1
00:00:10,600 --> 00:00:14,800
Speaker 1: Hey, everybody, welcome to another episode. I saw what you did.

2
00:00:14,840 --> 00:00:19,240
Speaker 2: My name is Millie to Jericho, I'm Danielle Henderson, and guys,

3
00:00:19,320 --> 00:00:22,520
Speaker 2: guess what. We're back to talk about movies with you.

4
00:00:23,239 --> 00:00:24,120
Speaker 2: I hope that's okay.

5
00:00:24,520 --> 00:00:27,040
Speaker 3: I thought you're gonna drop something serious because you were like, guys,

6
00:00:27,040 --> 00:00:29,200
Speaker 3: guess what. I'm like, Oh, no, I know.

7
00:00:29,280 --> 00:00:31,080
Speaker 2: I thought I was going to and then I was like, now,

8
00:00:31,120 --> 00:00:34,199
Speaker 2: I can't do that. It's it's just not who we

9
00:00:34,240 --> 00:00:35,040
Speaker 2: are right now.

10
00:00:35,720 --> 00:00:38,280
Speaker 3: You know, it can be, it can be. I listened

11
00:00:38,280 --> 00:00:41,519
Speaker 3: back to some of our episodes sometimes either in the

12
00:00:41,640 --> 00:00:44,360
Speaker 3: editing process or just you know, day it comes out.

13
00:00:44,400 --> 00:00:48,040
Speaker 3: I like to listen and listen with everybody, and I

14
00:00:48,080 --> 00:00:49,960
Speaker 3: my laugh is out of control.

15
00:00:50,440 --> 00:00:51,639
Speaker 1: God, no, it's not.

16
00:00:52,920 --> 00:00:55,440
Speaker 3: I know. I've discussed this before about how I need

17
00:00:55,440 --> 00:00:58,840
Speaker 3: to calm down, and I just can't. I just love

18
00:00:58,920 --> 00:01:02,040
Speaker 3: doing this podcast, and it's all the laughter is natural.

19
00:01:02,160 --> 00:01:05,520
Speaker 3: I'm a joyful person and I cannot help it. And

20
00:01:06,200 --> 00:01:08,320
Speaker 3: I just am a little maniac when I record. So

21
00:01:08,360 --> 00:01:09,200
Speaker 3: I'm so excited.

22
00:01:09,680 --> 00:01:13,600
Speaker 2: I really wish that you would never ever think that

23
00:01:13,640 --> 00:01:16,080
Speaker 2: your laugh is annoying or too much or anything like that,

24
00:01:16,120 --> 00:01:18,000
Speaker 2: because let me tell you right now. There are people

25
00:01:18,000 --> 00:01:21,880
Speaker 2: that I know in my personal life, my fucking friends,

26
00:01:22,480 --> 00:01:25,560
Speaker 2: some of whom I've known for over two decades, who

27
00:01:25,640 --> 00:01:30,880
Speaker 2: are like ready to bottle your laugh and sell it

28
00:01:31,280 --> 00:01:34,440
Speaker 2: at a farmer's market or some shit like they love

29
00:01:34,480 --> 00:01:39,160
Speaker 2: it so much. And that's why I continuously try to

30
00:01:39,200 --> 00:01:42,080
Speaker 2: be a fucking horse's ass on this podcast so I

31
00:01:42,080 --> 00:01:43,479
Speaker 2: could get you to do that.

32
00:01:44,319 --> 00:01:47,280
Speaker 1: Where just like just like you just did, so we are.

33
00:01:47,200 --> 00:01:48,800
Speaker 3: A good scene that way, and I feel the same

34
00:01:48,800 --> 00:01:50,440
Speaker 3: way when I make you laugh, it just makes my

35
00:01:50,480 --> 00:01:50,920
Speaker 3: whole day.

36
00:01:51,680 --> 00:01:53,600
Speaker 2: Well, you know what I noticed too about not to

37
00:01:53,640 --> 00:01:55,720
Speaker 2: talk about my laugh when you're talking about your laugh,

38
00:01:56,000 --> 00:02:01,360
Speaker 2: but I do. My laugh includes like a yeah, like

39
00:02:01,440 --> 00:02:05,360
Speaker 2: I'm like, god, I'm always doing a clap and moving back,

40
00:02:05,600 --> 00:02:06,520
Speaker 2: moving back my hair.

41
00:02:07,080 --> 00:02:09,839
Speaker 3: It is a full body laugh. I love it. Oh,

42
00:02:10,280 --> 00:02:12,680
Speaker 3: I know, like that is what that is what I want.

43
00:02:12,720 --> 00:02:16,000
Speaker 3: That's what I'm going for every time the full body laugh.

44
00:02:16,080 --> 00:02:18,640
Speaker 3: It makes me. I love when I'm listening back and

45
00:02:18,680 --> 00:02:23,280
Speaker 3: I just hear like and I'm like there she goes.

46
00:02:23,560 --> 00:02:26,480
Speaker 1: The little laugh means I'm laughing really fucking hard.

47
00:02:27,160 --> 00:02:27,760
Speaker 3: Uh No.

48
00:02:27,960 --> 00:02:31,160
Speaker 2: But what I mean I think this is especially this week,

49
00:02:31,560 --> 00:02:34,120
Speaker 2: like you know, we can be serious. We have serious episodes,

50
00:02:34,200 --> 00:02:36,520
Speaker 2: don't get me wrong, But this week was a lot.

51
00:02:36,680 --> 00:02:38,720
Speaker 2: We did a lot of shit this week, both you

52
00:02:38,760 --> 00:02:42,760
Speaker 2: and I. I know, you were really busy. I was

53
00:02:43,200 --> 00:02:47,120
Speaker 2: sick pretty much the entire week, and so I, you know,

54
00:02:47,560 --> 00:02:49,600
Speaker 2: was trying to work and do stuff while I was

55
00:02:50,040 --> 00:02:51,200
Speaker 2: living in my bathroom.

56
00:02:51,400 --> 00:02:56,320
Speaker 1: Well I woke get into details about that, but it's good.

57
00:02:56,360 --> 00:02:57,160
Speaker 1: I feel like this.

58
00:02:57,000 --> 00:02:59,960
Speaker 2: Episode is gonna be Not only is it gonna be fun,

59
00:03:00,160 --> 00:03:01,200
Speaker 2: but it's also like.

60
00:03:01,160 --> 00:03:04,040
Speaker 1: We're in a weird mood. We're in a weird mind state,

61
00:03:04,160 --> 00:03:04,640
Speaker 1: you know what I mean.

62
00:03:05,240 --> 00:03:07,680
Speaker 3: We're a little sloopy today, and I feel like this

63
00:03:07,680 --> 00:03:12,560
Speaker 3: this episode is our reward for the week that we've had. Yes,

64
00:03:12,800 --> 00:03:16,000
Speaker 3: because last night we had a whole other episode planned,

65
00:03:16,040 --> 00:03:18,960
Speaker 3: by the way, and then last night I realized my

66
00:03:19,080 --> 00:03:23,200
Speaker 3: movie was not available. Yeah, I know. It was such

67
00:03:23,200 --> 00:03:25,480
Speaker 3: a bummer and I'm like, what are we gonna do?

68
00:03:25,800 --> 00:03:28,880
Speaker 3: And then Millie was like, well, we could just bump

69
00:03:28,960 --> 00:03:30,560
Speaker 3: up one of the other ones that we were gonna

70
00:03:30,560 --> 00:03:32,160
Speaker 3: do later. And I'm like, well, you know which one

71
00:03:32,200 --> 00:03:37,400
Speaker 3: it's gonna be. After the week we've had, we just

72
00:03:37,480 --> 00:03:42,240
Speaker 3: need to see some action. But yeah, I'm very excited

73
00:03:42,280 --> 00:03:45,000
Speaker 3: to get to this week. But we guess. But first

74
00:03:45,000 --> 00:03:46,520
Speaker 3: of all, I know how you're doing. So you lived

75
00:03:46,520 --> 00:03:47,520
Speaker 3: in your bathroom this week?

76
00:03:47,920 --> 00:03:50,720
Speaker 1: Yeah, so I I was.

77
00:03:50,960 --> 00:03:55,200
Speaker 2: I had a stomach flu maybe maybe food poisoning.

78
00:03:55,440 --> 00:03:56,080
Speaker 3: Hard to tell.

79
00:03:56,600 --> 00:03:57,840
Speaker 1: Hard to tell because.

80
00:03:57,560 --> 00:04:00,520
Speaker 2: It feels like the same symptoms a lot of times,

81
00:04:00,680 --> 00:04:03,440
Speaker 2: and when you google it, it is pretty much the

82
00:04:03,440 --> 00:04:04,200
Speaker 2: same symptoms.

83
00:04:04,880 --> 00:04:06,960
Speaker 3: And I know, I feel like the length of time

84
00:04:07,040 --> 00:04:09,880
Speaker 3: that you were ill to me indicates more stomach flu.

85
00:04:10,280 --> 00:04:13,920
Speaker 2: Yeah, And I have heard people who who have had

86
00:04:14,200 --> 00:04:18,480
Speaker 2: legit food poisoning be like it is truly like I'm on.

87
00:04:18,480 --> 00:04:20,280
Speaker 1: Death store and so'sabilitating.

88
00:04:20,720 --> 00:04:24,120
Speaker 2: I was close to the door but not on it,

89
00:04:24,279 --> 00:04:27,560
Speaker 2: So you know, I'm thinking it was probably some kind

90
00:04:27,560 --> 00:04:29,480
Speaker 2: of flu or virus or something like that too.

91
00:04:29,600 --> 00:04:31,800
Speaker 1: But I gotta tell you, I.

92
00:04:31,560 --> 00:04:35,400
Speaker 2: It came on so fast where I was truly just

93
00:04:35,480 --> 00:04:39,479
Speaker 2: like pooting around doing my doing my tasks, and then

94
00:04:39,560 --> 00:04:42,320
Speaker 2: all of a sudden, two hours after I got home

95
00:04:43,200 --> 00:04:45,920
Speaker 2: and I went to I went to the Barbel club,

96
00:04:46,040 --> 00:04:48,800
Speaker 2: I went to you know, go to the store. I mean,

97
00:04:48,839 --> 00:04:52,320
Speaker 2: I was basically like doing shit, and then to two

98
00:04:52,440 --> 00:04:55,440
Speaker 2: hours after I got home, I was like on and popping,

99
00:04:55,560 --> 00:04:57,599
Speaker 2: like I just was like, oh, I feel like shit,

100
00:04:58,080 --> 00:04:59,840
Speaker 2: Like what happened? And I mean it was like I

101
00:05:00,000 --> 00:05:01,680
Speaker 2: I had a fever, I had chills, it was the

102
00:05:02,000 --> 00:05:04,159
Speaker 2: whole mess. And I know we do have a lot

103
00:05:04,160 --> 00:05:07,640
Speaker 2: of like I'm not saying that only doctors listen to

104
00:05:07,680 --> 00:05:10,880
Speaker 2: this podcast, like we only have.

105
00:05:11,200 --> 00:05:14,080
Speaker 3: Like we're huge in the medical community and we can't

106
00:05:14,120 --> 00:05:15,600
Speaker 3: help it.

107
00:05:16,040 --> 00:05:19,880
Speaker 2: We only have doctors and nurses and other medical professionals

108
00:05:19,880 --> 00:05:23,000
Speaker 2: that listen to this podcast. No, but we do have

109
00:05:23,080 --> 00:05:25,640
Speaker 2: a lot of people who will Whenever we talk about ailments,

110
00:05:25,680 --> 00:05:27,599
Speaker 2: we always get like people saying, it could be this,

111
00:05:27,720 --> 00:05:31,479
Speaker 2: it could be that. So if you do have knowledge

112
00:05:31,600 --> 00:05:33,640
Speaker 2: of this kind of stuff and you want to ride

113
00:05:33,720 --> 00:05:35,320
Speaker 2: to us, I saw what you did bought at gmail

114
00:05:35,320 --> 00:05:35,680
Speaker 2: dot com.

115
00:05:35,720 --> 00:05:38,120
Speaker 1: I don't know I have a doctor, but I.

116
00:05:38,080 --> 00:05:41,080
Speaker 3: Just I just, you know, didn't go that was I mean,

117
00:05:41,160 --> 00:05:43,520
Speaker 3: with with the history that you've had with your own body,

118
00:05:43,560 --> 00:05:46,400
Speaker 3: I'm like, if she doesn't go to the doctor the

119
00:05:46,440 --> 00:05:48,719
Speaker 3: next day, I might have to hop on a plane

120
00:05:49,560 --> 00:05:51,800
Speaker 3: and go to Atlanta and drag you there. But I

121
00:05:51,880 --> 00:05:55,400
Speaker 3: also had food poisoning the week before. Yeah, and that's

122
00:05:55,400 --> 00:05:57,440
Speaker 3: why when we were kind of comparing notes, I'm like, well,

123
00:05:57,440 --> 00:05:59,640
Speaker 3: mine was kind of like a few hours of misery,

124
00:06:00,160 --> 00:06:03,440
Speaker 3: but then I picked it right back up. Yeah. Yeah,

125
00:06:03,440 --> 00:06:06,200
Speaker 3: So I thought for sure it was definitely like a

126
00:06:06,200 --> 00:06:08,520
Speaker 3: stomach flu or something worse. It could have been something worse,

127
00:06:08,520 --> 00:06:09,520
Speaker 3: but I'm so glad it wasn't.

128
00:06:09,720 --> 00:06:12,520
Speaker 2: Well, no, And to be quite honest with you, like,

129
00:06:12,960 --> 00:06:14,599
Speaker 2: you know, I talked a little bit about when I

130
00:06:14,640 --> 00:06:16,760
Speaker 2: was in the hospital a few years ago, and you know,

131
00:06:16,800 --> 00:06:19,840
Speaker 2: it was kind of a terrible experience. It was very

132
00:06:19,920 --> 00:06:23,640
Speaker 2: traumatic for me, but it was you know, basically I

133
00:06:23,720 --> 00:06:26,320
Speaker 2: was having a lot of the same symptoms that I

134
00:06:26,440 --> 00:06:27,719
Speaker 2: was having back then.

135
00:06:28,160 --> 00:06:30,560
Speaker 1: And so you know that stuff is sort of triggering,

136
00:06:30,920 --> 00:06:31,120
Speaker 1: you know.

137
00:06:31,360 --> 00:06:33,760
Speaker 2: And so I'm like, there was a moment where in

138
00:06:33,800 --> 00:06:36,520
Speaker 2: the first like I don't know, like it happened so

139
00:06:36,640 --> 00:06:38,520
Speaker 2: late at night, like it was pretty much like ten

140
00:06:38,560 --> 00:06:42,520
Speaker 2: pm when I started feeling kind of terrible, and then

141
00:06:42,560 --> 00:06:44,039
Speaker 2: I was like, well, I guess I'll just try to

142
00:06:44,040 --> 00:06:46,359
Speaker 2: go to bed and so, and of course that didn't happen.

143
00:06:46,400 --> 00:06:48,400
Speaker 1: It was just sort of like running to the bathroom like.

144
00:06:48,400 --> 00:06:51,479
Speaker 2: Every hour hour and a half to like you know,

145
00:06:51,920 --> 00:06:55,120
Speaker 2: hover over the toilet, you know, with my face in

146
00:06:55,160 --> 00:06:58,040
Speaker 2: my hands, like I don't know what's happening right now.

147
00:06:58,320 --> 00:07:01,000
Speaker 2: But basically, yeah, there was a moment where I thought,

148
00:07:01,640 --> 00:07:04,039
Speaker 2: oh my god, Like I truly did think it is

149
00:07:04,080 --> 00:07:04,839
Speaker 2: happening again.

150
00:07:05,120 --> 00:07:06,760
Speaker 1: Like I was like, it's happening again.

151
00:07:06,800 --> 00:07:08,839
Speaker 2: And it was hard. It was like hard for me

152
00:07:08,920 --> 00:07:13,600
Speaker 2: to like think about that. And then my dad. I

153
00:07:13,640 --> 00:07:15,680
Speaker 2: talked to my dad the next morning. I basically, my

154
00:07:15,760 --> 00:07:18,200
Speaker 2: dad is awake at five am. He's like, one of

155
00:07:18,200 --> 00:07:18,720
Speaker 2: these guys.

156
00:07:18,960 --> 00:07:21,080
Speaker 1: Don't knock it. I'm one of those guys.

157
00:07:23,520 --> 00:07:24,120
Speaker 3: I forgot.

158
00:07:24,160 --> 00:07:25,440
Speaker 1: You wake up super early.

159
00:07:25,760 --> 00:07:31,200
Speaker 3: Don't knock it. I am early, rising dead, Okay, you

160
00:07:31,280 --> 00:07:33,120
Speaker 3: and my dad are up at five am.

161
00:07:33,720 --> 00:07:36,640
Speaker 2: And so it was literally just like I had stayed

162
00:07:36,680 --> 00:07:38,600
Speaker 2: up all night in the bathroom.

163
00:07:38,720 --> 00:07:41,160
Speaker 1: So by the time five am rolled around, I was like, well,

164
00:07:41,160 --> 00:07:43,440
Speaker 1: who's up right now? Like, oh, my dad's up.

165
00:07:44,360 --> 00:07:47,200
Speaker 2: So I you know, called my dad and I was

166
00:07:47,240 --> 00:07:50,040
Speaker 2: basically like, so, uh, something's going on.

167
00:07:50,080 --> 00:07:53,000
Speaker 1: I don't really know what's happening. And he was really

168
00:07:53,120 --> 00:07:55,240
Speaker 1: quick to like talk me off that ledge. Like he

169
00:07:55,320 --> 00:07:56,880
Speaker 1: was basically like, you.

170
00:07:56,920 --> 00:08:00,280
Speaker 2: Had an MRI in December and they said every thing

171
00:08:00,360 --> 00:08:03,440
Speaker 2: was fine, so don't worry about it, and you know,

172
00:08:03,600 --> 00:08:06,280
Speaker 2: it's probably just this thing that'll go away. In forty

173
00:08:06,320 --> 00:08:10,040
Speaker 2: eight hours or something, and he was pretty much right.

174
00:08:10,120 --> 00:08:12,080
Speaker 2: I mean it it went away. I mean I'm not

175
00:08:12,200 --> 00:08:16,720
Speaker 2: like a hundo right now, but I'm like not as

176
00:08:16,760 --> 00:08:17,560
Speaker 2: bad as I was.

177
00:08:18,000 --> 00:08:20,440
Speaker 3: Right, Like, you're still replacing some electrolites, but you can

178
00:08:20,480 --> 00:08:22,200
Speaker 3: you can talk for an hour without.

179
00:08:22,480 --> 00:08:24,920
Speaker 2: Peking like we had to can We had to cancel

180
00:08:25,200 --> 00:08:27,920
Speaker 2: one of our recording sessions because it was like right

181
00:08:27,920 --> 00:08:31,200
Speaker 2: in the thick of it. And now that I'm doing this,

182
00:08:31,360 --> 00:08:32,920
Speaker 2: I mean it's like, I feel good enough to be

183
00:08:32,960 --> 00:08:35,520
Speaker 2: on a podcast, so I'm good, you know, I still

184
00:08:35,520 --> 00:08:36,520
Speaker 2: feel a little tired, but.

185
00:08:36,520 --> 00:08:39,120
Speaker 1: Everything else is fine. But yeah, it is a moment.

186
00:08:39,200 --> 00:08:41,960
Speaker 2: I think there are people that are afraid to go

187
00:08:42,000 --> 00:08:45,360
Speaker 2: to the doctor when things go feel bad or when

188
00:08:45,400 --> 00:08:49,040
Speaker 2: things go wrong. I certainly used to be, but now

189
00:08:49,120 --> 00:08:50,440
Speaker 2: I'm kind of on the fence because I was.

190
00:08:50,440 --> 00:08:52,320
Speaker 1: Like, well, I don't want to run to the doctor before.

191
00:08:52,400 --> 00:08:55,000
Speaker 2: I kind of know if I get a tempt on

192
00:08:55,080 --> 00:08:58,400
Speaker 2: what this might be right, And I told myself, if

193
00:08:58,400 --> 00:09:01,800
Speaker 2: the if I have a fever on this day that

194
00:09:01,880 --> 00:09:05,400
Speaker 2: I'm going if this happens, I'm going, like I just

195
00:09:05,440 --> 00:09:06,040
Speaker 2: kind of made.

196
00:09:05,920 --> 00:09:07,600
Speaker 1: These like mile markers for myself.

197
00:09:07,800 --> 00:09:10,319
Speaker 3: I think that's smart. Yeah, but and I mean, I'm

198
00:09:10,320 --> 00:09:11,920
Speaker 3: proud of you because I think that's part of the

199
00:09:11,960 --> 00:09:13,560
Speaker 3: reason I was checking in with you and saying, like,

200
00:09:13,679 --> 00:09:15,080
Speaker 3: go to a doctor. Don't be afraid to go to

201
00:09:15,080 --> 00:09:17,920
Speaker 3: the doctor. It's because I knew that that could be

202
00:09:18,160 --> 00:09:20,720
Speaker 3: could be part of what you were feeling, and when

203
00:09:20,720 --> 00:09:23,200
Speaker 3: you don't know what's wrong, like if you could definitively

204
00:09:23,240 --> 00:09:27,200
Speaker 3: say like, look, I was pounding raw, not raw, but

205
00:09:27,240 --> 00:09:29,120
Speaker 3: like you know, I was just pounding like a handful

206
00:09:29,160 --> 00:09:32,120
Speaker 3: of chicken breasts in my car after Barbelle class, just

207
00:09:32,240 --> 00:09:34,120
Speaker 3: been sitting in my car for five hours. I know

208
00:09:34,160 --> 00:09:36,600
Speaker 3: for a fact this is food poisoning. Then you would

209
00:09:36,600 --> 00:09:39,000
Speaker 3: have felt okay with it, but not knowing what it was,

210
00:09:39,880 --> 00:09:41,680
Speaker 3: I think you handled it really well, and I didn't

211
00:09:41,720 --> 00:09:44,000
Speaker 3: want you to be like freaked out, but I also

212
00:09:44,000 --> 00:09:45,720
Speaker 3: didn't want you to think, well, this is nothing and

213
00:09:45,720 --> 00:09:47,280
Speaker 3: I don't have to go to a doctor. If you

214
00:09:47,400 --> 00:09:49,000
Speaker 3: if it would help you, go to a doctor to

215
00:09:49,080 --> 00:09:51,240
Speaker 3: make you feel better about what was going on, yeah,

216
00:09:51,240 --> 00:09:55,079
Speaker 3: I say go. But you handled it beautifully, and I'm

217
00:09:55,120 --> 00:09:55,880
Speaker 3: really proud of you.

218
00:09:56,520 --> 00:10:00,360
Speaker 1: Well, thank you, because it was, like I mean, wasn't

219
00:10:00,400 --> 00:10:04,200
Speaker 1: pretty obviously just sort of in that general sense of like, oh,

220
00:10:04,280 --> 00:10:09,840
Speaker 1: you're puking all over the place, like that ain't getting ready,

221
00:10:10,360 --> 00:10:11,199
Speaker 1: what's pretty.

222
00:10:10,880 --> 00:10:13,040
Speaker 3: Real intimate with that toilet. Thank god you replaced those

223
00:10:13,080 --> 00:10:14,000
Speaker 3: toilets when you moved.

224
00:10:14,320 --> 00:10:15,600
Speaker 1: Oh, I know, right, And.

225
00:10:15,559 --> 00:10:18,080
Speaker 2: Then but then it's like I was also it was

226
00:10:18,120 --> 00:10:22,000
Speaker 2: like also that I'm pretty of like normally I'm a

227
00:10:22,160 --> 00:10:27,840
Speaker 2: very strong independent woman and now I'm like cursing myself

228
00:10:27,840 --> 00:10:30,400
Speaker 2: for not having married somebody or so, you don't know,

229
00:10:30,440 --> 00:10:34,480
Speaker 2: I was having those things where I'm like, I'm puking alone,

230
00:10:35,440 --> 00:10:43,200
Speaker 2: like why why why am I instacarting emmodia maybe and

231
00:10:43,280 --> 00:10:44,319
Speaker 2: fucking gatorade?

232
00:10:44,600 --> 00:10:49,640
Speaker 3: Fuck me? You know, I was as as a divorced person,

233
00:10:49,679 --> 00:10:52,760
Speaker 3: I can tell you, no matter what your relationship is

234
00:10:52,920 --> 00:10:55,720
Speaker 3: like or who you picked to be within this world,

235
00:10:55,840 --> 00:11:00,920
Speaker 3: when you are puking, you are always puking alone. Anybody

236
00:11:00,960 --> 00:11:04,840
Speaker 3: can do to fucking help you feel better or do

237
00:11:05,080 --> 00:11:08,440
Speaker 3: anything for you, And if someone's just hovering and hanging

238
00:11:08,480 --> 00:11:11,040
Speaker 3: out while you're puking, it is the most annoying thing

239
00:11:11,040 --> 00:11:11,560
Speaker 3: in the world.

240
00:11:11,720 --> 00:11:13,480
Speaker 1: Okay, thank you for the scripture.

241
00:11:13,600 --> 00:11:16,400
Speaker 2: I needed to remember that because honestly, I was like

242
00:11:17,480 --> 00:11:20,600
Speaker 2: truly like feeling like that misery.

243
00:11:20,480 --> 00:11:23,240
Speaker 1: Of like, yeah, I don't know why I made this

244
00:11:23,360 --> 00:11:25,079
Speaker 1: life for myself.

245
00:11:24,600 --> 00:11:28,120
Speaker 2: And I can't believe this, you know, having those moments

246
00:11:28,160 --> 00:11:33,560
Speaker 2: that are not what strong, independent, middle aged women do, right,

247
00:11:33,640 --> 00:11:35,640
Speaker 2: but sick people do. Yeah.

248
00:11:35,880 --> 00:11:38,839
Speaker 3: When I get sick, I'm just like, please, somebody, this

249
00:11:39,480 --> 00:11:42,160
Speaker 3: is the thing that you and I should both be

250
00:11:42,360 --> 00:11:44,040
Speaker 3: worried about, or at least I should say. When I

251
00:11:44,120 --> 00:11:47,000
Speaker 3: had food poisoning, this is what I was worried about,

252
00:11:47,040 --> 00:11:50,720
Speaker 3: because my first thought was it's entirely possible. I'm just

253
00:11:50,760 --> 00:11:54,680
Speaker 3: going to shit myself to death, yes on this toilet.

254
00:11:55,160 --> 00:11:55,400
Speaker 1: Yes.

255
00:11:55,800 --> 00:11:58,720
Speaker 3: So then my worry became what if I die in

256
00:11:58,800 --> 00:12:02,440
Speaker 3: my house alone? Oh? Yeah, that's the real worry, is

257
00:12:02,440 --> 00:12:05,440
Speaker 3: like what if I fucking collapsed in here? Yes? And

258
00:12:05,440 --> 00:12:08,320
Speaker 3: then nobody what Carrot. Carrot's not gonna do anything. He's

259
00:12:08,320 --> 00:12:10,720
Speaker 3: just gonna be like in my face with his hot breath,

260
00:12:10,800 --> 00:12:12,720
Speaker 3: being like, where's my dinner? Yeah?

261
00:12:12,720 --> 00:12:15,040
Speaker 1: And do you Okay? This is gonna get dark.

262
00:12:17,600 --> 00:12:19,599
Speaker 2: Not that we've ever been afraid of dark, but it

263
00:12:19,679 --> 00:12:21,280
Speaker 2: might be a little dark for some folks.

264
00:12:21,840 --> 00:12:24,480
Speaker 3: Go for it. We need the darkness to counterbalance the

265
00:12:24,559 --> 00:12:25,920
Speaker 3: levity of what's coming.

266
00:12:26,160 --> 00:12:27,880
Speaker 1: I told you it's gonna get weird today.

267
00:12:28,080 --> 00:12:31,560
Speaker 2: Do you ever, as a woman living on her own,

268
00:12:31,840 --> 00:12:35,720
Speaker 2: do you ever sometimes think, Oh, I'm shitting myself to

269
00:12:35,840 --> 00:12:40,480
Speaker 2: death right now? Am I do? I? Should I change

270
00:12:40,520 --> 00:12:44,800
Speaker 2: this shirt? Should I like put a brawl on? Should

271
00:12:44,800 --> 00:12:48,400
Speaker 2: I like put on it like a necklace, because I

272
00:12:48,400 --> 00:12:52,520
Speaker 2: don't want to die with the worst pair of underwear I.

273
00:12:52,440 --> 00:12:57,880
Speaker 1: Own and in a fucking Gigi Allen T shirt or.

274
00:12:57,880 --> 00:13:04,479
Speaker 3: Something like you know, a GGI.

275
00:13:09,920 --> 00:13:14,439
Speaker 1: This woman loves puking. We noticed because of the Gill

276
00:13:14,640 --> 00:13:15,480
Speaker 1: T shirt.

277
00:13:17,040 --> 00:13:19,240
Speaker 3: They have, Like a CSI person come in and they're like,

278
00:13:19,320 --> 00:13:22,600
Speaker 3: these stains are at least three days old. This lady

279
00:13:22,640 --> 00:13:23,559
Speaker 3: loved a puke.

280
00:13:26,720 --> 00:13:28,000
Speaker 1: T shirt told us so much.

281
00:13:29,640 --> 00:13:32,920
Speaker 3: I truly have never had that thought because in my

282
00:13:33,040 --> 00:13:34,840
Speaker 3: day to day life, I'm such a dirt bag that

283
00:13:34,880 --> 00:13:36,840
Speaker 3: it just never crosses my mind. I feel like, if

284
00:13:36,840 --> 00:13:40,520
Speaker 3: I die, I have shipped myself to death. So I'm

285
00:13:40,520 --> 00:13:44,240
Speaker 3: probably either on the toilet or near the toilet my underwear.

286
00:13:44,280 --> 00:13:46,280
Speaker 3: I already have to throw them out because I basically

287
00:13:46,360 --> 00:13:50,480
Speaker 3: practically shit myself already, So those gotta go, as far

288
00:13:50,520 --> 00:13:55,520
Speaker 3: as a bra or anything like jewelry related. So sorry,

289
00:13:55,760 --> 00:13:57,920
Speaker 3: Like there's enough going on downstairs that you shouldn't even

290
00:13:57,960 --> 00:14:01,840
Speaker 3: be paying attention to what's going on upstairs. EMTs. EMTs

291
00:14:01,840 --> 00:14:03,640
Speaker 3: are just gonna get what they get when I When

292
00:14:03,679 --> 00:14:07,520
Speaker 3: I finally go, it is gonna be like the crypt

293
00:14:07,640 --> 00:14:10,360
Speaker 3: keeper at any age, even if I go tomorrow, they're

294
00:14:10,400 --> 00:14:12,800
Speaker 3: gonna be like, has this bitch been dead already for

295
00:14:12,800 --> 00:14:19,240
Speaker 3: ten years? Her skin is dry as shit, she's a

296
00:14:19,320 --> 00:14:24,440
Speaker 3: fucking husk. I'm a person. She's not wearing makeup, This

297
00:14:24,560 --> 00:14:27,600
Speaker 3: hair isn't done. This hair is dry, the hair has

298
00:14:27,600 --> 00:14:30,920
Speaker 3: been wrapped up, not done. These fingernails have been chewed

299
00:14:30,960 --> 00:14:33,320
Speaker 3: to oblivion, Like has this bitch been dead for ten

300
00:14:33,400 --> 00:14:38,520
Speaker 3: years already? And that's just me every day in my

301
00:14:38,560 --> 00:14:41,160
Speaker 3: life walking around. I went to the store today. I

302
00:14:41,240 --> 00:14:43,560
Speaker 3: have a one pair of pants that's a size too big,

303
00:14:44,160 --> 00:14:46,280
Speaker 3: and I'll usually wear them on like my bloated days

304
00:14:46,360 --> 00:14:49,200
Speaker 3: or whatever, and lately they've just made their way into

305
00:14:49,280 --> 00:14:52,400
Speaker 3: the rotation, so I'll put them on and once I'm dressed,

306
00:14:52,480 --> 00:14:55,040
Speaker 3: I'm dressed, I'm not changing. So I put them on

307
00:14:55,080 --> 00:14:57,000
Speaker 3: and I'm like, oh, these are the big ones. Oh well,

308
00:14:57,360 --> 00:14:59,480
Speaker 3: and I'm walking around like trying to hold my pants up.

309
00:14:59,520 --> 00:15:01,120
Speaker 3: I had to go to the hardware store today, to

310
00:15:01,200 --> 00:15:04,880
Speaker 3: the feed store and buy some light bulbs. And as

311
00:15:04,880 --> 00:15:07,240
Speaker 3: I'm walking in, I'm like hiking my pants up. And

312
00:15:07,280 --> 00:15:09,600
Speaker 3: then I looked down and I realized I had I

313
00:15:09,640 --> 00:15:13,480
Speaker 3: had baked beans for lunch. Again, Hobo lifestyle. I had some.

314
00:15:13,920 --> 00:15:16,040
Speaker 3: I had some baked bean juice on my t shirt.

315
00:15:16,280 --> 00:15:18,480
Speaker 3: My hair was wrapped, I had no earrings on, I

316
00:15:18,520 --> 00:15:22,360
Speaker 3: wasn't wearing my glasses, and I overplucked my eyebrows for

317
00:15:22,400 --> 00:15:24,480
Speaker 3: the first time in about twenty years, so I have

318
00:15:24,480 --> 00:15:26,440
Speaker 3: a big old ball spot in one of my eyebrows.

319
00:15:26,560 --> 00:15:30,360
Speaker 3: I looked nuts, and I'm like hiking up my pants

320
00:15:30,400 --> 00:15:33,960
Speaker 3: with my stained shirt and my fucking wonky eyebrow, and

321
00:15:34,000 --> 00:15:36,600
Speaker 3: I'm like, yeah, this is just me going to the store.

322
00:15:36,880 --> 00:15:39,440
Speaker 3: So if I shit myself to death on a toilet,

323
00:15:39,760 --> 00:15:42,200
Speaker 3: you get what you get. And don't even don't even

324
00:15:42,200 --> 00:15:44,560
Speaker 3: gusting me up in the casket. Just let be like, Yeah,

325
00:15:44,600 --> 00:15:48,920
Speaker 3: that's the Danielle. We know that motherfucker right there. Yo.

326
00:15:49,480 --> 00:15:53,080
Speaker 2: That is truly some jiugi alum shit, because basically that's

327
00:15:53,160 --> 00:15:55,960
Speaker 2: the way when when he died, he was like, do

328
00:15:56,120 --> 00:15:59,120
Speaker 2: not balm me put me in the casket with nothing.

329
00:15:59,160 --> 00:16:01,320
Speaker 2: I want to wear my clothes like I'm this is

330
00:16:01,320 --> 00:16:03,920
Speaker 2: how I'm going out. So that's basically what you're saying

331
00:16:04,000 --> 00:16:04,440
Speaker 2: right now.

332
00:16:04,640 --> 00:16:06,800
Speaker 3: Oh yeah, return me to wrap me in muslin and

333
00:16:06,840 --> 00:16:09,040
Speaker 3: bury me under a tree, like, don't even put the

334
00:16:09,120 --> 00:16:12,680
Speaker 3: effort forward. Just be like, yep, that's her disgusting. When

335
00:16:12,720 --> 00:16:14,280
Speaker 3: I go, I want you to like, if I have

336
00:16:14,360 --> 00:16:16,880
Speaker 3: dorito dust or something, just leave it there. Just leave

337
00:16:16,920 --> 00:16:21,600
Speaker 3: it on my cheek. If my tongue is orange because

338
00:16:21,640 --> 00:16:24,880
Speaker 3: I've been chowing down on orange tic TACs. That's the

339
00:16:24,920 --> 00:16:27,840
Speaker 3: way that I lived. I want to die how I lived,

340
00:16:27,880 --> 00:16:33,440
Speaker 3: which is disgusting. So I'm impressed that you even consider

341
00:16:33,520 --> 00:16:35,240
Speaker 3: making the effort to put on a necklace.

342
00:16:35,560 --> 00:16:40,960
Speaker 2: Okay, it's not even a vanity thing other than don't

343
00:16:41,360 --> 00:16:43,240
Speaker 2: you tell the tale about me?

344
00:16:43,760 --> 00:16:45,400
Speaker 3: Like you want to write your own story.

345
00:16:45,600 --> 00:16:49,720
Speaker 4: Yeah, I'm like, listen, it normally doesn't look this bad

346
00:16:49,760 --> 00:16:54,680
Speaker 4: in here, like I fucking clean my house, Like please

347
00:16:54,840 --> 00:17:00,000
Speaker 4: please believe that there's not like fucking garbage everywhere, because

348
00:17:00,080 --> 00:17:02,760
Speaker 4: I haven't been able to literally stand up for more

349
00:17:02,800 --> 00:17:04,399
Speaker 4: than five seconds without.

350
00:17:05,000 --> 00:17:05,919
Speaker 1: Puking on myself.

351
00:17:05,920 --> 00:17:07,080
Speaker 2: You know, what do you mean this other thing where

352
00:17:07,080 --> 00:17:09,879
Speaker 2: you're like they're gonna come in here and do the

353
00:17:10,000 --> 00:17:13,320
Speaker 2: because no one here is no one lives here but me. Yeah,

354
00:17:13,320 --> 00:17:15,680
Speaker 2: and no one can corroborate the story that I was

355
00:17:15,720 --> 00:17:17,359
Speaker 2: a good person and I was clean.

356
00:17:18,040 --> 00:17:20,240
Speaker 3: Uh, there's just a wellness check and be like she

357
00:17:20,440 --> 00:17:22,600
Speaker 3: was not well. She was not well.

358
00:17:22,840 --> 00:17:25,160
Speaker 1: Yeah, she was actually fucking crazy.

359
00:17:25,400 --> 00:17:28,760
Speaker 2: And then we have you know, sixty something episodes of

360
00:17:28,800 --> 00:17:32,480
Speaker 2: this podcast she did where she laughed too loud, like absolutely,

361
00:17:32,680 --> 00:17:36,919
Speaker 2: the signs were there, like we knew the entire time

362
00:17:37,560 --> 00:17:39,440
Speaker 2: that she was losing her shit.

363
00:17:41,480 --> 00:17:45,720
Speaker 3: A and then Casey and Alexis are going to release

364
00:17:45,800 --> 00:17:50,560
Speaker 3: like the burp reels, like, oh my god, James, these

365
00:17:50,600 --> 00:17:53,760
Speaker 3: two ladies just burped at the start of every episode.

366
00:17:54,800 --> 00:18:03,000
Speaker 3: My god, they were telegraphing so much every week. I

367
00:18:03,040 --> 00:18:05,640
Speaker 3: love that. I in the cartoon version of this in

368
00:18:05,680 --> 00:18:10,040
Speaker 3: my mind, you are in your bathroom. It's coming out

369
00:18:10,080 --> 00:18:12,679
Speaker 3: of both ends like a faucet, and you're trying to

370
00:18:12,680 --> 00:18:16,080
Speaker 3: swiffer like that is what's going on. You got like

371
00:18:16,080 --> 00:18:18,840
Speaker 3: the swiffer wet jent, just pushing it into the corners

372
00:18:18,840 --> 00:18:20,960
Speaker 3: and trying to trying to clean up as you go.

373
00:18:21,480 --> 00:18:26,520
Speaker 2: Listen, this is actually fucking true about me, because like, okay,

374
00:18:26,880 --> 00:18:30,000
Speaker 2: what what, Like my mom and dad will tell you

375
00:18:30,040 --> 00:18:32,600
Speaker 2: this story, like what I got out of the hospital, like,

376
00:18:32,720 --> 00:18:35,040
Speaker 2: you know, a couple of years ago. It was literally

377
00:18:35,119 --> 00:18:37,760
Speaker 2: like within twenty four hours of literally being out of

378
00:18:37,760 --> 00:18:42,840
Speaker 2: a hospital with an open wound, wound vacuum across my abdomen.

379
00:18:43,440 --> 00:18:47,560
Speaker 2: I was still on antibiotics, and I was cleaning my apartment.

380
00:18:47,680 --> 00:18:50,840
Speaker 2: Like I was in my apartment, remember, like pushing shit

381
00:18:50,960 --> 00:18:54,760
Speaker 2: around and I was fucking mopping, you know. I was like, yes,

382
00:18:54,920 --> 00:18:57,440
Speaker 2: I'm back, baby, I'm back. And my dad is literally

383
00:18:57,480 --> 00:18:58,919
Speaker 2: like they went out to the store to get me.

384
00:18:59,240 --> 00:19:01,600
Speaker 2: You're gonna hate this muscle milk.

385
00:19:01,720 --> 00:19:02,520
Speaker 1: Because.

386
00:19:04,480 --> 00:19:06,120
Speaker 3: How dare you.

387
00:19:06,320 --> 00:19:08,119
Speaker 2: I can not tell you this at the time that

388
00:19:08,160 --> 00:19:12,880
Speaker 2: we discussed this, but my doctors prescribed to be muscle milk.

389
00:19:12,920 --> 00:19:15,320
Speaker 2: They basically like, you need to drink this to get

390
00:19:15,359 --> 00:19:16,360
Speaker 2: your back.

391
00:19:16,920 --> 00:19:18,800
Speaker 3: That is some LA shit, because let me tell you,

392
00:19:18,840 --> 00:19:22,600
Speaker 3: across the nation that would have been ensure. But LA

393
00:19:22,800 --> 00:19:24,359
Speaker 3: is like you need some muscle milk.

394
00:19:24,440 --> 00:19:26,760
Speaker 1: Yeah, you need some chia seeds and muscle milk.

395
00:19:27,080 --> 00:19:30,080
Speaker 2: They so basically they went out to the store and

396
00:19:30,119 --> 00:19:32,440
Speaker 2: they will they will tell the tale that they came

397
00:19:32,440 --> 00:19:34,720
Speaker 2: back and I was like pushing a mop around like

398
00:19:34,760 --> 00:19:38,760
Speaker 2: I'm fucking Carol Burnett and they're they're like, what are

399
00:19:38,760 --> 00:19:42,560
Speaker 2: you doing, Like you're not supposed to be actively sick

400
00:19:42,600 --> 00:19:44,120
Speaker 2: and cleaning at the same time.

401
00:19:44,480 --> 00:19:48,119
Speaker 3: So I remember this. I remember because I remember saying

402
00:19:48,119 --> 00:19:50,120
Speaker 3: to you, Hey, if you need someone to walk Sophie

403
00:19:50,320 --> 00:19:52,639
Speaker 3: or like take your laundry or do anything like, just

404
00:19:52,680 --> 00:19:54,600
Speaker 3: like I'll be there, like I'll do it. And you're like, nah,

405
00:19:54,600 --> 00:19:56,520
Speaker 3: I got it, And I'm like, you don't got it.

406
00:19:56,600 --> 00:20:00,680
Speaker 1: You just gotta I know. So that's the thing is

407
00:20:00,800 --> 00:20:01,120
Speaker 1: I am.

408
00:20:01,280 --> 00:20:04,679
Speaker 2: I would be that woman that's like shitting and puging

409
00:20:04,680 --> 00:20:07,000
Speaker 2: at the same time while swiffering, Like.

410
00:20:07,040 --> 00:20:10,520
Speaker 3: You don't you know that picture of like the lovers

411
00:20:10,600 --> 00:20:13,200
Speaker 3: that died and they're like two skeletons that are intertwined

412
00:20:13,720 --> 00:20:16,199
Speaker 3: and they died hugging. That's gonna be you with a

413
00:20:16,240 --> 00:20:18,720
Speaker 3: swiffer or a mop or like a cinnamon broom or something.

414
00:20:18,720 --> 00:20:28,480
Speaker 3: They'll be like, she's died cratling this swiffer end. She

415
00:20:28,640 --> 00:20:30,480
Speaker 3: was clean until the bitterer end.

416
00:20:32,880 --> 00:20:35,000
Speaker 2: She was shitting, but she still wanted this place to

417
00:20:35,040 --> 00:20:37,480
Speaker 2: smell like cinnamon, and for that we loved her.

418
00:20:38,080 --> 00:20:39,959
Speaker 3: Meanwhile, they're gonna come into my house and be like

419
00:20:40,400 --> 00:20:44,639
Speaker 3: a serial killer. Absolutely lives here.

420
00:20:45,480 --> 00:20:47,640
Speaker 1: Look at these funky ass fingernails.

421
00:20:48,240 --> 00:20:52,760
Speaker 3: Look at his motherfucking house. Look at this motherfucking lady. Wow,

422
00:20:52,920 --> 00:20:56,160
Speaker 3: someone should have done an intervention on her years ago,

423
00:20:57,880 --> 00:21:02,280
Speaker 3: years And you're gonna be like, in that little cradle,

424
00:21:02,400 --> 00:21:04,800
Speaker 3: little cradle with your swiffer, will still it's cradle.

425
00:21:06,960 --> 00:21:10,000
Speaker 1: We have such great outlooks of our future.

426
00:21:11,880 --> 00:21:13,159
Speaker 3: Those are so bleak.

427
00:21:14,000 --> 00:21:19,199
Speaker 2: Who like you thought the Duncan fucking Donuts guy was

428
00:21:19,480 --> 00:21:20,600
Speaker 2: clinically depressed.

429
00:21:21,520 --> 00:21:23,679
Speaker 1: Get a load of these two, Get a load of

430
00:21:23,680 --> 00:21:24,200
Speaker 1: these two.

431
00:21:25,200 --> 00:21:29,000
Speaker 3: Oh good? Oh. The only upswing is that I'm gonna

432
00:21:29,040 --> 00:21:33,080
Speaker 3: have a ninety year old roommate soon and uh if

433
00:21:33,119 --> 00:21:36,560
Speaker 3: I'm a wave of but here's the thing. If I

434
00:21:36,720 --> 00:21:40,720
Speaker 3: die up here, I'm still gonna rot because she can't

435
00:21:40,760 --> 00:21:41,360
Speaker 3: do steps.

436
00:21:41,760 --> 00:21:45,040
Speaker 1: So yeah, listen that that's that's.

437
00:21:45,200 --> 00:21:48,359
Speaker 2: This is again another thing where you're just sort of like, Okay, well,

438
00:21:49,440 --> 00:21:51,119
Speaker 2: somebody's still gonna tell the tale about me.

439
00:21:51,200 --> 00:21:52,520
Speaker 1: I suppose because.

440
00:21:52,520 --> 00:21:54,520
Speaker 3: Somebody, somebody will come and check on her and then

441
00:21:54,560 --> 00:21:56,480
Speaker 3: they'll be like, oh, we haven't seen Danielle in a

442
00:21:56,520 --> 00:21:59,400
Speaker 3: couple of weeks. Yeah, and she'll be like, I have dementia.

443
00:21:59,440 --> 00:22:00,040
Speaker 3: I don't know that.

444
00:22:00,560 --> 00:22:04,360
Speaker 2: Yeah, And then you got your fucking little cutie cat

445
00:22:04,880 --> 00:22:08,640
Speaker 2: Carrot sitting around with a toothpick hanging out of his.

446
00:22:08,640 --> 00:22:09,440
Speaker 1: Mouth, being like.

447
00:22:10,880 --> 00:22:14,199
Speaker 2: About time all showed up. This is a house of

448
00:22:14,240 --> 00:22:16,440
Speaker 2: horrors right here. I don't know where we all been

449
00:22:17,840 --> 00:22:21,360
Speaker 2: on Heathcliff tap dancing for some sardines.

450
00:22:21,480 --> 00:22:22,600
Speaker 1: Now what the fuck?

451
00:22:23,400 --> 00:22:33,800
Speaker 3: Oh good, full on, they'd be like that one died,

452
00:22:33,920 --> 00:22:37,159
Speaker 3: this one has dementia. Absolutely nobody is feeding carrot. Nobody's

453
00:22:37,200 --> 00:22:40,280
Speaker 3: caring about carrot right now. How about challcome up and

454
00:22:40,320 --> 00:22:42,119
Speaker 3: send me to the ASPCA.

455
00:22:43,119 --> 00:22:45,520
Speaker 1: This isn't truly the darkest intro we've ever.

456
00:22:45,400 --> 00:22:55,480
Speaker 3: Done, and yet hilaryous, Oh my good. Look, it was

457
00:22:55,520 --> 00:22:58,320
Speaker 3: a dark week. It was a dark week truly. But

458
00:22:58,359 --> 00:23:01,080
Speaker 3: you know, no I said I wouldn't, but I absolutely

459
00:23:01,080 --> 00:23:04,240
Speaker 3: have coffee for this recording. Yeah, in honor of this recording.

460
00:23:04,400 --> 00:23:07,679
Speaker 2: Yeah, I had two diet Cokes within an hour. So

461
00:23:08,680 --> 00:23:10,359
Speaker 2: I'm cranked, if you know what I mean.

462
00:23:10,400 --> 00:23:12,080
Speaker 3: I feel like we should get into it.

463
00:23:12,359 --> 00:23:15,000
Speaker 2: Yeah, I mean, listen, we're gonna make this transition right

464
00:23:15,040 --> 00:23:16,400
Speaker 2: now from the.

465
00:23:16,440 --> 00:23:19,119
Speaker 1: Darkest outlooks of life.

466
00:23:19,119 --> 00:23:24,479
Speaker 2: To something way more, way more positive and also just

467
00:23:24,520 --> 00:23:29,240
Speaker 2: like really really fucking insane, And I'm so excited.

468
00:23:29,760 --> 00:23:31,879
Speaker 3: Look, we're about to get bonkers and that's all that

469
00:23:31,920 --> 00:23:35,320
Speaker 3: we need to say. It's gonna get bonkers in here.

470
00:23:41,960 --> 00:23:44,520
Speaker 2: Okay, it's about to get bonkers in here, right. We

471
00:23:44,600 --> 00:23:48,160
Speaker 2: got this in Credis episode Why don't you tell them

472
00:23:48,200 --> 00:23:50,320
Speaker 2: what the theme is this week?

473
00:23:50,760 --> 00:23:54,720
Speaker 3: Longtime listeners might be aware of what our theme is

474
00:23:54,760 --> 00:23:57,480
Speaker 3: this week, but even for the newbies, have we got

475
00:23:57,480 --> 00:24:01,040
Speaker 3: a treat for you because our theme is all the

476
00:24:01,080 --> 00:24:03,880
Speaker 3: Way up? Statham fist.

477
00:24:05,119 --> 00:24:05,760
Speaker 1: Poop pew.

478
00:24:10,520 --> 00:24:19,159
Speaker 3: I'm sorry, so sorry. I just want Jason Statham to

479
00:24:19,200 --> 00:24:24,359
Speaker 3: start in Western Union commercials, but he's not. He's started

480
00:24:24,359 --> 00:24:27,000
Speaker 3: in these movies and we are talking about them. Are

481
00:24:27,040 --> 00:24:30,240
Speaker 3: all the way up? Theme is usually based around an

482
00:24:30,320 --> 00:24:34,480
Speaker 3: actor that, despite whether the scene or movie calls for

483
00:24:34,520 --> 00:24:37,040
Speaker 3: it or not, they cannot help but take every scene

484
00:24:37,080 --> 00:24:37,800
Speaker 3: to eleven.

485
00:24:38,119 --> 00:24:39,359
Speaker 1: Yes, exactly.

486
00:24:39,440 --> 00:24:44,880
Speaker 2: And in previous episodes we've discussed movies starring the likes

487
00:24:44,960 --> 00:24:51,720
Speaker 2: of Leonardo DiCaprio, Tom Hardy, and we've been teasing you

488
00:24:53,040 --> 00:24:57,280
Speaker 2: with this Statham thing, and we finally had to do

489
00:24:57,359 --> 00:24:59,240
Speaker 2: it to you. I mean, we were so we had

490
00:24:59,240 --> 00:25:01,320
Speaker 2: had this on the cal for a very long time.

491
00:25:01,560 --> 00:25:03,320
Speaker 2: We were just like, when are we dropping it? In

492
00:25:03,680 --> 00:25:06,880
Speaker 2: it felt like the right time to do it. And honestly,

493
00:25:07,160 --> 00:25:11,480
Speaker 2: like I was like, how come this can happen every week?

494
00:25:11,680 --> 00:25:15,680
Speaker 2: Like Washington movies like this every week? Because I want

495
00:25:15,760 --> 00:25:17,600
Speaker 2: first of all, I want to know a little bit.

496
00:25:17,880 --> 00:25:22,159
Speaker 2: So Jason Statham, the actor, the action movie star, I

497
00:25:22,200 --> 00:25:26,280
Speaker 2: would say, like the worldwide. I mean he's a world

498
00:25:26,040 --> 00:25:29,919
Speaker 2: wid Yeah, international celebrity, worldwide.

499
00:25:30,720 --> 00:25:35,760
Speaker 3: He's mister worldwide worldwide. Also ps carrot hopped on my

500
00:25:35,880 --> 00:25:38,320
Speaker 3: lap as soon as we started talking about Jason Statham.

501
00:25:38,359 --> 00:25:41,920
Speaker 3: So if you hear purring, it's because he is Stathum approved.

502
00:25:42,400 --> 00:25:45,879
Speaker 1: Listen, even Kats love him. He is that he is

503
00:25:45,920 --> 00:25:48,640
Speaker 1: that famous, and you know, to me.

504
00:25:48,920 --> 00:25:51,760
Speaker 2: He he really kind of fits in that tradition of

505
00:25:51,800 --> 00:25:56,080
Speaker 2: those like huge international action stars obviously like Schwartzen Agger,

506
00:25:56,359 --> 00:26:00,080
Speaker 2: like Clint Eastwood, like you know, Stallone, all those types.

507
00:26:00,440 --> 00:26:03,160
Speaker 1: But I actually it's funny, I don't really know much

508
00:26:03,200 --> 00:26:03,920
Speaker 1: about his.

509
00:26:04,400 --> 00:26:06,600
Speaker 2: Life, Like I don't know much about him, yeah, and

510
00:26:06,640 --> 00:26:09,600
Speaker 2: I figured you might know a little something.

511
00:26:09,359 --> 00:26:11,960
Speaker 3: Right, I definitely do, because he kind of came out

512
00:26:12,000 --> 00:26:15,040
Speaker 3: of nowhere and was just like, Hi, I'm action guy

513
00:26:15,200 --> 00:26:16,639
Speaker 3: and You're like, wait, what who are you?

514
00:26:17,000 --> 00:26:20,160
Speaker 1: Yeah? No, I feel like that's exactly what happened.

515
00:26:20,280 --> 00:26:23,359
Speaker 3: No, Yeah, and it kind of did. Like, so Jason

516
00:26:23,400 --> 00:26:27,920
Speaker 3: Statham is British. He was actually a member of Britain's

517
00:26:28,000 --> 00:26:31,680
Speaker 3: national diving team, like and competed in the Commonwealth Games.

518
00:26:31,760 --> 00:26:35,120
Speaker 3: Like that was his young in his younger years, that's

519
00:26:35,119 --> 00:26:38,639
Speaker 3: what he did, and that parlayed into a career as

520
00:26:38,680 --> 00:26:41,879
Speaker 3: a model. He also grew up with Vinnie Jones, the

521
00:26:41,920 --> 00:26:44,399
Speaker 3: footballer who was in a lot of Guy Ritchie movies

522
00:26:44,920 --> 00:26:49,000
Speaker 3: and his modeling, and I'm thinking his correlation to Vinnie

523
00:26:49,040 --> 00:26:51,960
Speaker 3: Jones as well is what put him on Guy Ritchie's radar.

524
00:26:52,240 --> 00:26:55,560
Speaker 3: So he started acting in Guy Ritchie films and then

525
00:26:55,600 --> 00:26:58,600
Speaker 3: became you know, he's always does kind of these rough

526
00:26:58,640 --> 00:27:02,240
Speaker 3: and tumble guys and kind of rough characters. And he

527
00:27:02,520 --> 00:27:06,960
Speaker 3: has on his own done kickboxing and different types of

528
00:27:07,000 --> 00:27:09,560
Speaker 3: martial arts. So like, he was a fit dude who

529
00:27:09,600 --> 00:27:13,320
Speaker 3: was into action stuff already, so it made sense to

530
00:27:13,359 --> 00:27:16,400
Speaker 3: then just PLoP him into an action movie role. Yeah,

531
00:27:16,480 --> 00:27:18,560
Speaker 3: and that's where he got started, and he's just been

532
00:27:18,600 --> 00:27:21,480
Speaker 3: in a million movies since. He seems like kind of

533
00:27:21,480 --> 00:27:23,800
Speaker 3: a nice guy and yeah, like in general, like I

534
00:27:23,840 --> 00:27:26,240
Speaker 3: don't know if you've checked out his instagrams. His Instagram

535
00:27:26,240 --> 00:27:30,080
Speaker 3: stories are very funny, and he lives in a sick

536
00:27:30,240 --> 00:27:34,480
Speaker 3: house with Rosy Huntington Whiteley, who's also another actor. They

537
00:27:34,480 --> 00:27:37,600
Speaker 3: have a little kid named Oscar. But his house is

538
00:27:37,680 --> 00:27:40,119
Speaker 3: like so well appointed.

539
00:27:40,359 --> 00:27:44,320
Speaker 2: Oh that is easily one of my favorite little factoids

540
00:27:44,320 --> 00:27:47,600
Speaker 2: about him. And I honestly I don't I didn't know.

541
00:27:47,680 --> 00:27:49,280
Speaker 2: I just told you I didn't know much about him,

542
00:27:49,280 --> 00:27:53,639
Speaker 2: but I did read. I did read the Architectural Digest

543
00:27:54,520 --> 00:27:58,000
Speaker 2: right up of his house in La which is this

544
00:27:58,480 --> 00:28:02,040
Speaker 2: fucking gorgeous mid century modern a state.

545
00:28:02,080 --> 00:28:03,240
Speaker 1: I mean, it looks incredible.

546
00:28:03,280 --> 00:28:05,800
Speaker 2: I mean it looks like I joked about this in

547
00:28:05,840 --> 00:28:09,800
Speaker 2: our slack, but it looks like the house that Rock

548
00:28:09,920 --> 00:28:15,159
Speaker 2: Hudson got drunken in seconds. It's so yeah, it's like

549
00:28:15,200 --> 00:28:18,520
Speaker 2: this great like you know, Florida ceiling windows. I mean

550
00:28:18,520 --> 00:28:22,919
Speaker 2: it's like perfect period piece furniture. Like I was like

551
00:28:23,040 --> 00:28:27,719
Speaker 2: looking at the photo spread from that Architectural Digest article

552
00:28:27,800 --> 00:28:31,560
Speaker 2: and he's got like he's quoted as saying like he

553
00:28:31,640 --> 00:28:34,440
Speaker 2: loves Danish furniture and art and everything, and I'm just

554
00:28:34,480 --> 00:28:37,000
Speaker 2: like it's a thing where you're like, oh, you don't

555
00:28:37,000 --> 00:28:37,960
Speaker 2: expect this guy.

556
00:28:38,640 --> 00:28:42,560
Speaker 1: That's like you know, punching dudes through a door.

557
00:28:43,920 --> 00:28:50,400
Speaker 2: To have like this great aesthetic, you know, this great taste, and.

558
00:28:50,360 --> 00:28:53,040
Speaker 1: So I just love that. I actually think that's super

559
00:28:53,040 --> 00:28:53,880
Speaker 1: cool about him.

560
00:28:54,360 --> 00:28:56,280
Speaker 3: I think I do too. I think that adds to me,

561
00:28:56,360 --> 00:28:59,719
Speaker 3: that adds to his mystique, and he just makes him

562
00:28:59,760 --> 00:29:02,640
Speaker 3: much more down to earth like he he has said

563
00:29:02,680 --> 00:29:06,520
Speaker 3: in the past that stunt people deserve their own oscars,

564
00:29:06,560 --> 00:29:09,640
Speaker 3: and he's really like champion people who work on set

565
00:29:09,720 --> 00:29:11,880
Speaker 3: with him, like he's just a nice guy who has

566
00:29:11,920 --> 00:29:14,200
Speaker 3: good taste and seems to be a good person at

567
00:29:14,240 --> 00:29:16,040
Speaker 3: the time of this recording, at.

568
00:29:15,960 --> 00:29:17,880
Speaker 2: The time of the we always have to add that

569
00:29:17,960 --> 00:29:21,200
Speaker 2: little asterisk, right, look in twenty twenty two, you never know,

570
00:29:21,640 --> 00:29:25,640
Speaker 2: Yeah you can't, he can't just not do it. But yeah,

571
00:29:25,680 --> 00:29:28,000
Speaker 2: I what's it, Joe. I also think too, like what

572
00:29:28,120 --> 00:29:30,360
Speaker 2: makes him all the way up right, because that's kind

573
00:29:30,360 --> 00:29:33,160
Speaker 2: of the thing. We try to figure this out. I

574
00:29:33,200 --> 00:29:35,320
Speaker 2: think with Tom Hardy and Leonardo DiCaprio.

575
00:29:35,760 --> 00:29:38,080
Speaker 1: I tried, really, I actually did try.

576
00:29:38,120 --> 00:29:40,800
Speaker 2: I'd be like, here's my you know, argument for why

577
00:29:40,800 --> 00:29:43,120
Speaker 2: I think Leonardo DiCaprio is this, you know, and I

578
00:29:43,200 --> 00:29:46,160
Speaker 2: was like, he's older, you know, his older acting period

579
00:29:46,240 --> 00:29:52,400
Speaker 2: or whatever. But with him, because to me, he he's

580
00:29:52,400 --> 00:29:54,560
Speaker 2: sort of more. When I say that he's kind of

581
00:29:54,640 --> 00:29:57,640
Speaker 2: like a Schwarzenegger stallone, I actually think he's more like

582
00:29:57,680 --> 00:30:02,240
Speaker 2: a Van dam Like he's leaner. He's into martial arts,

583
00:30:02,280 --> 00:30:07,880
Speaker 2: which I'm gonna dangle this out there for you, Daniel, martial.

584
00:30:07,600 --> 00:30:09,960
Speaker 1: Arts guys okay in general.

585
00:30:10,400 --> 00:30:14,680
Speaker 2: In general, like a guy that really gets into martial arts,

586
00:30:15,200 --> 00:30:17,040
Speaker 2: I'm like, here's there's something there.

587
00:30:17,080 --> 00:30:18,520
Speaker 1: There's something going on for me.

588
00:30:18,840 --> 00:30:21,960
Speaker 3: A guy that's really into martial arts is a red flag.

589
00:30:26,120 --> 00:30:28,960
Speaker 3: Even Jason Sathum, if Jason Stathum walked up to me

590
00:30:29,000 --> 00:30:31,480
Speaker 3: on the street and was a nobody and was just like,

591
00:30:31,520 --> 00:30:33,200
Speaker 3: I work at a stall, Like I work at that

592
00:30:33,280 --> 00:30:35,120
Speaker 3: shop over there, and then we go out on a

593
00:30:35,200 --> 00:30:37,239
Speaker 3: date and he's like, I'm really into martial arts. I

594
00:30:37,280 --> 00:30:42,880
Speaker 3: am check please, And I don't know why white guys

595
00:30:42,880 --> 00:30:47,320
Speaker 3: that are into martial arts. I'm just like, yeah, I'm

596
00:30:47,440 --> 00:30:49,280
Speaker 3: a Katana, I'm calling the cops.

597
00:30:49,840 --> 00:30:53,280
Speaker 2: Look, maybe I'm self hating. Maybe I'll throw that out there.

598
00:30:54,320 --> 00:30:56,880
Speaker 2: But what I grew up in the when I was

599
00:30:57,080 --> 00:30:58,640
Speaker 2: a little kid, like when I was in the eighties,

600
00:30:59,360 --> 00:31:02,200
Speaker 2: Damned that I a white guy that like had nun chucks.

601
00:31:02,320 --> 00:31:06,560
Speaker 2: Like I was like, who is this fascinating interesting boy?

602
00:31:07,600 --> 00:31:10,200
Speaker 3: Like, not nunchucks in general were always the gate that

603
00:31:10,400 --> 00:31:12,320
Speaker 3: was the gateway. Maybe that's why I now see it

604
00:31:12,320 --> 00:31:13,120
Speaker 3: as a red flag.

605
00:31:13,560 --> 00:31:20,560
Speaker 2: No, now I'm like, okay, calm down, Okay.

606
00:31:19,880 --> 00:31:22,120
Speaker 3: I'm glad that I've talked you out of your own

607
00:31:22,120 --> 00:31:24,920
Speaker 3: interest in the span of a minute. Yeah. But no.

608
00:31:25,200 --> 00:31:27,800
Speaker 2: In the eighties, though, it was like I think martial

609
00:31:27,880 --> 00:31:30,960
Speaker 2: arts were having like a hey day for white people.

610
00:31:31,520 --> 00:31:33,480
Speaker 3: Let's just say that completely.

611
00:31:34,640 --> 00:31:37,280
Speaker 2: But it's that thing where, you know, it was just

612
00:31:37,320 --> 00:31:40,120
Speaker 2: a lot of it, like ninja movies were really popular

613
00:31:40,160 --> 00:31:40,800
Speaker 2: in the eighties.

614
00:31:40,880 --> 00:31:41,040
Speaker 3: You know.

615
00:31:41,080 --> 00:31:42,959
Speaker 2: I think about all the cannon films that came out

616
00:31:43,000 --> 00:31:46,160
Speaker 2: that were all about ninjas, and all the kids in

617
00:31:46,160 --> 00:31:49,240
Speaker 2: the neighborhood had throows throwing stars, and they had nun chucks,

618
00:31:49,280 --> 00:31:51,680
Speaker 2: and they were all like taking karate classes and stuff.

619
00:31:51,720 --> 00:31:53,840
Speaker 2: And I'm just sort of like, you know, I think

620
00:31:53,880 --> 00:31:56,920
Speaker 2: it was that kind of thing where at the time

621
00:31:57,360 --> 00:32:02,800
Speaker 2: I felt like, in terms of sport, okay, it felt

622
00:32:02,880 --> 00:32:06,280
Speaker 2: a little less aggressive to be a karate kid than

623
00:32:06,400 --> 00:32:07,760
Speaker 2: you were like a football jock.

624
00:32:08,160 --> 00:32:10,480
Speaker 3: Right, It's a little more cerebral like, it's never a

625
00:32:10,560 --> 00:32:14,520
Speaker 3: more cerebral kind of physical activity because you have to

626
00:32:14,560 --> 00:32:16,840
Speaker 3: think a lot about where your next movements are going,

627
00:32:16,880 --> 00:32:19,240
Speaker 3: and it's more of a dance and it's yeah, it's

628
00:32:19,240 --> 00:32:22,800
Speaker 3: definitely more cerebral now. And here's the thing I will say,

629
00:32:22,160 --> 00:32:25,320
Speaker 3: if I meet a dude who's really into martial arts,

630
00:32:25,520 --> 00:32:29,520
Speaker 3: red flag. However, if I meet a dude who can

631
00:32:29,560 --> 00:32:33,960
Speaker 3: just straight up kick someone in the face, ha, and

632
00:32:34,040 --> 00:32:36,600
Speaker 3: can you have one without the other? Is the question?

633
00:32:37,240 --> 00:32:39,080
Speaker 3: How you learn how to kick someone in the face

634
00:32:39,160 --> 00:32:42,160
Speaker 3: from a standing position, like a roundhouse kick to the face.

635
00:32:42,680 --> 00:32:44,320
Speaker 3: If you don't do martial arts.

636
00:32:44,360 --> 00:32:47,640
Speaker 2: I gotta make you one of those Drake memes where

637
00:32:47,680 --> 00:32:52,400
Speaker 2: it's like the first Drake like no, no martial arts

638
00:32:52,440 --> 00:32:55,760
Speaker 2: and then maybe with the kicking somebody in the face.

639
00:32:57,800 --> 00:32:59,520
Speaker 1: I gotta do that for you and said it too.

640
00:32:59,600 --> 00:33:02,960
Speaker 3: But I know these are This is a therapeutic conversation

641
00:33:03,040 --> 00:33:05,520
Speaker 3: because I'm like, why one not the other? I don't know, Danielle,

642
00:33:05,640 --> 00:33:06,200
Speaker 3: I don't know.

643
00:33:06,400 --> 00:33:08,440
Speaker 1: We're complicated bitches. We know this.

644
00:33:08,560 --> 00:33:11,160
Speaker 2: But you know, when it comes to Statham in terms

645
00:33:11,240 --> 00:33:14,560
Speaker 2: of his like physicality, though I think that does like

646
00:33:14,640 --> 00:33:18,200
Speaker 2: his martial arts experience is what makes him kind of

647
00:33:18,240 --> 00:33:19,200
Speaker 2: a little bit more.

648
00:33:19,000 --> 00:33:21,200
Speaker 1: Fascinating to me than just sort of you're like, you

649
00:33:21,240 --> 00:33:21,800
Speaker 1: know whatever.

650
00:33:21,840 --> 00:33:24,480
Speaker 2: I actually do love all the kind of more modern

651
00:33:24,600 --> 00:33:27,280
Speaker 2: day like I love Vin Diesel and all in the Rock.

652
00:33:27,400 --> 00:33:30,080
Speaker 2: We talk about the Rock all the time on this podcast.

653
00:33:30,800 --> 00:33:31,520
Speaker 3: Muscles McGee.

654
00:33:31,840 --> 00:33:33,880
Speaker 1: Yeah, but Dakers little squeaks.

655
00:33:34,480 --> 00:33:37,480
Speaker 2: He doesn't kiss, but he does, apparently we were told

656
00:33:37,480 --> 00:33:42,160
Speaker 2: by you all. But you know, but you, especially in

657
00:33:42,200 --> 00:33:45,880
Speaker 2: your movie, you can really see that. Like there's those

658
00:33:45,920 --> 00:33:49,000
Speaker 2: scenes of him fighting where it's literally he's doing his

659
00:33:49,040 --> 00:33:53,640
Speaker 2: whole like hand movement and shit, like he's just.

660
00:33:54,880 --> 00:33:57,800
Speaker 3: Yes, yeah.

661
00:33:57,840 --> 00:33:59,920
Speaker 2: Though it's like he can really tell in your moo

662
00:34:00,240 --> 00:34:05,080
Speaker 2: that he has that experience. But I'm so excited because

663
00:34:05,600 --> 00:34:07,640
Speaker 2: I will say something I don't know if I've ever

664
00:34:07,680 --> 00:34:10,560
Speaker 2: said this before, that your movie is like legit good

665
00:34:11,320 --> 00:34:14,439
Speaker 2: like and mine is like, ah, maybe something else.

666
00:34:16,560 --> 00:34:21,319
Speaker 3: Yours is, in your own favorite parlance, a thought experiment.

667
00:34:21,440 --> 00:34:24,000
Speaker 1: Yes, it truely is.

668
00:34:26,280 --> 00:34:32,120
Speaker 3: Oh god, well, let's let's get into it. Let's start

669
00:34:32,120 --> 00:34:32,880
Speaker 3: breaking it down.

670
00:34:33,000 --> 00:34:34,239
Speaker 1: I'm ready. I'm so ready.

671
00:34:34,280 --> 00:34:37,160
Speaker 3: Let's see where we go with this, where we end up. Yes,

672
00:34:37,440 --> 00:34:40,919
Speaker 3: Because my film for the theme of All the Way

673
00:34:41,000 --> 00:34:45,000
Speaker 3: Up Statham Fest was released in two thousand and two.

674
00:34:45,400 --> 00:34:49,640
Speaker 3: It was directed by Corey When and Lewis Letterier, and

675
00:34:49,680 --> 00:34:52,960
Speaker 3: it was written by Luke Bassan and Robert Mark Kaman.

676
00:34:53,360 --> 00:34:57,239
Speaker 3: In my movie is the Transporter, Frank Martin is the

677
00:34:57,280 --> 00:34:58,840
Speaker 3: best in the business.

678
00:34:58,600 --> 00:34:59,680
Speaker 4: Seventy five thousand.

679
00:35:00,239 --> 00:35:03,360
Speaker 2: Now I have one delivery.

680
00:35:04,560 --> 00:35:09,800
Speaker 3: He never made a mistake until today. So this film

681
00:35:09,960 --> 00:35:14,120
Speaker 3: is fantastic. You're right. I will say that the director,

682
00:35:14,160 --> 00:35:17,840
Speaker 3: Corey Wen is very very popular amongst these action movies.

683
00:35:18,480 --> 00:35:21,560
Speaker 3: He directed The X Men, he directed Romeo Must Die,

684
00:35:21,880 --> 00:35:24,960
Speaker 3: Cradle to the Grave, the Number Two, Don't forget Cradle

685
00:35:25,000 --> 00:35:29,759
Speaker 3: to the Grave, and The Expendables, amongst other things. And

686
00:35:29,840 --> 00:35:33,200
Speaker 3: this is it's just such a wild ride. And this

687
00:35:33,280 --> 00:35:35,480
Speaker 3: has to be said. I do not want to gloss

688
00:35:35,480 --> 00:35:40,560
Speaker 3: over this particular part. This movie was written by Luke Bassan,

689
00:35:40,680 --> 00:35:43,440
Speaker 3: produced by Luke Bassan. I did not. And Luke Bassan

690
00:35:43,560 --> 00:35:47,040
Speaker 3: is known for the fifth element La fem Nikita, a

691
00:35:47,120 --> 00:35:50,200
Speaker 3: host of movies that leon like, a host of movies

692
00:35:50,239 --> 00:35:52,800
Speaker 3: that have been part of our cultural consciousness over the years.

693
00:35:53,600 --> 00:35:57,560
Speaker 3: Until I started researching this film, I didn't realize that

694
00:35:57,680 --> 00:36:00,640
Speaker 3: he had been accused of sexual assault by five women.

695
00:36:01,360 --> 00:36:02,239
Speaker 1: Oh wow.

696
00:36:03,040 --> 00:36:05,279
Speaker 3: Yeah, And so even though the charges were thrown out,

697
00:36:05,760 --> 00:36:08,000
Speaker 3: I would have picked a different state Jason Stathan movie,

698
00:36:08,000 --> 00:36:09,480
Speaker 3: and I if I had known that. So I just

699
00:36:09,520 --> 00:36:12,680
Speaker 3: want you guys to know. You know that I'm aware

700
00:36:13,080 --> 00:36:14,640
Speaker 3: of that. And we're not going to talk about Luke

701
00:36:14,680 --> 00:36:19,120
Speaker 3: Bessan because I don't think he deserves the platform, but that, yeah,

702
00:36:19,160 --> 00:36:22,280
Speaker 3: if I'd known that, I would have chosen another film.

703
00:36:22,600 --> 00:36:24,279
Speaker 3: So yeah, I just wanted to let you know that

704
00:36:24,400 --> 00:36:27,839
Speaker 3: I'm aware and we are aware, and so instead let's

705
00:36:27,840 --> 00:36:31,520
Speaker 3: talk about this film. I got a one sentence synopsis,

706
00:36:31,840 --> 00:36:35,520
Speaker 3: and my one sentence synopsis is all hell breaks loose

707
00:36:35,840 --> 00:36:40,440
Speaker 3: when Frank Martin, a former military man turn driver for hire,

708
00:36:41,239 --> 00:36:44,920
Speaker 3: breaks his own rules in this ridiculous movie that is

709
00:36:45,000 --> 00:36:53,160
Speaker 3: stupidly fixated on BMW cars that it is like it

710
00:36:53,440 --> 00:36:57,560
Speaker 3: just is. My real summary of this film is that

711
00:36:58,080 --> 00:37:01,560
Speaker 3: Jason Statham plays a character named Frank who is retired

712
00:37:02,200 --> 00:37:06,440
Speaker 3: military and he's moved to the French riviera. He does

713
00:37:06,480 --> 00:37:10,239
Speaker 3: a job in Nice and that's how we learn what

714
00:37:10,400 --> 00:37:13,600
Speaker 3: his job actually is as a driver for hire, and

715
00:37:13,680 --> 00:37:16,640
Speaker 3: the basic premise of the film is that Frank will

716
00:37:16,680 --> 00:37:21,920
Speaker 3: transport anything. He does not give a fuck. He only

717
00:37:21,960 --> 00:37:24,600
Speaker 3: asks for the dimensions of the object and the weight,

718
00:37:24,920 --> 00:37:27,520
Speaker 3: so that he can plot his movements on how he's

719
00:37:27,520 --> 00:37:30,080
Speaker 3: going to transport this thing. And he lives by three

720
00:37:30,120 --> 00:37:35,959
Speaker 3: simple rules never change the deal, no names, and never

721
00:37:36,040 --> 00:37:39,399
Speaker 3: open the package, which I think we're applicable to daily life.

722
00:37:39,680 --> 00:37:42,799
Speaker 2: Yeah, oh, I would say, also thoughts on people who

723
00:37:42,840 --> 00:37:44,200
Speaker 2: live by three simple rules?

724
00:37:44,680 --> 00:37:52,000
Speaker 1: I ah like that, honestly, super Sus. Yeah, super Sus.

725
00:37:52,239 --> 00:37:56,160
Speaker 1: Red Flag like that fucking cracks me up. That cracks

726
00:37:56,160 --> 00:37:56,400
Speaker 1: me up.

727
00:37:56,440 --> 00:37:58,759
Speaker 2: Almost immediately when I saw this movie, I was like, Oh,

728
00:37:58,760 --> 00:38:00,800
Speaker 2: here's the guy that's got three simple rules.

729
00:38:00,840 --> 00:38:03,200
Speaker 3: Here we go totally because he's sitting in a car.

730
00:38:03,280 --> 00:38:05,080
Speaker 3: I mean, the opening scene is kind of hilarious because

731
00:38:05,080 --> 00:38:06,680
Speaker 3: he's sitting in a car in front of a bank

732
00:38:06,719 --> 00:38:09,560
Speaker 3: heist and they have they have broken rule number one,

733
00:38:09,640 --> 00:38:11,880
Speaker 3: these these bank robbers, because there's supposed to only be

734
00:38:11,960 --> 00:38:14,560
Speaker 3: three people in the car and there are four people

735
00:38:14,600 --> 00:38:18,280
Speaker 3: in the car, and he is refusing to move unless

736
00:38:18,280 --> 00:38:20,719
Speaker 3: they get rid of someone. And I'm like, look, if

737
00:38:20,719 --> 00:38:23,359
Speaker 3: you're gonna live by three simple rules, those rules should

738
00:38:23,400 --> 00:38:26,719
Speaker 3: be as open ended as possible because life is going

739
00:38:26,760 --> 00:38:30,560
Speaker 3: to throw you curveballs. Yes, you cannot be that rigid

740
00:38:30,840 --> 00:38:31,840
Speaker 3: about your own life.

741
00:38:31,920 --> 00:38:33,960
Speaker 2: I know, and I and I understand that he's a

742
00:38:34,040 --> 00:38:37,240
Speaker 2: mill he's a special forces guy, which is like even

743
00:38:37,280 --> 00:38:39,680
Speaker 2: more military than just being a military guy.

744
00:38:39,800 --> 00:38:42,399
Speaker 1: I get that. And you know, like.

745
00:38:42,360 --> 00:38:45,640
Speaker 2: We we know that in movies and in real life

746
00:38:45,640 --> 00:38:48,400
Speaker 2: that like military guys like just follow the rules and

747
00:38:48,440 --> 00:38:50,880
Speaker 2: there's like a code and everything like that. But it

748
00:38:51,080 --> 00:38:53,080
Speaker 2: is that thing where you're like, well, this is gonna

749
00:38:53,120 --> 00:38:54,719
Speaker 2: fuck up a lot of shit for him in this

750
00:38:54,800 --> 00:38:56,000
Speaker 2: movie because.

751
00:38:55,719 --> 00:38:56,759
Speaker 1: He's not flexible.

752
00:38:57,200 --> 00:39:00,680
Speaker 3: He's not flexible enough for this film. And look, maybe

753
00:39:00,760 --> 00:39:02,800
Speaker 3: maybe we're the ones. Well I don't live in the

754
00:39:02,840 --> 00:39:05,200
Speaker 3: French for Vieria. Maybe I should have three simple rules.

755
00:39:06,760 --> 00:39:07,920
Speaker 1: I would have no rules.

756
00:39:08,400 --> 00:39:14,040
Speaker 3: Maybe I've never had given myself a rule in my life.

757
00:39:14,239 --> 00:39:21,759
Speaker 3: As my life will showcase, I need a chaperone. But

758
00:39:21,800 --> 00:39:24,440
Speaker 3: Frank lives by these three rules and he's so rigid

759
00:39:24,480 --> 00:39:26,640
Speaker 3: about it. And this is how he makes his money.

760
00:39:26,719 --> 00:39:30,440
Speaker 3: He will charge people forty thousand bucks and up depending

761
00:39:30,480 --> 00:39:33,800
Speaker 3: on the job, and lives well and takes the jobs

762
00:39:33,840 --> 00:39:37,480
Speaker 3: he wants and lives, you know, a beautiful life that

763
00:39:37,640 --> 00:39:43,000
Speaker 3: is empty and rigid and very very cold. His house,

764
00:39:43,080 --> 00:39:45,000
Speaker 3: even though his house is in like a very sunny

765
00:39:45,080 --> 00:39:48,840
Speaker 3: kind of you know, Lively place. His house is bleak

766
00:39:49,560 --> 00:39:53,839
Speaker 3: with a bleak life now. Frank delivers a package one day,

767
00:39:54,440 --> 00:39:57,879
Speaker 3: only to find out as he opens the trunk because

768
00:39:57,880 --> 00:39:59,640
Speaker 3: he sees the package kind of wiggle in when they

769
00:39:59,640 --> 00:40:02,920
Speaker 3: put it in the trunk. He opens the trunk and

770
00:40:03,040 --> 00:40:07,919
Speaker 3: finds a real human woman inside this bag as he's

771
00:40:08,080 --> 00:40:10,400
Speaker 3: changing a flat tire. Her name is La and she

772
00:40:10,520 --> 00:40:13,080
Speaker 3: is played by the actress Shoe Key, who is a

773
00:40:13,360 --> 00:40:17,000
Speaker 3: huge actress in Hong Kong, like she's made over sixty movies.

774
00:40:17,200 --> 00:40:22,239
Speaker 3: And Lie is part of his first rule breaking because

775
00:40:22,280 --> 00:40:24,399
Speaker 3: he looked in the bag. So now that he knows

776
00:40:24,440 --> 00:40:27,759
Speaker 3: a person is back there, his better judgment takes over

777
00:40:27,800 --> 00:40:29,520
Speaker 3: and he, like you know, gets her an orange orange

778
00:40:29,520 --> 00:40:32,040
Speaker 3: Gina and he lets her out to pee. And while

779
00:40:32,040 --> 00:40:35,320
Speaker 3: he's letting her out to pee, even though he ties

780
00:40:35,360 --> 00:40:38,480
Speaker 3: a rope around her neck like a fucking savage.

781
00:40:38,440 --> 00:40:41,000
Speaker 1: Savage for sure, yeah, And I'm like, you didn't.

782
00:40:41,160 --> 00:40:44,080
Speaker 3: Also, that's just not how you how you I'm revealing

783
00:40:44,080 --> 00:40:46,080
Speaker 3: too much about myself, But that's not how you restrained someone.

784
00:40:48,960 --> 00:40:51,520
Speaker 3: Have you really meant business? That ain't how you do it?

785
00:40:51,960 --> 00:40:53,080
Speaker 3: A loop around the neck.

786
00:40:53,560 --> 00:41:00,319
Speaker 2: I want to interrogate this, but I'm not.

787
00:41:00,719 --> 00:41:05,279
Speaker 3: I refuse to incriminate myself. I side how you do it.

788
00:41:06,080 --> 00:41:08,520
Speaker 3: So she of course wiggles free because all she has

789
00:41:08,520 --> 00:41:10,040
Speaker 3: to do is take the loop off of her neck

790
00:41:10,600 --> 00:41:13,279
Speaker 3: and runs into the forest and he chases her and

791
00:41:13,320 --> 00:41:16,480
Speaker 3: eventually catches up with her. But now he's like embedded

792
00:41:16,640 --> 00:41:19,400
Speaker 3: with this package, like he knows that it's a woman,

793
00:41:19,440 --> 00:41:21,200
Speaker 3: and he knows that she doesn't want to be there.

794
00:41:21,239 --> 00:41:24,840
Speaker 3: He's being delivered against her will. So after he delivers

795
00:41:24,880 --> 00:41:28,880
Speaker 3: her to this thug named Bettencourt, Bettencourt tries to blow

796
00:41:28,920 --> 00:41:33,320
Speaker 3: Frank up and you know, kind of erase all traces

797
00:41:33,360 --> 00:41:36,200
Speaker 3: of the fact that Lie was delivered to him. But

798
00:41:36,239 --> 00:41:39,400
Speaker 3: he messes up because Frank will stop at a roadside

799
00:41:39,400 --> 00:41:43,839
Speaker 3: cafe for any reason. So when his car blows up,

800
00:41:43,840 --> 00:41:46,600
Speaker 3: he's not in it, and he then makes it his

801
00:41:46,760 --> 00:41:50,080
Speaker 3: personal mission to get back at this dude, and he

802
00:41:50,160 --> 00:41:53,040
Speaker 3: kind of ends up saving Lie in the process. Lie

803
00:41:53,120 --> 00:41:56,120
Speaker 3: is great. Lia is super industrious, and she acclimates to

804
00:41:56,120 --> 00:41:59,120
Speaker 3: Frank's bullshit in order to get what she wants, which

805
00:41:59,160 --> 00:42:02,120
Speaker 3: is for her father to stop human trafficking. But Lies like, no,

806
00:42:02,200 --> 00:42:03,799
Speaker 3: I'm gonna get my dad to stop this, and you're

807
00:42:03,840 --> 00:42:06,359
Speaker 3: gonna help and she becomes part of his thing.

808
00:42:06,680 --> 00:42:06,960
Speaker 1: Yeah.

809
00:42:07,000 --> 00:42:09,759
Speaker 3: And the other thing I always wonder too is does

810
00:42:09,800 --> 00:42:14,040
Speaker 3: Frank have a budget for car repairs? That is just astronomical?

811
00:42:14,120 --> 00:42:16,319
Speaker 3: Like does he buy a new car after every job?

812
00:42:17,320 --> 00:42:20,080
Speaker 3: Because I mean, even if it's just in one piece,

813
00:42:20,120 --> 00:42:22,520
Speaker 3: it's bullet riddle, the undercarriage is scraped.

814
00:42:22,600 --> 00:42:25,360
Speaker 2: Like, well, okay, now we're gonna get We got to

815
00:42:25,400 --> 00:42:28,839
Speaker 2: get into the paperwork of this job, as we've done

816
00:42:28,920 --> 00:42:32,200
Speaker 2: before on this podcast, like vampire jobs.

817
00:42:31,840 --> 00:42:32,520
Speaker 1: That kind of thing.

818
00:42:33,000 --> 00:42:33,520
Speaker 3: Exactly.

819
00:42:34,040 --> 00:42:38,960
Speaker 1: So he is an independent contractor, right, he's got.

820
00:42:38,800 --> 00:42:43,640
Speaker 2: A I don't know, maybe like a LLC who knows

821
00:42:43,680 --> 00:42:47,280
Speaker 2: what as a transporter who has three simple rules?

822
00:42:47,280 --> 00:42:48,720
Speaker 1: What is this business model?

823
00:42:48,800 --> 00:42:48,920
Speaker 3: Right?

824
00:42:48,960 --> 00:42:49,600
Speaker 1: We want to know this.

825
00:42:49,760 --> 00:42:52,920
Speaker 2: Right, So as part of that, does he have to

826
00:42:52,960 --> 00:42:56,719
Speaker 2: buy his own shit? Like is is the you know,

827
00:42:56,800 --> 00:43:00,440
Speaker 2: are the cars his? Like is he like a taxi driver?

828
00:43:00,600 --> 00:43:01,680
Speaker 1: We have to own his own.

829
00:43:01,520 --> 00:43:06,080
Speaker 2: Car or our cars provided to him for the people

830
00:43:06,080 --> 00:43:07,439
Speaker 2: that he's doing these jobs for.

831
00:43:07,760 --> 00:43:08,839
Speaker 1: Like, what's the thing?

832
00:43:09,280 --> 00:43:11,240
Speaker 3: I think he buys his own shit? He has different

833
00:43:11,280 --> 00:43:14,520
Speaker 3: license plates to flip through to protect his own shit.

834
00:43:15,160 --> 00:43:17,800
Speaker 3: And we can talk a little bit too about Inspector

835
00:43:17,840 --> 00:43:20,560
Speaker 3: Tarconi because he's kind of in with the local cops

836
00:43:20,560 --> 00:43:22,759
Speaker 3: that sort of seem to know what he's doing and

837
00:43:22,840 --> 00:43:25,920
Speaker 3: don't actually seem to be that bothered by it. Right, Yeah,

838
00:43:25,960 --> 00:43:27,640
Speaker 3: so I feel like he does his own shit, But then,

839
00:43:27,640 --> 00:43:29,239
Speaker 3: how are you going to fix a bullet hole? Like

840
00:43:29,280 --> 00:43:31,040
Speaker 3: it's very different to like I know how to change

841
00:43:31,040 --> 00:43:33,799
Speaker 3: my own oil and change a tire, to like I'm

842
00:43:33,800 --> 00:43:34,959
Speaker 3: going to patch a bullet hole.

843
00:43:35,440 --> 00:43:37,799
Speaker 2: Yeah, I mean some of these cars are fucked up.

844
00:43:37,920 --> 00:43:39,560
Speaker 2: So I'm kind of like, how is this? What's he

845
00:43:39,640 --> 00:43:40,759
Speaker 2: doing here? What's going on?

846
00:43:41,480 --> 00:43:42,840
Speaker 1: Following an insurance claim?

847
00:43:43,200 --> 00:43:46,279
Speaker 3: You know, it's like, well, thank you, thank you, and

848
00:43:46,360 --> 00:43:49,400
Speaker 3: it's this insurance company, Like, mister Martin, this is the

849
00:43:49,480 --> 00:43:54,760
Speaker 3: fifteenth car you've claimed in the last nine months alone.

850
00:43:55,480 --> 00:43:58,000
Speaker 3: We're gonna have to start asking some questions, sir.

851
00:43:58,080 --> 00:44:03,000
Speaker 1: We're dropping you. Sir, we cannot ensure a transporter.

852
00:44:03,000 --> 00:44:09,200
Speaker 3: And Saint Farm refuses to ensure a transporter. You might

853
00:44:09,239 --> 00:44:13,759
Speaker 3: want to take that shit to nationwide. So these are

854
00:44:13,760 --> 00:44:16,840
Speaker 3: the questions I have about Frank's just Frank's daily life. Also,

855
00:44:16,920 --> 00:44:21,680
Speaker 3: I think this this film absolutely should have been called

856
00:44:21,680 --> 00:44:25,040
Speaker 3: and could have been called Planes, Trains and Automobiles if

857
00:44:25,040 --> 00:44:26,200
Speaker 3: it had not already been taken.

858
00:44:26,400 --> 00:44:29,520
Speaker 1: Oh totally wait because Frank.

859
00:44:31,120 --> 00:44:36,040
Speaker 3: Whatever, Steve Martin, and John Candy thanks, because he truly

860
00:44:36,160 --> 00:44:40,000
Speaker 3: commandeers every sort of vehicle in this in this film,

861
00:44:40,040 --> 00:44:43,640
Speaker 3: So this movie is wonderful. He basically is trying you know,

862
00:44:43,680 --> 00:44:46,520
Speaker 3: he saves Lie because she gets in the back of

863
00:44:46,520 --> 00:44:49,320
Speaker 3: his car after he fucks up people in this house

864
00:44:49,960 --> 00:44:52,640
Speaker 3: and she becomes part of the journey. But let's talk

865
00:44:52,680 --> 00:44:54,719
Speaker 3: about these fight scenes. So this movie to me is

866
00:44:54,840 --> 00:44:59,640
Speaker 3: five fight scenes, the first one being the hallway Ax fight.

867
00:45:00,120 --> 00:45:02,680
Speaker 3: He goes back to fuck up the guys that tried

868
00:45:02,680 --> 00:45:03,359
Speaker 3: to blow him up.

869
00:45:03,400 --> 00:45:05,719
Speaker 2: Oh my god, I don't even know what to say. Like,

870
00:45:06,000 --> 00:45:08,439
Speaker 2: so I saw this movie when it around the time

871
00:45:08,440 --> 00:45:11,040
Speaker 2: it came out. Haven't seen it since. The way that

872
00:45:11,160 --> 00:45:15,279
Speaker 2: he comes into the house initially is fucking amazing, where

873
00:45:15,320 --> 00:45:17,880
Speaker 2: he just like the guy gets up from the poker

874
00:45:17,960 --> 00:45:20,520
Speaker 2: table and he just goes, what the and then just

875
00:45:20,600 --> 00:45:23,080
Speaker 2: the door just explodes.

876
00:45:23,200 --> 00:45:26,240
Speaker 3: Just full wooden door off the hinges.

877
00:45:26,640 --> 00:45:31,719
Speaker 2: Yes, it was so awesomely incredible. Then it just kind

878
00:45:31,719 --> 00:45:34,560
Speaker 2: of like again like at me, it kind of goes

879
00:45:34,600 --> 00:45:37,759
Speaker 2: into the hallway where those Axe twins show up.

880
00:45:41,600 --> 00:45:51,840
Speaker 3: That's that's our next podcast. Ax twins. I love it.

881
00:45:51,920 --> 00:45:55,840
Speaker 3: I just loved these action films when someone has boiled

882
00:45:55,880 --> 00:46:00,480
Speaker 3: down their physicality to one instrument, like I'm axe guy.

883
00:46:00,600 --> 00:46:02,879
Speaker 3: I'm the guy that has a fucking arrow and that's all.

884
00:46:03,120 --> 00:46:04,400
Speaker 3: Like if you give me a gun, I don't want

885
00:46:04,400 --> 00:46:05,719
Speaker 3: to I'll throw it out the window. I don't know

886
00:46:05,719 --> 00:46:07,680
Speaker 3: how to use that shit. Give me a fucking ax,

887
00:46:07,920 --> 00:46:10,600
Speaker 3: give me a hatchet. Let's get down of business. Like

888
00:46:10,880 --> 00:46:12,720
Speaker 3: they cannot deal with any other weapons.

889
00:46:12,760 --> 00:46:13,960
Speaker 1: Oh my god, no kidding.

890
00:46:14,000 --> 00:46:16,279
Speaker 2: And like the way, like I said earlier, like the

891
00:46:16,320 --> 00:46:18,880
Speaker 2: way that he moves in the scene when they're.

892
00:46:18,719 --> 00:46:21,080
Speaker 1: Like chop chop chop, and he's just like, huh.

893
00:46:22,040 --> 00:46:23,120
Speaker 3: It was like that part.

894
00:46:23,200 --> 00:46:25,160
Speaker 1: It was like it reminded me a lot of John Wick.

895
00:46:25,200 --> 00:46:27,400
Speaker 2: It was kind of about like john Wickian thing, where

896
00:46:27,440 --> 00:46:31,200
Speaker 2: like it's like an inch moving sort of inch by

897
00:46:31,239 --> 00:46:35,799
Speaker 2: inch trying to like deflect chops or something, and you're

898
00:46:35,880 --> 00:46:38,440
Speaker 2: just like, holy fuck, like stay, I don't even have

899
00:46:38,520 --> 00:46:40,120
Speaker 2: the neck muscles to.

900
00:46:40,239 --> 00:46:41,279
Speaker 1: Do that at all.

901
00:46:43,239 --> 00:46:45,480
Speaker 3: I don't have the neck muscles is the title of

902
00:46:45,480 --> 00:46:52,319
Speaker 3: my next memoir. True words have never been spoken. I

903
00:46:52,360 --> 00:46:54,759
Speaker 3: don't have the neck muscles. And there are times where

904
00:46:54,760 --> 00:46:58,240
Speaker 3: he is fighting on he's standing on one leg fighting

905
00:46:58,320 --> 00:47:05,520
Speaker 3: these axe twins and he's essentially horizontal. Yes, like I

906
00:47:05,520 --> 00:47:07,360
Speaker 3: don't even know what muscles you have to engage to

907
00:47:07,400 --> 00:47:13,480
Speaker 3: fight horizontally. And he's like taking him in a stomach

908
00:47:13,520 --> 00:47:16,240
Speaker 3: and using his hands. He's just he's all over the place.

909
00:47:16,719 --> 00:47:19,120
Speaker 1: Yeah, Yeah, it's incredible.

910
00:47:19,160 --> 00:47:21,719
Speaker 3: I love that fight scene. My next favorite fight scene

911
00:47:21,960 --> 00:47:24,799
Speaker 3: in this involves Lie so why shows up at his house?

912
00:47:25,760 --> 00:47:28,799
Speaker 3: And I mean, as it will happen. We've all had

913
00:47:28,800 --> 00:47:31,560
Speaker 3: this happen where you're having a nice breakfast at home

914
00:47:31,560 --> 00:47:35,880
Speaker 3: and eating some metalins and someone fires a fucking missile

915
00:47:36,000 --> 00:47:42,319
Speaker 3: into your house. Someone stands in your driveway sends an

916
00:47:42,480 --> 00:47:45,319
Speaker 3: arcing missile into your fucking house and starts blowing your

917
00:47:45,320 --> 00:47:51,479
Speaker 3: shit up. And they do this literally a minute after

918
00:47:51,560 --> 00:47:55,160
Speaker 3: Inspector Tarconi has left. So if he just literally looked

919
00:47:55,200 --> 00:47:57,800
Speaker 3: in his rear view mirror, he would have seen a

920
00:47:57,920 --> 00:48:00,719
Speaker 3: house being that he just left being blown up by missiles.

921
00:48:02,400 --> 00:48:05,399
Speaker 3: But apparently the sound wasn't loud enough and the smoke

922
00:48:05,520 --> 00:48:08,080
Speaker 3: wasn't deep enough, because he did not come back.

923
00:48:09,160 --> 00:48:12,920
Speaker 1: I fucking love that shit. Like, imagine just.

924
00:48:12,880 --> 00:48:16,480
Speaker 2: Being like pull backing out of a driveway being like, oh,

925
00:48:16,480 --> 00:48:19,520
Speaker 2: I guess I didn't notice a missile attack happening behind.

926
00:48:19,239 --> 00:48:22,759
Speaker 3: Me at all at all. He's like, there's no way

927
00:48:22,760 --> 00:48:24,480
Speaker 3: you can miss it. There's no way you can miss it.

928
00:48:24,680 --> 00:48:27,680
Speaker 3: But these dudes are just literally just g littering this

929
00:48:27,760 --> 00:48:33,880
Speaker 3: house with missiles. And the way that Lie and Frank

930
00:48:34,080 --> 00:48:38,760
Speaker 3: escape again, who hasn't been there on any given Saturday.

931
00:48:39,960 --> 00:48:43,480
Speaker 3: They jump into an elevator, take it down to the

932
00:48:43,520 --> 00:48:46,439
Speaker 3: ground as it's the house is being blown up around them,

933
00:48:47,080 --> 00:48:50,520
Speaker 3: and then they jump into a tank where Frank has

934
00:48:50,560 --> 00:48:56,439
Speaker 3: secured two scuba units, uh huh, and then they pop

935
00:48:56,480 --> 00:49:00,920
Speaker 3: on their scuba gear and just swim away, Yes, swim

936
00:49:00,960 --> 00:49:03,920
Speaker 3: away from the wreckage of his life.

937
00:49:04,840 --> 00:49:08,120
Speaker 2: Yeah, of course we have to incorporate some kind of

938
00:49:08,200 --> 00:49:11,920
Speaker 2: water sequence because of the diving stuff, right, But like,

939
00:49:11,960 --> 00:49:14,400
Speaker 2: of course, you know, that's the thing that's so funny

940
00:49:14,480 --> 00:49:16,600
Speaker 2: is actually that like scene is actually kind of beautiful

941
00:49:16,640 --> 00:49:18,719
Speaker 2: in a weird way because it's like, you know, and

942
00:49:18,760 --> 00:49:21,040
Speaker 2: like the colors are great, but then you're like, oh, yeah,

943
00:49:21,080 --> 00:49:25,120
Speaker 2: they just are escaping a missile attack, just.

944
00:49:25,200 --> 00:49:28,279
Speaker 3: Flat out like fire in the sky above them, and

945
00:49:28,320 --> 00:49:32,560
Speaker 3: they're like la la la romance. And then they just

946
00:49:32,760 --> 00:49:37,040
Speaker 3: pop up in like the exit is not designated, so

947
00:49:37,080 --> 00:49:40,719
Speaker 3: they just scuba. They just fucking swim, swim, swim, and

948
00:49:40,719 --> 00:49:44,319
Speaker 3: then they pop up in somebody's pool, yes, like in

949
00:49:44,400 --> 00:49:47,400
Speaker 3: their house, and then they're just like, okay, man, this

950
00:49:47,480 --> 00:49:48,960
Speaker 3: is cool to just use his house and get some

951
00:49:48,960 --> 00:49:51,479
Speaker 3: clothes and get our shit together. Like that was the point.

952
00:49:51,520 --> 00:49:55,600
Speaker 3: He didn't he didn't elaborate on the plan beyond scuba

953
00:49:55,680 --> 00:50:00,799
Speaker 3: unit for me and possibly one other person, and then

954
00:50:00,800 --> 00:50:03,560
Speaker 3: while while hell is raining down around them, let's just

955
00:50:03,560 --> 00:50:07,120
Speaker 3: have a little romantic handholding scuba moment, like fucking blue

956
00:50:07,160 --> 00:50:11,560
Speaker 3: lagoon style, and then I'm going to rob a house.

957
00:50:12,800 --> 00:50:16,839
Speaker 3: Oh god, it's so good. My next favorite fight is

958
00:50:17,000 --> 00:50:22,400
Speaker 3: the container yard kickfight. He ends up going to this

959
00:50:22,880 --> 00:50:27,960
Speaker 3: shipping yard filled with these containers, and Lia's already there.

960
00:50:28,000 --> 00:50:30,520
Speaker 3: She's been captured. Her dad is there, like everyone's there.

961
00:50:30,560 --> 00:50:34,680
Speaker 3: Everyone's there, and he's in the yard trying to listen

962
00:50:35,040 --> 00:50:40,200
Speaker 3: with a regular stethoscope to the vans to figure out

963
00:50:40,239 --> 00:50:46,600
Speaker 3: there are human beings inside. He looks absurd. It is ridiculous.

964
00:50:46,640 --> 00:50:49,200
Speaker 3: And then of course he gets attacked and he has

965
00:50:49,280 --> 00:50:54,000
Speaker 3: to kick fight people throughout the container yard, and then

966
00:50:54,040 --> 00:50:58,600
Speaker 3: he ends up jumping from the container onto a bus

967
00:51:00,320 --> 00:51:01,040
Speaker 3: to escape.

968
00:51:02,239 --> 00:51:03,440
Speaker 2: Let me ask you this, I don't know if you

969
00:51:03,480 --> 00:51:05,640
Speaker 2: actually know this or not, but did he do his

970
00:51:05,680 --> 00:51:06,840
Speaker 2: own stunts in this movie?

971
00:51:07,400 --> 00:51:08,400
Speaker 3: No? He has a stuntman.

972
00:51:08,560 --> 00:51:09,799
Speaker 1: Okay, got it? Okay, cool.

973
00:51:09,840 --> 00:51:12,000
Speaker 3: He probably did some of the like, you know, punching stuff,

974
00:51:12,360 --> 00:51:15,800
Speaker 3: but he has a snuntman. And then so this container

975
00:51:15,880 --> 00:51:19,239
Speaker 3: yard fight, which again is just absurd, leads to my

976
00:51:19,400 --> 00:51:22,120
Speaker 3: next favorite fight, which might be my favorite fight. The

977
00:51:22,200 --> 00:51:24,440
Speaker 3: last two of these are my last favorite fights in

978
00:51:24,440 --> 00:51:27,920
Speaker 3: the whole movies in the whole movie, but this one

979
00:51:28,239 --> 00:51:30,719
Speaker 3: kind of takes the cake because it is also has

980
00:51:30,760 --> 00:51:33,880
Speaker 3: the extra added element of being coded. Is very queer

981
00:51:33,880 --> 00:51:38,880
Speaker 3: to me. And I'm talking about the shirtless buzz depot

982
00:51:39,000 --> 00:51:46,319
Speaker 3: grease fight because, let me tell you, he hops on

983
00:51:46,400 --> 00:51:48,800
Speaker 3: this bus and gets away. The bus pulls into the depot,

984
00:51:48,880 --> 00:51:51,839
Speaker 3: he hops off, and he's just instantly surrounded by dudes.

985
00:51:51,840 --> 00:51:53,680
Speaker 3: So he has to fight his way off of a

986
00:51:53,719 --> 00:51:55,239
Speaker 3: bus first and foremost.

987
00:51:55,520 --> 00:51:56,719
Speaker 1: Uh huh.

988
00:51:56,800 --> 00:52:01,040
Speaker 3: Then while he's in this bus depot garage spot he located,

989
00:52:01,040 --> 00:52:03,040
Speaker 3: he kind of runs over and sees there's a whole

990
00:52:03,040 --> 00:52:06,440
Speaker 3: bunch of bikes against a wall. He kind of kicks

991
00:52:06,480 --> 00:52:09,800
Speaker 3: over a bunch of oil cans, like just big vats

992
00:52:09,800 --> 00:52:13,480
Speaker 3: of grease hanging out. He kicks them over while while

993
00:52:13,480 --> 00:52:17,319
Speaker 3: he's fighting these guys. Then he takes the pedals. He

994
00:52:17,440 --> 00:52:21,799
Speaker 3: kicks the pedals off of this bike so he can

995
00:52:21,840 --> 00:52:24,719
Speaker 3: get some traction during this grease bight yea, But then

996
00:52:24,760 --> 00:52:28,439
Speaker 3: he rolls on the ground and purposefully rubs himself down

997
00:52:28,440 --> 00:52:28,920
Speaker 3: with grease.

998
00:52:29,080 --> 00:52:31,399
Speaker 1: M I see where you're going here, I see where

999
00:52:31,400 --> 00:52:32,640
Speaker 1: we're going yep.

1000
00:52:32,640 --> 00:52:34,680
Speaker 3: And then he slips sliden all over the I mean

1001
00:52:34,719 --> 00:52:38,520
Speaker 3: he is literally sliding all over the place. Those slip

1002
00:52:38,600 --> 00:52:40,839
Speaker 3: and slide skills that we had as kids would come

1003
00:52:40,840 --> 00:52:42,640
Speaker 3: in handy if you were this kind of assassin.

1004
00:52:43,000 --> 00:52:45,040
Speaker 1: What is the rationale?

1005
00:52:45,360 --> 00:52:47,759
Speaker 2: Okay again, I don't want to get too practical with

1006
00:52:47,840 --> 00:52:50,480
Speaker 2: action movies, but I do because it's a passion of

1007
00:52:50,520 --> 00:52:56,520
Speaker 2: mine to overanalyze hilariously absurd action films. Okay, right, So

1008
00:52:57,000 --> 00:53:00,960
Speaker 2: the reason to grease up on a fight sequence, like

1009
00:53:01,000 --> 00:53:02,840
Speaker 2: to just throw that into the mix.

1010
00:53:04,640 --> 00:53:08,239
Speaker 3: We let him fight, but we oil then oil them

1011
00:53:08,320 --> 00:53:11,440
Speaker 3: up so that they can't catch him. Yes, because now

1012
00:53:11,440 --> 00:53:14,160
Speaker 3: the bad guys can't get a grip on him, and

1013
00:53:14,160 --> 00:53:16,200
Speaker 3: they're not kicking off any pedals, and they don't have

1014
00:53:16,320 --> 00:53:17,959
Speaker 3: like any traction.

1015
00:53:17,960 --> 00:53:20,080
Speaker 1: But it's also set in the mood. You know what

1016
00:53:20,120 --> 00:53:20,560
Speaker 1: I'm saying.

1017
00:53:21,000 --> 00:53:23,879
Speaker 3: It is when set in the mood and they knew

1018
00:53:23,960 --> 00:53:27,080
Speaker 3: what they were doing and they're like, guess what, we

1019
00:53:27,160 --> 00:53:32,439
Speaker 3: will capture the queer audience like it or not, because

1020
00:53:32,440 --> 00:53:33,799
Speaker 3: we will grease this man up.

1021
00:53:35,800 --> 00:53:36,080
Speaker 1: He's not.

1022
00:53:36,200 --> 00:53:40,160
Speaker 3: Everyone's pants will drop, everyone's pants, every gender, every pant

1023
00:53:40,280 --> 00:53:40,880
Speaker 3: will drop.

1024
00:53:41,080 --> 00:53:45,359
Speaker 1: Yes, I love it. I love it so yeah.

1025
00:53:45,400 --> 00:53:49,000
Speaker 3: That scene to me is hilarious because he's just genuinely

1026
00:53:49,000 --> 00:53:51,880
Speaker 3: slip sliding all over the place and then he purposely

1027
00:53:51,920 --> 00:53:56,640
Speaker 3: pours grease on himself and then he kicks the pedals.

1028
00:53:56,719 --> 00:53:59,160
Speaker 3: Just hear what I'm saying. He kicks the pedals off

1029
00:53:59,160 --> 00:54:04,399
Speaker 3: of a bike and then like pops his feet in them,

1030
00:54:04,640 --> 00:54:08,400
Speaker 3: like he's gonna ride the toward France, yes, and instead

1031
00:54:08,520 --> 00:54:11,320
Speaker 3: he just kind of tiptoes over the grease escapes.

1032
00:54:12,800 --> 00:54:14,800
Speaker 1: How very Dante's peak of him.

1033
00:54:15,080 --> 00:54:21,560
Speaker 3: Is justly Dante's peak. It is non stop. Oh god,

1034
00:54:21,600 --> 00:54:23,640
Speaker 3: I love that. I love that scene so much, but

1035
00:54:23,719 --> 00:54:27,040
Speaker 3: not as much as the next scene. So my final

1036
00:54:27,239 --> 00:54:30,279
Speaker 3: fight scene that to me sums up the transporter is

1037
00:54:30,880 --> 00:54:33,680
Speaker 3: what I'm calling the eighteen wheeler feet fight.

1038
00:54:34,560 --> 00:54:35,360
Speaker 1: Oh yeah.

1039
00:54:35,520 --> 00:54:41,200
Speaker 3: Oh yeah. So first and foremost, Frank hijacks a plane.

1040
00:54:41,320 --> 00:54:44,880
Speaker 3: He hijacks like a biplane. Then he parachutes onto an

1041
00:54:44,920 --> 00:54:48,400
Speaker 3: eighteen wheeler with the precision of a surgeon.

1042
00:54:49,320 --> 00:54:51,000
Speaker 1: Huh yeah.

1043
00:54:51,080 --> 00:54:55,600
Speaker 3: And then he after parachuting onto the eighteen wheeler and

1044
00:54:55,680 --> 00:54:58,719
Speaker 3: wrestling control of it away from the driver, he ends

1045
00:54:58,800 --> 00:55:01,560
Speaker 3: up some at one point point fighting a man with

1046
00:55:01,600 --> 00:55:05,320
Speaker 3: his hands and driving the eighteen wheeler with his feet because,

1047
00:55:05,360 --> 00:55:08,840
Speaker 3: as we know, feet are the ultimate hands free device.

1048
00:55:11,200 --> 00:55:14,360
Speaker 3: The seat is horizontal. He's popped himself back to squish

1049
00:55:14,400 --> 00:55:16,920
Speaker 3: this man. That didn't work, so he starts driving the

1050
00:55:17,000 --> 00:55:18,440
Speaker 3: truck with his feet.

1051
00:55:18,800 --> 00:55:21,920
Speaker 2: That is why I love This is why he's our

1052
00:55:21,920 --> 00:55:23,959
Speaker 2: all the way up king, you know what I'm saying, Haley,

1053
00:55:24,719 --> 00:55:26,680
Speaker 2: Because he's like, look, fuck it, I'm doing something up

1054
00:55:26,719 --> 00:55:29,319
Speaker 2: here at the top of the body. What's going on

1055
00:55:29,400 --> 00:55:32,640
Speaker 2: with these legs? They're not doing shit. Might as well

1056
00:55:32,719 --> 00:55:34,960
Speaker 2: just drive this thing with him?

1057
00:55:35,360 --> 00:55:37,960
Speaker 3: Why not? Might as well take it to eleven? All

1058
00:55:38,000 --> 00:55:40,839
Speaker 3: of these scenes he's taken to why fight one guy

1059
00:55:40,880 --> 00:55:42,239
Speaker 3: with an ax when you can fight two guys with

1060
00:55:42,280 --> 00:55:42,640
Speaker 3: an ax?

1061
00:55:42,800 --> 00:55:43,520
Speaker 1: Exactly?

1062
00:55:44,080 --> 00:55:46,000
Speaker 3: Why have somebody shoot at my house when they can

1063
00:55:46,000 --> 00:55:49,040
Speaker 3: throw a missile into my house. Yes, why do just

1064
00:55:49,040 --> 00:55:51,320
Speaker 3: fight someone on a bus when I can cover myself

1065
00:55:51,360 --> 00:55:53,719
Speaker 3: in grease? And why drive an eighteen wheeler when I

1066
00:55:53,719 --> 00:55:55,040
Speaker 3: could use my feet?

1067
00:55:55,520 --> 00:55:57,200
Speaker 1: Just drive with my feet?

1068
00:55:57,239 --> 00:55:59,120
Speaker 3: He is all the way up all the time. This

1069
00:55:59,160 --> 00:56:04,799
Speaker 3: movie is why wild and that is why it is

1070
00:56:04,880 --> 00:56:07,680
Speaker 3: my contribution to this theme, because it is like it

1071
00:56:07,719 --> 00:56:10,360
Speaker 3: does not take a break from ratcheting up all the

1072
00:56:10,360 --> 00:56:10,880
Speaker 3: way up now.

1073
00:56:11,160 --> 00:56:14,120
Speaker 1: Damn, I gotta tell you, like, it was a joy

1074
00:56:14,320 --> 00:56:15,600
Speaker 1: to watch this movie again.

1075
00:56:16,280 --> 00:56:18,520
Speaker 2: Like honestly, like I say, you know a lot of

1076
00:56:18,600 --> 00:56:19,920
Speaker 2: a lot of your movies. I'm like, it's a joy

1077
00:56:19,960 --> 00:56:22,640
Speaker 2: to watch this movie. No, this was a fucking joy

1078
00:56:22,719 --> 00:56:25,520
Speaker 2: to rewatch this because, like I said, I hadn't seen

1079
00:56:25,520 --> 00:56:28,319
Speaker 2: it forever, and to me, you know, I was like

1080
00:56:28,800 --> 00:56:31,520
Speaker 2: I kind of was into the guy Ritchie world. You know,

1081
00:56:31,600 --> 00:56:33,920
Speaker 2: obviously knew women from that. But then when this stuff

1082
00:56:33,960 --> 00:56:36,600
Speaker 2: started coming out. I never saw the sequels. I always

1083
00:56:36,640 --> 00:56:39,360
Speaker 2: saw the first one, and there have been three Transporters.

1084
00:56:39,400 --> 00:56:41,960
Speaker 2: I've only seen this, actually saw I've seen Transporter two.

1085
00:56:42,680 --> 00:56:46,240
Speaker 1: Yeah, well yeah, I've not seen the other two. But yeah,

1086
00:56:46,320 --> 00:56:49,600
Speaker 1: I was like, this is good, Like this is a

1087
00:56:49,680 --> 00:56:50,440
Speaker 1: good movie.

1088
00:56:50,440 --> 00:56:53,040
Speaker 2: I mean, it does look like a commercial in a

1089
00:56:53,080 --> 00:56:54,960
Speaker 2: lot of ways, and when you know, like the sort

1090
00:56:54,960 --> 00:56:57,280
Speaker 2: of history of how it came from or was inspired

1091
00:56:57,320 --> 00:56:59,360
Speaker 2: by a commercial or something like that, or like a, yeah, it.

1092
00:56:59,360 --> 00:57:03,080
Speaker 3: Was inspired by a BMW series called The Higher okay,

1093
00:57:03,120 --> 00:57:05,640
Speaker 3: where they featured the cars in it, so.

1094
00:57:06,040 --> 00:57:08,200
Speaker 2: Yeah, or maybe I don't know if it was a commercial.

1095
00:57:08,239 --> 00:57:11,840
Speaker 2: Maybe it's just like some kind of brand sponsored film

1096
00:57:11,960 --> 00:57:12,560
Speaker 2: or something like that.

1097
00:57:12,640 --> 00:57:16,360
Speaker 1: But but it feels like a car commercial now, like

1098
00:57:16,600 --> 00:57:22,560
Speaker 1: what car commercials now look like was the Transporter? You

1099
00:57:22,600 --> 00:57:24,280
Speaker 1: know what I'm saying. It's crazy.

1100
00:57:25,640 --> 00:57:27,320
Speaker 3: They're always like, look what this car can do. You

1101
00:57:27,320 --> 00:57:28,360
Speaker 3: can drive it off a cliff.

1102
00:57:29,160 --> 00:57:31,000
Speaker 2: You could drive it with your feet, you can while

1103
00:57:31,760 --> 00:57:33,520
Speaker 2: beating someone up with your hands.

1104
00:57:33,960 --> 00:57:35,840
Speaker 3: You could take your kids of soccer practice. But you

1105
00:57:35,880 --> 00:57:38,360
Speaker 3: could also parachute into an ocean with it.

1106
00:57:41,760 --> 00:57:44,880
Speaker 1: But it's it's also too like, you know, because I

1107
00:57:44,920 --> 00:57:45,840
Speaker 1: still watch his films.

1108
00:57:45,840 --> 00:57:48,160
Speaker 2: I mean I saw the meg I saw you know, Spy,

1109
00:57:48,440 --> 00:57:50,520
Speaker 2: I saw I saw the Expendables movies.

1110
00:57:50,800 --> 00:57:51,360
Speaker 1: And then you.

1111
00:57:51,320 --> 00:57:54,760
Speaker 2: Watch this You're like, oh, he's so young and like real,

1112
00:57:54,960 --> 00:57:58,040
Speaker 2: like he's got that like not gonna lie, he's got

1113
00:57:58,080 --> 00:58:00,680
Speaker 2: that kind of model guy energy where you're like, yeah,

1114
00:58:00,680 --> 00:58:03,120
Speaker 2: he knows he's hot, and he's he's serving a look

1115
00:58:03,320 --> 00:58:07,240
Speaker 2: like he's definitely giving you that look. And to me,

1116
00:58:07,360 --> 00:58:10,479
Speaker 2: I was like, oh, I love going back to this,

1117
00:58:10,760 --> 00:58:13,880
Speaker 2: like to this Stathum. It was like, oh, like it's

1118
00:58:14,240 --> 00:58:15,680
Speaker 2: kind of comforting in a weird way.

1119
00:58:15,680 --> 00:58:18,280
Speaker 1: I was like, I'm comforted by this era of Stathum.

1120
00:58:18,440 --> 00:58:22,360
Speaker 3: Right, baby Stathum in a loafer, yes, a loafer, no socks.

1121
00:58:22,360 --> 00:58:24,920
Speaker 1: In the fucking French riviera. We love it. We love

1122
00:58:24,960 --> 00:58:25,960
Speaker 1: to see it right, and just.

1123
00:58:25,960 --> 00:58:29,400
Speaker 3: Using his body, just kicking, just kicking to his heart's content. Yes,

1124
00:58:29,560 --> 00:58:32,400
Speaker 3: it's like seeing someone in their element, thriving.

1125
00:58:33,040 --> 00:58:36,760
Speaker 2: He's like at a ball in New York City doing

1126
00:58:36,920 --> 00:58:40,760
Speaker 2: his like inch by inch maneuvers to get away from

1127
00:58:40,880 --> 00:58:41,840
Speaker 2: axe chops.

1128
00:58:44,360 --> 00:58:46,720
Speaker 1: I fucking loved it. I was like, this is so awesome.

1129
00:58:46,880 --> 00:58:49,960
Speaker 2: It really it was really truly like it was a

1130
00:58:50,080 --> 00:58:53,080
Speaker 2: joy I was. I felt so great after watching it. It

1131
00:58:53,120 --> 00:58:55,240
Speaker 2: was so fun me too, especially again after the week

1132
00:58:55,320 --> 00:58:57,560
Speaker 2: we had. I was like, maybe we just need to

1133
00:58:57,560 --> 00:58:59,800
Speaker 2: watch someone get kicked in the face and you were like, yes.

1134
00:59:00,240 --> 00:59:01,880
Speaker 1: Yes, hundred percent.

1135
00:59:02,240 --> 00:59:04,840
Speaker 3: It changed my mood. I went to bed so happy.

1136
00:59:05,120 --> 00:59:05,840
Speaker 3: Oh my god.

1137
00:59:05,960 --> 00:59:11,920
Speaker 1: Completely, And then there's a movie. Oh, boy, you want

1138
00:59:11,920 --> 00:59:13,600
Speaker 1: to talk about getting punched in the face.

1139
00:59:13,880 --> 00:59:17,680
Speaker 2: I felt punched in the face after I rewatched this.

1140
00:59:18,520 --> 00:59:21,400
Speaker 1: So my movie for the theme of all the way up.

1141
00:59:22,000 --> 00:59:24,640
Speaker 2: Statham Fest is a movie that was made in two

1142
00:59:24,640 --> 00:59:28,840
Speaker 2: thousand and nine. It was written and directed by Mark

1143
00:59:29,440 --> 00:59:34,360
Speaker 2: Nevildeane and Brian Taylor. Although I have my suspicions that

1144
00:59:34,440 --> 00:59:37,040
Speaker 2: this movie was secretly written by a fifteen year old,

1145
00:59:39,440 --> 00:59:43,800
Speaker 2: I mean really, my movie is Crank Too High Voltage.

1146
00:59:44,280 --> 00:59:48,160
Speaker 3: My name is Jeff Chillios to die. I didn't die.

1147
00:59:49,480 --> 00:59:51,640
Speaker 1: Right off the top. I'm going to give a disclaimer.

1148
00:59:51,680 --> 00:59:52,560
Speaker 1: I feel like I need to.

1149
00:59:53,040 --> 00:59:56,160
Speaker 2: So, as we sometimes say on this podcast, this movie

1150
00:59:56,240 --> 00:59:58,080
Speaker 2: was made in a different era.

1151
00:59:58,120 --> 01:00:01,400
Speaker 3: People, and even in that era, it would.

1152
01:00:01,120 --> 01:00:05,800
Speaker 2: Have been offens Like I guarantee you that there will

1153
01:00:05,800 --> 01:00:09,720
Speaker 2: be something to offend just about everyone, and I.

1154
01:00:09,720 --> 01:00:12,520
Speaker 1: Mean just about everyone.

1155
01:00:12,640 --> 01:00:16,240
Speaker 3: Oh yeah, completely, and seventy percent of it is Biling's character.

1156
01:00:16,640 --> 01:00:21,320
Speaker 2: Oh oh god, I I you know, I just yep,

1157
01:00:21,400 --> 01:00:24,280
Speaker 2: that's gonna have to be something. Look, so, if you're

1158
01:00:24,320 --> 01:00:26,680
Speaker 2: still with me right now, if we're going on like

1159
01:00:26,880 --> 01:00:31,040
Speaker 2: pure beats per minute here, like this is one of

1160
01:00:31,080 --> 01:00:37,040
Speaker 2: the most ridiculous movies ever made. Like, yeah, I even

1161
01:00:37,160 --> 01:00:43,400
Speaker 2: read actually somewhere where Statham himself and I'm like paraphrasing

1162
01:00:43,480 --> 01:00:47,240
Speaker 2: this obviously, but I feel like he even said, I

1163
01:00:47,320 --> 01:00:49,479
Speaker 2: truly cannot believe this shit happened like this, I cannot

1164
01:00:49,520 --> 01:00:50,480
Speaker 2: believe this movie happened.

1165
01:00:51,600 --> 01:00:53,840
Speaker 3: That's always a good sign when the people involved are like,

1166
01:00:54,040 --> 01:00:54,880
Speaker 3: damn yes.

1167
01:00:55,560 --> 01:00:58,920
Speaker 2: So look, if you if you have a modern sensibility,

1168
01:00:58,960 --> 01:01:00,960
Speaker 2: like we say about this, I mean, it is insanely

1169
01:01:01,160 --> 01:01:05,760
Speaker 2: it's insanely violent and gory and racist and offensive to

1170
01:01:05,800 --> 01:01:09,640
Speaker 2: the point where it's almost like grand gin y'all. I

1171
01:01:09,640 --> 01:01:13,000
Speaker 2: mean it's kind of like really really over.

1172
01:01:12,800 --> 01:01:16,160
Speaker 3: The top and like intentionally over the top too. Yeah,

1173
01:01:16,280 --> 01:01:18,560
Speaker 3: it's like that's what they set out to do because

1174
01:01:18,600 --> 01:01:20,600
Speaker 3: I didn't I don't know anything about Mark Nevilldeener and

1175
01:01:20,640 --> 01:01:23,840
Speaker 3: Brian Taylor. Yeah, but yeah, it seems like that's what

1176
01:01:23,840 --> 01:01:26,360
Speaker 3: they kind of set out to do with this movie

1177
01:01:26,400 --> 01:01:26,760
Speaker 3: as well.

1178
01:01:27,280 --> 01:01:29,680
Speaker 2: It's it's definitely I'll talk about this when I talk

1179
01:01:29,720 --> 01:01:32,840
Speaker 2: a little bit about the first movie, but like they

1180
01:01:33,080 --> 01:01:36,840
Speaker 2: intentionally powered up, do you know what I'm saying? And

1181
01:01:36,920 --> 01:01:39,400
Speaker 2: so like, if you just walk into this movie having

1182
01:01:39,520 --> 01:01:41,040
Speaker 2: not known anything, you'd.

1183
01:01:40,800 --> 01:01:44,200
Speaker 1: Be like, holy shit, what is this? So I just

1184
01:01:44,200 --> 01:01:45,080
Speaker 1: wanted to say.

1185
01:01:45,200 --> 01:01:48,760
Speaker 2: I just want to say that up top excellent, and

1186
01:01:48,960 --> 01:01:52,080
Speaker 2: so break into your one sentence synopsis.

1187
01:01:52,120 --> 01:01:55,040
Speaker 3: I hope are you going to talk to us about

1188
01:01:55,040 --> 01:01:59,920
Speaker 3: why you picked Crank two and not crank Yes, okay, perfect,

1189
01:02:00,360 --> 01:02:00,880
Speaker 3: I'm a tree.

1190
01:02:01,960 --> 01:02:03,000
Speaker 1: The reason why.

1191
01:02:02,880 --> 01:02:06,560
Speaker 2: Is simply because it is fucking insane, Like it's it's insane,

1192
01:02:08,080 --> 01:02:11,680
Speaker 2: like look the first crank.

1193
01:02:12,360 --> 01:02:14,600
Speaker 1: I think it's great, like I think it's a I

1194
01:02:14,640 --> 01:02:15,200
Speaker 1: think it's.

1195
01:02:15,000 --> 01:02:18,320
Speaker 2: Great like in that way, like I'm like, yo, this move,

1196
01:02:18,400 --> 01:02:21,960
Speaker 2: this stupid premise is actually fun.

1197
01:02:22,040 --> 01:02:22,760
Speaker 1: It's kind of great.

1198
01:02:23,720 --> 01:02:26,080
Speaker 2: But and like when you watch okay, so I did

1199
01:02:26,080 --> 01:02:28,840
Speaker 2: the thing where I because I know what you're thinking

1200
01:02:28,920 --> 01:02:30,760
Speaker 2: right now too, You're like, well, how can I watch.

1201
01:02:30,680 --> 01:02:33,240
Speaker 1: Crank too High voltage if I haven't seen the first crank?

1202
01:02:33,240 --> 01:02:33,360
Speaker 3: Oh?

1203
01:02:33,440 --> 01:02:34,800
Speaker 1: Do matter at all?

1204
01:02:34,920 --> 01:02:35,400
Speaker 3: That matter?

1205
01:02:36,000 --> 01:02:39,320
Speaker 2: I watched it in reverse and it was totally fine.

1206
01:02:39,520 --> 01:02:42,040
Speaker 2: And I swear to God, like, let me put it

1207
01:02:42,040 --> 01:02:43,760
Speaker 2: to you in this I'm gonna put it to you

1208
01:02:43,840 --> 01:02:48,720
Speaker 2: in this way. If you watch Crank two High Voltage first,

1209
01:02:49,520 --> 01:02:53,640
Speaker 2: the first crank will be like a fucking Italian neorealism.

1210
01:02:54,360 --> 01:02:56,960
Speaker 2: That's how like you're being like, oh, is this a documentary?

1211
01:02:57,000 --> 01:02:57,480
Speaker 3: I don't know.

1212
01:02:57,640 --> 01:03:00,160
Speaker 1: Like, I just watched Crank Too High Voltage, and then

1213
01:03:00,160 --> 01:03:01,720
Speaker 1: I watched the first one. I'm like, oh, this.

1214
01:03:01,600 --> 01:03:07,720
Speaker 2: Is a World War two documentary about pilots, Like what.

1215
01:03:09,440 --> 01:03:11,360
Speaker 3: Is this sesame Street? What the hell's happened?

1216
01:03:12,200 --> 01:03:16,400
Speaker 2: Yeah, it is shockingly more subtle. Oh if you watch

1217
01:03:16,440 --> 01:03:18,120
Speaker 2: it in reverse for the first time, I'm just gonna

1218
01:03:18,120 --> 01:03:22,400
Speaker 2: throw that out there too. But a one sentenced synopsis

1219
01:03:22,480 --> 01:03:24,439
Speaker 2: just to get this out of the way. An ex

1220
01:03:24,560 --> 01:03:30,320
Speaker 2: hitman has his heart stolen and replaced with an artificial

1221
01:03:30,440 --> 01:03:35,000
Speaker 2: one by the Chinese mafia, which only keeps him alive

1222
01:03:35,080 --> 01:03:37,680
Speaker 2: for a single hour before he has to find a

1223
01:03:37,680 --> 01:03:39,160
Speaker 2: way to charge it back up again.

1224
01:03:40,400 --> 01:03:45,400
Speaker 3: Okay, I'm laid out just that premise alone. His heart

1225
01:03:45,520 --> 01:03:47,240
Speaker 3: is stolen. I'm done.

1226
01:03:47,320 --> 01:03:51,080
Speaker 2: So Okay, I want to give you a little bit

1227
01:03:51,080 --> 01:03:54,400
Speaker 2: of background about the first movie, just to orient you

1228
01:03:54,680 --> 01:03:57,560
Speaker 2: in this second movie. Okay, the first Crank movie is

1229
01:03:57,600 --> 01:04:01,440
Speaker 2: about this ex hitman who was played by Statham.

1230
01:04:01,840 --> 01:04:09,280
Speaker 1: His name is chev Cellios, and for the record, I

1231
01:04:09,320 --> 01:04:11,680
Speaker 1: cannot get over Cheff Shellios.

1232
01:04:11,800 --> 01:04:15,959
Speaker 3: I'm losing my mind. I'm losing my mind, Like.

1233
01:04:16,120 --> 01:04:18,000
Speaker 2: This is what actually makes me think that this movie

1234
01:04:18,120 --> 01:04:20,880
Speaker 2: was written by a fifteen year old, because only teenagers

1235
01:04:21,280 --> 01:04:24,480
Speaker 2: would create this like stupid prank phone call name like.

1236
01:04:24,560 --> 01:04:29,680
Speaker 3: Che absolutely chef Cellos has ordered ten pizzas to their

1237
01:04:29,720 --> 01:04:32,439
Speaker 3: best friend and made them pay for it.

1238
01:04:32,800 --> 01:04:35,600
Speaker 1: Like it's like, may I speak to mister Smith.

1239
01:04:35,680 --> 01:04:40,400
Speaker 2: This is doctor Cheff Cellios from You're Dying.

1240
01:04:41,800 --> 01:04:47,720
Speaker 3: Bye, you got small dick disease? Haha bye, Like it

1241
01:04:47,800 --> 01:04:53,680
Speaker 3: is so busy you've got a boner disease.

1242
01:05:08,800 --> 01:05:15,720
Speaker 1: Oh my god, I am literally crying huge, massive tears.

1243
01:05:16,040 --> 01:05:19,960
Speaker 3: Cheff chillis absolutely sounds like that, like this is chef Cellos,

1244
01:05:20,000 --> 01:05:22,000
Speaker 3: you got boner problems.

1245
01:05:22,080 --> 01:05:23,960
Speaker 1: Yeah.

1246
01:05:24,320 --> 01:05:28,280
Speaker 2: I think it's actually short for Chevyos, which is even worse.

1247
01:05:29,480 --> 01:05:34,720
Speaker 2: A I fucking cannot with that name.

1248
01:05:34,920 --> 01:05:40,160
Speaker 3: You texted me in all caps like welcome back, Jeff Chellos.

1249
01:05:42,600 --> 01:05:44,120
Speaker 3: And like in the.

1250
01:05:44,160 --> 01:05:47,720
Speaker 2: Second film, they really doubled down on people saying it,

1251
01:05:48,000 --> 01:05:50,000
Speaker 2: like they're just like Jeff Cellios, you motherfucker.

1252
01:05:50,000 --> 01:05:52,000
Speaker 1: And I'm like, that's because they know they know that

1253
01:05:52,120 --> 01:05:54,560
Speaker 1: name is stupid. They doubled down on it.

1254
01:05:55,440 --> 01:05:57,280
Speaker 2: Okay, I'm gonna I'm gonna get through this movie. I

1255
01:05:57,320 --> 01:06:00,720
Speaker 2: swear to God, I swear to God. So in the

1256
01:06:00,760 --> 01:06:05,880
Speaker 2: first crank, right, chev Cheff I'm gonna say it and

1257
01:06:05,920 --> 01:06:08,680
Speaker 2: not laugh one day, Okay. So Chev in the first movie,

1258
01:06:08,920 --> 01:06:18,520
Speaker 2: he is poisoned, okay, by this like la underground batty type, right,

1259
01:06:19,080 --> 01:06:22,560
Speaker 2: And so basically gets poisoned with a like a syringe,

1260
01:06:22,640 --> 01:06:26,920
Speaker 2: And as it turns out, it's this poison where he's

1261
01:06:27,040 --> 01:06:32,240
Speaker 2: only able to stay alive, okay, if he keeps the

1262
01:06:32,320 --> 01:06:36,080
Speaker 2: adrenaline in his body up to a certain point.

1263
01:06:36,480 --> 01:06:36,640
Speaker 3: Right.

1264
01:06:36,760 --> 01:06:41,720
Speaker 2: So it's like imagine like the movie Speed, and then

1265
01:06:42,040 --> 01:06:43,440
Speaker 2: instead of the bus.

1266
01:06:43,080 --> 01:06:44,200
Speaker 1: It's Jason Stathan.

1267
01:06:44,360 --> 01:06:49,440
Speaker 2: So Jason Stathan is the bus, right, And like, I

1268
01:06:49,480 --> 01:06:52,520
Speaker 2: can't imagine I'm not the first person to have made

1269
01:06:52,520 --> 01:06:55,240
Speaker 2: that comparison, I'm sure, but I'm just saying that's it

1270
01:06:55,320 --> 01:06:57,760
Speaker 2: helps me to remember what's going on if I think

1271
01:06:57,800 --> 01:07:01,200
Speaker 2: of it like that. So Chev has to basically go

1272
01:07:01,240 --> 01:07:03,640
Speaker 2: around doing shit that makes him like fired up enough

1273
01:07:03,680 --> 01:07:06,440
Speaker 2: to live. So he's like doing cocaine and he's out

1274
01:07:06,520 --> 01:07:09,360
Speaker 2: running the cops, and he's having sex in public with

1275
01:07:09,440 --> 01:07:12,200
Speaker 2: his girlfriend who is played by Amy Smart, and he's

1276
01:07:12,520 --> 01:07:15,800
Speaker 2: randomly punching people in the face to start fights, like

1277
01:07:15,840 --> 01:07:19,120
Speaker 2: that's his way of doing it, and like the whole movie.

1278
01:07:19,160 --> 01:07:22,240
Speaker 2: The first movie highly stylized in video game.

1279
01:07:22,280 --> 01:07:23,440
Speaker 1: It's like a video game.

1280
01:07:23,480 --> 01:07:25,760
Speaker 2: And in fact, like in both the movies, the intros

1281
01:07:25,800 --> 01:07:27,960
Speaker 2: to both movies are like an eight bit kind of

1282
01:07:28,040 --> 01:07:30,600
Speaker 2: video game thing. And you know, Satan has a lot

1283
01:07:30,640 --> 01:07:33,040
Speaker 2: of classic tough guy lines, and like I said, I

1284
01:07:33,040 --> 01:07:34,160
Speaker 2: actually enjoy.

1285
01:07:33,960 --> 01:07:34,320
Speaker 1: It a lot.

1286
01:07:34,360 --> 01:07:39,520
Speaker 2: I think it's pretty great. Okay, Now, everybody thought. Everybody

1287
01:07:39,560 --> 01:07:42,360
Speaker 2: thought that he died at the end of the first

1288
01:07:42,480 --> 01:07:48,080
Speaker 2: Crank because he fell out of a fucking helicopter, okay.

1289
01:07:47,880 --> 01:07:49,040
Speaker 1: Onto the ground.

1290
01:07:50,000 --> 01:07:53,760
Speaker 2: He fell on from a helicopter onto the ground, okay,

1291
01:07:55,480 --> 01:08:00,720
Speaker 2: And at the beginning of Crank two, he's so it's

1292
01:08:00,720 --> 01:08:02,760
Speaker 2: sort of the beginning like the end.

1293
01:08:02,640 --> 01:08:03,520
Speaker 1: Of the last field Board.

1294
01:08:03,840 --> 01:08:05,920
Speaker 2: It's like he's on the street after falling from a

1295
01:08:05,920 --> 01:08:09,200
Speaker 2: helicopter and he's scooped up by some gangsters and he's

1296
01:08:09,240 --> 01:08:12,080
Speaker 2: taken to some like kind of illegal back alley, illegal

1297
01:08:12,120 --> 01:08:16,920
Speaker 2: operating room, where his chest is cut open under local.

1298
01:08:16,760 --> 01:08:17,800
Speaker 1: As sesha.

1299
01:08:19,560 --> 01:08:20,559
Speaker 3: Of the whole thing.

1300
01:08:21,439 --> 01:08:24,200
Speaker 1: Yes, yes, yes, he's having open heart surgery.

1301
01:08:23,960 --> 01:08:28,800
Speaker 2: With local astesia, and so his heart, his heart is

1302
01:08:28,800 --> 01:08:32,000
Speaker 2: taken out and then it's replaced by this fake heart,

1303
01:08:32,120 --> 01:08:33,080
Speaker 2: this artificial heart.

1304
01:08:33,120 --> 01:08:36,519
Speaker 1: Okay. Now, like I said, right off the bat, I

1305
01:08:36,520 --> 01:08:38,040
Speaker 1: think the through.

1306
01:08:37,800 --> 01:08:42,040
Speaker 2: Line is they doubled down on literally everything from the

1307
01:08:42,040 --> 01:08:42,679
Speaker 2: first movie.

1308
01:08:43,000 --> 01:08:47,320
Speaker 1: It's louder, it's faster, it's cruder. There's way more dick

1309
01:08:47,439 --> 01:08:51,240
Speaker 1: jokes yep, by far than the first one. Instead of

1310
01:08:51,479 --> 01:08:52,320
Speaker 1: chev having to do.

1311
01:08:52,320 --> 01:08:55,080
Speaker 2: Like some fucking jumpin' jacks or some shit to stay alive.

1312
01:08:55,360 --> 01:09:00,880
Speaker 2: I mean, he's gotta go around shocking himself to keep

1313
01:09:00,920 --> 01:09:04,280
Speaker 2: the battery on his artificial heart running.

1314
01:09:04,479 --> 01:09:07,200
Speaker 3: Well, because he broke the battery. They did give him one,

1315
01:09:07,520 --> 01:09:08,320
Speaker 3: but he broke it with it.

1316
01:09:09,360 --> 01:09:13,080
Speaker 2: Yes, of course, you know, because who charges a fucking

1317
01:09:13,120 --> 01:09:15,400
Speaker 2: battery for an artificial hearts? Is like, oh, you're just

1318
01:09:15,400 --> 01:09:17,080
Speaker 2: putting it back on the thing and it's not even

1319
01:09:17,160 --> 01:09:20,920
Speaker 2: really charging. So he breaks it and it's it's useless.

1320
01:09:20,960 --> 01:09:23,559
Speaker 2: So of course now he's screwed. So he's like, oh, fuck, what.

1321
01:09:23,520 --> 01:09:23,920
Speaker 3: Do I do?

1322
01:09:24,080 --> 01:09:27,280
Speaker 1: You know, I gotta go round? Oh, put put my

1323
01:09:27,360 --> 01:09:29,120
Speaker 1: finger in a cigarette calllight A.

1324
01:09:29,400 --> 01:09:35,360
Speaker 2: I'm sorry, that's a really bad British I don't know.

1325
01:09:35,280 --> 01:09:37,680
Speaker 1: What that is. Let's figure that. We'll figure that out

1326
01:09:37,720 --> 01:09:40,320
Speaker 1: for another time. What that was, Oh my gosh.

1327
01:09:40,360 --> 01:09:42,800
Speaker 3: But and here's here's my question too, So like they

1328
01:09:42,800 --> 01:09:44,599
Speaker 3: cut his heart out because they want to give it

1329
01:09:44,640 --> 01:09:49,640
Speaker 3: to like their underground crime boss. If you know that

1330
01:09:49,720 --> 01:09:53,800
Speaker 3: this guy's heart runs on adrenaline, why would you want

1331
01:09:53,800 --> 01:09:57,840
Speaker 3: it because you can never sleep again. Like that to

1332
01:09:57,920 --> 01:10:01,080
Speaker 3: me is not a valuable item because he's his whole

1333
01:10:01,120 --> 01:10:03,360
Speaker 3: life is going to change. He'll never sleep again. He

1334
01:10:03,439 --> 01:10:06,080
Speaker 3: has to keep his energy up and keep his adrenaline going.

1335
01:10:06,439 --> 01:10:06,680
Speaker 3: I know.

1336
01:10:06,800 --> 01:10:11,439
Speaker 2: This is the thing, is that you forget that he well,

1337
01:10:11,439 --> 01:10:14,360
Speaker 2: first of all, he is supposed to be dead, like

1338
01:10:14,720 --> 01:10:17,120
Speaker 2: I guess he did not die, but that he also

1339
01:10:17,200 --> 01:10:20,479
Speaker 2: has the adrenaline heart from the first movie. So you're like, oh,

1340
01:10:20,520 --> 01:10:23,040
Speaker 2: so you're taking out that adrenaline heart that's fucked up,

1341
01:10:23,240 --> 01:10:25,320
Speaker 2: and then you're putting it in somebody who can't even

1342
01:10:25,439 --> 01:10:28,160
Speaker 2: run as fast as this guy, let alone, you know,

1343
01:10:28,280 --> 01:10:29,040
Speaker 2: do cocaine and.

1344
01:10:29,040 --> 01:10:30,360
Speaker 1: All this stuff. I don't know, it was.

1345
01:10:30,520 --> 01:10:35,120
Speaker 2: It's crazy how and I actually don't know if the

1346
01:10:35,240 --> 01:10:38,360
Speaker 2: two aren't necessarily super tightly linked.

1347
01:10:38,080 --> 01:10:41,320
Speaker 3: Like that, but in our minds and for this purpose, yeah,

1348
01:10:41,320 --> 01:10:43,040
Speaker 3: because you're like saw him, they picked up where he

1349
01:10:43,200 --> 01:10:45,800
Speaker 3: left off. So I'm like, wait, he still has adrenaline.

1350
01:10:45,240 --> 01:10:47,920
Speaker 1: Heart and you're gonna put it in.

1351
01:10:47,960 --> 01:10:52,679
Speaker 3: David Carridine, who, by the way, his whole career is problematic. Yeah,

1352
01:10:52,720 --> 01:10:54,800
Speaker 3: his whole career is problematic.

1353
01:10:56,280 --> 01:10:59,040
Speaker 1: Look, and it is, like I said, includes this includes this.

1354
01:10:59,800 --> 01:11:04,080
Speaker 2: Look I as I said earlier, I mean, you're just

1355
01:11:04,120 --> 01:11:07,760
Speaker 2: gonna have to understand the caveat here is that if

1356
01:11:07,760 --> 01:11:10,880
Speaker 2: this movie is fucking insane, Like it's insane, there's so

1357
01:11:10,960 --> 01:11:13,799
Speaker 2: much racism. It's not even like a lot of Asian racism.

1358
01:11:13,840 --> 01:11:18,040
Speaker 2: And trust me, like you know that, I'm extremely sensitive

1359
01:11:18,080 --> 01:11:24,240
Speaker 2: to these things. His character is named poone Dong, I

1360
01:11:24,280 --> 01:11:25,960
Speaker 2: mean fifth, that's a fat.

1361
01:11:26,080 --> 01:11:27,040
Speaker 1: Boys fifteen years Yeah.

1362
01:11:27,400 --> 01:11:31,519
Speaker 2: However, when you take into account that's that's like just

1363
01:11:31,560 --> 01:11:34,280
Speaker 2: a little slice of what this movie.

1364
01:11:34,040 --> 01:11:37,160
Speaker 3: Has to offer, right, tame in comparison to what the

1365
01:11:37,160 --> 01:11:38,960
Speaker 3: rest of this movie has the offer.

1366
01:11:40,000 --> 01:11:40,240
Speaker 2: Right.

1367
01:11:40,680 --> 01:11:42,040
Speaker 1: So okay, but that was.

1368
01:11:42,040 --> 01:11:45,160
Speaker 3: Just curious about the adrenaline Heart.

1369
01:11:45,280 --> 01:11:47,360
Speaker 2: Yeah, yeah, no, no, no, it's a good question to ask.

1370
01:11:47,439 --> 01:11:51,480
Speaker 2: I asked you about the you know, the business filings

1371
01:11:51,640 --> 01:11:54,400
Speaker 2: of of Statham's character in your movie.

1372
01:11:54,479 --> 01:11:57,240
Speaker 1: So we got to get that paperwork out of the way.

1373
01:11:59,040 --> 01:11:59,360
Speaker 3: Now.

1374
01:11:59,720 --> 01:12:02,760
Speaker 2: Part of I think what is fun actually about the

1375
01:12:02,880 --> 01:12:08,040
Speaker 2: crank lore is that apparently Statham did all of his

1376
01:12:08,120 --> 01:12:11,320
Speaker 2: own fighting and his own stunts in the first one

1377
01:12:11,520 --> 01:12:16,080
Speaker 2: including the helicopter shit. No, he did not fall obviously

1378
01:12:16,080 --> 01:12:18,479
Speaker 2: from a helicopter, but he was doing the little shit

1379
01:12:18,680 --> 01:12:24,479
Speaker 2: like fighter exactly, which is pretty cool to me. I'm like, yo,

1380
01:12:24,680 --> 01:12:30,759
Speaker 2: this guy has got chaps, as we say. And here's

1381
01:12:30,800 --> 01:12:37,160
Speaker 2: here's why. Ultimately, Crank two is something I want. I

1382
01:12:37,479 --> 01:12:40,000
Speaker 2: brought to the table before the first crank, because here

1383
01:12:40,040 --> 01:12:45,439
Speaker 2: we go, we got Statham putting jumper cables on his

1384
01:12:45,479 --> 01:12:51,519
Speaker 2: own nipples, A and song and I when I first

1385
01:12:51,720 --> 01:12:55,320
Speaker 2: saw this, like when I first saw this crank two

1386
01:12:55,800 --> 01:12:59,360
Speaker 2: high voltage, when I saw the material, the marketing materials,

1387
01:13:00,320 --> 01:13:04,439
Speaker 2: I was like, my god, who is doing this for us?

1388
01:13:04,640 --> 01:13:08,559
Speaker 2: Who in the fuck is doing this for us? You

1389
01:13:08,600 --> 01:13:11,519
Speaker 2: think Mark Ruffalo's out here being like, let me clamp

1390
01:13:11,560 --> 01:13:16,320
Speaker 2: this jumper cable to my bare nip ah?

1391
01:13:15,360 --> 01:13:19,360
Speaker 3: No, Oscar Isaink would never.

1392
01:13:20,280 --> 01:13:21,280
Speaker 1: He would never.

1393
01:13:21,439 --> 01:13:24,880
Speaker 2: I'm sorry, folks, Like, let's get serious. Satan is putting

1394
01:13:25,320 --> 01:13:27,120
Speaker 2: jumper cables on his nipples.

1395
01:13:27,320 --> 01:13:30,200
Speaker 3: But Pedro Pascal would I'm just gonna throw that out there.

1396
01:13:31,600 --> 01:13:34,879
Speaker 1: We'll see you have twenty four hours to respond.

1397
01:13:34,920 --> 01:13:37,640
Speaker 3: Pedro Pascal, would you jumper cap for your nipples for

1398
01:13:37,680 --> 01:13:39,840
Speaker 3: the for the common good? Yes?

1399
01:13:40,000 --> 01:13:42,960
Speaker 2: And that's that's again, this is exactly the essence of

1400
01:13:43,000 --> 01:13:44,760
Speaker 2: all the way up to me. It's like, here's this

1401
01:13:44,840 --> 01:13:48,639
Speaker 2: actor that's like, he's not gonna ask a guy to come.

1402
01:13:48,439 --> 01:13:52,000
Speaker 1: In and do a stunt, nip. He's like, I'm doing it.

1403
01:13:53,200 --> 01:13:54,519
Speaker 1: I'm fucking doing it.

1404
01:13:54,800 --> 01:13:57,880
Speaker 2: And unless I'm wrong, unless they did a quick switcheroo,

1405
01:13:58,160 --> 01:14:00,679
Speaker 2: I mean his face is in the shot when he's

1406
01:14:00,760 --> 01:14:01,160
Speaker 2: doing it.

1407
01:14:01,560 --> 01:14:03,080
Speaker 1: I'm like, Yo, he actually did it.

1408
01:14:03,479 --> 01:14:05,160
Speaker 3: And if you watch the movie through the end of

1409
01:14:05,200 --> 01:14:08,519
Speaker 3: the credits, they show him doing all of these stunts.

1410
01:14:09,280 --> 01:14:11,720
Speaker 2: Yeah, that's what I'm saying. And I'm just like, this

1411
01:14:11,800 --> 01:14:14,120
Speaker 2: is why I fucking love Statham. This is why we stand.

1412
01:14:14,800 --> 01:14:17,959
Speaker 2: He's just putting on the show. He's doing the show.

1413
01:14:17,760 --> 01:14:19,720
Speaker 1: For us, and I fucking appreciate that.

1414
01:14:19,800 --> 01:14:21,840
Speaker 3: Shit I'm getting.

1415
01:14:24,360 --> 01:14:27,840
Speaker 1: You know, you work in Hollywood, don't you know about

1416
01:14:27,880 --> 01:14:28,320
Speaker 1: these things?

1417
01:14:29,360 --> 01:14:29,920
Speaker 3: Oh? My good.

1418
01:14:30,000 --> 01:14:32,960
Speaker 2: Okay, So here's another here's another thing I want to

1419
01:14:32,960 --> 01:14:36,200
Speaker 2: say about this film. So in both the movies, there's

1420
01:14:36,240 --> 01:14:40,960
Speaker 2: this disgraced doctor character who is he's kind of the

1421
01:14:40,960 --> 01:14:44,920
Speaker 2: one that is like the Sherpa shit. He's like, Chev's

1422
01:14:44,920 --> 01:14:50,200
Speaker 2: Sherpa through his like body misfortunes, and he tells him

1423
01:14:50,280 --> 01:14:53,400
Speaker 2: kind of how to stay alive throughout the entire movies, right,

1424
01:14:53,479 --> 01:14:55,600
Speaker 2: He's like, well, then he's on the phone and he's like,

1425
01:14:55,640 --> 01:14:56,439
Speaker 2: how do I stay alive?

1426
01:14:56,479 --> 01:14:56,679
Speaker 1: Doc?

1427
01:14:56,720 --> 01:14:59,920
Speaker 2: He's like, well, you gotta do this. So this character

1428
01:15:00,240 --> 01:15:04,479
Speaker 2: played by the great Country and Western stark Dwight Yoakum,

1429
01:15:05,400 --> 01:15:09,960
Speaker 2: And if you only know him from like his songs, like,

1430
01:15:09,960 --> 01:15:12,520
Speaker 2: if you only know him from like guitars and cadillacs,

1431
01:15:12,920 --> 01:15:16,160
Speaker 2: I'm telling you right now, you will be disturbed beyond

1432
01:15:16,160 --> 01:15:17,160
Speaker 2: all fucking belief.

1433
01:15:17,920 --> 01:15:22,200
Speaker 3: Thank you. I was bringing this up because it is

1434
01:15:22,720 --> 01:15:26,320
Speaker 3: jarring in a way that I did not want to

1435
01:15:26,360 --> 01:15:27,759
Speaker 3: be jarred. Oh my god.

1436
01:15:28,120 --> 01:15:31,360
Speaker 2: I I don't want to like tell you specifically like

1437
01:15:31,439 --> 01:15:32,280
Speaker 2: what's going on?

1438
01:15:32,400 --> 01:15:33,479
Speaker 1: That really hit it for me.

1439
01:15:33,520 --> 01:15:36,320
Speaker 2: But it's just the whole vibe, the whole vibe. And

1440
01:15:36,360 --> 01:15:38,760
Speaker 2: even in the first movie. In the first movie, I

1441
01:15:38,760 --> 01:15:41,400
Speaker 2: mean it's like he's just like this gross, weird dude,

1442
01:15:41,920 --> 01:15:44,439
Speaker 2: you know, Like I said, disgrace doctor, and it's Dwight Yoakum,

1443
01:15:44,439 --> 01:15:47,680
Speaker 2: And I'm like, oh my god, I like own your albums?

1444
01:15:47,800 --> 01:15:50,360
Speaker 1: What are you doing? I know he's an actor, but it.

1445
01:15:50,479 --> 01:15:53,280
Speaker 3: Just it was jarring to really say that. Just every

1446
01:15:53,320 --> 01:15:57,360
Speaker 3: word that comes out of his mouth, and I'm like, bite, no, yes,

1447
01:15:57,840 --> 01:15:59,120
Speaker 3: don't do this to yourself.

1448
01:15:59,760 --> 01:16:03,519
Speaker 2: Why Yeah, it's it's it's it's so sicko mode. The

1449
01:16:03,560 --> 01:16:07,040
Speaker 2: whole movie is sicko mode. Can I just say that?

1450
01:16:07,360 --> 01:16:10,160
Speaker 2: All right, let's let's talk about this. I want to

1451
01:16:10,200 --> 01:16:13,479
Speaker 2: talk about some of the ways that Chev Chelios gets

1452
01:16:13,640 --> 01:16:17,479
Speaker 2: juiced in this film. Okay, at one point, is hot

1453
01:16:17,479 --> 01:16:20,879
Speaker 2: wiing a car and then realizes he can hot wire himself.

1454
01:16:21,280 --> 01:16:23,320
Speaker 2: So then he's like, you know, fucking taking the wires

1455
01:16:23,320 --> 01:16:29,240
Speaker 2: and sticking him in his little ports and he's like, yeah, sizzling, sizzling.

1456
01:16:29,320 --> 01:16:33,840
Speaker 2: Chev the aforementioned jumper cable on the nips. I think

1457
01:16:33,840 --> 01:16:36,880
Speaker 2: we've already talked about that. He also, at some point

1458
01:16:37,000 --> 01:16:42,920
Speaker 2: like tries to get the police to taser him and

1459
01:16:42,960 --> 01:16:46,599
Speaker 2: then steals the taser and is like zapping himself until

1460
01:16:46,600 --> 01:16:50,200
Speaker 2: it just dies. He's like tasering hisself until the unit

1461
01:16:50,360 --> 01:16:51,479
Speaker 2: actually dies.

1462
01:16:51,880 --> 01:16:52,240
Speaker 3: Okay.

1463
01:16:52,880 --> 01:16:55,719
Speaker 2: Now, in one of my favorite scenes of this movie,

1464
01:16:56,880 --> 01:16:59,439
Speaker 2: not for the reason that you think, for the later reason.

1465
01:16:59,560 --> 01:17:05,000
Speaker 2: So these two fucking complete assholes who have this shock

1466
01:17:05,160 --> 01:17:08,479
Speaker 2: collar on their dog in the park, okay, and they're

1467
01:17:08,560 --> 01:17:11,360
Speaker 2: just like fucking idiots. They're just shocking their dog and

1468
01:17:11,400 --> 01:17:13,840
Speaker 2: I hate it. I hated every second of it. But

1469
01:17:13,920 --> 01:17:17,120
Speaker 2: then Chev sees this happening and he walks up and

1470
01:17:17,160 --> 01:17:19,160
Speaker 2: he takes from them and he claims to be Peta

1471
01:17:19,240 --> 01:17:21,040
Speaker 2: and he's like, you know, you guys are fucking assholes.

1472
01:17:21,160 --> 01:17:24,439
Speaker 2: He yells at them for using it on this poor dog,

1473
01:17:25,000 --> 01:17:28,720
Speaker 2: but of course he wants it for himself, duh. And

1474
01:17:28,760 --> 01:17:32,960
Speaker 2: then here's where we're getting the real stathem act and

1475
01:17:33,840 --> 01:17:37,800
Speaker 2: chops with this shock collar scene. He's like yelling at

1476
01:17:37,840 --> 01:17:40,200
Speaker 2: these two ding dongs to zap him and he's getting

1477
01:17:40,240 --> 01:17:42,559
Speaker 2: shocked and he's like twitching, and it's like this whole

1478
01:17:42,840 --> 01:17:47,760
Speaker 2: like it's very like I gotta tell you, I'm not

1479
01:17:47,840 --> 01:17:55,960
Speaker 2: saying it's Oscar worthy, but I was like, yo, this

1480
01:17:56,000 --> 01:17:59,400
Speaker 2: is like some Buster Keaton, fucking Harold Lloyd shit, Like

1481
01:17:59,720 --> 01:18:00,760
Speaker 2: stay has got him.

1482
01:18:00,840 --> 01:18:02,519
Speaker 1: He's got those chops right now.

1483
01:18:02,600 --> 01:18:06,280
Speaker 3: He it's like very Monty Python. He starts barking at

1484
01:18:06,280 --> 01:18:09,800
Speaker 3: what at several points, and that's when I realized he

1485
01:18:09,880 --> 01:18:12,400
Speaker 3: was funny. Yeah, he's a funny dude.

1486
01:18:12,439 --> 01:18:14,080
Speaker 1: Yes, exactly exactly.

1487
01:18:14,120 --> 01:18:15,519
Speaker 3: If you see him in Spile, it will be the

1488
01:18:15,560 --> 01:18:17,439
Speaker 3: same thing. He's a funny dude.

1489
01:18:18,280 --> 01:18:19,360
Speaker 1: Yes, exactly.

1490
01:18:19,400 --> 01:18:22,960
Speaker 2: That's that's what that scene really did it for me

1491
01:18:23,040 --> 01:18:26,519
Speaker 2: in that way. So he's shocking himself with a dog collar.

1492
01:18:26,920 --> 01:18:30,840
Speaker 2: He again has public sex with his girlfriend because he's like, oh,

1493
01:18:30,880 --> 01:18:33,840
Speaker 2: I realized that having sex creates friction, and that's it.

1494
01:18:33,920 --> 01:18:36,080
Speaker 1: That's a shock. Okay, we get it. It's it's just

1495
01:18:36,120 --> 01:18:37,880
Speaker 1: a way to show sex in a movie. Come on,

1496
01:18:38,000 --> 01:18:38,879
Speaker 1: let's get serious.

1497
01:18:39,160 --> 01:18:41,280
Speaker 2: He puts he actually does put his finger in a

1498
01:18:41,320 --> 01:18:46,040
Speaker 2: car cigarette lighter at one point, and then at towards

1499
01:18:46,040 --> 01:18:48,240
Speaker 2: the end of the movie, all of these things that

1500
01:18:48,280 --> 01:18:50,559
Speaker 2: he's been doing is like, well, it's not working, baby,

1501
01:18:50,720 --> 01:18:52,400
Speaker 2: I guess I'm just gonna have to start going to

1502
01:18:52,720 --> 01:18:57,080
Speaker 2: transformers and just hold on to them.

1503
01:18:56,160 --> 01:18:59,360
Speaker 1: Like that Billy Idol video from the eighties.

1504
01:19:02,200 --> 01:19:04,120
Speaker 3: And maybe.

1505
01:19:05,360 --> 01:19:08,360
Speaker 1: In in Maybe the Peace there was the stumps of

1506
01:19:08,439 --> 01:19:09,360
Speaker 1: this movie.

1507
01:19:09,880 --> 01:19:10,200
Speaker 3: Okay.

1508
01:19:12,200 --> 01:19:16,120
Speaker 2: He does this to the point where he catches himself

1509
01:19:16,200 --> 01:19:18,759
Speaker 2: on fire, and then.

1510
01:19:18,640 --> 01:19:22,400
Speaker 1: He punches a guy while on fire.

1511
01:19:22,880 --> 01:19:28,960
Speaker 3: Oh my god, I can't breathe. It's like, how you're

1512
01:19:29,040 --> 01:19:33,640
Speaker 3: hugging transformers to the point of lighting himself up and

1513
01:19:33,680 --> 01:19:35,880
Speaker 3: burning himself to bits.

1514
01:19:36,040 --> 01:19:38,920
Speaker 2: But then finds a way to punch a guy while

1515
01:19:38,920 --> 01:19:41,000
Speaker 2: he's like actively on fire.

1516
01:19:41,200 --> 01:19:43,080
Speaker 1: And I'm just like this guy.

1517
01:19:44,200 --> 01:19:46,960
Speaker 2: I mean, it's just like, can what can you say?

1518
01:19:47,040 --> 01:19:50,719
Speaker 2: That is the most all the way up fucking scene ever?

1519
01:19:51,840 --> 01:19:53,200
Speaker 3: And it truly is.

1520
01:19:53,640 --> 01:19:55,960
Speaker 1: I mean, listen, oh my.

1521
01:19:55,880 --> 01:19:56,360
Speaker 3: God, this.

1522
01:19:59,520 --> 01:20:03,680
Speaker 2: Movie is the definition of a lot if you know

1523
01:20:03,680 --> 01:20:04,240
Speaker 2: what I'm saying.

1524
01:20:05,200 --> 01:20:07,320
Speaker 1: And Saithan is.

1525
01:20:07,240 --> 01:20:08,840
Speaker 2: Like he's all the way up in a way that

1526
01:20:08,920 --> 01:20:12,439
Speaker 2: I did not think was possible, Like completely.

1527
01:20:12,200 --> 01:20:12,880
Speaker 1: I'll tell you this.

1528
01:20:13,840 --> 01:20:18,920
Speaker 2: If kicking a severed head into a pool is one

1529
01:20:18,960 --> 01:20:22,639
Speaker 2: of the most chill things that he does in this movie,

1530
01:20:25,160 --> 01:20:28,920
Speaker 2: then you're then you know you're in for something crazy, right,

1531
01:20:30,160 --> 01:20:32,040
Speaker 2: Like I'm like, oh, he just kicked a severed head

1532
01:20:32,040 --> 01:20:32,719
Speaker 2: into a pool.

1533
01:20:32,760 --> 01:20:46,519
Speaker 1: That's oh god. I feel relaxed. This feels like yoga. Listen,

1534
01:20:46,800 --> 01:20:48,240
Speaker 1: I'm gonna say. I'm gonna say this.

1535
01:20:49,280 --> 01:20:51,840
Speaker 2: I normally, with like our films, I would be like, Hey,

1536
01:20:51,880 --> 01:20:53,800
Speaker 2: great film, guys, everybody go out and watch this.

1537
01:20:54,040 --> 01:20:56,519
Speaker 1: I'm not gonna do that with Crank two. For this,

1538
01:20:56,800 --> 01:20:59,080
Speaker 1: for this podcast, this is.

1539
01:20:59,160 --> 01:21:03,400
Speaker 3: No specific audience. It's not for all y'all. No, it's

1540
01:21:03,520 --> 01:21:04,400
Speaker 3: not for all y'all.

1541
01:21:04,520 --> 01:21:05,479
Speaker 1: Not for all y'all.

1542
01:21:05,520 --> 01:21:10,280
Speaker 2: It only if you're in sicker mode only holy If

1543
01:21:10,600 --> 01:21:14,080
Speaker 2: otherwise skip like that's fine, we can just make it

1544
01:21:14,120 --> 01:21:19,400
Speaker 2: extra credit. This is not a sign, but it's it's that.

1545
01:21:19,360 --> 01:21:20,080
Speaker 1: Kind of movie.

1546
01:21:20,320 --> 01:21:23,640
Speaker 2: Like it's just it's got like so much going on.

1547
01:21:23,800 --> 01:21:25,920
Speaker 2: It's like an all out assault on so many fronts.

1548
01:21:25,960 --> 01:21:29,599
Speaker 2: I mean, this is like meant to literally offend somebody

1549
01:21:29,640 --> 01:21:34,360
Speaker 2: at every second, and you know, at some point it

1550
01:21:34,520 --> 01:21:36,719
Speaker 2: just becomes I mean, this is what I actually felt

1551
01:21:36,720 --> 01:21:39,000
Speaker 2: this time while watching it, is that I was just like,

1552
01:21:39,080 --> 01:21:41,000
Speaker 2: at some point, it's just sort of like you're you're

1553
01:21:41,080 --> 01:21:44,040
Speaker 2: it is in that grand gien y'all thing where You're

1554
01:21:44,080 --> 01:21:47,040
Speaker 2: just like, Wow, this is just like a pageant of shit,

1555
01:21:47,520 --> 01:21:50,160
Speaker 2: and I'm I'm just watching it. I'm just watching all

1556
01:21:50,240 --> 01:21:53,760
Speaker 2: of it happen, and I can't even parse out individual

1557
01:21:54,240 --> 01:21:56,800
Speaker 2: like little microaggressions about it. I'm just like, this is it.

1558
01:21:56,800 --> 01:22:00,599
Speaker 2: It's just being presented as a full on play of

1559
01:22:01,200 --> 01:22:02,479
Speaker 2: crazy shit, right.

1560
01:22:02,640 --> 01:22:05,240
Speaker 3: It is truly a thought experiment. We haven't even talked

1561
01:22:05,240 --> 01:22:08,960
Speaker 3: about Effrin Ramirez his character. Oh I know, I know.

1562
01:22:09,240 --> 01:22:11,040
Speaker 2: Look, I mean that's that's the thing, is that like

1563
01:22:11,080 --> 01:22:13,320
Speaker 2: he he was in the first one too. Yeah, his

1564
01:22:13,439 --> 01:22:16,639
Speaker 2: character in the in this film is he plays sort

1565
01:22:16,680 --> 01:22:20,400
Speaker 2: of the brother of the of the character because his

1566
01:22:20,520 --> 01:22:24,000
Speaker 2: character dies in the first one, and he kind of

1567
01:22:24,040 --> 01:22:27,000
Speaker 2: had like a glow up in between the movies where

1568
01:22:27,000 --> 01:22:29,680
Speaker 2: he looked kind of like he was like kind of

1569
01:22:29,720 --> 01:22:32,400
Speaker 2: tough looking, and I was like, damn, And of course

1570
01:22:32,439 --> 01:22:33,880
Speaker 2: this is the case. I mean, if y'all don't know

1571
01:22:33,960 --> 01:22:37,240
Speaker 2: him by name, he was in Napoleon Dynamite. He was

1572
01:22:37,280 --> 01:22:40,519
Speaker 2: that's like, you know what he was most famous for. Yeah,

1573
01:22:40,560 --> 01:22:43,439
Speaker 2: he was Pedro and Napoleon Dynamite. But yeah, he kind

1574
01:22:43,439 --> 01:22:45,559
Speaker 2: of had like a tough glow up in this one,

1575
01:22:45,560 --> 01:22:46,200
Speaker 2: which I thought was.

1576
01:22:46,240 --> 01:22:48,519
Speaker 1: Kind of crazy. I was like, wow, he's looking pretty buff.

1577
01:22:48,640 --> 01:22:51,720
Speaker 3: I just I just think, above all else, the introduction

1578
01:22:51,800 --> 01:22:55,519
Speaker 3: of the character Venus as the twin brother of klo

1579
01:22:56,400 --> 01:22:59,800
Speaker 3: to the song to a song about Dix is one

1580
01:22:59,840 --> 01:23:01,760
Speaker 3: of the best inferences in the film. I've ever best

1581
01:23:01,800 --> 01:23:05,760
Speaker 3: introductions him dancing in a club with his brother talking

1582
01:23:05,760 --> 01:23:08,360
Speaker 3: about Dicks, talking about Dix.

1583
01:23:09,800 --> 01:23:12,120
Speaker 2: The songs and both the films. I mean, this is

1584
01:23:12,160 --> 01:23:15,400
Speaker 2: again I think like, obviously this movie was made for

1585
01:23:15,479 --> 01:23:18,559
Speaker 2: like a specific age group, right, because there's a lot

1586
01:23:18,600 --> 01:23:23,680
Speaker 2: of eighties nostalgia in it and in time, you know,

1587
01:23:23,720 --> 01:23:26,560
Speaker 2: two thousand and nine, Like I forgot one of the

1588
01:23:26,600 --> 01:23:30,599
Speaker 2: first Crank is two thousand and six, maybe yeah, but yeah,

1589
01:23:30,640 --> 01:23:34,280
Speaker 2: this was like prime nostalgia era FORR for gen X,

1590
01:23:34,479 --> 01:23:37,320
Speaker 2: and so you know, it doesn't surprise me that this

1591
01:23:37,479 --> 01:23:41,040
Speaker 2: movie is loaded down with that kind of stuff, the

1592
01:23:41,160 --> 01:23:45,080
Speaker 2: video game stuff, the you know, I don't know, sort

1593
01:23:45,120 --> 01:23:50,480
Speaker 2: of like hyper violence, but also you know, the songs,

1594
01:23:50,600 --> 01:23:54,080
Speaker 2: like all of the you know, eighties songs, and I

1595
01:23:54,200 --> 01:23:57,080
Speaker 2: just am like, yeah, it's it's definitely made for a

1596
01:23:57,160 --> 01:23:59,680
Speaker 2: specific audience. But then the thing that I think the

1597
01:23:59,760 --> 01:24:01,679
Speaker 2: reason that's why I did pick it though, is because

1598
01:24:01,720 --> 01:24:03,760
Speaker 2: it literally is sort of that thing where you're like,

1599
01:24:04,160 --> 01:24:06,719
Speaker 2: what if we took this already crazy premise and then.

1600
01:24:06,760 --> 01:24:11,800
Speaker 1: Just rely went to like two hundred with it? Yes,

1601
01:24:12,360 --> 01:24:17,320
Speaker 1: And I'm sort of like wow, in a.

1602
01:24:17,320 --> 01:24:20,000
Speaker 2: Weird way, I'm like, I don't know if I'm going

1603
01:24:20,080 --> 01:24:22,160
Speaker 2: I'm going out too far on a limb here, but

1604
01:24:22,280 --> 01:24:24,560
Speaker 2: I'm almost say it kind of made me think in

1605
01:24:24,600 --> 01:24:27,439
Speaker 2: the back of my mind, damn, they should let literally

1606
01:24:27,520 --> 01:24:32,160
Speaker 2: anybody make movies. After they they released this movie, I was, ah,

1607
01:24:32,360 --> 01:24:35,280
Speaker 2: oh wait, there's still not let women make movies. After

1608
01:24:35,360 --> 01:24:38,519
Speaker 2: they make Crank two fucking high Voltage, Like, did you

1609
01:24:38,760 --> 01:24:39,160
Speaker 2: see that.

1610
01:24:39,320 --> 01:24:41,680
Speaker 3: Movie that I'm this is Okay. The next time I

1611
01:24:41,760 --> 01:24:44,439
Speaker 3: go to a writer's guild meeting, this is the point

1612
01:24:44,439 --> 01:24:47,599
Speaker 3: I'm gonna raise. It's like, how dare you not let

1613
01:24:47,720 --> 01:24:52,479
Speaker 3: anyone make a movie? If this exists, that's all you need,

1614
01:24:52,840 --> 01:24:53,760
Speaker 3: that's the calling card.

1615
01:24:54,240 --> 01:24:57,400
Speaker 2: Yeah, let it be like it's like the Crank two

1616
01:24:57,520 --> 01:25:01,040
Speaker 2: high voltage precedent, Like it's the it's the standard by

1617
01:25:01,080 --> 01:25:04,400
Speaker 2: which we've opened the floodgates to let every creative person

1618
01:25:04,680 --> 01:25:05,439
Speaker 2: make art.

1619
01:25:05,840 --> 01:25:08,400
Speaker 1: Because they got to make Crank too high voltage. Do

1620
01:25:08,439 --> 01:25:09,160
Speaker 1: you know what I'm saying.

1621
01:25:09,720 --> 01:25:13,240
Speaker 3: It's this, It's the Stathum principle. Ah, it is the

1622
01:25:13,280 --> 01:25:16,479
Speaker 3: Stathum principle all the way up. Crank it, do it?

1623
01:25:17,040 --> 01:25:19,160
Speaker 3: Oh my goodness it is. Don't do you not watch

1624
01:25:19,240 --> 01:25:20,960
Speaker 3: this movie with with your moms? Don't watch it with

1625
01:25:21,040 --> 01:25:21,839
Speaker 3: missus de Cheriko.

1626
01:25:22,360 --> 01:25:24,560
Speaker 1: Oh no, absolutely not this No.

1627
01:25:24,960 --> 01:25:25,000
Speaker 3: No.

1628
01:25:25,439 --> 01:25:28,000
Speaker 2: I thought about this too because I was like, okay,

1629
01:25:28,080 --> 01:25:30,080
Speaker 2: so we know we talk about this because my mom

1630
01:25:30,280 --> 01:25:33,559
Speaker 2: is like famously loves Keanu Reeves like and she's kind

1631
01:25:33,600 --> 01:25:35,640
Speaker 2: of like in that weird where she's like, oh I

1632
01:25:35,720 --> 01:25:37,679
Speaker 2: really like him, Like I want to see every movie

1633
01:25:37,760 --> 01:25:38,400
Speaker 2: he's ever done.

1634
01:25:39,240 --> 01:25:41,679
Speaker 1: And I'm like, wow, mom, you have a crush on him.

1635
01:25:42,360 --> 01:25:45,240
Speaker 1: You know, you're like seventy years old, but that's fine.

1636
01:25:45,880 --> 01:25:48,160
Speaker 1: But she's really into action. You know, she watched a

1637
01:25:48,160 --> 01:25:49,840
Speaker 1: lot of action movies because of this.

1638
01:25:50,400 --> 01:25:52,280
Speaker 2: So I kind of want to be like nudge in

1639
01:25:52,320 --> 01:25:54,600
Speaker 2: her in the Statham direction because I'm like, yo, I mean,

1640
01:25:54,640 --> 01:25:56,120
Speaker 2: he's kind of hunky too, and you know.

1641
01:25:56,120 --> 01:25:56,920
Speaker 1: Blah blah blah blah.

1642
01:25:57,280 --> 01:26:01,280
Speaker 2: I thought, never this movie like this will I will

1643
01:26:01,360 --> 01:26:04,800
Speaker 2: be in I will be in Alaska if she watches

1644
01:26:04,840 --> 01:26:05,160
Speaker 2: this movie.

1645
01:26:05,160 --> 01:26:06,599
Speaker 1: I don't want to be anywhere near her.

1646
01:26:07,720 --> 01:26:10,880
Speaker 3: You will dizone yourself. She gets into Statham and watches

1647
01:26:10,920 --> 01:26:11,400
Speaker 3: Crank two.

1648
01:26:12,120 --> 01:26:15,720
Speaker 2: Yeah, and you know, like I said, I mean, it's

1649
01:26:15,760 --> 01:26:18,040
Speaker 2: it's really hard to talk about a movie that, like

1650
01:26:18,240 --> 01:26:23,559
Speaker 2: again for modern audiences, is gonna be problematic, no doubt

1651
01:26:23,600 --> 01:26:26,120
Speaker 2: about it. And there's there was a lot of moments

1652
01:26:26,200 --> 01:26:28,519
Speaker 2: of this movie when I watched it again and even

1653
01:26:28,600 --> 01:26:30,800
Speaker 2: the first time where I was like yikes, you know,

1654
01:26:31,120 --> 01:26:34,720
Speaker 2: like yikes in a really big way. But like I

1655
01:26:34,800 --> 01:26:38,599
Speaker 2: said it, I think for the purposes of this episode,

1656
01:26:38,640 --> 01:26:42,799
Speaker 2: for the staithomness of it, he's just it's just crazy.

1657
01:26:42,880 --> 01:26:47,680
Speaker 2: It's just like he's doing the craziest stuff because this

1658
01:26:48,280 --> 01:26:49,840
Speaker 2: premise is taken so.

1659
01:26:50,120 --> 01:26:55,080
Speaker 1: Far, you know, to the nth degree, and it's it's

1660
01:26:55,240 --> 01:26:58,559
Speaker 1: so it's such a fascinating movie.

1661
01:26:58,680 --> 01:27:01,360
Speaker 2: For that point, I think is just sort of like, Wow,

1662
01:27:01,439 --> 01:27:04,439
Speaker 2: what would happened if Hugh just got to literally take

1663
01:27:04,640 --> 01:27:07,880
Speaker 2: something and just fucking crank it up, you know, not to.

1664
01:27:08,520 --> 01:27:09,640
Speaker 3: Do anything with it.

1665
01:27:09,920 --> 01:27:10,120
Speaker 1: Yeah.

1666
01:27:10,800 --> 01:27:16,360
Speaker 3: Yeah, and I'm grateful thank you for talking through, you know,

1667
01:27:16,479 --> 01:27:18,840
Speaker 3: kind of how to how we consume movies that do

1668
01:27:18,960 --> 01:27:21,920
Speaker 3: have problematic things in them. But again, we have to think,

1669
01:27:21,960 --> 01:27:23,879
Speaker 3: and I know we've said this before with other episodes

1670
01:27:23,920 --> 01:27:25,640
Speaker 3: and other films, like we have to consider the time

1671
01:27:25,680 --> 01:27:28,200
Speaker 3: that they're made, we have to consider who they're made for,

1672
01:27:28,520 --> 01:27:30,040
Speaker 3: the space that they're made in. This is not to

1673
01:27:30,080 --> 01:27:32,400
Speaker 3: make excuses for any of this at all, but just

1674
01:27:32,520 --> 01:27:35,360
Speaker 3: to say that there are movies that will not be

1675
01:27:35,560 --> 01:27:37,960
Speaker 3: for everyone, and this may be one of them. And

1676
01:27:38,080 --> 01:27:39,240
Speaker 3: it's fine. Yeah.

1677
01:27:39,280 --> 01:27:42,080
Speaker 2: And I mean it's kind of like two when we

1678
01:27:42,160 --> 01:27:45,120
Speaker 2: talked about Natural Born Killers, where you're like, here's this

1679
01:27:46,040 --> 01:27:56,639
Speaker 2: incredibly stylized violence and I don't know, maybe that sort

1680
01:27:56,680 --> 01:28:01,519
Speaker 2: of creates a buffer in a weird way. Yeah, because

1681
01:28:01,560 --> 01:28:05,439
Speaker 2: it's so absurd that it's unbelievable. Yeah, I kind of

1682
01:28:05,479 --> 01:28:07,919
Speaker 2: can't believe what they're saying, not to make the excuse,

1683
01:28:08,040 --> 01:28:12,760
Speaker 2: but just saying sort of buffering that the content of

1684
01:28:12,880 --> 01:28:14,679
Speaker 2: it a little bit exactly.

1685
01:28:15,000 --> 01:28:16,880
Speaker 3: No, I'm glad. I'm glad that you talked talked it

1686
01:28:16,960 --> 01:28:19,880
Speaker 3: through because I wanted to talk about it too. I'm like, ooh,

1687
01:28:20,840 --> 01:28:23,920
Speaker 3: let's talk about this one. Yeah, my movie as well.

1688
01:28:24,000 --> 01:28:25,160
Speaker 3: Like I said at the top of my movie, I

1689
01:28:25,160 --> 01:28:26,840
Speaker 3: didn't know any of that stuff about Luke Bassan.

1690
01:28:27,400 --> 01:28:27,599
Speaker 1: Yeah.

1691
01:28:27,920 --> 01:28:31,160
Speaker 2: Well, but you know, listen, this is gonna come up

1692
01:28:31,200 --> 01:28:34,439
Speaker 2: again and again, like and like I said that, like

1693
01:28:34,560 --> 01:28:36,920
Speaker 2: I've said this before, but I just feel like I

1694
01:28:37,000 --> 01:28:39,519
Speaker 2: don't know. I feel like it bears repeating sometimes when

1695
01:28:39,560 --> 01:28:42,679
Speaker 2: we do these episodes, like I feel like, with enough

1696
01:28:42,760 --> 01:28:46,600
Speaker 2: context and enough conversation around problematic films, I mean, I

1697
01:28:46,640 --> 01:28:49,680
Speaker 2: feel like, you know, you can talk about them, you

1698
01:28:49,760 --> 01:28:53,799
Speaker 2: can discuss them, and I personally don't want to hide

1699
01:28:53,880 --> 01:28:55,800
Speaker 2: from this kind of stuff. I don't want to hide from,

1700
01:28:56,840 --> 01:29:01,360
Speaker 2: you know. I love I love watching movies of trying

1701
01:29:01,360 --> 01:29:04,840
Speaker 2: to understand them, you know, and part of that is

1702
01:29:05,160 --> 01:29:08,000
Speaker 2: sometimes having to watch stuff that I don't understand and

1703
01:29:08,200 --> 01:29:10,200
Speaker 2: just sort of like and try to and try to

1704
01:29:10,320 --> 01:29:13,639
Speaker 2: like figure out a way in, you know, and that's

1705
01:29:13,680 --> 01:29:15,720
Speaker 2: what the themes are for. And that's sort of like

1706
01:29:16,400 --> 01:29:19,479
Speaker 2: why we talk about it together, so you know, we

1707
01:29:19,560 --> 01:29:22,080
Speaker 2: can kind of discuss it together. I get your thoughts,

1708
01:29:22,080 --> 01:29:23,400
Speaker 2: you can get my thoughts, and I don't know, it's

1709
01:29:23,400 --> 01:29:25,639
Speaker 2: just a good way of processing this kind of stuff.

1710
01:29:25,680 --> 01:29:30,240
Speaker 3: But it's beautiful a language, it's beautiful.

1711
01:29:30,800 --> 01:29:34,000
Speaker 1: But in terms of the theme for this week, what

1712
01:29:34,520 --> 01:29:39,519
Speaker 1: was it like seeing these two movies together? Like crazy, right?

1713
01:29:39,680 --> 01:29:42,040
Speaker 3: I mean truly felt like I had to take a

1714
01:29:42,120 --> 01:29:45,599
Speaker 3: knee in between both, Like I can't just go right

1715
01:29:45,680 --> 01:29:47,960
Speaker 3: into the other one. I gotta take a knee. I

1716
01:29:47,960 --> 01:29:50,519
Speaker 3: gotta take a break. I did a lap around the house. Yeah,

1717
01:29:51,200 --> 01:29:53,479
Speaker 3: went outside, got some fresh air, and then came back.

1718
01:29:53,520 --> 01:29:54,880
Speaker 3: I'm like, okay, now I can Now I got it,

1719
01:29:55,040 --> 01:29:57,880
Speaker 3: Now I got you. It's wild when you look at

1720
01:29:58,040 --> 01:30:02,160
Speaker 3: the retrospective career of j and Statham, I don't think

1721
01:30:02,240 --> 01:30:04,840
Speaker 3: they'd ever be able to do like remember when you

1722
01:30:04,880 --> 01:30:09,040
Speaker 3: went and saw like five Cronenberg movies. Yes, in LA

1723
01:30:09,200 --> 01:30:10,880
Speaker 3: I don't think you can do that with Jason Stathan

1724
01:30:10,920 --> 01:30:15,400
Speaker 3: because people will have heart attacks, Like people will perish

1725
01:30:16,560 --> 01:30:18,559
Speaker 3: watching five State the movies back to back.

1726
01:30:19,080 --> 01:30:22,560
Speaker 2: Yeah, No, I think I agree with you there. I

1727
01:30:23,200 --> 01:30:27,120
Speaker 2: think he's so interesting and fun. I love the sort

1728
01:30:27,160 --> 01:30:30,760
Speaker 2: of like new Action star. I love that part of him.

1729
01:30:31,000 --> 01:30:34,080
Speaker 2: And like you said, I, as of this recording, seems

1730
01:30:34,160 --> 01:30:37,280
Speaker 2: like a pretty cool dude. And we definitely love his

1731
01:30:37,560 --> 01:30:40,760
Speaker 2: taste in furniture and home interiors.

1732
01:30:41,840 --> 01:30:44,400
Speaker 1: And hey, if you ever want to be on this podcast,

1733
01:30:44,479 --> 01:30:47,080
Speaker 1: mister Sathan, we will allow it. I'll tell you that

1734
01:30:47,240 --> 01:30:47,559
Speaker 1: right now.

1735
01:30:48,439 --> 01:30:52,120
Speaker 2: I definitely want to talk to about some teak furniture maybe,

1736
01:30:52,400 --> 01:30:53,920
Speaker 2: but also your career.

1737
01:30:54,040 --> 01:30:57,080
Speaker 1: We can talk about your career too, Yeah, furniture, career, whatever.

1738
01:30:57,800 --> 01:31:00,960
Speaker 2: Well, listen, thanks everybody for hanging in there with us.

1739
01:31:01,040 --> 01:31:02,160
Speaker 2: We hope you enjoyed it.

1740
01:31:02,960 --> 01:31:05,280
Speaker 1: Do you want to give them the movies for next week?

1741
01:31:06,000 --> 01:31:09,920
Speaker 3: Oh? I can't wait. So next week your homework is

1742
01:31:09,960 --> 01:31:14,280
Speaker 3: to watch Far and Away from nineteen ninety two and

1743
01:31:14,720 --> 01:31:17,599
Speaker 3: She's having a baby from nineteen eighty eight.

1744
01:31:18,120 --> 01:31:19,599
Speaker 1: Whooah, what is that theme?

1745
01:31:20,479 --> 01:31:23,080
Speaker 3: Try to get must know? I must know?

1746
01:31:23,680 --> 01:31:26,080
Speaker 2: Well, listen, if you want to email us about anything,

1747
01:31:26,240 --> 01:31:28,040
Speaker 2: we're at. I saw what you did pod a Gmail.

1748
01:31:28,439 --> 01:31:31,320
Speaker 3: And if you want to find us on our social media,

1749
01:31:31,439 --> 01:31:34,120
Speaker 3: we are at. I saw pod on Instagram and Twitter.

1750
01:31:34,360 --> 01:31:38,640
Speaker 2: Yes, and we have got merch in the exactly Right

1751
01:31:38,720 --> 01:31:42,880
Speaker 2: Shop at exactly Rightmedia dot com. As always, such a

1752
01:31:42,960 --> 01:31:46,840
Speaker 2: blast laughing with you, such a pleasure talking about guys

1753
01:31:46,920 --> 01:31:48,240
Speaker 2: punching people in the face.

1754
01:31:48,800 --> 01:31:49,639
Speaker 1: It was so fun.

1755
01:31:49,800 --> 01:31:52,920
Speaker 3: Superkicks, horizontal kicks. I feel like I'm gonna do some

1756
01:31:53,040 --> 01:31:57,120
Speaker 3: yoga or some meditative breathing now, just to reset, gotta reset.

1757
01:31:57,280 --> 01:31:58,920
Speaker 3: This was a blast. It was a blast.

1758
01:31:59,040 --> 01:32:01,439
Speaker 1: Thank you so much everybody. We'll see you next time.

1759
01:32:01,760 --> 01:32:11,479
Speaker 3: Bye bye. This has been an exactly right production, produced

1760
01:32:11,520 --> 01:32:14,000
Speaker 3: and mixed by Casey O'Brien. Our theme song is by

1761
01:32:14,080 --> 01:32:17,879
Speaker 3: Tom Brie Fogel. Artwork by Garrett Ross. Our executive producers

1762
01:32:17,880 --> 01:32:21,040
Speaker 3: are Georgia Hartstark, caring Kill, Gareth and Daniel Kramer. You

1763
01:32:21,120 --> 01:32:24,200
Speaker 3: can follow us on Instagram and Twitter at I Saw Pod,

1764
01:32:24,720 --> 01:32:26,720
Speaker 3: and you can email us at I Saw What You

1765
01:32:26,800 --> 01:32:29,920
Speaker 3: Did Pod at Gmail. Listen, follow and leave us a

1766
01:32:29,960 --> 01:32:33,120
Speaker 3: review on Amazon Music, Apple Podcasts, or wherever you get

1767
01:32:33,120 --> 01:32:35,960
Speaker 3: your podcasts and don't forget. You can listen to new

1768
01:32:36,040 --> 01:32:39,600
Speaker 3: episodes one week early on Amazon Music or early and

1769
01:32:39,840 --> 01:32:43,439
Speaker 3: at free plus bonus episodes by subscribing to Wondery Plus

1770
01:32:43,560 --> 01:32:44,439
Speaker 3: in the Wondery app