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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curb Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the history of curbyr Enthusiasm podcast

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Speaker 1: on Max and YouTube as well. Links available in the

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Speaker 1: episode description. Okay, so we're here. This is season four,

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Speaker 1: Episode five. The five would a classic. I'm Susie Esman,

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Speaker 1: I'm Jeff Garland and our special guest today.

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Speaker 2: Brighten, whatever you're doing just made a lot of noise.

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Speaker 1: Our special guest today is making noise. Is Brian Gordon,

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Speaker 1: who directed this episode.

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Speaker 3: Does anybody still use a pen?

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Speaker 2: I do?

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Speaker 1: I do? Yeah, we all use pete.

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Speaker 2: By the way, whenever I write, I write long hand

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Speaker 2: and then I have my assistant. I'm an assistant. Yes,

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Speaker 2: hype it up for me. That's how I do it.

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Speaker 1: Good and Brian, this is season four. So this is

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Speaker 1: the fourth episode you directed, because you directed one per season.

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Speaker 2: Yep.

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Speaker 1: The first one was Affirmative Action, the second was The Acupuncturist,

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Speaker 1: and season three was the Classic Special Section, which for

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Speaker 1: which you won a DGA Award. Hey, Brian, and nominated

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Speaker 1: for an Emmy. If I'm correct, Yes.

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Speaker 3: Brian am.

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Speaker 2: I was talking about in that episode how sad I

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Speaker 2: was that two things. One is that we lost the

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Speaker 2: scene of Larry and I sitting and talking outside the

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Speaker 2: graveyard with Richard and Shelley coming up and Richard wanted

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Speaker 2: to test out the drive. I was so sad to

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Speaker 2: lose that. That's one of my favorite scenes ever in

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Speaker 2: the history of the show. It was a tough one.

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Speaker 3: Do you have a series of episodes that you could

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Speaker 3: put together of scenes that didn't make the cut.

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Speaker 2: If Megan Murphy was still working for the show, he

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Speaker 2: could have done that.

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Speaker 1: But he was our post coordinator, post production coordinating.

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Speaker 2: And so she knows, she knows where the dead bodies

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Speaker 2: are if he was, And that's I was also sad

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Speaker 2: because we lost great stuff that because of time we

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Speaker 2: had to make the grave digging a montage that killed.

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Speaker 3: Oh my god, that killed me because we spent all

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Speaker 3: night digging that damn grave. I know that, Yes, I know,

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Speaker 3: And so we're up till like three in the morning

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Speaker 3: digging easy.

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Speaker 2: By the way, I actually remember five, sir, five five

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Speaker 2: in the morning. It was an all nighter in a graveyard.

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Speaker 3: Oh you know.

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Speaker 1: And I'm sorry, I wasn't there, even though it was

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Speaker 1: till five in the morning. In the graveyard.

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Speaker 2: My graveyard shoots are really fun. I'm being totally serious.

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Speaker 2: They're really fun because they're just so absurd that you're

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Speaker 2: in a graveyard shooting at night.

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Speaker 1: Well, especially that episode you're in a graveyard digging up

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Speaker 1: his mother's grave because she had a tattoo on a rass.

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Speaker 2: I mean she was put in the special section, this

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Speaker 2: special section.

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Speaker 3: I did a number of graveyard episodes.

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Speaker 2: Are you did the other ones too?

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Speaker 3: Well?

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Speaker 2: We were always it seems we're always at that cemetery.

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Speaker 2: I believe it was an Alta Dina, Yeah, that same cemetery.

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Speaker 3: But this one, I think we switched off. We did

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Speaker 3: the memorial in another the Hollywood behind.

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Speaker 2: The part where he's talking to the guy exactly.

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Speaker 1: There's a lot of funerals in this show. A lot

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Speaker 1: of funerals and a lot of golf. This episode has

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Speaker 1: one of my favorite scenes that I've ever done of

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Speaker 1: all time. But we're going to start at the beginning.

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Speaker 1: This is a classic, it really.

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Speaker 2: It is considered one of the classic Curb episodes.

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Speaker 3: Yeah by far, grateful, Yeah, grateful.

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Speaker 1: You know you've directed several class I mean the Black

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Speaker 1: Swan you directed. Also, didn't you write.

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Speaker 3: Another another memorial that's Paul Mazerski died in that episode.

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Speaker 2: Yeah, Paul Mazerski with the sign and yeah that was

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Speaker 2: And by the way, that's the famous with mister Takahashi

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Speaker 2: and it was the first big one.

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Speaker 1: Yeah. I love that scene where he just says, you

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Speaker 1: have big mouthed wife. Okay, So we start the episode, Brian,

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Speaker 1: what are you doing noise every time?

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Speaker 3: Oh my god, I'm just I'm moving furniture. I mean,

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Speaker 3: what's the problem.

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Speaker 2: You have no idea?

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Speaker 1: Okay, okay, right, So you know we were discussing the

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Speaker 1: last week or the week before, Jeff about how sometimes

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Speaker 1: the sound gets all fucked up and we have to

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Speaker 1: redo it because of the sound Exhibit A. Brian Gordon's

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Speaker 1: fucking up the sound.

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Speaker 2: But thank god, we're not going to have to redo this.

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Speaker 1: No, we're not. So we start out with we see

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Speaker 1: Larry David and David Shwimmer now is playing the part

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Speaker 1: of Leo, and we see them rehearsing in their black

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Speaker 1: hats and they're dancing and Patrick the what was his

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Speaker 1: name as the choreographer was Steven. I believe Patrick is

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Speaker 1: the actor's name. Steven is the choreactor. He said to Larry, Larry,

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Speaker 1: you've been doing your homework.

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Speaker 4: I am all astonish man.

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Speaker 1: It is fantastic, fierce, absolutely.

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Speaker 5: Yes, yes, it was really fairs, really fierce.

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Speaker 1: You are fierce doing your homework. You are so fierce.

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Speaker 1: And David Swimmers like, what about me and the pod deray?

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Speaker 1: I have no idea what a pod deray is? Whatsoever?

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Speaker 3: Jeff would know, right, Jeff with if.

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Speaker 2: Anyone would know, if anyone would know, it's Susie because

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Speaker 2: she's a big Broadway person and her sister is a producer.

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Speaker 1: I was with a very famous ballet dancer yesterday and

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Speaker 1: I should have asked him, but I will ask him tomorrow.

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Speaker 3: When the pod deray is Yes, Well, the fierce thing

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Speaker 3: was was really the beginning of and then you know,

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Speaker 3: we shot this in two thousand and five? Was it?

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Speaker 3: And Larry taking on a persona of being gay, right,

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Speaker 3: which was okay? You know, and then you put it

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Speaker 3: to twenty twelve and you question whether how would he

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Speaker 3: do it today?

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Speaker 1: I think he would do it the same.

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Speaker 3: I think you're right.

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Speaker 2: But the truth is the reason it works is obviously

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Speaker 2: it's funny, but he's embracing the culture. Yes, he's embracing

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Speaker 2: the culture. It's not him commenting or being mean spirited.

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Speaker 2: But you know what's lost nowadays with people who are

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Speaker 2: easily offended, who don't have sense of humor nuance, so

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Speaker 2: they just see black and white and say you can't

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Speaker 2: do that. It's difficult. Comedy's a little bit more difficult now.

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Speaker 1: Well. I don't think Larry really cares or listens to

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Speaker 1: the political correctness. Thus the beauty of this show.

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Speaker 2: And by the way, that part of the popularity of

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Speaker 2: the show is all types of people love it for

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Speaker 2: its lack of political correctness.

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Speaker 1: So he goes through this whole thing with Schwimmer about

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Speaker 1: the pod day and Larry system, if you want to

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Speaker 1: do extra work, and Swimmer says he can't because he's

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Speaker 1: meeting his father, and we find out that his father

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Speaker 1: is the creator and maker of health Glow Nuts, and

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Speaker 1: Larry right away I have ideas about mixed nuts, so

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Speaker 1: I why not put a pecan with a blueberry or

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Speaker 1: a dried cherry with a filbert, which later on that

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Speaker 1: goes to last season's episode about the mini bar, and

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Speaker 1: you know, all this stuff.

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Speaker 3: He loves, loves bags of nuts, he.

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Speaker 1: Loves bags of nuts and trail mix, and he wants

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Speaker 1: to pitch to David Swimmer's dad, and David says, yes,

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Speaker 1: stay in your own elements. So already we see Larry's

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Speaker 1: creating problems with Schwimmer as he did with Ben Stiller. Yes,

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Speaker 1: and Larry and Steven the choreographer go to get a

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Speaker 1: snack and we see Larry what we were discussing doing

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Speaker 1: all Stevens extremely gay mannerisms, fierce and the way he's

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Speaker 1: using his hands, and it's hilarious.

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Speaker 4: You and David are so good together.

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Speaker 2: Love him, oh god, love that ch mystery together. It's fierce,

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Speaker 2: absolutely fierce, totally fierce, so much better than Ben.

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Speaker 4: Don't you think that was so bosso?

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Speaker 3: Yeah, he had that kind of entitled attitude.

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Speaker 2: I don't care for it at all, totally.

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Speaker 3: I know.

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Speaker 1: Hilarious, It is fucking hilarious.

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Speaker 2: One thing that Larry does is great. He says to

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Speaker 2: the whats then the piano player, too bad, you can't see.

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Speaker 2: He says to Michael, too bad you can't see. And

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Speaker 2: that is so wildly inappropriate but hilarious, and it's a

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Speaker 2: real relationship. See, that's why that one works because it's

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Speaker 2: a real relationship, and Michael has taken advantage of Larry

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Speaker 2: in earlier relationships.

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Speaker 1: Totally taking advantage of it exactly. I mean almost on

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Speaker 1: an abusive level. Michael's almost abusive to Leally, I know, yes.

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Speaker 1: And then Steven the choreographer brings up his friend Anthony,

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Speaker 1: who's a doctor who's gorgeous and who just broke up

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Speaker 1: with his boyfriend. So Larry then sees a bag of

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Speaker 1: the health glow nuts.

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Speaker 2: Wait wait, wait, wait, wait, you're passing your passing?

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Speaker 1: What what did I passed on?

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Speaker 6: Pirate's booty, pirates booty, Pirate's.

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Speaker 4: Booty, embarrassing his topet. No, I can't have Pirate's booty. No,

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Speaker 4: but you can have a pair.

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Speaker 2: First off, my favorite all time snack and just him

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Speaker 2: singing a song holding up Pirate's booty. I'm sure I

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Speaker 2: went up to him after we shot that and went

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Speaker 2: that stays in. I'm sure because I do that to him.

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Speaker 2: I always say to him, and I think I've said

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Speaker 2: on the show before, I will wrestle you if you

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Speaker 2: don't keep that in the show because it's such a

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Speaker 2: thing of beauty and that I love the little moments

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Speaker 2: that have nothing to do with story. They're completely absurd,

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Speaker 2: but that's my sense of humor. But still, god, damn,

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Speaker 2: I love that. Okay, keep going.

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Speaker 1: I didn't even notice the Pirate's booty.

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Speaker 2: Well that you're not looking.

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Speaker 3: You're not looking, and I know that that that that

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Speaker 3: Larry loved Pirate's booty, and his kids love Pirate's booty.

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Speaker 1: By the way, mine too, booty is and we later

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Speaker 1: on somewhere else's Pirate's booty. Oh, I know what it was.

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Speaker 1: It was the scene in season eleven where Kelly Cuoco,

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Speaker 1: however you say her name drops the Pirate's booty, right right, right, right.

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Speaker 2: Right right right, by the way, Pirate's booty best snack

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Speaker 2: for comedy, just say.

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Speaker 3: Well, you know, it's interesting how sharp the humor is

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Speaker 3: on this show. And everything means something, and I think

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Speaker 3: the audience got to learn even story when you sort

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Speaker 3: of you don't say any If you say something, it

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Speaker 3: has something to do with something.

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Speaker 2: Yeah, you would not. The Pirate's booty did. By the way,

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Speaker 2: the show works, And now you pay attention to the

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Speaker 2: first five to seven minutes, everything's laid out for you. Now,

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Speaker 2: Larry David is brilliant, so he knows how to push

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Speaker 2: the dominoes to where they end up. And you go, oh,

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Speaker 2: but everything you need to know is in the first

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Speaker 2: five to seven minutes. If you want to use kerb

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Speaker 2: as a mystery.

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Speaker 3: That's true. Yeah, very true.

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Speaker 1: So Larry sees the health Glow Nuts in the store

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Speaker 1: and he notices there's only four cashews. The cashew raise

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Speaker 1: and balance is a skew. And this is a typical

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Speaker 1: Larry thing to notice and to be upset about. And

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Speaker 1: next he's in his office, walks in singing, and Antwinette

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Speaker 1: is like, hey, Broadway, and Larry starts talking about it.

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Speaker 2: On hold, on, hold on a couple things. Number one,

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Speaker 2: what's his name? The choreographer agrees with him, So Larry,

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Speaker 2: Larry is not proved.

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Speaker 1: Wrong about the clow nuts. You may yes.

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Speaker 2: And then I wrote story though, oh, I have filmed

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Speaker 2: so many times. In that story, I filmed the movie

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Speaker 2: called I Want Someone to Eat Cheese With in that store.

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Speaker 2: I forgot what else I shot got one other thing,

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Speaker 2: but three things. It's on Callfax and the church across

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Speaker 2: the street is where you have lunch. I'm just saying

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Speaker 2: that's the way It works because the church lets cruise

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Speaker 2: park there and such. That's how a church makes extra money.

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Speaker 2: And that little gross re marked was in my movie.

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Speaker 2: Was in the show and something else I shot there.

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Speaker 2: I can't remember right now, all right, Brian, I do

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Speaker 2: fun facts that are fun for me.

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Speaker 3: Here's another fun fact for me is that David Swimmer

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Speaker 3: I directed him on The Wonder Years fourteen years before

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Speaker 3: that where he was It.

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Speaker 2: Was the boy's friend, wasn't he? He was the boy.

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Speaker 3: Olivia Olivia Diabo's boyfriend on The Wonder Years at the

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Speaker 3: Sportsman's Club. How about that one? Yes and.

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Speaker 1: Yes, yes, And I'll give you a fun fact about

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Speaker 1: David Swimmer. I actually played his mother in a pilot.

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Speaker 1: I'm not that much older than him, but I played

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Speaker 1: his mother.

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Speaker 2: I did that once too. I was in movie with

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Speaker 2: what the hell's her name? Oh, Christen Christy fuck anyhow,

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Speaker 2: I played her father the movie before. She played Steve

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Speaker 2: Carell's girlfriend in the movie and Steve Carell and I

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Speaker 2: are at the same exact age.

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Speaker 1: Well, that's like Anne Bankrupt, you know, in the graduate

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Speaker 1: of Justin Hoffmann. What was she like three years older

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Speaker 1: than him? Yes, the magic of filmmaking will be right back.

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Speaker 1: Stay tuned, and we're back. So Larry also mentions to

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Speaker 1: Antoinette that David Swimmer is fierce. So he's using that word,

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Speaker 1: he's owning that word. And Antona got Larry a gift

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Speaker 1: of a picture frame. And in the picture frame, when

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Speaker 1: you buy a picture frame.

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Speaker 2: Frequently, Karen Knightley, Karen Knightley.

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Speaker 1: Karen Knightley, thank you, brain dam But frequently when you

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Speaker 1: buy a picture frame, there is a fake picture in

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Speaker 1: the picture frame. So he's planning on putting a new picture,

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Speaker 1: but he hadn't yet, so there's a picture of a

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Speaker 1: very handsome young man in the picture frame.

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Speaker 2: Okay, I want to just give a little aside here. Yes,

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Speaker 2: when I was younger, and this is gonna be a

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Speaker 2: weird one, I used to collect picture frames and keep

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Speaker 2: the wrong picture in there, keep the picture that came

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Speaker 2: with it.

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Speaker 1: The original picture.

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Speaker 2: And I remember an aunt who I They had one

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Speaker 2: of those cubes, Remember the picture cubes. There's a picture

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Speaker 2: on everything. Yeah, and you know she was older and

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Speaker 2: I must have been like ten or eleven, and all

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Speaker 2: the pictures that were in there, I discussed with her

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Speaker 2: as if they were family's members. Here's the twins. Here's this,

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Speaker 2: here's that. My parents laughed, but they were very angry

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Speaker 2: at me.

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Speaker 1: It's borderline means Jeff well, no.

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Speaker 2: No, no, it is mean. Yeah, but as a ten year old,

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Speaker 2: it's jew Nile as opposed to if I did it

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Speaker 2: now would be terrible. E.

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Speaker 1: So then the dental hygienis.

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Speaker 3: You ignore me.

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Speaker 2: You ignore me quite often, but I've never gotten the.

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Speaker 1: Delilah calls the dental HYGIENI is from the episode before,

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Speaker 1: and she says, let's get together, and she says, you

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Speaker 1: gave me the tongue sign in the episode prior, so.

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Speaker 2: You were right by the way last when we discussed

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Speaker 2: that episode. I thought she can't do that, but yes

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Speaker 2: she did.

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Speaker 1: And he's like, why do you want to go out

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Speaker 1: with me? And she's like, she says, he reminds him

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Speaker 1: of her history teacher or whoever she says, and he says,

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Speaker 1: in a buncular was your history teacher? Or in avuncular

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Speaker 1: bold jew? And then Patrick comes in the office because

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Speaker 1: Larry left his Stephen, Stephen the choreographer.

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Speaker 3: Yeah, excuse me, just before that, I mean the backstory

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Speaker 3: of it is that he went to a dentist.

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Speaker 5: We just discussed that in the episode we talked we

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Speaker 5: did that episode.

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Speaker 2: But I also think that when the choreographer comes in,

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Speaker 2: I mean, who brings a script across town? I got

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Speaker 2: the feeling that he was developing a crush on Larry.

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Speaker 2: Do we do that later, because it certainly felt like that.

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Speaker 1: No, No, it's really what it's well, we'll see towards

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Speaker 1: the end of this what happens.

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Speaker 2: Yeah, I know, I know with the picture, and then

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Speaker 2: he sees, yeah, the picture serves see all right, here's

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Speaker 2: but we'll hold on though, hold on though the purpose

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Speaker 2: he Sometimes people have to come into places where it

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Speaker 2: might not make sense, like under normal circumstances, if someone

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Speaker 2: brought a script like that, you might think they have

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Speaker 2: a crush on them. But I realize now it's because

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Speaker 2: he looks at the picture.

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Speaker 1: Correct and thinks that Larry has a boy. Steve Stephen

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Speaker 1: comes in to give Larry the script that he left

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Speaker 1: at the rehearsal hall, and and we don't know that

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Speaker 1: it's Crosstown necessarily, whatever it is.

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Speaker 2: It's next door. It's in the office base.

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Speaker 1: And the door yea. And he sees the framed picture

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Speaker 1: sitting on Larry's desk, with the handsome young man in

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Speaker 1: the photograph, and we see Stephen looking at it and

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Speaker 1: noting it, noting that, oh, he's got a picture of

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Speaker 1: a man on his desk. Hmmm, do do do doo? Okay,

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Speaker 1: So next we're in the locker room at the golf

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Speaker 1: club and he tells you that you're all set up.

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Speaker 1: He's all set up with Delilah the dental hygienist for

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Speaker 1: next Thursday.

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Speaker 4: Did I do this? Is it wrong?

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Speaker 2: You're never getting another opportunity like this for the rest

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Speaker 2: of your life. You have to do this. It's a

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Speaker 2: gift from your wife. She wants you to do it.

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Speaker 4: It's my tenth anniversary pressent.

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Speaker 2: It's your tenth anniversary present. You have to do it.

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Speaker 4: Oh, I hope I can do it. She's fierce.

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Speaker 2: Okay, at first I thought it was my imagination. But

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Speaker 2: you're talking really gay? No, no, no, really fierce. Where

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Speaker 2: does fears come from? And everything is this?

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Speaker 3: And that?

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Speaker 2: You know?

338
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Speaker 3: What do you think?

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Speaker 4: Steve's choreographer says it all the.

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Speaker 1: Time, Steve, You've spent a lot of time with him.

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Speaker 4: I probably picked up some of his manners some all.

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Speaker 2: You're him, you're him, You're Steve the gay choreographer. Okay,

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Speaker 2: there's nothing really about that in the script. That's the

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Speaker 2: stuff that I do that makes Larry laugh is when

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Speaker 2: I question him about anything that he's doing that is

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Speaker 2: out of the ordinary, or for that matter, sometimes at

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Speaker 2: the moment he doesn't think is out of the ordinary,

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Speaker 2: and then I pull him into reality. And this was

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Speaker 2: one of the ones where I killed him because I

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Speaker 2: asked him very specific questions and had very specific opinions

351
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Speaker 2: about it. And that's one of my favorite type of

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Speaker 2: scenes to do with Larry.

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Speaker 1: And then Jeff goes into a whole thing. They discuss

354
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Speaker 1: Stephen the choreographer, who's fierce, and.

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Speaker 3: That was really a terrific scene.

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Speaker 1: Yeah, it was a great scene. And Jeff points out

357
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Speaker 1: Larry's locker's open, and his locker is filthy, it's disgusting.

358
00:19:00,960 --> 00:19:03,719
Speaker 1: He's just got crap in there and it's a mess.

359
00:19:03,880 --> 00:19:07,040
Speaker 1: And then Norm comes in Paul Mazerski and notices. We

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00:19:07,119 --> 00:19:11,000
Speaker 1: see Norm notice the locker and something comes up about

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Speaker 1: Marty and Norm says, well, tells them that Leo Funkhouser,

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Speaker 1: Marty's father died. Hodgkins at Lars I thought he had

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Speaker 1: the good Hodgkins, like in Party of five, that's brilliant.

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00:19:22,840 --> 00:19:29,080
Speaker 2: Well, actually he should have said non Hodgkins, if that's corrected. No,

365
00:19:29,160 --> 00:19:33,040
Speaker 2: but he's said Hodgkins. And then Larry says, I thought

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Speaker 2: he had the good Hodgkins right, But maybe Paul the

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Speaker 2: way I took it where you can throw it is

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Speaker 2: that Paul was just in general saying Hodgkins right.

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Speaker 3: Can I just say something on the Paul? Okay, I will,

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Speaker 3: but I just want to say I'm sure all of

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Speaker 3: you have felt this on KURR because at that time

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Speaker 3: it was a season three or four? What was that

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Speaker 3: season four?

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Speaker 1: It's the season four, the.

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Speaker 3: Four to four. Yes, that we the ball rolling and

376
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Speaker 3: getting unbelievable actors to play this play on curb. Just

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00:20:06,960 --> 00:20:10,359
Speaker 3: it just you know, it just fell into our lapse

378
00:20:10,800 --> 00:20:13,760
Speaker 3: in such a great way. And here, I mean I

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Speaker 3: must say that, you know the Missouri the Scor says,

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Speaker 3: he thing, you know, directing Scurse of Marty. He hit

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Speaker 3: his mark.

382
00:20:21,160 --> 00:20:25,159
Speaker 1: You know as a director, Brian, is that intimidating to

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Speaker 1: be directing other directors?

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Speaker 3: Well, I gotta tell you something, but let me just

385
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Speaker 3: go back to Scor says, because he was nervous and

386
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Speaker 3: the reason he was nervous. And he told me, he says,

387
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Speaker 3: I have done things as an actor, but as an

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Speaker 3: improv actor no, And he was sort of you know.

389
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Speaker 3: And so when he when when he was he began

390
00:20:45,000 --> 00:20:49,520
Speaker 3: working on those seeds with Larry and everyone, he said

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Speaker 3: this is this I'm a little and I said, fine, well,

392
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Speaker 3: you know everything's going to be good, that kind of thing.

393
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Speaker 3: But I was telling him that, you know, it's all

394
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Speaker 3: going to be good, wonderful. And as far as what

395
00:21:04,040 --> 00:21:08,800
Speaker 3: Jeff was saying about Paul is that there is he

396
00:21:08,880 --> 00:21:13,439
Speaker 3: played his character as a stern guy so well. But

397
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Speaker 3: you were saying, Jeff that he was in some ways

398
00:21:16,440 --> 00:21:18,800
Speaker 3: he that he hit the mark with that character so

399
00:21:18,920 --> 00:21:20,320
Speaker 3: well in it's part of mark.

400
00:21:20,680 --> 00:21:22,879
Speaker 2: But also I'm not going to say he was a

401
00:21:22,880 --> 00:21:26,120
Speaker 2: complex man because he was not a complex I mean,

402
00:21:26,480 --> 00:21:32,000
Speaker 2: he was so lovely and so funny, hysterical, but he

403
00:21:32,080 --> 00:21:35,680
Speaker 2: could be, like Larry, a bit of a curmudget abit

404
00:21:36,600 --> 00:21:40,920
Speaker 2: missanthrow and he did not suffer fools. Bob Einstein same

405
00:21:40,960 --> 00:21:44,320
Speaker 2: way did not suffer fools. So he went into full

406
00:21:44,880 --> 00:21:48,720
Speaker 2: not suffer fools mode. That's where he was. And I

407
00:21:48,840 --> 00:21:54,080
Speaker 2: recognized it. Yes, yeah, yes, I mentioned to him in

408
00:21:54,080 --> 00:21:57,960
Speaker 2: that last scene after good Hotchkins, Bad Hotchkins, I tell

409
00:21:58,040 --> 00:22:01,840
Speaker 2: him I wouldn't go on my high Houchkin's information based

410
00:22:01,880 --> 00:22:05,159
Speaker 2: on party of five, correct, which is important to the

411
00:22:05,200 --> 00:22:05,680
Speaker 2: next thing.

412
00:22:05,880 --> 00:22:08,679
Speaker 1: Right, And then what do you call Sven? What is

413
00:22:08,720 --> 00:22:10,680
Speaker 1: that in the golf club? What do you call him?

414
00:22:10,680 --> 00:22:11,320
Speaker 1: The starter?

415
00:22:11,800 --> 00:22:12,040
Speaker 2: No?

416
00:22:12,280 --> 00:22:12,399
Speaker 1: He?

417
00:22:13,160 --> 00:22:16,480
Speaker 2: How do I fucking know you? Playing nine?

418
00:22:16,760 --> 00:22:17,080
Speaker 4: All right?

419
00:22:17,119 --> 00:22:20,040
Speaker 1: Whatever you bring up? Then we're all ask Jimmy when

420
00:22:20,080 --> 00:22:23,200
Speaker 1: we get off. Then we're with the venn who Larry

421
00:22:23,240 --> 00:22:25,679
Speaker 1: assumes is Swedish, but he's not. He's Norwegian and he

422
00:22:25,760 --> 00:22:26,800
Speaker 1: takes umbrage at that.

423
00:22:27,400 --> 00:22:29,600
Speaker 2: Thank you, Sven, welcome?

424
00:22:29,720 --> 00:22:32,080
Speaker 4: All right? What is that? Is that Swedish?

425
00:22:32,200 --> 00:22:33,080
Speaker 2: Sven?

426
00:22:33,240 --> 00:22:34,040
Speaker 4: It's Norwegian?

427
00:22:37,320 --> 00:22:40,640
Speaker 6: I'm sorry, I thought I thought then was a Swedish name.

428
00:22:40,760 --> 00:22:41,040
Speaker 2: It's not.

429
00:22:41,359 --> 00:22:42,399
Speaker 4: So I don't look Swedish, do I.

430
00:22:43,720 --> 00:22:53,720
Speaker 7: It's a big difference, apparently, what's the difference mask culture, looks, names, history, food, Okay, okay, sorry.

431
00:22:53,440 --> 00:22:54,080
Speaker 2: Honest mistake.

432
00:22:55,200 --> 00:22:58,119
Speaker 1: And you know which, I didn't know that the Scandinavians.

433
00:22:58,119 --> 00:22:59,840
Speaker 1: I learned this from alec Burg. I don't know if

434
00:23:00,080 --> 00:23:03,040
Speaker 1: it was No. He was not on this season. They

435
00:23:03,040 --> 00:23:07,919
Speaker 1: came on season five. Yeah, but but ali Bert Si

436
00:23:10,240 --> 00:23:13,119
Speaker 1: who became one of our executive producers and directors and

437
00:23:13,119 --> 00:23:15,920
Speaker 1: who also did Silicon Valley and Barry and et cetera,

438
00:23:15,920 --> 00:23:20,040
Speaker 1: et cetera. He told me that because he's Norwegian, I believe,

439
00:23:20,200 --> 00:23:23,320
Speaker 1: but that the Scandinavians are very insulted. If you assume

440
00:23:23,359 --> 00:23:25,639
Speaker 1: one is Swedish and one is Danish, and they have

441
00:23:26,080 --> 00:23:28,480
Speaker 1: like this, the Sweets think the Danes are dirty, or

442
00:23:28,520 --> 00:23:31,320
Speaker 1: the Danes think the Norwegians are stupid or what. There's

443
00:23:31,359 --> 00:23:32,879
Speaker 1: a lot of competition between.

444
00:23:32,640 --> 00:23:35,560
Speaker 3: The fun of each other.

445
00:23:35,760 --> 00:23:40,040
Speaker 1: Absolutely, And next thing we know, Larry comes to rehearsal

446
00:23:40,119 --> 00:23:42,240
Speaker 1: in a suit because he has to go to the funeral,

447
00:23:42,400 --> 00:23:46,480
Speaker 1: Leo Funkous's funeral, and he tells David Swimmer that he

448
00:23:46,520 --> 00:23:49,320
Speaker 1: was in a grocery store and he saw his dad's

449
00:23:49,320 --> 00:23:52,240
Speaker 1: glow whatever that's called. What is it called again, health

450
00:23:52,240 --> 00:23:55,880
Speaker 1: glow nuts health, and that the cashow to Raisin. He's

451
00:23:55,920 --> 00:23:58,200
Speaker 1: skimping on the cashews, he tells David Swimmer.

452
00:23:58,359 --> 00:23:59,240
Speaker 4: I mean they're very.

453
00:23:59,119 --> 00:24:01,720
Speaker 6: Good, the delicious, but you know, would killed him to

454
00:24:01,720 --> 00:24:03,080
Speaker 6: put three more cash in there?

455
00:24:03,280 --> 00:24:06,240
Speaker 8: It is, I mean the cashews are expensive. First of all,

456
00:24:06,880 --> 00:24:11,480
Speaker 8: there's a you know, there's a shortage right now. Yes,

457
00:24:12,240 --> 00:24:15,000
Speaker 8: it's for the last several actually the last several years.

458
00:24:14,920 --> 00:24:16,160
Speaker 4: I've read about a cash show.

459
00:24:16,240 --> 00:24:18,200
Speaker 8: Well, that's because you're not in the industry.

460
00:24:18,359 --> 00:24:20,399
Speaker 6: Can I give him a little piece of advice, please?

461
00:24:21,640 --> 00:24:25,760
Speaker 6: I would call it raisins and then let people be

462
00:24:25,840 --> 00:24:27,120
Speaker 6: surprised by the Cashews.

463
00:24:27,680 --> 00:24:30,040
Speaker 1: And David gets a little upset about this, there's a

464
00:24:30,080 --> 00:24:31,080
Speaker 1: Cashew shortage.

465
00:24:31,240 --> 00:24:34,840
Speaker 2: Well, by the way, you know, it's obvious that he's

466
00:24:34,920 --> 00:24:36,760
Speaker 2: lying about the Cashew shortage.

467
00:24:36,960 --> 00:24:41,280
Speaker 1: Oh yeah, yeah, And Larry says they should call it

468
00:24:41,400 --> 00:24:44,120
Speaker 1: raisins and then be surprised by a couple of cashs.

469
00:24:44,200 --> 00:24:47,679
Speaker 1: He always has good ideas. Larry always has good ideas,

470
00:24:47,680 --> 00:24:50,240
Speaker 1: he really does. And he says, give me three more cashews,

471
00:24:50,280 --> 00:24:51,200
Speaker 1: I'd be a happy man.

472
00:24:54,119 --> 00:24:55,560
Speaker 3: Yeah.

473
00:24:55,880 --> 00:24:58,959
Speaker 1: Next we're at the funeral and Larry tells Jeff that

474
00:24:59,040 --> 00:25:01,920
Speaker 1: he got a letter from the club that he's being

475
00:25:02,040 --> 00:25:04,879
Speaker 1: put on probation for having a dirty locker and it

476
00:25:04,920 --> 00:25:07,560
Speaker 1: was norm who told on him, who snitched on him,

477
00:25:07,560 --> 00:25:10,840
Speaker 1: little tattletale. And during the whole thing, Larry is eating

478
00:25:10,840 --> 00:25:14,560
Speaker 1: his from his health glow bag and complaining not enough cashews.

479
00:25:14,640 --> 00:25:17,479
Speaker 1: Jeff says, it's not enough cashews. It's a whole problem.

480
00:25:17,520 --> 00:25:20,440
Speaker 1: And then he confronts Norm and he tells them about

481
00:25:20,440 --> 00:25:23,400
Speaker 1: the letter, and Norm says they don't like dirty lockers

482
00:25:23,440 --> 00:25:26,120
Speaker 1: and they have a staredown. Norman Lowry, Oh, here's one I.

483
00:25:26,040 --> 00:25:28,639
Speaker 2: Want to say about the stare down because I don't

484
00:25:28,680 --> 00:25:32,520
Speaker 2: want to gloss over this. There was that episode with

485
00:25:32,600 --> 00:25:36,160
Speaker 2: a lot of staredowns that we had talked about this. Yeah,

486
00:25:36,200 --> 00:25:39,560
Speaker 2: but there's two big things besides Larry David's you know,

487
00:25:39,960 --> 00:25:44,040
Speaker 2: great writing. The two things about it are number one,

488
00:25:44,280 --> 00:25:47,520
Speaker 2: the characters actually laugh at each other, which you don't

489
00:25:47,560 --> 00:25:50,880
Speaker 2: see that on shows. You know, It's like someone will

490
00:25:50,920 --> 00:25:54,360
Speaker 2: say something funny, audiences laugh, but none of the other

491
00:25:54,440 --> 00:25:59,600
Speaker 2: actors react. That's your typical comedy and that's not on

492
00:25:59,640 --> 00:26:03,399
Speaker 2: the show. And also, unlike other shows, I was on

493
00:26:03,440 --> 00:26:08,000
Speaker 2: the show where it was always faster, faster, faster, and

494
00:26:08,080 --> 00:26:11,560
Speaker 2: I couldn't actually act because it was like a machine

495
00:26:11,600 --> 00:26:15,959
Speaker 2: gun thing. And we really take our time. That stare

496
00:26:16,440 --> 00:26:21,560
Speaker 2: is just taking its time. Everything has its you know,

497
00:26:21,760 --> 00:26:25,320
Speaker 2: space to live. And that's what I when I that

498
00:26:25,440 --> 00:26:28,800
Speaker 2: occurred to me as I'm watching that scene the Great Do.

499
00:26:28,680 --> 00:26:32,120
Speaker 3: You remember the first first staredown was the first.

500
00:26:31,920 --> 00:26:35,679
Speaker 2: Stair down, Susie, you corrected me. I thought it was

501
00:26:35,680 --> 00:26:39,119
Speaker 2: in that episode.

502
00:26:38,040 --> 00:26:40,080
Speaker 1: You know, I don't remember now, but we discussed it

503
00:26:40,119 --> 00:26:42,040
Speaker 1: when it happened that it was the first stair down.

504
00:26:42,080 --> 00:26:44,639
Speaker 1: It was in prior seasons. It was not in this season.

505
00:26:45,000 --> 00:26:48,240
Speaker 3: Yes, and I and I must must admit I when

506
00:26:48,280 --> 00:26:52,639
Speaker 3: I saw the first staredown, I wondered, it's just going

507
00:26:52,720 --> 00:26:57,240
Speaker 3: to work, and I wait.

508
00:26:57,119 --> 00:27:01,280
Speaker 2: On the set. Here's the thing. I'm never quite enjoyed

509
00:27:01,320 --> 00:27:03,480
Speaker 2: the staredown on the set.

510
00:27:05,160 --> 00:27:08,800
Speaker 3: Right, And then when it went on the air, people

511
00:27:08,920 --> 00:27:12,840
Speaker 3: started to me doing the stairdown and.

512
00:27:13,160 --> 00:27:15,560
Speaker 2: We caught on like wildfires.

513
00:27:14,920 --> 00:27:17,719
Speaker 3: And they caught on and it was like, yeah, and

514
00:27:17,760 --> 00:27:19,920
Speaker 3: I think it was mentioned on a television show. I

515
00:27:19,960 --> 00:27:23,120
Speaker 3: mean it was like a late night show. They started doing.

516
00:27:23,000 --> 00:27:26,480
Speaker 1: Like this, and it being you became a thing.

517
00:27:26,880 --> 00:27:29,640
Speaker 2: Yeah, And I never thought when I was watching it.

518
00:27:29,600 --> 00:27:33,840
Speaker 1: On and pretty pretty pretty yeah. Yeah, we'll be right back,

519
00:27:34,000 --> 00:27:48,760
Speaker 1: stay tuned. Okay, we're back. So then there's an open coffin,

520
00:27:48,800 --> 00:27:51,400
Speaker 1: which I found very odd at a Jewish funeral.

521
00:27:51,520 --> 00:27:55,119
Speaker 2: Well hold on, hold on, you're going past him going

522
00:27:55,200 --> 00:28:00,000
Speaker 2: down the line, which is terribly awkward of the Funkhauser family.

523
00:28:00,840 --> 00:28:03,040
Speaker 1: Well, yeah, but no, no, I'm not. That's I have

524
00:28:03,160 --> 00:28:05,960
Speaker 1: that next. Okay, I have that next. But first they

525
00:28:06,000 --> 00:28:07,560
Speaker 1: show the open coffin.

526
00:28:07,440 --> 00:28:09,800
Speaker 2: Which, by the way, is not a Jewish thing.

527
00:28:10,040 --> 00:28:12,000
Speaker 1: No, that's what I just said. I have never seen

528
00:28:12,000 --> 00:28:14,080
Speaker 1: that at a Jewish have either of you?

529
00:28:14,160 --> 00:28:16,520
Speaker 2: You've never been to a funeral with an open cast?

530
00:28:16,600 --> 00:28:17,160
Speaker 1: No, neither.

531
00:28:17,920 --> 00:28:21,040
Speaker 3: Just and I know we're into specifics here on the show,

532
00:28:21,760 --> 00:28:24,880
Speaker 3: but that you let go.

533
00:28:27,119 --> 00:28:27,880
Speaker 1: Story purpose.

534
00:28:29,040 --> 00:28:31,760
Speaker 2: By the way, story thing has to serve the story,

535
00:28:31,960 --> 00:28:35,760
Speaker 2: that's all. At Second City, a second City they taught

536
00:28:35,840 --> 00:28:39,160
Speaker 2: us serve the scene, yes, don't say anything that's not

537
00:28:39,320 --> 00:28:40,400
Speaker 2: serving the scene.

538
00:28:40,560 --> 00:28:43,120
Speaker 3: Yes. And can I just say, in the evolution of

539
00:28:43,160 --> 00:28:48,160
Speaker 3: this show, yamaka's start to go away in various episodes.

540
00:28:48,440 --> 00:28:52,640
Speaker 2: Really yes, Well, by the way, there's a key yamica episode,

541
00:28:52,880 --> 00:28:55,800
Speaker 2: Palistinian Chicken exactly. Yeah.

542
00:28:55,840 --> 00:28:57,920
Speaker 1: Well, we had the yamaka in a couple of episodes

543
00:28:57,960 --> 00:29:00,959
Speaker 1: ago with Boris, the Russian guy who Larry accused him

544
00:29:00,960 --> 00:29:03,440
Speaker 1: of wearing the yamula to cover his bald spot, right,

545
00:29:03,960 --> 00:29:07,040
Speaker 1: which was not true. And then he goes through the

546
00:29:07,120 --> 00:29:10,960
Speaker 1: you know, the receiving line and we see Saul funk

547
00:29:11,040 --> 00:29:16,440
Speaker 1: Kowser and Marty and Marty's wife, which over the years

548
00:29:16,600 --> 00:29:19,240
Speaker 1: we were never sure if her name was Nan or Anne,

549
00:29:19,240 --> 00:29:20,360
Speaker 1: and I think we changed it.

550
00:29:20,880 --> 00:29:24,600
Speaker 2: No, no, No, in real life it was the character

551
00:29:24,760 --> 00:29:25,360
Speaker 2: was Nan.

552
00:29:25,720 --> 00:29:28,200
Speaker 1: But frequently we'd call her Anne. We would mess it

553
00:29:28,280 --> 00:29:35,160
Speaker 1: up all the time, Anne Ryerson, Second City.

554
00:29:35,400 --> 00:29:40,520
Speaker 3: I actually think she was in the committee, the.

555
00:29:40,320 --> 00:29:42,280
Speaker 2: I don't know, the San Francisco one. No, I don't

556
00:29:42,320 --> 00:29:45,480
Speaker 2: think she was. No, I don't. I don't think, Brian,

557
00:29:45,880 --> 00:29:47,920
Speaker 2: I'm not going to say I know. I don't.

558
00:29:47,960 --> 00:29:49,400
Speaker 3: I thought she was. Maybe she's not.

559
00:29:49,960 --> 00:29:51,880
Speaker 1: What was Tell me what was the committee? I don't

560
00:29:51,880 --> 00:29:52,120
Speaker 1: even know.

561
00:29:52,240 --> 00:29:54,960
Speaker 2: It was a group out of San Francisco. Oh, no,

562
00:29:55,440 --> 00:29:58,120
Speaker 2: she was in the committee. I'm thinking of the one

563
00:29:58,480 --> 00:30:01,360
Speaker 2: out of San Francisco, you know, the committee she was

564
00:30:01,520 --> 00:30:01,880
Speaker 2: part of.

565
00:30:02,000 --> 00:30:03,400
Speaker 3: Wonderful, I think so.

566
00:30:03,880 --> 00:30:06,680
Speaker 2: But what was the one in San Francisco with Fred Willard?

567
00:30:07,040 --> 00:30:08,960
Speaker 2: Which one was that? You know, I'm talking about Fred

568
00:30:09,000 --> 00:30:12,200
Speaker 2: Willard and the group of it was like.

569
00:30:12,200 --> 00:30:14,480
Speaker 3: Four guys trucking company.

570
00:30:14,920 --> 00:30:17,080
Speaker 2: No, it wasn't. There was a lot of groups in

571
00:30:17,120 --> 00:30:20,880
Speaker 2: the seventies who had record contracts and I had them all,

572
00:30:21,040 --> 00:30:24,000
Speaker 2: you know. But yeah, the committee, she might have been

573
00:30:24,040 --> 00:30:24,880
Speaker 2: part of the committee.

574
00:30:24,920 --> 00:30:28,600
Speaker 1: I'm hessman Hessman was his name, Howard Hessman. Howard Hessman,

575
00:30:28,640 --> 00:30:33,440
Speaker 1: I remember because Esmond Hessman. That's how I always remembered it.

576
00:30:33,800 --> 00:30:36,080
Speaker 1: I think about Anne Ryerson, you know.

577
00:30:36,120 --> 00:30:40,400
Speaker 2: That's how I remember George Carland's name, of course, Garland carl. Yeah,

578
00:30:40,400 --> 00:30:43,200
Speaker 2: that's how I think. I never could remember that fella's name.

579
00:30:43,440 --> 00:30:49,120
Speaker 1: But Richard Richard Lewis always calls Jeff Jeff. Garland always

580
00:30:49,160 --> 00:30:50,640
Speaker 1: refersd TOI as Jeff Garland.

581
00:30:51,080 --> 00:30:52,440
Speaker 2: I don't know if you know he's doing that to

582
00:30:52,520 --> 00:30:54,720
Speaker 2: mock me, well, because he does know my name.

583
00:30:54,920 --> 00:30:57,760
Speaker 1: So the thing about Anne was we never gave her

584
00:30:57,800 --> 00:31:00,680
Speaker 1: a lot to do. She was always just I think.

585
00:31:00,520 --> 00:31:02,880
Speaker 2: Towards the end she didn't really want to show up.

586
00:31:03,480 --> 00:31:06,800
Speaker 2: Because when you work with Bob, it's about Bob, which

587
00:31:06,880 --> 00:31:07,920
Speaker 2: I loved.

588
00:31:07,720 --> 00:31:10,880
Speaker 1: And I will say this, Bob wasn't always gracious to her.

589
00:31:11,200 --> 00:31:12,920
Speaker 2: I don't think he was ever creationous.

590
00:31:13,040 --> 00:31:13,840
Speaker 1: No, he wasn't.

591
00:31:13,920 --> 00:31:18,800
Speaker 2: That's part of Bob's magic, and I'm not saying that sarcastic.

592
00:31:18,280 --> 00:31:20,920
Speaker 1: Speaking of Bob. So Larry then is on the receiving

593
00:31:21,000 --> 00:31:24,640
Speaker 1: line and Larry asks Marty for the weatherman's tip.

594
00:31:25,520 --> 00:31:30,840
Speaker 7: Very sorry, sorry that, good dad. Thanks Lorry, that's a

595
00:31:30,880 --> 00:31:36,720
Speaker 7: good man. He was a great man. They've looked like golf.

596
00:31:36,680 --> 00:31:43,520
Speaker 4: Sometime when you're feel better, feel up to it. I

597
00:31:43,520 --> 00:31:45,160
Speaker 4: don't want to give me that weather Man's tip.

598
00:31:45,000 --> 00:31:45,200
Speaker 1: You know.

599
00:31:48,280 --> 00:31:50,640
Speaker 2: Right now I'm in mourning. No, I'm not saying that.

600
00:31:50,640 --> 00:31:53,480
Speaker 4: What's some other time we'll talk about it.

601
00:31:54,520 --> 00:31:55,000
Speaker 1: Do it.

602
00:31:57,640 --> 00:32:01,719
Speaker 2: Before that. It's the first real I mean, it's one

603
00:32:01,760 --> 00:32:04,840
Speaker 2: of those moments that the minute it comes out of

604
00:32:04,920 --> 00:32:08,760
Speaker 2: Bob's mouth, that's funny, and it's so simple. Larry looks

605
00:32:08,800 --> 00:32:11,400
Speaker 2: at him and goes, he was a good man, and Bob,

606
00:32:11,440 --> 00:32:14,640
Speaker 2: with not even taking a beat, he was a great man.

607
00:32:15,400 --> 00:32:18,680
Speaker 2: And it's just so funny. You wouldn't think an exchange

608
00:32:18,840 --> 00:32:21,360
Speaker 2: like that would be funny. And the way he says

609
00:32:21,440 --> 00:32:24,960
Speaker 2: great man, and the look on his face tremendous. And

610
00:32:25,000 --> 00:32:27,480
Speaker 2: by the way, if you think Larry, you know the

611
00:32:27,480 --> 00:32:30,440
Speaker 2: way he laughed where he like explodes and tries not

612
00:32:30,600 --> 00:32:33,880
Speaker 2: to laugh. The minute Bob said great man, Larry lost it.

613
00:32:34,240 --> 00:32:37,560
Speaker 1: And then Larry sees Jeff Rosenthal, who was a writer

614
00:32:37,680 --> 00:32:40,280
Speaker 1: on Party of Five, and here's his chance.

615
00:32:40,520 --> 00:32:44,080
Speaker 2: Well, by the way, Jeff Rosenthal in real life was

616
00:32:44,200 --> 00:32:46,280
Speaker 2: actually a writer and it performed.

617
00:32:47,000 --> 00:32:50,160
Speaker 1: No, he never worked on part okay, and this is

618
00:32:50,200 --> 00:32:53,040
Speaker 1: where he gets to go ask about the Hotchkins and

619
00:32:53,080 --> 00:32:55,800
Speaker 1: he's like, remember when Charlie had Hotchkins, didn't he have

620
00:32:55,880 --> 00:32:59,120
Speaker 1: the good Hotchkins? And then he's explained, is Hotchkins is

621
00:32:59,160 --> 00:33:01,840
Speaker 1: non Hodgkins love foma. It's better, but it's not good.

622
00:33:02,240 --> 00:33:04,680
Speaker 1: And I think this is all very confusing. And then

623
00:33:04,800 --> 00:33:07,440
Speaker 1: Larry goes over to the coffin and what does he see?

624
00:33:07,920 --> 00:33:11,440
Speaker 2: Hold on? Just to clarify something, because it's really clarified

625
00:33:11,440 --> 00:33:15,360
Speaker 2: in this scene. Hodgkins is if there is, it's the

626
00:33:15,480 --> 00:33:20,600
Speaker 2: better Hodgkins because there's a higher survival rate. Correct, non Hodgkins.

627
00:33:21,040 --> 00:33:22,280
Speaker 1: Non Hodgkins lymphoma.

628
00:33:22,560 --> 00:33:25,600
Speaker 2: pH lymphoma is a big ball of fuck bad.

629
00:33:26,120 --> 00:33:28,760
Speaker 1: Yeah, but the good Hotchkins isn't so good either.

630
00:33:29,120 --> 00:33:32,560
Speaker 2: No, no, no, it's better Hodgkins. That's what he's saying, is better.

631
00:33:33,000 --> 00:33:35,800
Speaker 2: And by the way, when Larry comes to the coffin

632
00:33:35,840 --> 00:33:39,280
Speaker 2: and tells me about it, I also say not good

633
00:33:39,480 --> 00:33:40,960
Speaker 2: better like that, you know.

634
00:33:41,160 --> 00:33:44,600
Speaker 1: Yeah, yeah. And then Larry looks at the coffin and

635
00:33:44,640 --> 00:33:49,760
Speaker 1: he sees Leo Funkhouser is holding a golf club. It's

636
00:33:49,800 --> 00:33:51,240
Speaker 1: a five wood, and Larry notices.

637
00:33:51,640 --> 00:33:54,720
Speaker 2: By the way, Brian, the way you shot that up

638
00:33:54,800 --> 00:33:59,200
Speaker 2: at Larry's face looking was great because as an audience,

639
00:33:59,320 --> 00:34:01,120
Speaker 2: the way he's look looking, in the way the shots

640
00:34:01,160 --> 00:34:05,480
Speaker 2: set up, you have no fucking clue what's about to happen.

641
00:34:05,640 --> 00:34:08,520
Speaker 2: You don't have any clue. No, And that was a

642
00:34:08,520 --> 00:34:09,120
Speaker 2: great shot.

643
00:34:09,600 --> 00:34:13,480
Speaker 1: And we see that it's Larry's five wood in the

644
00:34:13,520 --> 00:34:15,920
Speaker 1: coffin that he's holding and he's going to be buried

645
00:34:15,960 --> 00:34:19,600
Speaker 1: with it, and Larry makes the assumption that's been put

646
00:34:19,680 --> 00:34:21,840
Speaker 1: Larry's club in there because he was pissed off that

647
00:34:21,880 --> 00:34:25,120
Speaker 1: he calls VNN Swedish, not Norwegian. So to get back

648
00:34:25,160 --> 00:34:27,160
Speaker 1: at him, he took his five wood and he put

649
00:34:27,200 --> 00:34:30,320
Speaker 1: it in the coffin, and Larry's apoplectic about it. It's

650
00:34:30,400 --> 00:34:33,720
Speaker 1: not replaceable, it's ten years old. He wants that five

651
00:34:33,719 --> 00:34:36,800
Speaker 1: wood back, and it's kind of unconscionable that he should

652
00:34:36,840 --> 00:34:39,319
Speaker 1: be buried with Larry's five wood. It's not right.

653
00:34:39,800 --> 00:34:42,759
Speaker 2: Who gives a shit? Leave well enough alone. You lose

654
00:34:42,800 --> 00:34:44,919
Speaker 2: the guy died, you lose the five wood.

655
00:34:45,040 --> 00:34:46,720
Speaker 1: Well not according to mister David.

656
00:34:46,920 --> 00:34:49,640
Speaker 2: No, but that's what the show need exactly.

657
00:34:49,719 --> 00:34:51,960
Speaker 1: Then he asks you, he asked Jeff, you got your

658
00:34:51,960 --> 00:34:54,839
Speaker 1: clubs in your car, in your trunk, And Jeff's like, yeah,

659
00:34:54,880 --> 00:34:56,759
Speaker 1: but I'm not giving him. I like the feel, you

660
00:34:56,880 --> 00:34:59,120
Speaker 1: like the feel, but yours can be replaced. You can

661
00:34:59,120 --> 00:35:01,600
Speaker 1: get your club any where. And Larry says, I'll buy

662
00:35:01,640 --> 00:35:03,960
Speaker 1: it for you today, and then they're at the car.

663
00:35:04,200 --> 00:35:06,400
Speaker 1: They're getting Jeff's club. Then they go back to the

664
00:35:06,400 --> 00:35:08,080
Speaker 1: funeral and Jeff stands watch.

665
00:35:10,600 --> 00:35:11,880
Speaker 2: I was just eight.

666
00:35:12,719 --> 00:35:17,560
Speaker 3: Yeah. Yeah. One of my favorite visual scenes is Jeff

667
00:35:17,600 --> 00:35:20,880
Speaker 3: and Larry walking back in with Larry with his stiff

668
00:35:21,000 --> 00:35:23,799
Speaker 3: leg with the with the club.

669
00:35:24,200 --> 00:35:26,440
Speaker 1: But he's got the club down his leg, down his.

670
00:35:26,440 --> 00:35:29,640
Speaker 2: Leg well, by the way, the tone starts at the trunk, Yes,

671
00:35:29,760 --> 00:35:33,000
Speaker 2: at the trunk, we're looking very serious. I even put

672
00:35:33,040 --> 00:35:36,920
Speaker 2: my arm up to block anyone seeing the club. And

673
00:35:36,960 --> 00:35:40,840
Speaker 2: then you continue with the limp in There was the

674
00:35:40,880 --> 00:35:44,200
Speaker 2: second limp I think the episode before this, he's limping

675
00:35:45,120 --> 00:35:48,040
Speaker 2: and the weatherman he's limping, yes, because he fell on

676
00:35:48,120 --> 00:35:48,640
Speaker 2: the toilet.

677
00:35:48,840 --> 00:35:52,600
Speaker 3: And then even when you go into by the coffin,

678
00:35:53,160 --> 00:35:56,640
Speaker 3: when you are guarding the coffin, Jeff in a way

679
00:35:56,760 --> 00:35:59,840
Speaker 3: that you know this is real, this is serious. You

680
00:36:00,080 --> 00:36:04,439
Speaker 3: turn your back to the camera. It's like you're you're

681
00:36:04,480 --> 00:36:07,480
Speaker 3: you're maintaining you know, you're you're like Mossau.

682
00:36:07,600 --> 00:36:11,080
Speaker 1: He's on the lookout. Yeah, he's on the lookout.

683
00:36:11,160 --> 00:36:12,920
Speaker 2: And Larry fighting with his hands.

684
00:36:13,560 --> 00:36:16,480
Speaker 1: Yeah, really well, he said, riga mortis already he's trying

685
00:36:16,480 --> 00:36:18,560
Speaker 1: to pry the golf club out of Leo's hands.

686
00:36:18,600 --> 00:36:19,720
Speaker 3: His hands are so tight.

687
00:36:19,960 --> 00:36:22,600
Speaker 1: Yeah, and he finally gets it and he replaces the

688
00:36:22,640 --> 00:36:26,200
Speaker 1: golf club, Jeff's golf club into Leo's hand and takes

689
00:36:26,200 --> 00:36:29,040
Speaker 1: his own and puts it back down his leg. And

690
00:36:29,080 --> 00:36:31,560
Speaker 1: then we cut to Saul Is giving a eulogy for

691
00:36:31,640 --> 00:36:34,200
Speaker 1: his uncle Leo. And I love this eulogy.

692
00:36:34,719 --> 00:36:34,960
Speaker 4: You know.

693
00:36:35,120 --> 00:36:37,799
Speaker 1: He he loved a good walk. He like you see

694
00:36:37,840 --> 00:36:39,799
Speaker 1: this man as as dull as could be. You know,

695
00:36:40,239 --> 00:36:43,759
Speaker 1: he liked Jeopardy. He liked ginger Ale. If anybody says

696
00:36:43,760 --> 00:36:45,200
Speaker 1: in theology.

697
00:36:44,640 --> 00:36:48,640
Speaker 2: She likes Saul, I got to give him credit. He

698
00:36:48,719 --> 00:36:51,839
Speaker 2: had the greatest the part of that, the couplet, that's

699
00:36:51,920 --> 00:36:55,759
Speaker 2: beautiful me. I wrote it down. He loved ginger Ale.

700
00:36:56,280 --> 00:37:00,440
Speaker 2: A nice with the fizz, yes, A nice with the fizz.

701
00:37:02,000 --> 00:37:05,160
Speaker 2: Well that's very Jerry Lewis, you know, A nice with

702
00:37:05,239 --> 00:37:07,719
Speaker 2: the fizz, because Jerry used to leave words out, but

703
00:37:07,760 --> 00:37:09,680
Speaker 2: you knew what he was saying. But when he said

704
00:37:09,680 --> 00:37:11,200
Speaker 2: a nice with the fizz, I love that.

705
00:37:11,640 --> 00:37:14,719
Speaker 1: He loved a nap, He loved Jeopardy, I mean the

706
00:37:14,760 --> 00:37:17,120
Speaker 1: most simplistic things.

707
00:37:17,160 --> 00:37:19,720
Speaker 2: But what was it he did every Tuesday? I forgot

708
00:37:19,840 --> 00:37:20,600
Speaker 2: that's really good.

709
00:37:20,719 --> 00:37:21,960
Speaker 1: Yeah, oh yeah, I forgot that.

710
00:37:22,520 --> 00:37:25,480
Speaker 3: There was one moment when Larry was sitting there with Jeff,

711
00:37:26,040 --> 00:37:28,759
Speaker 3: is that the guy had dandruff in front of him?

712
00:37:28,840 --> 00:37:31,600
Speaker 2: Yes, oh got cut right, I remember that.

713
00:37:31,719 --> 00:37:33,960
Speaker 3: And that was just the one little moment, and you

714
00:37:34,000 --> 00:37:37,080
Speaker 3: guys your faces were like, oh my god, this is horrible.

715
00:37:37,320 --> 00:37:42,399
Speaker 2: Well, of course didn't serve the show. No, see it later, alligator,

716
00:37:42,719 --> 00:37:43,480
Speaker 2: you know, right?

717
00:37:43,680 --> 00:37:45,880
Speaker 1: And then wait, who goes over to the casket? Is

718
00:37:45,920 --> 00:37:50,840
Speaker 1: it Marty or is it Soul? Over to the casket

719
00:37:50,920 --> 00:37:53,800
Speaker 1: and he says, is this is five wood? Somebody switched

720
00:37:53,840 --> 00:37:57,799
Speaker 1: the five wood? And Marty picks up a cashew, and

721
00:37:57,960 --> 00:38:01,720
Speaker 1: from the back of the room in the audience, Norm

722
00:38:01,840 --> 00:38:04,480
Speaker 1: gets up and says, is that a cashew? Because he

723
00:38:04,600 --> 00:38:06,080
Speaker 1: saw Larry eating.

724
00:38:07,400 --> 00:38:07,760
Speaker 2: Susie.

725
00:38:07,800 --> 00:38:10,240
Speaker 1: You just played Larry Susie.

726
00:38:10,280 --> 00:38:15,640
Speaker 2: You played it like yourself. The way Paul plays it

727
00:38:15,680 --> 00:38:19,960
Speaker 2: is like, excuse me, is that a cashu and then

728
00:38:20,239 --> 00:38:23,920
Speaker 2: it starts, but he does it in an inquisitive way.

729
00:38:24,520 --> 00:38:27,160
Speaker 2: No one would have any idea why he's asking that.

730
00:38:27,600 --> 00:38:31,800
Speaker 1: Right, and everyone stares at Larry and then we cut

731
00:38:31,960 --> 00:38:34,480
Speaker 1: to our house. One of my favorite scenes.

732
00:38:34,760 --> 00:38:37,279
Speaker 2: Well, let's take a step back here. What was the

733
00:38:37,360 --> 00:38:40,920
Speaker 2: episode that we just had or it's the one before

734
00:38:40,960 --> 00:38:44,360
Speaker 2: where Larry can't stand up because of his back.

735
00:38:44,840 --> 00:38:45,920
Speaker 1: Yes, that was.

736
00:38:46,040 --> 00:38:48,440
Speaker 2: And remember I was talking about how it bothered me

737
00:38:48,840 --> 00:38:51,320
Speaker 2: even when we were filming it that all the people

738
00:38:51,360 --> 00:38:54,000
Speaker 2: from the far side of the room to the next

739
00:38:54,040 --> 00:38:58,279
Speaker 2: table began yelling at him and caused chaos, and how

740
00:38:58,320 --> 00:39:02,880
Speaker 2: it made me nuts. What's beautiful about this scene the

741
00:39:02,880 --> 00:39:06,200
Speaker 2: way Brian directed it. Everyone just gives them a dirty look,

742
00:39:06,400 --> 00:39:09,800
Speaker 2: which is the way it would be played dirty looks,

743
00:39:09,880 --> 00:39:12,880
Speaker 2: and you're feeling Larry's the pressure and if there's ever

744
00:39:12,960 --> 00:39:16,840
Speaker 2: any excitement, it's in the look on Larry's face of

745
00:39:16,920 --> 00:39:20,720
Speaker 2: everyone staring at him. That's the action of the scene.

746
00:39:20,800 --> 00:39:24,680
Speaker 2: All the staring sets up Larry to be Oh, I'm

747
00:39:24,760 --> 00:39:27,560
Speaker 2: really fucked and I'm horrified a little lesson.

748
00:39:30,760 --> 00:39:33,680
Speaker 3: This is one of my favorite scenes period me too, uh,

749
00:39:33,800 --> 00:39:37,480
Speaker 3: And I will always say it only because Jeff and

750
00:39:37,600 --> 00:39:40,720
Speaker 3: Larry are backed up in their chair, in their seat

751
00:39:41,440 --> 00:39:48,440
Speaker 3: is with such they the strength of Susie is really

752
00:39:48,440 --> 00:39:52,160
Speaker 3: it's so fucking powerful. It's I mean, they can they're

753
00:39:52,480 --> 00:39:54,560
Speaker 3: trolling in their seats.

754
00:39:54,800 --> 00:39:57,800
Speaker 9: The truth of the matter is Cheryl cares about that club.

755
00:39:58,040 --> 00:40:00,399
Speaker 9: I care about that club. Sammy goes to. They can't

756
00:40:00,400 --> 00:40:02,320
Speaker 9: there with the same kids she's been with for years.

757
00:40:02,400 --> 00:40:04,800
Speaker 9: And you two don't give a shit about anybody but yourself.

758
00:40:04,840 --> 00:40:06,040
Speaker 9: You're a fucking narcissist.

759
00:40:06,160 --> 00:40:10,240
Speaker 3: Okay, you are powerful, thank you, and you've been called

760
00:40:10,280 --> 00:40:10,719
Speaker 3: on the car.

761
00:40:10,840 --> 00:40:13,440
Speaker 1: I'm pissed off. I'm pissed off, and they're all sitting

762
00:40:13,440 --> 00:40:14,879
Speaker 1: and I'm standing, which you know.

763
00:40:15,040 --> 00:40:19,279
Speaker 2: Yeah, by the way. The problem also is she's completely right.

764
00:40:19,719 --> 00:40:22,040
Speaker 2: There's nothing in this that she's wrong.

765
00:40:22,160 --> 00:40:26,239
Speaker 1: She's right, well, yes, absolutely as usual, and you know

766
00:40:26,560 --> 00:40:28,839
Speaker 1: the club had your name on it, and what kind

767
00:40:28,880 --> 00:40:32,080
Speaker 1: of fucking idiot are you? And where's Cheryl gonna play tennis?

768
00:40:32,360 --> 00:40:34,520
Speaker 1: And then Larry comes up she's not that Because I

769
00:40:34,560 --> 00:40:36,880
Speaker 1: start carrying on what a great tennis player Cheryl is.

770
00:40:37,000 --> 00:40:38,880
Speaker 1: Larry's like, she's not that good, and I'm just like,

771
00:40:38,960 --> 00:40:42,080
Speaker 1: it's all a big fucking game to you. Too, and

772
00:40:42,440 --> 00:40:45,000
Speaker 1: Larry starts carrying on the five what was irreplaceable? He

773
00:40:45,000 --> 00:40:48,160
Speaker 1: starts to justify, and then Cheryl comes up with, well,

774
00:40:48,160 --> 00:40:51,880
Speaker 1: the Beverly Park Country Club is accepting new members, and

775
00:40:51,920 --> 00:40:54,359
Speaker 1: I'm like, no, there's like three fucking Jews in that

776
00:40:54,400 --> 00:40:58,120
Speaker 1: whole place. It's not gonna work. And it's wasp city.

777
00:40:58,719 --> 00:41:00,759
Speaker 1: And Larry's like, how am I even going to pass

778
00:41:00,800 --> 00:41:03,000
Speaker 1: the interview, to which I said, in exactly this jew

779
00:41:03,040 --> 00:41:06,520
Speaker 1: face over here, which is a line that Jeff, you'll

780
00:41:06,520 --> 00:41:09,600
Speaker 1: appreciate this. That's what I used to call Carrie Hoffman.

781
00:41:10,000 --> 00:41:14,239
Speaker 1: That's where, Yes, Carrie Hoffman owned stand up New York

782
00:41:14,239 --> 00:41:15,960
Speaker 1: and New York. Yes, And I used to call him

783
00:41:16,040 --> 00:41:21,040
Speaker 1: jew face because he had the I'm there and I

784
00:41:21,760 --> 00:41:24,880
Speaker 1: stole from myself in this scene, as we all steal

785
00:41:24,920 --> 00:41:30,360
Speaker 1: from ourselves all the time. We'll be right back, stay tuned,

786
00:41:40,800 --> 00:41:44,400
Speaker 1: and we're back. This jew face would stick out like

787
00:41:44,440 --> 00:41:46,960
Speaker 1: a sore thumb. And then he starts fighting with me,

788
00:41:47,040 --> 00:41:49,319
Speaker 1: I'm more gentilely than you, and I love that that

789
00:41:49,400 --> 00:41:52,759
Speaker 1: whole take, and then Larry mentions that he'd have to

790
00:41:52,800 --> 00:41:55,479
Speaker 1: walk at this golf course unless he had a doctor's note,

791
00:41:55,520 --> 00:41:57,920
Speaker 1: and to which I go into wouldn't hurt you to

792
00:41:57,960 --> 00:42:01,120
Speaker 1: exercise a little bit, Jeff? And then Larry gets up.

793
00:42:01,239 --> 00:42:03,760
Speaker 2: By the way, a line Larry says in this scene

794
00:42:03,880 --> 00:42:07,080
Speaker 2: is I don't know any doctors.

795
00:42:07,440 --> 00:42:09,319
Speaker 1: I don't know any doctors. I don't know.

796
00:42:09,280 --> 00:42:11,320
Speaker 2: Any doctors, which is so absurd.

797
00:42:11,719 --> 00:42:14,200
Speaker 1: That's right, because all he does is go to doctors.

798
00:42:14,200 --> 00:42:17,359
Speaker 1: We have scenes in doctor's offices all the time, and dentists.

799
00:42:17,600 --> 00:42:19,800
Speaker 1: And then Larry gets up to go to the bathroom

800
00:42:19,800 --> 00:42:21,840
Speaker 1: and Oscar is lying on the floor in the bathroom

801
00:42:22,120 --> 00:42:24,040
Speaker 1: and he won't get up. Larry asks him to get up,

802
00:42:24,040 --> 00:42:26,040
Speaker 1: he won't get up, and then what happens.

803
00:42:26,400 --> 00:42:28,000
Speaker 2: Oscar bites his wiener.

804
00:42:28,040 --> 00:42:32,200
Speaker 3: Oscar And then there's actually there's a callback whether should

805
00:42:32,239 --> 00:42:35,080
Speaker 3: I sit down or should I?

806
00:42:35,160 --> 00:42:41,080
Speaker 1: Yes, in past episodes previous episode he is peeing sitting down, he.

807
00:42:41,160 --> 00:42:43,320
Speaker 3: Covers himself so wonderfully.

808
00:42:43,640 --> 00:42:46,920
Speaker 1: Yes, you know, yeah, he's always got the whole you know, the.

809
00:42:46,960 --> 00:42:47,680
Speaker 3: Art, whole thing on.

810
00:42:47,960 --> 00:42:50,680
Speaker 1: Yes, he comes running out of the bathroom with his

811
00:42:51,200 --> 00:42:55,759
Speaker 1: skinny little legs and his pants around his ankles, hold crossed.

812
00:42:55,800 --> 00:42:58,919
Speaker 2: Hold on there they're tidy Whiteyes, which is what makes

813
00:42:58,920 --> 00:42:59,880
Speaker 2: it even more funny.

814
00:43:00,120 --> 00:43:02,799
Speaker 3: I always kid him about that he's ahead of his

815
00:43:02,880 --> 00:43:08,279
Speaker 3: time in terms of showing tidy weddies on screen. Absolutely, yeah,

816
00:43:08,360 --> 00:43:09,840
Speaker 3: I mean you know it's.

817
00:43:09,719 --> 00:43:13,320
Speaker 2: Like, yeah, Brian Cranston did it on Malcolm in the Middle.

818
00:43:13,440 --> 00:43:16,759
Speaker 2: Malcolm in the Middle, he wore his tidy whites on there,

819
00:43:16,920 --> 00:43:19,239
Speaker 2: and of course he wore him on Breaking Bad.

820
00:43:20,200 --> 00:43:21,759
Speaker 3: Well, that's specific.

821
00:43:21,960 --> 00:43:25,800
Speaker 2: And then I wore them on TV not too much later,

822
00:43:26,400 --> 00:43:29,920
Speaker 2: and I remember calling Brian Gordon and I said, can

823
00:43:30,000 --> 00:43:31,239
Speaker 2: I recover from this?

824
00:43:33,200 --> 00:43:37,960
Speaker 1: And as you did the Brian Cranston episode in season nine,

825
00:43:37,960 --> 00:43:39,040
Speaker 1: if I recall.

826
00:43:39,200 --> 00:43:43,560
Speaker 3: Yes, but yes, yes, but you were you did one

827
00:43:43,680 --> 00:43:47,400
Speaker 3: with your whities on in the bed. I remember that, Jeff,

828
00:43:47,440 --> 00:43:48,799
Speaker 3: what episode was that?

829
00:43:49,680 --> 00:43:52,000
Speaker 2: I don't know what was I doing in bed?

830
00:43:52,239 --> 00:43:54,280
Speaker 1: We'll come to it, yes, see when we get.

831
00:43:54,160 --> 00:43:56,080
Speaker 3: There, you remember, yes, okay.

832
00:43:56,560 --> 00:44:00,279
Speaker 1: And then we're in the er waiting room and you know,

833
00:44:00,360 --> 00:44:02,640
Speaker 1: Larry's carrying on that dog should be put to sleep,

834
00:44:03,239 --> 00:44:05,319
Speaker 1: and Jeff says, it's not the first time with you

835
00:44:05,400 --> 00:44:08,839
Speaker 1: and that dog, because prior I thought the dog had

836
00:44:08,840 --> 00:44:11,759
Speaker 1: given Larry an erection. Jeff even says he put the

837
00:44:11,760 --> 00:44:13,520
Speaker 1: dog it got in an erection. He tells Cheryl and

838
00:44:13,560 --> 00:44:15,520
Speaker 1: Susie saw it and He's like, I was pettying the

839
00:44:15,560 --> 00:44:18,479
Speaker 1: dog and I was just adjusting my pants. And Cheryl says,

840
00:44:18,560 --> 00:44:20,480
Speaker 1: is that why Ted didn't want you to take care

841
00:44:20,480 --> 00:44:22,920
Speaker 1: of his dog? This is all from the prior episode.

842
00:44:23,160 --> 00:44:26,600
Speaker 1: And then the doctor comes in clearly, Gay, I know.

843
00:44:26,520 --> 00:44:29,520
Speaker 2: That I forgot the name of the actor, which.

844
00:44:29,320 --> 00:44:31,680
Speaker 3: Also William Ragsdale.

845
00:44:32,320 --> 00:44:37,400
Speaker 2: William Ragsdale who was on a TV show called The Head,

846
00:44:38,040 --> 00:44:42,360
Speaker 2: Herman's Head, but he was in a movie that holds

847
00:44:42,440 --> 00:44:47,320
Speaker 2: up and is great called Fright Night. Fright Night is

848
00:44:47,680 --> 00:44:51,680
Speaker 2: just the greatest, and so if you can pick that up.

849
00:44:51,560 --> 00:44:53,720
Speaker 1: On a network scary, A lot of it.

850
00:44:53,600 --> 00:44:55,400
Speaker 2: Is scary, but it's a comedy.

851
00:44:55,800 --> 00:44:57,359
Speaker 1: I can't watch it now.

852
00:44:57,440 --> 00:45:00,319
Speaker 2: You could it, Believe me, you could watch it about

853
00:45:00,360 --> 00:45:04,960
Speaker 2: a vampire who moves next door and has eyes for

854
00:45:05,120 --> 00:45:06,479
Speaker 2: William Ragsdale's mother.

855
00:45:07,080 --> 00:45:10,560
Speaker 1: Let's leave it at that, okay. So then Larry is

856
00:45:10,600 --> 00:45:13,680
Speaker 1: in the examination room with the doctor and he tells

857
00:45:13,719 --> 00:45:16,560
Speaker 1: the doctor very reluctantly, a dog.

858
00:45:18,040 --> 00:45:18,840
Speaker 4: A dog, but.

859
00:45:20,800 --> 00:45:31,920
Speaker 2: My penis a dog picture penis okay, Well that sounds painful. Sorry.

860
00:45:32,440 --> 00:45:35,040
Speaker 1: Then we find out that Larry David is Larry David

861
00:45:35,080 --> 00:45:38,520
Speaker 1: and the doctor is Steve the choreographer's best friend.

862
00:45:39,040 --> 00:45:42,560
Speaker 3: I love the shot in that where Larry is absorbing

863
00:45:43,040 --> 00:45:51,280
Speaker 3: in realizing the story. Yes, he's realized. The doctor is Evan, Yes, absolutely.

864
00:45:50,680 --> 00:45:53,560
Speaker 1: And the guy just broke up with his partner exactly.

865
00:45:53,840 --> 00:45:58,240
Speaker 1: And we get the sense that Stephen told Evan about

866
00:45:58,320 --> 00:46:01,759
Speaker 1: Larry and the framed picture on his desk, because we

867
00:46:01,880 --> 00:46:04,439
Speaker 1: see that Evan might be a little interested in more

868
00:46:04,480 --> 00:46:07,160
Speaker 1: than just the penis bite. And Evan says to him,

869
00:46:07,200 --> 00:46:11,120
Speaker 1: all right, give me, mister baggy, which is like whatever.

870
00:46:11,880 --> 00:46:14,920
Speaker 1: So now we are at one of my favorite scenes

871
00:46:14,960 --> 00:46:18,400
Speaker 1: of all time, and this is Larry and Cheryl's interview

872
00:46:18,440 --> 00:46:22,160
Speaker 1: at Beverly Park with Ken Howard and James Sicking.

873
00:46:22,280 --> 00:46:25,120
Speaker 2: And let let me tell you a story about Ken Howard. Yes,

874
00:46:25,200 --> 00:46:28,560
Speaker 2: he and I were i'll say acquaintances. We became friends.

875
00:46:29,239 --> 00:46:31,960
Speaker 2: He was the president of the Screen Actors Guilt correctly,

876
00:46:32,040 --> 00:46:35,680
Speaker 2: and they wanted to make it sag after after was

877
00:46:35,719 --> 00:46:38,200
Speaker 2: against it. Some people and SAG were against it. But

878
00:46:38,320 --> 00:46:42,160
Speaker 2: the only way that the actors of which I was one,

879
00:46:42,560 --> 00:46:46,680
Speaker 2: could deal with the studios was at one unified unit.

880
00:46:46,960 --> 00:46:49,759
Speaker 2: Because if you remember, if it shot on video, it's

881
00:46:49,800 --> 00:46:53,800
Speaker 2: after shot on film, it's SAG. But as everything became

882
00:46:53,920 --> 00:46:57,040
Speaker 2: digital for the most part, they had to do it.

883
00:46:57,120 --> 00:46:59,239
Speaker 2: So he said to me out of nowhere, one day

884
00:46:59,280 --> 00:47:02,480
Speaker 2: he called me a thing. He said, look, I need

885
00:47:02,520 --> 00:47:06,640
Speaker 2: a favor and I said what. He goes, I need

886
00:47:06,680 --> 00:47:10,200
Speaker 2: this sag Affra thing to pass. I assume you're for it.

887
00:47:10,280 --> 00:47:12,480
Speaker 2: You have the merge. I said, I'm absolutely for it.

888
00:47:12,480 --> 00:47:14,960
Speaker 2: It has to He goes, will you run for the

889
00:47:15,080 --> 00:47:18,880
Speaker 2: national board for sag And when I won, he pulls

890
00:47:18,960 --> 00:47:22,480
Speaker 2: me aside and he says, it's not just helping to

891
00:47:22,520 --> 00:47:26,719
Speaker 2: get this passed. I want you to be funny and

892
00:47:27,160 --> 00:47:30,400
Speaker 2: say whatever's on your mind. At any point, go up

893
00:47:30,440 --> 00:47:33,880
Speaker 2: and ask, because there's a microphone up front, ask absurd questions.

894
00:47:34,200 --> 00:47:37,919
Speaker 2: Your job is to lighten the room because the room

895
00:47:37,920 --> 00:47:41,560
Speaker 2: gets really heavy. Now in the room, there was a

896
00:47:41,600 --> 00:47:45,440
Speaker 2: group of people who were very much against the merger,

897
00:47:45,920 --> 00:47:49,879
Speaker 2: and every time I did anything that was funny, the

898
00:47:49,920 --> 00:47:52,640
Speaker 2: anger on their face was almost like from a movie

899
00:47:52,760 --> 00:47:55,600
Speaker 2: of like the straight laced guy getting pissed off the

900
00:47:55,640 --> 00:47:59,520
Speaker 2: head of the university or whatever it was. And I

901
00:47:59,600 --> 00:48:02,560
Speaker 2: had a doing that. And by the way, from that,

902
00:48:02,560 --> 00:48:05,600
Speaker 2: that's where ken did you do the show before or after?

903
00:48:06,000 --> 00:48:08,200
Speaker 2: Never mind? I don't know what I'm talking about. But anyhow,

904
00:48:08,560 --> 00:48:11,080
Speaker 2: and by the way, one of my favorite shows when

905
00:48:11,120 --> 00:48:13,280
Speaker 2: I was in high school was The White Shadow.

906
00:48:13,000 --> 00:48:16,560
Speaker 1: Great Show and Thomas Jefferson in seventeen seventy six.

907
00:48:16,719 --> 00:48:20,680
Speaker 2: Yes, but that's more your speed. Yes, because it's a musical.

908
00:48:20,960 --> 00:48:22,680
Speaker 2: I like the one about basketball.

909
00:48:22,760 --> 00:48:26,560
Speaker 1: And you know who played his wife was blythe Danner. Oh,

910
00:48:26,560 --> 00:48:30,480
Speaker 1: blythe Danner seventeen seventy six. Jeff already talked about his

911
00:48:30,560 --> 00:48:33,640
Speaker 1: relationship with Ken Howard and it's Larry pretending to be

912
00:48:33,719 --> 00:48:36,000
Speaker 1: a wasp basically, which is hilarious.

913
00:48:36,239 --> 00:48:39,799
Speaker 6: Could I ask you a few more questions about organizations

914
00:48:39,800 --> 00:48:40,560
Speaker 6: that you belong to?

915
00:48:41,080 --> 00:48:41,400
Speaker 2: Please?

916
00:48:41,400 --> 00:48:44,439
Speaker 4: Absolutely, goll I'm a moose, uh.

917
00:48:45,840 --> 00:48:48,000
Speaker 6: An a Elk, You're a moose and Elk, I'm a

918
00:48:48,040 --> 00:48:49,600
Speaker 6: moose elk extraordinary.

919
00:48:50,440 --> 00:48:54,400
Speaker 4: I'm in the Rotary Club. Yeah.

920
00:48:54,480 --> 00:48:57,360
Speaker 2: Why what other organizations are your members?

921
00:48:58,400 --> 00:49:01,880
Speaker 6: We're in the Council for Conservative Citizens, National Rights to

922
00:49:01,920 --> 00:49:04,320
Speaker 6: Life Committee, or in the Heritage Foundation.

923
00:49:05,400 --> 00:49:08,000
Speaker 1: What do you remember about this shooting this scene, Brian.

924
00:49:08,120 --> 00:49:13,520
Speaker 3: I remember laughing, but I also remember, uh the how

925
00:49:13,680 --> 00:49:18,200
Speaker 3: sharp it was, just in terms of the specifics of

926
00:49:18,480 --> 00:49:24,000
Speaker 3: Larry uh not only sailing and needing a captain occasionally

927
00:49:25,080 --> 00:49:28,160
Speaker 3: a board, but also he was a member of the

928
00:49:28,280 --> 00:49:32,960
Speaker 3: Rotary and he was a member of various conservative.

929
00:49:32,360 --> 00:49:40,400
Speaker 5: Hold one of those the references were so republican and

930
00:49:41,040 --> 00:49:43,080
Speaker 5: just openly republican.

931
00:49:44,200 --> 00:49:49,480
Speaker 2: Com he said, hold on republic very not not jewish

932
00:49:49,480 --> 00:49:52,640
Speaker 2: as not jewish as can be. And I love But

933
00:49:52,760 --> 00:49:56,319
Speaker 2: here's the thing. I don't think he improvised those. I

934
00:49:56,360 --> 00:49:59,960
Speaker 2: think he thought about them ahead of time and very prepared.

935
00:50:00,520 --> 00:50:04,759
Speaker 3: We put a list together of conservative groups that I.

936
00:50:04,640 --> 00:50:07,200
Speaker 1: Do remember, and that he and Cheryl met at a

937
00:50:07,239 --> 00:50:11,319
Speaker 1: Reagan fundraiser, and that Larry Polo is more of.

938
00:50:11,280 --> 00:50:15,760
Speaker 2: His game and he developed his golf swing exactly getting

939
00:50:15,840 --> 00:50:16,680
Speaker 2: hit in the head with.

940
00:50:16,680 --> 00:50:20,640
Speaker 1: A And I love how Jim sicking is like, well, yes,

941
00:50:20,760 --> 00:50:23,720
Speaker 1: it is quite a similar kind of a swing. And

942
00:50:23,960 --> 00:50:25,879
Speaker 1: they all just played so beautifully.

943
00:50:25,920 --> 00:50:30,360
Speaker 3: Oh well, and Cheryl saying they were more of a September, December,

944
00:50:30,520 --> 00:50:40,239
Speaker 3: December and October October. That was that was yes.

945
00:50:40,280 --> 00:50:43,320
Speaker 1: I mean, there's there's so much gold in this scene,

946
00:50:43,640 --> 00:50:46,120
Speaker 1: just little things like when Larry takes his glasses off

947
00:50:46,160 --> 00:50:48,560
Speaker 1: and and he puts the tip in his mouth. Yes,

948
00:50:48,640 --> 00:50:51,279
Speaker 1: and he's you know, thinking. There was just so many

949
00:50:51,320 --> 00:50:54,000
Speaker 1: little subtle things about this scene. Do you remember how

950
00:50:54,000 --> 00:50:55,960
Speaker 1: many times how many takes you did on this scene?

951
00:50:56,239 --> 00:50:59,120
Speaker 3: Not that many. I don't think we did that many,

952
00:50:59,200 --> 00:51:02,320
Speaker 3: only because I think we were. It was so sharp,

953
00:51:03,040 --> 00:51:05,399
Speaker 3: and maybe two or three at the top the top,

954
00:51:05,520 --> 00:51:09,560
Speaker 3: you know, just going through it, because I remember everybody

955
00:51:09,560 --> 00:51:13,280
Speaker 3: feeling so good about this. It really ran so well,

956
00:51:13,600 --> 00:51:17,040
Speaker 3: but the questioning of each one was so so dead

957
00:51:17,120 --> 00:51:18,279
Speaker 3: on how the two of.

958
00:51:18,160 --> 00:51:21,640
Speaker 1: You meet was I mean, and Larry saying, you know,

959
00:51:21,680 --> 00:51:24,719
Speaker 1: I think I noticed a log cabin Republican in the

960
00:51:24,760 --> 00:51:28,400
Speaker 1: parking lot. You know, just there's so many This scene

961
00:51:28,480 --> 00:51:32,200
Speaker 1: is hilarious and the elk moose. What's funnier than I'm

962
00:51:32,200 --> 00:51:36,960
Speaker 1: an elk and a moose and a moose. Yeah, And

963
00:51:37,000 --> 00:51:40,040
Speaker 1: then in the very end, it's all going very well

964
00:51:40,080 --> 00:51:41,960
Speaker 1: and you feel like they're going to be accepted, and

965
00:51:42,040 --> 00:51:46,080
Speaker 1: Larry brings up it gives them his doctor's note because

966
00:51:46,440 --> 00:51:49,040
Speaker 1: because of the polo accident that he was in he

967
00:51:49,080 --> 00:51:52,120
Speaker 1: could no longer walk the course. He needs a cart.

968
00:51:52,320 --> 00:51:56,200
Speaker 3: But therein lies the beauty of curb, which is called

969
00:51:56,239 --> 00:52:00,239
Speaker 3: back that was set up so early, and it it

970
00:52:00,320 --> 00:52:03,000
Speaker 3: was used and it was just it was perfect.

971
00:52:03,400 --> 00:52:06,400
Speaker 1: There's very few things that are that are left hanging.

972
00:52:06,440 --> 00:52:09,200
Speaker 1: There's very few things that are not used. And then,

973
00:52:09,239 --> 00:52:12,760
Speaker 1: of course the denu ma of the episode is Larry

974
00:52:12,840 --> 00:52:15,640
Speaker 1: is in his office where he calls Delilah, the dental

975
00:52:15,719 --> 00:52:18,560
Speaker 1: hygienis who is supposed to have an assignation.

976
00:52:18,080 --> 00:52:23,320
Speaker 4: With Hey, Delilah's Larry David. Hi, Larry, I'm sorry, but

977
00:52:24,040 --> 00:52:25,440
Speaker 4: I'm noting able to Mega tonight.

978
00:52:25,880 --> 00:52:32,000
Speaker 2: Why not a dog bit my penis? The end hangs

979
00:52:32,080 --> 00:52:35,640
Speaker 2: up very fun, by the way, because I'm always very

980
00:52:35,640 --> 00:52:39,160
Speaker 2: self conscious. I cannot. I mean, I'm yawning a lot.

981
00:52:39,600 --> 00:52:42,239
Speaker 2: And then I got very excited because I thought you

982
00:52:42,239 --> 00:52:45,080
Speaker 2: didn't have coffee this morning? He didn't sleep, all right,

983
00:52:45,360 --> 00:52:46,120
Speaker 2: I got that out.

984
00:52:46,200 --> 00:52:50,000
Speaker 1: Well, thank you Jeff for sharing. Brian. Any last words

985
00:52:50,040 --> 00:52:52,320
Speaker 1: about directing this episode.

986
00:52:51,840 --> 00:52:55,160
Speaker 3: Eighteen years ago. It was on eighteen years ago, and

987
00:52:55,920 --> 00:52:57,360
Speaker 3: it's as fresh as.

988
00:52:57,719 --> 00:53:01,400
Speaker 2: Today, by the way, for me too. I remember locations,

989
00:53:01,719 --> 00:53:05,279
Speaker 2: I remember where I was standing, like every that comes

990
00:53:05,320 --> 00:53:06,080
Speaker 2: flying back.

991
00:53:06,320 --> 00:53:09,880
Speaker 3: Yeah, And that is because I can remember other shows

992
00:53:09,920 --> 00:53:11,719
Speaker 3: I have done that I have no memory.

993
00:53:11,360 --> 00:53:15,080
Speaker 2: Of, you know, ild on hold on the Michael Richards

994
00:53:15,080 --> 00:53:19,600
Speaker 2: show that we did together. The only thing I remember

995
00:53:19,640 --> 00:53:23,439
Speaker 2: from that show what the sideburns Ryan.

996
00:53:23,640 --> 00:53:27,279
Speaker 1: I do believe also that this is the first time

997
00:53:27,320 --> 00:53:29,920
Speaker 1: you directed me, not the lasting.

998
00:53:30,000 --> 00:53:32,799
Speaker 3: If I may just ask you in terms of your

999
00:53:32,840 --> 00:53:35,520
Speaker 3: own wardrobe and what you go through to put it.

1000
00:53:35,640 --> 00:53:38,640
Speaker 3: You know, at that point in time, where were you

1001
00:53:38,719 --> 00:53:40,480
Speaker 3: in terms of you of your own design of how

1002
00:53:40,600 --> 00:53:41,560
Speaker 3: you're going to dress?

1003
00:53:42,080 --> 00:53:46,920
Speaker 1: I think I was fully Susie Green, but as the

1004
00:53:46,960 --> 00:53:48,839
Speaker 1: seasons progressed got more so.

1005
00:53:49,160 --> 00:53:49,480
Speaker 3: Yeah.

1006
00:53:49,560 --> 00:53:54,520
Speaker 2: She What we discussed is this is stuff that she's making.

1007
00:53:54,920 --> 00:53:58,359
Speaker 2: Because in the last episode, I believe you wore one

1008
00:53:58,400 --> 00:54:02,040
Speaker 2: of your bedazz old sweatshirts. Oh no, yeah, yes, because

1009
00:54:02,080 --> 00:54:05,160
Speaker 2: it was I forgot Buffalo, but it was a team

1010
00:54:05,200 --> 00:54:08,560
Speaker 2: that made no sense for you to wear no affiliation.

1011
00:54:09,000 --> 00:54:12,799
Speaker 2: But it's it's popping in at this point, Ryan, it's

1012
00:54:12,840 --> 00:54:15,759
Speaker 2: popping in and it'll soon be taken over.

1013
00:54:16,120 --> 00:54:20,000
Speaker 1: It'll win. H wait till people see the season twelve,

1014
00:54:20,120 --> 00:54:22,680
Speaker 1: unless they've seen it already by the time this years, Oh.

1015
00:54:22,600 --> 00:54:26,279
Speaker 2: My es twelve is a big ball of wow. Basically

1016
00:54:27,080 --> 00:54:30,200
Speaker 2: it was it was wow. That's all I can say.

1017
00:54:30,280 --> 00:54:33,920
Speaker 3: You're you blessed through it in a way that you know,

1018
00:54:34,120 --> 00:54:35,760
Speaker 3: it just gives it such.

1019
00:54:35,840 --> 00:54:39,040
Speaker 1: Thank you love. The wardrobe was actually my idea. I mean,

1020
00:54:39,080 --> 00:54:41,919
Speaker 1: I worked in conjunction with our designers, but the way

1021
00:54:41,960 --> 00:54:43,320
Speaker 1: she dressed was my idea.

1022
00:54:43,400 --> 00:54:45,080
Speaker 2: Well, oh my god, yeah, I love it.

1023
00:54:45,320 --> 00:54:48,120
Speaker 1: Yeah, thank you for coming right, you'll come back in

1024
00:54:48,160 --> 00:54:49,280
Speaker 1: a later season.

1025
00:54:49,400 --> 00:54:53,200
Speaker 5: Thank you, and thank you so very much, and we'll

1026
00:54:53,200 --> 00:54:54,440
Speaker 5: see you all next week.

1027
00:54:55,000 --> 00:55:07,440
Speaker 1: Bye, Jeffy Bye. The History of Curb Your Enthusiasm is

1028
00:55:07,440 --> 00:55:11,800
Speaker 1: a production of iHeartRadio. For more podcasts from iHeartRadio, visit

1029
00:55:11,880 --> 00:55:15,319
Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you listen to

1030
00:55:15,360 --> 00:55:16,200
Speaker 1: your favorite shows.