1 00:00:00,200 --> 00:00:04,200 Speaker 1: Welcome to another episode of Eating While Broke. I'm your 2 00:00:04,200 --> 00:00:08,360 Speaker 1: host Coleen Wits, and today we have in the building 3 00:00:08,880 --> 00:00:16,440 Speaker 1: music artists, philosopher entrepreneur Larussell, and I am truly excited. 4 00:00:16,800 --> 00:00:19,320 Speaker 1: Nothing made my day more than like what two days 5 00:00:19,320 --> 00:00:21,720 Speaker 1: ago when your crew I think his crew confirmed like 6 00:00:21,760 --> 00:00:24,439 Speaker 1: two or three days ago, and it literally they were like, 7 00:00:24,440 --> 00:00:26,639 Speaker 1: holy why are you so silent? You're supposed to be happy. 8 00:00:26,640 --> 00:00:27,960 Speaker 1: And I was like, well, I'm just making sure you 9 00:00:28,000 --> 00:00:29,520 Speaker 1: tell me the date because if you tell me a 10 00:00:29,560 --> 00:00:32,080 Speaker 1: month from now, I'm not getting excited because just in 11 00:00:32,080 --> 00:00:34,600 Speaker 1: case something happens. And she was like, so you're happy, 12 00:00:34,640 --> 00:00:37,239 Speaker 1: I said, what's the date two days from now? I said, hell, yeah, 13 00:00:37,280 --> 00:00:40,199 Speaker 1: I'm happy. Girl Danks shout outs and Nicole from the 14 00:00:40,200 --> 00:00:44,199 Speaker 1: Black Effect for booking you. Super happy to have you. 15 00:00:44,280 --> 00:00:46,280 Speaker 1: I love the name of your company and I love 16 00:00:46,320 --> 00:00:49,239 Speaker 1: what you're about. I'm the name of his company is 17 00:00:49,240 --> 00:00:54,600 Speaker 1: called good Come Penny as in coints, which I was like, 18 00:00:54,720 --> 00:00:59,160 Speaker 1: ooh ooh, that's different, I said, Man, Larussell's hitting us 19 00:00:59,200 --> 00:01:01,040 Speaker 1: with so much intech. Do you remind me of a 20 00:01:01,040 --> 00:01:03,480 Speaker 1: cross between jay Z and Drake and anyone that has 21 00:01:03,520 --> 00:01:06,440 Speaker 1: not heard your music or kind of even try to 22 00:01:06,640 --> 00:01:09,120 Speaker 1: cyberspy on you. It was like really missing out, like 23 00:01:09,240 --> 00:01:12,720 Speaker 1: on some good stuff. But since I have you in 24 00:01:12,760 --> 00:01:15,640 Speaker 1: my kitchen, the eating while broke kitchen, I have to 25 00:01:15,680 --> 00:01:17,000 Speaker 1: know what were you eating when you. 26 00:01:16,959 --> 00:01:21,480 Speaker 2: Were broke man. Today I'm going to be making an 27 00:01:21,520 --> 00:01:24,640 Speaker 2: egg sandwich. This was a classic. My mama taught me 28 00:01:24,680 --> 00:01:27,039 Speaker 2: how to make eggs when I was like five, and 29 00:01:27,120 --> 00:01:29,319 Speaker 2: I used to wake up every morning and make eggs, 30 00:01:29,319 --> 00:01:31,000 Speaker 2: and that was the only thing I knew how to make. 31 00:01:31,520 --> 00:01:34,080 Speaker 2: So we taking it back to the basics. We got 32 00:01:34,120 --> 00:01:37,080 Speaker 2: some eggs, we got some salt and pepper. Today we're 33 00:01:37,080 --> 00:01:40,000 Speaker 2: gonna be doing it on garlic bread. Yeah, because I 34 00:01:40,080 --> 00:01:42,600 Speaker 2: usually use regular bread, we just throw it in a toaster. 35 00:01:42,720 --> 00:01:45,360 Speaker 2: But my boy Austin was like, you gotta do garlic bread, 36 00:01:45,440 --> 00:02:09,800 Speaker 2: so I figured we just spice it up today. 37 00:02:10,400 --> 00:02:13,960 Speaker 1: Yeah, we had a whole discussion about the whole garlic bread, 38 00:02:13,960 --> 00:02:16,320 Speaker 1: you and I because I've actually never even thought of 39 00:02:16,360 --> 00:02:18,560 Speaker 1: garlic bread. Actually, the first time I ever had garlic 40 00:02:18,600 --> 00:02:21,280 Speaker 1: bread for real, for real was the Texas toast in 41 00:02:21,360 --> 00:02:23,760 Speaker 1: the box. And now if you go into a store, 42 00:02:24,320 --> 00:02:27,359 Speaker 1: it is sold out, like you can't get it. 43 00:02:27,040 --> 00:02:29,040 Speaker 3: It's a miracle if you find. 44 00:02:28,800 --> 00:02:32,360 Speaker 1: One, maybe on eBay, but I don't know the pandemic. 45 00:02:32,480 --> 00:02:35,280 Speaker 1: Just like said, take away the best bread on earth. 46 00:02:36,480 --> 00:02:39,399 Speaker 1: But I'm excited to eat with you, so let's get 47 00:02:39,400 --> 00:02:43,519 Speaker 1: it cracking. Oh my gosh, an egg fun. 48 00:02:43,760 --> 00:02:45,240 Speaker 3: Let's get it cracked all right? 49 00:02:45,480 --> 00:02:52,680 Speaker 1: Oh. I listened to rap music so much that my 50 00:02:52,800 --> 00:02:55,160 Speaker 1: girlfriend and I shout out to a lap behind the 51 00:02:56,320 --> 00:02:59,760 Speaker 1: mirror over there. I listened to rap soap music so 52 00:02:59,840 --> 00:03:03,280 Speaker 1: much that I actually speak in metaphors, and sometimes people 53 00:03:03,280 --> 00:03:05,560 Speaker 1: have to stop me and say, coly, we get it. 54 00:03:05,680 --> 00:03:07,200 Speaker 1: You know, you don't have to, you don't have to 55 00:03:07,240 --> 00:03:08,960 Speaker 1: rebreak it down in puzzle terms. 56 00:03:09,360 --> 00:03:11,960 Speaker 2: You know, I'm a metaphor speakers. Can I move this 57 00:03:12,040 --> 00:03:13,000 Speaker 2: so I can crack some eggs? 58 00:03:13,040 --> 00:03:16,240 Speaker 1: Here? Slide over to my side the greatest? 59 00:03:18,400 --> 00:03:20,280 Speaker 3: Are you eating one too? So I should make all. 60 00:03:20,240 --> 00:03:22,400 Speaker 1: Oh, you have to cook for both of us, because 61 00:03:22,440 --> 00:03:25,600 Speaker 1: if it's trash, we can both discover that garlic bread 62 00:03:26,040 --> 00:03:27,160 Speaker 1: egg sandwiches is. 63 00:03:27,120 --> 00:03:29,760 Speaker 2: Just not I'm finna drop some butter up in here 64 00:03:29,880 --> 00:03:32,880 Speaker 2: because my mama would be like, use some pam so 65 00:03:32,919 --> 00:03:35,160 Speaker 2: you don't leave eggs stained all over there. 66 00:03:35,560 --> 00:03:37,000 Speaker 1: Now, are you one of those people that are really 67 00:03:37,000 --> 00:03:40,480 Speaker 1: gonna use metal on a. 68 00:03:40,120 --> 00:03:44,440 Speaker 3: Yes, yeah, yeah, I do. We're not supposed to do that. 69 00:03:44,840 --> 00:03:47,480 Speaker 1: Even every listener is hearing that scratching is like, what 70 00:03:47,640 --> 00:03:48,160 Speaker 1: is he doing? 71 00:03:48,440 --> 00:03:49,120 Speaker 3: That's crazy? 72 00:03:49,240 --> 00:03:51,880 Speaker 1: What is he doing? His mama couldn't have ever let 73 00:03:51,960 --> 00:03:52,400 Speaker 1: him do that. 74 00:03:53,000 --> 00:03:53,640 Speaker 3: Man, she did. 75 00:03:53,680 --> 00:03:56,680 Speaker 2: You wouldn't believe how much stuff my mom let me do. 76 00:03:56,280 --> 00:04:03,400 Speaker 2: Let I don't mean we had taflon back then. Maybe 77 00:04:03,520 --> 00:04:04,320 Speaker 2: I don't remember. 78 00:04:05,200 --> 00:04:08,760 Speaker 1: You're right, it was like a luxury. I'm sure. Yeah, yeah, 79 00:04:08,800 --> 00:04:09,640 Speaker 1: back then I think it was. 80 00:04:10,280 --> 00:04:10,720 Speaker 3: You're right. 81 00:04:10,800 --> 00:04:13,960 Speaker 1: You just had to butter everything down otherwise it's stuck. 82 00:04:13,800 --> 00:04:16,760 Speaker 2: Or you get that good old pam spray and you 83 00:04:16,839 --> 00:04:18,720 Speaker 2: in it. Oh, I'm getting it all over there. 84 00:04:18,839 --> 00:04:22,599 Speaker 1: Yeah, I'm not a I'm not a you know, So 85 00:04:23,040 --> 00:04:26,039 Speaker 1: tell me a little bit about what was going on. 86 00:04:26,320 --> 00:04:28,240 Speaker 1: I know this is like the first dish that you 87 00:04:28,320 --> 00:04:31,599 Speaker 1: ever cooked, But tell me what was going on during 88 00:04:31,640 --> 00:04:32,360 Speaker 1: the time. 89 00:04:32,200 --> 00:04:36,400 Speaker 2: Of Also, I usually add bacon, beet bacon bits, and 90 00:04:36,480 --> 00:04:37,200 Speaker 2: chaddar cheese. 91 00:04:37,560 --> 00:04:41,600 Speaker 3: But I heard y'all broke, so it wasn't a here. 92 00:04:42,720 --> 00:04:45,320 Speaker 3: So we're gonna go pepper. I don't see salt over here. 93 00:04:45,360 --> 00:04:47,680 Speaker 3: There's lorryes, y'all struggling. 94 00:04:48,600 --> 00:04:53,599 Speaker 1: Hey, Yo, so much fun of us over here. Yeah, 95 00:04:54,440 --> 00:04:56,200 Speaker 1: you're not even gonna use Lorries because you don't. 96 00:04:57,440 --> 00:04:59,520 Speaker 3: Now, I'm not gonna use Larry I've never done that. 97 00:04:59,560 --> 00:05:00,760 Speaker 3: I'm trying to keep it authentic. 98 00:05:01,760 --> 00:05:04,520 Speaker 1: Wow. Okay, okay, I respect it to be honest. I 99 00:05:04,520 --> 00:05:08,240 Speaker 1: don't use Lowry's. Well, I just started to recently, but 100 00:05:08,320 --> 00:05:13,240 Speaker 1: it's only because I married a black man from Detroit 101 00:05:13,279 --> 00:05:14,000 Speaker 1: who believes. 102 00:05:13,800 --> 00:05:19,640 Speaker 3: Lowry's is everything seasoning. Yeah, yes, yes, beautiful. 103 00:05:20,040 --> 00:05:25,080 Speaker 1: So what was going on growing up? Like around when 104 00:05:25,120 --> 00:05:27,560 Speaker 1: you were making egg sandwiches? I know you started at five, 105 00:05:28,160 --> 00:05:30,360 Speaker 1: you know, making these, but like kind of tell me 106 00:05:30,400 --> 00:05:32,360 Speaker 1: a little bit of your background growing up, Like were 107 00:05:32,400 --> 00:05:34,560 Speaker 1: you middle class? 108 00:05:36,960 --> 00:05:40,919 Speaker 2: I thought I was middle class until I got older 109 00:05:40,960 --> 00:05:44,560 Speaker 2: and realized we're definitely lower middle class. But my pops 110 00:05:44,600 --> 00:05:47,160 Speaker 2: was a hustler, so we were like we had enough 111 00:05:47,160 --> 00:05:50,600 Speaker 2: money to be like the richest niggas in a broke 112 00:05:50,640 --> 00:05:56,320 Speaker 2: neighborhood type shit you feel me, but definitely, uh, lower class, 113 00:05:56,400 --> 00:06:01,719 Speaker 2: just regular neighborhood. Hard to describe when people ask that 114 00:06:01,839 --> 00:06:03,520 Speaker 2: question because you got to kind of grow up in 115 00:06:03,560 --> 00:06:05,080 Speaker 2: it to be familiar. 116 00:06:05,240 --> 00:06:06,679 Speaker 1: Did you grow up in a two parent household? 117 00:06:07,040 --> 00:06:07,360 Speaker 2: Yeah? 118 00:06:07,400 --> 00:06:08,000 Speaker 3: Definitely. 119 00:06:08,480 --> 00:06:11,039 Speaker 1: Wow Okay, okay, a lot of people on the show, 120 00:06:12,120 --> 00:06:12,720 Speaker 1: they haven't. 121 00:06:12,839 --> 00:06:13,719 Speaker 3: I'm going in. 122 00:06:16,000 --> 00:06:20,240 Speaker 1: That's good. So when did you transition to music. 123 00:06:21,960 --> 00:06:26,320 Speaker 2: I've been writing since I was like seven, whether through 124 00:06:26,400 --> 00:06:32,839 Speaker 2: like writing poems or just journaling, drawing, just I've just 125 00:06:32,880 --> 00:06:35,479 Speaker 2: always used kind of writing an art as like an 126 00:06:35,560 --> 00:06:40,560 Speaker 2: artistic expression and form. So yeah, since I was seven, 127 00:06:40,880 --> 00:06:43,080 Speaker 2: and it's kind of just cultivated. Me and my sister 128 00:06:43,720 --> 00:06:47,200 Speaker 2: had this boombox and we used to download instrumentals from 129 00:06:47,240 --> 00:06:51,159 Speaker 2: LimeWire and burn them on the CD, the instrumentals on 130 00:06:51,200 --> 00:06:53,360 Speaker 2: the boom box and wrap over it. And I remember 131 00:06:53,400 --> 00:06:56,159 Speaker 2: we had a wrapped over knock if you Buck and 132 00:06:56,360 --> 00:06:58,680 Speaker 2: I was going crazy, but my sister was better than 133 00:06:58,720 --> 00:07:01,320 Speaker 2: me at the time, so I just had to keep working. 134 00:07:02,120 --> 00:07:03,480 Speaker 1: Your sister was rapping too. 135 00:07:03,720 --> 00:07:05,200 Speaker 3: Yeah, my sister was rapping too. 136 00:07:06,200 --> 00:07:07,400 Speaker 1: So does she still rap? 137 00:07:07,600 --> 00:07:09,000 Speaker 3: No, she doesn't. 138 00:07:09,240 --> 00:07:11,760 Speaker 1: So you surpassed her in the rap skills. And then 139 00:07:11,760 --> 00:07:14,200 Speaker 1: she was like, I'm good. Is that what happened? I don't. 140 00:07:14,240 --> 00:07:15,960 Speaker 2: I don't think she ever had a passion for it. It 141 00:07:16,080 --> 00:07:17,960 Speaker 2: was just something we like to play around and do, 142 00:07:18,640 --> 00:07:20,560 Speaker 2: and I just kind of stuck with it. 143 00:07:21,200 --> 00:07:26,760 Speaker 1: Okay, okay, okay, that's pretty cool. So you is it 144 00:07:26,840 --> 00:07:30,640 Speaker 1: that you like Drake because it like from what I've 145 00:07:30,680 --> 00:07:34,640 Speaker 1: researched on you, is that you from other articles and 146 00:07:34,920 --> 00:07:38,440 Speaker 1: you could correct me if I'm wrong, But your goal 147 00:07:38,760 --> 00:07:42,800 Speaker 1: was to be on the level I want to say, 148 00:07:42,840 --> 00:07:46,640 Speaker 1: and on the I don't know, like numbers level, because 149 00:07:46,640 --> 00:07:49,600 Speaker 1: obviously talent wise, you're on the same level as Drake, 150 00:07:50,040 --> 00:07:53,240 Speaker 1: but I'm saying numbers wise, you want to be on 151 00:07:53,280 --> 00:07:57,880 Speaker 1: the same level. But independently, Yeah, is that correct? 152 00:07:58,120 --> 00:08:03,680 Speaker 2: Not necessarily numbers wise, but impacting notoriety wise. You know, 153 00:08:03,800 --> 00:08:07,560 Speaker 2: I want people to respect me as such, and partially 154 00:08:07,640 --> 00:08:09,600 Speaker 2: the way to do that is to put up the numbers. 155 00:08:09,680 --> 00:08:09,760 Speaker 1: Right. 156 00:08:09,840 --> 00:08:12,160 Speaker 2: If you're not scoring as well as Jordan, people don't 157 00:08:12,160 --> 00:08:16,040 Speaker 2: expect you respect you like a Jordan, right, And yeah, 158 00:08:16,120 --> 00:08:18,440 Speaker 2: to do that independently and just show people that it's 159 00:08:18,480 --> 00:08:23,600 Speaker 2: possible to be the greatest at something without having to 160 00:08:23,720 --> 00:08:26,840 Speaker 2: utilize someone else's infrastructure that they tell you you got 161 00:08:26,840 --> 00:08:28,920 Speaker 2: to go through and you got to use these methods 162 00:08:28,920 --> 00:08:31,440 Speaker 2: and you got to sell away your ownership, you know, 163 00:08:31,480 --> 00:08:34,640 Speaker 2: like everyone knows early on Drake didn't have his masters 164 00:08:34,640 --> 00:08:37,520 Speaker 2: and had a horrible deal. I want to show people 165 00:08:37,520 --> 00:08:39,360 Speaker 2: that you can get to that level without having to 166 00:08:39,400 --> 00:08:39,880 Speaker 2: go through that. 167 00:08:40,000 --> 00:08:44,360 Speaker 1: Right when you say, just want to rewind, you said 168 00:08:44,520 --> 00:08:47,120 Speaker 1: it was important for you to have impact and notoriety, 169 00:08:47,360 --> 00:08:52,040 Speaker 1: Like why what does that even mean to me? 170 00:08:52,160 --> 00:08:57,720 Speaker 2: It just it enables you to to It enables you 171 00:08:57,960 --> 00:09:01,040 Speaker 2: to make change, Like right now, feed the whole hood 172 00:09:01,080 --> 00:09:03,360 Speaker 2: where I'm from. You know, from now to the end 173 00:09:03,440 --> 00:09:04,880 Speaker 2: of the year, I've been feeding the hood out of 174 00:09:04,880 --> 00:09:07,240 Speaker 2: my own pocket. And I've only been able to do 175 00:09:07,280 --> 00:09:10,600 Speaker 2: that because of my impact and my notoriety. I've become 176 00:09:10,679 --> 00:09:12,880 Speaker 2: so great that I make enough money to where I 177 00:09:12,880 --> 00:09:15,000 Speaker 2: could take care of the place that birth me right, 178 00:09:15,920 --> 00:09:18,000 Speaker 2: and a lot of people don't get to do that 179 00:09:18,040 --> 00:09:20,240 Speaker 2: because they don't have either the talent level or the 180 00:09:20,280 --> 00:09:23,160 Speaker 2: resource to do it. I've been able to do it independently. 181 00:09:23,679 --> 00:09:25,880 Speaker 2: I'm finna drop this garlic bread on this joint. 182 00:09:26,520 --> 00:09:29,760 Speaker 1: It's already it's already done, already toasted it. 183 00:09:29,600 --> 00:09:31,160 Speaker 3: And oh that's crazy. 184 00:09:31,320 --> 00:09:32,880 Speaker 1: Yeah, I try to cheat it because I wanted to 185 00:09:32,880 --> 00:09:35,800 Speaker 1: get all up in your kool aid. Wow, so I 186 00:09:35,840 --> 00:09:39,960 Speaker 1: put the temple because you can't find. 187 00:09:39,720 --> 00:09:41,640 Speaker 3: That anywhere intriguing. 188 00:09:42,120 --> 00:09:47,560 Speaker 1: Let's try it. Let's be a team here. Dang, why 189 00:09:47,559 --> 00:09:50,160 Speaker 1: do we have to break from your story though, right? 190 00:09:51,000 --> 00:09:53,120 Speaker 1: Is this not the hardest interview process? 191 00:09:53,600 --> 00:09:56,840 Speaker 3: This is great, this is great. I'm a multitasker. 192 00:09:57,000 --> 00:09:59,199 Speaker 1: I'm gonna try this too. All right, So we get 193 00:09:59,240 --> 00:10:03,720 Speaker 1: the bread everyone, we're getting the garlic bread situation together 194 00:10:03,920 --> 00:10:05,079 Speaker 1: and we're putting eggs in it. 195 00:10:05,600 --> 00:10:08,200 Speaker 3: Yeah, this is new. I've never had this. Shout out all. 196 00:10:08,120 --> 00:10:10,359 Speaker 1: Star for you have to turn off the store. 197 00:10:10,160 --> 00:10:11,480 Speaker 3: Yep, let me get right on there. 198 00:10:13,840 --> 00:10:16,720 Speaker 1: Berthie was talking is mess about us being broke? 199 00:10:16,960 --> 00:10:19,120 Speaker 2: Now, well, I was going to put garlic bread on there, 200 00:10:19,160 --> 00:10:21,719 Speaker 2: but you know, you guys did it, so okay, I 201 00:10:21,800 --> 00:10:23,480 Speaker 2: completely forgot you were. 202 00:10:23,320 --> 00:10:24,959 Speaker 1: Going to actually make it. You don't even know how 203 00:10:24,960 --> 00:10:26,000 Speaker 1: to make garlic bread, do you. 204 00:10:26,720 --> 00:10:29,400 Speaker 2: I mean I use Texas toes, so I was just 205 00:10:29,400 --> 00:10:31,199 Speaker 2: going to throw it up on that joint and then 206 00:10:31,240 --> 00:10:32,720 Speaker 2: it does what it does and you're. 207 00:10:32,520 --> 00:10:33,359 Speaker 3: Good after. 208 00:10:34,679 --> 00:10:39,720 Speaker 1: I's trying. Okay, let's go back to notoriety and impact 209 00:10:39,920 --> 00:10:47,679 Speaker 1: and you feeding your community. Yes, okay, stealing all your eggs, buddy, 210 00:10:48,720 --> 00:10:51,640 Speaker 1: All right, here we go. Do you want to sample 211 00:10:51,640 --> 00:10:55,200 Speaker 1: it first before we get into the nuts and bolts. 212 00:10:57,400 --> 00:11:07,920 Speaker 4: Sure, all right, let's try and see here we good? 213 00:11:09,000 --> 00:11:10,720 Speaker 3: It did. It's a lot of bread. 214 00:11:11,080 --> 00:11:13,160 Speaker 1: I think Texas garlic. 215 00:11:14,320 --> 00:11:15,800 Speaker 3: It Texas. 216 00:11:16,400 --> 00:11:21,560 Speaker 1: At least we now know we actually I now know 217 00:11:21,640 --> 00:11:23,559 Speaker 1: how to do it in the future. But there's way 218 00:11:23,600 --> 00:11:24,319 Speaker 1: too much bread. 219 00:11:24,120 --> 00:11:26,800 Speaker 3: On this one, way too much bread. It's like a 220 00:11:26,880 --> 00:11:32,079 Speaker 3: bread with a side of eggs. It's actually garlic, a 221 00:11:32,160 --> 00:11:33,360 Speaker 3: garlic bread sandwich. 222 00:11:35,320 --> 00:11:39,200 Speaker 1: Would you ever serve the almost mm hmmm. That could 223 00:11:39,200 --> 00:11:44,760 Speaker 1: be an idea, but with dinner bread, right, yeah, look 224 00:11:44,800 --> 00:11:46,400 Speaker 1: at me? Do I Can we call it the eating 225 00:11:46,400 --> 00:11:48,800 Speaker 1: while Brooks? No, that would probably be horrible. Hunts to 226 00:11:48,880 --> 00:11:50,800 Speaker 1: name it the eating wall broke sandwich while you're at 227 00:11:50,840 --> 00:11:53,160 Speaker 1: a pay pay as you go? Is it pay as 228 00:11:53,160 --> 00:11:54,120 Speaker 1: you go or pay what you. 229 00:11:54,040 --> 00:11:56,000 Speaker 3: Want, pay what you want? Proud to pay? 230 00:11:56,120 --> 00:11:59,040 Speaker 1: Well, come sit sit with me so I can get 231 00:11:59,040 --> 00:12:02,079 Speaker 1: all up in your I know he jumped off camera 232 00:12:02,120 --> 00:12:07,080 Speaker 1: on that one. Right, fine, it's fine, real life, real life. 233 00:12:08,120 --> 00:12:15,000 Speaker 1: So let's go into Momos cafe for a second. What 234 00:12:15,200 --> 00:12:21,080 Speaker 1: inspired all of that? Mm hmmm, or at least a partner. 235 00:12:23,400 --> 00:12:26,000 Speaker 3: Just seeing the need. 236 00:12:27,800 --> 00:12:30,800 Speaker 2: There's a lot of homeless in Valoe and just people 237 00:12:30,800 --> 00:12:33,640 Speaker 2: who don't get to eat. And I'm always outside so 238 00:12:33,640 --> 00:12:36,480 Speaker 2: I always see it. I'm always giving someone money or 239 00:12:36,520 --> 00:12:39,240 Speaker 2: taking care of someone, whether my mom would drop off 240 00:12:39,320 --> 00:12:43,040 Speaker 2: boxes of merch to the homeless community out there, to 241 00:12:43,240 --> 00:12:48,000 Speaker 2: different encampments, and I'm just always trying to help, right, 242 00:12:48,080 --> 00:12:49,720 Speaker 2: And this is the way that we can help now 243 00:12:49,760 --> 00:12:50,920 Speaker 2: that I'm in a grander position. 244 00:12:52,040 --> 00:12:52,600 Speaker 3: I've done a. 245 00:12:52,520 --> 00:12:55,319 Speaker 2: Few of these prior this year, but just for a day. 246 00:12:55,559 --> 00:12:57,640 Speaker 2: And when you do it today, it's like, everybody don't 247 00:12:57,640 --> 00:12:59,719 Speaker 2: get a chance to eat. So this time it was like, 248 00:12:59,800 --> 00:13:02,160 Speaker 2: let's make sure everybody gets a chance to eat. 249 00:13:03,280 --> 00:13:06,679 Speaker 1: Yeah, So I think what you're doing is great. I'm 250 00:13:06,679 --> 00:13:11,840 Speaker 1: gonna circle back to your music again. So you're a 251 00:13:11,880 --> 00:13:15,920 Speaker 1: talented artist. Again, for anyone that hasn't heard your music, 252 00:13:16,000 --> 00:13:18,240 Speaker 1: I definitely would say you're in the same lay as 253 00:13:18,320 --> 00:13:22,480 Speaker 1: jay Z and Drake, which, by the way, I'm a 254 00:13:22,520 --> 00:13:24,720 Speaker 1: hardcore jay Z fan. Everyone that listens to this show 255 00:13:24,760 --> 00:13:28,000 Speaker 1: knows this. I have a huge five foot painting that's 256 00:13:28,040 --> 00:13:30,640 Speaker 1: literally the only one in the world that was custom 257 00:13:30,679 --> 00:13:33,280 Speaker 1: made of jay Z like hanging out in projects. I'm 258 00:13:33,320 --> 00:13:33,920 Speaker 1: from Brooklyn. 259 00:13:35,160 --> 00:13:35,800 Speaker 3: There it goes. 260 00:13:36,880 --> 00:13:42,800 Speaker 1: But I will say this in all truest form. Currently, 261 00:13:43,120 --> 00:13:45,839 Speaker 1: over the last couple of years, I listen to Drake 262 00:13:45,920 --> 00:13:47,840 Speaker 1: more and I feel guilty. 263 00:13:47,880 --> 00:13:49,080 Speaker 3: I feel like I'm cheating. 264 00:13:48,960 --> 00:13:51,640 Speaker 1: Like for real, Like I don't let nobody know that, 265 00:13:51,760 --> 00:13:53,679 Speaker 1: Like nobody knows that. This is the first time I've 266 00:13:53,720 --> 00:13:56,679 Speaker 1: said it out loud, but in my heart, I'm like, yo, just. 267 00:13:56,640 --> 00:13:58,240 Speaker 3: Listen to jay Z today. Don't and you don't have 268 00:13:58,240 --> 00:14:00,439 Speaker 3: to always pick Drake, but. 269 00:14:00,960 --> 00:14:03,640 Speaker 1: I listened to your lyrics. I'm just wondering, like, what did? 270 00:14:03,679 --> 00:14:04,920 Speaker 1: Have you ever been signed? 271 00:14:07,679 --> 00:14:11,520 Speaker 2: Not in the capacity that artists get signed, like I've 272 00:14:11,520 --> 00:14:13,040 Speaker 2: never been signed to a major deal. 273 00:14:13,200 --> 00:14:16,640 Speaker 3: All of my deals have been partnerships, like distribution deals. 274 00:14:17,559 --> 00:14:20,760 Speaker 2: No, I've done like record deals, but in partnership for them, 275 00:14:20,840 --> 00:14:24,000 Speaker 2: like fifty to fifty profit shares, like I don't belong 276 00:14:24,080 --> 00:14:27,080 Speaker 2: to anyone. I'm my own entity and we just split 277 00:14:27,120 --> 00:14:30,480 Speaker 2: profit versus when a record label usually signs to you, 278 00:14:30,480 --> 00:14:32,640 Speaker 2: you're in like a royalty deal and they own your shit. 279 00:14:32,800 --> 00:14:34,960 Speaker 2: And if they don't own your shit, they license it 280 00:14:34,960 --> 00:14:37,320 Speaker 2: for twenty years and they have power and rule over 281 00:14:37,400 --> 00:14:39,280 Speaker 2: when you release and how you release any of that. 282 00:14:39,320 --> 00:14:42,080 Speaker 2: So I've never been in a major deal. All of 283 00:14:42,120 --> 00:14:43,640 Speaker 2: my deals have been partnerships. 284 00:14:44,040 --> 00:14:46,720 Speaker 1: Currently, are you in a partnership deal or are you independent? 285 00:14:47,560 --> 00:14:50,000 Speaker 2: I've been independent the entire time, So all of these 286 00:14:50,000 --> 00:14:53,360 Speaker 2: partnerships are completely like me and my team do everything. 287 00:14:53,400 --> 00:14:57,560 Speaker 1: You see, you're controlling all the marketing everything. So and 288 00:14:57,600 --> 00:15:00,440 Speaker 1: they're controlling because nowadays it's a little confusing a record 289 00:15:00,520 --> 00:15:02,960 Speaker 1: label is really bringing to the table at this point. 290 00:15:05,200 --> 00:15:08,360 Speaker 1: It depends now I mean with I mean if oh 291 00:15:08,360 --> 00:15:10,800 Speaker 1: my gosh, why am I spacing when it comes to 292 00:15:11,400 --> 00:15:13,640 Speaker 1: who is Draked in Lil Wayne? And what's their name 293 00:15:13,680 --> 00:15:17,400 Speaker 1: of their young Money is it? No, it's not young Money, 294 00:15:17,400 --> 00:15:23,080 Speaker 1: it's race but no, no, no, he was signed to 295 00:15:23,200 --> 00:15:29,840 Speaker 1: Lil Wayne, who was the cash So they're so from 296 00:15:29,880 --> 00:15:33,320 Speaker 1: what I know of the history of uh, the music industry, 297 00:15:33,320 --> 00:15:39,000 Speaker 1: Birdman had the best deal in the industry. So young Money, 298 00:15:39,000 --> 00:15:42,680 Speaker 1: cash Money has literally the best deals on the table. 299 00:15:43,440 --> 00:15:44,840 Speaker 3: Cash money, cash money. 300 00:15:45,560 --> 00:15:50,080 Speaker 1: So if cash Money calls you up right now, I'm 301 00:15:50,080 --> 00:15:51,400 Speaker 1: just playing it. It was advocate with. 302 00:15:51,920 --> 00:15:56,080 Speaker 2: No to see there's a cash Money had the best 303 00:15:56,200 --> 00:15:59,800 Speaker 2: deal in terms of their deal with Republic, not in 304 00:16:00,040 --> 00:16:02,080 Speaker 2: terms of the deals that they gave artists. 305 00:16:02,200 --> 00:16:04,200 Speaker 1: Really, you don't think they gave artists really. 306 00:16:04,000 --> 00:16:07,160 Speaker 3: Good deals, No, because they Drake didn't have his masters. 307 00:16:07,200 --> 00:16:07,920 Speaker 3: He just got him. 308 00:16:07,960 --> 00:16:09,880 Speaker 2: He was in the royalty deal. Lil Wayne had to 309 00:16:09,920 --> 00:16:12,560 Speaker 2: take him to court to get his money. How could 310 00:16:12,560 --> 00:16:15,920 Speaker 2: they be in a great deal? O tig has been 311 00:16:15,920 --> 00:16:18,200 Speaker 2: complaining for years, How could they be in a great 312 00:16:18,240 --> 00:16:19,680 Speaker 2: deal that doesn't make any sense? 313 00:16:20,000 --> 00:16:21,120 Speaker 1: Yeah I didn't know that. 314 00:16:21,640 --> 00:16:25,800 Speaker 2: Yeah, but yeah cash Money had a substantial deal, you know. 315 00:16:25,880 --> 00:16:27,800 Speaker 2: Wen dy Day was a part of helping put that 316 00:16:27,880 --> 00:16:30,080 Speaker 2: together with Republic. They really broke the bank. 317 00:16:30,800 --> 00:16:34,040 Speaker 1: When did you So you're a music artist. What is 318 00:16:34,080 --> 00:16:37,920 Speaker 1: intriguing about you is, for instance, today we gave you 319 00:16:38,120 --> 00:16:41,800 Speaker 1: a release, Clarence, and you sat there quietly. 320 00:16:44,040 --> 00:16:44,600 Speaker 3: And read it. 321 00:16:45,240 --> 00:16:48,360 Speaker 1: You're a businessman all the way through. So were do 322 00:16:48,400 --> 00:16:50,400 Speaker 1: you think you're an entrepreneur before you were an artist? 323 00:16:50,760 --> 00:16:52,840 Speaker 3: Definitely? Definitely. 324 00:16:53,160 --> 00:16:56,200 Speaker 2: Before I was releasing art, I was selling beats, I 325 00:16:56,320 --> 00:17:01,280 Speaker 2: was making album covers for people and selling I've been 326 00:17:01,400 --> 00:17:05,960 Speaker 2: I used to sell swishers one of your parents basketball team. Yeah, 327 00:17:06,040 --> 00:17:08,439 Speaker 2: my pops was a hustler. He sold everything under the 328 00:17:08,520 --> 00:17:10,200 Speaker 2: sun except drugs, like everything. 329 00:17:10,280 --> 00:17:11,679 Speaker 1: It was going to be my next question because when 330 00:17:11,680 --> 00:17:13,400 Speaker 1: I hear hustler, I'm like, what was he saying? There? 331 00:17:13,560 --> 00:17:16,320 Speaker 3: No, man, everything exactly. 332 00:17:16,440 --> 00:17:19,160 Speaker 1: So you got your entrepreneur spirit from him, and then 333 00:17:19,240 --> 00:17:22,800 Speaker 1: your talent gross kind of came from you and your 334 00:17:22,840 --> 00:17:24,359 Speaker 1: sister like in this. 335 00:17:24,280 --> 00:17:27,000 Speaker 3: Boombox kind of my pops as well. 336 00:17:27,040 --> 00:17:32,360 Speaker 2: He's very creatively inclined, right, and he's a problem solver, right. 337 00:17:32,400 --> 00:17:34,399 Speaker 2: And I feel like a part of my talent and 338 00:17:34,520 --> 00:17:37,040 Speaker 2: just my skill, my business acumen is because I'm a 339 00:17:37,040 --> 00:17:40,160 Speaker 2: problem solver. My favorite thing to say is I'll figure 340 00:17:40,200 --> 00:17:41,200 Speaker 2: it out, and I will. 341 00:17:41,480 --> 00:17:44,320 Speaker 1: Yeah, yeah, yeah, spoken like a true entrepreneur. You know 342 00:17:44,320 --> 00:17:48,000 Speaker 1: how to pivot, right, Yeah, that's whenever I see a problem, 343 00:17:48,040 --> 00:17:50,960 Speaker 1: I'm always like, it's not a problem, it's a challenge, right, 344 00:17:51,000 --> 00:17:51,600 Speaker 1: what to do? 345 00:17:52,000 --> 00:17:54,199 Speaker 2: I was I was walking to get my daughter the 346 00:17:54,240 --> 00:17:55,960 Speaker 2: other day and I was talking with my brother and 347 00:17:57,160 --> 00:17:59,240 Speaker 2: I was like, man, are you looking for problems or 348 00:17:59,280 --> 00:18:03,159 Speaker 2: are you looking for You usually find whatever you're looking for. 349 00:18:04,359 --> 00:18:09,880 Speaker 1: I like that, you know what you say, how I think. 350 00:18:10,040 --> 00:18:13,280 Speaker 1: I think that's why I like you so much. I genuinely, 351 00:18:14,440 --> 00:18:17,640 Speaker 1: I genuinely fuck with you hard do I say fuck 352 00:18:17,680 --> 00:18:21,560 Speaker 1: on the show ever? Really, I genuinely mess with you. 353 00:18:21,840 --> 00:18:24,359 Speaker 1: I was just like, yo, is he as dope? So 354 00:18:24,960 --> 00:18:27,240 Speaker 1: what I've learned being a Christian and just living in 355 00:18:27,280 --> 00:18:29,960 Speaker 1: the world is like, there's so many dope people that 356 00:18:30,040 --> 00:18:34,639 Speaker 1: are doing great things externally. But now that I'm old, older, 357 00:18:36,040 --> 00:18:38,919 Speaker 1: I've grown enough. Wasn't the to ask myself, well, if 358 00:18:38,960 --> 00:18:42,560 Speaker 1: they're externally have all this integrity? I just wonder, like 359 00:18:42,600 --> 00:18:44,920 Speaker 1: if I was a fly on their wall at home, 360 00:18:45,720 --> 00:18:48,639 Speaker 1: you know, do they carry that same level of integrity. 361 00:18:49,520 --> 00:18:53,080 Speaker 1: When I listen to some of your rap lyrics, I'm like, Okay, 362 00:18:53,520 --> 00:18:56,040 Speaker 1: they're great. And then there's some that teeter into like 363 00:18:56,920 --> 00:19:01,119 Speaker 1: how you enjoy women in the past. I don't know 364 00:19:01,119 --> 00:19:04,120 Speaker 1: if it's current. I don't know. You know, it's hard 365 00:19:04,160 --> 00:19:07,240 Speaker 1: being a man. I'm not a man, So I just wondering, Like. 366 00:19:09,000 --> 00:19:10,640 Speaker 2: I think, if you are a fly on the wall 367 00:19:10,680 --> 00:19:13,200 Speaker 2: in my house, you'd see a human and supreme form 368 00:19:13,880 --> 00:19:16,919 Speaker 2: right in every aspect, on their roller coaster and on 369 00:19:16,960 --> 00:19:20,399 Speaker 2: their journey. I think there's everyone around me could speak 370 00:19:20,440 --> 00:19:24,040 Speaker 2: to my heart and my greatness and my moral and 371 00:19:24,080 --> 00:19:28,359 Speaker 2: my character. But I also have issues as a human 372 00:19:28,400 --> 00:19:30,720 Speaker 2: as well that I have to develop from and that 373 00:19:30,800 --> 00:19:33,520 Speaker 2: I've had to grow from just through a journey. Right, 374 00:19:33,680 --> 00:19:39,359 Speaker 2: Like you, you learn self respect and you learn value, 375 00:19:39,440 --> 00:19:42,680 Speaker 2: and you learn respecting other people throughout your journey, depending 376 00:19:42,760 --> 00:19:45,800 Speaker 2: on your experience and your surrounding and what you witness. Right, 377 00:19:46,160 --> 00:19:48,960 Speaker 2: most of us just replicate whatever we see if you 378 00:19:49,000 --> 00:19:52,760 Speaker 2: don't see anybody in like loving and nurturing situations and 379 00:19:52,800 --> 00:19:55,880 Speaker 2: providing that, you don't often replicate it, right, because that's 380 00:19:55,920 --> 00:19:59,560 Speaker 2: not something you're familiar with, So just through that process. 381 00:19:59,600 --> 00:20:02,719 Speaker 2: Of course, I'm a human, but I think for the 382 00:20:02,760 --> 00:20:05,919 Speaker 2: most part, what you see externally of me is what 383 00:20:06,000 --> 00:20:08,280 Speaker 2: you see and when you meet me, I'm the exact 384 00:20:08,320 --> 00:20:09,000 Speaker 2: same person. 385 00:20:09,119 --> 00:20:15,520 Speaker 1: Right when I hear your lyrics, you're I feel like 386 00:20:15,640 --> 00:20:19,080 Speaker 1: you're vulnerable, You're you're honest with yourself, and I think 387 00:20:19,200 --> 00:20:21,720 Speaker 1: for a lot of men, I don't want to say 388 00:20:21,720 --> 00:20:25,160 Speaker 1: a lot of men, for humans, I think we we 389 00:20:25,280 --> 00:20:27,359 Speaker 1: tend to either tell ourselves the truth or we tell 390 00:20:27,400 --> 00:20:31,360 Speaker 1: ourselves a lie, and it's the battle of you know, 391 00:20:31,480 --> 00:20:34,040 Speaker 1: but the only way to grow is to tell yourself 392 00:20:34,040 --> 00:20:37,240 Speaker 1: the truth. So there's a lot of vulnerability in your lyrics, 393 00:20:37,359 --> 00:20:39,000 Speaker 1: and I love it like I love it well the 394 00:20:39,000 --> 00:20:41,600 Speaker 1: same reason why I love a lot of y'all. You know, 395 00:20:42,040 --> 00:20:46,320 Speaker 1: you are my top three, you know. Come, so now 396 00:20:46,720 --> 00:20:50,480 Speaker 1: I do do snooping. Obviously I had to cyberstalk the 397 00:20:50,520 --> 00:20:54,439 Speaker 1: hell out of you, but I noticed you were, like, 398 00:20:54,560 --> 00:20:56,679 Speaker 1: if you're a fan of mine, you come directly to me, 399 00:20:59,560 --> 00:21:02,239 Speaker 1: Like how how did you even conceive that concept of like, 400 00:21:02,720 --> 00:21:04,080 Speaker 1: you want to come to my show, you buy the 401 00:21:04,080 --> 00:21:06,520 Speaker 1: tickets from me, no ticket mass and no middle man, 402 00:21:06,600 --> 00:21:10,280 Speaker 1: Like where did that come from? 403 00:21:10,359 --> 00:21:10,719 Speaker 3: Life? 404 00:21:11,119 --> 00:21:14,080 Speaker 2: That's always been the process, you know, Like I've watched 405 00:21:14,080 --> 00:21:17,320 Speaker 2: my dad hustle, and everyone who bought product from him 406 00:21:17,680 --> 00:21:19,880 Speaker 2: pulled up on him or he pulled up on them. 407 00:21:20,119 --> 00:21:22,639 Speaker 2: If you want something from Larussell, you have to go 408 00:21:22,680 --> 00:21:26,080 Speaker 2: communicate with Larussell. When you start adding third parties, you 409 00:21:26,119 --> 00:21:29,399 Speaker 2: could either miss opportunity or something get misplaced. Like I 410 00:21:29,480 --> 00:21:32,000 Speaker 2: used to do booking for a theater and I was 411 00:21:32,040 --> 00:21:34,560 Speaker 2: trying to book certain artists and I'd have to go 412 00:21:34,640 --> 00:21:38,159 Speaker 2: through their agents and It'll be like a caaw whatever. 413 00:21:38,280 --> 00:21:40,919 Speaker 1: Sometimes they shut you down, get. 414 00:21:40,760 --> 00:21:42,480 Speaker 2: To it, and then when I meet them later, I'm like, bro, 415 00:21:42,600 --> 00:21:44,000 Speaker 2: I was trying to get you for it would have 416 00:21:44,000 --> 00:21:45,960 Speaker 2: been dope because I was building this thing. And they're like, man, 417 00:21:46,080 --> 00:21:49,000 Speaker 2: I didn't even know right, And that's because and they 418 00:21:49,119 --> 00:21:52,000 Speaker 2: ain't hollering at you. And then as the more middleman 419 00:21:52,119 --> 00:21:55,800 Speaker 2: you have, the more pie that's getting dipped into. And 420 00:21:55,840 --> 00:21:58,199 Speaker 2: I'm a firm believer in if I'm splitting pie, it 421 00:21:58,280 --> 00:22:00,359 Speaker 2: needs to be with people who help me bake them pie, 422 00:22:00,800 --> 00:22:04,400 Speaker 2: not someone who's just there. Because the end of this 423 00:22:04,440 --> 00:22:06,560 Speaker 2: is a standard. You need to have a business manager. 424 00:22:06,640 --> 00:22:08,679 Speaker 2: You need to have this that like, we're not going 425 00:22:08,760 --> 00:22:11,800 Speaker 2: to do that. You got to actually provide something. If 426 00:22:11,800 --> 00:22:13,920 Speaker 2: you didn't bring no ingredients or help bake this, you 427 00:22:13,920 --> 00:22:15,240 Speaker 2: shouldn't get a slice of it. 428 00:22:16,040 --> 00:22:19,200 Speaker 1: Now, you do have a team, because to get to you, 429 00:22:19,840 --> 00:22:22,840 Speaker 1: I tried emailing, Okay, I was like, this is the email, 430 00:22:23,119 --> 00:22:25,080 Speaker 1: this is how I gets hel But you do have 431 00:22:25,080 --> 00:22:26,920 Speaker 1: a team. Do you have a role amongst your team 432 00:22:26,960 --> 00:22:30,959 Speaker 1: that they don't get to say no, that you have 433 00:22:31,040 --> 00:22:32,760 Speaker 1: to at least they have to at least present the 434 00:22:32,800 --> 00:22:35,320 Speaker 1: opportunity to you. Because that's a valid point that happens 435 00:22:35,320 --> 00:22:35,840 Speaker 1: in the industry. 436 00:22:36,040 --> 00:22:38,960 Speaker 2: Just about everything comes to me. And I may have 437 00:22:39,160 --> 00:22:42,919 Speaker 2: seen this. I was telling Austin. No, I'm for sure. 438 00:22:43,119 --> 00:22:46,240 Speaker 2: I was telling Austin when it first came I had 439 00:22:46,280 --> 00:22:49,480 Speaker 2: seen the show similar and I was like, I don't 440 00:22:49,480 --> 00:22:51,840 Speaker 2: know because I seen the time the eating while broke thing, 441 00:22:51,880 --> 00:22:53,600 Speaker 2: and I feel like a lot of people play on 442 00:22:53,680 --> 00:22:56,280 Speaker 2: like poor people and shit, and I didn't I didn't 443 00:22:56,320 --> 00:22:58,159 Speaker 2: like it. So I was just like, ah, I'm not 444 00:22:58,200 --> 00:22:59,879 Speaker 2: gonna deal with that right now, let me see as 445 00:22:59,880 --> 00:23:02,040 Speaker 2: a cultivate. So I may have seen it. There's not 446 00:23:02,119 --> 00:23:04,359 Speaker 2: too much that come through the email that I don't see. 447 00:23:04,600 --> 00:23:06,960 Speaker 2: And if I don't see it, my two right hands 448 00:23:07,240 --> 00:23:10,000 Speaker 2: always see it and it still makes its way to me. 449 00:23:10,119 --> 00:23:12,199 Speaker 3: So with the eating when I broke, that was one 450 00:23:12,240 --> 00:23:12,880 Speaker 3: of the reasons. 451 00:23:12,920 --> 00:23:15,520 Speaker 2: I was like, ah, the title. 452 00:23:15,600 --> 00:23:19,520 Speaker 3: I don't like when people play on the on poverty. 453 00:23:19,080 --> 00:23:23,280 Speaker 1: And like, it's just like when I created Eating While Broke, 454 00:23:23,680 --> 00:23:28,000 Speaker 1: I I was like, I just I have so many 455 00:23:28,080 --> 00:23:32,760 Speaker 1: dope successful friends that are like millionaires, influence celebrities, entrepreneurs, 456 00:23:33,119 --> 00:23:35,320 Speaker 1: and they always have these crazy stories like they were 457 00:23:35,320 --> 00:23:39,720 Speaker 1: in jail, or they were male escorts or just crazy 458 00:23:39,760 --> 00:23:41,639 Speaker 1: ass stories, and I love them. I lived for them. 459 00:23:41,680 --> 00:23:43,560 Speaker 1: We go on to hiking, like tell me more, what 460 00:23:43,640 --> 00:23:45,880 Speaker 1: else did you do? You're a hugger? Okay, let's here, 461 00:23:45,960 --> 00:23:49,159 Speaker 1: you know, And so I just love the journey. I 462 00:23:49,200 --> 00:23:51,840 Speaker 1: actually don't even I do enjoy the solutions, but I 463 00:23:51,920 --> 00:23:54,199 Speaker 1: love the journey. I love the storytelling. I love the 464 00:23:54,200 --> 00:23:56,240 Speaker 1: hero's journey. And so when I came up with Eating 465 00:23:56,280 --> 00:23:58,440 Speaker 1: While Broke, I was like, well, we got to start 466 00:23:58,440 --> 00:24:01,239 Speaker 1: it at the route. You know that everyone can relate to, like, 467 00:24:01,400 --> 00:24:03,960 Speaker 1: you know, people that are aspiring rappers that are literally 468 00:24:04,040 --> 00:24:06,320 Speaker 1: only have two pennies to rub together. And I named 469 00:24:06,320 --> 00:24:10,160 Speaker 1: it Eating while Broke, But then I realized, damn, every 470 00:24:10,160 --> 00:24:12,440 Speaker 1: time I pitched the show, I have to say, hey, 471 00:24:12,720 --> 00:24:16,800 Speaker 1: I have this great opportunity for you. It's it's ignore 472 00:24:16,800 --> 00:24:19,119 Speaker 1: the name. Let me tell you what it is. And 473 00:24:19,200 --> 00:24:22,000 Speaker 1: I always have to say, ignore the name, and then 474 00:24:22,040 --> 00:24:24,160 Speaker 1: I tell them, you know, the show is about inspiring 475 00:24:24,200 --> 00:24:27,040 Speaker 1: people and just kind of leveling with them and inspiring 476 00:24:27,080 --> 00:24:29,480 Speaker 1: them that they can do exactly what you did, or 477 00:24:29,480 --> 00:24:31,640 Speaker 1: they should believe in themselves no matter what their environment 478 00:24:31,720 --> 00:24:33,720 Speaker 1: is in. But I always have to do this dang 479 00:24:33,960 --> 00:24:36,560 Speaker 1: explainer right on eating sometimes. 480 00:24:36,600 --> 00:24:39,160 Speaker 2: That's why, like certain things would get to me through email, 481 00:24:39,240 --> 00:24:42,520 Speaker 2: but since it doesn't have full context, it's like I 482 00:24:42,560 --> 00:24:44,959 Speaker 2: can't tend to it right because it doesn't resonate. But 483 00:24:45,000 --> 00:24:47,439 Speaker 2: that's why I'm always somebody. I'm so open. If you 484 00:24:47,520 --> 00:24:50,639 Speaker 2: see me anywhere, you can come to me and address me. 485 00:24:50,960 --> 00:24:53,679 Speaker 2: And once I meet you and feel your energy, it's like, oh, okay, 486 00:24:53,720 --> 00:24:56,720 Speaker 2: that makes sense, right, But emails have no context, like 487 00:24:56,840 --> 00:24:58,800 Speaker 2: that's just you got to take it for whatever you 488 00:24:58,880 --> 00:24:59,080 Speaker 2: want to. 489 00:25:00,240 --> 00:25:03,879 Speaker 1: I I'm uh. Pippole told me this once. He said, 490 00:25:04,160 --> 00:25:05,960 Speaker 1: if they locked the door, you're climbing through the window. 491 00:25:06,040 --> 00:25:09,560 Speaker 1: I was like, oh, he didn't respond. He Nicole better used. 492 00:25:09,480 --> 00:25:12,199 Speaker 3: That heart email. 493 00:25:21,880 --> 00:25:25,840 Speaker 1: Dropping Charlottemgne you know it's running this show, and uh, 494 00:25:26,080 --> 00:25:29,199 Speaker 1: you know, get his attention. Love And not only did 495 00:25:29,240 --> 00:25:31,120 Speaker 1: I do that, but I liked you so much. I 496 00:25:31,200 --> 00:25:35,119 Speaker 1: literally was like, ear your Leisure should have him, Charlemagne 497 00:25:35,119 --> 00:25:36,879 Speaker 1: should have him, all these people should have him, and 498 00:25:36,920 --> 00:25:40,239 Speaker 1: she was like, I think they already did. Like I 499 00:25:40,280 --> 00:25:42,080 Speaker 1: was like the last ones at the table, like these 500 00:25:42,080 --> 00:25:44,360 Speaker 1: are the shows he should be on. I don't even 501 00:25:44,440 --> 00:25:46,200 Speaker 1: I don't even never had an opportunity meet with you, 502 00:25:46,320 --> 00:25:48,120 Speaker 1: but I was like, dam all your publicists over there, 503 00:25:48,119 --> 00:25:51,840 Speaker 1: like this is who I want. Love it and and 504 00:25:52,920 --> 00:25:55,520 Speaker 1: that's you know why we named the show, you know, 505 00:25:55,560 --> 00:25:57,240 Speaker 1: at the end of the day, eating while broke. But 506 00:25:57,560 --> 00:25:59,760 Speaker 1: I get it because I literally every time I sell 507 00:25:59,800 --> 00:26:02,160 Speaker 1: some on the idea, I'm like, just ignore the name, 508 00:26:03,119 --> 00:26:05,640 Speaker 1: ignore the name. But I'm glad that you take time 509 00:26:05,680 --> 00:26:08,760 Speaker 1: to come and sit with me and super excited. I 510 00:26:08,800 --> 00:26:15,639 Speaker 1: love literally everything you're about. And sorry. One of the 511 00:26:15,680 --> 00:26:21,560 Speaker 1: things that kind of surprised me is the entrepreneur in you. 512 00:26:23,119 --> 00:26:24,360 Speaker 4: And like. 513 00:26:25,840 --> 00:26:30,120 Speaker 1: Also, like, why did you name your company the good Copenny? 514 00:26:30,560 --> 00:26:30,760 Speaker 3: Right? 515 00:26:31,359 --> 00:26:34,240 Speaker 2: Well, I mean good company just because there's a quote 516 00:26:34,280 --> 00:26:36,520 Speaker 2: that's say your mama say you just by the company 517 00:26:36,560 --> 00:26:39,199 Speaker 2: you keep, right, So I feel like good company is 518 00:26:39,320 --> 00:26:42,000 Speaker 2: encompassing them. Just I like to have good people around me, 519 00:26:42,119 --> 00:26:44,800 Speaker 2: and we build great energy when we go into places. 520 00:26:44,840 --> 00:26:47,800 Speaker 2: We're a good company to have, right, Just that name 521 00:26:48,000 --> 00:26:50,920 Speaker 2: is welcoming. And then I use pennies because I feel 522 00:26:50,920 --> 00:26:54,160 Speaker 2: like pennies are undervalued and overlooked. Right, If you see 523 00:26:54,200 --> 00:26:56,119 Speaker 2: a penny on the ground, you usually don't stop and 524 00:26:56,119 --> 00:26:58,360 Speaker 2: pick it up. But imagine if you stopped and picked 525 00:26:58,440 --> 00:27:01,040 Speaker 2: up every penny you walk past throughout your whole life, 526 00:27:01,040 --> 00:27:02,800 Speaker 2: you probably have more money than a lot of the 527 00:27:02,840 --> 00:27:05,359 Speaker 2: people besides you. Even though it's a penny. There's a 528 00:27:05,440 --> 00:27:07,840 Speaker 2: multitude of them, Like we passed them up all the 529 00:27:07,920 --> 00:27:11,639 Speaker 2: time everywhere, and no one really cares. Right, But it 530 00:27:11,800 --> 00:27:13,080 Speaker 2: exists for a reason. 531 00:27:14,080 --> 00:27:16,960 Speaker 1: I sometimes think pennies exist to go in my daughter's mouth. 532 00:27:20,280 --> 00:27:22,840 Speaker 1: That's a terrible joke. I'm a new mom. I'm a 533 00:27:22,840 --> 00:27:25,280 Speaker 1: brand new mom. I spend most of my days trying 534 00:27:25,320 --> 00:27:27,400 Speaker 1: to convince my daughter not to try a new way 535 00:27:27,400 --> 00:27:31,199 Speaker 1: to commit suicide. Right right now, you see why our 536 00:27:31,320 --> 00:27:34,560 Speaker 1: parents are like tired by eight o'clock because they spent 537 00:27:34,640 --> 00:27:37,119 Speaker 1: the entire day like what do you have to do next? 538 00:27:39,400 --> 00:27:44,359 Speaker 1: But what can people expect from you in the future? 539 00:27:44,480 --> 00:27:45,159 Speaker 1: Music wise? 540 00:27:46,720 --> 00:27:49,600 Speaker 3: A ton of it, A whole lot of it. You know. 541 00:27:49,720 --> 00:27:53,720 Speaker 2: I'm someone I live by this theory of like leaving empty. 542 00:27:54,280 --> 00:27:56,439 Speaker 2: I don't want to leave with nothing on my plate 543 00:27:56,600 --> 00:27:59,080 Speaker 2: and all the music I have I intend to release 544 00:27:59,119 --> 00:28:02,320 Speaker 2: and get out. I want to sit on things for years. 545 00:28:03,320 --> 00:28:07,320 Speaker 2: I'm currently building crazy infrastructure at home. I keep saying 546 00:28:07,359 --> 00:28:11,520 Speaker 2: I'm building Disneyland because we're building something like that completely laterally. 547 00:28:12,640 --> 00:28:16,439 Speaker 2: But really, I don't know. I don't have any expectation 548 00:28:16,560 --> 00:28:18,760 Speaker 2: of myself. So I think people shouldn't. They should just 549 00:28:18,880 --> 00:28:21,240 Speaker 2: enjoy the journey. Like how you say you've been spying, 550 00:28:21,320 --> 00:28:23,520 Speaker 2: Like I hope when you spy you're smiling because it's 551 00:28:23,560 --> 00:28:25,520 Speaker 2: just it's a hell of a show to watch, you know, 552 00:28:25,600 --> 00:28:28,160 Speaker 2: it's a beautiful shavn't got to see too many artists 553 00:28:28,840 --> 00:28:31,760 Speaker 2: actually make it in front of us, right, Like we 554 00:28:31,840 --> 00:28:34,800 Speaker 2: see the resulting that the label post and share, but 555 00:28:34,840 --> 00:28:37,959 Speaker 2: we don't see like them going city to city. Hey, yo, 556 00:28:38,280 --> 00:28:39,880 Speaker 2: I'm gonna do a pop up, you know, like we 557 00:28:39,880 --> 00:28:41,560 Speaker 2: don't get to see that part of the journey, and 558 00:28:41,600 --> 00:28:44,080 Speaker 2: I'm showing all of it. I'm showing us running merch 559 00:28:44,120 --> 00:28:44,920 Speaker 2: for filming out. 560 00:28:44,760 --> 00:28:45,320 Speaker 3: Of my house. 561 00:28:45,480 --> 00:28:47,960 Speaker 2: My mom is dropping them, dropping them off, like I'm 562 00:28:48,000 --> 00:28:51,400 Speaker 2: showing the entire process, and we're sharing the gyms along. 563 00:28:51,600 --> 00:28:54,920 Speaker 2: So I think people should just stay tuned and this. 564 00:28:55,400 --> 00:28:59,240 Speaker 2: We got enough sequels to beat the Fast and Furious series, 565 00:28:59,280 --> 00:29:00,560 Speaker 2: you know, like coming. 566 00:29:00,400 --> 00:29:04,160 Speaker 1: Like that when you do your pop YouTube pop up shows. 567 00:29:04,240 --> 00:29:05,600 Speaker 3: Right, we're doing one tonight. 568 00:29:06,200 --> 00:29:08,320 Speaker 2: I just I just got off a plane and I 569 00:29:08,440 --> 00:29:10,120 Speaker 2: was like, man, I want to do a show. So 570 00:29:10,160 --> 00:29:12,440 Speaker 2: we announced it and now the show tickets have been 571 00:29:12,480 --> 00:29:14,120 Speaker 2: selling tonight. 572 00:29:14,160 --> 00:29:17,760 Speaker 3: It's going to be at going to be. 573 00:29:20,360 --> 00:29:22,560 Speaker 2: This is This one's gonna be special because it's an 574 00:29:22,640 --> 00:29:24,960 Speaker 2: unplugged version and it's like live Q and A. 575 00:29:25,080 --> 00:29:30,160 Speaker 1: Like people, I'm not gonna lie, like I would love 576 00:29:30,200 --> 00:29:36,080 Speaker 1: to go. Please is hearing this? 577 00:29:37,640 --> 00:29:41,040 Speaker 2: What's dope about our shows is like this one is 578 00:29:41,080 --> 00:29:43,959 Speaker 2: a bit different. But generally with our shows, like I 579 00:29:44,080 --> 00:29:46,520 Speaker 2: use the second half of my set to just let 580 00:29:46,600 --> 00:29:48,800 Speaker 2: the fans choose the songs they want to hear and 581 00:29:48,840 --> 00:29:51,160 Speaker 2: I rap whatever they say they want to hear, right, 582 00:29:51,240 --> 00:29:54,239 Speaker 2: So it's like a really interactive show. We did one 583 00:29:54,320 --> 00:29:56,240 Speaker 2: in New York and Brooklyn. When we went out there, 584 00:29:56,280 --> 00:29:58,720 Speaker 2: it sold out in six hours, five hundred tickets. 585 00:29:58,760 --> 00:30:01,240 Speaker 3: So now I'm just kind of of been in. 586 00:30:01,240 --> 00:30:03,400 Speaker 2: This wave where it's like I just be like, I 587 00:30:03,440 --> 00:30:05,440 Speaker 2: feel like doing it, and we do it and it 588 00:30:05,520 --> 00:30:06,400 Speaker 2: usually goes well. 589 00:30:07,440 --> 00:30:10,200 Speaker 1: And then who kind of does the logistics? 590 00:30:10,640 --> 00:30:13,840 Speaker 2: So myself for Nadi, he's a member of my team. 591 00:30:13,920 --> 00:30:18,040 Speaker 2: He helps with booking, Tiata helps with logistics. Millie is 592 00:30:18,040 --> 00:30:20,280 Speaker 2: on my team so anytime we go to a tour 593 00:30:20,360 --> 00:30:22,040 Speaker 2: route and she kind of plans and. 594 00:30:22,320 --> 00:30:24,520 Speaker 1: Give a Guyan girl team, you've bounce. 595 00:30:24,680 --> 00:30:25,800 Speaker 3: Yeah, yeah, okay. 596 00:30:26,040 --> 00:30:27,880 Speaker 1: I like that because sometimes you work with people and 597 00:30:27,920 --> 00:30:32,840 Speaker 1: they like Slayholder, Like Charlemagne's company is pretty much ran 598 00:30:32,880 --> 00:30:35,360 Speaker 1: by women, Black women, which is amazing by the way 599 00:30:35,360 --> 00:30:37,320 Speaker 1: he treats man. 600 00:30:37,760 --> 00:30:40,040 Speaker 2: I wouldn't be where I am without women. I have 601 00:30:40,120 --> 00:30:43,240 Speaker 2: a team of like the most incredible creative intuit in 602 00:30:43,560 --> 00:30:46,120 Speaker 2: women when it comes to just business and everything. 603 00:30:47,160 --> 00:30:49,600 Speaker 1: Now, one of the things I did see, and I 604 00:30:49,640 --> 00:30:53,840 Speaker 1: could be wrong, maybe lack of research, but I feel 605 00:30:53,840 --> 00:30:56,560 Speaker 1: like on one of the things you have posted was like, 606 00:30:56,680 --> 00:30:58,920 Speaker 1: if people buy your records, they have like some kind 607 00:30:58,920 --> 00:31:00,720 Speaker 1: of ownership in it. 608 00:31:01,200 --> 00:31:04,440 Speaker 2: Yeah, so not necessarily if you buy it some people. 609 00:31:04,840 --> 00:31:05,280 Speaker 4: So on. 610 00:31:06,080 --> 00:31:08,720 Speaker 2: Usually on projects, I'll sell my album before it comes 611 00:31:08,800 --> 00:31:12,840 Speaker 2: to streaming, and anyone who buys that project is up 612 00:31:12,880 --> 00:31:15,760 Speaker 2: for selection to receive a royalty. So I usually go 613 00:31:15,800 --> 00:31:17,920 Speaker 2: through the list of buyers and I'll pick like fifty 614 00:31:17,960 --> 00:31:20,000 Speaker 2: to one hundred people, sometimes one hundred and fifty if 615 00:31:20,000 --> 00:31:22,440 Speaker 2: I'm feeling good, sometimes two hundred, and I'll give them 616 00:31:22,480 --> 00:31:25,280 Speaker 2: a percentage of royalty in different songs from that album. 617 00:31:25,520 --> 00:31:28,360 Speaker 2: You can also buy royalties, like you could make an 618 00:31:28,400 --> 00:31:29,760 Speaker 2: offer to purchase a share. 619 00:31:29,840 --> 00:31:31,160 Speaker 3: So if you have a favorite. 620 00:31:30,840 --> 00:31:32,960 Speaker 2: Song you like I love this song, I know it's 621 00:31:32,960 --> 00:31:34,800 Speaker 2: gonna be big, or just I love this song, I 622 00:31:34,840 --> 00:31:36,600 Speaker 2: just want to have a stake in it, you can 623 00:31:36,640 --> 00:31:38,920 Speaker 2: make an offer to me and say I want five 624 00:31:38,960 --> 00:31:40,520 Speaker 2: percent of the revenue from this song. 625 00:31:40,600 --> 00:31:41,240 Speaker 3: I'm willing to. 626 00:31:41,200 --> 00:31:44,600 Speaker 2: Give you a thousand dollars five hundred dollars, and I'll 627 00:31:44,680 --> 00:31:46,960 Speaker 2: hit you and negotiate and say I'm willing to take 628 00:31:47,000 --> 00:31:48,960 Speaker 2: this or I'm not, and then I send you a 629 00:31:48,960 --> 00:31:52,160 Speaker 2: percentage to the distro you collect every month into perpetuity 630 00:31:52,200 --> 00:31:53,240 Speaker 2: for the rest of your life. 631 00:31:53,480 --> 00:31:55,520 Speaker 1: Yeah, I've never heard of someone do that, bro, never 632 00:31:55,680 --> 00:31:56,600 Speaker 1: I've never heard a song. 633 00:31:56,720 --> 00:31:57,760 Speaker 3: I was like, did he do what I. 634 00:31:57,800 --> 00:31:58,280 Speaker 1: Think he did? 635 00:31:58,400 --> 00:31:59,000 Speaker 3: Yeah? 636 00:31:59,000 --> 00:32:02,880 Speaker 1: How do you? How do you? How did you come 637 00:32:02,960 --> 00:32:03,600 Speaker 1: up with that? Though? 638 00:32:03,960 --> 00:32:07,040 Speaker 2: Like how it was just a late night thought of 639 00:32:07,200 --> 00:32:10,000 Speaker 2: Like I've always been split in revenue with my team. 640 00:32:10,400 --> 00:32:13,360 Speaker 2: Everyone who helped, producers, engineers, they all get a percent. 641 00:32:13,480 --> 00:32:16,000 Speaker 2: So one day it was just like, we should give 642 00:32:16,040 --> 00:32:18,440 Speaker 2: the fans some They listened to this shit every day. 643 00:32:18,560 --> 00:32:21,280 Speaker 2: Imagine if your favorite jay Z song, imagine you listen 644 00:32:21,360 --> 00:32:23,239 Speaker 2: to it every day, but you don't want to percent it. 645 00:32:23,360 --> 00:32:26,160 Speaker 2: My fans, like bagas Claim blew up. Some of my 646 00:32:26,200 --> 00:32:29,000 Speaker 2: fans had equity in that song when it first dropped, 647 00:32:29,560 --> 00:32:31,160 Speaker 2: a year before it even took off. 648 00:32:31,200 --> 00:32:32,800 Speaker 3: So they for the rest. 649 00:32:32,600 --> 00:32:34,520 Speaker 2: Of their life, they're going to be getting money off 650 00:32:34,560 --> 00:32:36,920 Speaker 2: bagas Claim because they just made the right call. 651 00:32:36,960 --> 00:32:39,160 Speaker 3: They enjoyed this song so and then but. 652 00:32:41,400 --> 00:32:43,560 Speaker 1: They reached out to you, or how did you even 653 00:32:43,600 --> 00:32:44,120 Speaker 1: announce that? 654 00:32:44,720 --> 00:32:47,560 Speaker 2: I made this big announcement and Tieta on my team. 655 00:32:47,680 --> 00:32:50,080 Speaker 2: She created this form for people to go fill out 656 00:32:50,280 --> 00:32:52,240 Speaker 2: and you put all your information, you put your offer 657 00:32:52,280 --> 00:32:54,680 Speaker 2: amount how much you want. It comes to a database. 658 00:32:54,720 --> 00:32:57,000 Speaker 2: I look at all the offers. I'll email you and say, 659 00:32:57,160 --> 00:33:00,000 Speaker 2: I send your offer, I liked it, I accept you 660 00:33:00,080 --> 00:33:00,640 Speaker 2: email me. 661 00:33:00,840 --> 00:33:02,080 Speaker 3: I go through every offered. 662 00:33:02,080 --> 00:33:06,000 Speaker 2: Personal badass even through email, Like when we do bookings 663 00:33:06,000 --> 00:33:08,160 Speaker 2: and shit like, people are always surprised that they're talking 664 00:33:08,200 --> 00:33:08,440 Speaker 2: to me. 665 00:33:08,520 --> 00:33:11,560 Speaker 3: It's like, it's my business. Of course you're talking to me. 666 00:33:12,400 --> 00:33:16,600 Speaker 1: It makes sense, right. Most of my companies, for some 667 00:33:17,000 --> 00:33:20,520 Speaker 1: reason cannot get them past a certain threshold. I don't 668 00:33:20,520 --> 00:33:23,880 Speaker 1: know if it's like my whatever, but so most of 669 00:33:23,880 --> 00:33:26,280 Speaker 1: my companies are smaller. So I'll email, but I email 670 00:33:26,360 --> 00:33:29,400 Speaker 1: under an alias. It'll be like Samantha and it'll be 671 00:33:29,400 --> 00:33:29,920 Speaker 1: like Samantha. 672 00:33:30,040 --> 00:33:31,080 Speaker 3: John was so crazy. 673 00:33:31,160 --> 00:33:33,479 Speaker 2: When I used to send out emails to get booked, 674 00:33:33,600 --> 00:33:35,560 Speaker 2: to go to venues and try to book them. I 675 00:33:35,640 --> 00:33:38,200 Speaker 2: used to act like I was my own manager, and 676 00:33:38,240 --> 00:33:41,880 Speaker 2: then eventually it's like, bro, it's me, I am the Russell. 677 00:33:41,960 --> 00:33:43,840 Speaker 2: I'm going to the venue. This is what I want 678 00:33:43,880 --> 00:33:46,440 Speaker 2: to do right. And I've gotten so much more rapport 679 00:33:46,480 --> 00:33:49,240 Speaker 2: and response because it's like, of course people want to 680 00:33:49,280 --> 00:33:51,720 Speaker 2: talk to you, like I'm doing it right. 681 00:33:51,760 --> 00:33:58,720 Speaker 1: You didn't feel at some point it hinders, how much 682 00:33:59,400 --> 00:34:02,600 Speaker 1: more you can yet, because like I'll give it pretty 683 00:34:02,680 --> 00:34:07,320 Speaker 1: v uh. I emailed her and I'm like, okay, you know, 684 00:34:07,400 --> 00:34:10,920 Speaker 1: she responded and then like it was her, and then 685 00:34:10,960 --> 00:34:12,400 Speaker 1: she got on the phone with me. She like just 686 00:34:12,440 --> 00:34:15,160 Speaker 1: called me, and then I hear the Jamaican accent. I'm like, 687 00:34:15,200 --> 00:34:18,000 Speaker 1: wait a minute, I said, and we ended up vibing 688 00:34:18,040 --> 00:34:20,960 Speaker 1: on the phone like for forty five minutes. And but 689 00:34:21,000 --> 00:34:23,640 Speaker 1: it was it was the first time that I cold 690 00:34:23,719 --> 00:34:27,120 Speaker 1: called emailed somebody and not only did they respond in 691 00:34:27,200 --> 00:34:29,040 Speaker 1: record speed, but I mean, first of all, that girl 692 00:34:29,120 --> 00:34:32,080 Speaker 1: is as humble as a yet right, But that was 693 00:34:32,120 --> 00:34:34,560 Speaker 1: the first time that I've ever seen like someone on 694 00:34:34,600 --> 00:34:36,880 Speaker 1: that level just be like, what's. 695 00:34:36,760 --> 00:34:37,399 Speaker 3: Up, what's up? 696 00:34:37,480 --> 00:34:39,759 Speaker 1: Let's do it. She was like, what do you want 697 00:34:39,760 --> 00:34:41,520 Speaker 1: me to cook? I got beans and that I was like, 698 00:34:42,560 --> 00:34:44,319 Speaker 1: what are you doing? You're dope. I was just like 699 00:34:44,360 --> 00:34:47,200 Speaker 1: you know, you know, and it was past, no team, 700 00:34:47,360 --> 00:34:49,080 Speaker 1: no nothing, And you know, I didn't even know it 701 00:34:49,120 --> 00:34:50,960 Speaker 1: was her until she called me, and I was like, oh, 702 00:34:51,040 --> 00:34:53,520 Speaker 1: it's you. You know, that's like if jay Z calls 703 00:34:53,520 --> 00:34:54,600 Speaker 1: me after an email and be like. 704 00:34:54,680 --> 00:34:57,480 Speaker 2: Right, people usually get that same shock, but it just 705 00:34:57,520 --> 00:35:01,840 Speaker 2: builds a different relationship right big. You respect what someone 706 00:35:01,920 --> 00:35:04,200 Speaker 2: is building a lot more when you know they're working 707 00:35:04,239 --> 00:35:06,480 Speaker 2: it right. It's hard to fuck someone over when it's like, 708 00:35:06,520 --> 00:35:08,560 Speaker 2: oh it's you, Yeah. 709 00:35:08,239 --> 00:35:11,080 Speaker 3: Yeah, they're right. There's a different rapport you have to. 710 00:35:12,640 --> 00:35:12,719 Speaker 4: Do. 711 00:35:12,840 --> 00:35:16,920 Speaker 1: You have an internal rule about letting new people into 712 00:35:17,080 --> 00:35:19,359 Speaker 1: your camp because it seems like you have a very 713 00:35:19,480 --> 00:35:20,120 Speaker 1: large camp. 714 00:35:20,800 --> 00:35:24,520 Speaker 2: It is kind kind of yeah, even my immediate group 715 00:35:24,600 --> 00:35:29,279 Speaker 2: is pretty large. There's not really a rule, just an energy, right, 716 00:35:29,440 --> 00:35:32,000 Speaker 2: if I know who I like and who I don't like, 717 00:35:32,080 --> 00:35:34,880 Speaker 2: and who fits and who doesn't. Sometimes we'll try people 718 00:35:34,920 --> 00:35:37,160 Speaker 2: out and it's like ah, that didn't really work, and 719 00:35:37,360 --> 00:35:39,959 Speaker 2: we kind of maneuver forward. But it's not really any rule, 720 00:35:40,120 --> 00:35:44,000 Speaker 2: just your energy, how you feel, how everyone feels about you, 721 00:35:44,080 --> 00:35:47,080 Speaker 2: how you feel about everyone, and we could usually get 722 00:35:47,120 --> 00:35:49,880 Speaker 2: a sense of that really fast. I also have like 723 00:35:50,680 --> 00:35:53,400 Speaker 2: I like to work with people who work hard, like 724 00:35:53,520 --> 00:35:55,919 Speaker 2: the best. You know, I don't want to It's like, bro, 725 00:35:56,040 --> 00:35:58,200 Speaker 2: I'm playing at a high level at all times. If 726 00:35:58,239 --> 00:35:59,920 Speaker 2: you can't keep up, you need to go on the 727 00:36:00,160 --> 00:36:02,160 Speaker 2: other court and play with the little kids for a 728 00:36:02,200 --> 00:36:03,319 Speaker 2: big to your game. 729 00:36:03,400 --> 00:36:03,799 Speaker 3: Get up. 730 00:36:04,680 --> 00:36:09,480 Speaker 1: Have you experienced failure or let me just rephrase that, 731 00:36:09,520 --> 00:36:11,040 Speaker 1: have you experienced perceived failure? 732 00:36:11,080 --> 00:36:14,680 Speaker 3: I hate the word, of course, yeah, of course me. 733 00:36:14,800 --> 00:36:17,759 Speaker 1: About like perceived failure and like what the experience was. 734 00:36:18,200 --> 00:36:21,000 Speaker 2: Man, I've had shows where there was five people in 735 00:36:21,040 --> 00:36:23,560 Speaker 2: the crowd and I had to pay for a venue. 736 00:36:23,719 --> 00:36:25,879 Speaker 2: I rented a sprinter van to get my team there. 737 00:36:25,920 --> 00:36:28,240 Speaker 2: We brought the equipment, We brought a ton of merch 738 00:36:28,320 --> 00:36:30,480 Speaker 2: that we didn't sell because there wasn't no one to 739 00:36:30,520 --> 00:36:31,040 Speaker 2: sell it to. 740 00:36:32,520 --> 00:36:34,440 Speaker 3: And that was a tough ride home. You know, I 741 00:36:34,520 --> 00:36:35,040 Speaker 3: was silent. 742 00:36:35,080 --> 00:36:37,600 Speaker 2: I'm usually the allowing and talking and talking, but I 743 00:36:37,680 --> 00:36:41,360 Speaker 2: was silent, right, And I've had several of those moments 744 00:36:41,360 --> 00:36:45,640 Speaker 2: of perceived failure even beyond that, just sometimes releasing merch 745 00:36:45,680 --> 00:36:47,520 Speaker 2: and putting all your money into it and it doesn't 746 00:36:47,560 --> 00:36:49,920 Speaker 2: go the people don't react. Early on, I had a 747 00:36:49,920 --> 00:36:53,239 Speaker 2: lot of albums. I dropped twenty two albums. I've had 748 00:36:53,280 --> 00:36:54,759 Speaker 2: a lot of albums early on where I was like, 749 00:36:54,800 --> 00:36:58,200 Speaker 2: this is gonna be Yeah, we've been, we've been, We 750 00:36:58,280 --> 00:37:02,640 Speaker 2: didn't blow nothing. Howels is a lot Yeah, way more coming. 751 00:37:02,960 --> 00:37:05,280 Speaker 1: Twenty two owls, not even twenty two singles. 752 00:37:05,520 --> 00:37:07,080 Speaker 3: No, And that's just my catalog. 753 00:37:07,160 --> 00:37:10,440 Speaker 2: I've written other EP single albums for a bunch of 754 00:37:10,520 --> 00:37:13,520 Speaker 2: other people. So, but just in my own album, it's 755 00:37:13,560 --> 00:37:14,080 Speaker 2: twenty two. 756 00:37:15,160 --> 00:37:20,000 Speaker 1: When you experience perceived failure, can you walk me through 757 00:37:20,040 --> 00:37:22,399 Speaker 1: your thoughts? 758 00:37:24,600 --> 00:37:27,839 Speaker 2: Usually is negative first, right, It's all like I look 759 00:37:27,920 --> 00:37:30,960 Speaker 2: for all the problems, what I didn't do, how I 760 00:37:31,000 --> 00:37:32,960 Speaker 2: didn't do it while I could have done it better. 761 00:37:33,360 --> 00:37:37,320 Speaker 2: And then eventually it just becomes like analytical solution based, 762 00:37:37,480 --> 00:37:42,000 Speaker 2: like I always want to I always want to prove 763 00:37:42,920 --> 00:37:45,839 Speaker 2: me wrong or anybody wrong. I'm like, well, I'm I'm 764 00:37:45,840 --> 00:37:49,120 Speaker 2: finna next time. I'm gonna do it triple besides, and 765 00:37:49,520 --> 00:37:52,759 Speaker 2: it's gonna be a success. But yeah, it's usually just 766 00:37:52,840 --> 00:37:56,480 Speaker 2: that emmer emotional turmoil that comes with it first, where 767 00:37:56,560 --> 00:37:58,799 Speaker 2: you know, you feel that dark cloud over you and 768 00:37:58,840 --> 00:38:01,080 Speaker 2: sometimes you got a crowd. You got to sit in 769 00:38:01,120 --> 00:38:03,799 Speaker 2: that and kind of be in that space until you 770 00:38:03,800 --> 00:38:04,719 Speaker 2: could work through it. 771 00:38:05,280 --> 00:38:09,799 Speaker 1: I'm surprised that you didn't just say, well, maybe this 772 00:38:09,840 --> 00:38:13,560 Speaker 1: is a question. But in that negative space, have you 773 00:38:13,719 --> 00:38:18,000 Speaker 1: questioned your worth? Like whether you know, like, oh, well 774 00:38:18,080 --> 00:38:21,080 Speaker 1: five people. I get the logistics because I as an entrepreneur, 775 00:38:21,120 --> 00:38:23,239 Speaker 1: I get like what did we do? What could we 776 00:38:23,239 --> 00:38:26,960 Speaker 1: have done differently? But in that negative space can you say, 777 00:38:27,080 --> 00:38:32,080 Speaker 1: and you are prolific for sure, But have you questioned 778 00:38:32,120 --> 00:38:32,640 Speaker 1: your own. 779 00:38:33,440 --> 00:38:34,800 Speaker 3: Not in music? 780 00:38:35,120 --> 00:38:38,000 Speaker 2: Like anytime I failed in music, it wasn't a question 781 00:38:38,120 --> 00:38:40,399 Speaker 2: of my own worth. It was just like they don't 782 00:38:40,440 --> 00:38:43,799 Speaker 2: see it, right, I knew, I knew I was it. 783 00:38:43,960 --> 00:38:46,279 Speaker 2: I'm just like they don't see it. I haven't done 784 00:38:46,360 --> 00:38:48,520 Speaker 2: enough work for them to see it. They don't see it. 785 00:38:49,360 --> 00:38:51,719 Speaker 2: So I've never questioned my worth in that aspect. If 786 00:38:51,760 --> 00:38:54,359 Speaker 2: I'm questioning my worth, it's usually through some life shit, 787 00:38:54,560 --> 00:38:59,600 Speaker 2: like me doing something against my own morals or against 788 00:38:59,600 --> 00:39:02,719 Speaker 2: my own code, or just I let somebody down that's 789 00:39:02,800 --> 00:39:05,840 Speaker 2: dear to me. Those are moments I question my worth 790 00:39:05,880 --> 00:39:07,719 Speaker 2: when I can't show up for my daughter in a 791 00:39:07,760 --> 00:39:09,160 Speaker 2: way that I felt like I should. 792 00:39:09,480 --> 00:39:13,120 Speaker 3: Things like that, but not music. And I put my. 793 00:39:13,160 --> 00:39:14,280 Speaker 1: Hours career wise. 794 00:39:14,880 --> 00:39:19,400 Speaker 2: No, yeah, no, not career wise at all. I know 795 00:39:19,680 --> 00:39:22,000 Speaker 2: what I'm worth in my career. I know what I deliver, 796 00:39:22,080 --> 00:39:25,080 Speaker 2: I know what I bring forth, and even even through life, 797 00:39:25,120 --> 00:39:27,759 Speaker 2: like I'm getting to a point where I know my 798 00:39:28,080 --> 00:39:31,279 Speaker 2: impact and how significant I am to you know, the 799 00:39:31,360 --> 00:39:32,760 Speaker 2: life around me and the world. 800 00:39:33,360 --> 00:39:36,200 Speaker 3: I'm feeding a community community. 801 00:39:36,480 --> 00:39:38,719 Speaker 1: So there's a book I just recently checked out. I 802 00:39:38,760 --> 00:39:40,279 Speaker 1: don't know if you ever heard of it. It's I'm 803 00:39:40,320 --> 00:39:45,319 Speaker 1: called male versus Man, dere Whitfield shout outs to him. 804 00:39:45,360 --> 00:39:47,799 Speaker 1: I picked up the book. I thought it was for men, 805 00:39:48,600 --> 00:39:52,439 Speaker 1: but so I got it for my my friend, and 806 00:39:53,920 --> 00:39:55,879 Speaker 1: but I ended up reading it because I like to read. 807 00:39:55,880 --> 00:39:57,960 Speaker 3: I got to get to a book. 808 00:39:58,000 --> 00:40:02,200 Speaker 1: I'm literally in a book head. I am obsessed with books. 809 00:40:02,360 --> 00:40:06,520 Speaker 1: But I read the book and one of the things 810 00:40:06,600 --> 00:40:08,680 Speaker 1: he pointed out in the book, which I will gift 811 00:40:08,680 --> 00:40:10,279 Speaker 1: you the book now that I have, I think I 812 00:40:10,280 --> 00:40:11,120 Speaker 1: have your address on it. 813 00:40:11,840 --> 00:40:12,720 Speaker 3: I'll get to information. 814 00:40:12,800 --> 00:40:16,000 Speaker 1: Yes, But anyways, one of the things he talked about 815 00:40:16,080 --> 00:40:19,920 Speaker 1: was like the male versus man. You know, the male 816 00:40:20,040 --> 00:40:23,359 Speaker 1: is self seeking and the man is of service, which 817 00:40:23,480 --> 00:40:25,759 Speaker 1: is different problem. I never thought of that, Like, so 818 00:40:25,840 --> 00:40:27,360 Speaker 1: when a guy takes me on a date, I'm like, 819 00:40:28,160 --> 00:40:30,839 Speaker 1: are you trying to give me? Are you trying to 820 00:40:30,880 --> 00:40:33,120 Speaker 1: serve me? Now, at first I was like, oh, that's 821 00:40:33,160 --> 00:40:36,440 Speaker 1: messed up to like seek service, But as a female, 822 00:40:36,520 --> 00:40:39,239 Speaker 1: it's actually not, because you know, we seek protection and 823 00:40:39,280 --> 00:40:43,080 Speaker 1: we seek Some of us do need help providing, and 824 00:40:43,160 --> 00:40:46,040 Speaker 1: some of us need of course, everyone wants to be professed. 825 00:40:46,280 --> 00:40:51,400 Speaker 1: Marry me. The announce the world. I'm the one. I 826 00:40:51,480 --> 00:40:54,400 Speaker 1: also am a hip hop head. And after reading that 827 00:40:54,480 --> 00:40:57,719 Speaker 1: book lately, it's like every song on the radio is 828 00:40:57,800 --> 00:41:00,719 Speaker 1: like shout out to my sneaky link or or yeah, 829 00:41:00,800 --> 00:41:04,160 Speaker 1: I'm having sex with my side chick raw. But I'm 830 00:41:04,200 --> 00:41:08,120 Speaker 1: never gonna leave you. I'm never gonna leave my family 831 00:41:08,200 --> 00:41:11,640 Speaker 1: for you. And and I'm like, yo, did he really 832 00:41:11,719 --> 00:41:14,279 Speaker 1: just say he's having sex with his side chick raw 833 00:41:14,360 --> 00:41:16,600 Speaker 1: and that's why she's attached? And some of these lyrics 834 00:41:16,640 --> 00:41:20,000 Speaker 1: are so terrible to women. I'm like, at what point? 835 00:41:20,520 --> 00:41:22,880 Speaker 1: And who is responsible? And this is just an honest 836 00:41:23,160 --> 00:41:27,840 Speaker 1: like friend or you know you you you have responsibilities 837 00:41:27,920 --> 00:41:32,759 Speaker 1: as a philosopher and entrepreneur and a leader and being 838 00:41:32,760 --> 00:41:36,920 Speaker 1: a vulnerable man yourself. Like who do you think is responsible? 839 00:41:37,040 --> 00:41:40,480 Speaker 1: Is it the art form? Is it the male energy 840 00:41:40,560 --> 00:41:45,120 Speaker 1: or is it us women? Uh? 841 00:41:45,239 --> 00:41:48,640 Speaker 2: I don't think anyone's responsible, but I think everyone is accountable. 842 00:41:48,760 --> 00:41:51,440 Speaker 2: I hear the same music coming from females as well. 843 00:41:52,080 --> 00:41:52,600 Speaker 3: I agree. 844 00:41:52,719 --> 00:41:54,680 Speaker 1: I went into an ail salon I saw nothing but 845 00:41:54,800 --> 00:41:56,319 Speaker 1: strippers right all the. 846 00:41:57,000 --> 00:42:00,120 Speaker 2: I don't think there's a responsibility, but there's an accountability. 847 00:42:00,239 --> 00:42:03,759 Speaker 2: And I think that's one of those things that it's 848 00:42:03,760 --> 00:42:06,480 Speaker 2: hard to ever be what you never see, right. A 849 00:42:06,520 --> 00:42:08,600 Speaker 2: lot of these men that make it in hip hop 850 00:42:08,600 --> 00:42:13,640 Speaker 2: and music, they haven't had great examples of leadership or 851 00:42:13,680 --> 00:42:17,480 Speaker 2: of men that have that in them to not fall 852 00:42:17,719 --> 00:42:21,439 Speaker 2: to desire, or that are disciplined or impeccable in their 853 00:42:22,080 --> 00:42:24,919 Speaker 2: soul or fulfilled to where they don't need to seek 854 00:42:25,040 --> 00:42:27,759 Speaker 2: or go get extra and the same with women. So 855 00:42:27,880 --> 00:42:32,000 Speaker 2: I think that's just we often act these artists to 856 00:42:32,080 --> 00:42:36,000 Speaker 2: build things that they don't have the tools to build, right. Yeah, 857 00:42:36,560 --> 00:42:41,640 Speaker 2: Like if you go look in their toolbox, it's it's 858 00:42:41,760 --> 00:42:42,839 Speaker 2: like you want to. 859 00:42:42,800 --> 00:42:43,759 Speaker 3: Build a house with us. 860 00:42:43,719 --> 00:42:45,680 Speaker 1: I feel like jay Z kind of touched on that 861 00:42:45,800 --> 00:42:47,880 Speaker 1: in I want to say four for four or one 862 00:42:47,880 --> 00:42:49,520 Speaker 1: of the altists like where he was the first one 863 00:42:49,520 --> 00:42:49,719 Speaker 1: to be. 864 00:42:51,360 --> 00:42:55,719 Speaker 2: Where we've seen that, Oh wow, you've upgraded your toolbox, right, 865 00:42:55,760 --> 00:42:57,839 Speaker 2: But a lot of artists don't have that. We're coming 866 00:42:57,880 --> 00:43:00,960 Speaker 2: out of environments that don't nurture that type of behavior 867 00:43:01,239 --> 00:43:04,160 Speaker 2: or system. Like when I was coming up, the older 868 00:43:04,200 --> 00:43:07,400 Speaker 2: men around me was like players too, Like, bro, what 869 00:43:07,560 --> 00:43:09,880 Speaker 2: you feel me? So you grow up embracing that and 870 00:43:09,920 --> 00:43:10,439 Speaker 2: wanting to. 871 00:43:10,320 --> 00:43:12,160 Speaker 3: Be like that. That's what you replicate. 872 00:43:12,200 --> 00:43:16,480 Speaker 2: That's what you know, you don't see anyone I've I 873 00:43:17,360 --> 00:43:19,560 Speaker 2: don't think I've ever seen a man that was just 874 00:43:19,600 --> 00:43:22,759 Speaker 2: so in love and revered their family so much and 875 00:43:22,880 --> 00:43:26,160 Speaker 2: treated they women so well, like they meant the world 876 00:43:26,160 --> 00:43:27,920 Speaker 2: to me. For me to be like man, that's what 877 00:43:28,000 --> 00:43:31,840 Speaker 2: I want, right, Very seldom do you witness that and 878 00:43:31,960 --> 00:43:36,200 Speaker 2: experience that. But yet you expect someone to conduct themselves 879 00:43:36,200 --> 00:43:38,320 Speaker 2: in that manner. That's what's not gonna happen. 880 00:43:39,400 --> 00:43:43,200 Speaker 1: That's interesting. So when it comes to accountability in your 881 00:43:43,280 --> 00:43:47,399 Speaker 1: personal life, who holds you accountable? Is it? I don't 882 00:43:47,400 --> 00:43:48,200 Speaker 1: want to answer the question. 883 00:43:50,200 --> 00:43:54,120 Speaker 2: Everyone around me in a sense holds me accountable in 884 00:43:54,200 --> 00:43:57,840 Speaker 2: some way, but ultimately me like I have to be. 885 00:43:58,080 --> 00:44:00,319 Speaker 2: I have to be the one that wants to get 886 00:44:00,360 --> 00:44:02,720 Speaker 2: up every day and put in work and be better 887 00:44:02,800 --> 00:44:04,719 Speaker 2: and want to drop my daughter off and pick her 888 00:44:04,800 --> 00:44:07,200 Speaker 2: up and do work and things like that. But everyone 889 00:44:07,280 --> 00:44:10,560 Speaker 2: around me, from myself, my mom, my dad, my daughter, 890 00:44:10,680 --> 00:44:15,040 Speaker 2: her mother, tiera Millie testing everyone are Fannie. Just all 891 00:44:15,080 --> 00:44:17,680 Speaker 2: of my friends hold me accountable in some aspect. They're 892 00:44:18,040 --> 00:44:20,880 Speaker 2: always in my You know, I can only stoop so 893 00:44:21,000 --> 00:44:24,719 Speaker 2: low sometimes before someone's like, hey, bro, what we doing? 894 00:44:25,440 --> 00:44:28,799 Speaker 1: Oh? I like that? I like that, Okay, is there 895 00:44:28,880 --> 00:44:34,719 Speaker 1: anything that your fans are me don't know about you? 896 00:44:37,719 --> 00:44:42,520 Speaker 3: I mean everything. I mean I guess you only know 897 00:44:42,640 --> 00:44:43,520 Speaker 3: the music. 898 00:44:43,480 --> 00:44:47,280 Speaker 1: Well because you kind of signed a camera on your entrepreneurship. 899 00:44:47,360 --> 00:44:50,000 Speaker 1: You also do all these little I don't want to 900 00:44:50,000 --> 00:44:53,520 Speaker 1: say little, but these gems on social media. So when 901 00:44:53,560 --> 00:44:56,320 Speaker 1: I say is there anything we don't know about you? 902 00:44:56,600 --> 00:44:59,719 Speaker 1: I feel like you're it's like you learn a lesson. 903 00:44:59,719 --> 00:45:02,480 Speaker 1: You're like, let's put it out there, learn that put 904 00:45:17,440 --> 00:45:20,440 Speaker 1: social battle that I be, like, I don't know if 905 00:45:20,480 --> 00:45:23,920 Speaker 1: I want to get personal, man, real. 906 00:45:24,320 --> 00:45:26,960 Speaker 2: No such thing. I've had the really reals and I 907 00:45:27,080 --> 00:45:30,040 Speaker 2: shared there's no such thing. Because there's a billion people 908 00:45:30,040 --> 00:45:32,399 Speaker 2: in the world and someone's been through exactly what you've 909 00:45:32,400 --> 00:45:34,799 Speaker 2: been through, and they may need your help, right, but 910 00:45:34,840 --> 00:45:37,000 Speaker 2: you're refusing to hell, you have all the tools and 911 00:45:37,040 --> 00:45:39,080 Speaker 2: all the means to help them, but you're refusing to 912 00:45:39,120 --> 00:45:42,560 Speaker 2: do it because of your own fear, right, And like, 913 00:45:42,640 --> 00:45:44,760 Speaker 2: I don't want to deny nobody of that tool. 914 00:45:44,880 --> 00:45:46,520 Speaker 3: Like I want people to be able to grow. 915 00:45:46,840 --> 00:45:48,960 Speaker 2: If that's going to be through me just sharing what 916 00:45:49,000 --> 00:45:52,279 Speaker 2: I felt or experienced, that's an easy call, right. 917 00:45:52,640 --> 00:45:58,880 Speaker 1: Do you do? And the the world is always a 918 00:45:58,960 --> 00:46:01,600 Speaker 1: sensitive around this top, but I'm gonna go ahead and 919 00:46:01,680 --> 00:46:04,080 Speaker 1: throw it out there. But like, do you believe in therapy? 920 00:46:04,239 --> 00:46:05,080 Speaker 1: Do you do therapy? 921 00:46:05,320 --> 00:46:08,919 Speaker 2: So I recently started therapy, probably a few months back, 922 00:46:09,280 --> 00:46:13,120 Speaker 2: and I had a few sessions and it's cool. I'm 923 00:46:13,120 --> 00:46:17,000 Speaker 2: not consistent with it because I don't feel like I'm 924 00:46:17,080 --> 00:46:20,839 Speaker 2: gaining much from it. But I also had like an 925 00:46:20,880 --> 00:46:23,160 Speaker 2: expectation of what I was supposed to get from it, 926 00:46:23,280 --> 00:46:25,000 Speaker 2: like I'm supposed to be here, like I have a 927 00:46:25,000 --> 00:46:27,319 Speaker 2: new sessions. It's like, man, I'm an old new man, right, 928 00:46:27,360 --> 00:46:30,320 Speaker 2: And that's not how it happens. And for me, I 929 00:46:30,480 --> 00:46:33,279 Speaker 2: just realized that it was worth that I need to 930 00:46:33,320 --> 00:46:35,319 Speaker 2: do right. I don't need anyone's help to be a 931 00:46:35,320 --> 00:46:37,120 Speaker 2: better human. I just need to choose to be a 932 00:46:37,160 --> 00:46:39,640 Speaker 2: better human and commit to that. That's not something I 933 00:46:39,680 --> 00:46:43,080 Speaker 2: need to talk to someone about. If you want to, yes, 934 00:46:43,280 --> 00:46:47,239 Speaker 2: But for me personally, it's like I built an entire empire. 935 00:46:47,440 --> 00:46:49,520 Speaker 2: I could definitely build myself. 936 00:46:49,200 --> 00:46:51,640 Speaker 3: As a man, right. I don't need anyone's assistant to 937 00:46:51,640 --> 00:46:52,560 Speaker 3: do that. But I chose. 938 00:46:52,640 --> 00:46:56,520 Speaker 2: I've chosen not to, right, I've chosen not to allocate 939 00:46:56,600 --> 00:46:58,960 Speaker 2: my energy towards that which is the only reason I 940 00:46:59,000 --> 00:47:01,600 Speaker 2: haven't grown in any way that I wish to. 941 00:47:02,120 --> 00:47:05,799 Speaker 1: It's funny you say that because I recently full vulnerability here. 942 00:47:07,120 --> 00:47:10,560 Speaker 1: I recently did try therapy and I kind of felt like, 943 00:47:12,040 --> 00:47:14,239 Speaker 1: oh man, this is gonna sound really shitty for all 944 00:47:14,239 --> 00:47:16,640 Speaker 1: those people that give it to them. But I felt like, yeah, 945 00:47:16,640 --> 00:47:19,400 Speaker 1: I wasn't getting the response in that I needed, in 946 00:47:19,440 --> 00:47:22,520 Speaker 1: the record speed that I needed, And it was like 947 00:47:22,560 --> 00:47:26,080 Speaker 1: I knew the answers, but I just wasn't choosing to 948 00:47:26,200 --> 00:47:29,680 Speaker 1: make the choice that I needed to make. And in therapy, 949 00:47:29,960 --> 00:47:33,160 Speaker 1: it takes so much uprooting of your childhood to get 950 00:47:33,160 --> 00:47:35,200 Speaker 1: to the route that I was, like, yo, I'm not 951 00:47:35,200 --> 00:47:37,560 Speaker 1: trying to relive the thing that I ran from, like 952 00:47:38,000 --> 00:47:41,000 Speaker 1: trying to give me PTSD. Like no, I'm good, But 953 00:47:41,120 --> 00:47:43,080 Speaker 1: I do agree with you, and I'm glad you were 954 00:47:43,120 --> 00:47:46,560 Speaker 1: honest about that because people say therapy therapy, therapy, and 955 00:47:46,840 --> 00:47:49,880 Speaker 1: I actually thought you weren't gonna say that you do 956 00:47:49,960 --> 00:47:54,840 Speaker 1: therapy because I low key feel like your vulnerability and 957 00:47:54,880 --> 00:47:57,040 Speaker 1: your lyrics is a form of therapy. 958 00:47:57,160 --> 00:48:00,520 Speaker 2: Definitely, Definitely, that's where I get to get all of 959 00:48:00,520 --> 00:48:01,000 Speaker 2: that from. 960 00:48:01,080 --> 00:48:03,959 Speaker 1: And someone gets you, man, and like, because I feel 961 00:48:03,960 --> 00:48:04,880 Speaker 1: like Drake, every time. 962 00:48:06,680 --> 00:48:08,480 Speaker 3: Writing and talking really helps. 963 00:48:08,480 --> 00:48:10,800 Speaker 2: And that's the thing about the past, like you're saying, 964 00:48:11,120 --> 00:48:14,040 Speaker 2: and that shows you how much you're how deep your 965 00:48:14,040 --> 00:48:17,160 Speaker 2: trauma is because you think like speaking about it is 966 00:48:17,200 --> 00:48:20,440 Speaker 2: reliving it. You can't relive the past, right, It's already 967 00:48:20,480 --> 00:48:23,240 Speaker 2: been lived, it's gone. It only exists in your memory. 968 00:48:23,320 --> 00:48:26,719 Speaker 2: You can't relive it. But we when trauma hits in 969 00:48:26,760 --> 00:48:28,520 Speaker 2: a certain way, it makes you feel like you're going 970 00:48:28,560 --> 00:48:31,480 Speaker 2: through that experience again, but it's not. And you really 971 00:48:31,560 --> 00:48:33,480 Speaker 2: have to work through that to get You got to 972 00:48:33,520 --> 00:48:35,360 Speaker 2: go through it to get through it, right. 973 00:48:36,000 --> 00:48:43,080 Speaker 1: Yeah, or you can try. I don't. I tried my 974 00:48:43,160 --> 00:48:47,120 Speaker 1: hardest to I believe. I tell myself this. Every storm. 975 00:48:47,160 --> 00:48:49,279 Speaker 1: At the end of every storm is a rainbow. So 976 00:48:50,120 --> 00:48:53,959 Speaker 1: the faster I don't cope through it, or the more 977 00:48:54,000 --> 00:48:56,920 Speaker 1: I do not cope and numb, the faster I get 978 00:48:56,920 --> 00:48:59,759 Speaker 1: through the storm. So like if I were to numb 979 00:48:59,840 --> 00:49:02,560 Speaker 1: some and drink, get high, have sex, or do whatever 980 00:49:02,560 --> 00:49:05,400 Speaker 1: it is, go go to the mall, look pretty, whatever 981 00:49:05,400 --> 00:49:08,560 Speaker 1: I gotta do, go to the clubs. If I cope 982 00:49:08,600 --> 00:49:11,760 Speaker 1: through it, then it's gonna take me longer to heal. 983 00:49:12,280 --> 00:49:14,319 Speaker 1: So if I go through it and like blow up 984 00:49:14,320 --> 00:49:18,440 Speaker 1: my girlfriends then to strangers and seven elevens. You know whatever, 985 00:49:18,640 --> 00:49:21,600 Speaker 1: I'm gonna get through it faster even though it's gonna hurt, 986 00:49:21,600 --> 00:49:24,120 Speaker 1: like you know what I'm saying, right. 987 00:49:23,920 --> 00:49:28,120 Speaker 2: So definitely, you definitely prolong the healing process as you 988 00:49:28,640 --> 00:49:32,040 Speaker 2: as you act right. Every every twinkie you eat just 989 00:49:32,320 --> 00:49:34,719 Speaker 2: makes you closer to the opposite end of where you 990 00:49:34,760 --> 00:49:37,040 Speaker 2: want to be, right, like exactly, And that's how it 991 00:49:37,080 --> 00:49:39,520 Speaker 2: is with everything. Every time you do another act that 992 00:49:39,680 --> 00:49:42,640 Speaker 2: goes against what you want to be, you're just adding it. 993 00:49:42,719 --> 00:49:46,439 Speaker 2: Because the thing with with how the human system work 994 00:49:46,560 --> 00:49:48,520 Speaker 2: is the more you do something, the better you get 995 00:49:48,520 --> 00:49:51,640 Speaker 2: at it. Right, So the more you live fout, the 996 00:49:51,680 --> 00:49:54,680 Speaker 2: better you get at it. Some people are phenomenal cheaters, 997 00:49:54,760 --> 00:49:57,399 Speaker 2: and it's because they do it a whole lot. Yeah, right, 998 00:49:57,520 --> 00:50:00,239 Speaker 2: So every time you do it, you're getting better at it, 999 00:50:00,280 --> 00:50:02,880 Speaker 2: which needs it's going to take a lot longer to 1000 00:50:02,960 --> 00:50:06,080 Speaker 2: get better in the other direction because you're so exceptional 1001 00:50:06,160 --> 00:50:08,480 Speaker 2: at what you do. If you lie a lot, you're exceptional, 1002 00:50:08,520 --> 00:50:11,000 Speaker 2: it's going to take you a lot to become someone 1003 00:50:11,000 --> 00:50:12,879 Speaker 2: who tells the truth exceptionally. 1004 00:50:13,000 --> 00:50:13,120 Speaker 3: Right. 1005 00:50:13,200 --> 00:50:17,000 Speaker 1: Yeah, that's that's deep. That's deep, but I think at 1006 00:50:17,040 --> 00:50:20,440 Speaker 1: the end of the day, I mean, I personally give 1007 00:50:20,480 --> 00:50:22,080 Speaker 1: people a lot of grace. I'm one of those people 1008 00:50:22,080 --> 00:50:23,880 Speaker 1: that you could literally push me off my seat and 1009 00:50:23,880 --> 00:50:26,719 Speaker 1: be like I was just angry. My bag clams, so 1010 00:50:26,760 --> 00:50:30,440 Speaker 1: I'd be like, oh no, it's okay. But now I'm 1011 00:50:30,480 --> 00:50:32,200 Speaker 1: at the place where it's like, I get it, you're angry. 1012 00:50:32,239 --> 00:50:33,760 Speaker 1: I just don't want to sit next to you anymore. 1013 00:50:34,000 --> 00:50:37,040 Speaker 1: Like take your anger out on the flowers over there, 1014 00:50:37,120 --> 00:50:40,440 Speaker 1: you know, But it's a pleasure to have you. I know, 1015 00:50:40,480 --> 00:50:43,560 Speaker 1: we kind of we're all over this space. I really 1016 00:50:43,560 --> 00:50:45,279 Speaker 1: would like to go to your show tonight. I know, yes, 1017 00:50:45,680 --> 00:50:47,880 Speaker 1: I do have some plans, but I'm a pivot and 1018 00:50:48,480 --> 00:50:51,080 Speaker 1: I'm a mother now, so trust me, everything is like 1019 00:50:51,160 --> 00:50:54,560 Speaker 1: a babysitter, babysitter, nanny, babysitter is like any amount of 1020 00:50:54,560 --> 00:50:55,839 Speaker 1: freedom cost you have to come. 1021 00:50:55,920 --> 00:50:57,080 Speaker 3: This is going to be special. 1022 00:50:57,920 --> 00:51:01,359 Speaker 1: I'm definitely gonna come. I am a true fan. I 1023 00:51:01,400 --> 00:51:04,640 Speaker 1: have so much admiration for the way you run your businesses, 1024 00:51:04,760 --> 00:51:06,880 Speaker 1: how everyone gets a buy and how everyone gets an 1025 00:51:06,920 --> 00:51:10,440 Speaker 1: option to invest in, how you partner and do this 1026 00:51:10,520 --> 00:51:13,759 Speaker 1: restaurant where it's like pay what you what you want 1027 00:51:14,600 --> 00:51:18,839 Speaker 1: which is brilliant and it's just something that a lot 1028 00:51:18,840 --> 00:51:21,440 Speaker 1: of artists aren't doing right, you know. And I love 1029 00:51:21,440 --> 00:51:25,239 Speaker 1: the vulnerability and your lyrics. So I'm truly thankful that 1030 00:51:25,280 --> 00:51:28,920 Speaker 1: we finally got you on the show. Thank you all 1031 00:51:29,080 --> 00:51:33,240 Speaker 1: listeners for checking out another episode of Eating While Broke. 1032 00:51:33,320 --> 00:51:35,840 Speaker 1: I'm your host, Colleen Witt, and today we have Larrussell 1033 00:51:35,880 --> 00:51:39,279 Speaker 1: in the building. Where can they find your? Like your 1034 00:51:39,360 --> 00:51:40,840 Speaker 1: Instagram handle? What's your Instagram? 1035 00:51:40,920 --> 00:51:42,680 Speaker 3: I'm at Larussell on everything. 1036 00:51:42,920 --> 00:51:43,080 Speaker 1: L A. 1037 00:51:43,239 --> 00:51:44,560 Speaker 3: R us has EOL. 1038 00:51:44,800 --> 00:51:48,560 Speaker 2: You can find me on social media on DSPs, at 1039 00:51:48,560 --> 00:51:51,240 Speaker 2: home in Valleo, walking around. 1040 00:51:51,880 --> 00:51:53,839 Speaker 1: So oh you stay in the Bay. 1041 00:51:54,320 --> 00:51:57,560 Speaker 2: I stay home. I live where I'm from and I'm 1042 00:51:57,600 --> 00:52:00,319 Speaker 2: there every day. I'm taking my daughter to school. I'm 1043 00:52:00,320 --> 00:52:04,280 Speaker 2: baking it up, man mamos, checking in on people. I'm around, 1044 00:52:04,320 --> 00:52:05,000 Speaker 2: I'm at home. 1045 00:52:05,560 --> 00:52:08,480 Speaker 1: They when they told me that I got you, it 1046 00:52:08,560 --> 00:52:10,680 Speaker 1: was like I had like two days notice, like you 1047 00:52:10,719 --> 00:52:13,520 Speaker 1: know or whatever. And I was like negotiating with the 1048 00:52:13,560 --> 00:52:15,759 Speaker 1: team everyone's schedule. There's like four people that have to 1049 00:52:15,840 --> 00:52:20,480 Speaker 1: all Onligne schedules, and uh, there was a hiccup and 1050 00:52:20,520 --> 00:52:22,360 Speaker 1: I'm like going back and forth, like, yo, do you 1051 00:52:22,480 --> 00:52:27,320 Speaker 1: think we can push back and we're all like, no, 1052 00:52:27,520 --> 00:52:30,759 Speaker 1: it's not worth it, and we got an hour, let's 1053 00:52:30,760 --> 00:52:33,319 Speaker 1: take it. But thank you and thanks for feeding me. 1054 00:52:33,480 --> 00:52:36,000 Speaker 1: You and I both agree, you know, moving forward, we 1055 00:52:36,040 --> 00:52:38,560 Speaker 1: could do eggs, but maybe on a dinner garlic bread. 1056 00:52:38,640 --> 00:52:41,399 Speaker 1: Dinner garlic bread, then all right pie y'all. 1057 00:52:41,760 --> 00:52:43,160 Speaker 3: Yeah, beautiful