1 00:00:00,320 --> 00:00:04,120 Speaker 1: The Favorite podcast is presented by FanDuel Sports Book. There's 2 00:00:04,160 --> 00:00:08,280 Speaker 1: no better place to make every moment more than with FanDuel. 3 00:00:08,400 --> 00:00:11,320 Speaker 1: I bet with FanDuel because they're safe and secure, they 4 00:00:11,320 --> 00:00:14,440 Speaker 1: offer great odds and markets across the NBA, n HL 5 00:00:14,480 --> 00:00:17,680 Speaker 1: and more, and because it's fun to combine multiple bets 6 00:00:17,920 --> 00:00:21,720 Speaker 1: into same game parlays. So if you're new, just download 7 00:00:21,720 --> 00:00:24,560 Speaker 1: the FanDuel Sports Book app to get started now. Sign 8 00:00:24,640 --> 00:00:29,000 Speaker 1: up with promo code Favorites so they know I sent you. 9 00:00:29,000 --> 00:00:33,160 Speaker 1: You must be over in president in Arizona, Colorado, Connecticut, Indiana, Michigan, 10 00:00:33,159 --> 00:00:36,600 Speaker 1: New Jersey, New York, Tennessee, Virginia, West Virginia or Louisiana. 11 00:00:36,720 --> 00:00:39,640 Speaker 1: Gambling problem called one eight hundred next step or text 12 00:00:39,960 --> 00:00:42,279 Speaker 1: next step to five three three four two in Arizona 13 00:00:42,520 --> 00:00:45,280 Speaker 1: one eight hundred gambler or visit FanDuel dot com slash 14 00:00:45,400 --> 00:00:48,440 Speaker 1: r G in Colorado, Indiana, New Jersey. In Virginia one 15 00:00:48,600 --> 00:00:51,520 Speaker 1: eight seven eight nine seven seven seven seven or visit 16 00:00:51,640 --> 00:00:56,560 Speaker 1: CCPG dot org slash chat in Connecticut one eight seven 17 00:00:56,600 --> 00:00:58,960 Speaker 1: zero seven one one seven for confidential help in Michigan 18 00:00:59,120 --> 00:01:03,560 Speaker 1: one eight seventh s t o P in Louisiana called 19 00:01:03,560 --> 00:01:07,240 Speaker 1: the Tennessee red Line one eight eight nine, or visit 20 00:01:07,600 --> 00:01:20,119 Speaker 1: one eight hundred Gambler dot net in West Virginia. Welcome 21 00:01:20,240 --> 00:01:23,400 Speaker 1: to the Favorites the podcast from the Volume and Podcast Network. 22 00:01:23,440 --> 00:01:27,760 Speaker 1: I am Chad Noman, Chief Content Officer of the Action Network. 23 00:01:28,080 --> 00:01:31,880 Speaker 1: It's the middle of June. My bff, my companion, Mike Padre, 24 00:01:32,160 --> 00:01:37,240 Speaker 1: Simon Hunter, professional better from the Fighting City of Philadelphia. 25 00:01:37,560 --> 00:01:40,319 Speaker 1: What's going on? Brother? A little hunger over this morning. 26 00:01:40,560 --> 00:01:42,959 Speaker 1: But I'm a trooper. I'm here after an old concert 27 00:01:43,040 --> 00:01:47,199 Speaker 1: last night. I'm here to talk about movies. Listen, there's 28 00:01:47,360 --> 00:01:50,360 Speaker 1: we're We're combining a lot of themes today. You are 29 00:01:51,480 --> 00:01:56,280 Speaker 1: a son of Philadelphia. You love that city. I will 30 00:01:56,320 --> 00:01:59,040 Speaker 1: be in Philadelphia tomorrow. You and I will be in 31 00:01:59,040 --> 00:02:04,520 Speaker 1: Philadelphia together. I have come to love and appreciate Philadelphia 32 00:02:04,560 --> 00:02:07,280 Speaker 1: in ways I had never before, living in New York 33 00:02:07,320 --> 00:02:12,200 Speaker 1: forever and going to Philadelphia for work and things like that. 34 00:02:12,600 --> 00:02:14,880 Speaker 1: But now my kids at Drexel, and he's just spent 35 00:02:14,919 --> 00:02:16,720 Speaker 1: the past year there. So I've been to Philly probably 36 00:02:16,760 --> 00:02:20,120 Speaker 1: four or five times. Love going think it's an amazing city. 37 00:02:20,240 --> 00:02:22,919 Speaker 1: Have a blast. They're going to pick him up tomorrow 38 00:02:23,120 --> 00:02:25,359 Speaker 1: or Saturday, going to be with you tomorrow night. It's 39 00:02:25,360 --> 00:02:27,760 Speaker 1: a movie season. There is a new movie out called 40 00:02:27,840 --> 00:02:31,919 Speaker 1: Hustle with Adam Sandler that was written and executive produced 41 00:02:32,240 --> 00:02:34,680 Speaker 1: by a very good friend of the podcast, Will Fetters, 42 00:02:34,760 --> 00:02:38,600 Speaker 1: Academy Award nominee for A Star Is Born, which he 43 00:02:38,840 --> 00:02:41,720 Speaker 1: wrote with Bradley Cooper. Will came on the podcast a 44 00:02:41,760 --> 00:02:43,519 Speaker 1: few years ago to talk about it, talk about the 45 00:02:43,560 --> 00:02:46,280 Speaker 1: Academy Awards, all that kind of stuff. He worked on 46 00:02:46,320 --> 00:02:48,520 Speaker 1: this movie, Hustle. He's going to fill us in on 47 00:02:48,560 --> 00:02:50,720 Speaker 1: how the movie came together. We're gonna talk to him 48 00:02:50,720 --> 00:02:54,320 Speaker 1: about our favorite gambling movies. This podcast is meant to 49 00:02:55,000 --> 00:02:58,600 Speaker 1: give you something to do in the summer months. You 50 00:02:58,680 --> 00:03:01,880 Speaker 1: want to hang out why and some good movies. And 51 00:03:01,960 --> 00:03:05,400 Speaker 1: it takes place in Philadelphia. Sign in the City of 52 00:03:05,440 --> 00:03:07,840 Speaker 1: Love for you, not even brotherly love, just the city 53 00:03:07,880 --> 00:03:09,919 Speaker 1: of Love. I mean as a Philadelphia we can say 54 00:03:09,919 --> 00:03:12,680 Speaker 1: it's the city of Freedom. It's the birthplace of American freedom. 55 00:03:12,680 --> 00:03:16,080 Speaker 1: So every time someone talks about Philadelphia, say you hate freedom? 56 00:03:16,120 --> 00:03:22,120 Speaker 1: All right, brother, where do you think that we're done? 57 00:03:21,520 --> 00:03:29,840 Speaker 1: Tell me phil Delfia Freedom. So yeah, I loved that. 58 00:03:29,919 --> 00:03:32,560 Speaker 1: Will use the Philadelphia his backbone for this whole movie. 59 00:03:32,960 --> 00:03:35,800 Speaker 1: I mean the first scene Adam Sandlers literally wearing a 60 00:03:35,880 --> 00:03:38,800 Speaker 1: seventy sixers jumpsuit, and you know me, I was like, okay, 61 00:03:39,040 --> 00:03:41,840 Speaker 1: I'm in so yeah, it's a Philadelphia native. That was 62 00:03:41,960 --> 00:03:44,840 Speaker 1: very big to my ego. Dude, will Is on will 63 00:03:44,920 --> 00:03:49,880 Speaker 1: Is on will Is Podcast right now, will Federally my 64 00:03:49,960 --> 00:03:54,320 Speaker 1: trial return. I'm doing good man. How you guys doing. 65 00:03:55,000 --> 00:03:57,560 Speaker 1: We're good? Thanks for coming on. We were talking about 66 00:03:57,560 --> 00:03:59,480 Speaker 1: the movie and there's a lot of stuff I want 67 00:03:59,480 --> 00:04:02,600 Speaker 1: to get to. Um. Yes, yes, I did write this 68 00:04:02,640 --> 00:04:05,000 Speaker 1: movie just so you would have me back on the podcast. 69 00:04:05,080 --> 00:04:07,320 Speaker 1: That is why I wrote it. I sought out the job. 70 00:04:07,920 --> 00:04:09,800 Speaker 1: I was like, how do I once again feel this 71 00:04:09,880 --> 00:04:13,560 Speaker 1: glorious feeling of validation and uh and come back on. 72 00:04:13,720 --> 00:04:16,440 Speaker 1: And so two years later, here we are, brother. In 73 00:04:16,520 --> 00:04:19,960 Speaker 1: two years, I do want let's let's let's level set. 74 00:04:20,040 --> 00:04:24,440 Speaker 1: Let me let me give the listeners some structure to 75 00:04:24,600 --> 00:04:29,479 Speaker 1: this podcast. I mentioned before you jumped on that, Uh, 76 00:04:29,800 --> 00:04:32,560 Speaker 1: you had written The Star Was Born with Bradley Cooper 77 00:04:32,960 --> 00:04:37,279 Speaker 1: nominated for an Academy Award. At that time, your career 78 00:04:37,400 --> 00:04:41,520 Speaker 1: was starting to explode. We are a couple of years later, Uh, 79 00:04:41,600 --> 00:04:45,640 Speaker 1: and you're just jetting back from Philadelphia for the premier 80 00:04:45,960 --> 00:04:48,840 Speaker 1: of Hustle with Adam Salon, which you wrote, co wrote 81 00:04:48,839 --> 00:04:53,520 Speaker 1: an executive produced. Um and give us the rundown. What 82 00:04:53,600 --> 00:04:55,840 Speaker 1: has been happening for the past two years? How does 83 00:04:55,880 --> 00:05:00,200 Speaker 1: being nominated for an Academy award accelerate your career? You're 84 00:05:00,240 --> 00:05:05,400 Speaker 1: what changes? What is remarkably similar? It will be the 85 00:05:05,440 --> 00:05:08,279 Speaker 1: writer's kind of a funny thing. We always have plausible 86 00:05:08,320 --> 00:05:12,000 Speaker 1: deniability when movies don't work, and so you know, I 87 00:05:12,160 --> 00:05:15,800 Speaker 1: I would say my career as far as like within 88 00:05:15,839 --> 00:05:18,400 Speaker 1: the industry, people knew I was pretty good at my job. 89 00:05:18,880 --> 00:05:20,880 Speaker 1: They're just saying, like, nobody has ever made a good 90 00:05:20,920 --> 00:05:23,480 Speaker 1: movie from a bad script, but plenty of people made 91 00:05:23,520 --> 00:05:26,120 Speaker 1: bad movies from good script. So with the exception of 92 00:05:26,200 --> 00:05:28,520 Speaker 1: one of my movies, like the script, every time I 93 00:05:28,520 --> 00:05:31,400 Speaker 1: thought I had a chance to be pretty good and 94 00:05:31,400 --> 00:05:33,200 Speaker 1: and then you know, they don't always come together. I 95 00:05:33,240 --> 00:05:34,720 Speaker 1: kind of like I would liken it too. I was 96 00:05:34,760 --> 00:05:37,080 Speaker 1: trying to think of an analogy, and it was like 97 00:05:37,080 --> 00:05:40,400 Speaker 1: like an NBA role player, like somebody that like if 98 00:05:40,400 --> 00:05:43,479 Speaker 1: you're a GM you know like certain players are gonna 99 00:05:43,560 --> 00:05:45,800 Speaker 1: give you, give you what you need in the playoffs like, 100 00:05:46,000 --> 00:05:48,560 Speaker 1: and those players tend to always end up on teams 101 00:05:48,600 --> 00:05:51,120 Speaker 1: like you could argue Milwaukee's not we're not in the 102 00:05:51,200 --> 00:05:53,720 Speaker 1: championship right now because they wouldn't pay PJ talk. So 103 00:05:53,760 --> 00:05:55,400 Speaker 1: I feel like as far as within the business, the 104 00:05:55,480 --> 00:05:57,640 Speaker 1: jobs I get didn't change. But I will say directly 105 00:05:57,680 --> 00:06:00,360 Speaker 1: related to stars when I think it's how I got 106 00:06:00,600 --> 00:06:04,599 Speaker 1: pulled into this. Um. I's got a call from Adam. 107 00:06:04,640 --> 00:06:07,560 Speaker 1: Adam Sandler's one of his agents because he as you 108 00:06:07,600 --> 00:06:09,799 Speaker 1: can imagine as a team who used to be my agent. 109 00:06:10,120 --> 00:06:12,159 Speaker 1: And he was like, you like basketball, right, And I 110 00:06:12,200 --> 00:06:14,760 Speaker 1: was like, I sure do. And I think you know, 111 00:06:14,839 --> 00:06:16,800 Speaker 1: if you've seen you guys seen the movie, there's definitely 112 00:06:16,800 --> 00:06:19,560 Speaker 1: some Stars Born Is parallels to it. Um So, I 113 00:06:19,600 --> 00:06:22,240 Speaker 1: think from what just fit wise, Adam and loved the 114 00:06:22,240 --> 00:06:24,320 Speaker 1: movie and then we met and talked and hit it 115 00:06:24,360 --> 00:06:26,400 Speaker 1: off and and one of my first one of my 116 00:06:26,480 --> 00:06:29,440 Speaker 1: first like pitches was we need to change this to Philadelphia. 117 00:06:29,560 --> 00:06:32,880 Speaker 1: So now we're here, so let me also frame it. 118 00:06:33,880 --> 00:06:38,919 Speaker 1: Adam Sandler plays a long time NBA scout for the 119 00:06:38,960 --> 00:06:45,960 Speaker 1: Sixers who's basically tasked with needing to find one last 120 00:06:46,000 --> 00:06:50,600 Speaker 1: star that can help the Sixers become a championship level team, 121 00:06:50,680 --> 00:06:54,039 Speaker 1: and it takes him around the world to find this 122 00:06:54,200 --> 00:07:00,640 Speaker 1: one star Uh played by NBA player launch Hernan Gomez Um, 123 00:07:01,000 --> 00:07:04,720 Speaker 1: who he discovers on a playground in Spain, and then 124 00:07:04,720 --> 00:07:06,560 Speaker 1: the movie takes off from there about him trying to 125 00:07:06,560 --> 00:07:09,360 Speaker 1: get him back to the United States into the NBA. 126 00:07:10,200 --> 00:07:15,120 Speaker 1: UM why did you set it in Philadelphia? Well, I 127 00:07:15,120 --> 00:07:18,080 Speaker 1: don't if you I'm sure Simon knows this, but paying 128 00:07:18,080 --> 00:07:20,760 Speaker 1: attention to the Sixers front office for the last few years, 129 00:07:20,840 --> 00:07:22,640 Speaker 1: there was only one place that I could say it now. 130 00:07:22,720 --> 00:07:25,160 Speaker 1: I mean I wanted to say in Philadelphia because I 131 00:07:25,200 --> 00:07:27,560 Speaker 1: grew up a Womanton, Delaware. You know, it's like the Newark, 132 00:07:27,600 --> 00:07:30,480 Speaker 1: New Jersey of of to New York is how it 133 00:07:30,560 --> 00:07:32,240 Speaker 1: is for us in Delaware. We don't have much of 134 00:07:32,280 --> 00:07:34,800 Speaker 1: the Philadelphia teams, are it. That was twenty minutes from 135 00:07:34,800 --> 00:07:36,760 Speaker 1: the stadiums growing up, so that's where I always went. 136 00:07:36,800 --> 00:07:39,280 Speaker 1: And I mean I did think the character of the story, 137 00:07:39,680 --> 00:07:42,520 Speaker 1: like knowing it was gonna be about underdogs trying to 138 00:07:42,600 --> 00:07:44,920 Speaker 1: grind and having, you know, to get their shot to 139 00:07:45,080 --> 00:07:48,480 Speaker 1: just fit. And you know what, in Hollywood, you you 140 00:07:48,560 --> 00:07:50,840 Speaker 1: tend to have like like Adam's Adam is super cool, 141 00:07:50,840 --> 00:07:53,320 Speaker 1: but he loved the idea. But it ultimately does come 142 00:07:53,360 --> 00:07:55,280 Speaker 1: down to like, where's what's going to be the tax 143 00:07:55,320 --> 00:07:58,120 Speaker 1: credit and you know, things like that, and one funny thing, 144 00:07:58,120 --> 00:07:59,840 Speaker 1: because I don't I don't want to give anything away. 145 00:07:59,840 --> 00:08:01,960 Speaker 1: You you guys appreciate it because you've seen it. But 146 00:08:02,480 --> 00:08:07,239 Speaker 1: I I genuinely wrote the the ending, you know, where 147 00:08:07,280 --> 00:08:11,560 Speaker 1: there's you know, a certain team ends up prevailing over 148 00:08:11,600 --> 00:08:15,720 Speaker 1: another team, and I had I had chosen, I'd say, well, 149 00:08:15,960 --> 00:08:18,680 Speaker 1: there's you don't talk about. I would say that that 150 00:08:18,800 --> 00:08:20,800 Speaker 1: was something that I had written in and it just 151 00:08:21,000 --> 00:08:23,440 Speaker 1: it worked out that Lancha was playing for that team 152 00:08:23,480 --> 00:08:26,160 Speaker 1: at the time, so that was meant to be UM. 153 00:08:26,200 --> 00:08:29,040 Speaker 1: So yeah, it was. It was just kind of it 154 00:08:29,200 --> 00:08:30,880 Speaker 1: just fit. And you know, I I knew a movie 155 00:08:30,920 --> 00:08:34,320 Speaker 1: like this was gonna need a real the real character 156 00:08:34,320 --> 00:08:36,480 Speaker 1: of a city behind it. You know, all due respect 157 00:08:36,480 --> 00:08:39,720 Speaker 1: to l A, but I just felt really fit. And 158 00:08:40,040 --> 00:08:42,079 Speaker 1: I just one of my little things I love in movies. 159 00:08:42,120 --> 00:08:44,760 Speaker 1: It's just a little details of movies and I just 160 00:08:44,760 --> 00:08:46,400 Speaker 1: want to know if this is based on a true story. 161 00:08:47,000 --> 00:08:50,960 Speaker 1: When he when Adam Wyn saw um Cruise playing, he 162 00:08:51,040 --> 00:08:54,080 Speaker 1: was wearing the work shoes, like the construction shoes. Is 163 00:08:54,080 --> 00:08:55,920 Speaker 1: that based off anything real like him playing in those 164 00:08:55,920 --> 00:08:59,440 Speaker 1: tims because off my memories I I can tell you 165 00:08:59,480 --> 00:09:02,959 Speaker 1: I've seen is in Philly too, playing in Timberland's a 166 00:09:03,000 --> 00:09:05,920 Speaker 1: steel toe boots. I would love to know if that's 167 00:09:05,960 --> 00:09:08,680 Speaker 1: like one of those things that inspiration from Philadelphia Itselfer, 168 00:09:09,200 --> 00:09:11,000 Speaker 1: is that a scout telling you a story about a 169 00:09:11,000 --> 00:09:12,559 Speaker 1: guy he was checking out and so him in those 170 00:09:12,600 --> 00:09:15,440 Speaker 1: kind of shoes. No, much like you, I've actually seen 171 00:09:15,480 --> 00:09:18,400 Speaker 1: that before. Um, I've played and pick up, like going 172 00:09:18,480 --> 00:09:21,200 Speaker 1: to a pickup court and seen a dude in Jimberland's 173 00:09:21,240 --> 00:09:24,040 Speaker 1: and they're always the best player on the court. And uh, 174 00:09:24,080 --> 00:09:26,320 Speaker 1: And it happened to work out that, you know, that 175 00:09:26,480 --> 00:09:30,720 Speaker 1: the construction worker thing and having him obviously his bows 176 00:09:30,800 --> 00:09:33,680 Speaker 1: life got off track at a certain point and so yeah, 177 00:09:33,679 --> 00:09:35,640 Speaker 1: it just worked out. And also I have a good 178 00:09:35,640 --> 00:09:38,079 Speaker 1: friend of now we always text with like big NBA fans, 179 00:09:38,120 --> 00:09:42,000 Speaker 1: and you know, I remember just describing Tony Allen in 180 00:09:42,240 --> 00:09:45,000 Speaker 1: uh in the we bet the Grizz. I think this 181 00:09:45,120 --> 00:09:46,760 Speaker 1: on the podcast one of the times I bet the 182 00:09:46,760 --> 00:09:49,560 Speaker 1: Griz to beat the the Warriors, and it was the 183 00:09:49,559 --> 00:09:51,880 Speaker 1: game it was right before the game where Tony got 184 00:09:51,960 --> 00:09:54,640 Speaker 1: left on an island to shoot. Steve Kerr just isolated 185 00:09:54,679 --> 00:09:57,520 Speaker 1: him and he couldn't make anything. But we're describing Tony 186 00:09:57,559 --> 00:09:59,959 Speaker 1: Allen is like he's like the dude and he's an 187 00:10:00,040 --> 00:10:01,800 Speaker 1: NBA version of like the guy who shows up at 188 00:10:01,800 --> 00:10:05,000 Speaker 1: the pickup court with like paint stained pants and like 189 00:10:05,040 --> 00:10:07,400 Speaker 1: a bottle of gatorade that doesn't have gatorade in it 190 00:10:07,440 --> 00:10:10,000 Speaker 1: and like clearly just got off work wearing wear boots 191 00:10:10,000 --> 00:10:11,680 Speaker 1: and then just goes out on the court and it 192 00:10:11,800 --> 00:10:14,800 Speaker 1: destroys everyone for two hours. No one can do anything 193 00:10:14,840 --> 00:10:17,520 Speaker 1: against him. Just there's a toughness to him. So yeah, 194 00:10:17,559 --> 00:10:21,520 Speaker 1: that's definitely based off something I've really seen the It's 195 00:10:21,520 --> 00:10:24,160 Speaker 1: funny you describe him that way. My kid and I 196 00:10:24,400 --> 00:10:26,240 Speaker 1: my kid who I watched the movie with last night, 197 00:10:26,520 --> 00:10:31,280 Speaker 1: he's fifteen. Uh, he loved it. Totally predicted the ending 198 00:10:31,440 --> 00:10:37,720 Speaker 1: by the way, like as specific specifically the as as 199 00:10:38,280 --> 00:10:39,520 Speaker 1: at the end of the movie, Like I'm not going 200 00:10:39,559 --> 00:10:44,880 Speaker 1: to give it away, but uh, Doc Rivers Adam Sandler, 201 00:10:45,440 --> 00:10:49,160 Speaker 1: they're walking out of the tunnel for the Sixers, and 202 00:10:49,559 --> 00:10:53,080 Speaker 1: my son predicted what was going to happen next when 203 00:10:53,120 --> 00:10:58,240 Speaker 1: they got onto the court predicted it. Um. But we 204 00:10:58,320 --> 00:11:00,680 Speaker 1: always talk about like who do you be a guys 205 00:11:01,160 --> 00:11:05,920 Speaker 1: that you wouldn't they look terrible in the NBA. But 206 00:11:06,040 --> 00:11:08,880 Speaker 1: if you showed up at the y m c A 207 00:11:09,720 --> 00:11:14,120 Speaker 1: in Albany, New York, they're gonna be playing and you're 208 00:11:14,160 --> 00:11:15,679 Speaker 1: not gonna know who they are and you're not gonna 209 00:11:15,679 --> 00:11:19,040 Speaker 1: know Why is this person dominating for us? You mentioned 210 00:11:19,040 --> 00:11:21,640 Speaker 1: it was Tony Allen. For us, it was Denzel Valentine. 211 00:11:21,920 --> 00:11:24,800 Speaker 1: Like we'd watch all the Bulls games. Denzel Valentine would 212 00:11:24,840 --> 00:11:26,280 Speaker 1: be nothing in the NBA, but he had a really 213 00:11:26,320 --> 00:11:29,160 Speaker 1: good career Player of the Year in Michigan State. You 214 00:11:29,160 --> 00:11:31,079 Speaker 1: would not think he could play, and then he shows 215 00:11:31,160 --> 00:11:34,040 Speaker 1: up at the y and he's just crushing it. That's 216 00:11:34,080 --> 00:11:38,280 Speaker 1: that's the question. The distance between I think I'm gonna 217 00:11:38,320 --> 00:11:40,840 Speaker 1: I'm gonna credit the person who said this. I heard 218 00:11:40,880 --> 00:11:46,000 Speaker 1: Brian Scalabrini say on some podcast interview because people like 219 00:11:46,040 --> 00:11:48,480 Speaker 1: because he's the classic guy that people talk ship like 220 00:11:48,520 --> 00:11:51,960 Speaker 1: they think they can beat him, and and he staid, um, 221 00:11:52,320 --> 00:11:55,360 Speaker 1: regarding all and viet non NBA players who play in 222 00:11:55,400 --> 00:11:58,280 Speaker 1: the streetball games, He's like, you don't understand guys, I 223 00:11:58,480 --> 00:12:01,400 Speaker 1: am much closer to Lebron James than you are to me. 224 00:12:02,000 --> 00:12:05,839 Speaker 1: And that is every NBA guy is so far removed, 225 00:12:05,960 --> 00:12:08,760 Speaker 1: like the speed of the game, the mental side of 226 00:12:08,760 --> 00:12:12,400 Speaker 1: the game, like the way that they like he defensively. 227 00:12:12,480 --> 00:12:14,280 Speaker 1: For him to survive on the NBA, he had to 228 00:12:14,320 --> 00:12:17,240 Speaker 1: be able to read and react. And so he figures 229 00:12:17,280 --> 00:12:20,000 Speaker 1: he'll figure you out after two times if you handling 230 00:12:20,040 --> 00:12:21,720 Speaker 1: the ball, and then you'll never get by him again 231 00:12:21,720 --> 00:12:23,440 Speaker 1: because as soon as you start to go right, he's 232 00:12:23,440 --> 00:12:26,040 Speaker 1: already gone, you know. And he's six nine and two sixties. 233 00:12:26,080 --> 00:12:29,240 Speaker 1: So yeah, there's there's literally nobody who plays in the 234 00:12:29,320 --> 00:12:32,960 Speaker 1: NBA that they couldn't destroy in the pickup court because 235 00:12:34,440 --> 00:12:37,040 Speaker 1: that was that ended up being a popular series right 236 00:12:37,040 --> 00:12:39,000 Speaker 1: where people would try to challenge him and he would 237 00:12:39,040 --> 00:12:43,960 Speaker 1: just do a lot of that was in the movie. 238 00:12:44,080 --> 00:12:48,160 Speaker 1: So I mentioned Hernon Gomez. Why don't you Hernan Gomez 239 00:12:48,160 --> 00:12:50,160 Speaker 1: who was great in the movie. He plays Boa Cruz, 240 00:12:50,200 --> 00:12:56,080 Speaker 1: who was the guy that Adam Sandler discovers. And uh so, 241 00:12:56,200 --> 00:12:58,280 Speaker 1: first I'm gonna have two questions here. But the first 242 00:12:58,360 --> 00:13:02,040 Speaker 1: question is how did he end up in the movie? Man? 243 00:13:02,080 --> 00:13:05,120 Speaker 1: He's he was so incredible on his tape. So the 244 00:13:05,160 --> 00:13:07,600 Speaker 1: funny thing about this, We're not funny. Nothing's funny about 245 00:13:07,640 --> 00:13:09,840 Speaker 1: the pandemic, but the way the timing of it, which 246 00:13:09,840 --> 00:13:12,800 Speaker 1: was kind of crazy. So I I got that, I 247 00:13:12,880 --> 00:13:16,760 Speaker 1: got the call from my old agent probably and the January, 248 00:13:16,960 --> 00:13:19,440 Speaker 1: and I met Adam within the week. And then Adam 249 00:13:19,480 --> 00:13:21,480 Speaker 1: and I hit it off right away. We we he 250 00:13:21,520 --> 00:13:23,560 Speaker 1: knew because we had to start from page one. I 251 00:13:23,559 --> 00:13:25,680 Speaker 1: mean the movie was said, the other script was said 252 00:13:25,720 --> 00:13:28,040 Speaker 1: in China. It was like a whole other thing. Um, 253 00:13:28,160 --> 00:13:30,280 Speaker 1: so we Adam has loved the idea of playing a scout, 254 00:13:30,280 --> 00:13:32,800 Speaker 1: and he was in Lebron and Maverick were producing that script. 255 00:13:32,840 --> 00:13:34,520 Speaker 1: So it's just a good fit. But we had a 256 00:13:34,559 --> 00:13:35,840 Speaker 1: ton I had a ton of work to do. I 257 00:13:35,880 --> 00:13:38,360 Speaker 1: started from scratch, changing everything for the city and all 258 00:13:38,360 --> 00:13:41,120 Speaker 1: that stuff. And so he wanted to make it his 259 00:13:41,120 --> 00:13:43,280 Speaker 1: summer movie. He didn't have. And Adams one of those 260 00:13:43,360 --> 00:13:45,840 Speaker 1: dudes that just like always has to be working like 261 00:13:45,880 --> 00:13:49,120 Speaker 1: he can't. It's it's he's just an incredibly productive person. 262 00:13:49,280 --> 00:13:52,960 Speaker 1: Makes makes me feel lazy. Um, but he so I 263 00:13:53,080 --> 00:13:56,480 Speaker 1: was like got the gig, and then I wrote the 264 00:13:56,640 --> 00:13:59,240 Speaker 1: entire thing in like six weeks, like from like the 265 00:13:59,280 --> 00:14:02,600 Speaker 1: beginning of Februar wherey and obviously it's an NBA movie 266 00:14:02,640 --> 00:14:05,480 Speaker 1: set in Europe, and I should you know, I sent 267 00:14:05,559 --> 00:14:08,240 Speaker 1: the script to Adam and that day they closed to 268 00:14:08,320 --> 00:14:10,679 Speaker 1: Europe and then I sent them the next day. By 269 00:14:10,679 --> 00:14:13,360 Speaker 1: the time Netflix they ready, they closed the NBA, so 270 00:14:13,679 --> 00:14:15,240 Speaker 1: or that was inverted one of those two things, and 271 00:14:15,240 --> 00:14:18,080 Speaker 1: so everything stopped. And so that's kind of how we 272 00:14:18,160 --> 00:14:20,840 Speaker 1: ended up with Launcho because we had we had a 273 00:14:20,920 --> 00:14:24,760 Speaker 1: script that was basically greenlit and I'd say what's on 274 00:14:24,800 --> 00:14:27,000 Speaker 1: screen was probably in that draft, maybe seventy five and 275 00:14:27,040 --> 00:14:29,080 Speaker 1: then we were like, you know, incrementally working on it. 276 00:14:29,120 --> 00:14:32,280 Speaker 1: And they got the director Jeremiah, who did a fantastic job, 277 00:14:32,720 --> 00:14:35,880 Speaker 1: and he comes on and then they started looking for 278 00:14:35,920 --> 00:14:39,200 Speaker 1: the guy and so they had him put himself on tape. 279 00:14:39,240 --> 00:14:42,000 Speaker 1: And yeah, we were on Zoom, like you know, every day, 280 00:14:42,000 --> 00:14:43,640 Speaker 1: all three of us meet, jem I and Adam just 281 00:14:43,720 --> 00:14:47,640 Speaker 1: kind of going over stuff. And in that context, um, 282 00:14:47,760 --> 00:14:51,360 Speaker 1: when Lantcho's tape came through, Jeremiah wanted me to look 283 00:14:51,360 --> 00:14:53,520 Speaker 1: at it immediately because they just knew he was. He's 284 00:14:53,720 --> 00:14:56,240 Speaker 1: incredibly good in the movie and it's funny as great 285 00:14:56,280 --> 00:14:59,560 Speaker 1: as his performance is it. There's other stuff that's not 286 00:14:59,640 --> 00:15:01,320 Speaker 1: in the movie, be that you would. I mean, he's 287 00:15:01,680 --> 00:15:04,480 Speaker 1: really a tremendous actor, and everybody was trying to fear Alex. 288 00:15:04,520 --> 00:15:06,480 Speaker 1: What's he gonna do next? And he just you know, 289 00:15:06,560 --> 00:15:08,440 Speaker 1: he doesn't really want to do anything next. You wants 290 00:15:08,440 --> 00:15:10,960 Speaker 1: to be an NBA player, So I hope you'll do 291 00:15:11,080 --> 00:15:12,920 Speaker 1: something someday. But also I don't want to see him 292 00:15:12,920 --> 00:15:15,680 Speaker 1: like randomly in a Marvel movie, So I'll take him 293 00:15:15,720 --> 00:15:17,400 Speaker 1: just I hope he I hope he sticks to that. 294 00:15:19,040 --> 00:15:23,120 Speaker 1: I did love in the movie. These are some technical questions, 295 00:15:23,160 --> 00:15:27,320 Speaker 1: but a lot of the language was very natural, right 296 00:15:27,480 --> 00:15:30,160 Speaker 1: and sort of sam that I would have a line 297 00:15:30,760 --> 00:15:33,440 Speaker 1: he's married to clean the teeth in the movie. I 298 00:15:33,480 --> 00:15:36,440 Speaker 1: thought their relationship was great. The way they interacted each 299 00:15:36,440 --> 00:15:40,880 Speaker 1: other interacted with each other was fantastic. Um, how many 300 00:15:40,880 --> 00:15:43,120 Speaker 1: of those lines end up being scripted? And how many 301 00:15:43,120 --> 00:15:46,280 Speaker 1: of those are Adam Sandler just sort of throwing something 302 00:15:46,320 --> 00:15:49,600 Speaker 1: in off of various takes a lot of them were scripted, 303 00:15:49,680 --> 00:15:52,280 Speaker 1: And I'm not I don't just say that like there 304 00:15:52,360 --> 00:15:56,640 Speaker 1: was there's definitely improv but Adams really really talented actor. 305 00:15:56,800 --> 00:15:59,160 Speaker 1: And I will say this too, from a meta standpoint, 306 00:15:59,240 --> 00:16:01,880 Speaker 1: like a surreal thing for me was I mean the 307 00:16:01,920 --> 00:16:04,720 Speaker 1: first movies I can remember seeing multiple times in the 308 00:16:04,720 --> 00:16:07,280 Speaker 1: theater where like Billy Madison and Have to gil More 309 00:16:07,320 --> 00:16:10,160 Speaker 1: like I was, I was thirteen or four teen when 310 00:16:10,200 --> 00:16:12,720 Speaker 1: they came out, those that that run began for him, 311 00:16:13,000 --> 00:16:15,000 Speaker 1: so as it as real and cool as it was 312 00:16:15,040 --> 00:16:18,239 Speaker 1: when the Stars born to you know, Sea Lady Gaga, 313 00:16:18,320 --> 00:16:20,920 Speaker 1: you know, stopping the movie with their voice and and 314 00:16:21,040 --> 00:16:23,880 Speaker 1: working with Bradley and then watching that translate onto the screen. 315 00:16:24,240 --> 00:16:26,280 Speaker 1: Like I didn't grow up watching Bradley Cooper, like I 316 00:16:26,320 --> 00:16:29,240 Speaker 1: grew up lessons of humor. Everything's influenced by him. So 317 00:16:29,360 --> 00:16:32,480 Speaker 1: writing dial of him was very natural and it was 318 00:16:32,520 --> 00:16:34,720 Speaker 1: one of those things where they also the more times 319 00:16:34,760 --> 00:16:37,720 Speaker 1: you refine the script, you know, there's like you just 320 00:16:37,760 --> 00:16:39,800 Speaker 1: find stuff and so you know, you add the lines 321 00:16:39,880 --> 00:16:42,240 Speaker 1: get added in as you go. There's always the point 322 00:16:42,240 --> 00:16:44,640 Speaker 1: where you gotta you gotta shrink the production down. And 323 00:16:44,680 --> 00:16:47,960 Speaker 1: so yeah, there was stuff that I think that they 324 00:16:48,040 --> 00:16:50,400 Speaker 1: definitely improved. I think there's a couple of lines, like 325 00:16:50,720 --> 00:16:53,560 Speaker 1: I think one one they definitely was improv like uh 326 00:16:53,800 --> 00:16:57,480 Speaker 1: Adam did the uh like the whole the whole Porner 327 00:16:57,680 --> 00:17:01,520 Speaker 1: thing that the porn addition they was scripted, but both 328 00:17:01,760 --> 00:17:04,879 Speaker 1: improvised to like want him improvised the it wasn't me 329 00:17:05,240 --> 00:17:07,040 Speaker 1: and then Adam responded, so like, there are a couple 330 00:17:07,040 --> 00:17:09,119 Speaker 1: of spots like that, but it'd be surprised more than that, 331 00:17:09,200 --> 00:17:10,840 Speaker 1: and I would tell you if it wasn't. There's a 332 00:17:10,840 --> 00:17:12,800 Speaker 1: lot that is scripted, and there's definitely you know, they're 333 00:17:12,840 --> 00:17:15,919 Speaker 1: just they're both tremendous actors, and that's everybody in the 334 00:17:15,960 --> 00:17:18,920 Speaker 1: movie is great. Ben Foster is fantastic and just such 335 00:17:18,920 --> 00:17:21,280 Speaker 1: a good actor to take everything and turn it into 336 00:17:21,320 --> 00:17:25,640 Speaker 1: just it's supposed to sound like it's not scripted. You know. Yeah, 337 00:17:25,680 --> 00:17:28,320 Speaker 1: I'm so glad you mentioned Ben Foster because again I'm 338 00:17:28,359 --> 00:17:30,720 Speaker 1: I'm one of the few people that I actually really 339 00:17:30,760 --> 00:17:33,240 Speaker 1: really like Ben Foster, even though most movie he plays, 340 00:17:33,800 --> 00:17:36,119 Speaker 1: he plays this kind of character, the kind of person 341 00:17:36,160 --> 00:17:39,080 Speaker 1: you don't really like. And it would have been Pandoram 342 00:17:39,080 --> 00:17:40,240 Speaker 1: that was like one of the movies I can think 343 00:17:40,240 --> 00:17:41,960 Speaker 1: of with him. He was the lead star. Not maybe 344 00:17:41,960 --> 00:17:43,840 Speaker 1: people have seen it, but it's a good, good sci 345 00:17:43,880 --> 00:17:47,320 Speaker 1: fi movie. But Anthony Edwards man, to me that really 346 00:17:47,400 --> 00:17:50,840 Speaker 1: jumped off in this movie where ship talking was really 347 00:17:50,880 --> 00:17:53,359 Speaker 1: amazing because it's just not that I'm saying you guys 348 00:17:53,359 --> 00:17:55,280 Speaker 1: went to and said, hey, do what you do on 349 00:17:55,320 --> 00:17:58,000 Speaker 1: the court. You can tell that was not natural to him. 350 00:17:58,000 --> 00:18:00,880 Speaker 1: But he's that cocky, really good athlete. You can tell 351 00:18:01,000 --> 00:18:03,639 Speaker 1: he came from not the streets, but he grew up 352 00:18:03,640 --> 00:18:07,560 Speaker 1: playing street basketball. Like that's that's how they work yet, right, 353 00:18:07,640 --> 00:18:09,320 Speaker 1: these guys that they try to break you down mentally 354 00:18:09,440 --> 00:18:11,760 Speaker 1: take you off your game. I love that the first 355 00:18:11,760 --> 00:18:13,600 Speaker 1: time they played against each other. I love that whole 356 00:18:13,600 --> 00:18:16,119 Speaker 1: thing where you know, Cruiz comes down, he hits a 357 00:18:16,240 --> 00:18:18,359 Speaker 1: three and he's feeling like he's in a rhythm, and 358 00:18:18,480 --> 00:18:20,840 Speaker 1: right there, Anthony Edwards keeps going, he keeps getting his 359 00:18:20,880 --> 00:18:22,120 Speaker 1: head and it was just kind of cool that whole 360 00:18:22,160 --> 00:18:24,720 Speaker 1: evolution of that part. Because we talked all the time. 361 00:18:24,760 --> 00:18:28,240 Speaker 1: He Chad, people don't get how much of sports is mental. 362 00:18:28,359 --> 00:18:30,199 Speaker 1: Like all these guys just have the talent, they have 363 00:18:30,359 --> 00:18:33,200 Speaker 1: the skills, it's the mental stuff that's what makes Michael 364 00:18:33,280 --> 00:18:36,119 Speaker 1: Jordan Michael Jordan, Lebron Lebron, So I would love to 365 00:18:36,119 --> 00:18:38,600 Speaker 1: hear how you guys worked with Edwards, because to me, 366 00:18:39,119 --> 00:18:41,120 Speaker 1: I thought he was the best actor of all the athletes. 367 00:18:41,160 --> 00:18:45,640 Speaker 1: He was incredible, credible, he really he really uh well, 368 00:18:45,640 --> 00:18:47,360 Speaker 1: he didn't watch him new each other. So he ended 369 00:18:47,400 --> 00:18:49,919 Speaker 1: up in the movie because they played on the symbolves together. 370 00:18:50,280 --> 00:18:53,560 Speaker 1: Want to recommended him and then I love him as 371 00:18:53,600 --> 00:18:56,120 Speaker 1: a player. I love everything about it any which he's 372 00:18:56,200 --> 00:18:59,719 Speaker 1: just everything. He's a he's a great basketbplayer, great personality. 373 00:19:00,000 --> 00:19:01,640 Speaker 1: It seems like a guy that you just can't help 374 00:19:01,640 --> 00:19:04,400 Speaker 1: but root for um. So then when he came on 375 00:19:04,880 --> 00:19:06,960 Speaker 1: and this is a testament, like and again, I would 376 00:19:06,960 --> 00:19:09,560 Speaker 1: tell you if it wasn't scripted. All that stuff was scripted, 377 00:19:09,560 --> 00:19:11,760 Speaker 1: except for when he says that ship's whack. That's the 378 00:19:11,760 --> 00:19:14,400 Speaker 1: only thing I had n't write. Everything else was him 379 00:19:14,480 --> 00:19:16,840 Speaker 1: just taking what was on the page and then making 380 00:19:16,880 --> 00:19:19,359 Speaker 1: it his own. And you're absolutely right, Simon, that was 381 00:19:19,440 --> 00:19:23,200 Speaker 1: I say. There's always there's always moments on every as 382 00:19:23,200 --> 00:19:25,560 Speaker 1: a screenwriter, especially where you're trying to figure out, like 383 00:19:25,600 --> 00:19:28,000 Speaker 1: what's gonna drive the second act, Like what what is 384 00:19:28,000 --> 00:19:30,320 Speaker 1: going to be the obstacle? So like in The Stars Burn, 385 00:19:30,359 --> 00:19:32,800 Speaker 1: it was like the pop music or getting stuff into 386 00:19:32,800 --> 00:19:34,920 Speaker 1: the system, and like that was gonna be the thing 387 00:19:34,960 --> 00:19:36,320 Speaker 1: that was going to kind of be the like so 388 00:19:36,480 --> 00:19:38,919 Speaker 1: Blone needed something to overcome, and like it couldn't just 389 00:19:39,000 --> 00:19:42,439 Speaker 1: be you know, uh, he just needs to train harder. 390 00:19:42,440 --> 00:19:44,720 Speaker 1: There had to be something he actually had to try 391 00:19:44,760 --> 00:19:47,600 Speaker 1: to get over. And and yeah, again being a huge 392 00:19:47,720 --> 00:19:50,600 Speaker 1: NBA fan, it is it's everything. I mean, honestly, if 393 00:19:50,800 --> 00:19:53,679 Speaker 1: I played, like if I'm playing horse in my backyard 394 00:19:54,080 --> 00:19:56,200 Speaker 1: with my like my wife will and I will will 395 00:19:56,240 --> 00:19:59,240 Speaker 1: play if if she makes a shot from twelve feet, 396 00:19:59,560 --> 00:20:01,840 Speaker 1: the feel thing of trying to hit that shot knowing 397 00:20:01,920 --> 00:20:04,320 Speaker 1: I have to hit it, you know, it just it 398 00:20:04,400 --> 00:20:06,480 Speaker 1: changes the feeling. I could stand there and hit from 399 00:20:06,560 --> 00:20:08,639 Speaker 1: like a free throw for the most part without not 400 00:20:08,640 --> 00:20:10,280 Speaker 1: that I'm very good, I'm terrible, but like you know 401 00:20:10,320 --> 00:20:11,720 Speaker 1: what I mean, if there's nobody in front of me, 402 00:20:12,000 --> 00:20:14,679 Speaker 1: so it's like I can only imagine what that feels 403 00:20:14,680 --> 00:20:16,760 Speaker 1: like when you're moving at the speed these guys move 404 00:20:16,840 --> 00:20:19,679 Speaker 1: at and and it's it's all mental. I mean Steph Curry, 405 00:20:20,040 --> 00:20:21,760 Speaker 1: you know, watching him and when he was in his 406 00:20:21,840 --> 00:20:24,280 Speaker 1: a stone in his prime, but that those those I 407 00:20:24,359 --> 00:20:26,880 Speaker 1: always remember the Oklahoma City game where he he wanted 408 00:20:26,920 --> 00:20:29,080 Speaker 1: from half court, so he's the twelve threes in that game. 409 00:20:29,080 --> 00:20:32,359 Speaker 1: That that's not just skill, that's like he's in the 410 00:20:32,400 --> 00:20:34,800 Speaker 1: last Dance. They described Michael Jordan the last episode, they 411 00:20:34,800 --> 00:20:36,960 Speaker 1: say that that's the key with secret. With Michaels, he 412 00:20:37,000 --> 00:20:38,919 Speaker 1: was a mystic. He was always in the moment. He 413 00:20:39,000 --> 00:20:41,800 Speaker 1: never expected to miss, he never expected to do anything 414 00:20:41,840 --> 00:20:43,840 Speaker 1: but make it. And and he's the greatest player of 415 00:20:43,840 --> 00:20:46,240 Speaker 1: all time. And I think that that's everything. So yeah, 416 00:20:46,280 --> 00:20:49,120 Speaker 1: it was a natural fit for his for Bose kind 417 00:20:49,119 --> 00:20:51,160 Speaker 1: of character art. And I got to do that fun 418 00:20:51,200 --> 00:20:53,320 Speaker 1: bit with Adam making fun of him, which I really enjoyed. 419 00:20:54,440 --> 00:20:57,879 Speaker 1: It was that I thought the athletes overall in the 420 00:20:57,920 --> 00:21:02,560 Speaker 1: movie every fantastic. Kenny Smith who was in the movie 421 00:21:02,880 --> 00:21:06,600 Speaker 1: not even playing Kenny Smith, it was ridiculously good. How 422 00:21:06,680 --> 00:21:11,000 Speaker 1: much how much in this is coaching? How many times 423 00:21:11,000 --> 00:21:13,360 Speaker 1: did you have to say to them, Okay, the director 424 00:21:13,359 --> 00:21:16,719 Speaker 1: is seeing him do it differently, Like were they comfortable immediately? 425 00:21:16,880 --> 00:21:19,159 Speaker 1: How do you even know? I'm asking me eight questions 426 00:21:19,160 --> 00:21:23,639 Speaker 1: here that do that? Well? Two things? So h A 427 00:21:23,680 --> 00:21:25,800 Speaker 1: lot of a ton of credit for that goes to Jeremiah, 428 00:21:25,800 --> 00:21:28,720 Speaker 1: director director, all the credit for that that, But I 429 00:21:28,720 --> 00:21:31,280 Speaker 1: also have to compredit to Adam as a producer because 430 00:21:31,400 --> 00:21:33,639 Speaker 1: when after when we first were trying to find director 431 00:21:33,640 --> 00:21:35,639 Speaker 1: because remember first we're trying to get it for summer. 432 00:21:35,720 --> 00:21:39,359 Speaker 1: So they went out really quickly. And Jeremiah's first movie 433 00:21:39,400 --> 00:21:42,120 Speaker 1: called We the Animals, and he what two things you'll 434 00:21:42,119 --> 00:21:44,120 Speaker 1: notice about it if you're watch it. It's like, it's 435 00:21:44,240 --> 00:21:46,880 Speaker 1: visually very interesting. It's a low budget movie. He did 436 00:21:46,880 --> 00:21:49,399 Speaker 1: a ton with the camera that really it's visceral and 437 00:21:49,440 --> 00:21:51,040 Speaker 1: you just continue. You knew he had a great eye. 438 00:21:51,240 --> 00:21:53,080 Speaker 1: The other thing that is he worked with non actors, 439 00:21:53,280 --> 00:21:55,760 Speaker 1: so Adam knew as a producer and he doesn't get 440 00:21:55,920 --> 00:21:59,040 Speaker 1: nearly enough credit like he he is. He was the 441 00:21:59,160 --> 00:22:01,639 Speaker 1: key producer of the movie beyond being the star in 442 00:22:01,680 --> 00:22:04,359 Speaker 1: the Driving Force like that decision was huge and so 443 00:22:04,480 --> 00:22:07,600 Speaker 1: every every NBA player we had a director who knew 444 00:22:07,600 --> 00:22:09,399 Speaker 1: how to get those natural moments. But I'll tell you 445 00:22:09,400 --> 00:22:12,400 Speaker 1: specifically about Kenny because I beating. I met Kenny at 446 00:22:12,400 --> 00:22:14,320 Speaker 1: the premiere. I saw him in Philly, and I mean, 447 00:22:14,320 --> 00:22:16,360 Speaker 1: I'll probably acide the last time, so I'll probably see 448 00:22:16,359 --> 00:22:17,800 Speaker 1: you again in my life. This is really cool for 449 00:22:17,840 --> 00:22:19,639 Speaker 1: makes I watch you like every night for all of 450 00:22:19,640 --> 00:22:23,760 Speaker 1: the spring. Um. He he said this. The other thing 451 00:22:23,760 --> 00:22:25,520 Speaker 1: I think is the way these guys are wired. So 452 00:22:25,560 --> 00:22:27,639 Speaker 1: this is just what Kenny told me when he he 453 00:22:27,680 --> 00:22:29,800 Speaker 1: read the script and Adam had called him to to 454 00:22:29,960 --> 00:22:32,320 Speaker 1: just say want him to do it. And Kenny had 455 00:22:32,320 --> 00:22:34,840 Speaker 1: played like himself and cameos, but he's never done like 456 00:22:34,840 --> 00:22:36,960 Speaker 1: a real acting thing, so he knew. He said, I 457 00:22:36,960 --> 00:22:40,040 Speaker 1: need twenty four hours he and he just like thought 458 00:22:40,080 --> 00:22:42,800 Speaker 1: about it because once he decided to do it, he 459 00:22:42,920 --> 00:22:45,359 Speaker 1: was going to he did. He did he acting coach 460 00:22:45,440 --> 00:22:47,479 Speaker 1: every day for a month. He just worked like two 461 00:22:47,520 --> 00:22:50,080 Speaker 1: or three hours a day to to be to becolm 462 00:22:50,119 --> 00:22:52,679 Speaker 1: the actors. So his like his pro athlete work ethic 463 00:22:52,760 --> 00:22:55,159 Speaker 1: kicked in and once he decided to do it, he's 464 00:22:55,160 --> 00:22:56,919 Speaker 1: gonna do it great. So I think a lot of 465 00:22:56,960 --> 00:22:58,760 Speaker 1: these guys, you know, some of that is just like 466 00:22:59,160 --> 00:23:00,920 Speaker 1: you know you're gonna do something. You're not going to 467 00:23:01,040 --> 00:23:02,480 Speaker 1: just mail it in. You're gonna do it. You're gonna 468 00:23:02,520 --> 00:23:04,840 Speaker 1: do it really well. So in that combination of that 469 00:23:04,880 --> 00:23:06,640 Speaker 1: with the director who really knows how to get those 470 00:23:06,720 --> 00:23:09,800 Speaker 1: natural moments, um, yeah, it really worked out. And that's 471 00:23:09,800 --> 00:23:12,320 Speaker 1: the coolest feeling. Man, Like you can't being a writer. 472 00:23:12,440 --> 00:23:14,720 Speaker 1: You just you control so little, you know. Again, it's 473 00:23:14,720 --> 00:23:16,440 Speaker 1: like being a role player. If you you can be 474 00:23:16,480 --> 00:23:18,760 Speaker 1: an amazing role player if you're not on a team 475 00:23:18,760 --> 00:23:20,840 Speaker 1: with you, honest, if you're not on a team with 476 00:23:20,920 --> 00:23:25,520 Speaker 1: steph and and Draymond or Tatum, Like there's you need 477 00:23:25,560 --> 00:23:28,680 Speaker 1: the the the guy to get you there, but there's 478 00:23:28,760 --> 00:23:31,280 Speaker 1: a it's an amazing feeling when it does. And also, 479 00:23:31,359 --> 00:23:33,800 Speaker 1: you know, we play an important role, but it's just 480 00:23:34,640 --> 00:23:37,840 Speaker 1: the movie is so much out of our hands. Well, 481 00:23:37,880 --> 00:23:41,879 Speaker 1: you mentioned the most important word to me, which was 482 00:23:42,680 --> 00:23:48,399 Speaker 1: this movie was really natural and seamless. It didn't go 483 00:23:48,520 --> 00:23:55,200 Speaker 1: for anything cheap, like. Adam Sandler's lines felt completely reactive. 484 00:23:55,560 --> 00:23:58,800 Speaker 1: And in the moment um, you know, he and Kenny 485 00:23:58,880 --> 00:24:02,360 Speaker 1: Smith are sitting around a pool in Spain and there's 486 00:24:02,400 --> 00:24:06,240 Speaker 1: beautiful women all over and they're all topless, and uh, 487 00:24:06,359 --> 00:24:09,120 Speaker 1: Kenny Smith is trying to get Adam Sandler to turn around, 488 00:24:09,160 --> 00:24:11,320 Speaker 1: and Adam Sandler was like, if I turned around, my 489 00:24:11,359 --> 00:24:13,720 Speaker 1: wife is gonna kill me. And finally he gets him 490 00:24:13,720 --> 00:24:18,320 Speaker 1: to do it and they're staring at right like or 491 00:24:18,720 --> 00:24:21,120 Speaker 1: there was even a moment where Adam Sandler is sitting 492 00:24:21,160 --> 00:24:24,320 Speaker 1: at his kitchen table in a really powerful, stressful moment 493 00:24:24,520 --> 00:24:27,000 Speaker 1: towards the end of the movie, and he's texting something 494 00:24:27,040 --> 00:24:30,480 Speaker 1: in his daughter is trying to say something to him, 495 00:24:30,640 --> 00:24:33,520 Speaker 1: which ultimately turns out to be something incredibly important, but 496 00:24:33,600 --> 00:24:36,600 Speaker 1: he's just sort of shushing her the whole time. And 497 00:24:36,920 --> 00:24:39,919 Speaker 1: anyone who has kids who was trying to sort of 498 00:24:39,960 --> 00:24:43,520 Speaker 1: manage something stressful while the kids are talking to them 499 00:24:43,640 --> 00:24:46,600 Speaker 1: has said that line a thousand times. But the way 500 00:24:46,640 --> 00:24:49,159 Speaker 1: he said and the way it was delivered just felt 501 00:24:49,200 --> 00:24:52,000 Speaker 1: like he was a dude who was a dad talking 502 00:24:52,000 --> 00:24:55,000 Speaker 1: to his daughter. It's just like everything about the movie 503 00:24:55,000 --> 00:24:59,800 Speaker 1: actually felt really sort of totally perfect, and Jabal fetters. 504 00:25:00,520 --> 00:25:02,280 Speaker 1: That's a tough thing to do. I'll say one last 505 00:25:02,280 --> 00:25:04,480 Speaker 1: thing about that, because that again goes to the you 506 00:25:04,480 --> 00:25:06,440 Speaker 1: know that there's a script element to it, but that 507 00:25:06,600 --> 00:25:09,040 Speaker 1: that was something to be able to walk the line 508 00:25:09,040 --> 00:25:13,040 Speaker 1: and tone between like you know, a drama that that's 509 00:25:13,040 --> 00:25:15,720 Speaker 1: gonna try to get you to cry in certain spots, 510 00:25:15,920 --> 00:25:17,800 Speaker 1: but then also to be able to have a scene 511 00:25:17,800 --> 00:25:19,600 Speaker 1: like the one you just to Kenny Smith and and 512 00:25:19,960 --> 00:25:24,920 Speaker 1: Adams seen at the pool. Like Adam's superpower is that 513 00:25:24,960 --> 00:25:28,040 Speaker 1: he is kind of like a regular guy. He's very smart, 514 00:25:28,080 --> 00:25:30,680 Speaker 1: and he's incredibly talented, but he really is like one 515 00:25:30,720 --> 00:25:35,119 Speaker 1: of the most regular guys that everybody says this about it, 516 00:25:35,200 --> 00:25:38,080 Speaker 1: so I know him enough to say that from personal experience. 517 00:25:38,119 --> 00:25:41,800 Speaker 1: But there that the line between the movie being funny 518 00:25:41,840 --> 00:25:44,600 Speaker 1: and having like actual like the opening scene with Boumont, 519 00:25:44,880 --> 00:25:47,120 Speaker 1: like that's a scripted scene that's like, it's funny, it's 520 00:25:47,160 --> 00:25:49,480 Speaker 1: meant to kind of it's it's got a silliness. And 521 00:25:49,520 --> 00:25:51,960 Speaker 1: I we've been compared favorably by a few people to 522 00:25:52,040 --> 00:25:55,439 Speaker 1: Jerry McGuire and rewatching Jerry McGuire that that is that 523 00:25:55,480 --> 00:25:57,119 Speaker 1: movie has that too, where it's like it could have 524 00:25:57,200 --> 00:25:59,680 Speaker 1: been cheesy, it could have been corny. The kid could 525 00:25:59,720 --> 00:26:01,920 Speaker 1: have really made it seem weird. But those scenes because 526 00:26:02,000 --> 00:26:04,679 Speaker 1: Tom so good in the movie just kind of work, 527 00:26:04,880 --> 00:26:06,919 Speaker 1: like you know, it's a you feel like it's a movie. 528 00:26:07,080 --> 00:26:10,359 Speaker 1: And then but at the same time, it doesn't lose 529 00:26:10,400 --> 00:26:12,719 Speaker 1: the audience to where you just you still say suffd 530 00:26:12,880 --> 00:26:16,879 Speaker 1: And so, yeah, the NBA Finals are here, and so 531 00:26:17,040 --> 00:26:20,000 Speaker 1: is your chance to score big on Fan Duel Sports book. 532 00:26:20,000 --> 00:26:22,760 Speaker 1: Throughout the NBA Finals, FanDuel is giving you customer to 533 00:26:23,200 --> 00:26:27,680 Speaker 1: hundred dollars in free bets guaranteed when you place your 534 00:26:27,720 --> 00:26:30,880 Speaker 1: first five dollar bet bet. The money line, point spreads, 535 00:26:30,880 --> 00:26:34,320 Speaker 1: player props, and so much more. 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He's 562 00:28:00,040 --> 00:28:02,919 Speaker 1: on basketball. I mean, he's done these movies. People forget. 563 00:28:02,960 --> 00:28:05,040 Speaker 1: I will never forget Big Daddy. He had a scene 564 00:28:05,080 --> 00:28:08,560 Speaker 1: where he's hitting baseballs. That is not a kid that 565 00:28:08,760 --> 00:28:11,480 Speaker 1: has a naturally good baseball swing. I don't know if 566 00:28:11,520 --> 00:28:14,159 Speaker 1: you played it growing up, but to me, that's the 567 00:28:14,160 --> 00:28:16,160 Speaker 1: next thing I don't need needs to do a baseball movie. 568 00:28:16,200 --> 00:28:18,680 Speaker 1: It's like, you can tell again he's a hooper. I've 569 00:28:18,720 --> 00:28:21,840 Speaker 1: seen these photos of always going around shooting hoops. I 570 00:28:21,880 --> 00:28:24,040 Speaker 1: bet you Adams a baseball player. Like again, his stance, 571 00:28:24,080 --> 00:28:26,520 Speaker 1: the way he swung the bat. I have no doubt 572 00:28:26,560 --> 00:28:28,199 Speaker 1: Adam wants to do a baseball movie. You can just 573 00:28:28,240 --> 00:28:30,679 Speaker 1: tell he's naturally a baseball player. So I would love 574 00:28:30,720 --> 00:28:32,600 Speaker 1: to hear. If this is what makes you, this is 575 00:28:32,680 --> 00:28:35,160 Speaker 1: what makes you a shark, this makes you a pro pro, 576 00:28:35,240 --> 00:28:37,080 Speaker 1: You'll notice those little details. You pick it up from 577 00:28:37,080 --> 00:28:39,959 Speaker 1: the swing and Big Daddy that you're right. That is 578 00:28:40,000 --> 00:28:42,480 Speaker 1: his best sport is the sport that he And when 579 00:28:42,480 --> 00:28:45,000 Speaker 1: you talked about this at dinner, Unzo, and it was 580 00:28:45,040 --> 00:28:47,960 Speaker 1: like that, yeah, because one of my favorite movies Bull 581 00:28:48,000 --> 00:28:51,200 Speaker 1: Dohm and Uh and I and it just like Adam 582 00:28:51,240 --> 00:28:53,640 Speaker 1: in a role like crash, like he would just crush 583 00:28:53,720 --> 00:28:56,600 Speaker 1: and and so it's definitely something that I don't ask yet, 584 00:28:56,720 --> 00:28:58,760 Speaker 1: but it's it's something that I think if I could 585 00:28:58,760 --> 00:29:01,520 Speaker 1: find the right way, and um, I think I'd love 586 00:29:01,560 --> 00:29:03,040 Speaker 1: to find him like or a league of their own, 587 00:29:03,440 --> 00:29:05,400 Speaker 1: like a movie that just he gets to play like 588 00:29:05,520 --> 00:29:07,320 Speaker 1: he could he could play the manager. I think at 589 00:29:07,320 --> 00:29:09,160 Speaker 1: this point you know he was talking about that too. 590 00:29:09,160 --> 00:29:12,280 Speaker 1: How it's like, you know, it's everybody, we all get 591 00:29:12,320 --> 00:29:15,040 Speaker 1: an except chat. That was very good for I imagine 592 00:29:15,080 --> 00:29:17,920 Speaker 1: you're older than thirty five. But I feel like once 593 00:29:17,960 --> 00:29:20,120 Speaker 1: I hit forty. I just turned forty last year, and 594 00:29:20,160 --> 00:29:22,920 Speaker 1: it's like the bags under my eyes get get heavier, 595 00:29:23,000 --> 00:29:24,640 Speaker 1: and you know, just trying to hold onto the hair 596 00:29:24,680 --> 00:29:27,560 Speaker 1: on my head and Adam, you're the joints start to 597 00:29:27,640 --> 00:29:30,240 Speaker 1: hurt and it's like, oh man, this is crazy. And Adam, 598 00:29:30,760 --> 00:29:32,920 Speaker 1: he's in his fifties so he held on a little longer. 599 00:29:32,960 --> 00:29:35,760 Speaker 1: But yeah, it's it's I think he is actually being 600 00:29:35,800 --> 00:29:38,040 Speaker 1: a player. Maybe we're past that, but he could be 601 00:29:38,040 --> 00:29:43,280 Speaker 1: a great manager. Um number one, everyone knows that Jews 602 00:29:43,280 --> 00:29:51,560 Speaker 1: from New Hampshire great as It's like undiscovered athletics to 603 00:29:52,360 --> 00:29:55,920 Speaker 1: everyone knows. Uh. Yeah, I am older than both of you. 604 00:29:56,000 --> 00:29:59,680 Speaker 1: Fucker's Uh. I stopped playing basketball at forty when I 605 00:30:00,240 --> 00:30:04,080 Speaker 1: in the span of six months, tore my labor, broke 606 00:30:04,120 --> 00:30:07,720 Speaker 1: a rib and shredded a finger and decided that's it. 607 00:30:08,200 --> 00:30:12,240 Speaker 1: I'm done. Um, I feel like I would want to 608 00:30:12,280 --> 00:30:18,080 Speaker 1: have a all day movie fest with Will Simon because 609 00:30:19,120 --> 00:30:21,760 Speaker 1: Bull Durham is one of my favorite movies. I felt 610 00:30:21,800 --> 00:30:24,400 Speaker 1: like and and and it's hard to thread the needle 611 00:30:24,640 --> 00:30:33,920 Speaker 1: on sports movies. And now there's two great Philadelphia sports movies. Invincible, uh, 612 00:30:34,160 --> 00:30:38,280 Speaker 1: the Vince Papali Story, which, uh, let's let you're really 613 00:30:38,280 --> 00:30:44,440 Speaker 1: gonna about Rocky. I wasn't gonna forget Rocky, so we're 614 00:30:45,000 --> 00:30:49,040 Speaker 1: not in it. So it's Invincible and Invincible. I said, 615 00:30:49,080 --> 00:30:56,400 Speaker 1: three Invincible, Rocky and now Hustle three Great Philadelphia. I 616 00:30:56,440 --> 00:30:59,560 Speaker 1: love Invincible to chat. We should do a movie thing sometimes, 617 00:30:59,760 --> 00:31:03,080 Speaker 1: I I really do. Uh. It was a movie I 618 00:31:03,080 --> 00:31:05,040 Speaker 1: remember seen in the theater and being like, damn, I 619 00:31:05,280 --> 00:31:07,880 Speaker 1: really actually I'm enjoying this and I knew part of 620 00:31:07,880 --> 00:31:10,040 Speaker 1: his probably because like I'm from Philly. It grew up 621 00:31:10,040 --> 00:31:12,200 Speaker 1: going to that stadium. Well, I Philly area and not 622 00:31:12,280 --> 00:31:14,959 Speaker 1: from Philly. Gaff forbid. I don't want to Donna claim, 623 00:31:15,160 --> 00:31:17,720 Speaker 1: you know, heritage I don't have. But that's a weird 624 00:31:17,720 --> 00:31:20,160 Speaker 1: thing being from women in Delaware. It's like Jeremiah was 625 00:31:20,160 --> 00:31:23,360 Speaker 1: born in South Philly, and Jeremiah like authentic. His dad 626 00:31:23,560 --> 00:31:27,560 Speaker 1: uh an artist designed to the gardens. There's some art 627 00:31:27,600 --> 00:31:30,040 Speaker 1: in there that his dad is. He's like super authentic, 628 00:31:30,080 --> 00:31:32,080 Speaker 1: Like he did grow up in the city. When you're 629 00:31:32,080 --> 00:31:34,560 Speaker 1: outside the city, it's like it's like it's your city. 630 00:31:34,600 --> 00:31:36,520 Speaker 1: But I'm not from the city, you know what I mean? 631 00:31:36,840 --> 00:31:39,000 Speaker 1: So I don't. I didn't get to like the favorite 632 00:31:39,040 --> 00:31:41,040 Speaker 1: son treatment, but I did get to like, well, he's 633 00:31:41,080 --> 00:31:44,800 Speaker 1: the reason the movies here, so um well as the 634 00:31:44,800 --> 00:31:48,880 Speaker 1: person who wrote the book Invincible, Uh, well, really That's 635 00:31:48,920 --> 00:31:50,040 Speaker 1: all I wanted to say is that I wrote the 636 00:31:50,040 --> 00:31:53,880 Speaker 1: book invincible, But really, how do I know that? Yeah, yeah, 637 00:31:54,160 --> 00:31:57,120 Speaker 1: it's one of my seven one of my seven books. Uh, 638 00:31:57,200 --> 00:32:03,200 Speaker 1: it was I didn't with Vince Papali, who's one of 639 00:32:03,200 --> 00:32:07,040 Speaker 1: the classiest guys in the world. Love the guy to death. Uh, 640 00:32:07,320 --> 00:32:10,880 Speaker 1: pure joy, pure optimism, pure happiness. I would drive at 641 00:32:10,920 --> 00:32:13,360 Speaker 1: the time, I was living in Montclair, New Jersey. He 642 00:32:13,480 --> 00:32:16,600 Speaker 1: was in Cherry Hill. I would drive down from Montclair 643 00:32:16,720 --> 00:32:23,200 Speaker 1: ninety minutes down uh the turnpike to Cherry Hill, and 644 00:32:23,480 --> 00:32:26,200 Speaker 1: I'd sit in his basement and I turned on my 645 00:32:26,240 --> 00:32:28,920 Speaker 1: recorder and he would just start talking. He would tell 646 00:32:28,920 --> 00:32:31,200 Speaker 1: the greatest stories in the world, so many stories that 647 00:32:31,240 --> 00:32:35,080 Speaker 1: couldn't even end up in the book. And um and 648 00:32:35,280 --> 00:32:37,360 Speaker 1: at one point, it was right when my second kid 649 00:32:37,400 --> 00:32:40,880 Speaker 1: was born, so I was exhausted. And there was one 650 00:32:40,960 --> 00:32:44,000 Speaker 1: day where I started to fall asleep while I was 651 00:32:44,040 --> 00:32:47,880 Speaker 1: recording him in his basement, and I sort of knighted off, 652 00:32:47,920 --> 00:32:49,440 Speaker 1: Like you know how when you're in class sometimes you'll 653 00:32:49,440 --> 00:32:51,960 Speaker 1: not often drink your head up. So I did that 654 00:32:52,080 --> 00:32:54,440 Speaker 1: and he looks and he goes, you don't worry about 655 00:32:54,440 --> 00:32:57,160 Speaker 1: a brother. I can just keep talking and it was 656 00:32:57,280 --> 00:33:01,680 Speaker 1: just like it was the best. It was the total best. 657 00:33:01,760 --> 00:33:03,840 Speaker 1: He was the best. If we were to have a 658 00:33:03,960 --> 00:33:09,920 Speaker 1: movie fest day, I would do Invincible, I would do Builderham, 659 00:33:09,960 --> 00:33:14,480 Speaker 1: I would do Cusier's Um, I would do Moneyball, which 660 00:33:14,560 --> 00:33:17,400 Speaker 1: I feel like. You had a scene in Hustle that 661 00:33:17,600 --> 00:33:20,840 Speaker 1: was a little bit of a of an homage to 662 00:33:20,920 --> 00:33:24,520 Speaker 1: Moneyball when everyone's sitting around the table in the beginning 663 00:33:24,600 --> 00:33:27,240 Speaker 1: talking about players and stuff. And my my kid actually 664 00:33:27,280 --> 00:33:30,040 Speaker 1: asked me he wanted to know from you, was that 665 00:33:30,720 --> 00:33:36,480 Speaker 1: sort of a was that inspired by the scene in Moneyball? Uh? 666 00:33:36,640 --> 00:33:39,520 Speaker 1: It wasn't the sense that that's how teams really work. 667 00:33:39,720 --> 00:33:41,600 Speaker 1: So I mean, obviously I thought about it, but what 668 00:33:41,720 --> 00:33:44,440 Speaker 1: wasn't specifically like that. Honestly, the scene of money Ball 669 00:33:44,480 --> 00:33:46,640 Speaker 1: I feel like plays a little more even like like 670 00:33:46,680 --> 00:33:48,200 Speaker 1: the thing I was talking about, the line you walk 671 00:33:48,240 --> 00:33:51,960 Speaker 1: between like movie scene and and just being like delivering 672 00:33:52,000 --> 00:33:55,240 Speaker 1: the information. I love that scene because Brad keeps pointing 673 00:33:55,280 --> 00:33:58,720 Speaker 1: to Jonah like, uh, you know, he gets on base. 674 00:33:59,080 --> 00:34:00,760 Speaker 1: That's what I mean by it's it's got a rhythm 675 00:34:00,840 --> 00:34:02,880 Speaker 1: and there's like there's a there's kind of a running joke. 676 00:34:02,920 --> 00:34:05,240 Speaker 1: But Aaron Starking great right. I think Steve's Allien wrote 677 00:34:05,240 --> 00:34:08,040 Speaker 1: that with him too. Um, But anyway, this one was 678 00:34:08,080 --> 00:34:11,200 Speaker 1: more it was. It was definitely that's un conscious of that. 679 00:34:11,520 --> 00:34:13,600 Speaker 1: But when I so my first past, I knew, I 680 00:34:13,680 --> 00:34:16,680 Speaker 1: knew that we had this whole uh construct within the team. 681 00:34:16,880 --> 00:34:19,719 Speaker 1: The seventies sixes were super cool and once they kind 682 00:34:19,719 --> 00:34:22,400 Speaker 1: of gave us permission to use um, you know, they 683 00:34:22,680 --> 00:34:24,520 Speaker 1: just got involved. They jumped in with both feet. And 684 00:34:24,560 --> 00:34:27,400 Speaker 1: Dell Demps was our technical advisor, and I spoke to 685 00:34:27,480 --> 00:34:29,920 Speaker 1: Dell Demps like pretty much right away. So off my 686 00:34:30,000 --> 00:34:32,640 Speaker 1: first draft, he and I started talking about like what 687 00:34:33,080 --> 00:34:35,520 Speaker 1: that scene would really sound like. And then the deeper 688 00:34:35,560 --> 00:34:37,920 Speaker 1: we got into the movie, you know, like there's stuff 689 00:34:37,960 --> 00:34:40,520 Speaker 1: during even during production. You know, they made little changes 690 00:34:40,600 --> 00:34:43,160 Speaker 1: during the productions there even the any line of that 691 00:34:43,239 --> 00:34:45,680 Speaker 1: was on there that wasn't like exactly what somebody would say, 692 00:34:46,040 --> 00:34:48,719 Speaker 1: you know, kept was was was changing what somebody would say. 693 00:34:48,760 --> 00:34:51,440 Speaker 1: So that that is very much. Um, it's meant to 694 00:34:51,440 --> 00:34:53,759 Speaker 1: be authentic, and that's how they really do it, man 695 00:34:53,840 --> 00:34:56,040 Speaker 1: and sit around and they argue about it. So I 696 00:34:56,040 --> 00:34:59,080 Speaker 1: found something to like Sacramento Kings drafting room, which not 697 00:34:59,120 --> 00:35:01,160 Speaker 1: the one you necessarily want to model. But that's what 698 00:35:01,200 --> 00:35:03,640 Speaker 1: they don't sit around you argue about who who to 699 00:35:03,719 --> 00:35:06,680 Speaker 1: take and why. Del Dens by the way, former player, 700 00:35:06,719 --> 00:35:09,839 Speaker 1: current coach. So yeah, here's my question for you. Will 701 00:35:09,960 --> 00:35:14,399 Speaker 1: first then signing if we're having a movie day, I've 702 00:35:14,440 --> 00:35:16,680 Speaker 1: given some movies, but there's one I'm holding out on. 703 00:35:17,120 --> 00:35:20,560 Speaker 1: I want to know what is the betting movie that 704 00:35:20,680 --> 00:35:28,000 Speaker 1: you would add to our movie day festival lineup. The 705 00:35:28,280 --> 00:35:30,239 Speaker 1: tough thing here is that I feel like both of 706 00:35:30,320 --> 00:35:33,120 Speaker 1: the two that came to my mind are like kind 707 00:35:33,120 --> 00:35:38,399 Speaker 1: of Homer picks, but like so Uncut Gems is such 708 00:35:38,440 --> 00:35:41,759 Speaker 1: a fantastic gambling movie as far as just like the 709 00:35:41,960 --> 00:35:47,720 Speaker 1: energy how it typically ends for most gambler's metaphorically um. 710 00:35:47,800 --> 00:35:50,040 Speaker 1: And then Silver Linings Playbook, which is another one which 711 00:35:50,040 --> 00:35:51,560 Speaker 1: I thought they just did such a good job of 712 00:35:51,640 --> 00:35:56,440 Speaker 1: weaving the gambling part of the story that was really 713 00:35:56,480 --> 00:35:59,920 Speaker 1: a hard line to walk, and I mean David Russell's 714 00:35:59,920 --> 00:36:01,839 Speaker 1: and incredible at that, but like to make kind of 715 00:36:01,880 --> 00:36:04,200 Speaker 1: like an ending that's it could have been really cheesy 716 00:36:04,320 --> 00:36:06,279 Speaker 1: to have like the dance in the parlay, but like 717 00:36:06,320 --> 00:36:09,839 Speaker 1: it just plays. Um, those two would be on. And 718 00:36:09,880 --> 00:36:13,040 Speaker 1: then I'm gonna give you three and I also I 719 00:36:13,120 --> 00:36:16,400 Speaker 1: love UM trying to think of one outside the Box 720 00:36:16,800 --> 00:36:20,600 Speaker 1: and Michael Clayton where he he is a he is 721 00:36:20,640 --> 00:36:23,799 Speaker 1: a gambling problem and it's kind of the backstory and 722 00:36:23,800 --> 00:36:26,160 Speaker 1: he plays cards in the movies technically counts and I 723 00:36:26,200 --> 00:36:28,560 Speaker 1: just absolutely love that movie. It kind of got It 724 00:36:28,680 --> 00:36:32,200 Speaker 1: came out the year of UM. It's like when you know, 725 00:36:32,239 --> 00:36:34,520 Speaker 1: any team that ran into Michael Jordan's Bulls, like you 726 00:36:34,560 --> 00:36:37,279 Speaker 1: weren't gonna win the finals. Like so Michael Clayton came 727 00:36:37,280 --> 00:36:39,160 Speaker 1: out and was the Oscars the same year as No 728 00:36:39,239 --> 00:36:41,400 Speaker 1: Country for Old Men and There Will be Blood, And 729 00:36:41,440 --> 00:36:43,080 Speaker 1: I just love that movie. And it just kind of 730 00:36:43,120 --> 00:36:44,920 Speaker 1: got so that that would be on my list. Probably 731 00:36:44,960 --> 00:36:46,960 Speaker 1: there's a couple other obvious ones. I'll give Simon, what 732 00:36:47,000 --> 00:36:50,360 Speaker 1: would you say? My number one is easy. It's Rounders. 733 00:36:50,640 --> 00:36:53,920 Speaker 1: I watched Rounders so many times. I burned the VHS 734 00:36:53,960 --> 00:36:58,680 Speaker 1: tape with Rounders. Um, three stacks of high society, don't 735 00:36:58,719 --> 00:37:02,160 Speaker 1: splash the pot, I mean all all of it. I again, 736 00:37:02,200 --> 00:37:03,520 Speaker 1: this is when I was young, and Worlds as a 737 00:37:03,560 --> 00:37:05,680 Speaker 1: Poker was really big in the early two thousand, two 738 00:37:05,680 --> 00:37:08,399 Speaker 1: thousand one, like Chris Moneymaker was just a big deal 739 00:37:08,400 --> 00:37:10,359 Speaker 1: and I'll just never forget where it was like, this 740 00:37:10,400 --> 00:37:11,360 Speaker 1: is why I want to do for the rest of 741 00:37:11,360 --> 00:37:13,799 Speaker 1: my life. I just want to play poker and kind 742 00:37:13,800 --> 00:37:15,440 Speaker 1: of be a card counter like these guys. And as 743 00:37:15,440 --> 00:37:17,640 Speaker 1: I got older, I was like, Okay, now I really 744 00:37:17,680 --> 00:37:21,000 Speaker 1: understand the movie. These guys are miserable as hell, kind 745 00:37:21,080 --> 00:37:24,759 Speaker 1: and trying to get to this lifestyle. So for for me, gambler, 746 00:37:24,800 --> 00:37:27,440 Speaker 1: I I can't get around big of a part of 747 00:37:27,480 --> 00:37:30,400 Speaker 1: my life. Rounders was because it was just not that 748 00:37:30,440 --> 00:37:33,200 Speaker 1: it's authentic, but it really shows you what it's like, 749 00:37:33,200 --> 00:37:35,279 Speaker 1: like you're gonna have these huge risk you need to 750 00:37:35,320 --> 00:37:37,799 Speaker 1: go for it, and you might end up being a 751 00:37:38,040 --> 00:37:40,200 Speaker 1: ups man the rest of your life. Like there's just 752 00:37:40,320 --> 00:37:42,239 Speaker 1: really a lot of risk in this gambling world. I 753 00:37:42,239 --> 00:37:45,120 Speaker 1: felt Rounders, you know, it really broke that down in 754 00:37:45,160 --> 00:37:48,680 Speaker 1: a in a sense that, um, you know, I love 755 00:37:48,719 --> 00:37:51,640 Speaker 1: Adam Sandler, but most most professional betters aren't doing a 756 00:37:51,719 --> 00:37:54,719 Speaker 1: thirteen team parlay to get their money back at the 757 00:37:54,800 --> 00:37:56,920 Speaker 1: end of the thing. It's like it's more like Rounders, 758 00:37:56,920 --> 00:37:59,319 Speaker 1: where it's like, Okay, I'm going for I gotta beat 759 00:37:59,360 --> 00:38:01,680 Speaker 1: this one guy get the money to go do this 760 00:38:01,800 --> 00:38:04,160 Speaker 1: next step in my life. So you know, it's always 761 00:38:04,520 --> 00:38:07,480 Speaker 1: it's always interesting that we've seen movies progress now with gambling, 762 00:38:07,520 --> 00:38:09,560 Speaker 1: because what's the number one thing at the end of 763 00:38:09,560 --> 00:38:12,319 Speaker 1: a gaming movie. They wanted to remind you gambling is bad. 764 00:38:12,440 --> 00:38:14,480 Speaker 1: You don't want to be doing this. So I thought 765 00:38:14,520 --> 00:38:16,279 Speaker 1: that was kind of cool Rounders where they didn't really 766 00:38:16,320 --> 00:38:18,520 Speaker 1: have to do that. They showed kind of the other 767 00:38:18,560 --> 00:38:20,560 Speaker 1: side of it, where it's like you can swim through 768 00:38:20,560 --> 00:38:22,680 Speaker 1: all the slush, all the ship, all the mud, and 769 00:38:22,719 --> 00:38:25,120 Speaker 1: you can make out the other side. So yeah, for me, 770 00:38:25,280 --> 00:38:28,040 Speaker 1: from my favorite gambling movie was definitely always gonna be Rounders. 771 00:38:28,760 --> 00:38:30,880 Speaker 1: So that's a good man, That's what I mean. That 772 00:38:31,000 --> 00:38:33,799 Speaker 1: is really even that insight on it. It is a 773 00:38:33,840 --> 00:38:38,319 Speaker 1: really good one. Rounders is great. It's funny, will no joke. 774 00:38:38,400 --> 00:38:41,960 Speaker 1: In the past two weeks, I've watched Michael Clayton and 775 00:38:42,120 --> 00:38:46,960 Speaker 1: Silver Linings Playbook. Um over Lining Playbook. I had forgotten 776 00:38:46,960 --> 00:38:49,759 Speaker 1: how good it was. So Jennifer Lawrence, she won an 777 00:38:49,760 --> 00:38:52,919 Speaker 1: Academy Award for that. Bradley Cooper was in that. They 778 00:38:52,920 --> 00:38:57,440 Speaker 1: were amazing together. Uh, the way they kept saying a 779 00:38:57,560 --> 00:39:01,200 Speaker 1: parlay was really funny and like the put the where 780 00:39:01,200 --> 00:39:03,480 Speaker 1: they put the accent on it and how they talked 781 00:39:03,480 --> 00:39:06,520 Speaker 1: about it. But the sweatshirt, people can't see it necessarily, 782 00:39:06,520 --> 00:39:09,520 Speaker 1: but Simon is wearing an old school Eagles. Yeah, and 783 00:39:09,560 --> 00:39:13,600 Speaker 1: that is like so Silver Linings Playbook. Um, I love 784 00:39:13,640 --> 00:39:15,799 Speaker 1: both of those movies. Uncut Gems. That was gonna be 785 00:39:15,840 --> 00:39:21,720 Speaker 1: my first choice. And uh, it's such a controversial gambling movie. 786 00:39:22,320 --> 00:39:26,560 Speaker 1: Some people just absolutely hate it. I loved it and 787 00:39:26,680 --> 00:39:29,960 Speaker 1: I thought it was amazing, loved everything about it, and um, 788 00:39:30,000 --> 00:39:32,960 Speaker 1: but we've had people on the podcast you just cannot 789 00:39:33,160 --> 00:39:35,799 Speaker 1: stand that movie. And I don't know why. I thought 790 00:39:35,840 --> 00:39:37,520 Speaker 1: it was I thought it was me. I thought Salmon 791 00:39:37,560 --> 00:39:40,319 Speaker 1: it was great in it. Yeah, I think maybe it's 792 00:39:40,360 --> 00:39:42,720 Speaker 1: they genuinely don't like the way it made them feel. 793 00:39:42,960 --> 00:39:46,520 Speaker 1: Like you people, it's not necessarily enjoyable experience, but the 794 00:39:46,520 --> 00:39:48,759 Speaker 1: movie is incredible to make you feel that way. Yeah, 795 00:39:48,800 --> 00:39:51,160 Speaker 1: it's the anxiety you feel that that whole movie, with 796 00:39:51,280 --> 00:39:54,640 Speaker 1: his characters. That's an all time robbery. I'm not getting 797 00:39:54,640 --> 00:39:57,560 Speaker 1: nominated for that. That was I mean, honestly, you should 798 00:39:57,600 --> 00:39:59,799 Speaker 1: have one. But that was so far in away one 799 00:39:59,840 --> 00:40:02,720 Speaker 1: of the US performances of the year, and given everything 800 00:40:02,760 --> 00:40:04,879 Speaker 1: else he's done, I would have expected it. But yeah, 801 00:40:04,960 --> 00:40:07,839 Speaker 1: Uncle James is up there. The Gambler, I think also 802 00:40:07,880 --> 00:40:09,759 Speaker 1: has to be right. Yeah, I mean the Gambler, but 803 00:40:09,800 --> 00:40:13,640 Speaker 1: it almost feels cliche. And also it's so fucking old now, 804 00:40:13,680 --> 00:40:16,800 Speaker 1: like it's as old as I am, right and so 805 00:40:17,120 --> 00:40:22,160 Speaker 1: um and that is a dark early seventies like almost 806 00:40:22,160 --> 00:40:26,560 Speaker 1: new Irish, almost too realistic look at the life of 807 00:40:26,600 --> 00:40:28,400 Speaker 1: a sports better in the life of the Gambler, I 808 00:40:28,480 --> 00:40:30,360 Speaker 1: think we got our line upset, we got a rounders, 809 00:40:30,360 --> 00:40:32,839 Speaker 1: we got uncut gems, we got silver linings, we got 810 00:40:32,880 --> 00:40:36,560 Speaker 1: Michael Clayton. The only one I would add, uh is 811 00:40:36,640 --> 00:40:39,200 Speaker 1: twenty one, which was based on the book Bringing Down 812 00:40:39,239 --> 00:40:43,160 Speaker 1: the House, written by Alan Lobe, who is another screenwriter 813 00:40:43,160 --> 00:40:47,520 Speaker 1: who's been in the podcast a lot amazing translation to 814 00:40:47,560 --> 00:40:49,960 Speaker 1: the book. Uh, and I just really liked the movie. 815 00:40:49,960 --> 00:40:51,960 Speaker 1: It was fine. It was candy, it was popcorny like 816 00:40:52,000 --> 00:40:54,960 Speaker 1: it just sort of it was sexy. I think it's 817 00:40:54,960 --> 00:40:57,440 Speaker 1: a good one. I'll add to just because yeah, I 818 00:40:57,440 --> 00:41:00,400 Speaker 1: think you gotta put rain Man. Um, we can just 819 00:41:00,440 --> 00:41:02,360 Speaker 1: extend the day, We'll go into the night. Yea, I 820 00:41:02,400 --> 00:41:04,520 Speaker 1: will put rain Man. And then the only other one 821 00:41:04,520 --> 00:41:06,680 Speaker 1: I thought about this and I think it's also it's 822 00:41:06,680 --> 00:41:08,480 Speaker 1: a sports movie, and I think it absolutely is a 823 00:41:08,480 --> 00:41:11,440 Speaker 1: gambling movie because of the eight Men. Of the Eight 824 00:41:11,480 --> 00:41:15,080 Speaker 1: Men out Field of Dreams, Field Up Dreams, he what 825 00:41:15,239 --> 00:41:18,040 Speaker 1: he's effectively doing is gambling, and it's like you can 826 00:41:18,080 --> 00:41:20,120 Speaker 1: make that parallel for it. It's it is a reach 827 00:41:20,160 --> 00:41:23,640 Speaker 1: in some sense, but he very much financially bets everything 828 00:41:24,160 --> 00:41:26,480 Speaker 1: on something that that he feels is going to pay 829 00:41:26,480 --> 00:41:30,040 Speaker 1: off without with no rational reason. Um. And I think 830 00:41:30,160 --> 00:41:32,520 Speaker 1: that I actually really thought it was interesting with said 831 00:41:32,520 --> 00:41:36,319 Speaker 1: about watching Rounders meant to Become because I think about 832 00:41:36,320 --> 00:41:38,400 Speaker 1: the scene in which You'll Know and when he's with 833 00:41:38,440 --> 00:41:41,680 Speaker 1: Martin Landau and he talks about how he they wanted 834 00:41:41,760 --> 00:41:44,120 Speaker 1: him to become a rabbi, his parents, and he went 835 00:41:44,160 --> 00:41:46,919 Speaker 1: into two law and he was just that's what he 836 00:41:47,000 --> 00:41:48,880 Speaker 1: was called to do that. And I think that I 837 00:41:48,960 --> 00:41:51,280 Speaker 1: never really thought about it from that perspective because obviously 838 00:41:51,360 --> 00:41:54,959 Speaker 1: not a professional gambler, uh that that that does show 839 00:41:55,040 --> 00:41:58,440 Speaker 1: you that this is like it's okay to want to 840 00:41:58,480 --> 00:42:00,880 Speaker 1: do this, like it's not, it doesn't it's not for 841 00:42:01,040 --> 00:42:03,640 Speaker 1: all for degenerates. It's like it can be a living 842 00:42:03,719 --> 00:42:05,920 Speaker 1: and it's and it's like it's math, you know. So 843 00:42:06,120 --> 00:42:08,360 Speaker 1: I think it's cool that that that played a role 844 00:42:08,400 --> 00:42:13,520 Speaker 1: in your origin story. Let's not compliment Simon, all right, 845 00:42:13,520 --> 00:42:16,960 Speaker 1: I won't. We don't. We don't compliment Sigmon either. We don't. 846 00:42:17,040 --> 00:42:21,359 Speaker 1: So much love as it is, that's all. Really, it's 847 00:42:21,400 --> 00:42:24,280 Speaker 1: all really funny video on Twitter. I barely am on Twitter, 848 00:42:24,320 --> 00:42:28,200 Speaker 1: but somehow I saw one of you somebody cut together 849 00:42:28,680 --> 00:42:34,719 Speaker 1: you like turning changing your pick because this was so funny. 850 00:42:34,920 --> 00:42:37,480 Speaker 1: That's great. Just like the different like you couldn't have 851 00:42:37,480 --> 00:42:39,960 Speaker 1: scripted it betterally, the different your tone of voice, and 852 00:42:40,360 --> 00:42:43,200 Speaker 1: it's like you're saying the same thing just in different ways. 853 00:42:43,239 --> 00:42:44,920 Speaker 1: Like all right, well maybe it's so good. It was 854 00:42:44,960 --> 00:42:51,760 Speaker 1: like Tommy Boy when he's like blowing the sales. Gotcha, thanks, listen. 855 00:42:52,400 --> 00:42:54,359 Speaker 1: I can go any direction. I go with the wind. 856 00:42:54,600 --> 00:42:56,200 Speaker 1: That's how I've made it. That's what I've gotten by 857 00:42:56,239 --> 00:42:58,680 Speaker 1: in my career. But I do the exact same thing 858 00:42:58,719 --> 00:43:01,640 Speaker 1: about was in your chair Rustional wants go out? Yeah, 859 00:43:01,800 --> 00:43:04,400 Speaker 1: I can see that. I can totally see that. Uh. 860 00:43:04,600 --> 00:43:09,160 Speaker 1: Will Fetters, executive producer writer for Hustle. The movie is amazing. 861 00:43:09,239 --> 00:43:13,280 Speaker 1: Everyone go download or watch it on Netflix. Um Adam 862 00:43:13,320 --> 00:43:16,920 Speaker 1: Sandler stars in it. Love the Movie, Love the work 863 00:43:17,000 --> 00:43:20,359 Speaker 1: you're doing. Congrats on all the success. Thanks for coming 864 00:43:20,400 --> 00:43:23,600 Speaker 1: on the Favorites podcast. We'll get ready for our own 865 00:43:23,640 --> 00:43:27,040 Speaker 1: movie festival. For Simon Hunter, for Matt Mitchell. I am 866 00:43:27,120 --> 00:43:29,600 Speaker 1: Chad Noman. This has been the favorite podcast download from 867 00:43:29,600 --> 00:43:33,640 Speaker 1: Apple podcasts, from Spotify, wherever you get your podcasts. Rate review, subscribe, 868 00:43:33,640 --> 00:43:35,720 Speaker 1: five stars, say whatever you want. Feedback is a gift. 869 00:43:36,120 --> 00:43:38,480 Speaker 1: Until next time, I love you, Take care,