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Speaker 1: It's nine O G one.

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Speaker 2: With Jenny Garth and Tory Spelling. It's another episode of

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Speaker 2: nine two A. OMG, you guys, and OMG, I just

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Speaker 2: want to let you know. It's eight am here in California.

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Speaker 1: Early for me.

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Speaker 2: Amy sugar Bean not a morning person. Everybody we know.

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Speaker 1: Too, It's like the middle of the night.

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Speaker 2: I'm sorry to make you it up so early, but

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Speaker 2: I got things to do. Amy. I'm so sorry.

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Speaker 1: I'm so sorry. Toys sick. But she'll be back so soon.

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Speaker 2: I hope. So geez, because this was a big episode

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Speaker 2: to miss. I mean, this is this episode this week

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Speaker 2: is is uh well, there's no other real way to

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Speaker 2: say it, real stinker, I'm sorry.

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Speaker 1: I was.

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Speaker 3: I'm so hoping you didn't like it because I love

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Speaker 3: every episode and I.

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Speaker 1: Hate this. Oh thank god, it's just dumb.

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Speaker 2: I happened to I happen to know. I can speak

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Speaker 2: on behalf of Toy that she too would hate this episode.

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Speaker 3: So question number one, do you remember filming shooting it?

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Speaker 3: Because it's so different, do you have any memory of it?

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Speaker 4: No?

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Speaker 2: Man, I was stone old time. I was tripped out

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Speaker 2: on LSD and you guys, wait, wait, wait, I just

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Speaker 2: want everybody to know we're talking about season four, episode

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Speaker 2: twenty five, The time has come today, have a say

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Speaker 2: episode March twenty third, nineteen ninety four. UM, give you

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Speaker 2: a quick synopsis here, Brenda refuses to go to the

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Speaker 2: to the Brenda refuses to go to the snow with

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Speaker 2: the group. Brandon gets agitated, but Brenda becomes fascinated by

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Speaker 2: a diary that takes her on some gurovy flashback to

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Speaker 2: the sixties. Directed by Jason Priestley and mc gallanson.

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Speaker 1: Yeah, stop it, sorry, Jason directed this.

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Speaker 2: Right to burst your Jason bubble.

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Speaker 3: But but okay, so that does sort of ring true

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Speaker 3: because the other one he directed had sort of a

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Speaker 3: funky tone to it too.

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Speaker 2: Oh right with the with the guys. Yeah, yeah, you're right.

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Speaker 1: It's like, so this had that same tone.

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Speaker 3: So that sort of makes sense now that you're saying this.

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Speaker 2: This had no tone. I'm sorry, this is so bad.

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Speaker 2: I apologize on behalf of the Institution of Beverly Hills

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Speaker 2: on a too for this episode.

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Speaker 3: Literally, what I thought was like, you know how we're

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Speaker 3: in a writer's strike right now, that there was like

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Speaker 3: a writer strike and they had to bring in random

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Speaker 3: writers who didn't know the characters and just were like, oh, okay,

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Speaker 3: we got to write something.

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Speaker 2: Well, it says here it was written by Mick Gallanson

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Speaker 2: and Charles Rosen. So usually the EP on the show

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Speaker 2: doesn't put his name on something unless he had to

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Speaker 2: come in and fix it, I would think, or unless

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Speaker 2: this was his brainchild.

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Speaker 1: So I like Charles Rosen, but this is a terrible

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Speaker 1: I love.

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Speaker 2: Charles Rosen, but yeah.

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Speaker 1: It just was you know what.

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Speaker 3: It's My problem was, I don't even know how we're

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Speaker 3: gonna recap it today because who cares. I don't care

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Speaker 3: about any of these random people played by you guys.

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Speaker 3: Like it was so like, what are we gonna go

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Speaker 3: scene by scene right now talking about.

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Speaker 2: Yes, yes, that's exactly what we're gonna do, because this

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Speaker 2: is called went to it og.

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Speaker 1: I need plenty of thoughts, I think.

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Speaker 2: Okay, so could it have been a WEE could go

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Speaker 2: on the the we call Chuck and ask him, like,

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Speaker 2: what the heck happened with this? It feels like because

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Speaker 2: Chuck was a little bit older than us, you know,

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Speaker 2: and maybe this was some some stuff that went down

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Speaker 2: in his sixties experience in his real life. Maybe I

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Speaker 2: don't know.

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Speaker 3: Maybe give me okay, And I'm sorry to like rewrite

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Speaker 3: the episode, but like I think maybe I would have

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Speaker 3: I would have cared more if it were one of

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Speaker 3: your relatives that we were digging into, Like if you

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Speaker 3: found the diary and it was your grandma.

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Speaker 1: Do you know what I mean?

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Speaker 3: Because my problem was I don't care about the random

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Speaker 3: people that lived at the Walsh's house before they lived there.

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Speaker 2: And can you believe the coincidence of it all? Keny

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Speaker 2: Kenya disbelieve that parallels the parallels the sister and the

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Speaker 2: brother living there in those bedrooms, and then what are

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Speaker 2: the chances that the brother.

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Speaker 1: Will works at the beach bit?

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Speaker 2: I mean, this is just too good first.

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Speaker 1: Of all, and the peachment just had different shutters, so weird, and.

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Speaker 2: Nat was Italian, like straight yeah from the country.

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Speaker 1: Played by Nat.

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Speaker 3: And then they're like, which one of these people is

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Speaker 3: uh Joey or Bobby or whatever the guy's name was,

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Speaker 3: and then you see a total rando picture.

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Speaker 1: I just I hated it so much.

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Speaker 2: Let's just I don't I don't know any other way

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Speaker 2: to do this amy either them, just you and I

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Speaker 2: shoot the ship for an hour or we go episode,

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Speaker 2: I mean, scene by scene I.

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Speaker 1: Have some things that we can annly. Okay, okay, so bad. Well,

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Speaker 1: I would like to start about a highday.

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Speaker 2: Oh I know. It opens basically on Steve and David

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Speaker 2: right at the juke box baby and the peach fit,

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Speaker 2: and this is them normal, This is them as Steve

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Speaker 2: and David.

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Speaker 1: Yes, thank goodness.

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Speaker 2: You know what saves it every time? Is that smile

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Speaker 2: as Steve Sanders.

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Speaker 1: What Oh heck, Jenny, here's a problem with us. We

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Speaker 1: share one brain, are you like?

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Speaker 2: Oh my god, his smile.

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Speaker 4: Get that literally, Iron Zeering has the cutest, sweetest, most charming,

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Speaker 4: warm smile that that, to me was the best part

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Speaker 4: of the entire Yeah.

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Speaker 2: It was, It really really was. There's just that little

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Speaker 2: glimmer of devil behind it that makes it even better

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Speaker 2: because you know, he's just yes, capable of terrible things.

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Speaker 3: But that's that's like I'm gonna We're gonna have to

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Speaker 3: ask him one day like is that just his regular

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Speaker 3: smile that's so charming or like did he perfect that

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Speaker 3: smile for this character?

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Speaker 2: Like, oh God, ask him. I have a feeling I've

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Speaker 2: seen that smile all my life, so I'm pretty sure

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Speaker 2: that's an eye and searing specialty.

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Speaker 1: So the whole premise is so dumb.

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Speaker 2: Going skiing again.

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Speaker 1: Brenda just got out of the slammer and she's like.

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Speaker 2: He went, Well, she doesn't want to go, but maybe

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Speaker 2: she's bummed out because she was in jail and she's like,

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Speaker 2: oh man, what am I doing with my life? I

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Speaker 2: get that, Like she doesn't want to go just like skiing,

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Speaker 2: and she's not feeling it. I mean, I think it.

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Speaker 1: Would have been she loves Dylan.

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Speaker 2: That was basically the only Like, is that why this

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Speaker 2: whole storyline happened? Is this why this whole episode occurred,

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Speaker 2: was to get that little golden nugget of information? Uh?

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Speaker 1: Did she have mascaret tears? Like? Was she kind of

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Speaker 1: Lauren conrading it in that bed with the crying with

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Speaker 1: the mascarart and I just were tears. It's like so weird.

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Speaker 2: Those were tears.

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Speaker 1: All right.

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Speaker 2: So they're going, they're going skiing. The group is going sane.

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Speaker 1: Brandon's got a ski. He's all waxed up.

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Speaker 2: He's waxed and psyched. I mean, not to quote him

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Speaker 2: or anything, but to quote him, the skis are waxed.

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Speaker 2: I'm psyched, Okay.

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Speaker 3: I wish someone would go in and yank out all

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Speaker 3: the dumb sixty eight stuff and just give me the

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Speaker 3: scenes with the people I know, and just make it

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Speaker 3: a fifteen minute you're talking.

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Speaker 2: About you knew all of these people.

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Speaker 3: Oh, I don't like them, although I did like Brenda's

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Speaker 3: denim on dena Did you see that? No, she was

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Speaker 3: wearing like denhim shirt and denim jeans that looked very

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Speaker 3: like current.

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Speaker 2: I was like, oh, as a sixties girl.

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Speaker 1: Nope, this was still Brenda in the nineties.

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Speaker 2: Okay, all right, well that's because they all come back

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Speaker 2: around that.

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Speaker 3: It was March when this aired, the end after sweeps,

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Speaker 3: and I think they ran out of money and just

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Speaker 3: had to like make this episode.

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Speaker 2: You know what, they ran out of shits. They just

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Speaker 2: ran out of shit, Like they just gave no shits anymore.

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Speaker 1: I what about giggles and any just org none of

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Speaker 1: that was either.

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Speaker 2: I think everybody, although everybody got to go on vacation

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Speaker 2: except the people like the one camera man and maybe

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Speaker 2: the sound man because I saw his boom in the

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Speaker 2: show a few times, and maybe think about hair and

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Speaker 2: makeup person because of the wigs they had to be there. Okay,

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Speaker 2: go ahead, do you want to talk about. Which wig

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Speaker 2: do you want to talk about first?

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Speaker 1: Well, first I want to talk about that Jason Priestley

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Speaker 1: And like, this always makes me sort of cringy to say,

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Speaker 1: what I had is it suddenly has a much hairrier

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Speaker 1: chest than ever.

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Speaker 2: Wait, when did you notice it?

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Speaker 1: It was popping up out of the button down in

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Speaker 1: what scene? Very early on? Where did that come from? Yeah?

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Speaker 2: Yes, it's a very chest. I love it.

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Speaker 1: Maybe he's never noticed it before.

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Speaker 3: I didn't notice it when he was like, didn't we

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Speaker 3: have a shower scene with him just like two weeks ago?

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Speaker 2: Well, maybe it just sprouted out. Maybe it just he

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Speaker 2: hit that point in puberty when the chest hair sprang

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Speaker 2: right out.

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Speaker 1: Or maybe he shaved it for.

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Speaker 2: The shower scene. Maybe yeah, yeah, he waxed that instead

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Speaker 2: of his skis.

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Speaker 1: And he's so mad.

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Speaker 2: He's so mad at Brenda for not going on the

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Speaker 2: trip or for just being Brenda. He's just mad at her.

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Speaker 2: Everybody's mad at Brenda these days. Kelly's pissed it her

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Speaker 2: last week, Brandon's a dick to her this week, Like,

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Speaker 2: I feel like something's about to happen and it's making

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Speaker 2: me very uncomfortable. Just make it happen and get it

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Speaker 2: rip the band aid off because this whole waiting for

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Speaker 2: Brenda's character to depart is killing me.

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Speaker 1: It's a little rough.

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Speaker 3: And so I also was wondering did they do this

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Speaker 3: because it's very shn incentric episode.

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Speaker 1: So it's kind of like.

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Speaker 3: We knew there was trouble in Paradise, but then they

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Speaker 3: give her this episode and she's actually fine in it.

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Speaker 1: She's fine. It's just so dumb. I don't care.

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Speaker 2: I mean, she's fine in it. You're right. It really

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Speaker 2: did not seem as if she cared that much to

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Speaker 2: like give it her gusto, give it her all. But

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Speaker 2: who would care exactly? Who really would care?

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Speaker 1: So here's one note I did have.

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Speaker 3: If this was today, this episode would be completely different

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Speaker 3: because my actual thought was, all these people need to

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Speaker 3: deal with Brenda's mental health, like she.

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Speaker 2: I know, when Brandon says to her, I'm getting really

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Speaker 2: sick of this or whatever he says, she's like, so

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Speaker 2: am I regarding her like an unwellness?

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Speaker 1: Yes?

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Speaker 2: I was like, oh no, we needed some action needs

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Speaker 2: to be taken to help her.

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Speaker 3: I wrote, I think she's depressed, which makes sense after

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Speaker 3: this traumatic experience she's had. Both with Dylan, Dylan her

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Speaker 3: best friend, and jail and everyone's just mad at her.

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Speaker 1: Yeah.

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Speaker 2: Well, she doesn't make it easy to love her, like

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Speaker 2: you know, you know that she doesn't make it easy

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Speaker 2: to help her or want to be there for her

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Speaker 2: because she wants to be alone and doing it on

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Speaker 2: her safe.

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Speaker 1: Yeah right right. I just want to go to the

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Speaker 1: swap meet.

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Speaker 2: Who wouldn't. I mean, have you gone? Jim and Cindy

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Speaker 2: were going to the Pasadena swap Meet. That's a good one,

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Speaker 2: you guys.

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Speaker 3: All day, by the way, because they left in the

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Speaker 3: morning and they came home and it was pitch dark.

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Speaker 2: Oh who can do that? Maybe they went to have

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Speaker 2: some dinner after or maybe a movie or something.

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Speaker 1: Yeah, but I love that. Thy name the Rose Bull

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Speaker 1: swap Meet a shout out that's actually like the very

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Speaker 1: legit swap me.

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Speaker 2: It still goes on every every month. It's the best

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Speaker 2: one to go to.

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Speaker 1: A bike ride and take a bath. I didn't ever

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Speaker 1: know her to ride a bike, but.

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Speaker 2: Okay, yeah, never seen her take a bath either. I

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Speaker 2: always thought she was more of a jogger. Yeah, yeah,

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Speaker 2: but take a bath, that's okay.

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Speaker 1: The way she finds health.

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Speaker 2: That's true. We should. The way she finds the diary,

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Speaker 2: I know, don't get me started.

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Speaker 1: Why would she do that?

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Speaker 2: Well, you would, it's you can tell right away. When

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Speaker 2: she sits on the bench, which she sat on a

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Speaker 2: million times, but this time she sits on the bench,

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Speaker 2: it's uncomfortable and some there's a bump under my butt, Like, okay,

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Speaker 2: was it?

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Speaker 1: I never noticed that bench in my life, by the way,

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Speaker 1: Like I sat on.

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Speaker 2: That many times, and I never felt a bump from

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Speaker 2: a warp board.

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Speaker 1: And she's crying it out, like she's.

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Speaker 2: Like grunting a little trying to get that out. But

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Speaker 2: magically the whole board just lifts out, and there she

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Speaker 2: sees the dusty diary.

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Speaker 1: Well first the orange bandana and the peace necklace.

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Speaker 3: To establish to everyone watching, I think we're going.

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Speaker 2: Back in time, maybe to the sixties.

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Speaker 3: Then I felt like they started playing Titanic music, and

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Speaker 3: I don't know if it was.

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Speaker 2: Because I got I thought the same thing.

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Speaker 1: Cut it out.

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Speaker 2: I literally said to her husband, are we on the

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Speaker 2: Titanic with this music?

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Speaker 1: And I don't know if it's because we're watching it weird?

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Speaker 1: Do you know, like it's not the original, it's gotta be.

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Speaker 1: But like it's gotta be that can't be the right music,

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Speaker 1: literally playing the theme from Titano. It was like flutes.

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Speaker 2: There were flutes in that accompaniment. I called it out

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Speaker 2: my Dear Diary. The voiceover.

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Speaker 1: Am I mistaken? When she says, Mom, you won't believe

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Speaker 1: what I found? And then Cindy's just like we out

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Speaker 1: to the bestraw me. It kind of goesep, I.

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Speaker 2: Don't have time for you, Brenda. Jim's waiting for me

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Speaker 2: in the car I've gotta go.

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Speaker 1: Doesn't even politely say what did you.

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Speaker 2: Find or save that I'll be back in a few

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Speaker 2: hours and you can tell me. Oh about it, honey,

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Speaker 2: because everybody's hating on Brenda, even her mother. Oh but yeah.

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Speaker 2: That voiceover was was rough because it just felt like

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Speaker 2: she was reading like the phone book. She was like,

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Speaker 2: dear Diary, Sorry, no offense. I just call it like

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Speaker 2: I see it. If this was my character doing that,

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Speaker 2: I would have said the same damn thing. It bored

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Speaker 2: me from the.

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Speaker 3: Gate beyond and also calling your diary diary in your diary.

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Speaker 2: One was that doesn't know, don't they say dear diary.

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Speaker 3: Yes, But then there's another a couple of sentences later

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Speaker 3: she says, I'm having such a crazy day diary.

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Speaker 1: Or something like that.

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Speaker 2: I'm like, maybe she met she had diarrhea and she

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Speaker 2: just like, I don't know, make sense of it.

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Speaker 3: I wonder if people are going to send us notes

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Speaker 3: like I love this episode, an.

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Speaker 2: I want to hear. I wish we could call somebody

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00:16:31,560 --> 00:16:33,400
Speaker 2: right now, or have somebody call us right now, which

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00:16:33,440 --> 00:16:36,680
Speaker 2: would be impossible, to just tell us why they liked it, Like,

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Speaker 2: let please enlighten us, because maybe we're missing something. Maybe

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Speaker 2: there are people out there that really liked seeing their

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Speaker 2: favorite characters on TV dressed up in costumes.

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Speaker 1: Shout out to TV Dinners. They got sort of a

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Speaker 1: nice plug.

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00:17:03,800 --> 00:17:07,040
Speaker 2: That looked disgusting what they were feeding the family.

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Speaker 1: Uh oh, and Mom, like Missus Walsh is or the

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Speaker 1: fake Missus Walsh whatever is feeding TV Dinners.

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Speaker 2: That wasn't Missus Walsh. I'm so confused. I really liked

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Speaker 2: her perm though, but I tell you what.

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Speaker 3: And the glasses on fake mister Walsh and Brandon Will

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Speaker 3: you mean Will.

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Speaker 2: Will Will was intense. He scared me. And you know what,

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Speaker 2: I wish Tory was here with us, because she would

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Speaker 2: she would probably know what I'm talking about. Like will

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Speaker 2: reminds his energy and like his this his vibe reminds

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Speaker 2: me of when Jason would direct. He would be like that,

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Speaker 2: kind of more intense, like I got it all covered

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Speaker 2: and handled, and that's how he made me feel. So

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Speaker 2: I did not even realize that he directed this episode

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Speaker 2: until I started this podcast this morning.

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Speaker 3: It does sort of make things like interesting.

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Speaker 2: I wish I had, Yeah, it could have helped me out.

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Speaker 1: Oh I don't know.

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Speaker 2: So then wait, how'd you feel when the door opened

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Speaker 2: and there stood dill Wait, dil This is the This

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Speaker 2: is like the perfect moment to call him dill Wig,

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Speaker 2: because that's maybe this is where it came from. This

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00:18:41,400 --> 00:18:43,520
Speaker 2: is where the guys coined him dill Wig, because this

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Speaker 2: is the episode where he's probably wearing a wig so

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Speaker 2: bad and he just keeps going like that and he

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Speaker 2: keeps flipping his hair. I think as he had to.

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Speaker 2: I think Luke had to do something to alleviate his

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Speaker 2: awkward energy with that wig oncuse.

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Speaker 1: He knew it was so dumb too.

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Speaker 2: He had to have with that.

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Speaker 1: It's almost it's like you all were playing it jokey,

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Speaker 1: do you know what I mean? Like, maybe that was

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Speaker 1: my problem too, like, yeah, no, one's playing it like

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Speaker 1: you're really in the sixties.

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Speaker 3: You're playing it like you're in Halloween costumes, just being stupid.

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Speaker 2: And his mustache didn't go with the wig, It didn't

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Speaker 2: go with the era. That felt like a emperor's last

350
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Speaker 2: wish mustache, like you know, you see in the Disney movies,

351
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Speaker 2: that Moulan movie, those guys had that mustache.

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Speaker 3: Ah, and the thing that of course jarred me the most,

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Speaker 3: which I'm sure you we flipped back to the nineties

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Speaker 3: and Brenda puts her boots on her bed just I wrote.

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Speaker 2: My god, you know what amy I to had the

356
00:20:01,600 --> 00:20:07,200
Speaker 2: feeling that that was a bit disrespectful. However, I then thought, well,

357
00:20:07,400 --> 00:20:09,760
Speaker 2: that's what teenagers do. They don't they don't care about

358
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Speaker 2: stuff like that. So then it felt really true, like

359
00:20:13,040 --> 00:20:16,240
Speaker 2: a real moment. But the problem for me was like,

360
00:20:16,480 --> 00:20:19,679
Speaker 2: once we established Dylan in that wig and Brandon in

361
00:20:19,760 --> 00:20:25,199
Speaker 2: that a situation like the people in the room couldn't

362
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Speaker 2: stop laughing loudly, and I so, I don't even know

363
00:20:28,000 --> 00:20:28,879
Speaker 2: what happened from then on.

364
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Speaker 1: Well, don't be a crumbum.

365
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Speaker 2: Isn't that that? Did they use that word? And yeah,

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Speaker 2: that seems like something crumble. It's a you know, it's

367
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Speaker 2: like a pain, like not don't be a bummer, don't

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Speaker 2: be a fake.

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Speaker 1: Missus. Walsh just just truly.

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Speaker 2: She really liked the TV Dinners. She just wasn't gonna,

371
00:20:55,359 --> 00:20:59,800
Speaker 2: you know what else, Here's what all of them looked ridiculous.

372
00:21:00,040 --> 00:21:02,480
Speaker 2: Every single person in the show. The two people that

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00:21:02,560 --> 00:21:09,320
Speaker 2: looked believable were Donna. She looks believable and great. Yeah,

374
00:21:09,440 --> 00:21:12,440
Speaker 2: she looked adorable with that fifties I mean it was

375
00:21:12,520 --> 00:21:15,480
Speaker 2: kind of fifties not sixties she was. She was playing

376
00:21:15,520 --> 00:21:20,120
Speaker 2: late fifties. Probably she hadn't Yeah, she hadn't turned over

377
00:21:20,160 --> 00:21:20,719
Speaker 2: to the sixties.

378
00:21:20,800 --> 00:21:22,560
Speaker 1: Yet she looked great at parts too.

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Speaker 3: I thought there was a couple of parts where I'm like,

380
00:21:24,560 --> 00:21:27,840
Speaker 3: it's almost like you looked younger than you looked the

381
00:21:27,880 --> 00:21:28,560
Speaker 3: week before.

382
00:21:29,040 --> 00:21:33,800
Speaker 1: It was really weird, like you looked super young. I'm cute.

383
00:21:33,920 --> 00:21:38,399
Speaker 2: Yeah, I felt like was like checked out, even though

384
00:21:38,440 --> 00:21:40,919
Speaker 2: like her character was so supposed to be, you know,

385
00:21:41,040 --> 00:21:46,440
Speaker 2: have some impact on the Diary reader Brenda. I still

386
00:21:46,640 --> 00:21:50,080
Speaker 2: I just felt like I slash Kelly was just checked

387
00:21:50,080 --> 00:21:51,879
Speaker 2: out and thought, this is ridiculous. I don't want to

388
00:21:51,880 --> 00:21:53,680
Speaker 2: be doing this. That's what I.

389
00:21:53,640 --> 00:21:57,520
Speaker 1: Felt, so we're just dealing with this like sort of.

390
00:21:59,240 --> 00:22:03,119
Speaker 3: Cartoon version right of the nineteen sixties, and then all

391
00:22:03,119 --> 00:22:07,080
Speaker 3: of a sudden, we're just thrown into Robert Kennedy and

392
00:22:07,960 --> 00:22:12,919
Speaker 3: he shot and it's like historical and what is going on?

393
00:22:13,400 --> 00:22:15,960
Speaker 2: I'm just not handled well at all, like that huge

394
00:22:16,000 --> 00:22:21,680
Speaker 2: moment in history, and I mean it was rough. I thought, Wow,

395
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Speaker 2: I don't know. The other person that looked really good

396
00:22:25,080 --> 00:22:29,399
Speaker 2: was David. I felt like David looked really good only

397
00:22:29,440 --> 00:22:31,879
Speaker 2: because if you took him out of this episode, I

398
00:22:31,920 --> 00:22:36,720
Speaker 2: could see, actually I could see that person at my

399
00:22:36,800 --> 00:22:39,080
Speaker 2: husband's bar in on the East Side, like he looks

400
00:22:39,080 --> 00:22:41,679
Speaker 2: like a hipster, Like he looks.

401
00:22:41,440 --> 00:22:44,560
Speaker 1: Like today didn't look quite as bad.

402
00:22:44,720 --> 00:22:46,280
Speaker 2: Nah, and all.

403
00:22:46,080 --> 00:22:51,040
Speaker 3: The sort of jokey jokes, Oh you don't have to inhale.

404
00:22:52,200 --> 00:22:54,439
Speaker 2: Who are the Druggies though? In this episode, like all

405
00:22:54,440 --> 00:22:56,600
Speaker 2: of a sudden, they were smoking weed by the campfire

406
00:22:56,680 --> 00:22:57,520
Speaker 2: with new people.

407
00:22:58,760 --> 00:23:01,760
Speaker 1: That's what I said. I wanted to have me too,

408
00:23:01,800 --> 00:23:03,160
Speaker 1: I will Can we just follow them?

409
00:23:03,720 --> 00:23:09,199
Speaker 2: This seems interesting? Nope, Nope, never seen her.

410
00:23:10,240 --> 00:23:12,520
Speaker 3: It's like we haven't seen Andrea. Then she's back at

411
00:23:12,600 --> 00:23:18,040
Speaker 3: the peach pit. Then Brenda comes in and tells them

412
00:23:18,040 --> 00:23:19,080
Speaker 3: all about the diary.

413
00:23:19,920 --> 00:23:23,160
Speaker 2: Wait, wait, what about when when they're at the one

414
00:23:23,200 --> 00:23:26,520
Speaker 2: of the rallies or two rallies I don't even understand.

415
00:23:26,960 --> 00:23:32,760
Speaker 2: But what about when when Brandon Nope, Will comes charging

416
00:23:32,840 --> 00:23:36,720
Speaker 2: through and he's like channeling Forrest Gump.

417
00:23:37,880 --> 00:23:42,600
Speaker 1: Totally yeah, in a bad way, and then fights Dylan

418
00:23:43,000 --> 00:23:44,000
Speaker 1: fake Dylan.

419
00:23:45,960 --> 00:23:50,359
Speaker 2: Because those two were going at it, and Will, Wendy's brother,

420
00:23:50,520 --> 00:23:57,120
Speaker 2: Will was conveniently at odds with the love of Wendy's life.

421
00:23:57,400 --> 00:24:00,000
Speaker 1: You know, it's bad. When I wanted more from the library,

422
00:24:00,760 --> 00:24:02,360
Speaker 1: I was like, can we just hang with her?

423
00:24:06,440 --> 00:24:09,120
Speaker 2: I felt bad for the librarian because she had some

424
00:24:09,240 --> 00:24:14,360
Speaker 2: clunker of lines man like she really committed to her

425
00:24:14,960 --> 00:24:17,960
Speaker 2: that and it was bad.

426
00:24:18,359 --> 00:24:22,080
Speaker 3: Oh God, there's that one shot of Tori as Donna

427
00:24:22,280 --> 00:24:25,000
Speaker 3: at the one of the rallies with the It's almost

428
00:24:25,040 --> 00:24:26,399
Speaker 3: sort of an image you've seen a lot.

429
00:24:26,520 --> 00:24:29,160
Speaker 1: She were in the cool sunglasses, she got the headband

430
00:24:29,320 --> 00:24:32,280
Speaker 1: this way across the forehead and has that cool shirt.

431
00:24:33,200 --> 00:24:35,199
Speaker 1: That was the best part of the whole episode too.

432
00:24:35,200 --> 00:24:37,840
Speaker 1: I'm just like, that's a great Shata story.

433
00:24:39,680 --> 00:24:44,959
Speaker 2: The way they they worked all the like like the

434
00:24:45,080 --> 00:24:48,240
Speaker 2: song lyrics into the dialogue lines like.

435
00:24:50,640 --> 00:24:55,600
Speaker 1: And the shot didn't bother me. I love the show,

436
00:24:56,640 --> 00:24:58,639
Speaker 1: and I don't remember watching.

437
00:24:58,280 --> 00:25:03,160
Speaker 3: This episode before, and obviously when I've rewatched, I certainly

438
00:25:03,200 --> 00:25:06,440
Speaker 3: skipped this because it's probably only the second time I've

439
00:25:06,440 --> 00:25:09,640
Speaker 3: ever seen this episode and it's garbage.

440
00:25:10,040 --> 00:25:13,040
Speaker 1: And then they shout out the two thousand and one like,

441
00:25:13,200 --> 00:25:14,760
Speaker 1: I think a space odyssey? You know that?

442
00:25:15,000 --> 00:25:21,760
Speaker 2: Yazy yep? She says it was a real space odyssey. Okay, well,

443
00:25:21,880 --> 00:25:30,400
Speaker 2: what about I can your way is just they're laden,

444
00:25:30,600 --> 00:25:35,880
Speaker 2: It's laden with terrible lines. My apologies or whoever I'm offending,

445
00:25:36,640 --> 00:25:42,720
Speaker 2: but I can't help myself. But uh, how did Brenda

446
00:25:43,080 --> 00:25:48,800
Speaker 2: come to the realization through Wendy's diary that she loves

447
00:25:48,920 --> 00:25:52,359
Speaker 2: Dylan and that's why she didn't want to go skiing?

448
00:25:53,760 --> 00:25:56,040
Speaker 2: Is that a reach or would you?

449
00:25:57,320 --> 00:25:57,760
Speaker 1: Uh?

450
00:25:57,840 --> 00:26:00,320
Speaker 3: First of all, if we really go with the timeline

451
00:26:00,359 --> 00:26:02,679
Speaker 3: of nine O two one zero, we know that she

452
00:26:02,800 --> 00:26:05,200
Speaker 3: did get in the car with Dylan in Palm Springs

453
00:26:05,240 --> 00:26:06,679
Speaker 3: and say I think I still love you.

454
00:26:06,720 --> 00:26:11,560
Speaker 1: Now in the car she or right after she actually says,

455
00:26:11,600 --> 00:26:14,679
Speaker 1: I think it was just the upsetness of Steward. So

456
00:26:14,720 --> 00:26:16,440
Speaker 1: we sort of make peace with that.

457
00:26:16,920 --> 00:26:19,960
Speaker 3: Then when we last left our friends they were all

458
00:26:20,040 --> 00:26:22,000
Speaker 3: hunky dory after.

459
00:26:22,160 --> 00:26:24,960
Speaker 1: The jail incident and all the fighting. Everything was good.

460
00:26:25,359 --> 00:26:27,560
Speaker 3: So suddenly she's like bitter party of one, doesn't want

461
00:26:27,560 --> 00:26:30,679
Speaker 3: to hang out her friends, and now she loves Dylan.

462
00:26:30,960 --> 00:26:33,520
Speaker 2: Well. I mean, if I were a real Brenda fan

463
00:26:33,600 --> 00:26:36,800
Speaker 2: in this moment, I would probably say she was masking

464
00:26:37,040 --> 00:26:42,840
Speaker 2: her true feelings this whole time, and this really exposed

465
00:26:43,480 --> 00:26:47,040
Speaker 2: her deepest feelings because she had this time alone with

466
00:26:47,080 --> 00:26:51,800
Speaker 2: her diary, Wendy's diary, and it caused her to contemplate.

467
00:26:53,800 --> 00:26:56,840
Speaker 3: The only thing I will say of this episode that

468
00:26:56,920 --> 00:27:00,800
Speaker 3: I felt was sort of symbolic or could be was

469
00:27:00,880 --> 00:27:04,520
Speaker 3: when we go to the back to the nineties and

470
00:27:04,560 --> 00:27:10,280
Speaker 3: we find Wendy, Brenda goes and finds Wendy and we

471
00:27:10,480 --> 00:27:12,760
Speaker 3: find out I thought, I thought this, maybe it was

472
00:27:12,800 --> 00:27:19,480
Speaker 3: significant that Wendy did go to Woodstock Woodstock? I thought,

473
00:27:19,720 --> 00:27:22,320
Speaker 3: am I to take something from that?

474
00:27:22,320 --> 00:27:25,720
Speaker 2: That Brenda's Riley gonna take some action?

475
00:27:28,080 --> 00:27:31,840
Speaker 3: Yeah, like don't let don't let because a boy kind

476
00:27:31,880 --> 00:27:32,639
Speaker 3: of a thing.

477
00:27:34,040 --> 00:27:36,840
Speaker 1: Isn't going right? That it that you stop your dreams?

478
00:27:36,960 --> 00:27:39,560
Speaker 2: Or did she go to did Wendy go to Woodstock

479
00:27:39,640 --> 00:27:45,919
Speaker 2: with Dilwig? I think maybe that was the message don't

480
00:27:46,000 --> 00:27:48,959
Speaker 2: let your your true love get away from you, go

481
00:27:49,000 --> 00:27:49,960
Speaker 2: to Woodstock with him.

482
00:27:50,680 --> 00:27:51,000
Speaker 1: Okay.

483
00:27:51,040 --> 00:27:54,679
Speaker 3: I took a different message, was it doesn't matter about

484
00:27:54,680 --> 00:27:57,520
Speaker 3: the boy, go to Woodstock solo.

485
00:27:57,880 --> 00:27:59,920
Speaker 2: Okay, I like your message much better than Ryan.

486
00:28:00,160 --> 00:28:05,640
Speaker 1: But I was sure that's literally the only message from

487
00:28:05,680 --> 00:28:07,200
Speaker 1: the whole episode. Yeah.

488
00:28:07,240 --> 00:28:12,480
Speaker 2: That and don't do drugs because don't do psychedelics probably.

489
00:28:12,119 --> 00:28:14,720
Speaker 1: And don't kick in your television.

490
00:28:16,320 --> 00:28:19,080
Speaker 2: That was so aggressive, I know, But I love Cindy's

491
00:28:19,160 --> 00:28:20,120
Speaker 2: reaction to it.

492
00:28:20,080 --> 00:28:25,720
Speaker 1: It's like, oh, she goes, I was watching about the program.

493
00:28:25,800 --> 00:28:30,159
Speaker 2: Yeah, it's program. I really like it that.

494
00:28:30,200 --> 00:28:33,159
Speaker 3: They're eating jello. Did you see that? But they were

495
00:28:33,200 --> 00:28:34,560
Speaker 3: eating green jello?

496
00:28:35,160 --> 00:28:35,320
Speaker 5: Oh?

497
00:28:35,520 --> 00:28:37,000
Speaker 1: Man, I hate this thing.

498
00:28:37,280 --> 00:28:40,680
Speaker 2: Like wow, I'm so I can't believe we all survived

499
00:28:40,680 --> 00:28:44,600
Speaker 2: as a was a race after what we had to

500
00:28:44,720 --> 00:28:49,560
Speaker 2: eat in the sixties, like those foods in the metal

501
00:28:49,760 --> 00:29:04,960
Speaker 2: and the processed and the Yeah.

502
00:29:05,000 --> 00:29:09,560
Speaker 1: And here's my other sort of problem is she loves Dylan.

503
00:29:09,640 --> 00:29:14,160
Speaker 3: She's boo boo boo hoo ing. Then she she finds

504
00:29:14,160 --> 00:29:15,440
Speaker 3: everybody's little whatever.

505
00:29:15,800 --> 00:29:18,640
Speaker 1: And then the gang comes home and they're all heading

506
00:29:18,680 --> 00:29:23,120
Speaker 1: off to was it Palm Springs or something? Where were

507
00:29:23,120 --> 00:29:25,680
Speaker 1: they going and then she she sort of be bops

508
00:29:25,680 --> 00:29:27,440
Speaker 1: along and it's fine.

509
00:29:28,520 --> 00:29:33,080
Speaker 2: Yeah, because you know she's got a suppresident, Like, I'm

510
00:29:33,080 --> 00:29:33,720
Speaker 2: so confused.

511
00:29:33,720 --> 00:29:36,320
Speaker 1: It's very about she doesn't love Dylan.

512
00:29:36,880 --> 00:29:39,120
Speaker 2: Well, what is she going to do? Proclaim it there

513
00:29:39,160 --> 00:29:42,680
Speaker 2: in front of everyone because they all come magically to

514
00:29:42,800 --> 00:29:46,800
Speaker 2: the Walsh cosa and what And the same moment the

515
00:29:46,800 --> 00:29:48,120
Speaker 2: whole group, nobody is doing.

516
00:29:49,120 --> 00:29:51,640
Speaker 1: Nobody's doing the math on how far it is to Mammoth.

517
00:29:52,240 --> 00:29:54,880
Speaker 1: I mean it is five hour drive to Mammoth.

518
00:29:55,680 --> 00:29:56,560
Speaker 2: In two hours.

519
00:29:57,960 --> 00:30:00,000
Speaker 1: Just left, they're going.

520
00:30:00,000 --> 00:30:02,320
Speaker 3: They went all the way to Mammoth and then the

521
00:30:02,600 --> 00:30:04,520
Speaker 3: snow wasn't good or something happened.

522
00:30:04,680 --> 00:30:09,000
Speaker 1: They're coming all the way back. They're picking up Brenda

523
00:30:09,120 --> 00:30:11,400
Speaker 1: like there hasn't been a speck of traffic when they're.

524
00:30:11,280 --> 00:30:12,360
Speaker 2: Gonna go on the same day.

525
00:30:13,920 --> 00:30:15,880
Speaker 3: I think it's a different day. But so who tries

526
00:30:15,920 --> 00:30:17,880
Speaker 3: to Mammoth and turns around and comes right back the

527
00:30:17,880 --> 00:30:18,360
Speaker 3: next day?

528
00:30:18,440 --> 00:30:22,560
Speaker 1: Which kids that too wants to drive to Palm Springs,

529
00:30:22,960 --> 00:30:24,600
Speaker 1: Like I wouldn't fight the ten.

530
00:30:24,680 --> 00:30:28,040
Speaker 2: Oh they don't give about the traffic, They don't care.

531
00:30:28,400 --> 00:30:30,640
Speaker 1: They don't care about that gas mileage.

532
00:30:31,320 --> 00:30:36,800
Speaker 2: Oh no, but didn't you know what else happened, which

533
00:30:36,840 --> 00:30:42,400
Speaker 2: really wasn't even like talked about or emphasized. Dill No,

534
00:30:42,560 --> 00:30:47,840
Speaker 2: whoever the hell David was in this episode, he has

535
00:30:48,040 --> 00:30:56,840
Speaker 2: sex with whoever the hell Donna was and then never

536
00:30:56,880 --> 00:31:01,360
Speaker 2: talks to her again. So clear were to take from that,

537
00:31:02,600 --> 00:31:06,000
Speaker 2: how good it is that Donna's holding out on David

538
00:31:06,920 --> 00:31:09,400
Speaker 2: makes us like Donna a little bit more. Maybe I

539
00:31:09,400 --> 00:31:11,680
Speaker 2: don't know and like, okay.

540
00:31:11,680 --> 00:31:14,520
Speaker 3: As a viewer, or are we to take all of

541
00:31:14,560 --> 00:31:18,240
Speaker 3: this as foreshadowing? But then I'm like, we don't. These

542
00:31:18,240 --> 00:31:20,280
Speaker 3: people are not connected to our people.

543
00:31:20,520 --> 00:31:23,640
Speaker 2: I tried so hard to keep them connected, like I tried.

544
00:31:24,120 --> 00:31:28,080
Speaker 2: I tried so hard to make it relevant to the

545
00:31:28,160 --> 00:31:31,440
Speaker 2: current world that these kids live in, but it wasn't.

546
00:31:31,440 --> 00:31:35,880
Speaker 2: And You're right, I wish it had been tied together.

547
00:31:35,840 --> 00:31:42,280
Speaker 3: Some reason to care about these randoms. I also have

548
00:31:42,320 --> 00:31:46,400
Speaker 3: a flag on the play that when Jim and Cindy

549
00:31:46,560 --> 00:31:49,760
Speaker 3: come in, I can't remember at what point Jim's.

550
00:31:49,400 --> 00:31:54,400
Speaker 1: Got the apple, right, Jim's chomping on the apple. Then

551
00:31:54,440 --> 00:31:57,160
Speaker 1: we go into the bedroom and Cindy's got the apple.

552
00:31:58,960 --> 00:32:01,440
Speaker 2: Well, because I think back then apples were the way

553
00:32:01,480 --> 00:32:04,920
Speaker 2: to combat the lack of nutrition. They were getting this.

554
00:32:07,120 --> 00:32:10,840
Speaker 1: Nineties. Jim at the Apple back at present was such

555
00:32:10,840 --> 00:32:12,920
Speaker 1: a mess. Oh, it was such a mess. I had

556
00:32:13,000 --> 00:32:13,920
Speaker 1: to stretch my legs.

557
00:32:14,000 --> 00:32:17,760
Speaker 2: That was you know, it was just a mess. Feel bad.

558
00:32:17,880 --> 00:32:20,120
Speaker 2: I feel bad for hating it as much as I did,

559
00:32:20,160 --> 00:32:22,720
Speaker 2: because I know that that was a lot of work.

560
00:32:23,000 --> 00:32:25,320
Speaker 2: Everybody put a lot of time and effort into those

561
00:32:25,360 --> 00:32:29,120
Speaker 2: costumes and those weird and really committed to it.

562
00:32:29,240 --> 00:32:33,080
Speaker 1: Even good if they wanted to do it, do it good. Instead,

563
00:32:33,080 --> 00:32:34,640
Speaker 1: they did it so cartoony.

564
00:32:35,400 --> 00:32:38,160
Speaker 2: Yeah. What about when Andrea was dancing with the daisy

565
00:32:38,480 --> 00:32:43,280
Speaker 2: in her moomoo? Good god? How long is this girl

566
00:32:43,320 --> 00:32:49,360
Speaker 2: going to be pregnant? You guys pregnant?

567
00:32:50,080 --> 00:32:50,280
Speaker 1: Yeah?

568
00:32:50,280 --> 00:32:52,800
Speaker 3: One of the chicks was like my I think would

569
00:32:52,800 --> 00:32:55,080
Speaker 3: have been like, just don't put her in the sixties,

570
00:32:55,440 --> 00:32:57,920
Speaker 3: Like just say she didn't do that hard?

571
00:32:59,080 --> 00:33:02,000
Speaker 2: Yeah, what was Why would they do that to her?

572
00:33:02,920 --> 00:33:04,440
Speaker 2: I guess she wanted to be a part of it.

573
00:33:05,640 --> 00:33:08,719
Speaker 1: Like I don't want to be a total jerkquad, but

574
00:33:08,800 --> 00:33:11,720
Speaker 1: I actually think this episode maybe would have been better

575
00:33:12,080 --> 00:33:16,240
Speaker 1: if other people played all these fake people like just

576
00:33:16,320 --> 00:33:19,400
Speaker 1: hire after then you would have been like I care

577
00:33:19,480 --> 00:33:25,360
Speaker 1: even less, How's impossible. I just didn't. I just was

578
00:33:25,400 --> 00:33:27,680
Speaker 1: like this is so irritating.

579
00:33:28,440 --> 00:33:31,480
Speaker 2: We are really just bumming so many people out right now.

580
00:33:31,600 --> 00:33:34,040
Speaker 1: So sorry, I a little bit start your week.

581
00:33:34,280 --> 00:33:36,479
Speaker 2: This is something we hate, let's talk about it for

582
00:33:36,520 --> 00:33:39,960
Speaker 2: an hour, and there's never anything good gonna come out

583
00:33:39,960 --> 00:33:40,080
Speaker 2: of this.

584
00:33:40,760 --> 00:33:43,600
Speaker 3: And I didn't hate the scenes with the real people

585
00:33:43,640 --> 00:33:45,840
Speaker 3: I care about. That's why I'm saying, like, just say

586
00:33:45,840 --> 00:33:48,400
Speaker 3: we're out of money, we don't have any good ideas

587
00:33:48,400 --> 00:33:49,880
Speaker 3: and make it an eight minute episode.

588
00:33:50,080 --> 00:33:56,600
Speaker 2: Fine with that minutes? Oh man, I don't know.

589
00:33:56,760 --> 00:33:58,520
Speaker 3: I kind of did sort of do a deep dive

590
00:33:58,600 --> 00:34:00,320
Speaker 3: to try and see I could I get any sort

591
00:34:00,360 --> 00:34:02,000
Speaker 3: of background on this?

592
00:34:02,720 --> 00:34:03,480
Speaker 1: Oh?

593
00:34:03,720 --> 00:34:05,640
Speaker 2: What was it? What did the title even mean? The

594
00:34:05,680 --> 00:34:06,800
Speaker 2: time has come today?

595
00:34:09,840 --> 00:34:12,720
Speaker 3: Maybe the time has come, which is like the reference

596
00:34:12,760 --> 00:34:16,920
Speaker 3: to them but today, so we're to see the parallels fail.

597
00:34:20,120 --> 00:34:21,560
Speaker 1: The only takeaway.

598
00:34:21,160 --> 00:34:22,960
Speaker 3: Now that I get, is it Jason Prisley does have

599
00:34:23,000 --> 00:34:28,120
Speaker 3: a very unique directing sensibility that I should have spotted,

600
00:34:29,000 --> 00:34:32,600
Speaker 3: meaning it sort of does remind me of the last

601
00:34:32,600 --> 00:34:37,400
Speaker 3: time he did he directed. It's different than just a

602
00:34:37,400 --> 00:34:38,600
Speaker 3: regular old episode.

603
00:34:38,719 --> 00:34:41,719
Speaker 2: I feel like there's a general feeling of more like

604
00:34:42,239 --> 00:34:47,680
Speaker 2: fun like people. Everybody's especially the guy characters, are looser

605
00:34:48,480 --> 00:34:50,600
Speaker 2: in their acting and just having more fun.

606
00:34:50,719 --> 00:34:54,719
Speaker 3: Yes, and they almost it almost breaks the storyline. Now

607
00:34:54,719 --> 00:34:57,719
Speaker 3: I'm fuzzy, but the last time he directed was like

608
00:34:57,800 --> 00:35:00,279
Speaker 3: The Magic Mountain Day right, and then they were filmed.

609
00:35:00,160 --> 00:35:01,880
Speaker 1: That dumb yeah, and then they commercial on.

610
00:35:02,000 --> 00:35:04,920
Speaker 2: Top of each other in that one shot and they're.

611
00:35:04,880 --> 00:35:06,920
Speaker 1: Randomly helping that random girl.

612
00:35:07,200 --> 00:35:10,440
Speaker 2: It pulls you out of the story because it's not

613
00:35:10,760 --> 00:35:13,320
Speaker 2: the characters, it's the it's the actors.

614
00:35:14,920 --> 00:35:17,480
Speaker 3: So maybe that when they write an episode like this,

615
00:35:17,600 --> 00:35:20,399
Speaker 3: do they write it for him to direct, Like, Hey,

616
00:35:20,440 --> 00:35:23,600
Speaker 3: we're kind of like stopping the storyline for a hot

617
00:35:23,640 --> 00:35:25,600
Speaker 3: minute because this has no purpose.

618
00:35:25,680 --> 00:35:27,360
Speaker 2: No, I don't think so. I don't think that they

619
00:35:27,480 --> 00:35:30,160
Speaker 2: wrote this for him to direct. I think when you

620
00:35:30,800 --> 00:35:34,040
Speaker 2: direct an episodic like this, you get what you're given

621
00:35:34,239 --> 00:35:36,360
Speaker 2: to direct. You're like, oh, here you are. This is

622
00:35:36,400 --> 00:35:39,040
Speaker 2: your episode, episode twenty five, and it happens to be

623
00:35:39,080 --> 00:35:40,520
Speaker 2: a sixties slash back and you're like.

624
00:35:40,400 --> 00:35:44,080
Speaker 1: What right? Right? Right? Yeah? I mean that makes sense.

625
00:35:45,280 --> 00:35:47,399
Speaker 1: I don't know. It's just really just so bad.

626
00:35:47,520 --> 00:35:50,319
Speaker 3: It's my least favorite of the whole thing so far.

627
00:35:50,400 --> 00:35:54,759
Speaker 3: Full definitely so far. But I think in the whole

628
00:35:54,760 --> 00:35:56,000
Speaker 3: ten years, unless there's.

629
00:35:55,800 --> 00:35:57,200
Speaker 1: Another one of these I forgot about.

630
00:35:57,360 --> 00:36:00,760
Speaker 2: I think there might be because I remember an episode.

631
00:36:01,920 --> 00:36:03,640
Speaker 2: I think it's not like a flashback, but it's like

632
00:36:03,640 --> 00:36:07,640
Speaker 2: a past life regression where Dylan is doing deep therapy

633
00:36:07,719 --> 00:36:11,160
Speaker 2: or something, and as I remember wearing a wig and

634
00:36:11,200 --> 00:36:14,279
Speaker 2: being in the in the Old and West days, So

635
00:36:14,640 --> 00:36:16,440
Speaker 2: I know there's something else coming. I don't know what

636
00:36:16,560 --> 00:36:19,920
Speaker 2: season that is, but it's something to look forward to.

637
00:36:21,520 --> 00:36:24,880
Speaker 3: I weirdly not to jump around stumble on an aggressive

638
00:36:24,880 --> 00:36:29,400
Speaker 3: TikTok the other day of Kelly doing so many drugs.

639
00:36:30,920 --> 00:36:32,160
Speaker 2: You should have sent it to me.

640
00:36:33,400 --> 00:36:39,080
Speaker 3: I should afford just going through drawer and looking for drugs,

641
00:36:39,120 --> 00:36:41,719
Speaker 3: and I just was like, oh God, that's coming to

642
00:36:41,760 --> 00:36:42,360
Speaker 3: look forward.

643
00:36:42,480 --> 00:36:45,279
Speaker 2: Yeah, I'm not looking forward to that either. Well, it's

644
00:36:45,320 --> 00:36:48,800
Speaker 2: weird because Peter aka.

645
00:36:48,440 --> 00:36:51,719
Speaker 1: Dylan even getting their names.

646
00:36:52,000 --> 00:36:55,120
Speaker 2: Well his name is Peter. I don't know why that

647
00:36:55,280 --> 00:36:59,480
Speaker 2: still stood out to me. But he gets bashed over

648
00:36:59,520 --> 00:37:04,960
Speaker 2: the head by the cop. So but he lives and

649
00:37:05,000 --> 00:37:14,600
Speaker 2: then will dies in the which nobody not. I don't

650
00:37:14,600 --> 00:37:15,480
Speaker 2: want to hear about that.

651
00:37:17,320 --> 00:37:17,799
Speaker 5: It's so.

652
00:37:20,480 --> 00:37:22,640
Speaker 1: I want to try to redeem it, but I can't

653
00:37:22,680 --> 00:37:23,040
Speaker 1: do it.

654
00:37:25,440 --> 00:37:27,320
Speaker 3: I actually was stressed yesterday because I watched it a

655
00:37:27,320 --> 00:37:29,239
Speaker 3: couple of days ago, and I was like, how am

656
00:37:29,239 --> 00:37:30,600
Speaker 3: I gonna talk to you?

657
00:37:32,200 --> 00:37:35,520
Speaker 1: I know, what do you give it?

658
00:37:36,320 --> 00:37:37,400
Speaker 2: Oh? What do you give it?

659
00:37:37,480 --> 00:37:38,120
Speaker 1: Let's score it.

660
00:37:38,160 --> 00:37:40,000
Speaker 2: I like to see what you give it. You're not.

661
00:37:41,200 --> 00:37:43,800
Speaker 1: I'm just gonna hold it up. It's three.

662
00:37:44,080 --> 00:37:45,040
Speaker 2: You give it a three.

663
00:37:45,600 --> 00:37:46,680
Speaker 1: It's my lowest ever.

664
00:37:48,400 --> 00:37:50,080
Speaker 2: I'm gonna I'm gonna stick with you on the three.

665
00:37:50,120 --> 00:37:55,960
Speaker 2: Maybe a two slash three. Wow, that's that's harsh. But

666
00:37:56,239 --> 00:37:57,680
Speaker 2: but I don't know.

667
00:37:58,880 --> 00:38:01,360
Speaker 3: I'm just I don't want to end on this sour note.

668
00:38:01,480 --> 00:38:05,640
Speaker 3: I want to find some comedy or joy.

669
00:38:07,440 --> 00:38:11,200
Speaker 2: I'm sorry. I feel like it's my fault. I feel

670
00:38:11,200 --> 00:38:17,160
Speaker 2: really responsible. I do, I do, I do.

671
00:38:17,800 --> 00:38:21,439
Speaker 1: I think it's priestly small. I think it's the I'm

672
00:38:21,480 --> 00:38:22,640
Speaker 1: telling you, it's.

673
00:38:22,520 --> 00:38:33,200
Speaker 5: Just, uh, we're just roach something inappropriate.

674
00:38:34,160 --> 00:38:36,239
Speaker 2: She said, Let's just tell them what she said. Our

675
00:38:36,239 --> 00:38:41,480
Speaker 2: producer said, on a high note, David had blootballs in

676
00:38:41,520 --> 00:38:45,759
Speaker 2: the sixties, just like he does in the nineties. Okay, but.

677
00:38:47,320 --> 00:38:50,360
Speaker 1: Next week and a bath will solve everything.

678
00:38:50,800 --> 00:38:53,840
Speaker 2: See, you know that's true for me, that's true.

679
00:38:54,280 --> 00:38:57,600
Speaker 1: You. Oh I love a bath.

680
00:38:57,680 --> 00:38:58,440
Speaker 2: I love a bath.

681
00:38:59,719 --> 00:39:01,200
Speaker 1: I can staying there for two hours.

682
00:39:02,440 --> 00:39:09,240
Speaker 2: It's nice, so nice. And people leave you alone usually

683
00:39:09,320 --> 00:39:10,320
Speaker 2: when you're in the bath.

684
00:39:10,480 --> 00:39:13,120
Speaker 1: And especially with TikTok these days, I can get in

685
00:39:13,120 --> 00:39:16,160
Speaker 1: there with my phone and literally, wait, TikTok.

686
00:39:16,000 --> 00:39:20,040
Speaker 2: That's you can't You can't take your phone into your bag.

687
00:39:20,880 --> 00:39:23,360
Speaker 1: I do maybe first of all.

688
00:39:23,160 --> 00:39:25,040
Speaker 2: That defeats the whole bath purpose.

689
00:39:25,560 --> 00:39:28,240
Speaker 1: I can watch an entire movie in there, now.

690
00:39:28,200 --> 00:39:30,960
Speaker 2: Okay, well that's one thing. But if you're tiktoking in

691
00:39:31,040 --> 00:39:32,760
Speaker 2: the bathtub, you have a problem.

692
00:39:32,760 --> 00:39:35,480
Speaker 3: That's it's almost like I don't feel guilty tiktoking in

693
00:39:35,520 --> 00:39:38,359
Speaker 3: the bath because it's like I'm in here, I don't

694
00:39:38,360 --> 00:39:39,200
Speaker 3: have anything else to do.

695
00:39:39,320 --> 00:39:41,200
Speaker 2: What if you drop your phone in the bathtub?

696
00:39:41,880 --> 00:39:47,719
Speaker 1: Tragic? Do you think what's next week? I pray, Oh,

697
00:39:48,760 --> 00:39:51,239
Speaker 1: are we getting to play next week? Wait? What is

698
00:39:51,320 --> 00:39:51,799
Speaker 1: next week?

699
00:39:52,080 --> 00:39:54,640
Speaker 2: It's called blind Spot episode twenty six. Next week is

700
00:39:54,680 --> 00:39:57,640
Speaker 2: blind Spot. That's your homework, everybody, But you have no

701
00:39:57,719 --> 00:39:59,879
Speaker 2: idea what it's about. None, not one.

702
00:40:00,000 --> 00:40:04,399
Speaker 1: There is some good stuff coming blind Spot. I think

703
00:40:04,440 --> 00:40:06,800
Speaker 1: we just sort of pretend this didn't happen.

704
00:40:08,320 --> 00:40:08,640
Speaker 2: Hmmm.

705
00:40:10,040 --> 00:40:13,320
Speaker 3: And I'm sorry to go on and on, but Brenda

706
00:40:13,440 --> 00:40:17,839
Speaker 3: in the sixties didn't look sixties. She was the one

707
00:40:18,080 --> 00:40:21,320
Speaker 3: she looked like nineties in the message.

708
00:40:22,120 --> 00:40:25,319
Speaker 2: Yeah, I got the sense from not only Kelly but

709
00:40:26,360 --> 00:40:28,640
Speaker 2: Brenda to they didn't want to be doing that episode.

710
00:40:28,640 --> 00:40:30,360
Speaker 2: It felt like nobody wanted to be a part of

711
00:40:30,400 --> 00:40:35,040
Speaker 2: that except maybe Steve looked like he was enjoying it

712
00:40:35,440 --> 00:40:37,120
Speaker 2: and Dylan was enjoyed.

713
00:40:37,239 --> 00:40:42,880
Speaker 1: The boys were having more fun just being clowns about it.

714
00:40:42,960 --> 00:40:44,960
Speaker 1: It's like, yeah, they were just like, I'm just gonna

715
00:40:44,960 --> 00:40:45,759
Speaker 1: camp this up.

716
00:40:46,120 --> 00:40:49,160
Speaker 2: Yeah. I just felt like, oh, and.

717
00:40:49,120 --> 00:40:53,719
Speaker 1: Then Brenda took the Mustang? Why because she was out

718
00:40:53,719 --> 00:40:55,520
Speaker 1: of touris right?

719
00:40:55,640 --> 00:40:56,040
Speaker 5: I know it?

720
00:40:56,760 --> 00:40:58,959
Speaker 1: Yeah? Like did she usually take the Mustake? She usually

721
00:40:59,000 --> 00:41:00,000
Speaker 1: drives Mom's wagon.

722
00:41:00,320 --> 00:41:00,759
Speaker 2: That's true.

723
00:41:00,760 --> 00:41:02,440
Speaker 1: I think it looks like a tourist, but I'm not

724
00:41:02,480 --> 00:41:04,959
Speaker 1: really sure if it was a Ford tourist backup.

725
00:41:04,680 --> 00:41:08,440
Speaker 2: Well, maybe Mom was busy at the swap meet. I

726
00:41:08,480 --> 00:41:13,000
Speaker 2: don't know. It's a lot, it's a lot. I feel

727
00:41:13,000 --> 00:41:15,440
Speaker 2: like everybody needs some time to just sort of like

728
00:41:15,560 --> 00:41:20,200
Speaker 2: put this behind us and sorry, just let's just all

729
00:41:20,239 --> 00:41:25,000
Speaker 2: move forward and maybe forgets that this ever happened. Can

730
00:41:25,080 --> 00:41:25,480
Speaker 2: we do that?

731
00:41:28,480 --> 00:41:28,799
Speaker 5: We are?

732
00:41:29,840 --> 00:41:33,240
Speaker 2: There's no choice, there's no choice. Well, I really wanted

733
00:41:33,200 --> 00:41:36,440
Speaker 2: to thank everybody out there for spending an hour of

734
00:41:36,480 --> 00:41:37,120
Speaker 2: your week with.

735
00:41:37,160 --> 00:41:40,759
Speaker 1: Us stopped listening minutes ago.

736
00:41:41,480 --> 00:41:46,200
Speaker 2: Oh, I feel like our true true fans stuck with us. Amy.

737
00:41:46,840 --> 00:41:49,640
Speaker 2: They're mad that, you know, sad that Tory is not here.

738
00:41:49,800 --> 00:41:53,759
Speaker 2: They hated the episode. True, but it's a it's a thing.

739
00:41:55,200 --> 00:41:58,080
Speaker 2: The next week, hopefully blind Spot will be better. Even

740
00:41:58,080 --> 00:42:00,920
Speaker 2: though blind Spot is blind spot name of a TV

741
00:42:01,080 --> 00:42:08,440
Speaker 2: show these days, that's yeah, it is is. Yeah, that's

742
00:42:08,520 --> 00:42:14,120
Speaker 2: my ex husband's ex girlfriends.

743
00:42:13,760 --> 00:42:15,840
Speaker 1: TV show with James Spader.

744
00:42:16,480 --> 00:42:20,080
Speaker 2: Oh no, oh, I think her name is Jamie Lee Curtis.

745
00:42:20,120 --> 00:42:23,040
Speaker 1: No, not, no, I know who you're talking about. It's

746
00:42:23,040 --> 00:42:25,280
Speaker 1: not Blacklist. Oh it's blind Spot.

747
00:42:25,560 --> 00:42:27,799
Speaker 2: Yeah, the girl with the she has all the tattoos.

748
00:42:27,880 --> 00:42:29,000
Speaker 2: Isn't that the name of that show?

749
00:42:29,520 --> 00:42:30,640
Speaker 1: Yeah? What was that?

750
00:42:30,880 --> 00:42:31,840
Speaker 2: I know that show?

751
00:42:31,960 --> 00:42:35,640
Speaker 1: Trust me, that's not called blind.

752
00:42:35,400 --> 00:42:41,160
Speaker 2: I did, Randy. Is that the show with Jamie Lee Curtis.

753
00:42:41,280 --> 00:42:43,440
Speaker 2: That's not her name, But you know what you're talking about.

754
00:42:44,000 --> 00:42:49,200
Speaker 1: I did watch it for a minute. It's called blind Spot.

755
00:42:49,280 --> 00:42:50,760
Speaker 1: You're right, you are correct.

756
00:42:50,760 --> 00:42:54,600
Speaker 2: The next episode called blind Spot. Yeah, hopefully it's a

757
00:42:54,640 --> 00:42:57,480
Speaker 2: girl who wakes up covered in tattoos, stuffed in a

758
00:42:57,480 --> 00:42:59,000
Speaker 2: double bag, because that'll be.

759
00:42:59,160 --> 00:43:02,920
Speaker 1: Just like a fighter in a Cia agent Yeah somehow.

760
00:43:03,360 --> 00:43:08,600
Speaker 2: All right guys, well, even though the episode sucked, we

761
00:43:08,719 --> 00:43:17,680
Speaker 2: don't and neither do you. Have a great week, love, yeah, bye,