WEBVTT - S4E8: Live at 92NY with Samantha Bee

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<v Speaker 1>Hello, snaff universe. It is I Ed Helms, your ever

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<v Speaker 1>dutiful captain, steering this ship straight into the iceberg of

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<v Speaker 1>history's biggest screw ups. And this week we're going live, baby,

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<v Speaker 1>well sort of. I mean, you're not going to be

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<v Speaker 1>listening to something that's happening live, but it is a

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<v Speaker 1>recording of a thing that was live, you know what

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<v Speaker 1>I mean?

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<v Speaker 2>All Right?

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<v Speaker 1>So, during my book tour for Snafu, The Definitive Guide

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<v Speaker 1>to History's Greatest screw Ups, I had the absolute pleasure

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<v Speaker 1>of stopping by the legendary ninety second Street Why in

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<v Speaker 1>New York City, where I got to sit down with

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<v Speaker 1>a dear old friend who also happens to be an

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<v Speaker 1>Emmy winning comedian, producer, writer, and professional destroyer of pomposity.

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<v Speaker 1>I am talking about none other than the great Samantha B.

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<v Speaker 1>Sam and I go all the way back to our

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<v Speaker 1>daily show days, which feels like roughly four hundred years

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<v Speaker 1>ago in time. So it was really a joy to

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<v Speaker 1>just hang out and reminisce about the salad days and

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<v Speaker 1>also dig into some juicy stuff, you know, like the

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<v Speaker 1>decades of epics screw ups I write about in the book,

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<v Speaker 1>How the book actually came together, and even some reflections

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<v Speaker 1>on how the screw ups in the book might inform

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<v Speaker 1>how we navigate the present moment. And doing all of

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<v Speaker 1>this live on stage in front of a fired up

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<v Speaker 1>New York crowd, it just gave the whole night a

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<v Speaker 1>kind of electric buzz and it was just an absolute treat.

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<v Speaker 1>So stick around for my conversation with sam B. And Hey,

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<v Speaker 1>if you're in the market for a gift that's equal

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<v Speaker 1>parts history, lesson, comedy show and stocking stuffer, look no

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<v Speaker 1>further than my book, Snafoo, The Definitive Guide to History's

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<v Speaker 1>Greatest screw Ups. It's available at snafoo, dashbook dot com

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<v Speaker 1>or wherever fine books are sold. The audiobook, narrated by

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<v Speaker 1>Yours Truly is also out. Now think of that as

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<v Speaker 1>kind of cozy little ear muffs for your brain, only

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<v Speaker 1>instead of warmth, they're packed with shocking blunders and questionable

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<v Speaker 1>decision making. Okay, that's it now, please enjoy my chat

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<v Speaker 1>with the brilliant Samantha B.

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<v Speaker 2>All right, this is.

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<v Speaker 3>So oh my god, this cheer is so comfortable. I

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<v Speaker 3>had no idea the cheers would be so amazing.

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<v Speaker 1>I mean, it's good because I just came from my

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<v Speaker 1>YMCA workout.

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<v Speaker 3>That's right, I'm so sweaty.

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<v Speaker 4>I'm so excited to be here with you.

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<v Speaker 3>Because I miss you, although I haven't seen you in

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<v Speaker 3>ages ed when you asked me to do this talk

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<v Speaker 3>with you, I could not have been more excited. I

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<v Speaker 3>love everything that you do. I love Snaffoo. I love

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<v Speaker 3>the podcast. If you don't know what you really should like,

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<v Speaker 3>download like subscribe all those.

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<v Speaker 4>Where we get your podcast wherever we get your podcasts.

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<v Speaker 3>Okay, the world is bananas basically, yes, So.

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<v Speaker 4>Thank you for writing a book.

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<v Speaker 2>I'm had to point it out about how the world.

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<v Speaker 4>Yes, the world was always.

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<v Speaker 3>Bananas, is what I'm hearing from this book. Yeah, so

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<v Speaker 3>the book is called Snaffoo. Tell us right off the bat,

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<v Speaker 3>what is a snaffoo? What does that acronym stand for?

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<v Speaker 1>Well, snapfoo it was an acronym that started during World

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<v Speaker 1>War Two. It stands for situation, normal, all fucked up, great,

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<v Speaker 1>and most of us know it just as a term

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<v Speaker 1>that means disaster or terrible situation or a pickle.

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<v Speaker 2>Maybe it would be a lighter usage.

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<v Speaker 1>Yes, and yeah, the soldiers used it because I guess

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<v Speaker 1>World War two is pretty fucked up and and it

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<v Speaker 1>became just sort of a catchy, catchy phrase that made

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<v Speaker 1>it into the lexicons.

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<v Speaker 4>It's a little bit like fubar. It's a little bit

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<v Speaker 4>like fubar.

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<v Speaker 1>It's exactly like fubar, which I think and I haven't done.

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<v Speaker 1>I haven't done the research, but I think came from

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<v Speaker 1>the same time.

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<v Speaker 4>Same time, upped up beyond all repair.

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<v Speaker 2>You know.

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<v Speaker 4>No, it's not.

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<v Speaker 2>It's got a little more punched here.

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<v Speaker 4>They're both very good. Okay, so okay.

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<v Speaker 3>It's the definitive guide to history's greatest scripts. And I

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<v Speaker 3>have to say that it was a soothing like It's

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<v Speaker 3>pretty bizarre that a book that contains many stories about

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<v Speaker 3>us on the precipice of nuclear meltdown actually cheered me up.

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<v Speaker 4>And I think that that says a lot about where

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<v Speaker 4>we are.

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<v Speaker 3>So we've got you know, one of the first, one

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<v Speaker 3>of the first stories in the book is about a

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<v Speaker 3>fun toy set for kids called the Gilbert Atomic Energy

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<v Speaker 3>Science Kit that contained really uranium. You all haven't read

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<v Speaker 3>the book yet, but you're about to, and it's excellent.

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<v Speaker 4>We've got nuclear reactors melting.

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<v Speaker 3>Down, we've got apps with spy equipment implanted into.

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<v Speaker 4>Their ears, Howard Hughes related giant plow machines, retrieving Russian subs.

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<v Speaker 4>It's excellent.

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<v Speaker 3>Okay, was it difficult to narrow down all of the

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<v Speaker 3>world's fuck ups into only one volume?

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<v Speaker 4>Because I feel like it's kind of endless?

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<v Speaker 2>Great question, thank you.

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<v Speaker 1>Yes, which is why I kind of just kind of

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<v Speaker 1>put some parameters on the whole thing, just the curatorial

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<v Speaker 1>decision making boiled down to. It's mostly American stories. It's

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<v Speaker 1>also mostly recent.

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<v Speaker 2>The book is.

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<v Speaker 1>Divided up into sections by decade. Yes, so it's it's

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<v Speaker 1>basically the fifties to now, So that's a pretty small

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<v Speaker 1>window for human volleys. There's a lot of other stuff

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<v Speaker 1>that people did that was dumb.

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<v Speaker 3>These blunders, these bad ideas are epic. Many of them

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<v Speaker 3>are potentially world ending, but so many of them are

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<v Speaker 3>childish and silly.

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<v Speaker 2>I love Yes, I love that observation.

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<v Speaker 4>Childish.

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<v Speaker 3>They're like, should we detonate a nuclear bomb on the moon?

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<v Speaker 2>This is this is full loony tunes. That's that's a

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<v Speaker 2>chapter in the book.

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<v Speaker 4>Yes.

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<v Speaker 2>Just to give you another little bit of.

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<v Speaker 1>A sort of structural breakdown, there are thirty one chapters

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<v Speaker 1>that are sort of that are divided up into decades

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<v Speaker 1>and each chapter is its own snaff woo, which makes

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<v Speaker 1>it great for just like episodic reading.

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<v Speaker 2>You could just pick it up.

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<v Speaker 1>Yes, leave it on your toilet. I won't judge you.

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<v Speaker 1>If you're reading. It's good anywhere.

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<v Speaker 3>Tell me about Okay, So the podcast that you do

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<v Speaker 3>snafoo the book. The format of the book differs from

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<v Speaker 3>the podcast because the podcast is like one big deep

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<v Speaker 3>die anyone else shaking through the Yes, the subways.

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<v Speaker 1>I've been living in La too long. I'm like earthquake earth.

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<v Speaker 1>Oh no, I forget that. That ninety second three y

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<v Speaker 1>and the Angelica film theater Rattle with the trains.

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<v Speaker 3>That's right, you know that every time I go to

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<v Speaker 3>every time I go to La, I've experienced a minor

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<v Speaker 3>earthquake every time I go. I'm a harbinger of doom,

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<v Speaker 3>just like a tiny little you are.

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<v Speaker 4>I know.

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<v Speaker 3>Well, so what I'm saying is that was an earthquake.

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<v Speaker 4>Yeah.

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<v Speaker 3>What what is the difference between the podcast process, which

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<v Speaker 3>is very long form and I mean it's long form

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<v Speaker 3>to write a book, but it's more chapterized. So what

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<v Speaker 3>is the difference between the process of doing those two things?

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<v Speaker 1>So the podcast came first We started working on the

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<v Speaker 1>podcast about three years ago, and it's it is a

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<v Speaker 1>very different thing because it's each season of the podcast

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<v Speaker 1>is a very deep dive into one thing, one snafu.

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<v Speaker 1>So so there are now three seasons of the podcast

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<v Speaker 1>out and uh, it's each season is eight episodes and

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<v Speaker 1>again deep dive into one thing. And the book, as

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<v Speaker 1>I just described, is lots of things perfect less of

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<v Speaker 1>a deep dive.

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<v Speaker 4>Perfect for the bathroom.

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<v Speaker 1>Yeah, describe, let's talk more about how perfect it is

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<v Speaker 1>for bathroom. But the process for building both of these

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<v Speaker 1>things is not dissimilar, because it's an amazing team or

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<v Speaker 1>that worked on both.

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<v Speaker 3>So about your team, because this is an incredible I mean,

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<v Speaker 3>these people must be professional. Is it a group of historians,

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<v Speaker 3>professional researchers, fact checkers.

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<v Speaker 2>Like podcast nerds?

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<v Speaker 3>Podcast nerds is a team of how damn nerds?

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<v Speaker 4>Much there?

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<v Speaker 1>This is an amazing team researchers and and just pulling

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<v Speaker 1>together so much information, helping structure information.

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<v Speaker 3>How do you, I mean, how do you as a team,

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<v Speaker 3>how do you curate the stories that you want to tell?

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<v Speaker 4>How do you decide?

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<v Speaker 2>How?

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<v Speaker 4>What is the research process?

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<v Speaker 1>Like it's building a pool of possibilities pouring through them.

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<v Speaker 2>And then in the case of.

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<v Speaker 1>The in the case of the podcast, it's it's like,

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<v Speaker 1>do we have the depth, does this story have the

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<v Speaker 1>depth to carry a whole season? And then do we

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<v Speaker 1>have access to the materials or the people that we

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<v Speaker 1>want to talk to?

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<v Speaker 2>And uh. And then for the book.

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<v Speaker 1>Again we it was it was a matter of finding

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<v Speaker 1>these sort of organizing principles or or like kind of

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<v Speaker 1>cure itorial limitations that that would guide a little bit

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<v Speaker 1>of decision making. Ultimately, the other the other critical component

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<v Speaker 1>to both the podcast and the book has been are

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<v Speaker 1>these stories really well known or not? And the book

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<v Speaker 1>avoids things like the Titanic or you know, the Donner

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<v Speaker 1>Party or things that which which are actually amazing and

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<v Speaker 1>like just epic stories that are incredible to learn about.

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<v Speaker 1>But I think what makes what we made a decision

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<v Speaker 1>early on to kind of like chase things that are

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<v Speaker 1>less known to the popular memory. Yes, and that I

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<v Speaker 1>think has really been an exciting thing about the podcast

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<v Speaker 1>and and and the book. A lot of these things

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<v Speaker 1>people just don't.

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<v Speaker 4>Know, They really don't know.

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<v Speaker 3>I many of the stories were surprising to me, and

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<v Speaker 3>so many of the stories actually have a modern a

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<v Speaker 3>really modern relevance. I mean, I'm sure you could not

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<v Speaker 3>have expected this when you were curating the book, that

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<v Speaker 3>we would be talking so much about Greenland right now.

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<v Speaker 3>And there is an amazing story about Greenland in the book.

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<v Speaker 3>And I really had no idea. And it not only

0:11:16.720 --> 0:11:19.280
<v Speaker 3>is a very interesting story about something we knew very

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<v Speaker 3>little about, but is it kind of an origin story

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<v Speaker 3>about the United States and their relationship to Greenland and Denmark?

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<v Speaker 4>Can you talk about that?

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<v Speaker 1>Yeah, okay, So there's an entire chapter dedicated to Project

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<v Speaker 1>ice Worm.

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<v Speaker 2>So, and you're right, it's so wild how prescient it is, because.

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<v Speaker 1>As early as the nineteen fifties, it was very clear

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<v Speaker 1>that Greenland was strategically excellent for launching missiles. And so

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<v Speaker 1>Project ice Worm is exactly what it sounds like. Greenland

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<v Speaker 1>is a giant sheet of ice. So someone hatched.

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<v Speaker 2>The idea, well, what if we could build.

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<v Speaker 1>A railroad system underneath the Greenland ice sheet and fairy

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<v Speaker 1>missiles around and launched them from wherever we wanted.

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<v Speaker 2>In Greenland?

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<v Speaker 4>What great idea?

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<v Speaker 1>Great, I mean, a flawless ideas. So they opened up

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<v Speaker 1>Camp Century, which was a sort of military a US

0:12:31.440 --> 0:12:39.040
<v Speaker 1>military installation that had some cover stories, but was essentially

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<v Speaker 1>a research project to see if this was feasible. And

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<v Speaker 1>they put a nuclear reactor in it because they needed

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<v Speaker 1>power and everybody loved nuclear stuff in the fifties. And

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<v Speaker 1>they started to build basically an army base under the ice,

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<v Speaker 1>and then they started digging tunnels to see if they

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<v Speaker 1>could get train tracks out, you.

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<v Speaker 2>Know, across the whole country.

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<v Speaker 1>And needless to say, ice is an unstable.

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<v Speaker 2>Structural shift.

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<v Speaker 1>Yeah, it's uh, so many things went wrong. They realized

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<v Speaker 1>that that the breathing that people were doing was accumulating.

0:13:29.920 --> 0:13:33.280
<v Speaker 1>The moisture from people's breath was adding to the thickness

0:13:33.320 --> 0:13:38.480
<v Speaker 1>of the ice over time, and so the walls were

0:13:38.840 --> 0:13:43.720
<v Speaker 1>shifting constantly. The ceilings were they basically installed. They dug

0:13:43.840 --> 0:13:49.280
<v Speaker 1>out these massive holes and then installed prefab structures like

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<v Speaker 1>kind of like.

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<v Speaker 4>Prefram structures and nuclear reactor.

0:13:53.240 --> 0:13:56.360
<v Speaker 2>And a nuclear nuclear reactor just.

0:13:56.000 --> 0:14:01.560
<v Speaker 1>For just for funds, and the the the Danish government

0:14:01.679 --> 0:14:04.320
<v Speaker 1>was like, you know what, you guys are cool, just

0:14:04.360 --> 0:14:05.800
<v Speaker 1>don't tell us what's up.

0:14:05.880 --> 0:14:07.160
<v Speaker 4>We do not want to know.

0:14:07.360 --> 0:14:12.000
<v Speaker 1>Yeah, and it just none of it worked.

0:14:12.600 --> 0:14:13.640
<v Speaker 2>No, none of it worked.

0:14:13.679 --> 0:14:17.600
<v Speaker 1>And sadly now there is still a ton of nuclear

0:14:17.600 --> 0:14:23.240
<v Speaker 1>waste and a ton of human waste because they just

0:14:23.360 --> 0:14:27.800
<v Speaker 1>dug a giant pit in the ice for all the soldiers'

0:14:29.480 --> 0:14:33.320
<v Speaker 1>bathroom activity, right, which is a great place to read.

0:14:33.360 --> 0:14:35.000
<v Speaker 4>My it's a great place to pick up a book.

0:14:35.040 --> 0:14:39.880
<v Speaker 3>And so essentially the subway rumbling that we felt that

0:14:40.320 --> 0:14:44.520
<v Speaker 3>was so minor was just constantly happening under the ice

0:14:44.640 --> 0:14:47.960
<v Speaker 3>as people were living and working, and nobody really knew

0:14:47.960 --> 0:14:50.880
<v Speaker 3>what the outcome was. Eventually they took everything out, but

0:14:50.960 --> 0:14:52.760
<v Speaker 3>now we have a long legacy.

0:14:53.040 --> 0:14:57.480
<v Speaker 1>Well now there's a lot of nuclear waste frozen under

0:14:57.480 --> 0:15:04.800
<v Speaker 1>the ice and people got sick from that local Greenland,

0:15:04.960 --> 0:15:11.120
<v Speaker 1>indigenous people and it was tragic. And there is also

0:15:11.320 --> 0:15:13.480
<v Speaker 1>just all of that human waste, and it's a lot

0:15:13.920 --> 0:15:18.200
<v Speaker 1>is frozen and global warming will reveal it and it's

0:15:19.240 --> 0:15:23.280
<v Speaker 1>one of one of the things global warming will do

0:15:23.440 --> 0:15:23.920
<v Speaker 1>that's bad.

0:15:24.200 --> 0:15:28.280
<v Speaker 3>I feel great because I feel that when we purchase Greenland,

0:15:28.360 --> 0:15:32.200
<v Speaker 3>which is going flawlessly, we'll probably clean it up because

0:15:32.200 --> 0:15:34.040
<v Speaker 3>we have a really good track record of that, right.

0:15:34.200 --> 0:15:38.120
<v Speaker 1>Yeah, yeah, a hundred Actually, as soon as it's ours,

0:15:38.840 --> 0:15:39.600
<v Speaker 1>we probably will.

0:15:39.640 --> 0:15:40.040
<v Speaker 4>We probably.

0:15:40.680 --> 0:15:42.640
<v Speaker 2>Yeah, it really takes a lot of promises.

0:15:42.200 --> 0:15:44.200
<v Speaker 1>Were made that it would get cleaned up and it

0:15:44.240 --> 0:15:44.760
<v Speaker 1>never did.

0:15:45.320 --> 0:15:48.920
<v Speaker 3>And of course, yeah, actually talking, I mean on the

0:15:48.960 --> 0:15:51.560
<v Speaker 3>subject of global warming. There's a really great, pretty short

0:15:51.600 --> 0:15:55.360
<v Speaker 3>chapter about the ozone layer in the in the kind

0:15:55.360 --> 0:15:59.400
<v Speaker 3>of section on the nineteen eighties, and it was it's

0:15:59.720 --> 0:16:04.400
<v Speaker 3>a great reminder that scientific consensus is possible, and sometimes

0:16:04.440 --> 0:16:07.800
<v Speaker 3>we act in our own best interests after tremendous you know,

0:16:08.000 --> 0:16:10.840
<v Speaker 3>tremendous push and pull, but sometimes we can get there.

0:16:10.920 --> 0:16:16.640
<v Speaker 3>Does that feel realistic anymore? I'll show myself out.

0:16:19.120 --> 0:16:21.720
<v Speaker 1>I hadn't thought of that story in that context that

0:16:21.800 --> 0:16:25.880
<v Speaker 1>I'm so glad you made that connection, because that really

0:16:25.920 --> 0:16:31.080
<v Speaker 1>is that that is a great example of like seeing

0:16:31.160 --> 0:16:36.040
<v Speaker 1>a problem, understanding the problem, and then actually pushing hard

0:16:36.080 --> 0:16:40.480
<v Speaker 1>against industrial interests to fix that problem.

0:16:40.560 --> 0:16:42.880
<v Speaker 2>And it worked. It really worked.

0:16:43.080 --> 0:16:45.280
<v Speaker 3>And that's not to say that it wasn't a complicated

0:16:45.360 --> 0:16:47.200
<v Speaker 3>journey to get there, and I'm sure it took a

0:16:47.200 --> 0:16:49.400
<v Speaker 3>long time, but there was a kind of a sense

0:16:49.880 --> 0:16:54.680
<v Speaker 3>that you could harness people's personal activity and people.

0:16:55.200 --> 0:16:57.480
<v Speaker 4>You could tell people, population would act.

0:16:57.720 --> 0:17:02.520
<v Speaker 1>You could actually inform people that maybe things were bad

0:17:02.600 --> 0:17:05.639
<v Speaker 1>or unhealthy for them or the world right, and they

0:17:05.720 --> 0:17:06.320
<v Speaker 1>might listen.

0:17:07.200 --> 0:17:09.680
<v Speaker 4>Oh dear, any.

0:17:09.600 --> 0:17:14.880
<v Speaker 3>Way, One thing that this is more this is more

0:17:14.880 --> 0:17:17.199
<v Speaker 3>a comment than a question, is that the book is

0:17:17.320 --> 0:17:20.679
<v Speaker 3>it's very funny, and it's of course it's like it's chilling,

0:17:20.720 --> 0:17:23.000
<v Speaker 3>but it's very interesting. But it is a great reminder

0:17:23.040 --> 0:17:26.080
<v Speaker 3>that the world is now, but it has always been

0:17:26.200 --> 0:17:32.560
<v Speaker 3>a scary place with incompetence and institutional chaos and insane ideas.

0:17:33.040 --> 0:17:34.800
<v Speaker 4>Those are forever.

0:17:36.200 --> 0:17:39.160
<v Speaker 3>I feel like it's happening at.

0:17:39.359 --> 0:17:42.040
<v Speaker 4>A speed, like a real a velocity that is.

0:17:43.200 --> 0:17:47.879
<v Speaker 3>Really frightening right now in particular. And what really strikes

0:17:47.920 --> 0:17:49.800
<v Speaker 3>me about many of the stories in the book is

0:17:49.800 --> 0:17:53.280
<v Speaker 3>that all of this, like subterrifusion, all these crazy ideas

0:17:53.320 --> 0:17:58.920
<v Speaker 3>really happen behind the scenes, like behind a very secretive

0:18:00.440 --> 0:18:03.760
<v Speaker 3>and we just learned about them by accident. Someone's going

0:18:03.760 --> 0:18:07.680
<v Speaker 3>through Carl Sagan's old applications for grants and they're like, hey,

0:18:07.680 --> 0:18:09.040
<v Speaker 3>what now, what are you're reading?

0:18:09.160 --> 0:18:09.720
<v Speaker 4>Is this real?

0:18:10.880 --> 0:18:18.280
<v Speaker 3>But we're seeing so much incompetence so openly, can you?

0:18:18.440 --> 0:18:20.640
<v Speaker 2>I guess, I mean, that's your opinion, that's my.

0:18:20.640 --> 0:18:24.320
<v Speaker 3>Opinion true, And I just wonder if we want to

0:18:24.359 --> 0:18:26.160
<v Speaker 3>take a minute and consider what we're going to find

0:18:26.160 --> 0:18:28.600
<v Speaker 3>out in the future about what was happening now.

0:18:29.040 --> 0:18:30.320
<v Speaker 2>Yeah, no, you're right.

0:18:30.520 --> 0:18:34.520
<v Speaker 1>This is a what's what feels different right now is

0:18:34.560 --> 0:18:38.600
<v Speaker 1>how transparent the incompetence is or seems to be.

0:18:39.720 --> 0:18:43.840
<v Speaker 2>But that also like we're probably just.

0:18:43.960 --> 0:18:47.440
<v Speaker 1>Seeing that the top ten percent of the iceberg, right,

0:18:47.680 --> 0:18:55.639
<v Speaker 1>and it will be decades of unfolding insanity. There are

0:18:55.680 --> 0:18:59.840
<v Speaker 1>a few threads that I think emerge in studying these

0:18:59.840 --> 0:19:00.280
<v Speaker 1>things things.

0:19:00.480 --> 0:19:04.520
<v Speaker 2>Yeah, and one is one.

0:19:04.359 --> 0:19:10.440
<v Speaker 1>That I mean hubris obviously, and the secrecy is a

0:19:10.440 --> 0:19:12.200
<v Speaker 1>big one that you just mentioned.

0:19:12.880 --> 0:19:13.879
<v Speaker 2>Another one is.

0:19:13.800 --> 0:19:20.159
<v Speaker 1>The the the group think of a close of people

0:19:20.200 --> 0:19:21.240
<v Speaker 1>in a closed.

0:19:20.880 --> 0:19:27.919
<v Speaker 2>Bubble, right, And that's what that's what happens in.

0:19:29.359 --> 0:19:35.320
<v Speaker 1>Like institutions like the CIA or the FBI. Season two

0:19:35.359 --> 0:19:40.400
<v Speaker 1>of the podcast is a deep dive into an incredible

0:19:40.440 --> 0:19:47.720
<v Speaker 1>story about citizen activists in the seventies who broke into Basically,

0:19:47.760 --> 0:19:55.159
<v Speaker 1>they felt that the FBI was being very dastardly surveilling people,

0:19:56.240 --> 0:19:59.280
<v Speaker 1>harassing people, encroaching civil liberties.

0:20:00.160 --> 0:20:03.080
<v Speaker 2>But who do you go to when law enforcement is

0:20:03.200 --> 0:20:03.919
<v Speaker 2>out of line?

0:20:04.640 --> 0:20:07.600
<v Speaker 1>And also at the time, Jadegar Hoover was the head

0:20:07.600 --> 0:20:11.560
<v Speaker 1>of the FBI and an American hero. Everybody loved him,

0:20:13.240 --> 0:20:16.280
<v Speaker 1>which was a very curated image. He was very deep

0:20:16.400 --> 0:20:19.960
<v Speaker 1>into kind of manipulation of pop culture. He was involved

0:20:20.000 --> 0:20:24.639
<v Speaker 1>with movies that starred Jimmy Stewart, as you know, the

0:20:26.080 --> 0:20:27.440
<v Speaker 1>ideal FBI.

0:20:27.160 --> 0:20:29.240
<v Speaker 2>Agent and so forth.

0:20:29.560 --> 0:20:35.320
<v Speaker 1>But these activists realized that they had one option, which

0:20:35.480 --> 0:20:38.600
<v Speaker 1>was to somehow infiltrate.

0:20:38.640 --> 0:20:40.320
<v Speaker 2>They decided to stage.

0:20:39.960 --> 0:20:45.280
<v Speaker 1>An elaborate heist, and they, at insane personal risk to

0:20:45.359 --> 0:20:51.840
<v Speaker 1>themselves and their families, broke into an FBI office in Media,

0:20:51.840 --> 0:20:57.760
<v Speaker 1>Pennsylvania and stole all the files. And that was at

0:20:57.800 --> 0:21:00.919
<v Speaker 1>a time when this we didn't have hard drives, so

0:21:01.080 --> 0:21:04.920
<v Speaker 1>most branch offices of the FBI had most FBI files,

0:21:05.480 --> 0:21:09.200
<v Speaker 1>and they took everything and they poured through it, and

0:21:09.240 --> 0:21:13.560
<v Speaker 1>they found actual documentation and evidence of some of this

0:21:14.359 --> 0:21:19.120
<v Speaker 1>horrible malfeasance that Jadegar Hoover's was up to. And they

0:21:19.160 --> 0:21:23.920
<v Speaker 1>sent it to a number of congress people and reporters

0:21:24.720 --> 0:21:27.600
<v Speaker 1>and most of them chickened out.

0:21:28.359 --> 0:21:29.440
<v Speaker 2>One person.

0:21:31.040 --> 0:21:33.760
<v Speaker 1>Published those papers, and I think she is in the

0:21:33.800 --> 0:21:37.840
<v Speaker 1>audience tonight too, and it's Washington Post reporter Betty Metzger.

0:21:38.440 --> 0:22:04.440
<v Speaker 2>And all that that gave me chills.

0:22:06.160 --> 0:22:10.800
<v Speaker 1>Yeah, that's it's an incredible story of citizen activism and

0:22:10.880 --> 0:22:16.119
<v Speaker 1>heroism and and people putting themselves at risk for just

0:22:16.160 --> 0:22:18.639
<v Speaker 1>to do the right thing, and it led to the

0:22:19.000 --> 0:22:20.240
<v Speaker 1>fallout was incredible.

0:22:20.320 --> 0:22:20.960
<v Speaker 2>It led to.

0:22:22.760 --> 0:22:30.280
<v Speaker 1>The exposure of co intel pro, which was Hoover's counterintelligence program,

0:22:30.760 --> 0:22:36.000
<v Speaker 1>which was basically an institutional harassment of so many different groups,

0:22:36.160 --> 0:22:43.959
<v Speaker 1>civil rights activists, anti war activists, and others. And and

0:22:44.040 --> 0:22:48.040
<v Speaker 1>it led to the to the church hearings, which is

0:22:48.720 --> 0:22:53.520
<v Speaker 1>the only reason we now have any congressional oversight over

0:22:54.480 --> 0:22:58.080
<v Speaker 1>all of these intelligence agencies. The n Essay, the CIA,

0:22:58.200 --> 0:23:01.720
<v Speaker 1>the FBI. I don't know how much good that's doing.

0:23:01.920 --> 0:23:07.160
<v Speaker 1>I still have that, but here's what But here's here's

0:23:07.200 --> 0:23:12.800
<v Speaker 1>what's I think also incredible about that story and this

0:23:12.880 --> 0:23:17.439
<v Speaker 1>moment is that we're in a moment where the FBI

0:23:17.720 --> 0:23:20.760
<v Speaker 1>feels like a political tool again.

0:23:21.760 --> 0:23:26.080
<v Speaker 2>But the keyword is again. You know it really it was.

0:23:26.359 --> 0:23:31.919
<v Speaker 1>It was a terrifying institution through j Edgar Hoover's epic reign.

0:23:32.200 --> 0:23:34.560
<v Speaker 1>I mean, he was in charge of the FBI for

0:23:34.600 --> 0:23:39.040
<v Speaker 1>so long and and and used it just for so

0:23:39.119 --> 0:23:43.639
<v Speaker 1>many petty grievances and so forth. And it feels like

0:23:43.760 --> 0:23:46.640
<v Speaker 1>we're getting there, if not already there.

0:23:47.320 --> 0:23:47.679
<v Speaker 2>Again.

0:23:49.960 --> 0:23:51.280
<v Speaker 1>I don't mean to say this in a way that

0:23:51.320 --> 0:23:54.880
<v Speaker 1>diminishes the sort of terror.

0:23:54.720 --> 0:23:55.720
<v Speaker 2>Of the moment or.

0:23:55.720 --> 0:24:01.600
<v Speaker 1>The the intensity of the moment. But what that JEdgar

0:24:01.600 --> 0:24:06.920
<v Speaker 1>Hoover's story shows us is that there can be light

0:24:06.960 --> 0:24:07.840
<v Speaker 1>at the end of the tunnel.

0:24:08.320 --> 0:24:10.359
<v Speaker 3>You do say that in the intro to the book

0:24:10.400 --> 0:24:12.560
<v Speaker 3>that you sort of see the book as a force

0:24:12.840 --> 0:24:17.400
<v Speaker 3>for optimism in a very chaotic world, which feels kind

0:24:17.440 --> 0:24:20.800
<v Speaker 3>of counterintuitive, but I see, I take the point we

0:24:20.840 --> 0:24:25.239
<v Speaker 3>have made. We have majorly blundered in the past, and

0:24:25.280 --> 0:24:28.679
<v Speaker 3>we have the force of human good has prevailed.

0:24:29.520 --> 0:24:33.800
<v Speaker 1>Yeah, it's a choice to see things that way. It's

0:24:33.960 --> 0:24:38.000
<v Speaker 1>almost like, but I think it's a good choice. But

0:24:38.440 --> 0:24:42.920
<v Speaker 1>I do think that what these blunders and face plants

0:24:42.960 --> 0:24:47.280
<v Speaker 1>and terrible snapfoos throughout history show us is is a

0:24:47.320 --> 0:24:52.040
<v Speaker 1>resilience also, right, and a kind of like tendency towards

0:24:52.800 --> 0:24:54.320
<v Speaker 1>equilibrium of some kind.

0:24:54.720 --> 0:24:55.760
<v Speaker 4>Right does it?

0:24:55.840 --> 0:24:59.960
<v Speaker 3>How much does it frighten you that our civic edge

0:25:00.119 --> 0:25:03.600
<v Speaker 3>cation is so inadequate? Like I feel that people just

0:25:03.640 --> 0:25:09.000
<v Speaker 3>don't really understand the function of government. I'm not saying

0:25:09.040 --> 0:25:11.080
<v Speaker 3>the people in this room, we all know what the

0:25:11.080 --> 0:25:14.800
<v Speaker 3>function of government is, but I feel like that's a

0:25:14.920 --> 0:25:17.800
<v Speaker 3>there's a really there's a missing piece right now, and

0:25:17.840 --> 0:25:20.840
<v Speaker 3>that it's not really Todden's schools.

0:25:21.200 --> 0:25:22.960
<v Speaker 2>Yeah, no question. I think.

0:25:24.359 --> 0:25:28.040
<v Speaker 1>Look, I mean, the rise of a strong man is

0:25:28.359 --> 0:25:33.760
<v Speaker 1>generally the function of of of an anxious population and

0:25:33.960 --> 0:25:39.640
<v Speaker 1>a population that is not that isn't rooted in in.

0:25:39.640 --> 0:25:43.000
<v Speaker 2>The fundamentals of.

0:25:42.000 --> 0:25:44.960
<v Speaker 1>Civil society and the process of civil society, and and

0:25:45.400 --> 0:25:49.800
<v Speaker 1>a and a in our case, a constitutional democracy and

0:25:49.840 --> 0:25:52.320
<v Speaker 1>what And I'm just agreeing with you.

0:25:52.520 --> 0:25:54.160
<v Speaker 4>Yes, we're disagreeing with each other.

0:25:54.280 --> 0:25:55.200
<v Speaker 2>But I will say, the.

0:25:55.200 --> 0:25:59.280
<v Speaker 1>Other great thing about read about so so studying snaffoos

0:25:59.800 --> 0:26:02.280
<v Speaker 1>can and be a little bit uplifting for the reasons

0:26:02.280 --> 0:26:05.359
<v Speaker 1>we just discussed. The other reason that studying staff who's

0:26:05.760 --> 0:26:09.560
<v Speaker 1>can feel really good is that you get to say.

0:26:09.520 --> 0:26:11.040
<v Speaker 2>Man, I'm not that dumb.

0:26:13.440 --> 0:26:15.399
<v Speaker 1>I feel a lot better about a lot of your

0:26:15.440 --> 0:26:17.080
<v Speaker 1>own life choices.

0:26:17.480 --> 0:26:19.240
<v Speaker 4>This is again, this is not a question, but I

0:26:19.280 --> 0:26:19.880
<v Speaker 4>wrote this down.

0:26:20.000 --> 0:26:23.360
<v Speaker 3>Much of our history is very stupid. Are we condemned

0:26:23.440 --> 0:26:27.600
<v Speaker 3>to repeat our stupid history? I think maybe no, of course.

0:26:27.960 --> 0:26:31.199
<v Speaker 1>I mean that's the one thing, oh, that we know

0:26:31.320 --> 0:26:34.359
<v Speaker 1>for sure, is that we never we never learned from history.

0:26:35.119 --> 0:26:40.600
<v Speaker 1>I think human enlightenment is not a straight line. It's

0:26:40.680 --> 0:26:45.520
<v Speaker 1>a game of shoots and ladders and you're just constantly

0:26:46.359 --> 0:26:50.399
<v Speaker 1>there's a step forward. Oh shit, I fell down the

0:26:50.440 --> 0:26:54.560
<v Speaker 1>slide and I'm going backwards again, and it just you know,

0:26:54.600 --> 0:26:59.480
<v Speaker 1>we have these huge stumbles, and unfortunately there the cost

0:26:59.680 --> 0:27:06.280
<v Speaker 1>is tremendous human suffering. And I hope, I well it's

0:27:06.440 --> 0:27:08.280
<v Speaker 1>I don't I don't know where we're Well, you know what.

0:27:08.280 --> 0:27:11.320
<v Speaker 3>We could talk about cats with microphones embedded in their cat?

0:27:11.560 --> 0:27:13.000
<v Speaker 2>Can we talk more about human suffering?

0:27:13.040 --> 0:27:13.360
<v Speaker 4>Can we.

0:27:14.800 --> 0:27:15.159
<v Speaker 2>Please?

0:27:16.040 --> 0:27:16.359
<v Speaker 4>Okay?

0:27:16.480 --> 0:27:18.479
<v Speaker 3>I do want to I do want to say that

0:27:18.600 --> 0:27:23.400
<v Speaker 3>every time I read something about cats with embedded implanted

0:27:23.760 --> 0:27:26.880
<v Speaker 3>listening devices and pigeons with backpacks.

0:27:27.040 --> 0:27:31.920
<v Speaker 4>Yeah, with aerial photography. That's pretty cute, that's pretty cute.

0:27:31.960 --> 0:27:36.239
<v Speaker 1>They put little camera pouches on pigeons to turn them

0:27:36.280 --> 0:27:37.360
<v Speaker 1>into spies.

0:27:37.080 --> 0:27:39.520
<v Speaker 4>To turn them into pigeons spies. Yeah, And you know,

0:27:39.680 --> 0:27:40.280
<v Speaker 4>cats make.

0:27:40.200 --> 0:27:43.320
<v Speaker 3>The best spies because they're so incredibly trainable and they

0:27:43.400 --> 0:27:46.720
<v Speaker 3>listen to everything you say and they go exactly where

0:27:46.760 --> 0:27:49.119
<v Speaker 3>you want them to go and do exactly as they're told.

0:27:49.800 --> 0:27:54.240
<v Speaker 1>Yeah, just ask Siegfried and Roy.

0:27:55.800 --> 0:27:56.760
<v Speaker 2>They're not trainable.

0:27:56.880 --> 0:28:00.560
<v Speaker 1>This is like like anybody knows that. And this is

0:28:00.600 --> 0:28:03.520
<v Speaker 1>this is where that like Bubble Group think of like

0:28:04.320 --> 0:28:09.080
<v Speaker 1>just somebody who didn't have dozen't no cats, was like, hey,

0:28:09.240 --> 0:28:13.720
<v Speaker 1>they're they're very sneaky and sly. If we can implant

0:28:13.760 --> 0:28:16.479
<v Speaker 1>a microphone in their ears and train them to go

0:28:16.600 --> 0:28:19.920
<v Speaker 1>sit next to bad guys, yeah, then we'll be able

0:28:19.960 --> 0:28:22.720
<v Speaker 1>to hear what the bad guys are saying. This is

0:28:22.760 --> 0:28:25.000
<v Speaker 1>another chapter. Sorry, this is this is a chapter from

0:28:25.040 --> 0:28:32.440
<v Speaker 1>the book. There's teams of adult people workshopping these ideas.

0:28:33.280 --> 0:28:38.480
<v Speaker 1>Is spending taxpayer dollars to put these ideas on a whiteboard,

0:28:39.120 --> 0:28:43.280
<v Speaker 1>and everybody's backslapping and going, great idea, Hank, I love this.

0:28:48.040 --> 0:28:50.960
<v Speaker 1>In the book, there's a there's a section of five

0:28:51.160 --> 0:28:54.240
<v Speaker 1>of the six hundred and thirty four attempts by the

0:28:54.280 --> 0:28:56.240
<v Speaker 1>CIA to assassinate Fidel Castro.

0:28:56.720 --> 0:28:58.080
<v Speaker 2>Yes. Now, the.

0:28:59.680 --> 0:29:03.120
<v Speaker 1>A lot of them didn't necessarily get past the drag board,

0:29:03.160 --> 0:29:07.360
<v Speaker 1>but there there is a record of them. And at

0:29:07.360 --> 0:29:12.719
<v Speaker 1>what point, uh, like, that's a comedy writer's room. I mean,

0:29:12.760 --> 0:29:15.959
<v Speaker 1>the ideas are so nuts. There was one idea to

0:29:16.000 --> 0:29:19.760
<v Speaker 1>put thallium salts in his shoes, which is a specific,

0:29:20.320 --> 0:29:24.280
<v Speaker 1>certain kind of poison toxin to the human body that

0:29:24.320 --> 0:29:27.920
<v Speaker 1>will make your hair fall out. Why is that advantageous? Well,

0:29:28.000 --> 0:29:31.120
<v Speaker 1>the theory that. The thinking was that'll make his beard

0:29:31.200 --> 0:29:34.720
<v Speaker 1>fall out, and the beard is what really tethers him

0:29:34.760 --> 0:29:39.640
<v Speaker 1>to leadership in the in the Cuban culture, and without

0:29:39.640 --> 0:29:45.640
<v Speaker 1>his beard, he'll be dethroned and humiliated. Like the steps,

0:29:45.720 --> 0:29:49.680
<v Speaker 1>like it's so rude Goldberg just to get get from

0:29:49.720 --> 0:29:54.520
<v Speaker 1>a to and then maybe he'll he'll get overthrown because

0:29:54.520 --> 0:29:55.800
<v Speaker 1>his beard fell out.

0:29:55.920 --> 0:29:59.240
<v Speaker 3>That's a really that's like, that's really long game thinking,

0:29:59.840 --> 0:30:03.840
<v Speaker 3>like will step by step, hair by hair, we will

0:30:03.920 --> 0:30:06.440
<v Speaker 3>destroy his manliness.

0:30:06.520 --> 0:30:09.440
<v Speaker 2>It's going to take a minute, but it's we're going

0:30:09.520 --> 0:30:10.080
<v Speaker 2>to get there.

0:30:12.720 --> 0:30:13.280
<v Speaker 4>Oh my god.

0:30:13.360 --> 0:30:17.280
<v Speaker 3>Okay, there's a season three of the podcast and these

0:30:17.280 --> 0:30:21.440
<v Speaker 3>are really these are such complimentary endeavors. But the I'm

0:30:21.480 --> 0:30:24.320
<v Speaker 3>listening to season three of the podcast now and it

0:30:24.400 --> 0:30:27.880
<v Speaker 3>is built around a story I really have never heard before.

0:30:28.160 --> 0:30:32.240
<v Speaker 3>It takes place during Prohibition, and the story is really

0:30:32.280 --> 0:30:39.120
<v Speaker 3>about the government poisoning the industrial alcohol supply. And it's

0:30:39.160 --> 0:30:40.440
<v Speaker 3>a really fascinating story.

0:30:40.480 --> 0:30:41.719
<v Speaker 4>Can you talk about that a little bit?

0:30:41.880 --> 0:30:48.880
<v Speaker 1>It's really Yeah, so everybody knows prohibition, it's part of

0:30:48.000 --> 0:30:53.240
<v Speaker 1>our collective memory. I was pretty resistant to this story

0:30:53.240 --> 0:30:57.280
<v Speaker 1>because I was like, everyone knows prohibition. Everybody you know,

0:30:57.560 --> 0:31:00.760
<v Speaker 1>like is this really that of a deal. But the

0:31:00.760 --> 0:31:02.600
<v Speaker 1>more we dug into it, it.

0:31:02.560 --> 0:31:06.600
<v Speaker 2>Was like, oh, this is this is this is horrible.

0:31:06.960 --> 0:31:10.400
<v Speaker 1>Well, during probition, the consumer alcohol supply was eliminated, so

0:31:10.440 --> 0:31:13.600
<v Speaker 1>bootleggers would start to pull from the industrial alcohol supply,

0:31:14.080 --> 0:31:16.960
<v Speaker 1>but most of that alcohol had been through a process

0:31:17.000 --> 0:31:21.120
<v Speaker 1>called denaturing, which is basically the government adding things to

0:31:21.480 --> 0:31:25.920
<v Speaker 1>alcohol to make it extremely yucky and just not palatable

0:31:26.600 --> 0:31:29.360
<v Speaker 1>and maybe even give you a tummy ache. And that

0:31:29.560 --> 0:31:34.480
<v Speaker 1>was for a long time enough, but bootleggers were very,

0:31:34.800 --> 0:31:38.800
<v Speaker 1>very driven, and so they for figuring out ways to

0:31:38.880 --> 0:31:42.440
<v Speaker 1>sort of work around that. Also, people were just drinking

0:31:42.480 --> 0:31:47.040
<v Speaker 1>it anyway and getting sick. But then as part of

0:31:47.080 --> 0:31:49.480
<v Speaker 1>the prohibition effort, they thought, well, maybe if we can

0:31:49.600 --> 0:31:52.760
<v Speaker 1>deter like, what are some ways we can deter people

0:31:52.800 --> 0:31:56.880
<v Speaker 1>from drinking. Oh, let's let's make the industrial alcohol supply

0:31:57.000 --> 0:32:00.840
<v Speaker 1>like fully poisonous, fully poisonous to point where it will

0:32:00.880 --> 0:32:05.800
<v Speaker 1>anyone who drinks it like will get severely ill or die.

0:32:06.560 --> 0:32:11.280
<v Speaker 1>And that that will be great because then people will

0:32:11.320 --> 0:32:13.360
<v Speaker 1>start dying and they'll be like, well.

0:32:13.120 --> 0:32:19.840
<v Speaker 2>I shouldn't drink anymore because that's how people behave. This

0:32:20.160 --> 0:32:23.160
<v Speaker 2>is and thousands of people.

0:32:22.920 --> 0:32:24.640
<v Speaker 4>Died, thousands of people died.

0:32:26.000 --> 0:32:29.640
<v Speaker 3>Did anybody experience consequences based on this?

0:32:29.960 --> 0:32:31.400
<v Speaker 4>No, not at all.

0:32:31.560 --> 0:32:33.680
<v Speaker 2>No, and it was fully exposed.

0:32:33.680 --> 0:32:34.600
<v Speaker 4>Fully exposed.

0:32:34.680 --> 0:32:38.240
<v Speaker 3>Yeah, you know that is actually another theme that really

0:32:38.280 --> 0:32:42.440
<v Speaker 3>emerged for me is that we are not consequence oriented people.

0:32:43.120 --> 0:32:45.720
<v Speaker 3>A lot of people who had ideas that were this

0:32:45.920 --> 0:32:51.240
<v Speaker 3>bad that resulted in tragedy or near tragedy just sort

0:32:51.240 --> 0:32:55.800
<v Speaker 3>of got other jobs yep, or failed upward. We're not anyway,

0:32:55.800 --> 0:32:57.640
<v Speaker 3>We're not big on consequences.

0:32:57.640 --> 0:32:58.240
<v Speaker 4>We all know that.

0:32:58.360 --> 0:33:04.000
<v Speaker 3>Now. Are their favorite stories that you tossed about in

0:33:04.040 --> 0:33:06.120
<v Speaker 3>the writer's room, which you must have so much fun

0:33:06.120 --> 0:33:08.280
<v Speaker 3>in your rooms, Like they sound.

0:33:08.080 --> 0:33:12.160
<v Speaker 4>Really raucous, Like they sound really interesting.

0:33:12.240 --> 0:33:16.320
<v Speaker 1>It's mostly zooms, mostly zooms virtual.

0:33:16.440 --> 0:33:17.960
<v Speaker 2>It's hard to be roucous on a zoom.

0:33:18.000 --> 0:33:21.200
<v Speaker 4>I guess that's true. Are their favorite stories that you

0:33:21.400 --> 0:33:23.600
<v Speaker 4>had to leave out? There must be so.

0:33:23.600 --> 0:33:26.440
<v Speaker 3>Many more stories in your arsenal. Do you have a

0:33:26.520 --> 0:33:28.320
<v Speaker 3>volume of twenty bucks lined up?

0:33:28.880 --> 0:33:29.160
<v Speaker 2>Yes?

0:33:29.240 --> 0:33:29.520
<v Speaker 4>One?

0:33:29.800 --> 0:33:34.640
<v Speaker 1>Well, yes, there are hopefully mini books to come tell

0:33:34.720 --> 0:33:37.560
<v Speaker 1>all your friends about it so it sells really well. Yeah,

0:33:37.640 --> 0:33:40.680
<v Speaker 1>and I can just keep churning these out. But the

0:33:41.240 --> 0:33:45.480
<v Speaker 1>ones that fell by the wayside, tended to be tended

0:33:45.520 --> 0:33:50.480
<v Speaker 1>to just not meet the criteria, which would be mostly

0:33:50.600 --> 0:33:51.840
<v Speaker 1>things that are too well known.

0:33:53.600 --> 0:33:57.040
<v Speaker 2>So and then I think once we found a good.

0:33:57.000 --> 0:34:01.160
<v Speaker 1>Number, we were like, okay, let's it's just time to.

0:34:01.120 --> 0:34:01.920
<v Speaker 2>Start the research.

0:34:02.080 --> 0:34:06.200
<v Speaker 3>I liked that you covered mk Ultra, which is a

0:34:06.200 --> 0:34:07.360
<v Speaker 3>story that people.

0:34:07.360 --> 0:34:10.240
<v Speaker 1>That's that's probably one of the most well known stories

0:34:10.239 --> 0:34:14.000
<v Speaker 1>in here, that in the Suez Canal uh containers.

0:34:14.320 --> 0:34:17.800
<v Speaker 3>But but you did, but you did cover an angle

0:34:17.960 --> 0:34:20.680
<v Speaker 3>of mk Ultra that I did not know anything about.

0:34:20.840 --> 0:34:23.040
<v Speaker 3>So it is in a in a kind of a

0:34:23.040 --> 0:34:26.440
<v Speaker 3>familiar story there is. It is a kind of a

0:34:26.480 --> 0:34:29.200
<v Speaker 3>side story in a larger story. Can you talk about

0:34:29.200 --> 0:34:29.520
<v Speaker 3>that one?

0:34:29.520 --> 0:34:30.440
<v Speaker 4>It's very interesting.

0:34:30.560 --> 0:34:33.440
<v Speaker 1>Well, yeah, the mk Ultra, for those of you who

0:34:33.520 --> 0:34:39.800
<v Speaker 1>don't know, was the thank you so much. I guess

0:34:39.800 --> 0:34:41.960
<v Speaker 1>that's the the queue that.

0:34:41.920 --> 0:34:43.680
<v Speaker 3>Were your transition is that.

0:34:48.360 --> 0:34:51.480
<v Speaker 4>Of question U M.

0:34:51.520 --> 0:34:54.239
<v Speaker 2>K Ultra is a really.

0:34:56.320 --> 0:35:02.799
<v Speaker 1>Hilarious and totally heartbreaking and horrific chapter in CIA history where.

0:35:04.640 --> 0:35:07.239
<v Speaker 2>Essentially the world's supply of LSD.

0:35:07.120 --> 0:35:10.600
<v Speaker 1>Was purchased by the CIA and it was administered to

0:35:11.280 --> 0:35:17.080
<v Speaker 1>people in prisons and in mental institutions and sometimes just

0:35:17.160 --> 0:35:24.480
<v Speaker 1>people on the streets in the name of science and

0:35:24.600 --> 0:35:30.920
<v Speaker 1>research try to understand. Basically, again, it's Cold War and

0:35:30.560 --> 0:35:34.600
<v Speaker 1>the thing is maybe this new psychedelic drug is a

0:35:34.640 --> 0:35:41.000
<v Speaker 1>secret to either a truth serum or mind control. And

0:35:41.040 --> 0:35:44.640
<v Speaker 1>these were things that the Soviets and the American government

0:35:44.680 --> 0:35:49.080
<v Speaker 1>were taking very seriously and researching extensively, but so many

0:35:49.080 --> 0:35:55.480
<v Speaker 1>people were experimented on with no knowledge. The kind of

0:35:55.560 --> 0:36:01.160
<v Speaker 1>like funny sick part is that within mk ULTRA was

0:36:02.600 --> 0:36:07.200
<v Speaker 1>this guy George White was basically given free reign to

0:36:08.120 --> 0:36:11.640
<v Speaker 1>He built an apartment in San Francisco that had a

0:36:11.680 --> 0:36:15.240
<v Speaker 1>two way mirror, and he would have sex workers bring

0:36:15.800 --> 0:36:20.920
<v Speaker 1>their customers back to this apartment and he would watch.

0:36:20.760 --> 0:36:22.360
<v Speaker 2>That and they then they would.

0:36:22.239 --> 0:36:26.120
<v Speaker 1>Dose them right somehow unbeknownst to them, and then he

0:36:26.120 --> 0:36:27.839
<v Speaker 1>would watch them and take notes.

0:36:30.080 --> 0:36:32.120
<v Speaker 2>Among other things, presumably, And.

0:36:35.520 --> 0:36:41.040
<v Speaker 1>So many people were traumatized, hurt, taken advantage of exploited

0:36:41.120 --> 0:36:46.359
<v Speaker 1>throughout the whole mk ULTRA process, which lasted years and

0:36:46.920 --> 0:36:50.600
<v Speaker 1>including by the way, Whitey Bulger, the famous Boston mobster,

0:36:51.600 --> 0:36:54.800
<v Speaker 1>he was in federal prison in Atlanta, Georgia, my hometown,

0:36:55.360 --> 0:36:59.520
<v Speaker 1>and actually consented to what he thought was.

0:37:00.080 --> 0:37:01.480
<v Speaker 2>Research into.

0:37:04.680 --> 0:37:09.720
<v Speaker 1>Different kinds of mental illnesses and uh and was given

0:37:09.880 --> 0:37:16.680
<v Speaker 1>massive doses of LSD for months and he had nightmarish

0:37:16.760 --> 0:37:20.719
<v Speaker 1>visions for the rest of his life. And who knows.

0:37:20.480 --> 0:37:24.040
<v Speaker 2>If the CIA helped create Whitey Bulger. Who knows.

0:37:24.320 --> 0:37:27.800
<v Speaker 3>On a happy note, at least Jimmy Carter helped stave

0:37:28.000 --> 0:37:34.560
<v Speaker 3>off a nuclear catastrophe in Canada a young Jimmy Carter.

0:37:34.840 --> 0:37:36.919
<v Speaker 2>Yeah, this is an awesome one.

0:37:36.960 --> 0:37:39.480
<v Speaker 1>This is like some of the snaffoos have have like

0:37:39.480 --> 0:37:42.000
<v Speaker 1>a little hero story baked old of them, and that's

0:37:42.200 --> 0:37:45.120
<v Speaker 1>that's what you're bringing. One of them up where a

0:37:45.200 --> 0:37:48.520
<v Speaker 1>nuclear reactor. It was a research reactor in Ontario, just

0:37:48.640 --> 0:37:51.320
<v Speaker 1>up up the Ottawa River from the city of Ottawa,

0:37:52.000 --> 0:37:55.160
<v Speaker 1>and the reactor starts to melt down, but it's based

0:37:55.440 --> 0:37:58.839
<v Speaker 1>the supervisor gave the wrong instructions to somebody and then

0:37:58.960 --> 0:38:01.839
<v Speaker 1>couldn't pick up the phone because he's punching buttons that it.

0:38:01.800 --> 0:38:05.240
<v Speaker 4>Was and the rods are coming out like a Simpson.

0:38:05.520 --> 0:38:06.400
<v Speaker 2>It's very Simpsons.

0:38:06.440 --> 0:38:10.440
<v Speaker 1>Yeah, it's a very simpence moment and a meltdown initiates

0:38:10.760 --> 0:38:13.160
<v Speaker 1>and it's the first, I believe it's the first nuclear

0:38:13.200 --> 0:38:14.880
<v Speaker 1>meltdown in human history.

0:38:15.239 --> 0:38:18.560
<v Speaker 3>And the change the game in Canada. Oh yeah, we

0:38:18.640 --> 0:38:20.360
<v Speaker 3>have a lot of rules in Canada.

0:38:20.440 --> 0:38:24.239
<v Speaker 1>Now, well could be Canada for long.

0:38:24.400 --> 0:38:27.680
<v Speaker 4>Yeah, well that's true.

0:38:26.080 --> 0:38:30.880
<v Speaker 3>That's going to be exciting anyway.

0:38:30.960 --> 0:38:34.600
<v Speaker 1>The nuclear reactor starts to melt down. They call the

0:38:35.239 --> 0:38:39.520
<v Speaker 1>US military for support, and Jimmy Carter, is twenty five

0:38:39.600 --> 0:38:44.759
<v Speaker 1>years old and is working on nuclear subs and is like,

0:38:44.880 --> 0:38:49.080
<v Speaker 1>knows a lot about nuclear stuff, brings his men up there.

0:38:49.600 --> 0:38:53.000
<v Speaker 1>They have to dismantle this reactor, but it's so radioactive

0:38:53.360 --> 0:38:56.880
<v Speaker 1>that they can only be exposed to it for ninety

0:38:56.920 --> 0:38:59.440
<v Speaker 1>seconds at a time, so they build a replica of

0:38:59.480 --> 0:39:02.759
<v Speaker 1>the reactor on a tennis court nearby. They start rehearsing

0:39:02.800 --> 0:39:06.520
<v Speaker 1>this dismantling process basically in a tag team fashion. So

0:39:06.520 --> 0:39:09.799
<v Speaker 1>they run in, undo some bolts, and run out in

0:39:09.880 --> 0:39:10.720
<v Speaker 1>ninety seconds.

0:39:10.719 --> 0:39:12.239
<v Speaker 4>They're like a Formula one pick.

0:39:12.400 --> 0:39:14.640
<v Speaker 2>Yes, it's a great analogy. I love that.

0:39:14.640 --> 0:39:16.520
<v Speaker 1>That's exactly what it's like like.

0:39:16.480 --> 0:39:19.319
<v Speaker 2>With those Rivet guns. And they run in there and.

0:39:21.600 --> 0:39:24.680
<v Speaker 1>They get it done, and Jimmy Carter is one of

0:39:24.719 --> 0:39:28.160
<v Speaker 1>the leads of that whole operation. And what I love

0:39:28.440 --> 0:39:32.440
<v Speaker 1>about it is I love Jimmy Carter, and a lot

0:39:32.440 --> 0:39:34.400
<v Speaker 1>of people think he's kind of a whim which I

0:39:34.400 --> 0:39:38.319
<v Speaker 1>think is a cynical tragic take on his legacy. This

0:39:38.400 --> 0:39:40.440
<v Speaker 1>is one of the most heroic things you could ever do.

0:39:40.640 --> 0:39:41.799
<v Speaker 1>And it's so badass.

0:39:41.880 --> 0:39:44.239
<v Speaker 4>It's so bad ass. We need, you know what I do.

0:39:44.280 --> 0:39:47.000
<v Speaker 3>Feel like America is like full of Jimmy Carter's We

0:39:47.160 --> 0:39:49.960
<v Speaker 3>just have to summon We just actually have to summon

0:39:49.960 --> 0:39:53.160
<v Speaker 3>the will to save the day. Anyway, Okay, we have

0:39:53.200 --> 0:39:54.520
<v Speaker 3>some audience questions, and.

0:39:54.440 --> 0:39:55.520
<v Speaker 4>They're very good questions.

0:39:56.080 --> 0:39:58.960
<v Speaker 3>This is the first question from Caroline is will any

0:39:59.000 --> 0:40:00.600
<v Speaker 3>of these stories become a movie?

0:40:00.960 --> 0:40:03.240
<v Speaker 4>They are cinematic. I agree with.

0:40:03.120 --> 0:40:05.879
<v Speaker 2>You, God willing, God willing.

0:40:07.120 --> 0:40:07.719
<v Speaker 4>And everyone.

0:40:09.239 --> 0:40:13.600
<v Speaker 1>Our partner in the podcast is Film Nation Entertainment, and

0:40:13.640 --> 0:40:14.320
<v Speaker 1>we'll see what happens.

0:40:14.440 --> 0:40:17.160
<v Speaker 3>Okay, do you have a favorite snaffoo? Oh? Would you

0:40:17.200 --> 0:40:20.720
<v Speaker 3>have an all time favorite? Or that's a good question.

0:40:21.040 --> 0:40:22.120
<v Speaker 4>It's hard to pick a favorite.

0:40:22.160 --> 0:40:24.400
<v Speaker 1>A lot of the snaffoos I forgot. I left out

0:40:24.440 --> 0:40:27.400
<v Speaker 1>a criteria in the curatorial process. One of the criteria

0:40:27.480 --> 0:40:31.879
<v Speaker 1>is like, can we find the funny? And that's that's

0:40:31.880 --> 0:40:35.000
<v Speaker 1>an important one. Some things are just too tragic or

0:40:35.080 --> 0:40:43.279
<v Speaker 1>too horrifying, and and so what we in season two

0:40:43.320 --> 0:40:46.000
<v Speaker 1>of the podcast, which is the one I told you

0:40:46.000 --> 0:40:51.160
<v Speaker 1>about with the burglary, the citizen activists that broke into

0:40:51.160 --> 0:40:51.640
<v Speaker 1>the FBI.

0:40:52.280 --> 0:40:53.160
<v Speaker 2>That one is.

0:40:54.920 --> 0:40:58.920
<v Speaker 1>We found some funny, but also felt like it was

0:40:59.840 --> 0:41:06.000
<v Speaker 1>just a great enough story and a powerful and meaningful

0:41:06.160 --> 0:41:09.080
<v Speaker 1>enough story that we didn't need to be as funny.

0:41:09.880 --> 0:41:13.560
<v Speaker 1>Season two of the podcasts and I'm so proud of

0:41:13.600 --> 0:41:17.000
<v Speaker 1>that one, which is ironic because it's probably the least

0:41:17.120 --> 0:41:24.160
<v Speaker 1>funny of the three seasons. It's still funny. It's still funny,

0:41:24.560 --> 0:41:29.080
<v Speaker 1>but it's also incredibly poignant and incredibly moving. And as

0:41:29.120 --> 0:41:34.160
<v Speaker 1>you learn about these individuals and the risk that they undertook.

0:41:34.360 --> 0:41:37.880
<v Speaker 3>Is there a role for me in the movie?

0:41:38.760 --> 0:41:40.440
<v Speaker 4>Okay? What has this is a good question.

0:41:40.520 --> 0:41:47.000
<v Speaker 3>What has been the hardest historical event to research? Maybe

0:41:47.040 --> 0:41:51.919
<v Speaker 3>the one hidden behind the most kind of layers?

0:41:52.760 --> 0:41:57.840
<v Speaker 1>Well, Season one of the podcasts. That season one of

0:41:57.840 --> 0:42:03.080
<v Speaker 1>the podcasts has a hero who is an historian that

0:42:03.120 --> 0:42:06.640
<v Speaker 1>we interview extensively throughout the pod throughout that season. Yeah,

0:42:06.680 --> 0:42:11.960
<v Speaker 1>and he basically uncovered what is the story of season one?

0:42:13.760 --> 0:42:20.160
<v Speaker 1>And he did it just by doggedly, uh, just chasing

0:42:20.200 --> 0:42:24.600
<v Speaker 1>down like he was the one that just submitted infinite

0:42:24.960 --> 0:42:28.960
<v Speaker 1>Freedom of Information Act requests and just beat the door

0:42:29.040 --> 0:42:32.840
<v Speaker 1>down and finally got the goods.

0:42:32.760 --> 0:42:36.080
<v Speaker 3>Wow, you know what, I want to take a second

0:42:36.200 --> 0:42:38.640
<v Speaker 3>to celebrate, like we got I mean, we worked with

0:42:38.680 --> 0:42:40.520
<v Speaker 3>The Dealer Show together for a bunch of years, and

0:42:40.520 --> 0:42:42.839
<v Speaker 3>we always got a lot of credit for the work

0:42:42.840 --> 0:42:45.400
<v Speaker 3>that we did. But I actually like, there's no world

0:42:45.440 --> 0:42:47.680
<v Speaker 3>in which we could do the work that we did

0:42:47.760 --> 0:42:50.799
<v Speaker 3>without the work of journalism, without the work of like

0:42:51.080 --> 0:42:57.120
<v Speaker 3>dogged journalists like like, but really it's no, Like.

0:42:59.440 --> 0:43:01.880
<v Speaker 2>We couldn't make fun of them if they weren't great,

0:43:01.960 --> 0:43:02.359
<v Speaker 2>if they.

0:43:02.239 --> 0:43:04.880
<v Speaker 3>Weren't and if they weren't like, if they weren't working

0:43:05.000 --> 0:43:07.399
<v Speaker 3>to reveal the layers of hypocrisy, we.

0:43:07.360 --> 0:43:09.320
<v Speaker 4>Wouldn't have had anything to make jokes about.

0:43:09.360 --> 0:43:12.839
<v Speaker 3>Like, there's no Daily Show without great journalism. There's no

0:43:13.280 --> 0:43:16.400
<v Speaker 3>John Oliver without great journalism. There's none of us, you know,

0:43:16.480 --> 0:43:20.280
<v Speaker 3>none of that exists without that like dogged work.

0:43:20.520 --> 0:43:23.560
<v Speaker 4>And then we then vampire off of it and have

0:43:23.680 --> 0:43:25.239
<v Speaker 4>fun with it and make it.

0:43:25.400 --> 0:43:26.320
<v Speaker 2>We make it silly.

0:43:26.520 --> 0:43:27.439
<v Speaker 4>Oh, this is good.

0:43:27.480 --> 0:43:30.360
<v Speaker 3>Are there any crazy New York City historical events that

0:43:30.400 --> 0:43:31.280
<v Speaker 3>you can tell us about?

0:43:32.080 --> 0:43:33.040
<v Speaker 2>There are so many.

0:43:33.080 --> 0:43:36.640
<v Speaker 1>There's there's one that, uh.

0:43:36.960 --> 0:43:40.160
<v Speaker 3>Let's see, well, I loved in the in the season

0:43:40.200 --> 0:43:42.759
<v Speaker 3>three of the podcast, in the Prohibition one that you

0:43:42.880 --> 0:43:47.399
<v Speaker 3>have on one of the creators of Boardwalk Empire that's.

0:43:47.320 --> 0:43:48.720
<v Speaker 4>At Atlantic City.

0:43:48.800 --> 0:43:54.400
<v Speaker 3>But I mean it's like regionally, sure, regionally. And he

0:43:54.440 --> 0:43:55.640
<v Speaker 3>didn't even know the story.

0:43:55.880 --> 0:43:56.680
<v Speaker 4>He didn't, that's right.

0:43:56.960 --> 0:44:01.080
<v Speaker 1>Yeah, Terry Winter created Boardwalk Empire, and man, he is

0:44:01.160 --> 0:44:02.240
<v Speaker 1>such a fun interview.

0:44:02.480 --> 0:44:03.960
<v Speaker 2>He gets his own episode.

0:44:04.880 --> 0:44:07.439
<v Speaker 1>There's a bonus episode that's just that interview with Terry

0:44:07.440 --> 0:44:15.440
<v Speaker 1>Winter and and he he researched prohibitions so much. And

0:44:16.800 --> 0:44:20.920
<v Speaker 1>it's the same thing with the first season of the podcast,

0:44:20.960 --> 0:44:27.279
<v Speaker 1>which is a crazy story. I won't launch into it,

0:44:27.320 --> 0:44:30.440
<v Speaker 1>but essentially it's it's the story of the movie Wargames,

0:44:30.840 --> 0:44:32.840
<v Speaker 1>but the real version and.

0:44:33.000 --> 0:44:34.320
<v Speaker 2>It really did happen.

0:44:34.800 --> 0:44:37.279
<v Speaker 1>And I interviewed Matthew Broderick, who was the star of

0:44:37.320 --> 0:44:40.279
<v Speaker 1>war Games and told him about this, and he was

0:44:40.400 --> 0:44:42.200
<v Speaker 1>he had no idea about that.

0:44:42.680 --> 0:44:44.680
<v Speaker 2>And it's just wild. It's kind of fun.

0:44:44.920 --> 0:44:47.319
<v Speaker 1>Like the dig, the deeper you dig on so many

0:44:47.320 --> 0:44:50.399
<v Speaker 1>of these things, the more there's more is there.

0:44:50.680 --> 0:44:52.520
<v Speaker 3>We're going to have so much to talk about in

0:44:52.760 --> 0:44:55.960
<v Speaker 3>ten years about this period in time.

0:44:56.080 --> 0:44:58.439
<v Speaker 2>I think, yeah, I don't know, just don't know.

0:44:58.760 --> 0:45:02.000
<v Speaker 4>Just a hand I'm pretty sure a leap forward. Cash

0:45:02.000 --> 0:45:05.279
<v Speaker 4>matel is going to fix the culture. It's gonna be New.

0:45:05.200 --> 0:45:10.200
<v Speaker 1>York City staffoods. I mean, where do you start, right?

0:45:10.640 --> 0:45:16.359
<v Speaker 1>I felt a drop of liquid hit me today and

0:45:16.400 --> 0:45:20.840
<v Speaker 1>it's that I feel like that is a universal New Yorker.

0:45:21.000 --> 0:45:23.239
<v Speaker 1>It's just like, where did that come from?

0:45:23.520 --> 0:45:23.920
<v Speaker 4>Liquid?

0:45:24.000 --> 0:45:28.839
<v Speaker 1>It's not raining, and I hope that it's like a

0:45:29.360 --> 0:45:34.640
<v Speaker 1>pure drop of of air conditioning condensation, but it's probably

0:45:34.800 --> 0:45:36.000
<v Speaker 1>something way grosser.

0:45:37.040 --> 0:45:38.120
<v Speaker 2>And uh.

0:45:39.560 --> 0:45:42.440
<v Speaker 1>One of my favorites truly is the City Corp Buildings.

0:45:42.520 --> 0:45:43.200
<v Speaker 2>You guys know that.

0:45:43.200 --> 0:45:45.880
<v Speaker 1>Story, The City Corp Building right here on the upper

0:45:46.239 --> 0:45:53.719
<v Speaker 1>east side. It was built and fully constructed, and a

0:45:53.760 --> 0:45:57.520
<v Speaker 1>grad student, an engineering grad student, was was reading, researching

0:45:57.560 --> 0:46:00.840
<v Speaker 1>it and writing about it and realized is that it

0:46:00.960 --> 0:46:06.480
<v Speaker 1>didn't have the proper engineering to withstand hurricane force wins

0:46:06.880 --> 0:46:10.880
<v Speaker 1>at a certain direction. Okay, it was engineered to I

0:46:10.920 --> 0:46:15.840
<v Speaker 1>think take like hurricane force winds at the sides, but

0:46:15.960 --> 0:46:17.440
<v Speaker 1>a diagonal could have.

0:46:17.440 --> 0:46:18.000
<v Speaker 2>Knocked it over.

0:46:18.120 --> 0:46:19.080
<v Speaker 4>Oh my god.

0:46:19.560 --> 0:46:22.799
<v Speaker 1>And so they they like, what do you do in

0:46:22.800 --> 0:46:28.040
<v Speaker 1>that situation? It's done, it's fully occupied, and they surreptitiously

0:46:28.080 --> 0:46:33.359
<v Speaker 1>went in and chant and like added news struts and

0:46:33.480 --> 0:46:36.160
<v Speaker 1>bolts to the building.

0:46:36.400 --> 0:46:37.760
<v Speaker 2>To fix it.

0:46:37.840 --> 0:46:43.320
<v Speaker 1>Over over many, I think many months or years, and

0:46:43.560 --> 0:46:46.760
<v Speaker 1>residents of the building, occupy or tenants of the building

0:46:46.920 --> 0:46:47.800
<v Speaker 1>had no idea.

0:46:47.880 --> 0:46:49.080
<v Speaker 4>Do you know what, that's not.

0:46:49.040 --> 0:46:50.560
<v Speaker 3>What you want to that's not what you want to

0:46:50.600 --> 0:46:52.880
<v Speaker 3>find out when you're like trying to buy into the

0:46:52.880 --> 0:46:56.319
<v Speaker 3>building and they go by the way, it's not structurally sound.

0:46:56.480 --> 0:46:57.280
<v Speaker 4>It's probably frying.

0:46:57.760 --> 0:47:01.680
<v Speaker 3>Do you remember, Okay, do you you did this happen?

0:47:01.760 --> 0:47:04.640
<v Speaker 3>Or did I dream it that? When you were living here?

0:47:05.080 --> 0:47:09.760
<v Speaker 3>A building fell down behind your building? Is that your building?

0:47:09.840 --> 0:47:12.239
<v Speaker 3>Someone at the Daily Show was had it lived in

0:47:12.280 --> 0:47:14.880
<v Speaker 3>an apartment and they were building an apartment building behind

0:47:14.880 --> 0:47:17.839
<v Speaker 3>the apartment and the whole thing collapsed one night.

0:47:18.280 --> 0:47:19.319
<v Speaker 4>It all fell down.

0:47:19.480 --> 0:47:20.960
<v Speaker 2>Oh my god, I don't remember that.

0:47:21.080 --> 0:47:25.200
<v Speaker 4>Okay, all right, well City Corp. That's great. I love

0:47:25.680 --> 0:47:29.160
<v Speaker 4>you know what. Oh I'm going.

0:47:29.120 --> 0:47:31.719
<v Speaker 3>To walk out this door and so much fluid is

0:47:31.760 --> 0:47:32.640
<v Speaker 3>going to go on my head.

0:47:32.800 --> 0:47:34.680
<v Speaker 2>Yeah it is, you know what it is?

0:47:35.080 --> 0:47:38.360
<v Speaker 4>Lets This was so fun for me. What a joy? Sam,

0:47:40.040 --> 0:47:42.160
<v Speaker 4>comfy chairs. I never want to leave.

0:47:42.440 --> 0:47:45.600
<v Speaker 3>What are you going to inscribe in people's books?

0:47:45.640 --> 0:47:45.799
<v Speaker 4>Oh?

0:47:46.840 --> 0:47:48.880
<v Speaker 2>I want your life stories. I'm going to tell you right.

0:47:49.120 --> 0:47:52.240
<v Speaker 4>Put everything long, long wisdom.

0:47:53.080 --> 0:47:55.520
<v Speaker 3>Thanks everybody for coming joy, Thank.

0:47:55.360 --> 0:47:59.320
<v Speaker 2>You, Oh Ladies, and Gentle.

0:48:05.360 --> 0:48:09.719
<v Speaker 1>Snafu is a production of iHeart Podcasts and Snapfo Media,

0:48:09.880 --> 0:48:14.080
<v Speaker 1>a partnership between Film Nation Entertainment and Pacific Electric Picture Company.

0:48:15.520 --> 0:48:20.440
<v Speaker 1>Our post production studio is Gilded Audio. Our executive producers

0:48:20.480 --> 0:48:25.480
<v Speaker 1>are me Ed Helms, Mike Falbo, Glenn Basner, Andy Kim Whitney, Donaldson,

0:48:25.640 --> 0:48:30.400
<v Speaker 1>and Dylan Fagan. This episode was produced by Alyssa Martino

0:48:30.560 --> 0:48:35.200
<v Speaker 1>and Tory Smith. Our video editor is Jared Smith. Technical

0:48:35.200 --> 0:48:39.040
<v Speaker 1>direction and engineering from Nick Dooley. Our creative executive is

0:48:39.080 --> 0:48:43.680
<v Speaker 1>Brett Harris. Logo and branding by the Collected Works. Legal

0:48:43.719 --> 0:48:48.960
<v Speaker 1>review from Dan Welsh, Meghan Halson and Caroline Johnson. Special

0:48:49.000 --> 0:48:52.280
<v Speaker 1>thanks to Isaac Dunhom, Adam Horn, Lane Klein, and everyone

0:48:52.360 --> 0:48:57.320
<v Speaker 1>at iHeart Podcasts, but especially Will Pearson, Kerry Lieberman, Niki Etoor,

0:48:57.760 --> 0:49:02.520
<v Speaker 1>Nathan O'towski and Alex. While I have you, don't forget

0:49:02.520 --> 0:49:05.480
<v Speaker 1>to pick up a copy of my book, Snaffoo, The

0:49:05.520 --> 0:49:09.520
<v Speaker 1>Definitive Guide to History's Greatest screw Ups. It's available now

0:49:09.600 --> 0:49:14.760
<v Speaker 1>from any book retailer. Just go to snaffoodashbook dot com.

0:49:15.239 --> 0:49:17.600
<v Speaker 1>Thanks for listening, and see you next week.