1 00:00:00,120 --> 00:00:03,199 Speaker 1: All right, so Sabrina Carpenter and Verry key Ogan. 2 00:00:03,520 --> 00:00:06,120 Speaker 2: Yes, okay, so they're not together. 3 00:00:06,320 --> 00:00:10,360 Speaker 1: They're not together anymore. Yeah, like the end of four 4 00:00:10,600 --> 00:00:14,440 Speaker 1: Fine my Self Service was out over the weekend. He 5 00:00:14,560 --> 00:00:16,919 Speaker 1: puts his phone in a box during the dinner. Yeah, 6 00:00:16,920 --> 00:00:18,320 Speaker 1: he saw what I know if I broke up with 7 00:00:18,680 --> 00:00:19,440 Speaker 1: Always in the Box? 8 00:00:19,560 --> 00:00:24,720 Speaker 2: Yeah, yes, God bless. So Sabrina released her album Man's 9 00:00:24,760 --> 00:00:27,800 Speaker 2: Best Friend over the weekend, and there was already speculation 10 00:00:27,840 --> 00:00:30,600 Speaker 2: about who the songs were all about. It's a very 11 00:00:31,840 --> 00:00:35,720 Speaker 2: like cheeky, funny It's a very kind of upbeat lyrically 12 00:00:36,640 --> 00:00:40,479 Speaker 2: album about heartbreak, which I found to be very interesting 13 00:00:40,520 --> 00:00:43,000 Speaker 2: and kind of cute. But she was doing an interview 14 00:00:43,080 --> 00:00:46,400 Speaker 2: with CBS Mornings and she was asked whether certain lyrics 15 00:00:46,400 --> 00:00:50,320 Speaker 2: were about Barry key Ogan, and Sabrina had this to say. 16 00:00:50,360 --> 00:00:52,320 Speaker 2: She said, it's more fun for people to picture the 17 00:00:52,360 --> 00:00:54,920 Speaker 2: person in their head than the person I picture in 18 00:00:54,960 --> 00:00:57,960 Speaker 2: my head, I think. And then she was also asked 19 00:00:58,000 --> 00:00:59,840 Speaker 2: if men are a little scared to date her, knowing 20 00:00:59,880 --> 00:01:02,560 Speaker 2: that she'll write songs about them. She said, I feel 21 00:01:02,560 --> 00:01:05,280 Speaker 2: pretty transparent going into any of my relationships that I 22 00:01:05,319 --> 00:01:08,520 Speaker 2: write songs most of the time. They're pretty flattered when 23 00:01:08,520 --> 00:01:10,080 Speaker 2: they get a song written about them. 24 00:01:09,880 --> 00:01:10,800 Speaker 1: Good or bad. 25 00:01:11,480 --> 00:01:15,960 Speaker 2: And I just loved the interview because it's funny when 26 00:01:16,000 --> 00:01:17,800 Speaker 2: you listen to the lyrics like she was they were asked. 27 00:01:17,800 --> 00:01:20,000 Speaker 2: She was asked about Bedkem particularly, which is off an 28 00:01:20,040 --> 00:01:24,080 Speaker 2: old album. But the song, the lyric literally says, who's 29 00:01:24,080 --> 00:01:26,640 Speaker 2: a cute boy in the white jacket with a thick accent? 30 00:01:27,040 --> 00:01:29,199 Speaker 2: And like the night that they met her and Barry, 31 00:01:29,200 --> 00:01:30,880 Speaker 2: he was wearing the white jacket and he has a 32 00:01:30,920 --> 00:01:33,759 Speaker 2: thick accent. So it's like she's very telling in her lyrics, 33 00:01:34,360 --> 00:01:37,120 Speaker 2: but she's never just gonna come out and say, yes, 34 00:01:37,200 --> 00:01:39,000 Speaker 2: this song is about Barry. Do you know what I mean? 35 00:01:39,480 --> 00:01:42,000 Speaker 1: Well, she did if she met a cute guy with 36 00:01:42,080 --> 00:01:45,240 Speaker 1: an accent in white jacket, that's basically saying it. The thing. 37 00:01:45,680 --> 00:01:47,400 Speaker 1: You know, I spent a lot of time in the studio, 38 00:01:47,480 --> 00:01:51,680 Speaker 1: so songwriters I do, Yeah, you know I sometimes sometimes 39 00:01:51,760 --> 00:01:54,800 Speaker 1: when I'm off, I'll cruise by the studio. Ryan Tedter's 40 00:01:54,840 --> 00:01:57,200 Speaker 1: got a place. He's got a spot, uh huh where 41 00:01:57,200 --> 00:01:59,600 Speaker 1: people just come fro him. He writes songs, Max Martin 42 00:02:00,160 --> 00:02:03,360 Speaker 1: come for him. He writes songs, produces them a lot 43 00:02:03,400 --> 00:02:08,400 Speaker 1: of times. Many times the idea is from real life, 44 00:02:08,480 --> 00:02:12,400 Speaker 1: but then it becomes fiction in the lyrics to make 45 00:02:12,440 --> 00:02:14,640 Speaker 1: a good song. Yeah, you can do whatever you want. Yeah, 46 00:02:14,760 --> 00:02:18,320 Speaker 1: the notion could be this happened to me by in 47 00:02:18,360 --> 00:02:21,400 Speaker 1: a Whitejack acute accent. But then everything else could be fiction. 48 00:02:21,760 --> 00:02:24,200 Speaker 1: It can be made up. It's kind of like when 49 00:02:24,200 --> 00:02:27,040 Speaker 1: you watch a series or a movie and it says 50 00:02:27,360 --> 00:02:29,799 Speaker 1: based on a true story, Well, how much how much 51 00:02:29,880 --> 00:02:31,640 Speaker 1: is based on a true story that a man and 52 00:02:31,639 --> 00:02:32,360 Speaker 1: a woman were in it? 53 00:02:32,480 --> 00:02:34,280 Speaker 2: I mean it could be ninety, could be ten percent. 54 00:02:34,480 --> 00:02:37,639 Speaker 1: That's the thing. You don't know based on real events. 55 00:02:37,960 --> 00:02:40,000 Speaker 1: How many two of the seven hundred in the series, 56 00:02:40,040 --> 00:02:40,440 Speaker 1: I don't know.