and he's begging them

0:41:39.480 --> 0:41:41.799
<v Speaker 1>to take him back, and they're like, no, we can't.

0:41:41.920 --> 0:41:45.759
<v Speaker 1>You're encoded with a completely different system because you went

0:41:46.280 --> 0:41:49.400
<v Speaker 1>and he begged him. He got his father to beg him,

0:41:49.560 --> 0:41:50.879
<v Speaker 1>and they were like, we're going to put you through

0:41:50.960 --> 0:41:54.520
<v Speaker 1>this ceremony. And it's probably going to kill you, but

0:41:54.760 --> 0:41:57.040
<v Speaker 1>if you get through the ceremony, you'll be reconnected with

0:41:57.440 --> 0:42:00.200
<v Speaker 1>our people and the story. And it's a it's not

0:42:00.280 --> 0:42:02.920
<v Speaker 1>it's an audible, it's like it's a true story. It's

0:42:03.040 --> 0:42:05.960
<v Speaker 1>what he experienced going through that, what he had to

0:42:06.080 --> 0:42:09.680
<v Speaker 1>shed and what he had to gain. It's extraordinary, extraordinary.

0:42:09.760 --> 0:42:11.520
<v Speaker 2>Oh, I can see how that might have inspired the

0:42:11.640 --> 0:42:19.120
<v Speaker 2>bath and yeah, exactly some of those. Okay, I'm trying

0:42:19.160 --> 0:42:21.480
<v Speaker 2>to like use my time wisely and I have questions

0:42:21.640 --> 0:42:25.160
<v Speaker 2>just career wise, Like you wrote this book. You run

0:42:25.200 --> 0:42:28.080
<v Speaker 2>your own creative brand agency. You're not a professional author

0:42:28.160 --> 0:42:30.680
<v Speaker 2>as a job. Turns out that's really hard to do

0:42:30.960 --> 0:42:32.160
<v Speaker 2>and make.

0:42:32.120 --> 0:42:35.360
<v Speaker 1>Money from a struggle.

0:42:36.440 --> 0:42:39.239
<v Speaker 2>Talk about, like I know, on very much time, but

0:42:40.360 --> 0:42:42.880
<v Speaker 2>tell me a little bit about your career trajectory and

0:42:43.719 --> 0:42:46.839
<v Speaker 2>how it led you to, you know, getting the time

0:42:46.920 --> 0:42:47.680
<v Speaker 2>to write this book.

0:42:47.719 --> 0:42:51.320
<v Speaker 1>Now, Yeah, I was. I went to college on a

0:42:51.360 --> 0:42:54.440
<v Speaker 1>football scholarship. But while I was there, I sort of

0:42:54.680 --> 0:42:56.960
<v Speaker 1>became a writer, which is on an interesting story, but

0:42:57.239 --> 0:43:00.319
<v Speaker 1>I sort of became a writer. And I was trying

0:43:00.360 --> 0:43:02.399
<v Speaker 1>to decide if I wanted to write and I wanted

0:43:02.400 --> 0:43:04.120
<v Speaker 1>to do film, or if I wanted to try to

0:43:04.200 --> 0:43:06.719
<v Speaker 1>actually go to the NFL, which was my dream. And

0:43:06.800 --> 0:43:08.400
<v Speaker 1>then I realized I was a little too small to

0:43:08.480 --> 0:43:10.800
<v Speaker 1>go to the NFL, even though I made go to college,

0:43:11.440 --> 0:43:14.840
<v Speaker 1>and I decided to write. I wrote, right, we got

0:43:14.920 --> 0:43:16.800
<v Speaker 1>to step into it, America, We got to step into it.

0:43:18.120 --> 0:43:20.320
<v Speaker 1>But I wrote my first book when I was like

0:43:20.480 --> 0:43:24.719
<v Speaker 1>twenty at four to as a part of the course

0:43:24.760 --> 0:43:27.879
<v Speaker 1>that I was in, and it got published, but it wasn't.

0:43:27.920 --> 0:43:29.000
<v Speaker 1>It was terrible novel.

0:43:29.760 --> 0:43:31.600
<v Speaker 2>I was what, this was your debut novel? Oh, you

0:43:31.640 --> 0:43:32.200
<v Speaker 2>have a secret.

0:43:32.520 --> 0:43:36.480
<v Speaker 1>It was, but this other book was like it was

0:43:36.560 --> 0:43:40.239
<v Speaker 1>like a small press and it just wasn't. And they

0:43:40.400 --> 0:43:42.200
<v Speaker 1>fell apart like it was a whole mess.

0:43:42.600 --> 0:43:44.759
<v Speaker 2>Well, it's just that you're human and you also can

0:43:44.840 --> 0:43:46.239
<v Speaker 2>write terrible stuff. So that's fine.

0:43:46.440 --> 0:43:47.480
<v Speaker 1>Oh, which.

0:43:49.280 --> 0:43:55.880
<v Speaker 2>His first novel was like this out the Ballpark, I.

0:43:55.960 --> 0:43:57.840
<v Speaker 1>Write, I write, this is the thing. This is the

0:43:57.880 --> 0:43:59.720
<v Speaker 1>thing I tried to teach everyone, which is a relative

0:43:59.760 --> 0:44:02.200
<v Speaker 1>to this story, is we have to give ourself room

0:44:02.320 --> 0:44:04.080
<v Speaker 1>to fail. We have to give ourself room to make

0:44:04.120 --> 0:44:08.040
<v Speaker 1>the mistakes. I teach my team, my design team, you

0:44:08.600 --> 0:44:12.120
<v Speaker 1>have to you're literally bringing something that doesn't exist in

0:44:12.160 --> 0:44:14.000
<v Speaker 1>this world to a three dimensional space. When you're being

0:44:14.040 --> 0:44:16.120
<v Speaker 1>a creative, it doesn't exist. It's up here in this,

0:44:16.760 --> 0:44:19.000
<v Speaker 1>in this sort of ethereal realm. When you're bringing it

0:44:19.080 --> 0:44:21.759
<v Speaker 1>into three dimensions, that's not easy, and it's wrought with

0:44:22.480 --> 0:44:26.880
<v Speaker 1>with mistakes, especially if you go from that ethereal space

0:44:27.000 --> 0:44:30.160
<v Speaker 1>to a program, because the program has to interpret whatever

0:44:30.280 --> 0:44:32.840
<v Speaker 1>you're hearing in your head. Don't do that. Get you

0:44:33.000 --> 0:44:35.400
<v Speaker 1>yourself a pencil and a piece of paper and start sketching,

0:44:35.480 --> 0:44:39.160
<v Speaker 1>start writing, and you will iterate faster that way. You'll

0:44:39.200 --> 0:44:41.800
<v Speaker 1>make your mistakes faster that way. I wrote All the

0:44:41.880 --> 0:44:44.439
<v Speaker 1>Sky Full of Melphons by hand first, all of every

0:44:44.480 --> 0:44:49.120
<v Speaker 1>single page, what in every single page, I'm not kidding,

0:44:49.120 --> 0:44:52.000
<v Speaker 1>Every single page I wrote by hand first, and because

0:44:52.320 --> 0:44:56.640
<v Speaker 1>because I well, interestingly enough, I wrote it my remarkable.

0:44:57.640 --> 0:45:01.799
<v Speaker 1>Let's go, I'll show you actually have it here. I'll

0:45:01.840 --> 0:45:03.800
<v Speaker 1>actually show you the whole book. This is my remarkable.

0:45:04.320 --> 0:45:09.160
<v Speaker 1>It's like an electronicy. Yeah, it's like an electronic writing pad.

0:45:09.400 --> 0:45:13.680
<v Speaker 1>Situation a little I'm going to show you. I'm gonna

0:45:13.680 --> 0:45:16.200
<v Speaker 1>show you the entire novel right now, Skott Full of Elephants,

0:45:16.560 --> 0:45:19.279
<v Speaker 1>because it's on here. All of my books in my

0:45:19.400 --> 0:45:21.480
<v Speaker 1>writing I used to write everything on a on a

0:45:21.520 --> 0:45:23.520
<v Speaker 1>sketch like a like a proper notebook.

0:45:23.600 --> 0:45:25.680
<v Speaker 2>But then I don't know if I had all hand

0:45:25.760 --> 0:45:26.560
<v Speaker 2>strength to do that.

0:45:27.640 --> 0:45:30.840
<v Speaker 1>It's it's it's no joke. Here look this is you

0:45:30.960 --> 0:45:33.600
<v Speaker 1>see the pages here, and I'm gonna show you.

0:45:33.800 --> 0:45:35.680
<v Speaker 2>Oh, I see why you wrote it. You have nice handwriting.

0:45:35.680 --> 0:45:36.560
<v Speaker 2>I don't have nice hands.

0:45:37.800 --> 0:45:41.640
<v Speaker 1>Look at that every page you can scroll for days?

0:45:42.080 --> 0:45:46.359
<v Speaker 2>And does this converted to type after you're done? Thank

0:45:46.440 --> 0:45:50.120
<v Speaker 2>the Lord, because I'm like for your editor.

0:45:50.600 --> 0:45:54.080
<v Speaker 1>But I know right, And so I as a when

0:45:54.120 --> 0:45:56.560
<v Speaker 1>I graduated college, I written my first book and I

0:45:56.680 --> 0:45:58.520
<v Speaker 1>was like, I'm going to go be a writer and

0:45:58.680 --> 0:46:01.319
<v Speaker 1>I but it did. It didn't. It wasn't a good

0:46:01.320 --> 0:46:03.640
<v Speaker 1>book and it didn't. I didn't make any money off

0:46:03.680 --> 0:46:05.239
<v Speaker 1>It was like I think I got a thousand dollars

0:46:05.320 --> 0:46:08.520
<v Speaker 1>bands or something. And so I moved back home. Didn't

0:46:08.520 --> 0:46:11.120
<v Speaker 1>know what I wanted to do, and I started working

0:46:11.160 --> 0:46:13.040
<v Speaker 1>at the front desk of a hotel and I was

0:46:13.120 --> 0:46:15.800
<v Speaker 1>doing it just to write books. I was like, Okay,

0:46:15.840 --> 0:46:17.600
<v Speaker 1>I'm gonna sit at this desk check people in and

0:46:17.960 --> 0:46:21.440
<v Speaker 1>keep messing around. And the job that I had, they

0:46:21.640 --> 0:46:25.840
<v Speaker 1>were offering another position for someone in marketing. They were like,

0:46:25.880 --> 0:46:28.920
<v Speaker 1>we need a marketing person and they didn't have a website.

0:46:29.040 --> 0:46:30.759
<v Speaker 1>They were like, me a marketing person, and I went,

0:46:30.880 --> 0:46:33.480
<v Speaker 1>I could do that. And the boss at the time,

0:46:33.560 --> 0:46:36.240
<v Speaker 1>he goes, I need someone that can build me a website.

0:46:36.520 --> 0:46:38.920
<v Speaker 1>Can you build a website? And remind you this is

0:46:39.000 --> 0:46:42.960
<v Speaker 1>two thousand and four, and I was like, no, I

0:46:43.480 --> 0:46:45.759
<v Speaker 1>you know, I don't even have a computer, but I

0:46:45.760 --> 0:46:48.600
<v Speaker 1>can build your website. And he goes, Okay, I'm gonna leave.

0:46:48.640 --> 0:46:49.799
<v Speaker 1>I'm going to Did you.

0:46:49.880 --> 0:46:51.520
<v Speaker 2>Leave with the fact that you don't have a computer

0:46:51.600 --> 0:46:52.880
<v Speaker 2>or was that internal dialogue?

0:46:53.320 --> 0:46:55.480
<v Speaker 1>That was internal dialogue. I just said to him, I

0:46:55.560 --> 0:46:57.360
<v Speaker 1>got it, don't worry, I got it. I could do.

0:46:57.400 --> 0:47:02.720
<v Speaker 2>This is like very low. We're talking like Zanga vibe.

0:47:03.120 --> 0:47:05.520
<v Speaker 1>This is I still had Zanga back then. So you're

0:47:05.600 --> 0:47:06.800
<v Speaker 1>you're exactly spot on.

0:47:07.360 --> 0:47:08.640
<v Speaker 2>What was your background music.

0:47:10.600 --> 0:47:14.640
<v Speaker 1>Back then? I want to say it was tried. I

0:47:14.719 --> 0:47:17.840
<v Speaker 1>think it was tried because they had a Yeah, it

0:47:17.960 --> 0:47:18.320
<v Speaker 1>was tribe.

0:47:18.360 --> 0:47:18.640
<v Speaker 2>It was.

0:47:20.120 --> 0:47:24.080
<v Speaker 1>Oh my gosh, I could tell you the song Midnight Marauder.

0:47:24.239 --> 0:47:26.719
<v Speaker 1>That's what it was. That's what I'm not here. And

0:47:26.800 --> 0:47:29.240
<v Speaker 1>I remember I remember how I did it. I sinked

0:47:29.239 --> 0:47:31.200
<v Speaker 1>it m P three into it and I was able

0:47:31.280 --> 0:47:32.640
<v Speaker 1>to like upload it somehow.

0:47:32.800 --> 0:47:34.440
<v Speaker 2>So that was if you could figure out. Because I

0:47:34.520 --> 0:47:37.680
<v Speaker 2>was coding on Zanga, I was full on doo and

0:47:38.040 --> 0:47:40.920
<v Speaker 2>I was like, I want mine was John Legends, ordinary people,

0:47:41.200 --> 0:47:44.000
<v Speaker 2>and I wanted it. I wanted it to scroll with

0:47:44.120 --> 0:47:45.920
<v Speaker 2>the page like I had all the.

0:47:46.480 --> 0:47:51.160
<v Speaker 1>All ages space that you play. Man. I wasn't. I

0:47:51.360 --> 0:47:54.960
<v Speaker 1>wasn't like at that time because websites require like real

0:47:55.080 --> 0:47:59.480
<v Speaker 1>high functionality, and that website required booking integration, so I.

0:47:59.600 --> 0:48:03.040
<v Speaker 2>Had to hotel website is not like creating someone's like

0:48:03.560 --> 0:48:05.680
<v Speaker 2>portfolio page. That's a big ask.

0:48:05.800 --> 0:48:10.799
<v Speaker 1>Okay, It's pretty pretty complicated coding, and so I designed first.

0:48:10.840 --> 0:48:12.440
<v Speaker 1>I have no idea how to design, but I ended

0:48:12.480 --> 0:48:15.520
<v Speaker 1>up buying a cheap deal computer. I pirated a copy

0:48:15.760 --> 0:48:19.600
<v Speaker 1>of Photoshop on lime wire back then and basically gave

0:48:19.680 --> 0:48:20.879
<v Speaker 1>my computer aids.

0:48:20.680 --> 0:48:24.560
<v Speaker 2>To do it. I was about to say that for

0:48:24.719 --> 0:48:25.520
<v Speaker 2>its life.

0:48:27.000 --> 0:48:31.840
<v Speaker 1>Works works on my on my laptop. It's crazy. And

0:48:32.000 --> 0:48:36.240
<v Speaker 1>so I got photoshopped, like figured out how to code

0:48:36.320 --> 0:48:40.480
<v Speaker 1>or design and then like break it into slices and

0:48:40.560 --> 0:48:43.920
<v Speaker 1>then export the slices into dream Weaver. And I was

0:48:44.000 --> 0:48:46.960
<v Speaker 1>like tinkering with it, and then I and then it clicked.

0:48:47.480 --> 0:48:50.040
<v Speaker 1>It clicked. I was like, wait a minute, the design

0:48:50.200 --> 0:48:53.320
<v Speaker 1>and the code they're working together and I and it

0:48:53.440 --> 0:48:56.000
<v Speaker 1>wasn't like someone's designed and someone's a coder. I was like, Oh,

0:48:56.040 --> 0:48:59.320
<v Speaker 1>I need to be both of these things, because ultimately,

0:48:59.360 --> 0:49:00.920
<v Speaker 1>what I'm trying to do is tell a story. Hotel

0:49:01.080 --> 0:49:04.400
<v Speaker 1>is a physical space that needs to be sold in

0:49:04.480 --> 0:49:06.920
<v Speaker 1>a digital environment, and it needs to be sold at

0:49:07.120 --> 0:49:09.160
<v Speaker 1>what is the equivalent of a luxury purchase right now?

0:49:09.200 --> 0:49:11.719
<v Speaker 1>A luxury purchase is anything over seventeen hundred dollars. If

0:49:11.760 --> 0:49:13.200
<v Speaker 1>you go and you stay at a hotel that's three

0:49:13.280 --> 0:49:15.479
<v Speaker 1>hundred dollars a night and you stay for a week,

0:49:15.840 --> 0:49:19.480
<v Speaker 1>guess what you're hitting that luxury status. And so you're like,

0:49:19.560 --> 0:49:23.799
<v Speaker 1>it's a very difficult online purchase to make unless you're

0:49:23.880 --> 0:49:25.920
<v Speaker 1>going through a third party. If you're going through hotels

0:49:25.960 --> 0:49:27.880
<v Speaker 1>dot car, you feel a little bit more comfortable. But

0:49:27.920 --> 0:49:30.160
<v Speaker 1>if you're doing it direct at the hotel, it's got

0:49:30.280 --> 0:49:32.680
<v Speaker 1>to be a nice experience otherwise you're gonna feel comfortable

0:49:32.719 --> 0:49:34.640
<v Speaker 1>doing it, and the hotel has to sell you on

0:49:34.760 --> 0:49:39.200
<v Speaker 1>it to sell you on yourself in that space. And

0:49:39.320 --> 0:49:41.759
<v Speaker 1>so I was like, I'm going to design something that

0:49:42.040 --> 0:49:45.480
<v Speaker 1>makes other people feel the energy of the physical space.

0:49:45.760 --> 0:49:49.080
<v Speaker 1>It isn't going to be just about like empty bedroom shots.

0:49:49.440 --> 0:49:51.560
<v Speaker 1>It's going to make you feel something. I want a

0:49:51.680 --> 0:49:54.120
<v Speaker 1>beautiful lifestyle. I want video. I wanted to feel like

0:49:54.160 --> 0:49:56.960
<v Speaker 1>a thing. And so I started to start to design,

0:49:57.320 --> 0:50:00.760
<v Speaker 1>trying to evoke a sense of place and then coding

0:50:00.960 --> 0:50:04.960
<v Speaker 1>functionality that matched that sense of place. So like over states,

0:50:05.000 --> 0:50:09.000
<v Speaker 1>that made sense. Having the filtration of all of the

0:50:09.120 --> 0:50:13.240
<v Speaker 1>rooms make feel smooth and intuiting, and so that hotel

0:50:13.360 --> 0:50:16.440
<v Speaker 1>did not have a website experience. Within a year they

0:50:16.480 --> 0:50:19.279
<v Speaker 1>had made over a million dollars in digital on web

0:50:19.760 --> 0:50:20.960
<v Speaker 1>web based.

0:50:20.840 --> 0:50:23.800
<v Speaker 2>Bookings over that person from the site you made.

0:50:23.920 --> 0:50:25.719
<v Speaker 1>From the film site that I made, and so they

0:50:25.760 --> 0:50:29.160
<v Speaker 1>were like, you're doing great, and I was like, I

0:50:29.360 --> 0:50:31.200
<v Speaker 1>still didn't didn't know what I was doing. I was

0:50:31.239 --> 0:50:34.000
<v Speaker 1>just tinkering, messing around. And then I realized I that

0:50:34.160 --> 0:50:35.960
<v Speaker 1>by the end of it, I have learned to write PHP,

0:50:36.320 --> 0:50:37.799
<v Speaker 1>I learned to write a little bit of job script,

0:50:37.840 --> 0:50:40.520
<v Speaker 1>I learned to write HTML. And I learned this pretty quickly.

0:50:41.160 --> 0:50:42.880
<v Speaker 1>And so did you get the job.

0:50:42.719 --> 0:50:44.760
<v Speaker 2>Though, or they weren't paying you as a front desk person.

0:50:45.440 --> 0:50:46.319
<v Speaker 1>They gave me the job.

0:50:46.520 --> 0:50:46.960
<v Speaker 2>The promotion.

0:50:47.680 --> 0:50:49.720
<v Speaker 1>I got the promotion as soon as I finished the website.

0:50:49.760 --> 0:50:51.239
<v Speaker 1>They gave me the promotion. It wasn't a lie. It

0:50:51.280 --> 0:50:54.040
<v Speaker 1>was like twenty seven a year or something. And I

0:50:54.239 --> 0:50:56.160
<v Speaker 1>was jumping for joy back then because I does the

0:50:56.200 --> 0:51:01.759
<v Speaker 1>first salary. Yeah, it was enough. It was enough. You know,

0:51:01.920 --> 0:51:05.680
<v Speaker 1>I wasn't eating McDonald's every day, so or ramen, and

0:51:05.800 --> 0:51:09.520
<v Speaker 1>so I did that. And then as I've done it,

0:51:09.640 --> 0:51:11.040
<v Speaker 1>I was getting a lot of people asking me, you

0:51:11.120 --> 0:51:12.920
<v Speaker 1>did do building this website? Can you do something for me?

0:51:13.520 --> 0:51:16.080
<v Speaker 1>And I had a spring break group that was coming

0:51:16.160 --> 0:51:18.520
<v Speaker 1>from Canada come down and they were like, Hey, we

0:51:18.640 --> 0:51:21.320
<v Speaker 1>want to build a co op site. Can can you

0:51:21.440 --> 0:51:23.359
<v Speaker 1>do that? And I'm like co op in one way

0:51:23.360 --> 0:51:26.080
<v Speaker 1>and they go, well, we want anyone is booking spring

0:51:26.160 --> 0:51:28.640
<v Speaker 1>break travel to come to our website and be able

0:51:28.680 --> 0:51:32.600
<v Speaker 1>to book any of the hotels on beach. And I thought, okay,

0:51:33.640 --> 0:51:36.040
<v Speaker 1>so like you want the hotels to advertise on the

0:51:36.120 --> 0:51:38.440
<v Speaker 1>site and they're like yeah. And then I had to

0:51:38.480 --> 0:51:41.160
<v Speaker 1>suddenly learn s CEO. I had to learn organic, I

0:51:41.239 --> 0:51:45.040
<v Speaker 1>had to learn like conversion optimization, like all of these

0:51:45.120 --> 0:51:47.120
<v Speaker 1>things that I wasn't thinking about before to think of

0:51:47.200 --> 0:51:49.800
<v Speaker 1>it more like an e commerce experience, and so I

0:51:49.880 --> 0:51:54.280
<v Speaker 1>built that and it was but pre dates Google Ads.

0:51:54.320 --> 0:51:57.239
<v Speaker 1>So I had to create a function that allowed the

0:51:57.360 --> 0:52:00.600
<v Speaker 1>ads to rotate on a certain amount of click and

0:52:00.719 --> 0:52:04.680
<v Speaker 1>then clock the clicks for pay for us. And it

0:52:04.800 --> 0:52:08.160
<v Speaker 1>was ridiculous. And then all of the hotels they didn't

0:52:08.160 --> 0:52:10.319
<v Speaker 1>they didn't have anyone to design the ads, so then

0:52:10.360 --> 0:52:12.640
<v Speaker 1>they paid me to design all their ads and then

0:52:12.680 --> 0:52:14.640
<v Speaker 1>they paid they were like, can you build our websites?

0:52:15.280 --> 0:52:16.719
<v Speaker 1>And then I had to open a business. And that

0:52:16.840 --> 0:52:19.080
<v Speaker 1>was the first business I opened. That was two thousand

0:52:19.120 --> 0:52:21.399
<v Speaker 1>and six, and I have no idea what I was doing.

0:52:21.520 --> 0:52:23.160
<v Speaker 2>So you've been doing it for almost twenty years now

0:52:23.280 --> 0:52:27.560
<v Speaker 2>full time because now you in your company Creative Design Agencies.

0:52:27.640 --> 0:52:30.560
<v Speaker 1>I was sorry, Creative Work Circle Circle.

0:52:31.840 --> 0:52:35.120
<v Speaker 2>Sorry, I just made that up out of nowhere at all.

0:52:35.200 --> 0:52:38.920
<v Speaker 1>What your company's going Creative Creative Arts is DC, and

0:52:38.960 --> 0:52:42.520
<v Speaker 1>they're amazing. They're amazing. But we did that. We were

0:52:42.600 --> 0:52:45.800
<v Speaker 1>like back then I had that was my first company

0:52:46.360 --> 0:52:49.000
<v Speaker 1>and it was fine, like we did I It was

0:52:49.080 --> 0:52:52.080
<v Speaker 1>mostly me and I had one person that was an assistant,

0:52:52.120 --> 0:52:55.000
<v Speaker 1>But I did the best I could and then I

0:52:55.040 --> 0:52:56.800
<v Speaker 1>had a friend come up to me and he was like,

0:52:56.840 --> 0:52:58.440
<v Speaker 1>you want to be the creative rector of my agency?

0:52:58.880 --> 0:53:02.239
<v Speaker 1>And his agency was did humanitarian work all over the world,

0:53:03.120 --> 0:53:07.360
<v Speaker 1>and so he took on that job and he was amazing.

0:53:07.560 --> 0:53:09.920
<v Speaker 1>Just he's still my dear friend, but he's one of

0:53:09.960 --> 0:53:12.279
<v Speaker 1>those people that's like, we're not just doing work, We're

0:53:12.280 --> 0:53:15.200
<v Speaker 1>here to change the world. And so we did. I

0:53:15.320 --> 0:53:19.680
<v Speaker 1>travel everywhere with him and doing all sorts of stuff

0:53:19.719 --> 0:53:23.320
<v Speaker 1>from working with Shakespeare, shakespeare Birthplace Trust to you know,

0:53:23.480 --> 0:53:27.120
<v Speaker 1>doing like campaigns with UNICEF, all the stuff. And then

0:53:27.920 --> 0:53:31.760
<v Speaker 1>I while I was doing that, my other friend Adam,

0:53:31.840 --> 0:53:33.880
<v Speaker 1>he was like, hey, I got this opportunity to do

0:53:34.040 --> 0:53:36.400
<v Speaker 1>these hotel websites. I know that's what you used to do.

0:53:36.440 --> 0:53:38.719
<v Speaker 1>Do you want to do it again? And I was like, well,

0:53:38.800 --> 0:53:40.560
<v Speaker 1>let's let's look at it. And flew to New York

0:53:41.600 --> 0:53:44.719
<v Speaker 1>and he had five pitches to do in one day,

0:53:45.440 --> 0:53:46.759
<v Speaker 1>and I didn't know what he was doing. He was

0:53:46.840 --> 0:53:48.279
<v Speaker 1>just like, come with me on these pitches, and I'm

0:53:48.320 --> 0:53:51.839
<v Speaker 1>like okay, And that day we win all those five pitches.

0:53:51.880 --> 0:53:53.600
<v Speaker 1>One after together, we went four out of the five

0:53:54.200 --> 0:53:56.160
<v Speaker 1>and the fifth one the person we were pitching came

0:53:56.239 --> 0:53:59.640
<v Speaker 1>to work for the agency, and those out of those four,

0:53:59.800 --> 0:54:02.279
<v Speaker 1>two of them were the top two hotel operators in

0:54:02.320 --> 0:54:04.760
<v Speaker 1>all of New York. And so all of a sudden,

0:54:04.760 --> 0:54:07.880
<v Speaker 1>it went from like zero business to more business than

0:54:07.920 --> 0:54:11.480
<v Speaker 1>we had any business doing, right, Like it was ridiculous

0:54:11.480 --> 0:54:15.960
<v Speaker 1>amount of business. And I was just me. Right, it

0:54:16.080 --> 0:54:18.399
<v Speaker 1>was like me in my dark bedroom trying to get

0:54:18.440 --> 0:54:22.120
<v Speaker 1>these websites coded up. But we did it, and it

0:54:22.280 --> 0:54:23.960
<v Speaker 1>was you know, we ended up branching out and it

0:54:24.080 --> 0:54:25.880
<v Speaker 1>was like, Okay, we need to hire a photographer, we

0:54:25.960 --> 0:54:28.120
<v Speaker 1>need to hire writers, we need to hire if we're

0:54:28.160 --> 0:54:29.960
<v Speaker 1>going to try to make a sense of place and

0:54:30.040 --> 0:54:33.799
<v Speaker 1>a digital experience, it needs it needs to do the work.

0:54:33.840 --> 0:54:35.760
<v Speaker 1>And so i'd be I was sort of the creative

0:54:35.760 --> 0:54:39.279
<v Speaker 1>director for that agency, co founder and creative director of

0:54:39.280 --> 0:54:41.680
<v Speaker 1>that agency, and then still the creati director for the

0:54:41.760 --> 0:54:45.880
<v Speaker 1>other agency. And I did that for four or five years,

0:54:46.120 --> 0:54:48.239
<v Speaker 1>and then I just then I was like, I want

0:54:48.280 --> 0:54:50.799
<v Speaker 1>to go back to writing. That's that's because I'm still

0:54:50.840 --> 0:54:53.240
<v Speaker 1>telling stories at this point. Is that's all I released.

0:54:54.000 --> 0:54:55.280
<v Speaker 1>And I was like, I want to go back to writing.

0:54:55.320 --> 0:54:58.200
<v Speaker 1>And so I focused on one agency and then I

0:54:58.239 --> 0:55:04.080
<v Speaker 1>started tinkering, and I wrote I think three novels that

0:55:04.280 --> 0:55:06.759
<v Speaker 1>I've just shelved because I was like, Nope, that isn't right,

0:55:07.000 --> 0:55:10.680
<v Speaker 1>Like that's not the test of writing from one from

0:55:10.719 --> 0:55:12.800
<v Speaker 1>the beginning to the end of a narrative. Like a

0:55:12.840 --> 0:55:14.799
<v Speaker 1>lot of people only they're only gonna try that once.

0:55:14.880 --> 0:55:17.120
<v Speaker 1>And I'm like, nah, try it, like, get the feeling

0:55:17.360 --> 0:55:20.279
<v Speaker 1>of the fullness of it. Don't write like the first

0:55:20.360 --> 0:55:22.399
<v Speaker 1>chapter and go this isn't working right the whole thing.

0:55:23.040 --> 0:55:25.040
<v Speaker 1>And this is why. And this is really important for

0:55:25.080 --> 0:55:28.719
<v Speaker 1>anybody listening who thinks of themselves as a creative in

0:55:28.800 --> 0:55:31.919
<v Speaker 1>any capacity. It doesn't matter if it's because critical thinking

0:55:32.040 --> 0:55:38.240
<v Speaker 1>is creative. Writing specifically is one of the few artistic

0:55:38.360 --> 0:55:41.160
<v Speaker 1>endeavors where you don't have a tool if you want

0:55:41.239 --> 0:55:43.640
<v Speaker 1>to If you want to paint, you get a brush,

0:55:43.760 --> 0:55:45.759
<v Speaker 1>you get some you get some colors. If you want

0:55:46.040 --> 0:55:47.920
<v Speaker 1>to be a photographer, you get a camera, you get

0:55:47.960 --> 0:55:52.319
<v Speaker 1>a videographer, you get a camera. But with writing, particularly storytelling,

0:55:52.880 --> 0:55:56.320
<v Speaker 1>you can just speak it and require a tool. The

0:55:56.440 --> 0:55:59.239
<v Speaker 1>trick is is your first draft has to be the clay.

0:56:00.080 --> 0:56:03.600
<v Speaker 1>If you're not. If your first draft isn't perfect, it's

0:56:03.680 --> 0:56:07.560
<v Speaker 1>the clay that you're molding to perfection. You create the clay.

0:56:08.320 --> 0:56:10.399
<v Speaker 1>And I see too many people they think of their

0:56:10.480 --> 0:56:13.040
<v Speaker 1>draft as that. They're like, this is the book. It's

0:56:13.080 --> 0:56:16.040
<v Speaker 1>not the book, that's the clay. If you get your clay,

0:56:16.320 --> 0:56:19.600
<v Speaker 1>you can you can really make something magical and don't

0:56:19.600 --> 0:56:22.040
<v Speaker 1>be discouraged. Know that that's the beginning, not the end.

0:56:22.560 --> 0:56:24.600
<v Speaker 1>Build your clay first. And so I was keen on

0:56:24.760 --> 0:56:26.520
<v Speaker 1>like figuring out what kind of clay I wanted to

0:56:26.560 --> 0:56:28.879
<v Speaker 1>work with. So I write whole books and be like Nope,

0:56:29.000 --> 0:56:32.759
<v Speaker 1>that's not right, that's not right. Then I almost gave up.

0:56:33.040 --> 0:56:35.800
<v Speaker 1>It was very close to giving up on writing. And

0:56:36.080 --> 0:56:38.520
<v Speaker 1>my wife, she was the one that was like, you

0:56:39.640 --> 0:56:40.920
<v Speaker 1>got it. You can do it. You can do this.

0:56:41.280 --> 0:56:42.960
<v Speaker 1>Get back to write and get back to focusing on

0:56:43.080 --> 0:56:44.600
<v Speaker 1>like what are there was stories you want to tell?

0:56:45.160 --> 0:56:47.239
<v Speaker 1>But I didn't have an agent at that time, and

0:56:47.320 --> 0:56:50.600
<v Speaker 1>so I was like, okay, let me marry my two realities.

0:56:51.280 --> 0:56:53.880
<v Speaker 1>In my agency life, I do a lot of strategy.

0:56:54.800 --> 0:56:57.319
<v Speaker 1>So what's the strategy for getting an agent and getting

0:56:57.360 --> 0:57:00.239
<v Speaker 1>a successful book? What does that look like? I thought, Well,

0:57:01.040 --> 0:57:03.600
<v Speaker 1>someone needs any agent wants to know that you have

0:57:04.760 --> 0:57:07.680
<v Speaker 1>some sort of profile, right, so you need to be indexible.

0:57:08.200 --> 0:57:09.840
<v Speaker 1>Someone needs to type your name in. They need to

0:57:09.880 --> 0:57:15.040
<v Speaker 1>be able to see you first. Second platform. Secondly, you

0:57:15.200 --> 0:57:17.880
<v Speaker 1>need to have some form of sort of self distribution,

0:57:18.280 --> 0:57:21.720
<v Speaker 1>which is to say, if all they see when they

0:57:21.800 --> 0:57:24.440
<v Speaker 1>Google is your ur L and all the things that

0:57:24.480 --> 0:57:26.160
<v Speaker 1>you've done your US not enough, You've got to be

0:57:26.160 --> 0:57:28.720
<v Speaker 1>able to expand it. And then you need to have

0:57:28.920 --> 0:57:32.720
<v Speaker 1>pieces that resonate towards what could be a novel, which

0:57:32.760 --> 0:57:36.080
<v Speaker 1>is the business proposition, which is any any publishers going,

0:57:36.480 --> 0:57:37.800
<v Speaker 1>I need a novel, and I need to be able

0:57:37.800 --> 0:57:40.560
<v Speaker 1>to serialize that novel into a lot of work so

0:57:40.720 --> 0:57:43.280
<v Speaker 1>over the course of a career. And so I went, okay,

0:57:44.000 --> 0:57:46.920
<v Speaker 1>I'm going to write a book of poems, and I'm

0:57:46.920 --> 0:57:50.360
<v Speaker 1>going to use the poems to be indexible, because now

0:57:50.480 --> 0:57:52.240
<v Speaker 1>if I can, if I can write a book of poems,

0:57:52.240 --> 0:57:54.640
<v Speaker 1>and even if I just self published them, it'll have

0:57:54.840 --> 0:57:59.160
<v Speaker 1>distribution across Google, and people can type my name very easily.

0:57:59.360 --> 0:58:01.360
<v Speaker 1>They can find me on Amazon, they found you all

0:58:01.400 --> 0:58:03.440
<v Speaker 1>the places. It just so happened in that book of

0:58:03.480 --> 0:58:06.800
<v Speaker 1>poems end up winning an award and being published and

0:58:06.840 --> 0:58:09.400
<v Speaker 1>it got full distribution. But that was my initial plan.

0:58:09.840 --> 0:58:11.360
<v Speaker 1>And then I thought, I'm going to write a collection

0:58:11.440 --> 0:58:13.440
<v Speaker 1>of short stories, and I'm gonna take each one of

0:58:13.480 --> 0:58:14.920
<v Speaker 1>those short stories and I'm going to send them to

0:58:15.000 --> 0:58:17.000
<v Speaker 1>different magazines and see if they'll publish a short story,

0:58:17.040 --> 0:58:19.800
<v Speaker 1>because if they do, I'm not indexible on their websites

0:58:19.800 --> 0:58:21.960
<v Speaker 1>as well. And then I'm going to roll that short

0:58:22.000 --> 0:58:24.200
<v Speaker 1>stories short stories up into a collection and use that

0:58:24.320 --> 0:58:26.240
<v Speaker 1>to go get an agent. And then once I get

0:58:26.280 --> 0:58:28.680
<v Speaker 1>the agent i'll get, I'll write a novel and that

0:58:28.720 --> 0:58:31.760
<v Speaker 1>I'll get published. That was my plan, and Mandy, that

0:58:31.880 --> 0:58:35.440
<v Speaker 1>plan was exactly that way. Everything I just described happened

0:58:35.480 --> 0:58:37.840
<v Speaker 1>exactly with that. I just described it just like that,

0:58:38.760 --> 0:58:39.000
<v Speaker 1>just that.

0:58:39.120 --> 0:58:40.960
<v Speaker 2>Kid on his Dell computer figuring it.

0:58:41.000 --> 0:58:48.080
<v Speaker 1>Out, backing away with my my very very slow LimeWire

0:58:48.120 --> 0:58:48.880
<v Speaker 1>affected computer.

0:58:49.200 --> 0:58:49.840
<v Speaker 2>So but.

0:58:51.960 --> 0:58:52.240
<v Speaker 1>That's it.

0:58:52.600 --> 0:58:54.440
<v Speaker 2>That's grind. I mean, I want to give respect to

0:58:54.520 --> 0:58:57.880
<v Speaker 2>the grind. Thank you for sharing all that the grind,

0:58:58.000 --> 0:59:00.640
<v Speaker 2>and like the I mean, and you we're also living

0:59:00.680 --> 0:59:03.120
<v Speaker 2>a full life, like you're meeting your wife, you're having children,

0:59:03.320 --> 0:59:06.240
<v Speaker 2>like you're traveling, and then you're dealing with the doubt.

0:59:08.320 --> 0:59:11.400
<v Speaker 2>I love your wife for you know, motivating you and

0:59:12.080 --> 0:59:16.360
<v Speaker 2>bringing you, giving you that space and that encouragement, because

0:59:16.360 --> 0:59:18.680
<v Speaker 2>that's all you need in those I mean, I I

0:59:18.920 --> 0:59:23.120
<v Speaker 2>just submitted my clay to my editor, and I think,

0:59:23.160 --> 0:59:25.200
<v Speaker 2>what can happen when you're when you're making the clay,

0:59:25.480 --> 0:59:28.240
<v Speaker 2>is you try to compare your clay to someone's oz

0:59:28.880 --> 0:59:32.720
<v Speaker 2>that has been the final product. I ain't about to

0:59:33.240 --> 0:59:36.200
<v Speaker 2>We can't compare the clay to what's on the bookshelves

0:59:36.240 --> 0:59:40.320
<v Speaker 2>that you know, because that's been Yeah, there's been multiple, many,

0:59:40.400 --> 0:59:44.320
<v Speaker 2>many different hands in that final product. But I just

0:59:44.360 --> 0:59:48.040
<v Speaker 2>submitted my clay. Took me three years to make that clay.

0:59:50.080 --> 0:59:54.560
<v Speaker 1>Listen, get yourself a bottless champagne, because that's that's a celebration.

0:59:54.880 --> 0:59:56.080
<v Speaker 1>That's a real celebration.

0:59:56.360 --> 1:00:00.120
<v Speaker 2>To night we celebrate. I submitted it on Monday. The

1:00:00.160 --> 1:00:03.120
<v Speaker 2>book change from when like the Sky full of Elephants?

1:00:03.160 --> 1:00:05.960
<v Speaker 2>Did it change like the premise of it or was

1:00:06.000 --> 1:00:07.880
<v Speaker 2>it pretty much like I know I'm writing this book,

1:00:08.400 --> 1:00:10.200
<v Speaker 2>the event's going to happen, and I know it'll be

1:00:10.320 --> 1:00:12.680
<v Speaker 2>Charlie and Sidney's story and then you move forward from there.

1:00:14.000 --> 1:00:16.440
<v Speaker 1>Yeah, it didn't change very much. Indeed, part of the

1:00:17.720 --> 1:00:20.920
<v Speaker 1>the this sounds I realize what I'm about to say

1:00:21.000 --> 1:00:26.040
<v Speaker 1>sounds pretentious, but I was able to sort of choose

1:00:26.600 --> 1:00:29.200
<v Speaker 1>the publisher. And I know that does not happen very often.

1:00:29.400 --> 1:00:32.440
<v Speaker 2>If a pretentious is a fact, but you earned it,

1:00:32.640 --> 1:00:35.320
<v Speaker 2>just as you had a proof of product already.

1:00:36.720 --> 1:00:40.040
<v Speaker 1>I was able to, like, you know, there were a

1:00:40.080 --> 1:00:42.560
<v Speaker 1>few different publishers that were ruying for the book, and

1:00:42.880 --> 1:00:48.280
<v Speaker 1>it just so happened that Simon Schuster and Olivia they preempted.

1:00:48.320 --> 1:00:50.360
<v Speaker 1>They were like, nope, we want it, and they came

1:00:50.400 --> 1:00:51.880
<v Speaker 1>in early. And so I was like, well, let me,

1:00:52.520 --> 1:00:54.880
<v Speaker 1>let me meet with different ones, let me see, because

1:00:54.880 --> 1:00:56.240
<v Speaker 1>I don't want my book to change.

1:00:56.320 --> 1:00:59.000
<v Speaker 2>I want it to be you wrote it at that point.

1:00:59.080 --> 1:01:01.680
<v Speaker 2>I mean, it's a novel. You'd write a chunk of it,

1:01:01.760 --> 1:01:02.520
<v Speaker 2>if not the whole thing.

1:01:03.280 --> 1:01:05.120
<v Speaker 1>I written the whole thing because, like I say, I

1:01:05.360 --> 1:01:08.560
<v Speaker 1>become accustomed to like, I'm trying to get to something

1:01:08.600 --> 1:01:10.480
<v Speaker 1>I don't want. I don't want. I don't want it

1:01:10.560 --> 1:01:12.680
<v Speaker 1>to mean the work of art if you think of

1:01:12.760 --> 1:01:15.400
<v Speaker 1>it in those terms, you want it to at least

1:01:15.520 --> 1:01:18.919
<v Speaker 1>feel complete enough that no one else is going to change.

1:01:18.960 --> 1:01:20.320
<v Speaker 1>If I was writing a song and I gave it

1:01:20.360 --> 1:01:22.120
<v Speaker 1>to another musician, they'd be like, well do this and

1:01:22.200 --> 1:01:24.120
<v Speaker 1>do that, and I don't want that. I wanted it

1:01:24.200 --> 1:01:25.439
<v Speaker 1>to be. I want to be mine. So I wrote

1:01:25.480 --> 1:01:28.480
<v Speaker 1>the whole thing, and then I gave it to I

1:01:28.560 --> 1:01:30.560
<v Speaker 1>gave it to my agent that he sensed around and

1:01:30.640 --> 1:01:33.760
<v Speaker 1>they know Olivia a wonderful one of our editors. She

1:01:34.160 --> 1:01:36.480
<v Speaker 1>preempted it and she was I was like, let's get

1:01:36.520 --> 1:01:38.840
<v Speaker 1>on a call. Get on a call. And the first

1:01:38.880 --> 1:01:41.960
<v Speaker 1>thing she says, she goes, She's like, I recognize that

1:01:42.800 --> 1:01:45.560
<v Speaker 1>you know I'm Jewish and white. I die in this book,

1:01:45.720 --> 1:01:47.840
<v Speaker 1>and I want to make sure that everyone that that

1:01:48.000 --> 1:01:50.600
<v Speaker 1>does not change. We needed to be exactly what you

1:01:50.720 --> 1:01:52.640
<v Speaker 1>want it to be. I was like, that's what I'm

1:01:52.640 --> 1:01:54.160
<v Speaker 1>talking about. Was like, so what type of stuff?

1:01:55.280 --> 1:01:56.840
<v Speaker 2>I was going to ask if your editor was black?

1:01:57.080 --> 1:02:01.960
<v Speaker 1>Hard to find she's wonderful, remarkable. She was like, I

1:02:02.120 --> 1:02:04.040
<v Speaker 1>want to figure out how we can expand the story

1:02:04.040 --> 1:02:05.880
<v Speaker 1>and make it bigger. I don't want to change it.

1:02:05.960 --> 1:02:07.360
<v Speaker 1>They want to make it bigger. And so the whole,

1:02:07.640 --> 1:02:12.200
<v Speaker 1>the whole Vivian Hoseiah piece, like I knew they would

1:02:12.200 --> 1:02:14.160
<v Speaker 1>get to they would be in Alabama because I'd already

1:02:14.160 --> 1:02:16.400
<v Speaker 1>written that, but I didn't write how they got to

1:02:16.560 --> 1:02:19.520
<v Speaker 1>Alabama and how that all that that was all, Olivia,

1:02:20.360 --> 1:02:23.160
<v Speaker 1>we wrote a couple of additional scenes that that we

1:02:23.320 --> 1:02:26.280
<v Speaker 1>sort of tinkled through, we reorganized some bits, so she

1:02:26.480 --> 1:02:29.520
<v Speaker 1>was she was pivotal in getting it into that boss

1:02:29.720 --> 1:02:34.240
<v Speaker 1>as you described, but we'd never changed from its its concept,

1:02:36.120 --> 1:02:38.000
<v Speaker 1>and she was she I don't think she would have

1:02:38.000 --> 1:02:40.680
<v Speaker 1>even allowed it because she wanted She was like. The

1:02:40.760 --> 1:02:42.640
<v Speaker 1>one thing that it did say, which was which was

1:02:42.720 --> 1:02:45.680
<v Speaker 1>really fun is they were like, well, your book is

1:02:45.760 --> 1:02:48.760
<v Speaker 1>going to come out around the election, so maybe maybe

1:02:48.840 --> 1:02:51.720
<v Speaker 1>we'd wait until the year after, and I was like, nope,

1:02:52.000 --> 1:02:53.040
<v Speaker 1>let's do it the year before.

1:02:53.400 --> 1:02:53.720
<v Speaker 2>And uh.

1:02:53.880 --> 1:02:57.760
<v Speaker 1>And that was when what's his name, Ron DeSantis was

1:02:57.760 --> 1:02:59.320
<v Speaker 1>everyone thought he was going to be it and he

1:02:59.440 --> 1:03:02.600
<v Speaker 1>was burning in Florida and all that, and I was like,

1:03:02.720 --> 1:03:05.480
<v Speaker 1>let's be confrontational, like let's let's let's do it. And

1:03:05.640 --> 1:03:07.680
<v Speaker 1>even that she was like, all right, let's do it.

1:03:08.640 --> 1:03:10.880
<v Speaker 2>That's so funny to me because I'm like, this book

1:03:11.000 --> 1:03:14.200
<v Speaker 2>is meant to be a lightning rod, Like right, I

1:03:14.320 --> 1:03:16.640
<v Speaker 2>mean it's not that, it's not a quiet book. I'm

1:03:16.680 --> 1:03:19.600
<v Speaker 2>just gonna scoot this. Just excuse me. I'm just gonna

1:03:23.280 --> 1:03:24.439
<v Speaker 2>casual white people.

1:03:25.200 --> 1:03:25.480
<v Speaker 1>There you go.

1:03:25.920 --> 1:03:28.760
<v Speaker 2>Yeah, how many banned books list. Is it on if any?

1:03:29.080 --> 1:03:31.120
<v Speaker 1>So far, I don't think. I don't think it's on.

1:03:31.280 --> 1:03:33.920
<v Speaker 1>I haven't seen it on any So it's going to

1:03:33.920 --> 1:03:35.880
<v Speaker 1>be that I know of, because I'm sure it's going

1:03:35.960 --> 1:03:37.880
<v Speaker 1>to be, but not that I know of. I've heard

1:03:37.880 --> 1:03:40.680
<v Speaker 1>a lot of people saying, like, you know that it

1:03:40.760 --> 1:03:44.160
<v Speaker 1>will be banned, lots of that, like people constantly get

1:03:44.200 --> 1:03:46.800
<v Speaker 1>it now before it's banned, that type of stuff. But

1:03:46.880 --> 1:03:49.280
<v Speaker 1>I kind of think of it. If it ever was banned, I'd.

1:03:49.120 --> 1:03:53.720
<v Speaker 2>Be like, great marketing. I mean it's like, literally they're

1:03:53.800 --> 1:03:57.280
<v Speaker 2>banning the most innocuous, you know books and this I

1:03:57.320 --> 1:03:59.160
<v Speaker 2>know they're bugging you, like, hey, where are you come

1:03:59.240 --> 1:03:59.880
<v Speaker 2>do your paperback?

1:04:01.400 --> 1:04:05.800
<v Speaker 1>And that was just was also amazing. She's the publicist.

1:04:06.040 --> 1:04:07.720
<v Speaker 1>She was like, are you done. I'm like, I'm ALMOSTO.

1:04:08.640 --> 1:04:10.520
<v Speaker 2>I know a little side to the to the handler.

1:04:10.640 --> 1:04:11.040
<v Speaker 1>I know that.

1:04:12.960 --> 1:04:16.320
<v Speaker 2>I do a lot of these, but I'm also selfish

1:04:16.480 --> 1:04:18.360
<v Speaker 2>and I will not make you leave unless.

1:04:18.200 --> 1:04:20.520
<v Speaker 1>Tell me this is this is this is your time,

1:04:20.640 --> 1:04:21.240
<v Speaker 1>This is your time.

1:04:22.240 --> 1:04:24.520
<v Speaker 2>You owe me because you use my life for this book.

1:04:24.680 --> 1:04:26.120
<v Speaker 2>You stole my life story.

1:04:25.960 --> 1:04:32.800
<v Speaker 1>And made me stole it. Laura Laura Jane, Laura Jane,

1:04:32.920 --> 1:04:34.120
<v Speaker 1>sorry her too.

1:04:34.080 --> 1:04:38.080
<v Speaker 2>So yeah, my sister's Mallorie Anne. I'm a Manda Lee.

1:04:38.440 --> 1:04:40.200
<v Speaker 2>You know, my mom moved to the South, so she

1:04:40.280 --> 1:04:42.240
<v Speaker 2>had a little bit of Southern in her no But

1:04:42.440 --> 1:04:45.040
<v Speaker 2>I I just want to congratulate you, and I'm so

1:04:45.160 --> 1:04:49.720
<v Speaker 2>excited for you. I think that this novel, I don't know,

1:04:50.840 --> 1:04:53.960
<v Speaker 2>I don't look at like I don't want to, you know,

1:04:54.080 --> 1:04:56.800
<v Speaker 2>become obsessed about like numbers and all sales and stuff

1:04:56.840 --> 1:04:59.400
<v Speaker 2>like that. But I know people are talking about it,

1:04:59.480 --> 1:05:01.520
<v Speaker 2>so I really hope that they are buying this book.

1:05:02.080 --> 1:05:07.160
<v Speaker 2>I feel like it's good, you know, you know good.

1:05:07.600 --> 1:05:10.400
<v Speaker 2>Any awards on the horizon is that important for this book?

1:05:10.880 --> 1:05:16.640
<v Speaker 1>I realized It's funny was on they were in La

1:05:16.840 --> 1:05:22.200
<v Speaker 1>at Reparations Club and had this talk and said talked

1:05:22.200 --> 1:05:26.160
<v Speaker 1>about wanting awards, like wanting to win all the awards,

1:05:26.200 --> 1:05:30.080
<v Speaker 1>but then realize that she couldn't. They couldn't have the

1:05:30.120 --> 1:05:32.720
<v Speaker 1>awards at the expense of the audiences that they were

1:05:32.760 --> 1:05:35.720
<v Speaker 1>trying to speak to. And so I was nominated for

1:05:36.000 --> 1:05:39.360
<v Speaker 1>It was longest before the Aspine Award. I think the

1:05:39.520 --> 1:05:43.840
<v Speaker 1>Wrap Games Award as well. But I've kind of I've

1:05:43.920 --> 1:05:46.200
<v Speaker 1>already say this all the time, like I already won

1:05:46.360 --> 1:05:48.800
<v Speaker 1>like to even write a book and get it published

1:05:48.920 --> 1:05:51.959
<v Speaker 1>you want, you want, but then to have people read

1:05:52.000 --> 1:05:53.480
<v Speaker 1>it and care about it. To be on this call

1:05:53.960 --> 1:05:57.480
<v Speaker 1>makes me feel like I don't want anything. I'm not

1:05:57.600 --> 1:05:59.560
<v Speaker 1>desirous in that way. I just want to be able

1:05:59.600 --> 1:06:02.800
<v Speaker 1>to sit and talking contributes something to literature. You know,

1:06:03.480 --> 1:06:07.600
<v Speaker 1>Tony Morrison is to me the greatest American writer, if

1:06:07.640 --> 1:06:10.320
<v Speaker 1>not the greatest writer in the history of the world

1:06:10.320 --> 1:06:13.720
<v Speaker 1>as far as I'm concerned. And I always imagine that

1:06:13.960 --> 1:06:17.720
<v Speaker 1>I would write something that she would touch, she would

1:06:17.800 --> 1:06:19.720
<v Speaker 1>nudge someone. But have you have you heard of this book?

1:06:19.840 --> 1:06:22.040
<v Speaker 1>You know? Like in that that's it? Like I don't

1:06:22.080 --> 1:06:24.560
<v Speaker 1>really to me, that's the height, and I know that

1:06:24.720 --> 1:06:29.240
<v Speaker 1>won't happen. But perhaps that's as we sort of find

1:06:29.320 --> 1:06:31.600
<v Speaker 1>the book, and different people find a book in different

1:06:31.640 --> 1:06:34.520
<v Speaker 1>environments and they share it with someone else. That's all.

1:06:34.800 --> 1:06:38.200
<v Speaker 1>That's all that. I can't imagine anything greater than you know,

1:06:38.760 --> 1:06:40.560
<v Speaker 1>so I don't find myself desirous in that way.

1:06:40.920 --> 1:06:42.520
<v Speaker 2>Well, I have an award for you. It's not really

1:06:42.560 --> 1:06:45.640
<v Speaker 2>an award, but it is a first. So I'm going

1:06:45.720 --> 1:06:47.760
<v Speaker 2>to use this time to let you know that Brown

1:06:47.760 --> 1:06:50.600
<v Speaker 2>Ambitions launching a book club, and sky Full of Elephants

1:06:50.720 --> 1:06:51.720
<v Speaker 2>is going to be the first.

1:06:56.960 --> 1:06:59.200
<v Speaker 1>Do I get? Can I get like a button or something?

1:06:59.360 --> 1:07:01.400
<v Speaker 1>I get like a yeah, sure, I just.

1:07:01.520 --> 1:07:03.600
<v Speaker 2>Made this up, So yeah, we can make a button.

1:07:05.920 --> 1:07:07.200
<v Speaker 2>Can I use canvas to do that?

1:07:07.280 --> 1:07:12.840
<v Speaker 1>I don't know. Yeah, listen, that's that's amazing. Can I

1:07:13.200 --> 1:07:14.840
<v Speaker 1>do get to come? Can I be like in it?

1:07:14.920 --> 1:07:16.160
<v Speaker 1>Can I come and like? Sure?

1:07:16.520 --> 1:07:18.760
<v Speaker 2>Yeah, I'd love for you to come. I think, well,

1:07:18.840 --> 1:07:22.000
<v Speaker 2>ba Fam, you're just finding out about it. So Ba Fam,

1:07:22.240 --> 1:07:24.400
<v Speaker 2>you can go to brown Envision podcast dot com and

1:07:24.440 --> 1:07:27.000
<v Speaker 2>find details about the book club and how you can

1:07:27.080 --> 1:07:29.200
<v Speaker 2>join it. BA fan has been asking for a book club.

1:07:30.160 --> 1:07:32.080
<v Speaker 2>But like I said, when I read books, I don't

1:07:32.160 --> 1:07:34.720
<v Speaker 2>necessarily want to be reading about the same stuff that

1:07:34.760 --> 1:07:36.280
<v Speaker 2>we talk about all the time on the show. I

1:07:36.280 --> 1:07:38.120
<v Speaker 2>don't think that life is just money. That's why we

1:07:38.240 --> 1:07:40.760
<v Speaker 2>do more than just money and finance here. It's about

1:07:41.400 --> 1:07:45.560
<v Speaker 2>the human experience and you know, our wellness. And I

1:07:45.640 --> 1:07:47.560
<v Speaker 2>can create the book club that I would like to

1:07:47.600 --> 1:07:49.440
<v Speaker 2>be a part of, which is a mix of everything.

1:07:49.560 --> 1:07:52.480
<v Speaker 2>And so I think sky Full of Elephants we barely

1:07:52.520 --> 1:07:54.520
<v Speaker 2>scratch the surface of what we could have dived into.

1:07:55.520 --> 1:07:57.360
<v Speaker 2>But I would love to bring ba fam into this

1:07:57.560 --> 1:08:00.600
<v Speaker 2>because it's like when you see a really good film Sinners,

1:08:00.680 --> 1:08:03.240
<v Speaker 2>I'm waiting for other people to read and watch and

1:08:03.720 --> 1:08:07.080
<v Speaker 2>experience it so that I can then have a PhD

1:08:07.320 --> 1:08:10.480
<v Speaker 2>level breakdown discussion, like I want to get into the weeds.

1:08:11.040 --> 1:08:12.720
<v Speaker 2>So bea fam. I need you to like be my

1:08:12.800 --> 1:08:15.400
<v Speaker 2>reading buddies. So we're going to read Sky full of Elephants.

1:08:15.480 --> 1:08:18.679
<v Speaker 2>We're going to reconvene. We're going to reconvene this summer.

1:08:19.840 --> 1:08:23.080
<v Speaker 2>And Cibo Campbell, thank you so much for taking the

1:08:23.200 --> 1:08:26.320
<v Speaker 2>time for writing this book, for staying true to your

1:08:26.479 --> 1:08:30.799
<v Speaker 2>art for any aspiring writer. There's so many aspiring writers

1:08:30.800 --> 1:08:32.960
<v Speaker 2>out there work in nine to five. So I want

1:08:32.960 --> 1:08:35.760
<v Speaker 2>to write a novel. And I hope the takeaway for

1:08:35.880 --> 1:08:39.719
<v Speaker 2>y'all is, you know Cibo's anecdote about making a plan

1:08:40.600 --> 1:08:44.080
<v Speaker 2>incrementally understanding that there's small things you can do now

1:08:44.240 --> 1:08:46.639
<v Speaker 2>to put yourself in a position so that the really

1:08:46.920 --> 1:08:49.759
<v Speaker 2>amazing opportunities can come to you. That was so smart,

1:08:50.439 --> 1:08:54.360
<v Speaker 2>so strategic, and so lacking. I feel like among many

1:08:54.439 --> 1:08:58.479
<v Speaker 2>creators is like those incremental steps to getting it done.

1:08:59.600 --> 1:09:03.080
<v Speaker 2>So someone else who's like an incremental steps girl, I

1:09:03.240 --> 1:09:06.680
<v Speaker 2>am Yeah, just huge kudos. It's an honor to have

1:09:06.800 --> 1:09:07.080
<v Speaker 2>met you.

1:09:07.320 --> 1:09:09.479
<v Speaker 1>Thank you, thank you, stay, thank you.

1:09:09.720 --> 1:09:11.840
<v Speaker 2>Can we be Lena locked in? Are we like friends?

1:09:11.920 --> 1:09:12.080
<v Speaker 1>Now?

1:09:12.600 --> 1:09:15.120
<v Speaker 2>I'll be I'll be a mind off. I would come

1:09:15.160 --> 1:09:18.880
<v Speaker 2>to London. Oh, I'm going to be in London for Beyonces,

1:09:19.080 --> 1:09:22.320
<v Speaker 2>for Beyonce's concert. Almost see how they get down in London.

1:09:23.080 --> 1:09:25.080
<v Speaker 1>Saying that to me, Everyone's like, yo, are you I'm

1:09:25.080 --> 1:09:26.800
<v Speaker 1>going to be there for Beyonce. You don't even know

1:09:26.840 --> 1:09:27.759
<v Speaker 1>how many people said.

1:09:27.560 --> 1:09:27.880
<v Speaker 2>This to me.

1:09:28.400 --> 1:09:29.680
<v Speaker 1>I want to be in I'm going to be in

1:09:29.800 --> 1:09:35.080
<v Speaker 1>the States when Beyonce. I'm going to see my mom.

1:09:35.200 --> 1:09:36.839
<v Speaker 1>I'm going to be be Aflorida.

1:09:37.000 --> 1:09:39.599
<v Speaker 2>Oh good boy, Now go see your mom. That's okay,

1:09:39.880 --> 1:09:40.880
<v Speaker 2>London's not that far.

1:09:42.040 --> 1:09:46.240
<v Speaker 1>No, no, no, And congratulations on getting your book submitted.

1:09:46.479 --> 1:09:50.160
<v Speaker 1>Congratulations on finishing it. It's it's I know, it's like

1:09:50.760 --> 1:09:52.960
<v Speaker 1>it's a weight off of your shoulders that will only

1:09:53.040 --> 1:09:55.280
<v Speaker 1>come back when when it's time to do all of

1:09:55.360 --> 1:09:57.000
<v Speaker 1>the edits and do all of the stuff to get

1:09:57.040 --> 1:09:57.400
<v Speaker 1>it ready.

1:09:58.120 --> 1:09:59.880
<v Speaker 2>But I think I might have a summer. I don't know.

1:10:01.080 --> 1:10:03.200
<v Speaker 2>I think I might have a partial summer. I didn't

1:10:03.479 --> 1:10:05.680
<v Speaker 2>expect having a summer. I guess I got to make

1:10:05.680 --> 1:10:06.280
<v Speaker 2>plans now.

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<v Speaker 1>Yeah, I don't expect summers with kids in general, but

1:10:09.960 --> 1:10:12.840
<v Speaker 1>like with you kids and a book that you're now editing,

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<v Speaker 1>it's going to be.

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<v Speaker 2>It's going to be a good bit of fun. So congrats,

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<v Speaker 2>thanks so much. All right, good luck. The paperback is

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<v Speaker 2>coming out this fall. Go make an incredible, brilliant marketing

1:10:23.280 --> 1:10:26.800
<v Speaker 2>plan for that. I'm sure you will. Until next time,

1:10:27.000 --> 1:10:28.559
<v Speaker 2>Yay browny Mission book Club.

1:10:29.560 --> 1:10:31.160
<v Speaker 1>Vik can't wait, I can't wait?

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<v Speaker 2>Please okay v a fan, thank you so much for

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<v Speaker 2>listening to this week's show. I want to shout out

1:10:38.280 --> 1:10:43.000
<v Speaker 2>to our production team, Courtney, our editor, Carla, our fearless

1:10:43.120 --> 1:10:46.679
<v Speaker 2>leader for idea to launch productions. I want to shout

1:10:46.720 --> 1:10:51.479
<v Speaker 2>out my assistant Lauda Escalante and Cameron McNair for helping

1:10:51.560 --> 1:10:54.200
<v Speaker 2>me put the show together. It is not a one

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<v Speaker 2>person project, as much as I have tried to make

1:10:57.439 --> 1:11:00.519
<v Speaker 2>it so these past ten years. I need help, y'all,

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<v Speaker 2>and thank goodness I've been able to put this team

1:11:03.360 --> 1:11:06.160
<v Speaker 2>around me to support me on this journey and to

1:11:06.280 --> 1:11:08.439
<v Speaker 2>y'all be a fam I love you so so so

1:11:08.720 --> 1:11:12.280
<v Speaker 2>so much. Please rate, review, subscribe, make sure you signed

1:11:12.320 --> 1:11:14.719
<v Speaker 2>up to the newsletter to get all the latest updates

1:11:14.760 --> 1:11:19.360
<v Speaker 2>on upcoming episodes, our ten year anniversary celebrations to come,

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<v Speaker 2>and until next time, talk to you soon via bye.