1 00:00:00,440 --> 00:00:02,120 Speaker 1: What did I just dream for? What did I just 2 00:00:02,160 --> 00:00:11,319 Speaker 1: dream for? What did I just dream for? Even bore 3 00:00:11,400 --> 00:00:14,400 Speaker 1: through the door? Thank you? Thanks Ray trip my question? 4 00:00:22,320 --> 00:00:28,560 Speaker 1: He smells did you sniff? Did you sniff? Shaggy? Oh 5 00:00:28,640 --> 00:00:33,280 Speaker 1: he is so sniffable. Look at that. Wait in a minute, 6 00:00:33,280 --> 00:00:34,360 Speaker 1: get over here, get over here. 7 00:00:34,600 --> 00:00:36,879 Speaker 2: I was dreaming of Shaggy walked into the door and 8 00:00:36,920 --> 00:00:38,600 Speaker 2: then here he blows on through. 9 00:00:38,680 --> 00:00:40,479 Speaker 1: And he looks good. Looks that top im? 10 00:00:40,520 --> 00:00:44,000 Speaker 3: Look? Oh yeah, you tell you Mas Salvation Army third 11 00:00:44,080 --> 00:00:44,680 Speaker 3: battle down. 12 00:00:47,000 --> 00:00:48,800 Speaker 1: You got a good deal on that. Let me tell 13 00:00:48,800 --> 00:00:51,440 Speaker 1: you boy, Hey, so did he tell. 14 00:00:51,320 --> 00:00:54,240 Speaker 2: You he's moved to my neighborhood? I know we gotta 15 00:00:54,240 --> 00:00:59,440 Speaker 2: get into that to call me. There goes the neighborhood. 16 00:01:01,960 --> 00:01:04,040 Speaker 2: I'm gonna tell this story in a second. Okay, Shaggy, 17 00:01:04,120 --> 00:01:06,360 Speaker 2: thank you for coming in today. I just want to 18 00:01:06,400 --> 00:01:08,880 Speaker 2: say you're looking so lovely this morning. You're beautiful and 19 00:01:08,920 --> 00:01:09,400 Speaker 2: it shows. 20 00:01:09,520 --> 00:01:13,960 Speaker 1: Yeah, I see so you And Robin Thick is so 21 00:01:14,000 --> 00:01:16,440 Speaker 1: smooth and so fantastic. Oh, thank you very much. 22 00:01:16,480 --> 00:01:18,840 Speaker 3: Man. You know I don't put them out as often 23 00:01:18,880 --> 00:01:21,200 Speaker 3: as I should, but I want to cultivate them and 24 00:01:21,240 --> 00:01:22,880 Speaker 3: make sure they're right when I come with them. 25 00:01:23,080 --> 00:01:25,520 Speaker 1: Yeah, you just call these people up and be like, hey, 26 00:01:25,800 --> 00:01:26,120 Speaker 1: you know what. 27 00:01:26,240 --> 00:01:31,119 Speaker 3: Most of my collaborations are through relationships, but with this one, 28 00:01:31,280 --> 00:01:35,280 Speaker 3: I'd met Robin at a showed we did together, me 29 00:01:35,280 --> 00:01:37,080 Speaker 3: and him and Whitecliffe, and we ended up hanging out 30 00:01:37,200 --> 00:01:40,199 Speaker 3: and we ended up just having a really really fun time. 31 00:01:40,760 --> 00:01:42,679 Speaker 3: And when I wrote the record, I was like, you know, 32 00:01:42,920 --> 00:01:44,560 Speaker 3: let me send this to him, and he called me 33 00:01:44,600 --> 00:01:47,280 Speaker 3: back and says, Yo, Normally I wouldn't mess with the sample, 34 00:01:47,360 --> 00:01:49,200 Speaker 3: but the way you sounding it, yo, let me yo. 35 00:01:49,320 --> 00:01:50,040 Speaker 1: I had to jump on. 36 00:01:50,080 --> 00:01:53,200 Speaker 3: This, and he said the vocals back and it was 37 00:01:53,240 --> 00:01:55,640 Speaker 3: just amazing, and I was like, Yo, let's do this man. 38 00:01:55,640 --> 00:01:57,760 Speaker 1: Let's talk about another relationship. Sting. Yeah. 39 00:01:57,760 --> 00:02:00,320 Speaker 2: I mean when I first heard you just a were 40 00:02:00,440 --> 00:02:03,360 Speaker 2: together and what I said that you read that wrong. 41 00:02:05,280 --> 00:02:07,080 Speaker 1: That's my brother man that was with him a couple 42 00:02:07,120 --> 00:02:09,359 Speaker 1: of days ago. Well, you're gonna be in his his show. Here, 43 00:02:09,560 --> 00:02:10,280 Speaker 1: I'm in the show. 44 00:02:10,320 --> 00:02:14,040 Speaker 3: I just we just wrapped uh Paris, and then we're 45 00:02:14,080 --> 00:02:15,919 Speaker 3: coming here at the met in June, which you will 46 00:02:15,919 --> 00:02:16,600 Speaker 3: be at. 47 00:02:17,360 --> 00:02:20,520 Speaker 1: Oh god, I'm sorry, I'm busy in June. Well you 48 00:02:20,560 --> 00:02:25,760 Speaker 1: will Castle June night to the fourth. In Stinging Shaggy 49 00:02:25,800 --> 00:02:27,920 Speaker 1: The Last Ship. Wow, I know you're in. 50 00:02:28,120 --> 00:02:29,840 Speaker 2: You're doing The Last Ship for a limited run here 51 00:02:29,840 --> 00:02:32,240 Speaker 2: in New York City at the Metropolitan Opera House. Yes, right, 52 00:02:32,720 --> 00:02:34,640 Speaker 2: June ninth through the fourteenth. Yes, sir, okay, I just 53 00:02:34,639 --> 00:02:35,480 Speaker 2: got I've got the dates. 54 00:02:35,560 --> 00:02:36,079 Speaker 1: Now I have it. 55 00:02:36,760 --> 00:02:38,800 Speaker 2: I was going to raw dog this interviewed by Decide. 56 00:02:38,919 --> 00:02:43,560 Speaker 2: Maybe I'll write some stuff. Let's talk about relationships, Yes, sir, 57 00:02:43,800 --> 00:02:45,600 Speaker 2: you know. And this is a place to anyone listening 58 00:02:45,639 --> 00:02:47,359 Speaker 2: to this show, wherever you are right now, driving to 59 00:02:47,880 --> 00:02:48,600 Speaker 2: work or home. 60 00:02:48,480 --> 00:02:51,800 Speaker 1: From work, or wherever. It's about the relationships in your life. Absolutely. 61 00:02:52,240 --> 00:02:56,760 Speaker 2: Look what a payday you've had. And these other artists 62 00:02:56,760 --> 00:03:01,119 Speaker 2: you've formed relationships with, Yeah, we've all got these relationship. 63 00:03:01,240 --> 00:03:05,560 Speaker 1: We have a relationship. Yeah, something big. We're gonna we're 64 00:03:05,560 --> 00:03:08,880 Speaker 1: gonna become billionaires because of this relationship. I have how 65 00:03:08,960 --> 00:03:09,760 Speaker 1: that's gonna happen? 66 00:03:09,880 --> 00:03:13,040 Speaker 3: Well, you know, you get purpose after a while. I 67 00:03:13,080 --> 00:03:15,160 Speaker 3: have no I think Denzel Washington said, you've never seen 68 00:03:15,200 --> 00:03:18,079 Speaker 3: a Hue hol strap behind a hers. You can't take 69 00:03:18,120 --> 00:03:19,200 Speaker 3: it with you when you go, bro. 70 00:03:20,000 --> 00:03:24,200 Speaker 2: So I would like to just try that. 71 00:03:27,280 --> 00:03:27,880 Speaker 1: You can't take it. 72 00:03:28,560 --> 00:03:31,000 Speaker 2: All the conversations will get started, be driving to New 73 00:03:31,080 --> 00:03:32,000 Speaker 2: York City. 74 00:03:32,320 --> 00:03:35,640 Speaker 3: Yeah, that'd be but you know, you find purpose after 75 00:03:35,680 --> 00:03:37,680 Speaker 3: a while that it's really people's lives that you've touched. 76 00:03:37,920 --> 00:03:40,560 Speaker 3: Every one of these people that work here, right and 77 00:03:40,680 --> 00:03:42,560 Speaker 3: are part of your show, you've touched her life, this 78 00:03:42,600 --> 00:03:45,240 Speaker 3: person's life, that person's life, and sometimes they're life changing. 79 00:03:45,560 --> 00:03:47,640 Speaker 3: Every person I wrote Hotshot, it was eleven people that 80 00:03:47,920 --> 00:03:50,040 Speaker 3: bought homes and started their lives. You know, when you 81 00:03:50,080 --> 00:03:52,960 Speaker 3: go on tour, your you're on tour, maybe five hundred 82 00:03:53,000 --> 00:03:56,280 Speaker 3: people who are truck drivers, riggers, concession stamp people. That's 83 00:03:56,280 --> 00:03:59,240 Speaker 3: five hundred electric bills, school fees, mortgages, and one of 84 00:03:59,240 --> 00:04:02,520 Speaker 3: them kids might go to an Ivy League school and find. 85 00:04:02,280 --> 00:04:03,000 Speaker 1: A cure for cancer. 86 00:04:03,000 --> 00:04:06,080 Speaker 3: You're part of an equation, and once that reality hits you, 87 00:04:06,560 --> 00:04:07,640 Speaker 3: then life becomes easy. 88 00:04:08,000 --> 00:04:09,560 Speaker 2: You know, you know it's it goes back to the 89 00:04:09,600 --> 00:04:13,440 Speaker 2: old movie Jimmy Stewart. It's a wonderful life, right had 90 00:04:13,480 --> 00:04:16,000 Speaker 2: he not been born, how the world would have been 91 00:04:16,000 --> 00:04:17,080 Speaker 2: a different place exactly. 92 00:04:17,160 --> 00:04:18,160 Speaker 1: And so it's good. 93 00:04:18,279 --> 00:04:20,360 Speaker 2: It's good to stop down and all shaggy like you're 94 00:04:20,360 --> 00:04:22,040 Speaker 2: doing right now, like okay. 95 00:04:22,360 --> 00:04:23,960 Speaker 3: But you've been doing it for a while. Look, how 96 00:04:23,960 --> 00:04:26,200 Speaker 3: long you've thirty years? Yeah, you've done great. 97 00:04:26,400 --> 00:04:29,480 Speaker 1: Here's a U haul Okay, put it on the back 98 00:04:29,520 --> 00:04:31,680 Speaker 1: of yourhearse. Oh, by the way, our hearse is all 99 00:04:31,680 --> 00:04:32,440 Speaker 1: the way to your house. 100 00:04:33,560 --> 00:04:36,360 Speaker 2: So I was having a great conversation about you the 101 00:04:36,400 --> 00:04:39,760 Speaker 2: other day, Shaggy oh bless about how you what you 102 00:04:40,200 --> 00:04:44,080 Speaker 2: do for music in the Caribbean is obviously it's your passion. 103 00:04:44,360 --> 00:04:46,719 Speaker 2: It started in Jamaica with you, and then it just 104 00:04:46,800 --> 00:04:50,640 Speaker 2: radiates out across the entire region. Why is it so 105 00:04:50,720 --> 00:04:54,320 Speaker 2: important to always maintain those roots and always be a 106 00:04:54,400 --> 00:04:55,880 Speaker 2: champion for other artists? 107 00:04:56,279 --> 00:04:59,000 Speaker 3: You know in the Islands, the model of Jamaica is 108 00:04:59,040 --> 00:05:02,279 Speaker 3: out of many one piece people. So my grandmother was white. 109 00:05:02,600 --> 00:05:04,360 Speaker 3: Right when I was in school, it was a Chinese 110 00:05:04,400 --> 00:05:06,680 Speaker 3: guy to say, yoh, everything go yeah, yeah, you know, 111 00:05:06,760 --> 00:05:10,040 Speaker 3: I mean it's we're all just one you know. I 112 00:05:10,120 --> 00:05:12,719 Speaker 3: mean when you think about what the roots of this 113 00:05:12,839 --> 00:05:15,120 Speaker 3: small country with lesson at that time, maybe less than 114 00:05:15,120 --> 00:05:17,920 Speaker 3: three million people, and the impact of that we bro 115 00:05:18,200 --> 00:05:20,400 Speaker 3: we have a bop sled team and we don't even 116 00:05:20,440 --> 00:05:20,960 Speaker 3: have snow. 117 00:05:22,279 --> 00:05:24,120 Speaker 1: That's to show you the type of over reading. That 118 00:05:24,160 --> 00:05:26,280 Speaker 1: was an amazing movie, by the way, it was the 119 00:05:26,360 --> 00:05:27,600 Speaker 1: overachievers that we are. 120 00:05:28,000 --> 00:05:31,800 Speaker 3: So that's why it's important for me to actually always 121 00:05:31,839 --> 00:05:33,800 Speaker 3: carry the flag no matter how I I love that 122 00:05:33,839 --> 00:05:37,120 Speaker 3: we should all be carrying flags for places, people and things. 123 00:05:37,200 --> 00:05:38,840 Speaker 1: Yes, we should champion these things. 124 00:05:39,200 --> 00:05:41,400 Speaker 2: But speaking of the genre, I mean, if you go 125 00:05:41,400 --> 00:05:44,359 Speaker 2: to Spotify and you look at their biggest sellers in 126 00:05:44,400 --> 00:05:46,680 Speaker 2: that genre, you are in the top three, number two. 127 00:05:47,240 --> 00:05:47,920 Speaker 1: Who's number one? 128 00:05:47,960 --> 00:05:51,200 Speaker 3: I think it's Sean Paul, Yeah, number three. Between me 129 00:05:51,200 --> 00:05:52,240 Speaker 3: and Bob, we go back on. 130 00:05:55,800 --> 00:05:57,200 Speaker 1: Let me check the ground. You just dropped the name. 131 00:05:58,560 --> 00:06:00,920 Speaker 3: We go back and forth sometimes by sometimes me thought, 132 00:06:00,920 --> 00:06:02,400 Speaker 3: you know it's an it's now we goes. 133 00:06:02,279 --> 00:06:03,600 Speaker 1: Go back and it goes back to what we were 134 00:06:03,680 --> 00:06:05,920 Speaker 1: talking about earlier. Purpose and to. 135 00:06:06,120 --> 00:06:08,400 Speaker 3: Have lasted this long, you gotta be good to last 136 00:06:08,440 --> 00:06:10,839 Speaker 3: as long, bro, So congratulations. 137 00:06:15,040 --> 00:06:17,600 Speaker 4: It's so you're basically like the president of all of 138 00:06:17,640 --> 00:06:20,760 Speaker 4: the Caribbean. And I say this because we were at 139 00:06:20,960 --> 00:06:23,839 Speaker 4: the Nasau Paradise Island Wine and Food Festival. 140 00:06:23,920 --> 00:06:26,840 Speaker 1: Last year. I know you pulled up. 141 00:06:26,880 --> 00:06:29,120 Speaker 4: I thought it was genuinely a president of some countries 142 00:06:29,160 --> 00:06:33,440 Speaker 4: pulling up like so many cars all together, and then 143 00:06:33,480 --> 00:06:35,080 Speaker 4: I thought, who's going to hop out of this car? 144 00:06:35,279 --> 00:06:36,520 Speaker 4: And it was you, and I was so happy to 145 00:06:36,520 --> 00:06:38,719 Speaker 4: see you. But I thought, damn, who are you traveling with? 146 00:06:39,480 --> 00:06:41,960 Speaker 3: Well, you know, the wine and food festival. The food 147 00:06:41,960 --> 00:06:44,920 Speaker 3: festival there is always great in Bahamas. It's like one 148 00:06:44,960 --> 00:06:46,080 Speaker 3: of the things. 149 00:06:45,839 --> 00:06:47,840 Speaker 1: That you like. I just missed it was last week. Yeah, 150 00:06:47,920 --> 00:06:48,960 Speaker 1: it's just always good. 151 00:06:49,360 --> 00:06:53,400 Speaker 3: Uh. You know, I've been there just by hanging out, 152 00:06:53,440 --> 00:06:54,720 Speaker 3: you know, but now I kind of go there when 153 00:06:54,720 --> 00:06:55,120 Speaker 3: they pay me. 154 00:06:58,640 --> 00:07:01,359 Speaker 1: Well, and they should. 155 00:07:01,400 --> 00:07:06,440 Speaker 3: Hey, it's not a spectator sports, no, no, so as that. 156 00:07:06,760 --> 00:07:09,720 Speaker 2: Well, so look, let's talk about Miami. So I was 157 00:07:09,760 --> 00:07:14,400 Speaker 2: in a restaurant at restaurant mister C in the middle 158 00:07:14,440 --> 00:07:17,000 Speaker 2: of Coconut Grove, my new town, with my friends who 159 00:07:17,000 --> 00:07:19,480 Speaker 2: are helping me with my new house, your new house. 160 00:07:20,160 --> 00:07:23,680 Speaker 2: And my friend Susie says, that handsome man at that 161 00:07:23,760 --> 00:07:27,520 Speaker 2: table keeps staring at me. And I said, there's no 162 00:07:27,560 --> 00:07:33,640 Speaker 2: handsome man. That's shaggy, and she said he's getting up. 163 00:07:33,680 --> 00:07:35,720 Speaker 1: He's walking over here, and that was her husband. To 164 00:07:35,720 --> 00:07:40,160 Speaker 1: my left. Press walked up and give me a big hug. 165 00:07:40,280 --> 00:07:42,160 Speaker 1: She said, Damn, I thought it was it was me. 166 00:07:42,320 --> 00:07:44,640 Speaker 1: He was after he said, no, he wants me. 167 00:07:45,800 --> 00:07:47,360 Speaker 2: It was so funny to run into you, and we 168 00:07:47,360 --> 00:07:49,680 Speaker 2: found out that we lived just blocks away from each other, 169 00:07:49,760 --> 00:07:51,680 Speaker 2: and I. 170 00:07:51,640 --> 00:07:53,520 Speaker 1: See lots of sleepovers. 171 00:07:52,920 --> 00:07:56,040 Speaker 3: And then I was like, that's that Elvis. I'm looking 172 00:07:56,040 --> 00:07:57,520 Speaker 3: at him at the corner because you had the. 173 00:07:57,520 --> 00:08:00,200 Speaker 1: Bar right as I usually am if you need to 174 00:08:00,200 --> 00:08:00,520 Speaker 1: find me. 175 00:08:00,640 --> 00:08:04,440 Speaker 3: Yeah, so he is in my neighborhood. Now he's around it. 176 00:08:04,600 --> 00:08:05,640 Speaker 3: So you know you coming down. 177 00:08:05,680 --> 00:08:08,160 Speaker 2: Welcome down, man, I'm excited about it. It is fantastic. 178 00:08:08,200 --> 00:08:10,040 Speaker 2: Have you finished the house yet? No, God knows that 179 00:08:10,080 --> 00:08:12,880 Speaker 2: house is gonna finish me before I'm gonna fish. It's 180 00:08:12,920 --> 00:08:16,800 Speaker 2: a money pit, man. Every time they open God, they 181 00:08:16,880 --> 00:08:17,720 Speaker 2: all are rally. 182 00:08:17,800 --> 00:08:19,760 Speaker 1: But it was a money pit. I'm getting out of 183 00:08:19,760 --> 00:08:21,240 Speaker 1: it now. It's gonna be nice though. Yeah. 184 00:08:21,560 --> 00:08:24,400 Speaker 2: Nice to be your neighbor. Yeah, it's fantastic. So let's 185 00:08:24,400 --> 00:08:28,360 Speaker 2: talk about Lottery. Let's talk about the album You Go first. Uh. 186 00:08:28,400 --> 00:08:30,320 Speaker 3: You know, I I damned it lottery because I'm betting 187 00:08:30,360 --> 00:08:33,080 Speaker 3: on myself and I've always betted on myself, So Lottery 188 00:08:33,200 --> 00:08:38,480 Speaker 3: really it really embodies that and making records that I 189 00:08:38,800 --> 00:08:41,959 Speaker 3: that I could just put myself into and say, okay, this. 190 00:08:41,760 --> 00:08:42,320 Speaker 1: This will work. 191 00:08:42,600 --> 00:08:45,320 Speaker 4: So, speaking of betting on yourself, has there been a 192 00:08:45,320 --> 00:08:46,800 Speaker 4: song that you got into a little bit of an 193 00:08:46,880 --> 00:08:48,880 Speaker 4: argument with the label about where you said this is it, 194 00:08:48,920 --> 00:08:49,480 Speaker 4: this is gonna be a. 195 00:08:49,520 --> 00:08:50,640 Speaker 1: Hit, all of them all. 196 00:08:50,880 --> 00:08:51,280 Speaker 4: Really. 197 00:08:52,080 --> 00:08:54,080 Speaker 3: I mean, there's there's a documentary right now. It's called 198 00:08:54,080 --> 00:08:57,320 Speaker 3: the Making of It Wasn't Me on YouTube if you 199 00:08:57,360 --> 00:08:59,840 Speaker 3: watch it, and it shows you what happened to that 200 00:09:00,080 --> 00:09:02,080 Speaker 3: song when the label didn't want it and the management 201 00:09:02,080 --> 00:09:03,920 Speaker 3: didn't want it, and then kidding me and there was 202 00:09:03,960 --> 00:09:06,000 Speaker 3: a DJ that's why you got all those guys unemployed? Now, 203 00:09:06,040 --> 00:09:08,280 Speaker 3: that's why, yeah, well all of them are. Yeah, but 204 00:09:08,600 --> 00:09:13,480 Speaker 3: uh you got to love radio guys and love radio. 205 00:09:13,520 --> 00:09:15,560 Speaker 3: And there was a DJ out of Hawaii that actually 206 00:09:15,600 --> 00:09:19,200 Speaker 3: played it, you know, and uh after his fifth play 207 00:09:19,360 --> 00:09:21,480 Speaker 3: the phones lit up and we were off. 208 00:09:21,320 --> 00:09:21,800 Speaker 1: To the races. 209 00:09:21,840 --> 00:09:24,360 Speaker 3: Is the same Djit actually played from the same album 210 00:09:24,600 --> 00:09:27,080 Speaker 3: Angel and it blew up just the same way, you know. 211 00:09:27,520 --> 00:09:27,760 Speaker 1: Uh. 212 00:09:27,800 --> 00:09:30,400 Speaker 3: So it's always I've always had a great relationship and 213 00:09:30,440 --> 00:09:32,120 Speaker 3: the love affair with radio, and I still think it's 214 00:09:32,120 --> 00:09:32,920 Speaker 3: important to this day. 215 00:09:32,960 --> 00:09:34,040 Speaker 1: So we're on it. 216 00:09:34,120 --> 00:09:36,040 Speaker 3: And that's really out of so all of them, even 217 00:09:36,080 --> 00:09:39,800 Speaker 3: with Boombastic, Uh I had Old Carolina was massive. 218 00:09:40,160 --> 00:09:43,760 Speaker 1: Remember that song boom shackaack. Why ain't your body? Yeah, 219 00:09:43,920 --> 00:09:44,440 Speaker 1: your body? 220 00:09:44,480 --> 00:09:46,720 Speaker 3: Yeah, that was the spin off of all Carolina. They 221 00:09:46,720 --> 00:09:49,199 Speaker 3: would like four teas me, tease me with chacademus implies 222 00:09:49,200 --> 00:09:51,959 Speaker 3: all those records. 223 00:09:52,280 --> 00:09:53,959 Speaker 1: Is massive. Yeah, those guys. 224 00:09:53,679 --> 00:09:55,920 Speaker 3: Were all they deal and and when I came back 225 00:09:55,960 --> 00:09:58,120 Speaker 3: with the next song, which was boombastic, the label was like, 226 00:09:58,120 --> 00:09:58,400 Speaker 3: what the. 227 00:09:58,320 --> 00:10:00,600 Speaker 1: Hell is this? This doesn't sound like Carolina. 228 00:10:02,280 --> 00:10:04,720 Speaker 3: But it was the first danceaul number one to date 229 00:10:04,760 --> 00:10:07,200 Speaker 3: to the first the debut with number one fortune make 230 00:10:07,200 --> 00:10:09,240 Speaker 3: an artist in the British chart. Were there any that 231 00:10:09,280 --> 00:10:11,400 Speaker 3: you put out that you wish you didn't put out? 232 00:10:11,920 --> 00:10:13,520 Speaker 1: Lots? Oh really yeah, lots. 233 00:10:13,559 --> 00:10:15,720 Speaker 3: I put things out under pressure wood record company and 234 00:10:15,760 --> 00:10:18,840 Speaker 3: management all the time. And but in my Hearts of Arts, 235 00:10:18,840 --> 00:10:22,080 Speaker 3: I know I didn't like those records and I was right. 236 00:10:22,200 --> 00:10:24,080 Speaker 2: You know, we've been with Shaggy for just a few minutes. 237 00:10:24,760 --> 00:10:28,360 Speaker 2: All the takeaways so far. Bet on yourself, yeah right, 238 00:10:28,640 --> 00:10:31,599 Speaker 2: believe in yourself, relationships. 239 00:10:30,840 --> 00:10:33,400 Speaker 3: Yeah, it's key things that you just need in life. 240 00:10:33,559 --> 00:10:35,600 Speaker 3: I was just having a conversation. I said, hey, listen, 241 00:10:36,280 --> 00:10:38,000 Speaker 3: it gets better when you get older. Man. 242 00:10:38,640 --> 00:10:42,040 Speaker 1: Apart from the aches, I could do it when you 243 00:10:42,080 --> 00:10:43,040 Speaker 1: get off off the couch. 244 00:10:43,200 --> 00:10:45,160 Speaker 3: Yeah, yeah, you know, you know when you take your 245 00:10:45,280 --> 00:10:47,000 Speaker 3: like if you go to the toilet to go pee, 246 00:10:47,440 --> 00:10:47,839 Speaker 3: I don't. 247 00:10:48,040 --> 00:10:49,760 Speaker 1: That's why I've been pooping in my pants the hole 248 00:10:49,840 --> 00:10:50,160 Speaker 1: over here. 249 00:10:50,400 --> 00:10:52,200 Speaker 3: Like you know, you normally would just stand up and 250 00:10:52,280 --> 00:10:53,840 Speaker 3: just hold it. Now you got to hold the wall. 251 00:10:55,640 --> 00:10:57,559 Speaker 4: Can you Can you get out of a chair without 252 00:10:57,559 --> 00:10:59,400 Speaker 4: making the weird noises that Nate makes when he gets 253 00:10:59,400 --> 00:11:00,040 Speaker 4: out of a chair. 254 00:11:01,200 --> 00:11:05,160 Speaker 2: Standing up out of your chair, I think we all 255 00:11:05,160 --> 00:11:08,040 Speaker 2: do after a certain after a certain age. 256 00:11:08,480 --> 00:11:10,600 Speaker 3: But the good thing is that being outside of your 257 00:11:10,600 --> 00:11:14,080 Speaker 3: comfort zone is growth. Being uncomfortable is growth. You know, 258 00:11:14,440 --> 00:11:17,360 Speaker 3: stink throwing me into a musical that I've never acted 259 00:11:17,360 --> 00:11:18,640 Speaker 3: in and just saying, hey, you're going to do it, 260 00:11:18,679 --> 00:11:21,280 Speaker 3: and then convincing the whole company that I'm the right guy, 261 00:11:21,280 --> 00:11:24,040 Speaker 3: and me going in there and alien that's uncomfortable. 262 00:11:24,160 --> 00:11:25,679 Speaker 1: Good for you, But that's that's growth. 263 00:11:25,679 --> 00:11:28,600 Speaker 3: So I look for the uncomfortable every single time, and 264 00:11:28,679 --> 00:11:29,319 Speaker 3: just to get up in. 265 00:11:29,240 --> 00:11:30,360 Speaker 1: The morning and hit the gym. 266 00:11:30,400 --> 00:11:32,679 Speaker 3: I hate it, but I do it, you know what 267 00:11:32,679 --> 00:11:36,240 Speaker 3: I mean, because I'm aiming for greatness, you know what 268 00:11:36,240 --> 00:11:38,680 Speaker 3: I mean. And to do that and perfect your craft, 269 00:11:38,720 --> 00:11:41,679 Speaker 3: you need all of these things. So when you get older, 270 00:11:41,720 --> 00:11:45,800 Speaker 3: you enjoy it more. He's enjoying Miami now. If he 271 00:11:45,880 --> 00:11:49,240 Speaker 3: was younger, right and doing, he would still be he 272 00:11:49,240 --> 00:11:50,400 Speaker 3: would never made that trip. 273 00:11:51,559 --> 00:11:53,360 Speaker 2: He wouldn't have made that move, man, because I love 274 00:11:53,480 --> 00:11:56,040 Speaker 2: Miami so much. I'm now loving New York more. I mean, 275 00:11:56,440 --> 00:11:59,199 Speaker 2: and I'm perspectives, you know what. I'm always gonna be 276 00:11:59,200 --> 00:12:00,800 Speaker 2: a New Yorker Miami's. 277 00:12:02,120 --> 00:12:04,200 Speaker 1: Can I ask I need some more cocoa yack? I 278 00:12:04,240 --> 00:12:09,120 Speaker 1: still have my bottle at home. Man. That was that 279 00:12:09,240 --> 00:12:10,760 Speaker 1: was a dream that should have happened. You know what. 280 00:12:12,600 --> 00:12:13,040 Speaker 1: I love it. 281 00:12:13,120 --> 00:12:16,920 Speaker 2: It was so good, but you broke cocoa yat. Yes, 282 00:12:17,960 --> 00:12:21,320 Speaker 2: I got that cake and I was, Oh, I was psychedelic. Yeah, 283 00:12:22,080 --> 00:12:24,880 Speaker 2: stuff was flying past my head. Got me and John Frank. 284 00:12:24,720 --> 00:12:26,880 Speaker 1: We're ready to go. And you know they just made 285 00:12:26,920 --> 00:12:27,200 Speaker 1: him off. 286 00:12:27,280 --> 00:12:30,440 Speaker 3: He can refuse. They bought the company, Jager mister book 287 00:12:30,480 --> 00:12:31,280 Speaker 3: the company. 288 00:12:31,480 --> 00:12:36,800 Speaker 1: Yea, the best dream. That almost bottle is beautiful, like 289 00:12:37,000 --> 00:12:39,360 Speaker 1: it's like it's a cologne bottle. Yeah, it's built it 290 00:12:39,440 --> 00:12:41,920 Speaker 1: like a cologne bottle. And you got me so high 291 00:12:41,960 --> 00:12:42,319 Speaker 1: that day. 292 00:12:43,240 --> 00:12:43,880 Speaker 5: What was in this? 293 00:12:44,160 --> 00:12:45,640 Speaker 3: It still makes you walk side of us. Oh, but 294 00:12:45,760 --> 00:12:46,920 Speaker 3: it tastes like a vacation doll. 295 00:12:47,960 --> 00:12:52,240 Speaker 1: It tasted like the Caribbean. Yes, that good. You love 296 00:12:52,320 --> 00:12:55,160 Speaker 1: your psychedelics. You would love some cocainat in it. It was. 297 00:12:55,320 --> 00:12:59,920 Speaker 3: It's it's really uh it's flavored kangnak okay, but it's coconut. 298 00:13:00,040 --> 00:13:00,880 Speaker 4: H It was so good. 299 00:13:02,440 --> 00:13:04,840 Speaker 2: And it's just you know, have some of her body, 300 00:13:06,120 --> 00:13:08,560 Speaker 2: a little kit. Little kittens were flying around in mid air, 301 00:13:08,679 --> 00:13:10,240 Speaker 2: like there's a kitten flying in front of me. It 302 00:13:10,360 --> 00:13:13,760 Speaker 2: was so I want to talk about Let's go back 303 00:13:13,760 --> 00:13:16,000 Speaker 2: to relationships for a second. You were sitting in our 304 00:13:16,040 --> 00:13:18,760 Speaker 2: Sandals Caribbean green room a second ago, and you remember 305 00:13:18,920 --> 00:13:19,760 Speaker 2: sponsorship by. 306 00:13:19,640 --> 00:13:28,559 Speaker 3: The way, Yeah, well, Adam, and it's it's nice and plush. 307 00:13:28,600 --> 00:13:30,880 Speaker 3: I'm not even like I've been to many studios. This 308 00:13:31,000 --> 00:13:32,520 Speaker 3: is probably the nicest thing. I felt like I was 309 00:13:32,600 --> 00:13:33,040 Speaker 3: on vacation. 310 00:13:33,480 --> 00:13:33,720 Speaker 1: Nice. 311 00:13:33,880 --> 00:13:35,920 Speaker 2: Yeah, but I tell you we have a great relationship 312 00:13:35,960 --> 00:13:39,600 Speaker 2: with Sandals. And yeah, man, I tell you what, Adam, 313 00:13:39,760 --> 00:13:42,480 Speaker 2: you know, carrying on the tradition from his dad. Butch 314 00:13:42,640 --> 00:13:45,319 Speaker 2: who you knew Butch very well. You guys would call 315 00:13:45,440 --> 00:13:47,840 Speaker 2: upon each other. This guy ran resorts when you were 316 00:13:48,520 --> 00:13:51,120 Speaker 2: you're an artist, but you found this common ground. 317 00:13:51,400 --> 00:13:53,640 Speaker 1: Yeah, you know, I was. I was his favorite artist. 318 00:13:53,720 --> 00:13:55,520 Speaker 3: So you would call you know when it would when 319 00:13:55,520 --> 00:13:57,400 Speaker 3: they were opening a new Sandals and call me and 320 00:13:57,480 --> 00:14:00,240 Speaker 3: be like okay, perform and whatnot. And you know him 321 00:14:00,280 --> 00:14:03,199 Speaker 3: as somewhat kept it also the tradition going because you know, 322 00:14:03,320 --> 00:14:04,880 Speaker 3: his dad meant so much to him. So it's been 323 00:14:05,120 --> 00:14:07,640 Speaker 3: It was a great relationship with his dad. His dad 324 00:14:07,720 --> 00:14:10,280 Speaker 3: was a people guy. He would know everybody. You know, 325 00:14:10,679 --> 00:14:12,760 Speaker 3: I don't care if he was the guy at the 326 00:14:12,840 --> 00:14:16,280 Speaker 3: gate that opened the gate. He knew everyone, and he 327 00:14:16,400 --> 00:14:18,880 Speaker 3: remembered their names and he treated everyone. He was big 328 00:14:18,920 --> 00:14:21,120 Speaker 3: on relationships, so big up to Butch. He's one of 329 00:14:21,160 --> 00:14:22,080 Speaker 3: them guys that's missed man. 330 00:14:22,200 --> 00:14:23,520 Speaker 2: And we had we had lunch with Adam not too 331 00:14:23,560 --> 00:14:27,600 Speaker 2: long ago. The fact that they're keeping that legacy going. 332 00:14:27,680 --> 00:14:30,640 Speaker 2: Man fantastic works his ass off and they really, oh yeah, 333 00:14:30,680 --> 00:14:31,480 Speaker 2: he's a work alive man. 334 00:14:31,520 --> 00:14:33,480 Speaker 1: I got goes, I go. I've got a few results. 335 00:14:33,480 --> 00:14:36,600 Speaker 1: I need to go sample myself. I'll be doing that soon. Okay. 336 00:14:36,760 --> 00:14:39,360 Speaker 3: So the album was on May fifteen, May fifteen, and uh, 337 00:14:39,520 --> 00:14:42,120 Speaker 3: it's also you know, I got a lot of great 338 00:14:42,160 --> 00:14:45,000 Speaker 3: people on there. I got you know, Uh, Anthony Hamilton 339 00:14:45,120 --> 00:14:45,640 Speaker 3: is also on there. 340 00:14:45,680 --> 00:14:48,000 Speaker 1: On the track with me. That's great. I just dropped 341 00:14:48,000 --> 00:14:50,200 Speaker 1: the record with me Barriss, Hammon and Decks adapts. If 342 00:14:50,240 --> 00:14:52,360 Speaker 1: you went to dance all you that's a banger right now? 343 00:14:52,440 --> 00:14:53,880 Speaker 1: Look at me. I'm such a dance hall looking guy, 344 00:14:54,000 --> 00:14:54,760 Speaker 1: right you know? Yeah? 345 00:14:55,600 --> 00:14:59,360 Speaker 3: Akon and Acon we just dropped one earlier too, So 346 00:14:59,480 --> 00:15:01,080 Speaker 3: there's a lot of there's a lot of records on 347 00:15:01,120 --> 00:15:03,040 Speaker 3: are Sting of course, and when I team up again 348 00:15:03,080 --> 00:15:03,720 Speaker 3: on this record too. 349 00:15:03,760 --> 00:15:05,920 Speaker 1: So did they come just start a country or something. 350 00:15:07,400 --> 00:15:07,560 Speaker 3: City? 351 00:15:07,680 --> 00:15:09,480 Speaker 1: Let me tell you something. Acon is always starting something. 352 00:15:13,400 --> 00:15:15,280 Speaker 2: You don't build anything unless you start. Oh man, that 353 00:15:15,400 --> 00:15:17,800 Speaker 2: guy is That guy's a busy guy. That's that's also 354 00:15:17,800 --> 00:15:20,480 Speaker 2: another pro guy, very professionally. He comes in you know. 355 00:15:20,480 --> 00:15:23,040 Speaker 3: I remember I send a boombody to him and listened 356 00:15:23,040 --> 00:15:25,040 Speaker 3: to it and he just showed up at my house 357 00:15:25,560 --> 00:15:26,160 Speaker 3: as good as go. 358 00:15:29,680 --> 00:15:29,800 Speaker 5: Na. 359 00:15:30,600 --> 00:15:32,360 Speaker 1: You know, I still have to give him my address. 360 00:15:32,400 --> 00:15:33,040 Speaker 1: He didn't google it. 361 00:15:34,680 --> 00:15:34,800 Speaker 5: Uh. 362 00:15:35,480 --> 00:15:37,480 Speaker 2: I want to play the song. I want to play 363 00:15:37,720 --> 00:15:42,040 Speaker 2: looking Lovely? How long did Bill Withers hold that note 364 00:15:42,160 --> 00:15:43,920 Speaker 2: at the end of Lovely Day? 365 00:15:44,480 --> 00:15:47,120 Speaker 1: The only person I see whole that note that long? 366 00:15:47,280 --> 00:15:51,360 Speaker 1: Also is Sting? Does he big ass lungs? Dude? 367 00:15:51,480 --> 00:15:54,360 Speaker 3: That dude could hold a note like all the way 368 00:15:54,520 --> 00:15:56,880 Speaker 3: you run out of bread and and and when him 369 00:15:56,880 --> 00:15:58,520 Speaker 3: and I are doing the record we get to that part, 370 00:15:58,800 --> 00:16:02,280 Speaker 3: he makes sure we started that he gets to He's 371 00:16:02,320 --> 00:16:04,240 Speaker 3: the part that he gets to sing that part. So 372 00:16:04,320 --> 00:16:05,800 Speaker 3: I said, you know, and he's like, I got to 373 00:16:05,840 --> 00:16:06,400 Speaker 3: sing that part. 374 00:16:06,720 --> 00:16:10,560 Speaker 1: It's kind of my thing. You don't say, notice sing, 375 00:16:10,720 --> 00:16:13,400 Speaker 1: I guess Can I ask my alien? 376 00:16:13,720 --> 00:16:14,520 Speaker 4: My alien question? 377 00:16:14,760 --> 00:16:17,160 Speaker 2: You have the best question of this interview with Shaggy 378 00:16:17,240 --> 00:16:19,160 Speaker 2: from Gandhi. This is such a Gandhi question. 379 00:16:19,320 --> 00:16:22,280 Speaker 4: Yes, okay, do you believe in aliens before we go 380 00:16:22,320 --> 00:16:22,760 Speaker 4: down this stay? 381 00:16:22,800 --> 00:16:24,800 Speaker 1: I think there are a lot of them sitting amongst us. Yeah, 382 00:16:24,840 --> 00:16:26,880 Speaker 1: there's one in the corner. Yeah, here for sure. 383 00:16:27,440 --> 00:16:29,560 Speaker 4: Okay, So you know, there have been all these rumors 384 00:16:29,600 --> 00:16:32,520 Speaker 4: now that we're actually making contact and maybe they're closer 385 00:16:32,560 --> 00:16:34,880 Speaker 4: than we thought. Like you just said, if you had 386 00:16:35,080 --> 00:16:37,080 Speaker 4: to look at your catalog over the past thirty years 387 00:16:37,200 --> 00:16:38,840 Speaker 4: and you have to pick one song that we are 388 00:16:38,880 --> 00:16:41,440 Speaker 4: going to play for the aliens to introduce them to 389 00:16:41,560 --> 00:16:42,320 Speaker 4: Earth and to you. 390 00:16:42,960 --> 00:16:43,680 Speaker 3: What is the song? 391 00:16:44,520 --> 00:16:46,160 Speaker 1: Bombastic? Okay? 392 00:16:46,840 --> 00:16:51,440 Speaker 3: Yeah, it's just sound. It sounds alien anyway, Unt dunt 393 00:16:51,520 --> 00:16:52,400 Speaker 3: dunt miss. 394 00:16:52,240 --> 00:16:55,800 Speaker 1: The Lave of Love, aw miss the love of Love? 395 00:16:55,800 --> 00:16:59,880 Speaker 1: Where are you from? What plan? 396 00:17:02,920 --> 00:17:03,160 Speaker 3: It is? 397 00:17:03,240 --> 00:17:03,640 Speaker 5: What it is? 398 00:17:03,800 --> 00:17:09,359 Speaker 1: Yeah, they'll they'll they'll relate to that. They'll relate to that. 399 00:17:10,160 --> 00:17:13,119 Speaker 1: Let's shoot that into the galaxy if we have any takers. 400 00:17:13,160 --> 00:17:16,399 Speaker 1: See what are you a flat earder? Absolutely not? Are 401 00:17:16,440 --> 00:17:18,480 Speaker 1: you a flat No? This is my point. 402 00:17:18,520 --> 00:17:19,840 Speaker 2: We were talking about this the other day. We're talking 403 00:17:19,840 --> 00:17:21,879 Speaker 2: about all the conspiracy theories going on. Right, Yeah, did 404 00:17:21,920 --> 00:17:22,840 Speaker 2: we ever land on the moon? 405 00:17:23,840 --> 00:17:30,440 Speaker 1: Did we? Ten years ago? Doubt that too. I'm just saying, 406 00:17:30,520 --> 00:17:30,879 Speaker 1: I don't know. 407 00:17:31,119 --> 00:17:34,040 Speaker 2: Remember all the conspiracies that are floating out there. Ten 408 00:17:34,119 --> 00:17:35,919 Speaker 2: years ago, I would say, you're you're silly, You're right, 409 00:17:35,960 --> 00:17:39,439 Speaker 2: your freaking mind. Now, I believe anything is possible. 410 00:17:39,520 --> 00:17:40,320 Speaker 1: I believe anything. 411 00:17:40,440 --> 00:17:43,679 Speaker 3: Now. I also believe that anything is possible that they 412 00:17:43,720 --> 00:17:46,320 Speaker 3: would you're tricking us the whole time, sure, you know, 413 00:17:46,680 --> 00:17:48,879 Speaker 3: but there's also things that are possible that you never 414 00:17:48,960 --> 00:17:50,800 Speaker 3: you know. I went to the Vatican the other day 415 00:17:51,560 --> 00:17:57,119 Speaker 3: and I had the opportunity to go into the libraries, 416 00:17:57,400 --> 00:17:59,920 Speaker 3: and that's like four stories down onto the how. 417 00:18:00,080 --> 00:18:00,600 Speaker 1: You get in there? 418 00:18:01,040 --> 00:18:06,080 Speaker 3: I got friends in low places and one of the 419 00:18:06,119 --> 00:18:10,240 Speaker 3: stories is like AI has been here hundreds of years 420 00:18:10,280 --> 00:18:13,960 Speaker 3: from before. And it shocked me. And it's written in 421 00:18:14,040 --> 00:18:16,800 Speaker 3: those books, books that I couldn't touch, by the way, 422 00:18:16,840 --> 00:18:20,040 Speaker 3: because they're that old, you know, but there were copies 423 00:18:20,080 --> 00:18:22,240 Speaker 3: of it. Wow, and it was like, you know, and 424 00:18:22,320 --> 00:18:24,800 Speaker 3: then you see all like they're saying a lot of 425 00:18:24,880 --> 00:18:26,440 Speaker 3: things that we think is the first is not the first, 426 00:18:26,480 --> 00:18:28,560 Speaker 3: and it's kind of a way because you haven't done 427 00:18:28,600 --> 00:18:30,960 Speaker 3: some things back in your day. And then it says, well, 428 00:18:31,080 --> 00:18:33,399 Speaker 3: you know, this new jock come and say he's the 429 00:18:33,440 --> 00:18:35,400 Speaker 3: first to ever do this, Like why because we didn't 430 00:18:35,440 --> 00:18:40,040 Speaker 3: have Internet and Facebook and Instagram. You felt it wasn't done. 431 00:18:41,320 --> 00:18:44,320 Speaker 3: It could be a situation like that where things was done, 432 00:18:44,359 --> 00:18:47,280 Speaker 3: but you just we just didn't know. Well, never know, 433 00:18:47,440 --> 00:18:50,879 Speaker 3: but it's great to have that fantasy, that imagination. I 434 00:18:51,040 --> 00:18:52,320 Speaker 3: just think that there's a lot of things not just 435 00:18:52,400 --> 00:18:54,240 Speaker 3: gonna make your life easier. You better go to the gym, 436 00:18:54,280 --> 00:18:57,040 Speaker 3: because you're gonna be, you know, sitting at your house 437 00:18:57,119 --> 00:18:59,399 Speaker 3: not doing. 438 00:18:58,520 --> 00:19:02,200 Speaker 2: Jack the words of Shaggy you know what. I want 439 00:19:02,240 --> 00:19:03,960 Speaker 2: to go back and listen to this interview again and again. 440 00:19:04,000 --> 00:19:08,280 Speaker 2: But you you've you've nailed some things down tightly today 441 00:19:08,320 --> 00:19:11,000 Speaker 2: and I like that it's it's it's it's growth, man, 442 00:19:11,080 --> 00:19:13,280 Speaker 2: And then you go through a bunch of changes. You know, 443 00:19:13,359 --> 00:19:14,800 Speaker 2: the person you are now is not the same person 444 00:19:14,800 --> 00:19:16,800 Speaker 2: you were five years ago. I will not be the 445 00:19:16,840 --> 00:19:17,920 Speaker 2: same person next five years. 446 00:19:18,040 --> 00:19:18,240 Speaker 3: Let me. 447 00:19:18,320 --> 00:19:20,560 Speaker 2: I don't mean to play top that, but I'm not 448 00:19:20,640 --> 00:19:22,480 Speaker 2: the same person I was five minutes ago. Because of 449 00:19:22,480 --> 00:19:23,240 Speaker 2: the things you've said. 450 00:19:23,119 --> 00:19:23,560 Speaker 1: In this room. 451 00:19:23,600 --> 00:19:26,639 Speaker 3: Well that's good because it's we all evolve in that. 452 00:19:26,920 --> 00:19:27,440 Speaker 1: Isn't that great? 453 00:19:27,520 --> 00:19:29,840 Speaker 3: And we got to also be okay with closing chapters. 454 00:19:30,040 --> 00:19:32,760 Speaker 1: That's a big one. That's a tough one. It's a 455 00:19:32,800 --> 00:19:33,760 Speaker 1: good one though it's good. 456 00:19:34,000 --> 00:19:38,800 Speaker 2: It's not that hard really, it's it's it's block because yeah, 457 00:19:38,920 --> 00:19:40,480 Speaker 2: it's easy than I thought. 458 00:19:40,520 --> 00:19:42,399 Speaker 1: I'm telling you, and I tell you what if you 459 00:19:42,560 --> 00:19:44,000 Speaker 1: go block and the. 460 00:19:44,040 --> 00:19:46,200 Speaker 3: Person is still calling you five six times, you should 461 00:19:46,200 --> 00:19:47,359 Speaker 3: be like, damns, a good thing. 462 00:19:47,400 --> 00:19:50,600 Speaker 1: I blocked that person. Have I given you a reason? 463 00:19:50,720 --> 00:19:50,760 Speaker 2: No? 464 00:19:50,960 --> 00:19:53,679 Speaker 1: Absolutely, that's why you're not. 465 00:19:53,720 --> 00:19:57,800 Speaker 2: Blocked because I live on the next block. Hey, man, 466 00:19:58,320 --> 00:20:00,639 Speaker 2: close close the chapter. Man, it's a you know, opening 467 00:20:00,640 --> 00:20:05,000 Speaker 2: another one is not that hard and it's growth. Shaggy's 468 00:20:05,000 --> 00:20:07,720 Speaker 2: album is Lottery comes up May fifteenth, but looking lovely 469 00:20:07,800 --> 00:20:10,639 Speaker 2: as out now, yes, you got it, yo. 470 00:20:11,040 --> 00:20:14,240 Speaker 1: You know how it goes right now, Elvis Duran in 471 00:20:14,359 --> 00:20:14,879 Speaker 1: the morning. 472 00:20:15,560 --> 00:20:19,280 Speaker 5: Yeah, by the way, he's syndicated, so it could be 473 00:20:19,440 --> 00:20:22,199 Speaker 5: anyone of y'all city not just. 474 00:20:22,280 --> 00:20:24,639 Speaker 1: See one hundred in the morning. Thanks for explaining that. 475 00:20:24,720 --> 00:20:27,120 Speaker 1: You know what I'm saying. So make sure you turn 476 00:20:27,200 --> 00:20:28,199 Speaker 1: your car radio up. 477 00:20:28,280 --> 00:20:31,760 Speaker 5: If your car's convertible, put the top down and cham 478 00:20:31,920 --> 00:20:35,920 Speaker 5: to this one. Brand new Shaggy and Robin Thick. Looking, 479 00:20:36,040 --> 00:20:39,639 Speaker 5: lovely ladies, this one is for you. Here you go, 480 00:20:40,000 --> 00:20:40,399 Speaker 5: there you go. 481 00:20:40,720 --> 00:20:43,880 Speaker 1: Gun play right here, Shaggy