WEBVTT - Lisa Taddeo

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<v Speaker 1>Wow, I feel like you understand me so well. I'm

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<v Speaker 1>just like, does everybody feel this time with you?

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<v Speaker 2>I don't think so. I don't think so at all.

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<v Speaker 2>There's a few people I'd like you to call, actually

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<v Speaker 2>on my behalf. Hello, I'm mini driver. I've always loved

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<v Speaker 2>Preust's questionnaire. It was originally in nineteenth century parlor game

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<v Speaker 2>where players would ask each other thirty five questions aimed

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<v Speaker 2>at revealing.

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<v Speaker 3>The other player's true nature. In asking different people the

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<v Speaker 3>same set of questions.

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<v Speaker 2>You can make observations about which truths appear to be universal.

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<v Speaker 3>And it made me.

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<v Speaker 2>Wonder, what if these questions were just the jumping off point,

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<v Speaker 2>what greater depths would be revealed if I asked these

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<v Speaker 2>questions as conversation starters.

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<v Speaker 3>So I adapted.

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<v Speaker 2>Prus's questionnaire and I wrote my own seven questions that

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<v Speaker 2>I personally think are pertinent to a person's story.

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<v Speaker 3>They are when and where.

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<v Speaker 2>Were you happiest? What is the quality you like least

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<v Speaker 2>about yourself? What relationship, real or fictionalized, defines love for you?

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<v Speaker 2>What question would you most like answered, What person, place,

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<v Speaker 2>or experience has shaped you the most? What would be

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<v Speaker 2>your last meal? And can you tell me something in

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<v Speaker 2>your life that's grown out of a personal disaster. And

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<v Speaker 2>I've gathered a group of really remarkable people, ones that

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<v Speaker 2>I am honored and humbled to have had the chance

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<v Speaker 2>to engage with. You may not hear their answers to

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<v Speaker 2>all seven of these questions. We've whittled it down to

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<v Speaker 2>which questions felt closest to their experience, or the most surprising,

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<v Speaker 2>or created the most fertile ground to connect. My guest

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<v Speaker 2>today is the author and great wit Lisa Today. Lisa

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<v Speaker 2>essentially writes books you can't put down. Her debut novel,

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<v Speaker 2>which is called Three Women, was released in twenty nineteen

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<v Speaker 2>and it was recently made into a pretty excellent show

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<v Speaker 2>on the television, and if you haven't read it, you

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<v Speaker 2>really need to. Her second novel was as good, and

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<v Speaker 2>it was called Animal, And she also has this brilliant

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<v Speaker 2>collection of short stories called Ghost Lover. Lisa has this

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<v Speaker 2>angular wit that is full of self reflection and candid observation.

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<v Speaker 2>She is ruthless in the way that she sees herself

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<v Speaker 2>and her idiosyncrasies, but so warm and funny and clever.

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<v Speaker 2>And hearing her speak about her beloved dad was one

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<v Speaker 2>of the best things I listened to last year.

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<v Speaker 3>I really hope you enjoy our conversation.

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<v Speaker 2>Someone called my face extremely square, which it is, but

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<v Speaker 2>that's not the point on an open post on my

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<v Speaker 2>Instagram the other day, and it really triggered me because

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<v Speaker 2>at school I was called fifty p face, which is

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<v Speaker 2>a hexagonal coin in the British lexicon of money. And

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<v Speaker 2>I realized my response really would have been yes, and

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<v Speaker 2>but these things from our childhood, they have fingers that

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<v Speaker 2>reach along into off eatues.

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<v Speaker 4>Wow.

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<v Speaker 1>That first of all, I just have to say, as

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<v Speaker 1>someone who grew up watching you and movies and thinking

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<v Speaker 1>you were the most beautiful woman ever, I don't see

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<v Speaker 1>the square face. But what's interesting is my husband said

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<v Speaker 1>that my teeth were not age appropriate.

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<v Speaker 4>Which is like a weird burn.

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<v Speaker 2>Right.

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<v Speaker 4>It's like a what does that mean? And I was

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<v Speaker 4>like what does that mean? He's like, well, that's just

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<v Speaker 4>such a husband was right, And I'm like, what does

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<v Speaker 4>that mean?

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<v Speaker 1>He's like, no, they're just they're younger than you.

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<v Speaker 4>I was like, they're like little girl teeth and you're

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<v Speaker 4>like a woman.

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<v Speaker 2>What person, place, or experience most altered your life.

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<v Speaker 4>The death of my father.

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<v Speaker 3>Oh bless him.

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<v Speaker 1>Yeah, he was in a car accident, and it was

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<v Speaker 1>it was shocked because it was someone who had promised

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<v Speaker 1>me he would never die.

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<v Speaker 3>That was my dad, Daddy so fucked.

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<v Speaker 4>But just definitely that utterly changed everything.

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<v Speaker 3>Who are you before he died?

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<v Speaker 4>That was utterly You're going to make me cry?

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<v Speaker 3>Oh Angel, I don't.

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<v Speaker 4>I know, I do it all the time.

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<v Speaker 2>Don't worry about well, me too, But here I'm literally

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<v Speaker 2>supposed to be the grown up.

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<v Speaker 3>For as my son yelled.

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<v Speaker 2>At me one day, I don't know, you're the mummy

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<v Speaker 2>when he was five and I was crying.

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<v Speaker 1>And you're like, oh God, but not right now? Can

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<v Speaker 1>you just take care of me? Can I porepify you

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<v Speaker 1>for a second, because I exactly exactly.

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<v Speaker 3>I don't want to make you cry.

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<v Speaker 4>Angel, Tell me was I before?

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<v Speaker 3>Or tell me about your dad if that's easier.

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<v Speaker 4>My dad was a doctor.

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<v Speaker 1>He was the kind of doctor they don't make anymore where,

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<v Speaker 1>like you know, house calls and a leather doctor bag

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<v Speaker 1>going into the house. And at his funeral there were

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<v Speaker 1>like thousands of people on a block around like he

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<v Speaker 1>was just like one of those people who everyone in

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<v Speaker 1>a community was like. And to me, obviously it was

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<v Speaker 1>that plus everything else, plus I was scared about health stuff.

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<v Speaker 4>So like I just had like.

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<v Speaker 1>A all in one person who would literally put the

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<v Speaker 1>seatbelt on me when I would leave the house in

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<v Speaker 1>the morning to go to school. When I started driving,

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<v Speaker 1>he would click it in so he knew it was

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<v Speaker 1>on there, which is, you know, obviously ironic that he

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<v Speaker 1>was not wearing a seat belt in his accident anyway.

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<v Speaker 4>Before he died. I remember saying this to my boyfriend

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<v Speaker 4>at the time when he was like.

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<v Speaker 1>He was nervous about some medical thing, some issue, and

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<v Speaker 1>I was like, look, our bodies do things sometimes that

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<v Speaker 1>we just can't explain and we just can't think about it.

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<v Speaker 1>We just have to live in the present. That's who

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<v Speaker 1>I was before my dad. I was the person I'm

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<v Speaker 1>trying to get back to.

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<v Speaker 2>Angel Oh okay, okay, like the mad woman living alongside

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<v Speaker 2>the wise woman.

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<v Speaker 3>She is still there, She's here.

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<v Speaker 2>Like as women we forget, we have this strange amnesia,

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<v Speaker 2>I believe, which is about having to exist as an

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<v Speaker 2>adult woman in this world with all of the things

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<v Speaker 2>that are taken away and that are suppressed.

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<v Speaker 3>And I feel you so hard.

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<v Speaker 2>About trying and wanting to and it feeling difficult to

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<v Speaker 2>return to that person that we were before the trauma

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<v Speaker 2>all the trauma happened. All I can tell you is

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<v Speaker 2>that even though my dad didn't die like that, I

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<v Speaker 2>want to get back to that little girl, but I

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<v Speaker 2>don't think she's gone anywhere.

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<v Speaker 4>Yeah, I agree.

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<v Speaker 2>It's very hard though, because it's very hard to like,

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<v Speaker 2>now you're a mum and you're a wife, and you've

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<v Speaker 2>got to do the shopping, and you've got to write

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<v Speaker 2>the books, and you've got to have your reproductive rights

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<v Speaker 2>taken away, and you've got to walk down the street

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<v Speaker 2>and do the dry cleaning and the laundry. Yeah, and

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<v Speaker 2>also there's a little child waving in the distance that like,

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<v Speaker 2>we can't deal with it every day, but you do

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<v Speaker 2>it in your writing though, Like it feels like you

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<v Speaker 2>revisit so many beautiful things that you then examine, like

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<v Speaker 2>you're very gently turning over a rock and like looking

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<v Speaker 2>at it and looking at all the different ways that

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<v Speaker 2>it looks in a light. And that's how it feels

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<v Speaker 2>reading your books, is that I am examining life with you.

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<v Speaker 4>That is so cool. Thank you. That's my grandest hope.

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<v Speaker 4>So I'm glad to hear this.

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<v Speaker 2>Yeah, all right, we're going to move on from the snags.

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<v Speaker 2>It's going to make me write also, okay, where and

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<v Speaker 2>when were you happiest? My god, I no one's ever

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<v Speaker 2>laughed that hard like they like milk would have come

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<v Speaker 2>spurting out of your nose if I.

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<v Speaker 3>Can't even believe how hard you're laughing. She's laughing like

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<v Speaker 3>a benchie.

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<v Speaker 1>It's so funny because if you would ask me when

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<v Speaker 1>and where were you the status, I would have so

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<v Speaker 1>many things to go through, like a library, and I'm like,

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<v Speaker 1>which one do you want? Which of these beautiful bobbles

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<v Speaker 1>can I offer you?

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<v Speaker 4>When you asked me what I'm happy is? I do

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<v Speaker 4>know two things.

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<v Speaker 1>The first, the biggest one was when I was pregnant

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<v Speaker 1>with my daughter and they had found some other stuff

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<v Speaker 1>that I had to get more tests for that made

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<v Speaker 1>everything awful.

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<v Speaker 4>But at the same time.

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<v Speaker 1>That they were giving me the results of these tests,

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<v Speaker 1>they also told me that it was a girl, and

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<v Speaker 1>I wept so much, and I was able to feel

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<v Speaker 1>the joy about it being a girl, even though somebody

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<v Speaker 1>was telling me I might not be alive to see

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<v Speaker 1>her for very long after she was born because of

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<v Speaker 1>something they had found that ended up being okay, but

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<v Speaker 1>not till after she was born. Anyway, that moment, the

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<v Speaker 1>fact that I was able to experience joy within the

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<v Speaker 1>fear spiral that I was in is probably my happiest note.

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<v Speaker 3>Wow, that is a bubble within a bubble.

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<v Speaker 2>Were you wereware at the time this is pure joy

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<v Speaker 2>or were you just living it at what because it

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<v Speaker 2>was also existing along with this other really frightening news?

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<v Speaker 4>Yeah?

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<v Speaker 2>Or was it on reflection when you found out that

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<v Speaker 2>you were going to be fine and you could then

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<v Speaker 2>look back on it and find that joyful resonance.

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<v Speaker 1>That's a brilliant question. I think a little bit of both.

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<v Speaker 1>I think in the moment, I was shocked that I

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<v Speaker 1>was able to feel it. I remember feeling shocked at

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<v Speaker 1>feeling joy. Oh, so that's why it's something that really

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<v Speaker 1>I was just like whoa. And then I was telling

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<v Speaker 1>one of my friends, this the only time I can

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<v Speaker 1>get there, you know. And I tried different things for

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<v Speaker 1>depression and whatnot. The the way I can really get

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<v Speaker 1>there is with nitrous oxide at the dentist. And I

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<v Speaker 1>was telling one of my friends that I liked and

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<v Speaker 1>I've been telling a lot of people I'm like, I

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<v Speaker 1>really like nitrous, you know, the dentists, and they're just like,

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<v Speaker 1>no one has circled around me like the way they

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<v Speaker 1>have with other things like.

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<v Speaker 4>Ketamine and mushrooms.

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<v Speaker 1>But they just like kind of let me sit there

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<v Speaker 1>with the nitrous thing, and I feel like a monster.

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<v Speaker 1>But then the other day one of my daughter's friend's

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<v Speaker 1>dads was like, oh he was British.

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<v Speaker 4>He's like, I fucking love that too.

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<v Speaker 2>Finally waits, what's your dentist's name? Actually I can't, I

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<v Speaker 2>can't do that, no, But I was just thinking do

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<v Speaker 2>you call up mister Reuben and saying I think I

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<v Speaker 2>got a cavity, it might be a rekanal. I think

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<v Speaker 2>I might need to come in. Do you have Munchenhausen dentists?

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<v Speaker 2>Because you want the nitrous.

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<v Speaker 4>I don't have that yet, but I'm looking.

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<v Speaker 1>I'm always looking at my taking taking applications.

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<v Speaker 4>You know, I don't currently have a provider.

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<v Speaker 3>That's really interesting.

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<v Speaker 2>So it's pretty dramatic, Like your moments of feeling happiness

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<v Speaker 2>are like joy within the context of what could actually

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<v Speaker 2>be a tragedy and.

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<v Speaker 3>Nitrous oxide.

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<v Speaker 2>Yes, is there somewhere in between as somebody who like

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<v Speaker 2>I think a lot of people live with sadness. Do

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<v Speaker 2>you become more or less aware of your happiness? Like

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<v Speaker 2>is it easy to try and forget about it? Or

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<v Speaker 2>do you just become When you see a robin in

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<v Speaker 2>your garden, do you go, oh, my god, a robin.

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<v Speaker 3>That makes me feel happy? Now back to the gloom.

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<v Speaker 1>I feel like I can cancel my therapy for a

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<v Speaker 1>while because I feel like these are really like I'm

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<v Speaker 1>just like thinking, like all I do is already think

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<v Speaker 1>about my mental state.

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<v Speaker 4>So the fact that I'm thinking even more about it

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<v Speaker 4>is shocking.

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<v Speaker 3>I'm very invested in your happiness.

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<v Speaker 2>Suddenly, I really am on your path to it, Like

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<v Speaker 2>this is great.

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<v Speaker 4>That's what my next book is about. It's my path

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<v Speaker 4>to something.

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<v Speaker 1>But when I'm sad, I am a yes, like you

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<v Speaker 1>were saying, there's people, And I feel this way that

0:12:11.120 --> 0:12:14.520
<v Speaker 1>there's two sides of the coin, the sort of people

0:12:14.520 --> 0:12:17.440
<v Speaker 1>who live on the side of Like when you said,

0:12:17.600 --> 0:12:19.960
<v Speaker 1>is there a robin in your garden that's beautiful? I

0:12:20.000 --> 0:12:23.640
<v Speaker 1>am looking outside at my backyard, which is very lovely,

0:12:23.760 --> 0:12:27.839
<v Speaker 1>especially in the fall, and it's magical, and I see

0:12:27.880 --> 0:12:31.080
<v Speaker 1>it through two different lenses. One of the way that

0:12:31.160 --> 0:12:34.240
<v Speaker 1>I would like to experience it of oh, there is

0:12:34.280 --> 0:12:38.480
<v Speaker 1>a robin on the wooden fence, on the beautiful patch

0:12:38.480 --> 0:12:42.439
<v Speaker 1>of grass with the marigolds there. How lovely that all

0:12:42.480 --> 0:12:46.240
<v Speaker 1>these things coalesced to form this perfect picture of fall

0:12:46.280 --> 0:12:48.640
<v Speaker 1>that I can enjoy. And then I'm like, there's people

0:12:48.640 --> 0:12:50.760
<v Speaker 1>who don't get to ever see that. So why am

0:12:50.760 --> 0:12:54.200
<v Speaker 1>I deserving? That this could all go away in an instant?

0:12:54.280 --> 0:12:56.720
<v Speaker 1>So what's the point of being happy about it? It

0:12:56.800 --> 0:13:00.400
<v Speaker 1>hurts more to lose it? And then the you ungrateful bitch,

0:13:00.440 --> 0:13:02.880
<v Speaker 1>how dare you? And then so that's the cycle of

0:13:02.920 --> 0:13:04.160
<v Speaker 1>seeing a robin.

0:13:04.440 --> 0:13:07.080
<v Speaker 3>I feel, I feel you.

0:13:08.880 --> 0:13:13.840
<v Speaker 2>Sometimes a robin just isn't allowed to be a robin exactly,

0:13:14.320 --> 0:13:16.040
<v Speaker 2>I see, yes.

0:13:16.360 --> 0:13:19.480
<v Speaker 1>And I think my experience of that, at least in

0:13:19.559 --> 0:13:22.720
<v Speaker 1>this current iteration of my life and with what is

0:13:22.760 --> 0:13:26.440
<v Speaker 1>going on out in the wide world, I think that

0:13:26.960 --> 0:13:31.680
<v Speaker 1>I feel like a failure for not not experiencing things.

0:13:32.000 --> 0:13:35.040
<v Speaker 1>But I think we all just experience things so differently,

0:13:35.160 --> 0:13:37.400
<v Speaker 1>and I think so many of us and not to

0:13:37.440 --> 0:13:40.240
<v Speaker 1>get all whatever, but part of the capitalist machine is

0:13:40.320 --> 0:13:45.720
<v Speaker 1>just doing the next thing, you know, and in order

0:13:45.800 --> 0:13:48.320
<v Speaker 1>to make everybody happy and make all the wheels turn,

0:13:48.440 --> 0:13:51.800
<v Speaker 1>there really isn't time for existentialism anymore, you know, they're

0:13:51.880 --> 0:13:54.800
<v Speaker 1>just social media has replaced existentialism.

0:13:55.360 --> 0:13:57.520
<v Speaker 2>It's so true, because you do you see somebody else,

0:13:57.559 --> 0:14:00.520
<v Speaker 2>you're like, oh my god, you're spiraling too goodness actually

0:14:00.520 --> 0:14:02.439
<v Speaker 2>alone exactly exactly.

0:14:02.520 --> 0:14:04.480
<v Speaker 1>But then you also see all the people who are

0:14:04.520 --> 0:14:07.560
<v Speaker 1>just plowing through like everything's fine, and you're like, which

0:14:07.600 --> 0:14:08.200
<v Speaker 1>one do I do?

0:14:08.600 --> 0:14:11.480
<v Speaker 2>Yeah? I suppose that is always the choice. Huh it's

0:14:11.520 --> 0:14:12.640
<v Speaker 2>that Robert Frost poem.

0:14:12.840 --> 0:14:13.600
<v Speaker 4>Yes, exactly.

0:14:13.800 --> 0:14:15.480
<v Speaker 3>Yeah, I came to a fork in the woods on.

0:14:15.520 --> 0:14:18.400
<v Speaker 1>A snowy Yeah, and I took the path less travel line,

0:14:18.559 --> 0:14:20.600
<v Speaker 1>and that has made all the difference, has it?

0:14:20.920 --> 0:14:23.560
<v Speaker 3>Yeah? Exactly? Has it? Has it?

0:14:23.600 --> 0:14:25.040
<v Speaker 4>Though? But has it?

0:14:25.920 --> 0:14:28.360
<v Speaker 3>Like seriously Robert has it?

0:14:29.120 --> 0:14:32.800
<v Speaker 4>Has it? Because I don't know exactly?

0:14:33.320 --> 0:14:36.360
<v Speaker 1>And I think in this business, of which I am

0:14:36.560 --> 0:14:39.960
<v Speaker 1>a very nascent member, but you know, even in the

0:14:40.000 --> 0:14:42.640
<v Speaker 1>book world and stuff, there is such an element of

0:14:42.640 --> 0:14:46.040
<v Speaker 1>the show must go on. And that's true of everything.

0:14:46.120 --> 0:14:49.200
<v Speaker 1>And I don't just mean like current situations aside. I

0:14:49.240 --> 0:14:51.480
<v Speaker 1>mean in general, the show must go on is the

0:14:51.560 --> 0:14:55.040
<v Speaker 1>name of the game. And anyone who sort of doesn't

0:14:55.320 --> 0:14:59.520
<v Speaker 1>want the show to go on, you either get left over, there.

0:15:00.000 --> 0:15:02.080
<v Speaker 1>Way that I say that my husband and daughter sometimes

0:15:02.440 --> 0:15:05.640
<v Speaker 1>handle my depression is just by stepping over it, like

0:15:05.680 --> 0:15:07.880
<v Speaker 1>it's a dead body on the floor onto the.

0:15:07.840 --> 0:15:12.040
<v Speaker 4>Next event, like, okay, is mom coming up? I love

0:15:12.080 --> 0:15:12.440
<v Speaker 4>to drag.

0:15:15.960 --> 0:15:19.560
<v Speaker 2>So that's so strange as well, like the idea of

0:15:19.640 --> 0:15:23.560
<v Speaker 2>it being other than you, like mom's dead body, that

0:15:23.680 --> 0:15:26.920
<v Speaker 2>they have to step away, like it's sort of, oh,

0:15:27.000 --> 0:15:28.640
<v Speaker 2>let's put it in the second person so it isn't

0:15:28.640 --> 0:15:29.560
<v Speaker 2>actually happening to me.

0:15:29.760 --> 0:15:32.240
<v Speaker 4>Which is helpful, which is something I should perhaps by the.

0:15:32.200 --> 0:15:34.280
<v Speaker 2>Way, I think I might have said this on here before,

0:15:34.320 --> 0:15:36.960
<v Speaker 2>but my editor, she is the most incredible woman. She's

0:15:37.000 --> 0:15:38.840
<v Speaker 2>very briefly my editor, and she gave me this incredible note.

0:15:38.840 --> 0:15:39.840
<v Speaker 2>She was like, I want you to look up the

0:15:39.880 --> 0:15:43.520
<v Speaker 2>emotional places in your book where you suddenly go into

0:15:43.560 --> 0:15:47.760
<v Speaker 2>the second person, where you know when you're feeling agonized,

0:15:47.760 --> 0:15:49.480
<v Speaker 2>where your heart is breaking, you know when you feel

0:15:49.520 --> 0:15:51.480
<v Speaker 2>like a dead body that people are stepping up, And

0:15:51.560 --> 0:15:53.240
<v Speaker 2>she said, I just want you to just just just

0:15:53.520 --> 0:15:55.840
<v Speaker 2>for a laugh, put it all into the first person.

0:15:56.160 --> 0:15:58.000
<v Speaker 2>And I wrote it and I literally felt like I

0:15:58.040 --> 0:16:01.280
<v Speaker 2>was going to throw up as I was writing my

0:16:01.520 --> 0:16:04.800
<v Speaker 2>heart is breaking, I feel like a dead body people

0:16:04.880 --> 0:16:09.800
<v Speaker 2>stepping over Like it was so interesting psychologically, and now

0:16:09.840 --> 0:16:12.520
<v Speaker 2>I start thinking, now I do it with passages of

0:16:12.640 --> 0:16:14.200
<v Speaker 2>bits that I'm writing.

0:16:14.320 --> 0:16:17.120
<v Speaker 3>If I don't feel connected, I'll just throw it.

0:16:17.040 --> 0:16:21.200
<v Speaker 2>Into a different EOV exactly, Yeah, and see if that

0:16:21.280 --> 0:16:23.520
<v Speaker 2>shifts that. Maybe that's a trick that all writers know.

0:16:23.640 --> 0:16:26.120
<v Speaker 2>But it was so we do it as women though

0:16:26.240 --> 0:16:28.400
<v Speaker 2>my friends do it. Yes, my girlfriends do it, and

0:16:28.440 --> 0:16:32.000
<v Speaker 2>I now stop them and go, you're saying you, and

0:16:32.040 --> 0:16:34.360
<v Speaker 2>I know you mean I, and I think if you

0:16:34.400 --> 0:16:36.840
<v Speaker 2>say I, we can be in the room with us more.

0:16:37.480 --> 0:16:37.960
<v Speaker 4>Yeah.

0:16:38.200 --> 0:16:41.520
<v Speaker 1>That's so interesting, and it's something just from the writing

0:16:41.760 --> 0:16:42.360
<v Speaker 1>angle of it.

0:16:42.440 --> 0:16:44.920
<v Speaker 4>I think about all the time.

0:16:45.240 --> 0:16:47.320
<v Speaker 1>Like most of the time, I'm not that excited to

0:16:47.320 --> 0:16:50.920
<v Speaker 1>talk about like the quote unquote craft things because I

0:16:50.960 --> 0:16:53.080
<v Speaker 1>feel like I've got so much other stuff going.

0:16:53.400 --> 0:17:01.720
<v Speaker 4>But that is the one thing that I think I've got, Robinster,

0:17:01.880 --> 0:17:03.080
<v Speaker 4>That's that's phenomenal.

0:17:07.600 --> 0:17:12.000
<v Speaker 2>I love asking a fiction writer, this, what relationship, real

0:17:12.119 --> 0:17:14.119
<v Speaker 2>or fictionalized defines love for you.

0:17:14.800 --> 0:17:21.320
<v Speaker 1>Fictionalized was Carrie Elways and Robin Wright and the Princess Bride.

0:17:21.480 --> 0:17:25.040
<v Speaker 1>That's what told me what love is. And then I

0:17:25.200 --> 0:17:28.560
<v Speaker 1>have to say, my husband and I. We fight literally

0:17:28.640 --> 0:17:30.639
<v Speaker 1>every single day. There is not a day that our

0:17:30.760 --> 0:17:35.240
<v Speaker 1>daughter doesn't say, this is the stupidest thing I've ever

0:17:35.320 --> 0:17:36.800
<v Speaker 1>heard anyone argue about.

0:17:37.240 --> 0:17:38.320
<v Speaker 4>Can you guys stop?

0:17:38.359 --> 0:17:40.760
<v Speaker 1>Because it was like about the coffee maker and he's

0:17:40.920 --> 0:17:45.040
<v Speaker 1>like logical and autistic and ADHD and I have OCDS,

0:17:45.119 --> 0:17:49.159
<v Speaker 1>so we have all these dueling mental illnesss with it,

0:17:49.440 --> 0:17:53.080
<v Speaker 1>argue with each other, alongside child wounds and all of that.

0:17:53.480 --> 0:17:56.520
<v Speaker 1>But I have to say that the love that he

0:17:56.720 --> 0:17:59.920
<v Speaker 1>has for me, that he says I'm not living in

0:18:00.160 --> 0:18:02.720
<v Speaker 1>our actual love story yet but he will wait there

0:18:02.840 --> 0:18:07.040
<v Speaker 1>until I do that is I gotta say. I really

0:18:07.160 --> 0:18:10.480
<v Speaker 1>like that. It feels like the most real love story

0:18:10.520 --> 0:18:13.720
<v Speaker 1>available to me. He also at one point said, don't worry.

0:18:13.760 --> 0:18:16.720
<v Speaker 1>One day you're gonna get all the little things done

0:18:16.800 --> 0:18:20.000
<v Speaker 1>that are on your little lists, and we're going to

0:18:20.080 --> 0:18:22.760
<v Speaker 1>have one day where we're happy and you're happy, and

0:18:22.800 --> 0:18:23.760
<v Speaker 1>that day is going to come.

0:18:23.920 --> 0:18:25.120
<v Speaker 4>So let's just live your life.

0:18:25.200 --> 0:18:27.840
<v Speaker 1>Keep doing what you're doing and being sad and thinking

0:18:28.119 --> 0:18:31.000
<v Speaker 1>and not trusting me and thinking nothing's real, and one

0:18:31.080 --> 0:18:32.600
<v Speaker 1>day you're going to be able to enjoy it all

0:18:32.600 --> 0:18:33.600
<v Speaker 1>and then we'll die.

0:18:34.720 --> 0:18:37.880
<v Speaker 3>Oh my god, Oh my god. I love your husband.

0:18:38.119 --> 0:18:39.560
<v Speaker 3>It's that roomy quote again.

0:18:39.800 --> 0:18:40.119
<v Speaker 4>Yeah.

0:18:40.280 --> 0:18:43.359
<v Speaker 2>Here it is out beyond ideas of wrongdoing and right doing,

0:18:43.520 --> 0:18:46.280
<v Speaker 2>There is a field. I'll meet you there while the

0:18:46.320 --> 0:18:49.400
<v Speaker 2>soul lies down in the grass. The world is too

0:18:49.400 --> 0:18:53.240
<v Speaker 2>full to talk about ideas language. Even the phrase each

0:18:53.320 --> 0:18:57.360
<v Speaker 2>other doesn't make any sense. Oh, oh my god, that's

0:18:57.400 --> 0:18:59.240
<v Speaker 2>your husband. I love that.

0:19:03.320 --> 0:19:05.639
<v Speaker 3>We'll see if it's actually.

0:19:06.240 --> 0:19:09.239
<v Speaker 4>Exactly that's the thing. It's like, I don't know that

0:19:09.560 --> 0:19:11.239
<v Speaker 4>when you trust, we don't know.

0:19:11.600 --> 0:19:13.879
<v Speaker 2>It's so funny because that is an everyday occurrence. It

0:19:13.920 --> 0:19:16.679
<v Speaker 2>seems to me trusting you wake up every day and

0:19:16.840 --> 0:19:19.919
<v Speaker 2>you go and you do a situational assessment. Can I

0:19:19.960 --> 0:19:23.120
<v Speaker 2>trust that this is breakfast and everything is okay?

0:19:23.640 --> 0:19:26.080
<v Speaker 3>All right? I can. That's as good as it gets.

0:19:26.080 --> 0:19:30.160
<v Speaker 2>Sometimes I think blanket trust is not actually functional possible.

0:19:30.520 --> 0:19:31.560
<v Speaker 4>It's really not.

0:19:31.880 --> 0:19:36.280
<v Speaker 1>But I think people always say that it is. My

0:19:36.440 --> 0:19:39.200
<v Speaker 1>husband's therapist had said to him the reason that when

0:19:39.240 --> 0:19:41.159
<v Speaker 1>he was afraid to fly. He's like, it's because you

0:19:41.160 --> 0:19:44.919
<v Speaker 1>don't trust the pilot. And it's like, well, why should.

0:19:45.119 --> 0:19:46.720
<v Speaker 4>Why don't we know the pilot?

0:19:46.920 --> 0:19:49.600
<v Speaker 1>I never met him, Like what, I should trust the

0:19:49.640 --> 0:19:52.280
<v Speaker 1>pilot because that's his job. Should I trust the doctor

0:19:52.320 --> 0:19:54.320
<v Speaker 1>that messed up my knee surgery? And now I need

0:19:54.320 --> 0:19:57.600
<v Speaker 1>a full replate, like should I trust them implicitly? Should

0:19:57.600 --> 0:20:01.360
<v Speaker 1>we just trust people? Because I've trusted people and had

0:20:01.400 --> 0:20:03.879
<v Speaker 1>a lot of things left up about it. So it's like,

0:20:03.920 --> 0:20:05.560
<v Speaker 1>you know, went into a meeting the other day and

0:20:05.600 --> 0:20:07.800
<v Speaker 1>the person was like, well, you know, I might not

0:20:07.840 --> 0:20:10.520
<v Speaker 1>want to say that because you know, people always sue

0:20:10.640 --> 0:20:13.520
<v Speaker 1>us for stealing their ideas, And I'm like, well, I'm

0:20:13.560 --> 0:20:15.560
<v Speaker 1>just going to go into this blindly trusting like I've

0:20:15.600 --> 0:20:17.879
<v Speaker 1>done everything else, and see how that works for me,

0:20:18.200 --> 0:20:20.120
<v Speaker 1>because I just can't do it any other way.

0:20:20.320 --> 0:20:21.720
<v Speaker 3>I listen, I am with you.

0:20:21.960 --> 0:20:25.840
<v Speaker 2>I will make a choice to trust even though life

0:20:25.840 --> 0:20:28.440
<v Speaker 2>proves over and over again that shit often doesn't work out.

0:20:28.520 --> 0:20:29.880
<v Speaker 3>Yeah, I just don't think that's the point.

0:20:29.880 --> 0:20:31.919
<v Speaker 2>I think you have to take that as shit is

0:20:31.960 --> 0:20:33.879
<v Speaker 2>not going to work out for the most part, but

0:20:34.040 --> 0:20:36.879
<v Speaker 2>the times that it does are going to be so great,

0:20:37.359 --> 0:20:40.240
<v Speaker 2>and something usually comes It dovetails into the last question

0:20:40.280 --> 0:20:45.640
<v Speaker 2>I ask on this podcast. Invariably something comes out of

0:20:45.680 --> 0:20:48.960
<v Speaker 2>the shit. That's not a reason to pursue it, but

0:20:49.080 --> 0:20:50.960
<v Speaker 2>it's definitely worth keeping in mind.

0:20:51.080 --> 0:20:53.040
<v Speaker 4>You know, it's vital to keep in mind.

0:20:53.160 --> 0:21:11.000
<v Speaker 2>In fact, I'm nervous to ask you what is the

0:21:11.080 --> 0:21:13.080
<v Speaker 2>quality you like least about yourself?

0:21:14.280 --> 0:21:17.320
<v Speaker 3>Because but what is the quality you like least about yourself?

0:21:17.600 --> 0:21:17.879
<v Speaker 4>Oh?

0:21:18.359 --> 0:21:21.440
<v Speaker 1>I think my addiction to my fear. I think I'm

0:21:21.520 --> 0:21:26.440
<v Speaker 1>addicted to my fear. And I think that I don't

0:21:26.480 --> 0:21:31.359
<v Speaker 1>think I've made a conscious decision to let go of it,

0:21:31.520 --> 0:21:36.240
<v Speaker 1>because I still believe it protects me even though it doesn't.

0:21:37.119 --> 0:21:37.640
<v Speaker 3>Okay, So.

0:21:39.200 --> 0:21:43.359
<v Speaker 2>Who is the you knowing that, mannie?

0:21:43.520 --> 0:21:45.960
<v Speaker 1>I'm trying to figure that out. I'm like, who am

0:21:46.000 --> 0:21:48.000
<v Speaker 1>I without the fear? I say this to my husband

0:21:48.040 --> 0:21:49.399
<v Speaker 1>all the time. He's like, you just got to let

0:21:49.440 --> 0:21:50.879
<v Speaker 1>go of it. I'm like, if I let go of that,

0:21:51.720 --> 0:21:53.160
<v Speaker 1>there'll be nothing here.

0:21:53.119 --> 0:21:55.520
<v Speaker 2>But the person, the person who is here observing that

0:21:55.920 --> 0:21:58.439
<v Speaker 2>you sitting here talking to me. Yeah, is that like

0:21:58.480 --> 0:22:01.480
<v Speaker 2>a psychological shift? Is that maybe because you're a writer

0:22:01.600 --> 0:22:04.480
<v Speaker 2>where you can actually you shift the pav even on

0:22:04.520 --> 0:22:08.119
<v Speaker 2>your own experience, by going, I do this thing. I

0:22:08.160 --> 0:22:11.359
<v Speaker 2>am addicted to fear. I think I will not be

0:22:11.400 --> 0:22:13.359
<v Speaker 2>protected if I let go of it. Who is that

0:22:13.400 --> 0:22:16.160
<v Speaker 2>person talking? Who is talking that sense? Because we all

0:22:16.200 --> 0:22:17.840
<v Speaker 2>have that and I want to fucking know who she

0:22:18.000 --> 0:22:20.800
<v Speaker 2>is because all those people should get together and have tea.

0:22:20.800 --> 0:22:23.000
<v Speaker 4>Yeah, exactly, and those people should stick.

0:22:22.800 --> 0:22:26.280
<v Speaker 3>Around and keep the wheels on the wagon, exactly.

0:22:26.359 --> 0:22:29.040
<v Speaker 1>And that's one of the reasons why I write is

0:22:29.080 --> 0:22:32.480
<v Speaker 1>to remember that, Like when I look back and see

0:22:32.520 --> 0:22:35.760
<v Speaker 1>words that I've written when I'm in a clearer state,

0:22:36.359 --> 0:22:39.160
<v Speaker 1>it feels a little bit helpful.

0:22:38.800 --> 0:22:40.560
<v Speaker 4>But it also feels like who is that?

0:22:40.600 --> 0:22:42.600
<v Speaker 1>Like you just said, I know how to have self

0:22:42.600 --> 0:22:45.159
<v Speaker 1>awareness about what I'm doing, and then I know what

0:22:45.240 --> 0:22:49.840
<v Speaker 1>I'm like when I'm in the cargo holds of indefensible fear.

0:22:50.040 --> 0:22:53.359
<v Speaker 4>And fatrid and shame. But I don't know where the

0:22:53.440 --> 0:22:56.120
<v Speaker 4>twain meet. But that is a.

0:22:56.080 --> 0:22:58.760
<v Speaker 1>Really that's a great like the person who's like I

0:22:58.800 --> 0:23:04.000
<v Speaker 1>want to think the robinsful, like where is the exactly?

0:23:04.400 --> 0:23:07.520
<v Speaker 2>Or maybe it's just about like she is there, like

0:23:07.600 --> 0:23:10.600
<v Speaker 2>when you look back or when I read your books

0:23:10.680 --> 0:23:13.639
<v Speaker 2>and I feel your clarity. She is there, like she

0:23:13.880 --> 0:23:16.320
<v Speaker 2>is demonstrably there. So perhaps it's not so much like

0:23:16.400 --> 0:23:17.960
<v Speaker 2>how do I find her and make her stick around?

0:23:18.000 --> 0:23:19.000
<v Speaker 2>It's more about.

0:23:18.680 --> 0:23:24.159
<v Speaker 3>Going, No, she is there. It's the statue inside the marble.

0:23:24.800 --> 0:23:29.040
<v Speaker 2>There is all this other stuff around her, and maybe

0:23:29.080 --> 0:23:31.840
<v Speaker 2>it's about and I'm saying this generally because this is

0:23:31.880 --> 0:23:36.240
<v Speaker 2>not you in isolation. I am fascinated, like, and this

0:23:36.280 --> 0:23:38.959
<v Speaker 2>conversation has triggered this thing that I think about at

0:23:38.960 --> 0:23:42.200
<v Speaker 2>four o'clock in the morning, which is the wise woman

0:23:42.359 --> 0:23:44.560
<v Speaker 2>who talks to us and calms us, and we call

0:23:44.640 --> 0:23:45.919
<v Speaker 2>her our self awareness.

0:23:46.119 --> 0:23:48.480
<v Speaker 3>She is real. She is as real as our fear.

0:23:48.560 --> 0:23:49.639
<v Speaker 3>She is as real as.

0:23:49.520 --> 0:23:54.640
<v Speaker 2>Our negative slaggy old slagface. He tells us that we're

0:23:55.600 --> 0:23:56.480
<v Speaker 2>square face and.

0:24:01.400 --> 0:24:04.960
<v Speaker 4>Teeth is so much better. I feel like that's such

0:24:05.080 --> 0:24:07.440
<v Speaker 4>a better jew V. That's really good.

0:24:07.640 --> 0:24:09.880
<v Speaker 3>That's it because gvteth is as mean as.

0:24:09.840 --> 0:24:11.960
<v Speaker 4>Tiftyp face, Like yeah, totally.

0:24:12.200 --> 0:24:13.239
<v Speaker 3>Anyway, maybe that's it.

0:24:13.280 --> 0:24:16.360
<v Speaker 2>Maybe we just have to leave room for that clarity

0:24:16.359 --> 0:24:18.720
<v Speaker 2>when you look back, instead of going, oh, I was

0:24:18.720 --> 0:24:21.399
<v Speaker 2>so clear, it's yeah, but she is there. She's living

0:24:21.440 --> 0:24:24.480
<v Speaker 2>alongside the mad woman, and that's maybe that's all right.

0:24:24.560 --> 0:24:26.440
<v Speaker 4>That's absolutely beautiful.

0:24:26.520 --> 0:24:28.679
<v Speaker 1>I need to write that down because I feel like,

0:24:28.840 --> 0:24:31.359
<v Speaker 1>just for my own like the mad Woman, like the

0:24:31.560 --> 0:24:35.520
<v Speaker 1>Jane Eyre you know whatever, and the attic living yes,

0:24:35.840 --> 0:24:38.840
<v Speaker 1>and it's okay, you know, I'm literally writing that down

0:24:38.840 --> 0:24:41.600
<v Speaker 1>because I just feel like it'll remind me that it's okay,

0:24:41.840 --> 0:24:43.760
<v Speaker 1>like the whole shadow aspect of.

0:24:43.880 --> 0:24:46.080
<v Speaker 4>Ourselves making room for them.

0:24:46.240 --> 0:24:49.879
<v Speaker 1>But what's so interesting is the POV stuff in writing,

0:24:49.920 --> 0:24:52.360
<v Speaker 1>which I think is so fascinating. What you were saying

0:24:52.400 --> 0:24:55.280
<v Speaker 1>about the idea of turning it on yourself and saying

0:24:55.480 --> 0:24:58.600
<v Speaker 1>I and then feeling the eye of that. I wrote

0:24:58.640 --> 0:25:01.760
<v Speaker 1>a short story when I was getting my MFA at

0:25:01.840 --> 0:25:05.439
<v Speaker 1>Boston University, and the short story was completely in the

0:25:05.440 --> 0:25:06.119
<v Speaker 1>second person.

0:25:06.520 --> 0:25:09.919
<v Speaker 4>And this other writer because you know, you go around the.

0:25:09.960 --> 0:25:14.760
<v Speaker 1>Room and critique everyone's writing, and it was very aggressive.

0:25:14.920 --> 0:25:16.240
<v Speaker 4>You do this because you.

0:25:16.400 --> 0:25:19.720
<v Speaker 1>It was like the character themselves was a sort of

0:25:19.920 --> 0:25:24.480
<v Speaker 1>bad person, not bad, just like flawed human, et cetera.

0:25:25.040 --> 0:25:27.040
<v Speaker 4>Not bad, but you know, president.

0:25:27.080 --> 0:25:31.000
<v Speaker 3>Whatever, President, Yes.

0:25:31.000 --> 0:25:33.199
<v Speaker 1>But this other writer in the class was like, I

0:25:33.280 --> 0:25:38.280
<v Speaker 1>felt so aggressed upon by Lisa's story because it was

0:25:38.320 --> 0:25:41.520
<v Speaker 1>like you take the subway to blah blah blah because

0:25:41.560 --> 0:25:44.280
<v Speaker 1>you feel like that girl doesn't deserve whatever. Like it

0:25:44.320 --> 0:25:47.480
<v Speaker 1>was all this and I was just like so fascinated

0:25:48.200 --> 0:25:50.959
<v Speaker 1>by that that she had felt and I kind of

0:25:51.200 --> 0:25:54.320
<v Speaker 1>was the feeling I wanted to elicit, but that she

0:25:54.400 --> 0:25:57.000
<v Speaker 1>had felt that, and the you of it had even

0:25:57.000 --> 0:25:59.000
<v Speaker 1>though we were in a writing class and writing in

0:25:59.040 --> 0:26:01.640
<v Speaker 1>the second person, is you know, well something that people do.

0:26:01.800 --> 0:26:04.239
<v Speaker 1>I just remember her feeling that way, and when you

0:26:04.280 --> 0:26:06.280
<v Speaker 1>said that, your editor gave you that note and you

0:26:06.320 --> 0:26:08.479
<v Speaker 1>put it back on the eye, and I just I

0:26:08.560 --> 0:26:12.640
<v Speaker 1>was wondering, like about doing that with that even though

0:26:12.640 --> 0:26:13.399
<v Speaker 1>it's gone.

0:26:13.560 --> 0:26:15.720
<v Speaker 4>But you know, it's just a really interesting thing.

0:26:15.880 --> 0:26:16.280
<v Speaker 3>It is.

0:26:16.320 --> 0:26:19.480
<v Speaker 2>Listen the POV Like, I asked that quite a lot,

0:26:19.560 --> 0:26:21.639
<v Speaker 2>like who is the POV four? Is it for me

0:26:21.720 --> 0:26:25.000
<v Speaker 2>to create distance from the scary things I'm saying that

0:26:25.280 --> 0:26:28.600
<v Speaker 2>maybe they're not fiction, maybe they're real. Or is it

0:26:28.680 --> 0:26:31.920
<v Speaker 2>because I think it's a cool tool. Yeah, quite interesting

0:26:32.000 --> 0:26:33.720
<v Speaker 2>just to I don't know. Maybe it's just about the

0:26:33.720 --> 0:26:34.720
<v Speaker 2>interrogation of it.

0:26:34.840 --> 0:26:37.360
<v Speaker 4>Yeah, totally. I think everything is about that.

0:26:42.200 --> 0:26:46.120
<v Speaker 3>So what question would you most like? Answered?

0:26:46.400 --> 0:26:50.600
<v Speaker 4>God, I'm going to give you something that's rather dark to.

0:26:55.240 --> 0:26:56.680
<v Speaker 3>I wouldn't expect anything less.

0:26:57.040 --> 0:27:00.080
<v Speaker 4>Thank you for my next book.

0:27:00.200 --> 0:27:04.920
<v Speaker 1>It's about shocker grief, the grief of being alive essentially,

0:27:05.000 --> 0:27:07.240
<v Speaker 1>not the grief of being alive like full stop, but

0:27:07.680 --> 0:27:11.439
<v Speaker 1>the grief that comes with just consciousness, whether it's mental

0:27:11.480 --> 0:27:15.119
<v Speaker 1>illness or all of that. And one of the people

0:27:15.200 --> 0:27:18.600
<v Speaker 1>I've been speaking to is a doctor who performs euthanasia

0:27:19.800 --> 0:27:25.040
<v Speaker 1>on otherwise physically healthy people with mental illness who no

0:27:25.119 --> 0:27:30.080
<v Speaker 1>longer want to be around. And he's a brilliant doctor,

0:27:30.160 --> 0:27:33.800
<v Speaker 1>and he's under a lot of investigation for what he's doing.

0:27:33.960 --> 0:27:36.800
<v Speaker 1>But I do not disagree at all. I know many

0:27:36.840 --> 0:27:40.359
<v Speaker 1>people do, but I think that ultimately this is the

0:27:40.440 --> 0:27:44.320
<v Speaker 1>same question about control over women's bodies. Is having control

0:27:44.359 --> 0:27:47.680
<v Speaker 1>over when you live and die should be something that

0:27:47.720 --> 0:27:51.200
<v Speaker 1>we each have over our own selves, just.

0:27:51.119 --> 0:27:52.560
<v Speaker 4>Like women should, I think.

0:27:53.080 --> 0:27:56.359
<v Speaker 1>And this doctor I was asking him if anything had

0:27:56.400 --> 0:27:59.360
<v Speaker 1>ever given him pause, and he said the only thing

0:27:59.400 --> 0:28:03.320
<v Speaker 1>that had was this man whose wife was about to

0:28:03.359 --> 0:28:07.640
<v Speaker 1>be euthanized, who said to the doctor as she was dying,

0:28:08.200 --> 0:28:14.119
<v Speaker 1>what if in the next world she's feeling the same things,

0:28:16.080 --> 0:28:21.639
<v Speaker 1>but she's left all of us. So my question that

0:28:21.680 --> 0:28:24.679
<v Speaker 1>I want answered is what happens next. Should we be

0:28:24.840 --> 0:28:29.840
<v Speaker 1>running towards that field, or should we terry a bit

0:28:30.920 --> 0:28:31.240
<v Speaker 1>the way.

0:28:33.640 --> 0:28:37.280
<v Speaker 2>Should we make another movie and do another ten thousand steps,

0:28:37.920 --> 0:28:42.280
<v Speaker 2>or should I im in the field and Russell Crowe

0:28:42.800 --> 0:28:46.760
<v Speaker 2>wafting his hand along the golden ears of corn or

0:28:46.800 --> 0:28:47.880
<v Speaker 2>wheat or whatever.

0:28:47.640 --> 0:28:48.479
<v Speaker 3>The fuck it was?

0:28:49.040 --> 0:28:51.440
<v Speaker 2>I feel you let me tell you, it's probably the

0:28:51.520 --> 0:28:53.800
<v Speaker 2>number one question that people want to know. But that

0:28:54.240 --> 0:28:59.480
<v Speaker 2>was the most brilliant, dark, amazing answer.

0:29:01.400 --> 0:29:04.959
<v Speaker 3>You brought into play. Like I didn't even know.

0:29:05.240 --> 0:29:07.600
<v Speaker 2>I knew that there were like pods in Switzerland, but

0:29:07.760 --> 0:29:09.320
<v Speaker 2>I guess I've only ever thought of that with people

0:29:09.360 --> 0:29:14.400
<v Speaker 2>who have like diagnoses of like Parkinson's or als or cancer.

0:29:14.560 --> 0:29:16.479
<v Speaker 2>And I think it's heartbreaking for me to think that

0:29:16.480 --> 0:29:19.400
<v Speaker 2>people would be suffering so terribly with their mental health

0:29:19.480 --> 0:29:21.240
<v Speaker 2>they would want to end their life. There was a

0:29:21.320 --> 0:29:25.320
<v Speaker 2>lot in that, but ultimately I agree with you. I

0:29:25.360 --> 0:29:28.680
<v Speaker 2>would love to know we're gonna know this ends with

0:29:28.720 --> 0:29:31.880
<v Speaker 2>all of us dying, Like right, it has the same ending.

0:29:32.080 --> 0:29:34.560
<v Speaker 2>I wonder how it actually would affect our lives.

0:29:34.600 --> 0:29:35.920
<v Speaker 4>If we need, we need totally.

0:29:36.840 --> 0:29:38.440
<v Speaker 3>I probably eat a lot more.

0:29:38.840 --> 0:29:42.080
<v Speaker 1>It would probably just mean better to know. It's like,

0:29:42.160 --> 0:29:43.840
<v Speaker 1>you know, after the election, it's like, well.

0:29:43.720 --> 0:29:45.800
<v Speaker 3>Now we know, now we know what we're staring.

0:29:46.000 --> 0:29:48.800
<v Speaker 1>It's like getting a diagnosis. Now we know it's the

0:29:48.960 --> 0:29:52.480
<v Speaker 1>unknown of it. Knowledge is power and the unknown is

0:29:52.520 --> 0:29:56.880
<v Speaker 1>an unending loop of just and also that without having

0:29:56.880 --> 0:29:59.440
<v Speaker 1>the unending loop, maybe we'd be I don't know.

0:29:59.600 --> 0:30:00.880
<v Speaker 4>I guess the answer is.

0:30:00.880 --> 0:30:03.160
<v Speaker 3>I think it's all we're left with. We have to

0:30:03.160 --> 0:30:05.480
<v Speaker 3>cozy up to the unknown because we're most like we're

0:30:05.520 --> 0:30:08.480
<v Speaker 3>not going to find out. Yeah, I will tell you briefly.

0:30:08.720 --> 0:30:11.160
<v Speaker 2>I did a performance in a theater with hundreds and

0:30:11.240 --> 0:30:14.520
<v Speaker 2>hundreds and hundreds of people of this play called White Rabbit,

0:30:14.560 --> 0:30:17.880
<v Speaker 2>Red Rabbit. And it is a play by this amazing

0:30:17.920 --> 0:30:22.320
<v Speaker 2>playwright called Nasim Sulamanpour and he is an Iranian playwright

0:30:22.400 --> 0:30:25.479
<v Speaker 2>who is not allowed to leave Iran, and he has

0:30:25.560 --> 0:30:26.440
<v Speaker 2>essentially sent.

0:30:26.280 --> 0:30:27.680
<v Speaker 3>His play out into the world.

0:30:28.160 --> 0:30:32.880
<v Speaker 2>And here's the kicker. You perform the play sight unseen.

0:30:33.800 --> 0:30:37.240
<v Speaker 2>There is an envelope on the chair on the stage

0:30:37.480 --> 0:30:40.080
<v Speaker 2>when you walk on and you undo the envelope and

0:30:40.120 --> 0:30:42.520
<v Speaker 2>you take out the play and you begin to read

0:30:42.520 --> 0:30:44.480
<v Speaker 2>it and it is happening in.

0:30:44.440 --> 0:30:48.040
<v Speaker 3>Real time and you're unknown. Wow it is.

0:30:48.080 --> 0:30:51.800
<v Speaker 2>It was the most extraordinary experience to have to step

0:30:51.840 --> 0:30:54.200
<v Speaker 2>out there into I already know what that's like to

0:30:54.200 --> 0:30:55.880
<v Speaker 2>step out onto a stage and the fear and the

0:30:55.960 --> 0:30:58.080
<v Speaker 2>nerves and everything that goes with it, but to not

0:30:58.200 --> 0:31:01.600
<v Speaker 2>know what is going to happen next. And it reminded

0:31:01.600 --> 0:31:04.480
<v Speaker 2>me of being a kid where every day when my

0:31:04.560 --> 0:31:06.880
<v Speaker 2>mum would like slam the door in the summer and

0:31:06.920 --> 0:31:07.760
<v Speaker 2>be like through.

0:31:07.600 --> 0:31:09.200
<v Speaker 3>The letterbox, come back when it's dark.

0:31:09.840 --> 0:31:13.760
<v Speaker 2>The possibility of anything and everything happened now was all

0:31:13.800 --> 0:31:16.360
<v Speaker 2>present at the same time. And the crazy thing was,

0:31:16.440 --> 0:31:19.120
<v Speaker 2>or the amazing thing was it drowned out the fear

0:31:20.000 --> 0:31:23.400
<v Speaker 2>of what will I do because it was happening so

0:31:23.480 --> 0:31:26.440
<v Speaker 2>much in the lowness of now, there wasn't any room

0:31:26.480 --> 0:31:31.800
<v Speaker 2>the theor actually was subordinate to the now. Yes, fucking cool.

0:31:32.200 --> 0:31:35.200
<v Speaker 2>Oh god, that's so cool. But anyway, I wonder if

0:31:35.560 --> 0:31:38.720
<v Speaker 2>our unknown as being more comfortable with the unknown, maybe

0:31:38.760 --> 0:31:41.000
<v Speaker 2>that is like something we can all look at and

0:31:41.040 --> 0:31:43.000
<v Speaker 2>think about and do in our lives.

0:31:43.080 --> 0:31:44.120
<v Speaker 4>One hundred percent.

0:31:44.240 --> 0:31:46.840
<v Speaker 1>And what you just said was really it was really

0:31:46.880 --> 0:31:50.000
<v Speaker 1>helpful because it also is something that I can relate to,

0:31:50.240 --> 0:31:53.440
<v Speaker 1>not the performative ass but the nowness of the way

0:31:53.480 --> 0:31:54.600
<v Speaker 1>that you just said.

0:31:54.600 --> 0:32:01.640
<v Speaker 4>That was so helpful to me, So like, good, Yeah.

0:32:01.160 --> 0:32:01.760
<v Speaker 3>That's good.

0:32:02.040 --> 0:32:04.280
<v Speaker 2>I only ever say the stuff that I need to

0:32:04.920 --> 0:32:06.160
<v Speaker 2>listen to or learn.

0:32:06.400 --> 0:32:09.200
<v Speaker 1>I think that's the most divinely helpful stuff is the

0:32:09.240 --> 0:32:11.920
<v Speaker 1>stuff we tell ourselves that we feel comfortable enough to

0:32:11.920 --> 0:32:14.400
<v Speaker 1>share with others. I think that's the path to healing.

0:32:14.440 --> 0:32:17.040
<v Speaker 1>And I really deeply appreciate you saying.

0:32:16.800 --> 0:32:33.400
<v Speaker 5>That, hey, wow, good right next one.

0:32:34.480 --> 0:32:35.800
<v Speaker 3>What would be your last meal?

0:32:37.240 --> 0:32:39.480
<v Speaker 4>Okay, that's easy ish.

0:32:39.600 --> 0:32:42.640
<v Speaker 1>I think sushi is my favorite thing, like a really

0:32:42.760 --> 0:32:49.400
<v Speaker 1>sensational oh ma case of just the most beautiful fish

0:32:48.800 --> 0:32:52.280
<v Speaker 1>and just like in a really like clean and cozy,

0:32:53.000 --> 0:32:55.760
<v Speaker 1>subterranean restaurant.

0:32:56.400 --> 0:32:59.000
<v Speaker 2>Oh my god, I love Okay, there's a lot to

0:32:59.160 --> 0:33:03.720
<v Speaker 2>n Why do you want it to be subterranean?

0:33:04.440 --> 0:33:10.920
<v Speaker 1>I like the sort of like secret of dining spots

0:33:11.160 --> 0:33:14.120
<v Speaker 1>that aren't like the hipster dining spots. I used to

0:33:14.240 --> 0:33:16.280
<v Speaker 1>when I was in my twenties in the city, I

0:33:16.320 --> 0:33:20.120
<v Speaker 1>would conserve my entire week's paycheck just to have one

0:33:20.600 --> 0:33:24.560
<v Speaker 1>sushi lunch where all the Japanese businessmen went in the

0:33:24.600 --> 0:33:27.280
<v Speaker 1>forties and midtown during the day, and I would be

0:33:27.280 --> 0:33:29.800
<v Speaker 1>the only like twenty four year old girl like reading

0:33:29.840 --> 0:33:32.360
<v Speaker 1>like a copy of The New Yorker while like getting

0:33:32.400 --> 0:33:34.880
<v Speaker 1>search and but like checking the price because it's like, oh,

0:33:34.920 --> 0:33:36.960
<v Speaker 1>I don't have a corporate card, so I just this

0:33:37.040 --> 0:33:37.640
<v Speaker 1>is insane.

0:33:37.760 --> 0:33:39.880
<v Speaker 4>But the subterranean part, I don't know. I like when

0:33:39.920 --> 0:33:42.200
<v Speaker 4>things are under ground. I like sub.

0:33:43.400 --> 0:33:44.680
<v Speaker 3>I like like sub.

0:33:44.880 --> 0:33:45.520
<v Speaker 4>I like sub.

0:33:46.240 --> 0:33:50.240
<v Speaker 2>I like that sub is cozy. Yeah, as opposed to claustrophobic.

0:33:50.400 --> 0:33:53.400
<v Speaker 2>That's very interesting. I'm going to write that down.

0:33:53.680 --> 0:33:55.400
<v Speaker 3>Sub is cozy.

0:33:56.000 --> 0:33:58.200
<v Speaker 2>You might think about getting that needle point on a

0:33:58.240 --> 0:34:02.240
<v Speaker 2>pillow t shirt. I might even make that for you, Lisa,

0:34:02.760 --> 0:34:03.960
<v Speaker 2>sub is cozy?

0:34:06.280 --> 0:34:06.960
<v Speaker 3>So hard.

0:34:07.880 --> 0:34:11.960
<v Speaker 2>Also, just because you mentioned that you might be.

0:34:12.080 --> 0:34:12.560
<v Speaker 1>O c D.

0:34:13.000 --> 0:34:16.320
<v Speaker 2>Yes, I've always thought that sushi is the perfect food

0:34:16.560 --> 0:34:20.279
<v Speaker 2>for someone who is OCD because it is so just

0:34:21.040 --> 0:34:27.000
<v Speaker 2>painfully beautifully arranged and symmetrical and even and organized.

0:34:27.280 --> 0:34:29.520
<v Speaker 3>Is that part of why you love it? Do you think?

0:34:30.280 --> 0:34:30.600
<v Speaker 4>Yes?

0:34:30.600 --> 0:34:32.560
<v Speaker 1>But until you have said it, I would never have

0:34:32.640 --> 0:34:37.560
<v Speaker 1>made that connection. But absolutely, it's a stunning connection.

0:34:37.600 --> 0:34:42.120
<v Speaker 2>It's an organized, sub cozy, totally fish first.

0:34:42.280 --> 0:34:45.640
<v Speaker 1>Wow, I feel like you understand me so well. It's

0:34:45.719 --> 0:34:48.799
<v Speaker 1>just like, does everybody feel the way with you?

0:34:49.160 --> 0:34:51.759
<v Speaker 2>I don't think so. I don't think so.

0:34:51.840 --> 0:34:52.120
<v Speaker 4>All.

0:34:52.160 --> 0:34:54.160
<v Speaker 2>There's a few people I'd like you to call. Actually,

0:34:54.160 --> 0:34:58.759
<v Speaker 2>on my behalf, I bet you not understanding fifty P

0:34:58.960 --> 0:35:02.000
<v Speaker 2>face because if you things I've learned while talking to her.

0:35:02.239 --> 0:35:06.320
<v Speaker 3>She is everything. Did you tell her what your favorite

0:35:06.320 --> 0:35:08.200
<v Speaker 3>food was? She would make it feel so much better?

0:35:09.040 --> 0:35:09.680
<v Speaker 4>Exactly.

0:35:10.719 --> 0:35:13.080
<v Speaker 3>I love that that's your last meal, all right?

0:35:13.200 --> 0:35:17.279
<v Speaker 2>We've arrived here at our last question, which feels really

0:35:17.320 --> 0:35:18.920
<v Speaker 2>strange and like too soon.

0:35:20.600 --> 0:35:21.719
<v Speaker 3>In your life.

0:35:21.880 --> 0:35:25.040
<v Speaker 2>Can you tell me about something that has grown out

0:35:25.040 --> 0:35:26.240
<v Speaker 2>of a personal disaster.

0:35:27.000 --> 0:35:30.120
<v Speaker 1>I suppose what my husband and I say a lot

0:35:30.280 --> 0:35:34.239
<v Speaker 1>is that if my dad were still alive, he would

0:35:35.160 --> 0:35:35.960
<v Speaker 1>convinced me.

0:35:36.040 --> 0:35:37.640
<v Speaker 4>Not to marry my husband.

0:35:38.320 --> 0:35:42.080
<v Speaker 1>And so he says, at the very least, because your

0:35:42.160 --> 0:35:46.320
<v Speaker 1>dad died, you were able to get to me, because

0:35:46.320 --> 0:35:47.239
<v Speaker 1>he wouldn't have let you.

0:35:48.680 --> 0:35:52.080
<v Speaker 2>I mean, Michael, the first of all, your husband's so dark,

0:35:52.360 --> 0:35:53.240
<v Speaker 2>that's so funny.

0:35:53.560 --> 0:35:54.360
<v Speaker 3>Is that true?

0:35:54.920 --> 0:35:57.879
<v Speaker 1>I think it is, Like I think my mom would

0:35:57.880 --> 0:36:02.000
<v Speaker 1>have loved him and said that like he was the

0:36:02.000 --> 0:36:05.840
<v Speaker 1>better half, and my dad should have liked him but

0:36:05.920 --> 0:36:11.400
<v Speaker 1>would have been too suspicious of his differences, because like

0:36:11.440 --> 0:36:16.040
<v Speaker 1>my dad was severe OCD and this is severe ADHD, which,

0:36:16.280 --> 0:36:19.359
<v Speaker 1>unless you are like reading a manual, you're just like,

0:36:19.400 --> 0:36:19.759
<v Speaker 1>why is.

0:36:19.760 --> 0:36:21.280
<v Speaker 4>This person's just fucking asshole?

0:36:21.400 --> 0:36:24.040
<v Speaker 1>Like if you have an entirely different disease, you're just

0:36:24.120 --> 0:36:26.080
<v Speaker 1>like you're an asshole, and the person's like, I'm not.

0:36:26.200 --> 0:36:27.840
<v Speaker 4>I just have the same problems you do.

0:36:27.960 --> 0:36:29.960
<v Speaker 1>They're just over here, and it's like you know, so

0:36:30.239 --> 0:36:34.799
<v Speaker 1>I know because I'm unable to recognize his disorders in

0:36:34.840 --> 0:36:37.640
<v Speaker 1>favor of mine. That my father, who also had OCD

0:36:37.760 --> 0:36:40.879
<v Speaker 1>and was similar to me and controlling and all of that,

0:36:41.120 --> 0:36:43.799
<v Speaker 1>would have had similar issues with him.

0:36:44.480 --> 0:36:49.080
<v Speaker 3>God, that's so interesting. Wait, what's your daughter like? She's

0:36:49.680 --> 0:36:52.400
<v Speaker 3>a wild You didn't talk about her.

0:36:53.280 --> 0:36:54.880
<v Speaker 4>She's a wild beast.

0:36:55.200 --> 0:36:57.160
<v Speaker 1>We were doing this thing the other night where I

0:36:57.200 --> 0:36:59.200
<v Speaker 1>was just like, all I do is talk about feelings.

0:36:59.200 --> 0:37:01.400
<v Speaker 1>All I do is and I feel like I have

0:37:01.480 --> 0:37:04.960
<v Speaker 1>an avoidant child, like my avoidant husband, and I'm just like,

0:37:05.040 --> 0:37:07.480
<v Speaker 1>oh my god. So like the other day, we're in

0:37:07.520 --> 0:37:09.680
<v Speaker 1>bed and you know, we're like reading and she'll say

0:37:09.719 --> 0:37:12.360
<v Speaker 1>something like roundbreaking, like so and so said this to

0:37:12.440 --> 0:37:14.239
<v Speaker 1>me and it made me feel blah blah blah. And

0:37:14.440 --> 0:37:16.560
<v Speaker 1>then she'll just stop. And then she's like, wait, can

0:37:16.600 --> 0:37:18.520
<v Speaker 1>we read Babysitters Club? And I'm like, wait, you just

0:37:18.560 --> 0:37:21.160
<v Speaker 1>said something explosive we need to talk about. She's like, yeah,

0:37:21.200 --> 0:37:21.520
<v Speaker 1>I'm done.

0:37:21.560 --> 0:37:24.000
<v Speaker 4>I got it out. And I'm like, but you didn't

0:37:24.040 --> 0:37:24.399
<v Speaker 4>get it out.

0:37:24.440 --> 0:37:26.319
<v Speaker 1>You said something and it was like explosive, and now

0:37:26.320 --> 0:37:28.560
<v Speaker 1>we used to talk about it and she was like, Mom,

0:37:28.960 --> 0:37:30.520
<v Speaker 1>I'm done, I got it out.

0:37:30.719 --> 0:37:33.320
<v Speaker 4>We're done. We can close that up put it away,

0:37:33.680 --> 0:37:36.120
<v Speaker 4>and I was like, you can't. And then she's like,

0:37:36.160 --> 0:37:36.880
<v Speaker 4>tell me a story.

0:37:36.920 --> 0:37:38.560
<v Speaker 1>So I was like fine, and then I was like,

0:37:38.600 --> 0:37:41.239
<v Speaker 1>in a dark wood behind you know the stories kids love,

0:37:41.360 --> 0:37:43.640
<v Speaker 1>in a dark coffin, there's a dark locket. In the

0:37:43.719 --> 0:37:48.719
<v Speaker 1>dark locket, are your feelings boxes? Feelings are there? And

0:37:48.800 --> 0:37:51.440
<v Speaker 1>she started laughing hysterically.

0:37:51.239 --> 0:37:54.439
<v Speaker 4>And I'm like, oh my god, you're laughing because that's

0:37:54.440 --> 0:37:55.719
<v Speaker 4>really what's going on.

0:37:56.120 --> 0:37:57.719
<v Speaker 1>Like I'm never going to be able to get in

0:37:57.800 --> 0:38:01.759
<v Speaker 1>there either, another box that I must spend the rest

0:38:01.840 --> 0:38:03.359
<v Speaker 1>of my life trying to crawl into.

0:38:03.520 --> 0:38:05.880
<v Speaker 3>I don't want to, Oh my god. But at least

0:38:06.800 --> 0:38:08.040
<v Speaker 3>sub is cozy.

0:38:08.560 --> 0:38:13.560
<v Speaker 2>So you're spending time underground looking through in the box

0:38:13.680 --> 0:38:16.359
<v Speaker 2>in the locket, in the box in the lock you

0:38:16.400 --> 0:38:21.799
<v Speaker 2>will enjoy.

0:38:22.239 --> 0:38:24.279
<v Speaker 1>I swear to god, I don't know that I've ever

0:38:24.360 --> 0:38:28.560
<v Speaker 1>felt more understood, like at all. And like I said,

0:38:28.600 --> 0:38:30.719
<v Speaker 1>I feel like when people come over and see our

0:38:30.800 --> 0:38:34.319
<v Speaker 1>dog and they're like so much, and it's like that

0:38:34.320 --> 0:38:36.759
<v Speaker 1>dog acts like that with everybody. I feel like a

0:38:36.760 --> 0:38:37.640
<v Speaker 1>little bit that way.

0:38:37.760 --> 0:38:40.799
<v Speaker 4>Now I'm like, oh my god, Mini is really get

0:38:40.840 --> 0:38:41.000
<v Speaker 4>to me.

0:38:44.000 --> 0:38:44.640
<v Speaker 3>Everybody.

0:38:46.120 --> 0:38:47.880
<v Speaker 2>It's because I love you, and I think I know

0:38:48.000 --> 0:38:49.719
<v Speaker 2>you because of reading your books, and.

0:38:49.640 --> 0:38:51.680
<v Speaker 3>Also you're just wonderful.

0:38:52.440 --> 0:38:56.440
<v Speaker 2>You're wonderful, like you're wonderful to talk to, and your

0:38:56.480 --> 0:39:00.160
<v Speaker 2>books change the way people feel, and they are comforting

0:39:00.239 --> 0:39:02.319
<v Speaker 2>and they are the best companion. I've had them on

0:39:02.440 --> 0:39:07.160
<v Speaker 2>many hard journeys. And it's really cool to be able

0:39:07.200 --> 0:39:09.319
<v Speaker 2>to sit and talk and you're so generous to talk

0:39:09.320 --> 0:39:12.640
<v Speaker 2>about painful things and things that we traditionally don't talk about.

0:39:12.760 --> 0:39:14.719
<v Speaker 2>You know what's cool is like maybe your daughter will

0:39:14.719 --> 0:39:16.960
<v Speaker 2>listen to this one day, and like you are just

0:39:17.000 --> 0:39:20.319
<v Speaker 2>demonstrating what it is to investigate.

0:39:20.840 --> 0:39:22.440
<v Speaker 3>It's good for all of us to do that. So

0:39:22.680 --> 0:39:25.680
<v Speaker 3>thank you so much. You're amazing.

0:39:25.719 --> 0:39:29.360
<v Speaker 4>I think you so much. Truly, You're welcome.

0:39:29.719 --> 0:39:30.960
<v Speaker 3>You're very welcome.

0:39:33.480 --> 0:39:36.719
<v Speaker 2>Mini Questions is hosted and written by Me, Mini Driver

0:39:37.600 --> 0:39:41.760
<v Speaker 2>Executive produced by Me and Aaron Kaufman, with production support

0:39:41.840 --> 0:39:45.240
<v Speaker 2>from Jennifer Bassett, Zoe Denkler, and Ali Perry.

0:39:45.800 --> 0:39:48.000
<v Speaker 3>The theme music is also by Me.

0:39:48.560 --> 0:39:52.799
<v Speaker 2>And additional music by Aaron Kaufman. Special thanks to Jim

0:39:52.880 --> 0:39:58.840
<v Speaker 2>Nikolay Addison, O'Day, Henry Driver, Lisa Castella, Anik Oppenheim, A,

0:39:58.920 --> 0:40:00.800
<v Speaker 2>Nick Muller, and a net Wolfe.

0:40:00.840 --> 0:40:02.439
<v Speaker 3>A w kPr, Will

0:40:02.520 --> 0:40:07.840
<v Speaker 2>Pearson, Nikki Itoor, Morgan Lavoy and Mangesh had Tiggadore