WEBVTT - Back to the Future

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<v Speaker 1>It's nine O G one.

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<v Speaker 2>With Jenny Garth and Tory Spelling. It's another episode of

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<v Speaker 2>nine two A. OMG, you guys, and OMG, I just

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<v Speaker 2>want to let you know. It's eight am here in California.

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<v Speaker 1>Early for me.

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<v Speaker 2>Amy sugar Bean not a morning person. Everybody we know.

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<v Speaker 1>Too, It's like the middle of the night.

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<v Speaker 2>I'm sorry to make you it up so early, but

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<v Speaker 2>I got things to do. Amy. I'm so sorry.

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<v Speaker 1>I'm so sorry. Toys sick. But she'll be back so soon.

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<v Speaker 2>I hope. So geez, because this was a big episode

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<v Speaker 2>to miss. I mean, this is this episode this week

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<v Speaker 2>is is uh well, there's no other real way to

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<v Speaker 2>say it, real stinker, I'm sorry.

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<v Speaker 1>I was.

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<v Speaker 3>I'm so hoping you didn't like it because I love

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<v Speaker 3>every episode and I.

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<v Speaker 1>Hate this. Oh thank god, it's just dumb.

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<v Speaker 2>I happened to I happen to know. I can speak

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<v Speaker 2>on behalf of Toy that she too would hate this episode.

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<v Speaker 3>So question number one, do you remember filming shooting it?

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<v Speaker 3>Because it's so different, do you have any memory of it?

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<v Speaker 4>No?

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<v Speaker 2>Man, I was stone old time. I was tripped out

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<v Speaker 2>on LSD and you guys, wait, wait, wait, I just

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<v Speaker 2>want everybody to know we're talking about season four, episode

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<v Speaker 2>twenty five, The time has come today, have a say

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<v Speaker 2>episode March twenty third, nineteen ninety four. UM, give you

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<v Speaker 2>a quick synopsis here, Brenda refuses to go to the

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<v Speaker 2>to the Brenda refuses to go to the snow with

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<v Speaker 2>the group. Brandon gets agitated, but Brenda becomes fascinated by

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<v Speaker 2>a diary that takes her on some gurovy flashback to

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<v Speaker 2>the sixties. Directed by Jason Priestley and mc gallanson.

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<v Speaker 1>Yeah, stop it, sorry, Jason directed this.

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<v Speaker 2>Right to burst your Jason bubble.

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<v Speaker 3>But but okay, so that does sort of ring true

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<v Speaker 3>because the other one he directed had sort of a

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<v Speaker 3>funky tone to it too.

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<v Speaker 2>Oh right with the with the guys. Yeah, yeah, you're right.

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<v Speaker 1>It's like, so this had that same tone.

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<v Speaker 3>So that sort of makes sense now that you're saying this.

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<v Speaker 2>This had no tone. I'm sorry, this is so bad.

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<v Speaker 2>I apologize on behalf of the Institution of Beverly Hills

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<v Speaker 2>on a too for this episode.

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<v Speaker 3>Literally, what I thought was like, you know how we're

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<v Speaker 3>in a writer's strike right now, that there was like

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<v Speaker 3>a writer strike and they had to bring in random

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<v Speaker 3>writers who didn't know the characters and just were like, oh, okay,

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<v Speaker 3>we got to write something.

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<v Speaker 2>Well, it says here it was written by Mick Gallanson

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<v Speaker 2>and Charles Rosen. So usually the EP on the show

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<v Speaker 2>doesn't put his name on something unless he had to

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<v Speaker 2>come in and fix it, I would think, or unless

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<v Speaker 2>this was his brainchild.

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<v Speaker 1>So I like Charles Rosen, but this is a terrible

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<v Speaker 1>I love.

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<v Speaker 2>Charles Rosen, but yeah.

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<v Speaker 1>It just was you know what.

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<v Speaker 3>It's My problem was, I don't even know how we're

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<v Speaker 3>gonna recap it today because who cares. I don't care

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<v Speaker 3>about any of these random people played by you guys.

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<v Speaker 3>Like it was so like, what are we gonna go

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<v Speaker 3>scene by scene right now talking about.

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<v Speaker 2>Yes, yes, that's exactly what we're gonna do, because this

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<v Speaker 2>is called went to it og.

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<v Speaker 1>I need plenty of thoughts, I think.

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<v Speaker 2>Okay, so could it have been a WEE could go

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<v Speaker 2>on the the we call Chuck and ask him, like,

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<v Speaker 2>what the heck happened with this? It feels like because

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<v Speaker 2>Chuck was a little bit older than us, you know,

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<v Speaker 2>and maybe this was some some stuff that went down

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<v Speaker 2>in his sixties experience in his real life. Maybe I

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<v Speaker 2>don't know.

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<v Speaker 3>Maybe give me okay, And I'm sorry to like rewrite

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<v Speaker 3>the episode, but like I think maybe I would have

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<v Speaker 3>I would have cared more if it were one of

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<v Speaker 3>your relatives that we were digging into, Like if you

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<v Speaker 3>found the diary and it was your grandma.

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<v Speaker 1>Do you know what I mean?

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<v Speaker 3>Because my problem was I don't care about the random

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<v Speaker 3>people that lived at the Walsh's house before they lived there.

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<v Speaker 2>And can you believe the coincidence of it all? Keny

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<v Speaker 2>Kenya disbelieve that parallels the parallels the sister and the

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<v Speaker 2>brother living there in those bedrooms, and then what are

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<v Speaker 2>the chances that the brother.

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<v Speaker 1>Will works at the beach bit?

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<v Speaker 2>I mean, this is just too good first.

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<v Speaker 1>Of all, and the peachment just had different shutters, so weird, and.

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<v Speaker 2>Nat was Italian, like straight yeah from the country.

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<v Speaker 1>Played by Nat.

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<v Speaker 3>And then they're like, which one of these people is

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<v Speaker 3>uh Joey or Bobby or whatever the guy's name was,

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<v Speaker 3>and then you see a total rando picture.

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<v Speaker 1>I just I hated it so much.

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<v Speaker 2>Let's just I don't I don't know any other way

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<v Speaker 2>to do this amy either them, just you and I

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<v Speaker 2>shoot the ship for an hour or we go episode,

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<v Speaker 2>I mean, scene by scene I.

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<v Speaker 1>Have some things that we can annly. Okay, okay, so bad. Well,

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<v Speaker 1>I would like to start about a highday.

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<v Speaker 2>Oh I know. It opens basically on Steve and David

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<v Speaker 2>right at the juke box baby and the peach fit,

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<v Speaker 2>and this is them normal, This is them as Steve

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<v Speaker 2>and David.

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<v Speaker 1>Yes, thank goodness.

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<v Speaker 2>You know what saves it every time? Is that smile

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<v Speaker 2>as Steve Sanders.

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<v Speaker 1>What Oh heck, Jenny, here's a problem with us. We

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<v Speaker 1>share one brain, are you like?

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<v Speaker 2>Oh my god, his smile.

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<v Speaker 4>Get that literally, Iron Zeering has the cutest, sweetest, most charming,

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<v Speaker 4>warm smile that that, to me was the best part

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<v Speaker 4>of the entire Yeah.

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<v Speaker 2>It was, It really really was. There's just that little

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<v Speaker 2>glimmer of devil behind it that makes it even better

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<v Speaker 2>because you know, he's just yes, capable of terrible things.

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<v Speaker 3>But that's that's like I'm gonna We're gonna have to

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<v Speaker 3>ask him one day like is that just his regular

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<v Speaker 3>smile that's so charming or like did he perfect that

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<v Speaker 3>smile for this character?

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<v Speaker 2>Like, oh God, ask him. I have a feeling I've

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<v Speaker 2>seen that smile all my life, so I'm pretty sure

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<v Speaker 2>that's an eye and searing specialty.

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<v Speaker 1>So the whole premise is so dumb.

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<v Speaker 2>Going skiing again.

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<v Speaker 1>Brenda just got out of the slammer and she's like.

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<v Speaker 2>He went, Well, she doesn't want to go, but maybe

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<v Speaker 2>she's bummed out because she was in jail and she's like,

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<v Speaker 2>oh man, what am I doing with my life? I

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<v Speaker 2>get that, Like she doesn't want to go just like skiing,

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<v Speaker 2>and she's not feeling it. I mean, I think it.

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<v Speaker 1>Would have been she loves Dylan.

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<v Speaker 2>That was basically the only Like, is that why this

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<v Speaker 2>whole storyline happened? Is this why this whole episode occurred,

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<v Speaker 2>was to get that little golden nugget of information? Uh?

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<v Speaker 1>Did she have mascaret tears? Like? Was she kind of

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<v Speaker 1>Lauren conrading it in that bed with the crying with

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<v Speaker 1>the mascarart and I just were tears. It's like so weird.

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<v Speaker 2>Those were tears.

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<v Speaker 1>All right.

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<v Speaker 2>So they're going, they're going skiing. The group is going sane.

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<v Speaker 1>Brandon's got a ski. He's all waxed up.

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<v Speaker 2>He's waxed and psyched. I mean, not to quote him

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<v Speaker 2>or anything, but to quote him, the skis are waxed.

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<v Speaker 2>I'm psyched, Okay.

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<v Speaker 3>I wish someone would go in and yank out all

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<v Speaker 3>the dumb sixty eight stuff and just give me the

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<v Speaker 3>scenes with the people I know, and just make it

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<v Speaker 3>a fifteen minute you're talking.

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<v Speaker 2>About you knew all of these people.

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<v Speaker 3>Oh, I don't like them, although I did like Brenda's

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<v Speaker 3>denim on dena Did you see that? No, she was

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<v Speaker 3>wearing like denhim shirt and denim jeans that looked very

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<v Speaker 3>like current.

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<v Speaker 2>I was like, oh, as a sixties girl.

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<v Speaker 1>Nope, this was still Brenda in the nineties.

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<v Speaker 2>Okay, all right, well that's because they all come back

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<v Speaker 2>around that.

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<v Speaker 3>It was March when this aired, the end after sweeps,

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<v Speaker 3>and I think they ran out of money and just

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<v Speaker 3>had to like make this episode.

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<v Speaker 2>You know what, they ran out of shits. They just

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<v Speaker 2>ran out of shit, Like they just gave no shits anymore.

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<v Speaker 1>I what about giggles and any just org none of

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<v Speaker 1>that was either.

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<v Speaker 2>I think everybody, although everybody got to go on vacation

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<v Speaker 2>except the people like the one camera man and maybe

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<v Speaker 2>the sound man because I saw his boom in the

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<v Speaker 2>show a few times, and maybe think about hair and

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<v Speaker 2>makeup person because of the wigs they had to be there. Okay,

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<v Speaker 2>go ahead, do you want to talk about. Which wig

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<v Speaker 2>do you want to talk about first?

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<v Speaker 1>Well, first I want to talk about that Jason Priestley

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<v Speaker 1>And like, this always makes me sort of cringy to say,

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<v Speaker 1>what I had is it suddenly has a much hairrier

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<v Speaker 1>chest than ever.

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<v Speaker 2>Wait, when did you notice it?

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<v Speaker 1>It was popping up out of the button down in

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<v Speaker 1>what scene? Very early on? Where did that come from? Yeah?

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<v Speaker 2>Yes, it's a very chest. I love it.

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<v Speaker 1>Maybe he's never noticed it before.

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<v Speaker 3>I didn't notice it when he was like, didn't we

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<v Speaker 3>have a shower scene with him just like two weeks ago?

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<v Speaker 2>Well, maybe it just sprouted out. Maybe it just he

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<v Speaker 2>hit that point in puberty when the chest hair sprang

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<v Speaker 2>right out.

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<v Speaker 1>Or maybe he shaved it for.

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<v Speaker 2>The shower scene. Maybe yeah, yeah, he waxed that instead

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<v Speaker 2>of his skis.

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<v Speaker 1>And he's so mad.

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<v Speaker 2>He's so mad at Brenda for not going on the

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<v Speaker 2>trip or for just being Brenda. He's just mad at her.

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<v Speaker 2>Everybody's mad at Brenda these days. Kelly's pissed it her

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<v Speaker 2>last week, Brandon's a dick to her this week, Like,

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<v Speaker 2>I feel like something's about to happen and it's making

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<v Speaker 2>me very uncomfortable. Just make it happen and get it

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<v Speaker 2>rip the band aid off because this whole waiting for

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<v Speaker 2>Brenda's character to depart is killing me.

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<v Speaker 1>It's a little rough.

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<v Speaker 3>And so I also was wondering did they do this

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<v Speaker 3>because it's very shn incentric episode.

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<v Speaker 1>So it's kind of like.

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<v Speaker 3>We knew there was trouble in Paradise, but then they

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<v Speaker 3>give her this episode and she's actually fine in it.

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<v Speaker 1>She's fine. It's just so dumb. I don't care.

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<v Speaker 2>I mean, she's fine in it. You're right. It really

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<v Speaker 2>did not seem as if she cared that much to

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<v Speaker 2>like give it her gusto, give it her all. But

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<v Speaker 2>who would care exactly? Who really would care?

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<v Speaker 1>So here's one note I did have.

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<v Speaker 3>If this was today, this episode would be completely different

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<v Speaker 3>because my actual thought was, all these people need to

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<v Speaker 3>deal with Brenda's mental health, like she.

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<v Speaker 2>I know, when Brandon says to her, I'm getting really

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<v Speaker 2>sick of this or whatever he says, she's like, so

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<v Speaker 2>am I regarding her like an unwellness?

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<v Speaker 1>Yes?

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<v Speaker 2>I was like, oh no, we needed some action needs

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<v Speaker 2>to be taken to help her.

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<v Speaker 3>I wrote, I think she's depressed, which makes sense after

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<v Speaker 3>this traumatic experience she's had. Both with Dylan, Dylan her

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<v Speaker 3>best friend, and jail and everyone's just mad at her.

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<v Speaker 1>Yeah.

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<v Speaker 2>Well, she doesn't make it easy to love her, like

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<v Speaker 2>you know, you know that she doesn't make it easy

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<v Speaker 2>to help her or want to be there for her

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<v Speaker 2>because she wants to be alone and doing it on

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<v Speaker 2>her safe.

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<v Speaker 1>Yeah right right. I just want to go to the

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<v Speaker 1>swap meet.

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<v Speaker 2>Who wouldn't. I mean, have you gone? Jim and Cindy

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<v Speaker 2>were going to the Pasadena swap Meet. That's a good one,

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<v Speaker 2>you guys.

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<v Speaker 3>All day, by the way, because they left in the

0:12:49.240 --> 0:12:51.760
<v Speaker 3>morning and they came home and it was pitch dark.

0:12:51.840 --> 0:12:53.720
<v Speaker 2>Oh who can do that? Maybe they went to have

0:12:53.800 --> 0:12:56.320
<v Speaker 2>some dinner after or maybe a movie or something.

0:12:56.400 --> 0:12:58.400
<v Speaker 1>Yeah, but I love that. Thy name the Rose Bull

0:12:58.520 --> 0:13:01.720
<v Speaker 1>swap Meet a shout out that's actually like the very

0:13:01.800 --> 0:13:02.599
<v Speaker 1>legit swap me.

0:13:02.800 --> 0:13:06.200
<v Speaker 2>It still goes on every every month. It's the best

0:13:06.240 --> 0:13:10.800
<v Speaker 2>one to go to.

0:13:09.080 --> 0:13:11.800
<v Speaker 1>A bike ride and take a bath. I didn't ever

0:13:11.920 --> 0:13:13.160
<v Speaker 1>know her to ride a bike, but.

0:13:13.160 --> 0:13:17.360
<v Speaker 2>Okay, yeah, never seen her take a bath either. I

0:13:17.400 --> 0:13:20.800
<v Speaker 2>always thought she was more of a jogger. Yeah, yeah,

0:13:20.840 --> 0:13:23.160
<v Speaker 2>but take a bath, that's okay.

0:13:23.400 --> 0:13:26.160
<v Speaker 1>The way she finds health.

0:13:25.600 --> 0:13:30.840
<v Speaker 2>That's true. We should. The way she finds the diary,

0:13:33.320 --> 0:13:34.640
<v Speaker 2>I know, don't get me started.

0:13:35.960 --> 0:13:37.319
<v Speaker 1>Why would she do that?

0:13:37.559 --> 0:13:42.080
<v Speaker 2>Well, you would, it's you can tell right away. When

0:13:42.080 --> 0:13:43.840
<v Speaker 2>she sits on the bench, which she sat on a

0:13:43.880 --> 0:13:46.880
<v Speaker 2>million times, but this time she sits on the bench,

0:13:46.960 --> 0:13:51.679
<v Speaker 2>it's uncomfortable and some there's a bump under my butt, Like, okay,

0:13:52.880 --> 0:13:53.079
<v Speaker 2>was it?

0:13:56.040 --> 0:13:58.760
<v Speaker 1>I never noticed that bench in my life, by the way,

0:13:58.880 --> 0:13:59.800
<v Speaker 1>Like I sat on.

0:13:59.800 --> 0:14:02.600
<v Speaker 2>That many times, and I never felt a bump from

0:14:02.640 --> 0:14:03.440
<v Speaker 2>a warp board.

0:14:04.760 --> 0:14:06.880
<v Speaker 1>And she's crying it out, like she's.

0:14:06.720 --> 0:14:11.000
<v Speaker 2>Like grunting a little trying to get that out. But

0:14:11.240 --> 0:14:14.760
<v Speaker 2>magically the whole board just lifts out, and there she

0:14:14.920 --> 0:14:17.560
<v Speaker 2>sees the dusty diary.

0:14:18.440 --> 0:14:21.960
<v Speaker 1>Well first the orange bandana and the peace necklace.

0:14:23.920 --> 0:14:28.200
<v Speaker 3>To establish to everyone watching, I think we're going.

0:14:28.080 --> 0:14:33.840
<v Speaker 2>Back in time, maybe to the sixties.

0:14:34.240 --> 0:14:37.160
<v Speaker 3>Then I felt like they started playing Titanic music, and

0:14:37.200 --> 0:14:38.080
<v Speaker 3>I don't know if it was.

0:14:38.040 --> 0:14:41.480
<v Speaker 2>Because I got I thought the same thing.

0:14:42.240 --> 0:14:42.880
<v Speaker 1>Cut it out.

0:14:43.080 --> 0:14:45.160
<v Speaker 2>I literally said to her husband, are we on the

0:14:45.200 --> 0:14:46.480
<v Speaker 2>Titanic with this music?

0:14:48.720 --> 0:14:51.560
<v Speaker 1>And I don't know if it's because we're watching it weird?

0:14:51.680 --> 0:14:53.560
<v Speaker 1>Do you know, like it's not the original, it's gotta be.

0:14:53.680 --> 0:14:56.280
<v Speaker 1>But like it's gotta be that can't be the right music,

0:14:57.880 --> 0:15:00.560
<v Speaker 1>literally playing the theme from Titano. It was like flutes.

0:15:00.720 --> 0:15:04.920
<v Speaker 2>There were flutes in that accompaniment. I called it out

0:15:05.400 --> 0:15:09.320
<v Speaker 2>my Dear Diary. The voiceover.

0:15:10.600 --> 0:15:13.640
<v Speaker 1>Am I mistaken? When she says, Mom, you won't believe

0:15:13.640 --> 0:15:15.960
<v Speaker 1>what I found? And then Cindy's just like we out

0:15:16.000 --> 0:15:19.320
<v Speaker 1>to the bestraw me. It kind of goesep, I.

0:15:19.320 --> 0:15:22.880
<v Speaker 2>Don't have time for you, Brenda. Jim's waiting for me

0:15:22.920 --> 0:15:24.120
<v Speaker 2>in the car I've gotta go.

0:15:25.040 --> 0:15:27.560
<v Speaker 1>Doesn't even politely say what did you.

0:15:27.480 --> 0:15:30.320
<v Speaker 2>Find or save that I'll be back in a few

0:15:30.320 --> 0:15:32.400
<v Speaker 2>hours and you can tell me. Oh about it, honey,

0:15:34.680 --> 0:15:40.680
<v Speaker 2>because everybody's hating on Brenda, even her mother. Oh but yeah.

0:15:40.720 --> 0:15:44.120
<v Speaker 2>That voiceover was was rough because it just felt like

0:15:44.200 --> 0:15:46.120
<v Speaker 2>she was reading like the phone book. She was like,

0:15:46.280 --> 0:15:50.840
<v Speaker 2>dear Diary, Sorry, no offense. I just call it like

0:15:50.880 --> 0:15:52.720
<v Speaker 2>I see it. If this was my character doing that,

0:15:52.760 --> 0:15:55.360
<v Speaker 2>I would have said the same damn thing. It bored

0:15:55.400 --> 0:15:56.040
<v Speaker 2>me from the.

0:15:56.160 --> 0:16:01.640
<v Speaker 3>Gate beyond and also calling your diary diary in your diary.

0:16:02.000 --> 0:16:06.200
<v Speaker 2>One was that doesn't know, don't they say dear diary.

0:16:07.360 --> 0:16:10.200
<v Speaker 3>Yes, But then there's another a couple of sentences later

0:16:10.360 --> 0:16:14.080
<v Speaker 3>she says, I'm having such a crazy day diary.

0:16:13.880 --> 0:16:14.480
<v Speaker 1>Or something like that.

0:16:14.600 --> 0:16:19.640
<v Speaker 2>I'm like, maybe she met she had diarrhea and she

0:16:19.760 --> 0:16:23.480
<v Speaker 2>just like, I don't know, make sense of it.

0:16:23.600 --> 0:16:25.840
<v Speaker 3>I wonder if people are going to send us notes

0:16:25.880 --> 0:16:28.080
<v Speaker 3>like I love this episode, an.

0:16:28.640 --> 0:16:31.480
<v Speaker 2>I want to hear. I wish we could call somebody

0:16:31.560 --> 0:16:33.400
<v Speaker 2>right now, or have somebody call us right now, which

0:16:33.440 --> 0:16:36.680
<v Speaker 2>would be impossible, to just tell us why they liked it, Like,

0:16:36.920 --> 0:16:40.960
<v Speaker 2>let please enlighten us, because maybe we're missing something. Maybe

0:16:41.000 --> 0:16:44.120
<v Speaker 2>there are people out there that really liked seeing their

0:16:44.200 --> 0:16:47.760
<v Speaker 2>favorite characters on TV dressed up in costumes.

0:17:00.120 --> 0:17:02.280
<v Speaker 1>Shout out to TV Dinners. They got sort of a

0:17:02.360 --> 0:17:03.440
<v Speaker 1>nice plug.

0:17:03.800 --> 0:17:07.040
<v Speaker 2>That looked disgusting what they were feeding the family.

0:17:07.840 --> 0:17:14.399
<v Speaker 1>Uh oh, and Mom, like Missus Walsh is or the

0:17:14.440 --> 0:17:18.600
<v Speaker 1>fake Missus Walsh whatever is feeding TV Dinners.

0:17:20.040 --> 0:17:25.960
<v Speaker 2>That wasn't Missus Walsh. I'm so confused. I really liked

0:17:25.960 --> 0:17:30.760
<v Speaker 2>her perm though, but I tell you what.

0:17:30.960 --> 0:17:36.520
<v Speaker 3>And the glasses on fake mister Walsh and Brandon Will

0:17:36.680 --> 0:17:37.440
<v Speaker 3>you mean Will.

0:17:39.160 --> 0:17:44.520
<v Speaker 2>Will Will was intense. He scared me. And you know what,

0:17:45.760 --> 0:17:49.240
<v Speaker 2>I wish Tory was here with us, because she would

0:17:49.640 --> 0:17:52.280
<v Speaker 2>she would probably know what I'm talking about. Like will

0:17:53.040 --> 0:17:57.080
<v Speaker 2>reminds his energy and like his this his vibe reminds

0:17:57.119 --> 0:17:59.840
<v Speaker 2>me of when Jason would direct. He would be like that,

0:18:00.119 --> 0:18:03.320
<v Speaker 2>kind of more intense, like I got it all covered

0:18:03.359 --> 0:18:07.560
<v Speaker 2>and handled, and that's how he made me feel. So

0:18:07.960 --> 0:18:11.000
<v Speaker 2>I did not even realize that he directed this episode

0:18:11.119 --> 0:18:13.520
<v Speaker 2>until I started this podcast this morning.

0:18:13.560 --> 0:18:18.520
<v Speaker 3>It does sort of make things like interesting.

0:18:20.119 --> 0:18:24.800
<v Speaker 2>I wish I had, Yeah, it could have helped me out.

0:18:25.359 --> 0:18:28.200
<v Speaker 1>Oh I don't know.

0:18:28.359 --> 0:18:30.960
<v Speaker 2>So then wait, how'd you feel when the door opened

0:18:31.000 --> 0:18:34.000
<v Speaker 2>and there stood dill Wait, dil This is the This

0:18:34.080 --> 0:18:37.440
<v Speaker 2>is like the perfect moment to call him dill Wig,

0:18:37.960 --> 0:18:41.359
<v Speaker 2>because that's maybe this is where it came from. This

0:18:41.400 --> 0:18:43.520
<v Speaker 2>is where the guys coined him dill Wig, because this

0:18:43.560 --> 0:18:48.040
<v Speaker 2>is the episode where he's probably wearing a wig so

0:18:48.160 --> 0:18:50.720
<v Speaker 2>bad and he just keeps going like that and he

0:18:50.800 --> 0:18:53.760
<v Speaker 2>keeps flipping his hair. I think as he had to.

0:18:54.160 --> 0:18:58.760
<v Speaker 2>I think Luke had to do something to alleviate his

0:18:59.000 --> 0:19:01.879
<v Speaker 2>awkward energy with that wig oncuse.

0:19:01.480 --> 0:19:02.960
<v Speaker 1>He knew it was so dumb too.

0:19:03.680 --> 0:19:05.840
<v Speaker 2>He had to have with that.

0:19:06.080 --> 0:19:09.760
<v Speaker 1>It's almost it's like you all were playing it jokey,

0:19:10.080 --> 0:19:13.240
<v Speaker 1>do you know what I mean? Like, maybe that was

0:19:13.240 --> 0:19:16.600
<v Speaker 1>my problem too, like, yeah, no, one's playing it like

0:19:16.640 --> 0:19:17.760
<v Speaker 1>you're really in the sixties.

0:19:17.760 --> 0:19:21.040
<v Speaker 3>You're playing it like you're in Halloween costumes, just being stupid.

0:19:21.640 --> 0:19:24.120
<v Speaker 2>And his mustache didn't go with the wig, It didn't

0:19:24.160 --> 0:19:29.560
<v Speaker 2>go with the era. That felt like a emperor's last

0:19:29.840 --> 0:19:33.320
<v Speaker 2>wish mustache, like you know, you see in the Disney movies,

0:19:33.359 --> 0:19:38.200
<v Speaker 2>that Moulan movie, those guys had that mustache.

0:19:39.440 --> 0:19:44.639
<v Speaker 3>Ah, and the thing that of course jarred me the most,

0:19:44.640 --> 0:19:48.560
<v Speaker 3>which I'm sure you we flipped back to the nineties

0:19:48.960 --> 0:19:57.320
<v Speaker 3>and Brenda puts her boots on her bed just I wrote.

0:19:57.119 --> 0:20:01.439
<v Speaker 2>My god, you know what amy I to had the

0:20:01.600 --> 0:20:07.200
<v Speaker 2>feeling that that was a bit disrespectful. However, I then thought, well,

0:20:07.400 --> 0:20:09.760
<v Speaker 2>that's what teenagers do. They don't they don't care about

0:20:09.960 --> 0:20:13.000
<v Speaker 2>stuff like that. So then it felt really true, like

0:20:13.040 --> 0:20:16.240
<v Speaker 2>a real moment. But the problem for me was like,

0:20:16.480 --> 0:20:19.679
<v Speaker 2>once we established Dylan in that wig and Brandon in

0:20:19.760 --> 0:20:25.199
<v Speaker 2>that a situation like the people in the room couldn't

0:20:25.200 --> 0:20:27.960
<v Speaker 2>stop laughing loudly, and I so, I don't even know

0:20:28.000 --> 0:20:28.879
<v Speaker 2>what happened from then on.

0:20:29.920 --> 0:20:31.200
<v Speaker 1>Well, don't be a crumbum.

0:20:35.520 --> 0:20:38.359
<v Speaker 2>Isn't that that? Did they use that word? And yeah,

0:20:38.359 --> 0:20:43.320
<v Speaker 2>that seems like something crumble. It's a you know, it's

0:20:43.359 --> 0:20:47.120
<v Speaker 2>like a pain, like not don't be a bummer, don't

0:20:47.119 --> 0:20:48.000
<v Speaker 2>be a fake.

0:20:48.080 --> 0:20:50.600
<v Speaker 1>Missus. Walsh just just truly.

0:20:50.800 --> 0:20:54.879
<v Speaker 2>She really liked the TV Dinners. She just wasn't gonna,

0:20:55.359 --> 0:20:59.800
<v Speaker 2>you know what else, Here's what all of them looked ridiculous.

0:21:00.040 --> 0:21:02.480
<v Speaker 2>Every single person in the show. The two people that

0:21:02.560 --> 0:21:09.320
<v Speaker 2>looked believable were Donna. She looks believable and great. Yeah,

0:21:09.440 --> 0:21:12.440
<v Speaker 2>she looked adorable with that fifties I mean it was

0:21:12.520 --> 0:21:15.480
<v Speaker 2>kind of fifties not sixties she was. She was playing

0:21:15.520 --> 0:21:20.120
<v Speaker 2>late fifties. Probably she hadn't Yeah, she hadn't turned over

0:21:20.160 --> 0:21:20.719
<v Speaker 2>to the sixties.

0:21:20.800 --> 0:21:22.560
<v Speaker 1>Yet she looked great at parts too.

0:21:22.640 --> 0:21:24.320
<v Speaker 3>I thought there was a couple of parts where I'm like,

0:21:24.560 --> 0:21:27.840
<v Speaker 3>it's almost like you looked younger than you looked the

0:21:27.880 --> 0:21:28.560
<v Speaker 3>week before.

0:21:29.040 --> 0:21:33.800
<v Speaker 1>It was really weird, like you looked super young. I'm cute.

0:21:33.920 --> 0:21:38.399
<v Speaker 2>Yeah, I felt like was like checked out, even though

0:21:38.440 --> 0:21:40.919
<v Speaker 2>like her character was so supposed to be, you know,

0:21:41.040 --> 0:21:46.440
<v Speaker 2>have some impact on the Diary reader Brenda. I still

0:21:46.640 --> 0:21:50.080
<v Speaker 2>I just felt like I slash Kelly was just checked

0:21:50.080 --> 0:21:51.879
<v Speaker 2>out and thought, this is ridiculous. I don't want to

0:21:51.880 --> 0:21:53.680
<v Speaker 2>be doing this. That's what I.

0:21:53.640 --> 0:21:57.520
<v Speaker 1>Felt, so we're just dealing with this like sort of.

0:21:59.240 --> 0:22:03.119
<v Speaker 3>Cartoon version right of the nineteen sixties, and then all

0:22:03.119 --> 0:22:07.080
<v Speaker 3>of a sudden, we're just thrown into Robert Kennedy and

0:22:07.960 --> 0:22:12.919
<v Speaker 3>he shot and it's like historical and what is going on?

0:22:13.400 --> 0:22:15.960
<v Speaker 2>I'm just not handled well at all, like that huge

0:22:16.000 --> 0:22:21.680
<v Speaker 2>moment in history, and I mean it was rough. I thought, Wow,

0:22:22.240 --> 0:22:24.879
<v Speaker 2>I don't know. The other person that looked really good

0:22:25.080 --> 0:22:29.399
<v Speaker 2>was David. I felt like David looked really good only

0:22:29.440 --> 0:22:31.879
<v Speaker 2>because if you took him out of this episode, I

0:22:31.920 --> 0:22:36.720
<v Speaker 2>could see, actually I could see that person at my

0:22:36.800 --> 0:22:39.080
<v Speaker 2>husband's bar in on the East Side, like he looks

0:22:39.080 --> 0:22:41.679
<v Speaker 2>like a hipster, Like he looks.

0:22:41.440 --> 0:22:44.560
<v Speaker 1>Like today didn't look quite as bad.

0:22:44.720 --> 0:22:46.280
<v Speaker 2>Nah, and all.

0:22:46.080 --> 0:22:51.040
<v Speaker 3>The sort of jokey jokes, Oh you don't have to inhale.

0:22:52.200 --> 0:22:54.439
<v Speaker 2>Who are the Druggies though? In this episode, like all

0:22:54.440 --> 0:22:56.600
<v Speaker 2>of a sudden, they were smoking weed by the campfire

0:22:56.680 --> 0:22:57.520
<v Speaker 2>with new people.

0:22:58.760 --> 0:23:01.760
<v Speaker 1>That's what I said. I wanted to have me too,

0:23:01.800 --> 0:23:03.160
<v Speaker 1>I will Can we just follow them?

0:23:03.720 --> 0:23:09.199
<v Speaker 2>This seems interesting? Nope, Nope, never seen her.

0:23:10.240 --> 0:23:12.520
<v Speaker 3>It's like we haven't seen Andrea. Then she's back at

0:23:12.600 --> 0:23:18.040
<v Speaker 3>the peach pit. Then Brenda comes in and tells them

0:23:18.040 --> 0:23:19.080
<v Speaker 3>all about the diary.

0:23:19.920 --> 0:23:23.160
<v Speaker 2>Wait, wait, what about when when they're at the one

0:23:23.200 --> 0:23:26.520
<v Speaker 2>of the rallies or two rallies I don't even understand.

0:23:26.960 --> 0:23:32.760
<v Speaker 2>But what about when when Brandon Nope, Will comes charging

0:23:32.840 --> 0:23:36.720
<v Speaker 2>through and he's like channeling Forrest Gump.

0:23:37.880 --> 0:23:42.600
<v Speaker 1>Totally yeah, in a bad way, and then fights Dylan

0:23:43.000 --> 0:23:44.000
<v Speaker 1>fake Dylan.

0:23:45.960 --> 0:23:50.359
<v Speaker 2>Because those two were going at it, and Will, Wendy's brother,

0:23:50.520 --> 0:23:57.120
<v Speaker 2>Will was conveniently at odds with the love of Wendy's life.

0:23:57.400 --> 0:24:00.000
<v Speaker 1>You know, it's bad. When I wanted more from the library,

0:24:00.760 --> 0:24:02.360
<v Speaker 1>I was like, can we just hang with her?

0:24:06.440 --> 0:24:09.120
<v Speaker 2>I felt bad for the librarian because she had some

0:24:09.240 --> 0:24:14.360
<v Speaker 2>clunker of lines man like she really committed to her

0:24:14.960 --> 0:24:17.960
<v Speaker 2>that and it was bad.

0:24:18.359 --> 0:24:22.080
<v Speaker 3>Oh God, there's that one shot of Tori as Donna

0:24:22.280 --> 0:24:25.000
<v Speaker 3>at the one of the rallies with the It's almost

0:24:25.040 --> 0:24:26.399
<v Speaker 3>sort of an image you've seen a lot.

0:24:26.520 --> 0:24:29.160
<v Speaker 1>She were in the cool sunglasses, she got the headband

0:24:29.320 --> 0:24:32.280
<v Speaker 1>this way across the forehead and has that cool shirt.

0:24:33.200 --> 0:24:35.199
<v Speaker 1>That was the best part of the whole episode too.

0:24:35.200 --> 0:24:37.840
<v Speaker 1>I'm just like, that's a great Shata story.

0:24:39.680 --> 0:24:44.959
<v Speaker 2>The way they they worked all the like like the

0:24:45.080 --> 0:24:48.240
<v Speaker 2>song lyrics into the dialogue lines like.

0:24:50.640 --> 0:24:55.600
<v Speaker 1>And the shot didn't bother me. I love the show,

0:24:56.640 --> 0:24:58.639
<v Speaker 1>and I don't remember watching.

0:24:58.280 --> 0:25:03.160
<v Speaker 3>This episode before, and obviously when I've rewatched, I certainly

0:25:03.200 --> 0:25:06.440
<v Speaker 3>skipped this because it's probably only the second time I've

0:25:06.440 --> 0:25:09.640
<v Speaker 3>ever seen this episode and it's garbage.

0:25:10.040 --> 0:25:13.040
<v Speaker 1>And then they shout out the two thousand and one like,

0:25:13.200 --> 0:25:14.760
<v Speaker 1>I think a space odyssey? You know that?

0:25:15.000 --> 0:25:21.760
<v Speaker 2>Yazy yep? She says it was a real space odyssey. Okay, well,

0:25:21.880 --> 0:25:30.400
<v Speaker 2>what about I can your way is just they're laden,

0:25:30.600 --> 0:25:35.880
<v Speaker 2>It's laden with terrible lines. My apologies or whoever I'm offending,

0:25:36.640 --> 0:25:42.720
<v Speaker 2>but I can't help myself. But uh, how did Brenda

0:25:43.080 --> 0:25:48.800
<v Speaker 2>come to the realization through Wendy's diary that she loves

0:25:48.920 --> 0:25:52.359
<v Speaker 2>Dylan and that's why she didn't want to go skiing?

0:25:53.760 --> 0:25:56.040
<v Speaker 2>Is that a reach or would you?

0:25:57.320 --> 0:25:57.760
<v Speaker 1>Uh?

0:25:57.840 --> 0:26:00.320
<v Speaker 3>First of all, if we really go with the timeline

0:26:00.359 --> 0:26:02.679
<v Speaker 3>of nine O two one zero, we know that she

0:26:02.800 --> 0:26:05.200
<v Speaker 3>did get in the car with Dylan in Palm Springs

0:26:05.240 --> 0:26:06.679
<v Speaker 3>and say I think I still love you.

0:26:06.720 --> 0:26:11.560
<v Speaker 1>Now in the car she or right after she actually says,

0:26:11.600 --> 0:26:14.679
<v Speaker 1>I think it was just the upsetness of Steward. So

0:26:14.720 --> 0:26:16.440
<v Speaker 1>we sort of make peace with that.

0:26:16.920 --> 0:26:19.960
<v Speaker 3>Then when we last left our friends they were all

0:26:20.040 --> 0:26:22.000
<v Speaker 3>hunky dory after.

0:26:22.160 --> 0:26:24.960
<v Speaker 1>The jail incident and all the fighting. Everything was good.

0:26:25.359 --> 0:26:27.560
<v Speaker 3>So suddenly she's like bitter party of one, doesn't want

0:26:27.560 --> 0:26:30.679
<v Speaker 3>to hang out her friends, and now she loves Dylan.

0:26:30.960 --> 0:26:33.520
<v Speaker 2>Well. I mean, if I were a real Brenda fan

0:26:33.600 --> 0:26:36.800
<v Speaker 2>in this moment, I would probably say she was masking

0:26:37.040 --> 0:26:42.840
<v Speaker 2>her true feelings this whole time, and this really exposed

0:26:43.480 --> 0:26:47.040
<v Speaker 2>her deepest feelings because she had this time alone with

0:26:47.080 --> 0:26:51.800
<v Speaker 2>her diary, Wendy's diary, and it caused her to contemplate.

0:26:53.800 --> 0:26:56.840
<v Speaker 3>The only thing I will say of this episode that

0:26:56.920 --> 0:27:00.800
<v Speaker 3>I felt was sort of symbolic or could be was

0:27:00.880 --> 0:27:04.520
<v Speaker 3>when we go to the back to the nineties and

0:27:04.560 --> 0:27:10.280
<v Speaker 3>we find Wendy, Brenda goes and finds Wendy and we

0:27:10.480 --> 0:27:12.760
<v Speaker 3>find out I thought, I thought this, maybe it was

0:27:12.800 --> 0:27:19.480
<v Speaker 3>significant that Wendy did go to Woodstock Woodstock? I thought,

0:27:19.720 --> 0:27:22.320
<v Speaker 3>am I to take something from that?

0:27:22.320 --> 0:27:25.720
<v Speaker 2>That Brenda's Riley gonna take some action?

0:27:28.080 --> 0:27:31.840
<v Speaker 3>Yeah, like don't let don't let because a boy kind

0:27:31.880 --> 0:27:32.639
<v Speaker 3>of a thing.

0:27:34.040 --> 0:27:36.840
<v Speaker 1>Isn't going right? That it that you stop your dreams?

0:27:36.960 --> 0:27:39.560
<v Speaker 2>Or did she go to did Wendy go to Woodstock

0:27:39.640 --> 0:27:45.919
<v Speaker 2>with Dilwig? I think maybe that was the message don't

0:27:46.000 --> 0:27:48.959
<v Speaker 2>let your your true love get away from you, go

0:27:49.000 --> 0:27:49.960
<v Speaker 2>to Woodstock with him.

0:27:50.680 --> 0:27:51.000
<v Speaker 1>Okay.

0:27:51.040 --> 0:27:54.679
<v Speaker 3>I took a different message, was it doesn't matter about

0:27:54.680 --> 0:27:57.520
<v Speaker 3>the boy, go to Woodstock solo.

0:27:57.880 --> 0:27:59.920
<v Speaker 2>Okay, I like your message much better than Ryan.

0:28:00.160 --> 0:28:05.640
<v Speaker 1>But I was sure that's literally the only message from

0:28:05.680 --> 0:28:07.200
<v Speaker 1>the whole episode. Yeah.

0:28:07.240 --> 0:28:12.480
<v Speaker 2>That and don't do drugs because don't do psychedelics probably.

0:28:12.119 --> 0:28:14.720
<v Speaker 1>And don't kick in your television.

0:28:16.320 --> 0:28:19.080
<v Speaker 2>That was so aggressive, I know, But I love Cindy's

0:28:19.160 --> 0:28:20.120
<v Speaker 2>reaction to it.

0:28:20.080 --> 0:28:25.720
<v Speaker 1>It's like, oh, she goes, I was watching about the program.

0:28:25.800 --> 0:28:30.159
<v Speaker 2>Yeah, it's program. I really like it that.

0:28:30.200 --> 0:28:33.159
<v Speaker 3>They're eating jello. Did you see that? But they were

0:28:33.200 --> 0:28:34.560
<v Speaker 3>eating green jello?

0:28:35.160 --> 0:28:35.320
<v Speaker 5>Oh?

0:28:35.520 --> 0:28:37.000
<v Speaker 1>Man, I hate this thing.

0:28:37.280 --> 0:28:40.680
<v Speaker 2>Like wow, I'm so I can't believe we all survived

0:28:40.680 --> 0:28:44.600
<v Speaker 2>as a was a race after what we had to

0:28:44.720 --> 0:28:49.560
<v Speaker 2>eat in the sixties, like those foods in the metal

0:28:49.760 --> 0:29:04.960
<v Speaker 2>and the processed and the Yeah.

0:29:05.000 --> 0:29:09.560
<v Speaker 1>And here's my other sort of problem is she loves Dylan.

0:29:09.640 --> 0:29:14.160
<v Speaker 3>She's boo boo boo hoo ing. Then she she finds

0:29:14.160 --> 0:29:15.440
<v Speaker 3>everybody's little whatever.

0:29:15.800 --> 0:29:18.640
<v Speaker 1>And then the gang comes home and they're all heading

0:29:18.680 --> 0:29:23.120
<v Speaker 1>off to was it Palm Springs or something? Where were

0:29:23.120 --> 0:29:25.680
<v Speaker 1>they going and then she she sort of be bops

0:29:25.680 --> 0:29:27.440
<v Speaker 1>along and it's fine.

0:29:28.520 --> 0:29:33.080
<v Speaker 2>Yeah, because you know she's got a suppresident, Like, I'm

0:29:33.080 --> 0:29:33.720
<v Speaker 2>so confused.

0:29:33.720 --> 0:29:36.320
<v Speaker 1>It's very about she doesn't love Dylan.

0:29:36.880 --> 0:29:39.120
<v Speaker 2>Well, what is she going to do? Proclaim it there

0:29:39.160 --> 0:29:42.680
<v Speaker 2>in front of everyone because they all come magically to

0:29:42.800 --> 0:29:46.800
<v Speaker 2>the Walsh cosa and what And the same moment the

0:29:46.800 --> 0:29:48.120
<v Speaker 2>whole group, nobody is doing.

0:29:49.120 --> 0:29:51.640
<v Speaker 1>Nobody's doing the math on how far it is to Mammoth.

0:29:52.240 --> 0:29:54.880
<v Speaker 1>I mean it is five hour drive to Mammoth.

0:29:55.680 --> 0:29:56.560
<v Speaker 2>In two hours.

0:29:57.960 --> 0:30:00.000
<v Speaker 1>Just left, they're going.

0:30:00.000 --> 0:30:02.320
<v Speaker 3>They went all the way to Mammoth and then the

0:30:02.600 --> 0:30:04.520
<v Speaker 3>snow wasn't good or something happened.

0:30:04.680 --> 0:30:09.000
<v Speaker 1>They're coming all the way back. They're picking up Brenda

0:30:09.120 --> 0:30:11.400
<v Speaker 1>like there hasn't been a speck of traffic when they're.

0:30:11.280 --> 0:30:12.360
<v Speaker 2>Gonna go on the same day.

0:30:13.920 --> 0:30:15.880
<v Speaker 3>I think it's a different day. But so who tries

0:30:15.920 --> 0:30:17.880
<v Speaker 3>to Mammoth and turns around and comes right back the

0:30:17.880 --> 0:30:18.360
<v Speaker 3>next day?

0:30:18.440 --> 0:30:22.560
<v Speaker 1>Which kids that too wants to drive to Palm Springs,

0:30:22.960 --> 0:30:24.600
<v Speaker 1>Like I wouldn't fight the ten.

0:30:24.680 --> 0:30:28.040
<v Speaker 2>Oh they don't give about the traffic, They don't care.

0:30:28.400 --> 0:30:30.640
<v Speaker 1>They don't care about that gas mileage.

0:30:31.320 --> 0:30:36.800
<v Speaker 2>Oh no, but didn't you know what else happened, which

0:30:36.840 --> 0:30:42.400
<v Speaker 2>really wasn't even like talked about or emphasized. Dill No,

0:30:42.560 --> 0:30:47.840
<v Speaker 2>whoever the hell David was in this episode, he has

0:30:48.040 --> 0:30:56.840
<v Speaker 2>sex with whoever the hell Donna was and then never

0:30:56.880 --> 0:31:01.360
<v Speaker 2>talks to her again. So clear were to take from that,

0:31:02.600 --> 0:31:06.000
<v Speaker 2>how good it is that Donna's holding out on David

0:31:06.920 --> 0:31:09.400
<v Speaker 2>makes us like Donna a little bit more. Maybe I

0:31:09.400 --> 0:31:11.680
<v Speaker 2>don't know and like, okay.

0:31:11.680 --> 0:31:14.520
<v Speaker 3>As a viewer, or are we to take all of

0:31:14.560 --> 0:31:18.240
<v Speaker 3>this as foreshadowing? But then I'm like, we don't. These

0:31:18.240 --> 0:31:20.280
<v Speaker 3>people are not connected to our people.

0:31:20.520 --> 0:31:23.640
<v Speaker 2>I tried so hard to keep them connected, like I tried.

0:31:24.120 --> 0:31:28.080
<v Speaker 2>I tried so hard to make it relevant to the

0:31:28.160 --> 0:31:31.440
<v Speaker 2>current world that these kids live in, but it wasn't.

0:31:31.440 --> 0:31:35.880
<v Speaker 2>And You're right, I wish it had been tied together.

0:31:35.840 --> 0:31:42.280
<v Speaker 3>Some reason to care about these randoms. I also have

0:31:42.320 --> 0:31:46.400
<v Speaker 3>a flag on the play that when Jim and Cindy

0:31:46.560 --> 0:31:49.760
<v Speaker 3>come in, I can't remember at what point Jim's.

0:31:49.400 --> 0:31:54.400
<v Speaker 1>Got the apple, right, Jim's chomping on the apple. Then

0:31:54.440 --> 0:31:57.160
<v Speaker 1>we go into the bedroom and Cindy's got the apple.

0:31:58.960 --> 0:32:01.440
<v Speaker 2>Well, because I think back then apples were the way

0:32:01.480 --> 0:32:04.920
<v Speaker 2>to combat the lack of nutrition. They were getting this.

0:32:07.120 --> 0:32:10.840
<v Speaker 1>Nineties. Jim at the Apple back at present was such

0:32:10.840 --> 0:32:12.920
<v Speaker 1>a mess. Oh, it was such a mess. I had

0:32:13.000 --> 0:32:13.920
<v Speaker 1>to stretch my legs.

0:32:14.000 --> 0:32:17.760
<v Speaker 2>That was you know, it was just a mess. Feel bad.

0:32:17.880 --> 0:32:20.120
<v Speaker 2>I feel bad for hating it as much as I did,

0:32:20.160 --> 0:32:22.720
<v Speaker 2>because I know that that was a lot of work.

0:32:23.000 --> 0:32:25.320
<v Speaker 2>Everybody put a lot of time and effort into those

0:32:25.360 --> 0:32:29.120
<v Speaker 2>costumes and those weird and really committed to it.

0:32:29.240 --> 0:32:33.080
<v Speaker 1>Even good if they wanted to do it, do it good. Instead,

0:32:33.080 --> 0:32:34.640
<v Speaker 1>they did it so cartoony.

0:32:35.400 --> 0:32:38.160
<v Speaker 2>Yeah. What about when Andrea was dancing with the daisy

0:32:38.480 --> 0:32:43.280
<v Speaker 2>in her moomoo? Good god? How long is this girl

0:32:43.320 --> 0:32:49.360
<v Speaker 2>going to be pregnant? You guys pregnant?

0:32:50.080 --> 0:32:50.280
<v Speaker 1>Yeah?

0:32:50.280 --> 0:32:52.800
<v Speaker 3>One of the chicks was like my I think would

0:32:52.800 --> 0:32:55.080
<v Speaker 3>have been like, just don't put her in the sixties,

0:32:55.440 --> 0:32:57.920
<v Speaker 3>Like just say she didn't do that hard?

0:32:59.080 --> 0:33:02.000
<v Speaker 2>Yeah, what was Why would they do that to her?

0:33:02.920 --> 0:33:04.440
<v Speaker 2>I guess she wanted to be a part of it.

0:33:05.640 --> 0:33:08.719
<v Speaker 1>Like I don't want to be a total jerkquad, but

0:33:08.800 --> 0:33:11.720
<v Speaker 1>I actually think this episode maybe would have been better

0:33:12.080 --> 0:33:16.240
<v Speaker 1>if other people played all these fake people like just

0:33:16.320 --> 0:33:19.400
<v Speaker 1>hire after then you would have been like I care

0:33:19.480 --> 0:33:25.360
<v Speaker 1>even less, How's impossible. I just didn't. I just was

0:33:25.400 --> 0:33:27.680
<v Speaker 1>like this is so irritating.

0:33:28.440 --> 0:33:31.480
<v Speaker 2>We are really just bumming so many people out right now.

0:33:31.600 --> 0:33:34.040
<v Speaker 1>So sorry, I a little bit start your week.

0:33:34.280 --> 0:33:36.479
<v Speaker 2>This is something we hate, let's talk about it for

0:33:36.520 --> 0:33:39.960
<v Speaker 2>an hour, and there's never anything good gonna come out

0:33:39.960 --> 0:33:40.080
<v Speaker 2>of this.

0:33:40.760 --> 0:33:43.600
<v Speaker 3>And I didn't hate the scenes with the real people

0:33:43.640 --> 0:33:45.840
<v Speaker 3>I care about. That's why I'm saying, like, just say

0:33:45.840 --> 0:33:48.400
<v Speaker 3>we're out of money, we don't have any good ideas

0:33:48.400 --> 0:33:49.880
<v Speaker 3>and make it an eight minute episode.

0:33:50.080 --> 0:33:56.600
<v Speaker 2>Fine with that minutes? Oh man, I don't know.

0:33:56.760 --> 0:33:58.520
<v Speaker 3>I kind of did sort of do a deep dive

0:33:58.600 --> 0:34:00.320
<v Speaker 3>to try and see I could I get any sort

0:34:00.360 --> 0:34:02.000
<v Speaker 3>of background on this?

0:34:02.720 --> 0:34:03.480
<v Speaker 1>Oh?

0:34:03.720 --> 0:34:05.640
<v Speaker 2>What was it? What did the title even mean? The

0:34:05.680 --> 0:34:06.800
<v Speaker 2>time has come today?

0:34:09.840 --> 0:34:12.720
<v Speaker 3>Maybe the time has come, which is like the reference

0:34:12.760 --> 0:34:16.920
<v Speaker 3>to them but today, so we're to see the parallels fail.

0:34:20.120 --> 0:34:21.560
<v Speaker 1>The only takeaway.

0:34:21.160 --> 0:34:22.960
<v Speaker 3>Now that I get, is it Jason Prisley does have

0:34:23.000 --> 0:34:28.120
<v Speaker 3>a very unique directing sensibility that I should have spotted,

0:34:29.000 --> 0:34:32.600
<v Speaker 3>meaning it sort of does remind me of the last

0:34:32.600 --> 0:34:37.400
<v Speaker 3>time he did he directed. It's different than just a

0:34:37.400 --> 0:34:38.600
<v Speaker 3>regular old episode.

0:34:38.719 --> 0:34:41.719
<v Speaker 2>I feel like there's a general feeling of more like

0:34:42.239 --> 0:34:47.680
<v Speaker 2>fun like people. Everybody's especially the guy characters, are looser

0:34:48.480 --> 0:34:50.600
<v Speaker 2>in their acting and just having more fun.

0:34:50.719 --> 0:34:54.719
<v Speaker 3>Yes, and they almost it almost breaks the storyline. Now

0:34:54.719 --> 0:34:57.719
<v Speaker 3>I'm fuzzy, but the last time he directed was like

0:34:57.800 --> 0:35:00.279
<v Speaker 3>The Magic Mountain Day right, and then they were filmed.

0:35:00.160 --> 0:35:01.880
<v Speaker 1>That dumb yeah, and then they commercial on.

0:35:02.000 --> 0:35:04.920
<v Speaker 2>Top of each other in that one shot and they're.

0:35:04.880 --> 0:35:06.920
<v Speaker 1>Randomly helping that random girl.

0:35:07.200 --> 0:35:10.440
<v Speaker 2>It pulls you out of the story because it's not

0:35:10.760 --> 0:35:13.320
<v Speaker 2>the characters, it's the it's the actors.

0:35:14.920 --> 0:35:17.480
<v Speaker 3>So maybe that when they write an episode like this,

0:35:17.600 --> 0:35:20.399
<v Speaker 3>do they write it for him to direct, Like, Hey,

0:35:20.440 --> 0:35:23.600
<v Speaker 3>we're kind of like stopping the storyline for a hot

0:35:23.640 --> 0:35:25.600
<v Speaker 3>minute because this has no purpose.

0:35:25.680 --> 0:35:27.360
<v Speaker 2>No, I don't think so. I don't think that they

0:35:27.480 --> 0:35:30.160
<v Speaker 2>wrote this for him to direct. I think when you

0:35:30.800 --> 0:35:34.040
<v Speaker 2>direct an episodic like this, you get what you're given

0:35:34.239 --> 0:35:36.360
<v Speaker 2>to direct. You're like, oh, here you are. This is

0:35:36.400 --> 0:35:39.040
<v Speaker 2>your episode, episode twenty five, and it happens to be

0:35:39.080 --> 0:35:40.520
<v Speaker 2>a sixties slash back and you're like.

0:35:40.400 --> 0:35:44.080
<v Speaker 1>What right? Right? Right? Yeah? I mean that makes sense.

0:35:45.280 --> 0:35:47.399
<v Speaker 1>I don't know. It's just really just so bad.

0:35:47.520 --> 0:35:50.319
<v Speaker 3>It's my least favorite of the whole thing so far.

0:35:50.400 --> 0:35:54.759
<v Speaker 3>Full definitely so far. But I think in the whole

0:35:54.760 --> 0:35:56.000
<v Speaker 3>ten years, unless there's.

0:35:55.800 --> 0:35:57.200
<v Speaker 1>Another one of these I forgot about.

0:35:57.360 --> 0:36:00.760
<v Speaker 2>I think there might be because I remember an episode.

0:36:01.920 --> 0:36:03.640
<v Speaker 2>I think it's not like a flashback, but it's like

0:36:03.640 --> 0:36:07.640
<v Speaker 2>a past life regression where Dylan is doing deep therapy

0:36:07.719 --> 0:36:11.160
<v Speaker 2>or something, and as I remember wearing a wig and

0:36:11.200 --> 0:36:14.279
<v Speaker 2>being in the in the Old and West days, So

0:36:14.640 --> 0:36:16.440
<v Speaker 2>I know there's something else coming. I don't know what

0:36:16.560 --> 0:36:19.920
<v Speaker 2>season that is, but it's something to look forward to.

0:36:21.520 --> 0:36:24.880
<v Speaker 3>I weirdly not to jump around stumble on an aggressive

0:36:24.880 --> 0:36:29.400
<v Speaker 3>TikTok the other day of Kelly doing so many drugs.

0:36:30.920 --> 0:36:32.160
<v Speaker 2>You should have sent it to me.

0:36:33.400 --> 0:36:39.080
<v Speaker 3>I should afford just going through drawer and looking for drugs,

0:36:39.120 --> 0:36:41.719
<v Speaker 3>and I just was like, oh God, that's coming to

0:36:41.760 --> 0:36:42.360
<v Speaker 3>look forward.

0:36:42.480 --> 0:36:45.279
<v Speaker 2>Yeah, I'm not looking forward to that either. Well, it's

0:36:45.320 --> 0:36:48.800
<v Speaker 2>weird because Peter aka.

0:36:48.440 --> 0:36:51.719
<v Speaker 1>Dylan even getting their names.

0:36:52.000 --> 0:36:55.120
<v Speaker 2>Well his name is Peter. I don't know why that

0:36:55.280 --> 0:36:59.480
<v Speaker 2>still stood out to me. But he gets bashed over

0:36:59.520 --> 0:37:04.960
<v Speaker 2>the head by the cop. So but he lives and

0:37:05.000 --> 0:37:14.600
<v Speaker 2>then will dies in the which nobody not. I don't

0:37:14.600 --> 0:37:15.480
<v Speaker 2>want to hear about that.

0:37:17.320 --> 0:37:17.799
<v Speaker 5>It's so.

0:37:20.480 --> 0:37:22.640
<v Speaker 1>I want to try to redeem it, but I can't

0:37:22.680 --> 0:37:23.040
<v Speaker 1>do it.

0:37:25.440 --> 0:37:27.320
<v Speaker 3>I actually was stressed yesterday because I watched it a

0:37:27.320 --> 0:37:29.239
<v Speaker 3>couple of days ago, and I was like, how am

0:37:29.239 --> 0:37:30.600
<v Speaker 3>I gonna talk to you?

0:37:32.200 --> 0:37:35.520
<v Speaker 1>I know, what do you give it?

0:37:36.320 --> 0:37:37.400
<v Speaker 2>Oh? What do you give it?

0:37:37.480 --> 0:37:38.120
<v Speaker 1>Let's score it.

0:37:38.160 --> 0:37:40.000
<v Speaker 2>I like to see what you give it. You're not.

0:37:41.200 --> 0:37:43.800
<v Speaker 1>I'm just gonna hold it up. It's three.

0:37:44.080 --> 0:37:45.040
<v Speaker 2>You give it a three.

0:37:45.600 --> 0:37:46.680
<v Speaker 1>It's my lowest ever.

0:37:48.400 --> 0:37:50.080
<v Speaker 2>I'm gonna I'm gonna stick with you on the three.

0:37:50.120 --> 0:37:55.960
<v Speaker 2>Maybe a two slash three. Wow, that's that's harsh. But

0:37:56.239 --> 0:37:57.680
<v Speaker 2>but I don't know.

0:37:58.880 --> 0:38:01.360
<v Speaker 3>I'm just I don't want to end on this sour note.

0:38:01.480 --> 0:38:05.640
<v Speaker 3>I want to find some comedy or joy.

0:38:07.440 --> 0:38:11.200
<v Speaker 2>I'm sorry. I feel like it's my fault. I feel

0:38:11.200 --> 0:38:17.160
<v Speaker 2>really responsible. I do, I do, I do.

0:38:17.800 --> 0:38:21.439
<v Speaker 1>I think it's priestly small. I think it's the I'm

0:38:21.480 --> 0:38:22.640
<v Speaker 1>telling you, it's.

0:38:22.520 --> 0:38:33.200
<v Speaker 5>Just, uh, we're just roach something inappropriate.

0:38:34.160 --> 0:38:36.239
<v Speaker 2>She said, Let's just tell them what she said. Our

0:38:36.239 --> 0:38:41.480
<v Speaker 2>producer said, on a high note, David had blootballs in

0:38:41.520 --> 0:38:45.759
<v Speaker 2>the sixties, just like he does in the nineties. Okay, but.

0:38:47.320 --> 0:38:50.360
<v Speaker 1>Next week and a bath will solve everything.

0:38:50.800 --> 0:38:53.840
<v Speaker 2>See, you know that's true for me, that's true.

0:38:54.280 --> 0:38:57.600
<v Speaker 1>You. Oh I love a bath.

0:38:57.680 --> 0:38:58.440
<v Speaker 2>I love a bath.

0:38:59.719 --> 0:39:01.200
<v Speaker 1>I can staying there for two hours.

0:39:02.440 --> 0:39:09.240
<v Speaker 2>It's nice, so nice. And people leave you alone usually

0:39:09.320 --> 0:39:10.320
<v Speaker 2>when you're in the bath.

0:39:10.480 --> 0:39:13.120
<v Speaker 1>And especially with TikTok these days, I can get in

0:39:13.120 --> 0:39:16.160
<v Speaker 1>there with my phone and literally, wait, TikTok.

0:39:16.000 --> 0:39:20.040
<v Speaker 2>That's you can't You can't take your phone into your bag.

0:39:20.880 --> 0:39:23.360
<v Speaker 1>I do maybe first of all.

0:39:23.160 --> 0:39:25.040
<v Speaker 2>That defeats the whole bath purpose.

0:39:25.560 --> 0:39:28.240
<v Speaker 1>I can watch an entire movie in there, now.

0:39:28.200 --> 0:39:30.960
<v Speaker 2>Okay, well that's one thing. But if you're tiktoking in

0:39:31.040 --> 0:39:32.760
<v Speaker 2>the bathtub, you have a problem.

0:39:32.760 --> 0:39:35.480
<v Speaker 3>That's it's almost like I don't feel guilty tiktoking in

0:39:35.520 --> 0:39:38.359
<v Speaker 3>the bath because it's like I'm in here, I don't

0:39:38.360 --> 0:39:39.200
<v Speaker 3>have anything else to do.

0:39:39.320 --> 0:39:41.200
<v Speaker 2>What if you drop your phone in the bathtub?

0:39:41.880 --> 0:39:47.719
<v Speaker 1>Tragic? Do you think what's next week? I pray, Oh,

0:39:48.760 --> 0:39:51.239
<v Speaker 1>are we getting to play next week? Wait? What is

0:39:51.320 --> 0:39:51.799
<v Speaker 1>next week?

0:39:52.080 --> 0:39:54.640
<v Speaker 2>It's called blind Spot episode twenty six. Next week is

0:39:54.680 --> 0:39:57.640
<v Speaker 2>blind Spot. That's your homework, everybody, But you have no

0:39:57.719 --> 0:39:59.879
<v Speaker 2>idea what it's about. None, not one.

0:40:00.000 --> 0:40:04.399
<v Speaker 1>There is some good stuff coming blind Spot. I think

0:40:04.440 --> 0:40:06.800
<v Speaker 1>we just sort of pretend this didn't happen.

0:40:08.320 --> 0:40:08.640
<v Speaker 2>Hmmm.

0:40:10.040 --> 0:40:13.320
<v Speaker 3>And I'm sorry to go on and on, but Brenda

0:40:13.440 --> 0:40:17.839
<v Speaker 3>in the sixties didn't look sixties. She was the one

0:40:18.080 --> 0:40:21.320
<v Speaker 3>she looked like nineties in the message.

0:40:22.120 --> 0:40:25.319
<v Speaker 2>Yeah, I got the sense from not only Kelly but

0:40:26.360 --> 0:40:28.640
<v Speaker 2>Brenda to they didn't want to be doing that episode.

0:40:28.640 --> 0:40:30.360
<v Speaker 2>It felt like nobody wanted to be a part of

0:40:30.400 --> 0:40:35.040
<v Speaker 2>that except maybe Steve looked like he was enjoying it

0:40:35.440 --> 0:40:37.120
<v Speaker 2>and Dylan was enjoyed.

0:40:37.239 --> 0:40:42.880
<v Speaker 1>The boys were having more fun just being clowns about it.

0:40:42.960 --> 0:40:44.960
<v Speaker 1>It's like, yeah, they were just like, I'm just gonna

0:40:44.960 --> 0:40:45.759
<v Speaker 1>camp this up.

0:40:46.120 --> 0:40:49.160
<v Speaker 2>Yeah. I just felt like, oh, and.

0:40:49.120 --> 0:40:53.719
<v Speaker 1>Then Brenda took the Mustang? Why because she was out

0:40:53.719 --> 0:40:55.520
<v Speaker 1>of touris right?

0:40:55.640 --> 0:40:56.040
<v Speaker 5>I know it?

0:40:56.760 --> 0:40:58.959
<v Speaker 1>Yeah? Like did she usually take the Mustake? She usually

0:40:59.000 --> 0:41:00.000
<v Speaker 1>drives Mom's wagon.

0:41:00.320 --> 0:41:00.759
<v Speaker 2>That's true.

0:41:00.760 --> 0:41:02.440
<v Speaker 1>I think it looks like a tourist, but I'm not

0:41:02.480 --> 0:41:04.959
<v Speaker 1>really sure if it was a Ford tourist backup.

0:41:04.680 --> 0:41:08.440
<v Speaker 2>Well, maybe Mom was busy at the swap meet. I

0:41:08.480 --> 0:41:13.000
<v Speaker 2>don't know. It's a lot, it's a lot. I feel

0:41:13.000 --> 0:41:15.440
<v Speaker 2>like everybody needs some time to just sort of like

0:41:15.560 --> 0:41:20.200
<v Speaker 2>put this behind us and sorry, just let's just all

0:41:20.239 --> 0:41:25.000
<v Speaker 2>move forward and maybe forgets that this ever happened. Can

0:41:25.080 --> 0:41:25.480
<v Speaker 2>we do that?

0:41:28.480 --> 0:41:28.799
<v Speaker 5>We are?

0:41:29.840 --> 0:41:33.240
<v Speaker 2>There's no choice, there's no choice. Well, I really wanted

0:41:33.200 --> 0:41:36.440
<v Speaker 2>to thank everybody out there for spending an hour of

0:41:36.480 --> 0:41:37.120
<v Speaker 2>your week with.

0:41:37.160 --> 0:41:40.759
<v Speaker 1>Us stopped listening minutes ago.

0:41:41.480 --> 0:41:46.200
<v Speaker 2>Oh, I feel like our true true fans stuck with us. Amy.

0:41:46.840 --> 0:41:49.640
<v Speaker 2>They're mad that, you know, sad that Tory is not here.

0:41:49.800 --> 0:41:53.759
<v Speaker 2>They hated the episode. True, but it's a it's a thing.

0:41:55.200 --> 0:41:58.080
<v Speaker 2>The next week, hopefully blind Spot will be better. Even

0:41:58.080 --> 0:42:00.920
<v Speaker 2>though blind Spot is blind spot name of a TV

0:42:01.080 --> 0:42:08.440
<v Speaker 2>show these days, that's yeah, it is is. Yeah, that's

0:42:08.520 --> 0:42:14.120
<v Speaker 2>my ex husband's ex girlfriends.

0:42:13.760 --> 0:42:15.840
<v Speaker 1>TV show with James Spader.

0:42:16.480 --> 0:42:20.080
<v Speaker 2>Oh no, oh, I think her name is Jamie Lee Curtis.

0:42:20.120 --> 0:42:23.040
<v Speaker 1>No, not, no, I know who you're talking about. It's

0:42:23.040 --> 0:42:25.280
<v Speaker 1>not Blacklist. Oh it's blind Spot.

0:42:25.560 --> 0:42:27.799
<v Speaker 2>Yeah, the girl with the she has all the tattoos.

0:42:27.880 --> 0:42:29.000
<v Speaker 2>Isn't that the name of that show?

0:42:29.520 --> 0:42:30.640
<v Speaker 1>Yeah? What was that?

0:42:30.880 --> 0:42:31.840
<v Speaker 2>I know that show?

0:42:31.960 --> 0:42:35.640
<v Speaker 1>Trust me, that's not called blind.

0:42:35.400 --> 0:42:41.160
<v Speaker 2>I did, Randy. Is that the show with Jamie Lee Curtis.

0:42:41.280 --> 0:42:43.440
<v Speaker 2>That's not her name, But you know what you're talking about.

0:42:44.000 --> 0:42:49.200
<v Speaker 1>I did watch it for a minute. It's called blind Spot.

0:42:49.280 --> 0:42:50.760
<v Speaker 1>You're right, you are correct.

0:42:50.760 --> 0:42:54.600
<v Speaker 2>The next episode called blind Spot. Yeah, hopefully it's a

0:42:54.640 --> 0:42:57.480
<v Speaker 2>girl who wakes up covered in tattoos, stuffed in a

0:42:57.480 --> 0:42:59.000
<v Speaker 2>double bag, because that'll be.

0:42:59.160 --> 0:43:02.920
<v Speaker 1>Just like a fighter in a Cia agent Yeah somehow.

0:43:03.360 --> 0:43:08.600
<v Speaker 2>All right guys, well, even though the episode sucked, we

0:43:08.719 --> 0:43:17.680
<v Speaker 2>don't and neither do you. Have a great week, love, yeah, bye,