WEBVTT - Jurassic Park with Steven Ray Morris

0:00:00.240 --> 0:00:03.200
<v Speaker 1>On the Bedel Cast, the questions asked if movies have

0:00:03.360 --> 0:00:07.240
<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

0:00:07.320 --> 0:00:11.159
<v Speaker 1>or do they have in individualism the patriarchy? Zef in

0:00:11.320 --> 0:00:15.960
<v Speaker 1>best start changing it with the Bechdel Cast. Hello, and

0:00:16.000 --> 0:00:19.759
<v Speaker 1>welcome to the Bechtel Cast. My name is Caitlin and

0:00:19.880 --> 0:00:25.960
<v Speaker 1>you have a mouthful of seven. Welcome to the show.

0:00:26.079 --> 0:00:28.479
<v Speaker 1>Welcome to the show. We have a podcast about the

0:00:28.520 --> 0:00:31.760
<v Speaker 1>portrayal of women in movies. It's inspired by the Bechtel Test.

0:00:32.159 --> 0:00:35.479
<v Speaker 1>Here are the things about the test. There have to

0:00:35.520 --> 0:00:38.919
<v Speaker 1>be two women in the movie. They have to have names,

0:00:39.400 --> 0:00:43.280
<v Speaker 1>they have to talk to each other, and their conversation

0:00:43.520 --> 0:00:48.800
<v Speaker 1>can't be about a man. Don't understand, right, Why must

0:00:48.840 --> 0:00:55.240
<v Speaker 1>we have this sounds boring? Lame? Well? Today is an episode.

0:00:55.360 --> 0:00:56.840
<v Speaker 1>I didn't know if I was going to be excited

0:00:56.840 --> 0:00:58.160
<v Speaker 1>for it, and then I watched the movie. I was like,

0:00:58.200 --> 0:00:59.800
<v Speaker 1>you know what, I'm really excited. Oh my god. Well

0:00:59.840 --> 0:01:02.080
<v Speaker 1>let's okay, let's jump in the first we have a

0:01:02.120 --> 0:01:08.000
<v Speaker 1>guest speaking of men. He's been restrained. Yes, he's lowering

0:01:08.040 --> 0:01:10.760
<v Speaker 1>his head in shame for being a man, as he should.

0:01:10.800 --> 0:01:14.400
<v Speaker 1>We didn't bring out the Chaine. This time. It's just bungees, right, yeah,

0:01:14.480 --> 0:01:16.360
<v Speaker 1>just bungees. If no one puts up, if no one

0:01:16.440 --> 0:01:18.960
<v Speaker 1>seems too aggressive, we're like, okay, you're just you're bungee.

0:01:19.720 --> 0:01:21.760
<v Speaker 1>He could escape if he really wanted, right, but we'll

0:01:21.800 --> 0:01:24.000
<v Speaker 1>fight back. He seems fine, Yeah, he'll be He'll be

0:01:24.000 --> 0:01:27.000
<v Speaker 1>great because he is great. He is the co host

0:01:27.160 --> 0:01:31.959
<v Speaker 1>of the Percast, he's the producer of My Favorite Murder,

0:01:32.200 --> 0:01:35.200
<v Speaker 1>and he's the host of a new podcast about the

0:01:35.240 --> 0:01:37.800
<v Speaker 1>movie we're talking about today, a Jurassic Park. It's called

0:01:38.120 --> 0:01:44.200
<v Speaker 1>See Jurassic Right, Stephen Ray Morris, thank you both for

0:01:44.240 --> 0:01:47.360
<v Speaker 1>having me. Thanks super excited for me. I know you're happy.

0:01:47.640 --> 0:01:52.640
<v Speaker 1>You're a like Jurassic Park scholar. You're a scholar that's

0:01:52.640 --> 0:01:56.080
<v Speaker 1>a lot of pressure. Pressure pressure. I mean, I just

0:01:56.440 --> 0:01:57.920
<v Speaker 1>I think it's one of those things where you're like,

0:01:58.680 --> 0:02:00.160
<v Speaker 1>you know, when you're in college and you're like I

0:02:00.200 --> 0:02:03.120
<v Speaker 1>want to love like insert impressive movie title here, But

0:02:03.200 --> 0:02:05.280
<v Speaker 1>then I think over time, I was like, you know what,

0:02:05.320 --> 0:02:07.640
<v Speaker 1>this is my favorite movie, Like just this is the

0:02:07.680 --> 0:02:09.480
<v Speaker 1>thing that brings me the most joy. So, and you've

0:02:09.480 --> 0:02:12.799
<v Speaker 1>written a collection of essays, collection of essays on Thought

0:02:12.840 --> 0:02:16.400
<v Speaker 1>Catalog just kind of like the phase one of the

0:02:16.480 --> 0:02:19.480
<v Speaker 1>podcasts that I'm doing now, which is just me wanting

0:02:19.480 --> 0:02:21.960
<v Speaker 1>to just excessively nerd out about like the things that

0:02:22.000 --> 0:02:24.480
<v Speaker 1>I just like about this movie and this franchise, you know,

0:02:24.560 --> 0:02:27.440
<v Speaker 1>problems with the things that are interesting to talk about

0:02:27.480 --> 0:02:29.080
<v Speaker 1>all that kind of stuff. Because I went, like you,

0:02:29.120 --> 0:02:30.919
<v Speaker 1>I went to film school. So it's just a way

0:02:30.960 --> 0:02:33.079
<v Speaker 1>to almost feel like I was using my degree time out.

0:02:33.360 --> 0:02:35.200
<v Speaker 1>I just want everyone to know that I do have

0:02:35.280 --> 0:02:37.720
<v Speaker 1>two degrees in film. One of them is a master's

0:02:37.800 --> 0:02:40.600
<v Speaker 1>degree in screen running from Boston University. This is my

0:02:40.680 --> 0:02:43.000
<v Speaker 1>go on, this is my new thing. I'm gonna start

0:02:43.040 --> 0:02:47.480
<v Speaker 1>being a denier and like show us the show us

0:02:47.560 --> 0:02:50.640
<v Speaker 1>the diploma. I have a diploma at my house. I

0:02:50.680 --> 0:02:52.480
<v Speaker 1>will take a photo of it. And I'm going to

0:02:52.520 --> 0:02:54.960
<v Speaker 1>be a truth. I'm going to be a Caitlin Grad

0:02:55.000 --> 0:02:58.919
<v Speaker 1>School truther. We haven't seen the diploma. We don't know. Okay,

0:02:59.320 --> 0:03:01.400
<v Speaker 1>I'll prove it. I got proof. We're gonna make We're

0:03:01.400 --> 0:03:05.240
<v Speaker 1>gonna turn this into a dystopian podcast in which I

0:03:05.280 --> 0:03:10.000
<v Speaker 1>am Donald Trump. Yeah, and I would like to be

0:03:10.040 --> 0:03:14.640
<v Speaker 1>the villain. Please, Hey, that's fine. We need villains out there.

0:03:14.680 --> 0:03:16.880
<v Speaker 1>Without evil. There could be no good, so it's good

0:03:16.919 --> 0:03:19.239
<v Speaker 1>to be evil sometimes. That is a line from a

0:03:19.320 --> 0:03:22.239
<v Speaker 1>song from the South Park movie. Here's what my dad

0:03:22.280 --> 0:03:24.400
<v Speaker 1>used to say when he would be smoking outside of

0:03:24.400 --> 0:03:27.040
<v Speaker 1>our house and I'd say, hey, Dad, stop smoking, it's

0:03:27.080 --> 0:03:29.280
<v Speaker 1>bad for you. You'd say, sometimes it feels good to

0:03:29.320 --> 0:03:34.040
<v Speaker 1>be bad, and then he keeps smoking. Cool. It was

0:03:34.080 --> 0:03:37.080
<v Speaker 1>pretty cool. I mean in that way, I probably should

0:03:37.120 --> 0:03:39.320
<v Speaker 1>be a smoker, because that's a moment where it's like, well,

0:03:39.360 --> 0:03:44.640
<v Speaker 1>I'm sold. Yeah, Well it's even question for you. So

0:03:44.680 --> 0:03:47.680
<v Speaker 1>we're talking about the ninety three o G Jurassic Park.

0:03:47.800 --> 0:03:52.040
<v Speaker 1>Is this your favorite one out of all of the Okay,

0:03:52.360 --> 0:03:57.080
<v Speaker 1>I mean it seems it's the only good one, so um, okay,

0:03:57.120 --> 0:03:59.840
<v Speaker 1>I believe. I mean, it's that thing with Jurassic Park

0:04:00.240 --> 0:04:04.160
<v Speaker 1>that the unfortunate thing is that, unlike other bigger franchises,

0:04:04.680 --> 0:04:07.040
<v Speaker 1>the original is just so far and away better than

0:04:07.040 --> 0:04:09.280
<v Speaker 1>the other ones that it's like people probably don't even

0:04:09.280 --> 0:04:12.320
<v Speaker 1>know that there were other ones. Yeah, Lost World, the

0:04:12.360 --> 0:04:16.040
<v Speaker 1>second one wasn't terrible, but by no means is it

0:04:16.200 --> 0:04:19.000
<v Speaker 1>as good as Tragic Part. No, it's kind of a dragon.

0:04:19.040 --> 0:04:21.840
<v Speaker 1>Even Steven Spielberg said he was like, it's not as

0:04:21.839 --> 0:04:23.320
<v Speaker 1>good and I was kind of I love that he

0:04:23.360 --> 0:04:25.599
<v Speaker 1>admits movies he's directed are not that good. He's like,

0:04:25.680 --> 0:04:30.360
<v Speaker 1>templa doom, I don't care for it, stinker. I appreciate.

0:04:30.520 --> 0:04:32.440
<v Speaker 1>I mean, I guess once you reach a certain point

0:04:32.560 --> 0:04:35.240
<v Speaker 1>of money, you're like, well, I may as well tell

0:04:35.279 --> 0:04:39.160
<v Speaker 1>the truth. I love that I was reading a lot

0:04:39.160 --> 0:04:42.120
<v Speaker 1>about the productor. I mean, I'm sure I'm stating I'm

0:04:42.160 --> 0:04:44.360
<v Speaker 1>going to bring no new facts to the table for

0:04:44.480 --> 0:04:46.719
<v Speaker 1>most people. But I love that he was like doing

0:04:46.800 --> 0:04:51.560
<v Speaker 1>post for this movie while filming Schindler's List, just for

0:04:51.680 --> 0:04:53.400
<v Speaker 1>some levity. At the end of the day, it's like,

0:04:53.440 --> 0:04:56.719
<v Speaker 1>what we've been doing the list all day, I'm going

0:04:56.839 --> 0:04:59.920
<v Speaker 1>I'm going back to my my little whatever, probably very

0:05:00.080 --> 0:05:01.680
<v Speaker 1>nice house I'm staying in, and I'm gonna look at

0:05:01.720 --> 0:05:05.800
<v Speaker 1>some dinos to one some Dino dailies some Yeah, I

0:05:05.839 --> 0:05:07.720
<v Speaker 1>didn't even think about that. Yeah, that like that would

0:05:07.720 --> 0:05:09.440
<v Speaker 1>be the levity. At the end of the day, He's like,

0:05:09.520 --> 0:05:12.560
<v Speaker 1>let's do the Schindler's List dailies first and then I'll

0:05:12.600 --> 0:05:16.159
<v Speaker 1>watch the right. Mean, we don't have a confronted but

0:05:16.279 --> 0:05:18.000
<v Speaker 1>I would have to assume you don't want to watch

0:05:18.080 --> 0:05:20.760
<v Speaker 1>the Schindler's list dailies before bed, you want to watch

0:05:20.760 --> 0:05:23.640
<v Speaker 1>the dinos? I would imagine, how are the dinosaur robots

0:05:23.680 --> 0:05:27.640
<v Speaker 1>coming along? That seems that seems like a better midnight snack.

0:05:28.880 --> 0:05:31.880
<v Speaker 1>I'll do the recap of Jurassic Park, please do, Okay,

0:05:31.920 --> 0:05:36.520
<v Speaker 1>I will. So we meet a velociraptor and it's like

0:05:37.040 --> 0:05:42.680
<v Speaker 1>I'm gonna eat somebody a lot of ambient dino noises

0:05:43.400 --> 0:05:47.400
<v Speaker 1>great instead of asting. So we learned that there's a

0:05:47.440 --> 0:05:51.960
<v Speaker 1>thing called Jurassic Park. It's a it's an amusement park.

0:05:53.120 --> 0:05:56.680
<v Speaker 1>And but because there was this attack, the creator of

0:05:56.800 --> 0:05:59.920
<v Speaker 1>Jurassic Park, John Hammond, needs to bring on these x

0:06:00.040 --> 0:06:04.680
<v Speaker 1>berts to endorse this park. So he finds doctor Grant

0:06:05.120 --> 0:06:09.360
<v Speaker 1>and Dr Sadler, these paleo. Is this a hotties only rule?

0:06:09.520 --> 0:06:12.680
<v Speaker 1>Then it's like I need experts, but only hot experts,

0:06:13.839 --> 0:06:17.240
<v Speaker 1>hot scientists only. Yeah, I mean that's true to the

0:06:17.240 --> 0:06:20.120
<v Speaker 1>book in all of Michael Crichton, where he only allowed

0:06:20.560 --> 0:06:22.480
<v Speaker 1>well at least in terms of you know, if we're

0:06:22.480 --> 0:06:26.360
<v Speaker 1>getting into the podcast itself, like Michael Crichton only allowed

0:06:26.440 --> 0:06:28.600
<v Speaker 1>hot women to be scientists in his books. Like I've

0:06:28.600 --> 0:06:30.680
<v Speaker 1>read all of his books and it's like for him,

0:06:30.720 --> 0:06:33.600
<v Speaker 1>he can't see outside of that. It's like, you can

0:06:33.640 --> 0:06:35.560
<v Speaker 1>be a math genius, but you still have to be hot.

0:06:36.080 --> 0:06:40.599
<v Speaker 1>Then he's unnoticed. I went through a weird Michael Crichton

0:06:40.960 --> 0:06:43.039
<v Speaker 1>phase when I was a kid where I read a lot.

0:06:43.240 --> 0:06:45.320
<v Speaker 1>I didn't read Jurassic Park, but I read a lot

0:06:45.360 --> 0:06:48.919
<v Speaker 1>of Michael Crichton. Was a real Crichton head? Was your favorite?

0:06:49.320 --> 0:06:51.960
<v Speaker 1>The one with all the numbers was the one? Uh,

0:06:52.279 --> 0:06:55.720
<v Speaker 1>where is it? Drama string? No, I gotta look at it.

0:06:55.720 --> 0:06:57.320
<v Speaker 1>It was not a good one, but that I was

0:06:57.360 --> 0:07:00.240
<v Speaker 1>like really obsessed with a movie of his. Prissy, I'll

0:07:00.240 --> 0:07:02.599
<v Speaker 1>file figure out what my what my little Creighton thing was.

0:07:02.960 --> 0:07:07.440
<v Speaker 1>So he approaches these two dinosaur experts and it's like,

0:07:07.520 --> 0:07:10.880
<v Speaker 1>comm endorse my park, and they're like, well, okay, because

0:07:10.920 --> 0:07:13.920
<v Speaker 1>he promises to fund their dig. They just found a

0:07:14.040 --> 0:07:18.040
<v Speaker 1>raptor skeleton. Anyway. Meanwhile, there's a there's a lawyer also,

0:07:18.080 --> 0:07:20.520
<v Speaker 1>and he's like, I don't just don't know about this.

0:07:20.640 --> 0:07:24.000
<v Speaker 1>I represent these investors and and I don't know. There's

0:07:24.040 --> 0:07:30.000
<v Speaker 1>an accident and it's everything's I don't know, And then pray, oh, pray,

0:07:30.080 --> 0:07:34.640
<v Speaker 1>oh yeah, we're just yeah, praise no there's I would

0:07:34.680 --> 0:07:38.560
<v Speaker 1>just remember being like, oh, nano cool, and then next

0:07:38.880 --> 0:07:41.920
<v Speaker 1>there's another really bad Michael Crich. I haven't read any

0:07:41.920 --> 0:07:44.280
<v Speaker 1>of them, including Drastic Park. Yeah. I think I think

0:07:44.320 --> 0:07:46.160
<v Speaker 1>he tapped out at some point. He's got a million

0:07:46.160 --> 0:07:52.360
<v Speaker 1>billion dinoh dollars. Yeah, he doesn't need it. He's dead. Wait,

0:07:52.400 --> 0:07:56.040
<v Speaker 1>he's dead. No, I didn't know he was dead. Well,

0:07:56.120 --> 0:07:58.680
<v Speaker 1>I just felt that it was like all that in

0:07:58.800 --> 0:08:02.880
<v Speaker 1>my guy. He died on election night when Obama was elected.

0:08:03.080 --> 0:08:07.760
<v Speaker 1>Two do you think of that? Whatever you're about to say,

0:08:07.800 --> 0:08:10.720
<v Speaker 1>I do think Lord taketh away. Well, I was just

0:08:10.840 --> 0:08:13.119
<v Speaker 1>I was talking with someone yesterday about how I forget

0:08:13.120 --> 0:08:15.200
<v Speaker 1>why it came up. Oh, I was. I was on

0:08:15.600 --> 0:08:18.040
<v Speaker 1>a date and I was really struggling for topics, and

0:08:18.080 --> 0:08:21.200
<v Speaker 1>I said that, Hey, the day I was born, Larry

0:08:21.200 --> 0:08:23.760
<v Speaker 1>Bird retired, and my mom thought that his spirit of

0:08:23.760 --> 0:08:26.840
<v Speaker 1>greatness went into me. So you not only have Larry

0:08:26.840 --> 0:08:30.320
<v Speaker 1>Bird's spirit, but you also have Patrick Swayze. I have

0:08:30.520 --> 0:08:34.960
<v Speaker 1>shared the same birthday. The angels have my back. But

0:08:35.040 --> 0:08:37.080
<v Speaker 1>the funny thing is my mom would always say, you

0:08:37.080 --> 0:08:39.840
<v Speaker 1>have Larry Bird's spirit of greatness. Larry Bird is not dead,

0:08:40.240 --> 0:08:43.720
<v Speaker 1>he just retired that day so Larry birds walking around

0:08:43.720 --> 0:08:46.280
<v Speaker 1>without his spirit because I had to have it, because

0:08:46.280 --> 0:08:49.079
<v Speaker 1>I have it and that's why I'm so good at basketball.

0:08:49.400 --> 0:08:53.240
<v Speaker 1>The end anyway, So I'm going to get through this

0:08:53.400 --> 0:08:57.640
<v Speaker 1>recap as quickly as possible. The Dino experts, they come,

0:08:57.720 --> 0:09:02.080
<v Speaker 1>they rot, they come, They arrive to Jurassic Park car

0:09:03.320 --> 0:09:07.439
<v Speaker 1>along with dr Ian Malcolm, who's a Chaotitian? Is that

0:09:07.559 --> 0:09:10.679
<v Speaker 1>Jeff Goldblum? Yes? Why is it? Why is every hot

0:09:10.760 --> 0:09:13.080
<v Speaker 1>lady in l A have a picture with Jeff Goldblum touching?

0:09:13.120 --> 0:09:16.360
<v Speaker 1>Because he plays with the Rockwell, he needs to cut

0:09:16.360 --> 0:09:18.760
<v Speaker 1>it out and starting to look perverted. I needed to stop.

0:09:18.840 --> 0:09:22.079
<v Speaker 1>Every man on Tinder, if you live in l A

0:09:22.480 --> 0:09:25.640
<v Speaker 1>has a photo with Jeff Goldblum, those are the rules.

0:09:25.840 --> 0:09:27.800
<v Speaker 1>He needs to make a new rule of I'm not

0:09:27.840 --> 0:09:30.360
<v Speaker 1>going to touch the audience members anymore. A friend of

0:09:30.400 --> 0:09:33.439
<v Speaker 1>the cast, Josh Fadum, brought this. I us like, why

0:09:33.480 --> 0:09:35.199
<v Speaker 1>does everyone have a picture? Where do you go? Where

0:09:35.200 --> 0:09:37.080
<v Speaker 1>do you get one? And I was like, wherever? I

0:09:37.120 --> 0:09:39.440
<v Speaker 1>know where you go. There's a place in a time

0:09:39.480 --> 0:09:42.040
<v Speaker 1>and you bring your Instagram and you and you get

0:09:42.040 --> 0:09:51.400
<v Speaker 1>a million likes. It's a cheap code. Jeff Goldblum pervert done? Okay, yeah,

0:09:52.679 --> 0:09:54.679
<v Speaker 1>campaign do you really live here if you don't have

0:09:54.800 --> 0:09:58.280
<v Speaker 1>a weird perverted picture with Jeff Goldblum hunching over and

0:09:58.320 --> 0:10:02.920
<v Speaker 1>touching you after playing jazz music? I don't know, you

0:10:02.960 --> 0:10:05.880
<v Speaker 1>know what? I like Jeff Goldblum, So I am you

0:10:05.880 --> 0:10:08.280
<v Speaker 1>would him to you? I would let him touch me.

0:10:08.600 --> 0:10:11.120
<v Speaker 1>Consent is important. That is a big message we have

0:10:11.200 --> 0:10:14.199
<v Speaker 1>here on the podcast, especially when it comes to Jeff

0:10:14.200 --> 0:10:18.480
<v Speaker 1>Goldblum's jazz concert. I wouldn't consent to attend a Jeff

0:10:18.520 --> 0:10:22.400
<v Speaker 1>Goldblum jazz concert, but that's fine. Yeah, yeah, he has

0:10:22.440 --> 0:10:24.720
<v Speaker 1>to come to me, come to one of the comedy

0:10:24.720 --> 0:10:27.720
<v Speaker 1>shows I do in a basement, right he should. He

0:10:27.720 --> 0:10:31.800
<v Speaker 1>should be going to supporting more live ault comedy. Hey,

0:10:31.840 --> 0:10:34.000
<v Speaker 1>Jeff Goldbluin was your problem? Why do you need the art?

0:10:34.080 --> 0:10:37.520
<v Speaker 1>Come on out to the comedy scene in l A,

0:10:37.520 --> 0:10:39.800
<v Speaker 1>Menia has time to sell tacos from a taco truck?

0:10:39.800 --> 0:10:44.360
<v Speaker 1>Why not really does he? Yeah? Oh god, alright, Well

0:10:44.440 --> 0:10:46.280
<v Speaker 1>more on that La. Sorry, we got a story to

0:10:46.440 --> 0:10:50.320
<v Speaker 1>talk about. They arrive at Jurassic Park and they're like,

0:10:50.360 --> 0:10:52.920
<v Speaker 1>holy fuck, they didn't even know dinosaurs were going to

0:10:53.000 --> 0:10:55.760
<v Speaker 1>be there, and the dinosaur experts were like, whoa, I

0:10:55.800 --> 0:10:58.439
<v Speaker 1>guess our jobs are obsolete. And then there's this guy

0:10:58.520 --> 0:11:01.320
<v Speaker 1>named Dennis ned Ree who feels that he was not

0:11:01.360 --> 0:11:05.320
<v Speaker 1>paid well enough by Jurassic Park creator John Hammond, and

0:11:05.360 --> 0:11:08.960
<v Speaker 1>he decides to funk them over by selling the embryos

0:11:09.000 --> 0:11:13.240
<v Speaker 1>of the dinosaurs to a competing company, I suppose. So

0:11:13.280 --> 0:11:15.360
<v Speaker 1>he has to like do all this stuff where he

0:11:15.360 --> 0:11:19.760
<v Speaker 1>shuts down different systems and in security things around the park,

0:11:20.120 --> 0:11:23.280
<v Speaker 1>tons of grids. He shuts them all down so that

0:11:23.320 --> 0:11:26.240
<v Speaker 1>he can steal these embryos and then he leaves with

0:11:26.280 --> 0:11:31.560
<v Speaker 1>them in a shaving can product place, right, So he

0:11:31.720 --> 0:11:35.760
<v Speaker 1>basically makes it so the whole park, all the security measures,

0:11:35.800 --> 0:11:38.959
<v Speaker 1>all the electric fences and everything like that are shut

0:11:39.000 --> 0:11:43.520
<v Speaker 1>down and totally off. So the dino experts and John

0:11:43.559 --> 0:11:47.760
<v Speaker 1>Hammond's grandchildren Lex and Tim show up and they're like,

0:11:47.800 --> 0:11:49.240
<v Speaker 1>we want to go on the ride too, So they

0:11:49.280 --> 0:11:51.960
<v Speaker 1>go on this little Draassic Park tour, but all the

0:11:52.080 --> 0:11:55.040
<v Speaker 1>systems shut down and the dinosaurs start to come out,

0:11:55.080 --> 0:12:03.120
<v Speaker 1>and they're like, there's a goat. So t Rex shows

0:12:03.200 --> 0:12:07.000
<v Speaker 1>up the artists, but only with your mouth only. Yeah,

0:12:07.080 --> 0:12:11.520
<v Speaker 1>I'm gonna become a mouthfully Yeah. T Rex shows up,

0:12:11.800 --> 0:12:16.120
<v Speaker 1>Delapasaurus shows up, The raptors get out of their cage

0:12:16.240 --> 0:12:21.079
<v Speaker 1>and all help. Just like Ian Malcolm predicted, Hey do

0:12:21.080 --> 0:12:23.960
<v Speaker 1>you guys want to take a picture of me? He's like,

0:12:24.040 --> 0:12:27.680
<v Speaker 1>life finds a way, and then life does find a way.

0:12:27.679 --> 0:12:30.440
<v Speaker 1>He was right, that's his that's Jeff Goldblum's I see

0:12:30.480 --> 0:12:37.679
<v Speaker 1>dead people. M mmmmm yeah, shout da friend of the cast,

0:12:37.760 --> 0:12:40.240
<v Speaker 1>Friend of the cast, Dailey Jewel, where are you? I'm

0:12:40.320 --> 0:12:44.160
<v Speaker 1>kidding you want to answer? So hell breaks loose, A

0:12:44.240 --> 0:12:48.360
<v Speaker 1>bunch of people die, including the lawyer guy and Muldoon,

0:12:48.679 --> 0:12:53.120
<v Speaker 1>this British Safari man we'll call him, and then they

0:12:53.120 --> 0:12:55.520
<v Speaker 1>all have to like, fuck, how do we and then

0:12:55.559 --> 0:12:58.679
<v Speaker 1>they turn the systems back on. There's this great climactic

0:12:58.720 --> 0:13:01.040
<v Speaker 1>scene where the raptor you're a bound to get them,

0:13:01.240 --> 0:13:04.400
<v Speaker 1>and then t Rex swoops in and saves the day

0:13:05.520 --> 0:13:09.080
<v Speaker 1>the end, and then he's like, Mr Hammond, I've decided

0:13:09.280 --> 0:13:14.280
<v Speaker 1>not to endorse your park. So that's beautiful, Thank you,

0:13:14.800 --> 0:13:17.400
<v Speaker 1>good good recap. That was a good one. I usually

0:13:17.400 --> 0:13:19.680
<v Speaker 1>do a fucking terrible job. That was really good. I

0:13:19.679 --> 0:13:21.880
<v Speaker 1>think it's because I've had most of a small bottle

0:13:21.920 --> 0:13:24.520
<v Speaker 1>of wine. I think that we should encourage people to

0:13:24.640 --> 0:13:26.760
<v Speaker 1>drink more alcohol and then they'll do a better job

0:13:26.800 --> 0:13:29.560
<v Speaker 1>at whatever they're trying to do. Yeah, maybe not the

0:13:29.559 --> 0:13:35.480
<v Speaker 1>best message to know. I wasn't there, I wasn't being now.

0:13:35.480 --> 0:13:38.280
<v Speaker 1>I just feel like I should have brought you and drink. Yeah. Sorry, um,

0:13:38.360 --> 0:13:42.439
<v Speaker 1>sometimes it feels good to be bad. Okay, so that's

0:13:42.480 --> 0:13:45.480
<v Speaker 1>the story. But what does it mean? What doesn't mean?

0:13:46.240 --> 0:13:51.600
<v Speaker 1>You're here? Okay? If you can't tell. I love this

0:13:51.640 --> 0:13:54.400
<v Speaker 1>movie so much. It's probably one of my top five

0:13:54.440 --> 0:13:58.160
<v Speaker 1>favorite movies of all time. I have seen it dozens

0:13:58.160 --> 0:14:01.480
<v Speaker 1>of times. I love it, and it's it's just it's

0:14:01.480 --> 0:14:05.160
<v Speaker 1>so good. It's I would say, a perfect movie. Yeah,

0:14:05.320 --> 0:14:08.440
<v Speaker 1>it's so good, Jamie. You just saw it, and I

0:14:08.480 --> 0:14:11.160
<v Speaker 1>thought I was thrilled you liked it. I did like it,

0:14:11.520 --> 0:14:13.480
<v Speaker 1>liked it a lot. And I'm not I'm not a

0:14:13.480 --> 0:14:16.440
<v Speaker 1>big blockbuster girl. I'm not a big movie person. I

0:14:16.480 --> 0:14:20.600
<v Speaker 1>did watch the movie, the documentary about Hull Cogan and

0:14:20.680 --> 0:14:24.680
<v Speaker 1>journalistic ethics twice, and that's usually what's a little more

0:14:24.720 --> 0:14:27.040
<v Speaker 1>my speed. That one's not going to pass the Backel test.

0:14:28.720 --> 0:14:31.240
<v Speaker 1>That's on me. I really enjoyed this movie. It was

0:14:31.280 --> 0:14:33.680
<v Speaker 1>so much fun. I watched it two times. I did

0:14:33.680 --> 0:14:35.240
<v Speaker 1>I did a kaylin. I watched it one time and

0:14:35.240 --> 0:14:36.840
<v Speaker 1>then I said, you know what, I could I could

0:14:36.880 --> 0:14:39.760
<v Speaker 1>stomach this again, which to me is like, wow, I

0:14:39.840 --> 0:14:42.680
<v Speaker 1>Muso really liked that movie. I'm impressed. Yeah, I don't

0:14:42.680 --> 0:14:45.760
<v Speaker 1>like movies that much. I know. Yeah, welcome to our

0:14:45.760 --> 0:14:51.680
<v Speaker 1>movie podcast. I know, episode but fifty. There's it feels

0:14:51.680 --> 0:14:54.360
<v Speaker 1>pretty breezy in comparison to like blockbusters now that are

0:14:54.400 --> 0:14:56.880
<v Speaker 1>like two and a half hours, like Transformers and all

0:14:56.920 --> 0:14:58.680
<v Speaker 1>that stuff. It's a quick one. Yeah, and it's also

0:14:58.840 --> 0:15:02.280
<v Speaker 1>it's also in you know, still before the era before

0:15:02.360 --> 0:15:06.840
<v Speaker 1>like blockbusters had to be filtered through a blue filter.

0:15:07.040 --> 0:15:09.560
<v Speaker 1>The whole thing is fucking blue. Is three hours long.

0:15:09.720 --> 0:15:14.040
<v Speaker 1>And there's they're like, but it's really about philosophy, and

0:15:14.520 --> 0:15:17.080
<v Speaker 1>like this movie is is I mean, it has meant

0:15:17.640 --> 0:15:19.680
<v Speaker 1>you can unpack a lot, but they're not they're not

0:15:19.760 --> 0:15:22.600
<v Speaker 1>heaping it upon you. You can take it or leave it. Sure,

0:15:22.720 --> 0:15:27.880
<v Speaker 1>fun movie, I mean directed by Steven Spielberg, very competent director,

0:15:27.960 --> 0:15:31.080
<v Speaker 1>one of my favorites. Well, I hope he uses that

0:15:32.280 --> 0:15:38.680
<v Speaker 1>very confident the fat podcast. Yeah, you're welcome for my

0:15:38.960 --> 0:15:44.440
<v Speaker 1>incredible endorsement. Steven. Anyway, it's just such a terrific movie

0:15:44.680 --> 0:15:47.520
<v Speaker 1>and it's kind of nice, like I was rewatching it

0:15:47.720 --> 0:15:50.080
<v Speaker 1>just I mean, I kind of just wake up to

0:15:50.160 --> 0:15:53.760
<v Speaker 1>it every day just in my head. But like that,

0:15:53.880 --> 0:15:55.680
<v Speaker 1>it is a movie where it has a lot of

0:15:55.680 --> 0:15:58.120
<v Speaker 1>set up and then once it let's go, then it's

0:15:58.160 --> 0:16:00.120
<v Speaker 1>just kind of like going, and it doesn't necessary at

0:16:00.160 --> 0:16:03.080
<v Speaker 1>least stop other than when Dr Sadler and Hammond eat

0:16:03.120 --> 0:16:06.480
<v Speaker 1>ice cream, Like that's the only slow scene, like once

0:16:06.520 --> 0:16:09.400
<v Speaker 1>the action starts. But I love that scene though, Yeah,

0:16:09.640 --> 0:16:15.360
<v Speaker 1>you never had control, that's the illusion. I think that's

0:16:15.440 --> 0:16:18.840
<v Speaker 1>would have been funny if you dropped his ice cream.

0:16:17.160 --> 0:16:22.880
<v Speaker 1>S Um, that's isn't Like there's so much foreshadowing and

0:16:22.920 --> 0:16:25.400
<v Speaker 1>like plant and payoff in this movie and it just

0:16:25.480 --> 0:16:29.560
<v Speaker 1>shows so much restraint. We don't meet t Rex until

0:16:29.600 --> 0:16:37.800
<v Speaker 1>an hour and three minutes into the movie. Miss you

0:16:37.800 --> 0:16:42.200
<v Speaker 1>can talk to There's a bow um because I had

0:16:42.280 --> 0:16:47.200
<v Speaker 1>been on the Jurassic Park raft ride multiple times before

0:16:47.240 --> 0:16:50.240
<v Speaker 1>seeing this movie for the first time, and then I

0:16:50.280 --> 0:16:53.840
<v Speaker 1>went back to make sure that this story had started

0:16:53.880 --> 0:16:56.560
<v Speaker 1>as this is going to be a roller coaster eventually,

0:16:56.800 --> 0:17:04.160
<v Speaker 1>and for sure it was because Crichton rest in Paradise apparently,

0:17:03.480 --> 0:17:07.440
<v Speaker 1>which is really allegedly. I think it's a I think

0:17:07.480 --> 0:17:10.720
<v Speaker 1>it's a kaufman esque prank and Krechton is still with us.

0:17:10.760 --> 0:17:13.720
<v Speaker 1>But anyways, Crichton was writing the book, took a meeting

0:17:14.119 --> 0:17:18.800
<v Speaker 1>with Spielberg talking about e Er apparently, and he was like, Hey, also,

0:17:18.960 --> 0:17:22.680
<v Speaker 1>I like dinosaurs, and this is what men talk about

0:17:22.720 --> 0:17:26.280
<v Speaker 1>at lunch. They're like, yeah, I like trains and dinosaurs

0:17:26.280 --> 0:17:30.240
<v Speaker 1>and fucking ladies. And Steven Spielberg said, well, what about dinosaurs?

0:17:30.840 --> 0:17:33.000
<v Speaker 1>And so he knew this was going to be a

0:17:33.000 --> 0:17:35.280
<v Speaker 1>movie before he finished the book, and knew it was

0:17:35.280 --> 0:17:37.320
<v Speaker 1>going to be a Spielberg movie. So he also knew

0:17:37.320 --> 0:17:39.879
<v Speaker 1>it was going to be a roller coaster. Like knowing

0:17:39.960 --> 0:17:41.840
<v Speaker 1>that and then watching the movie again, I was like, oh,

0:17:41.880 --> 0:17:44.600
<v Speaker 1>this kind of informs the way a roller coaster would happen.

0:17:44.680 --> 0:17:48.360
<v Speaker 1>You're not going to tote out the t rex right away? Yeah,

0:17:48.400 --> 0:17:53.720
<v Speaker 1>that's right. You gotta you gotta metaphorically build it. Oh,

0:17:53.760 --> 0:18:01.080
<v Speaker 1>this is another theme park ride movie. We're gonna get

0:18:01.080 --> 0:18:05.760
<v Speaker 1>around to the Country Bears and I cannot wait. I'm

0:18:05.760 --> 0:18:12.280
<v Speaker 1>sure that's a very woman. Everyone's gonna love it. All Right,

0:18:12.320 --> 0:18:14.720
<v Speaker 1>let's talk about the portrayal of women in this pod

0:18:14.880 --> 0:18:19.639
<v Speaker 1>in this movie, I don't know so, as was hinted

0:18:19.680 --> 0:18:23.760
<v Speaker 1>at earlier missed t Rex, because all the dinosaurs are women.

0:18:23.880 --> 0:18:27.840
<v Speaker 1>They're female. I like that. I like that all the

0:18:27.960 --> 0:18:32.359
<v Speaker 1>dangerous killing machines are women. But then but then also

0:18:32.920 --> 0:18:36.400
<v Speaker 1>they are being kept in captivity by mostly man man.

0:18:36.960 --> 0:18:40.239
<v Speaker 1>So yeah, I don't know Steven your take. But then

0:18:40.240 --> 0:18:43.200
<v Speaker 1>they break free? Sorry there free? Well, and then that

0:18:43.200 --> 0:18:45.360
<v Speaker 1>that's actually one of my questions that I was curious

0:18:45.600 --> 0:18:48.359
<v Speaker 1>to hear your thoughts on it, because it is that

0:18:48.400 --> 0:18:50.480
<v Speaker 1>thing where it's like and that's the one thing I

0:18:50.560 --> 0:18:52.960
<v Speaker 1>kind of liked about Drastic World that Chris Pratt's character

0:18:53.040 --> 0:18:55.680
<v Speaker 1>was so like their female dinosaurs and he has this

0:18:55.800 --> 0:18:58.360
<v Speaker 1>kind of like like insistent, like O C. D insistence

0:18:58.400 --> 0:19:00.600
<v Speaker 1>that everyone referred to them as like she all that stuff.

0:19:00.640 --> 0:19:03.920
<v Speaker 1>But like, I guess my thought is, allies, yeah, we're

0:19:04.000 --> 0:19:07.119
<v Speaker 1>dis or allies, We're not going to miss gender these dinosaurs.

0:19:07.240 --> 0:19:09.800
<v Speaker 1>And but yeah, I guess my question is does them

0:19:09.840 --> 0:19:13.920
<v Speaker 1>all being female really impact the narrative in a way,

0:19:13.960 --> 0:19:16.800
<v Speaker 1>and like how does it really affected or mean I

0:19:16.880 --> 0:19:19.199
<v Speaker 1>was mostly saying it as a joke, but well, no,

0:19:19.280 --> 0:19:21.439
<v Speaker 1>I mean that's just my curiosity about it, because it

0:19:21.480 --> 0:19:25.040
<v Speaker 1>was really interesting when Hasbro released the Jurassic World toys,

0:19:25.240 --> 0:19:28.400
<v Speaker 1>they called them all he and like there's a big

0:19:28.440 --> 0:19:31.560
<v Speaker 1>outcry in the community, and so in Jurassic World they're

0:19:31.560 --> 0:19:35.399
<v Speaker 1>all still Yeah. It's just one of those things where

0:19:36.040 --> 0:19:38.240
<v Speaker 1>I feel like it maybe just plays the most into Dr.

0:19:38.280 --> 0:19:40.960
<v Speaker 1>Sadler's line where, you know, women inherit the earth kind

0:19:40.960 --> 0:19:43.440
<v Speaker 1>of thing, like the idea that maybe these dinosaurs are

0:19:43.480 --> 0:19:47.400
<v Speaker 1>like taking back from, you know, the patriarchy and society

0:19:47.400 --> 0:19:49.439
<v Speaker 1>by destroying it all, or I think stuff like that. Well,

0:19:49.440 --> 0:19:51.840
<v Speaker 1>it does play a significant role in the story, and

0:19:51.880 --> 0:19:56.520
<v Speaker 1>that they deliberately genetically engineer the dinosaurs to be all

0:19:56.760 --> 0:19:59.600
<v Speaker 1>females so that they don't breed because they have to

0:19:59.600 --> 0:20:04.080
<v Speaker 1>control they're breeding, right, But then life finds a way.

0:20:04.119 --> 0:20:07.040
<v Speaker 1>But okay, here's and this is maybe a stupid question

0:20:07.119 --> 0:20:09.320
<v Speaker 1>from someone who just saw Drastic Park for the first time.

0:20:09.920 --> 0:20:16.119
<v Speaker 1>If Devil's Advocate they made all the dinosaurs men and

0:20:16.160 --> 0:20:20.840
<v Speaker 1>there were no eggs to be stolen, wouldn't that have

0:20:21.240 --> 0:20:25.840
<v Speaker 1>really fucked up the plot of the movie? Es the

0:20:26.359 --> 0:20:30.600
<v Speaker 1>dinosaurs were just coming and then they were like, well,

0:20:31.240 --> 0:20:34.720
<v Speaker 1>there goes that one a bucket, just like roaming around

0:20:34.720 --> 0:20:40.919
<v Speaker 1>the park. Like dinoaches come in the slop bucket, all right,

0:20:41.000 --> 0:20:44.679
<v Speaker 1>that's Jeff Goldblum's job, and the dinosaurs come into the bucket. Well,

0:20:44.720 --> 0:20:47.879
<v Speaker 1>wouldn't they still need to be female to lay the

0:20:48.240 --> 0:20:51.320
<v Speaker 1>eggs or how do they do that? I think the

0:20:51.359 --> 0:20:53.800
<v Speaker 1>ones that we see like with like Beaty Wong, like

0:20:53.800 --> 0:20:57.560
<v Speaker 1>in the beginning, I think those were like artificially inseminated,

0:20:58.240 --> 0:21:00.640
<v Speaker 1>but then the ones later in the movie are realized,

0:21:01.920 --> 0:21:04.240
<v Speaker 1>so like that would funk up that point in in

0:21:04.280 --> 0:21:09.159
<v Speaker 1>the plot. Yeah, I'm just being critical of Crichton, you know,

0:21:09.200 --> 0:21:12.480
<v Speaker 1>because that's why I came here to do. But now

0:21:12.520 --> 0:21:15.560
<v Speaker 1>he's dead, and now I'm being disrespectful. I can't believe

0:21:15.560 --> 0:21:18.439
<v Speaker 1>he's been dead for almost ten years. What did I

0:21:18.480 --> 0:21:21.320
<v Speaker 1>think he was up to? No idea being more anti

0:21:21.320 --> 0:21:25.720
<v Speaker 1>global warming stuff. Yeah, he's a climate change denier. He was.

0:21:25.880 --> 0:21:29.919
<v Speaker 1>He's dead. Now he's one with the earth, which is

0:21:29.960 --> 0:21:33.240
<v Speaker 1>fine according to him. I mean he still is releasing novels,

0:21:33.280 --> 0:21:36.280
<v Speaker 1>which is the weirder part. What they still keep finding

0:21:36.320 --> 0:21:41.920
<v Speaker 1>manuscripts of books, like they just released a new one

0:21:41.960 --> 0:21:44.840
<v Speaker 1>this year. Like that's why I thought he wasn't dead.

0:21:44.880 --> 0:21:48.640
<v Speaker 1>Because I was like, I've seen his name recently. Oh,

0:21:48.680 --> 0:21:51.119
<v Speaker 1>but his ghost is just really same books now. Shout

0:21:51.400 --> 0:21:53.600
<v Speaker 1>shout out to the movie Ghost. Shout out to the

0:21:53.600 --> 0:21:57.119
<v Speaker 1>movie Ghost. Shout out to Crichton's Ghost, which is a

0:21:57.160 --> 0:22:00.840
<v Speaker 1>movie that I will write starting the second Ist podcast records.

0:22:01.080 --> 0:22:04.200
<v Speaker 1>I can't wait Creon's Ghost. More importantly than the all

0:22:04.200 --> 0:22:07.480
<v Speaker 1>the dinosaurs being female, let's talk about the actual human

0:22:07.520 --> 0:22:11.200
<v Speaker 1>women in the movie. Doctor Ellie Sadler a woman in

0:22:11.320 --> 0:22:15.919
<v Speaker 1>stem She's a paleobotanist. Hell yeah. And then there's Lex

0:22:16.119 --> 0:22:20.480
<v Speaker 1>who is a computer hacker and a computer whiz technopagan.

0:22:23.400 --> 0:22:25.080
<v Speaker 1>Either way, I feel like that's what she grow up

0:22:25.119 --> 0:22:27.920
<v Speaker 1>to be. What is a techno pagan? Like it wasn't

0:22:27.920 --> 0:22:30.439
<v Speaker 1>that X Fox episode, but I almost imagine, like I

0:22:30.480 --> 0:22:32.120
<v Speaker 1>was talking to something the other day, if there was, Like,

0:22:32.440 --> 0:22:34.879
<v Speaker 1>if her character was around in Jurassic World, she'd probably

0:22:34.920 --> 0:22:37.160
<v Speaker 1>be like hacking intother systems to try and shut down

0:22:37.160 --> 0:22:39.840
<v Speaker 1>the new park. It's like desecrating the memory of her

0:22:39.880 --> 0:22:44.520
<v Speaker 1>grandfather or something. Okay, I like it. I love hacking scenes,

0:22:45.040 --> 0:22:48.480
<v Speaker 1>especially the further back you go, the crazier the hacking

0:22:48.600 --> 0:22:53.240
<v Speaker 1>scenes get. The word main frame is in vote quota.

0:22:53.400 --> 0:22:55.919
<v Speaker 1>I'm in the main frame. That's like on my bucket

0:22:55.920 --> 0:22:58.199
<v Speaker 1>list of something to say, and to know that that

0:22:58.320 --> 0:23:01.040
<v Speaker 1>is actually what I mean to say. I sometimes will

0:23:01.080 --> 0:23:02.959
<v Speaker 1>just say it to myself when I like I'm at

0:23:03.040 --> 0:23:10.200
<v Speaker 1>Duncan Donuts, I get into WiFi packed into the main room. Anyways,

0:23:10.240 --> 0:23:14.840
<v Speaker 1>either way, she's a woman in STEM, I would say technology,

0:23:15.000 --> 0:23:17.880
<v Speaker 1>she's so, we've got two women in STEM, and then

0:23:17.920 --> 0:23:22.680
<v Speaker 1>then they the only two women and women and the women.

0:23:23.080 --> 0:23:24.560
<v Speaker 1>I guess that's what I meant by my question with

0:23:24.600 --> 0:23:27.280
<v Speaker 1>the dinosaurs being female. It's like there's that thing where

0:23:27.280 --> 0:23:30.200
<v Speaker 1>it's like, would it pass the back to test if

0:23:30.240 --> 0:23:33.720
<v Speaker 1>they were talking about the dinosaurs, like because it's like,

0:23:33.760 --> 0:23:36.880
<v Speaker 1>doesn't count because they're not human. So like that part

0:23:36.880 --> 0:23:39.880
<v Speaker 1>of that conversation if they are talking about dinosaurs, if

0:23:39.880 --> 0:23:43.000
<v Speaker 1>it's two women talking about dinosaurs, yes, I would say

0:23:43.000 --> 0:23:45.800
<v Speaker 1>it passes the Backtel test because they're not human. Man.

0:23:45.960 --> 0:23:49.720
<v Speaker 1>And also we'll get to this later, but there's a

0:23:49.800 --> 0:23:53.680
<v Speaker 1>scene where the two raptors are vocal with each other.

0:23:53.800 --> 0:23:59.840
<v Speaker 1>They're communicating with their stretch, and I would say that

0:24:00.040 --> 0:24:02.679
<v Speaker 1>us is the Bechdel test stretch. Well, well, wait, we

0:24:02.760 --> 0:24:05.119
<v Speaker 1>don't know their name. Big all stretch. We don't know

0:24:05.160 --> 0:24:07.640
<v Speaker 1>those those raptors names, so maybe doesn't pass. But it's

0:24:07.680 --> 0:24:12.240
<v Speaker 1>called Runner and Yeller. So we have these two women,

0:24:12.520 --> 0:24:15.880
<v Speaker 1>and I like these two women a lot, but they

0:24:15.880 --> 0:24:18.200
<v Speaker 1>are surrounded by a whole slew of men because there's

0:24:18.320 --> 0:24:22.840
<v Speaker 1>Dr Alan Grant, Dr Ian Malcolm, John Hammond, the Little Boy, Tim,

0:24:22.960 --> 0:24:28.119
<v Speaker 1>Mr Arnold, Muldoon, Gennaro, Dennis Nedri, Beaty Wong, which which

0:24:28.200 --> 0:24:32.080
<v Speaker 1>brings us to the age old Bechtel cast refrain, what

0:24:32.240 --> 0:24:37.280
<v Speaker 1>if two or three of these characters were just named Cassandra?

0:24:38.359 --> 0:24:42.880
<v Speaker 1>What would be different? Oh, I don't know, fucking nothing. Yeah, exactly,

0:24:42.920 --> 0:24:45.919
<v Speaker 1>make make the lawyer be a woman. Have Mr Arnold.

0:24:45.920 --> 0:24:48.360
<v Speaker 1>Although I would not trade Samuel L. Jackson in this

0:24:48.480 --> 0:24:52.920
<v Speaker 1>role for the world, let's leave him um. I did

0:24:53.080 --> 0:24:56.360
<v Speaker 1>for one website. I did a gender swap cast thing

0:24:56.440 --> 0:24:59.040
<v Speaker 1>for this movie a couple of years ago, which I

0:24:59.080 --> 0:25:02.520
<v Speaker 1>thought because Laura Dern was like an arthouse like Lynch

0:25:02.600 --> 0:25:04.400
<v Speaker 1>Darling at this time, so I thought it'd be fun

0:25:04.440 --> 0:25:07.560
<v Speaker 1>if like Ryan Gosling was playing that and then and

0:25:07.560 --> 0:25:10.359
<v Speaker 1>then having Elizabeth Mossy Grant like I thought that would

0:25:10.400 --> 0:25:13.600
<v Speaker 1>be like a good I like it, and having a

0:25:13.680 --> 0:25:16.439
<v Speaker 1>cap Blanchet be John Hammond. I think she she'd rock

0:25:16.520 --> 0:25:19.640
<v Speaker 1>the cap. Yeah, for sure, I like that a lot.

0:25:19.840 --> 0:25:23.360
<v Speaker 1>We'll link that in the I'm interested in this, Yeah,

0:25:23.359 --> 0:25:26.040
<v Speaker 1>I'll send you the link to the So the point

0:25:26.200 --> 0:25:29.760
<v Speaker 1>is it's a couple I think strong, great female characters

0:25:29.840 --> 0:25:31.760
<v Speaker 1>surrounded by men. And then there's all these scenes like

0:25:31.760 --> 0:25:34.359
<v Speaker 1>the first scene you see where they're unloading one of

0:25:34.400 --> 0:25:38.600
<v Speaker 1>the raptors into like the raptor paddock, and it's all men.

0:25:39.040 --> 0:25:42.160
<v Speaker 1>And then there's another scene where genera the lawyer goes

0:25:42.200 --> 0:25:44.680
<v Speaker 1>to talk to the dude who's I guess in an

0:25:44.680 --> 0:25:50.160
<v Speaker 1>amber mine? He's looking for amber, and uh, those are

0:25:50.200 --> 0:25:53.399
<v Speaker 1>all men in that scene. You see the scene where

0:25:53.880 --> 0:25:56.120
<v Speaker 1>they're on the tour and it's all these Jurassic Park

0:25:56.240 --> 0:25:59.960
<v Speaker 1>scientists all but one man. There's one lady with a

0:26:00.560 --> 0:26:05.480
<v Speaker 1>top bun, everyone else as a man. It's me, it's you,

0:26:05.400 --> 0:26:10.840
<v Speaker 1>you were in this movie. But the point is, it's

0:26:10.880 --> 0:26:13.000
<v Speaker 1>just like crazy that we have to like look at

0:26:13.040 --> 0:26:16.639
<v Speaker 1>these scenes and like really like examines and study to

0:26:16.720 --> 0:26:19.600
<v Speaker 1>be like, wait, is that a woman? Wait that over there?

0:26:20.119 --> 0:26:23.600
<v Speaker 1>And it's because they're just almost always populated by men,

0:26:24.119 --> 0:26:27.040
<v Speaker 1>and it's annoying that it seems like this default to

0:26:27.119 --> 0:26:30.480
<v Speaker 1>just being filled with men and they're being no or

0:26:30.880 --> 0:26:34.080
<v Speaker 1>maybe one woman, I think, and I feel like with

0:26:34.480 --> 0:26:39.320
<v Speaker 1>this story, it's possible to over analyze it or like

0:26:39.760 --> 0:26:42.920
<v Speaker 1>give it more thought about how much thought was put

0:26:42.960 --> 0:26:47.600
<v Speaker 1>into gender than Michael Crichton would ever. May he rest

0:26:47.680 --> 0:26:50.640
<v Speaker 1>in peace. But like you know, it's like you can

0:26:50.920 --> 0:26:54.040
<v Speaker 1>technically make the argument of Okay, we have this colony

0:26:54.080 --> 0:26:57.280
<v Speaker 1>of all female dinosaurs, but they're being regulated and trying

0:26:57.320 --> 0:27:00.440
<v Speaker 1>to be contained by men, but they're busting and did it,

0:27:00.840 --> 0:27:04.040
<v Speaker 1>and like we can make this argument. I have a

0:27:04.080 --> 0:27:08.600
<v Speaker 1>hard time believing that Michael Crichton or Steven Spielberg or

0:27:08.640 --> 0:27:10.960
<v Speaker 1>really anyone involved in this project in a high level

0:27:11.160 --> 0:27:16.119
<v Speaker 1>actually thought about the role of gender. That's hard. So

0:27:16.320 --> 0:27:19.520
<v Speaker 1>it's like, well, you can analyze it that way if

0:27:19.560 --> 0:27:22.439
<v Speaker 1>it makes you feel better, but I don't think that

0:27:22.480 --> 0:27:25.400
<v Speaker 1>they actually intended it to. That's the beauty of art,

0:27:25.400 --> 0:27:28.560
<v Speaker 1>though it doesn't matter what the artists intended. I don't

0:27:28.600 --> 0:27:32.000
<v Speaker 1>want to art to give men more credit than they deserve,

0:27:33.200 --> 0:27:37.959
<v Speaker 1>right either way. Okay, So there's like three specific sequences

0:27:38.000 --> 0:27:40.320
<v Speaker 1>that I want to talk about, and then a few

0:27:40.320 --> 0:27:43.600
<v Speaker 1>other scenes. Starting with the one that you already hinted at,

0:27:43.800 --> 0:27:49.280
<v Speaker 1>where Malcolm is like, God creates dinosaurs, God destroys dinosaurs,

0:27:49.320 --> 0:27:53.720
<v Speaker 1>God creates man, Man destroys God. Man creates dinosaurs, and

0:27:53.760 --> 0:28:00.359
<v Speaker 1>then Dr Sattler says, dinosaurs eat man, women inherent the earth.

0:28:00.840 --> 0:28:03.959
<v Speaker 1>And then they both look at her and they're like, oh, shoot,

0:28:04.040 --> 0:28:09.320
<v Speaker 1>I want to marry her. That's a good it's such

0:28:09.359 --> 0:28:13.680
<v Speaker 1>a great But I would also sorry argue that this

0:28:13.760 --> 0:28:16.359
<v Speaker 1>is harkening back to one of our favorite mixed we

0:28:16.440 --> 0:28:19.399
<v Speaker 1>needs articles. I'm the girl and I kick here's my

0:28:19.480 --> 0:28:22.000
<v Speaker 1>line where I say, you know or spice World girl

0:28:22.040 --> 0:28:24.760
<v Speaker 1>powa Like it's like, okay, cool, we got that moment,

0:28:25.640 --> 0:28:30.760
<v Speaker 1>thank you, and seen like, yeah, that could be if

0:28:30.800 --> 0:28:33.000
<v Speaker 1>that was the only thing she does, or like the

0:28:33.040 --> 0:28:35.639
<v Speaker 1>only impressive thing she contributes to the story or anything

0:28:35.640 --> 0:28:37.800
<v Speaker 1>like that. No, I just meant like the line more

0:28:37.840 --> 0:28:42.160
<v Speaker 1>than I mean the character. Obviously, Seller is a great character,

0:28:42.840 --> 0:28:45.360
<v Speaker 1>but just like sometimes lines like that, I don't know,

0:28:45.400 --> 0:28:47.560
<v Speaker 1>I feel manipulated by them where they're just like, hey,

0:28:47.560 --> 0:28:50.000
<v Speaker 1>girls can't do things too, and I was like, yeah,

0:28:50.080 --> 0:28:53.840
<v Speaker 1>I know, so have put more girls in your fucking movie.

0:28:53.880 --> 0:28:57.400
<v Speaker 1>You showed like, you know, good point, But it would

0:28:57.440 --> 0:28:59.480
<v Speaker 1>be much more. It would be more annoying to me

0:29:00.000 --> 0:29:02.120
<v Speaker 1>if that was something she said, and then none of

0:29:02.120 --> 0:29:05.400
<v Speaker 1>her actions backed that up, like she's like women power.

0:29:05.520 --> 0:29:09.000
<v Speaker 1>And then so at least she goes on to do

0:29:09.040 --> 0:29:13.080
<v Speaker 1>a whole slew of things, which is what I wanted

0:29:13.120 --> 0:29:16.280
<v Speaker 1>to talk about next where it's later in the movie,

0:29:16.480 --> 0:29:19.239
<v Speaker 1>but all the power they have to basically reboot all

0:29:19.280 --> 0:29:23.160
<v Speaker 1>the systems and undo the damage that Dennis Nedri had done,

0:29:23.160 --> 0:29:26.600
<v Speaker 1>who at this point in the story is dead. R

0:29:26.640 --> 0:29:32.840
<v Speaker 1>I p he slipped on And just love that little

0:29:34.040 --> 0:29:37.000
<v Speaker 1>the slide whistle or whatever. I love that scene that

0:29:37.160 --> 0:29:41.760
<v Speaker 1>where he gets killed by the delaposaurs. Fuck, it's so good.

0:29:41.880 --> 0:29:45.160
<v Speaker 1>But so there's a scene where John Hammond is like,

0:29:45.320 --> 0:29:48.760
<v Speaker 1>well Doon bring back my grandchildren, and Nell He's like,

0:29:48.840 --> 0:29:51.360
<v Speaker 1>I'm going with him. So it was just like cool

0:29:51.440 --> 0:29:55.400
<v Speaker 1>to see her making a choice, taking action, going and

0:29:55.440 --> 0:29:58.080
<v Speaker 1>doing something. A lot of movies would have just had

0:29:58.120 --> 0:30:01.960
<v Speaker 1>her stay behind, not do anything. Nurse and Malcolm back

0:30:02.000 --> 0:30:04.960
<v Speaker 1>to health with his leg that's all sucked up, would

0:30:04.960 --> 0:30:08.640
<v Speaker 1>be like, hey, do you want to take a picture? Oh?

0:30:08.640 --> 0:30:10.920
<v Speaker 1>I was thinking, um, it would be like The Big

0:30:10.960 --> 0:30:13.239
<v Speaker 1>Guiled where they're like, oh, your leg is fucked up.

0:30:14.040 --> 0:30:17.480
<v Speaker 1>I'm gonna, I'm gonna, yeah, I want to cut your

0:30:17.560 --> 0:30:22.760
<v Speaker 1>leg off, and then fucky, No, it's Jeff goldbl And

0:30:22.800 --> 0:30:25.880
<v Speaker 1>he just wants to take a perverted picture. He doesn't

0:30:25.880 --> 0:30:28.760
<v Speaker 1>actually have sex. He just wants to look like he

0:30:28.960 --> 0:30:31.840
<v Speaker 1>enticed or whatever. Enticing, right, He really does just like

0:30:31.880 --> 0:30:37.040
<v Speaker 1>want to go home and feed his dogs. But that's

0:30:37.080 --> 0:30:39.320
<v Speaker 1>that's what I find so interesting about Dr Selller, because

0:30:39.320 --> 0:30:41.600
<v Speaker 1>I was trying to think of her like because there's

0:30:41.640 --> 0:30:43.840
<v Speaker 1>certain scenes in the movie where she takes the role

0:30:43.880 --> 0:30:46.120
<v Speaker 1>of kind of like the person to like knock the

0:30:46.200 --> 0:30:49.280
<v Speaker 1>sense into some of the dudes, you know. But what

0:30:49.400 --> 0:30:51.320
<v Speaker 1>I like about her character a lot and why, Like,

0:30:51.520 --> 0:30:53.440
<v Speaker 1>I mean, she was my first crush growing up and

0:30:53.480 --> 0:30:56.240
<v Speaker 1>all that stuff or whatever. But um, the one reason

0:30:56.240 --> 0:30:58.480
<v Speaker 1>why I really like her as a character in these

0:30:58.560 --> 0:31:00.360
<v Speaker 1>kind of movies is because she seems like she's the

0:31:00.360 --> 0:31:02.680
<v Speaker 1>only person who's living in the moment during the movies.

0:31:02.720 --> 0:31:04.960
<v Speaker 1>Everyone's kind of caught in their headspace of like, oh,

0:31:05.000 --> 0:31:07.720
<v Speaker 1>I should have like made this park better, or like

0:31:08.080 --> 0:31:09.880
<v Speaker 1>I hate kids and I need to learn how to

0:31:09.960 --> 0:31:12.040
<v Speaker 1>like kids or whatever. She's like, all right, what do

0:31:12.040 --> 0:31:13.680
<v Speaker 1>you need? What do we need to do, like, how

0:31:13.720 --> 0:31:15.880
<v Speaker 1>can I? She's like the most like how you're saying,

0:31:15.880 --> 0:31:18.040
<v Speaker 1>like she's the most proactive character. She's like, oh, I'm

0:31:18.040 --> 0:31:20.080
<v Speaker 1>going to stay behind and learn more about the sick

0:31:20.080 --> 0:31:23.760
<v Speaker 1>trisatops or whatever, like And I like that scene because

0:31:23.920 --> 0:31:26.360
<v Speaker 1>it shows that whole scene where the encounter the sick

0:31:26.400 --> 0:31:31.520
<v Speaker 1>triceratops and it's it's barfing. She pops the pimple on

0:31:31.560 --> 0:31:36.239
<v Speaker 1>it and she's like, well, why is it sick? Are

0:31:36.280 --> 0:31:39.880
<v Speaker 1>they eating this West Indian lilac? It's poisonous? You really

0:31:39.880 --> 0:31:43.000
<v Speaker 1>like get to see her expertise, like she's she knows

0:31:43.000 --> 0:31:45.320
<v Speaker 1>what she's talking about, she knows what she's doing. So

0:31:45.360 --> 0:31:48.760
<v Speaker 1>it's just like a cool moment. So many movies, especially blockbusters,

0:31:48.800 --> 0:31:52.040
<v Speaker 1>would have been like she kind of can do a

0:31:52.160 --> 0:31:54.680
<v Speaker 1>thing sort of, but like we don't really get to

0:31:54.720 --> 0:31:56.400
<v Speaker 1>see it, or if we do, it's for a second

0:31:56.480 --> 0:32:00.440
<v Speaker 1>and then never again. Or she gives the sick tri

0:32:00.560 --> 0:32:06.000
<v Speaker 1>Saratovs true loved kiss and it's better wakes up. Yeah,

0:32:06.880 --> 0:32:11.800
<v Speaker 1>I feel better now. And that's technically a great queer

0:32:11.840 --> 0:32:14.600
<v Speaker 1>moment in film because the transparentas would be a woman.

0:32:16.080 --> 0:32:20.520
<v Speaker 1>Remember when Laura durned French that dinosaur really progressive moment.

0:32:21.400 --> 0:32:27.040
<v Speaker 1>That's David Lynch's yeah, okay. So then after Dr Grant

0:32:27.080 --> 0:32:29.400
<v Speaker 1>and the kids have gone off somewhere and they appear

0:32:29.480 --> 0:32:32.280
<v Speaker 1>to be safe, and then there's the scene where Mr

0:32:32.400 --> 0:32:35.479
<v Speaker 1>Arnold leaves to go turn the power back on, but

0:32:35.520 --> 0:32:37.400
<v Speaker 1>he's taking a while because he's like she would be

0:32:37.440 --> 0:32:41.520
<v Speaker 1>three minutes, and then it's more than that. More time

0:32:41.560 --> 0:32:43.640
<v Speaker 1>has passed, so she's like, something's wrong, something happened. I

0:32:43.640 --> 0:32:45.640
<v Speaker 1>have to go turn the power back on. And then

0:32:45.800 --> 0:32:48.280
<v Speaker 1>and in that moment, that's when like Muldoon's like, I'll

0:32:48.320 --> 0:32:51.320
<v Speaker 1>go with you. She was wanted to be like I'm going.

0:32:51.720 --> 0:32:54.320
<v Speaker 1>I'm making the decision to go. I gotta do this,

0:32:54.560 --> 0:32:56.880
<v Speaker 1>and he goes with her, and then immediately as soon

0:32:56.880 --> 0:33:00.640
<v Speaker 1>as they get outside, he's like we're being hunted. Oh.

0:33:00.680 --> 0:33:03.640
<v Speaker 1>But before that happens, John Hammond's like, this should be

0:33:03.680 --> 0:33:09.720
<v Speaker 1>me that ghost because I'm a and you're a and

0:33:09.720 --> 0:33:15.920
<v Speaker 1>she's like, look, I'm a Republican. I would love if

0:33:15.920 --> 0:33:19.080
<v Speaker 1>that was their fun difference Laura during the twist is

0:33:19.200 --> 0:33:24.160
<v Speaker 1>she's a Replican, I'm a Democrat and you're a Republican. No,

0:33:24.600 --> 0:33:28.440
<v Speaker 1>And she's like, we can discuss sexism and survival situations

0:33:28.480 --> 0:33:31.400
<v Speaker 1>when I get back, which again, sure, maybe that's another

0:33:32.440 --> 0:33:36.080
<v Speaker 1>look at what I can, but I've never interpreted it

0:33:36.120 --> 0:33:39.440
<v Speaker 1>that way. I was just like, you go, girl. Maybe

0:33:39.480 --> 0:33:41.600
<v Speaker 1>it's because I'm simple, but that was the point. But

0:33:42.080 --> 0:33:43.360
<v Speaker 1>you know, if I had seen this movie when I

0:33:43.360 --> 0:33:45.200
<v Speaker 1>was a kid, I wouldn't feel that way, But seeing

0:33:45.200 --> 0:33:47.040
<v Speaker 1>as I saw it last week, I do feel that way. Sure,

0:33:48.360 --> 0:33:50.880
<v Speaker 1>so they go, they get hunted. She has to go

0:33:50.920 --> 0:33:53.800
<v Speaker 1>on by herself, so she goes into the shed. The

0:33:54.720 --> 0:33:56.920
<v Speaker 1>I was just when I was again like thinking about

0:33:56.960 --> 0:33:59.440
<v Speaker 1>this movie for today as a kid, when after I

0:33:59.440 --> 0:34:01.800
<v Speaker 1>saw this movie, anytime I swing from branches, I would

0:34:01.800 --> 0:34:03.880
<v Speaker 1>always like pretend that was her because she heard like

0:34:04.080 --> 0:34:06.520
<v Speaker 1>her six swing that she does, She's like foom in

0:34:06.560 --> 0:34:08.279
<v Speaker 1>the lands in the water. I just thought that was

0:34:08.280 --> 0:34:10.800
<v Speaker 1>the coolest. Yeah, yeah, that was a good good plant,

0:34:11.000 --> 0:34:14.600
<v Speaker 1>good swing, stuck the landing. So she goes in the

0:34:14.600 --> 0:34:17.560
<v Speaker 1>shed and then she does all the things she needs

0:34:17.560 --> 0:34:19.680
<v Speaker 1>to do to turn the power back on. She's being

0:34:20.000 --> 0:34:23.640
<v Speaker 1>again told what to do by a man, but like

0:34:23.719 --> 0:34:27.120
<v Speaker 1>that's not her area of expertise exactly. Yeah, So she

0:34:27.239 --> 0:34:30.880
<v Speaker 1>manages to do everything. All the systems come back online

0:34:31.200 --> 0:34:33.160
<v Speaker 1>and then there's that great moment where she's like Mr

0:34:33.200 --> 0:34:35.719
<v Speaker 1>Hamm and I think we're back in business. And then

0:34:37.200 --> 0:34:40.759
<v Speaker 1>a raptor bursts out. And what I really love about

0:34:40.800 --> 0:34:43.360
<v Speaker 1>this is that she has to save herself. The raptor

0:34:43.600 --> 0:34:48.439
<v Speaker 1>explodes out into the room. She gets through the gate. Yeah,

0:34:49.200 --> 0:34:54.799
<v Speaker 1>and in the human succeeds over the raptor because the human,

0:34:54.840 --> 0:34:58.319
<v Speaker 1>I guess, is smarter. Although the raptors have shown intelligence

0:34:58.800 --> 0:35:03.320
<v Speaker 1>their systematically to testing the fences for weaknesses anyway, systematically,

0:35:05.719 --> 0:35:10.640
<v Speaker 1>she beats him with with Sam Jackson's arm. That would

0:35:10.640 --> 0:35:13.440
<v Speaker 1>have been a great moment. I wish that had happened.

0:35:13.560 --> 0:35:16.120
<v Speaker 1>She grabs that Mr Arnold and then she's like, oh sweet,

0:35:16.120 --> 0:35:20.680
<v Speaker 1>there's a weapon, all right? Yeah? Good enough? Right, Because

0:35:20.840 --> 0:35:23.160
<v Speaker 1>so she gets she saves herself. She closes the door,

0:35:23.600 --> 0:35:26.439
<v Speaker 1>and then she like sort of like okay, and then

0:35:26.840 --> 0:35:29.839
<v Speaker 1>Mr Arnold's arm falls on top of her. She thinks, hey,

0:35:29.920 --> 0:35:31.680
<v Speaker 1>I'm just resting my arm here. I know that you

0:35:31.680 --> 0:35:35.720
<v Speaker 1>almost died, but let's have a casual. How many years

0:35:35.719 --> 0:35:40.040
<v Speaker 1>of therapy will it take to bounce back from that?

0:35:40.520 --> 0:35:43.600
<v Speaker 1>So many? So many? The point is she saves herself.

0:35:43.640 --> 0:35:46.239
<v Speaker 1>She doesn't have to have any man save her. It

0:35:46.320 --> 0:35:50.080
<v Speaker 1>was a very exciting moment for me. The next thing

0:35:50.160 --> 0:35:54.080
<v Speaker 1>I wanted to talk about was when the kids are

0:35:54.080 --> 0:35:57.319
<v Speaker 1>in the kitchen or like the whatever that area is,

0:35:57.440 --> 0:36:03.479
<v Speaker 1>Like the guest services hoasically craft services, they just turned

0:36:03.520 --> 0:36:06.880
<v Speaker 1>the cameras and just yeah, they're like, oh hey, look right,

0:36:06.920 --> 0:36:09.720
<v Speaker 1>and they're eating jello, you know as craft Services always

0:36:09.760 --> 0:36:13.200
<v Speaker 1>has and Lex seize the raptors and takes them into

0:36:13.640 --> 0:36:18.640
<v Speaker 1>the kitchen and the raptors can open doors. The smartass

0:36:18.719 --> 0:36:21.880
<v Speaker 1>lady dinosaurs figured out how to open doors like a

0:36:21.960 --> 0:36:28.959
<v Speaker 1>cat in an emergency want figure how to open a door,

0:36:30.040 --> 0:36:34.560
<v Speaker 1>saving all the people in the apartment. Called an exciting

0:36:34.640 --> 0:36:37.800
<v Speaker 1>day hit in Brighton. That would happen in Brighton. It

0:36:37.840 --> 0:36:40.680
<v Speaker 1>would happen. Yeah, this is my English news bit. I

0:36:40.760 --> 0:36:43.200
<v Speaker 1>just if like a dinosaur is like a cat. They

0:36:43.280 --> 0:36:46.080
<v Speaker 1>just like under the door, like how cats can slide.

0:36:46.760 --> 0:36:49.319
<v Speaker 1>The raptors just like on the you know, blows its

0:36:49.360 --> 0:36:53.160
<v Speaker 1>nose on the thing and they just itself basically like

0:36:53.200 --> 0:36:58.120
<v Speaker 1>I can't. So the two raptors come into the kitchen,

0:36:58.680 --> 0:37:01.439
<v Speaker 1>Lex with her younger rather tim she's the one who's

0:37:01.440 --> 0:37:04.399
<v Speaker 1>like pulling him around like here, follow me, like she's

0:37:04.440 --> 0:37:07.000
<v Speaker 1>doing all the things to save them, the sweet trick

0:37:07.080 --> 0:37:12.279
<v Speaker 1>with them, the ladle yeah, and the oven. Yeah, so

0:37:12.360 --> 0:37:15.200
<v Speaker 1>alpha big sis And it could be yeah, it could

0:37:15.239 --> 0:37:17.960
<v Speaker 1>be because she's like the older one, the bigger one.

0:37:18.560 --> 0:37:22.880
<v Speaker 1>But sure, but like the and the writer could have

0:37:22.960 --> 0:37:26.640
<v Speaker 1>made the choice to like make the older one a boy,

0:37:26.520 --> 0:37:28.720
<v Speaker 1>to have him be the one in the book, Tim

0:37:28.800 --> 0:37:33.040
<v Speaker 1>is the older Yeah. Yeah, yeah, cool. So I like

0:37:33.120 --> 0:37:34.759
<v Speaker 1>in the movie that they're like, all right, let's have

0:37:35.040 --> 0:37:39.600
<v Speaker 1>the girl be the one who's Spielberg one, Crichton still

0:37:39.680 --> 0:37:45.719
<v Speaker 1>climate Ja and I are also dead. He loses. So yeah,

0:37:45.800 --> 0:37:48.959
<v Speaker 1>it was really cool to see Lex being the one

0:37:49.040 --> 0:37:51.279
<v Speaker 1>to be like, I'm in charge here and I'm going

0:37:51.320 --> 0:37:53.959
<v Speaker 1>to save my little brother. Yeah. I like that part.

0:37:54.760 --> 0:37:57.640
<v Speaker 1>Oh yeah, and she like closes the freezer to yeah,

0:37:57.960 --> 0:38:02.400
<v Speaker 1>so she actually it's it's interesting that the only now

0:38:02.480 --> 0:38:04.960
<v Speaker 1>that I'm thinking about this, technically, I think in the

0:38:05.080 --> 0:38:07.440
<v Speaker 1>all the Jurassic Park movies, the only two people to

0:38:07.560 --> 0:38:12.960
<v Speaker 1>kill dinosaurs are Lex freezing the raptor and then Malcolm's

0:38:13.040 --> 0:38:16.799
<v Speaker 1>daughter Kelly kicking the with the gymnastics skills in the

0:38:16.800 --> 0:38:19.319
<v Speaker 1>Lost World kicking the raptor off on the spike. So

0:38:19.360 --> 0:38:24.480
<v Speaker 1>it's only been two little girls killing dinosaurs in these movies. Hell,

0:38:24.719 --> 0:38:27.759
<v Speaker 1>I like that. Yeah, that's impressive. Yeah, but you're right.

0:38:27.800 --> 0:38:30.440
<v Speaker 1>She like the raptor ends up in the freezer. I

0:38:30.440 --> 0:38:32.520
<v Speaker 1>think because he was like changing Tim into she was

0:38:32.600 --> 0:38:38.839
<v Speaker 1>just hard god chasing Tim into the freezer. And then

0:38:39.280 --> 0:38:42.480
<v Speaker 1>Lex runs up and locks the raptor into the freezer.

0:38:42.800 --> 0:38:47.080
<v Speaker 1>Hell yeah, yeah, I froze to death in there. Presumably

0:38:47.880 --> 0:38:52.640
<v Speaker 1>we don't know whatever. So then the final scene is

0:38:52.800 --> 0:38:55.880
<v Speaker 1>when they're in the control room at the end, Ellie

0:38:56.480 --> 0:38:58.239
<v Speaker 1>like runs to the computer. She's like, I got to

0:38:58.280 --> 0:39:01.279
<v Speaker 1>boot up the door locks because I guess she knows

0:39:01.280 --> 0:39:04.919
<v Speaker 1>how to do that, which good for her. And then um,

0:39:05.000 --> 0:39:07.120
<v Speaker 1>the raptor starts coming in through the door, because again,

0:39:07.200 --> 0:39:10.759
<v Speaker 1>raptors know how to open doors, any door, any door.

0:39:11.360 --> 0:39:18.759
<v Speaker 1>They have mastered all doors doors, the rotating doors. There

0:39:18.760 --> 0:39:21.680
<v Speaker 1>aren't that, and that would be fun if there was, though,

0:39:22.840 --> 0:39:26.120
<v Speaker 1>would its tail get her tail gets stuck in the door?

0:39:26.239 --> 0:39:29.799
<v Speaker 1>I know we keep accidentally miss gendering. These depends on

0:39:29.840 --> 0:39:32.200
<v Speaker 1>how advanced the door was, because if the door had

0:39:32.280 --> 0:39:35.759
<v Speaker 1>good sensors and the door wouldn't close on and objecting,

0:39:35.960 --> 0:39:38.799
<v Speaker 1>you know, in front of the doors. In defense of

0:39:38.840 --> 0:39:42.240
<v Speaker 1>the doors, I'm sure that the raptor would have been fine,

0:39:43.280 --> 0:39:48.320
<v Speaker 1>A good point, thank you. This is the door. Okay.

0:39:48.360 --> 0:39:51.640
<v Speaker 1>So they're in the control room and the raptor starts

0:39:51.640 --> 0:39:53.880
<v Speaker 1>to come in and Grant can't hold the door by himself,

0:39:53.920 --> 0:39:58.319
<v Speaker 1>so Elie Satler has to help him. Meanwhile, Lexi's like,

0:39:58.360 --> 0:40:03.120
<v Speaker 1>wait a minute, a unique system. I know this. She's

0:40:03.160 --> 0:40:06.000
<v Speaker 1>the one to save the day for about two seconds

0:40:06.040 --> 0:40:08.440
<v Speaker 1>and then the raptors coming through the glass. But it

0:40:08.520 --> 0:40:10.879
<v Speaker 1>was just school like the choice could have been made

0:40:11.080 --> 0:40:14.200
<v Speaker 1>where the little boy knows how to be a hacker,

0:40:15.000 --> 0:40:18.200
<v Speaker 1>but Tim is like useless in that scene. He's just

0:40:18.200 --> 0:40:21.560
<v Speaker 1>like he said, come ahead, well kids, are you go

0:40:21.640 --> 0:40:25.080
<v Speaker 1>to school? Go a library card? You dumb ask He's

0:40:25.120 --> 0:40:27.279
<v Speaker 1>a little kid. I mean that would that would have

0:40:27.280 --> 0:40:30.040
<v Speaker 1>been I think maybe Spielberg was like thinking the endgame

0:40:30.120 --> 0:40:32.840
<v Speaker 1>was like, oh, well, because there's the gun there, and

0:40:32.880 --> 0:40:36.160
<v Speaker 1>then like Ellie and Grant are like trying to get

0:40:36.160 --> 0:40:38.000
<v Speaker 1>the gun but hold the door, and then like Tim

0:40:38.040 --> 0:40:39.880
<v Speaker 1>give us the gun, and then Tim just shoots the

0:40:39.960 --> 0:40:43.440
<v Speaker 1>raptor and then we've got like our own traumatized like

0:40:44.080 --> 0:40:46.879
<v Speaker 1>child like, well, I never understand why they don't say,

0:40:46.920 --> 0:40:49.840
<v Speaker 1>like Tim, grab that gun, give it to an adult,

0:40:50.239 --> 0:40:54.120
<v Speaker 1>help us. But he's just like, yeah, maybe Spielberg because yeah,

0:40:54.160 --> 0:40:55.839
<v Speaker 1>I mean it's so like because he's just sitting there

0:40:55.880 --> 0:40:58.719
<v Speaker 1>like patting his head, just like because he is a kid.

0:40:59.080 --> 0:41:02.279
<v Speaker 1>Never reminded me of my little brother or like I

0:41:02.320 --> 0:41:04.880
<v Speaker 1>would freeze a dinosaur from my brother. And also he

0:41:05.000 --> 0:41:06.640
<v Speaker 1>was such a WinPY little kid. He was afraid of

0:41:06.640 --> 0:41:09.279
<v Speaker 1>water till he was like seven. So I was like, oh,

0:41:09.320 --> 0:41:12.839
<v Speaker 1>he's like my brother. He's probably afraid of the ocean. Yeah,

0:41:12.880 --> 0:41:14.960
<v Speaker 1>I mean I related to I probably would be too

0:41:15.000 --> 0:41:18.240
<v Speaker 1>afraid to do anything in that just paralyzed little boy child.

0:41:18.680 --> 0:41:21.239
<v Speaker 1>But yeah, I wonder Spielberg maybe just didn't want to

0:41:21.280 --> 0:41:23.560
<v Speaker 1>have the imagery of a kid picking up a gun.

0:41:24.120 --> 0:41:26.720
<v Speaker 1>I wonder because that's definitely like a he's all about

0:41:26.960 --> 0:41:30.640
<v Speaker 1>family and family dynamic responsible. I mean, he did remove

0:41:30.680 --> 0:41:34.080
<v Speaker 1>the guns from it for him now, but he did.

0:41:34.239 --> 0:41:36.200
<v Speaker 1>He did remove the guns from one version of ET,

0:41:37.239 --> 0:41:40.600
<v Speaker 1>like from all the like digitally remove all the guns. WHOA,

0:41:40.680 --> 0:41:44.160
<v Speaker 1>I didn't know that three points first period. I'm excited

0:41:44.200 --> 0:41:47.080
<v Speaker 1>to see because this ending scene is is really cool

0:41:47.120 --> 0:41:49.480
<v Speaker 1>and it's hard to imagine how it would have originally

0:41:49.560 --> 0:41:51.920
<v Speaker 1>been where like Grant was going to kill the raptors

0:41:51.920 --> 0:41:53.840
<v Speaker 1>with like a crane that was like sitting in the

0:41:53.920 --> 0:41:56.680
<v Speaker 1>visitor center, like he was going to like grab a

0:41:56.760 --> 0:41:58.759
<v Speaker 1>raptor and then like throw it at the bones, and

0:41:58.800 --> 0:42:00.719
<v Speaker 1>like that's how it originally was us to end. But

0:42:00.880 --> 0:42:02.600
<v Speaker 1>every I think they were so impressed by the c

0:42:02.719 --> 0:42:04.640
<v Speaker 1>G I test of the t Rex and they like

0:42:04.719 --> 0:42:06.440
<v Speaker 1>to the character so much, so like let's bring your

0:42:06.440 --> 0:42:08.480
<v Speaker 1>back at the very end, And I don't know, it

0:42:08.480 --> 0:42:10.880
<v Speaker 1>feels more. It would feel kind of gross if like

0:42:10.880 --> 0:42:13.520
<v Speaker 1>our hero just like straight up murdered two dinosaurs. Like

0:42:13.520 --> 0:42:15.400
<v Speaker 1>the whole movie. The whole movie is like trying to

0:42:15.440 --> 0:42:17.880
<v Speaker 1>say that they're like animals and they're just natural creatures.

0:42:17.960 --> 0:42:19.839
<v Speaker 1>And then it's like it's not their fault that they

0:42:19.840 --> 0:42:22.480
<v Speaker 1>were genetically engineered and put in this century, that they

0:42:22.480 --> 0:42:25.680
<v Speaker 1>don't belong by a bunch of horny dude. Not their fault.

0:42:26.640 --> 0:42:29.239
<v Speaker 1>Here's what I'll say if Alfred. If I would put

0:42:29.280 --> 0:42:33.000
<v Speaker 1>Alfred Will in this movie, Okay, here's whatever it is.

0:42:33.080 --> 0:42:35.360
<v Speaker 1>Here's what I would do. I would keep the casting

0:42:35.400 --> 0:42:38.480
<v Speaker 1>as is. What I do is I would pull like

0:42:38.560 --> 0:42:42.200
<v Speaker 1>a deep Roy and Charlie and the Chocolate Factory Tim

0:42:42.239 --> 0:42:46.760
<v Speaker 1>Burton version where deep Roy plays all of the Olympus,

0:42:46.840 --> 0:42:51.120
<v Speaker 1>like hundreds and hundreds of deep Roys. So this would

0:42:51.160 --> 0:42:53.880
<v Speaker 1>take most of the women out of the movie. But

0:42:53.960 --> 0:42:57.040
<v Speaker 1>I think it is the move to make alkim up

0:42:57.360 --> 0:43:02.759
<v Speaker 1>all of the dinosaurs, hundreds of him. I've decided not

0:43:02.840 --> 0:43:06.560
<v Speaker 1>to endorse this. He's a character actor. He could he

0:43:06.600 --> 0:43:11.319
<v Speaker 1>could really really bring something special to each dinosaur role.

0:43:11.800 --> 0:43:14.680
<v Speaker 1>I would love to see Alfred Billina play sick try

0:43:14.719 --> 0:43:19.879
<v Speaker 1>Sara Tops. So somebody should photoshop that, for sure, because

0:43:19.880 --> 0:43:22.360
<v Speaker 1>they just photoshop what like cats in there. The dinosam

0:43:22.400 --> 0:43:26.000
<v Speaker 1>that comedy in there. So now just calls out for

0:43:26.520 --> 0:43:30.760
<v Speaker 1>Bechdel cast fans to photoshop alf Molina in the same positions.

0:43:31.440 --> 0:43:37.640
<v Speaker 1>Make Alfred Freddy and to sick try Sara Tops. A

0:43:37.719 --> 0:43:41.799
<v Speaker 1>real missed opportunity. But you know it's an all right, hey,

0:43:41.840 --> 0:43:45.080
<v Speaker 1>listen to this segue. It's about love, the love that

0:43:45.120 --> 0:43:48.000
<v Speaker 1>you have for Alfred Molina, and how I like that

0:43:48.040 --> 0:43:52.839
<v Speaker 1>there's no discernible love story in this movie. Yes, yeah,

0:43:52.840 --> 0:43:55.160
<v Speaker 1>that's another thing that would have been so And I

0:43:55.200 --> 0:43:57.880
<v Speaker 1>went into the movie just knowing who the cast was.

0:43:57.960 --> 0:43:59.759
<v Speaker 1>I was like, oh, well, someone gonna I mean, they

0:44:00.160 --> 0:44:03.560
<v Speaker 1>want to fuck her. It seems, well, yeah, they're horny

0:44:03.600 --> 0:44:08.080
<v Speaker 1>diosaur guys. Right. But here's something I've been confused about.

0:44:08.200 --> 0:44:12.200
<v Speaker 1>So Dr Grant tells Dr Malcolm that he and Ellie

0:44:12.200 --> 0:44:14.440
<v Speaker 1>are together, and I always assume that that was just

0:44:14.520 --> 0:44:17.160
<v Speaker 1>because Dr Grant has a crush, But then I was like,

0:44:17.480 --> 0:44:19.640
<v Speaker 1>are they together? They kind of like at one point

0:44:19.640 --> 0:44:22.640
<v Speaker 1>Ellie calls him honey and they like hug a lot,

0:44:22.800 --> 0:44:24.759
<v Speaker 1>and I'm like, maybe they are low key dating. But

0:44:24.760 --> 0:44:26.759
<v Speaker 1>the movie just makes not a big deal of it

0:44:26.800 --> 0:44:29.640
<v Speaker 1>at all because like Grants such a sour puss that

0:44:29.719 --> 0:44:32.719
<v Speaker 1>he's probably like he's not. He doesn't seem like a

0:44:32.760 --> 0:44:35.920
<v Speaker 1>PDA type. And there was definitely more. There was definitely more,

0:44:36.040 --> 0:44:38.480
<v Speaker 1>like because I have like all the trading cards and

0:44:38.480 --> 0:44:43.120
<v Speaker 1>stuff for dressing. Um, there's like cut shots and cut

0:44:43.280 --> 0:44:46.640
<v Speaker 1>moments where like they are more physical. But I think

0:44:46.840 --> 0:44:49.000
<v Speaker 1>but I think maybe there's even one where they high five,

0:44:49.200 --> 0:44:53.480
<v Speaker 1>which again adds more to their weird a sexual I mean,

0:44:53.520 --> 0:44:55.839
<v Speaker 1>it's more on sand Neale's part, not online they love

0:44:55.960 --> 0:45:00.040
<v Speaker 1>to high five my sex part. That's honestly how I

0:45:00.160 --> 0:45:05.160
<v Speaker 1>initiate sex right five? What's up? We're doing this now? Gil?

0:45:05.280 --> 0:45:08.719
<v Speaker 1>And I just had sex on the air. Big back

0:45:08.760 --> 0:45:13.840
<v Speaker 1>toil moment. It ends with Grant like wanting the kids

0:45:14.320 --> 0:45:18.560
<v Speaker 1>or being like hey, kids, and then he's like hugging him.

0:45:19.040 --> 0:45:22.560
<v Speaker 1>They're in his arms on the helicopter. After a couple

0:45:22.600 --> 0:45:24.880
<v Speaker 1>of days, like so the second someone ships their pants,

0:45:24.880 --> 0:45:27.920
<v Speaker 1>he's like, actually, I'm out there. I know that they

0:45:27.920 --> 0:45:29.640
<v Speaker 1>should they're too old to be shipping their pants. But

0:45:30.480 --> 0:45:33.480
<v Speaker 1>at some point up well, he was electrocuted, so he

0:45:33.520 --> 0:45:38.600
<v Speaker 1>probably right. He's having ball problems. The second side effect

0:45:38.680 --> 0:45:40.520
<v Speaker 1>is any one of those kids takes the ship, he's

0:45:40.600 --> 0:45:42.960
<v Speaker 1>going to be like, you know, I remember why I

0:45:43.000 --> 0:45:47.400
<v Speaker 1>hate kids, but yeah, if any I was gonna just

0:45:47.400 --> 0:45:50.200
<v Speaker 1>say if anything, because it's it's that thing where it's

0:45:50.239 --> 0:45:52.759
<v Speaker 1>like Grant is almost the main character in that sense

0:45:52.760 --> 0:45:54.320
<v Speaker 1>where he's the one who goes on this journey to

0:45:54.440 --> 0:45:56.799
<v Speaker 1>like oh I understand kids now or something, you know.

0:45:57.440 --> 0:45:59.880
<v Speaker 1>But it's like kind of nice that I think in

0:46:00.000 --> 0:46:02.759
<v Speaker 1>a story in specific that Dr Satler isn't like you

0:46:02.800 --> 0:46:04.359
<v Speaker 1>need to have kids or we need to get married

0:46:04.440 --> 0:46:06.480
<v Speaker 1>or anything. She's just like, yeah, kids are cool. I

0:46:06.480 --> 0:46:09.200
<v Speaker 1>guess maybe I don't know whatever. It's like almost like

0:46:09.960 --> 0:46:11.520
<v Speaker 1>I don't know. It's like they kind of nicely. Don't

0:46:11.520 --> 0:46:15.239
<v Speaker 1>like make that a big dramatic thing at all or anything. Right, Yeah,

0:46:15.239 --> 0:46:17.359
<v Speaker 1>there were a lot of points in the movie where

0:46:17.360 --> 0:46:19.200
<v Speaker 1>I'm like, oh, this could have been turned into a

0:46:19.239 --> 0:46:22.920
<v Speaker 1>weird romantic kind of I mean all throwaway moments, but

0:46:23.000 --> 0:46:24.640
<v Speaker 1>Blockbusters do it all the time, and it was kind

0:46:24.640 --> 0:46:26.360
<v Speaker 1>of like a pleasant surprise. I was like, oh, no,

0:46:26.440 --> 0:46:29.040
<v Speaker 1>they're just going to keep moving forward with the story. Right.

0:46:30.440 --> 0:46:34.200
<v Speaker 1>There's that famous scene in Jurassic World where Bryce Tellis

0:46:34.239 --> 0:46:38.240
<v Speaker 1>Howard is running away from the t Rex in high heels,

0:46:38.480 --> 0:46:42.000
<v Speaker 1>and it's famous because it's so absurd, especially because t

0:46:42.239 --> 0:46:45.279
<v Speaker 1>Rex runs at thirty two miles an hour and she

0:46:45.360 --> 0:46:49.319
<v Speaker 1>could not outrun him, especially in heels. So I just

0:46:49.360 --> 0:46:52.600
<v Speaker 1>want to say that I really like that Dr Sadler's

0:46:52.680 --> 0:46:56.360
<v Speaker 1>costume in this movie was very reasonable. No one felt

0:46:56.400 --> 0:46:59.280
<v Speaker 1>any need to put her in high heels for no reason.

0:47:00.200 --> 0:47:03.239
<v Speaker 1>And another thing with a lot of Blockbusters is that

0:47:03.440 --> 0:47:07.400
<v Speaker 1>the one adult woman is very hot, very sexual. We

0:47:07.440 --> 0:47:10.120
<v Speaker 1>already talked about Michael Krenton making all the scientists hot,

0:47:10.160 --> 0:47:15.600
<v Speaker 1>but she wasn't. She wasn't overly sexualized or even its

0:47:15.640 --> 0:47:18.920
<v Speaker 1>sexualized at all. Is as far as I interpreted it

0:47:19.120 --> 0:47:21.640
<v Speaker 1>like she's just wearing practical clothes that you would wear

0:47:22.200 --> 0:47:25.560
<v Speaker 1>on a dinosaur. I mean, I think her khakis are

0:47:25.600 --> 0:47:28.359
<v Speaker 1>the same length as Gennaro's, you know, like he's wearing

0:47:28.400 --> 0:47:32.360
<v Speaker 1>some short shorts. Yeah. I also noticed in cut offs,

0:47:32.480 --> 0:47:35.520
<v Speaker 1>very very sensible. Is he a never nude? I love

0:47:35.719 --> 0:47:39.080
<v Speaker 1>his death scene he just runs into the bathroom, and

0:47:39.120 --> 0:47:43.960
<v Speaker 1>then the t Rex is like, yeah, we're a fully

0:47:44.120 --> 0:47:48.360
<v Speaker 1>artist with dinosaurs. Are going to rip this audio and

0:47:48.440 --> 0:47:50.319
<v Speaker 1>use it in their movies and then we're gonna make

0:47:50.360 --> 0:47:53.920
<v Speaker 1>a lot of money. Please donate to our papal account.

0:47:54.280 --> 0:47:56.160
<v Speaker 1>We'll get into that in a second. Yeah, Hey, do

0:47:56.200 --> 0:48:00.879
<v Speaker 1>you want to hear me bark like a dog? Pretty good?

0:48:01.360 --> 0:48:03.880
<v Speaker 1>Really good, really good? Pay me before you use that clip.

0:48:07.200 --> 0:48:10.480
<v Speaker 1>Beaty Wong Henry Henry Wu, I think it's his name.

0:48:11.200 --> 0:48:15.719
<v Speaker 1>He says. All vertebrate embryos are inherently female anyway, They

0:48:15.760 --> 0:48:19.560
<v Speaker 1>require an extra hormone given at the right developmental stage

0:48:19.600 --> 0:48:24.400
<v Speaker 1>to make them male. Proving movie proves this fact that

0:48:24.440 --> 0:48:27.440
<v Speaker 1>no one else knew or studied or anything right in

0:48:27.520 --> 0:48:32.600
<v Speaker 1>Heads Unite that all embryos are female, which is why

0:48:33.239 --> 0:48:38.960
<v Speaker 1>male cats have as many nipples as female cats. This

0:48:39.040 --> 0:48:44.000
<v Speaker 1>has been cat facts with Caitlin. Okay, that is inherently

0:48:44.080 --> 0:48:47.080
<v Speaker 1>pointland that women aren't gonna inherit They're going to reinherit

0:48:47.120 --> 0:48:53.640
<v Speaker 1>the earth again in that way movies saying yes, Quen. Alright,

0:48:53.719 --> 0:48:55.719
<v Speaker 1>let's talk about if this movie passes the BACTO test

0:48:55.840 --> 0:49:00.000
<v Speaker 1>or not. Okay, I made a case for the Raptors,

0:49:00.080 --> 0:49:05.560
<v Speaker 1>No stupid and run. There's a scene that happens off

0:49:05.640 --> 0:49:08.920
<v Speaker 1>screen where women talk, but it does not pass the

0:49:08.960 --> 0:49:11.920
<v Speaker 1>BACTO test, where Lex goes up to Grant and she's like,

0:49:12.000 --> 0:49:14.040
<v Speaker 1>she thought I should ride with you because it would

0:49:14.080 --> 0:49:17.919
<v Speaker 1>be good for you. But they were talking about man,

0:49:18.160 --> 0:49:20.560
<v Speaker 1>so it does not pass. Here's the problem with this

0:49:20.560 --> 0:49:23.439
<v Speaker 1>movie is that the two female characters are not even

0:49:23.440 --> 0:49:26.760
<v Speaker 1>in the same room or seen for most of the movie.

0:49:27.440 --> 0:49:30.920
<v Speaker 1>But there is the scene in the control room at

0:49:30.960 --> 0:49:34.279
<v Speaker 1>the end whenever they run in and Lex says, we

0:49:34.320 --> 0:49:36.960
<v Speaker 1>can call for help and Satler says, we got to

0:49:37.000 --> 0:49:41.520
<v Speaker 1>reboot the system first. I think that's a pass that

0:49:41.760 --> 0:49:45.640
<v Speaker 1>I did make a note of that, and that might

0:49:45.840 --> 0:49:48.719
<v Speaker 1>be by the skin of its teeth, might be where

0:49:48.719 --> 0:49:53.600
<v Speaker 1>it passes for me, that's what. But it is a

0:49:53.920 --> 0:49:57.680
<v Speaker 1>barely barely pass and it's the only time where you

0:49:58.120 --> 0:50:01.279
<v Speaker 1>basically see those two and it's a classic. I mean,

0:50:01.320 --> 0:50:03.640
<v Speaker 1>it's the thing we've encountered, I would say, and at

0:50:03.719 --> 0:50:06.480
<v Speaker 1>least ten movies we've talked about now where it's like

0:50:07.200 --> 0:50:09.880
<v Speaker 1>the female it's the problem. Isn't the female characters that

0:50:09.920 --> 0:50:12.560
<v Speaker 1>are written. It's just the fact that there are no

0:50:12.800 --> 0:50:18.799
<v Speaker 1>female characters for them to interact with at length. Ever. Yeah, yeah,

0:50:18.840 --> 0:50:20.600
<v Speaker 1>that was my question. It was like, it just seems

0:50:20.640 --> 0:50:23.320
<v Speaker 1>like it feels like every time it's like they can't

0:50:23.360 --> 0:50:26.040
<v Speaker 1>have two women together because that's oh, we've already hit

0:50:26.040 --> 0:50:28.040
<v Speaker 1>our maximum or something like. It just seems like these

0:50:28.080 --> 0:50:31.200
<v Speaker 1>movies are so afraid, are so afraid to like just

0:50:31.239 --> 0:50:33.759
<v Speaker 1>put to that somehow. Yeah, Like, and I think that

0:50:34.480 --> 0:50:37.160
<v Speaker 1>this era like is still a time where it's like, well,

0:50:37.200 --> 0:50:39.520
<v Speaker 1>why would we put two women together in one seed?

0:50:39.640 --> 0:50:44.120
<v Speaker 1>What purpose we filled our quota with two women characters total?

0:50:44.400 --> 0:50:47.440
<v Speaker 1>We don't need more, right, right, and we're not forcing

0:50:47.480 --> 0:50:49.120
<v Speaker 1>them to hook up all the time, which is like,

0:50:49.280 --> 0:50:52.520
<v Speaker 1>you know good, but like you know so this I

0:50:52.760 --> 0:50:54.640
<v Speaker 1>would say that that was a scene where it passed

0:50:54.680 --> 0:50:58.160
<v Speaker 1>for me, but I was still like, ah, man, you're

0:50:58.200 --> 0:51:02.160
<v Speaker 1>doing so well. But it's another Princess Leia kind of

0:51:02.200 --> 0:51:04.960
<v Speaker 1>thing where it's like, well, one female character is great,

0:51:05.400 --> 0:51:08.560
<v Speaker 1>and then we have, you know, a few women on

0:51:08.600 --> 0:51:11.319
<v Speaker 1>the fringe, but other than that, you know, just like

0:51:11.400 --> 0:51:14.440
<v Speaker 1>one really well written female character and only meant for

0:51:14.440 --> 0:51:16.759
<v Speaker 1>her to talk to. That's why I like about your

0:51:16.760 --> 0:51:19.440
<v Speaker 1>podcast so much, because it's like it's almost that idea

0:51:19.480 --> 0:51:21.959
<v Speaker 1>of like, well, because I love the Transformers episode where

0:51:22.000 --> 0:51:24.640
<v Speaker 1>you're like, well, this, it doesn't feel right to pass

0:51:24.680 --> 0:51:28.319
<v Speaker 1>it because even though it gets in like logically, but

0:51:28.480 --> 0:51:31.600
<v Speaker 1>in the spirit of like what the test is, it's like,

0:51:31.719 --> 0:51:35.040
<v Speaker 1>does it really actually like in that sense of like

0:51:35.080 --> 0:51:36.960
<v Speaker 1>this movie where like it has a lot of these

0:51:37.000 --> 0:51:39.200
<v Speaker 1>like mic drop like kind of empowering moments. And I

0:51:39.200 --> 0:51:42.640
<v Speaker 1>remember Steven Spielberg in behind the Scenes stuff saying that

0:51:42.680 --> 0:51:45.799
<v Speaker 1>he made Lex the older one, made the woman you know,

0:51:45.840 --> 0:51:48.120
<v Speaker 1>made Lex interested in computers, and made her the hacker

0:51:48.160 --> 0:51:50.960
<v Speaker 1>because he was like, these are aspirational elements that he

0:51:51.040 --> 0:51:53.480
<v Speaker 1>was adding, like in his words, that's that's what he

0:51:53.560 --> 0:51:55.319
<v Speaker 1>was saying. That he made those choices to do that

0:51:55.360 --> 0:51:57.440
<v Speaker 1>because he wanted to inspire little girls to get into

0:51:57.560 --> 0:52:01.120
<v Speaker 1>technology and stuff. But it's like, but at the same time, like, oh,

0:52:01.160 --> 0:52:03.800
<v Speaker 1>but it actually doesn't feature two women having a conversation

0:52:03.840 --> 0:52:06.560
<v Speaker 1>with each other. But that's not about men. So it's like,

0:52:06.960 --> 0:52:09.000
<v Speaker 1>it's just like I like that. You guys talk about

0:52:09.000 --> 0:52:13.279
<v Speaker 1>that a lot because it's like you're welcome. Okay, I

0:52:13.320 --> 0:52:19.000
<v Speaker 1>mean thank you, you're welcome. Now we both did it. Hey,

0:52:19.080 --> 0:52:24.839
<v Speaker 1>let's write the movie on her nipple scale. I'm going

0:52:24.880 --> 0:52:28.239
<v Speaker 1>to give it three and a half nipples. I think

0:52:28.560 --> 0:52:31.080
<v Speaker 1>it might be a little high. No, I feel good

0:52:31.080 --> 0:52:35.160
<v Speaker 1>about three and a half because Dr Sadler is a

0:52:35.239 --> 0:52:38.799
<v Speaker 1>great character. She does a whole bunch of ship. She

0:52:38.840 --> 0:52:41.680
<v Speaker 1>makes a lot of decisions that influenced the story. She

0:52:41.960 --> 0:52:46.200
<v Speaker 1>is very proactive. She unfortunately doesn't have the same number

0:52:46.200 --> 0:52:51.280
<v Speaker 1>of like memorable lines or like great monologues like Malcolm has.

0:52:51.680 --> 0:52:53.879
<v Speaker 1>I do like that she says the whole like men

0:52:54.600 --> 0:52:58.399
<v Speaker 1>get eaten and women inherit the earth. That's the line, right,

0:52:58.920 --> 0:53:02.319
<v Speaker 1>So I like her, And I also liked that lex is,

0:53:02.880 --> 0:53:05.600
<v Speaker 1>like you said, like she was. Decisions were made to

0:53:05.680 --> 0:53:09.920
<v Speaker 1>make her active. She does things. She fucking boots up

0:53:09.920 --> 0:53:13.439
<v Speaker 1>the door locks. Good for her. But because there are

0:53:13.480 --> 0:53:17.040
<v Speaker 1>so few women when there could be many more. Again,

0:53:17.080 --> 0:53:19.880
<v Speaker 1>we identified several characters that like why not make this

0:53:19.920 --> 0:53:23.480
<v Speaker 1>a woman. It's just a sea of men with like

0:53:23.920 --> 0:53:27.600
<v Speaker 1>tiny little sprinkles of a strong women and it um

0:53:27.680 --> 0:53:30.360
<v Speaker 1>So that's why it gets a three and a half

0:53:30.400 --> 0:53:35.680
<v Speaker 1>from me. And the nipples belonged to you know what,

0:53:35.719 --> 0:53:39.239
<v Speaker 1>I'm pretty sure that Trisaara tops even though reptiles do

0:53:39.280 --> 0:53:41.759
<v Speaker 1>not have nipples. That looked like an animal that would

0:53:41.800 --> 0:53:47.239
<v Speaker 1>have nipples. So okay, just more revealing about you than

0:53:47.360 --> 0:53:51.279
<v Speaker 1>anything else. You're just like, that looks like there's some

0:53:51.640 --> 0:53:55.680
<v Speaker 1>milk in there. I didn't it though, I don't know,

0:53:56.239 --> 0:53:58.560
<v Speaker 1>I get I mean, I would like to believe that

0:53:58.680 --> 0:54:03.319
<v Speaker 1>there's I just had a disgusting thought because it's both

0:54:03.440 --> 0:54:06.480
<v Speaker 1>very cheesy and hearkens back to an episode that by

0:54:06.520 --> 0:54:08.319
<v Speaker 1>the time this comes out, well have been a long

0:54:08.360 --> 0:54:12.040
<v Speaker 1>time ago. Spider Man two reference got Molina on the Rain,

0:54:12.520 --> 0:54:16.600
<v Speaker 1>You know that line where where Aunt what's her name?

0:54:16.640 --> 0:54:19.239
<v Speaker 1>Is like, I believe there's a hero at all of

0:54:19.320 --> 0:54:23.200
<v Speaker 1>us When she said that zete milk, I believe there's

0:54:23.280 --> 0:54:27.439
<v Speaker 1>some milk at all of us. That was the five

0:54:27.520 --> 0:54:33.160
<v Speaker 1>year you were Aunt May with it. Anyways, I finished

0:54:33.200 --> 0:54:36.279
<v Speaker 1>my mics aren't lemonade, and I'm really thinking at a

0:54:36.360 --> 0:54:42.360
<v Speaker 1>higher level Stephen, what would you like to write the movie?

0:54:43.280 --> 0:54:48.160
<v Speaker 1>I would give it three sweaty lawyer nipples out of

0:54:48.200 --> 0:54:53.160
<v Speaker 1>five again for the reasons that this movie has. I mean,

0:54:53.200 --> 0:54:57.280
<v Speaker 1>I think like comedian Rio Butcher, she summed up Drassic

0:54:57.280 --> 0:54:58.920
<v Speaker 1>World in a really great way, which is like a

0:54:59.040 --> 0:55:01.439
<v Speaker 1>nineties version of a feminist movie where it's like, let's

0:55:01.440 --> 0:55:04.719
<v Speaker 1>give the mean female character ship and then like that's

0:55:04.760 --> 0:55:07.200
<v Speaker 1>how you learn that she's empowered or whatever. And I

0:55:07.239 --> 0:55:09.480
<v Speaker 1>feel like even this movie still suffers from a lot

0:55:09.520 --> 0:55:12.919
<v Speaker 1>of that same thing. Um, but it is like there

0:55:13.000 --> 0:55:15.960
<v Speaker 1>is those baddest moments, and I think again, like the

0:55:16.040 --> 0:55:19.200
<v Speaker 1>through line is that at least Dr Sadler's character, she

0:55:19.360 --> 0:55:22.879
<v Speaker 1>like stays true to herself and she doesn't like she's

0:55:22.920 --> 0:55:25.480
<v Speaker 1>kind of on her own path that it's kind of

0:55:25.480 --> 0:55:28.400
<v Speaker 1>like mysterious. She's kind of like she kind of holds

0:55:28.400 --> 0:55:30.040
<v Speaker 1>the rest of the movie at arms length, which I

0:55:30.080 --> 0:55:32.000
<v Speaker 1>kind of like she's kind of like amused by like

0:55:32.080 --> 0:55:34.960
<v Speaker 1>what's going on and concerned, but she's never like and

0:55:35.040 --> 0:55:36.360
<v Speaker 1>she's in the moment, and I kind of like that

0:55:36.400 --> 0:55:38.920
<v Speaker 1>about her characters. My favorite seen is when she's crying

0:55:39.000 --> 0:55:42.839
<v Speaker 1>and then she's like I need ice cream. She eats

0:55:42.840 --> 0:55:45.600
<v Speaker 1>some ice cream because women be crying, women be eating

0:55:45.640 --> 0:55:50.319
<v Speaker 1>ice cream. But like, honestly, sometimes they are. I've done it,

0:55:50.400 --> 0:55:54.839
<v Speaker 1>for instance, me yesterday. Let me really, let me take

0:55:54.960 --> 0:56:00.000
<v Speaker 1>you back a full twelve to sixteen hours anyways, see,

0:56:00.000 --> 0:56:03.319
<v Speaker 1>and I'm sure you've cried and eating ice cream. Of course,

0:56:03.680 --> 0:56:06.560
<v Speaker 1>it's not a gender thing. It's a human thing. Man

0:56:06.600 --> 0:56:08.680
<v Speaker 1>crying ice cream just the other day. Not to brag,

0:56:10.560 --> 0:56:13.480
<v Speaker 1>but I saw it. Yeah, I mean I've probably cried

0:56:13.520 --> 0:56:16.799
<v Speaker 1>while eating ice cream while watching this movie. Wow, this

0:56:16.840 --> 0:56:18.279
<v Speaker 1>is a movie. I do cried you, by the way.

0:56:18.360 --> 0:56:20.719
<v Speaker 1>It's more of a human response exactly. It's not a

0:56:20.920 --> 0:56:23.399
<v Speaker 1>gendered response. Everyone wants to cry an eat ice cream.

0:56:23.680 --> 0:56:26.960
<v Speaker 1>These are things that all people want except for lactose

0:56:26.960 --> 0:56:30.960
<v Speaker 1>and tolerant their mutants. You're fucking freaks. This is my

0:56:31.040 --> 0:56:35.359
<v Speaker 1>new friend tier of people. I'm pre steampunks. You're okay, now,

0:56:35.719 --> 0:56:39.400
<v Speaker 1>lactose intolerant people. What if I t're on my radar,

0:56:39.480 --> 0:56:41.279
<v Speaker 1>I'm coming for you. What if I told you I

0:56:41.320 --> 0:56:44.480
<v Speaker 1>was lactose intolerant, which I am. I knew that. Now

0:56:44.520 --> 0:56:48.080
<v Speaker 1>I feel bad first because I didn't remember. In second,

0:56:48.120 --> 0:56:50.239
<v Speaker 1>because I just declared war on you, and I can't

0:56:50.239 --> 0:56:52.640
<v Speaker 1>take it back. I'll fight back. I'm a strong, independent woman.

0:56:52.719 --> 0:56:55.719
<v Speaker 1>You're very strong, but you're calcium deficient because you're not

0:56:55.800 --> 0:56:59.719
<v Speaker 1>drinking as much milk ast me. I'm getting We don't

0:56:59.719 --> 0:57:03.839
<v Speaker 1>even we started. People should not be consuming dairy or

0:57:03.880 --> 0:57:10.800
<v Speaker 1>any mammals after infancies. Some real lactose intolerant propaganda. I

0:57:11.320 --> 0:57:15.480
<v Speaker 1>breastfit from my mom just this morning, and I feel great. Hey,

0:57:15.560 --> 0:57:18.200
<v Speaker 1>what would you like to write the movie? Oh? Yeah,

0:57:18.320 --> 0:57:22.520
<v Speaker 1>I'm gonna give it three nippies. I'll give two of

0:57:22.600 --> 0:57:25.360
<v Speaker 1>the nippies. Well, I'll give one nippie a little Tim,

0:57:25.480 --> 0:57:30.280
<v Speaker 1>because I can relate with being afraid and the youngest

0:57:30.960 --> 0:57:34.760
<v Speaker 1>and being completely useless. So you gotta give one to

0:57:34.880 --> 0:57:37.120
<v Speaker 1>Tim given, and then I'm going to give the other

0:57:37.160 --> 0:57:43.560
<v Speaker 1>two to the sick dinosaur um because because it has nipples,

0:57:43.800 --> 0:57:48.280
<v Speaker 1>it has it has nipples, and it's I just love

0:57:48.480 --> 0:57:51.320
<v Speaker 1>that a sick dinosaur. You never think of a dinosaur

0:57:51.400 --> 0:57:54.120
<v Speaker 1>is sick. So in that way, if I can change

0:57:54.160 --> 0:57:58.520
<v Speaker 1>the way I think about dinosaurs, and specifically female dinosaurs,

0:57:58.600 --> 0:58:02.400
<v Speaker 1>what great. Never thought of female dinosaurs as sick before

0:58:03.600 --> 0:58:06.720
<v Speaker 1>I saw this movie, and then I realized I was

0:58:06.760 --> 0:58:10.520
<v Speaker 1>so fucking wrong. That's okay, three but ed but for

0:58:10.520 --> 0:58:14.840
<v Speaker 1>for for serious talk because like many movies we've discussed,

0:58:15.080 --> 0:58:19.120
<v Speaker 1>the central female character is wonderful, but she's not given

0:58:19.440 --> 0:58:23.880
<v Speaker 1>really any or barely anyone to talk to, and I

0:58:24.080 --> 0:58:26.920
<v Speaker 1>sort of am inclined to discard, like, well, all the

0:58:26.920 --> 0:58:32.080
<v Speaker 1>dinosaurs are female, right, but they're dinosaurs, so not to

0:58:32.760 --> 0:58:38.640
<v Speaker 1>trigger any dinosaur listeners we have out there, but you're dinosaurs,

0:58:39.280 --> 0:58:40.680
<v Speaker 1>So in that way, I'm going to give it a

0:58:40.760 --> 0:58:44.680
<v Speaker 1>three perfect Stephen, thank you so much they're being here. No,

0:58:44.800 --> 0:58:47.120
<v Speaker 1>I'm really, I'm really I'm really happy you guys asked me.

0:58:47.160 --> 0:58:49.960
<v Speaker 1>I really love this podcast lot, so I'm happy to

0:58:50.520 --> 0:58:53.960
<v Speaker 1>have been on it. Awesome. Where can people find you online?

0:58:54.200 --> 0:58:56.320
<v Speaker 1>Do you always find me at Steven Ray Morris on

0:58:56.320 --> 0:58:59.880
<v Speaker 1>Twitter and Instagram? And then my Drastic Park podcast is

0:59:00.120 --> 0:59:02.720
<v Speaker 1>at Sea Jurassic right on Things and like, yeah, it's

0:59:02.720 --> 0:59:05.720
<v Speaker 1>just people sharing stories of their childhood that only relates

0:59:05.720 --> 0:59:08.760
<v Speaker 1>to Durassic parking dinosaurs, because that's the niche that I'm

0:59:08.800 --> 0:59:13.680
<v Speaker 1>trying to fill. You work very important. You can follow

0:59:13.760 --> 0:59:19.439
<v Speaker 1>us at Bacto Cast on Twitter, on deep, Instagram, on Facebook. Hey,

0:59:19.480 --> 0:59:22.080
<v Speaker 1>come and see us live in New York in September

0:59:23.040 --> 0:59:26.479
<v Speaker 1>for the cinder Block Comedy Festival date with the place

0:59:26.560 --> 0:59:30.160
<v Speaker 1>September nine. Will post about it. Hell fucking yeah, I

0:59:30.240 --> 0:59:32.360
<v Speaker 1>see you there, see you there. Also, if you wanna

0:59:32.960 --> 0:59:36.800
<v Speaker 1>give us money to alleviate the financial burden that is

0:59:37.080 --> 0:59:42.240
<v Speaker 1>being alive but mostly doing a podcast. To be fair listeners,

0:59:42.280 --> 0:59:47.400
<v Speaker 1>none of us asked to be born, But if you

0:59:47.400 --> 0:59:49.320
<v Speaker 1>want to help us with some of our production costs

0:59:49.360 --> 0:59:52.680
<v Speaker 1>for the podcast, you can donate a few dollars on PayPal,

0:59:52.920 --> 0:59:56.000
<v Speaker 1>which is an evil corporation, but what else is there?

0:59:56.080 --> 0:59:58.440
<v Speaker 1>Rite as a check. For more information, watch the Whole

0:59:58.520 --> 1:00:02.680
<v Speaker 1>Cogan Journalistic Ethics to documentary twice, but you can go

1:00:02.760 --> 1:00:06.720
<v Speaker 1>to PayPal, dot me, slash backtol cast. We'd appreciate any

1:00:06.760 --> 1:00:10.160
<v Speaker 1>donation you would care to give that'll do it. Women

1:00:10.240 --> 1:00:12.280
<v Speaker 1>inherit their spitch