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Speaker 1: The I Am Rappaport Stereo Podcast World Tour is real

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Speaker 1: Thursday July in Toronto, Saturday August four in New York City,

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Speaker 1: Saturday August eighteen in Houston, Texas, Wednesday August twenty two,

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Speaker 1: and fucking Philadelphia, Pennsylvania at Union Transfer. I cannot wait

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Speaker 1: to play Philly and Saturday the August in Boston, Massachusetts.

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Speaker 1: We're coming out there, Brady August. I am Rappaport Tour.

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Speaker 1: You can get tickets www dot I am Rappaport Tour

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Speaker 1: dot com. Come see me, G Moody, and you know

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Speaker 1: we're always gonna have special guests all summer long. I

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Speaker 1: Am Rappaport Tour dot com. All right, what's up? It's

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Speaker 1: a brand new Iron Rapp Reports Stereo podcast. On today's episode,

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Speaker 1: we are reviewing the entirety of all the Kanye West

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Speaker 1: records dropped in the month of June. I have beef

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Speaker 1: with the transgender community, and we have some sick Fox

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Speaker 1: of the week. All that and more with me and

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Speaker 1: G Moody on a brand new smash Mouth Freestyle Friday,

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Speaker 1: I Am Rappaport Stereo Podcast. Miles Jordan's let's start this

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Speaker 1: off with something real nice, something real, proper, something funny.

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Speaker 1: Are you here to funk? Those are moody beats, banger beats, unmistakable,

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Speaker 1: the unmistakable sounds of Gimo Nettie. My name is Michael

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Speaker 1: Rappaport a k a. The International Hero, a k The

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Speaker 1: Jake LaMotta of podcasting a k a. The Gringo man

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Speaker 1: ding h Hey to give it to you rough, fifteen rounds,

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Speaker 1: fifteen rounds, baby, take your take into the deep waters

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Speaker 1: of the round. When everybody's cut, everybody's bleeding. You should uh,

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Speaker 1: you should be called the Robert Hayes of podcasting, the

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Speaker 1: guy from an airplane and actor taking to the deep

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Speaker 1: waters of the podcast world on today's Iron Wrappers stereo

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Speaker 1: podcast with the co host he call him the black

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Speaker 1: Head McMahon. Yeah, Aaron Pryor of podcast Yes, give him

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Speaker 1: the bottle, give him the sippy bottle. Yeah, give me that. Remember,

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Speaker 1: give him give him the mix. Remember when Aaron Pryor

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Speaker 1: was having that fight and his his corner said, give

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Speaker 1: him the mix, the mix, and he came out like

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Speaker 1: the Tasmanian devil and they started doing backflips to ship. Yo.

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Speaker 1: How did they not stop that fight? Everything was good yo.

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Speaker 1: They had the bottle in the corner. He said, give

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Speaker 1: me the mix. They gave him a regular bottle of wall.

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Speaker 1: He said, no, no, the mix. The trainer, I can't

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Speaker 1: remember his name. They gave him a steroid potion and

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Speaker 1: he got punched and did a backflip. Yeah, yeah, looking

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Speaker 1: up Aaron Aaron Pryor does a backflip. If you don't

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Speaker 1: know who that is as a fighter from the eighties, tough,

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Speaker 1: tough fighter. I believe it was from at St. Louis. Yeah,

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Speaker 1: that lou Um. How was your fourth Mr Moody, Oh man,

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Speaker 1: it was great man. Um. I spent it with uh

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Speaker 1: the great, the extremely funny Mike Epps. Yeah it was.

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Speaker 1: It was great man. He was uh the best host.

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Speaker 1: We had so much food, good soul, ful, good times.

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Speaker 1: And I want to shout my man Cliff Love for

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Speaker 1: bringing me, bringing me out there. And nobody got their

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Speaker 1: fucking fingers blown off. No, man, it was adults. We

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Speaker 1: were drinking, We was eating good soul. Fool was laughing,

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Speaker 1: playing cars, all kind of ship, smoking some of that

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Speaker 1: good legal stuff. It was good man, so to nobody.

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Speaker 1: Nobody did the Jason Pierre Paul, ohhdh these are rational

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Speaker 1: human beings. You don't hold an M eight and lighted. Sorry.

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Speaker 1: Shout out to Jason Pierre Paul, former New York Giant

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Speaker 1: UM and Tampa Bay buccaneer because we make jokes about

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Speaker 1: him and he he kept it rough, rugged and raw

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Speaker 1: on the fourth of July and he posted it's been

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Speaker 1: three years now or is it two years now? Gotta

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Speaker 1: be two two years? Two years since the injury UM

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Speaker 1: Jason Pierre Paul if you don't remember as the former

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Speaker 1: um uh New York Giant star UM and now he

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Speaker 1: just got traded to the Tampa Bay Buccaneers while he

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Speaker 1: was with the New York Giants fourth of July. I

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Speaker 1: believe it was two years ago, as you know or

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Speaker 1: don't know. We don't fact check. At the Iron Wrap

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Speaker 1: Horse Tereo Pockets why stopped the show and oh is

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Speaker 1: it two years three? Well, it's two or three years ago.

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Speaker 1: But he he was into fireworks and he and he blew,

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Speaker 1: you know, his his thumb off and and really just

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Speaker 1: destroyed his right hand. We've made jokes about it, We've

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Speaker 1: had compassion about it. UM. Obviously he was a serious injury.

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Speaker 1: He came back and he's still Jason Pierre pol Um.

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Speaker 1: He's still up playing at a high level in the NFL,

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Speaker 1: and and we've said he should be the poster boy

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Speaker 1: for firework safety. Uh on the fourth of July and

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Speaker 1: lo and behold, he did about as best as he

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Speaker 1: could do this a couple of days ago from fourth

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Speaker 1: of July. You can look up his page. He posted

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Speaker 1: the pictures I mean, very very graphic, very very very uh,

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Speaker 1: his own pictures that he took of his own hand

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Speaker 1: soon after the injury. And needless to say, they're fucking gross. Yeah,

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Speaker 1: I saw that. Why would he put that up there?

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Speaker 1: You know why because people like us talking ship to

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Speaker 1: people like I saying he should be the poster boy.

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Speaker 1: So he showed the poster. Oh yeah, I understand, Yeah,

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Speaker 1: I see, I see the intent. I mean he he

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Speaker 1: was doing it like he said, this is what happened

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Speaker 1: to me. Be careful, be safe. I'm lucky that I

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Speaker 1: still have a hand. And uh, you know, I mean

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Speaker 1: you want the hard truth, that's the hard truth of

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Speaker 1: of of funking around with these fireworks. I'm sure Um,

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Speaker 1: as the days go on, they'll they'll there'll be some

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Speaker 1: talks about some injuries, kids hurting themselves, and all that stuff.

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Speaker 1: And it ain't no joke. Those fireworks are they're explosives.

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Speaker 1: I was thinking about this, you know, that terrible incident

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Speaker 1: that happened in the bronx of that that that kid

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Speaker 1: that was killed, Uh, that junr Um, the fifteen year

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Speaker 1: old kill who was killed um and and uh dragged

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Speaker 1: out of the bodega and and you know, knife and

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Speaker 1: the whole thing was caught on surveillance video and it

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Speaker 1: was a lot of protests and a lot of uproar

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Speaker 1: and a lot of crying about it. And as there

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Speaker 1: should be a terrible um injury to this kid. Um.

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Speaker 1: And then the criminals who uh did it, the gang

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Speaker 1: members who admitted they killed the wrong person. You dumb

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Speaker 1: fuck you. Yeah, you you dumb fuck you. You killed

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Speaker 1: the wrong person. And and and and they sent a

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Speaker 1: message on Facebook yo, apologizing, oh ship yo, we we

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Speaker 1: we we made a mistake. Yo. I don't have words

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Speaker 1: for for that man at the level of a barbarian behavior.

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Speaker 1: It's just crazy, man, it's just terrible. Well, I was

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Speaker 1: thinking about this because because everybody wants no mercy for

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Speaker 1: these killers, right, And we were making jokes the other

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Speaker 1: day about the kid who the rapper I can't pronounce

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Speaker 1: his name correctly X the young rapper who was murdered

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Speaker 1: in Florida, and and apparently the guy who did killed

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Speaker 1: him has already been sexually violated in prison. And obviously

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Speaker 1: the murderers of this kid fifty, this fifteen year old

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Speaker 1: kid junior. Everybody wants these guys too. They want justice, right,

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Speaker 1: you want you basically want these these gang members to

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Speaker 1: get the ship beating out of them, hopefully get fucked

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Speaker 1: in the ass with a wonderbread bag or not wonder

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Speaker 1: bread bag when when they're in prison, and these kids

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Speaker 1: will be going to Rikers Island, right, so you want that, right.

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Speaker 1: Every everybody could say these guys deserve no, no compassion

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Speaker 1: and no sympathy, right yeah, I would say a firing squad. Okay,

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Speaker 1: well they're going to Rikers Island. So on Riker's Island,

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Speaker 1: nobody's smiling. So when these guys get fucked in their

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Speaker 1: ass and beaten up and justice is served to them

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Speaker 1: on Rikers Island, will anybody complain? No, because it's a

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Speaker 1: fucking zoo. But but people are still complaining about other

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Speaker 1: things that are going on in Rikers Island and and listen,

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Speaker 1: you can't have it both ways. Either you get the

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Speaker 1: wonderbread Bag treatment or you don't get the Wonder bread

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Speaker 1: bag treatment. What are they complaining about, Well, I mean, obviously,

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Speaker 1: you know, like the Calif Brower story which was which

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Speaker 1: was a publicized this is a kid who was who

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Speaker 1: was accused. They're not even sure if he did stealing

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Speaker 1: somebody's backpag backpack. He went up to Ryker's Island, Uh,

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Speaker 1: you know, was fighting getting jump blah blah blah blah

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Speaker 1: blah by these same type of people. I'm just saying,

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Speaker 1: it's like, it's jail and what happened to Clif Browner

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Speaker 1: and I watched that documentary, is is brutal. It's heartbreaking. Yeah,

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Speaker 1: of course it's heartbreaking. But I don't know. I'm just saying,

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Speaker 1: it's like, you know, you want these guys to have justice,

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Speaker 1: so you want them to get the ship beating out

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Speaker 1: of them. You want them to get the wonder bread

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Speaker 1: bag and olive oil treatment. I don't know, I don't know.

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Speaker 1: I'm not making light of of of things that happened

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Speaker 1: to innocent people and that the go to jail and

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Speaker 1: that all that stuff. I just was thinking about it

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Speaker 1: because I was reading New York Magazine, which I should

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Speaker 1: never read. I stopped reading it for a period of

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Speaker 1: time because it really truly is the hipster white guilt manifesto. Yeah,

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Speaker 1: I shouldn't read you because it always frustrates you because

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Speaker 1: it's just some one side of bullshit. Anyway, I just

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Speaker 1: was thinking about that. It's I didn't really have a

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Speaker 1: big strong point. Yeah, I mean, it's jail. It's it's

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Speaker 1: not um that's what they call it is jail. You

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Speaker 1: don't have a good time. You're not supposed to have

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Speaker 1: ah uh, you know, it's not supposed to be a

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Speaker 1: great place. It's jail. Yeah, and hopefully hopefully you know,

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Speaker 1: the problem is that hopefully the people that are in

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Speaker 1: jail deserve to be in jail. And if you deserve

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Speaker 1: to be in jail, like these people who have already

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Speaker 1: admitted to killing this kid on accident, you fucking they

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Speaker 1: get wonder bread bag treatment, it should be sanctioned. It

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Speaker 1: should actually be part of of of like you know,

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Speaker 1: when you go in there, you get fingerprinted, you you

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Speaker 1: you know, like they do all the DNA tests that

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Speaker 1: they take your DNA, and it should be part of

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Speaker 1: that welcome process to the prison. It shouldn't even be

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Speaker 1: like some sort of like some underground thing. You should

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Speaker 1: get banged in the ass upon before you even go

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Speaker 1: to yourself. You should go to yourself with the wonder

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Speaker 1: bread bag actually hanging out of your ass. Let's move on,

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Speaker 1: Let's move on. So I was with my man Toby Morris,

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Speaker 1: were in the month of July, and uh me and

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Speaker 1: him always talking complain about hip hop. Um, we celebrated.

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Speaker 1: You know, I always go with him the running cannon.

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Speaker 1: I've been up there doing my little burpies and my

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Speaker 1: little running and all that stuff and just getting the

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Speaker 1: fresh air my dog Wheezy, And we were thinking about

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Speaker 1: all the Kanye West member remember um in in May,

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Speaker 1: just just the month of May, a month and a

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Speaker 1: half ago, how Kanye West. The world stopped on its

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Speaker 1: axis because Kanye West announced he was putting out records.

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Speaker 1: Then he started talking to as Donald Trump ship, then

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Speaker 1: the famous TMZ think and then you put the records out, Duke.

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Speaker 1: Then you put the records out. There's no more talking.

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Speaker 1: We haven't heard from this fucking guy. He did his

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Speaker 1: little listening parties in Wyoming. He did his little with

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Speaker 1: listening parties in Queen's Bridge and all that ship, and

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Speaker 1: and and and I wanted to give my full take

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Speaker 1: now that the dust has settled on the Kanye West

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Speaker 1: four records that he put out. May I gerald go ahead,

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Speaker 1: go go for it. I'm listening. Okay, So Kanye West

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Speaker 1: record came and went. He put out a brick, He

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Speaker 1: put out a bunch of bullshit. His records trash. Everybody's like,

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Speaker 1: that's an instant classic. Oh my god, Kanye's back. He

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Speaker 1: might be a dick, but wow, listen to the sonics

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Speaker 1: in his record. He's doing things that have never been

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Speaker 1: done before. No one's listening to that record. It's not

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Speaker 1: being played on the radio. It's not being played on

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Speaker 1: the street corners. It's hip hop. No one's playing it

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Speaker 1: at the park. They're not playing it in between Uh

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Speaker 1: plays up at Dykeman. They're not playing it in West

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Speaker 1: four Street. They're not playing it in the hoods of Chicago, St.

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Speaker 1: Louis or Los Angeles. No one's fucking with that record. Yeah,

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Speaker 1: I haven't heard it. I haven't heard it much. You

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Speaker 1: haven't heard it. Uh, but what happened it's not dope?

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Speaker 1: Is what's that? What happened? Oh? Man? Drake. Drake got

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Speaker 1: the number one spot. Now I'm gonna get to him.

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Speaker 1: I'm gonna get to him before Kanye record was the

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Speaker 1: Daytona record by Push the T, which I've said, I

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Speaker 1: like that ship. He's worked with Kanye West before, he

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Speaker 1: knows how to deal with him, and he got seven

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Speaker 1: songs in a cohesive record. The samples are dope. It's

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Speaker 1: his world. It's that dark underworld drug dealing, the ramifications

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Speaker 1: of being a drug dealer glorified, it's it's it's what

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Speaker 1: push ther T does. He spits that ship, he plays

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Speaker 1: with words. Everybody likes that record. The production is good

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Speaker 1: by Kanye West. That was actually the first record that

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Speaker 1: came out. Then the whole fucking thing happened with Push

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Speaker 1: a T and Drake, and we know what happened. Push

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Speaker 1: a T won that battle. He came out of that

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Speaker 1: battle with all his dignity intact, right, which is which

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Speaker 1: is if if you if you're in a hip hop battle,

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Speaker 1: that's that's inevitably. But what you want, you want all

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Speaker 1: your hip hop dignity intact. You don't want to get dragged,

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Speaker 1: you don't want to get um out wrapped. You don't

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Speaker 1: want people starts, you know, pulling out your personals and

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Speaker 1: all that ship you want, at least at the very

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Speaker 1: like you you win a battle or you lose. The

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Speaker 1: battle is bye bye at this point because it's really

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Speaker 1: not about skills. It's like how much personal information did

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Speaker 1: or didn't get spoken about in this in this song

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Speaker 1: the person who who got shifted on his drake. It

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Speaker 1: didn't stop the people from loving the Drake record, which

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Speaker 1: we talked about on the Last Night and Rapp for

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Speaker 1: Stereo podcast. But the point that I'm making is that

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Speaker 1: Kanye West played him self talking all that Trump shit.

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Speaker 1: He played himself with as TMZ ship, and he played

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Speaker 1: himself by dropping a whack ass record. He then came

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Speaker 1: out with the Kanye West Kid Cutty record. I've never

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Speaker 1: been a fan of kin Cutty Kid. I know some

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Speaker 1: people think he's the greatest thing since fucking Slice Bread.

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Speaker 1: I think he's fine. I don't think he's that dope.

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Speaker 1: The Kid Cutty Kanye West record is another brick. Nobody's

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Speaker 1: playing it. Wow, nobody's rocking it. It sounds like two

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Speaker 1: fucking guys crying for help, begging for some attention. Nobody's

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Speaker 1: rocking the record. Blah, blah blah blah blah, and then

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Speaker 1: of course the Nas Escobar record which came and went

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Speaker 1: even fifty cent said I didn't hear any of those

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Speaker 1: songs on the radio. And then to make matters worse,

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Speaker 1: jay Z and Beyonce released the record the day after

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Speaker 1: and took all the sunshine away from Nasty Naz again,

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Speaker 1: your hip hop dignity is either intact or not intact.

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Speaker 1: And based on the response of the NAS record, his

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Speaker 1: hip hop dignity fucking around with Kanye and jay Z

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Speaker 1: and Beyonce dropping a record the next day and just

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Speaker 1: sort of taking the shine off his record, hip hop

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Speaker 1: dignity is not intact. So out of all that, of

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Speaker 1: course Drake's record is successful, but he'll never be the

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Speaker 1: same after what Uh push a T did to him.

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Speaker 1: It's like getting a knock. It's like it's like what

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Speaker 1: happened in Manny Pacia. He was never the same after

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Speaker 1: um he got knocked out right put to sleep. You're

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Speaker 1: you're never the same, Like when you get hit like that,

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Speaker 1: you're never the same. Right when you get knocked out

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Speaker 1: like that, most fighters, most rappers, you just don't come

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Speaker 1: back from what Drake's laughing because he's like, oh yeah,

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Speaker 1: everybody's still buy the record. But the respect factor, which

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Speaker 1: is something that really a lot of people overlook. In

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Speaker 1: my opinion, you got shipped on, Drake. I don't care

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Speaker 1: that you you got your waves and your beard is

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Speaker 1: always intact. None of that ship means nothing to me. Doke.

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Speaker 1: You know you don't like this guy. See man uh yo,

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Speaker 1: I'm on that Bootbear ship. I'm on that. I was

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Speaker 1: raised by that. I had an influence on me. Duke.

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Speaker 1: I don't. I don't give a funk about your waves joke.

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Speaker 1: You're you're You're the old guy on the lawn. You

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Speaker 1: gotta chill, man, you gotta let these you gotta let

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Speaker 1: these cats live. Man. I let him live. Push your

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Speaker 1: t shut him down and pushes the point that I'm making,

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Speaker 1: the point that I'm making when I and then Tiana Taylor,

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Speaker 1: which is a girl even she Tiana Taylor is like

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Speaker 1: a sort of a talented artist who she's married to

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Speaker 1: with mon Chumper. She's one of these Harlem you know,

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Speaker 1: sort of rowdy, big mouth chick. She's talented. She's the

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Speaker 1: one that was in that video dancing, She raps, she sings,

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Speaker 1: she does it all so like a Nicki Minaj, short

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Speaker 1: of talent. You know she she you know, she acts,

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Speaker 1: she does all this ship. She put out a record

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Speaker 1: and even she and under Kanye West he produced it,

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Speaker 1: and even she's complaining. I didn't know when the record

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Speaker 1: was coming out. He didn't push it. Um, he couldn't

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Speaker 1: focus on my record because he was doing in his record,

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Speaker 1: the NAS record and the Push the T record. So

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Speaker 1: so that was the culmination the point that I was making.

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Speaker 1: The reason why I wanted to do this is not

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Speaker 1: about I don't want to go down the road of

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Speaker 1: Drake uh Drake's hair and his beard. The point that

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Speaker 1: I wanted to make was that after all the hoop

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Speaker 1: off Kanye West dropping all these records, the only person

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Speaker 1: who's not complaining and who has all their hip hop

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Speaker 1: dignity intact is Push the T. So he released one

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Speaker 1: to five records and one person is not complaining. And

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Speaker 1: apparently Nas went back into the studio already. Apparently Nas

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Speaker 1: went back into the studio. Apparently the night that Nas

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Speaker 1: had his listening party, he hadn't even heard the entire

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Speaker 1: finished product of his record. Because everything's happening so quick,

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Speaker 1: like you know when when you put your blood and

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Speaker 1: guts into a record. You could feel it when when

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Speaker 1: when you rush it out like that, there's gonna be holes.

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Speaker 1: That's just the way it is. Like it's not a freestyle,

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Speaker 1: You're not Black thought freestyling. There's gonna be holes. Like

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Speaker 1: when you spend you know, week and week after week

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Speaker 1: and month after month crafting your ship and like you know,

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Speaker 1: you know, sort of working on it and perfecting it

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Speaker 1: and making it something special, you could feel it you

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Speaker 1: come up with like a true blue classic, a masterpiece

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Speaker 1: when you rush it out and you're like making all

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Speaker 1: these changes. And this guy's in Wyoming and he's got

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Speaker 1: five studios and five parts of the house and he's

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Speaker 1: running around like a manic lunatic. You hear it in

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Speaker 1: the record. And that's what the point wasn't about Drake

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Speaker 1: And even Pushed, he was just about after all the

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Speaker 1: dust settled, Push the T is the only one who's

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Speaker 1: not complaining about the month of June uh working for

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Speaker 1: Kanye West. That's my okay. I just hope his uh,

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Speaker 1: his streams and his downloads reflect what you're saying. This

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Speaker 1: is his biggest record. He's never gonna be as big

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Speaker 1: as Drake. You that, like, listen, you know, not everybody's

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Speaker 1: Leonardo DiCaprio. You know, it's like it's just like it's

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00:20:08,760 --> 00:20:10,919
Speaker 1: like Coolgi wrap. Not a Coolgi wrap was never big

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Speaker 1: Daddy came. It's like, you know, but if if you

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Speaker 1: have your integrity intact, and this was his biggest record

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Speaker 1: and it was a commercial success and a critical success,

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Speaker 1: that's all you could ask for. Pushing Tea is never

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Speaker 1: gonna be like that mainstream mainstream dude, this was his

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Speaker 1: biggest record. He won the battle versus Drake. He's tooring

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Speaker 1: he he sort of walked away a hero of it

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Speaker 1: because he took down a hero. He took down Drake,

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Speaker 1: and he has all his hip hop dignity intact. He's

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Speaker 1: never put it this way. If it if this is

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Speaker 1: his most successful album, what what more can you ask for? True? True?

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Speaker 1: But he'll never He'll never with that content, with that

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Speaker 1: romanticizing drug pushing and all that, you'll never get anywhere,

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Speaker 1: uh An the upper echelon with that stuff. But now

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Speaker 1: everybody wants to be in the upper echel and not.

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Speaker 1: But he's living there, millions of dollars he's touring. Not

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Speaker 1: everybody wants to see. That's the thing about drink. It's like,

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Speaker 1: not everybody wants to sort of put out this image

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Speaker 1: and appease to to chicks and to try to appease

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Speaker 1: to everybody. Not everybody has that agenda as an artist,

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Speaker 1: and that's okay. Not everybody has that fucking agenda. Some

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Speaker 1: people just he wants to tell his story. He wants

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Speaker 1: to play into his strength and do his thing. Drake,

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Speaker 1: he's singing on records. He's like sometimes he's doing these

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Speaker 1: fucking this this dancehole bullshit. Sometimes he's a he's a

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Speaker 1: tough guy MC. He wants to appease to everybody and listen.

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Speaker 1: That works for him, But not everybody cares about that.

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Speaker 1: Some people are like, Yo, fucking I'm gonna do what

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Speaker 1: I do best. I hear you, I hear you, I

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Speaker 1: hear you. You know. I don't funk with Drake too much.

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Speaker 1: But he's a unique guy in this fucking genre. He's yo,

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Speaker 1: He's a lebron motherfucker. He could. He does it all

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Speaker 1: with the women like the singing. They like the songs.

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Speaker 1: He writes all kind of different like world music. This

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Speaker 1: guy is a unique guy. I don't that's not my music.

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Speaker 1: But it has to be respected. Man. But I we

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Speaker 1: we covered it. I respected. I just saying after all that,

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Speaker 1: because you remember, like yo, that Kanye West ship that

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Speaker 1: was going on in in in in May. That was

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Speaker 1: you know, like when you look back on the year

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Speaker 1: of two thousand eighteen, like in twenty years from now,

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00:22:27,520 --> 00:22:29,159
Speaker 1: like when we're old pieces of ship and they have

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Speaker 1: like those see and and things like the year two

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Speaker 1: thousand eighteen, that will be part of the year that's

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Speaker 1: brought up. That motherfucker had he was that was the

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00:22:36,880 --> 00:22:40,399
Speaker 1: Trump thing, Trump tweeting about him hit the TMZ like

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Speaker 1: that will be part of the the year historically. And

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Speaker 1: and then I'm like, but what about the records, Duke.

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Speaker 1: That was my point, Miles Jordan, let me get something

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Speaker 1: funky old butter saft I am wrappingport Stereo podcast. T

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Speaker 1: shirts are available at district lines dot com forward slash

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Speaker 1: I am rappaport. That is district Lines dot com forward

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Speaker 1: slash I am rappaport. Okay, all T shirts are butter soft.

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00:23:14,160 --> 00:23:16,160
Speaker 1: The more you wash them, the more you dry them,

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00:23:16,200 --> 00:23:18,920
Speaker 1: the better they feel. They don't turn into a little

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00:23:18,960 --> 00:23:23,040
Speaker 1: tissue paper. All butter soft. I am Wrappaport Stereo podcast

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00:23:23,080 --> 00:23:27,159
Speaker 1: t shirts are available at district lines dot com forward

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Speaker 1: slash I am Rappaport. All right, the six of July,

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Speaker 1: the Big Three will be in Oakland at Oracle Arena,

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Speaker 1: San Francisco. We were just up there performing. You guys

401
00:23:40,760 --> 00:23:43,160
Speaker 1: are the rowdiest crowd that we've ever performed in front

402
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Speaker 1: of Loki, don't you think so? Gerald? Yeah, hell yeah,

403
00:23:47,119 --> 00:23:48,720
Speaker 1: hell yeah. I love that. I love that crowd the

404
00:23:49,359 --> 00:23:54,399
Speaker 1: nuts man. So, anybody from the Wrappa Pack listen to

405
00:23:54,440 --> 00:23:59,280
Speaker 1: this podcast, come to the games. Last week we're in Chicago,

406
00:24:00,080 --> 00:24:02,720
Speaker 1: was about ten dudes in their rapp A Pack. Dudes.

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00:24:02,760 --> 00:24:04,359
Speaker 1: I want to give a shout out to all the

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00:24:04,440 --> 00:24:07,720
Speaker 1: dudes that came out there. Um, some of you guys

409
00:24:07,720 --> 00:24:09,600
Speaker 1: who I know, some of you guys who I met,

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00:24:10,160 --> 00:24:13,000
Speaker 1: Um screaming and yelling at me. There was one dude

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Speaker 1: who I think at the end of the game got

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00:24:14,760 --> 00:24:17,760
Speaker 1: kicked out. He was yelling and cursing, drunk and all

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00:24:17,760 --> 00:24:20,440
Speaker 1: that ship My man double a Iron Kerr and all

414
00:24:20,440 --> 00:24:22,879
Speaker 1: you guys that were out there. But if anybody is

415
00:24:22,920 --> 00:24:26,560
Speaker 1: in Oakland, come to the Big Three games. YO, tweet

416
00:24:26,640 --> 00:24:28,399
Speaker 1: me when you're at the games. I get that I'm

417
00:24:28,440 --> 00:24:31,639
Speaker 1: the first one in the arena. Come see me at Oakland.

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Speaker 1: The games have been hyped, They've been dope. It's a

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Speaker 1: great afternoon. It's cheap. And uh, if you funk with

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Speaker 1: the Iron Rap Coors Stereo Podcast, all you gotta do

421
00:24:38,119 --> 00:24:41,399
Speaker 1: is be like Yo rap Yo Dingo, Mike rap I

422
00:24:41,440 --> 00:24:43,800
Speaker 1: Am Rap Coors Stereo Pop whatever talk to shipped to me.

423
00:24:43,840 --> 00:24:46,200
Speaker 1: I'll come over to you, um and and come see

424
00:24:46,280 --> 00:24:51,760
Speaker 1: me July six, Uh at Oracle shout out to Steph Curry.

425
00:24:52,440 --> 00:24:57,719
Speaker 1: Steph Curry had his third kid. Um a boy. You

426
00:24:57,760 --> 00:25:00,840
Speaker 1: know that kid's gonna have hand eye coordination. Oh, he's

427
00:25:00,840 --> 00:25:03,120
Speaker 1: gonna be shooting from uh as soon as they take

428
00:25:03,160 --> 00:25:04,920
Speaker 1: the ball out on the other side of the court. Yeah,

429
00:25:04,920 --> 00:25:06,880
Speaker 1: he's gonna he's just gonna be doing some crazy ship.

430
00:25:07,040 --> 00:25:10,639
Speaker 1: So he had a son, Canon Jack. You know, Cannon

431
00:25:10,680 --> 00:25:13,720
Speaker 1: is gonna have a cannon. Um. And you know, I

432
00:25:13,760 --> 00:25:16,120
Speaker 1: have nothing but a good things to say about Steph Curry.

433
00:25:16,119 --> 00:25:19,400
Speaker 1: I love that dude, um, no doubt and uh and

434
00:25:19,400 --> 00:25:21,080
Speaker 1: and I can't wait to see uh when when they

435
00:25:21,119 --> 00:25:23,840
Speaker 1: when they put a ball bad a tennis racket or

436
00:25:23,840 --> 00:25:26,119
Speaker 1: whatever in that kid's hand, because you know, like I

437
00:25:26,160 --> 00:25:29,040
Speaker 1: said a ping pong racket. Homeboy's gonna have some hand

438
00:25:29,040 --> 00:25:33,600
Speaker 1: eye coordination. Yo, go ahead, Yo. Did you see uh

439
00:25:33,680 --> 00:25:38,000
Speaker 1: on July four that somebody scaled the Statue of Liberty

440
00:25:38,200 --> 00:25:41,000
Speaker 1: New York? Yeah, I want to. I want to give

441
00:25:41,240 --> 00:25:44,280
Speaker 1: my Andy Rooney a moment about this ship. I saw that, Okay,

442
00:25:44,280 --> 00:25:46,040
Speaker 1: because you're gonna do Andy Rooney and then I'm inna

443
00:25:46,080 --> 00:25:49,119
Speaker 1: Danny al this fuck. Yeah. I was appalled by that.

444
00:25:49,200 --> 00:25:52,439
Speaker 1: I was like, this arrogant and and it's an immigrant.

445
00:25:53,040 --> 00:25:56,239
Speaker 1: Think about that arrogant immigrant who broke the law and

446
00:25:56,280 --> 00:25:59,720
Speaker 1: scaled the Statue of Liberty, in my opinion, should be

447
00:26:00,000 --> 00:26:04,160
Speaker 1: sucking deported because they went up there and they're talking about, oh,

448
00:26:04,200 --> 00:26:08,600
Speaker 1: they want to abolish ice and abolish immigration laws. If

449
00:26:08,640 --> 00:26:12,240
Speaker 1: you did any kind of protests of the government in

450
00:26:12,280 --> 00:26:15,320
Speaker 1: her own country, which is the Congo, they would put

451
00:26:15,359 --> 00:26:19,200
Speaker 1: your ass before firing squad. But rather than be grateful

452
00:26:19,240 --> 00:26:22,399
Speaker 1: for being allowed to come to America to eat, you

453
00:26:22,520 --> 00:26:26,200
Speaker 1: scale the Statue of Liberty to protest the American government

454
00:26:26,720 --> 00:26:31,160
Speaker 1: for trying to curtail illegal immigration. I think that's despicable

455
00:26:31,440 --> 00:26:35,520
Speaker 1: and I think that arrogance coming from an immigrant, you

456
00:26:35,560 --> 00:26:38,199
Speaker 1: should be deported. Man get the funk out of here

457
00:26:38,240 --> 00:26:41,760
Speaker 1: with that. If I want to say this, let's not

458
00:26:41,800 --> 00:26:43,879
Speaker 1: forget what happened in two thousand and one in the

459
00:26:43,920 --> 00:26:48,520
Speaker 1: Great City of Manhattan in New York. YO. You're climbing

460
00:26:48,520 --> 00:26:51,600
Speaker 1: the motherfucking Statue of Liberty. I don't give a funk

461
00:26:51,600 --> 00:26:54,240
Speaker 1: that you protesting all that ship. They should have dragged

462
00:26:54,240 --> 00:26:58,040
Speaker 1: that fucking asshole off the fucking statue and throw it

463
00:26:58,119 --> 00:27:00,680
Speaker 1: right in the fucking river. Yeah, we got problems that

464
00:27:00,880 --> 00:27:05,119
Speaker 1: scary ship. And get the funk off the fucking statue,

465
00:27:05,680 --> 00:27:10,120
Speaker 1: and get that cuck sucker off. Lady Liberty, you cuck sucker,

466
00:27:10,800 --> 00:27:16,960
Speaker 1: get the fucking pellet guns shooter in the fucking ass. YO.

467
00:27:17,080 --> 00:27:20,240
Speaker 1: You're breaking the fucking law. You're causing an uproar, You're

468
00:27:20,280 --> 00:27:22,480
Speaker 1: scaring people. How the fun we know we don't you

469
00:27:22,480 --> 00:27:24,320
Speaker 1: don't have dynamite. How do we know you don't have that?

470
00:27:24,440 --> 00:27:27,520
Speaker 1: Jason Pierre Paul sh in your pocket. Get the fuck off,

471
00:27:27,720 --> 00:27:30,800
Speaker 1: Get the funk off the statue. Yeah, I'm trying to

472
00:27:30,800 --> 00:27:33,240
Speaker 1: watch the fireworks. Get the funk off, Get the funk

473
00:27:33,320 --> 00:27:38,040
Speaker 1: off the statue. The funk off the statue. YO. On

474
00:27:38,080 --> 00:27:40,400
Speaker 1: the fourth of July, when you know this is New

475
00:27:40,480 --> 00:27:42,720
Speaker 1: York City. Man, A lot of ship can happen. Man.

476
00:27:43,840 --> 00:27:46,960
Speaker 1: We had we had a terrible terrorist attack, and you

477
00:27:47,000 --> 00:27:49,359
Speaker 1: think you're gonna climb the fucking statue that was that

478
00:27:49,440 --> 00:27:52,159
Speaker 1: was a target for a while. Remember afterwards, they were like,

479
00:27:52,240 --> 00:27:55,560
Speaker 1: you're they're gonna blow that up, Yo, the cops gotta

480
00:27:55,560 --> 00:27:58,560
Speaker 1: start shooting these motherfucker listen, fucking baby gun right in

481
00:27:58,560 --> 00:28:02,160
Speaker 1: the fucking ass. Yeah. Yeah, we're not taking no precautions.

482
00:28:02,400 --> 00:28:04,560
Speaker 1: We're not trying. We're not trying to see who you

483
00:28:04,600 --> 00:28:08,000
Speaker 1: are and what the banner is. We're gonna about your banner.

484
00:28:08,160 --> 00:28:10,400
Speaker 1: We don't give a funk about what you're protested. You're

485
00:28:10,400 --> 00:28:12,679
Speaker 1: climbing the statue of Literally, you should be treated like

486
00:28:12,760 --> 00:28:15,560
Speaker 1: everybody else. Drag that motherfucker and throw her in the water,

487
00:28:15,760 --> 00:28:17,840
Speaker 1: see if she could fucking swim, and then send the

488
00:28:17,840 --> 00:28:20,080
Speaker 1: fucking boats out there out of here with that bag,

489
00:28:21,040 --> 00:28:23,280
Speaker 1: get off the statue for we give you these hot ones.

490
00:28:24,400 --> 00:28:27,800
Speaker 1: Sh It's crazy. So I've been meaning to talk about

491
00:28:27,800 --> 00:28:31,760
Speaker 1: this for the last couple episodes, and then I saw

492
00:28:31,800 --> 00:28:34,320
Speaker 1: this ship on Twitter, and then because I got into

493
00:28:34,359 --> 00:28:36,920
Speaker 1: it with this actress Evan, I didn't get into with her.

494
00:28:37,119 --> 00:28:43,600
Speaker 1: This this actress Evan Rachel Wood who if you don't

495
00:28:43,640 --> 00:28:45,440
Speaker 1: know her, you've seen her. She's in a lot of

496
00:28:45,440 --> 00:28:47,360
Speaker 1: films and she got a good career. Everan Rachel What

497
00:28:47,520 --> 00:28:51,680
Speaker 1: she's on that show now, Westworld on HBO. She was

498
00:28:52,040 --> 00:28:57,960
Speaker 1: in the movie, Um, The Wrestler with Mickey Rourke. I

499
00:28:58,000 --> 00:29:01,240
Speaker 1: think she actually dated Mickey Rourke with It's a red

500
00:29:01,280 --> 00:29:03,320
Speaker 1: flag because if you're a twenty something year old girl

501
00:29:03,320 --> 00:29:05,280
Speaker 1: and your dating Mickey Roork, you already got a red

502
00:29:05,280 --> 00:29:10,360
Speaker 1: flag on you. No disrespect to Mickey Rourke, but he's

503
00:29:10,400 --> 00:29:15,239
Speaker 1: wild for tonight. Um so so uh last week this

504
00:29:15,360 --> 00:29:18,200
Speaker 1: chick who again, I don't know her, but I like

505
00:29:18,280 --> 00:29:20,640
Speaker 1: her acting. She's been doing it for a while. Evan

506
00:29:20,760 --> 00:29:24,240
Speaker 1: Rachel would from west World. She tweeted out some something

507
00:29:24,280 --> 00:29:29,520
Speaker 1: about how she she's trying to get a project made

508
00:29:29,640 --> 00:29:34,040
Speaker 1: that she wants to direct. She's never directed anything. And

509
00:29:34,080 --> 00:29:37,120
Speaker 1: I'm saying that because, uh, if you're a first time director,

510
00:29:37,120 --> 00:29:39,640
Speaker 1: I don't care if you're on Westworld or not, it's

511
00:29:39,680 --> 00:29:43,320
Speaker 1: always hard. She's never directed anything. Um, I look, it's

512
00:29:43,360 --> 00:29:45,520
Speaker 1: based on my fact checking. I broke rule number one

513
00:29:45,520 --> 00:29:48,080
Speaker 1: of the Iron Wrap or Stereo podcast just because I'm

514
00:29:48,120 --> 00:29:51,320
Speaker 1: so sick and tired of these fucking whiney motherfucker's. So

515
00:29:51,360 --> 00:29:54,280
Speaker 1: she tweeted something out about how she has a film

516
00:29:54,320 --> 00:29:58,080
Speaker 1: that she wants to direct, starring four women, written by

517
00:29:58,120 --> 00:30:01,920
Speaker 1: two women, and she's had all these meetings in Hollywood

518
00:30:02,520 --> 00:30:05,720
Speaker 1: and she's been turned down by everybody, and all she's met,

519
00:30:05,840 --> 00:30:08,560
Speaker 1: this is what she said, all she's met and the

520
00:30:08,600 --> 00:30:12,040
Speaker 1: only people that she's come across a meeting are white men,

521
00:30:13,480 --> 00:30:19,640
Speaker 1: not men, white men. And what's the problem with that? Exactly?

522
00:30:19,680 --> 00:30:25,120
Speaker 1: What's your fucking problem? What? What's your fucking problem? And

523
00:30:25,520 --> 00:30:27,640
Speaker 1: so I would say, I would say I was saying this,

524
00:30:27,920 --> 00:30:30,920
Speaker 1: maybe I tweeted this because then this chick blocked me.

525
00:30:31,440 --> 00:30:35,000
Speaker 1: Maybe the script isn't that good, Maybe the budget is

526
00:30:35,040 --> 00:30:37,680
Speaker 1: over budget. Maybe they don't want to spend as much

527
00:30:37,720 --> 00:30:40,880
Speaker 1: money as you're asking for. Maybe they don't believe in

528
00:30:40,880 --> 00:30:44,120
Speaker 1: you as a director. Maybe it's you. And she said,

529
00:30:44,160 --> 00:30:46,560
Speaker 1: she's been doing this for two years, and I'm like, yo,

530
00:30:46,640 --> 00:30:51,280
Speaker 1: in in show business getting something done two years, that's

531
00:30:51,280 --> 00:30:55,960
Speaker 1: like a weekend, that's nothing. Lord Scorsese has spent twenties

532
00:30:56,040 --> 00:31:00,520
Speaker 1: something years marketIn. Scorsese has spent twenties something in years

533
00:31:00,560 --> 00:31:03,280
Speaker 1: trying to get the last movie that he just got

534
00:31:03,360 --> 00:31:08,840
Speaker 1: made made twenty something years. You hear stories about this

535
00:31:08,880 --> 00:31:12,960
Speaker 1: ship all the fucking time. I've heard stories about it

536
00:31:12,960 --> 00:31:15,600
Speaker 1: took me fifteen years to get this done. That movie

537
00:31:15,680 --> 00:31:18,720
Speaker 1: Three Billboards, Uh, that just won all the Oscars and

538
00:31:18,800 --> 00:31:20,920
Speaker 1: was nominated. That that ship has been around for like

539
00:31:21,040 --> 00:31:26,480
Speaker 1: eight years. That script. You hear this all the fucking time.

540
00:31:26,800 --> 00:31:29,400
Speaker 1: It takes time to get a project made. Not everything

541
00:31:29,480 --> 00:31:33,200
Speaker 1: is snap your fingers and get it done, right. But

542
00:31:33,240 --> 00:31:36,240
Speaker 1: what was the thing about white man? She's complaining that

543
00:31:36,240 --> 00:31:39,200
Speaker 1: that it was. It's two years and all we've done

544
00:31:39,280 --> 00:31:41,800
Speaker 1: is walked around and met a white men and they've

545
00:31:41,840 --> 00:31:45,000
Speaker 1: turned us down. And and I say this, I've met

546
00:31:45,040 --> 00:31:48,800
Speaker 1: the same people, and I don't I think you're lying. Yes,

547
00:31:49,120 --> 00:31:51,160
Speaker 1: there's a lot of white men running there, but there's

548
00:31:51,160 --> 00:31:54,600
Speaker 1: always white women. And in two thousand and eighteen, there's

549
00:31:54,680 --> 00:31:59,480
Speaker 1: black executives. There's black female executives. Maybe it's you, boo boo.

550
00:31:59,680 --> 00:32:02,360
Speaker 1: Maybe it's you, sweetheart. Maybe they don't believe in you

551
00:32:02,440 --> 00:32:05,120
Speaker 1: as a director, Maybe your pitch was weak. Maybe the

552
00:32:05,200 --> 00:32:10,720
Speaker 1: script that you believe in so much just isn't that good, right, right,

553
00:32:11,640 --> 00:32:14,520
Speaker 1: And maybe you should take the independent route, and what's

554
00:32:14,560 --> 00:32:20,040
Speaker 1: your problem with white men? Yeah, oh, it's white man.

555
00:32:20,080 --> 00:32:21,800
Speaker 1: So so let's say it was all black men. They

556
00:32:21,800 --> 00:32:24,320
Speaker 1: probably wouldn't even give Like, what makes you think that

557
00:32:24,360 --> 00:32:26,600
Speaker 1: those black men would give you the time of day

558
00:32:26,600 --> 00:32:28,840
Speaker 1: that would consider your script. They're like, well, if it

559
00:32:28,960 --> 00:32:33,120
Speaker 1: was it's white men, right, the boogeyman, that's that hey think?

560
00:32:34,360 --> 00:32:38,480
Speaker 1: Oh man, it's it's it's it's tough man. I don't

561
00:32:38,520 --> 00:32:40,280
Speaker 1: see you around no black people. I don't see you

562
00:32:40,280 --> 00:32:43,960
Speaker 1: around no Puerto Ricans. I've never seen you on screen,

563
00:32:44,680 --> 00:32:48,960
Speaker 1: you know, kissing some black dudes and some interracial projects.

564
00:32:49,280 --> 00:32:52,400
Speaker 1: You dated Mickey Roark. You wasn't dating Lawrence Fishburn. Like

565
00:32:52,600 --> 00:32:55,280
Speaker 1: do you know black people? Do you know Spanish people?

566
00:32:55,440 --> 00:32:58,320
Speaker 1: You just want to like like, Oh, it's white man.

567
00:32:58,400 --> 00:33:01,400
Speaker 1: They're they're the fucking bad eyes and they're making all

568
00:33:01,440 --> 00:33:04,320
Speaker 1: the decisions. You're a white girl. You got the most

569
00:33:04,400 --> 00:33:07,320
Speaker 1: privileged life in the fucking world, and you complained about

570
00:33:07,320 --> 00:33:10,320
Speaker 1: your script for two years. Get the funk outta here.

571
00:33:10,680 --> 00:33:15,560
Speaker 1: Oh she's white, milk white. Oh I didn't I thought

572
00:33:15,600 --> 00:33:21,200
Speaker 1: I thought it was she's milk toast white. Oh she's beautiful,

573
00:33:21,280 --> 00:33:25,840
Speaker 1: she's pretty. Oh she tries to hang the white man

574
00:33:25,840 --> 00:33:30,680
Speaker 1: out to dry as to say, look, they're so racist,

575
00:33:31,120 --> 00:33:34,440
Speaker 1: they don't Yeah, they're so racist white guilt. I'm gonna

576
00:33:34,440 --> 00:33:36,360
Speaker 1: say this to any young people of color, and I

577
00:33:36,440 --> 00:33:39,520
Speaker 1: hate that fucking term. Any dudes out here that I

578
00:33:39,640 --> 00:33:41,840
Speaker 1: listened to the iron wrapor stereo pockets. If you're a

579
00:33:41,920 --> 00:33:45,600
Speaker 1: person of color, now's your time, color. Now is your

580
00:33:45,640 --> 00:33:49,120
Speaker 1: time to try to be fucking as many guilty white

581
00:33:49,120 --> 00:33:52,360
Speaker 1: girls as possible. If you're in your twenties, now is

582
00:33:52,400 --> 00:33:55,160
Speaker 1: the time to be skeeting in these guilty white chicks.

583
00:33:55,240 --> 00:33:58,440
Speaker 1: You could tell them anything, you could kick any kind

584
00:33:58,480 --> 00:34:00,960
Speaker 1: of ship you want to to these chicks. They're so

585
00:34:01,120 --> 00:34:07,560
Speaker 1: filled with guilt. Skeet, skeet, skeet, skeet, skeet. You can

586
00:34:07,640 --> 00:34:09,920
Speaker 1: tell him any sobs story, any kind of any kind

587
00:34:09,920 --> 00:34:12,520
Speaker 1: of story, and next thing you know, you could be

588
00:34:12,600 --> 00:34:16,960
Speaker 1: sugar dicken because they're so they're so twisted with the guilt.

589
00:34:18,600 --> 00:34:21,920
Speaker 1: That's where it's at now. That's why uh Starbucks did

590
00:34:21,920 --> 00:34:24,680
Speaker 1: what they did. That that's a weapon. That's a weapon.

591
00:34:24,719 --> 00:34:27,839
Speaker 1: Now it's weaponized. And this chick is complaining, I've been

592
00:34:27,880 --> 00:34:32,960
Speaker 1: going around for two years and and your own people

593
00:34:33,000 --> 00:34:35,520
Speaker 1: won't won't give you a look. Maybe it's not good.

594
00:34:36,440 --> 00:34:38,359
Speaker 1: Maybe it's just yeah and your own p and you're

595
00:34:38,400 --> 00:34:42,800
Speaker 1: complaining by that. And if and it's white men, Yeah,

596
00:34:42,920 --> 00:34:47,799
Speaker 1: they're lying production companies and a perna is ran by

597
00:34:47,800 --> 00:34:50,200
Speaker 1: a woman's they do all these independent you're lying. I

598
00:34:50,200 --> 00:34:52,960
Speaker 1: don't believe that the only people you met are white men.

599
00:34:53,760 --> 00:34:56,439
Speaker 1: And it doesn't for you think Oprah's production companies fucking

600
00:34:56,480 --> 00:34:59,680
Speaker 1: with you. Oper's not buying your should go to Tyler Perry.

601
00:34:59,719 --> 00:35:02,960
Speaker 1: He's not buying your ship. He's got a production company.

602
00:35:02,960 --> 00:35:04,760
Speaker 1: That dude could green light a movie in a second.

603
00:35:04,920 --> 00:35:07,719
Speaker 1: Go to Spike Lee. He's not buying your ship. You

604
00:35:07,840 --> 00:35:10,480
Speaker 1: blame it on white man. Take that bullshit to Spike

605
00:35:10,560 --> 00:35:14,280
Speaker 1: Lee and Tyler Perry. It doesn't make sense. Her argument

606
00:35:14,400 --> 00:35:17,520
Speaker 1: doesn't make sense. To take your fucking script to Tyler

607
00:35:17,560 --> 00:35:20,719
Speaker 1: Perry and see if he's going to make that bullshit. Yeah,

608
00:35:20,840 --> 00:35:24,839
Speaker 1: because these are your own people. So what do you mean, like,

609
00:35:24,880 --> 00:35:27,440
Speaker 1: if it's racism, they wouldn't look at you. So how

610
00:35:27,480 --> 00:35:30,840
Speaker 1: can you call him out and be not even racism?

611
00:35:30,880 --> 00:35:33,400
Speaker 1: It's like it's women and it's so hard for women.

612
00:35:33,600 --> 00:35:35,600
Speaker 1: And then I was tweeting at this at this chick

613
00:35:35,680 --> 00:35:38,719
Speaker 1: and then other people, and again, I like her as

614
00:35:38,760 --> 00:35:40,719
Speaker 1: an actress. I don't know I know her work. She's

615
00:35:40,719 --> 00:35:43,759
Speaker 1: a dope actress. I would say she's dope. She's good,

616
00:35:43,800 --> 00:35:47,320
Speaker 1: she's not sucking Meryl Streeper, Juliet Lewis. She's a good actress.

617
00:35:47,360 --> 00:35:49,560
Speaker 1: She's she's good, she's got a good career. Respect her.

618
00:35:49,560 --> 00:35:53,399
Speaker 1: I'm a fan. As soon as you disagree with these

619
00:35:53,440 --> 00:35:58,320
Speaker 1: motherfucker's you hate women, You're an asshole. You're not getting

620
00:35:58,320 --> 00:36:01,000
Speaker 1: the point. And then they and people that have nothing

621
00:36:01,000 --> 00:36:03,520
Speaker 1: to do with show business are saying you're not listening

622
00:36:03,520 --> 00:36:07,920
Speaker 1: to her. She said, I know this business. I'm in

623
00:36:07,960 --> 00:36:10,560
Speaker 1: this fucking business. You don't think I have projects that

624
00:36:10,600 --> 00:36:14,360
Speaker 1: I've wanted to do that I thought were dope that

625
00:36:14,440 --> 00:36:16,799
Speaker 1: didn't get done. I'm gonna break that down later on

626
00:36:16,800 --> 00:36:18,480
Speaker 1: because I'm gonna get to these other money. You don't

627
00:36:18,480 --> 00:36:20,799
Speaker 1: think that I've I've wanted to do things that it

628
00:36:20,880 --> 00:36:23,600
Speaker 1: happens to every fuckingbody, even the biggest of the biggest.

629
00:36:23,600 --> 00:36:26,640
Speaker 1: You don't think there's scripts and projects that Denzel Washington

630
00:36:27,880 --> 00:36:30,600
Speaker 1: has been trying to get made for twenty years that

631
00:36:31,000 --> 00:36:33,279
Speaker 1: just maybe the script isn't right. Maybe they don't have

632
00:36:33,320 --> 00:36:36,319
Speaker 1: the right director. Maybe it's just never gonna happen. That's

633
00:36:36,360 --> 00:36:39,120
Speaker 1: part of this business, you know. Just snap your fingers

634
00:36:39,280 --> 00:36:42,440
Speaker 1: and like, and then you go to Twitter complain about it. Yo,

635
00:36:42,719 --> 00:36:47,720
Speaker 1: get your iPhone out and make your own ship. Yeah,

636
00:36:47,840 --> 00:36:49,959
Speaker 1: people making their own ship. You can make you there's

637
00:36:49,960 --> 00:36:52,600
Speaker 1: no make your own ship. Put your money where your

638
00:36:52,600 --> 00:36:55,759
Speaker 1: mouth is, so you wouldn't so you wouldn't have to

639
00:36:55,800 --> 00:36:59,399
Speaker 1: go to the dreaded white man, the dreaded white man.

640
00:36:59,719 --> 00:37:02,280
Speaker 1: That that's all you hang on. This other chick, Mindy

641
00:37:02,400 --> 00:37:05,120
Speaker 1: Kaling again, I'm a fan of hers. I read her

642
00:37:05,120 --> 00:37:07,480
Speaker 1: book twice when I was writing my book. I like

643
00:37:07,560 --> 00:37:09,600
Speaker 1: her ship. I like the fact that she's sort of

644
00:37:09,840 --> 00:37:12,400
Speaker 1: niched out her own thing. Her and this other actress,

645
00:37:12,480 --> 00:37:17,080
Speaker 1: Brie Larson Academy Award nominated actress. I can't remember what

646
00:37:17,160 --> 00:37:19,560
Speaker 1: she was in the It doesn't matter. She look her up.

647
00:37:19,640 --> 00:37:23,160
Speaker 1: She's good. They they, they just gave speeches the other

648
00:37:23,239 --> 00:37:28,560
Speaker 1: day about how the critics, the critics of films are

649
00:37:28,640 --> 00:37:33,759
Speaker 1: all guess what white men and how you know. I

650
00:37:33,760 --> 00:37:36,040
Speaker 1: don't wanna. I don't want to listen to white men

651
00:37:36,080 --> 00:37:40,320
Speaker 1: telling me what movie to say and what movie MINDI Calin.

652
00:37:40,360 --> 00:37:43,399
Speaker 1: You look at her show, The Minji Project. All she

653
00:37:43,520 --> 00:37:46,000
Speaker 1: did when she was on screen on her show, she

654
00:37:46,080 --> 00:37:49,640
Speaker 1: worked all she's a person of color, she's a person.

655
00:37:49,880 --> 00:37:51,640
Speaker 1: All she did when she was on her show The

656
00:37:51,680 --> 00:37:57,799
Speaker 1: Mini Project is chase white men. Look her up. She's

657
00:37:57,840 --> 00:37:59,919
Speaker 1: on her show. She's dating white men. Why you wasn't

658
00:38:00,000 --> 00:38:04,479
Speaker 1: it some dark, black, deep African black man on your show?

659
00:38:04,520 --> 00:38:06,960
Speaker 1: You had an opportunity to do that. Why weren't you

660
00:38:07,000 --> 00:38:09,239
Speaker 1: making out with some Asian dude? Why weren't you making

661
00:38:09,239 --> 00:38:11,680
Speaker 1: out with some Puerto Rican dude? The love interest on

662
00:38:11,719 --> 00:38:14,000
Speaker 1: your show was what a white man? And now you're

663
00:38:14,080 --> 00:38:18,040
Speaker 1: talking ships full of ship man? Wait? Wait wait wait

664
00:38:18,520 --> 00:38:23,960
Speaker 1: she she's what black? No, she's Indian? Oh? Why why

665
00:38:24,000 --> 00:38:28,440
Speaker 1: she wasn't working with Luke Cage? I don't know. The

666
00:38:28,480 --> 00:38:30,960
Speaker 1: love interests on her show that she wrote and she

667
00:38:31,160 --> 00:38:33,880
Speaker 1: created was a white dude. And now you're like, I

668
00:38:33,880 --> 00:38:35,880
Speaker 1: don't want to listen to white men telling me what

669
00:38:36,000 --> 00:38:41,000
Speaker 1: movie I should see? Three lars and same thing, same bullshit, yo.

670
00:38:41,320 --> 00:38:43,920
Speaker 1: Rep So if if if they didn't feel like they're

671
00:38:44,600 --> 00:38:46,759
Speaker 1: struggle and like they're always like you know, and then

672
00:38:46,800 --> 00:38:48,879
Speaker 1: they want to bring in like like as if like

673
00:38:48,960 --> 00:38:50,960
Speaker 1: Spike Lee and then be like yeah, like it's like

674
00:38:50,960 --> 00:38:53,640
Speaker 1: trying to get some street credit or some ship. Wait wait, wait,

675
00:38:54,080 --> 00:38:58,560
Speaker 1: if she hates white men, right, why would she only

676
00:38:58,800 --> 00:39:01,480
Speaker 1: right them in as her love interest. That's how you

677
00:39:01,520 --> 00:39:08,080
Speaker 1: know it's bullshit. It is bullshit. She's a con con yo,

678
00:39:08,400 --> 00:39:17,280
Speaker 1: a con man, creates confusion and then finally, the great

679
00:39:17,360 --> 00:39:21,719
Speaker 1: Scarlett Johanson icon one of the biggest movie stars in

680
00:39:22,200 --> 00:39:26,440
Speaker 1: the world. Scarlett Johanson is one of the biggest movie

681
00:39:26,480 --> 00:39:29,520
Speaker 1: stars in the world. She's got a proven track record.

682
00:39:29,560 --> 00:39:33,800
Speaker 1: She's done indie films, she's done a big, big box

683
00:39:33,840 --> 00:39:36,799
Speaker 1: office film. She's done you know, you know, whether it's

684
00:39:36,880 --> 00:39:40,600
Speaker 1: DC or Marvel comic superhero film. She's one of the

685
00:39:40,680 --> 00:39:47,000
Speaker 1: biggest movie stars in the world period. And she's she's

686
00:39:47,040 --> 00:39:50,279
Speaker 1: a feminist. She shows up at all the rallies, she

687
00:39:50,360 --> 00:39:54,719
Speaker 1: talks her ship. She's on the front lines of all

688
00:39:54,719 --> 00:39:59,360
Speaker 1: that ship. She She got cast or she probably produced

689
00:39:59,480 --> 00:40:06,880
Speaker 1: herself in a film that's coming out called rub and Tug. Okay,

690
00:40:07,360 --> 00:40:09,160
Speaker 1: that's the title of the film. It has it's a

691
00:40:09,400 --> 00:40:12,080
Speaker 1: it's the same same director who who directed her in

692
00:40:12,080 --> 00:40:14,280
Speaker 1: this film, Ghost in the Show, which was a dope

693
00:40:14,320 --> 00:40:18,720
Speaker 1: sci fi movie where she played a traditionally Asian character.

694
00:40:19,040 --> 00:40:22,440
Speaker 1: She played a robot basically in the fucking movie. Okay,

695
00:40:22,960 --> 00:40:26,719
Speaker 1: it's not even real, some sci fi ship. When you're

696
00:40:26,719 --> 00:40:29,320
Speaker 1: a big star, you're afforded the luxuries of doing whatever

697
00:40:29,360 --> 00:40:32,600
Speaker 1: the funk you want. That's what that's what comes. That's

698
00:40:32,600 --> 00:40:35,200
Speaker 1: one of the benefits. You get to green light films,

699
00:40:36,040 --> 00:40:38,040
Speaker 1: you get to act, you get to do all kinds

700
00:40:38,080 --> 00:40:42,200
Speaker 1: of ship. You get to play uh transgender men, you

701
00:40:42,239 --> 00:40:44,960
Speaker 1: get to be in uh iron men, you get to

702
00:40:45,000 --> 00:40:47,359
Speaker 1: play boxers, you get to do whatever the funk you want.

703
00:40:47,920 --> 00:40:50,560
Speaker 1: That that's one of the luxuries of being a big star.

704
00:40:51,239 --> 00:40:54,719
Speaker 1: There's thousands of thousands, of thousands of actresses that want

705
00:40:54,760 --> 00:40:59,200
Speaker 1: to be Charlotte Scarlett Joanson. There's thousands of actresses that

706
00:40:59,239 --> 00:41:02,000
Speaker 1: would die to have the opportunity to de flex their

707
00:41:02,040 --> 00:41:06,359
Speaker 1: skills and their ship. Thousands. That's the dream of coming

708
00:41:06,400 --> 00:41:08,719
Speaker 1: to Hollywood. She did it, She hit it. Whether or

709
00:41:08,760 --> 00:41:10,920
Speaker 1: not you think she deserves it or not, has no, no,

710
00:41:11,080 --> 00:41:14,640
Speaker 1: no bearing in this. She's a star. She earned it.

711
00:41:14,800 --> 00:41:17,040
Speaker 1: She's been a star for ten twelve years now She's

712
00:41:17,040 --> 00:41:20,200
Speaker 1: gonna continue rocket. She's playing in this movie coming up

713
00:41:20,239 --> 00:41:26,160
Speaker 1: called Rubbin tug a transgender man. So she's playing a

714
00:41:26,280 --> 00:41:30,680
Speaker 1: woman who used to be a guy. I used to

715
00:41:30,719 --> 00:41:35,200
Speaker 1: be a girl that's now a guy. You get it. Yeah,

716
00:41:35,320 --> 00:41:38,239
Speaker 1: Scarlett is playing a guy. Scarlett is playing a guy

717
00:41:38,280 --> 00:41:40,879
Speaker 1: that used to be a girl, a transgender man, like

718
00:41:40,960 --> 00:41:44,000
Speaker 1: she's she's playing. She's playing a woman that used to

719
00:41:44,040 --> 00:41:48,600
Speaker 1: be a guy. Okay, the trans community is up in

720
00:41:48,840 --> 00:41:53,960
Speaker 1: arms and they why is she playing that part? Why

721
00:41:54,040 --> 00:41:58,839
Speaker 1: isn't it a real transgender person playing that part? You know, like,

722
00:41:59,080 --> 00:42:02,000
Speaker 1: why don't, why don't? And then it's these two actresses

723
00:42:02,320 --> 00:42:05,000
Speaker 1: that are nobody's on the in terms of the list

724
00:42:05,040 --> 00:42:07,440
Speaker 1: of who's who in Hollywood. It's hard enough to get

725
00:42:07,440 --> 00:42:10,959
Speaker 1: a movie made for for for Scarlett Johansson. She's gotta

726
00:42:11,000 --> 00:42:14,120
Speaker 1: jump throughs to there's gotta be financing. Somebody has to say,

727
00:42:14,520 --> 00:42:17,000
Speaker 1: is this script good? Do we believe in this director?

728
00:42:17,000 --> 00:42:19,320
Speaker 1: This amount of money? Blah blah blah blah. But there's process,

729
00:42:19,360 --> 00:42:22,920
Speaker 1: there's levels to this ship. Yeah, and is she bankable

730
00:42:23,000 --> 00:42:26,200
Speaker 1: she's a Scarlett, of course they're gonna have that. And

731
00:42:26,320 --> 00:42:30,000
Speaker 1: there's not a not a nobody trans fucking nobody trans,

732
00:42:30,040 --> 00:42:34,440
Speaker 1: whether you're trans or not. And these two transactor actors. Well,

733
00:42:34,440 --> 00:42:39,520
Speaker 1: they're they're the actresses, their women, So your actresses her there,

734
00:42:39,560 --> 00:42:42,000
Speaker 1: there're nobody's in terms of like, not in terms of

735
00:42:42,000 --> 00:42:43,919
Speaker 1: who they are as people, but they're nobody's in terms

736
00:42:43,960 --> 00:42:47,080
Speaker 1: of what they've done in Hollywood. Yeah, this just transactress

737
00:42:47,320 --> 00:42:52,080
Speaker 1: is saying, why don't they hire a real trans actress

738
00:42:53,320 --> 00:42:56,760
Speaker 1: to play this part. I'm so sick of not getting

739
00:42:56,760 --> 00:42:59,239
Speaker 1: the opportunities I would love to be. I should be

740
00:42:59,280 --> 00:43:02,479
Speaker 1: in the room that Jennifer Lawrence is in. You want

741
00:43:02,560 --> 00:43:06,160
Speaker 1: the same opportunities that Jennifer Lawrence and Scarlett Johansson is in.

742
00:43:06,960 --> 00:43:10,920
Speaker 1: Shut the funk up, dude, were see and I tweeted

743
00:43:10,960 --> 00:43:14,160
Speaker 1: back on these people are like, you don't understand. You

744
00:43:14,239 --> 00:43:17,239
Speaker 1: don't get it. I you think you're Jennifer Lawrence. You're

745
00:43:17,280 --> 00:43:21,640
Speaker 1: not Jennifer Lawrence. Duke, Jennifer Lawrence is one of the

746
00:43:21,640 --> 00:43:23,960
Speaker 1: biggest stars in the world. Scarlett Johansson is one of

747
00:43:24,000 --> 00:43:26,640
Speaker 1: the biggest stars in the world. You think just because

748
00:43:26,680 --> 00:43:30,600
Speaker 1: you're a trans sexual actress that you're supposed to get

749
00:43:30,600 --> 00:43:33,080
Speaker 1: that right now, you're supposed to get that part. And

750
00:43:33,160 --> 00:43:36,279
Speaker 1: just because you're the real thing, they should hire you.

751
00:43:37,040 --> 00:43:39,600
Speaker 1: Who's gonna see it like you only go into the

752
00:43:39,680 --> 00:43:43,919
Speaker 1: movie to see Scarlett play that role. She's playing a role,

753
00:43:44,280 --> 00:43:47,040
Speaker 1: and it's it's it's a range of acting. So they

754
00:43:47,080 --> 00:43:52,160
Speaker 1: can't just throw any Tom Dick and Harry. No, you can't.

755
00:43:52,520 --> 00:43:54,600
Speaker 1: And and why don't they get Muhammed Ali to play

756
00:43:54,600 --> 00:43:57,560
Speaker 1: Apollo Creed? Why did they should have just never hired

757
00:43:57,680 --> 00:44:01,759
Speaker 1: James gandel Feene to play Tony, So Prano, Wait, but

758
00:44:02,239 --> 00:44:04,439
Speaker 1: every other part should be an actor playing a part.

759
00:44:04,640 --> 00:44:07,880
Speaker 1: But with trans you we reach should make the concession

760
00:44:08,120 --> 00:44:11,560
Speaker 1: and get the real thing from a nobody actor. You're

761
00:44:11,719 --> 00:44:15,000
Speaker 1: nobody when it comes to his acting ship. Yeah, clearly

762
00:44:15,040 --> 00:44:18,960
Speaker 1: you don't understand movie making and financing and and and

763
00:44:19,000 --> 00:44:22,400
Speaker 1: bankable stars. So shut the funk up. So the people

764
00:44:22,400 --> 00:44:24,920
Speaker 1: started talking to me like I tweeted out, and then

765
00:44:24,960 --> 00:44:28,799
Speaker 1: this this lady was like I I wrote it. I

766
00:44:28,800 --> 00:44:32,280
Speaker 1: wrote a pilot and I couldn't get it done. Bitch, Please,

767
00:44:33,160 --> 00:44:35,000
Speaker 1: I wrote a pilot and couldn't get it done. Right

768
00:44:35,080 --> 00:44:38,879
Speaker 1: another one, right, another one, write another one, right, another one,

769
00:44:38,960 --> 00:44:42,200
Speaker 1: bitch until it gets done. Whatever whatever you got, And

770
00:44:42,239 --> 00:44:44,399
Speaker 1: maybe it's maybe it's not that they didn't get done.

771
00:44:44,440 --> 00:44:47,719
Speaker 1: Maybe it's you. Maybe the pilot wasn't dope. They're like,

772
00:44:47,760 --> 00:44:50,600
Speaker 1: this is not only like these motherfucker's are sick and

773
00:44:50,680 --> 00:44:54,799
Speaker 1: being transgender, being gay, and your sexuality has nothing to

774
00:44:54,880 --> 00:44:58,160
Speaker 1: do with it. Yeah, nobody cares about that. Nobody cares

775
00:44:58,200 --> 00:45:00,920
Speaker 1: about that ship you think just be because you're trans

776
00:45:01,080 --> 00:45:04,080
Speaker 1: and just because you're gay, you got rainbow Shoot now

777
00:45:04,160 --> 00:45:08,680
Speaker 1: your ass, No one cares, Nobody gives a fuck. You'll

778
00:45:08,760 --> 00:45:11,040
Speaker 1: make it. You make it. You're the whole of your

779
00:45:11,080 --> 00:45:17,160
Speaker 1: identity by asking for this. This this this woman Lazette,

780
00:45:17,160 --> 00:45:21,880
Speaker 1: Tracy Lazette thinks she thinks that she should have the

781
00:45:21,920 --> 00:45:27,200
Speaker 1: opportunity to play straight women. This is a trans woman.

782
00:45:27,200 --> 00:45:30,240
Speaker 1: This is a woman that used to be a guy

783
00:45:30,280 --> 00:45:32,640
Speaker 1: that went through surgery. She thinks she should be getting

784
00:45:32,680 --> 00:45:37,000
Speaker 1: the same parts as motherfucker Gwyneth Paltrow and Jennifer Aniston.

785
00:45:37,200 --> 00:45:39,719
Speaker 1: I'm gonna tell you something. You might play one of

786
00:45:39,760 --> 00:45:42,680
Speaker 1: those parts, but that's stunt casting. I watched this movie

787
00:45:42,760 --> 00:45:47,359
Speaker 1: last night by taragi Uh called Acrimony, and it's it's

788
00:45:47,360 --> 00:45:49,120
Speaker 1: a it's a fun movie, gets a little weird at

789
00:45:49,120 --> 00:45:52,359
Speaker 1: the end, real fucking weird falls apart at the end.

790
00:45:53,000 --> 00:45:56,160
Speaker 1: But but in the movie, Taragie, for some reason where's

791
00:45:56,239 --> 00:45:58,799
Speaker 1: contact lenses to change your eye color? You know it's

792
00:45:58,800 --> 00:46:02,360
Speaker 1: a character choice. When that cameras up on you and

793
00:46:02,400 --> 00:46:07,160
Speaker 1: you've seen Rogie Henson film after film after film, You've

794
00:46:07,200 --> 00:46:09,640
Speaker 1: watched a week after week after week on that show,

795
00:46:10,040 --> 00:46:12,240
Speaker 1: and you see her with the green eyes. I felt

796
00:46:12,239 --> 00:46:17,280
Speaker 1: it was distracting. That camera don't lie. So you think,

797
00:46:17,520 --> 00:46:22,319
Speaker 1: Tracy Lizette, just because you're a trans woman, that you

798
00:46:22,920 --> 00:46:28,520
Speaker 1: are going to outperform women who are playing women, or

799
00:46:28,520 --> 00:46:30,200
Speaker 1: do you think that you should just be given this

800
00:46:30,239 --> 00:46:33,880
Speaker 1: opportunity because you're a trans actor. Let me tell you something.

801
00:46:33,920 --> 00:46:38,720
Speaker 1: There's hundreds, literally hundreds of parts I've auditioned. I've gotten

802
00:46:38,760 --> 00:46:43,840
Speaker 1: turned down, I've gotten close every fucking actor. This happens

803
00:46:43,880 --> 00:46:46,960
Speaker 1: to every fucking actor. You don't always get what the

804
00:46:47,000 --> 00:46:49,080
Speaker 1: funk you want. I want to play King Lear. When

805
00:46:49,080 --> 00:46:50,880
Speaker 1: I grew up, I wanted to play Dr J. Do

806
00:46:50,920 --> 00:46:53,000
Speaker 1: you think anybody gives a funk that I want to

807
00:46:53,000 --> 00:46:55,120
Speaker 1: play I'm not the right person to play Dr J.

808
00:46:55,600 --> 00:46:58,160
Speaker 1: They should get Wood Harris to play Dr J. He's

809
00:46:58,200 --> 00:47:01,640
Speaker 1: more equipped for the role. You're a transactor, most likely

810
00:47:01,680 --> 00:47:05,000
Speaker 1: that's the only part you're gonna get. There's no concessions

811
00:47:05,000 --> 00:47:07,359
Speaker 1: in this ship. You're trying to get in the same

812
00:47:07,440 --> 00:47:10,000
Speaker 1: room as Jennifer Lawrence and you've done nothing. What's your

813
00:47:10,000 --> 00:47:15,399
Speaker 1: skill set, Duke? Yeah, they're delusional, man, lead lead him alone.

814
00:47:15,440 --> 00:47:18,799
Speaker 1: They're not what your skill set, Duke. Maybe it's you.

815
00:47:19,239 --> 00:47:23,880
Speaker 1: Maybe you're just not that good. Maybe maybe it's just

816
00:47:24,040 --> 00:47:27,880
Speaker 1: not that fucking good. Maybe I'm not the best person

817
00:47:28,320 --> 00:47:31,359
Speaker 1: for someone to put their money behind to play king

818
00:47:31,640 --> 00:47:34,920
Speaker 1: fucking lear it happens, that's part of show business. They'll

819
00:47:34,960 --> 00:47:37,680
Speaker 1: make no concession for you. And as soon as I

820
00:47:37,719 --> 00:47:41,520
Speaker 1: started saying this, you're a homophobe, you're a trans and

821
00:47:41,560 --> 00:47:45,000
Speaker 1: you know what I've told these people. G I told

822
00:47:45,040 --> 00:47:46,800
Speaker 1: him the same shout I told all these other people.

823
00:47:47,000 --> 00:47:49,560
Speaker 1: I said, suck my dick, Duke. Oh, man, that's what

824
00:47:49,600 --> 00:47:52,120
Speaker 1: they want. They want to do that. But that's what

825
00:47:52,200 --> 00:47:55,040
Speaker 1: I told him. I'm like, Yo, you know shit about this,

826
00:47:55,320 --> 00:47:57,800
Speaker 1: Like you go at them hard. Once you start talking,

827
00:47:57,880 --> 00:48:01,120
Speaker 1: your your your your that's if you don't agree with

828
00:48:01,160 --> 00:48:03,960
Speaker 1: them and abide by everything they say. You're trans full

829
00:48:05,400 --> 00:48:08,000
Speaker 1: you know I'm not. I'm not new to this. I'm

830
00:48:08,000 --> 00:48:10,080
Speaker 1: true to this. We grew up in New York City.

831
00:48:10,200 --> 00:48:12,560
Speaker 1: Just because you're gay and your trans doesn't make you.

832
00:48:12,560 --> 00:48:15,120
Speaker 1: You don't have rainbow shooting out trash your trans and

833
00:48:15,120 --> 00:48:17,040
Speaker 1: your gay. Move on with your life. I don't have

834
00:48:17,080 --> 00:48:21,320
Speaker 1: a problem with it, do you? Obviously they do. Nobody

835
00:48:21,360 --> 00:48:24,840
Speaker 1: has a problem with that. Do your sexualities? Uh, it's yours.

836
00:48:24,920 --> 00:48:27,040
Speaker 1: You can do whatever you want. I don't give a funk.

837
00:48:27,080 --> 00:48:30,560
Speaker 1: It's always them putting that in people's face. Who cares?

838
00:48:30,760 --> 00:48:33,719
Speaker 1: No one cares. Who cares that you don't abide and

839
00:48:33,760 --> 00:48:37,959
Speaker 1: agree with their personal struggle and what they're going through.

840
00:48:38,520 --> 00:48:41,480
Speaker 1: You don't. And then then then they're the same white

841
00:48:41,560 --> 00:48:44,440
Speaker 1: women because they've gotten the surgery to be called white women.

842
00:48:44,600 --> 00:48:47,200
Speaker 1: The first thing they'll start doing is people of color, this,

843
00:48:48,560 --> 00:48:52,040
Speaker 1: don't use me, don't use me as your fucking poem.

844
00:48:52,440 --> 00:48:56,000
Speaker 1: Fuck you, that's you. Hold your own nuts, hold your

845
00:48:56,040 --> 00:48:59,479
Speaker 1: own nuts. Don't use black people, don't use Mexicans nuting.

846
00:48:59,480 --> 00:49:02,560
Speaker 1: We don't give a funk about your sexuality. You stand

847
00:49:02,600 --> 00:49:06,319
Speaker 1: there alone, exactly. Always try to use black people as

848
00:49:06,360 --> 00:49:09,880
Speaker 1: the pawns as our grievances are sort of like they're's

849
00:49:09,920 --> 00:49:11,879
Speaker 1: get the funk out of here. We don't want that.

850
00:49:12,120 --> 00:49:14,799
Speaker 1: Fuck you, man, That's what I told him, And then

851
00:49:14,800 --> 00:49:16,400
Speaker 1: I started I said Yo, you better look me up

852
00:49:16,400 --> 00:49:19,040
Speaker 1: because you started talk shit. I don't given if your

853
00:49:19,080 --> 00:49:23,160
Speaker 1: trans gey look me up. Who cares I talk ship?

854
00:49:24,160 --> 00:49:27,720
Speaker 1: They think just because they're trans and and they're they're gay,

855
00:49:29,239 --> 00:49:32,879
Speaker 1: and they're talking about it on Twitter their heroes. I'm

856
00:49:32,880 --> 00:49:36,760
Speaker 1: a real hero. I'm actually here. I saved planes and ship.

857
00:49:37,360 --> 00:49:39,239
Speaker 1: That's how I get down. I'm a real hero. You're

858
00:49:39,239 --> 00:49:43,680
Speaker 1: tweeting about it. You're not doing ship. I saved planes

859
00:49:43,719 --> 00:49:47,759
Speaker 1: and ship. Duke funk as you saying funk is you

860
00:49:47,880 --> 00:49:55,279
Speaker 1: talking about? All right? Fuck clowns. You don't understand what

861
00:49:55,400 --> 00:49:58,200
Speaker 1: it's like in show business. I don't understand what it's

862
00:49:58,239 --> 00:50:04,160
Speaker 1: like in shoulders. I know exactly. I'm in this ship, right,

863
00:50:04,840 --> 00:50:07,120
Speaker 1: I'm I'll tell you a quick story. I'm not even

864
00:50:08,320 --> 00:50:13,880
Speaker 1: holo holo. Before these people transitioned, you've been in the

865
00:50:14,000 --> 00:50:19,839
Speaker 1: business exactly, getting busy. I've been getting busy, getting rejected,

866
00:50:20,520 --> 00:50:23,799
Speaker 1: getting turned down and getting parts. I do it all, motherfucker.

867
00:50:23,840 --> 00:50:27,040
Speaker 1: I know this ship before you got your dick cut.

868
00:50:27,160 --> 00:50:30,680
Speaker 1: My man was in auditions being exactly. She's trying to

869
00:50:30,680 --> 00:50:33,719
Speaker 1: tell me about this fucking business. There ain't no compassion

870
00:50:33,719 --> 00:50:36,960
Speaker 1: in this ship. I want to play an Australian librarian.

871
00:50:37,200 --> 00:50:39,719
Speaker 1: They don't want me to play that part. There's other

872
00:50:39,840 --> 00:50:42,920
Speaker 1: people that are well more well suited to play that part.

873
00:50:43,200 --> 00:50:45,839
Speaker 1: You see me complaining if I went on Twitter, if

874
00:50:45,840 --> 00:50:49,160
Speaker 1: I came on this podcast and mentioned every single time

875
00:50:49,400 --> 00:50:51,920
Speaker 1: I get turned down for something or that motherfucker's tell

876
00:50:52,000 --> 00:50:54,080
Speaker 1: me no when I either want to play a part

877
00:50:54,480 --> 00:50:56,239
Speaker 1: or when I went a project on You know what

878
00:50:56,280 --> 00:51:00,160
Speaker 1: I would sound like. You would sound like these guys.

879
00:51:00,200 --> 00:51:02,520
Speaker 1: I'd sound crazy to be like, Yo, rap, shut the funk.

880
00:51:02,520 --> 00:51:07,640
Speaker 1: If nobody cares about this ship, Oh you didn't get

881
00:51:07,640 --> 00:51:10,080
Speaker 1: the part in the next, you know, hundred and fifty

882
00:51:10,080 --> 00:51:12,920
Speaker 1: million dollar movie, and you're complaining. There's little kids trapped

883
00:51:12,920 --> 00:51:17,600
Speaker 1: in tunnels and ship. There's levels to this ship. I'm

884
00:51:17,600 --> 00:51:20,480
Speaker 1: not gonna name names, but I'll just say that's one

885
00:51:20,520 --> 00:51:25,520
Speaker 1: of the biggest rappers. Attached himself as an executive bigger

886
00:51:25,560 --> 00:51:30,400
Speaker 1: than fifty cent, attached himself to executive produce a project

887
00:51:30,440 --> 00:51:35,759
Speaker 1: that I wanted to get done all in all. In

888
00:51:36,600 --> 00:51:40,200
Speaker 1: script was dope, great probable. I was like, Yo, we're

889
00:51:40,200 --> 00:51:42,440
Speaker 1: gonna get this done, and we got this motherfucker. He's

890
00:51:42,480 --> 00:51:47,200
Speaker 1: executive producing it, executive produced by so and so I'm

891
00:51:47,239 --> 00:51:49,120
Speaker 1: a matter of fact, I'm gonna tell it because it's

892
00:51:49,120 --> 00:51:52,000
Speaker 1: the I Am Wrappers stereo podcast fans. It's a project

893
00:51:52,520 --> 00:51:55,880
Speaker 1: Eminem was executive producing. Was a dope b ass script.

894
00:51:55,960 --> 00:52:00,480
Speaker 1: The script was written. Wasn't no idea. The script was

895
00:52:00,480 --> 00:52:03,319
Speaker 1: actually written. Eminem was executive produced it. We took it

896
00:52:03,360 --> 00:52:08,640
Speaker 1: all over town like this, fucking Evan Rachel would Eminem produced.

897
00:52:08,880 --> 00:52:12,400
Speaker 1: That's like a brand, that's like Coca Cola. We we

898
00:52:12,480 --> 00:52:17,560
Speaker 1: went everywhere, every fucking place. Inevitably, they didn't want to

899
00:52:17,560 --> 00:52:20,400
Speaker 1: make the project. Maybe it was me, Maybe it was

900
00:52:20,440 --> 00:52:23,640
Speaker 1: the script. Maybe it was it just wasn't the right time.

901
00:52:23,920 --> 00:52:28,359
Speaker 1: Maybe these networks and these streaming companies Netflix and all,

902
00:52:28,719 --> 00:52:31,040
Speaker 1: maybe they just had projects that were similar to it.

903
00:52:31,200 --> 00:52:35,560
Speaker 1: Maybe they had some similar projects um in um in development.

904
00:52:35,880 --> 00:52:39,439
Speaker 1: It didn't work out, it didn't work out. You dust

905
00:52:39,480 --> 00:52:42,239
Speaker 1: yourself off into disappointment. You keep it fucking moving, you

906
00:52:42,320 --> 00:52:45,279
Speaker 1: keep it funky. Sh It happens all the time. Shi

907
00:52:45,400 --> 00:52:48,640
Speaker 1: happens all the times, chick. Evan Rachel would complain two years,

908
00:52:48,640 --> 00:52:51,600
Speaker 1: no one wants to make the product. Who cares, chick lady?

909
00:52:52,440 --> 00:52:54,719
Speaker 1: And if I went on Twitter and I was like,

910
00:52:54,960 --> 00:52:58,920
Speaker 1: I have this project that Eminem was gonna executive produced.

911
00:52:59,120 --> 00:53:01,400
Speaker 1: It was about blah blah blah. No one wants to

912
00:53:01,480 --> 00:53:04,280
Speaker 1: make it. Do you think anyone would give a fuck.

913
00:53:05,480 --> 00:53:09,520
Speaker 1: I'm a white man, the most privileged motherfucker out here.

914
00:53:09,920 --> 00:53:13,240
Speaker 1: No one gave a fuck. The ship's on the shelf.

915
00:53:13,360 --> 00:53:15,719
Speaker 1: Maybe we'll pick it up later, maybe we won't. You

916
00:53:15,920 --> 00:53:18,960
Speaker 1: keep it funky, you keep it moving, fucking complaining on

917
00:53:19,000 --> 00:53:25,239
Speaker 1: Twitter about that. Shut the funk up? All right, all right?

918
00:53:25,440 --> 00:53:27,919
Speaker 1: We rattled the sick funds in a week off really quick.

919
00:53:29,000 --> 00:53:32,800
Speaker 1: This award is earned, not giving. It's called the Sick

920
00:53:33,160 --> 00:53:36,279
Speaker 1: fucking a Week. This guy is really sick. Lock him up?

921
00:53:36,600 --> 00:53:39,800
Speaker 1: How could you do it? Don't let him out? Damn

922
00:53:40,320 --> 00:53:43,000
Speaker 1: you fuck the door? You want you fuck the door?

923
00:53:43,000 --> 00:53:45,920
Speaker 1: Why would you fuck the dog? Why would you fuck

924
00:53:46,000 --> 00:53:50,479
Speaker 1: your girlfriend's dog? Sick fuck the sick Funck of the Week.

925
00:53:50,920 --> 00:54:02,200
Speaker 1: It's earned and not giving. You did what? No, no, no, yeah,

926
00:54:02,280 --> 00:54:06,359
Speaker 1: you hear it, Sick fucking a Week theme song. It's

927
00:54:06,360 --> 00:54:08,839
Speaker 1: award that's earned, not given. Its reward that's earned, not given.

928
00:54:08,880 --> 00:54:14,400
Speaker 1: In New York City, New York City, um, in Manhattan,

929
00:54:16,680 --> 00:54:22,800
Speaker 1: some sick fuck was arrested on thirteen Street on thirteen

930
00:54:22,840 --> 00:54:25,879
Speaker 1: Street in the in the Campos Plaza houses. I think

931
00:54:25,880 --> 00:54:27,640
Speaker 1: that's on the east side. Is on the east side, Yeah,

932
00:54:27,640 --> 00:54:31,080
Speaker 1: East thirteen Street. The sky was arrested. I don't know

933
00:54:31,120 --> 00:54:35,319
Speaker 1: how they got tipped off. He had thirty three mal

934
00:54:35,520 --> 00:54:39,560
Speaker 1: nourished ship sue dogs. Thirty three dogs in his apartment.

935
00:54:39,880 --> 00:54:42,600
Speaker 1: They came in there. The dogs were suffering. It's the

936
00:54:42,640 --> 00:54:45,840
Speaker 1: middle of the summer. The ship everywhere and all this

937
00:54:46,000 --> 00:54:48,960
Speaker 1: the thirty three dogs in a one bedroom apartment in

938
00:54:49,000 --> 00:54:51,680
Speaker 1: New York City. The guy was arrested for animal cruelty.

939
00:54:51,840 --> 00:54:55,000
Speaker 1: Locked this piece of ship up. Yes, yes, and and

940
00:54:55,000 --> 00:54:57,400
Speaker 1: and this sick funck. If you if you look at

941
00:54:57,400 --> 00:55:01,680
Speaker 1: the pictures, there's literally literally dog everywhere. You could smell

942
00:55:01,840 --> 00:55:04,880
Speaker 1: the room through the pictures. Thirty three dogs in a

943
00:55:04,920 --> 00:55:09,000
Speaker 1: one bedroom apartment. Well, they don't call him ship sues

944
00:55:09,080 --> 00:55:13,960
Speaker 1: for nothing. Good one, Oh I got one for you.

945
00:55:15,840 --> 00:55:20,440
Speaker 1: Uh tie thie. Woman gets heated that her guy flirts

946
00:55:20,480 --> 00:55:24,919
Speaker 1: with women, so she planned uh some heinous ship. She

947
00:55:25,320 --> 00:55:29,120
Speaker 1: bricks him up with a surprise morning Mike check. Then

948
00:55:29,160 --> 00:55:33,560
Speaker 1: she pulls out a sharpened cleaver, and she swings for

949
00:55:33,600 --> 00:55:36,560
Speaker 1: the fences and chops off my man's pipe with the

950
00:55:36,560 --> 00:55:40,440
Speaker 1: precision of a hibachi chef. She then takes it and

951
00:55:40,520 --> 00:55:43,080
Speaker 1: throws it out the window. It gets it gets run

952
00:55:43,160 --> 00:55:47,520
Speaker 1: over by several tuk tuks. Those are thie cabs. Uh.

953
00:55:47,560 --> 00:55:52,520
Speaker 1: It cannot be attached. Uh so he lost his his pipe. Uh.

954
00:55:52,920 --> 00:55:54,759
Speaker 1: If I lost my pipe and the dot came in

955
00:55:54,800 --> 00:55:57,399
Speaker 1: and told me, yo, we can't reattach it, I would

956
00:55:57,480 --> 00:56:01,480
Speaker 1: ask at least can I take it home? I'd stuff

957
00:56:01,560 --> 00:56:04,439
Speaker 1: it and put it in a glass case. But even

958
00:56:04,440 --> 00:56:07,920
Speaker 1: if even if it was ran over, Yeah, you stuff it,

959
00:56:08,040 --> 00:56:11,960
Speaker 1: you mangled dick, and and have it in the basically

960
00:56:12,480 --> 00:56:14,879
Speaker 1: you'd want it like you know those science experiments where

961
00:56:14,880 --> 00:56:17,360
Speaker 1: they put like you know, like like like frogs and

962
00:56:17,400 --> 00:56:20,480
Speaker 1: then they put it in the framil behind. Yeah, this

963
00:56:20,520 --> 00:56:23,000
Speaker 1: is what I had to get that ship. If you

964
00:56:23,000 --> 00:56:24,480
Speaker 1: could in this day and age, you can get that

965
00:56:24,480 --> 00:56:26,320
Speaker 1: ship put on a nice chain. You can rock that

966
00:56:26,360 --> 00:56:29,839
Speaker 1: ship on a chain. I heard about this man. This

967
00:56:29,880 --> 00:56:35,160
Speaker 1: woman cut off Money's loaf because you just leave him. Yeah,

968
00:56:35,440 --> 00:56:39,279
Speaker 1: is a twelve inch carving knife to shot him off

969
00:56:39,440 --> 00:56:43,200
Speaker 1: his seven inch dick. It's not even a fair fight. Yeah,

970
00:56:43,200 --> 00:56:47,440
Speaker 1: she got him aroused and then it was a clean swipe.

971
00:56:48,000 --> 00:56:54,240
Speaker 1: Your mouths give me the Wu tang Yo. You notice

972
00:56:54,360 --> 00:57:00,319
Speaker 1: rapper uh ty dollar sign. Yeah, I've heard of him,

973
00:57:00,360 --> 00:57:03,280
Speaker 1: but I don't know all of any of the music. Okay.

974
00:57:03,600 --> 00:57:08,520
Speaker 1: He was on an Air Canada flight. Tie hold your head, duke.

975
00:57:09,160 --> 00:57:13,960
Speaker 1: There's a blind passenger. A blind passenger and her seeing

976
00:57:14,000 --> 00:57:18,240
Speaker 1: eye dog seated in front of him. This is a

977
00:57:18,240 --> 00:57:21,400
Speaker 1: blind person. He tried to get money with a woman

978
00:57:21,960 --> 00:57:27,000
Speaker 1: and her dog. Removed from the plane because of his allergies. Duke, Duke,

979
00:57:27,160 --> 00:57:28,880
Speaker 1: you gotta get up off the plane if you if

980
00:57:28,920 --> 00:57:30,640
Speaker 1: first of all, I don't know who's allergic to dogs.

981
00:57:30,680 --> 00:57:33,200
Speaker 1: I've ever heard of that. Second of all, if you've

982
00:57:33,200 --> 00:57:36,600
Speaker 1: got a problem with with a blind person and they're

983
00:57:36,640 --> 00:57:39,600
Speaker 1: seeing eye dog, which is all sanctioned and legalized, you

984
00:57:39,760 --> 00:57:44,040
Speaker 1: get the funk off the plane. Yeah, man, come on,

985
00:57:44,120 --> 00:57:47,560
Speaker 1: this is that's ridiculous. You get off the plane. Man.

986
00:57:47,600 --> 00:57:49,560
Speaker 1: Why are you worried about that they're blind? Have some

987
00:57:49,640 --> 00:57:57,360
Speaker 1: compassion exactly? Uh? Next, sick fuck. A woman who was

988
00:57:57,440 --> 00:58:04,160
Speaker 1: declared legally dead went through a car crash. Family grieve.

989
00:58:04,280 --> 00:58:09,080
Speaker 1: This is in South Africa, was in a morgue. The

990
00:58:09,120 --> 00:58:13,640
Speaker 1: body was pulled out of the refrigerator to be moved again.

991
00:58:14,200 --> 00:58:18,640
Speaker 1: Car crash declared legally dead. While she was being pulled

992
00:58:18,640 --> 00:58:21,400
Speaker 1: out of the refrigerator, they realized this woman was not

993
00:58:21,680 --> 00:58:27,840
Speaker 1: in fact dead, she lived. Yo. Who's who who's doing

994
00:58:27,880 --> 00:58:32,800
Speaker 1: the pulse check? The doctors that declared this person dead, right,

995
00:58:33,640 --> 00:58:36,040
Speaker 1: and then they put you in in the freezer. They

996
00:58:36,040 --> 00:58:38,000
Speaker 1: put you in the freezer. You you come out, You're like,

997
00:58:38,160 --> 00:58:43,400
Speaker 1: what the funk y'all doing? Man? The doctors, the staff

998
00:58:43,440 --> 00:58:47,200
Speaker 1: should be a let go fire everybody. And imagine the

999
00:58:47,240 --> 00:58:51,760
Speaker 1: family members like, Yo, Marcia, she got in a car accident,

1000
00:58:51,840 --> 00:58:55,280
Speaker 1: she died, you know, and we gotta go identified the body.

1001
00:58:55,280 --> 00:58:58,919
Speaker 1: Maybe she's out colder, they're crying, they're looking, and then

1002
00:58:58,960 --> 00:59:03,600
Speaker 1: two days later the yo, Marcy's Marcy's she's she's she's

1003
00:59:03,640 --> 00:59:07,120
Speaker 1: good to go. She she's back. Yeah. The doctors is like, yo,

1004
00:59:07,200 --> 00:59:13,000
Speaker 1: part pardon me, man, Yo, she i right part of me. Finally,

1005
00:59:13,400 --> 00:59:20,200
Speaker 1: in Michigan, a woman was arrested her Chinese food order

1006
00:59:20,880 --> 00:59:23,160
Speaker 1: didn't come out the way she wanted. She got into

1007
00:59:23,200 --> 00:59:26,360
Speaker 1: a little scuffle with the people at the Chinese food restaurant,

1008
00:59:26,400 --> 00:59:30,160
Speaker 1: you know that spot China One, China one out there

1009
00:59:30,160 --> 00:59:33,440
Speaker 1: in Mount Clemens, Michigan. She got into a scuffle with

1010
00:59:33,480 --> 00:59:36,360
Speaker 1: the the lady who didn't speak English. Uh, she was

1011
00:59:36,400 --> 00:59:43,480
Speaker 1: actual Chinese. Um and bait the lady's ear off. No,

1012
00:59:44,000 --> 00:59:47,520
Speaker 1: bit the man's zero. The woman, the woman who was

1013
00:59:47,560 --> 00:59:50,880
Speaker 1: buying the food got into a fight with duke and

1014
00:59:51,080 --> 00:59:55,520
Speaker 1: bit his fucking ear off because of the Chinese order

1015
00:59:55,600 --> 00:59:59,000
Speaker 1: was it wasn't laid out correctly. Yo, what yo? You

1016
00:59:59,040 --> 01:00:01,520
Speaker 1: want some more ducks? So awesome sources another a gro

1017
01:00:02,000 --> 01:00:04,440
Speaker 1: just ask for are you biting people's zero orphans ship?

1018
01:00:04,680 --> 01:00:09,240
Speaker 1: Come on, man, come on, stop with the bullshit. Stop yo,

1019
01:00:09,960 --> 01:00:11,880
Speaker 1: h I see what one last thing I saw it.

1020
01:00:11,880 --> 01:00:13,520
Speaker 1: This is not a sick funck. I saw it. It It

1021
01:00:13,680 --> 01:00:17,080
Speaker 1: was a lot of brew ha ha about uh Trump

1022
01:00:17,200 --> 01:00:23,480
Speaker 1: reversing Obama guidelines for us. Careful here, don't lose this

1023
01:00:23,600 --> 01:00:28,080
Speaker 1: any fucking listeners. No, no, I'm not. I'm I want to.

1024
01:00:28,080 --> 01:00:31,640
Speaker 1: I want I want to give you, uh what it means?

1025
01:00:31,720 --> 01:00:34,120
Speaker 1: Like what what the intent was that? Because it's a

1026
01:00:34,160 --> 01:00:36,520
Speaker 1: lot of bullshit and I checked it out. The check

1027
01:00:36,560 --> 01:00:39,240
Speaker 1: it out. The plan is to tell schools that race

1028
01:00:39,720 --> 01:00:44,640
Speaker 1: shouldn't be considered in admissions. Uh, And I agree? Why

1029
01:00:44,640 --> 01:00:48,920
Speaker 1: should that be considered? It's about grades and competence. I

1030
01:00:48,920 --> 01:00:51,360
Speaker 1: don't want none of the set aside. That's what I'm saying.

1031
01:00:51,400 --> 01:00:54,680
Speaker 1: So the guidance documents by the Obama illustration that called

1032
01:00:54,680 --> 01:00:58,400
Speaker 1: for school superintendents and colleges to consider race when trying

1033
01:00:58,440 --> 01:01:02,880
Speaker 1: to diversify the camp is will be thrown out because

1034
01:01:03,520 --> 01:01:07,640
Speaker 1: Justice Department ruled this. In rescinding these guidance documents, the

1035
01:01:07,760 --> 01:01:13,160
Speaker 1: Justice Department ruled that the executive branch cannot circumvent Congress

1036
01:01:13,320 --> 01:01:17,200
Speaker 1: or the courts by creating guidance that goes beyond the

1037
01:01:17,240 --> 01:01:20,960
Speaker 1: scope of the law. Race also has to do with class.

1038
01:01:21,640 --> 01:01:25,720
Speaker 1: Race also has to do with opportunities. Imagine in seven,

1039
01:01:25,760 --> 01:01:28,680
Speaker 1: were at a Rasmus Hall High School. All those kids

1040
01:01:28,720 --> 01:01:32,320
Speaker 1: in there. It's overpack school. Most of the students are

1041
01:01:32,360 --> 01:01:36,440
Speaker 1: good students. It's a rowdy, fucking school. That school was filled.

1042
01:01:37,840 --> 01:01:43,200
Speaker 1: That school was filled with kids of immigrants, correct, Like

1043
01:01:43,280 --> 01:01:46,080
Speaker 1: we were in that school. There was Spanish people, Haitians,

1044
01:01:46,160 --> 01:01:49,800
Speaker 1: Jamaicans obviously you know, Americans and all that stuff. Imagine

1045
01:01:50,120 --> 01:01:52,600
Speaker 1: the the there. There's there's some kids in that school

1046
01:01:52,600 --> 01:01:55,440
Speaker 1: that we went to was a fucking zoo. They're in

1047
01:01:55,440 --> 01:01:59,000
Speaker 1: this bullshit school. They're busting their ass. There's some good

1048
01:01:59,040 --> 01:02:03,439
Speaker 1: students in there, they're they're they're they're getting overlooked, not

1049
01:02:03,520 --> 01:02:07,240
Speaker 1: necessarily because of their race, but because of their class,

1050
01:02:07,280 --> 01:02:09,360
Speaker 1: because of the schools they go to. You know, if

1051
01:02:09,360 --> 01:02:11,480
Speaker 1: you're from the hood, most of the schools are not

1052
01:02:11,520 --> 01:02:14,440
Speaker 1: considered ELEAD schools. So when we're in a school like

1053
01:02:14,480 --> 01:02:19,439
Speaker 1: Erasmus Hole and schools like that exist, and there's kids

1054
01:02:19,440 --> 01:02:22,640
Speaker 1: in there that do deserve to have the opportunities, may

1055
01:02:22,680 --> 01:02:26,120
Speaker 1: not have the money, but the schools they go to

1056
01:02:26,240 --> 01:02:29,600
Speaker 1: because of because of their class, because of their finances,

1057
01:02:29,720 --> 01:02:32,760
Speaker 1: because of where they're from, they're not getting looked at.

1058
01:02:33,600 --> 01:02:35,920
Speaker 1: So it's that's just race. It has to do with class,

1059
01:02:35,960 --> 01:02:39,360
Speaker 1: and they things go to the things coincide. But that

1060
01:02:39,800 --> 01:02:44,120
Speaker 1: this wasn't This wasn't a This wasn't targeting class. This

1061
01:02:44,200 --> 01:02:48,600
Speaker 1: is like, yo, it's race neutral. It's we're looking at

1062
01:02:48,800 --> 01:02:51,480
Speaker 1: you as a human being, like what what what is

1063
01:02:51,520 --> 01:02:54,280
Speaker 1: your grades? It don't matter. You could be Haitian, you

1064
01:02:54,280 --> 01:02:57,720
Speaker 1: could be Jamaican, you could be Iranian, you could be whatever.

1065
01:02:58,000 --> 01:03:00,440
Speaker 1: It's not. We're not looking at race, and we don't

1066
01:03:00,480 --> 01:03:03,800
Speaker 1: want uh any guidance to do that. So if your

1067
01:03:03,800 --> 01:03:07,640
Speaker 1: grades come are good and you come to us, it's

1068
01:03:07,640 --> 01:03:11,560
Speaker 1: about that. It's about I like that. I like that,

1069
01:03:11,600 --> 01:03:14,720
Speaker 1: I don't like I don't like the something to do

1070
01:03:14,760 --> 01:03:17,160
Speaker 1: with it though, what why do you think what class

1071
01:03:17,320 --> 01:03:18,960
Speaker 1: were like? Well, why do you think they have that?

1072
01:03:19,200 --> 01:03:23,240
Speaker 1: Like our mutual friend fuckhead rats. So he went to

1073
01:03:23,320 --> 01:03:27,200
Speaker 1: that school Hunter in New York City, right, uh huh oh.

1074
01:03:27,320 --> 01:03:29,600
Speaker 1: So he earned his way into that school, right, he

1075
01:03:29,600 --> 01:03:31,920
Speaker 1: he took that test. It's an elite school. Hunters like

1076
01:03:31,960 --> 01:03:34,480
Speaker 1: this elite school for like the smartest of the smart kids.

1077
01:03:34,520 --> 01:03:37,959
Speaker 1: The public school everybody gets an opportunity to take this test.

1078
01:03:38,000 --> 01:03:41,120
Speaker 1: They take the smartest of the smart kids. Right, and

1079
01:03:41,160 --> 01:03:44,320
Speaker 1: he got in on his merit, on his competence. It

1080
01:03:44,440 --> 01:03:47,840
Speaker 1: wasn't because he was black. They accepted him. It was

1081
01:03:47,880 --> 01:03:51,600
Speaker 1: because he showed competence in his grades and he was

1082
01:03:51,640 --> 01:03:55,400
Speaker 1: admitting boom, that's it. So but I like, but if

1083
01:03:55,440 --> 01:04:00,080
Speaker 1: you go to ship schools and you're rocking, but it

1084
01:04:00,120 --> 01:04:01,800
Speaker 1: if you go to ship school because you're going you

1085
01:04:01,840 --> 01:04:06,320
Speaker 1: live in a ship neighborhood. So did these things go

1086
01:04:06,440 --> 01:04:09,440
Speaker 1: handing in listen to the reality of his your your

1087
01:04:09,560 --> 01:04:12,440
Speaker 1: your man, Donald Trump. He wants to abolish anything that

1088
01:04:12,480 --> 01:04:16,200
Speaker 1: has to do with Obama, just be simply because he

1089
01:04:16,320 --> 01:04:19,320
Speaker 1: doesn't like Obama. He didn't like Obama from the beginning.

1090
01:04:19,560 --> 01:04:22,160
Speaker 1: And this is what I have to say about Trump.

1091
01:04:22,640 --> 01:04:25,880
Speaker 1: People say, why do you disrespect uh Trump? Why do

1092
01:04:25,880 --> 01:04:29,919
Speaker 1: you talk so much about the president? I treat dick

1093
01:04:29,960 --> 01:04:34,040
Speaker 1: Stain Donald Trump with the exact same respect and adoration

1094
01:04:34,160 --> 01:04:37,800
Speaker 1: that he treated Obama. None he he was, He was

1095
01:04:37,840 --> 01:04:43,080
Speaker 1: on the forefront ship, not Obama the day he got elected,

1096
01:04:43,160 --> 01:04:48,200
Speaker 1: questioning this question in that publicly ridiculing him, teasing him

1097
01:04:48,560 --> 01:04:50,920
Speaker 1: question whether or not he's a citizen, question not he

1098
01:04:50,920 --> 01:04:53,560
Speaker 1: had a birthright? Fuck Donald Trump, and he gets the

1099
01:04:53,600 --> 01:04:57,240
Speaker 1: same respect from me that he gave the last president.

1100
01:04:57,680 --> 01:05:00,120
Speaker 1: Zero And that's just and I encourage everyone else us

1101
01:05:00,160 --> 01:05:02,680
Speaker 1: to do the same thing to that motherfuck. He treated

1102
01:05:02,760 --> 01:05:06,160
Speaker 1: Obama President Obama like he was a derelict, and he

1103
01:05:06,240 --> 01:05:09,840
Speaker 1: deserves the same type of treatment. That's how you treat

1104
01:05:09,840 --> 01:05:12,840
Speaker 1: a president. That's how you're gonna get treated. Okay, I

1105
01:05:12,840 --> 01:05:16,800
Speaker 1: I understand. I. I just was saying about this stuff

1106
01:05:16,840 --> 01:05:18,800
Speaker 1: that was going on with with the diversity thing, and

1107
01:05:18,840 --> 01:05:20,720
Speaker 1: so I'm not an expert on it. But but but

1108
01:05:20,800 --> 01:05:22,720
Speaker 1: it ain't just about color. It has to do with

1109
01:05:22,800 --> 01:05:25,720
Speaker 1: class and opportunities. It has to do with finance and

1110
01:05:25,720 --> 01:05:29,400
Speaker 1: opportunities as well. And Donald Trump's his whole agenda. Is

1111
01:05:29,400 --> 01:05:32,200
Speaker 1: there just anything that Obama fought for, We're gonna get

1112
01:05:32,280 --> 01:05:35,200
Speaker 1: rid of it, whether it was good sort of good, um,

1113
01:05:35,320 --> 01:05:39,280
Speaker 1: pretty good, kind of good, or just blame. That's everything

1114
01:05:39,320 --> 01:05:41,280
Speaker 1: he does. He wants to abolish. He he wants to

1115
01:05:41,280 --> 01:05:44,360
Speaker 1: get rid of, like all track record of of Obama

1116
01:05:44,400 --> 01:05:47,160
Speaker 1: being in office. And I don't agree with that, but

1117
01:05:47,240 --> 01:05:50,320
Speaker 1: that's what he's been doing. Yo. Listen, Yo, it's a

1118
01:05:50,360 --> 01:05:54,840
Speaker 1: new administration. They sent these guidance uh documents to the

1119
01:05:54,880 --> 01:05:58,640
Speaker 1: Justice Department because they believe that it went beyond law,

1120
01:05:59,040 --> 01:06:03,440
Speaker 1: and the Justice Apartment reviewed it and agreed. So this

1121
01:06:03,520 --> 01:06:05,959
Speaker 1: is what it is like, Yo, funk all the race shit,

1122
01:06:06,560 --> 01:06:09,640
Speaker 1: fuck the race, sip it's it's race like races and

1123
01:06:09,640 --> 01:06:15,280
Speaker 1: a factor. It is a fact I'm saying. I'm saying

1124
01:06:15,680 --> 01:06:19,720
Speaker 1: in reality, you you shouldn't be This guy's a piece

1125
01:06:19,760 --> 01:06:23,640
Speaker 1: of ship. No. I support uh not. I don't like race.

1126
01:06:23,760 --> 01:06:26,840
Speaker 1: I don't look at the race, but I don't look

1127
01:06:26,880 --> 01:06:30,200
Speaker 1: at things through race. I know you don't. That's my

1128
01:06:30,240 --> 01:06:33,280
Speaker 1: mind is open. You shouldn't be race? How How how

1129
01:06:33,280 --> 01:06:38,000
Speaker 1: the fun should colleges be uh pandering to certain groups?

1130
01:06:38,200 --> 01:06:41,480
Speaker 1: How do you think that these colleges are just gonna

1131
01:06:41,480 --> 01:06:44,320
Speaker 1: be filled with oaky dope white kids. No, No, it's

1132
01:06:44,720 --> 01:06:48,240
Speaker 1: if it's based on grades, that's fair, but a lot

1133
01:06:48,240 --> 01:06:51,320
Speaker 1: of the but but if it's the marriage, if you don't,

1134
01:06:51,360 --> 01:06:53,520
Speaker 1: if you don't have the certain opportunities because of where

1135
01:06:53,560 --> 01:06:57,200
Speaker 1: you're from and your class, your financial class, then it's

1136
01:06:57,240 --> 01:06:59,760
Speaker 1: not fair. And that and that, and that's what I'm saying.

1137
01:06:59,760 --> 01:07:02,680
Speaker 1: It's it's not black and white. And the only reason

1138
01:07:02,720 --> 01:07:05,200
Speaker 1: why Obama, the only reason why Trump is doing this

1139
01:07:05,560 --> 01:07:07,520
Speaker 1: and the only reason why he raised the red flag

1140
01:07:07,800 --> 01:07:10,280
Speaker 1: is to ship on Obama. And that's why I encourage

1141
01:07:10,280 --> 01:07:13,480
Speaker 1: everybody to shoot on him. And also there's this this

1142
01:07:13,600 --> 01:07:15,919
Speaker 1: this piece of ship Donald Trump. And this goes out

1143
01:07:15,920 --> 01:07:18,520
Speaker 1: to Scaramucci. Maybe he could come on the show. You

1144
01:07:18,520 --> 01:07:21,360
Speaker 1: went on that bullshit bar stool podcast and you took

1145
01:07:21,400 --> 01:07:23,400
Speaker 1: over the show. Why don't you come on this day

1146
01:07:23,400 --> 01:07:25,680
Speaker 1: and we'll treat you with respect. We we break balls,

1147
01:07:25,720 --> 01:07:28,120
Speaker 1: But if you come on this show, Scaramuchi, you'll get

1148
01:07:28,120 --> 01:07:31,080
Speaker 1: treated with respect. I'm not gonna like ridicule you or

1149
01:07:31,120 --> 01:07:34,280
Speaker 1: set you up to look bad. Maybe he Scaramuchi can

1150
01:07:34,320 --> 01:07:39,840
Speaker 1: answer this President Obama when he got inauguration the night

1151
01:07:39,920 --> 01:07:46,040
Speaker 1: that he got elected, had that huge, um iconic, historical

1152
01:07:46,560 --> 01:07:52,720
Speaker 1: um rally in Chicago, Right, yeah, Clinton, he had, he had.

1153
01:07:52,760 --> 01:07:57,240
Speaker 1: He went back home Bush throwing out pitches. He got,

1154
01:07:57,280 --> 01:07:59,920
Speaker 1: he got standing ovations in Texas and all that ship.

1155
01:08:00,360 --> 01:08:03,720
Speaker 1: Donald Trump, this piece of ship, he's from New York City.

1156
01:08:03,800 --> 01:08:06,320
Speaker 1: Has not showed up to New York City one time

1157
01:08:06,360 --> 01:08:11,800
Speaker 1: since he's been elected. Why don't the people why why

1158
01:08:11,800 --> 01:08:14,120
Speaker 1: don't the people of New York City get to see you?

1159
01:08:14,280 --> 01:08:16,599
Speaker 1: Why don't you go home to your neighbors. Why don't

1160
01:08:16,600 --> 01:08:19,400
Speaker 1: you go back to queens and do a rally? Why? Why?

1161
01:08:19,439 --> 01:08:21,760
Speaker 1: Why do we look at him the worst? Why do

1162
01:08:21,840 --> 01:08:24,320
Speaker 1: the people of New York like shun him the most?

1163
01:08:24,360 --> 01:08:26,400
Speaker 1: Because we can go This guy's a piece of ship.

1164
01:08:26,880 --> 01:08:30,040
Speaker 1: We know his hand gestures, we know all that ship talking,

1165
01:08:30,280 --> 01:08:33,160
Speaker 1: we know all his moves. This guy's a griffter he's

1166
01:08:33,200 --> 01:08:35,880
Speaker 1: a fucking con man. And he was and and he

1167
01:08:35,920 --> 01:08:38,720
Speaker 1: knows that the only his own people don't respect him

1168
01:08:38,720 --> 01:08:42,040
Speaker 1: any And in the entire the entirety that he's in office,

1169
01:08:42,120 --> 01:08:45,080
Speaker 1: he'll never go to New York City. You know why,

1170
01:08:45,439 --> 01:08:48,880
Speaker 1: because it's a liberal Democrat state. He of course he's

1171
01:08:48,880 --> 01:08:51,799
Speaker 1: not gonna go there. He lost that state. It's beyond

1172
01:08:51,880 --> 01:08:55,679
Speaker 1: that he'll get That's why he'll go there, the Democrat state.

1173
01:08:55,920 --> 01:08:59,000
Speaker 1: But but, but, listen, you have a lot of disrespect

1174
01:08:59,000 --> 01:09:03,200
Speaker 1: for this guy. But this guy has properties all over

1175
01:09:03,200 --> 01:09:08,120
Speaker 1: the planet. This guy has all golf, everything, all kind

1176
01:09:08,120 --> 01:09:10,439
Speaker 1: of real estate. You count this pockets, dude, This is

1177
01:09:10,479 --> 01:09:15,160
Speaker 1: a successful you count I'm talking about him. You sound

1178
01:09:15,240 --> 01:09:18,160
Speaker 1: crazy this and this dude, This dude is very successful.

1179
01:09:18,160 --> 01:09:21,080
Speaker 1: I don't care about that. He is the president. Push

1180
01:09:21,080 --> 01:09:23,479
Speaker 1: your tea, motherfucker. I don't care about how many he

1181
01:09:23,640 --> 01:09:27,040
Speaker 1: don't care about how many downstreams you have. I'm saying, listen,

1182
01:09:27,080 --> 01:09:30,479
Speaker 1: I'm pushing you sound crazy this and this guy because Yo,

1183
01:09:30,800 --> 01:09:33,920
Speaker 1: no matter what you say, he beat all of your

1184
01:09:33,960 --> 01:09:36,360
Speaker 1: fucking guys. You know, I don't give a funk about

1185
01:09:36,600 --> 01:09:39,120
Speaker 1: y know. I'm pushing t B. I don't give an

1186
01:09:39,479 --> 01:09:41,439
Speaker 1: I don't care about his mute. I don't care about

1187
01:09:41,439 --> 01:09:44,719
Speaker 1: his his hotels, his success. Just because you got hotels,

1188
01:09:44,720 --> 01:09:46,800
Speaker 1: and just because you got success doesn't make you a

1189
01:09:46,840 --> 01:09:50,760
Speaker 1: good person. I treat him with the same respect he

1190
01:09:50,840 --> 01:09:53,519
Speaker 1: treated the last president who was in there for eight years.

1191
01:09:54,560 --> 01:09:56,760
Speaker 1: And you're supposed to be a leader. You're supposed to

1192
01:09:56,840 --> 01:10:00,479
Speaker 1: lead by example. Your example was to be grudge, to

1193
01:10:00,680 --> 01:10:03,880
Speaker 1: shoot on, to question and to and to try to

1194
01:10:03,960 --> 01:10:07,360
Speaker 1: demoralize everything that President Obama did. You get the same

1195
01:10:07,400 --> 01:10:10,040
Speaker 1: thing from me, Duke, I don't give a funk. You're

1196
01:10:10,080 --> 01:10:13,360
Speaker 1: a leader, You're supposed to lead by example. I follow

1197
01:10:13,400 --> 01:10:16,120
Speaker 1: your example. So so so in your in your mind,

1198
01:10:16,840 --> 01:10:20,679
Speaker 1: he's he's not. His administration is running the country into

1199
01:10:20,720 --> 01:10:22,560
Speaker 1: the ground. I know it's not not running into the

1200
01:10:22,560 --> 01:10:24,800
Speaker 1: country into the ground, So so what do you care?

1201
01:10:25,000 --> 01:10:29,960
Speaker 1: But his behavior, his behavior, what do you fucking his behavior,

1202
01:10:30,320 --> 01:10:34,880
Speaker 1: the divisiveness, the words he uses, the insulting, the manipulation,

1203
01:10:36,479 --> 01:10:38,599
Speaker 1: all of that. He said the press is the enemy

1204
01:10:38,640 --> 01:10:43,080
Speaker 1: of the state, mainly insulting, and all this ship, all

1205
01:10:43,080 --> 01:10:45,960
Speaker 1: this stuff, all the all the the the Kaepernick stuff,

1206
01:10:46,080 --> 01:10:48,880
Speaker 1: all the Jimmy fallon ship and so on and so

1207
01:10:48,960 --> 01:10:53,240
Speaker 1: on and so on, calling uh immigrants animals, the free

1208
01:10:53,240 --> 01:10:55,599
Speaker 1: throw shooting when he went to Puerto Rico, he's he's

1209
01:10:55,640 --> 01:10:58,120
Speaker 1: giving out paper towels, shooting it at these people that

1210
01:10:58,200 --> 01:11:01,120
Speaker 1: haven't eaten, their families have been killed. All that has

1211
01:11:01,160 --> 01:11:03,280
Speaker 1: to do it Forget the policy. I don't care about

1212
01:11:03,280 --> 01:11:05,280
Speaker 1: the politive I don't even give a funk about the

1213
01:11:05,320 --> 01:11:08,320
Speaker 1: fact that, I mean, Michael Rapport is benefiting from the

1214
01:11:08,360 --> 01:11:11,840
Speaker 1: tax stuff. I don't care about that. You don't what

1215
01:11:11,960 --> 01:11:14,680
Speaker 1: do you vote? So what the fund you vote? What

1216
01:11:14,920 --> 01:11:17,439
Speaker 1: do you mean? I voted for the Democrats because to me,

1217
01:11:17,520 --> 01:11:20,120
Speaker 1: it's more important to have civility in the country. And

1218
01:11:20,360 --> 01:11:22,879
Speaker 1: just then this motherfucker, I don't care about the taxes

1219
01:11:23,120 --> 01:11:25,600
Speaker 1: and all this ship about the economy being his The

1220
01:11:25,640 --> 01:11:29,000
Speaker 1: economy was doing good before he got an office. It's

1221
01:11:29,000 --> 01:11:31,600
Speaker 1: not like there was a housing crisis. The economy was

1222
01:11:31,640 --> 01:11:33,360
Speaker 1: on the rise when he got in the office. And

1223
01:11:33,400 --> 01:11:36,479
Speaker 1: he continued that it wasn't like it wasn't like it

1224
01:11:36,520 --> 01:11:38,640
Speaker 1: was when but when Obama got in there was a

1225
01:11:38,640 --> 01:11:42,479
Speaker 1: ship show. But none of that matters to me. What

1226
01:11:42,520 --> 01:11:45,800
Speaker 1: matters to me is the ship talking. What matters to

1227
01:11:45,800 --> 01:11:48,640
Speaker 1: me is the insulting. What matters to me is the

1228
01:11:48,720 --> 01:11:51,280
Speaker 1: lack of respect for the people in the manipulation. That's

1229
01:11:51,280 --> 01:11:54,639
Speaker 1: what matters to me. Okay, I just say, for me,

1230
01:11:55,360 --> 01:11:58,960
Speaker 1: I like the self confidence to go at the press

1231
01:11:59,240 --> 01:12:02,320
Speaker 1: and he's not a policies at the Fox Press. He

1232
01:12:02,439 --> 01:12:05,040
Speaker 1: goes at all of him and he goes at all

1233
01:12:05,080 --> 01:12:08,400
Speaker 1: of them Fox covers him in a way in a

1234
01:12:08,520 --> 01:12:12,639
Speaker 1: in a good light compared to the others. So should

1235
01:12:12,640 --> 01:12:14,280
Speaker 1: you be covered in just a good light or a

1236
01:12:14,320 --> 01:12:18,000
Speaker 1: critical light? It should be fair? Okay, News isn't fair

1237
01:12:18,800 --> 01:12:24,080
Speaker 1: Fox Fox News is more favorable compared to the others.

1238
01:12:24,880 --> 01:12:28,080
Speaker 1: He goes at the others for everything and things true,

1239
01:12:28,160 --> 01:12:31,400
Speaker 1: every but yo, I like the governance. Of course, this

1240
01:12:31,479 --> 01:12:34,360
Speaker 1: is his personality. It's a little crass, but every human

1241
01:12:34,400 --> 01:12:37,040
Speaker 1: being is different. Every human being is different. Little what

1242
01:12:37,040 --> 01:12:40,679
Speaker 1: what are you doing as a as a as a president?

1243
01:12:40,760 --> 01:12:42,640
Speaker 1: Are you what? What are the policies? How is it?

1244
01:12:42,800 --> 01:12:47,400
Speaker 1: How does it affect the American citizen? That's more important

1245
01:12:47,680 --> 01:12:52,519
Speaker 1: than anything anything the American citizens. Well, well, well we're

1246
01:12:52,520 --> 01:12:57,400
Speaker 1: gonna see affecting anybody. Well, no nobody, whether you whether

1247
01:12:57,439 --> 01:13:00,599
Speaker 1: you suck him off and you believe in him or not.

1248
01:13:00,760 --> 01:13:04,360
Speaker 1: Because when this fat, fat motherfucker leaves, we're gonna be

1249
01:13:04,400 --> 01:13:06,799
Speaker 1: the one cleaning up the mess. I've seen it before.

1250
01:13:06,840 --> 01:13:10,800
Speaker 1: I've said when when he's gone, we are all gonna

1251
01:13:10,800 --> 01:13:14,880
Speaker 1: be the one cleaning up the mess. Yeah, he's not going.

1252
01:13:16,280 --> 01:13:20,240
Speaker 1: I'm telling you guys, think this guy like he's not

1253
01:13:20,280 --> 01:13:25,200
Speaker 1: going so, but eventually he's gonna go and you know what,

1254
01:13:25,320 --> 01:13:27,920
Speaker 1: if he loses in the gonna have to drag him out.

1255
01:13:27,920 --> 01:13:30,080
Speaker 1: He's gonna try to say it was fixed and all

1256
01:13:30,120 --> 01:13:33,679
Speaker 1: this ship, these guys are fat piece of ship. Well,

1257
01:13:33,720 --> 01:13:37,360
Speaker 1: well you can't say that. You can't say that if

1258
01:13:37,520 --> 01:13:41,200
Speaker 1: this this man won the presidency, man he wanted I

1259
01:13:41,240 --> 01:13:44,320
Speaker 1: don't understand. Just let it play out. All the hatred

1260
01:13:44,400 --> 01:13:46,280
Speaker 1: and all that ship is crazy. Man. I'm just treating

1261
01:13:46,320 --> 01:13:48,559
Speaker 1: it with the same respect you've treated the last president.

1262
01:13:49,560 --> 01:13:52,760
Speaker 1: He set that off, so he gets it right back. Well,

1263
01:13:52,840 --> 01:13:56,519
Speaker 1: some people feel Obama set off all of divisiveness with

1264
01:13:56,560 --> 01:13:58,880
Speaker 1: all with a lot of bullshit, So some people feel

1265
01:13:58,920 --> 01:14:01,240
Speaker 1: that way too. So I'm just saying, let this dude

1266
01:14:01,640 --> 01:14:04,559
Speaker 1: do him. Let him do him. You can't do anything

1267
01:14:04,560 --> 01:14:06,519
Speaker 1: about it. But I rest the shot. It ain't a

1268
01:14:06,560 --> 01:14:09,120
Speaker 1: short thing because there's gonna be a lot of motherfucker's voting.

1269
01:14:09,520 --> 01:14:12,920
Speaker 1: Hopefully you'll vote in the next next election, and everyone

1270
01:14:12,960 --> 01:14:14,960
Speaker 1: else will get out there and vote in the next election,

1271
01:14:15,240 --> 01:14:17,760
Speaker 1: and we'll see what's popping and whether he wins, he wins,

1272
01:14:17,800 --> 01:14:20,800
Speaker 1: he doesn't win, whether it's four years, four more years

1273
01:14:20,880 --> 01:14:22,880
Speaker 1: or not. He's gonna be gone at some point and

1274
01:14:22,920 --> 01:14:26,599
Speaker 1: when he's gone, we we all of us. You, who's

1275
01:14:26,600 --> 01:14:30,040
Speaker 1: the candidate to make America great? These fucking these these

1276
01:14:30,080 --> 01:14:32,040
Speaker 1: crackers in the middle of the country. We're gonna have

1277
01:14:32,120 --> 01:14:34,599
Speaker 1: to clean up all the divisiveness and all the hate

1278
01:14:34,640 --> 01:14:37,080
Speaker 1: that he's brought to the forefront. And it started with

1279
01:14:37,120 --> 01:14:39,360
Speaker 1: the hate that he brought to the forefront with Obama.

1280
01:14:39,439 --> 01:14:42,120
Speaker 1: So I give him the exact same treatment back. Fuck

1281
01:14:42,439 --> 01:14:48,639
Speaker 1: this fat, dirty, sloppy self Tanning Tanning bad motherfucker. Fuck

1282
01:14:48,680 --> 01:14:52,280
Speaker 1: who who? Who? Who's the candidate? Since we're in we

1283
01:14:52,320 --> 01:14:55,519
Speaker 1: got two years, It might not matter. It's who Jenny Jones.

1284
01:14:55,600 --> 01:14:58,360
Speaker 1: It might not matter who's gonna who's gonna be running again?

1285
01:14:59,040 --> 01:15:03,120
Speaker 1: Matter you might you maybe could put It might not matter.

1286
01:15:03,160 --> 01:15:05,160
Speaker 1: I don't know who the candidates. It might not matter

1287
01:15:05,360 --> 01:15:08,679
Speaker 1: because the people are gonna vote and every it's gonna

1288
01:15:08,680 --> 01:15:11,880
Speaker 1: be the biggest election ever and this it might not matter.

1289
01:15:11,920 --> 01:15:13,960
Speaker 1: I'm not saying it's gonna be guaranteed. I'm not saying

1290
01:15:13,960 --> 01:15:15,479
Speaker 1: it's not gonna be a fight. I'm not saying it's

1291
01:15:15,479 --> 01:15:17,960
Speaker 1: not gonna be competitive. But it might not fucking matter

1292
01:15:17,960 --> 01:15:22,520
Speaker 1: because this guy is so unlikable, this guy is so divisive,

1293
01:15:22,840 --> 01:15:25,680
Speaker 1: He's so wrong for the job that it might not

1294
01:15:25,840 --> 01:15:29,680
Speaker 1: fucking matter. There ain't no dope fly democrat with all

1295
01:15:29,760 --> 01:15:32,200
Speaker 1: with all like you know, with good looking who could

1296
01:15:32,280 --> 01:15:34,479
Speaker 1: argue and talk ship to say it might not matter.

1297
01:15:36,040 --> 01:15:39,880
Speaker 1: Uh you the win again? You like this? Motherfucker crazy?

1298
01:15:40,280 --> 01:16:01,799
Speaker 1: Sime Rapports stereo podcast I'm Out Piece, Captain school Wild

1299
01:16:02,680 --> 01:16:09,719
Speaker 1: and Untin from Captain school Wild and Count the Road

1300
01:16:09,880 --> 01:16:10,280
Speaker 1: catl