WEBVTT - T.I.

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<v Speaker 1>This is what you were drinking last night. Is now

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<v Speaker 1>to clear the whole building. You're ready to move some

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<v Speaker 1>furnish all my life, the grinding all my life, sacrifice,

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<v Speaker 1>hustle back price one a slice, got the dice to

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<v Speaker 1>swath all my life. I've been grinding in all my life,

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<v Speaker 1>all my life, the grinding all my life, sacrifice, hustle

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<v Speaker 1>back price, one slice, got the dice to swadd all

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<v Speaker 1>my life. I've been grinding in all my life. Hello,

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<v Speaker 1>welcome to another edition of Club Sha Shay. I am

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<v Speaker 1>your whole Shannon Sharp. I'm also the proprivat of Club

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<v Speaker 1>Sha Shay. And the guy that's stopping by for conversation

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<v Speaker 1>and a drink today is one of Atlanta's hip hop pioneers.

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<v Speaker 1>He's a three time Grammy Award winning artist, record executive, producer, songwriter, actor, entrepreneur.

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<v Speaker 1>I am father, trap music pioneer, hip hop icon music mogul, damn.

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<v Speaker 1>He even changed careers, went to stand up comedian King

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<v Speaker 1>of the South, Mister rubber band Man, Is it Tip

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<v Speaker 1>tr hair A Ti Tip Harris? Whoever it is? Ti?

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<v Speaker 1>How you doing? Brother? That was going on at A

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<v Speaker 1>on five and the Baby Bank heads on absolutely yeah,

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<v Speaker 1>how you being bro? Man, I'm chilling, man, I'm cooling, man.

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<v Speaker 1>Anytime we get somebody from get you saw? Okay, actually

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<v Speaker 1>this is my connact all right, it's a vsop. All right,

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<v Speaker 1>this is what you were drinking last night? Is now

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<v Speaker 1>to clear the whole building? You're ready to move some furnish?

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<v Speaker 1>No at all? That was just right last night. Mm

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<v Speaker 1>hey man, you're showing them the boots when jam made

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<v Speaker 1>for walking up right now? No? Man, so welcome to

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<v Speaker 1>the club. How you being man, I've been chilling. I

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<v Speaker 1>can't complain, man. I'm glad I family made it here. Man,

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<v Speaker 1>I've been looking at it on TV. Yeah, I'm glad

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<v Speaker 1>you made I've been trying to get you for a minute.

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<v Speaker 1>But I'm glad you were in the in the area. Yeah,

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<v Speaker 1>you can stop being it real player in here. Yeah yeah,

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<v Speaker 1>nice little lines, a little nice little feel. They got

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<v Speaker 1>the vivid ropes right here, keep keeping them, keeping the riff.

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<v Speaker 1>Yeah yeah, okay, we got a real vi ip. You

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<v Speaker 1>did what I'm saying. When you hear three time Grammy

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<v Speaker 1>winning artists, what does that mean to you? It means

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<v Speaker 1>I was considered and acknowledged for the hard work that

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<v Speaker 1>I put in man and the thoughts that I put

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<v Speaker 1>into words that I put on too music, and the

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<v Speaker 1>people that helped me push it out into the world,

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<v Speaker 1>that we were being considered acknowledged, to celebrated by by

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<v Speaker 1>peers and constituents amongst the elite, right. And I appreciate that,

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<v Speaker 1>you know, but that was that year. You know what

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<v Speaker 1>I'm saying, It's time to do something. Evolution is imminent.

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<v Speaker 1>Have you ever you know a lot of we've heard

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<v Speaker 1>I've heard You've heard a lot of people like they're

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<v Speaker 1>out on the Grammars, especially if they don't get nominated,

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<v Speaker 1>they don't win the war when they think they should

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<v Speaker 1>have won. Have you ever been in a situation like, damn,

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<v Speaker 1>I know I should have won for this album or

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<v Speaker 1>I should have won for this song, and I didn't

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<v Speaker 1>get the condition that I deserved. Yeah. Absolutely, I mean

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<v Speaker 1>I think that that that that that's like a rite

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<v Speaker 1>of passage. Okay, you know what I'm saying. That's a

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<v Speaker 1>part of of of being in this business. You have

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<v Speaker 1>to Not many people come out and everybody learns about

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<v Speaker 1>them all at once at the same time. So you know,

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<v Speaker 1>you you take your wins where you can get them.

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<v Speaker 1>And just you know, take your lumps and bumps and bone.

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<v Speaker 1>But I think that one moment for me was the

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<v Speaker 1>King Album. I was nominated for Best Rap Album for

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<v Speaker 1>the King Album, and I believe that that that that

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<v Speaker 1>that award went to went to ludicrous Okay, but it

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<v Speaker 1>stayed in that level. Okay, Yeah, you know what I'm saying.

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<v Speaker 1>What what are some of your your fondest memory. You've

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<v Speaker 1>been in the game for two decades, a lot of ups,

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<v Speaker 1>some downs. What's some of your fondest memories. Uh? Man,

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<v Speaker 1>it's a lot of them, I say. I say. I

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<v Speaker 1>would definitely rank the the Birthday bash back in Atlanta

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<v Speaker 1>when I was just getting out of I was Jay

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<v Speaker 1>getting out of jail, and people weren't expecting me to

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<v Speaker 1>show up, right, so I showed up surprised the city.

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<v Speaker 1>That was an incredible moment. It's definitely the week we

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<v Speaker 1>released atl and King in the same week as the

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<v Speaker 1>What You Know About That premiered, and and the film

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<v Speaker 1>atl also premiered. That was a pivotal moment. I have

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<v Speaker 1>to say, Swagger like Us performance on the Grammar stage

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<v Speaker 1>that was a phenomenal moment. Live your life performance. Uh

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<v Speaker 1>believe that was the VMA's I'm not mistaken right. That

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<v Speaker 1>was a phenomenal moment. Uh performing with my son, Uh,

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<v Speaker 1>performing with my son. So I just recently my last

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<v Speaker 1>album that I dropped called The Libra Uh. It features

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<v Speaker 1>a song that features my son the Money, and it

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<v Speaker 1>was also produced by my oldest son, Okay Messiah. And

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<v Speaker 1>you know, we've had the pleasure of performing that song

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<v Speaker 1>together just ladies at the TV one Honors the Awards show.

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<v Speaker 1>We performed that song together and that's kind of, you know,

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<v Speaker 1>a huge, huge moment for me as well. With it

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<v Speaker 1>always within in the back of your mind, we see

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<v Speaker 1>a situation where Lebron wants to play with his son Brownie.

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<v Speaker 1>We see ken Ken Griffin Senior played with Junior. It

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<v Speaker 1>doesn't happen very often that a father gets to do

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<v Speaker 1>something in the same profession as its sons side by side,

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<v Speaker 1>especially with like the music or sports. Obviously a doctor lawyer,

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<v Speaker 1>we see that a lot, you know, father son day

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<v Speaker 1>and business together, but we don't see that in the

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<v Speaker 1>music business. Well, that always at the back of your mind.

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<v Speaker 1>You know, what if my boys, you know, want to

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<v Speaker 1>do this thing and to be have them side by

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<v Speaker 1>side with me, But to be honest with you. Man.

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<v Speaker 1>First of all, I want to say that I never

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<v Speaker 1>wanted any of my kids to ever pursue it. Really

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<v Speaker 1>the music being is nah Man, I never did. I

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<v Speaker 1>never wanted any of my family too, just because me

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<v Speaker 1>being in there, I know how much treachery sharks don't

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<v Speaker 1>know how much lab it is, you know, and I can't.

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<v Speaker 1>And while I'm focusing on doing my thing, I can't

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<v Speaker 1>really focus on everybody else and making sure to keep

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<v Speaker 1>knives out of all live backs at the same time.

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<v Speaker 1>But it's always a blessing to see your child find

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<v Speaker 1>his true passion. Right, So if he find his passion

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<v Speaker 1>and film and in television and music, if he or

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<v Speaker 1>she finds day passion here, I want to support it.

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<v Speaker 1>I want to celebrate it and embrace it as much

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<v Speaker 1>as I can. I just know it's gonna be some.

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<v Speaker 1>It's gonna be some. THELFNNA be some felf out there.

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<v Speaker 1>But have you prepared him for that? Have you told him? Like, look, you,

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<v Speaker 1>I see, I know you see what your dad has now,

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<v Speaker 1>But there are a lot of water and minds that

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<v Speaker 1>your dad had to navigate. Just understand you just don't

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<v Speaker 1>You're not gonna get all the way to the other side.

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<v Speaker 1>I'm scathed. Yeah, you know, I think he. I think

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<v Speaker 1>he's seeing it. I think he's see in the first hand. Okay, because,

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<v Speaker 1>to be honest with you, the money I'm talking about,

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<v Speaker 1>he he his skill set is so elevated, and he

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<v Speaker 1>has such a just an eloquent delivery, and and and

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<v Speaker 1>he's respected amongst lyricists, but not considered notice or acknowledge

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<v Speaker 1>amongst you know, major labelska as they looking for artists.

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<v Speaker 1>Uh So he kind of peeping gain and understanding now

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<v Speaker 1>that it's a different it's a different road to travel

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<v Speaker 1>from him than it was for me. You mentioned that

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<v Speaker 1>everybody sees you now and what you've been able to

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<v Speaker 1>accomplish in this business. But it didn't start off all

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<v Speaker 1>peatures and cream. You got dropped by a label. And

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<v Speaker 1>then so when the label dropped you, what went through

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<v Speaker 1>your mind? You're like, day help, I'm just getting in

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<v Speaker 1>the middle of they drop your ball already. We see

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<v Speaker 1>the thing is uh. I think a common misconception is

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<v Speaker 1>that I got dropped, you know, due to a lack

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<v Speaker 1>luster perform I requested to be released. Okay, after my

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<v Speaker 1>first album came out, and it didn't. Of course, it

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<v Speaker 1>didn't achieve the kind of the the magnitude and success

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<v Speaker 1>that I had expected, right, and probably the label either.

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<v Speaker 1>And this came at a time where La Reid had

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<v Speaker 1>you know, sold the face, right, and you know what

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<v Speaker 1>I'm saying, he he accepted a position as the president

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<v Speaker 1>of Airsta Record, Okay, and all of the roster that

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<v Speaker 1>was on the Face got kind of bound over, okay,

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<v Speaker 1>and now, uh, instead of it being La Reid in

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<v Speaker 1>Atlanta with this boutique label, kind of like a motown. Yeah,

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<v Speaker 1>you know, now it's like we got to go out

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<v Speaker 1>way to New York to the Airsta building to get

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<v Speaker 1>stuff done, departments, heads and so on and so forth.

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<v Speaker 1>So the album came out and it was a cult classic,

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<v Speaker 1>Like people loved it as soon as they heard it, right,

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<v Speaker 1>And I just did a lot of uh uh self promotion,

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<v Speaker 1>self marketing, driving from Tallahassee to Jacksonville, to Memphis, to

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<v Speaker 1>Chatanooga to the Greensboro, Augusta, Savellana, all of the neighboring

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<v Speaker 1>cities and rural areas and just hand the hand in

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<v Speaker 1>my product and and I just kind of created a swell.

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<v Speaker 1>You know, they got the attention finally of the people

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<v Speaker 1>up in New York are stiff. But when I got

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<v Speaker 1>the call, uh, myself and Jason Jeter, we kind of

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<v Speaker 1>took the position of man, we kind of been funding

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<v Speaker 1>this movement ourselfs and we've been operating as an independent

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<v Speaker 1>So for us to go into a second a second cycle,

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<v Speaker 1>we'd like to renegotiate, and we want to we want

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<v Speaker 1>a JV fifty fifty right uh or or or and

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<v Speaker 1>we want two millions. So we could do it ourselves, right,

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<v Speaker 1>or you could just let us go. And you know,

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<v Speaker 1>we went to lunch. LA say, you know what, I

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<v Speaker 1>see what you're saying. I get it completely. Let me

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<v Speaker 1>think about it. I'm gonna go to lunch. Uh yeah.

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<v Speaker 1>I was like, okay, yeah, cool, that's a good sign.

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<v Speaker 1>We're going to lunch. They were like, no, no no, no,

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<v Speaker 1>I'm gonna go to lunch. You go to last right.

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<v Speaker 1>I was like, I right, pizza, it is right, you

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<v Speaker 1>know what I'm saying. And uh, but what were you think, Well, Okay,

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<v Speaker 1>I'm going to lunch, you're going to lunch, but we're

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<v Speaker 1>not going to lunch together. I didn't have no thoughts

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<v Speaker 1>at different. I'm like Okay, cool, we got him, That's

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<v Speaker 1>what I'm thinking. Ok, I got him. I started spending

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<v Speaker 1>the money already, what I'm saying. So we leave and

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<v Speaker 1>come back, and uh we would greeted by uh the

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<v Speaker 1>VP at the time, I believe Mark Pitts. Okay, Mark

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<v Speaker 1>Pitts say all right, man, I thank y'all. Gonna be happier.

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<v Speaker 1>I was like, yeah, oh oh, going in there and

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<v Speaker 1>they say, all right, I'm gonna give you what you want.

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<v Speaker 1>I'm letting you go. Call on dog. Not like I said, Bro,

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<v Speaker 1>you didn't even have to call me back in here.

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<v Speaker 1>You could have called us on the phone right anything now.

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<v Speaker 1>But uh, but he let us go. And that was

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<v Speaker 1>and that was the most uncomfortable elevator ride back downstair

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<v Speaker 1>because Jason was just looking at me like, you know,

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<v Speaker 1>I could just be like why why why did you say?

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<v Speaker 1>Why are you giving that third option? You know, renegotiate

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<v Speaker 1>the deal, give us two millions, or you can just

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<v Speaker 1>release it. Why you had to put the third option?

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<v Speaker 1>Why not just go with the first two? I mean,

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<v Speaker 1>because I felt like the stakes had to be raised,

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<v Speaker 1>you know what I'm saying. He had to understand, you know,

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<v Speaker 1>just just the magnitude of the moment, but to beyond

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<v Speaker 1>it with you, Man, that was the greatest thing anybody

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<v Speaker 1>in the business ever did for me. I was on five,

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<v Speaker 1>you know, I was making like thirty thousand a show.

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<v Speaker 1>I already had my my my first single for trap music,

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<v Speaker 1>which was twenty folds in rotation on radio stations in Atlanta,

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<v Speaker 1>and uh, I mean, that was really the best thing

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<v Speaker 1>that could have happened. I wouldn't got two point three

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<v Speaker 1>from Atlantic, and they ended up doing the deal I wanted,

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<v Speaker 1>giving me the equity that I did I asked for right,

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<v Speaker 1>you know, I just couldn't get it there in that build.

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<v Speaker 1>But he did. Man, he was a real solid cat,

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<v Speaker 1>still my brother, my mentor to this day. I still

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<v Speaker 1>considered myself among La Face University, and he let me

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<v Speaker 1>go and allowed me the opportunity to be a free

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<v Speaker 1>agent with a fair market at fair market value. And

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<v Speaker 1>I went out there and made my own way. And

0:12:21.360 --> 0:12:24.240
<v Speaker 1>that's you know, the evolution began from there. And you're

0:12:24.320 --> 0:12:26.680
<v Speaker 1>riding the elevator down. You're no longer with La Face.

0:12:27.520 --> 0:12:29.640
<v Speaker 1>What are you saying, man, did you give yourself a

0:12:29.679 --> 0:12:33.319
<v Speaker 1>timeline like I gotta get to another label? I gotta

0:12:33.440 --> 0:12:36.000
<v Speaker 1>start doing mix tapes. I mean, so, what what was

0:12:36.040 --> 0:12:38.200
<v Speaker 1>your thought process that you're riding the elevator? You said

0:12:38.200 --> 0:12:41.640
<v Speaker 1>it was a long long here. Yeah, I mean it.

0:12:41.880 --> 0:12:44.520
<v Speaker 1>To be honest with you, we was already doing mixtapes, okay.

0:12:44.320 --> 0:12:47.880
<v Speaker 1>So we had already had our gangster grills with Drama. Uh.

0:12:48.000 --> 0:12:50.320
<v Speaker 1>We had some mixtapes dropped in New York. Were like,

0:12:50.360 --> 0:12:55.040
<v Speaker 1>we were really asserting guy selves and becoming familiar with

0:12:55.160 --> 0:12:59.880
<v Speaker 1>the market. And it wasn't never about how long and

0:13:00.040 --> 0:13:02.160
<v Speaker 1>until we get another deal? Okay, you knew that was

0:13:02.200 --> 0:13:05.120
<v Speaker 1>gonna happen. Yeah, it was a boat make the right

0:13:05.440 --> 0:13:09.920
<v Speaker 1>making this next decision the best decision for the next

0:13:09.920 --> 0:13:13.760
<v Speaker 1>phase of our career, okay. Uh. And we put ourselves

0:13:13.760 --> 0:13:15.959
<v Speaker 1>in a position to to catch the eyes of all

0:13:16.040 --> 0:13:20.480
<v Speaker 1>the labels. But we felt that we were the best

0:13:20.559 --> 0:13:24.400
<v Speaker 1>fit for Atlantic, you know, because because they needed us

0:13:24.440 --> 0:13:27.880
<v Speaker 1>as much as we needed them, right you know, And

0:13:27.880 --> 0:13:31.960
<v Speaker 1>and they embraced us, supported us, uh, and you know,

0:13:32.200 --> 0:13:35.160
<v Speaker 1>gave us the platform and the resources to be able

0:13:35.160 --> 0:13:37.880
<v Speaker 1>to push through and break break through the other side

0:13:37.920 --> 0:13:41.360
<v Speaker 1>of mainstream success. Did your confidence waiver because a lot

0:13:41.360 --> 0:13:44.600
<v Speaker 1>of times we get released, we get fired, something traumatic

0:13:44.679 --> 0:13:47.679
<v Speaker 1>something bad happens, You're like, damn, am I as good

0:13:47.720 --> 0:13:49.560
<v Speaker 1>as I thought I was? I mean, cause if I

0:13:49.600 --> 0:13:52.280
<v Speaker 1>was this good, this wouldn't have happened. Did your confidence?

0:13:52.360 --> 0:13:55.120
<v Speaker 1>Did you? Did your confidence ever? Waiver nah man? Because

0:13:55.160 --> 0:13:56.920
<v Speaker 1>I remember there was something that I asked for, you

0:13:56.960 --> 0:13:58.600
<v Speaker 1>know what I'm saying. I remember, But did you really

0:13:58.640 --> 0:13:59.800
<v Speaker 1>ask for it? Like if you don't give me a

0:14:00.120 --> 0:14:02.120
<v Speaker 1>if you don't give me the raid, I'm leaving. I please,

0:14:02.200 --> 0:14:03.880
<v Speaker 1>don't get please give me a raid, I don't leave.

0:14:03.960 --> 0:14:05.480
<v Speaker 1>I mean no, don't get it wrong. I was asking

0:14:05.520 --> 0:14:11.600
<v Speaker 1>more so for to me either way though, like you know,

0:14:12.240 --> 0:14:15.200
<v Speaker 1>I mean, I'm I'm I'm I'm standing in it. We

0:14:15.280 --> 0:14:17.760
<v Speaker 1>got the role with it at that point, and we did,

0:14:17.920 --> 0:14:19.920
<v Speaker 1>and we wasn't in like the worst It was the

0:14:19.920 --> 0:14:23.400
<v Speaker 1>worst position ever because of the work, the groundwork that

0:14:23.480 --> 0:14:25.800
<v Speaker 1>had already been put in as to the reason why

0:14:25.840 --> 0:14:28.600
<v Speaker 1>we were called up up to New York to have

0:14:28.800 --> 0:14:33.000
<v Speaker 1>the discussion anyway. Yeah, So when you start your own label,

0:14:33.040 --> 0:14:36.120
<v Speaker 1>Grand Hustle, if that's something that you are, you always

0:14:36.120 --> 0:14:38.840
<v Speaker 1>wanted to have your own record label, to be on

0:14:38.960 --> 0:14:42.320
<v Speaker 1>your own label, to have artists under you. I mean,

0:14:42.360 --> 0:14:45.480
<v Speaker 1>I always wanted to provide an opportunity, uh for other

0:14:45.600 --> 0:14:48.360
<v Speaker 1>artists to to to share their story through their art,

0:14:48.720 --> 0:14:52.000
<v Speaker 1>you know what I'm saying. And I always wanted to

0:14:52.000 --> 0:14:57.960
<v Speaker 1>introduce new talent to to to to market. I mean,

0:14:58.320 --> 0:15:03.960
<v Speaker 1>we grew up looking at cats like man Russell Simmons,

0:15:04.720 --> 0:15:12.840
<v Speaker 1>Uh Puffecy Jay Prince uh easy shoot, Luther Campbell, you know,

0:15:14.000 --> 0:15:18.600
<v Speaker 1>and and and Tony Draper. We just grew up watching

0:15:18.680 --> 0:15:24.680
<v Speaker 1>cats that came from from nothing turned into moguls bye

0:15:24.800 --> 0:15:28.880
<v Speaker 1>bye by leading there that like the the their peer

0:15:28.920 --> 0:15:34.280
<v Speaker 1>group into an industry, which was the music then. So

0:15:34.320 --> 0:15:36.800
<v Speaker 1>we just understood, like you know what I'm saying, looking

0:15:36.840 --> 0:15:39.600
<v Speaker 1>at Master p, looking at Baby and Schlam like okay.

0:15:39.640 --> 0:15:43.440
<v Speaker 1>So the the the natural evolution of a successful rapper

0:15:43.880 --> 0:15:48.000
<v Speaker 1>is to evolve into you know, uh, the owner and

0:15:48.160 --> 0:15:52.080
<v Speaker 1>operator of your own label and introduced talent to the

0:15:52.120 --> 0:15:54.560
<v Speaker 1>rest of the world. When you opened the door? Did

0:15:54.560 --> 0:15:56.800
<v Speaker 1>you end the bad deals? We'll hear about these six

0:15:56.880 --> 0:15:59.520
<v Speaker 1>three sixties? Can you explain to our listening audience what

0:15:59.600 --> 0:16:02.200
<v Speaker 1>the three sixty deals or and what are some of

0:16:02.240 --> 0:16:05.920
<v Speaker 1>the bad deals that you see artists sign back then

0:16:06.040 --> 0:16:08.880
<v Speaker 1>and even today. What's a three sixty? Let's start with

0:16:08.920 --> 0:16:13.040
<v Speaker 1>that a three sixty means that you have accepted something

0:16:13.160 --> 0:16:19.760
<v Speaker 1>from the label that has given them the right to

0:16:19.800 --> 0:16:23.240
<v Speaker 1>accept a percentage from everything you do of all of

0:16:23.280 --> 0:16:27.440
<v Speaker 1>your they call them ancillaries, all of your ancilary businesses.

0:16:27.760 --> 0:16:33.120
<v Speaker 1>That means your your tool of money. That means your

0:16:33.280 --> 0:16:37.840
<v Speaker 1>your if you got sponsorship dollars, huh, your sponsorship, you

0:16:37.880 --> 0:16:40.520
<v Speaker 1>gotta do with them. That ain't no, no mute an celary.

0:16:42.240 --> 0:16:46.240
<v Speaker 1>Now now people actually sign that, of course they do.

0:16:46.440 --> 0:16:50.800
<v Speaker 1>I mean, listen, to be honest with you, most times

0:16:51.560 --> 0:16:58.040
<v Speaker 1>most artists are only looking for what they're getting right then, Okay,

0:16:58.160 --> 0:17:00.360
<v Speaker 1>you know what I mean. They feel not looking down there,

0:17:00.360 --> 0:17:02.880
<v Speaker 1>looking right now, right here, what I can see because

0:17:03.040 --> 0:17:05.359
<v Speaker 1>you know, what we always have is ideas, and what

0:17:05.680 --> 0:17:10.960
<v Speaker 1>the industry has is access. Okay, so we usually exchange

0:17:11.080 --> 0:17:14.800
<v Speaker 1>our ideas for their exit. And that's how we usually

0:17:14.920 --> 0:17:17.000
<v Speaker 1>get ourselves. That's why we end up on the short

0:17:17.119 --> 0:17:21.160
<v Speaker 1>end of the stick until we have created the leverage

0:17:21.240 --> 0:17:24.640
<v Speaker 1>for ourselves where we can kind of you know, tip

0:17:24.800 --> 0:17:27.960
<v Speaker 1>the scales in the other in the other direction. Right, Yeah,

0:17:28.800 --> 0:17:32.919
<v Speaker 1>So by doing businesses, doing business with big business, how

0:17:32.960 --> 0:17:36.239
<v Speaker 1>did that help you become a better business man? Well,

0:17:36.480 --> 0:17:40.560
<v Speaker 1>I mean to be honest with you, Well you had

0:17:40.560 --> 0:17:42.560
<v Speaker 1>all you already had a business, but it was you know,

0:17:42.760 --> 0:17:50.600
<v Speaker 1>I had been you already. Well it's quite it's quite different.

0:17:51.400 --> 0:17:54.080
<v Speaker 1>But nah man, I had already been researching and reading

0:17:54.119 --> 0:17:56.720
<v Speaker 1>and kind of familiarizing myself with the business. I read

0:17:56.760 --> 0:17:59.040
<v Speaker 1>books like hit Man, okay and all you need to

0:17:59.080 --> 0:18:01.840
<v Speaker 1>know about the music in this Uh you know, I

0:18:02.040 --> 0:18:03.920
<v Speaker 1>just already read books to kind of taught me what

0:18:04.040 --> 0:18:07.000
<v Speaker 1>a good deal was, a bad deal was, what publishing was,

0:18:07.080 --> 0:18:10.399
<v Speaker 1>what mechanical rights was. I'd already like research And this

0:18:10.480 --> 0:18:13.320
<v Speaker 1>is when I was like nineteen eleven years old. I

0:18:13.480 --> 0:18:15.200
<v Speaker 1>was challenged by my uncle. He said, if this is

0:18:15.200 --> 0:18:17.399
<v Speaker 1>what you wanna do, you learn everything it is to know,

0:18:17.600 --> 0:18:19.359
<v Speaker 1>and I make sure you had the money and the

0:18:19.440 --> 0:18:21.280
<v Speaker 1>responses to get you where you wanted to where you

0:18:21.320 --> 0:18:23.600
<v Speaker 1>want to go. But by the time I read the books,

0:18:23.640 --> 0:18:25.159
<v Speaker 1>he had then called a ten year centate. So I

0:18:25.280 --> 0:18:29.119
<v Speaker 1>had all this information and I still had I had

0:18:29.160 --> 0:18:32.360
<v Speaker 1>no bagging. So you know, cut too. When I'm nineteen

0:18:32.480 --> 0:18:34.560
<v Speaker 1>and I get my first record deal, I already know

0:18:35.480 --> 0:18:37.680
<v Speaker 1>what I'm looking for, Okay, I know what I'm supposed to,

0:18:37.760 --> 0:18:39.480
<v Speaker 1>what I'm supposed to be receiving and what not to

0:18:39.520 --> 0:18:43.920
<v Speaker 1>give away. And at this point in my career, I

0:18:44.080 --> 0:18:50.159
<v Speaker 1>find it honorable to be able to tell new artists

0:18:50.400 --> 0:18:54.520
<v Speaker 1>when they come up to me, you know, man, twenty one, savage, thug,

0:18:54.920 --> 0:18:56.440
<v Speaker 1>you know, like a lot of them coming to me,

0:18:56.520 --> 0:18:59.600
<v Speaker 1>a man, chack, give me a meal, your tip, chack,

0:18:59.640 --> 0:19:01.520
<v Speaker 1>give me a million. Man, I don't care what you do.

0:19:01.680 --> 0:19:04.040
<v Speaker 1>Just give me a million and let me handle it

0:19:04.119 --> 0:19:06.960
<v Speaker 1>from there. Like, Nah, I ain't gonna do that. I

0:19:07.000 --> 0:19:08.600
<v Speaker 1>ain't gonna because if I give you a million, I

0:19:08.640 --> 0:19:10.800
<v Speaker 1>gotta take back something that's gonna be worth way more.

0:19:11.320 --> 0:19:13.399
<v Speaker 1>And we ain't gonna be able to be friends, no, right,

0:19:13.920 --> 0:19:16.160
<v Speaker 1>And you know, and I and I always tell him

0:19:16.160 --> 0:19:19.040
<v Speaker 1>and don't worry about the money up front, because it's

0:19:19.080 --> 0:19:22.320
<v Speaker 1>gonna come right. I mean, I remember telling that the Slime,

0:19:22.359 --> 0:19:25.760
<v Speaker 1>I remember telling that the the twenty one, and and

0:19:25.880 --> 0:19:28.159
<v Speaker 1>even Savage. Every time you see me now, he'll hit

0:19:28.200 --> 0:19:31.080
<v Speaker 1>me and say, hey, he came right, you know, and

0:19:31.320 --> 0:19:33.159
<v Speaker 1>and that and that that put a smile on my

0:19:33.240 --> 0:19:38.399
<v Speaker 1>face because I just know how how impactful every generation

0:19:39.160 --> 0:19:42.600
<v Speaker 1>as the opportunity to be even more than the last.

0:19:43.080 --> 0:19:45.080
<v Speaker 1>You mentioned that you had been reading since you're nine,

0:19:45.160 --> 0:19:48.080
<v Speaker 1>ten eleven about what you wanted, the process of the

0:19:48.200 --> 0:19:51.440
<v Speaker 1>music and what goes into it, and well the music

0:19:51.520 --> 0:19:54.480
<v Speaker 1>company is surprised at nineteen year old and your knowledge

0:19:54.720 --> 0:19:56.880
<v Speaker 1>or the inner workings of how the music game went.

0:19:58.720 --> 0:20:01.880
<v Speaker 1>Those that actually had an opportunity to to to engage

0:20:01.960 --> 0:20:09.080
<v Speaker 1>with me, they were, uh, I mean I think that

0:20:11.880 --> 0:20:14.359
<v Speaker 1>I think that we are expected to just jump on

0:20:14.480 --> 0:20:17.320
<v Speaker 1>the first thing that comes to us. You know, I

0:20:17.440 --> 0:20:20.479
<v Speaker 1>believe I even see now you know, deals that are

0:20:20.560 --> 0:20:23.160
<v Speaker 1>that are presented to certain artists and we just expected

0:20:23.240 --> 0:20:26.400
<v Speaker 1>to just take, you know, the first thing that that's

0:20:26.440 --> 0:20:28.760
<v Speaker 1>a turned down three to five meal till I mean,

0:20:29.080 --> 0:20:30.439
<v Speaker 1>were you and you at I mean, you ain't had

0:20:30.520 --> 0:20:32.360
<v Speaker 1>no money till man, you know that thing you'll tip

0:20:32.359 --> 0:20:34.880
<v Speaker 1>you eat them? King bottom of Little Cornplex hadn't listened.

0:20:34.920 --> 0:20:37.000
<v Speaker 1>He fol turned it down three that they they take

0:20:37.040 --> 0:20:38.960
<v Speaker 1>it three and five thousand. You know what I'm saying,

0:20:39.000 --> 0:20:41.240
<v Speaker 1>Like three to five five That's what I've seen deals.

0:20:41.320 --> 0:20:45.720
<v Speaker 1>I've seen deals like yeah, they offered the day they signed,

0:20:45.760 --> 0:20:48.960
<v Speaker 1>the way they write some perpetuity for like five teen

0:20:49.280 --> 0:20:52.840
<v Speaker 1>you know, just like tendish paper. You know what I'm saying,

0:20:53.440 --> 0:20:57.040
<v Speaker 1>And I'm not criticizing right, because some of those deals

0:20:57.119 --> 0:20:59.760
<v Speaker 1>go on to support some of the largest, most successful,

0:20:59.800 --> 0:21:03.879
<v Speaker 1>most kind of artists that this industry is known. Uh,

0:21:04.680 --> 0:21:07.399
<v Speaker 1>but you just got to believe that that that if

0:21:07.480 --> 0:21:10.320
<v Speaker 1>somebody offering you this money, they gotta think you worth.

0:21:10.480 --> 0:21:13.080
<v Speaker 1>It's obviously working. You know what I'm saying. Anybody getting

0:21:13.119 --> 0:21:15.360
<v Speaker 1>away free money exa one thing people ain't getting away

0:21:15.400 --> 0:21:17.200
<v Speaker 1>free money exactly. You wear a lot of free things

0:21:17.480 --> 0:21:19.240
<v Speaker 1>for money. You ever seen somebody like, hey, I didn't

0:21:19.240 --> 0:21:25.600
<v Speaker 1>even know free samples the mixtape in the mixtape game,

0:21:25.720 --> 0:21:27.960
<v Speaker 1>you you mentioned you gotta go to Savannah, you gotta

0:21:28.000 --> 0:21:30.640
<v Speaker 1>go to Columbius, you gotta go to Columbia, South Carolina,

0:21:30.880 --> 0:21:33.680
<v Speaker 1>you gotta go to all these little small so now

0:21:33.800 --> 0:21:36.000
<v Speaker 1>you gotta put miles on the car and you gotta

0:21:36.040 --> 0:21:39.440
<v Speaker 1>pass it out because it's world of mouth. Yeah, what

0:21:39.680 --> 0:21:41.720
<v Speaker 1>was that for you? Like? Damn if this thing I

0:21:41.720 --> 0:21:43.760
<v Speaker 1>stul hope this payo offf man, I ain't never even

0:21:43.840 --> 0:21:46.560
<v Speaker 1>think about it. I enjoyed the precess, I enjoyed the journey.

0:21:46.680 --> 0:21:50.119
<v Speaker 1>I had fun, like you know, it was. It was

0:21:50.200 --> 0:21:52.560
<v Speaker 1>sort of like when you was in college, go out

0:21:52.600 --> 0:21:57.360
<v Speaker 1>from game to game together, enjoyed to come right aready,

0:21:57.680 --> 0:22:01.480
<v Speaker 1>the teammates you enjoyed, you know, going in another town

0:22:01.680 --> 0:22:04.560
<v Speaker 1>and receiving the energy from the people who act to

0:22:04.600 --> 0:22:06.959
<v Speaker 1>whether it's positive or negative, you know what I'm saying, right,

0:22:07.119 --> 0:22:09.560
<v Speaker 1>whether it's the love or the other side, right, you know,

0:22:09.840 --> 0:22:11.960
<v Speaker 1>it's all just it's it's it's a it's a a

0:22:12.080 --> 0:22:15.959
<v Speaker 1>part of the journey that we appreciate. And I never

0:22:16.080 --> 0:22:18.960
<v Speaker 1>even thought about whether or not it we would pay out.

0:22:19.000 --> 0:22:21.920
<v Speaker 1>I was just like, man, I just want these people

0:22:21.920 --> 0:22:23.600
<v Speaker 1>who heal with that, who who heal what we got

0:22:23.680 --> 0:22:25.600
<v Speaker 1>to say. I just want them to I want him

0:22:25.640 --> 0:22:28.240
<v Speaker 1>to receive it properly, right, I want him to receive

0:22:28.320 --> 0:22:33.520
<v Speaker 1>the the art the way we intend. You know, it

0:22:33.680 --> 0:22:39.119
<v Speaker 1>was never Affodward thought about I hope we get rich

0:22:39.200 --> 0:22:41.240
<v Speaker 1>off of this, right like that. Right. Money was never

0:22:41.760 --> 0:22:44.160
<v Speaker 1>we want the money because it takes money to make money.

0:22:44.200 --> 0:22:50.520
<v Speaker 1>But man, it we always operated on principle. Man, we

0:22:50.640 --> 0:22:53.359
<v Speaker 1>really always wanted the opportunity that had let more and

0:22:53.440 --> 0:22:55.080
<v Speaker 1>more people hear what we got to say, because we

0:22:55.160 --> 0:22:57.359
<v Speaker 1>knew once they hid, they were gonna fuck with it.

0:22:57.960 --> 0:23:00.240
<v Speaker 1>DJ Drama made the big return in twenty twenty too.

0:23:00.680 --> 0:23:04.000
<v Speaker 1>He's obviously one of the greatest DJs. How did you

0:23:04.119 --> 0:23:06.520
<v Speaker 1>end up? How did you meet DJ Dramma and how

0:23:06.560 --> 0:23:09.080
<v Speaker 1>did you this thing go for? Well? Between you two

0:23:09.280 --> 0:23:13.520
<v Speaker 1>m I believe Jason introduced me to Drama. I don't

0:23:13.560 --> 0:23:17.119
<v Speaker 1>recall exactly how they met. I know drum you know,

0:23:17.200 --> 0:23:20.439
<v Speaker 1>spent a lot of time in Atlanta at the AU.

0:23:21.119 --> 0:23:23.480
<v Speaker 1>He went to Clark. Yeah. Yeah, they don't know about

0:23:23.480 --> 0:23:30.639
<v Speaker 1>the Brown Morris Brown making a just uh incredible return.

0:23:30.960 --> 0:23:33.399
<v Speaker 1>They just got their creditation back. Yeah. Yeah, got a

0:23:33.440 --> 0:23:37.720
<v Speaker 1>phenomenal a phenomenal president down there working. They working, they move.

0:23:37.920 --> 0:23:39.399
<v Speaker 1>But anyway, so he spent a lot of time at

0:23:39.440 --> 0:23:45.240
<v Speaker 1>AU and him and and and Uh and DJ Cannon

0:23:45.400 --> 0:23:47.920
<v Speaker 1>and since in them they were putting the crew together

0:23:48.000 --> 0:23:50.639
<v Speaker 1>and they started like just DJ and and doing mixtapes.

0:23:50.920 --> 0:23:53.560
<v Speaker 1>He caught me in the freestyle on the mixtape. Okay,

0:23:53.760 --> 0:23:58.880
<v Speaker 1>and have that ever happened before? Yeah? Here and there? Okay, yeah,

0:23:58.960 --> 0:24:01.439
<v Speaker 1>mostly in New York though what wasten in New York

0:24:01.600 --> 0:24:03.080
<v Speaker 1>was one of the first time. Man, it happened in

0:24:03.119 --> 0:24:05.520
<v Speaker 1>the left okay, you know. Uh, so I came in

0:24:05.640 --> 0:24:07.760
<v Speaker 1>a freestyle and then I I said King of the

0:24:07.800 --> 0:24:10.280
<v Speaker 1>South and the freestyle and he kind of raised his

0:24:10.359 --> 0:24:13.399
<v Speaker 1>head like whoa, what what is that? What'd you say?

0:24:13.480 --> 0:24:16.960
<v Speaker 1>I said, you heard what I said? You heard what

0:24:17.040 --> 0:24:20.320
<v Speaker 1>I said? And you know, we just had a conversation

0:24:20.359 --> 0:24:23.680
<v Speaker 1>about that and he gave me like, okay, you know

0:24:23.800 --> 0:24:27.640
<v Speaker 1>one of them, and I think that became the first

0:24:27.680 --> 0:24:32.200
<v Speaker 1>gangster grills. Right, I'm not gonna step I'm looking so

0:24:32.600 --> 0:24:34.760
<v Speaker 1>the DJ in twenty twenty two, like I said, DJ

0:24:34.920 --> 0:24:38.119
<v Speaker 1>Drama worked with Tyler creator Jack Harlow, A little easy bird, Jeez,

0:24:38.480 --> 0:24:42.600
<v Speaker 1>j Cole, when you and I'm looking at your your

0:24:42.680 --> 0:24:48.720
<v Speaker 1>collab bro Hold three Stacks, kend you, Lamarm Rock, Courage,

0:24:48.760 --> 0:24:51.520
<v Speaker 1>Jamie Foxx, Justin, timber Lake, Drake Usher, Lady gard Goat,

0:24:51.520 --> 0:24:55.680
<v Speaker 1>Bridget Sperits two Chain, Future, newly A Fat Rock, Luda, Jeez,

0:24:55.920 --> 0:24:59.760
<v Speaker 1>Little Wayne, Rihanna, Mary Jake, Damn dude, I mean what

0:25:00.040 --> 0:25:03.960
<v Speaker 1>what It's been twenty one years. But when they call, okay, Paul,

0:25:07.200 --> 0:25:10.640
<v Speaker 1>who I want you on this? Right? We I want

0:25:10.680 --> 0:25:13.200
<v Speaker 1>you on this? So so what what? Who was the

0:25:13.280 --> 0:25:16.399
<v Speaker 1>first big guy, a big person to call you and

0:25:16.440 --> 0:25:19.240
<v Speaker 1>say I need you on this feature? Man probably desting

0:25:19.320 --> 0:25:25.320
<v Speaker 1>the child, probably desting the child for soldier. That's probably

0:25:25.400 --> 0:25:28.160
<v Speaker 1>one of the biggest features I remember getting the call

0:25:28.320 --> 0:25:32.000
<v Speaker 1>for Okay, okay, they call this they we want you

0:25:32.040 --> 0:25:34.280
<v Speaker 1>on this feature. So what's going through your mind? Now?

0:25:36.440 --> 0:25:39.560
<v Speaker 1>We on the way? What we going? But you know

0:25:39.720 --> 0:25:41.879
<v Speaker 1>me now you want me do it? Now? You know

0:25:42.440 --> 0:25:46.000
<v Speaker 1>I was excited. I was excited, man, just especially because man,

0:25:46.080 --> 0:25:49.560
<v Speaker 1>we grew up listening to records, you know. Uh. I

0:25:49.680 --> 0:25:54.359
<v Speaker 1>remember waiting to hear the Bone Thugs and hum In

0:25:54.440 --> 0:25:57.080
<v Speaker 1>It and Biggie record, right. I remember hearing like a

0:25:57.080 --> 0:25:59.080
<v Speaker 1>snippet you couldn't wait to hear the whole song. I

0:25:59.240 --> 0:26:04.359
<v Speaker 1>remember here hearing UH the Scarface Tupac record. I remember

0:26:04.840 --> 0:26:09.720
<v Speaker 1>hearing Uh California Love with Drean Park. I remember hearing

0:26:09.760 --> 0:26:11.840
<v Speaker 1>two of America mo wan It with Snoop and Park.

0:26:12.720 --> 0:26:16.639
<v Speaker 1>I remember hearing H the record with with with Big

0:26:16.760 --> 0:26:20.359
<v Speaker 1>and Jay and just so many collaborations, and I remember

0:26:20.400 --> 0:26:24.240
<v Speaker 1>the energy, you know, like eug K and Jay, z

0:26:24.520 --> 0:26:28.359
<v Speaker 1>u g K and outcre EUGK and UH and c Murder.

0:26:28.880 --> 0:26:32.000
<v Speaker 1>Like I just remember waiting to hear this music because

0:26:32.040 --> 0:26:35.720
<v Speaker 1>I I appreciated these collaborations so much so when people

0:26:35.760 --> 0:26:37.960
<v Speaker 1>called me to collaborate, I just want to create that

0:26:38.080 --> 0:26:40.600
<v Speaker 1>moment right for the listener, like you know, like that

0:26:40.720 --> 0:26:43.160
<v Speaker 1>mumore create it for me. You want them to feel

0:26:43.359 --> 0:26:45.400
<v Speaker 1>when they hear you on a feature like you felt

0:26:45.440 --> 0:26:49.399
<v Speaker 1>when you heard those other guys on the feature Never Scared,

0:26:49.480 --> 0:26:52.600
<v Speaker 1>Bone Crushing. That was really the one, that first one.

0:26:53.040 --> 0:26:54.800
<v Speaker 1>That was the one that like, okay, the first one

0:26:55.920 --> 0:26:59.920
<v Speaker 1>this TI yeah yeah, well actually it was one before that,

0:27:00.080 --> 0:27:02.920
<v Speaker 1>probably nobody probably never heard. It was an R and

0:27:02.960 --> 0:27:07.160
<v Speaker 1>B group called co Ed. Okay, there was a signed too.

0:27:07.800 --> 0:27:12.440
<v Speaker 1>If I'm not mistaken, I think, uh whitfield label. Okay,

0:27:12.760 --> 0:27:14.920
<v Speaker 1>you know what I'm saying. And I was at work,

0:27:15.000 --> 0:27:16.800
<v Speaker 1>yeah past where I was working. I would working at

0:27:16.840 --> 0:27:19.560
<v Speaker 1>pass work and happened to have a label. They heard

0:27:19.640 --> 0:27:22.760
<v Speaker 1>me coming up. It was like look, quiet rumbling and

0:27:22.800 --> 0:27:24.480
<v Speaker 1>they were like, man, let me get this gap real

0:27:24.600 --> 0:27:27.080
<v Speaker 1>early while I could just slide him a quick fifteen

0:27:27.200 --> 0:27:29.520
<v Speaker 1>hundred and get him on that. That was my first

0:27:29.560 --> 0:27:33.920
<v Speaker 1>paid feature. Right, you call yourself the King of the South.

0:27:34.040 --> 0:27:35.639
<v Speaker 1>Now you know when you call yourself the king or

0:27:35.680 --> 0:27:41.320
<v Speaker 1>anything down now it had listen, call earned the right

0:27:41.400 --> 0:27:45.200
<v Speaker 1>the car. But you already know where to come with that.

0:27:45.280 --> 0:27:50.000
<v Speaker 1>Now you give yourself a title. Pressure, Yeah, it's gonna

0:27:50.000 --> 0:27:53.000
<v Speaker 1>either bus pipes or make damn right it made dam

0:27:56.960 --> 0:27:59.280
<v Speaker 1>so well. So when you call yourself the king of

0:27:59.359 --> 0:28:00.960
<v Speaker 1>the South, and you know, there's some heavy hills in

0:28:01.000 --> 0:28:03.840
<v Speaker 1>the eight because it come back, I mean like during

0:28:03.840 --> 0:28:06.000
<v Speaker 1>the nineties, and that was that way that started coming

0:28:06.080 --> 0:28:08.399
<v Speaker 1>you yourself and the and the and the luders and

0:28:08.440 --> 0:28:10.120
<v Speaker 1>the tis, and to get them and not to get

0:28:10.160 --> 0:28:13.679
<v Speaker 1>them a good m Yeah, all you sleeping brown, all

0:28:13.720 --> 0:28:15.879
<v Speaker 1>you guys started coming. It's like, all right, and you

0:28:16.040 --> 0:28:18.640
<v Speaker 1>say I'm the king of the y'all know what. Let's

0:28:18.640 --> 0:28:20.359
<v Speaker 1>see this is the thing. So like a lot of

0:28:20.480 --> 0:28:26.600
<v Speaker 1>common misconception is taking place because we're all we're always

0:28:26.760 --> 0:28:30.920
<v Speaker 1>meet luder Jez. We're always kind of grouped in the

0:28:31.080 --> 0:28:36.160
<v Speaker 1>class before us, right with like uh, sleeping brown, good

0:28:36.920 --> 0:28:39.920
<v Speaker 1>outcasts and so on and so forth. Those are I

0:28:40.040 --> 0:28:42.360
<v Speaker 1>would pred ourselves, right, you see what I'm saying there,

0:28:42.720 --> 0:28:45.360
<v Speaker 1>Like they came before us and opened the door for us.

0:28:46.000 --> 0:28:51.280
<v Speaker 1>But we were a whole nother class meeting luded Jez gucci,

0:28:51.400 --> 0:28:55.040
<v Speaker 1>Like we were a whole other class. Uh. And and

0:28:55.360 --> 0:28:57.280
<v Speaker 1>when I came and said King of the South, it

0:28:57.480 --> 0:29:00.760
<v Speaker 1>was never you know, it wasn't about this. It wasn't

0:29:00.760 --> 0:29:03.840
<v Speaker 1>by their respect, but it like but it wasn't against.

0:29:03.880 --> 0:29:06.520
<v Speaker 1>I spoke to just about everybody that I had access

0:29:06.600 --> 0:29:09.640
<v Speaker 1>to that came from the class before me. I spoke

0:29:09.760 --> 0:29:13.719
<v Speaker 1>the big boy Andre three K. I all looked at

0:29:13.800 --> 0:29:20.400
<v Speaker 1>him up. I spoke to uh Scarface Bundy, who passed

0:29:20.480 --> 0:29:22.960
<v Speaker 1>message to PEMPC. He was he was locked up at

0:29:23.000 --> 0:29:26.040
<v Speaker 1>the time, eight ball m and I spoke to all

0:29:26.120 --> 0:29:28.160
<v Speaker 1>of him right, asked a man, how do you feel

0:29:28.720 --> 0:29:31.200
<v Speaker 1>about me calling myself the king of theself just out

0:29:31.240 --> 0:29:34.480
<v Speaker 1>of respect? Right? And everybody tell me, man, go on here, man,

0:29:34.680 --> 0:29:37.960
<v Speaker 1>do what you feel right because they knew I was cold, right, Uh.

0:29:38.120 --> 0:29:40.680
<v Speaker 1>And they they they kind of they kind of seen

0:29:40.720 --> 0:29:43.160
<v Speaker 1>a lot of theirselfs in me. I remember Scarface saying

0:29:43.200 --> 0:29:45.120
<v Speaker 1>something like, man, you can have it. I don't want

0:29:45.160 --> 0:29:48.520
<v Speaker 1>to be king, you know what I'm saying? And and uh,

0:29:48.880 --> 0:29:51.120
<v Speaker 1>I remember three K Andred three thousand. He was like,

0:29:51.840 --> 0:29:55.360
<v Speaker 1>so what does it mean to be king? Really? Let

0:29:55.480 --> 0:29:57.800
<v Speaker 1>you say king? Like, what does it really mean to

0:29:57.920 --> 0:30:02.040
<v Speaker 1>be king? And h I remember a big Bud telling it, man,

0:30:02.320 --> 0:30:04.080
<v Speaker 1>now you know you say you're gonna be king? Can't

0:30:04.080 --> 0:30:08.480
<v Speaker 1>be looking for no favors? Now, I'm like, yeah, but

0:30:08.560 --> 0:30:10.440
<v Speaker 1>you're okay with it though, right? I don't care what

0:30:10.560 --> 0:30:13.280
<v Speaker 1>they feel like you straight though, right? And but he

0:30:13.400 --> 0:30:15.920
<v Speaker 1>said something real like, you know, he basically told me

0:30:15.920 --> 0:30:17.440
<v Speaker 1>you're gonna be putting the bulls down on your back.

0:30:17.440 --> 0:30:19.680
<v Speaker 1>You might become a target, right, you say, you king?

0:30:19.800 --> 0:30:21.800
<v Speaker 1>You know the game. The name of the game and

0:30:21.920 --> 0:30:24.200
<v Speaker 1>chance is to kill of the king, right, And you

0:30:24.280 --> 0:30:26.880
<v Speaker 1>know I came to find that to be exactly the case.

0:30:27.640 --> 0:30:29.320
<v Speaker 1>But I just let everybody else know that it was

0:30:29.360 --> 0:30:31.480
<v Speaker 1>okay to say they was king, right, you know what

0:30:31.520 --> 0:30:34.440
<v Speaker 1>I'm saying. I ain't say I was the only king, right?

0:30:34.760 --> 0:30:36.280
<v Speaker 1>I was your first one? Yeah. I was just the

0:30:36.320 --> 0:30:37.640
<v Speaker 1>one to let you know that this okay to call

0:30:37.680 --> 0:30:40.840
<v Speaker 1>yourself did I'm looking at it? Definitely Child Soldier with

0:30:40.920 --> 0:30:43.160
<v Speaker 1>Little Wayne Robin Thick blurred lines in the for real

0:30:43.200 --> 0:30:45.480
<v Speaker 1>way of pique. The number one were taken over. I

0:30:45.600 --> 0:30:49.480
<v Speaker 1>love that. Fat Joe, Rick, Roth Bird, Wayne and Fwaggle

0:30:49.520 --> 0:30:53.320
<v Speaker 1>like Us featuring Kanye Hold a little Wayne, what's your

0:30:53.360 --> 0:30:55.880
<v Speaker 1>favorite feature? I can't say you ain't got one, but

0:30:55.960 --> 0:30:58.240
<v Speaker 1>now yes I can. The one feature in my son

0:30:58.400 --> 0:31:01.160
<v Speaker 1>the Money that would produce I must's kind of family

0:31:01.240 --> 0:31:05.080
<v Speaker 1>connect off of the Libra album. That's that's got to

0:31:05.160 --> 0:31:08.040
<v Speaker 1>be my favorite. I can't even cap when you on

0:31:08.240 --> 0:31:10.320
<v Speaker 1>a track, you on a feature and you got hold

0:31:10.360 --> 0:31:13.240
<v Speaker 1>and you got bird, well, you got somebody. It's kind

0:31:13.240 --> 0:31:14.440
<v Speaker 1>of like when we go to the Pro Bowl, you

0:31:14.520 --> 0:31:16.000
<v Speaker 1>go to the All Star Game. I gotta let you

0:31:16.040 --> 0:31:17.720
<v Speaker 1>know where I'm here. That's right now. I gotta let

0:31:17.800 --> 0:31:19.640
<v Speaker 1>y'all know where I'm on this feature now. So hey,

0:31:19.800 --> 0:31:23.760
<v Speaker 1>I just just so we know, yeah, I do this now. Yeah,

0:31:23.880 --> 0:31:28.760
<v Speaker 1>it's kind of getting in the blender. Hold you know.

0:31:29.760 --> 0:31:31.800
<v Speaker 1>I mean you're here like we easy. Don't write in

0:31:31.920 --> 0:31:34.440
<v Speaker 1>thing down? Hold down, writing thing down? You go. I mean,

0:31:34.480 --> 0:31:35.800
<v Speaker 1>I don't know how you do it? Do you write

0:31:35.800 --> 0:31:38.600
<v Speaker 1>things I've done? I'm ambidextrous. Okay, you know what I'm saying.

0:31:38.640 --> 0:31:41.520
<v Speaker 1>I've done it both ways. I uh but it was

0:31:41.560 --> 0:31:48.200
<v Speaker 1>healthy competition, absolutely absolutely. I uh so I went through

0:31:48.240 --> 0:31:49.960
<v Speaker 1>a period. And it depends on what type of song

0:31:50.000 --> 0:31:51.920
<v Speaker 1>we're trying to me right. You know, we make son

0:31:52.080 --> 0:31:55.760
<v Speaker 1>like you don't know me, make songs like twenty folds,

0:31:56.120 --> 0:32:00.120
<v Speaker 1>songs like uh even bring them out, you know what

0:32:00.120 --> 0:32:03.480
<v Speaker 1>I'm saying. Certain songs or more about divide right and

0:32:03.680 --> 0:32:07.680
<v Speaker 1>and and the flow, the cadence, you know, and it's

0:32:07.720 --> 0:32:10.680
<v Speaker 1>not as wordy like you know, songs that I actually

0:32:10.720 --> 0:32:14.280
<v Speaker 1>wrote down was like live your Life. Yeah, uh, you know,

0:32:14.840 --> 0:32:18.400
<v Speaker 1>just other more meticulous flow. You know, I had to

0:32:18.520 --> 0:32:21.280
<v Speaker 1>kind of take pen to paper. You know, it just depends.

0:32:21.360 --> 0:32:23.080
<v Speaker 1>I can't I can't think of talk my head the

0:32:23.160 --> 0:32:26.640
<v Speaker 1>one you did with justin timber Lake, My Love? Is

0:32:26.680 --> 0:32:29.360
<v Speaker 1>it My Love? Or Dead and Gone? Yeah They're gone? Okay, Yeah,

0:32:29.520 --> 0:32:33.120
<v Speaker 1>yeah they gone? Is that a different vibe? Dead and gone?

0:32:33.240 --> 0:32:35.240
<v Speaker 1>As opposed to being on something with Kanye in a

0:32:35.320 --> 0:32:39.320
<v Speaker 1>little Wayne It is. It's more reflective, you know, it's

0:32:39.400 --> 0:32:43.680
<v Speaker 1>more reflective and and and and it pulls from past experiences,

0:32:44.360 --> 0:32:48.680
<v Speaker 1>and it's definitely something that takes more time, more energy,

0:32:50.200 --> 0:32:54.719
<v Speaker 1>and it just it has to have more intention, right.

0:32:54.840 --> 0:33:00.520
<v Speaker 1>You know, most times when we when we put words

0:33:00.840 --> 0:33:08.000
<v Speaker 1>to music, we're really kind of capturing a vibey like

0:33:08.800 --> 0:33:11.560
<v Speaker 1>this is telling a story. We're trying to kind of

0:33:11.600 --> 0:33:14.680
<v Speaker 1>I'm trying to to deliver a message, right, Yeah, I mean,

0:33:14.800 --> 0:33:16.680
<v Speaker 1>and it's a little bit different, So I take it.

0:33:16.760 --> 0:33:22.280
<v Speaker 1>I take a different approach everybody probably now the two

0:33:22.360 --> 0:33:25.520
<v Speaker 1>people that everybody wants to get on a feature huh

0:33:25.680 --> 0:33:29.560
<v Speaker 1>whole uh weezing, Right, you have both of them how

0:33:29.600 --> 0:33:31.120
<v Speaker 1>do how do you pick up the phone if it hoole,

0:33:31.200 --> 0:33:36.800
<v Speaker 1>I need you, I need you because they not they

0:33:36.920 --> 0:33:39.680
<v Speaker 1>not picking they not they not calling everybody back. They're

0:33:39.680 --> 0:33:42.720
<v Speaker 1>not picking up the phone for everybody. Yeah, I think bruh,

0:33:44.360 --> 0:33:47.280
<v Speaker 1>it was a moment in time. It was. It wasn't

0:33:47.320 --> 0:33:49.920
<v Speaker 1>really more I need you in man, they get it

0:33:50.000 --> 0:33:52.920
<v Speaker 1>to the people right now. True enough, I did need them.

0:33:55.840 --> 0:33:58.480
<v Speaker 1>You know. However, I feel like, you know, if I

0:33:58.600 --> 0:34:01.840
<v Speaker 1>presented to something that's mutual advantageous for both for both

0:34:01.920 --> 0:34:05.040
<v Speaker 1>of us, and it's something to celebrate you know each

0:34:05.120 --> 0:34:08.960
<v Speaker 1>other and get the fans what they want to see. Uh,

0:34:09.200 --> 0:34:12.160
<v Speaker 1>that's a different conversation than just having a one way

0:34:12.239 --> 0:34:14.879
<v Speaker 1>conversation that me just need you. You know what I'm saying.

0:34:14.960 --> 0:34:17.520
<v Speaker 1>You can ask your question. And relationships, Yeah, yeah, you

0:34:17.600 --> 0:34:20.359
<v Speaker 1>build great relationships because down the road they might need

0:34:20.400 --> 0:34:22.680
<v Speaker 1>you and hey, I need this. I try to beat

0:34:22.719 --> 0:34:24.680
<v Speaker 1>there whenever the people need me, man, and that that

0:34:24.840 --> 0:34:26.960
<v Speaker 1>that have been there for me. I try to reciprocate,

0:34:27.640 --> 0:34:30.520
<v Speaker 1>you know, all levels of of of positive energy. I

0:34:30.680 --> 0:34:38.320
<v Speaker 1>can let me put in some sports context, if Michael Jordan,

0:34:39.040 --> 0:34:41.520
<v Speaker 1>let's just say Michael Jordan, because Lebron is still playing right,

0:34:42.680 --> 0:34:47.040
<v Speaker 1>every current player like man, Mike, that's Mike. Yeah. Hold.

0:34:47.400 --> 0:34:50.480
<v Speaker 1>Do artists feel that way when they meet whole like

0:34:50.680 --> 0:34:53.200
<v Speaker 1>people feel like the NBA players feel like when they

0:34:53.239 --> 0:34:57.439
<v Speaker 1>meet Jordan. It's hard to say, I'm gonna tell you something,

0:34:57.600 --> 0:35:01.719
<v Speaker 1>And it really difficult because although I was introducing the

0:35:01.800 --> 0:35:04.440
<v Speaker 1>world a rep, although I was you know, I I

0:35:04.719 --> 0:35:09.000
<v Speaker 1>I value my presence in position in the world a

0:35:09.440 --> 0:35:13.719
<v Speaker 1>rapid help. I just feel like that's my introduction, and

0:35:13.800 --> 0:35:16.560
<v Speaker 1>I had so much more going on, right, and I

0:35:16.800 --> 0:35:19.920
<v Speaker 1>I kind of divide my my elfas energy and attention.

0:35:21.160 --> 0:35:26.799
<v Speaker 1>So I don't know if I am looked at as

0:35:26.960 --> 0:35:29.960
<v Speaker 1>a second coming of anything because of how much other

0:35:30.040 --> 0:35:32.719
<v Speaker 1>stuff I do, right, the amount of attention that I

0:35:32.880 --> 0:35:37.600
<v Speaker 1>paid to the actual music portion or my career. Uh,

0:35:37.680 --> 0:35:39.640
<v Speaker 1>I don't know where they placed that, cause I don't

0:35:39.680 --> 0:35:42.480
<v Speaker 1>know how many other people who do the same amount

0:35:42.520 --> 0:35:45.160
<v Speaker 1>of other things that I do right, uh at this

0:35:45.400 --> 0:35:48.520
<v Speaker 1>present moment in my career. Uh. At one time, I

0:35:48.560 --> 0:35:51.040
<v Speaker 1>would call it the jay z or theself you know,

0:35:51.440 --> 0:35:53.680
<v Speaker 1>and and that was that was a a a a

0:35:54.000 --> 0:35:59.040
<v Speaker 1>phrase that was coined by for real. I I see myself,

0:35:59.360 --> 0:36:02.960
<v Speaker 1>you know, uh, like as a hybrid a hybrid kind

0:36:03.000 --> 0:36:13.360
<v Speaker 1>of between I guess Jay Park, uh Puff and and

0:36:13.600 --> 0:36:18.160
<v Speaker 1>like uh a snoop, you know what I'm saying, sort

0:36:18.200 --> 0:36:23.160
<v Speaker 1>of like, you know, I kind of hop yeah, and

0:36:23.239 --> 0:36:26.320
<v Speaker 1>I take pages out of the Book of Legends. And

0:36:26.400 --> 0:36:30.960
<v Speaker 1>I've been fortunate enough and and and just blessed enough

0:36:31.080 --> 0:36:33.279
<v Speaker 1>to be able to have the relationship where I could

0:36:33.320 --> 0:36:36.919
<v Speaker 1>sit and engage and and soak up game with people

0:36:37.040 --> 0:36:39.600
<v Speaker 1>like Efted, people like Too Short, people like i Q,

0:36:40.000 --> 0:36:43.360
<v Speaker 1>people like master P, people like Jay Print, people like

0:36:43.480 --> 0:36:46.520
<v Speaker 1>Russell Simmon, people like Puff, people like Jay You know

0:36:46.560 --> 0:36:48.960
<v Speaker 1>what I mean, I'm able to soak their game up,

0:36:49.440 --> 0:36:51.200
<v Speaker 1>so I could just take a page out of the

0:36:51.280 --> 0:36:55.080
<v Speaker 1>book when necessary, you know what I'm saying. Uh And

0:36:55.280 --> 0:36:58.200
<v Speaker 1>And I don't have to anything exactly. I don't have

0:36:58.320 --> 0:37:01.160
<v Speaker 1>to just settle in one shadow, right, Yeah, I mean

0:37:01.840 --> 0:37:05.280
<v Speaker 1>I can hop in and that of as as needed

0:37:05.400 --> 0:37:07.799
<v Speaker 1>for mine, for my career, and I feel like that's

0:37:07.800 --> 0:37:10.200
<v Speaker 1>what I've been blessed and able to do, fortunate enough.

0:37:10.320 --> 0:37:11.920
<v Speaker 1>I'm looking at some of the producers you work with

0:37:12.080 --> 0:37:15.960
<v Speaker 1>for real, Williams, Kanye, Doctor Dre Javie Faye ATLS on

0:37:16.360 --> 0:37:20.600
<v Speaker 1>Swizz Beats, and then you look at doctor Dre Right. Uh,

0:37:21.280 --> 0:37:23.000
<v Speaker 1>all these guys with doctor Dre. When it comes to

0:37:23.160 --> 0:37:26.200
<v Speaker 1>with it color the producers, right, d D D d

0:37:26.400 --> 0:37:29.759
<v Speaker 1>R E. Is is it right? What are some of

0:37:29.800 --> 0:37:32.000
<v Speaker 1>the similarities and what are some of the differences, Like

0:37:32.160 --> 0:37:34.279
<v Speaker 1>when you go into the studio, then you know what

0:37:34.400 --> 0:37:36.759
<v Speaker 1>to expect when to each individual guy. When you go

0:37:36.800 --> 0:37:38.920
<v Speaker 1>into a studio, say with Jazz Paye or Swizz or

0:37:39.320 --> 0:37:42.239
<v Speaker 1>Dre or any of those guys, what's your expectations and

0:37:42.320 --> 0:37:45.200
<v Speaker 1>then what are the expectations that they have for you? Well,

0:37:45.200 --> 0:37:47.480
<v Speaker 1>I go into it with more of an appreciation than

0:37:47.560 --> 0:37:50.600
<v Speaker 1>I do an expectation. You know what I'm saying. Uh,

0:37:51.360 --> 0:37:54.600
<v Speaker 1>I just appreciate the opportunity to be working amongst the elite,

0:37:54.880 --> 0:37:58.279
<v Speaker 1>right you did? And the list that you name, I mean,

0:37:58.360 --> 0:38:02.320
<v Speaker 1>I value, respect and and appreciate all of from the

0:38:02.400 --> 0:38:04.560
<v Speaker 1>top to the bottom of that list. But I can't

0:38:04.920 --> 0:38:10.560
<v Speaker 1>move forward talking about producers without acknowledging. Uh. DJ took right,

0:38:10.760 --> 0:38:12.960
<v Speaker 1>because that's you know, that's the guy who was the

0:38:13.160 --> 0:38:17.400
<v Speaker 1>very very very first professionally, you know, to come in

0:38:17.560 --> 0:38:19.480
<v Speaker 1>and say, hey, I think he don't take me under

0:38:19.520 --> 0:38:21.440
<v Speaker 1>here wing give me his beats, and I kind of

0:38:21.480 --> 0:38:24.840
<v Speaker 1>introduced me to the world. So that's my doctor Drake. Right, Okay,

0:38:25.040 --> 0:38:28.080
<v Speaker 1>you know what I'm saying. So what we had when

0:38:28.120 --> 0:38:31.080
<v Speaker 1>we built, I think it kind of shaped and molded

0:38:32.080 --> 0:38:36.000
<v Speaker 1>a sound and a genre for generations, you know what

0:38:36.040 --> 0:38:41.759
<v Speaker 1>I mean. However, you look at Pharrell. Farrell was the

0:38:41.840 --> 0:38:46.480
<v Speaker 1>first like superstar, a list producer who would say, you

0:38:46.560 --> 0:38:48.920
<v Speaker 1>know what, I liked the guy, I'm work with him.

0:38:49.360 --> 0:38:51.319
<v Speaker 1>You know what I'm saying. I'm I'm gonna give him

0:38:51.360 --> 0:38:55.920
<v Speaker 1>access to to to my skill set, to my talents

0:38:55.960 --> 0:38:58.760
<v Speaker 1>and my efforts. Uh. He did that my first album.

0:38:58.960 --> 0:39:05.960
<v Speaker 1>And then he start to you, well, no, he said yes, okay,

0:39:06.400 --> 0:39:08.920
<v Speaker 1>you know what I'm saying. But at the same time

0:39:08.960 --> 0:39:10.680
<v Speaker 1>he said yes when he was getting a hundred some thousand,

0:39:10.719 --> 0:39:12.600
<v Speaker 1>I was a track and I couldn't afford to pay that, right,

0:39:12.960 --> 0:39:15.120
<v Speaker 1>So he had the kind of light just in the

0:39:15.200 --> 0:39:17.479
<v Speaker 1>sense of sports. He had to take a pay cup. Yeah, okay, okay,

0:39:17.480 --> 0:39:19.560
<v Speaker 1>you know what I'm saying. He had to take a

0:39:19.600 --> 0:39:20.800
<v Speaker 1>hair a cup of the thing to fit in the

0:39:20.840 --> 0:39:24.879
<v Speaker 1>candle so we could play together, you know what I'm saying.

0:39:24.920 --> 0:39:28.080
<v Speaker 1>And he was gracious enough to do that, uh, time

0:39:28.120 --> 0:39:32.319
<v Speaker 1>and time and time again until we grew the track

0:39:32.600 --> 0:39:35.640
<v Speaker 1>that he was that he was getting maybe more, it's

0:39:35.680 --> 0:39:39.040
<v Speaker 1>more now, yeah, of course, hold on, he can't blank

0:39:39.120 --> 0:39:41.320
<v Speaker 1>checks at the point, so hold on. So you have

0:39:41.560 --> 0:39:44.239
<v Speaker 1>you have an album that man do twelve songs that

0:39:44.400 --> 0:39:46.919
<v Speaker 1>one point two, So I mean you better fail about

0:39:46.920 --> 0:39:51.000
<v Speaker 1>three four million, Cobby, I mean, listen, Okay, we're getting

0:39:51.040 --> 0:39:54.200
<v Speaker 1>the hell that I see. First of all, if you

0:39:54.320 --> 0:39:57.080
<v Speaker 1>get twelve track from for Real for one album, it's

0:39:57.200 --> 0:40:00.680
<v Speaker 1>usually gonna be on his label. Okay, you did. Yeah, However,

0:40:00.960 --> 0:40:03.560
<v Speaker 1>if you get two or three, you know what I'm saying,

0:40:04.840 --> 0:40:09.600
<v Speaker 1>you can expect the part ways without the consideration, Okay,

0:40:10.480 --> 0:40:13.520
<v Speaker 1>without a downward departure consideration. You could expect the part

0:40:13.560 --> 0:40:15.840
<v Speaker 1>way with about a half of me, you know what

0:40:15.920 --> 0:40:19.960
<v Speaker 1>I'm saying. Uh. And and he you know, he found

0:40:20.080 --> 0:40:23.000
<v Speaker 1>way exceptions are made for exception of circumstances. Yes, and

0:40:23.080 --> 0:40:26.600
<v Speaker 1>he found reason to make the exception. And he fitted

0:40:26.600 --> 0:40:30.400
<v Speaker 1>in my cap my first album, and we just developed

0:40:30.440 --> 0:40:33.960
<v Speaker 1>the relationship and and we've been working together ever since. Right,

0:40:35.160 --> 0:40:37.399
<v Speaker 1>And that's a that's one of the dopeing producers I've

0:40:37.400 --> 0:40:40.600
<v Speaker 1>ever worked with. Jazz and fans. Well, yes, I see

0:40:40.640 --> 0:40:44.000
<v Speaker 1>doctor Drey Solder's catalog for two hundred plus million. Are damned?

0:40:44.040 --> 0:40:45.719
<v Speaker 1>Are you looking to get up off your catalog? No?

0:40:47.239 --> 0:40:51.560
<v Speaker 1>Well well well okay, okay, listen everything at the price.

0:40:51.880 --> 0:40:53.920
<v Speaker 1>I don't want to say that now. I think that

0:40:54.040 --> 0:40:59.320
<v Speaker 1>there are many ways to uh utilize the benefit and

0:40:59.440 --> 0:41:03.239
<v Speaker 1>manipulate your catalog. One of them is selling it out

0:41:03.360 --> 0:41:07.200
<v Speaker 1>right right, and another is licensing. Right. You can license

0:41:07.280 --> 0:41:10.600
<v Speaker 1>someone the use of your catalog for a period of time,

0:41:10.920 --> 0:41:13.799
<v Speaker 1>eased on what it's earning right now, and the same

0:41:13.880 --> 0:41:16.839
<v Speaker 1>way they do other companies, you know what I mean? Right,

0:41:17.000 --> 0:41:19.680
<v Speaker 1>if I have an interfere, you can turn into an Airbnb.

0:41:20.080 --> 0:41:23.200
<v Speaker 1>You did? I mean, like for instance? Right? So, so

0:41:23.440 --> 0:41:26.760
<v Speaker 1>if I have a let's say an intellectual property, okay,

0:41:27.080 --> 0:41:30.080
<v Speaker 1>club shah, Yeah, you own an intellectual property I do,

0:41:30.320 --> 0:41:33.440
<v Speaker 1>and all of your episodes, let's call it a hundred episodes, right,

0:41:33.719 --> 0:41:36.520
<v Speaker 1>that's under your ownership. Yeah, you can license it the

0:41:36.840 --> 0:41:40.279
<v Speaker 1>ESPN right for ten years based on what each of

0:41:40.320 --> 0:41:43.000
<v Speaker 1>these episodes have earned you over a course with an

0:41:43.040 --> 0:41:44.840
<v Speaker 1>eight X or a ten X or a half a

0:41:44.920 --> 0:41:47.319
<v Speaker 1>minute X. You can license it the Fox. You can

0:41:47.400 --> 0:41:49.640
<v Speaker 1>license it, you know what I'm saying, And you can

0:41:49.680 --> 0:41:52.520
<v Speaker 1>get the money like that and there's a reversion period.

0:41:52.800 --> 0:41:55.040
<v Speaker 1>So after that period it reverted back to you and

0:41:55.160 --> 0:41:57.000
<v Speaker 1>you get the and I can tell the point. I

0:41:57.040 --> 0:42:00.279
<v Speaker 1>can let them have it again some more something. Nah,

0:42:00.280 --> 0:42:01.520
<v Speaker 1>I won't hold on to it because I see what

0:42:01.560 --> 0:42:04.160
<v Speaker 1>y'all doing. I'm gonna do it myself. You feel me? Yes? Yeah,

0:42:04.840 --> 0:42:06.919
<v Speaker 1>so I'm on one way to skin a cat. Yeah,

0:42:06.960 --> 0:42:09.719
<v Speaker 1>you're in the Hollywood. Yeah, we're going about it all wrong.

0:42:10.760 --> 0:42:12.600
<v Speaker 1>I ain't say that because everybody got to make their

0:42:12.600 --> 0:42:15.520
<v Speaker 1>own decisions as you did. You been this man, I'm thinking.

0:42:15.600 --> 0:42:17.200
<v Speaker 1>I'm just saying, you know, but they got it. But

0:42:17.239 --> 0:42:19.040
<v Speaker 1>you gotta know what's right for you, because you know

0:42:19.080 --> 0:42:20.640
<v Speaker 1>what I'm saying. They say, Okay, we could do it

0:42:20.719 --> 0:42:24.400
<v Speaker 1>like that. You just want't fifty right now. It just

0:42:24.600 --> 0:42:31.239
<v Speaker 1>depends you did Hollywood million right now. I'm I'm ever

0:42:31.280 --> 0:42:33.160
<v Speaker 1>get up on it. I ain't gonna like time to

0:42:33.239 --> 0:42:35.480
<v Speaker 1>be about legacy. It don't be about money, you see it, Yeah,

0:42:35.480 --> 0:42:36.719
<v Speaker 1>because I don't want to be doing away with that,

0:42:36.880 --> 0:42:38.879
<v Speaker 1>you know what I mean, ce ce Cee. We don't

0:42:38.920 --> 0:42:41.560
<v Speaker 1>want people just being able to just toss us around,

0:42:41.680 --> 0:42:44.320
<v Speaker 1>right and put our face in our name and I

0:42:45.000 --> 0:42:48.640
<v Speaker 1>logos up on anything but I input, you know what

0:42:49.000 --> 0:42:51.000
<v Speaker 1>you know? And you said that because I was thinking about,

0:42:51.040 --> 0:42:53.320
<v Speaker 1>you know, my knyact. I said. Then someone asked like,

0:42:53.360 --> 0:42:55.320
<v Speaker 1>would you sell it? And I was thinking if I

0:42:55.480 --> 0:42:58.880
<v Speaker 1>sold it one of it because it's name my grandmother

0:42:58.960 --> 0:43:02.120
<v Speaker 1>La Portiers poured in and so I did. In print,

0:43:02.280 --> 0:43:05.319
<v Speaker 1>I said, so what did they took that off? There?

0:43:05.400 --> 0:43:06.960
<v Speaker 1>And then I ain't got no legacy. All I got

0:43:07.040 --> 0:43:08.640
<v Speaker 1>is this money that I made off of it. But

0:43:09.200 --> 0:43:12.080
<v Speaker 1>what I really established started this for is gone. So

0:43:12.239 --> 0:43:16.279
<v Speaker 1>what does that work? Integrity to me is more valuable.

0:43:16.600 --> 0:43:18.359
<v Speaker 1>Can't put a price on that hard and it can't

0:43:18.360 --> 0:43:21.160
<v Speaker 1>you know, I say the true measure of wealth is

0:43:21.719 --> 0:43:25.399
<v Speaker 1>by the amount of things someone has that money can't buy.

0:43:25.920 --> 0:43:28.960
<v Speaker 1>You did, yes, uh? Because some people look poor all

0:43:29.040 --> 0:43:31.759
<v Speaker 1>they have is money? Right you did? You know? How

0:43:31.880 --> 0:43:35.239
<v Speaker 1>much respect? How much family? How much love? You know

0:43:35.280 --> 0:43:38.480
<v Speaker 1>what I mean? Like, how how many priceless things do

0:43:38.640 --> 0:43:41.640
<v Speaker 1>you have? Right? I think that's you know, that's that's

0:43:41.680 --> 0:43:44.520
<v Speaker 1>what I kind of try and incorporate into my decision. Man,

0:43:44.560 --> 0:43:46.800
<v Speaker 1>I'm looking at young girls say. He recently revealed that

0:43:46.840 --> 0:43:48.960
<v Speaker 1>he spent five million on clothes and could not wear

0:43:49.000 --> 0:43:52.040
<v Speaker 1>the same thing every day for two straight years. That's

0:43:52.160 --> 0:43:56.400
<v Speaker 1>my brother. Yep, spend five million on clothes? Are you not?

0:43:56.560 --> 0:43:59.000
<v Speaker 1>No more? Oh? Not no more? Oh? I don't did it?

0:43:59.080 --> 0:44:00.680
<v Speaker 1>What was someone? I give you some of some of

0:44:00.719 --> 0:44:02.960
<v Speaker 1>the wasteful things that you spend your money on, all

0:44:03.080 --> 0:44:06.239
<v Speaker 1>kinds of stuff, man, I mean jewelry. I mean on

0:44:06.320 --> 0:44:08.040
<v Speaker 1>my twenty fifth birthday. This is something that I remember

0:44:08.120 --> 0:44:11.080
<v Speaker 1>with great detail, vividly. On my twenty fifth birthday, I

0:44:11.160 --> 0:44:17.440
<v Speaker 1>bought a estonmar Vanquish and uh uh uh a McLaren SLR.

0:44:18.040 --> 0:44:19.839
<v Speaker 1>Bought them both, had them dropped off the same time

0:44:19.960 --> 0:44:21.960
<v Speaker 1>the same day. Then they both got out there, paid

0:44:22.000 --> 0:44:24.120
<v Speaker 1>for them cash right, and then they both got out

0:44:24.600 --> 0:44:26.680
<v Speaker 1>three quarter of a mile Yeah, yeah, yeah they so.

0:44:26.920 --> 0:44:30.319
<v Speaker 1>So when they got there, When they got there, I'm

0:44:30.360 --> 0:44:32.359
<v Speaker 1>walking around them when they like, you know, they loading

0:44:32.400 --> 0:44:34.879
<v Speaker 1>them off the truck, driving them out, handing me the keys,

0:44:35.000 --> 0:44:37.920
<v Speaker 1>signed for it, and I'm signed there. I'm like, I

0:44:38.160 --> 0:44:41.000
<v Speaker 1>can't drive both of these cars at the same time

0:44:41.120 --> 0:44:43.440
<v Speaker 1>at the same time. What the hell am I gonna do?

0:44:44.320 --> 0:44:46.120
<v Speaker 1>You know? Then I told to me because my wife,

0:44:46.360 --> 0:44:49.279
<v Speaker 1>well she was my my girlfriend at the time. I said, hey,

0:44:49.520 --> 0:44:51.200
<v Speaker 1>he'll drive one of us. She said, nah, I want

0:44:51.200 --> 0:44:53.359
<v Speaker 1>to ride with you. I said, what the hell did

0:44:53.360 --> 0:44:57.080
<v Speaker 1>I just do the Remember that it was the damage. Damn,

0:44:57.080 --> 0:44:58.719
<v Speaker 1>you got two cars, but you canna drive one and

0:44:58.960 --> 0:45:01.120
<v Speaker 1>know what I'm saying. But you know it was just

0:45:01.239 --> 0:45:03.840
<v Speaker 1>our canister. I overpaid for a house. We wanted to

0:45:03.880 --> 0:45:06.120
<v Speaker 1>stay on the lake so bad. I want then this

0:45:06.280 --> 0:45:08.239
<v Speaker 1>was it. I was just proving the point. It's a

0:45:08.320 --> 0:45:11.840
<v Speaker 1>lake called Lake Spine. I've been in Atlanta, yeah, and

0:45:11.920 --> 0:45:15.600
<v Speaker 1>it's the only sports lake like within like the metro area.

0:45:16.239 --> 0:45:19.239
<v Speaker 1>And if anybody nobody Atlanta, it's it's landlocked. It is

0:45:19.320 --> 0:45:21.279
<v Speaker 1>ain't no water for a good thing. Because can you

0:45:21.320 --> 0:45:26.120
<v Speaker 1>imagine Lanta with a beach? Man, I smelled the salt water,

0:45:26.760 --> 0:45:30.160
<v Speaker 1>you know. Can you imagine when freak nig with that

0:45:30.280 --> 0:45:32.960
<v Speaker 1>if height in the nineties, if they'd had a beach,

0:45:33.280 --> 0:45:37.239
<v Speaker 1>if Peachtree was on the water. Can't you imagine if

0:45:37.280 --> 0:45:41.000
<v Speaker 1>it was No, I don't wannamagine. I don't want to imagine.

0:45:41.320 --> 0:45:43.239
<v Speaker 1>But so okay, So we wanted to stay on this

0:45:43.400 --> 0:45:47.759
<v Speaker 1>lake so bad. It was her dream to stay on

0:45:47.840 --> 0:45:50.320
<v Speaker 1>the water, to stay on the lake. And we're looking

0:45:50.360 --> 0:45:53.560
<v Speaker 1>for houses and she just you know, she was rich

0:45:53.640 --> 0:45:55.319
<v Speaker 1>before me. So you know. When I got my paper,

0:45:55.360 --> 0:45:58.879
<v Speaker 1>she showed me how to spend my money. Yeah up,

0:45:59.800 --> 0:46:02.759
<v Speaker 1>and we wanted We found this house. It was almost finished, right,

0:46:02.920 --> 0:46:04.880
<v Speaker 1>and uh we we had fell in love with it.

0:46:05.400 --> 0:46:07.800
<v Speaker 1>I had already put it in an offer. They'd accepted

0:46:07.840 --> 0:46:10.680
<v Speaker 1>our offer. We were gonna get this house. And then

0:46:11.160 --> 0:46:12.919
<v Speaker 1>I don't know if a neighbor came out and saw

0:46:13.000 --> 0:46:15.239
<v Speaker 1>us looking at it, or some some kind of way

0:46:16.280 --> 0:46:18.320
<v Speaker 1>got worried back to the owner of the seller of

0:46:18.360 --> 0:46:21.440
<v Speaker 1>the house. They wouldn't sell it to us. They like,

0:46:21.560 --> 0:46:23.000
<v Speaker 1>they just wouldn't sell it to us. I I I

0:46:23.160 --> 0:46:24.640
<v Speaker 1>don't know it cause I was a rapper, because I

0:46:24.719 --> 0:46:28.080
<v Speaker 1>was young, cause I was black, combination of all the three,

0:46:28.640 --> 0:46:30.640
<v Speaker 1>you know what I mean. But they wouldn't sell to us.

0:46:31.520 --> 0:46:33.480
<v Speaker 1>And I just saw, like, I don't know if it

0:46:33.640 --> 0:46:37.200
<v Speaker 1>was paying a disappointment or just the anguish on her faith.

0:46:37.880 --> 0:46:41.440
<v Speaker 1>I was like, man, we're gonna be on this lake now.

0:46:41.440 --> 0:46:44.120
<v Speaker 1>I wanted to be. Now I'm taking this ship perfect Yeah. Yeah, man.

0:46:44.200 --> 0:46:46.600
<v Speaker 1>We started knocking dough the dough man, I started running around,

0:46:46.640 --> 0:46:49.279
<v Speaker 1>found the house and I stayed there. We pulled up, Hey,

0:46:49.640 --> 0:46:52.759
<v Speaker 1>that would sell y'all house? And uh we found one

0:46:53.000 --> 0:46:55.320
<v Speaker 1>the one that I mean now on the lake. It

0:46:55.520 --> 0:47:01.200
<v Speaker 1>was Ah, a middle aged Indian fam well Indian man

0:47:01.360 --> 0:47:04.120
<v Speaker 1>who had a family, and he had just built the

0:47:04.200 --> 0:47:06.839
<v Speaker 1>house maybe two three years ago. He said, you want

0:47:06.920 --> 0:47:10.600
<v Speaker 1>this house? I was like, yeah, and uh I paid

0:47:10.680 --> 0:47:14.000
<v Speaker 1>him by five hundred thousand over what it would work right,

0:47:14.440 --> 0:47:16.000
<v Speaker 1>you know what I'm saying. And that was one of

0:47:16.040 --> 0:47:18.640
<v Speaker 1>the dumbest things that I've you bought Oprah, I did

0:47:18.719 --> 0:47:20.520
<v Speaker 1>that was open? Did over? What up the modesty? Know

0:47:20.560 --> 0:47:22.600
<v Speaker 1>how wasn't people say you're not on the door? The

0:47:22.760 --> 0:47:28.520
<v Speaker 1>people left? We did that? Did? I just remember looking

0:47:28.560 --> 0:47:31.080
<v Speaker 1>at him like so like like like he looking at

0:47:31.120 --> 0:47:33.239
<v Speaker 1>me like you, uh, you you really gonna give me

0:47:33.320 --> 0:47:36.239
<v Speaker 1>this much? He gave me the number like I know

0:47:36.320 --> 0:47:37.839
<v Speaker 1>it ain't gonna get it. I know he ain't gonna

0:47:37.840 --> 0:47:41.120
<v Speaker 1>give me there, right man. The folks stayed in the

0:47:41.200 --> 0:47:44.640
<v Speaker 1>hotel for three months so we could buy this house.

0:47:44.760 --> 0:47:47.439
<v Speaker 1>You feel me. That's one of the dumbest things I've done.

0:47:48.000 --> 0:47:49.680
<v Speaker 1>But I still but we had so many memories in

0:47:49.680 --> 0:47:52.200
<v Speaker 1>the house right raised the family, children grew up. It's

0:47:52.200 --> 0:47:54.319
<v Speaker 1>the house that y'all see on family Husbands. Yep, that's

0:47:54.320 --> 0:47:55.920
<v Speaker 1>what I want to talk to you about what about it?

0:47:56.040 --> 0:47:58.319
<v Speaker 1>Because you're a great family man. I see you how

0:47:58.360 --> 0:48:02.239
<v Speaker 1>you blended your family together. And it's not easy. And

0:48:02.480 --> 0:48:03.719
<v Speaker 1>that's what I want to ask you about. It's not

0:48:03.800 --> 0:48:06.560
<v Speaker 1>easy having your life play out in front of everybody

0:48:06.600 --> 0:48:08.520
<v Speaker 1>to see, cause everybody, Oh, I wouldn't do that. I

0:48:08.560 --> 0:48:10.200
<v Speaker 1>wouldn't talk to my kids. I wouldn't get this to

0:48:10.239 --> 0:48:12.239
<v Speaker 1>my kids. I wouldn't do that. I wouldn't do this. Yeah,

0:48:13.200 --> 0:48:17.240
<v Speaker 1>is it hard having your life play out for others

0:48:17.320 --> 0:48:22.360
<v Speaker 1>to judge? If you are going to be emotionally attached

0:48:22.600 --> 0:48:26.440
<v Speaker 1>to how they receive it, if you're going to have

0:48:26.719 --> 0:48:31.400
<v Speaker 1>any emotional attachment to their opinion of what you're doing,

0:48:32.280 --> 0:48:37.960
<v Speaker 1>if you gonna if you're gonna care about what they're saying. Yeah,

0:48:38.080 --> 0:48:42.640
<v Speaker 1>it's gonna be hard. Uh, But if you just kinda

0:48:44.680 --> 0:48:48.080
<v Speaker 1>take from it what you want from it, right and

0:48:48.200 --> 0:48:50.920
<v Speaker 1>if it don't apply, let it fly right and you can,

0:48:51.080 --> 0:48:53.400
<v Speaker 1>you know what I'm saying, kind of who saw yourself

0:48:54.160 --> 0:48:57.680
<v Speaker 1>outside of the public opinion? Then I think you know

0:48:58.160 --> 0:49:02.000
<v Speaker 1>because I tell you what, I have the greatest, most

0:49:02.120 --> 0:49:09.600
<v Speaker 1>extensive family photo album I can document and like I

0:49:09.680 --> 0:49:13.719
<v Speaker 1>could go back to when King was Heriss's age, I

0:49:13.760 --> 0:49:17.520
<v Speaker 1>can go back to when major was my granddaughter's age,

0:49:18.200 --> 0:49:21.640
<v Speaker 1>and I wouldn't have been able to do that if

0:49:21.680 --> 0:49:24.400
<v Speaker 1>it wasn't for family hustle. That it does come with

0:49:24.640 --> 0:49:28.759
<v Speaker 1>some you know, it's some adversity. It's some adversity to

0:49:28.840 --> 0:49:31.560
<v Speaker 1>come with that. People get in your bid. Yeah, you know,

0:49:31.840 --> 0:49:34.719
<v Speaker 1>but you're a private manor I try to be man,

0:49:34.920 --> 0:49:36.600
<v Speaker 1>you know. But at the same time, I'm not gonna

0:49:36.840 --> 0:49:39.080
<v Speaker 1>hard to be a private man in the public lightheart.

0:49:39.120 --> 0:49:40.800
<v Speaker 1>I'm not gonna live my life in a bubble for

0:49:40.920 --> 0:49:43.959
<v Speaker 1>some up because of some other person's uh, I guess

0:49:44.120 --> 0:49:48.239
<v Speaker 1>lack of awareness. Okay, you can't give people with the

0:49:48.360 --> 0:49:52.120
<v Speaker 1>least amount of information the most consideration. Okay, wow, you did?

0:49:52.840 --> 0:49:55.400
<v Speaker 1>You did? I know, you know the absolute least of me,

0:49:55.560 --> 0:49:59.520
<v Speaker 1>So why would I give you the most consideration. You know,

0:50:00.239 --> 0:50:01.960
<v Speaker 1>you're just talking about what you know, and what you

0:50:02.120 --> 0:50:05.239
<v Speaker 1>know is it's it's a it's it's it's a minutia.

0:50:06.000 --> 0:50:09.000
<v Speaker 1>I'm looking at you. The the transition atl takers get

0:50:09.160 --> 0:50:12.000
<v Speaker 1>hard identity thief and man. How were you able to

0:50:12.040 --> 0:50:15.840
<v Speaker 1>make the transition so seamlessly from being a rapper to

0:50:15.960 --> 0:50:19.160
<v Speaker 1>going on the big screen. I don't know if you

0:50:19.200 --> 0:50:24.400
<v Speaker 1>were exactly call it seamless. Uh. My first film was

0:50:24.480 --> 0:50:27.960
<v Speaker 1>atl I had the pleasure of acting in it because

0:50:28.040 --> 0:50:34.480
<v Speaker 1>you know, coming up amongst the ranks and in Atlanta,

0:50:36.560 --> 0:50:39.520
<v Speaker 1>it would bring me into the company of all of

0:50:39.600 --> 0:50:42.439
<v Speaker 1>the legends in the in the city. And I could

0:50:42.560 --> 0:50:46.680
<v Speaker 1>not meet all the legends without coming into contact with

0:50:46.800 --> 0:50:50.560
<v Speaker 1>Dallas Auston. Okay, and Dallas Austin was a huge, huge,

0:50:50.680 --> 0:50:53.960
<v Speaker 1>huge producer or something I forgot about him. Yeah. Man,

0:50:54.160 --> 0:50:58.560
<v Speaker 1>just just an incredible talent and an incredible mogul. And uh,

0:51:00.160 --> 0:51:02.480
<v Speaker 1>he was getting in the films and he had this

0:51:02.600 --> 0:51:04.840
<v Speaker 1>one film and it was I was working on my

0:51:04.880 --> 0:51:06.840
<v Speaker 1>first album. He was telling me about this first film

0:51:07.480 --> 0:51:11.239
<v Speaker 1>and you know, I was always like, yo, brou put

0:51:11.320 --> 0:51:14.040
<v Speaker 1>me in it. And he was like all right, yeah, man,

0:51:14.239 --> 0:51:16.759
<v Speaker 1>say less and he sent me to go read and

0:51:16.880 --> 0:51:19.279
<v Speaker 1>I read. They were like, man, you got to learn

0:51:19.360 --> 0:51:20.759
<v Speaker 1>how to play the drum. I was like, man, I

0:51:20.840 --> 0:51:23.320
<v Speaker 1>could play. I could play like I could play the drum.

0:51:23.920 --> 0:51:26.239
<v Speaker 1>And was like, nah, you gotta learn how to Like man,

0:51:26.640 --> 0:51:29.200
<v Speaker 1>I don't want to do that. I just didn't want

0:51:29.239 --> 0:51:31.480
<v Speaker 1>to commit myself to it at the time. It wasn't there,

0:51:31.760 --> 0:51:35.360
<v Speaker 1>you know. But I read and I didn't get it,

0:51:35.680 --> 0:51:38.279
<v Speaker 1>you know, and that movie went on to be drum Line. Wow,

0:51:38.600 --> 0:51:41.320
<v Speaker 1>you know you gonna be Nick Cannon? Yeah? Yeah, I

0:51:41.400 --> 0:51:44.239
<v Speaker 1>was reading for Nick Cannon boyd. Yeah. So you know,

0:51:44.360 --> 0:51:49.160
<v Speaker 1>some nobody came and got there. I'm looking at you.

0:51:49.480 --> 0:51:52.400
<v Speaker 1>You was gonna move American gangster. But that but look though,

0:51:52.440 --> 0:51:54.399
<v Speaker 1>that opened the door for me to do ATM. Yeah.

0:51:54.560 --> 0:51:58.239
<v Speaker 1>After after I didn't get the role for drum Line, Uh,

0:51:58.320 --> 0:52:00.319
<v Speaker 1>I went back to Dallas and say, man, Nick, time,

0:52:00.360 --> 0:52:02.400
<v Speaker 1>bro Jay, give me the rod. I ain't going to

0:52:02.480 --> 0:52:04.759
<v Speaker 1>read or nothing. Ja, give me the road. He was

0:52:04.840 --> 0:52:06.719
<v Speaker 1>like cool, you know, and he just gave me the

0:52:06.840 --> 0:52:11.000
<v Speaker 1>role for Rashaw and atl and a lot of time,

0:52:11.120 --> 0:52:14.040
<v Speaker 1>Nick Kennedy and I, you know, we'd be going back

0:52:14.080 --> 0:52:16.759
<v Speaker 1>and forth, you know, and we get we get on

0:52:16.840 --> 0:52:19.000
<v Speaker 1>each other. I'd be like, yeah, man, you took my role.

0:52:19.680 --> 0:52:22.160
<v Speaker 1>And he said, yeah, but how to traded you for

0:52:22.280 --> 0:52:24.040
<v Speaker 1>your role? You know what I'm saying. I said, you

0:52:24.040 --> 0:52:26.840
<v Speaker 1>couldn't have did my role right, And we just you know,

0:52:26.920 --> 0:52:29.280
<v Speaker 1>we have that kind of a rapport. So I'm happy.

0:52:29.400 --> 0:52:31.239
<v Speaker 1>You know, all things happened for a reason with God

0:52:31.320 --> 0:52:33.120
<v Speaker 1>got for you can't no one and take from you

0:52:33.560 --> 0:52:34.800
<v Speaker 1>you got two of them. Get you out here on

0:52:34.840 --> 0:52:36.879
<v Speaker 1>two things you did to meddle with our American gangster

0:52:36.960 --> 0:52:42.160
<v Speaker 1>with Denzel Brouh. That's I mean, if you're in a movie,

0:52:42.400 --> 0:52:44.520
<v Speaker 1>I mean, you can't ask for a battle Dotter to

0:52:44.640 --> 0:52:48.080
<v Speaker 1>be in the movie with. I had no idea. Why

0:52:48.160 --> 0:52:50.040
<v Speaker 1>the hell they called me? For real? You know what

0:52:50.080 --> 0:52:52.919
<v Speaker 1>I'm saying. At first, right, I was like, you sure

0:52:53.000 --> 0:52:55.920
<v Speaker 1>you won't me? You know not? I mean, you had Denzel,

0:52:56.080 --> 0:53:01.320
<v Speaker 1>Ridley Scott Rizzle, you had Ruby Deve had uh Coming,

0:53:01.920 --> 0:53:05.680
<v Speaker 1>you had tu A Tael, you had just so much

0:53:05.880 --> 0:53:10.080
<v Speaker 1>phenomenal talent, uh, Cuba Good and Junior. Yep. You know

0:53:10.120 --> 0:53:12.560
<v Speaker 1>what I'm saying. I'm like and the like, be y'all

0:53:12.760 --> 0:53:20.120
<v Speaker 1>me you for real? And I remember the scene well,

0:53:20.120 --> 0:53:23.200
<v Speaker 1>I was we was preparing we had the the the

0:53:23.360 --> 0:53:27.000
<v Speaker 1>camera blocking or or rehearsal for the scene that that

0:53:27.239 --> 0:53:31.200
<v Speaker 1>d Dug and I were about to do together. Oh

0:53:31.320 --> 0:53:33.400
<v Speaker 1>d dub that this Zel, Yeah, that was I call him.

0:53:35.120 --> 0:53:37.719
<v Speaker 1>I call him. I'm no, I'm just joking. But we

0:53:37.960 --> 0:53:41.200
<v Speaker 1>but we had they got uh this rehearsal for this scene.

0:53:42.840 --> 0:53:45.200
<v Speaker 1>As we rehearsing, I'm pacing back and forth, pacing back

0:53:45.239 --> 0:53:50.200
<v Speaker 1>and forth, and he say, what's what name? You nervous?

0:53:51.080 --> 0:53:55.560
<v Speaker 1>I'm like, man, I'm just just making sure I don't

0:53:55.640 --> 0:53:58.720
<v Speaker 1>mess it up. Man and say, hey, man, listen, listen y'rself.

0:54:00.360 --> 0:54:02.120
<v Speaker 1>They could have had anybody here doing what you're doing

0:54:02.200 --> 0:54:03.560
<v Speaker 1>right now. They could have had anybody in the world.

0:54:03.560 --> 0:54:05.000
<v Speaker 1>It could have called anybody right here to do what

0:54:05.040 --> 0:54:08.399
<v Speaker 1>you're doing right now, can it? I say, I say yeah, yeah,

0:54:08.719 --> 0:54:10.400
<v Speaker 1>he said they called you here for a reason, didn't it.

0:54:11.200 --> 0:54:13.400
<v Speaker 1>I say yeah, he said, you know what that you

0:54:13.480 --> 0:54:17.919
<v Speaker 1>know what that reason is? I started thinking. I say yeah,

0:54:18.000 --> 0:54:20.160
<v Speaker 1>I think, yeah I do. He said, I hate then

0:54:20.200 --> 0:54:21.439
<v Speaker 1>they could do that, and you ain't got no reason

0:54:21.480 --> 0:54:25.920
<v Speaker 1>to be nervous. I read that you had a famous

0:54:25.920 --> 0:54:27.560
<v Speaker 1>sack to get mad at. You're doing a table. Read

0:54:29.280 --> 0:54:36.279
<v Speaker 1>what happened. Say no the drugs, Say no the drugs? Man?

0:54:36.520 --> 0:54:40.160
<v Speaker 1>I uh yeah, that was Morgan Freeman man. Uh And

0:54:40.360 --> 0:54:43.160
<v Speaker 1>and and just to be honest, I I I wasn't prepared.

0:54:43.840 --> 0:54:46.880
<v Speaker 1>I wouldn't prepared. And you know that was an opportunity

0:54:46.960 --> 0:54:52.800
<v Speaker 1>I should have taken more seriously. And I completely accept

0:54:52.880 --> 0:54:57.080
<v Speaker 1>accountability and I've grown from that. Uh. But I will

0:54:57.200 --> 0:55:01.600
<v Speaker 1>say he made me feel this me. I mean no

0:55:01.920 --> 0:55:04.080
<v Speaker 1>like you you see you see lean on me. Yeah,

0:55:04.480 --> 0:55:10.560
<v Speaker 1>I'm on the roof. Yep, chump, smoke crack, don't you chump? Yeah,

0:55:10.920 --> 0:55:14.120
<v Speaker 1>you know what I'm saying. Uh. But I feel like, man,

0:55:14.200 --> 0:55:16.359
<v Speaker 1>that was something that I needed, right, that was something

0:55:16.400 --> 0:55:18.680
<v Speaker 1>that I needed on my on my on my journey

0:55:18.880 --> 0:55:24.200
<v Speaker 1>because that it was like a shock to the system, right,

0:55:24.600 --> 0:55:26.960
<v Speaker 1>you feel me. It was a shot to the system

0:55:27.000 --> 0:55:28.839
<v Speaker 1>to let me know, Man, I ain't never gonna putt

0:55:28.880 --> 0:55:32.360
<v Speaker 1>myself in a position to have you know, nobody be

0:55:32.520 --> 0:55:36.120
<v Speaker 1>able to chastise me and set your way right, uh

0:55:36.960 --> 0:55:39.239
<v Speaker 1>and all and our Man, I really do feel that,

0:55:39.400 --> 0:55:41.279
<v Speaker 1>you know, I could have contributed to the movie and

0:55:41.360 --> 0:55:44.680
<v Speaker 1>made it right better than it was. But I put

0:55:44.800 --> 0:55:48.320
<v Speaker 1>myself in a position, but that opportunity was taken from me.

0:55:48.440 --> 0:55:51.560
<v Speaker 1>And there's nobody's fault but my own. Tell us about

0:55:51.560 --> 0:55:54.640
<v Speaker 1>the movie, man. The movie is called Fear. Fear is

0:55:54.760 --> 0:56:00.879
<v Speaker 1>a psychological thriller. Dione Taylor wrote, directed, produced it. It's

0:56:00.880 --> 0:56:07.480
<v Speaker 1>an ensemble cast myself, Terence, Jay, Joseph's Acorra uh king

0:56:07.640 --> 0:56:14.160
<v Speaker 1>Batch Ruby uh Anie and and and and others and

0:56:14.400 --> 0:56:17.120
<v Speaker 1>and it's it's it's about some friends who meet up

0:56:17.280 --> 0:56:21.520
<v Speaker 1>at a large during the height of the pandemic and

0:56:23.320 --> 0:56:26.520
<v Speaker 1>they don't realize that the large is hunted, is hunted

0:56:26.600 --> 0:56:31.040
<v Speaker 1>and it responds to your fears. You acknowledging fears. And

0:56:32.120 --> 0:56:35.880
<v Speaker 1>when you acknowledge your fears and you you feed into them,

0:56:35.920 --> 0:56:38.600
<v Speaker 1>they bring those fears to life. So how each person

0:56:38.719 --> 0:56:42.480
<v Speaker 1>responds to facing their fears is really that's that's the

0:56:43.520 --> 0:56:47.200
<v Speaker 1>nucleus of this film. Wow, best of luck with the film.

0:56:47.360 --> 0:56:50.400
<v Speaker 1>Thank you congrass on all the success and man. January

0:56:50.480 --> 0:56:52.160
<v Speaker 1>twenty seven. I need you to you know what I mean.

0:56:52.200 --> 0:56:53.560
<v Speaker 1>I needs you to show up and show out the

0:56:53.600 --> 0:56:55.920
<v Speaker 1>way you do. You know what I'm saying. You know,

0:56:56.640 --> 0:56:59.680
<v Speaker 1>like you. It needs you to That was that was

0:56:59.719 --> 0:57:03.840
<v Speaker 1>a it off. It needs you to show up and

0:57:03.880 --> 0:57:06.440
<v Speaker 1>show at you know. Now now you gotta like man,

0:57:06.520 --> 0:57:08.480
<v Speaker 1>you gotta skip as too. Now that's seen you get

0:57:08.520 --> 0:57:10.759
<v Speaker 1>out you don't you know, see? But I did so

0:57:10.920 --> 0:57:14.560
<v Speaker 1>I maintained my cool and that I pride of myself

0:57:14.800 --> 0:57:16.560
<v Speaker 1>and then I let my emotion because I can't. I'm

0:57:16.560 --> 0:57:21.800
<v Speaker 1>not gonna say that it was some people say that's

0:57:21.840 --> 0:57:23.480
<v Speaker 1>not me. No, that was last night. That was that

0:57:23.600 --> 0:57:25.120
<v Speaker 1>was you that would give me out of character. But

0:57:25.200 --> 0:57:27.480
<v Speaker 1>that was me. I mean, man, listen, I think what's

0:57:27.560 --> 0:57:31.320
<v Speaker 1>important to always understand for everybody. We all fall short

0:57:31.320 --> 0:57:33.520
<v Speaker 1>of the glory you do. Ain't none of us perfect.

0:57:33.600 --> 0:57:37.440
<v Speaker 1>No humans are followable. I flesh is weak. Uh. If

0:57:37.440 --> 0:57:40.640
<v Speaker 1>you're a Christian? What you what you understand? Dear? Uh?

0:57:41.120 --> 0:57:44.280
<v Speaker 1>Through repentance and acceptance, you're able to get a chance

0:57:44.320 --> 0:57:46.080
<v Speaker 1>and a choice every day. You know what I'm saying.

0:57:46.320 --> 0:57:50.040
<v Speaker 1>And shouldn't nobody be pointing no fingers and anybody who

0:57:50.160 --> 0:57:52.400
<v Speaker 1>try to maintain a perfect image and try to make

0:57:52.400 --> 0:57:58.040
<v Speaker 1>it seem like you don't make no mistake. And as

0:57:58.120 --> 0:58:01.640
<v Speaker 1>soon as you step outside line, that's when it's gonna

0:58:01.680 --> 0:58:04.560
<v Speaker 1>be such a big deal. I already let you know. Listen, man,

0:58:04.640 --> 0:58:07.640
<v Speaker 1>I didn't mess up to date, but if I do,

0:58:08.400 --> 0:58:10.960
<v Speaker 1>God gonna forgive me. So why would I hold your

0:58:11.000 --> 0:58:14.080
<v Speaker 1>words or your your criticism more than I hold to

0:58:14.200 --> 0:58:16.360
<v Speaker 1>the lords? And I think, man, that's what we got

0:58:16.480 --> 0:58:18.560
<v Speaker 1>to all get into. Man, We got to we can't

0:58:18.640 --> 0:58:22.320
<v Speaker 1>keep on just holding each other under a microscope, expecting

0:58:22.480 --> 0:58:25.960
<v Speaker 1>us not to step outside the lines of affection, because

0:58:26.040 --> 0:58:28.600
<v Speaker 1>that's something that anybody could have held against them at

0:58:28.600 --> 0:58:35.160
<v Speaker 1>any time. We get out of comedy. I mean, outstanding rapper,

0:58:35.600 --> 0:58:38.919
<v Speaker 1>You've been great in movies. What the hell made you say?

0:58:38.960 --> 0:58:44.200
<v Speaker 1>You know what, I'm gonna try this man as a well.

0:58:44.280 --> 0:58:46.640
<v Speaker 1>First of all, I didn't plan on it, Okay, you know,

0:58:46.800 --> 0:58:49.680
<v Speaker 1>I've always had an enormous amount of respect and admiration

0:58:50.840 --> 0:58:53.360
<v Speaker 1>for any of the arts, for the art form of comedy,

0:58:53.960 --> 0:58:59.240
<v Speaker 1>and comedy like going to see comedians. It's always been

0:58:59.320 --> 0:59:01.640
<v Speaker 1>with me and my wife Life did a lot of things.

0:59:01.800 --> 0:59:04.760
<v Speaker 1>You know, we'll go out, We'll hit the comedy clubs.

0:59:05.200 --> 0:59:08.640
<v Speaker 1>I've even had like big, big open mic nights, you know, uh,

0:59:08.800 --> 0:59:15.680
<v Speaker 1>tripping on Sundays, tripping on Tuesdays. And it wasn't until

0:59:16.640 --> 0:59:20.560
<v Speaker 1>January twelfth, two thousand and twenty two, I went to

0:59:20.640 --> 0:59:22.840
<v Speaker 1>see k Doub who was a partner of mine, happens

0:59:22.840 --> 0:59:27.080
<v Speaker 1>to be a comedian, and he had an open mic night.

0:59:27.320 --> 0:59:30.200
<v Speaker 1>I went to support him. It was somebody on stage

0:59:30.320 --> 0:59:33.000
<v Speaker 1>having a horrible go of it, right, and we could

0:59:33.000 --> 0:59:34.960
<v Speaker 1>agree that he was not doing well, but we couldn't

0:59:34.960 --> 0:59:37.880
<v Speaker 1>agree exactly why. I felt like, you know, the guy,

0:59:38.080 --> 0:59:40.840
<v Speaker 1>you know, he wasn't connected with the audience, and you know,

0:59:40.920 --> 0:59:43.240
<v Speaker 1>he's just his confidence level were lower and and k

0:59:43.400 --> 0:59:45.560
<v Speaker 1>double like now, he telling them boaring that story. Ain't

0:59:45.560 --> 0:59:47.560
<v Speaker 1>get into the jokes. And we were going back and

0:59:47.600 --> 0:59:50.120
<v Speaker 1>forth like that at the bar, and he finally looked

0:59:50.160 --> 0:59:54.520
<v Speaker 1>at me with a menacing scowl and said, well, I've

0:59:54.520 --> 0:59:57.160
<v Speaker 1>been doing it twenty years. When you're gonna get on

0:59:57.280 --> 1:00:00.520
<v Speaker 1>stage since you know so much, I man, come on

1:00:00.600 --> 1:00:03.160
<v Speaker 1>and stop playing you trick. And so I go back

1:00:03.160 --> 1:00:04.960
<v Speaker 1>down and sit with my wife. He go up to

1:00:05.080 --> 1:00:07.400
<v Speaker 1>the stage, get the mic from dude after he finished

1:00:07.440 --> 1:00:09.959
<v Speaker 1>his sick And when you get the mic from dude,

1:00:10.280 --> 1:00:12.160
<v Speaker 1>he said, all right, coming to the stage. Whether he

1:00:12.280 --> 1:00:17.320
<v Speaker 1>know it or not, he put you on the spot

1:00:17.400 --> 1:00:20.960
<v Speaker 1>life time for real, bro, you know. And and uh

1:00:21.200 --> 1:00:23.000
<v Speaker 1>so I I you know, first I was just you know,

1:00:23.120 --> 1:00:26.280
<v Speaker 1>trying to shine off and then you know, yeah, but

1:00:26.440 --> 1:00:29.480
<v Speaker 1>you're crazy. You're crazy, next comedian, y'all come on quila,

1:00:30.080 --> 1:00:32.920
<v Speaker 1>And they started clapping so loud, you know what I mean.

1:00:33.240 --> 1:00:34.880
<v Speaker 1>So I just had to think of something from the

1:00:34.920 --> 1:00:37.800
<v Speaker 1>seat to the stage, and I went up there and

1:00:37.920 --> 1:00:40.400
<v Speaker 1>really just talked about my day for real, right, talked

1:00:40.400 --> 1:00:42.600
<v Speaker 1>about my day, got my first laugh, and I would

1:00:42.640 --> 1:00:45.560
<v Speaker 1>hook you hook and I freestaff for like thirty five

1:00:45.640 --> 1:00:49.439
<v Speaker 1>minutes and I get off stage and I see Kad.

1:00:49.680 --> 1:00:53.080
<v Speaker 1>He like, man, you probably need to come back, and

1:00:53.200 --> 1:00:55.240
<v Speaker 1>I sit down. I knew I did something right because

1:00:55.280 --> 1:00:58.000
<v Speaker 1>my wife said, how did you do that? She's never

1:00:58.080 --> 1:01:01.600
<v Speaker 1>impressed anything right, dude. Uh, And I've been I started

1:01:01.640 --> 1:01:04.000
<v Speaker 1>doing it every day ever since. Man, and it's now

1:01:04.520 --> 1:01:09.200
<v Speaker 1>fifty fifty four weeks in comedy right now. Your family,

1:01:09.800 --> 1:01:11.760
<v Speaker 1>I mean, I think the thing is that you document

1:01:11.920 --> 1:01:14.000
<v Speaker 1>that you're not perfect. Your family is not perfect. You

1:01:14.120 --> 1:01:16.200
<v Speaker 1>have issues like a lot of people have with your

1:01:16.280 --> 1:01:19.080
<v Speaker 1>kids and you, you know, I think Keen, you's the

1:01:19.160 --> 1:01:21.520
<v Speaker 1>one that that that's on social media to have a

1:01:21.560 --> 1:01:24.320
<v Speaker 1>little issues right now that my twin and you like, bro,

1:01:24.680 --> 1:01:27.200
<v Speaker 1>you know, I've done everything I possibly can. But something

1:01:27.200 --> 1:01:29.160
<v Speaker 1>like my grandmother's to say, boy, you don't know how

1:01:29.280 --> 1:01:31.280
<v Speaker 1>bad somebody head hurt until you bump your own. You

1:01:31.360 --> 1:01:33.680
<v Speaker 1>digg what I'm saying, and so you like, he gonna

1:01:33.720 --> 1:01:36.280
<v Speaker 1>have to find this out. I've told him the same

1:01:36.400 --> 1:01:39.120
<v Speaker 1>role that he's doing. I've been down there. I'm trying

1:01:39.160 --> 1:01:41.160
<v Speaker 1>to tell him to keep it from going down. I

1:01:41.320 --> 1:01:44.160
<v Speaker 1>understand been down the road he was he because I've

1:01:44.240 --> 1:01:47.600
<v Speaker 1>never had access to means yeah yeah, yeah, just kept

1:01:47.680 --> 1:01:50.680
<v Speaker 1>But at the same time, I understand that he don't

1:01:50.720 --> 1:01:54.040
<v Speaker 1>want to be like in talking to him because I

1:01:54.160 --> 1:01:56.200
<v Speaker 1>have a you don't like being lectured to talk to her.

1:01:56.400 --> 1:01:58.640
<v Speaker 1>Not really, just that I have an excellent communication with

1:01:58.760 --> 1:02:01.440
<v Speaker 1>all my kids. I try to list as much as

1:02:01.520 --> 1:02:06.960
<v Speaker 1>I speak to them, right, And his from his position there, man,

1:02:07.120 --> 1:02:12.280
<v Speaker 1>I don't just wanna be celebrities kid like, I don't

1:02:12.360 --> 1:02:15.600
<v Speaker 1>want to live off of y'all success. I don't wanna

1:02:15.680 --> 1:02:21.280
<v Speaker 1>have to just be in y'all shadows. And he really,

1:02:23.120 --> 1:02:26.720
<v Speaker 1>he really want to be kind of looked at as

1:02:26.760 --> 1:02:29.160
<v Speaker 1>his own man, not just as his own man, but

1:02:29.280 --> 1:02:33.240
<v Speaker 1>he he want to go through the different challenges and adversities.

1:02:33.360 --> 1:02:35.600
<v Speaker 1>He want to be tested and be graded on his

1:02:35.800 --> 1:02:39.560
<v Speaker 1>response to whatever his skill city is in that area.

1:02:40.240 --> 1:02:43.640
<v Speaker 1>Not oh well he did he did bad because he

1:02:43.760 --> 1:02:47.880
<v Speaker 1>ta oh he did good because he tight it tiny son, Right,

1:02:48.000 --> 1:02:50.800
<v Speaker 1>you know what I'm saying. He he just really wanted,

1:02:50.840 --> 1:02:53.160
<v Speaker 1>he wanted, he wanted, he want a clean slate. And

1:02:53.280 --> 1:02:55.360
<v Speaker 1>I try to tell him, you'll never have that, son,

1:02:56.160 --> 1:02:58.480
<v Speaker 1>You'll never have that because you know your dad and

1:02:58.520 --> 1:03:01.280
<v Speaker 1>your mom can't give it back. You were born with it.

1:03:01.440 --> 1:03:05.240
<v Speaker 1>You can't give it back. You mad with embrace exactly.

1:03:05.800 --> 1:03:07.920
<v Speaker 1>And you know, but I love him and I understand

1:03:08.040 --> 1:03:11.280
<v Speaker 1>he has a strong sense of marvel standards and integrity,

1:03:11.680 --> 1:03:14.640
<v Speaker 1>a fabric that most people in his generation don't really

1:03:14.760 --> 1:03:18.600
<v Speaker 1>necessarily carry with them, right, So I appreciate that. Try

1:03:18.640 --> 1:03:20.720
<v Speaker 1>to take the good with the bad, and yet let

1:03:20.800 --> 1:03:23.720
<v Speaker 1>him know, you go into prison if you keep it up.

1:03:26.080 --> 1:03:27.760
<v Speaker 1>I don't wish it on him, you know what I'm saying.

1:03:27.760 --> 1:03:30.000
<v Speaker 1>I don't wish it on him, And I love him

1:03:30.080 --> 1:03:32.320
<v Speaker 1>through it. Whatever he going through, I love him through it.

1:03:32.880 --> 1:03:35.120
<v Speaker 1>And I can't say he a great kid enough. But

1:03:35.240 --> 1:03:39.440
<v Speaker 1>the media don't talk enough about the good poems, you

1:03:39.480 --> 1:03:41.280
<v Speaker 1>know what I mean. All they do is focus on

1:03:41.360 --> 1:03:43.760
<v Speaker 1>the bad because they get them more clicks, right, And

1:03:43.960 --> 1:03:45.480
<v Speaker 1>you know, I try to make him aware of that.

1:03:46.240 --> 1:03:48.280
<v Speaker 1>And you know, when we're young, we kind of talk

1:03:48.320 --> 1:03:50.920
<v Speaker 1>about things based on how we think they should it

1:03:51.000 --> 1:03:53.600
<v Speaker 1>be right, rather than acknowledging them for how we know

1:03:53.760 --> 1:03:56.000
<v Speaker 1>they are right. And I just try and you know,

1:03:56.160 --> 1:03:58.120
<v Speaker 1>walk walk him through to get better every day though. Right.

1:03:58.480 --> 1:04:00.560
<v Speaker 1>And another thing I'd like to say I want to

1:04:00.600 --> 1:04:05.920
<v Speaker 1>say about about about King Right. Yes, as much criticism

1:04:06.000 --> 1:04:09.560
<v Speaker 1>as I received about my son, I would like to

1:04:09.600 --> 1:04:13.479
<v Speaker 1>share light on the fact we all got bad ass

1:04:13.560 --> 1:04:17.120
<v Speaker 1>key that listen, don't they can seem like I'm the

1:04:17.240 --> 1:04:19.960
<v Speaker 1>only one. I don't hear who got badass key? We

1:04:20.080 --> 1:04:22.120
<v Speaker 1>all go through. You feel what I'm saying. If you

1:04:22.200 --> 1:04:24.160
<v Speaker 1>ain't got no bad ass kids, you got one and

1:04:24.200 --> 1:04:26.440
<v Speaker 1>you got lucky. You hit me. Anybody with three or

1:04:26.560 --> 1:04:29.600
<v Speaker 1>more multiples, you got one that you don't know what

1:04:29.760 --> 1:04:32.160
<v Speaker 1>to hear? You gonna do? You feel me? So I

1:04:32.280 --> 1:04:33.960
<v Speaker 1>just wanted to take you just take the time to

1:04:34.040 --> 1:04:36.760
<v Speaker 1>say that tea, you can you walk in the shoes

1:04:36.880 --> 1:04:39.240
<v Speaker 1>or like what wire sail is going through? I mean

1:04:39.480 --> 1:04:42.720
<v Speaker 1>I ain't going through, but you know you spend some

1:04:42.800 --> 1:04:45.000
<v Speaker 1>time you know you was doing. You didn't get that Rico,

1:04:46.120 --> 1:04:47.920
<v Speaker 1>You didn't get that Rico hit the put on you

1:04:48.800 --> 1:04:52.680
<v Speaker 1>if you could offer them some advice, because what is

1:04:52.840 --> 1:04:54.760
<v Speaker 1>what is art? And then what do you talk? Bro?

1:04:54.960 --> 1:04:57.280
<v Speaker 1>You did that and now you singing about it? First

1:04:57.320 --> 1:05:00.280
<v Speaker 1>of all, I take it when I make a point

1:05:00.360 --> 1:05:03.080
<v Speaker 1>out to do and talk about nobody case, right, I

1:05:03.120 --> 1:05:07.040
<v Speaker 1>don't talk about nobody case. Everybody got their own journey.

1:05:09.480 --> 1:05:11.520
<v Speaker 1>Thugger happens to be somebody and then and deal in

1:05:11.640 --> 1:05:13.400
<v Speaker 1>my hard right, you know what I'm saying. He one

1:05:13.480 --> 1:05:16.640
<v Speaker 1>of the ones that really I have a very very

1:05:16.800 --> 1:05:20.560
<v Speaker 1>very close connection with, and I hate to see him

1:05:20.600 --> 1:05:22.240
<v Speaker 1>going through it cause I know how good it's hard.

1:05:22.280 --> 1:05:26.200
<v Speaker 1>It is, right. I've seen him just be so selfless

1:05:27.000 --> 1:05:31.080
<v Speaker 1>and think about nothing but about the other person, you

1:05:31.200 --> 1:05:35.160
<v Speaker 1>know what I mean. I've seen them give give thousands

1:05:35.760 --> 1:05:38.920
<v Speaker 1>two cats just to keep them out of trouble. I've

1:05:38.960 --> 1:05:44.120
<v Speaker 1>seen them, you know, just just throw his his his

1:05:44.360 --> 1:05:47.760
<v Speaker 1>his earnings to the community in such a way. I

1:05:48.200 --> 1:05:50.360
<v Speaker 1>just hate to see him going through it, man. And

1:05:50.600 --> 1:05:54.000
<v Speaker 1>I don't know what to say. Just you know, keep

1:05:54.040 --> 1:05:56.760
<v Speaker 1>your cheering up right, keep your chests out. Then remember

1:05:56.800 --> 1:05:59.200
<v Speaker 1>you got people out here to love you. Because that's

1:05:59.280 --> 1:06:02.360
<v Speaker 1>really the that's the truth, that's the true intention. Make

1:06:02.400 --> 1:06:04.840
<v Speaker 1>people think that they locked in a dog hole, and

1:06:05.120 --> 1:06:07.400
<v Speaker 1>you know they don't have no support, you know, like

1:06:07.480 --> 1:06:09.640
<v Speaker 1>you cut off from the rest of the world, make

1:06:09.720 --> 1:06:12.600
<v Speaker 1>you think like you're going through it by yourself. And

1:06:12.680 --> 1:06:14.160
<v Speaker 1>I just made I just want to make sure that

1:06:14.240 --> 1:06:16.040
<v Speaker 1>you know that he ain't going through it by myself,

1:06:16.040 --> 1:06:18.000
<v Speaker 1>and he got people to still love him. One thing

1:06:18.040 --> 1:06:20.720
<v Speaker 1>you're out of him been for real. Walker said something

1:06:20.800 --> 1:06:23.640
<v Speaker 1>very interesting. He says, like, once you become somebody, you

1:06:23.760 --> 1:06:25.920
<v Speaker 1>can't continue to try to prove that you still down

1:06:26.000 --> 1:06:28.400
<v Speaker 1>from that neighborhood. That you can't wear like shooting dice

1:06:28.520 --> 1:06:30.400
<v Speaker 1>and playing cards and going to do it all those

1:06:30.480 --> 1:06:34.160
<v Speaker 1>things because you're not that same player, that same person

1:06:34.760 --> 1:06:38.280
<v Speaker 1>that you weren't. You look at takeoff and it was

1:06:38.320 --> 1:06:43.240
<v Speaker 1>looking a very unfortunate situation. They're rolling dice. I mean

1:06:43.400 --> 1:06:46.400
<v Speaker 1>when when I mean, I mean, obviously you you're from

1:06:46.400 --> 1:06:48.760
<v Speaker 1>bank here. First of all, I ain't seen him shooting

1:06:48.760 --> 1:06:51.200
<v Speaker 1>no day. I ain't seen him shooting no day. I

1:06:51.240 --> 1:06:53.360
<v Speaker 1>don't know what happened, right, I wasn't the right So

1:06:54.520 --> 1:06:56.480
<v Speaker 1>that's what we're being reported. But yeah I knew it.

1:06:56.520 --> 1:06:59.880
<v Speaker 1>I knew it. But see that's the thing, like, yeah,

1:06:59.880 --> 1:07:03.040
<v Speaker 1>I wouldn't see it, right, I just tried I to

1:07:03.160 --> 1:07:06.040
<v Speaker 1>focus on what's important. Man. We lost the life of

1:07:06.160 --> 1:07:08.480
<v Speaker 1>an I card, right, you know, and even more than that,

1:07:10.000 --> 1:07:13.320
<v Speaker 1>a brother, a son, you know what I mean, uh uh,

1:07:13.520 --> 1:07:18.400
<v Speaker 1>A nephew and and a valued member of the community.

1:07:19.240 --> 1:07:22.360
<v Speaker 1>And I just want to celebrate his life, what he meant,

1:07:23.840 --> 1:07:27.120
<v Speaker 1>his legacy. I don't want to get into no speculation,

1:07:27.280 --> 1:07:29.680
<v Speaker 1>hopping in and out of opinions. On what should have

1:07:29.760 --> 1:07:32.720
<v Speaker 1>it shouldn't have? Man, that ain't got nothing that that

1:07:32.840 --> 1:07:35.120
<v Speaker 1>it to me, that's not even important once we're talking

1:07:35.160 --> 1:07:37.240
<v Speaker 1>about the loss of life, you know what I mean.

1:07:39.680 --> 1:07:42.800
<v Speaker 1>I just man. I feel for his family, I feel

1:07:42.880 --> 1:07:45.760
<v Speaker 1>for his partners, I feel for i Offset, I feel

1:07:45.840 --> 1:07:49.840
<v Speaker 1>for Quavo, I feel for Pe and Coach and everybody involved. Man,

1:07:50.000 --> 1:07:53.160
<v Speaker 1>because I know what it was like. I didn't been

1:07:53.200 --> 1:07:55.360
<v Speaker 1>in partner, I lost my partner. I didn't have had

1:07:55.400 --> 1:07:57.720
<v Speaker 1>to come home and tell somebody, the family that they

1:07:57.920 --> 1:08:00.560
<v Speaker 1>wasn't gonna make it back, you know what I mean?

1:08:00.720 --> 1:08:05.600
<v Speaker 1>And immensely, immensely, I feel like that was that that

1:08:05.760 --> 1:08:07.440
<v Speaker 1>was the beginning, That was the epiphany. With that that

1:08:07.520 --> 1:08:10.560
<v Speaker 1>I wake into what that I opening moment for you.

1:08:10.800 --> 1:08:13.880
<v Speaker 1>It was the furred domino, you feel me, It was

1:08:13.960 --> 1:08:17.760
<v Speaker 1>the furred domino man. And I think because that led

1:08:17.920 --> 1:08:23.880
<v Speaker 1>to the paranoia, the suspicion, and h the heavy heart

1:08:24.080 --> 1:08:26.560
<v Speaker 1>that I had that caused me to make the decisions

1:08:26.640 --> 1:08:31.840
<v Speaker 1>that led to my wrists and which led to you

1:08:31.960 --> 1:08:34.960
<v Speaker 1>know the next part of my my my career. And

1:08:35.240 --> 1:08:39.160
<v Speaker 1>in the next phase of decisions I would make, I

1:08:39.439 --> 1:08:46.120
<v Speaker 1>know how traumatic and how how emotionally taxing it could be.

1:08:47.120 --> 1:08:50.240
<v Speaker 1>So I just feel for everybody going through it, you know,

1:08:50.640 --> 1:08:54.439
<v Speaker 1>And I just hope to be able to share whatever

1:08:54.439 --> 1:08:56.559
<v Speaker 1>I could share it to help in any way I can.

1:08:57.680 --> 1:08:59.920
<v Speaker 1>But I ain't. I just the number one way I

1:09:00.000 --> 1:09:01.880
<v Speaker 1>it help and not add on, you know what I mean.

1:09:02.240 --> 1:09:05.679
<v Speaker 1>So I just ain't got hm but some positive energy

1:09:06.240 --> 1:09:09.599
<v Speaker 1>and some good thoughts to to share to the world

1:09:09.720 --> 1:09:13.439
<v Speaker 1>or they Oh boy, love and respect, appreciate the sixty minutes.

1:09:13.520 --> 1:09:18.000
<v Speaker 1>You feel what I'm saying. It flew back. It the tequila.

1:09:18.080 --> 1:09:21.639
<v Speaker 1>The tequila had it fly back. You don't even look

1:09:21.720 --> 1:09:27.000
<v Speaker 1>that much I had left, No No Shannon drunk all

1:09:27.040 --> 1:09:30.719
<v Speaker 1>the hells all my life, the grinding all my life,

1:09:31.360 --> 1:09:35.679
<v Speaker 1>psycri fice, hustle back price, wanna slice? Got the brotherer

1:09:35.800 --> 1:09:38.280
<v Speaker 1>dice to swad all my life. I' been grinding all

1:09:38.320 --> 1:09:42.720
<v Speaker 1>my life, all my life, the grinning all my life, Sacrifice,

1:09:43.040 --> 1:09:46.280
<v Speaker 1>hustle back to price, right, wanna slice? Got the brother?

1:09:46.439 --> 1:09:48.960
<v Speaker 1>Dice to sware all my life. I'll been grinding all

1:09:49.000 --> 1:09:49.400
<v Speaker 1>my life.