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Speaker 1: And That's what you really missed with Jenna.

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Speaker 2: And Kevin an iHeartRadio podcast.

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Speaker 1: Welcome to and That's what You Really miss podcast. We

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Speaker 1: are recapping. Hello Kevin, Hello, and hello Tally Oh, our

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Speaker 1: dear friend is here.

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Speaker 3: So happy to be back on the pod.

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Speaker 1: We are so happy to have you here to recap

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Speaker 1: this weird episode.

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Speaker 2: So as it happened, Kelly and I are together in Vegas,

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Speaker 2: and you know, I was going to have to leave

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Speaker 2: our group to come do this, and I was like,

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Speaker 2: you want to come, come do this?

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Speaker 3: I got nothing to do, and so he walked tested.

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Speaker 2: Because Kelly also has a very important perspective in perspective

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Speaker 2: because he was in the writer's room during this, and

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Speaker 2: so you remember all of the shenanigans and debacles and

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Speaker 2: things also the things that we may not know. And

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Speaker 2: Jenna was not on the show.

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Speaker 1: Now, yes, that's right, I wasn't here. Okay, wait, let's

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Speaker 1: get through all of the news and all that fun

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Speaker 1: stuff so we can interrogate Kelly for all of his secrets.

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Speaker 2: So notes, by the way, and took notes.

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Speaker 1: Okay, I can't wait. All right, So this is season five,

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Speaker 1: episode sixteen. This is Tested and this aired on April fifteenth,

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Speaker 1: twenty fourteen, the.

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Speaker 2: Number one song in the country was still Happy. It's

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Speaker 2: just I think it's literally like ten weeks at.

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Speaker 1: Number one or it's fine, and the number one movie

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Speaker 1: is still Captain America Winter Soldier, as it should be.

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Speaker 2: And now the new format for every episode is to

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Speaker 2: release a digital ep like that was some big revolutionary yeah, totally,

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Speaker 2: featuring four tracks from the episode for digital download only.

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Speaker 1: And on April fifteen, the Ryan did a Q and

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Speaker 1: A with some press outlets discussing them last few episodes

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Speaker 1: of Scenism five and he gave a preview of what's

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Speaker 1: to come in season six. Okay, so he talked about

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Speaker 1: how they had to pivot after Corey's death, of course,

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Speaker 1: and the writers decided to shift the show to New

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Speaker 1: York or deciding to shift the show to New York

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Speaker 1: gave them a fresh start and allowed Glee to return

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Speaker 1: to its roots, which now after watching the last few episodes,

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Speaker 1: I agree. He also said that the final season is

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Speaker 1: really its own story and its own location, and while

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Speaker 1: the New York step will be alive, the final season

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Speaker 1: is not New York centric at all, and he noted

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Speaker 1: there will be a time jump for the final episodes,

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Speaker 1: which like after it feels a little erratic. I don't

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Speaker 1: know if you feel like this, because we did find

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Speaker 1: our roots again in this like New York spinoff esque

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Speaker 1: back season five, and like it's so good and focused

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Speaker 1: and clear and like we love everybody, and the storylines

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Speaker 1: are like, oh, there's time to let them breathe and

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Speaker 1: like there's enough forever, and then all of a sudden,

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Speaker 1: it's like it's not that at all. Let's go to

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Speaker 1: season Yeah, do you remember confusing?

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Speaker 3: It was like I don't. I do remember that sort

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Speaker 3: of shift, and I think because there was the split, right,

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Speaker 3: the graduation split that happened in season three four? Oh, yes,

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Speaker 3: season three, and then so I do remember that sense

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Speaker 3: of like, okay, let's get these kids out of school,

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Speaker 3: like who was still there. Let's like kind of wrap

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Speaker 3: that up and then and then like sort of explore

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Speaker 3: this New York thing. This is This was a trend

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Speaker 3: always with the writers room and with Ryan. He just

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Speaker 3: it was like always just he would pull that out

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Speaker 3: of his brain without but sometimes with very little explanation.

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Speaker 3: So he kind of just come in and be like,

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Speaker 3: this is what we're gonna do now.

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Speaker 1: So you know.

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Speaker 3: It's like even though like him saying like in the press,

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Speaker 3: like this is what season six is going to be,

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Speaker 3: It's like that kind of stuff is always just I

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Speaker 3: think percolating in his mind more so something he's bringing

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Speaker 3: forth like you learn it, yeah, yeah, kind and that's

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Speaker 3: not in any kind of nefarious way. It's just because

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Speaker 3: he I think that's just how he works.

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Speaker 1: Like yeah, oh yeah.

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Speaker 3: I mean we've talked about that too.

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Speaker 2: When he's rewritten scenes on the spot or anything like that,

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Speaker 2: his brain is always just.

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Speaker 3: There would be like there would be days and days

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Speaker 3: of trying to break a story and it's just not

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Speaker 3: coming out right, and just redoing it, and then after

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Speaker 3: three days he'd just come in and he'd be like,

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Speaker 3: this is what we're gonna do, and it would be

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Speaker 3: like everything makes sense the right. Yeah, So there was

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Speaker 3: definitely I definitely remember the energy of like let's shift

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Speaker 3: more into this New York thing, Let's put them in

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Speaker 3: in more like these like you said, there's more time,

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Speaker 3: there's more space for things to reade. It's like more

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Speaker 3: like a real life application. You're not like in the

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Speaker 3: microcosm of this school.

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Speaker 2: Enjoyed getting to do that.

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Speaker 3: I think there was definitely definitely an energy of like, okay,

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Speaker 3: we're we can tell some adult storylines. We can't get

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Speaker 3: these people into some like you know that we can start,

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Speaker 3: their careers can begin, rather than it just being sort

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Speaker 3: of in the in the microcosm of the school.

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Speaker 1: Well, speaking of adult conversations, this episode is mature, So.

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Speaker 2: With adult conversations. Oh yeah, Palm the crane is back

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Speaker 2: to direct this. And I really enjoyed working with.

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Speaker 1: Paul because like a second time around.

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Speaker 2: Yeah, because Paul is like a very steady hand. He

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Speaker 2: wasn't there all the time. He came in like pretty infrequently. Yes,

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Speaker 2: but I will say too, I'll speak to the I

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Speaker 2: liked him because the vibe on set. It was towards

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Speaker 2: the end of a difficult year. You start to get

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Speaker 2: a bit of senior itis, everybody does, and I distinctly

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Speaker 2: remember him coming in and just being like.

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Speaker 3: We're still at work.

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Speaker 2: This is what we're doing.

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Speaker 3: Had a vision kind of.

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Speaker 1: Like the way he did it when he came in

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Speaker 1: earlier on, when he did Public Master with us. I

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Speaker 1: mean that was actually earlier on, but the same vibe

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Speaker 1: we need for sure.

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Speaker 2: It was very and I think people were shocked because

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Speaker 2: he's not like one of our oldest friends that come

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Speaker 2: in there, because you know, we had great relationships with

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Speaker 2: so many directors and he was newer, and so having

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Speaker 2: somebody come in like as you know, we reference it

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Speaker 2: like to our own home and then it's sort of

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Speaker 2: like correcting the ship was a shock for some people,

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Speaker 2: and I think it was very good.

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Speaker 1: I just want to note also before we get into

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Speaker 1: the episode, there was a Variety article that came out

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Speaker 1: this month and it it pegged the one hundred greatest

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Speaker 1: TV performances of the twenty first century, and Naya Rivera

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Speaker 1: is one of those one hundred.

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Speaker 2: Number seventy eight.

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Speaker 1: Yeah, that's right, seventy eight.

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Speaker 2: Girl deserved should be higher. But also there's think about

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Speaker 2: this too. This is in the era of streaming where

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Speaker 2: there's more TV than ever.

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Speaker 1: That's what I'm saying. Like that, then it's a crowded

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Speaker 1: space and for her to make that mark is actually remarkable.

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Speaker 3: And they only pack one from each show, Yeah, one

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Speaker 3: character from each show, and I think it's very I

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Speaker 3: think that in a lot of ways, there's so many

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Speaker 3: I think Glee's strength is its characters and its breadth

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Speaker 3: of characters, and that's like really, I think what excites

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Speaker 3: people about it, But when you look at the whole show,

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Speaker 3: I think when it comes to Santana, there's like a

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Speaker 3: real that's like a really important through line and arc.

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Speaker 3: I think she's kind of the character that changes the

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Speaker 3: most that you you know, at the beginning, you know

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Speaker 3: she's she's kind of starts as a stock mean girl.

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Speaker 3: Then by the end of it, she is, you know,

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Speaker 3: as intro complex as anyone ever was. And you know

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Speaker 3: when you look at like Rachel and Mercedes and you know,

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Speaker 3: Tina and Artie and Kurt, these characters are they kind

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Speaker 3: of are they grow it, but they don't change. They're

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Speaker 3: more contained. Yeah, they they're who they are always. And

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Speaker 3: I think with Santana, I'm very glad they highlighted Santana

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Speaker 3: and Naya, but Santana because I think there's there's so

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Speaker 3: much goes on in her, you know, coming to terms

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Speaker 3: with her queer identity and yeah, and really like becoming

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Speaker 3: a star and knowing star as someone who comes from

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Speaker 3: the back is I think it's just uh, yeah, I'm

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Speaker 3: glad they highlighted that, and I think it's well deserved.

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Speaker 2: And testing it to Naya's abilities as an actor, because

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Speaker 2: I mean, as we'd tell you, like as we've gotten

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Speaker 2: to like New York episodes, how good she is at

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Speaker 2: everything comedy, drama, singing. Obviously everybody is, but like.

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Speaker 1: Put her up against Leah too, like they're going head

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Speaker 1: to head in this entire season, and like they just

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Speaker 1: make each other better because they're so they're both excellent.

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Speaker 1: So let's talk about the songs we have Addicted to

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Speaker 1: Love and that's performed by Arty.

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Speaker 2: I want to know what love is performed by Mercedes

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Speaker 2: and the church choir.

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Speaker 1: Love is a Battlefield by Blaine and Kurt, and.

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Speaker 2: Let's Wait a While performed by Arti and Mercedes with

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Speaker 2: Sam and Julie.

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Speaker 1: Yes, that's right.

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Speaker 3: That was funny. That really did come in at the end, there,

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Speaker 3: didn't they with their little.

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Speaker 2: Groups so funny when we get to that, I haven't

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Speaker 2: I have memories for filming that.

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Speaker 1: Yeah, I feel like we're going to get into this

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Speaker 1: episode and there's just so much for you to share.

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Speaker 1: Kevin and obviously Telly behind the scenes what was happening,

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Speaker 1: But like because there's there's there's like very clear storylines,

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Speaker 1: but like I want to hear about Kevin's experience in this.

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Speaker 1: So this episode marked Kurt's hundredth appearance. Everybody's trucking along.

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Speaker 1: Now everybody's making their hundred and.

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Speaker 2: The apartment scene where Artie informs the guys of his STD.

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Speaker 2: The end credits of Glee, specifically Frenemies can be seen

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Speaker 2: on the t.

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Speaker 3: That's in my notes.

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Speaker 2: I got that.

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Speaker 3: I've noticed that too.

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Speaker 1: That's great. I didn't see that. That's really funny. During

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Speaker 1: the original broadcast of this episode, Leah, Darren, Court and

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Speaker 1: Ryan tweeted live because that's what we were doing.

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Speaker 3: That is so funny. I didn't mean to the point.

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Speaker 2: It was detrimental, to the point where like people would

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Speaker 2: be taken out of scenes to have to go like

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Speaker 2: sit in the office, and it was such a problem. Yeah,

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Speaker 2: it was so weird. Anyway, this episode marked the end

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Speaker 2: of my streak. Every episode since the premiere, I would

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Speaker 2: be absent from the next two episodes, as well as

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Speaker 2: multiple episodes. Kevin, Wow, this is the time we've talked

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Speaker 2: about it. Where I Paul Ryan months before this asked

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Speaker 2: if I could do a movie.

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Speaker 3: He said yes.

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Speaker 2: Not everybody in production was stoked about that because it

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Speaker 2: would be an issue to work out the schedule. It

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Speaker 2: was not thrown down the chain like it was supposed

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Speaker 2: to be, and I was supposed to be off this

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Speaker 2: week because.

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Speaker 1: I was working based on what we recapped last week.

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Speaker 1: It seems like they thought last week you were supposed

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Speaker 1: to be off.

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Speaker 2: Yes, because I was barely in that episode, and I

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Speaker 2: was one of the main storylines in this episode, which

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Speaker 2: I think you can see, and what I will critically

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Speaker 2: say of myself not the greatest performance because I was

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Speaker 2: stretched so that I was in Connecticut, flying to LA

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Speaker 2: doing those weekend things, and then we were also doing

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Speaker 2: exteriors in New York at the exact same time.

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Speaker 1: You're very you used to be very solid deprecating, and

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Speaker 1: you still are, but not quite as badly. I'm worrying,

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Speaker 1: and and not even on the show, like I feel

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Speaker 1: like as we rewatched, like we've actually taken more credit

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Speaker 1: where it's due. That we were working hard and we

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Speaker 1: were like, okay, I could watch that again, like that

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Speaker 1: that's fine. Now we don't like to watch ourselves. But

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Speaker 1: I think you did grain this episode. I would never

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Speaker 1: have known. I never would have known, and I feel

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Speaker 1: like it was interesting and different and like everybody was involved,

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Speaker 1: and I really enjoyed this whole boy storyline that was

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Speaker 1: kind of driven by Artie's STDs.

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Speaker 2: It was really fun to we were not getting into

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Speaker 2: this now, I guess, but it was. It was very

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Speaker 2: fun to film with all the boys because that didn't

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Speaker 2: normally happen and we were all New York together.

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Speaker 1: And we you know, it is different, like we don't

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Speaker 1: get to see that, like you see boys versus girls, right,

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Speaker 1: like we've seen that throughout through the test of time. Ugly,

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Speaker 1: but like to watch a whole storyline, like an a

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Speaker 1: storyline happened with just the guys and like Leah's in

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Speaker 1: one scene I think in this whole episode. Yeah, it's

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Speaker 1: it's really fun. And you guys got to go Serendipity.

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Speaker 2: It was a full day at Serendipity.

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Speaker 1: I'm so jealous. I'm so jas.

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Speaker 2: I had never been before, so that's one of those threes.

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Speaker 2: So I had to come in from Connecticut. I think

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Speaker 2: they had to start filmed something earlier than if I

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Speaker 2: remember correctly. Then we shot those two scenes in Serendipity

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Speaker 2: the back half of the day because I wasn't be

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Speaker 2: able to make it earlier.

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Speaker 1: Okay, before we get into the too, tell you I'm

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Speaker 1: curious to hear, like what was going on in the

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Speaker 1: writer's room, Like was.

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Speaker 2: There any talk of the scheduling?

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Speaker 3: Oh no, okay, yeah, this this scheduling debacle feels to

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Speaker 3: me like indicative of the follies of Glee and the

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Speaker 3: so many balls in the air that summer bound to

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Speaker 3: be dropped somewhere along the line. You know, this is

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Speaker 3: later in the season. I think, what episode is this

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Speaker 3: in the season? Yeah, sixteen, So we're like getting we're

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Speaker 3: in the back half now, and the writer's room was

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Speaker 3: like a log jam at this point. So it's like

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Speaker 3: we are we are putting out acts of the next

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Speaker 3: episode while we're rewriting and finishing the previous one. And

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Speaker 3: you know, it's like there would be times when we're

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Speaker 3: filling like three episodes at once. Yeah, kind of finishing this,

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Speaker 3: doing that, getting that, because the songs all have to

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Speaker 3: be cleared, and then there's a union in New York,

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Speaker 3: and then there's a unit in a back in LA

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Speaker 3: and so you know, at this time, it's like I

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Speaker 3: was the script coordinator, so I was balanced. I was

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Speaker 3: juggling many scripts at a time, yes, and you know,

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Speaker 3: and then revisions and then this and that, so It's

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Speaker 3: hard to pinpoint exactly like what was going on with

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Speaker 3: this episode because this was sort of the time of

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Speaker 3: year where everything was happening, things were moving, we were

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Speaker 3: getting to the end of the season, trying to land

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Speaker 3: the plane.

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Speaker 1: So yeah, for sure, I remember it was ever hectic.

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Speaker 3: It was just that we had to keep we had

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Speaker 3: to keep a balance, We had to keep things, we

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Speaker 3: had to keep things clear, everything, We had to know

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Speaker 3: what we.

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Speaker 1: Were doing well, and to shoot multiple episodes because you're

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Speaker 1: in New York. You have to take advantage of so

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Speaker 1: many talent being in.

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Speaker 2: New York at what you need. You need the episode

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Speaker 2: in advance.

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Speaker 3: Yes, strong, right, So this was yeah, we would I

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Speaker 3: remember too. I think there were maybe two or three

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Speaker 3: New York units, but it was we kind of have

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Speaker 3: to get a few episodes up and then and then

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Speaker 3: you know, plan the week in New York and shoot

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Speaker 3: a few of those all at once.

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Speaker 1: Got it.

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Speaker 2: The official Fox publicity summary for this is when the

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Speaker 2: boys get tested for STDs. Already tests positive for a

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Speaker 2: disease and he's forced to tell his sexual partners. Meanwhile,

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Speaker 2: Kurt and Blaine have relationship issues when Blaine puts on

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Speaker 2: his freshman fifteen.

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Speaker 1: Okay, there's three big storylines here, like really big storylines,

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Speaker 1: and they all intertwine in some way, which which is

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Speaker 1: why I appreciate these the smaller cast, the more focused storylines,

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Speaker 1: because they're intertwining. But they have their own thing, like

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Speaker 1: already you have your own thing at school. Sam's dealing

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Speaker 1: with the STD thing, but then also Mercedes, and then

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Speaker 1: Blaine's also there but dealing also with Kurt and feeling insecure,

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Speaker 1: and they're all really beautiful. Thought, everybody's performances were excellent

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Speaker 1: in this this episode. So Kevin Arty is a ladies man,

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Speaker 1: so I guess like you have found your stride. Yes,

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Speaker 1: rolling down those hallways.

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Speaker 3: A new set.

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Speaker 2: We love, a new set. I felt very important because

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Speaker 2: that set was built for Artie and that yes, that

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Speaker 2: was an La got it and so addicted to Love

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Speaker 2: was in La downtown in La As. My story about this,

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Speaker 2: and I've referenced it before, is that when I was

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Speaker 2: doing that montage and addicted to love of cooking up

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Speaker 2: with all the girls in my dorm room, that's when

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Speaker 2: Roger the ad came over to me and said, Taylor

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Speaker 2: Swift is here. What and if you see some of

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Speaker 2: those shots. We were going very quickly. All the girls

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Speaker 2: were there. I was, you know, like switching one wolf

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Speaker 2: butter for another. It's hot under those lights. I was

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Speaker 2: a little stanky with the wools, you know, sweaty comb

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Speaker 2: over happening. And then Roger Taylor Swift is here and

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Speaker 2: like we had known each like we knew each other. Yeah,

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Speaker 2: and and.

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Speaker 3: Everybody is dead silent.

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Speaker 2: I've like, everyone is so eerily quiet. I look up.

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Speaker 2: I'm like where like I knew. I thought maybe she

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Speaker 2: was like on Paramount and she wanted to see us,

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Speaker 2: Like fine, he said no, no, right behind me, he moves

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Speaker 2: and she just peaks around and it's like, hey ah,

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Speaker 2: she was filming something on one of the other stages.

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Speaker 2: And so then like you know, we hug, we chat

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Speaker 2: for a little bit, and then I'm so like weird,

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Speaker 2: I'm doing all these weird gesticulations because I'm like, I

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Speaker 2: probably smell. I became so self conscious. Oh my god,

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Speaker 2: that was going on. And it was like a really

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Speaker 2: small unit because it was just like a little set

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Speaker 2: with so it was not like at the full crew.

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Speaker 2: Did make me feel very famous, like Taylor fifty and

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Speaker 2: I'm in my head, I'm like I'm so sorry, I'm

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Speaker 2: the only one here. Like, I know you probably wanted

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Speaker 2: to see like somebody else, but like I'm well she.

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Speaker 1: Was like friends with like actual friends with like a

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Speaker 1: bunch of our casts.

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Speaker 2: Yeah that's super nice and like cool and yeah no

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Speaker 2: we chatted crack some jokes and I.

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Speaker 1: Just wow, that's exciting.

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Speaker 2: Yeah it was.

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Speaker 3: I loved that. I feel like that was the Glease

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Speaker 3: set sometimes felt like a clubhouse in that way where

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Speaker 3: it's like people would just roll up and roll in

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Speaker 3: and totally totally.

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Speaker 1: Yeah did in one direction, like why aren't they shooting

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Speaker 1: on there for a little while? Or am I am?

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Speaker 1: I like crazy?

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Speaker 2: Well what happened is around like the VMA's and a

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Speaker 2: war that people would shoot certain things for those or

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Speaker 2: touring footage. You when people have like the screen the

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Speaker 2: footage on the screen that the use for tours, they soundstages,

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Speaker 2: and sometimes they'd be a paramount and so they would

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Speaker 2: sort of come over or we'd hear about it and like, oh,

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Speaker 2: well we know them, and we would try to go.

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Speaker 1: Implement find them, right, get on the golf cart and

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Speaker 1: find them.

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Speaker 3: Okay.

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Speaker 1: So Addicted to love was great, Kevin. I really liked

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Speaker 1: it that was really fun. It seemed like there was

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Speaker 1: a lot of moving parts though to do that, and

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Speaker 1: like a lot of like little bits of segments shot

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Speaker 1: here and there and everywhere.

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Speaker 2: I guess I'm critical of my performance because and addicted

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Speaker 2: to love. I'm like Luke Edgemond had me like singing

379
00:19:37,920 --> 00:19:42,439
Speaker 2: from You're singing and like recording that was so hard

380
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Speaker 2: but also so satisfying. But the effort and Amber is

381
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Speaker 2: really good at this because Amber can sing with zero

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Speaker 2: effort and sounds so good.

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Speaker 1: Hmm.

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Speaker 2: The effort was you'll act it out. The effort was

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Speaker 2: not on my face.

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Speaker 1: I got it, I saying yeah yeah.

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Speaker 2: And there was one shot literally I have all these

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Speaker 2: dancers around me and we're downtown and I'm lit. It's

389
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Speaker 2: like I'm a star of the show, right, and there's

390
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Speaker 2: nothing happening on my face. My face is not moving.

391
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Speaker 2: And last night and I was watching it, like I'm

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Speaker 2: so tired, so I'm trying. I probably thought I was

393
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Speaker 2: giving something. I probably was trying my hardest, but nothing show. No.

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Speaker 1: Yeah, but I don't I actually I didn't notice that.

395
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Speaker 1: I thought you did great. And I also think that

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Speaker 1: you know more than we know. You know what I mean, like,

397
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Speaker 1: you know, more like I would have been like, yes,

398
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Speaker 1: he produces those vocals looking like that, because like it's TV.

399
00:20:40,280 --> 00:20:42,800
Speaker 2: Oh I wish I created those vocals at ease with

400
00:20:42,840 --> 00:20:45,639
Speaker 2: my face just like this is nothing. I don't know.

401
00:20:45,680 --> 00:20:47,480
Speaker 2: I was dying in that recording booth.

402
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Speaker 1: Yeah, well that was hard and that sounded great. It

403
00:20:50,080 --> 00:20:52,320
Speaker 1: was a great opening number if you asked me.

404
00:20:52,600 --> 00:20:55,600
Speaker 3: I love Also, it's like it's like classic Arty in

405
00:20:55,600 --> 00:20:57,399
Speaker 3: a way or two right, so it's like it's okay,

406
00:20:57,440 --> 00:21:00,240
Speaker 3: it feels a little effortless because at this point it's

407
00:21:00,280 --> 00:21:02,679
Speaker 3: like it just felt like right in the wheelhouse, like

408
00:21:02,720 --> 00:21:05,040
Speaker 3: this is what we expect from already love it.

409
00:21:06,000 --> 00:21:11,399
Speaker 1: You know, so Artie is dating Vanessa and Jessica, but

410
00:21:11,600 --> 00:21:16,760
Speaker 1: his real love is Julie, who is doing the narration

411
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Speaker 1: of his short film. What a pretentious dick. I just

412
00:21:23,000 --> 00:21:25,480
Speaker 1: love it because I can't imagine being in the writer's

413
00:21:25,520 --> 00:21:29,040
Speaker 1: room for that being like it just laughing, like how

414
00:21:29,400 --> 00:21:32,560
Speaker 1: how pretentious this all was? I filmed school. It's so

415
00:21:32,720 --> 00:21:33,240
Speaker 1: much fun.

416
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Speaker 2: I also we got to film that in the editing room. Oh.

417
00:21:39,240 --> 00:21:41,480
Speaker 1: We went to a real like one of.

418
00:21:41,440 --> 00:21:43,320
Speaker 2: The actual editing base of Glee. It was like one

419
00:21:43,320 --> 00:21:47,760
Speaker 2: of those like buildings, and it was on a Saturday,

420
00:21:47,800 --> 00:21:49,520
Speaker 2: and I felt I also just need to say, if

421
00:21:49,520 --> 00:21:53,040
Speaker 2: there's any crew that listened to this, I'm sorry. I

422
00:21:53,080 --> 00:21:56,840
Speaker 2: felt so like guilty and personally responsible for us having

423
00:21:56,880 --> 00:21:59,760
Speaker 2: to work Saturdays. Even though the scheduling conflict was not.

424
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Speaker 1: My your fault.

425
00:22:00,800 --> 00:22:04,439
Speaker 2: Yeah, I still felt responsible for because those are our family.

426
00:22:04,880 --> 00:22:07,520
Speaker 1: I know, I get it, but it was really wasn't

427
00:22:07,560 --> 00:22:11,960
Speaker 1: your fault, Like nobody you you got approved, they said, yes,

428
00:22:12,119 --> 00:22:15,280
Speaker 1: that's I know, Ryan, and then your pay grade so help.

429
00:22:15,480 --> 00:22:18,840
Speaker 2: Like Ryan was so great about anytime I passed him

430
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Speaker 2: on the lot, He's like, are you good? Is everything scheduled?

431
00:22:21,160 --> 00:22:26,320
Speaker 1: Like he was constantly like I'm barely alive, I'm barely breathing,

432
00:22:26,359 --> 00:22:28,560
Speaker 1: but yeah, you made it work, you know.

433
00:22:29,320 --> 00:22:32,479
Speaker 2: But he personally really pushed it through, and I obviously

434
00:22:32,560 --> 00:22:34,119
Speaker 2: that was that's great. I wouldn't have been able to

435
00:22:34,160 --> 00:22:36,040
Speaker 2: do that if he had not done that.

436
00:22:36,720 --> 00:22:40,760
Speaker 1: So everybody thinks that everybody's gonna go get tested. You

437
00:22:40,800 --> 00:22:43,160
Speaker 1: I'll go to Serendipity, which is, if you don't know,

438
00:22:43,240 --> 00:22:47,520
Speaker 1: like a famous tourist spot in New York where you

439
00:22:47,560 --> 00:22:50,840
Speaker 1: get the famous frozen hot chocolate. Used to go in college.

440
00:22:50,880 --> 00:22:53,680
Speaker 1: It was like a big treat and you guys got

441
00:22:53,680 --> 00:22:56,080
Speaker 1: to shoot there, which I was very jealous about.

442
00:22:56,200 --> 00:22:58,439
Speaker 3: I also just love the idea of these for it

443
00:22:58,600 --> 00:23:04,160
Speaker 3: like like young adult, like let's go to Serendipity.

444
00:23:04,040 --> 00:23:08,000
Speaker 1: And Blaine trying to feed Kurt this chocolate, Like, wholease

445
00:23:08,080 --> 00:23:08,399
Speaker 1: eat it?

446
00:23:08,680 --> 00:23:12,639
Speaker 2: It's so and the truth is that Kevin is Blaine

447
00:23:12,680 --> 00:23:13,440
Speaker 2: in this episode.

448
00:23:14,160 --> 00:23:17,000
Speaker 1: Fully did you get to eat the hot chocolate?

449
00:23:17,400 --> 00:23:20,920
Speaker 2: I had never been to Serendipity before, damn and so on.

450
00:23:21,240 --> 00:23:24,240
Speaker 2: They kept bringing us new ones every take because I

451
00:23:24,320 --> 00:23:26,760
Speaker 2: have fresh and you you know, I was in there

452
00:23:26,800 --> 00:23:31,800
Speaker 2: every time. I left that place so bloated. I'm severely

453
00:23:31,880 --> 00:23:34,920
Speaker 2: lack close intolerant. They are delicious, though, I'm like, that's

454
00:23:34,920 --> 00:23:38,119
Speaker 2: not sewing me down today. It was like the second

455
00:23:38,160 --> 00:23:40,200
Speaker 2: scene when we're there at the end of the episode

456
00:23:40,280 --> 00:23:42,399
Speaker 2: and they bring me that like one with the banana

457
00:23:42,520 --> 00:23:45,639
Speaker 2: in it. That whole scene we were fully out of character.

458
00:23:45,880 --> 00:23:51,480
Speaker 2: I was like, that's Kevin and I'm like no, like

459
00:23:51,560 --> 00:23:52,560
Speaker 2: I was not.

460
00:23:53,359 --> 00:23:54,520
Speaker 1: You guys are having a good time.

461
00:23:56,840 --> 00:23:59,119
Speaker 2: See another location, so we're going to use it a

462
00:23:59,119 --> 00:23:59,720
Speaker 2: couple of times.

463
00:24:00,000 --> 00:24:01,520
Speaker 1: You are going to use it a couple of times.

464
00:24:02,080 --> 00:24:13,560
Speaker 1: Square Park, so already finds out that you all go

465
00:24:13,640 --> 00:24:16,200
Speaker 1: get tested and then already actually is the one called

466
00:24:16,200 --> 00:24:18,800
Speaker 1: back because and you find out you have chlamythia, you

467
00:24:18,840 --> 00:24:23,479
Speaker 1: have an SDD because you haven't been using protection in

468
00:24:23,520 --> 00:24:27,600
Speaker 1: your early twenties. Like I don't know what world you

469
00:24:27,640 --> 00:24:30,000
Speaker 1: were living in in two thousand and eight, but like

470
00:24:30,119 --> 00:24:33,199
Speaker 1: everybody was using protection by that point, at least in

471
00:24:33,240 --> 00:24:33,840
Speaker 1: my world.

472
00:24:34,160 --> 00:24:38,560
Speaker 2: Yes, No, that's what I don't know. I don't know

473
00:24:38,600 --> 00:24:39,760
Speaker 2: what was wrong with him.

474
00:24:39,680 --> 00:24:43,960
Speaker 1: Especially with like you're sleeping with multiple people. Yeah, not

475
00:24:44,160 --> 00:24:47,760
Speaker 1: even like your girlfriend, Like, oh, it's not just kiddy.

476
00:24:47,920 --> 00:24:51,439
Speaker 2: Like what he's got it? But he's always had issues

477
00:24:51,480 --> 00:24:51,800
Speaker 2: with women.

478
00:24:51,960 --> 00:24:53,280
Speaker 1: Yes, yes, totally.

479
00:24:53,680 --> 00:24:57,320
Speaker 2: He doesn't know how to operate, to function properly with

480
00:24:58,160 --> 00:25:01,480
Speaker 2: I think it's just he's easily and if anyone likes him,

481
00:25:01,520 --> 00:25:03,440
Speaker 2: he likes them, you know. Yeah.

482
00:25:03,480 --> 00:25:05,800
Speaker 1: I mean the whole date thing with Julie because like

483
00:25:06,000 --> 00:25:09,320
Speaker 1: obviously she said she doesn't work, which sweet Stephanie, she's

484
00:25:09,320 --> 00:25:12,160
Speaker 1: so good in this. I love her so I think

485
00:25:12,160 --> 00:25:14,719
Speaker 1: she's so interesting to watch and so fun. But like

486
00:25:15,080 --> 00:25:17,320
Speaker 1: she says, no, she doesn't date anybody she works with,

487
00:25:17,400 --> 00:25:20,760
Speaker 1: and then she may changes her mind after already finds

488
00:25:20,760 --> 00:25:23,439
Speaker 1: out he has comdia and you have this you are

489
00:25:23,520 --> 00:25:28,080
Speaker 1: this std which we will get to, and she decided,

490
00:25:28,119 --> 00:25:29,840
Speaker 1: she's like, let's go out. So you guys go on

491
00:25:29,880 --> 00:25:33,879
Speaker 1: a date, but you're like extremely paranoid about it. Now,

492
00:25:34,200 --> 00:25:37,680
Speaker 1: how do you operate as already in that scene where

493
00:25:37,680 --> 00:25:42,160
Speaker 1: you're like I'm talking about like assuming that we're gonna

494
00:25:42,200 --> 00:25:46,040
Speaker 1: have sex, yeah, on a first date. I know you're

495
00:25:46,080 --> 00:25:49,119
Speaker 1: in college. I get it, you're in college, but like,

496
00:25:49,160 --> 00:25:52,080
Speaker 1: how do you operate like that? And just how do

497
00:25:52,119 --> 00:25:53,000
Speaker 1: you make that work?

498
00:25:53,800 --> 00:25:58,679
Speaker 2: I think he's just he's spiraling. He's fully spiraling because

499
00:25:59,280 --> 00:26:02,639
Speaker 2: I also love of the like slapstick comedy of the

500
00:26:03,400 --> 00:26:07,840
Speaker 2: hearing anything related to STIs when he watched The Diner

501
00:26:08,200 --> 00:26:12,160
Speaker 2: and Chris just being so straight delivering those lines.

502
00:26:13,840 --> 00:26:14,320
Speaker 1: So good.

503
00:26:15,040 --> 00:26:19,000
Speaker 2: My favorite Arty is already spiraling, Like that's great. That

504
00:26:19,119 --> 00:26:21,800
Speaker 2: is my favorite one to play, and like him trying

505
00:26:21,880 --> 00:26:24,919
Speaker 2: to like think he's being considerate bringing up sex in

506
00:26:24,920 --> 00:26:28,760
Speaker 2: advance because he's just been houring so he thinks everybody's

507
00:26:28,800 --> 00:26:31,960
Speaker 2: the same way he is, right right? How good is she?

508
00:26:32,520 --> 00:26:32,920
Speaker 3: So good?

509
00:26:33,160 --> 00:26:35,640
Speaker 2: So funny, She's so good and.

510
00:26:37,440 --> 00:26:41,840
Speaker 1: Unassuming, very just really really interesting, And I thought she

511
00:26:41,920 --> 00:26:43,760
Speaker 1: was a great pairing for you.

512
00:26:44,160 --> 00:26:47,840
Speaker 2: I had her back because she was I'm dying.

513
00:26:47,560 --> 00:26:53,200
Speaker 1: To know about this suit. Now. I thought you wore

514
00:26:53,280 --> 00:26:58,160
Speaker 1: this once in Washington Square, Park. I didn't realize this

515
00:26:58,320 --> 00:27:03,440
Speaker 1: makes an epic return. Multiple times in this episode.

516
00:27:02,920 --> 00:27:03,440
Speaker 3: Heat appeared.

517
00:27:03,560 --> 00:27:08,040
Speaker 2: I had fittings and it was not comfortable. It was

518
00:27:08,080 --> 00:27:12,760
Speaker 2: pretty stiff. It smelled like the inside of a new

519
00:27:13,280 --> 00:27:14,320
Speaker 2: like inner tube.

520
00:27:14,560 --> 00:27:16,960
Speaker 1: Did they have to fit it like around the chair

521
00:27:17,280 --> 00:27:17,880
Speaker 1: in the chair?

522
00:27:17,920 --> 00:27:19,800
Speaker 2: Like do they have to consider that on me?

523
00:27:20,119 --> 00:27:20,239
Speaker 1: Now?

524
00:27:20,480 --> 00:27:25,080
Speaker 2: It was the one the image that you had in

525
00:27:25,119 --> 00:27:26,080
Speaker 2: your head of Washing Square.

526
00:27:26,119 --> 00:27:26,320
Speaker 3: Park.

527
00:27:26,359 --> 00:27:30,560
Speaker 2: I also noticed I'm wearing my own coat in that

528
00:27:30,600 --> 00:27:34,159
Speaker 2: shot because it was so cold and already didn't have

529
00:27:34,200 --> 00:27:37,120
Speaker 2: a jacket, and I was like, I'm wearing mine.

530
00:27:37,760 --> 00:27:40,040
Speaker 1: These guys all look really cold in this episode, like

531
00:27:40,040 --> 00:27:42,200
Speaker 1: when Cord when you guys are doing the Janet song

532
00:27:42,280 --> 00:27:46,920
Speaker 1: and Chord is down by the river breath Jennet, I

533
00:27:46,960 --> 00:27:47,760
Speaker 1: could see their.

534
00:27:47,720 --> 00:27:50,240
Speaker 3: Brass we had in the water in the winter.

535
00:27:50,480 --> 00:27:52,960
Speaker 2: It was a big conversation. They gave us long john

536
00:27:53,000 --> 00:27:55,000
Speaker 2: so we all had long Johns under everything we were wearing.

537
00:27:55,040 --> 00:27:58,800
Speaker 2: We had those human pads eating and the pockets of

538
00:27:58,840 --> 00:28:01,520
Speaker 2: everything that we were wearing. But those only last so long.

539
00:28:01,560 --> 00:28:05,399
Speaker 2: Then they ran out and then it was like I

540
00:28:05,400 --> 00:28:08,760
Speaker 2: remember being in those trailers outside that carousel in Brooklyn

541
00:28:09,520 --> 00:28:11,280
Speaker 2: and we were all just like don't calls to the

542
00:28:11,359 --> 00:28:13,720
Speaker 2: very last second, please please. The heat was turned up

543
00:28:13,760 --> 00:28:15,760
Speaker 2: all the way in the trailers, like we're fragile, we're

544
00:28:15,760 --> 00:28:17,000
Speaker 2: not used to New York.

545
00:28:17,400 --> 00:28:19,360
Speaker 1: It reminds me of like the Super Bowl episode when

546
00:28:19,359 --> 00:28:21,800
Speaker 1: we were shooting at night and they had those heaters

547
00:28:22,040 --> 00:28:24,840
Speaker 1: and then like Michael Mally's jacket like lin on Bier,

548
00:28:25,560 --> 00:28:29,919
Speaker 1: because he was like too close to the heater. No,

549
00:28:30,040 --> 00:28:31,680
Speaker 1: it would be like up again, our cheeks would be

550
00:28:31,680 --> 00:28:34,479
Speaker 1: like up against that heater. I can't even imagine shooting

551
00:28:34,480 --> 00:28:35,639
Speaker 1: in the winter in New York.

552
00:28:36,760 --> 00:28:38,440
Speaker 2: Because you're out there and you're on the water, so

553
00:28:38,480 --> 00:28:39,600
Speaker 2: there's a breeze and it is.

554
00:28:39,720 --> 00:28:42,520
Speaker 1: Oh my god. Y'alla did a good job though, because

555
00:28:42,560 --> 00:28:46,080
Speaker 1: while you were performing that number, like I didn't, I wouldn't.

556
00:28:46,960 --> 00:28:49,240
Speaker 1: I didn't see it on you like you did a

557
00:28:49,240 --> 00:28:49,720
Speaker 1: great job.

558
00:28:50,280 --> 00:28:52,800
Speaker 2: That me the interesting thing about that scene. I wanted

559
00:28:52,800 --> 00:28:56,240
Speaker 2: to see if either of you caught it. But it's.

560
00:28:58,080 --> 00:29:01,480
Speaker 3: Julie's reaction to what's happening. Mm hmm.

561
00:29:01,720 --> 00:29:01,880
Speaker 2: Oh.

562
00:29:01,960 --> 00:29:04,480
Speaker 3: I was like fully expecting her to be like, I'm

563
00:29:04,480 --> 00:29:04,920
Speaker 3: out of here.

564
00:29:05,200 --> 00:29:06,880
Speaker 1: Yeah, yeah, yeah, you all.

565
00:29:06,760 --> 00:29:10,400
Speaker 2: Are weird because she's like, we were having that because

566
00:29:10,560 --> 00:29:13,480
Speaker 2: we're so used to we all sing all the time.

567
00:29:13,520 --> 00:29:16,440
Speaker 2: The characters are singing all the time, and when things

568
00:29:16,600 --> 00:29:19,120
Speaker 2: a music columba breaks out in real life when we're

569
00:29:19,120 --> 00:29:22,880
Speaker 2: not in a parent setting, we've never questioned it and

570
00:29:22,920 --> 00:29:25,520
Speaker 2: we don't ask what this looks like to everybody else,

571
00:29:25,600 --> 00:29:27,560
Speaker 2: like is it in our heads? Is it a dream sequence?

572
00:29:27,600 --> 00:29:31,280
Speaker 2: Like we don't really know? And all who doesn't do

573
00:29:31,320 --> 00:29:34,080
Speaker 2: the show often, and with Stephanie, who this is her

574
00:29:34,360 --> 00:29:40,360
Speaker 2: first episode, there was this conversation of like, do I

575
00:29:40,400 --> 00:29:43,760
Speaker 2: acknowledge that he's singing at me about that's wait a

576
00:29:43,760 --> 00:29:46,120
Speaker 2: while after I just told him I don't want to

577
00:29:46,160 --> 00:29:49,600
Speaker 2: have sex, but now he's singing about right, And I

578
00:29:49,600 --> 00:29:52,240
Speaker 2: think Paul was like, yeah, react, like how you would

579
00:29:52,240 --> 00:29:54,480
Speaker 2: react if something they just started singing at you.

580
00:29:54,880 --> 00:29:55,400
Speaker 1: Yeah.

581
00:29:55,560 --> 00:29:56,360
Speaker 3: And I really.

582
00:29:56,360 --> 00:30:00,600
Speaker 1: Joyed it because we don't often have a character that's

583
00:30:00,640 --> 00:30:03,480
Speaker 1: not in our world join the world for the whole

584
00:30:03,520 --> 00:30:07,480
Speaker 1: episode like that. It's very uncommon. Yes, she did great.

585
00:30:07,680 --> 00:30:10,200
Speaker 2: The break of like her being like what the is

586
00:30:10,240 --> 00:30:12,600
Speaker 2: going on? And then cut to her singing.

587
00:30:14,880 --> 00:30:17,080
Speaker 1: I bet even better.

588
00:30:17,520 --> 00:30:19,720
Speaker 3: That as like a yeah. I was like, oh, this

589
00:30:19,880 --> 00:30:23,840
Speaker 3: is very funny that these people are just singing the

590
00:30:23,880 --> 00:30:25,400
Speaker 3: middle of the night walking around.

591
00:30:27,600 --> 00:30:31,400
Speaker 1: Well, good job, Kevin, thank you, yes, very good.

592
00:30:31,560 --> 00:30:36,920
Speaker 2: When I'm in that diner scene the date that is

593
00:30:36,960 --> 00:30:39,400
Speaker 2: when so Andrew Brooks was a PA on the show.

594
00:30:39,440 --> 00:30:43,080
Speaker 2: He's now a producer. He worked on Modern Family. He

595
00:30:43,240 --> 00:30:48,239
Speaker 2: was the new Telly, the new Megan. And because I

596
00:30:48,280 --> 00:30:50,280
Speaker 2: was so tired I had I had come from the

597
00:30:50,280 --> 00:30:55,280
Speaker 2: airport straight to set to film that scene, and my

598
00:30:55,400 --> 00:30:59,720
Speaker 2: brain was so fried that that whole little conversation that

599
00:30:59,760 --> 00:31:03,240
Speaker 2: I have with her about sex, I couldn't retain, Like

600
00:31:03,320 --> 00:31:05,840
Speaker 2: my brain was you, I'm sure you've had this happen

601
00:31:05,880 --> 00:31:09,720
Speaker 2: to you, like so tired that it does not stick YEP.

602
00:31:10,360 --> 00:31:11,880
Speaker 2: It had never happened to me on the.

603
00:31:11,840 --> 00:31:13,120
Speaker 3: Show like that.

604
00:31:14,360 --> 00:31:16,040
Speaker 1: That was my problem one.

605
00:31:17,000 --> 00:31:20,160
Speaker 2: So I had so literally the camera would be like

606
00:31:20,520 --> 00:31:25,120
Speaker 2: sound speed rolling, and I'm like, Andrew, say say it

607
00:31:25,120 --> 00:31:27,360
Speaker 2: to me, and so he would he would come in

608
00:31:27,440 --> 00:31:29,640
Speaker 2: and he would say the speech to me. I'd repeat

609
00:31:29,680 --> 00:31:32,000
Speaker 2: it back really quickly and like okay, go and then

610
00:31:32,040 --> 00:31:33,880
Speaker 2: they would call action and I would have to just

611
00:31:33,920 --> 00:31:37,040
Speaker 2: get it out and then and then between each take

612
00:31:37,040 --> 00:31:39,440
Speaker 2: I had him come back because I couldn't get through it.

613
00:31:39,480 --> 00:31:41,840
Speaker 2: I was staring at her and I'm like, I'm so sorry.

614
00:31:42,520 --> 00:31:45,920
Speaker 1: It just doesn't no like there's there's And then you

615
00:31:45,920 --> 00:31:49,000
Speaker 1: get like frustrated at yourself too, so like the emotion

616
00:31:49,120 --> 00:31:51,320
Speaker 1: and the frustration and then the panic that you're like

617
00:31:51,360 --> 00:31:53,960
Speaker 1: everybody's looking at me, just get it out there. All

618
00:31:54,000 --> 00:31:55,560
Speaker 1: want me to just like get this so we can

619
00:31:55,600 --> 00:31:59,240
Speaker 1: go home and move on, is like it's it's stabilitating.

620
00:31:59,560 --> 00:32:02,600
Speaker 2: Well, but that's when having a great relationship with the

621
00:32:02,680 --> 00:32:06,680
Speaker 2: crew comes into play, because I was always you know,

622
00:32:06,760 --> 00:32:08,880
Speaker 2: I like the secrets and gossip and so I was

623
00:32:08,920 --> 00:32:12,120
Speaker 2: always very like tapped into how the crew was feeling,

624
00:32:12,600 --> 00:32:14,200
Speaker 2: and so when it was going on, I was very

625
00:32:14,240 --> 00:32:18,080
Speaker 2: communicative about because if somebody had shown up and done that, it's.

626
00:32:17,960 --> 00:32:19,560
Speaker 3: Like, well, why did you agree to you this movie?

627
00:32:19,600 --> 00:32:21,480
Speaker 2: If you can't do both of these jobs like that

628
00:32:21,600 --> 00:32:24,800
Speaker 2: is unprofessional and so I never want to be that person.

629
00:32:25,440 --> 00:32:28,600
Speaker 2: And in my memory, I was trying to like to

630
00:32:28,720 --> 00:32:31,520
Speaker 2: those that was closest to be like I'm so sorry, yeah,

631
00:32:32,000 --> 00:32:33,640
Speaker 2: barely hanging on. I'm going to try to get this

632
00:32:33,680 --> 00:32:35,560
Speaker 2: as quickly as possible, so I do not keep you

633
00:32:35,600 --> 00:32:37,640
Speaker 2: here because it was also the last end of the day.

634
00:32:38,200 --> 00:32:40,400
Speaker 1: It's also very of course it was last ye day.

635
00:32:40,680 --> 00:32:44,040
Speaker 1: It's very out of character for you. So like everybody

636
00:32:44,040 --> 00:32:46,560
Speaker 1: would be the most forgiving for Kevin because you are

637
00:32:46,640 --> 00:32:49,200
Speaker 1: friends of the whole crew. You respect them so deeply.

638
00:32:49,840 --> 00:32:51,760
Speaker 1: You don't act out, you know what I mean, You're

639
00:32:51,760 --> 00:32:55,360
Speaker 1: there for them. So like everybody's like, okay, you just

640
00:32:55,400 --> 00:32:57,560
Speaker 1: have to remember that. It's hard to remember in that moment,

641
00:32:57,600 --> 00:32:59,960
Speaker 1: of course, but like people are like very I'm sure

642
00:33:00,200 --> 00:33:01,000
Speaker 1: very forgiving of you.

643
00:33:01,160 --> 00:33:02,880
Speaker 2: That's what you know. It was nice to remember that.

644
00:33:02,920 --> 00:33:06,160
Speaker 2: I'm like, I know they know me. Yeah, yeah, like

645
00:33:06,480 --> 00:33:11,479
Speaker 2: I'm being irresponsible, Like I'm just having a night, Like

646
00:33:11,520 --> 00:33:12,720
Speaker 2: thanks for dealing with me.

647
00:33:13,280 --> 00:33:19,320
Speaker 1: Let's talk about these other storylines. So Kurt and Blaine, uh,

648
00:33:19,360 --> 00:33:22,800
Speaker 1: this whole montage of Blaine like living for all of

649
00:33:22,800 --> 00:33:25,600
Speaker 1: this food. I was like, are they talking to me?

650
00:33:28,880 --> 00:33:33,680
Speaker 1: Because the three of us love to eat so wow,

651
00:33:34,040 --> 00:33:35,840
Speaker 1: And it is true in New York, like you can

652
00:33:35,880 --> 00:33:39,160
Speaker 1: get anything in the tip of your fingers and the

653
00:33:39,160 --> 00:33:42,240
Speaker 1: freshman fifteen. I don't know if that's like not like

654
00:33:42,320 --> 00:33:45,800
Speaker 1: PC to say anymore. I don't know, but I at

655
00:33:45,800 --> 00:33:47,640
Speaker 1: the time, it was such a thing. Right, you go

656
00:33:47,680 --> 00:33:50,480
Speaker 1: to college and everybody happens.

657
00:33:50,880 --> 00:33:53,040
Speaker 3: Yeah, it's a new relationship.

658
00:33:53,920 --> 00:33:58,680
Speaker 1: Yeah, the love, the love handles. Yeah, some people are

659
00:33:58,720 --> 00:34:01,600
Speaker 1: like yeah, happy and you know what I mean, it happens,

660
00:34:02,800 --> 00:34:08,400
Speaker 1: but Blaine gets the freshman fifteen. My favorite scene of

661
00:34:08,440 --> 00:34:11,920
Speaker 1: that whole thing was when Kurt is now getting in

662
00:34:11,960 --> 00:34:14,960
Speaker 1: shape in class and everybody's complementing him and Blaine is

663
00:34:14,960 --> 00:34:17,279
Speaker 1: eating those chet pups and the.

664
00:34:17,320 --> 00:34:21,480
Speaker 3: Dust is ever wear that sweater and like on the

665
00:34:21,480 --> 00:34:24,400
Speaker 3: bench and like it was just like whoa, Like the

666
00:34:24,440 --> 00:34:28,680
Speaker 3: prop department must have had all of that cheeto doest

667
00:34:28,840 --> 00:34:30,360
Speaker 3: because I was like, I don't think A really, I

668
00:34:30,360 --> 00:34:32,600
Speaker 3: don't think the biggest bag of Cheetos would produce this.

669
00:34:35,160 --> 00:34:37,080
Speaker 2: Also, in what world are you allowed to do? Like

670
00:34:37,120 --> 00:34:40,360
Speaker 2: in class you're in a stage combat? No, I don't know.

671
00:34:40,760 --> 00:34:44,600
Speaker 2: He's just sitting there watching his like Muscley boyfriend. I mean,

672
00:34:44,800 --> 00:34:46,839
Speaker 2: let's talk about that for a second. Kurt with the

673
00:34:46,880 --> 00:34:48,880
Speaker 2: body tea he really.

674
00:34:48,640 --> 00:34:50,959
Speaker 1: What is the deal? Because like when did that happen

675
00:34:51,040 --> 00:34:51,359
Speaker 1: to Chris?

676
00:34:52,360 --> 00:34:56,040
Speaker 3: It was like these arms this, but this shirtless.

677
00:34:57,239 --> 00:35:00,160
Speaker 1: And that they got Chris to go shirtless too in

678
00:35:00,239 --> 00:35:04,640
Speaker 1: a scene was I was like, wow, like genuinely impressed

679
00:35:06,280 --> 00:35:07,279
Speaker 1: he was willing to do that.

680
00:35:07,520 --> 00:35:10,680
Speaker 2: Yeah, I also think this storyline when it got towards

681
00:35:10,719 --> 00:35:14,160
Speaker 2: the end, I was like, it's relatable to everyone. But

682
00:35:14,239 --> 00:35:18,239
Speaker 2: I also do think there is like a particular, particular,

683
00:35:18,480 --> 00:35:23,560
Speaker 2: oh my god, particular form of body dysmorphia in the

684
00:35:23,560 --> 00:35:30,680
Speaker 2: gay community that I myself might have. I was surprised

685
00:35:30,680 --> 00:35:33,000
Speaker 2: because when this was happening, it was actually on the show.

686
00:35:33,040 --> 00:35:34,920
Speaker 2: I didn't think too much about it. I don't think

687
00:35:36,680 --> 00:35:40,680
Speaker 2: as a person, And then it was very relatable and

688
00:35:40,719 --> 00:35:43,480
Speaker 2: I really loved that that was one of these storylines,

689
00:35:43,600 --> 00:35:46,120
Speaker 2: especially in a gay relationship.

690
00:35:46,480 --> 00:35:47,200
Speaker 1: Yeah, for sure.

691
00:35:47,239 --> 00:35:51,799
Speaker 2: Now you know, he's watching his boyfriend do all these

692
00:35:51,840 --> 00:35:54,879
Speaker 2: things and that makes a feel insecure, so that he's

693
00:35:54,880 --> 00:35:56,560
Speaker 2: taking it on the food. And then because he's taking

694
00:35:56,560 --> 00:35:58,480
Speaker 2: it on the food, it's like this specious cycle, like

695
00:35:58,520 --> 00:36:02,200
Speaker 2: now he doesn't want to be into with yeah, boyfriend

696
00:36:02,640 --> 00:36:04,719
Speaker 2: or fiance because he doesn'teel great.

697
00:36:04,800 --> 00:36:07,480
Speaker 1: Well yeah, I mean even from last like the last episode,

698
00:36:07,480 --> 00:36:10,160
Speaker 1: when you know Blaine is kind of like trying to

699
00:36:10,200 --> 00:36:13,360
Speaker 1: find his own way here and then he's find his

700
00:36:13,520 --> 00:36:16,960
Speaker 1: way with food. But Kurt is still really thriving and

701
00:36:17,000 --> 00:36:19,839
Speaker 1: he's still and he's feeling very insecure about it, and

702
00:36:19,880 --> 00:36:26,120
Speaker 1: then finding the adult website on there was also it's fine.

703
00:36:26,360 --> 00:36:28,759
Speaker 1: It was it was a little about of left field,

704
00:36:28,840 --> 00:36:31,759
Speaker 1: like I don't think we needed that to fuel the

705
00:36:31,840 --> 00:36:35,080
Speaker 1: rest of the Yeah, yeah, it was the thing that

706
00:36:35,160 --> 00:36:37,560
Speaker 1: like it was the climax of the conflict, right.

707
00:36:38,040 --> 00:36:40,400
Speaker 3: Yeah. I liked how the food was really kind of

708
00:36:40,400 --> 00:36:43,880
Speaker 3: the metaphor the way into their dynamic and how they're dynamic,

709
00:36:44,040 --> 00:36:47,640
Speaker 3: shifting and changing. So the porn thing felt a little

710
00:36:47,680 --> 00:36:51,120
Speaker 3: bit Yeah, I felt a little bit like do we

711
00:36:51,160 --> 00:36:55,960
Speaker 3: need this? Is this like hat? Yeah, and then it

712
00:36:56,000 --> 00:36:58,000
Speaker 3: was also kind of like, oh well it's okay, you

713
00:36:58,000 --> 00:36:59,560
Speaker 3: can do whatever you want. And then they kind of

714
00:36:59,560 --> 00:37:00,920
Speaker 3: moved on to so it kind of.

715
00:37:00,840 --> 00:37:04,080
Speaker 1: Felt like we didn't quite Yeah, I didn't quite live

716
00:37:04,120 --> 00:37:05,080
Speaker 1: out its thing if it was.

717
00:37:05,840 --> 00:37:08,600
Speaker 3: I felt like it felt like maybe like let's stick

718
00:37:08,640 --> 00:37:11,560
Speaker 3: with the like food thing or like figure on hold

719
00:37:11,640 --> 00:37:13,640
Speaker 3: that way, it felt like it just threw a wrench

720
00:37:13,680 --> 00:37:13,840
Speaker 3: in that.

721
00:37:14,520 --> 00:37:17,360
Speaker 1: Yeah, it did lead us to love is about a

722
00:37:17,400 --> 00:37:23,960
Speaker 1: Field though, Yes, very a very and we get this

723
00:37:24,080 --> 00:37:27,800
Speaker 1: wonderful duet with with Kurt and I mean who doesn't

724
00:37:27,840 --> 00:37:28,720
Speaker 1: love the lyrics?

725
00:37:29,000 --> 00:37:30,479
Speaker 3: Like I was like there was one of those times

726
00:37:30,520 --> 00:37:34,279
Speaker 3: where because I think, especially like where you know and

727
00:37:34,480 --> 00:37:36,120
Speaker 3: where I was in the process in the writer's office,

728
00:37:36,120 --> 00:37:37,640
Speaker 3: it's like you're kind of like you're churning out these

729
00:37:37,640 --> 00:37:39,680
Speaker 3: scripts and there's five to seven songs an episode, and

730
00:37:39,680 --> 00:37:42,520
Speaker 3: you're just sort of like and you're pitching songs and whatever,

731
00:37:42,640 --> 00:37:45,640
Speaker 3: and you know, sometimes you write a scene to fit

732
00:37:45,680 --> 00:37:47,560
Speaker 3: the song, and sometimes you find the song doesn't fit

733
00:37:47,560 --> 00:37:49,400
Speaker 3: the scene. But I was sort of like, wow, this

734
00:37:49,520 --> 00:37:52,319
Speaker 3: song is really feels applicable this.

735
00:37:52,320 --> 00:37:54,319
Speaker 2: Situation in this episode, and I was like, I don't,

736
00:37:54,360 --> 00:37:56,440
Speaker 2: I don't. I wish I knew which way it was.

737
00:37:56,520 --> 00:37:58,839
Speaker 3: And ambers in the church too, I was like, oh,

738
00:37:58,880 --> 00:38:02,040
Speaker 3: this is really I was these songs are kind of perfect,

739
00:38:02,920 --> 00:38:05,560
Speaker 3: and like sometimes it felt sometimes it didn't feel like

740
00:38:05,600 --> 00:38:08,040
Speaker 3: that when you were when the script was developing. It

741
00:38:08,160 --> 00:38:09,920
Speaker 3: kind of felt like, okay, and then we'll sing this

742
00:38:10,040 --> 00:38:13,520
Speaker 3: song or you know, oh he's you know, I don't know,

743
00:38:13,600 --> 00:38:17,000
Speaker 3: so I did. I did appreciate that.

744
00:38:17,440 --> 00:38:20,560
Speaker 2: Their real fight that they had was also very good,

745
00:38:21,120 --> 00:38:23,759
Speaker 2: and like Kurt the whole time is also I think

746
00:38:25,080 --> 00:38:27,280
Speaker 2: keeping it together. He has like a really great perspective

747
00:38:27,320 --> 00:38:29,279
Speaker 2: about this, minus the porn thing. Was weird, but then

748
00:38:29,320 --> 00:38:33,520
Speaker 2: he gave up on it. But it's not. He's doing

749
00:38:33,560 --> 00:38:35,920
Speaker 2: a really good job of not making Blaine feel bad

750
00:38:35,920 --> 00:38:40,160
Speaker 2: about himself. Blaine's making himself feel bad and right, and

751
00:38:40,200 --> 00:38:42,920
Speaker 2: it's not, it's it is nice to see and he

752
00:38:43,160 --> 00:38:45,640
Speaker 2: Blaine even acknowledges that in high school he was like

753
00:38:45,880 --> 00:38:50,600
Speaker 2: the man right and to see that and to not

754
00:38:50,640 --> 00:38:54,000
Speaker 2: be able to do anything about it. And then the

755
00:38:54,040 --> 00:38:57,840
Speaker 2: person that you're looking at and that comparing yourself against

756
00:38:58,480 --> 00:39:02,200
Speaker 2: is also handling it really well. Yeah, there's no fault.

757
00:39:02,320 --> 00:39:04,080
Speaker 2: He's not there's nothing wrong with him.

758
00:39:04,360 --> 00:39:07,279
Speaker 1: He's he's not about and he's like when we when

759
00:39:07,280 --> 00:39:09,640
Speaker 1: are we like against when we're we against each other,

760
00:39:09,719 --> 00:39:11,680
Speaker 1: like we're I'm in this with you, I'm your teammate.

761
00:39:11,719 --> 00:39:14,920
Speaker 1: I'm supposed to tell really, but it is real. Like

762
00:39:15,040 --> 00:39:19,279
Speaker 1: when you are in your own spiral, nobody can help you,

763
00:39:19,280 --> 00:39:21,040
Speaker 1: you know what I mean, or like very few people

764
00:39:21,239 --> 00:39:24,080
Speaker 1: can help you get out of that, or like you

765
00:39:24,120 --> 00:39:26,359
Speaker 1: get that on your own, you know, like it's a

766
00:39:26,400 --> 00:39:30,839
Speaker 1: hard thing to recover from. Like when the person you're

767
00:39:30,880 --> 00:39:34,279
Speaker 1: staring at, like you said, Kevin is the one that

768
00:39:34,480 --> 00:39:37,680
Speaker 1: is triggering some of these things, right, right, I.

769
00:39:37,600 --> 00:39:40,879
Speaker 3: Thought it was again like sort of talking about how

770
00:39:40,920 --> 00:39:43,440
Speaker 3: like the storylines are growing up a little bit, like

771
00:39:43,520 --> 00:39:48,479
Speaker 3: this is this shows like how much more secure Kurt

772
00:39:48,560 --> 00:39:51,840
Speaker 3: feels in the environment and like how much more mature,

773
00:39:52,239 --> 00:39:55,400
Speaker 3: like he's matured in this year he's had out of school,

774
00:39:56,000 --> 00:39:58,520
Speaker 3: Like you can tell he's ahead of Blaine now, who's

775
00:39:58,600 --> 00:40:00,520
Speaker 3: kind of like trying to catch up, Whereas at the

776
00:40:00,600 --> 00:40:03,200
Speaker 3: beginning of their relationship was really kind of like Kurt

777
00:40:03,239 --> 00:40:05,400
Speaker 3: was the anxious one trying to get at Blaine, and

778
00:40:05,400 --> 00:40:07,880
Speaker 3: like Blaine was so cool, calm and collected, and so

779
00:40:07,920 --> 00:40:09,799
Speaker 3: it's cool to see this kind of switch because it

780
00:40:09,800 --> 00:40:12,319
Speaker 3: feels like, oh, this is kind of what happens when

781
00:40:12,360 --> 00:40:15,440
Speaker 3: you when you get out into school. You can your

782
00:40:15,480 --> 00:40:19,359
Speaker 3: whole personality can change totally all of a sudden in

783
00:40:19,400 --> 00:40:21,319
Speaker 3: a different you know, you're fish in a different pond.

784
00:40:21,440 --> 00:40:25,520
Speaker 1: You find he's like dropping in, like after they've kind

785
00:40:25,520 --> 00:40:28,120
Speaker 1: of like started to find their footing, like Kurt and Rachel,

786
00:40:30,680 --> 00:40:30,960
Speaker 1: you have.

787
00:40:30,960 --> 00:40:31,960
Speaker 2: To take stage combat.

788
00:40:34,840 --> 00:40:38,720
Speaker 1: It was it was a an elective in the theater

789
00:40:39,040 --> 00:40:41,560
Speaker 1: in my minor, like or in my major, Like you

790
00:40:41,600 --> 00:40:45,440
Speaker 1: don't have to take it, but there's electives within your

791
00:40:46,800 --> 00:40:48,520
Speaker 1: major that you can take Okay.

792
00:40:49,080 --> 00:40:51,799
Speaker 3: It's definitely a moment where I was like, they're like

793
00:40:51,920 --> 00:40:52,840
Speaker 3: proper fencing.

794
00:40:52,920 --> 00:40:58,000
Speaker 1: Though, I was like, are we doing stage combat or fencing?

795
00:40:58,080 --> 00:41:01,240
Speaker 1: Because those are two mystery.

796
00:41:00,239 --> 00:41:02,239
Speaker 3: Was like one thing, and then I'm like, wait, is

797
00:41:02,239 --> 00:41:05,800
Speaker 3: that guess? Those are like they're fully like in gear,

798
00:41:05,960 --> 00:41:09,279
Speaker 3: like properly. I was like, this is I don't know

799
00:41:09,280 --> 00:41:11,719
Speaker 3: if this is drama school or if it's just just

800
00:41:11,760 --> 00:41:12,400
Speaker 3: for the image.

801
00:41:13,640 --> 00:41:14,719
Speaker 1: We're a little confused.

802
00:41:16,640 --> 00:41:19,279
Speaker 2: I did how hot though, did Chris like when he

803
00:41:19,320 --> 00:41:22,400
Speaker 2: pulled off that mask and then just stared at Darren

804
00:41:22,480 --> 00:41:23,439
Speaker 2: like what's wrong?

805
00:41:23,680 --> 00:41:26,440
Speaker 1: I know? And honestly, Darren's hair looked really good after

806
00:41:27,040 --> 00:41:29,400
Speaker 1: his mask. I was like, they look great.

807
00:41:29,840 --> 00:41:32,200
Speaker 2: I did a break into what was the Madonna James

808
00:41:32,239 --> 00:41:35,400
Speaker 2: Bond song? They do that in the music video.

809
00:41:35,480 --> 00:41:38,799
Speaker 3: I was like, I also thought it was funny too.

810
00:41:38,840 --> 00:41:43,360
Speaker 3: I think there were two two things in this storyline

811
00:41:43,400 --> 00:41:45,719
Speaker 3: that sort of made me feel the passage of time,

812
00:41:46,040 --> 00:41:50,719
Speaker 3: one being like, oh wow, crow nuts, and then the

813
00:41:50,760 --> 00:41:52,600
Speaker 3: other was the porn thing, because I feel like the

814
00:41:53,080 --> 00:41:57,120
Speaker 3: just the landscape of porn has changed so much, like

815
00:41:57,160 --> 00:41:59,440
Speaker 3: this feels very outdated. Even just to be like, oh,

816
00:41:59,480 --> 00:42:00,680
Speaker 3: there's a sight up on.

817
00:42:00,640 --> 00:42:04,879
Speaker 1: Your Yeah, and adults like.

818
00:42:05,120 --> 00:42:08,400
Speaker 3: Yeah, but seeing the cro nuts was really fun and all.

819
00:42:09,800 --> 00:42:12,360
Speaker 3: And I did notice that I forgot that this was

820
00:42:12,400 --> 00:42:15,640
Speaker 3: the episode where they're the guy selling the euros is

821
00:42:15,719 --> 00:42:18,680
Speaker 3: named Aristotle, which Michael Hitchcock wrote it because that's my name.

822
00:42:21,000 --> 00:42:24,360
Speaker 3: But the funniest thing is, like, it was all very endearing,

823
00:42:24,400 --> 00:42:26,320
Speaker 3: and I loved watching Darren to eat all the food.

824
00:42:26,360 --> 00:42:28,400
Speaker 3: But there was that one scene where it was like

825
00:42:28,440 --> 00:42:31,280
Speaker 3: he was it's like, trying to make Darren look fat

826
00:42:31,440 --> 00:42:34,279
Speaker 3: is like no, no amount of TV magic.

827
00:42:35,960 --> 00:42:44,080
Speaker 1: When he is like literally was protruding like like a

828
00:42:44,080 --> 00:42:48,640
Speaker 1: big exhale, and I was like, come on, you guys.

829
00:42:48,400 --> 00:42:51,960
Speaker 3: They're waking at work, I know. I was like, this

830
00:42:52,000 --> 00:42:55,760
Speaker 3: guy could not look fat if you tried. So funny,

831
00:42:55,880 --> 00:42:58,640
Speaker 3: great job. I thought they both did such a great

832
00:42:58,680 --> 00:43:01,080
Speaker 3: job with this story. There's something so lived in about

833
00:43:01,120 --> 00:43:04,439
Speaker 3: Curtain Blaine. Yeah, I haven't watched This was the first

834
00:43:04,440 --> 00:43:06,640
Speaker 3: episode of Glee I've watched in maybe two years, and

835
00:43:06,719 --> 00:43:11,600
Speaker 3: definitely the first so late in the series series. I

836
00:43:11,920 --> 00:43:14,719
Speaker 3: think I've only watched episodes from like watch seasons one

837
00:43:14,760 --> 00:43:16,720
Speaker 3: or two in the last like five or six years.

838
00:43:17,200 --> 00:43:22,320
Speaker 3: So but there's yeah, there's something just so grounded about

839
00:43:22,360 --> 00:43:24,520
Speaker 3: them like that it's always and similar like what I

840
00:43:24,560 --> 00:43:26,080
Speaker 3: was saying about with your number. It's like, oh, this

841
00:43:26,160 --> 00:43:28,399
Speaker 3: is this is it? This is classic Cardy, Like this

842
00:43:28,440 --> 00:43:31,400
Speaker 3: is classic Curtain Blaine. Like they're so lived in and

843
00:43:31,400 --> 00:43:33,880
Speaker 3: it's so it's like yes, so you can kind of

844
00:43:33,920 --> 00:43:38,880
Speaker 3: like drop in anywhere and feel like a consistency of character.

845
00:43:39,640 --> 00:43:42,799
Speaker 1: Well, speaking of we have Sam and Mercedes who are

846
00:43:42,840 --> 00:43:48,120
Speaker 1: back together now and had this really wonderful, heartfelt episode

847
00:43:48,200 --> 00:43:53,120
Speaker 1: of like storyline last episode about being together and like questioning.

848
00:43:53,320 --> 00:43:55,440
Speaker 3: Yeah, can you guys catch me up just a look

849
00:43:55,480 --> 00:43:57,520
Speaker 3: because I had I had a question about this. You know,

850
00:43:57,600 --> 00:44:01,880
Speaker 3: Sam obviously has made his run of girls. And my

851
00:44:02,000 --> 00:44:05,880
Speaker 3: question for you guys is does Sam Sadies is cute?

852
00:44:05,920 --> 00:44:09,080
Speaker 3: Like I dig it, I like it. I can't remember though,

853
00:44:09,080 --> 00:44:10,240
Speaker 3: like does it feel earned?

854
00:44:11,360 --> 00:44:17,200
Speaker 1: Yeah? And people fans love I mean, I love Sam Sadies,

855
00:44:17,239 --> 00:44:19,080
Speaker 1: but yeah, it does feel earned exactly.

856
00:44:19,280 --> 00:44:21,200
Speaker 3: It's like it was there and it was like on

857
00:44:21,360 --> 00:44:24,840
Speaker 3: and I really like their chemistry and I like bought

858
00:44:24,840 --> 00:44:27,680
Speaker 3: into it. But I was just like, yeah, did this

859
00:44:27,960 --> 00:44:29,799
Speaker 3: happen because they were the only two that hadn't been

860
00:44:29,840 --> 00:44:32,360
Speaker 3: together or like did it feel like a natural progression.

861
00:44:32,520 --> 00:44:34,719
Speaker 1: No, that was natural. They found their way back to

862
00:44:34,760 --> 00:44:37,120
Speaker 1: each other in this context in New York, and it's

863
00:44:37,160 --> 00:44:38,480
Speaker 1: like so satisfying.

864
00:44:38,960 --> 00:44:41,760
Speaker 3: So it's Sam, Blaine and Mercedes living together in that house.

865
00:44:41,880 --> 00:44:44,319
Speaker 1: Yeah, So Blaine and Kurt try to live together when

866
00:44:44,400 --> 00:44:46,640
Speaker 1: Blaine moves to New York, and then they decide that

867
00:44:46,680 --> 00:44:51,680
Speaker 1: it's better that they actually separated and in separate, separate locations.

868
00:44:51,760 --> 00:44:54,440
Speaker 1: And then Mercedes is that she's gonna move and she's

869
00:44:54,480 --> 00:44:57,080
Speaker 1: gonna work on her album and focus on music. And

870
00:44:57,160 --> 00:44:59,960
Speaker 1: at the same time, Sam was crashing on the cow

871
00:45:00,320 --> 00:45:05,480
Speaker 1: of of everybody at the loft, and so Sam, Blaine,

872
00:45:05,520 --> 00:45:09,800
Speaker 1: and Mercedes are all roommates. Mercedes and Sam were like, Okay,

873
00:45:09,800 --> 00:45:11,400
Speaker 1: we got to like figure this out. We're going to

874
00:45:11,440 --> 00:45:14,839
Speaker 1: be friends, and then immediately like jump on each other.

875
00:45:15,000 --> 00:45:18,080
Speaker 1: And so now they are fully dating. After last episode

876
00:45:18,120 --> 00:45:22,240
Speaker 1: where they were questioning being together, there were some questionable

877
00:45:22,280 --> 00:45:29,960
Speaker 1: things that Sam did. I won't mention, yeah, but yes,

878
00:45:30,040 --> 00:45:34,680
Speaker 1: so it definitely does. And this and this whole storyline.

879
00:45:34,719 --> 00:45:38,120
Speaker 1: I think Amber actually did work with Brad and the

880
00:45:38,160 --> 00:45:43,640
Speaker 1: writers and you guys too to navigate because I think

881
00:45:43,680 --> 00:45:47,560
Speaker 1: she really was adamant about Mercedes being a virgin.

882
00:45:47,920 --> 00:45:51,840
Speaker 3: Yeah. I think I remember hearing an interview or article.

883
00:45:53,400 --> 00:45:54,120
Speaker 1: On show.

884
00:45:54,280 --> 00:45:57,200
Speaker 3: Yeah yeah, and I listened to that and it's like,

885
00:45:57,800 --> 00:46:02,160
Speaker 3: and yeah, I think that it's great that she felt

886
00:46:03,120 --> 00:46:05,640
Speaker 3: ownership and like could advocate for the character in that way.

887
00:46:06,000 --> 00:46:10,760
Speaker 3: And also it does it feels like an example of like, okay,

888
00:46:10,760 --> 00:46:13,719
Speaker 3: this is this is an important point of view, and

889
00:46:13,800 --> 00:46:16,960
Speaker 3: it feels right like this the end, like it kind

890
00:46:16,960 --> 00:46:19,040
Speaker 3: of feels like if they had had if they had

891
00:46:19,080 --> 00:46:23,520
Speaker 3: done it by the end, uh, feels like that the

892
00:46:23,600 --> 00:46:26,520
Speaker 3: tension would have been gone. Like not not that it's conflict,

893
00:46:26,560 --> 00:46:30,160
Speaker 3: but you know, like the conflict of it. And I

894
00:46:30,200 --> 00:46:33,840
Speaker 3: think it's I think that like it does feel like

895
00:46:33,880 --> 00:46:38,600
Speaker 3: Mercedes that she stick sticks to her guns. And I

896
00:46:38,640 --> 00:46:41,880
Speaker 3: also like that, you know, her faith factors into it

897
00:46:41,920 --> 00:46:45,520
Speaker 3: a lot. And I think that a show like Glee,

898
00:46:45,719 --> 00:46:48,920
Speaker 3: I think that, like I love that there's space for that,

899
00:46:49,120 --> 00:46:52,120
Speaker 3: and like, you know, I'm not a religious person, but

900
00:46:53,040 --> 00:46:56,720
Speaker 3: I think that it's great to know that like people

901
00:46:56,760 --> 00:46:59,960
Speaker 3: in this environment, like are there that does exist that's

902
00:47:00,080 --> 00:47:04,279
Speaker 3: represented and that's important to her. So I think I

903
00:47:04,320 --> 00:47:07,319
Speaker 3: really appreciate it. I appreciated the whole arc of this

904
00:47:07,400 --> 00:47:11,040
Speaker 3: story and and uh, and the fact that, yeah, Amber

905
00:47:11,040 --> 00:47:13,560
Speaker 3: felt like she could she could voice her opinion advocate

906
00:47:13,640 --> 00:47:14,719
Speaker 3: for the character in this.

907
00:47:14,719 --> 00:47:17,719
Speaker 2: Way on the religion aspect of it. I also did

908
00:47:17,800 --> 00:47:22,000
Speaker 2: like that when she, you know, she mentioned that she

909
00:47:22,040 --> 00:47:24,600
Speaker 2: prayed on it and came to it, and then at

910
00:47:24,600 --> 00:47:27,640
Speaker 2: the end Sam goes, I also prayed on it, but

911
00:47:27,680 --> 00:47:29,840
Speaker 2: I can go back to that church, yes, and remember

912
00:47:29,880 --> 00:47:30,480
Speaker 2: how to get there.

913
00:47:30,560 --> 00:47:33,560
Speaker 3: That was what I prayed in the bathroom. That was

914
00:47:33,920 --> 00:47:37,359
Speaker 3: the only true lol of the episode. I laughed so

915
00:47:37,440 --> 00:47:37,880
Speaker 3: hard at that.

916
00:47:39,480 --> 00:47:42,920
Speaker 1: We find the chord has some really good l moments

917
00:47:43,000 --> 00:47:46,319
Speaker 1: and like these later episodes, he's really killing it.

918
00:47:46,680 --> 00:47:52,200
Speaker 2: Yeah, he's he's really just like thrown into comedian, like

919
00:47:52,280 --> 00:47:54,719
Speaker 2: the comic side of all this. It's so good. I

920
00:47:54,840 --> 00:47:58,920
Speaker 2: liked that again, those two characters are together and both

921
00:47:58,920 --> 00:48:03,080
Speaker 2: are mentioning religion or praying in their own different ways

922
00:48:03,120 --> 00:48:04,920
Speaker 2: and how it applies to them to how to make

923
00:48:04,920 --> 00:48:08,000
Speaker 2: their relationship work. And I also feel like the same

924
00:48:08,040 --> 00:48:12,600
Speaker 2: way that this storyline from Mercedes feels really true to

925
00:48:12,640 --> 00:48:17,919
Speaker 2: her character. It is also nice to see Sam grow

926
00:48:17,960 --> 00:48:20,839
Speaker 2: into this as well, because yeah, he's been a bit

927
00:48:20,880 --> 00:48:24,799
Speaker 2: of a hoe and he has sort of I would say,

928
00:48:24,840 --> 00:48:28,279
Speaker 2: like the normal cliche guy reaction to being like, it's

929
00:48:28,320 --> 00:48:31,160
Speaker 2: not going to happen until marriage. But and I liked

930
00:48:31,160 --> 00:48:34,239
Speaker 2: that what was found surprising, which I think was like,

931
00:48:35,320 --> 00:48:37,560
Speaker 2: you know a lot about Court as a person too,

932
00:48:37,680 --> 00:48:39,479
Speaker 2: you never know what's going to come out of his mouth.

933
00:48:39,800 --> 00:48:42,759
Speaker 2: Totally has that quality where his reaction isn't like, oh,

934
00:48:42,760 --> 00:48:44,120
Speaker 2: we're going to break up, it's like, well, I can't

935
00:48:44,120 --> 00:48:49,400
Speaker 2: get married right now because he still wants to be

936
00:48:49,480 --> 00:48:52,400
Speaker 2: with her, and so he space to go away and

937
00:48:52,440 --> 00:48:55,200
Speaker 2: then when he comes back to be like, I'm cool

938
00:48:55,200 --> 00:48:55,480
Speaker 2: with this.

939
00:48:55,880 --> 00:48:59,520
Speaker 1: It's so cute. It's really sweetline.

940
00:48:58,960 --> 00:48:59,880
Speaker 2: Just the best their chemistry.

941
00:49:00,520 --> 00:49:01,799
Speaker 1: Yeah, and it really is.

942
00:49:02,520 --> 00:49:05,200
Speaker 3: It felt like a new flavor of like the sex

943
00:49:05,360 --> 00:49:08,920
Speaker 3: story that we've explored on Glee too totally and like

944
00:49:09,000 --> 00:49:11,960
Speaker 3: it you'd think, like like I sort of thought, like,

945
00:49:12,320 --> 00:49:14,360
Speaker 3: haven't we covered this already? And it's like, yeah, we have,

946
00:49:14,520 --> 00:49:17,080
Speaker 3: but like with Rachel and with Kurt and with you know,

947
00:49:17,280 --> 00:49:20,920
Speaker 3: Fan Men, Mike, and but it's like, but this is Mercedes.

948
00:49:20,960 --> 00:49:22,680
Speaker 3: This is how it happens for Mercedes, and this is

949
00:49:22,680 --> 00:49:25,239
Speaker 3: what her perspective is. And I think like a lot

950
00:49:25,280 --> 00:49:27,960
Speaker 3: of people can relate to that, Like I was also

951
00:49:28,000 --> 00:49:30,080
Speaker 3: a urgent until I went to college. Like, I think

952
00:49:30,120 --> 00:49:33,799
Speaker 3: that that that it's nice to explore that as well.

953
00:49:33,960 --> 00:49:38,719
Speaker 1: I think that Mercedes. I thought actually that Mercedes was

954
00:49:38,760 --> 00:49:42,560
Speaker 1: going to end up having sex with Sam at the end.

955
00:49:42,640 --> 00:49:44,960
Speaker 1: For some reason, I thought that's where it landed. So

956
00:49:45,000 --> 00:49:47,960
Speaker 1: like I do appreciate also because that's where it was

957
00:49:47,960 --> 00:49:50,680
Speaker 1: like headed kind of with her scene with Rachel, and

958
00:49:50,719 --> 00:49:52,880
Speaker 1: like I just thought, like, oh, this is this is

959
00:49:52,920 --> 00:49:54,799
Speaker 1: going to make sense to her. She's preyed on and

960
00:49:54,840 --> 00:49:58,000
Speaker 1: she's found like that, like she doesn't have to do

961
00:49:58,080 --> 00:50:00,600
Speaker 1: everything that the church asks her and that. But like

962
00:50:00,760 --> 00:50:04,040
Speaker 1: I also did appreciate the way that it turned out,

963
00:50:04,080 --> 00:50:06,360
Speaker 1: but it's not what I thought it was going to be.

964
00:50:08,280 --> 00:50:12,400
Speaker 1: And Sam making it okay actually just was even more

965
00:50:12,800 --> 00:50:16,719
Speaker 1: satisfying and sweet and made me love this couple even more.

966
00:50:16,719 --> 00:50:19,440
Speaker 1: And I don't know what happens to them. I don't remember,

967
00:50:19,960 --> 00:50:23,000
Speaker 1: but I'll be really sad if and when they break up.

968
00:50:23,400 --> 00:50:26,000
Speaker 2: One of my favorite scenes in this episode it was

969
00:50:26,040 --> 00:50:30,200
Speaker 2: between Mercedes and Rachel because there hasn't been a lot

970
00:50:30,400 --> 00:50:34,480
Speaker 2: of yeah, talk about Finn for a long time. Yeah,

971
00:50:34,760 --> 00:50:37,719
Speaker 2: and that little scene they didn't even say a whole lot.

972
00:50:38,120 --> 00:50:38,799
Speaker 3: Yeah.

973
00:50:38,920 --> 00:50:41,640
Speaker 2: It was mostly Mercedes, and I thought how it was

974
00:50:41,680 --> 00:50:45,520
Speaker 2: written was like real and true to life, like how

975
00:50:45,520 --> 00:50:49,239
Speaker 2: it would be, and how Leah and Amber performed that

976
00:50:49,360 --> 00:50:52,279
Speaker 2: scene was really beautiful amongst friends, and it was one

977
00:50:52,280 --> 00:50:56,680
Speaker 2: of those lines of like this feels real in a

978
00:50:56,719 --> 00:50:58,759
Speaker 2: way of like this would be the same conversation that

979
00:50:58,800 --> 00:51:02,920
Speaker 2: you would be having, yes, someone in this position in realize. Yeah,

980
00:51:03,320 --> 00:51:06,400
Speaker 2: And I thought, you know, yeah, Leah was only in

981
00:51:06,719 --> 00:51:09,160
Speaker 2: two scenes, I think.

982
00:51:09,160 --> 00:51:11,240
Speaker 1: But they were she was very present.

983
00:51:11,320 --> 00:51:13,880
Speaker 2: They had a really nice connection in both of those scenes,

984
00:51:13,960 --> 00:51:17,520
Speaker 2: and for different reasons in each scene. But I thought, that's.

985
00:51:17,320 --> 00:51:19,759
Speaker 1: Also like the fact that something else almost happened with

986
00:51:19,800 --> 00:51:20,680
Speaker 1: her in Sam.

987
00:51:21,760 --> 00:51:24,440
Speaker 2: Yeah, yeah, and it was like a very real I.

988
00:51:24,360 --> 00:51:26,440
Speaker 1: Think it's to get her to the place where she

989
00:51:26,520 --> 00:51:29,560
Speaker 1: admits like she almost had something but like isn't ready

990
00:51:29,640 --> 00:51:31,480
Speaker 1: yet or like we don't know when when the next

991
00:51:31,480 --> 00:51:34,200
Speaker 1: time is going to be that she's gonna find somebody.

992
00:51:34,400 --> 00:51:37,080
Speaker 1: Because even if I can imagine in the writers room too,

993
00:51:37,160 --> 00:51:40,880
Speaker 1: like even if we were going to give Rachel a

994
00:51:40,960 --> 00:51:45,279
Speaker 1: new romantic partner, how hard that would be for her

995
00:51:45,400 --> 00:51:50,320
Speaker 1: but also with her fans, So I'd imagine.

996
00:51:49,960 --> 00:51:52,440
Speaker 2: Man, I was excited, like not excited. It meant a

997
00:51:52,440 --> 00:51:54,120
Speaker 2: lot to see that scene.

998
00:51:54,360 --> 00:51:58,359
Speaker 1: Yes, definitely exactly. I think it was important. And then

999
00:51:58,400 --> 00:52:01,319
Speaker 1: we also had when when we're Stadies takes Sam to

1000
00:52:01,400 --> 00:52:06,480
Speaker 1: the church and she needs she mentions the church cushion,

1001
00:52:06,719 --> 00:52:10,759
Speaker 1: which is hilarious because it's bad hurts, but we also

1002
00:52:10,760 --> 00:52:13,160
Speaker 1: get to see her Mercedes sing I want to Know

1003
00:52:13,200 --> 00:52:16,200
Speaker 1: What Love Is? Another Amber banger.

1004
00:52:16,760 --> 00:52:19,880
Speaker 3: I remember walking out to this one in the writer's office.

1005
00:52:20,239 --> 00:52:24,640
Speaker 1: So good. And then also Tiny and Ashley in the choir.

1006
00:52:25,480 --> 00:52:27,840
Speaker 1: Amber always seems to get all those friends and family

1007
00:52:28,000 --> 00:52:32,800
Speaker 1: into her songs when there's backup singers.

1008
00:52:33,080 --> 00:52:35,000
Speaker 2: Jordan who's in the background. I used to go to

1009
00:52:35,840 --> 00:52:41,759
Speaker 2: Ambda and Hollywood used to have these like showcases and

1010
00:52:41,960 --> 00:52:44,319
Speaker 2: some of the most incredible singers, and I would go

1011
00:52:44,440 --> 00:52:46,440
Speaker 2: all the time because one of my best friends was

1012
00:52:46,440 --> 00:52:48,880
Speaker 2: going there. And then Jordan was one of the best

1013
00:52:49,000 --> 00:52:54,160
Speaker 2: singers there. He's in that choir. He's just a beast.

1014
00:52:54,600 --> 00:52:55,320
Speaker 3: Was that in l A?

1015
00:52:56,160 --> 00:53:00,760
Speaker 2: Yeah, this version is so good. Another like this happened.

1016
00:53:02,360 --> 00:53:05,040
Speaker 1: There's a lot that happened. Are you still enjoying New

1017
00:53:05,120 --> 00:53:10,040
Speaker 1: York thoroughly? I love this. I love this. I don't

1018
00:53:10,040 --> 00:53:12,479
Speaker 1: feel like it's too chaotic. I feel like their real

1019
00:53:12,520 --> 00:53:14,760
Speaker 1: life storylines. I feel like they're a little more adult,

1020
00:53:14,840 --> 00:53:17,759
Speaker 1: They're a little bit more easier to connect to and

1021
00:53:18,000 --> 00:53:21,520
Speaker 1: enjoying watching all of you guys. Yes, yes, even with

1022
00:53:22,640 --> 00:53:25,480
Speaker 1: right exactly, even though Kevin was in a crazy suit,

1023
00:53:25,520 --> 00:53:26,520
Speaker 1: you did and I loved.

1024
00:53:26,560 --> 00:53:28,840
Speaker 3: Also, like it's I think it's still it's great that

1025
00:53:28,920 --> 00:53:32,040
Speaker 3: there's like still all those ways to make it so Glee,

1026
00:53:32,120 --> 00:53:34,600
Speaker 3: like the opening too with the guys, Oh my god,

1027
00:53:35,040 --> 00:53:38,879
Speaker 3: the old time opening, and like it's just so hilarious.

1028
00:53:39,080 --> 00:53:41,760
Speaker 3: There's just ways to make it silly, you know that

1029
00:53:41,760 --> 00:53:45,600
Speaker 3: that are always so like, yeah, looks so cute, but

1030
00:53:45,640 --> 00:53:49,000
Speaker 3: it's funny too, Because I was again I couldn't exactly

1031
00:53:49,080 --> 00:53:51,000
Speaker 3: place this in the storyline of the whole thing. And

1032
00:53:51,000 --> 00:53:52,960
Speaker 3: then in that scene with Rachel at the end where

1033
00:53:53,000 --> 00:53:55,359
Speaker 3: she says something about her opening night, and then I realized, like, oh, right,

1034
00:53:55,440 --> 00:53:59,040
Speaker 3: she's in Funny Girl and sah, and I was like,

1035
00:53:59,080 --> 00:54:02,399
Speaker 3: that is so like outlandish and like kind of that's

1036
00:54:02,440 --> 00:54:05,160
Speaker 3: like where Glee is, like it's big and grand, sort

1037
00:54:05,200 --> 00:54:08,920
Speaker 3: of like ridiculous in the clouds sort of like you know,

1038
00:54:08,960 --> 00:54:11,680
Speaker 3: it's not super realistic that Rachel's going to get a

1039
00:54:11,760 --> 00:54:12,800
Speaker 3: lead in a Broadway show.

1040
00:54:13,000 --> 00:54:13,839
Speaker 2: But but.

1041
00:54:15,560 --> 00:54:18,360
Speaker 3: In in comparison to this episode, that's what made this

1042
00:54:18,400 --> 00:54:19,160
Speaker 3: feel so grounded.

1043
00:54:19,160 --> 00:54:19,520
Speaker 2: It's like.

1044
00:54:21,040 --> 00:54:24,800
Speaker 3: That like lofty sort of like, yes, we're the best

1045
00:54:24,840 --> 00:54:28,359
Speaker 3: in the world kind of face living their lives how

1046
00:54:28,400 --> 00:54:32,240
Speaker 3: it is, and you know, Rachel's still morning and everyone

1047
00:54:32,320 --> 00:54:34,560
Speaker 3: trying to figure out their life and people are trying

1048
00:54:34,560 --> 00:54:37,680
Speaker 3: on new hats, like and people are in environments.

1049
00:54:37,719 --> 00:54:39,439
Speaker 1: So it's more insular for sure.

1050
00:54:48,280 --> 00:54:52,760
Speaker 2: Okay, so the performances or songs, and it didn't feel

1051
00:54:52,760 --> 00:54:55,640
Speaker 2: like we were missing songs like I didn't.

1052
00:54:55,680 --> 00:54:57,520
Speaker 3: No, No, it felt like the right I think four

1053
00:54:57,640 --> 00:55:00,960
Speaker 3: is like we're a sweet spot with Glee. Yeah, unless

1054
00:55:01,000 --> 00:55:02,520
Speaker 3: it's like a competition episode.

1055
00:55:03,000 --> 00:55:03,360
Speaker 1: Hmmm.

1056
00:55:05,000 --> 00:55:09,280
Speaker 2: I'm addicted to love A plus.

1057
00:55:10,040 --> 00:55:12,759
Speaker 3: I liked how the girls were the backup backup answers too.

1058
00:55:13,560 --> 00:55:16,399
Speaker 1: It was great any faces, I was into it.

1059
00:55:16,760 --> 00:55:17,080
Speaker 3: Yeah.

1060
00:55:17,239 --> 00:55:19,360
Speaker 2: I like recreating some of the music video on the

1061
00:55:19,360 --> 00:55:21,080
Speaker 2: auditorium stage. That was nice.

1062
00:55:21,239 --> 00:55:23,520
Speaker 1: Yeah, that was cool. I want to know what love

1063
00:55:23,600 --> 00:55:29,800
Speaker 1: is A plus A plus so good love is a battlefield. Ay,

1064
00:55:31,480 --> 00:55:36,440
Speaker 1: let's wait a while. I solid I.

1065
00:55:36,480 --> 00:55:40,319
Speaker 2: Want a solid musical episode. Yeah, I like it, and

1066
00:55:40,400 --> 00:55:41,880
Speaker 2: like what a variety of songs.

1067
00:55:42,120 --> 00:55:45,560
Speaker 1: I know. I did feel like I was getting taken

1068
00:55:45,560 --> 00:55:49,239
Speaker 1: back actually the eighties nineties? Yeah for sure, is this

1069
00:55:49,360 --> 00:55:52,279
Speaker 1: like an eighties episode? And we didn't talk about it.

1070
00:55:52,680 --> 00:55:55,200
Speaker 3: That's why the sort of eighties last week was sort of.

1071
00:55:55,160 --> 00:55:58,600
Speaker 1: Sometime totally we're not like actually doing it, but we're

1072
00:55:58,600 --> 00:56:01,879
Speaker 1: doing it. But it really wasn't a sound time because

1073
00:56:01,880 --> 00:56:03,879
Speaker 1: if that was a sound time, we would have done more.

1074
00:56:03,920 --> 00:56:08,680
Speaker 1: Sometimes Okay, let's do some tarty takes. So we got

1075
00:56:08,680 --> 00:56:17,200
Speaker 1: some cringe moments. I mean the fact that I mean,

1076
00:56:17,239 --> 00:56:20,279
Speaker 1: Sam was such shaming you, which it was like.

1077
00:56:22,360 --> 00:56:24,279
Speaker 3: It was like there was such a funny awareness. And

1078
00:56:24,320 --> 00:56:30,800
Speaker 3: I also loved his reaction, like which tested positive and

1079
00:56:30,840 --> 00:56:34,440
Speaker 3: it was like he was taking it personally, like he

1080
00:56:34,520 --> 00:56:35,120
Speaker 3: wouldn't watch it.

1081
00:56:35,040 --> 00:56:38,000
Speaker 1: It was very it was very tinic and chang in

1082
00:56:38,040 --> 00:56:40,200
Speaker 1: the choir room. I will say, wait.

1083
00:56:40,040 --> 00:56:44,320
Speaker 2: My favorite moment of the entire episode is when Sam

1084
00:56:44,760 --> 00:56:47,840
Speaker 2: and Mercedes are on their date and then Alartie and

1085
00:56:47,960 --> 00:56:48,759
Speaker 2: Julie walk in.

1086
00:56:49,560 --> 00:56:52,080
Speaker 3: He's like, don't touch her? Touch Like why not? It's

1087
00:56:52,120 --> 00:56:56,759
Speaker 3: like why would I touch him?

1088
00:56:57,080 --> 00:57:02,160
Speaker 1: Such a great moment. It's so funny in this episode. Yeah, okay,

1089
00:57:02,480 --> 00:57:04,360
Speaker 1: so I wouldn't say like anything like too cringey.

1090
00:57:04,719 --> 00:57:06,799
Speaker 3: Some of the I mean, like I said, some of

1091
00:57:06,840 --> 00:57:10,040
Speaker 3: the Blaine Kurt like with the with the porn and

1092
00:57:10,080 --> 00:57:14,080
Speaker 3: the the body stuff felt a little a little outdated

1093
00:57:14,120 --> 00:57:16,360
Speaker 3: and it was a cringe e really Yeah.

1094
00:57:17,840 --> 00:57:21,200
Speaker 2: Okay, they round it out nicely, like they.

1095
00:57:20,920 --> 00:57:22,760
Speaker 1: Came back and yes, agreed.

1096
00:57:22,960 --> 00:57:25,840
Speaker 3: Yeah there was that Man of Rexia comment, which is funny,

1097
00:57:25,880 --> 00:57:30,880
Speaker 3: but yeah, it didn't feel like it didn't feel like

1098
00:57:31,000 --> 00:57:32,280
Speaker 3: completely gratuitous.

1099
00:57:32,920 --> 00:57:35,120
Speaker 1: Agreed. Best dance move.

1100
00:57:36,480 --> 00:57:39,560
Speaker 2: Love is a battlefield yet. I mean they're in those

1101
00:57:39,600 --> 00:57:40,800
Speaker 2: lines with the things that.

1102
00:57:41,040 --> 00:57:44,320
Speaker 1: The and they're like singing out of like off the

1103
00:57:44,320 --> 00:57:47,280
Speaker 1: beat of what the choreo was. I was like, get it,

1104
00:57:47,320 --> 00:57:47,920
Speaker 1: you boys, get it.

1105
00:57:48,080 --> 00:57:51,480
Speaker 3: Looked like it was probably the most fun to Yeah, rehearse.

1106
00:57:51,120 --> 00:57:54,600
Speaker 1: And shoot get it squirrels. Okay. Best song.

1107
00:57:56,040 --> 00:57:58,000
Speaker 3: I woke up this morning with Let's Wait a While

1108
00:57:58,040 --> 00:57:59,720
Speaker 3: in my head. So I don't know if that's because

1109
00:57:59,720 --> 00:58:01,640
Speaker 3: it was the last one in the episode but or

1110
00:58:01,640 --> 00:58:03,640
Speaker 3: it's just such a great song, but that one stuck

1111
00:58:03,680 --> 00:58:05,440
Speaker 3: with me. And then also I want to know what.

1112
00:58:06,120 --> 00:58:07,320
Speaker 1: I want to know what love is. I think it

1113
00:58:07,400 --> 00:58:08,120
Speaker 1: is my top.

1114
00:58:08,600 --> 00:58:10,400
Speaker 2: Yeah, I think that's been a while, or I want

1115
00:58:10,440 --> 00:58:12,200
Speaker 2: to know what love is. I was just really excited

1116
00:58:12,200 --> 00:58:12,800
Speaker 2: to do a Janet.

1117
00:58:13,120 --> 00:58:17,280
Speaker 1: Oh yeah, I was like Kevin's living well.

1118
00:58:19,200 --> 00:58:21,040
Speaker 2: I always feel like I'm complaining about how hard a

1119
00:58:21,080 --> 00:58:22,280
Speaker 2: song was to record.

1120
00:58:22,160 --> 00:58:24,800
Speaker 1: But you were given very difficult songs.

1121
00:58:24,840 --> 00:58:28,280
Speaker 2: But you do like that song was not in my range.

1122
00:58:28,320 --> 00:58:30,760
Speaker 2: I will just tell you. And Luke was doing this thing,

1123
00:58:30,800 --> 00:58:32,680
Speaker 2: I'm like, I'm singing this with amber and it's sitting

1124
00:58:32,720 --> 00:58:34,680
Speaker 2: in the most uncomfortable place in my voice.

1125
00:58:35,080 --> 00:58:37,280
Speaker 1: Yeah, that's it's.

1126
00:58:37,120 --> 00:58:38,320
Speaker 2: Too high for me to like.

1127
00:58:38,360 --> 00:58:40,439
Speaker 1: Bey Anyway, I thought you did great.

1128
00:58:40,560 --> 00:58:41,320
Speaker 3: He did a great job.

1129
00:58:41,600 --> 00:58:43,600
Speaker 1: He sounded great. Best performance by a prop.

1130
00:58:44,080 --> 00:58:48,640
Speaker 3: I mean, let's have an honorable mention to the Cheeto.

1131
00:58:48,400 --> 00:58:51,480
Speaker 1: Dust and to the frozen.

1132
00:58:55,280 --> 00:58:57,360
Speaker 3: Food, the Sunday all the food for.

1133
00:58:57,360 --> 00:58:58,840
Speaker 1: Sure food okay, c.

1134
00:58:59,000 --> 00:59:01,520
Speaker 3: The outfit was truly this is a funny thing. I

1135
00:59:01,520 --> 00:59:04,680
Speaker 3: really remember too about the std acostume was the images

1136
00:59:04,720 --> 00:59:07,440
Speaker 3: on it are all from I remember it would think

1137
00:59:07,440 --> 00:59:09,520
Speaker 3: it was about season five and the writer's office. We

1138
00:59:09,560 --> 00:59:11,400
Speaker 3: called up the art department. We were like, we have

1139
00:59:11,440 --> 00:59:13,520
Speaker 3: this hallway, it's so bare, like, can you send us

1140
00:59:13,560 --> 00:59:16,240
Speaker 3: some posters to put up? And they got all these

1141
00:59:16,280 --> 00:59:19,040
Speaker 3: old McKinley posters and blew them up and put we

1142
00:59:19,080 --> 00:59:20,640
Speaker 3: put them on the walls and one of them was

1143
00:59:20,680 --> 00:59:23,720
Speaker 3: an STD poster, so that was all from a McKinley

1144
00:59:23,800 --> 00:59:28,520
Speaker 3: high set dressing poster. And they got onto the big suit.

1145
00:59:28,640 --> 00:59:34,600
Speaker 1: Oh my god, that's great. What a great little Yeah, okay,

1146
00:59:34,760 --> 00:59:35,840
Speaker 1: the best line.

1147
00:59:37,840 --> 00:59:41,480
Speaker 3: For me it was Sam's I tried to pray, but

1148
00:59:41,560 --> 00:59:43,640
Speaker 3: I didn't go to that church because I couldn't find it.

1149
00:59:43,760 --> 00:59:46,320
Speaker 2: Yeah. Same and don't touch.

1150
00:59:46,160 --> 00:59:50,280
Speaker 1: Him, don't touch him, Yeah, don't touch them performed MVP.

1151
00:59:51,040 --> 00:59:54,160
Speaker 1: Oh well, Kevin, I give you, I give you MVP.

1152
00:59:55,480 --> 00:59:57,560
Speaker 1: I mean, yeah, you get.

1153
00:59:57,400 --> 00:59:59,760
Speaker 3: It, especially knowing what was going on behind the scenes.

1154
01:00:00,040 --> 01:00:03,920
Speaker 1: Well exactly. Additionally, yeah, I did it.

1155
01:00:04,000 --> 01:00:05,400
Speaker 2: Yeah, everybody was great.

1156
01:00:05,440 --> 01:00:09,520
Speaker 1: I thought everybody is doing their best work, right, Yeah,

1157
01:00:09,560 --> 01:00:10,000
Speaker 1: it really is.

1158
01:00:10,040 --> 01:00:12,360
Speaker 3: And I think it's like when it's so like when

1159
01:00:12,400 --> 01:00:14,720
Speaker 3: you're able to concentrate like that, and it's really just

1160
01:00:14,800 --> 01:00:18,479
Speaker 3: we're dealing with five characters here, like everybody got time

1161
01:00:18,480 --> 01:00:19,480
Speaker 3: to shine. Yeah.

1162
01:00:19,560 --> 01:00:21,680
Speaker 1: I'm into it. Yeah, I'm so into it.

1163
01:00:22,480 --> 01:00:26,040
Speaker 2: So shit, we found on TikTok this week because Lady

1164
01:00:26,040 --> 01:00:29,600
Speaker 2: Gaga has an Ab'm coming out doing press and no

1165
01:00:29,680 --> 01:00:31,520
Speaker 2: one told me about this. I just happened. I don't

1166
01:00:31,520 --> 01:00:34,160
Speaker 2: ever watch these it's the Vanity Fair.

1167
01:00:34,800 --> 01:00:37,000
Speaker 1: Oh the live detectors. I love those.

1168
01:00:37,640 --> 01:00:40,840
Speaker 2: I've never watched a full one before, and for some reason,

1169
01:00:41,200 --> 01:00:43,480
Speaker 2: I wanted to watch gagas. And then at the very

1170
01:00:43,560 --> 01:00:45,480
Speaker 2: end of it, she's asked if she is a gleek,

1171
01:00:46,560 --> 01:00:48,880
Speaker 2: and she she's asked if she liked doing drag Race

1172
01:00:48,960 --> 01:00:51,680
Speaker 2: more or Glee. She's like, well both, but I didn't

1173
01:00:51,720 --> 01:00:54,960
Speaker 2: get to go on Glee drag Race. And then she's

1174
01:00:55,360 --> 01:00:57,280
Speaker 2: asked if she's a gleek.

1175
01:00:57,600 --> 01:00:59,560
Speaker 1: Well, if they like her photo, if they like her

1176
01:00:59,600 --> 01:01:02,480
Speaker 1: episode of Glee, yeah, and if she is a gleek.

1177
01:01:02,640 --> 01:01:04,400
Speaker 1: She's like, what's a gleek? But then she's like, I

1178
01:01:04,440 --> 01:01:04,720
Speaker 1: am a.

1179
01:01:04,640 --> 01:01:06,880
Speaker 2: Gleek, yes, and she said she loves all the casts.

1180
01:01:06,880 --> 01:01:09,520
Speaker 2: He loves the show. I mean, girl, I.

1181
01:01:09,560 --> 01:01:12,080
Speaker 3: Love it said. You can see her brain working when

1182
01:01:12,120 --> 01:01:14,720
Speaker 3: she gets asked the question, because she's like, what is that?

1183
01:01:14,840 --> 01:01:15,440
Speaker 3: How would you do?

1184
01:01:15,600 --> 01:01:15,640
Speaker 1: No?

1185
01:01:15,800 --> 01:01:17,560
Speaker 3: Yes, I am it is me.

1186
01:01:17,760 --> 01:01:21,840
Speaker 2: I am that to this new era, this new Gaga era,

1187
01:01:22,000 --> 01:01:23,480
Speaker 2: I'm really enjoying.

1188
01:01:23,880 --> 01:01:27,200
Speaker 3: He's got whatever she's got going on to that.

1189
01:01:27,360 --> 01:01:35,040
Speaker 1: Base browse, the look like it's it's phenomenal.

1190
01:01:35,720 --> 01:01:38,760
Speaker 3: We're still for a new album.

1191
01:01:38,800 --> 01:01:40,479
Speaker 1: Got it's about time?

1192
01:01:40,880 --> 01:01:43,000
Speaker 2: What is it? Like, how would you define gleek?

1193
01:01:43,120 --> 01:01:46,840
Speaker 1: Yes, yes, GK I love Glee?

1194
01:01:46,760 --> 01:01:50,440
Speaker 2: Yes? How would you? Yes? I love Glee?

1195
01:01:50,920 --> 01:01:52,080
Speaker 3: How would you do?

1196
01:01:52,760 --> 01:01:55,440
Speaker 1: To be fair? Like nobody's telling Gaga like what a

1197
01:01:55,480 --> 01:01:56,880
Speaker 1: gleek is? Like get over?

1198
01:01:57,480 --> 01:01:58,920
Speaker 3: But they did, they didn't know.

1199
01:01:59,400 --> 01:02:02,080
Speaker 1: But still like come on, like she's expected to know

1200
01:02:02,160 --> 01:02:02,880
Speaker 1: what a greek is?

1201
01:02:03,240 --> 01:02:06,960
Speaker 2: She remembered because look, Gaga was always there for us,

1202
01:02:07,240 --> 01:02:11,560
Speaker 2: oh gay TV reperformances, she was like interviews, she was

1203
01:02:11,600 --> 01:02:15,960
Speaker 2: there like I and obviously you guys were buddies.

1204
01:02:16,400 --> 01:02:20,240
Speaker 1: Okay, that's the episode. Thanks for joining us, Telly.

1205
01:02:20,400 --> 01:02:24,360
Speaker 3: This is a joy, a pleasure, and really, I don't

1206
01:02:24,400 --> 01:02:25,920
Speaker 3: you know, I don't think I would have hopped into

1207
01:02:26,400 --> 01:02:29,720
Speaker 3: season five, episode sixteen had I not been here. But

1208
01:02:29,760 --> 01:02:31,680
Speaker 3: it was great. It was really fun to watch and

1209
01:02:31,840 --> 01:02:35,760
Speaker 3: always great to talk with you guys, and also just

1210
01:02:35,800 --> 01:02:39,320
Speaker 3: to revisit, to revisit such a you know, big part

1211
01:02:39,360 --> 01:02:42,760
Speaker 3: of our lives from this vanas point of you know, ten,

1212
01:02:43,480 --> 01:02:46,400
Speaker 3: ten and twelve years down the line. It's it's fun,

1213
01:02:46,440 --> 01:02:48,160
Speaker 3: it's a good opportunity to reflect. So thank you.

1214
01:02:48,320 --> 01:02:49,760
Speaker 2: You were there just as much as we were.

1215
01:02:50,000 --> 01:02:52,600
Speaker 1: Yes, you were true, that's what you really missed.

1216
01:02:53,200 --> 01:02:56,360
Speaker 2: Thanks for listening and follow us on Instagram at and

1217
01:02:56,440 --> 01:02:58,680
Speaker 2: that's what you really miss pod. Make sure to write

1218
01:02:58,720 --> 01:03:01,000
Speaker 2: us a review and leave us by stars. See you

1219
01:03:01,000 --> 01:03:01,400
Speaker 2: next time.