WEBVTT - Episode 355 w/ The Isley Brothers

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<v Speaker 1>And it's Drink Chess, motherfucking podcast. He's a legend, Darry

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<v Speaker 1>Queen's rapper. He ain't segreed? Is your boy in O

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<v Speaker 1>R He's a Miami hippop lionem up his dj e FN.

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players in the most professional unprofessional podcast and your number

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<v Speaker 1>one source for drunk fast, drink chess, motherfuckings New year'sz

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<v Speaker 1>that it's time for Drink Champs. Drink up, motherfuck mother?

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<v Speaker 1>Would it good? Be Hopeully's would sent me this? Your

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<v Speaker 1>boy in O R E? What up? Is dj e

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<v Speaker 1>FN And this is drink Champs? Yap a medic? Sup? Now,

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<v Speaker 1>when I tell you, man, when we started this show,

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<v Speaker 1>we wanted to give people their flowers. You know that's

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<v Speaker 1>been in this game, and that's been season, that's been

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<v Speaker 1>you know, loyal to this game. And and when we

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<v Speaker 1>talk about these two brothers, uh, we're talking beyond legendary,

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<v Speaker 1>we talk them beyond iconic. We're talking Tycoon, we're talking

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<v Speaker 1>global galaxy. We're talking new plan type of thing. These brothers,

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<v Speaker 1>I can't I can't you when you go through their catalog,

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<v Speaker 1>they take you three days thirty two albums, countless hits.

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<v Speaker 1>You can't name without them. They've been here, they are

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<v Speaker 1>doing it, They're still looking good. They pull them up

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<v Speaker 1>as printers, came late as hell as they important. We

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<v Speaker 1>had to wear presidential time, and we didn't keep playing

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<v Speaker 1>that one time. It's more even legendary. And man, I

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<v Speaker 1>just want to thank them because me listening to the

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<v Speaker 1>music and me going through it and me, you know,

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<v Speaker 1>knowing the struggles of how they started and where they

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<v Speaker 1>are now and they continue to be. And like mister

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<v Speaker 1>Lee was trying to say, a lot of our parents

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<v Speaker 1>was making baby music, I'm thinking millions if if I

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<v Speaker 1>could say it, there's a lot as millions of babies.

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<v Speaker 1>Generation was definitely more than one generation because these brothers,

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<v Speaker 1>and I'm not gonna lie, it's probably everyone in this

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<v Speaker 1>every man man. I'll be honest. Man, Um, you know,

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<v Speaker 1>being fans of y'all and being in the presence of y'all,

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<v Speaker 1>it's like it's like, yeah, everything that I expect y'all

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<v Speaker 1>to be. You know what I'm saying. I'm saying, like, y'all,

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<v Speaker 1>you smooth smooths walk head the drench col on when

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<v Speaker 1>you got the leavel just y'all just walk in and

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<v Speaker 1>y'all a definitely, I'll be ane something. You are the

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<v Speaker 1>iconic figure that I thought you was gonna be. Let's

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<v Speaker 1>make that. So I usually wait, it usually wait for

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<v Speaker 1>the for the to get into the drinks. But I'm

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<v Speaker 1>gonna get into the drink. Yeah, let's give me a

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<v Speaker 1>flower and the flowers. Let's listen. Our show is about

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<v Speaker 1>giving people um like again, I hate I hate our

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<v Speaker 1>people when it comes to this. When what I mean

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<v Speaker 1>by that is they put a time limit on on

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<v Speaker 1>you and they say, yo, man, if you got ten

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<v Speaker 1>twenty years and it's over and you should I don't.

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<v Speaker 1>We don't believe in that. Here and here we believe

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<v Speaker 1>that that season. We believe that that is what time

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<v Speaker 1>with wine. Wine get better with time. So why why

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<v Speaker 1>wouldn't music, Why wouldn't people? Why wouldn't us don't sell

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<v Speaker 1>them in on an artistry? So where this show is

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<v Speaker 1>about giving people their flowers. We want to off top,

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<v Speaker 1>give you all y'all flowers of top off top right

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<v Speaker 1>now top yes, yes, yeah, and we can't tell my

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<v Speaker 1>drake I want my yes, yes, this is yes, yes, yeah,

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<v Speaker 1>it's fantastic. Yeah, so let's I got so much notes, man,

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<v Speaker 1>I went so hard for this, you want to start,

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<v Speaker 1>Let's just take it back. Let's as far as we

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<v Speaker 1>can go. Where's the inspiration for you guys? Actually thinking

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<v Speaker 1>about it, you guys, there weren't many family groups and bands.

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<v Speaker 1>You know, everybody thinks of the Jackson five, but you

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<v Speaker 1>predate them, right right. So was there any other inspirations

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<v Speaker 1>as as a family unit to make music? Well, we

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<v Speaker 1>you know what, we followed people like Clarde make Fatter,

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<v Speaker 1>you know, and the day and uh, actually our my

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<v Speaker 1>mother and fathers was in the in the business, and

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<v Speaker 1>they were raised us to do what we do. And uh,

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<v Speaker 1>they wanted us to be a group that knew knew

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<v Speaker 1>all the songs, Warren By, gospel, country, Western, everything. They

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<v Speaker 1>taught us all that and they said for the group

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<v Speaker 1>to last as long as the meals of brothers. You know.

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<v Speaker 1>I think we accomplished, you know. And so our first

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<v Speaker 1>hit record was in eighteen fifty nine. You know, you

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<v Speaker 1>make me want to shout to this day. Of course.

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<v Speaker 1>Of course we've been charted all the way up to

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<v Speaker 1>right now, in eight decades our album right now, we

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<v Speaker 1>uh just been on the charts for five weeks it

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<v Speaker 1>was number one, and for thirty weeks has been in

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<v Speaker 1>the top ten. It was number six. Nowns with Beyonce,

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<v Speaker 1>goddamn us. And that's a record that Beyonce record. That's

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<v Speaker 1>a record that had already been sampled from y'all already too.

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<v Speaker 1>That is UM I believe it's cross Roads from um

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<v Speaker 1>Bones and I believe that Street James Remix were not like,

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<v Speaker 1>so yeah, that's crazy. The third or fourth time in

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<v Speaker 1>Beyonce wants to come and sample. How is that? Her

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<v Speaker 1>mother knows UM contact. She's one of our favorite fans.

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<v Speaker 1>You know, we had more samples than James Brown. Wow,

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<v Speaker 1>and James Brown had a lot last last encounter, we

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<v Speaker 1>were over a thousand samples. Yes, with the rappers and

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<v Speaker 1>you know and which is which? Which is like we

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<v Speaker 1>were the flag right? So how was that? Getting a

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<v Speaker 1>call saying that Beyonce wanted to work with y'all and

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<v Speaker 1>especially well, like I called her mother and then said,

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<v Speaker 1>you know, we getting ready to do this album. Wanted

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<v Speaker 1>her to do little you know, the record with us.

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<v Speaker 1>Her mother called her and she in five minutes she

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<v Speaker 1>called back, yes, yes, yes, I want to do and

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<v Speaker 1>she had record at the record with the her group people,

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<v Speaker 1>but it was, you know, a different recording, and so

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<v Speaker 1>we decided on that record. Man. You know, she's so talented, man,

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<v Speaker 1>I mean, she's so talented. I think the people know that.

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<v Speaker 1>They don't know that, but but she's so she worked

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<v Speaker 1>so hard man, and we just were blown away with

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<v Speaker 1>the record. Her mother cried about it. Her favorite song

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<v Speaker 1>is uh A little love of You, you know. And

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<v Speaker 1>we did songs with Rick Cross recently, Yeah, don't you.

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<v Speaker 1>We did songs with Quevo, take Off, Wow, We did

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<v Speaker 1>songs with Shane by uh Snoop Dogg. You know, and

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<v Speaker 1>if you ain't did song with them, they sampled you

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<v Speaker 1>for sure. Yeah. I couldn't believe how sampled you. Guys

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<v Speaker 1>were like I knew it, but didn't when you know,

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<v Speaker 1>I'm doing the research. But let me ask you one

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<v Speaker 1>thing because at this time, you know, um hip hop

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<v Speaker 1>used to be considered a fad, right. It was like,

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<v Speaker 1>you know, that's something that people are doing in the hood.

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<v Speaker 1>Did you was you Was it ever concerned of you saying,

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<v Speaker 1>you know what, someone taking my classic record of minds

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<v Speaker 1>is doing it over or um? Was it ever concerned

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<v Speaker 1>like them messing up the legacy of it. My brother

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<v Speaker 1>Ernie called me when the Biggie did uh, and we

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<v Speaker 1>celebrated when the flipped out you know when you call me.

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<v Speaker 1>We put a part of them in that show. Now

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<v Speaker 1>ice Cube, ice Cube is one of my best friends,

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<v Speaker 1>you know, wow, and where you're going too fast on

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<v Speaker 1>you can't be coming from ice Cube. The biggest smalls

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<v Speaker 1>we got at it is he was just saying it

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<v Speaker 1>like it's a regular note. This is not regular people.

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<v Speaker 1>Hold on, okay, and he's not regular records too. These

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<v Speaker 1>records are huge. That's what's the crazy. We had George

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<v Speaker 1>Clinton on recently, right, and the difference that we noticed

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<v Speaker 1>was George have a lot of samples as well, but

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<v Speaker 1>it seems like the samples that sample, y'all, it's the

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<v Speaker 1>huge records. Yeah, like like huge, Like, um, so where

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<v Speaker 1>are you at? Because ice Cube coming comes way before Biggie?

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<v Speaker 1>So when is you you at? Where what is the record? Label?

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<v Speaker 1>Call you and say ice Cube just did your record over? Yeah? Okay,

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<v Speaker 1>and what did they say? They say? Let's say, you know,

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<v Speaker 1>we wanted to listen, you know, so we listen to say, man,

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<v Speaker 1>just this is incredible, right, because you guys haven't clear, right,

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<v Speaker 1>So when the sign I want, I want to do

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<v Speaker 1>one of your songs and every picture that I made.

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<v Speaker 1>That's what he's so, which is a blessing. Yeah, but uh,

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<v Speaker 1>everybody is. I don't know how many samples in between

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<v Speaker 1>the sheets, right earned you keeps something with a lot

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<v Speaker 1>of that, you know, but that's that's that's the same

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<v Speaker 1>one biggie sample and I'm Drake also draking. Little Wayne

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<v Speaker 1>did a freestyle over it as well. Jay Z and

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<v Speaker 1>Whitney Houston. To Jesus, Jesus, I'll just be honest because

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<v Speaker 1>you know this, This is when I think of black excellence.

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<v Speaker 1>When I think of excellence period, I think of you brothers, man,

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<v Speaker 1>I really do. Because like to stand the test of

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<v Speaker 1>time and to still be who you are, that's that's

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<v Speaker 1>a hard that's a hard thing to do. Wow, that's

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<v Speaker 1>a hard thing to do, man, to still have the respect.

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<v Speaker 1>And let me tell you something. I can ask any

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<v Speaker 1>Jimmy generation about the Odsley's brothers and they all they're

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<v Speaker 1>all going to answer with the same amount of respect.

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<v Speaker 1>Do you understand how much you would love to reved

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<v Speaker 1>in in the community. Wow? Wow, that's that's amazing, man. Okay,

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<v Speaker 1>it's really amazing. We came at what people are like

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<v Speaker 1>Sam Cook, Jackie Wilson, you you name it, you know

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<v Speaker 1>they were. We learned things from Sam Cook, I learned

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<v Speaker 1>things from Jackie Wilson, clad Nick Fatter. I mean, you

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<v Speaker 1>can go all the way back and I can tell

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<v Speaker 1>you stories about all those guys. Man, right, you know,

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<v Speaker 1>Jimmy Henri lifted jersey right in Jersey. That's crazy. I

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<v Speaker 1>was trying to get to that in my notes. You

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<v Speaker 1>made this first record with us, you know, testify, and

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<v Speaker 1>we never thought I mean, we thought he was the

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<v Speaker 1>greatest guitar player in the world, but we never thought

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<v Speaker 1>that he would you know, become before he went, you

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<v Speaker 1>know to acid yeo. And my brother was like playing baseball.

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<v Speaker 1>Then when you started playing with us, our players drums,

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<v Speaker 1>and he talked to Jimmy Hendricks every day, and all

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<v Speaker 1>of a sudden, Hey, he's the next Americs, you know, man,

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<v Speaker 1>you know, all that's been wonderful. God blessed us. Man.

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<v Speaker 1>Our father mother was concerned with us. She said, never

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<v Speaker 1>do drugs. No one in the family had did any drugs,

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<v Speaker 1>you know, And I think that's a big part of

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<v Speaker 1>us with asking this long, you know, but God had

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<v Speaker 1>his hands on us all the way. This is a

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<v Speaker 1>rumor that you was singing in church at two years old. Yes,

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<v Speaker 1>I was, Well, you know about it all because I

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<v Speaker 1>remember reading this story, hearing this story, and I'm sitting

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<v Speaker 1>back and I had to think about my grandmother in church,

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<v Speaker 1>and my grandmother told me up there and be like, well,

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<v Speaker 1>I couldn't sing ship, so I ain't win l twenty

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<v Speaker 1>five dollars right, yeah, twenty five one one. I was

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<v Speaker 1>standing on a chair. So yeah, wow, that's great. Did

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<v Speaker 1>your your mom ain't do that? You ain't? You ain't? Yeah,

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<v Speaker 1>you sonny, Sonny, your mom wasn't proud of you like that.

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<v Speaker 1>I'm just being honest. I'm sorry I took a shot

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<v Speaker 1>at my friend. It's just come all over the place. Man. Okay,

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<v Speaker 1>mmm see that he already took my Jimmy jury questions.

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<v Speaker 1>Talk about fight the power that that Chuck d was

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<v Speaker 1>inspired by You're power? Oh yeah, Ernie wrote that. Yeah.

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<v Speaker 1>We uh had our family uh after we finished the

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<v Speaker 1>Living Up album literally seventy four Uh, our mother, nieces

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<v Speaker 1>and nephews and the wives came out and I was

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<v Speaker 1>in a good mood and I jumped in the shower

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<v Speaker 1>and for some reason I started half singing or reciting.

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<v Speaker 1>Time is truly wasting. There's no guarantee smiles in the making.

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<v Speaker 1>Fight the powers that beat and so point this way,

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<v Speaker 1>shower curtain went that way. Water is everywhere, And I

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<v Speaker 1>jumped out the shower and grabbed a pencil, piece of paper,

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<v Speaker 1>scribble that down and put that in my hip pocket.

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<v Speaker 1>Of when we went to Disneyland that day. I didn't

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<v Speaker 1>say anything about that song for another two or three months,

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<v Speaker 1>but telling me you wrote a hit record and then

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<v Speaker 1>went to Disneyland, Yeah, like the commercial. Yeah, okay, but

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<v Speaker 1>at the time Hernie started writing song I got Harvest

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<v Speaker 1>for the World and you at your best, um, and

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<v Speaker 1>make me say it again, the song I'm Not Now,

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<v Speaker 1>and on and on and on. You know, I wrote

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<v Speaker 1>a lot of songs at the beginning before he got

0:15:09.280 --> 0:15:12.520
<v Speaker 1>into the group, the ter thing and shout and all

0:15:12.520 --> 0:15:16.040
<v Speaker 1>that type, you know, work to do. Yeah, now this

0:15:16.160 --> 0:15:19.320
<v Speaker 1>is something that um that I got. I got explained

0:15:19.360 --> 0:15:22.400
<v Speaker 1>to the other day. Um. People said that, you know,

0:15:22.440 --> 0:15:25.119
<v Speaker 1>people looked at the Beatles in a more of respect

0:15:25.240 --> 0:15:27.760
<v Speaker 1>way than they looked at Elvis, because they said Elvis

0:15:27.800 --> 0:15:30.600
<v Speaker 1>would like you know, like I don't want to say still,

0:15:30.680 --> 0:15:33.120
<v Speaker 1>but he would take from people that wouldn't give it

0:15:33.120 --> 0:15:36.040
<v Speaker 1>the credit as opposed to the Beatles, but the Beatles

0:15:36.080 --> 0:15:40.280
<v Speaker 1>would your situation with the Beatles with shout was, how

0:15:40.360 --> 0:15:43.560
<v Speaker 1>was that experience? Well, when we went to England, they

0:15:43.560 --> 0:15:51.720
<v Speaker 1>were imitating us. They were like doing about the Beatles

0:15:51.800 --> 0:15:56.240
<v Speaker 1>or everybody was and they you know, Paul McCartney will

0:15:56.320 --> 0:15:58.880
<v Speaker 1>tell you today you know what to say if it

0:15:58.960 --> 0:16:01.160
<v Speaker 1>don't be for the Eyes brothers, and we would still

0:16:01.240 --> 0:16:05.160
<v Speaker 1>be in Liverpool, you know. Yeah, I'm assuming Liverpool is

0:16:05.200 --> 0:16:11.560
<v Speaker 1>the hood and ye and England. Yes, that's when he

0:16:11.680 --> 0:16:17.120
<v Speaker 1>started off clubs and stuff. They're in Liverpool, yell. But yeah,

0:16:17.360 --> 0:16:22.680
<v Speaker 1>that so all right? So they want to cover your song, right, yeah,

0:16:22.760 --> 0:16:27.520
<v Speaker 1>so at the time, I'm assuming there's not a lot

0:16:27.520 --> 0:16:31.200
<v Speaker 1>of videos. There's not so, but do you know the

0:16:31.240 --> 0:16:33.200
<v Speaker 1>Beatles as white people when they when it comes to

0:16:33.240 --> 0:16:37.400
<v Speaker 1>you when we were over there every day, the Rolling Stones,

0:16:37.640 --> 0:16:40.960
<v Speaker 1>Beetles and us was together at night. They were talking

0:16:41.000 --> 0:16:44.480
<v Speaker 1>about staying at the house when they come to to

0:16:44.600 --> 0:16:49.360
<v Speaker 1>New York City. They were asking questions like does James

0:16:49.360 --> 0:16:52.000
<v Speaker 1>Brown had to have a hundred pair of shoes and

0:16:52.080 --> 0:16:55.000
<v Speaker 1>do we shine those shoes before we go on stage,

0:16:55.200 --> 0:16:57.840
<v Speaker 1>because you guys were the rock starts to them. Yeah, yeah,

0:16:58.720 --> 0:17:03.360
<v Speaker 1>and uh, we said all those questions. You know, there

0:17:03.400 --> 0:17:07.960
<v Speaker 1>were plenty questions and game. We got a hunder passion.

0:17:08.240 --> 0:17:12.600
<v Speaker 1>You call the shoes every day when you say, well,

0:17:12.640 --> 0:17:16.119
<v Speaker 1>you care a lot of them. So those are the

0:17:16.160 --> 0:17:18.560
<v Speaker 1>kind of questions. They can we stay at your house

0:17:18.600 --> 0:17:21.080
<v Speaker 1>when we can with you guys carross to the Pole?

0:17:21.160 --> 0:17:25.080
<v Speaker 1>Did wow? We promised to do all that. It was

0:17:25.160 --> 0:17:29.959
<v Speaker 1>just the three brothers then. And uh, actually when they

0:17:30.000 --> 0:17:33.320
<v Speaker 1>when they came to New York, there were the hottest

0:17:33.720 --> 0:17:37.640
<v Speaker 1>you know, I think they first get it was at

0:17:37.720 --> 0:17:42.520
<v Speaker 1>Sullivan you know, on television. Fifty thousand people look reat them,

0:17:42.600 --> 0:17:48.200
<v Speaker 1>you know, wow, and so everything just went wild. Then, Yeah,

0:17:48.359 --> 0:17:51.879
<v Speaker 1>that's crazy. And when you guys were in London, didn't

0:17:51.880 --> 0:17:54.240
<v Speaker 1>Elton John play with you guys? Yeah, the Elton Johns

0:17:54.240 --> 0:17:57.320
<v Speaker 1>and I keep boarding player. That's incredible. Yeah, and and

0:17:57.600 --> 0:17:59.840
<v Speaker 1>and we're gonna do that in the in the next

0:18:00.040 --> 0:18:04.040
<v Speaker 1>album that we're doing it, we'll do a record together. Yeah.

0:18:04.080 --> 0:18:06.200
<v Speaker 1>But he was his name Elton John back then. Elton

0:18:06.280 --> 0:18:09.080
<v Speaker 1>John told us, y'all should listen to something you should

0:18:09.160 --> 0:18:15.480
<v Speaker 1>vote on a hundred songs. Yeah. Yeah, we didn't listen

0:18:15.520 --> 0:18:19.440
<v Speaker 1>to because he was just a hired hand at the time, right,

0:18:19.920 --> 0:18:24.040
<v Speaker 1>but we were just without and uh what a week ago, Yeah,

0:18:24.160 --> 0:18:28.840
<v Speaker 1>the Motown thing for Barry Gordian smoking, oh yeah, and

0:18:28.880 --> 0:18:33.399
<v Speaker 1>we talked about you know, and he's he's gonna do

0:18:33.440 --> 0:18:37.679
<v Speaker 1>a song with us and Mariah Carey and you know

0:18:38.119 --> 0:18:43.920
<v Speaker 1>all that. So Elton Is is just so talented man,

0:18:44.880 --> 0:18:49.320
<v Speaker 1>He's just great song writer and his tour has done uh,

0:18:50.440 --> 0:18:54.760
<v Speaker 1>just tremendous, tremendous business. Right yeah, right now, now something

0:18:54.840 --> 0:18:58.240
<v Speaker 1>I was uh asking, This is something I question. I

0:18:58.280 --> 0:19:00.840
<v Speaker 1>actually don't know. Some people call motown and they when

0:19:00.880 --> 0:19:02.560
<v Speaker 1>they say motown, they say that label. But then some

0:19:02.600 --> 0:19:05.399
<v Speaker 1>people say motown and they say the style of music.

0:19:06.320 --> 0:19:10.320
<v Speaker 1>How do you look when you hit the word motown. Well,

0:19:11.119 --> 0:19:14.760
<v Speaker 1>they're actually one of the greatest companies. We learned so

0:19:14.880 --> 0:19:18.080
<v Speaker 1>much when we went there. We went there out there,

0:19:18.359 --> 0:19:23.000
<v Speaker 1>we had did Twisted, Shout and Shout and some other records,

0:19:23.000 --> 0:19:26.520
<v Speaker 1>and we had a pretty big name. And our first

0:19:26.560 --> 0:19:30.159
<v Speaker 1>record there was this so Heart of Mine. That's the

0:19:30.240 --> 0:19:33.240
<v Speaker 1>first release went out there. A week I called Berry

0:19:33.320 --> 0:19:37.399
<v Speaker 1>guarded up saying I'm coming. We're coming to send send

0:19:37.480 --> 0:19:43.200
<v Speaker 1>three tickets. We'll be out there and and he said, oh, okay,

0:19:43.760 --> 0:19:48.360
<v Speaker 1>you know I thought that's where it was done. Anyway,

0:19:48.359 --> 0:19:50.399
<v Speaker 1>we went out there and we heard, we heard with

0:19:50.560 --> 0:19:55.199
<v Speaker 1>the Holland Indulger and uh. One of the songs that

0:19:55.240 --> 0:19:58.280
<v Speaker 1>we did and we picked was this art of Mine

0:19:58.320 --> 0:20:01.240
<v Speaker 1>and it came out because we we're gonna be out

0:20:01.280 --> 0:20:07.879
<v Speaker 1>there playing some club. Anyway, they wanted to release a record,

0:20:08.040 --> 0:20:10.919
<v Speaker 1>you know, something new on us, and they put that

0:20:10.960 --> 0:20:13.800
<v Speaker 1>out hands a demo. We're not gonna just went about

0:20:14.680 --> 0:20:19.399
<v Speaker 1>number one record. Yeah, just so long and right. That

0:20:19.600 --> 0:20:22.479
<v Speaker 1>was the record they asked us to do at the

0:20:22.720 --> 0:20:26.040
<v Speaker 1>at the show. You know, so being number one at

0:20:26.040 --> 0:20:29.960
<v Speaker 1>that time, Um, all the time and travel and traveling

0:20:30.520 --> 0:20:33.800
<v Speaker 1>like was there toll buses? How was it? How? How

0:20:33.840 --> 0:20:36.320
<v Speaker 1>did your travel? Stevie wonder what was coming across the

0:20:36.359 --> 0:20:42.280
<v Speaker 1>street and then cars was going. We're talking about what

0:20:46.520 --> 0:20:57.480
<v Speaker 1>somebody had stories, stories, get crazy crazy. Shock said he

0:20:57.520 --> 0:20:59.679
<v Speaker 1>wanted the elevator with Stevie. He was just him Stevie.

0:21:00.080 --> 0:21:02.280
<v Speaker 1>So you're telling me Stevie. One of course the street

0:21:02.320 --> 0:21:10.399
<v Speaker 1>by myself, man gonna get America. Did he know he

0:21:10.480 --> 0:21:13.199
<v Speaker 1>was crossing the free I didn't know. I don't know.

0:21:13.280 --> 0:21:17.040
<v Speaker 1>It was holy shit, I was you know, I was

0:21:17.080 --> 0:21:20.800
<v Speaker 1>trying to visit. No, no, no, none of that. No no, no, no,

0:21:20.800 --> 0:21:24.600
<v Speaker 1>no walking stick, none of that. He just wore, Holy man.

0:21:25.320 --> 0:21:31.399
<v Speaker 1>Hold we're shining in the cab. We got in the cabin,

0:21:31.520 --> 0:21:35.879
<v Speaker 1>pulled up to the company and said, charge it to Motown. Wow,

0:21:36.920 --> 0:21:43.560
<v Speaker 1>that's it, we did, say, got on to me. You

0:21:43.640 --> 0:21:53.080
<v Speaker 1>told the cap changed to Motown from Marathon. We pulled

0:21:53.160 --> 0:21:56.800
<v Speaker 1>up in front of the company, said ya, I don't

0:21:56.800 --> 0:21:58.960
<v Speaker 1>know what the meter said, but he said, charge of

0:21:59.040 --> 0:22:04.520
<v Speaker 1>the motown. Wow. What was that? How powerful motile was that?

0:22:04.920 --> 0:22:13.200
<v Speaker 1>I don't know if they knew they were so oh,

0:22:13.640 --> 0:22:17.520
<v Speaker 1>let me ask you. Right, one thing is like, what's

0:22:17.560 --> 0:22:20.679
<v Speaker 1>happening at this time was segregation? Right? Well, one thing

0:22:20.720 --> 0:22:23.000
<v Speaker 1>I won't telling you. When I wrote the song it's

0:22:23.040 --> 0:22:27.840
<v Speaker 1>your thing. They very guardin't them sued us. That's the

0:22:27.880 --> 0:22:31.840
<v Speaker 1>first time they got sued. He sued us because they

0:22:31.920 --> 0:22:35.679
<v Speaker 1>thought that holland indulgence. Some of their writers said, bro,

0:22:36.240 --> 0:22:39.080
<v Speaker 1>you know, so we back and forth you know that

0:22:39.560 --> 0:22:43.439
<v Speaker 1>with the court, and we wind up winning. You know,

0:22:43.920 --> 0:22:48.520
<v Speaker 1>but that that was one of the the things that

0:22:48.720 --> 0:22:52.480
<v Speaker 1>really hurt us, you know, your own kind because yeah,

0:22:52.520 --> 0:22:57.119
<v Speaker 1>because he didn't believe or that song is super big,

0:22:58.440 --> 0:23:01.639
<v Speaker 1>like y'all couldn't have wrote it. Yeah, And from that

0:23:01.800 --> 0:23:05.480
<v Speaker 1>time on, you know, I guess we did every song

0:23:05.640 --> 0:23:09.520
<v Speaker 1>that you you hear, you know, the majority of songs

0:23:09.560 --> 0:23:15.440
<v Speaker 1>that you hear, and it's successful by the highest of brothers. Yeah,

0:23:21.440 --> 0:23:28.200
<v Speaker 1>h oh. Yes. We started Tea Neck Records with this

0:23:28.320 --> 0:23:32.600
<v Speaker 1>your thing, okay, Yeah, and you know we learned what

0:23:32.760 --> 0:23:37.160
<v Speaker 1>we were doing out there Motown and what they were doing. Uh,

0:23:37.400 --> 0:23:41.199
<v Speaker 1>that was it. You know, we figured, uh, that was

0:23:41.240 --> 0:23:43.080
<v Speaker 1>the way to go. And it turned out here we

0:23:43.119 --> 0:23:46.240
<v Speaker 1>could release what we wanted to release when we wanted

0:23:46.240 --> 0:23:49.160
<v Speaker 1>to release it. And then we then we started doing

0:23:49.160 --> 0:23:53.439
<v Speaker 1>our own tours. When indy that's a debate we have

0:23:53.520 --> 0:23:58.159
<v Speaker 1>here versus being independent. I mean Motown they were at

0:23:58.200 --> 0:24:00.840
<v Speaker 1>the time, you know they were, Yeah, it was an

0:24:00.880 --> 0:24:03.199
<v Speaker 1>indie that that had major But we talked about the

0:24:03.240 --> 0:24:06.280
<v Speaker 1>debate where there's major label versus independent. And I'm always

0:24:06.320 --> 0:24:09.040
<v Speaker 1>saying independent owning your stuff, that's the way to go,

0:24:09.160 --> 0:24:11.840
<v Speaker 1>right versus the mayne give me the money. I don't

0:24:11.840 --> 0:24:13.720
<v Speaker 1>want to work that hard. You got the money, go

0:24:13.800 --> 0:24:18.560
<v Speaker 1>independent from Motown and you took what you learned and

0:24:18.640 --> 0:24:21.159
<v Speaker 1>you put it to work. That's correct. And the record

0:24:21.160 --> 0:24:22.960
<v Speaker 1>that we have about now on the album we haven't

0:24:23.119 --> 0:24:28.280
<v Speaker 1>out now it is independent. Wow. Um, this is just

0:24:28.280 --> 0:24:30.280
<v Speaker 1>something I was trying to say earlier because I think

0:24:30.280 --> 0:24:33.760
<v Speaker 1>I've seen footage of you guys at Sam Cook one day,

0:24:33.880 --> 0:24:36.920
<v Speaker 1>and I think that what they were saying was they

0:24:36.960 --> 0:24:40.520
<v Speaker 1>wouldn't let the brothers or the brothers and assistants on

0:24:40.520 --> 0:24:42.120
<v Speaker 1>one side of the club. So you and Sam Cook,

0:24:42.160 --> 0:24:43.840
<v Speaker 1>I think y'all got on the bus and then left.

0:24:44.640 --> 0:24:47.239
<v Speaker 1>Oh I don't know about that. I think that, but

0:24:47.560 --> 0:24:52.119
<v Speaker 1>that's happened with someone else, Okay, but Sam Cook, I

0:24:52.200 --> 0:24:56.040
<v Speaker 1>think that happened with Jackie Wilson, Okay, okay, on the

0:24:56.119 --> 0:24:59.760
<v Speaker 1>two together. Yeah. So so what how how hard was

0:24:59.800 --> 0:25:03.040
<v Speaker 1>that back then because like, like you know, there was

0:25:03.080 --> 0:25:10.480
<v Speaker 1>a segregation, like how could you perform? You know, it

0:25:10.520 --> 0:25:14.120
<v Speaker 1>was very hard, but you know, ruarde young after age,

0:25:14.119 --> 0:25:17.800
<v Speaker 1>we didn't really understand it. You know, we didn't understand

0:25:17.840 --> 0:25:21.119
<v Speaker 1>that somebody would kill you or somebody you know, you know,

0:25:21.160 --> 0:25:28.560
<v Speaker 1>we always start run. You know, how old were you guys?

0:25:28.560 --> 0:25:34.600
<v Speaker 1>Exactly around I was abound eighteen, you know, kids yeah, yeah,

0:25:34.680 --> 0:25:39.040
<v Speaker 1>damn man, seventeen eighteen on the road. And that had

0:25:39.080 --> 0:25:42.159
<v Speaker 1>to be like a crazy because all the times that

0:25:42.200 --> 0:25:45.040
<v Speaker 1>black people were going through, and then people taking political

0:25:45.080 --> 0:25:47.560
<v Speaker 1>stances like Muhammad Ali and things like that, and then

0:25:47.880 --> 0:25:49.920
<v Speaker 1>and then Sam Cook and then like all these people

0:25:50.440 --> 0:25:54.240
<v Speaker 1>like I just always you know, it was crazy back then.

0:25:54.320 --> 0:25:57.240
<v Speaker 1>We didn't have television to get out of our message

0:25:57.359 --> 0:26:00.200
<v Speaker 1>or Sam Cook, you stopped them. It's like, give me

0:26:00.280 --> 0:26:03.040
<v Speaker 1>your ticket, don't you know? Wow, If you don't gonna

0:26:03.080 --> 0:26:07.040
<v Speaker 1>give me a ticket, put the chicken on. You know,

0:26:07.800 --> 0:26:14.359
<v Speaker 1>I'm saying Cook I said, was saying, yeah, he cleared,

0:26:14.480 --> 0:26:16.960
<v Speaker 1>he cleared. Woman. Oh my god, man, I'm so excited.

0:26:17.119 --> 0:26:21.000
<v Speaker 1>Wasn't taking anything off anyone. So that's probably one of

0:26:21.280 --> 0:26:27.639
<v Speaker 1>you know, wow. But after you guys decided to go independent,

0:26:28.400 --> 0:26:31.800
<v Speaker 1>you did go with major neighbors later on, Yeah, what

0:26:31.960 --> 0:26:35.439
<v Speaker 1>what what was those distributions for distributions so still owning

0:26:36.400 --> 0:26:39.199
<v Speaker 1>taking advantage of the machine at that point. That's all right, right, right,

0:26:39.200 --> 0:26:42.000
<v Speaker 1>that's all right because there were so many cases of

0:26:42.080 --> 0:26:45.520
<v Speaker 1>like people being taking an advantage of and and that time,

0:26:45.840 --> 0:26:48.280
<v Speaker 1>was that something you guys ever experienced? Yeah, well, you know,

0:26:49.240 --> 0:26:56.160
<v Speaker 1>I think Philadelphia International was was going then and then

0:26:56.240 --> 0:26:59.520
<v Speaker 1>later on Curtis Mayfield and this company out of Chicago.

0:27:00.080 --> 0:27:05.280
<v Speaker 1>It's going then movetown and our company, you know, and

0:27:05.480 --> 0:27:11.080
<v Speaker 1>Stacks came a little later. Now, let's let's address this.

0:27:11.080 --> 0:27:15.080
<v Speaker 1>This is yours, right, Yeah, what is this? Sexy ass bottle?

0:27:16.240 --> 0:27:19.840
<v Speaker 1>Kanac thirty five years old? Thirty five year old? Hun yeah,

0:27:19.920 --> 0:27:26.040
<v Speaker 1>got them look at that. This is a sexy ass bottle? Old, okay,

0:27:28.160 --> 0:27:31.520
<v Speaker 1>baron select, Yeah, we're messing with that for a little

0:27:31.520 --> 0:27:35.439
<v Speaker 1>while out sometimes this year. Look, that's a sexy as bottle.

0:27:35.440 --> 0:27:38.200
<v Speaker 1>Make sure they focusing on that, the sexy ass bottle.

0:27:38.480 --> 0:27:39.960
<v Speaker 1>Look at that. It looked like it looked like a

0:27:40.000 --> 0:27:41.639
<v Speaker 1>person like me ain't posed to had this. Because it's

0:27:41.640 --> 0:27:44.400
<v Speaker 1>gonna I'm gonna break it. I'm gonna break especially him.

0:27:44.400 --> 0:27:47.560
<v Speaker 1>He can't hold nothing. Oh look see damn this that's

0:27:47.560 --> 0:27:53.879
<v Speaker 1>a back rock bottle. Yeah, this is class for sidified.

0:27:54.840 --> 0:28:01.679
<v Speaker 1>He's looking coming into the back of rock bottle. You

0:28:01.680 --> 0:28:05.400
<v Speaker 1>got two o them? What's that? What's this? This? This?

0:28:05.640 --> 0:28:08.359
<v Speaker 1>Uh will be? This is I think this is forty

0:28:08.440 --> 0:28:12.639
<v Speaker 1>years old. Okay, Yeah, and that's a that's a Kanyak tool. Yes, okay,

0:28:12.680 --> 0:28:16.359
<v Speaker 1>let me let me check that out okay. Oh the

0:28:16.520 --> 0:28:21.560
<v Speaker 1>sexy too. So what's Baron select? It's a company that

0:28:21.760 --> 0:28:27.480
<v Speaker 1>uh uh he's a dentist. Uh. His his family died

0:28:27.640 --> 0:28:31.000
<v Speaker 1>and left him the whole company in French. Okay, and

0:28:31.119 --> 0:28:34.760
<v Speaker 1>uh he knows all of our songs from the beginning

0:28:34.920 --> 0:28:38.280
<v Speaker 1>to the end. And we've been talking together for about

0:28:39.720 --> 0:28:44.040
<v Speaker 1>over three or four years, and we decided to come

0:28:44.120 --> 0:28:49.400
<v Speaker 1>with these, you know. And they named the uh Kanyak

0:28:49.480 --> 0:28:53.440
<v Speaker 1>got to me And yeah, that signature right there is

0:28:53.520 --> 0:28:57.080
<v Speaker 1>right there, look at that right there. Yeah, and so

0:28:57.480 --> 0:29:02.760
<v Speaker 1>uh it will be out sometime sometimes this year, okay.

0:29:02.960 --> 0:29:06.520
<v Speaker 1>And then we're gonna give the van the fans a

0:29:06.680 --> 0:29:10.400
<v Speaker 1>chance to be a part of that, the liquor too. Yeah,

0:29:10.440 --> 0:29:13.200
<v Speaker 1>have them, have them sit with you me and Greek

0:29:13.360 --> 0:29:16.200
<v Speaker 1>shit like that. Yes, my damn holy motion. You said

0:29:16.200 --> 0:29:17.560
<v Speaker 1>they're gonna be a part of the liquor house, Like

0:29:18.680 --> 0:29:21.000
<v Speaker 1>it's gonna be a stock company. So they're gonna they're

0:29:21.000 --> 0:29:24.560
<v Speaker 1>gonna be able to participate in owning it. That's amazing,

0:29:24.680 --> 0:29:28.920
<v Speaker 1>like the Green Bay Packers, Okay, something like that. The

0:29:29.000 --> 0:29:32.200
<v Speaker 1>only only sports people got that got that, like an

0:29:32.280 --> 0:29:39.120
<v Speaker 1>NFT I don't like, what's the other bottle there? Scotch.

0:29:39.520 --> 0:29:44.160
<v Speaker 1>Oh you got a Scotch too. Yeah, Oh okay, I'm

0:29:44.160 --> 0:29:47.200
<v Speaker 1>a Japanese whiskey guy. That's still close to it. It's

0:29:47.240 --> 0:29:51.000
<v Speaker 1>eighteen years ye look at that all three sexy bottles

0:29:52.400 --> 0:29:55.040
<v Speaker 1>all and look this is your ship, right, that's what

0:29:55.080 --> 0:29:58.959
<v Speaker 1>you You gotta taste that. Yeah, okay, that's the car.

0:29:59.080 --> 0:30:01.560
<v Speaker 1>Yeah guy right there? Yeah, yeah, yeah, yeah, you want

0:30:01.560 --> 0:30:04.200
<v Speaker 1>to take that, Kanye, come on. In fact, we're gonna

0:30:04.200 --> 0:30:05.960
<v Speaker 1>we're gonna go into quick Time with Slime. We got

0:30:05.960 --> 0:30:08.360
<v Speaker 1>a part of that game where we take shots to

0:30:08.440 --> 0:30:10.200
<v Speaker 1>the show. You don't have you guys have to take shots.

0:30:10.320 --> 0:30:13.040
<v Speaker 1>But he could be your sacrifice shot. Take it right there.

0:30:13.640 --> 0:30:17.440
<v Speaker 1>He could be your sacrifice liver liver donor Yes, we

0:30:17.880 --> 0:30:21.600
<v Speaker 1>got quick time with Slime. Ready sending it over? Okay, cool? Yeah,

0:30:21.640 --> 0:30:25.120
<v Speaker 1>the bottom whichever one. Yeah, Sunny's don't touch that bocka

0:30:25.200 --> 0:30:31.480
<v Speaker 1>ron Now he worked. I'm telling y'all that that's my friend.

0:30:31.680 --> 0:30:33.880
<v Speaker 1>That's my friend, that type. We don't let him drink

0:30:34.080 --> 0:30:37.920
<v Speaker 1>the spade either, so you don't feel bad. Don't feel bad.

0:30:38.480 --> 0:30:42.440
<v Speaker 1>I'm killing that. I'm killing that, all right. Cool, drink

0:30:42.480 --> 0:30:45.040
<v Speaker 1>for them, Yeah, Sunny, we drink for y'all. So y'all

0:30:45.040 --> 0:30:46.400
<v Speaker 1>we can take a shots. You don't have to take

0:30:46.400 --> 0:30:50.760
<v Speaker 1>the shots. Okay, you got it, I got it all right.

0:30:50.800 --> 0:30:52.720
<v Speaker 1>You want to splay them the game? If so, we're

0:30:52.720 --> 0:30:56.960
<v Speaker 1>gonna give you two choices. Um, you pick one, none

0:30:57.000 --> 0:30:59.720
<v Speaker 1>of us drink. If you pick both, are neither the

0:30:59.720 --> 0:31:03.600
<v Speaker 1>policeically correct answer. We're all drinking. Yeah, we're gonna drink. Yeah,

0:31:03.680 --> 0:31:07.520
<v Speaker 1>we drink with him. We didn't leave him out. Okay,

0:31:07.600 --> 0:31:10.520
<v Speaker 1>you want to start it off. He let it go. Hell,

0:31:11.000 --> 0:31:17.840
<v Speaker 1>you're ready. Yes, the Beatles are the rolling Stones Beatles. Frip.

0:31:18.280 --> 0:31:21.560
<v Speaker 1>You got a different answer, you know. I'm just saying, Okay,

0:31:22.440 --> 0:31:32.200
<v Speaker 1>I like that biggie or twopop Biggie up. You gotta

0:31:32.280 --> 0:31:36.160
<v Speaker 1>drink and disagreed. We got we gotta drink. We gotta

0:31:36.200 --> 0:31:39.360
<v Speaker 1>drink too. I got damn any reason why. You can

0:31:39.440 --> 0:31:41.800
<v Speaker 1>explain why if you want to, Well, we like him,

0:31:41.880 --> 0:31:46.720
<v Speaker 1>like yes, yeah, if he had to said biggie, I

0:31:46.760 --> 0:31:50.960
<v Speaker 1>would have said too, that's beautiful, that's beautiful. Would have

0:31:51.000 --> 0:31:53.000
<v Speaker 1>kept the peace. Okay, but we gotta take a shot.

0:31:53.000 --> 0:31:55.160
<v Speaker 1>You gotta take a shot too. I'm waiting for my shot.

0:31:55.360 --> 0:32:00.880
<v Speaker 1>Come on, man, I don't get paid someone here that

0:32:01.760 --> 0:32:04.000
<v Speaker 1>they do to get here. Man, come you got your shot?

0:32:04.160 --> 0:32:10.120
<v Speaker 1>Oh here, boring your I told you I'm not independent, Yes,

0:32:10.480 --> 0:32:14.400
<v Speaker 1>lesson give me my major budget. I am not an

0:32:14.400 --> 0:32:17.560
<v Speaker 1>independent guy. I was just playing, all right, Nicholas Good, Yeah,

0:32:17.560 --> 0:32:22.800
<v Speaker 1>you go go take that one. Jimmy Hendricks or Santana, Santana.

0:32:23.600 --> 0:32:28.520
<v Speaker 1>I gotta say, Jimmy Hendricks, Hey, y'all doing this practice? Jimmy.

0:32:28.680 --> 0:32:32.200
<v Speaker 1>You know. I met Jimmie Hendricks after my brothers hired him.

0:32:32.240 --> 0:32:37.160
<v Speaker 1>I was eleven years old. And uh, after the Beatles

0:32:37.160 --> 0:32:40.320
<v Speaker 1>did that first show on as Sullivan not too long

0:32:40.400 --> 0:32:45.200
<v Speaker 1>after that, my brother Kelly brothers had a meeting and uh,

0:32:45.320 --> 0:32:48.920
<v Speaker 1>he said, uh, these guys from Britain, it's Beatles things.

0:32:48.960 --> 0:32:52.560
<v Speaker 1>There's no hype, this is real. They got two guitar players,

0:32:53.280 --> 0:32:56.320
<v Speaker 1>but we got Jimmy. And that was just the way

0:32:56.320 --> 0:32:58.520
<v Speaker 1>he said. It looked over Jimmy when he said that,

0:32:58.520 --> 0:33:01.360
<v Speaker 1>and Jimmy was grinning ear to eat. So I imagine

0:33:01.360 --> 0:33:03.680
<v Speaker 1>if Jimmy had been around when that lady came out,

0:33:05.160 --> 0:33:07.280
<v Speaker 1>he would have given me something between a bear hug

0:33:07.320 --> 0:33:11.280
<v Speaker 1>and the tackle and say, how did you ever learn

0:33:11.360 --> 0:33:13.560
<v Speaker 1>how to do that? And one he was in the

0:33:13.600 --> 0:33:16.680
<v Speaker 1>dining room, man he was in the dining room plan,

0:33:16.760 --> 0:33:19.080
<v Speaker 1>you was in the living room plan. I was listening that, Jimmy,

0:33:19.080 --> 0:33:21.440
<v Speaker 1>it was so great eating Santana. Hold on, what did

0:33:21.440 --> 0:33:25.120
<v Speaker 1>you just say? You just said the good say did

0:33:25.160 --> 0:33:28.640
<v Speaker 1>you just say they got two good tall players? But

0:33:28.720 --> 0:33:32.520
<v Speaker 1>we m Jimmy and that was right? That was right,

0:33:32.960 --> 0:33:47.680
<v Speaker 1>h Santana would say, crazy, yeah, but yeah, and I'm

0:33:47.680 --> 0:33:52.360
<v Speaker 1>crazy about Carlos too. Yeah, he's fabulous musician. Is there

0:33:52.360 --> 0:33:54.920
<v Speaker 1>any truth that Jimmy didn't know how to write the music?

0:33:55.680 --> 0:33:58.240
<v Speaker 1>You know? I don't know if Jimmy knew he was

0:33:58.560 --> 0:34:03.000
<v Speaker 1>that they're good, because every day he walked around where

0:34:03.040 --> 0:34:05.680
<v Speaker 1>they had a guitar or not a stick in his hand,

0:34:05.800 --> 0:34:09.680
<v Speaker 1>just stick. I see you still walked in with a

0:34:09.800 --> 0:34:14.040
<v Speaker 1>gut tar just now, yeah, well have to do that.

0:34:16.520 --> 0:34:19.920
<v Speaker 1>Come on, It's like that's uh, it's another link for you.

0:34:20.000 --> 0:34:27.400
<v Speaker 1>Great sense of contentment and emotional security. Uh, crazy about

0:34:27.400 --> 0:34:34.760
<v Speaker 1>the instrument. Wow, that's commitment to the crowd. A lie um.

0:34:34.840 --> 0:34:36.720
<v Speaker 1>I so enjoy when you walked in with the guitar,

0:34:37.640 --> 0:34:41.080
<v Speaker 1>because I was like, yes, it's like it's like you

0:34:41.160 --> 0:34:44.120
<v Speaker 1>want to see for the guitar. You want to see Santana.

0:34:44.880 --> 0:34:46.640
<v Speaker 1>And then you see you walk into them like he

0:34:46.800 --> 0:34:50.880
<v Speaker 1>did it. I'll be I want to see my heroes

0:34:50.920 --> 0:34:53.120
<v Speaker 1>with their caps on, you know what I mean. I'm sorry.

0:34:53.160 --> 0:34:55.680
<v Speaker 1>I want to ansk one question, Yes, please, How did

0:34:55.719 --> 0:34:58.759
<v Speaker 1>you guys come up with this show? Man? It shows

0:34:58.960 --> 0:35:01.440
<v Speaker 1>so great? We we were getting drunk about the studio

0:35:02.440 --> 0:35:05.200
<v Speaker 1>and he would play poker and I would recall it

0:35:05.320 --> 0:35:07.440
<v Speaker 1>records and we would come out the end of the

0:35:07.520 --> 0:35:11.680
<v Speaker 1>night and we would just see, um, who would who

0:35:11.719 --> 0:35:14.080
<v Speaker 1>would be lasted and we would call them drink champs.

0:35:14.120 --> 0:35:16.640
<v Speaker 1>But beyond that, really what the show was about was

0:35:16.760 --> 0:35:21.000
<v Speaker 1>us being disgusted when people, you know, have you know,

0:35:21.040 --> 0:35:23.800
<v Speaker 1>this longevity in the game. And then in our culture

0:35:23.800 --> 0:35:25.960
<v Speaker 1>they have this word called washed up. And I hate

0:35:26.000 --> 0:35:28.480
<v Speaker 1>this word because that doesn't exist in no other culture.

0:35:28.840 --> 0:35:34.359
<v Speaker 1>No other culture says, well they're washed up and roller

0:35:34.400 --> 0:35:36.680
<v Speaker 1>stones and you know these guys what these guys what

0:35:36.800 --> 0:35:40.120
<v Speaker 1>they kiss when they face they go on tour forever

0:35:40.400 --> 0:35:43.360
<v Speaker 1>and they talus it's don't change and everything. No, nobody

0:35:43.400 --> 0:35:46.520
<v Speaker 1>don't even care. Like but you know, and their culture

0:35:46.600 --> 0:35:48.360
<v Speaker 1>they can do that, Like why we can't do that

0:35:48.440 --> 0:35:51.480
<v Speaker 1>in our culture and not imitate them. We be who

0:35:51.600 --> 0:35:53.680
<v Speaker 1>we are and that's what I wanted to do. I

0:35:53.760 --> 0:35:57.680
<v Speaker 1>wanted to praise, you know, people such as yourself, because

0:35:57.800 --> 0:36:00.560
<v Speaker 1>you guys deserve to be praised and believe it or not,

0:36:02.239 --> 0:36:06.360
<v Speaker 1>shit Without y'all guys, music, y'all foundation, this show doesn't exist.

0:36:07.120 --> 0:36:12.279
<v Speaker 1>You know what I'm saying him? Oh yeah, if you

0:36:12.480 --> 0:36:15.360
<v Speaker 1>don't give me my shot though, right, him as a

0:36:15.440 --> 0:36:17.919
<v Speaker 1>DJ doesn't exist, me as an artist and doesn't exist.

0:36:18.000 --> 0:36:22.360
<v Speaker 1>And then us forming this platform together. Um, that's total amateurs.

0:36:22.440 --> 0:36:24.000
<v Speaker 1>By the way. It was just us wanting to have

0:36:24.160 --> 0:36:27.839
<v Speaker 1>conversations with icons and legends and our peers and get

0:36:27.920 --> 0:36:30.640
<v Speaker 1>these stories that we might have heard backstage or or

0:36:30.760 --> 0:36:33.080
<v Speaker 1>in the studio, but nobody else was hearing them. And

0:36:33.160 --> 0:36:35.560
<v Speaker 1>I agree with you being amateursts as far as media

0:36:35.600 --> 0:36:38.960
<v Speaker 1>and journalism go. But we were at amateurs right right

0:36:38.960 --> 0:36:41.080
<v Speaker 1>as far as fans and knowing the coach and knowing

0:36:41.400 --> 0:36:44.799
<v Speaker 1>how important people are and knowing that it takes nothing

0:36:44.840 --> 0:36:46.560
<v Speaker 1>away for me to praise you and tell you how

0:36:46.640 --> 0:36:50.120
<v Speaker 1>great great you guys are to your face, face to face,

0:36:50.200 --> 0:36:52.239
<v Speaker 1>man to man. It takes nothing away from me. In fact,

0:36:52.320 --> 0:36:54.520
<v Speaker 1>it get ads on to me because it makes me

0:36:54.600 --> 0:36:57.000
<v Speaker 1>a better man, because I know where I came from

0:36:57.160 --> 0:37:02.200
<v Speaker 1>I know really yeah, I feel like I feel good

0:37:02.200 --> 0:37:07.800
<v Speaker 1>about that to make a shot. Drink that drink that

0:37:07.880 --> 0:37:12.040
<v Speaker 1>major label shot. You're gonna make sure I take that, okay,

0:37:12.080 --> 0:37:15.479
<v Speaker 1>all right? Cool? Um oh, I like this one ice

0:37:15.560 --> 0:37:24.080
<v Speaker 1>cube switch I'm telling jay Z tomorrow, I just playing.

0:37:24.560 --> 0:37:27.360
<v Speaker 1>Um oh, I like this one ice cube or Snoop Dog?

0:37:28.320 --> 0:37:37.560
<v Speaker 1>Oh man, you answer? Oh uh, I'll say ice cube

0:37:37.760 --> 0:37:42.560
<v Speaker 1>footsteps in the Dark song I wrote. That's right, that's right,

0:37:42.640 --> 0:37:50.360
<v Speaker 1>he sampled, and uh, I know, uh the there's a

0:37:50.520 --> 0:37:58.360
<v Speaker 1>video game GTA that uses Footsteps in the dark. Go ahead,

0:37:58.960 --> 0:38:03.000
<v Speaker 1>and I cu today what's a good thing? And then

0:38:03.920 --> 0:38:07.279
<v Speaker 1>it's still isile. Some people know it, you know, from

0:38:07.360 --> 0:38:10.719
<v Speaker 1>Easley and some people know it from him. So you know,

0:38:12.640 --> 0:38:18.279
<v Speaker 1>I Snoop Dog. You know, Snoop Dog is the number one.

0:38:19.080 --> 0:38:23.960
<v Speaker 1>Is the number this honestly tell whole the truth. Snoop Dog,

0:38:24.320 --> 0:38:28.520
<v Speaker 1>out of all the rappers is the number one rapper.

0:38:28.560 --> 0:38:34.479
<v Speaker 1>God dam gonna take a shot for that. Take a shot.

0:38:35.440 --> 0:38:40.320
<v Speaker 1>And and you know what's crazy, Shopper Snoop as a

0:38:40.440 --> 0:38:44.360
<v Speaker 1>barbecue every year. I love to be as barbecues. And

0:38:44.520 --> 0:38:47.719
<v Speaker 1>then I always look at the DJ because they're gonna

0:38:47.719 --> 0:38:53.560
<v Speaker 1>play one version. They're gonna play the biggie version version.

0:38:53.719 --> 0:38:57.200
<v Speaker 1>Now you know now with the rappers down, people like

0:38:59.200 --> 0:39:04.239
<v Speaker 1>jay Z, people like uh, the the guy I wanted

0:39:04.280 --> 0:39:13.160
<v Speaker 1>to when the war would those guys are so great, incredible,

0:39:13.200 --> 0:39:16.520
<v Speaker 1>it's so great you listening at the lyrics and of

0:39:17.560 --> 0:39:20.759
<v Speaker 1>some of the new rappers now you know, just and

0:39:20.880 --> 0:39:24.000
<v Speaker 1>the fastness. I mean, my brother in law had to

0:39:24.320 --> 0:39:31.719
<v Speaker 1>let me know about how great uh Kendrick, No, what's

0:39:31.760 --> 0:39:37.560
<v Speaker 1>the he' he raps faster, bust A ryndust around. I

0:39:37.600 --> 0:39:47.200
<v Speaker 1>mean I looked at bust A rynds not let's words

0:39:47.239 --> 0:39:51.759
<v Speaker 1>come out that game and you know, so I want

0:39:51.760 --> 0:39:55.840
<v Speaker 1>to give them all the credit they deserve. Many I

0:39:56.040 --> 0:39:59.080
<v Speaker 1>have to say too, when you guys start talking about

0:39:59.600 --> 0:40:03.400
<v Speaker 1>this person of that person, they both have to be

0:40:03.480 --> 0:40:07.439
<v Speaker 1>at the table. That's that's why I both deserved trying

0:40:07.440 --> 0:40:10.719
<v Speaker 1>to check him and just get drunk. Now, you know,

0:40:10.800 --> 0:40:13.239
<v Speaker 1>it's it's really hard to say what you want ye

0:40:14.760 --> 0:40:18.560
<v Speaker 1>snoop or you want ice c and be like, oh

0:40:19.280 --> 0:40:22.359
<v Speaker 1>now it's a trick. Qust do it to get guests drunk.

0:40:22.440 --> 0:40:24.680
<v Speaker 1>But y'all ogs, we we can't try to give you

0:40:24.719 --> 0:40:26.880
<v Speaker 1>our shots and things like that unless y'all want it,

0:40:26.960 --> 0:40:29.480
<v Speaker 1>but we're gonna get he gonna get um how you

0:40:29.600 --> 0:40:32.120
<v Speaker 1>call it, how you call it when you were spoke

0:40:32.160 --> 0:40:35.359
<v Speaker 1>a cigarette. Second, he gonna get second hand drunk. For y'all,

0:40:35.400 --> 0:40:37.200
<v Speaker 1>you know when we bring up the two names, because

0:40:37.239 --> 0:40:39.680
<v Speaker 1>we respect both, yea respect, So we just want to

0:40:39.719 --> 0:40:44.080
<v Speaker 1>have these conversations around these names. What if they like me? Man,

0:40:44.200 --> 0:40:46.480
<v Speaker 1>they look listen at your show every day I know

0:40:46.560 --> 0:40:51.560
<v Speaker 1>they've been listening. Will come out of my mouth because man,

0:40:51.640 --> 0:40:54.640
<v Speaker 1>I'll be listening to that everything. But this is one

0:40:54.680 --> 0:40:58.440
<v Speaker 1>of my favorite questions and stories. If we can story

0:40:58.480 --> 0:41:01.080
<v Speaker 1>with both, if you have if I with either with

0:41:01.320 --> 0:41:07.080
<v Speaker 1>both MJ or Prince m J, I like how you

0:41:07.120 --> 0:41:12.680
<v Speaker 1>said that. I have no problem with that. Okay, you

0:41:12.760 --> 0:41:18.560
<v Speaker 1>got a Michael Jackson's story. Oh man, tons, she's a

0:41:20.200 --> 0:41:25.480
<v Speaker 1>Michael Jackson and Prince asked a great talent, great talent,

0:41:25.520 --> 0:41:27.120
<v Speaker 1>which said Prince. So I just want to make sure

0:41:27.120 --> 0:41:28.719
<v Speaker 1>if this was the way it was going, I kind

0:41:28.760 --> 0:41:32.120
<v Speaker 1>of say, Michael Jackson, Okay, Michael Jackson was a king

0:41:32.200 --> 0:41:35.839
<v Speaker 1>of all. Yeah right, yeah, to tell us something Michael

0:41:35.920 --> 0:41:39.600
<v Speaker 1>Jackson stories tell you. Okay, we were at a CBS

0:41:39.680 --> 0:41:45.800
<v Speaker 1>Driking convention in seventy eight, and I came down and

0:41:46.000 --> 0:41:49.600
<v Speaker 1>when Robael came down after me, you know, I didn't know,

0:41:49.920 --> 0:41:52.239
<v Speaker 1>you know, that we were gonna both go or for

0:41:52.360 --> 0:41:55.920
<v Speaker 1>a time or whatever. But when we got when I

0:41:56.000 --> 0:41:58.640
<v Speaker 1>came into the room, I noticed that there was this

0:41:59.080 --> 0:42:03.440
<v Speaker 1>group of people all in like pale blue took sedos.

0:42:04.680 --> 0:42:07.719
<v Speaker 1>It turned out that it was the Jackson's and there

0:42:07.840 --> 0:42:10.920
<v Speaker 1>was this a little girl that had a pale Michael

0:42:11.440 --> 0:42:16.440
<v Speaker 1>and it was Janet. Janet. She was a little you know.

0:42:17.280 --> 0:42:21.040
<v Speaker 1>And I sat down at the table and I wasn't

0:42:21.040 --> 0:42:23.200
<v Speaker 1>there too long and somebody tapped me on my arm

0:42:25.480 --> 0:42:36.680
<v Speaker 1>and I turned around. It was Michael Hither. I said, hey, Mike,

0:42:36.800 --> 0:42:39.279
<v Speaker 1>how you doing? Man? He said, I ready for I

0:42:39.320 --> 0:42:45.399
<v Speaker 1>sit down. Come on, he handle thing. And we said

0:42:45.440 --> 0:42:48.759
<v Speaker 1>that for a little bit, and uh he said, um,

0:42:49.920 --> 0:42:52.920
<v Speaker 1>any d he could introduce me to your brother Ronald.

0:42:55.080 --> 0:42:58.399
<v Speaker 1>I said, come on, Michael, he knows you. You know him.

0:42:59.120 --> 0:43:01.640
<v Speaker 1>You know he's not gonna buys you in that light tan. Yeah,

0:43:01.680 --> 0:43:07.960
<v Speaker 1>but he might be busy you're thinking about. I said, okay,

0:43:08.000 --> 0:43:10.200
<v Speaker 1>I'll go over and ask him. So it's like something

0:43:10.280 --> 0:43:13.120
<v Speaker 1>out the Godfather. So I'll walk over to my brother

0:43:14.520 --> 0:43:19.279
<v Speaker 1>and I say, Michael Jackson wants to come over and

0:43:20.080 --> 0:43:22.959
<v Speaker 1>sit at the table with you, isn't all right? Ronald says,

0:43:23.400 --> 0:43:27.040
<v Speaker 1>it's all right. So I go back to my table

0:43:28.760 --> 0:43:31.279
<v Speaker 1>and I literally take Michael Jackson by his hand, like

0:43:31.400 --> 0:43:33.880
<v Speaker 1>he's six years old, and I'm walking him across the street.

0:43:34.760 --> 0:43:36.759
<v Speaker 1>And I walked him up to Ronald's table and I

0:43:36.960 --> 0:43:43.960
<v Speaker 1>say something like Michael Jackson, Ronald eis Ronald Eisley, Michael Jackson,

0:43:44.040 --> 0:43:47.480
<v Speaker 1>and the three of us just bust out laughing, you know,

0:43:48.120 --> 0:43:50.239
<v Speaker 1>and then I go away and I leave him, the

0:43:50.360 --> 0:43:53.560
<v Speaker 1>two of him, they're sitting at the table, and let

0:43:53.719 --> 0:44:01.120
<v Speaker 1>Ronald tell you the rest. Well, he was just such

0:44:01.160 --> 0:44:04.960
<v Speaker 1>an a Mira meet and why how did songs and

0:44:05.120 --> 0:44:10.800
<v Speaker 1>this Latin? But uh, later as time went on and

0:44:10.960 --> 0:44:14.400
<v Speaker 1>on and on. You know, hey, if if I'm in

0:44:14.800 --> 0:44:19.640
<v Speaker 1>any town that they have a show or of Michael

0:44:19.760 --> 0:44:25.279
<v Speaker 1>Jackson on film, I'll stop to watch that show. And uh,

0:44:25.520 --> 0:44:28.880
<v Speaker 1>me and my wife was in New York and and

0:44:29.400 --> 0:44:34.280
<v Speaker 1>and and this color that uh the one, uh Grammy

0:44:34.440 --> 0:44:39.200
<v Speaker 1>or something. It's Tony Man. This show was one of

0:44:39.320 --> 0:44:43.160
<v Speaker 1>the greatest shows I ever you know, I ever watched.

0:44:43.880 --> 0:44:48.160
<v Speaker 1>You know, Uh, we went back stage and talked to

0:44:48.360 --> 0:44:50.960
<v Speaker 1>everybody that on the owner that were on the show.

0:44:51.160 --> 0:44:53.880
<v Speaker 1>And you know which if you ever get a chancecle

0:44:53.960 --> 0:44:58.000
<v Speaker 1>in in New York, uh to see the show that

0:44:58.080 --> 0:45:03.440
<v Speaker 1>they're present, which Michael Jackson, it will explain everything to you.

0:45:04.560 --> 0:45:07.920
<v Speaker 1>And then yeah, I just playing Michael Jackson. We just

0:45:07.960 --> 0:45:11.120
<v Speaker 1>want to play. Yeah, okay, yeah, okay, you wouldn't yeah, yeah, yeah,

0:45:11.480 --> 0:45:14.640
<v Speaker 1>someone people talking about that. Yeah, it's so great, man,

0:45:15.120 --> 0:45:19.480
<v Speaker 1>it's so great. I'm glad that he wanted a Tony,

0:45:19.600 --> 0:45:24.279
<v Speaker 1>but it would it wouldn't be no doubt in your

0:45:24.320 --> 0:45:28.480
<v Speaker 1>mind where where the Tony was going to go to? No.

0:45:28.600 --> 0:45:30.160
<v Speaker 1>I heard that, that's crazy. I heard. I think I

0:45:30.239 --> 0:45:34.040
<v Speaker 1>heard Erica about due to see it, and I was

0:45:34.080 --> 0:45:37.360
<v Speaker 1>just like, oh, I was like really yeah wow? And

0:45:37.480 --> 0:45:40.200
<v Speaker 1>how old was he when that introduction was made? Michael?

0:45:40.719 --> 0:45:46.200
<v Speaker 1>I was twenty six? You were and Michael, uh, he

0:45:46.280 --> 0:45:51.480
<v Speaker 1>would have been I said twenty He would have been

0:45:51.520 --> 0:45:54.719
<v Speaker 1>about twenty twenty. It's more nineteen fifty eight when you

0:45:54.800 --> 0:45:57.480
<v Speaker 1>first made the voice. I picture Jackson five. Michael, that's

0:45:57.520 --> 0:46:01.399
<v Speaker 1>the same, like we know when he was talking, that's

0:46:01.440 --> 0:46:06.800
<v Speaker 1>how he But he seemed as a kid. He seemed

0:46:06.800 --> 0:46:08.960
<v Speaker 1>like he had an old soul. Oh yeah, yeah, but

0:46:09.080 --> 0:46:11.279
<v Speaker 1>that was how he was and you know and where

0:46:11.320 --> 0:46:14.759
<v Speaker 1>he uh just presented himself, you know, and and that

0:46:14.920 --> 0:46:17.320
<v Speaker 1>was him and and the rest of his brothers, you

0:46:17.400 --> 0:46:20.800
<v Speaker 1>know when I first came in, hen you know and

0:46:20.840 --> 0:46:23.160
<v Speaker 1>all that. And then Ronald told me later on that

0:46:23.280 --> 0:46:27.279
<v Speaker 1>he saw them all going to a huddle and then

0:46:27.400 --> 0:46:30.000
<v Speaker 1>Michael came out of the huddle and came to my table.

0:46:30.239 --> 0:46:33.160
<v Speaker 1>And then that's wow the conversation because the story is

0:46:33.160 --> 0:46:38.160
<v Speaker 1>fucking awesome. Back cool, but I'm cooling at all. This

0:46:38.239 --> 0:46:42.959
<v Speaker 1>is awesome. Have you ever met Prince Prince? Yes? Good,

0:46:43.520 --> 0:46:45.640
<v Speaker 1>and just for the record, you met Michael. There's no

0:46:45.719 --> 0:46:48.320
<v Speaker 1>white glove right, not that time, like later on he

0:46:48.360 --> 0:46:51.120
<v Speaker 1>put on the white glove. Okay, boom and Prince is

0:46:51.160 --> 0:46:56.320
<v Speaker 1>this asked out Prince or the all I'm asking was

0:46:56.400 --> 0:47:03.759
<v Speaker 1>somewhere somewhere, um a club that was on Sunset in California,

0:47:04.040 --> 0:47:08.840
<v Speaker 1>not the Roxy, not the Roxy. And Prince was like

0:47:09.920 --> 0:47:12.000
<v Speaker 1>he was kind of big then, you know, and uh

0:47:13.000 --> 0:47:17.520
<v Speaker 1>with with Eddie Murphy and he introduced us. You know,

0:47:18.080 --> 0:47:23.360
<v Speaker 1>Prince was kind of you know, you know, you know,

0:47:23.880 --> 0:47:26.960
<v Speaker 1>like you was into showing this thing. You know. It

0:47:27.000 --> 0:47:38.359
<v Speaker 1>sounds like yo, man, you guys live real dope. Like, man,

0:47:38.400 --> 0:47:40.600
<v Speaker 1>I'll just be an honest. You want to take over

0:47:40.680 --> 0:47:45.360
<v Speaker 1>the Yeah yeah, James Brown or Rick James James Brown,

0:47:48.560 --> 0:47:56.200
<v Speaker 1>James James James would tell you that. I'll tell you.

0:47:56.440 --> 0:47:58.120
<v Speaker 1>I tell you. I want you to play this right.

0:47:58.280 --> 0:48:00.439
<v Speaker 1>I tell you the one story I met James Brown.

0:48:00.600 --> 0:48:02.680
<v Speaker 1>I said this on the stroke before I'm walking the

0:48:02.760 --> 0:48:07.800
<v Speaker 1>red carpet and I'm realizing, um, like you know, James

0:48:07.880 --> 0:48:10.239
<v Speaker 1>has his nephew or like like I don't know someone,

0:48:10.560 --> 0:48:13.000
<v Speaker 1>and he goes, Yo, that's that's that's noriega, that's a rapper.

0:48:13.600 --> 0:48:16.319
<v Speaker 1>And James just turns his goals keep sampling my ship

0:48:18.880 --> 0:48:21.600
<v Speaker 1>on the red carpet in front of everybody. He just

0:48:21.719 --> 0:48:23.600
<v Speaker 1>turned it. I guess lady must have told him I'm

0:48:23.600 --> 0:48:26.120
<v Speaker 1>a rapper and he's just like, man, I love rappers, y'all.

0:48:26.200 --> 0:48:28.200
<v Speaker 1>Keeping my ship alive and that's just he just pointed

0:48:28.200 --> 0:48:30.799
<v Speaker 1>at me in my face, sat keep sampling my ship.

0:48:31.320 --> 0:48:36.120
<v Speaker 1>And I was like, we'll do. But who was the

0:48:36.239 --> 0:48:40.919
<v Speaker 1>James Brown's Rick James and Rick James. You know James Brown.

0:48:41.680 --> 0:48:43.880
<v Speaker 1>We were the first people that he would let come

0:48:43.920 --> 0:48:47.320
<v Speaker 1>in this dressing room without you know, going through the changes,

0:48:48.120 --> 0:48:53.919
<v Speaker 1>calling him, you know, mister Brown and all that stuff. Yeah, yeah, yeah,

0:48:57.000 --> 0:48:59.919
<v Speaker 1>that wasn't there. I'm talking about the early earlier days.

0:49:00.120 --> 0:49:03.560
<v Speaker 1>You know. Yeah, somebody standing outside, you know, and you

0:49:03.640 --> 0:49:06.480
<v Speaker 1>did come to see him. You know, he had come

0:49:06.520 --> 0:49:10.920
<v Speaker 1>into dressing room, you know, and when we came up,

0:49:11.400 --> 0:49:14.279
<v Speaker 1>came up to the door, was like that, you know,

0:49:15.880 --> 0:49:18.120
<v Speaker 1>keep the door open. Of course though it was you guys,

0:49:18.480 --> 0:49:21.879
<v Speaker 1>but well, I don't know, you know, James, like he's

0:49:22.040 --> 0:49:26.120
<v Speaker 1>really you know, a different type of individual. Yeah, yeah,

0:49:26.920 --> 0:49:32.000
<v Speaker 1>he was craze. That's like into the persona of being

0:49:32.120 --> 0:49:43.200
<v Speaker 1>James Brown might be, you know, but uh, James, James

0:49:43.320 --> 0:49:46.200
<v Speaker 1>knew what he could do. He really knew what he

0:49:46.280 --> 0:49:49.160
<v Speaker 1>could do. And uh, he was the first person to

0:49:49.520 --> 0:49:53.080
<v Speaker 1>tell us to have have your own band, get your

0:49:53.120 --> 0:49:55.960
<v Speaker 1>own make sure you got your own band playing your music,

0:49:56.120 --> 0:50:00.440
<v Speaker 1>you know, and that that and and that stuff with us.

0:50:00.600 --> 0:50:04.440
<v Speaker 1>You know, you got ahead, got Jimmy Hendricks and all

0:50:04.480 --> 0:50:07.920
<v Speaker 1>the band members we had. Yeah, that really stuck with us.

0:50:08.120 --> 0:50:09.879
<v Speaker 1>So if you didn't have your own band, what will

0:50:09.920 --> 0:50:11.520
<v Speaker 1>happen when you got to the clubs? The clubs will

0:50:11.520 --> 0:50:13.680
<v Speaker 1>playing the music for you. Yeah, we walk in and

0:50:13.760 --> 0:50:18.919
<v Speaker 1>try to rehearse something with whoever. Yeah, I can see

0:50:18.920 --> 0:50:21.080
<v Speaker 1>I can see that. That's like, let's like hire the

0:50:21.160 --> 0:50:24.920
<v Speaker 1>DJ when you land. You don't know, man, DJ is

0:50:25.200 --> 0:50:29.960
<v Speaker 1>cool with it. The DJ start instrument. Yeah, But do

0:50:30.040 --> 0:50:35.279
<v Speaker 1>you have a Rick game story? Rick James? Man, I

0:50:35.440 --> 0:50:41.879
<v Speaker 1>liked I liked your face. I can say I saw

0:50:42.440 --> 0:50:46.480
<v Speaker 1>Rick James at Madison Square Garden when he had I'll

0:50:46.480 --> 0:50:52.719
<v Speaker 1>give It to my brabite and very very dynamic show.

0:50:53.560 --> 0:50:57.680
<v Speaker 1>I was surprised he was not playing the bass. He

0:50:57.840 --> 0:51:02.560
<v Speaker 1>was more or less singing and it was a great,

0:51:03.000 --> 0:51:06.080
<v Speaker 1>great show. And I remember not too long after that,

0:51:06.880 --> 0:51:10.320
<v Speaker 1>he was in Philadelphia, I think at the Spectrum and

0:51:10.480 --> 0:51:15.600
<v Speaker 1>he had sold out like three consecutive nights, and they

0:51:15.760 --> 0:51:19.400
<v Speaker 1>said he had collapsed on stage. And when I heard that,

0:51:19.480 --> 0:51:22.200
<v Speaker 1>I said, you know, like Rick, you're having a lot

0:51:22.280 --> 0:51:24.759
<v Speaker 1>of fun, but man, you're gonna have to get your

0:51:24.840 --> 0:51:29.200
<v Speaker 1>rest because I know it's a party, you know, Yeah,

0:51:29.239 --> 0:51:34.960
<v Speaker 1>You're gonna have to you know. Uh. And he was

0:51:35.000 --> 0:51:41.360
<v Speaker 1>a big fan, he's a big Minis fan. Were in

0:51:41.560 --> 0:51:47.399
<v Speaker 1>California in Vegas, Yeah, Vegas, I mean twout the years.

0:51:47.520 --> 0:51:49.720
<v Speaker 1>I'm gonna get back to quick Time of Slime. Throughout

0:51:49.760 --> 0:51:52.239
<v Speaker 1>the years, what was some some of the craziest people

0:51:52.320 --> 0:51:55.120
<v Speaker 1>that's a fans. I mean, obviously everyone is a fan

0:51:55.160 --> 0:51:57.160
<v Speaker 1>of y'all because you know what I mean, But it

0:51:57.360 --> 0:52:00.239
<v Speaker 1>was there someone that um that was that was y'all

0:52:00.320 --> 0:52:03.880
<v Speaker 1>was shocked off of being a fan. Oh, let me

0:52:04.080 --> 0:52:15.040
<v Speaker 1>think Johnny Mathis. Johnny Mathis with my first meetings of

0:52:15.160 --> 0:52:22.280
<v Speaker 1>Johnny Mathis was that Alan Freed show and Johnny Mathis

0:52:22.400 --> 0:52:26.560
<v Speaker 1>was taking uh Jackie Wilson places because Jackie Wilson he

0:52:26.719 --> 0:52:32.520
<v Speaker 1>gotten shot and you know, and uh, Johnny Mathis will

0:52:32.520 --> 0:52:35.520
<v Speaker 1>go out there saying, but people were screaming so loud

0:52:36.320 --> 0:52:39.920
<v Speaker 1>when he was saying, and you can stopped, you know,

0:52:40.480 --> 0:52:44.040
<v Speaker 1>and you told us, yell you they've made an announcement

0:52:44.360 --> 0:52:47.719
<v Speaker 1>with you guys stopped with the girls stopped screaming so

0:52:47.880 --> 0:52:53.440
<v Speaker 1>they to the audience could hear the song. It's not

0:52:57.920 --> 0:53:01.640
<v Speaker 1>then you can hear. I thought that was like, you're

0:53:01.640 --> 0:53:04.520
<v Speaker 1>gonna tell all these people have stopped screaming, so you

0:53:06.200 --> 0:53:08.600
<v Speaker 1>but man, that's how you know, That's how he was

0:53:09.120 --> 0:53:14.960
<v Speaker 1>that you know, got there makes some noise that trick

0:53:15.000 --> 0:53:20.319
<v Speaker 1>outside the head where we got Yeah, other good one,

0:53:20.440 --> 0:53:29.040
<v Speaker 1>Stevie Wonder, Marvin Gaye, Oh, Wow, that's the time, say

0:53:30.400 --> 0:53:38.719
<v Speaker 1>all night, I would say, that's a time. Want a

0:53:38.800 --> 0:53:45.280
<v Speaker 1>story about him? Anything? Um when uh Marvin and Tammi

0:53:45.400 --> 0:53:50.440
<v Speaker 1>Terrella had Alton, Ain't no Mountain High, Ain't no Hello. Uh,

0:53:50.640 --> 0:53:56.160
<v Speaker 1>my eldest brother said, I think Marvin Gaye in town

0:53:56.800 --> 0:54:00.440
<v Speaker 1>and he's gonna come by the house. And we had

0:54:00.480 --> 0:54:03.879
<v Speaker 1>a swimming pool party. This is on a Saturday, noise

0:54:07.120 --> 0:54:11.279
<v Speaker 1>of my mother's house. And it turned out that he

0:54:11.440 --> 0:54:16.359
<v Speaker 1>did come by and uh, he's just you know, out

0:54:16.400 --> 0:54:19.080
<v Speaker 1>of respecting to say hello and all that stuff, and

0:54:19.800 --> 0:54:23.560
<v Speaker 1>he was trying to leave, you know. After he got there,

0:54:24.160 --> 0:54:25.799
<v Speaker 1>he's like, man, yeah. Kelly was like, man, where are

0:54:25.800 --> 0:54:27.400
<v Speaker 1>you trying to go? Let me introduce you. This is

0:54:27.480 --> 0:54:29.960
<v Speaker 1>Ernie and this is Marvin. He said, y'all have a

0:54:30.080 --> 0:54:33.560
<v Speaker 1>brother named Marvin. Say yeah, this is Marvin Isisley. He'd

0:54:33.600 --> 0:54:36.120
<v Speaker 1>liked that, and that was one of the things that

0:54:36.239 --> 0:54:38.640
<v Speaker 1>sort of encouraged in the state and say, you know, well,

0:54:39.160 --> 0:54:41.360
<v Speaker 1>the only record we were playing in the backyard was

0:54:41.480 --> 0:54:44.680
<v Speaker 1>Ain't No Man in Huh of him and Tommy Arrell.

0:54:46.080 --> 0:54:50.640
<v Speaker 1>He came back through the gate and that record was blasting.

0:54:52.239 --> 0:54:58.839
<v Speaker 1>Everybody froze. Everybody when they saw him, and somebody said

0:55:00.000 --> 0:55:03.919
<v Speaker 1>that's more than gay, and a pandemonium broke own. People

0:55:04.000 --> 0:55:07.719
<v Speaker 1>coming out the pool. He's signed an autographs your pool

0:55:07.760 --> 0:55:17.279
<v Speaker 1>party's preside pictures, you know, and then he uh, Then

0:55:17.719 --> 0:55:20.640
<v Speaker 1>he was trying to still leave and Kelly said, fixed

0:55:20.680 --> 0:55:23.520
<v Speaker 1>him to play. He ain't going over. Yeah. Yeah, we

0:55:23.600 --> 0:55:26.880
<v Speaker 1>had barbecue, you know, all that stuff, tATu sala, and

0:55:27.000 --> 0:55:31.280
<v Speaker 1>he wound up staying. That was around uh like eleven

0:55:31.400 --> 0:55:34.399
<v Speaker 1>or so in the morning. He wound up staying till

0:55:34.440 --> 0:55:37.800
<v Speaker 1>about midnight. Wow. And he sat down at the piano

0:55:38.200 --> 0:55:44.200
<v Speaker 1>in the living room voicing piano and played if this

0:55:44.400 --> 0:55:48.680
<v Speaker 1>World Were Mine? Incredible. There's grown women in there doing

0:55:48.760 --> 0:55:54.200
<v Speaker 1>this tearing up. Yeah, it was that dynamic of a

0:55:54.800 --> 0:56:01.000
<v Speaker 1>of a lot of performing is Stevie Wonder? I can

0:56:01.040 --> 0:56:03.840
<v Speaker 1>say for myself. When we first came to California to

0:56:04.000 --> 0:56:08.000
<v Speaker 1>record what was Gonna be three plus three, we came

0:56:08.120 --> 0:56:11.880
<v Speaker 1>down to the studio and Stevie Wonder was in there

0:56:12.000 --> 0:56:16.000
<v Speaker 1>singing a song called Don't You Worry About the Thing?

0:56:16.440 --> 0:56:20.960
<v Speaker 1>We were hearing it cold incredible and when the engineers

0:56:21.000 --> 0:56:23.799
<v Speaker 1>and he couldn't quite find himself, but he was trying

0:56:23.840 --> 0:56:27.560
<v Speaker 1>to do and one of the engineers said, Stevie Osley

0:56:27.640 --> 0:56:31.960
<v Speaker 1>Brothers are here. He sang it from the middle all

0:56:32.120 --> 0:56:37.600
<v Speaker 1>the way out to the end, and you know his

0:56:39.120 --> 0:56:43.680
<v Speaker 1>his contribution to music is just incredible, unspeakable, and nobody

0:56:43.760 --> 0:56:50.600
<v Speaker 1>can up in front the eye. But then one of

0:56:50.680 --> 0:56:52.400
<v Speaker 1>the songs we did out there was something called that

0:56:52.560 --> 0:56:56.640
<v Speaker 1>Lady and some of the breeze and listen to the

0:56:56.760 --> 0:57:00.439
<v Speaker 1>music and uh, don't let me be lonely tonight under

0:57:00.480 --> 0:57:03.680
<v Speaker 1>the that's some really dynamic tracks on three plus three?

0:57:04.600 --> 0:57:11.480
<v Speaker 1>Who was that Lady about? Originally as wrong as I did? Wow?

0:57:13.200 --> 0:57:17.160
<v Speaker 1>And uh, he told me, because this woman to this

0:57:17.320 --> 0:57:20.280
<v Speaker 1>day about no. He told me and told me when

0:57:20.320 --> 0:57:22.480
<v Speaker 1>we're gonna go out we're gonna go out there years old.

0:57:25.040 --> 0:57:26.920
<v Speaker 1>And I said, man, you know that was done as

0:57:26.920 --> 0:57:30.560
<v Speaker 1>a cho Boston Nova. And he said, huh, we're gonna

0:57:30.640 --> 0:57:32.760
<v Speaker 1>change the melody, we're gonna change the temple, we're gonna

0:57:32.800 --> 0:57:35.840
<v Speaker 1>change the lyric, and you are gonna play a lead

0:57:35.920 --> 0:57:40.160
<v Speaker 1>guitar on it. And I was like, okay, you know,

0:57:41.120 --> 0:57:44.520
<v Speaker 1>and uh, you know, we went out there and did

0:57:44.640 --> 0:57:47.360
<v Speaker 1>what we did, and you know you kind of like say,

0:57:47.440 --> 0:57:53.680
<v Speaker 1>like the rest is history, It's three is great and

0:57:53.920 --> 0:57:58.280
<v Speaker 1>literally at the end, he was like, what a fortunate

0:57:58.480 --> 0:58:00.960
<v Speaker 1>with any of the stories, With any of these stories,

0:58:01.000 --> 0:58:03.160
<v Speaker 1>I know whether or not I'm talking about it or

0:58:03.200 --> 0:58:07.480
<v Speaker 1>whether Ronald was talking about it. He could go on, yes,

0:58:07.640 --> 0:58:11.400
<v Speaker 1>because we're giving you like the microwave version. Yeah, the

0:58:11.480 --> 0:58:14.000
<v Speaker 1>quick version. We're good with that. H because you have

0:58:14.120 --> 0:58:17.760
<v Speaker 1>no idea how I mean, obviously you do, but yeah,

0:58:17.800 --> 0:58:20.840
<v Speaker 1>y'all both do. Everyone does hit because your history is

0:58:20.920 --> 0:58:26.640
<v Speaker 1>so rich, like like, oh to me, it's like whatever

0:58:26.840 --> 0:58:28.640
<v Speaker 1>they call the people, the Queen and the King of

0:58:28.680 --> 0:58:34.920
<v Speaker 1>Elizabeth like that. But the royal royalty, y'all. Royal family, yes,

0:58:35.600 --> 0:58:38.920
<v Speaker 1>not just stays version of royal family. You going to

0:58:38.960 --> 0:58:46.880
<v Speaker 1>the next quick, let's go public enemy or n wam tie.

0:58:47.840 --> 0:58:50.720
<v Speaker 1>I agree, I Sundy take your shot. We all of

0:58:50.800 --> 0:58:56.160
<v Speaker 1>us gonna take. Look. I'm looking running behind over him

0:58:56.360 --> 0:59:05.520
<v Speaker 1>man with that club. I get a pass, I get

0:59:05.560 --> 0:59:13.640
<v Speaker 1>a bas yo. Listen, we're gonna we're gonna disclaimer right now,

0:59:14.000 --> 0:59:17.760
<v Speaker 1>the Oddsy Brothers are not responsible for wherever Sunny drinks

0:59:18.040 --> 0:59:22.840
<v Speaker 1>and just not make it home tonight, just not playing

0:59:22.920 --> 0:59:26.200
<v Speaker 1>the alcohol. Do not blame the alcohol. The alcohol is

0:59:26.240 --> 0:59:29.480
<v Speaker 1>just fine. You It came with a bocket rock, but

0:59:29.560 --> 0:59:32.000
<v Speaker 1>it was smart enough to give you the run, and

0:59:32.120 --> 0:59:34.080
<v Speaker 1>I respect they shut up, Sunny. He brought me that

0:59:34.400 --> 0:59:36.320
<v Speaker 1>that baba, which I'm a drink in one of the

0:59:36.400 --> 0:59:39.200
<v Speaker 1>next episodes is Haitian rum is. It's great. I don't

0:59:39.240 --> 0:59:44.120
<v Speaker 1>recommend that. No, that's great. No, I drink it in Hey, next,

0:59:44.160 --> 0:59:48.480
<v Speaker 1>quick time, my son, let's go um. Well, no any

0:59:48.520 --> 0:59:51.439
<v Speaker 1>stories with public m or NWA the four qube left.

0:59:51.560 --> 0:59:54.919
<v Speaker 1>Did you enter any interactions with that group? What about

0:59:54.960 --> 1:00:05.160
<v Speaker 1>some women? Man? We were scared when the Houston Okay, Franklin, Yeah,

1:00:05.560 --> 1:00:11.480
<v Speaker 1>I'll take that. Payla Bill reread the Franklin Franklin, the

1:00:11.600 --> 1:00:18.760
<v Speaker 1>Franklin yes, and Patty Houston Patty, it's great too. Still

1:00:18.800 --> 1:00:22.880
<v Speaker 1>it's my girl. She's well Patty would say that Franklin, Yes,

1:00:22.960 --> 1:00:27.080
<v Speaker 1>she would. That's why I would saying that's what I

1:00:27.120 --> 1:00:33.200
<v Speaker 1>love the old g accent answer star would he. I

1:00:33.320 --> 1:00:37.200
<v Speaker 1>love it. I love it, and our crew putting no

1:00:37.320 --> 1:00:40.040
<v Speaker 1>more women on this list. That's that's the that's the

1:00:40.360 --> 1:00:45.000
<v Speaker 1>Columbia and Dominican over there, that's Columbian domic We all

1:00:45.080 --> 1:00:48.120
<v Speaker 1>married men, so we'd be scared to ask con and

1:00:51.240 --> 1:00:59.800
<v Speaker 1>name somebody. I'm saying shy males Beatty White, Connor, Winnie Houston,

1:01:00.680 --> 1:01:07.520
<v Speaker 1>Whendy Houston, even though it's a little different. But yeah, okay, yeah, yeah.

1:01:08.400 --> 1:01:10.400
<v Speaker 1>You see what Stephanie Mills is going through right now.

1:01:11.200 --> 1:01:13.080
<v Speaker 1>She says something about to Be High. They ain't like it.

1:01:14.880 --> 1:01:17.920
<v Speaker 1>You cannot say nothing about to be leave it alone.

1:01:20.520 --> 1:01:23.200
<v Speaker 1>It's well known fact. And I say nothing about Beyonce.

1:01:23.920 --> 1:01:27.000
<v Speaker 1>Everybody knows it. It's like the mafia. We don't discuss it.

1:01:27.560 --> 1:01:32.200
<v Speaker 1>We just follow the rules. And but Stephanie Mills held

1:01:32.720 --> 1:01:34.720
<v Speaker 1>held it down. She went to the riversh clubs. She

1:01:34.800 --> 1:01:37.000
<v Speaker 1>held it down. She didn't back down. She just said

1:01:37.040 --> 1:01:40.320
<v Speaker 1>that she thought that, you know, Beyonce was excuse me that,

1:01:40.840 --> 1:01:46.720
<v Speaker 1>um um, Diana Ross was on a different level than Beyonce.

1:01:47.080 --> 1:01:49.320
<v Speaker 1>And we all understand what she meant, but for how

1:01:49.400 --> 1:01:52.480
<v Speaker 1>it was expressed was like, you can't say nothing about Beyonce,

1:01:52.720 --> 1:01:55.000
<v Speaker 1>like and in this day and era, like you know, um,

1:01:55.360 --> 1:01:57.640
<v Speaker 1>you know, God bless you guys. You guys didn't have Instagram,

1:01:57.880 --> 1:02:01.280
<v Speaker 1>but I'm telling you you luck it Instagram. It's some

1:02:01.520 --> 1:02:05.600
<v Speaker 1>crazy like oh my god, I just go on Twitter

1:02:05.800 --> 1:02:08.920
<v Speaker 1>just to be negative sometimes, like I just need an

1:02:08.920 --> 1:02:10.840
<v Speaker 1>ounce of negativity. So I'll just go on there and

1:02:10.880 --> 1:02:13.000
<v Speaker 1>be like, hey, how's everyone doing. People like fuck you.

1:02:13.360 --> 1:02:18.520
<v Speaker 1>I'm like I said, I I didn't do nothing wrong

1:02:20.360 --> 1:02:23.880
<v Speaker 1>to offend you. I mean, it's the wild, wild West.

1:02:23.920 --> 1:02:26.040
<v Speaker 1>I swear to God, I literally will go out there

1:02:26.040 --> 1:02:28.080
<v Speaker 1>and just say hi, just to just to and never

1:02:28.200 --> 1:02:34.040
<v Speaker 1>say I'll come up with one. Okay, I'll come up

1:02:34.040 --> 1:02:38.160
<v Speaker 1>with just one. Okay, with all due respect. The greatest

1:02:38.240 --> 1:02:41.240
<v Speaker 1>male singer in the history of rock and roll. It's

1:02:41.280 --> 1:02:50.080
<v Speaker 1>my brother wrong. You look, you look at the resume,

1:02:50.320 --> 1:02:56.360
<v Speaker 1>you listen to it. The catalog nobody I'm the Beatles

1:02:56.520 --> 1:03:01.960
<v Speaker 1>copied the Osley Brothers shout and twisting shown you know,

1:03:02.040 --> 1:03:05.440
<v Speaker 1>so John Lynn was copying what my brother wrong. And

1:03:05.480 --> 1:03:08.400
<v Speaker 1>they had no problem telling you that, right, they didn't job,

1:03:08.720 --> 1:03:11.040
<v Speaker 1>you know, but that that would be one of the things.

1:03:11.120 --> 1:03:13.720
<v Speaker 1>I would let me take a shot for that. Damn,

1:03:13.760 --> 1:03:16.960
<v Speaker 1>I'll take the best. I'll take the shot the best stop.

1:03:17.480 --> 1:03:24.200
<v Speaker 1>Michael Jackson copied him. I'm sure listening. Go on, yeah, everybody,

1:03:24.960 --> 1:03:27.080
<v Speaker 1>that's that's what's so beautiful about. That's why he was

1:03:27.120 --> 1:03:29.800
<v Speaker 1>sitting at the table talking to him right, trying to

1:03:29.880 --> 1:03:34.080
<v Speaker 1>get some pointers. You know, you can'tbody can't nobody hang

1:03:34.160 --> 1:03:42.960
<v Speaker 1>with this man, no no, and we're brothers. Good god

1:03:43.040 --> 1:03:54.200
<v Speaker 1>him who him a guitar man. He's gonna be a

1:03:54.200 --> 1:03:57.480
<v Speaker 1>good talk yo. But I'm not gonna lie to you.

1:03:57.600 --> 1:04:01.360
<v Speaker 1>That's what I don't know. Someone said this earlier. But

1:04:01.440 --> 1:04:04.880
<v Speaker 1>that's what's so beautiful about you guys is I've never

1:04:04.960 --> 1:04:08.360
<v Speaker 1>seen you guys be dated. Like you know, you guys

1:04:08.400 --> 1:04:12.520
<v Speaker 1>can fit into any genre and every genre will sit

1:04:12.600 --> 1:04:15.960
<v Speaker 1>there and respect you. I said that, right, and I

1:04:16.080 --> 1:04:20.040
<v Speaker 1>keep like i' We've been doing this show for like,

1:04:20.240 --> 1:04:23.640
<v Speaker 1>you know, seven years, and you know, so every time

1:04:23.680 --> 1:04:25.680
<v Speaker 1>I have a person and I'll call other people to

1:04:25.720 --> 1:04:28.280
<v Speaker 1>see if if you know, people want to participate in

1:04:29.240 --> 1:04:31.680
<v Speaker 1>and in the interview, all give me some pointers, give

1:04:31.720 --> 1:04:36.479
<v Speaker 1>me something. When I tell you everybody answers for y'all, wow,

1:04:37.040 --> 1:04:38.920
<v Speaker 1>Like there's certain people they're like, man, I got some

1:04:39.120 --> 1:04:42.440
<v Speaker 1>sus They're like mh, they don't because they don't want

1:04:42.440 --> 1:04:43.760
<v Speaker 1>to be a part of the interview. They don't want

1:04:43.800 --> 1:04:45.280
<v Speaker 1>to help out or whatever I want. I talking about

1:04:45.280 --> 1:04:48.720
<v Speaker 1>everybody that I call sincerely, was like, those brothers deserve

1:04:48.840 --> 1:04:53.720
<v Speaker 1>their flowers, and those brothers deserve the legendary status that

1:04:53.880 --> 1:04:56.360
<v Speaker 1>they have. And we'll be with moors. We'll be remiss

1:04:56.480 --> 1:04:58.640
<v Speaker 1>not to tell y'all how much y'all do deserve that,

1:04:58.800 --> 1:05:01.680
<v Speaker 1>how much important y'all are to this coach. And not

1:05:01.840 --> 1:05:05.160
<v Speaker 1>just hip hop, No, not just hip hop, hip cultural

1:05:05.960 --> 1:05:08.240
<v Speaker 1>And I don't want to say anything. It's bigger than

1:05:08.240 --> 1:05:10.600
<v Speaker 1>the hip hop or anything's bigger than music. But sometimes

1:05:10.720 --> 1:05:16.280
<v Speaker 1>it's even bigger than music, because every single movie that

1:05:16.440 --> 1:05:18.920
<v Speaker 1>you watched with a little bit of soul got your

1:05:18.960 --> 1:05:29.120
<v Speaker 1>soul in it. No, for I'm like, God, I'm watching

1:05:29.160 --> 1:05:37.080
<v Speaker 1>bread and Crashes. I'm like, showt my holy shit hoop

1:05:38.400 --> 1:05:41.920
<v Speaker 1>what's his name? Bitch? Var bitch where he's trying to

1:05:41.920 --> 1:05:43.959
<v Speaker 1>put his soul on that said? Bitch? Bard did great?

1:05:44.320 --> 1:05:48.880
<v Speaker 1>But no, no, hey, they put twist on it. This

1:05:49.120 --> 1:05:57.200
<v Speaker 1>is such beautiful basketball games. The stories you know, that

1:05:57.320 --> 1:06:03.520
<v Speaker 1>ship is everywhere. You really made universal. I heard you

1:06:03.600 --> 1:06:08.520
<v Speaker 1>say something one time, and you said the music will

1:06:08.560 --> 1:06:11.080
<v Speaker 1>outlive I forget how how y'all put it. Was pull

1:06:11.120 --> 1:06:13.760
<v Speaker 1>for y'all, the music will outlived the legend, right or

1:06:13.800 --> 1:06:15.800
<v Speaker 1>something like that. Forget how y'all how y'all put it?

1:06:18.200 --> 1:06:21.120
<v Speaker 1>And I got one record that I've ever made that's

1:06:21.160 --> 1:06:26.000
<v Speaker 1>bigger than me. Right, and this more than somebody was

1:06:26.000 --> 1:06:29.280
<v Speaker 1>in the club one day and he was singing my

1:06:29.360 --> 1:06:35.480
<v Speaker 1>song after he stepped on my shoe. He didn't know

1:06:35.560 --> 1:06:38.440
<v Speaker 1>what I mean, he's singing my ship. This in me,

1:06:40.680 --> 1:06:44.800
<v Speaker 1>I was offended, but in the site, but I was

1:06:44.920 --> 1:06:51.360
<v Speaker 1>always also like, go ahead, keep singing that. I could imagine.

1:06:52.240 --> 1:06:57.280
<v Speaker 1>I can imagine y'all catalog. There has to be people

1:06:57.360 --> 1:07:00.240
<v Speaker 1>that actually sing y'all shit in this parbaby like, man,

1:07:02.640 --> 1:07:06.120
<v Speaker 1>you haven't had that experience. You know. I was watching

1:07:06.160 --> 1:07:10.000
<v Speaker 1>the football, not the Super Bowl game, not just any

1:07:10.040 --> 1:07:13.760
<v Speaker 1>football game. And now they did the commercial with the

1:07:13.880 --> 1:07:17.200
<v Speaker 1>kids you know who you made me run and the

1:07:17.240 --> 1:07:23.800
<v Speaker 1>commercial kids was getting married, and yeah, I think that's

1:07:23.840 --> 1:07:27.520
<v Speaker 1>gonna gonna win something that you too. But but they

1:07:27.600 --> 1:07:33.520
<v Speaker 1>do our songs and every every Super Bowl and even

1:07:33.760 --> 1:07:38.520
<v Speaker 1>even even the rappers did, uh every every rapper when

1:07:38.640 --> 1:07:44.439
<v Speaker 1>the doctor dre Ye and all the rapper was up there. Yeah,

1:07:44.920 --> 1:07:47.320
<v Speaker 1>when I'm sorry, did you say they play your songs

1:07:47.480 --> 1:07:50.520
<v Speaker 1>every Super Bowl? Oh? Yeah, yeah that is you know

1:07:50.640 --> 1:08:01.040
<v Speaker 1>when when that was nobody the tower, when back when

1:08:01.160 --> 1:08:08.480
<v Speaker 1>uh Barack Obama was president elect and was sitting in

1:08:08.640 --> 1:08:12.960
<v Speaker 1>front of the Lincoln Memorial, Garth Brooks was out there

1:08:13.200 --> 1:08:18.120
<v Speaker 1>with acoustic guitar. He put his guitar down, he took

1:08:18.160 --> 1:08:22.000
<v Speaker 1>his hat off, and I'm watching this on CNN and

1:08:22.120 --> 1:08:28.479
<v Speaker 1>he said where. I was like, oh my god, in

1:08:28.640 --> 1:08:31.400
<v Speaker 1>front of the Lincoln Memorial and know your mabement wounded,

1:08:31.840 --> 1:08:35.479
<v Speaker 1>came back. Here go my hand back, and the audience

1:08:36.680 --> 1:08:40.840
<v Speaker 1>and the president elect was and Joe Biden, who was

1:08:40.920 --> 1:08:44.519
<v Speaker 1>vice president, and the wives, and I was like, good god,

1:08:46.080 --> 1:08:52.760
<v Speaker 1>that song boy, everybody knows you. It's it's gonna live forever. Yeah,

1:08:53.160 --> 1:08:55.760
<v Speaker 1>I mean I mean that, you know what's crazy. Some

1:08:55.920 --> 1:08:58.320
<v Speaker 1>people are blessed to have one of those records. Some

1:08:58.479 --> 1:09:01.040
<v Speaker 1>people are blessed to have two them. Recons said at

1:09:01.280 --> 1:09:06.240
<v Speaker 1>beer minim, I mean that maximum people aren't blessed to

1:09:06.280 --> 1:09:14.400
<v Speaker 1>have three of them. Y'all got like seventeen. I can't go.

1:09:14.560 --> 1:09:17.000
<v Speaker 1>I was like, wait a minute. They never not make

1:09:17.080 --> 1:09:20.160
<v Speaker 1>it like I'm I don't look at like go and

1:09:20.280 --> 1:09:24.080
<v Speaker 1>I'm like, that's that's a blessing, yoll dress a blessing.

1:09:24.160 --> 1:09:31.640
<v Speaker 1>Like like for let me ask you, what was your

1:09:31.720 --> 1:09:35.000
<v Speaker 1>first taste of someone doing a cover of your music?

1:09:35.240 --> 1:09:37.120
<v Speaker 1>Was it, I mean, as big as it got? Was it?

1:09:37.200 --> 1:09:45.080
<v Speaker 1>The Beatles? Uh? The shout? Uh? What's covered by What's

1:09:45.080 --> 1:09:48.200
<v Speaker 1>the Girl. Joey d In The Starliners did a whole

1:09:48.760 --> 1:09:52.599
<v Speaker 1>a version of Shout back in the around nineteen sixty

1:09:53.120 --> 1:09:56.519
<v Speaker 1>one or so, and I remember watching the show that

1:09:56.600 --> 1:09:59.439
<v Speaker 1>Joy d and the Starlights on the same show A

1:09:59.520 --> 1:10:02.479
<v Speaker 1>Star and She Brothers and the Osley Brothers were closing

1:10:02.560 --> 1:10:06.960
<v Speaker 1>this show with Shout and enjoy ding. The Starlighters had

1:10:07.160 --> 1:10:10.120
<v Speaker 1>Outshout and they were doing it in front of its like,

1:10:10.600 --> 1:10:14.200
<v Speaker 1>but the audience was still more so with the isles.

1:10:14.760 --> 1:10:18.839
<v Speaker 1>When then Kelly Rudolf and did it so well Lulu

1:10:19.040 --> 1:10:25.280
<v Speaker 1>had a number version and the number one record of England. Yeah,

1:10:25.800 --> 1:10:28.720
<v Speaker 1>that was the first record we ruled that had a

1:10:28.800 --> 1:10:33.120
<v Speaker 1>cover we wrote. I wrote another song called Nobody with

1:10:33.280 --> 1:10:36.000
<v Speaker 1>Me and it was the number one song went to

1:10:36.160 --> 1:10:40.240
<v Speaker 1>Human Beings and they played out at the Super Bowl too,

1:10:40.760 --> 1:10:48.000
<v Speaker 1>you know. So that was the first cover shout Nobody

1:10:48.120 --> 1:10:50.280
<v Speaker 1>with Me. But that was the first songs I wrote,

1:10:51.720 --> 1:10:55.160
<v Speaker 1>you know, the first songs. And at the beginning of

1:10:55.360 --> 1:10:58.040
<v Speaker 1>the of a legacy that's being covered and covered and

1:10:58.680 --> 1:11:01.200
<v Speaker 1>it goes on the next I wrote that the guy

1:11:01.360 --> 1:11:03.800
<v Speaker 1>wanted to give us half of it. The song was

1:11:03.920 --> 1:11:08.280
<v Speaker 1>a twisting shot and we said no, you're going and

1:11:08.360 --> 1:11:11.960
<v Speaker 1>you keep that, you know, not knowing that it would

1:11:12.000 --> 1:11:16.800
<v Speaker 1>be the monster monster later? You know that was that

1:11:16.880 --> 1:11:19.960
<v Speaker 1>considered rock and roll or doop? What was that consider

1:11:20.000 --> 1:11:24.800
<v Speaker 1>at that time? Well, little Richard was doing a good God,

1:11:25.280 --> 1:11:28.960
<v Speaker 1>miss Molly, you know little rock and roll here the

1:11:29.040 --> 1:11:31.599
<v Speaker 1>beginning of rock and roll. Yeah, him and Chuck Berry.

1:11:31.840 --> 1:11:36.040
<v Speaker 1>Yeah so so so y'all wasn't considered rock and rollers

1:11:36.080 --> 1:11:41.600
<v Speaker 1>considered no, I think, and I don't think that was

1:11:41.680 --> 1:11:44.880
<v Speaker 1>slaying on b. Then. We didn't even have a name

1:11:44.920 --> 1:11:49.800
<v Speaker 1>for the Johan. It was just dope. It was just fine.

1:11:53.760 --> 1:11:56.040
<v Speaker 1>They called it rock and roll, but you know that good?

1:11:56.920 --> 1:12:00.240
<v Speaker 1>But uh, I don't I don't remember them all in

1:12:00.400 --> 1:12:05.120
<v Speaker 1>songs R and B R right, ligand and blues but

1:12:06.120 --> 1:12:07.960
<v Speaker 1>like do you like the term from R and B

1:12:08.280 --> 1:12:12.040
<v Speaker 1>or I don't care what term they called as the

1:12:12.120 --> 1:12:16.000
<v Speaker 1>baby making as long as they played and music gets

1:12:16.160 --> 1:12:21.720
<v Speaker 1>music man, music gets music man. Uh. They kind of

1:12:21.800 --> 1:12:25.040
<v Speaker 1>put it put it in categorious, you know, and box it. Yeah,

1:12:25.479 --> 1:12:31.040
<v Speaker 1>but yeah, and box you in with it. Right. But

1:12:32.439 --> 1:12:35.880
<v Speaker 1>the Lord has we know why our blessing come from.

1:12:36.760 --> 1:12:41.320
<v Speaker 1>This is Jesus christy you know? So um, because like

1:12:41.400 --> 1:12:42.960
<v Speaker 1>when I used to make music. People just come up

1:12:42.960 --> 1:12:45.800
<v Speaker 1>to me and be like I did. I went to

1:12:45.880 --> 1:12:51.600
<v Speaker 1>jail for your ship. I realized I didn't want me

1:12:51.640 --> 1:12:56.320
<v Speaker 1>to say it, but I was like, what would you

1:12:56.320 --> 1:13:05.920
<v Speaker 1>want me to do? Yeah, exact, because your music is different.

1:13:07.080 --> 1:13:09.960
<v Speaker 1>It wasn't right, it wasn't right right, But come up

1:13:09.960 --> 1:13:11.719
<v Speaker 1>to y'all gotta be like I had a baby because

1:13:11.760 --> 1:13:15.160
<v Speaker 1>of you? How how how how how beautiful is that?

1:13:15.280 --> 1:13:19.479
<v Speaker 1>Because it makes you really really feel good, really feel

1:13:19.520 --> 1:13:25.160
<v Speaker 1>good all the use Oh you did right? Yeah? Sometimes

1:13:25.240 --> 1:13:29.040
<v Speaker 1>they I've had guys come up to me and say, hey, man,

1:13:29.200 --> 1:13:31.920
<v Speaker 1>I love y'all's music, but I got in trouble because

1:13:31.920 --> 1:13:34.519
<v Speaker 1>of y'all. Know what you're talking about? Because I put

1:13:34.640 --> 1:13:41.679
<v Speaker 1>that song don't say good night yeah, over and over again.

1:13:42.240 --> 1:13:45.800
<v Speaker 1>I want to see see what you like liking big

1:13:46.080 --> 1:13:48.360
<v Speaker 1>It's like, oh my good you gotta be a saving

1:13:48.720 --> 1:13:51.960
<v Speaker 1>can be a stalker, gonna take that song different. Yes,

1:13:52.160 --> 1:13:57.439
<v Speaker 1>that's very true. Don't think right now. We our music

1:13:57.560 --> 1:14:00.960
<v Speaker 1>has UH. It has a lot of romance in it,

1:14:01.640 --> 1:14:05.040
<v Speaker 1>and it was one of the probably our catalogs wanted

1:14:05.080 --> 1:14:09.200
<v Speaker 1>to go to catalogs when it comes to UH, men

1:14:09.280 --> 1:14:13.840
<v Speaker 1>and women being together in the intimate fashion and date whatever,

1:14:14.280 --> 1:14:17.840
<v Speaker 1>which is a wonderful thing. It was crazy because I

1:14:17.920 --> 1:14:20.200
<v Speaker 1>always used to say this, two genres of music that

1:14:20.280 --> 1:14:23.599
<v Speaker 1>you can play loud and no one will ever get offended.

1:14:24.160 --> 1:14:29.799
<v Speaker 1>And at first I thought it was just uh, reggae

1:14:30.120 --> 1:14:33.160
<v Speaker 1>and salsa. But this past a couple of months, me

1:14:33.320 --> 1:14:35.920
<v Speaker 1>knowing that I had y'all book, I kept playing y'all

1:14:36.040 --> 1:14:39.040
<v Speaker 1>music loud as hell and in front of the white

1:14:39.080 --> 1:14:42.080
<v Speaker 1>folks and no one can playing And I said, but

1:14:42.200 --> 1:14:46.880
<v Speaker 1>then I said, it's Isley Broughs, the own genre of music.

1:14:48.040 --> 1:14:56.800
<v Speaker 1>Do y'all prolong South, because that's that's really he ever

1:14:56.920 --> 1:14:58.760
<v Speaker 1>been on the Caribbean, the island and they playing at

1:14:58.800 --> 1:15:01.200
<v Speaker 1>the Calypso when they playing, no one's offended by the

1:15:01.280 --> 1:15:03.560
<v Speaker 1>words no one. And then if you go to like

1:15:03.720 --> 1:15:06.040
<v Speaker 1>la I'm gonna half part the weekend and you play

1:15:06.160 --> 1:15:08.760
<v Speaker 1>certain and then and then I just realized it was

1:15:08.880 --> 1:15:11.960
<v Speaker 1>also your music. You can play it woud. I'm talking

1:15:11.960 --> 1:15:16.960
<v Speaker 1>about like, you know, the levels of the people like

1:15:17.240 --> 1:15:19.040
<v Speaker 1>they don't do that with y'all ship and they're like, oh,

1:15:25.360 --> 1:15:28.760
<v Speaker 1>it's really baby making music. It's not offensive. Fact, did

1:15:28.840 --> 1:15:34.240
<v Speaker 1>y'all did y'all know that? I know that now you know,

1:15:34.360 --> 1:15:36.320
<v Speaker 1>we'd be something. We'd be somewhere on the island I

1:15:36.439 --> 1:15:45.200
<v Speaker 1>remember not too long ago, and it's live band hits. Wow. Wow,

1:15:46.080 --> 1:15:48.000
<v Speaker 1>you know we should where over here and then where

1:15:48.040 --> 1:15:49.720
<v Speaker 1>over they hell land something you can hear it like

1:15:50.320 --> 1:15:54.080
<v Speaker 1>loud and clear, Like that's wonderful, wonderful to have something

1:15:54.160 --> 1:15:57.400
<v Speaker 1>like that happened. What's one thing that that that you

1:15:57.560 --> 1:16:01.599
<v Speaker 1>regret not taking advantage of in this game? If anything?

1:16:01.800 --> 1:16:05.160
<v Speaker 1>If any say that again, one thing that you regret

1:16:05.320 --> 1:16:12.479
<v Speaker 1>not taking advantage of, Like is there an opportunity you

1:16:12.600 --> 1:16:14.519
<v Speaker 1>let pass by that you should have, like, yeah, we

1:16:14.640 --> 1:16:16.479
<v Speaker 1>are to have a core unions like I get back

1:16:16.520 --> 1:16:23.599
<v Speaker 1>with you. Oh I remember, uh the House the Um

1:16:25.840 --> 1:16:31.840
<v Speaker 1>Blues Brothers they are. They wanted us to perform in

1:16:31.960 --> 1:16:35.720
<v Speaker 1>that movie r White Guys Blues brother you know, and

1:16:36.080 --> 1:16:38.920
<v Speaker 1>and and then we turned it down and they use

1:16:39.000 --> 1:16:49.960
<v Speaker 1>another groups. Uh let me take with someone else. I

1:16:50.040 --> 1:16:55.040
<v Speaker 1>would kind of regret that. And and they wanted wanted

1:16:55.120 --> 1:16:59.560
<v Speaker 1>to use one of our records and uh uh the

1:16:59.760 --> 1:17:06.599
<v Speaker 1>movie he uh ninety the ninety Oh yeah, the Beach's

1:17:06.920 --> 1:17:10.720
<v Speaker 1>Saturday Night Fever. They wanted to use tell Me When

1:17:10.760 --> 1:17:13.040
<v Speaker 1>You Need It again from the goal for your guns

1:17:13.080 --> 1:17:19.720
<v Speaker 1>job and now but you are hallm um, hallm uh

1:17:20.720 --> 1:17:22.800
<v Speaker 1>the golf Father, right you You ain't that right now?

1:17:23.800 --> 1:17:28.120
<v Speaker 1>Oh yeah? Oh yeah yeah yeah. The Blues Brothers. Yeah

1:17:30.160 --> 1:17:35.280
<v Speaker 1>you came back home. Oh man, I'm so excited. Man.

1:17:35.680 --> 1:17:40.280
<v Speaker 1>So let me ask you generationally the decade wise, is

1:17:40.320 --> 1:17:43.720
<v Speaker 1>there a decade that stands out to you musically that

1:17:43.920 --> 1:17:46.120
<v Speaker 1>that you feel like it was just for you guys?

1:17:46.200 --> 1:17:48.960
<v Speaker 1>This was where you guys were hip hop inspired the

1:17:49.040 --> 1:17:52.840
<v Speaker 1>most nineties right hip hop only. I'm saying that, like

1:17:53.080 --> 1:17:57.000
<v Speaker 1>any decade out of your whole career, is there any

1:17:57.120 --> 1:17:59.360
<v Speaker 1>decade that you feel or time frame that you feel

1:17:59.400 --> 1:18:02.080
<v Speaker 1>this was the most inspirational for whatever was happening at

1:18:02.120 --> 1:18:11.320
<v Speaker 1>the time or for you guys personally? I would I

1:18:11.400 --> 1:18:16.759
<v Speaker 1>would say, uh, the decade that all of us was together,

1:18:16.960 --> 1:18:20.439
<v Speaker 1>all the brothers that were together, you know, and after

1:18:20.800 --> 1:18:25.240
<v Speaker 1>after h my one, my oldest brother passed, it became

1:18:25.720 --> 1:18:32.720
<v Speaker 1>very difficult and for me, uh, but the fun, the real, real,

1:18:32.840 --> 1:18:36.599
<v Speaker 1>real fun was when everyone was together. Everyone's together, we're

1:18:36.640 --> 1:18:42.960
<v Speaker 1>all together, and take something else. I thought that the

1:18:43.120 --> 1:18:48.720
<v Speaker 1>music that we were doing, um, it might have been

1:18:48.840 --> 1:18:52.920
<v Speaker 1>starting from like work to do well actually started from

1:18:52.960 --> 1:18:57.600
<v Speaker 1>it's your thing. I've from It's your Thing to like

1:18:58.200 --> 1:19:01.479
<v Speaker 1>between the Sheets and eighty three sixty nine to eighty three,

1:19:01.920 --> 1:19:05.679
<v Speaker 1>I thought, especially when we got three plus three going forward,

1:19:06.760 --> 1:19:12.800
<v Speaker 1>those albums were double platinum and that Lady Fighter Power

1:19:14.880 --> 1:19:17.760
<v Speaker 1>take Me to the next phase whatever, I thought, they

1:19:17.800 --> 1:19:23.960
<v Speaker 1>would have been bigger wow. But by way of technology

1:19:25.280 --> 1:19:28.720
<v Speaker 1>and when they went into the MTV hip hop rap,

1:19:30.400 --> 1:19:35.560
<v Speaker 1>those songs came back to us in a way I

1:19:35.600 --> 1:19:40.080
<v Speaker 1>would have never imagined, so that I love it when

1:19:40.080 --> 1:19:43.560
<v Speaker 1>you're calling me a big pop or today was a

1:19:43.640 --> 1:19:45.800
<v Speaker 1>good day. I didn't have to use my AK or

1:19:46.160 --> 1:19:48.240
<v Speaker 1>see you went to crossroads and that was to make

1:19:48.240 --> 1:19:52.600
<v Speaker 1>me say it again. Those songs came back in a

1:19:52.680 --> 1:19:57.559
<v Speaker 1>way that I would have never imagined, so that Okay,

1:19:57.680 --> 1:20:00.400
<v Speaker 1>we may have done double platinum as the Eyes Brothers,

1:20:01.080 --> 1:20:03.200
<v Speaker 1>but if when you put all the other stuff on top,

1:20:03.800 --> 1:20:07.519
<v Speaker 1>it was probably like four or five million, you know

1:20:07.880 --> 1:20:12.719
<v Speaker 1>sales per album because of those songs, and um, because

1:20:12.720 --> 1:20:14.840
<v Speaker 1>they say that that you know albums are you talking

1:20:14.840 --> 1:20:19.840
<v Speaker 1>about her? Are now are three million? You know? Three

1:20:19.920 --> 1:20:24.240
<v Speaker 1>plus three lifted up Heat is on Harvest of the World. Yeah,

1:20:24.479 --> 1:20:27.280
<v Speaker 1>go count it all up, go for your guys show down.

1:20:28.400 --> 1:20:31.400
<v Speaker 1>But he owns all the way. Yeah, he doesn't had

1:20:31.439 --> 1:20:34.840
<v Speaker 1>fight the power for the love of you. Uh, and

1:20:35.280 --> 1:20:37.799
<v Speaker 1>make Me Say It Again girl. They had the slow side,

1:20:38.600 --> 1:20:41.160
<v Speaker 1>which at that time was you mean, they got a

1:20:41.280 --> 1:20:44.679
<v Speaker 1>jam side. But you flipped this record over and it's

1:20:44.800 --> 1:20:49.479
<v Speaker 1>all slow songs and people were just in the game time.

1:20:49.520 --> 1:20:51.320
<v Speaker 1>Just flipped the record over and you for the love

1:20:51.360 --> 1:20:55.160
<v Speaker 1>of you, you know, followed by sensuality, followed by make

1:20:55.200 --> 1:20:58.680
<v Speaker 1>Me Say the Again. Girls. A great, great record, win

1:20:58.840 --> 1:21:02.599
<v Speaker 1>number one, first number one album for us. And listen,

1:21:02.800 --> 1:21:05.479
<v Speaker 1>this was all motel though. This was no this was eyesless,

1:21:05.600 --> 1:21:12.599
<v Speaker 1>this teenack. You know. Remember they went indie quick, don't

1:21:12.600 --> 1:21:14.280
<v Speaker 1>get in twisted? You still waiting for your major label

1:21:14.400 --> 1:21:21.360
<v Speaker 1>shot check oly shit man, oh hold on. So we're

1:21:21.400 --> 1:21:23.360
<v Speaker 1>gonna take a quick breakcause I'm gonna use a bathroom. Girl,

1:21:23.360 --> 1:21:26.519
<v Speaker 1>I use the bathroom. I'm god, okay, you gotta use

1:21:26.560 --> 1:21:36.360
<v Speaker 1>a bath ho finally take a bathroom break. That killer

1:22:29.240 --> 1:22:30.920
<v Speaker 1>all right, So listen, we're gonna wrap up this quick

1:22:30.920 --> 1:22:34.080
<v Speaker 1>time with slime. You got a couple more questions. Um,

1:22:35.560 --> 1:22:43.800
<v Speaker 1>analog or digital? M h wow, both of them. I

1:22:43.880 --> 1:22:50.120
<v Speaker 1>think in some ways the analog may have a warmer sound. Uh,

1:22:50.560 --> 1:22:55.920
<v Speaker 1>Digital may have a somewhat clearer cleaner, right, cleaner is

1:22:55.920 --> 1:22:58.840
<v Speaker 1>that that's not always good? No, he's so clean, right,

1:22:58.960 --> 1:23:01.400
<v Speaker 1>it's not always So you're going analog. If you're going analog,

1:23:01.520 --> 1:23:07.080
<v Speaker 1>take a shot for that. It's your thing. But I

1:23:07.200 --> 1:23:10.000
<v Speaker 1>love analog. I love the rails when you had to

1:23:10.080 --> 1:23:12.320
<v Speaker 1>walk around with the reels and it felt like he

1:23:12.400 --> 1:23:15.120
<v Speaker 1>was hard human being and like you know what I'm saying,

1:23:15.160 --> 1:23:17.960
<v Speaker 1>Like I love because that's the dirty sound came out

1:23:18.000 --> 1:23:22.679
<v Speaker 1>like when but digital it's almost like it's clean before

1:23:22.720 --> 1:23:26.040
<v Speaker 1>the evening, like you know what I mean, Like you guys,

1:23:26.080 --> 1:23:28.960
<v Speaker 1>I love that. We mentioned on Drink Chance but DJ

1:23:29.200 --> 1:23:31.400
<v Speaker 1>Quick he had he did an interview, um I think

1:23:31.439 --> 1:23:34.320
<v Speaker 1>with Televequali and he mentioned that he felt an analog

1:23:35.000 --> 1:23:37.519
<v Speaker 1>picked up the energy from the room. Oh yeah, I

1:23:37.640 --> 1:23:40.280
<v Speaker 1>agree with that. Keller used to put a nickel on

1:23:41.520 --> 1:23:50.320
<v Speaker 1>uh turntable to get that. That's that DJ ship. Let's

1:23:51.439 --> 1:23:57.720
<v Speaker 1>all right, soul training or American band standing. So you're

1:23:57.760 --> 1:24:02.240
<v Speaker 1>saying so strange too, I'm good. I'm with the Mike

1:24:02.320 --> 1:24:11.720
<v Speaker 1>Tyson or Ali Ali. We haven't drank, drank that's the

1:24:11.800 --> 1:24:14.160
<v Speaker 1>last one you got. We got the last one. This

1:24:14.320 --> 1:24:17.120
<v Speaker 1>is the last one. Gotta do the last one, the

1:24:17.200 --> 1:24:20.240
<v Speaker 1>last one that everyone thinks this is everyone thinks the

1:24:20.280 --> 1:24:22.640
<v Speaker 1>whole game is a trick question, but it kind of is,

1:24:22.680 --> 1:24:25.000
<v Speaker 1>but it isn't. It's always meant to let let the

1:24:25.160 --> 1:24:28.120
<v Speaker 1>artists loosen up. You know. We do this game to

1:24:28.280 --> 1:24:30.320
<v Speaker 1>let the artists loosen up so they can start saying things.

1:24:30.920 --> 1:24:34.479
<v Speaker 1>But pay homage that we're talking about. But really, this

1:24:34.640 --> 1:24:37.320
<v Speaker 1>is the only to me, it's not a trick question.

1:24:37.360 --> 1:24:39.680
<v Speaker 1>That that is a trick question. It's the last one.

1:24:39.720 --> 1:24:46.840
<v Speaker 1>It's loyalty or respect. Loyalty is gonna have respect in it,

1:24:48.240 --> 1:24:50.519
<v Speaker 1>and respects you're gonna have loyalty in it. That's what.

1:24:50.560 --> 1:24:54.679
<v Speaker 1>We can't really separate the two. They'll be they'll be together.

1:24:55.960 --> 1:24:59.400
<v Speaker 1>You know, they're they're intertwined. You know, if you have respect,

1:24:59.560 --> 1:25:03.880
<v Speaker 1>you're going to have loyalty. And how can you have loyalty? Whatever?

1:25:04.000 --> 1:25:08.040
<v Speaker 1>Was having respect? That's perfect. Wait, there's two people here, Okay,

1:25:10.200 --> 1:25:12.479
<v Speaker 1>well I don't I don't use that same man. Ok

1:25:14.560 --> 1:25:21.360
<v Speaker 1>We gotta drink. Okay, so let me get this, mamma,

1:25:21.439 --> 1:25:24.000
<v Speaker 1>So you're ready with it's lined up because we just

1:25:24.080 --> 1:25:27.280
<v Speaker 1>want to play, y'all. Some of that hit records that

1:25:27.439 --> 1:25:30.720
<v Speaker 1>y'allre responsible for indirectly, and we just want to jam

1:25:30.760 --> 1:25:32.880
<v Speaker 1>out a little bit with y'all a little bit. Yes,

1:25:33.720 --> 1:25:39.280
<v Speaker 1>there's no person on earth. I've never met him, and

1:25:39.360 --> 1:25:42.639
<v Speaker 1>I don't think these persons, this person exists that don't

1:25:42.680 --> 1:25:48.040
<v Speaker 1>respect to Isasley brothers and don't respect what you guys

1:25:48.120 --> 1:25:55.760
<v Speaker 1>have laid down musically, with integrity, with morals. We're having class. Oh,

1:25:58.040 --> 1:26:00.879
<v Speaker 1>I'm so honored man, to have you guys in our presence,

1:26:00.920 --> 1:26:05.160
<v Speaker 1>to have you guys here. Um, it's it's an honor.

1:26:05.400 --> 1:26:07.519
<v Speaker 1>Like you know, I'm trying to look for a word

1:26:07.600 --> 1:26:11.080
<v Speaker 1>that's better than honor, and I just keep thinking honorable.

1:26:11.800 --> 1:26:16.720
<v Speaker 1>But because my vocabulary is not that great, but my

1:26:16.880 --> 1:26:20.360
<v Speaker 1>heart is. And I want to really tell y'all, man,

1:26:20.880 --> 1:26:25.120
<v Speaker 1>you really birth a whole generation of hip hop ers,

1:26:26.000 --> 1:26:32.800
<v Speaker 1>people lovers of of great people that's responsible for you

1:26:33.000 --> 1:26:38.200
<v Speaker 1>as their parents, you know, because sometimes you musically people parents.

1:26:38.320 --> 1:26:41.599
<v Speaker 1>Sometimes you sometimes people don't have their their parents at

1:26:41.640 --> 1:26:43.240
<v Speaker 1>the household, and you know what they do, They go

1:26:43.360 --> 1:26:45.680
<v Speaker 1>put it in that cassette. You know, I'm old enough

1:26:45.720 --> 1:26:47.599
<v Speaker 1>to know about the tape of that and the aid

1:26:47.680 --> 1:26:51.920
<v Speaker 1>that and you know the CD player like just some

1:26:52.000 --> 1:26:53.600
<v Speaker 1>of these kids you put out a CD player like,

1:26:53.720 --> 1:26:56.920
<v Speaker 1>wait a minute, and I'm talking about and you know,

1:26:57.080 --> 1:27:00.960
<v Speaker 1>you are a lot of people's parents, and we want

1:27:01.000 --> 1:27:04.120
<v Speaker 1>to respect that and we want to salute you face

1:27:04.200 --> 1:27:06.280
<v Speaker 1>to face, man and man out of eye because a

1:27:06.320 --> 1:27:08.200
<v Speaker 1>lot of people tell you how great you are when

1:27:08.240 --> 1:27:10.960
<v Speaker 1>you're not around, and then when you're around, they want

1:27:10.960 --> 1:27:12.719
<v Speaker 1>to be in competition with you. All gave you five

1:27:12.960 --> 1:27:15.040
<v Speaker 1>or a hard way or something like that. And we

1:27:15.120 --> 1:27:16.800
<v Speaker 1>want to tell y'all, man, that's not what we all

1:27:16.840 --> 1:27:19.040
<v Speaker 1>over here, where we over here, it's people. We want

1:27:19.040 --> 1:27:20.960
<v Speaker 1>to show you respect. We want to show you love,

1:27:21.320 --> 1:27:24.600
<v Speaker 1>and we will show you gratitude, loyalty and everything because you,

1:27:24.680 --> 1:27:27.240
<v Speaker 1>guys truly deserve it. You are what I think about

1:27:27.560 --> 1:27:33.759
<v Speaker 1>when I think about legends, icons and you know, kings,

1:27:34.040 --> 1:27:37.519
<v Speaker 1>the epitome of what epitome artists. Let me listen make

1:27:37.600 --> 1:27:42.679
<v Speaker 1>some noise for that. Let me let me say something

1:27:42.720 --> 1:27:46.840
<v Speaker 1>like I often say, like, if you really into into music,

1:27:46.960 --> 1:27:49.040
<v Speaker 1>into culture and all this stuff, like it's okay not

1:27:49.240 --> 1:27:52.040
<v Speaker 1>to know because people forget, Oh you don't know the history,

1:27:52.080 --> 1:27:55.040
<v Speaker 1>you don't know this a younger generation or even ourselves,

1:27:55.720 --> 1:27:57.960
<v Speaker 1>it's it's it's okay not to know. But what I

1:27:58.040 --> 1:27:59.920
<v Speaker 1>toold it was not okay not to want to know,

1:28:01.280 --> 1:28:03.719
<v Speaker 1>you know, not to want to as a DJ digging

1:28:03.760 --> 1:28:07.160
<v Speaker 1>the crates. So when I would hear a sample and

1:28:07.320 --> 1:28:10.760
<v Speaker 1>I realized, oh, this is a sample, My job now

1:28:11.040 --> 1:28:13.599
<v Speaker 1>as a lover of music is where is this sample from?

1:28:14.439 --> 1:28:17.200
<v Speaker 1>And that's what I would always tell a younger generation, like,

1:28:17.600 --> 1:28:19.880
<v Speaker 1>it's not okay not to want to know. Don't be

1:28:20.000 --> 1:28:25.400
<v Speaker 1>ignorant to the history of what you're into. Right. But

1:28:25.600 --> 1:28:28.960
<v Speaker 1>but when we were talking really quick before and and

1:28:29.080 --> 1:28:30.920
<v Speaker 1>I think we can't get out of here. We're talking

1:28:30.920 --> 1:28:34.840
<v Speaker 1>about we're talking about one particular one was Contagious, because

1:28:34.880 --> 1:28:40.720
<v Speaker 1>Contentious had one hundred and nineteen million has the has

1:28:40.800 --> 1:28:44.960
<v Speaker 1>excuse me, a has that? You know that means motherfucker's

1:28:44.960 --> 1:28:49.880
<v Speaker 1>washing contagious that don't know the language. They are sitting

1:28:49.920 --> 1:28:52.040
<v Speaker 1>there like, how does it feel to have a record

1:28:52.120 --> 1:28:55.160
<v Speaker 1>that's big like that? Well, you know, in our show

1:28:55.560 --> 1:28:59.439
<v Speaker 1>we use we bring out furniture, were trying to bring

1:28:59.520 --> 1:29:04.400
<v Speaker 1>out a whole set, a whole house. The dude songs

1:29:04.479 --> 1:29:10.559
<v Speaker 1>like Busted and Contagious and that's my next question busted yes,

1:29:13.720 --> 1:29:18.560
<v Speaker 1>and you know, and the audience now if you on

1:29:18.880 --> 1:29:23.240
<v Speaker 1>on on your your phone, your your cell phone. They

1:29:23.600 --> 1:29:31.280
<v Speaker 1>have so many people doing busted. But you know, TikTok

1:29:31.560 --> 1:29:36.720
<v Speaker 1>on TikTok. Yeah, yeah, it's amazing. It's amazing, and that's

1:29:36.800 --> 1:29:40.160
<v Speaker 1>a that's a one of the important parts of our

1:29:40.240 --> 1:29:46.960
<v Speaker 1>show every night, every night. You know, and uh, download

1:29:48.120 --> 1:29:53.400
<v Speaker 1>you know, men R Kelly did. Download video was one

1:29:53.439 --> 1:29:57.519
<v Speaker 1>of the first video that we took. We were here

1:29:57.600 --> 1:30:01.800
<v Speaker 1>four days to do it was right, hi queen okay,

1:30:02.160 --> 1:30:05.839
<v Speaker 1>and that was that was one of the great videos

1:30:06.560 --> 1:30:10.080
<v Speaker 1>at the time, Mark Kelly. They did I guess the

1:30:10.240 --> 1:30:14.080
<v Speaker 1>problems that started, but if you go back and look

1:30:14.120 --> 1:30:17.200
<v Speaker 1>at that video, that has to be one of the

1:30:17.320 --> 1:30:24.120
<v Speaker 1>great greatest filp hop videos. So I would like to say, yeah, please,

1:30:24.560 --> 1:30:28.560
<v Speaker 1>Mark Kelly is one of the greatest, greatest producer writers

1:30:29.040 --> 1:30:33.960
<v Speaker 1>that we have. You know. Uh, we didn't keep up

1:30:34.000 --> 1:30:38.120
<v Speaker 1>with what he did, right. He was always a gentleman

1:30:38.320 --> 1:30:42.680
<v Speaker 1>with us. Right. It was you could only speak on

1:30:42.760 --> 1:30:47.160
<v Speaker 1>what you were dealing with your right and um and

1:30:47.240 --> 1:30:50.599
<v Speaker 1>everybody knew, like you said, you guys are classic sidified. Um.

1:30:51.720 --> 1:30:54.240
<v Speaker 1>You know everyone knows that man, You know what I mean.

1:30:56.200 --> 1:30:58.320
<v Speaker 1>I'm glad that you addressed that I'm glad you addressed

1:30:58.360 --> 1:31:02.519
<v Speaker 1>it direct on because unless people know that there's nothing

1:31:02.600 --> 1:31:05.960
<v Speaker 1>the hottest. Everything was straight up and that's a beautiful thing. Um,

1:31:06.160 --> 1:31:09.360
<v Speaker 1>you guys are legends. Man. You guys kept y'all, y'all

1:31:09.520 --> 1:31:12.120
<v Speaker 1>your name so squeaky clean and kept it and kept

1:31:12.160 --> 1:31:15.960
<v Speaker 1>it with integrity, and it's something that it's something that like,

1:31:16.120 --> 1:31:19.200
<v Speaker 1>like I said, I want to m you know, always

1:31:19.240 --> 1:31:22.160
<v Speaker 1>salute and I want to always commend because, um, you

1:31:22.240 --> 1:31:26.360
<v Speaker 1>guys do a luxurious career consistency and quality that is

1:31:26.400 --> 1:31:31.040
<v Speaker 1>hard to maintain. Do you see how many people have

1:31:31.200 --> 1:31:38.800
<v Speaker 1>one hit and one one they can't make it hard

1:31:38.840 --> 1:31:41.400
<v Speaker 1>to get one is super hard to get. But then

1:31:41.439 --> 1:31:44.280
<v Speaker 1>they can't last. They can't last a year and a half.

1:31:45.880 --> 1:31:48.400
<v Speaker 1>That's a long time. Already they're back working at Pigny Whiggly.

1:31:51.120 --> 1:32:00.080
<v Speaker 1>I went too far career, but it's it's really like

1:32:00.240 --> 1:32:03.360
<v Speaker 1>it's real when you have a hit, alright, one hit

1:32:03.479 --> 1:32:07.040
<v Speaker 1>record to maintain that and you guys got I mean

1:32:07.280 --> 1:32:10.280
<v Speaker 1>thirty years more than thirty years more than you got

1:32:10.320 --> 1:32:12.920
<v Speaker 1>thirty two albums. I'm some about thirty two albums. Like

1:32:13.400 --> 1:32:15.920
<v Speaker 1>I've looked at DJ college the other day. I think

1:32:16.000 --> 1:32:24.759
<v Speaker 1>DJ college he's gone harder, he's thirteen. He's not even happen,

1:32:25.840 --> 1:32:29.280
<v Speaker 1>not even half. And to be clear, you guys are

1:32:29.600 --> 1:32:33.080
<v Speaker 1>usually writing the vocals and the music as well, and

1:32:33.200 --> 1:32:37.280
<v Speaker 1>that is the most incredible part this because try to

1:32:37.400 --> 1:32:40.920
<v Speaker 1>maintain what they're doing doing that, right, You could easily

1:32:41.000 --> 1:32:43.519
<v Speaker 1>be a vocalist and have producers. You could easily be

1:32:43.600 --> 1:32:46.599
<v Speaker 1>a vocalist and have writers writing your vocals and have producers.

1:32:47.520 --> 1:32:51.560
<v Speaker 1>They are writing the music and the vocals and performing.

1:32:52.200 --> 1:33:00.920
<v Speaker 1>You're right, that is incredible, That's super incredible. What do

1:33:01.000 --> 1:33:04.000
<v Speaker 1>you guys like better writing the music or performing the music?

1:33:05.040 --> 1:33:17.320
<v Speaker 1>The vote that the thing is is like we bounce, right,

1:33:17.920 --> 1:33:21.040
<v Speaker 1>a lot of different ideas, always off of each other,

1:33:22.360 --> 1:33:27.400
<v Speaker 1>consciously unconsciously, and so like when you come up with

1:33:27.520 --> 1:33:35.400
<v Speaker 1>an idea, then you present it and it's bounced off

1:33:36.040 --> 1:33:41.200
<v Speaker 1>the vocal part and that bounces back to the writing

1:33:41.320 --> 1:33:46.400
<v Speaker 1>part of the musical parts. And you know, you you

1:33:46.520 --> 1:33:50.040
<v Speaker 1>really we really don't do one without doing the other,

1:33:50.920 --> 1:33:54.880
<v Speaker 1>but being conscious of the other. You know, so that um,

1:33:55.120 --> 1:33:57.000
<v Speaker 1>as you load the gun, you want to shoot it. Hey,

1:33:57.080 --> 1:34:02.400
<v Speaker 1>you know says that say like footsteps in the dark.

1:34:02.520 --> 1:34:09.360
<v Speaker 1>When it was first recorded drums, bass one keyboard and

1:34:09.600 --> 1:34:14.200
<v Speaker 1>one guitar, okay, And the first song that was performed

1:34:14.479 --> 1:34:19.240
<v Speaker 1>vocally Footsteps in the Dark. And once the vocal went

1:34:19.320 --> 1:34:21.640
<v Speaker 1>on and the other vocals went on, then you can

1:34:21.920 --> 1:34:25.560
<v Speaker 1>hear the other musical parts to be added to it.

1:34:26.320 --> 1:34:30.240
<v Speaker 1>And by the time you finished with it, it's like

1:34:30.680 --> 1:34:34.559
<v Speaker 1>glorious technicolor and you have you know, you have the lyric,

1:34:35.000 --> 1:34:37.400
<v Speaker 1>you have the harmonies, you know, you have all the

1:34:37.520 --> 1:34:41.840
<v Speaker 1>things that make up a record. By the time you finish.

1:34:42.120 --> 1:34:44.640
<v Speaker 1>You don't necessarily have that when you begin, you just

1:34:44.760 --> 1:34:49.800
<v Speaker 1>at the beginning. So that yeah, so by the time

1:34:49.880 --> 1:34:52.360
<v Speaker 1>we get to, like the song is finish, it's like, man,

1:34:52.479 --> 1:34:55.960
<v Speaker 1>that bad points out of here, you know, for us

1:34:56.040 --> 1:34:58.840
<v Speaker 1>to know that before it comes out. So that's sort

1:34:58.880 --> 1:35:00.519
<v Speaker 1>of like the way that goes. So let me ask

1:35:00.560 --> 1:35:02.600
<v Speaker 1>you one more, right, and this is this is this

1:35:02.800 --> 1:35:07.880
<v Speaker 1>is like going for it right because I'm gonna help

1:35:07.880 --> 1:35:09.680
<v Speaker 1>you out just now. I help you out with this

1:35:09.800 --> 1:35:13.320
<v Speaker 1>one because I go through this and I only got

1:35:13.960 --> 1:35:17.080
<v Speaker 1>twenty twenty years. Right. But every now and then the

1:35:17.200 --> 1:35:26.440
<v Speaker 1>person samples my record, I don't like it, okay, sampling

1:35:26.479 --> 1:35:28.480
<v Speaker 1>it or just they're just doing it over the instrumental

1:35:28.640 --> 1:35:31.600
<v Speaker 1>doesn't matter. I don't like it. You need to be

1:35:31.720 --> 1:35:35.400
<v Speaker 1>like somebody, do you like everybody who covers your record

1:35:35.640 --> 1:35:41.439
<v Speaker 1>or has no you're right, you're right. We turned down

1:35:41.560 --> 1:35:45.479
<v Speaker 1>things all the time. You know. Sometimes the lyrics are really, really,

1:35:45.560 --> 1:35:49.040
<v Speaker 1>really bad. We said, I don't fit with you know, right,

1:35:49.240 --> 1:35:51.880
<v Speaker 1>you know? Yeah, you know this funny thing that no

1:35:52.160 --> 1:35:54.640
<v Speaker 1>one never ever talked about the songs that don't make it,

1:35:57.720 --> 1:36:01.240
<v Speaker 1>mostly these songs and we're talking about now hits. Yeah,

1:36:02.120 --> 1:36:04.680
<v Speaker 1>but how many you know how many hits? Was it

1:36:05.040 --> 1:36:09.439
<v Speaker 1>didn't make it? You know, well, for whatever reason, you know,

1:36:09.680 --> 1:36:14.000
<v Speaker 1>they didn't get played or the promotion wasn't right or something.

1:36:14.080 --> 1:36:15.840
<v Speaker 1>Give me for the ones that you actually clear, Yeah,

1:36:16.080 --> 1:36:21.320
<v Speaker 1>they didn't make it. It's we have albums that did.

1:36:21.360 --> 1:36:24.800
<v Speaker 1>We try to say, now, uh, the album I did

1:36:24.920 --> 1:36:28.120
<v Speaker 1>with Burt back right, is one of the best albums

1:36:28.200 --> 1:36:32.479
<v Speaker 1>I did. And you know, the record come defolded. Oh

1:36:32.479 --> 1:36:35.160
<v Speaker 1>you're talking about your own records, yeah right, but yeah,

1:36:35.600 --> 1:36:38.840
<v Speaker 1>the record company folded when we released the record, you know,

1:36:39.360 --> 1:36:41.479
<v Speaker 1>and that was one of the reasons the record didn't

1:36:41.479 --> 1:36:47.360
<v Speaker 1>get the chance to do. Yeah, and you can't take

1:36:47.439 --> 1:36:50.200
<v Speaker 1>that record now. And we tried to buy the record

1:36:50.280 --> 1:36:53.839
<v Speaker 1>back and they're either they pressed up four hundred thousand,

1:36:53.880 --> 1:36:57.519
<v Speaker 1>and they sold the four hundred thousand and then stopped, Well, damn,

1:36:57.560 --> 1:37:01.120
<v Speaker 1>you're winning gold and today's to end it. That's pretty good. Well,

1:37:01.160 --> 1:37:04.400
<v Speaker 1>they stopped. If I'm gonna go one of old y'all,

1:37:05.120 --> 1:37:07.840
<v Speaker 1>that's amazing that. You know, we don't know where that

1:37:07.920 --> 1:37:13.639
<v Speaker 1>record will wind up, even even after I'm gone, you know, right,

1:37:15.320 --> 1:37:18.360
<v Speaker 1>you know that's that's a funny thing about record st

1:37:18.680 --> 1:37:22.679
<v Speaker 1>You know, it's gonna be some hits that we didn't

1:37:22.720 --> 1:37:26.920
<v Speaker 1>know about. You know, my brother wrote a song, uh,

1:37:28.080 --> 1:37:30.920
<v Speaker 1>I think one of his first songs, my youngest brother.

1:37:31.680 --> 1:37:34.280
<v Speaker 1>Uh and he and he and he wrote the song,

1:37:34.439 --> 1:37:38.400
<v Speaker 1>and uh, someone in England did it, and then they

1:37:38.560 --> 1:37:41.559
<v Speaker 1>talking about this song is the best friend, the best

1:37:41.680 --> 1:37:44.600
<v Speaker 1>record in the world, you know. And that was his

1:37:44.800 --> 1:37:48.800
<v Speaker 1>first record as a kid. You know, you walk your way,

1:37:49.000 --> 1:37:52.920
<v Speaker 1>I walk mine. You know. Yeah, it didn't get a

1:37:52.960 --> 1:37:54.840
<v Speaker 1>Whitney Heuston story or no, we didn't get one year

1:37:54.880 --> 1:37:56.320
<v Speaker 1>and we're supposed to play the Whitney he used the

1:37:56.360 --> 1:38:01.559
<v Speaker 1>record Whitney Houston story. Oh I can tell you, okay,

1:38:02.080 --> 1:38:04.400
<v Speaker 1>I was in Las Vegas. We ran in Las Vegas.

1:38:04.680 --> 1:38:06.519
<v Speaker 1>I don't know what you're drinking, but you loosening it up.

1:38:08.439 --> 1:38:14.400
<v Speaker 1>It's a La Vegas in Las Vegas, right the MGM Hotel.

1:38:15.960 --> 1:38:24.760
<v Speaker 1>And I was at a bank of elevators and I

1:38:24.960 --> 1:38:30.400
<v Speaker 1>came out and this guy grabbed me and gave me

1:38:30.479 --> 1:38:34.800
<v Speaker 1>a bear hug. I couldn't see who it was, but

1:38:35.640 --> 1:38:40.880
<v Speaker 1>when he pushed back, it's Bobby Brown. You're giving us

1:38:40.880 --> 1:38:44.519
<v Speaker 1>a two of one. You know it was Bobby. It

1:38:44.680 --> 1:38:49.479
<v Speaker 1>was Bobby Brown. And after he pushed back, he said,

1:38:49.600 --> 1:38:53.400
<v Speaker 1>oh man, Ernie Man, I love y'all. Man loved the

1:38:53.439 --> 1:38:55.360
<v Speaker 1>way he played blah blah blah blah blah, you know,

1:38:56.560 --> 1:39:02.120
<v Speaker 1>and he pushed back. And when he did that, Whitney

1:39:02.160 --> 1:39:09.120
<v Speaker 1>Houston and we embraced. We got different stories night, man,

1:39:09.200 --> 1:39:12.040
<v Speaker 1>I just said. I just said to her, Whitney Houston,

1:39:12.160 --> 1:39:16.920
<v Speaker 1>with you girl like that, You're a champion. That's all

1:39:16.960 --> 1:39:18.880
<v Speaker 1>I can say to her. You're a champion. And she

1:39:18.960 --> 1:39:23.679
<v Speaker 1>starts smiling. They got in the elevator and you're a champion, girl.

1:39:23.760 --> 1:39:27.080
<v Speaker 1>Don't forget that you are a champion. You're a champion.

1:39:27.280 --> 1:39:30.360
<v Speaker 1>That's the last thing I said to her. And then

1:39:32.600 --> 1:39:37.000
<v Speaker 1>now we have different stories with you know, different different eras.

1:39:37.600 --> 1:39:42.280
<v Speaker 1>Whitney Houston with me goes back to England and everything

1:39:42.320 --> 1:39:46.960
<v Speaker 1>every with a mother and the whole nod you know, wow,

1:39:47.320 --> 1:39:51.920
<v Speaker 1>And so the records to get perfect, She's perfect, perfect

1:39:52.479 --> 1:39:56.519
<v Speaker 1>where she had done a sample of Between the Sheets. Yeah,

1:39:56.640 --> 1:39:58.880
<v Speaker 1>oh really? And row was in the video whether she

1:39:58.960 --> 1:40:06.080
<v Speaker 1>flew me in candy from Atlanta, Georgia playing Hold nine,

1:40:08.200 --> 1:40:10.880
<v Speaker 1>Yeah she did. She recorded for the Love of You also, Bob.

1:40:11.200 --> 1:40:14.439
<v Speaker 1>You know, man, guy's got such a beautiful history, a

1:40:14.439 --> 1:40:17.160
<v Speaker 1>beautiful family and we're not even touching the surface of

1:40:17.240 --> 1:40:19.920
<v Speaker 1>how much history here is here? Yeah. Yeah, to be

1:40:20.000 --> 1:40:22.680
<v Speaker 1>honest with you like this is we need days of

1:40:22.800 --> 1:40:26.200
<v Speaker 1>a podcast. I'll tell your story, yes, please, and keep

1:40:26.280 --> 1:40:34.519
<v Speaker 1>drinking that shit. Sorry? Is that my mother's house? And uh,

1:40:36.040 --> 1:40:40.000
<v Speaker 1>the door opened and it was Wrongald, and he said,

1:40:40.120 --> 1:40:42.479
<v Speaker 1>I got this idea for a song. And it was

1:40:42.880 --> 1:40:50.840
<v Speaker 1>me Kelly and Kelly, I she my eldest brother, and Marvin,

1:40:50.920 --> 1:40:54.280
<v Speaker 1>the youngest brother. Ronald said, I got this idea for

1:40:54.360 --> 1:40:58.160
<v Speaker 1>a song, So yeah, what is it? And he was

1:40:58.640 --> 1:41:04.760
<v Speaker 1>st stomping his foot. It's your thing. Do what you

1:41:04.880 --> 1:41:10.040
<v Speaker 1>want to do, because now I can't tell you who

1:41:10.120 --> 1:41:19.800
<v Speaker 1>to sock it to stock it. He stopped. It was

1:41:19.840 --> 1:41:22.640
<v Speaker 1>the first time I ever heard that any of us

1:41:22.680 --> 1:41:27.160
<v Speaker 1>had heard it. And after he stopped, he said something

1:41:27.200 --> 1:41:30.400
<v Speaker 1>like what y'all think, and we were all quiet, and

1:41:30.600 --> 1:41:35.920
<v Speaker 1>I remember I said, I like that. You said, do

1:41:36.120 --> 1:41:39.240
<v Speaker 1>what you want to do. I can't tell you who

1:41:39.320 --> 1:41:42.840
<v Speaker 1>to sock it to. You didn't say sock it to me.

1:41:44.400 --> 1:41:46.680
<v Speaker 1>That's the other thing Soccer told me at the time.

1:41:46.760 --> 1:41:49.840
<v Speaker 1>But I never said that. He never said that. The

1:41:49.960 --> 1:41:53.439
<v Speaker 1>last tracket Soccer to me. He just said, I can't

1:41:53.479 --> 1:41:58.720
<v Speaker 1>tell you who to sock it to. And eventually we

1:41:58.840 --> 1:42:01.960
<v Speaker 1>went to the studio and he sang the song on

1:42:02.040 --> 1:42:05.080
<v Speaker 1>one take. On the first take, I gotta be asked,

1:42:05.120 --> 1:42:08.439
<v Speaker 1>I gotta be honest. I did not know what socket too?

1:42:08.720 --> 1:42:11.600
<v Speaker 1>What did it mean? What that mean? Here's somebody? Or

1:42:11.640 --> 1:42:19.360
<v Speaker 1>it could be hit something or Franken did the record

1:42:19.400 --> 1:42:28.920
<v Speaker 1>so oh easy, oh shit, So okay, all right, I'm

1:42:28.960 --> 1:42:33.200
<v Speaker 1>gonna learn the slang like see like that and see

1:42:33.240 --> 1:42:35.960
<v Speaker 1>when you hit you. I'll always remember that the first

1:42:36.000 --> 1:42:39.560
<v Speaker 1>time I heard it's your thing, it was like that.

1:42:40.320 --> 1:42:44.439
<v Speaker 1>It was that raw. It was that voice came to you,

1:42:46.320 --> 1:42:49.400
<v Speaker 1>came to him too, you know. He wrote the song,

1:42:50.080 --> 1:42:52.320
<v Speaker 1>you know, and sang on the first time. I saying

1:42:52.320 --> 1:42:54.160
<v Speaker 1>when he came to you, yea, when he came when

1:42:54.200 --> 1:42:55.360
<v Speaker 1>he came back to the house and said, what do

1:42:55.479 --> 1:42:57.400
<v Speaker 1>y'all think it was like? And then the next time

1:42:57.560 --> 1:43:00.679
<v Speaker 1>was doing the uh you know, it was coming together

1:43:00.760 --> 1:43:03.760
<v Speaker 1>with the horn parts and whether else instruments were gonna

1:43:03.760 --> 1:43:06.560
<v Speaker 1>be on it. And we got to the studio and

1:43:06.960 --> 1:43:16.160
<v Speaker 1>you sang the song on the first take. Yeah, I

1:43:16.280 --> 1:43:20.680
<v Speaker 1>mean what kind of you know, like, what kind of

1:43:20.840 --> 1:43:26.040
<v Speaker 1>rolling of the dice is that first take? Seven? Yeah? No,

1:43:26.320 --> 1:43:30.040
<v Speaker 1>you know, either you're gonna roll seven or you're not

1:43:30.840 --> 1:43:40.080
<v Speaker 1>seven that song? Good God? Who m so, can you

1:43:40.120 --> 1:43:42.040
<v Speaker 1>give us the record real quick? We just take a

1:43:42.080 --> 1:43:44.000
<v Speaker 1>real quick we will record it. We'll be right back here.

1:43:46.640 --> 1:43:49.040
<v Speaker 1>The brothers I really get. I really get goose bumps,

1:43:49.080 --> 1:43:52.160
<v Speaker 1>you know, um, you know, just talking the history with

1:43:52.280 --> 1:43:57.720
<v Speaker 1>your brothers. Um, I really do. I really understand my

1:43:57.840 --> 1:44:05.280
<v Speaker 1>childhood more. H I understand my my adulthood more. I

1:44:05.400 --> 1:44:10.000
<v Speaker 1>understand who I am in hip hop more because I

1:44:10.120 --> 1:44:14.760
<v Speaker 1>was just sitting down with you, brothers, because this ya

1:44:14.880 --> 1:44:20.240
<v Speaker 1>are really royalty and royalty, You're a history. You're a

1:44:20.320 --> 1:44:26.800
<v Speaker 1>part of everybody's everything here, and I don't see hip

1:44:26.840 --> 1:44:33.720
<v Speaker 1>hop existing without you. Brothers. You know, I don't want

1:44:33.760 --> 1:44:37.120
<v Speaker 1>to see hip hop existing, but that's a good Yeah,

1:44:40.240 --> 1:44:43.120
<v Speaker 1>you're just thinking about people old records we've been missing.

1:44:43.280 --> 1:44:46.320
<v Speaker 1>If hip hop existed without the records that you guys made,

1:44:47.320 --> 1:44:49.400
<v Speaker 1>that trickled down the hip hop, I don't think it

1:44:49.439 --> 1:44:51.920
<v Speaker 1>would be the same job. Because there was resistance early

1:44:52.000 --> 1:44:56.720
<v Speaker 1>on to to the people sampling in hip hop, and

1:44:56.840 --> 1:44:59.160
<v Speaker 1>then the people that were saying, hey, these are the samples,

1:44:59.200 --> 1:45:02.040
<v Speaker 1>you gotta pay up. The industry didn't have it together

1:45:02.720 --> 1:45:05.920
<v Speaker 1>and the young thriving hip hop artists that they didn't

1:45:05.960 --> 1:45:08.000
<v Speaker 1>know what they were doing. They were just doing what

1:45:08.160 --> 1:45:11.200
<v Speaker 1>they were doing. So there was a clash there originally.

1:45:11.560 --> 1:45:13.840
<v Speaker 1>Did you guys ever feel that clash with hip hop?

1:45:14.840 --> 1:45:17.879
<v Speaker 1>You know, when I went to We're at the Grammys

1:45:18.040 --> 1:45:22.599
<v Speaker 1>one time and I, uh, some some people walked up

1:45:22.680 --> 1:45:26.920
<v Speaker 1>to me and said, hey, do you know Kendrick Lamar?

1:45:28.360 --> 1:45:31.519
<v Speaker 1>I never heard of him, right, and he had had

1:45:31.560 --> 1:45:34.000
<v Speaker 1>a couple of albums as still he was a star then,

1:45:34.120 --> 1:45:38.680
<v Speaker 1>but I had never never heard of And they introduced

1:45:38.760 --> 1:45:42.840
<v Speaker 1>him to me and he said, my mother was your

1:45:42.920 --> 1:45:47.040
<v Speaker 1>biggest fan, and she wants me to do a song

1:45:47.160 --> 1:45:51.559
<v Speaker 1>with you, he said, and she will have a fit.

1:45:52.720 --> 1:45:57.040
<v Speaker 1>All right, we've talked a little bit, and my wife

1:45:57.120 --> 1:46:01.599
<v Speaker 1>right right away said, you don't know who can Kenned

1:46:01.680 --> 1:46:05.360
<v Speaker 1>Ricks of the Marne, And so he flew to the

1:46:05.439 --> 1:46:09.200
<v Speaker 1>same to us at the time, and uh, we talked

1:46:09.240 --> 1:46:11.479
<v Speaker 1>about what he was gonna do, and he had the

1:46:11.600 --> 1:46:16.800
<v Speaker 1>song like who's that lady? I love myself? Yes, yeah,

1:46:16.880 --> 1:46:20.560
<v Speaker 1>I love myself. And so we talked about it and

1:46:20.680 --> 1:46:23.200
<v Speaker 1>we did it, and he talked about and and I

1:46:23.439 --> 1:46:27.519
<v Speaker 1>you know, listening to his album, listen to the album,

1:46:27.640 --> 1:46:32.400
<v Speaker 1>and he did. Uh, he wasn't naturally wondered that the

1:46:33.760 --> 1:46:37.880
<v Speaker 1>butterfly right, yeah, amazing, you know, it's just and you know,

1:46:38.240 --> 1:46:42.160
<v Speaker 1>he was amazing. Came back to New York, I came

1:46:42.200 --> 1:46:46.400
<v Speaker 1>back to California and the video, did the video. But

1:46:49.520 --> 1:46:52.280
<v Speaker 1>he turned out to be like wow, this guy is

1:46:53.479 --> 1:46:58.000
<v Speaker 1>he's he just amazing, you know, and they all love you,

1:46:58.200 --> 1:47:01.519
<v Speaker 1>they all your sons. Let's just keep be clear. Let's

1:47:01.560 --> 1:47:03.320
<v Speaker 1>be clear. Let's just came. I know you being humble

1:47:03.320 --> 1:47:08.120
<v Speaker 1>about it, but we all under you, you boys coming

1:47:08.120 --> 1:47:09.680
<v Speaker 1>into it be and they'd be like, y'all ought to

1:47:09.760 --> 1:47:13.120
<v Speaker 1>be like that, y'all We all to y'all, all right,

1:47:13.160 --> 1:47:15.840
<v Speaker 1>it's like it's true, but yeah, working on a new

1:47:15.880 --> 1:47:19.760
<v Speaker 1>album or no, oh yeah we have this album out now,

1:47:20.360 --> 1:47:23.000
<v Speaker 1>make me say it again. That's charting right now and

1:47:23.080 --> 1:47:29.920
<v Speaker 1>it's like doing fantastically wonderful. You know, yeah, I like it,

1:47:30.040 --> 1:47:33.760
<v Speaker 1>Like I said that. Uh, the single has been on

1:47:33.880 --> 1:47:36.960
<v Speaker 1>the charts for like thirty weeks in the top five,

1:47:37.680 --> 1:47:41.000
<v Speaker 1>you know, it was number one for five weeks and

1:47:41.160 --> 1:47:46.040
<v Speaker 1>it's number fiver with the six seven this week. Yeah

1:47:46.040 --> 1:47:48.040
<v Speaker 1>we went back major too, right, Yeah I took that

1:47:48.120 --> 1:47:51.080
<v Speaker 1>major check. No remember, no independent they just using the

1:47:51.200 --> 1:48:00.840
<v Speaker 1>major's now or just saying no, no, no. This is

1:48:00.880 --> 1:48:05.560
<v Speaker 1>so the album is doing fantastic and amen, let me

1:48:05.680 --> 1:48:10.840
<v Speaker 1>thank everybody for that, please, oh man, no man, everyone, Well,

1:48:11.200 --> 1:48:14.439
<v Speaker 1>I reverse it on both of y'all. Everybody kind of

1:48:14.520 --> 1:48:18.600
<v Speaker 1>need to thank y'all because, like I mean, like you know,

1:48:18.960 --> 1:48:21.120
<v Speaker 1>our show is about that. But I'm not saying this

1:48:21.200 --> 1:48:22.920
<v Speaker 1>to say this because y'all in my face. I'm saying

1:48:22.960 --> 1:48:24.880
<v Speaker 1>this to say this because y'all deserve this. I'm saying

1:48:24.880 --> 1:48:26.880
<v Speaker 1>to say this because this is real. I'm saying to

1:48:26.960 --> 1:48:31.479
<v Speaker 1>say this because this is facts. You guys are icons, legends.

1:48:33.040 --> 1:48:36.519
<v Speaker 1>I sincerely believe this show wouldn't exist. I believe you know,

1:48:36.760 --> 1:48:39.920
<v Speaker 1>his DJ career probly wouldn't exist. My you know rap

1:48:40.040 --> 1:48:42.040
<v Speaker 1>career wouldn't is this And like I said earlier, I

1:48:42.080 --> 1:48:45.479
<v Speaker 1>wouldn't even want it to exist without you brothers, because

1:48:45.960 --> 1:48:50.040
<v Speaker 1>it's a staple of of of of what real music is,

1:48:51.360 --> 1:48:58.120
<v Speaker 1>real music is, and everything has soul in it has

1:48:58.479 --> 1:49:02.160
<v Speaker 1>has has more was as composition and as opposed to

1:49:02.280 --> 1:49:03.880
<v Speaker 1>what's going on right now. And I'm not distening to

1:49:04.000 --> 1:49:07.000
<v Speaker 1>young brothers because I love them too. I'm just not

1:49:07.120 --> 1:49:09.880
<v Speaker 1>where they at. It has no substance, it has nothing.

1:49:09.960 --> 1:49:13.519
<v Speaker 1>It just these people are just talking to talk and

1:49:14.720 --> 1:49:17.200
<v Speaker 1>I don't want to become that guy. All the young

1:49:17.320 --> 1:49:19.280
<v Speaker 1>dudes and young music is a little crazy. But I

1:49:19.280 --> 1:49:23.439
<v Speaker 1>don't want to do that. But we need substance in music.

1:49:24.040 --> 1:49:27.439
<v Speaker 1>We need integrity and music. We need morals in music,

1:49:28.160 --> 1:49:33.000
<v Speaker 1>and you guys are the quintessential example of that, and

1:49:33.160 --> 1:49:40.680
<v Speaker 1>your brothers as well, all the brothers. Thank you for that,

1:49:41.240 --> 1:49:44.040
<v Speaker 1>all the brothers. Somebody I want to ask you about

1:49:44.080 --> 1:49:53.000
<v Speaker 1>Dion Warwick. Wow, however we were Wow going back to U.

1:49:53.400 --> 1:49:58.240
<v Speaker 1>It's a song twisting show. We were supposed to do

1:49:58.479 --> 1:50:04.960
<v Speaker 1>a song from uh Burt Backracker make it easy on yourself,

1:50:06.560 --> 1:50:12.360
<v Speaker 1>and that's what we rehearsed. Uh. The words were changed

1:50:12.479 --> 1:50:15.320
<v Speaker 1>to or you lonely by yourself when they were arguing

1:50:15.360 --> 1:50:18.120
<v Speaker 1>about that in the studio, and so they stopped our

1:50:18.240 --> 1:50:22.320
<v Speaker 1>session and Bert got mad and he walked out, and

1:50:24.760 --> 1:50:28.160
<v Speaker 1>guy that was producing us walked out. So we had

1:50:29.040 --> 1:50:32.360
<v Speaker 1>fifteen minutes left in the studio. So we did the

1:50:32.479 --> 1:50:39.400
<v Speaker 1>B side song, which was twisted out, and we didn't

1:50:39.479 --> 1:50:41.560
<v Speaker 1>hear it back because we didn't have enough time to

1:50:41.680 --> 1:50:46.160
<v Speaker 1>listen to it. And so we we said, man, I

1:50:46.479 --> 1:50:49.040
<v Speaker 1>did that the part who felt like that part of

1:50:49.160 --> 1:50:53.080
<v Speaker 1>our career was over. Oh man, we ain't gonna have

1:50:53.240 --> 1:50:56.639
<v Speaker 1>no really, you know. We walked out to the studio.

1:50:57.320 --> 1:51:01.320
<v Speaker 1>They made nine or ten demos of that song and

1:51:01.600 --> 1:51:04.240
<v Speaker 1>send it to Philadelphia and a disc jockey about the

1:51:04.400 --> 1:51:08.439
<v Speaker 1>name of Jerry Blavett start playing it and the song

1:51:08.560 --> 1:51:15.000
<v Speaker 1>went to two million keeter with That's when I had

1:51:15.080 --> 1:51:20.880
<v Speaker 1>met then Wald and I talked about that on a

1:51:21.040 --> 1:51:24.559
<v Speaker 1>show that we did UH with with. Bert said, look, man,

1:51:25.000 --> 1:51:28.519
<v Speaker 1>I wanted to sing your type of songs, but we

1:51:28.680 --> 1:51:32.840
<v Speaker 1>were left with twisted shouts. So we did and and

1:51:33.640 --> 1:51:36.360
<v Speaker 1>those days when you had a hit like Shout or

1:51:36.400 --> 1:51:39.200
<v Speaker 1>twist and shout. They wanted to keep you in that pocket.

1:51:39.320 --> 1:51:41.800
<v Speaker 1>So you know, sing them kind of songs that have

1:51:41.960 --> 1:51:44.519
<v Speaker 1>the next set as part of one two and things

1:51:44.560 --> 1:51:47.439
<v Speaker 1>like that. Yeah, okay, so no one would tell you

1:51:47.600 --> 1:51:52.840
<v Speaker 1>to sing hello, listen to me, you know, because they

1:51:52.840 --> 1:51:55.240
<v Speaker 1>didn't you. They didn't know that you could perform that

1:51:55.400 --> 1:52:01.799
<v Speaker 1>the same way. But it took a couple of years

1:52:02.520 --> 1:52:05.120
<v Speaker 1>to be able to fall, you know, get into those

1:52:05.160 --> 1:52:07.599
<v Speaker 1>type of songs and that then we got there say

1:52:07.720 --> 1:52:10.040
<v Speaker 1>now we gotta make we can do that, we can

1:52:10.120 --> 1:52:13.160
<v Speaker 1>do this, we can do this, do everything. Yeah, so

1:52:13.240 --> 1:52:16.240
<v Speaker 1>you never felt like in a ball like where people

1:52:16.400 --> 1:52:19.320
<v Speaker 1>just made you continue to do that because like I

1:52:19.439 --> 1:52:23.040
<v Speaker 1>remember me doing um super tuck. I gotta had a

1:52:23.080 --> 1:52:25.080
<v Speaker 1>song with Pharrell called what What What? What? What What?

1:52:25.479 --> 1:52:27.840
<v Speaker 1>And they just making me wanted to do that same record,

1:52:27.880 --> 1:52:30.040
<v Speaker 1>and I was like, I made that record angry. I'm

1:52:30.080 --> 1:52:33.519
<v Speaker 1>not angry, no, more like funny because the record doesn't

1:52:33.520 --> 1:52:36.200
<v Speaker 1>even sound angry. But but you know, but we know,

1:52:36.320 --> 1:52:37.760
<v Speaker 1>we just think about it. What what what? What? What

1:52:37.920 --> 1:52:45.280
<v Speaker 1>that day happened? So but they would try to was

1:52:45.360 --> 1:52:48.519
<v Speaker 1>that something when you moved over to these people were saying, man,

1:52:48.840 --> 1:52:51.200
<v Speaker 1>do another shower, do another you know what I mean?

1:52:51.479 --> 1:52:53.400
<v Speaker 1>You know when we pull them down on company, we

1:52:53.439 --> 1:52:56.920
<v Speaker 1>could sell him whatever, do whatever you want? See independent baby,

1:52:56.960 --> 1:53:02.000
<v Speaker 1>I told you so that's when I could. You know, hey,

1:53:02.240 --> 1:53:04.479
<v Speaker 1>I want to do shout. I want to do what

1:53:04.800 --> 1:53:07.600
<v Speaker 1>you do. I want to win you experiment, you go,

1:53:08.479 --> 1:53:11.640
<v Speaker 1>And obviously some things didn't work, like like some of

1:53:11.640 --> 1:53:13.519
<v Speaker 1>the Breeze was one of the songs. I want to

1:53:13.560 --> 1:53:18.360
<v Speaker 1>experiment with you know, Oh my gosh, make making just

1:53:18.520 --> 1:53:28.320
<v Speaker 1>sound like the rain drops. Yeah, wow, just smooth my

1:53:28.400 --> 1:53:36.360
<v Speaker 1>glass yours when you damn man, I just want to know.

1:53:36.439 --> 1:53:38.000
<v Speaker 1>Hold on, hold on, I'm gonna take a sipping and

1:53:38.120 --> 1:53:48.800
<v Speaker 1>continue to do another one because you guys, man really

1:53:49.080 --> 1:53:52.000
<v Speaker 1>really the real deal man? And did you watch the

1:53:53.160 --> 1:53:56.040
<v Speaker 1>the movie So Man? Yeah, they stole your whole shit?

1:53:58.320 --> 1:54:00.960
<v Speaker 1>Is that not hilarious? Didn't he watch it was So

1:54:01.080 --> 1:54:04.360
<v Speaker 1>Man with Bernie Mack? Yeah, I didn't see that. You're

1:54:04.400 --> 1:54:08.040
<v Speaker 1>gonna watched it with Bernie Mack? And um oh it's

1:54:08.080 --> 1:54:14.840
<v Speaker 1>his name, man, Oh fuck, I'm Samuel Jackson. Okay, man,

1:54:15.360 --> 1:54:18.439
<v Speaker 1>Oh they re enact your whole songs. But it's it's

1:54:18.479 --> 1:54:21.439
<v Speaker 1>a comedy. Yeah, yeah, it's called So Man. I thought

1:54:21.479 --> 1:54:25.240
<v Speaker 1>that's what you see that everybo somebody seen that shit, right, Yeah, yeah,

1:54:25.520 --> 1:54:27.560
<v Speaker 1>they got your whole ship. Yeah, they're trying to be

1:54:27.640 --> 1:54:30.000
<v Speaker 1>the Ozzy. But it was funny about it. Yea mentioned

1:54:30.040 --> 1:54:33.680
<v Speaker 1>the Blues Brothers earlier. They were they were doing Ozzie

1:54:33.760 --> 1:54:38.120
<v Speaker 1>Brothers song. Who's with Bruce Brothers outfits on? So it's

1:54:38.200 --> 1:54:40.440
<v Speaker 1>it's a comedy, so it's not like to take it

1:54:40.560 --> 1:54:43.400
<v Speaker 1>too serious. But they still they stole your whole shit.

1:54:43.560 --> 1:54:46.600
<v Speaker 1>This is bad. I know because I'm a rapper and

1:54:46.840 --> 1:54:48.840
<v Speaker 1>I'm a part of the community, have also stole your

1:54:48.880 --> 1:54:59.200
<v Speaker 1>whole ship. Yeah, salute, but the salut in because again, man,

1:55:00.040 --> 1:55:02.040
<v Speaker 1>it's called soul man. Yeah, I want to see that

1:55:02.760 --> 1:55:07.040
<v Speaker 1>so man, Yeah, obviously it's before Bernie Mac passed away. Day.

1:55:07.040 --> 1:55:09.960
<v Speaker 1>I sitting there, They're like, you know, they're doing the moves,

1:55:10.040 --> 1:55:15.240
<v Speaker 1>they're doing everything. They copying your music. Um, but it's

1:55:15.320 --> 1:55:21.280
<v Speaker 1>funny because um it was Okay, okay, you're gonna read

1:55:21.320 --> 1:55:23.360
<v Speaker 1>it off your phone. Well, Alice fish Gerald, we'd better

1:55:23.400 --> 1:55:31.000
<v Speaker 1>ask him. Oh yeah, because they didn't ask about woman. Yeah,

1:55:31.000 --> 1:55:32.840
<v Speaker 1>I'm gonna go about the Well I would like a

1:55:32.920 --> 1:55:39.960
<v Speaker 1>Diana Roy story. We'll leave me to today today or

1:55:40.120 --> 1:55:47.680
<v Speaker 1>this month. Um, I listened a very whole lot Oflop

1:55:47.760 --> 1:55:52.360
<v Speaker 1>Fish Gerald because to my wife, she's plays it in

1:55:52.800 --> 1:55:59.320
<v Speaker 1>the house like it's it's a new record again. He

1:55:59.560 --> 1:56:04.840
<v Speaker 1>is one of the great greatest singers. I think, you know,

1:56:06.240 --> 1:56:10.560
<v Speaker 1>just yeah did she just had had it all? And

1:56:10.800 --> 1:56:14.120
<v Speaker 1>my mother and father would play here or the same

1:56:15.120 --> 1:56:20.120
<v Speaker 1>as I heard here today in my house. Yeah, that's

1:56:20.320 --> 1:56:23.040
<v Speaker 1>that's the truth. My wife is right there. You can

1:56:23.120 --> 1:56:30.880
<v Speaker 1>ask it makes a noise up. We respect that. Yeah.

1:56:31.240 --> 1:56:35.560
<v Speaker 1>And Diana Ross, we got a Diana Ross story. Diana

1:56:36.320 --> 1:56:38.360
<v Speaker 1>that was I mean, I feel like we could say

1:56:38.480 --> 1:56:41.680
<v Speaker 1>any name. And because of how much you guys are,

1:56:42.000 --> 1:56:45.400
<v Speaker 1>you know, everybody influential a part of it. You've been

1:56:45.600 --> 1:56:49.600
<v Speaker 1>you've been active. You have a story with these people. Yeah, yeah,

1:56:53.280 --> 1:56:56.160
<v Speaker 1>excuse me, something worse. See this, This is the reason

1:56:56.160 --> 1:57:00.960
<v Speaker 1>why he stays over there. We need to mike him

1:57:01.000 --> 1:57:04.040
<v Speaker 1>up though. Yeah, but then but then cover his face.

1:57:04.080 --> 1:57:08.600
<v Speaker 1>At some point. We can't hear you, but we can't

1:57:08.640 --> 1:57:12.200
<v Speaker 1>see you. We don't want to see you. Listen, Listen,

1:57:12.280 --> 1:57:14.640
<v Speaker 1>it is my friend. Listen. I'm gonna be honest, man,

1:57:14.720 --> 1:57:18.760
<v Speaker 1>I have so much fun. I can keep going all day,

1:57:19.360 --> 1:57:22.080
<v Speaker 1>I can keep asking y'all ship all day and we

1:57:22.160 --> 1:57:25.040
<v Speaker 1>would it would be and it's and this has been.

1:57:26.840 --> 1:57:28.720
<v Speaker 1>I think it's the first time I had goose bumps

1:57:28.800 --> 1:57:31.480
<v Speaker 1>the whole time because I just kept like clapping, like

1:57:31.600 --> 1:57:35.360
<v Speaker 1>you know, like the little Chucky doll clap clapping because

1:57:35.520 --> 1:57:38.480
<v Speaker 1>I'm so excited, like to come and encounter with you

1:57:38.680 --> 1:57:42.880
<v Speaker 1>brothers and your beautiful family and everyone y'all came with

1:57:43.520 --> 1:57:46.880
<v Speaker 1>um for making sure that y'all you know, came here

1:57:47.120 --> 1:57:51.280
<v Speaker 1>and and in your presence is known because you know,

1:57:51.440 --> 1:57:55.160
<v Speaker 1>in our community we need this. We need to pick

1:57:55.240 --> 1:57:58.320
<v Speaker 1>up our legends. We need to tell our legends how

1:57:58.400 --> 1:58:02.600
<v Speaker 1>important they are, and not on a tweet. We could

1:58:02.600 --> 1:58:05.120
<v Speaker 1>say it face to face, man to man. You can

1:58:05.160 --> 1:58:09.920
<v Speaker 1>say and and I'm gonna say when when you're here,

1:58:10.360 --> 1:58:13.280
<v Speaker 1>I'm gonna say when you're not here, I'm gonna say

1:58:13.320 --> 1:58:16.720
<v Speaker 1>when I'm thinking about you, because you fucking deserve it.

1:58:17.720 --> 1:58:22.880
<v Speaker 1>You are legends icons the great. I personally want about

1:58:23.040 --> 1:58:26.440
<v Speaker 1>to you, guys. You know what I mean. In my way, Yes,

1:58:26.520 --> 1:58:29.440
<v Speaker 1>in my way I went about because it's one million

1:58:29.520 --> 1:58:35.560
<v Speaker 1>percent um. I know, if y'all didn't do what y'all did,

1:58:36.800 --> 1:58:38.760
<v Speaker 1>we probably won't be able to do what we're doing

1:58:38.920 --> 1:58:43.760
<v Speaker 1>right now. It's foundational. And I ain't saying that to gas.

1:58:44.040 --> 1:58:49.760
<v Speaker 1>I ain't saying that to Um. I'm says yes or

1:58:49.840 --> 1:59:05.560
<v Speaker 1>that was which one? Which one? Yeah, we can't have

1:59:05.680 --> 1:59:10.800
<v Speaker 1>to call you scared. Let me be the one to say,

1:59:13.280 --> 1:59:15.560
<v Speaker 1>I'm just playing. I am just playing. We love them

1:59:15.600 --> 1:59:20.760
<v Speaker 1>both both from Chicago to Man. Y'all shout down, play

1:59:21.040 --> 1:59:25.880
<v Speaker 1>let's play. Learn a lot from listening watching those shows.

1:59:26.600 --> 1:59:29.880
<v Speaker 1>Why can't you guys the questions you asked them, you know,

1:59:30.560 --> 1:59:32.920
<v Speaker 1>don't know you don't learn a lot from that. Man,

1:59:33.080 --> 1:59:35.360
<v Speaker 1>Thank you so much, Thank you much. We're here to

1:59:35.400 --> 1:59:38.760
<v Speaker 1>give you your flowers and we so this is, this

1:59:38.880 --> 1:59:40.760
<v Speaker 1>is We're gonna take a picture and then we do

1:59:40.840 --> 1:59:43.520
<v Speaker 1>a couple of drops and that's it. Man. I'm so happy. Man,

1:59:43.640 --> 1:59:46.080
<v Speaker 1>I really I wouldn't even want to say say this. Man.

1:59:46.120 --> 1:59:50.320
<v Speaker 1>I thank y'all. Man, I really thank y'all because y'all

1:59:50.320 --> 1:59:52.720
<v Speaker 1>didn't have to take your time out to do this.

1:59:53.640 --> 1:59:56.400
<v Speaker 1>Y'all didn't have to take your time out to continue

1:59:56.400 --> 1:59:58.720
<v Speaker 1>to represent the culture. But the fact that y'all do,

1:59:59.200 --> 2:00:03.080
<v Speaker 1>I think, Man, I really am. I really am thankful. Um,

2:00:03.640 --> 2:00:05.600
<v Speaker 1>Like I said, I had goosebumps this whole time. Thank

2:00:05.600 --> 2:00:08.160
<v Speaker 1>you supportive family for being a part of it as well,

2:00:08.480 --> 2:00:11.360
<v Speaker 1>because obviously they're the support system in your lives as well.

2:00:12.000 --> 2:00:14.960
<v Speaker 1>Wait a minute, Wait a minute, Wait a minute, is

2:00:15.040 --> 2:00:19.640
<v Speaker 1>that bottle almost done? Sunny? We wanted to try it.

2:00:35.640 --> 2:00:39.520
<v Speaker 1>Drink Champs is a Drink Champs LLC production and association

2:00:39.600 --> 2:00:43.960
<v Speaker 1>with Interval Presents hosts and executive producers n O r

2:00:44.040 --> 2:00:49.000
<v Speaker 1>E and dj e FN from Interval Presents executive producers

2:00:49.040 --> 2:00:52.840
<v Speaker 1>Alan Coy and Jake Kleinberg. Listen to Drink Champs on

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<v Speaker 1>your podcasts. Thanks for joining us for another episode of

2:01:02.560 --> 2:01:05.560
<v Speaker 1>Drink Champs hosted by Yours Truly, dj e FN and

2:01:05.760 --> 2:01:07.840
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2:01:07.840 --> 2:01:10.440
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<v Speaker 1>mine is at Who's Crazy on ig at, dj e

2:01:19.040 --> 2:01:21.720
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