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Speaker 1: Alaska. We got two big stars on today's show, Parker

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Speaker 1: McCallum will perform and Ryan Reynolds ever heard of him?

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Speaker 1: A month exactly more in studio morning, everybody's feeling good?

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Speaker 1: I feel good? It's Friday? Or do is? I like

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Speaker 1: to call it right? Hey? Do you know? I just

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Speaker 1: call it Friday, but I say it with a little

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Speaker 1: moms like Friday. Yeah, um, yesterday, and tell me something good.

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Speaker 1: Eddie had a story about a phone line you could

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Speaker 1: call in these kindergarteners pump you up with positivity. It

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Speaker 1: was called pep Talk pep Talk, pep t o C. Yeah,

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Speaker 1: so you just give him a call in the So

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Speaker 1: Lunchbox decided that he would call this um. Over the

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Speaker 1: last month or so, Lunchbox got a decent amount of

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Speaker 1: backlash on air and online over his feelings towards producer

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Speaker 1: Abbey just gonna being angry at her. UM. So you

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Speaker 1: call number. I called the number to talk to the

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Speaker 1: kids because if they can give me a good, you know,

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Speaker 1: motivational speech, that's what I needed in my life right

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Speaker 1: now instead of here and everybody tell me how I

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Speaker 1: need to be fired, Maybe they could inspire me. Okay,

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Speaker 1: we're seeing it. They can change them up Here we go. Hi,

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Speaker 1: Welcome to pep Talk, a public art project by West

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Speaker 1: Side School. Please listen to the following options for encouraging messages.

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Speaker 1: If you're feeling mad, Press jet or nervous. Press one

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Speaker 1: if you need pep talk from Kindergartens Press two. Hey guys,

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Speaker 1: it's Lunchbox, you know from the Bobby Bone Show on

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Speaker 1: the radio, And everybody's been giving me a hard time late.

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Speaker 1: Let me tell me. I saw and I need to

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Speaker 1: be fired, and I don't deserve to be here, and

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Speaker 1: it's just really getting me down. Brook Great believing yourself.

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Speaker 1: I do believe in myself. It's just I have a

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Speaker 1: different opinion. So everyone thinks I'm a jerk. Different, but

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Speaker 1: being different means nobody likes me. We all, thanks, guys,

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Speaker 1: I like you too. This is a lot of fun.

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Speaker 1: You guys have really picked up my spirits. It's just

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Speaker 1: the problem is everyone wants me to lose my job

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Speaker 1: and they think I don't deserve to be here. The

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Speaker 1: world is a better place with you. I just I

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Speaker 1: want Abby to understand she's not good at singing, and

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Speaker 1: I just need that to get through her head. Like

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Speaker 1: she has a thick skull, I guess, and she doesn't understand.

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Speaker 1: She's not good. All right, I'll do a better job

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Speaker 1: of trying to be nice. Thank you guys so much.

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Speaker 1: You guys were such a huge help. Okay, I'm being

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Speaker 1: told though, now that he edited all that together, Oh well, yes,

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Speaker 1: exactly what it sounded. I was like, yeah. I was like, yeah,

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Speaker 1: me too. I was wondering who he was talking to

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Speaker 1: and was anyone listening? So it's a recording. Are you

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Speaker 1: trying to pull one over on us? Yep? Okay, yes,

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Speaker 1: it's a recording, and he heard all of it first

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Speaker 1: and then built his conversation into it. But I like

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Speaker 1: the whole concept idea that work. Did it make him

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Speaker 1: feel better? Can you imagine if you yeah, okay the

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Speaker 1: first question, did you feel better? I mean I wish

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Speaker 1: I could have talked to them. I would like to see,

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Speaker 1: like how they respond to my questions and how I'm Also,

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Speaker 1: if you could just call and talk to kids, I'll

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Speaker 1: be creepy. You can't do that, Like I would love

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Speaker 1: to talk to a five year old Lunch set up

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Speaker 1: the line where he called like, could you imagine if

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Speaker 1: he was had a pep talk line and like people

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Speaker 1: called to talk to him. Yeah, I mean it would

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Speaker 1: just be bad. Um, okay, lunchbox, you got one there,

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Speaker 1: you go goat one over on us. But as long

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Speaker 1: as you are better and more positive. Yeah, thanks to

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Speaker 1: the kids. Thanks the kids. Let's go over and open up.

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Speaker 1: Oh the scandalous mail bag. Something to say scandal because

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Speaker 1: they're talking about it's a sugar daddy story. Hello, Bobby Bones.

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Speaker 1: I met my current boyfriend five months ago, but at

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Speaker 1: the time he was only my sugar daddy. I'm twenty eight,

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Speaker 1: he's thirty nine. It's not so old to be a

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Speaker 1: sugar daddy. It's eleven years. Yeah. We quickly realized we

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Speaker 1: had a much deeper connection and begins seriously dating. We're

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Speaker 1: not talking about marriage. After discovering how much I hate

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Speaker 1: my job, he offered me thirty thousand dollars to quit

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Speaker 1: and take six months off to find out what I

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Speaker 1: really wanted to do. He even offered me a job

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Speaker 1: at his business. I held out for three months because

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Speaker 1: I don't want his money. I just want a new job.

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Speaker 1: The real problem is that my ex boyfriend is my

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Speaker 1: current boss, and it makes my job miserable. I thought

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Speaker 1: I found a great new job, but learned yesterday I

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Speaker 1: did not get it. I'm now thinking about taking my

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Speaker 1: boyfriend up on his offer, but it's a lot of money,

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Speaker 1: and I feel weird about it. I don't care about

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Speaker 1: his money. I just want to be with him. What

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Speaker 1: should I do? Sign anonymous? Well, it's the sugar daddy

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Speaker 1: relationship is so interesting to me because it sounds like

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Speaker 1: they had something agreed to because at some point she

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Speaker 1: cared about his money the very beginning, right when she

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Speaker 1: was a sugar baby, because you don't get into that

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Speaker 1: relationship at all without it being something financial. So to go, Now,

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Speaker 1: I don't care about his money because what I would

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Speaker 1: say is maybe it's not as important in the scheme

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Speaker 1: of the relationships that used to be. Maybe I'm rank,

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Speaker 1: but you still care because it's how you met. So

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Speaker 1: that's also a weird situation, Like do you have that

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Speaker 1: conversation like, Okay, coming to your sugar daddy and here

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Speaker 1: are the rules. Yeah, because maybe they met on a

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Speaker 1: sugar daddy site. Maybe we don't know, So okay, he says,

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Speaker 1: I'll give her thirty thousand bucks and take time off.

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Speaker 1: Can she just like because they're together and can she

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Speaker 1: just take the time off or does she have to

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Speaker 1: take the money, and like he can help make sure that,

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Speaker 1: you know, if she needs bills paid or I don't

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Speaker 1: know that living situation, but like you don't have to

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Speaker 1: take thirty thousand dollars. That's you don't have to say.

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Speaker 1: I don't want to take the money, but I will

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Speaker 1: take you up on maybe me having some time to

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Speaker 1: figure out what I really want to do, and I

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Speaker 1: can come work for you while I do that. Well

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Speaker 1: that well, if she's figuring out what she wants to do,

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Speaker 1: she's not working for him. So but maybe there is

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Speaker 1: a listen, if he's offering it, I would just take it.

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Speaker 1: That's a lot of money, okay, but maybe he has

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Speaker 1: ten million and he wouldn't have offered it if he

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Speaker 1: didn't have it. If I do this too. There are

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Speaker 1: a lot of times people are like, hey, I'd like

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Speaker 1: to do this, and I'm like, oh, I don't know.

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Speaker 1: I've started to be better, Like if someone offers it,

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Speaker 1: I'm gonna accept them for they really are offering it

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Speaker 1: for me to have and they would like for me

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Speaker 1: to have it. Because I offer things and people are

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Speaker 1: like I don't and I'm like just take it. I

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Speaker 1: literally want to help. I would say, you do care

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Speaker 1: about the money, first of all, let's get that straight.

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Speaker 1: And then secondly, you don't have to take all of it.

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Speaker 1: But if you want to go and he's offering you

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Speaker 1: this chance to go and find yourself, you should go

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Speaker 1: do it. So take him up on the offer of

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Speaker 1: taking some time off and you guys can work out

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Speaker 1: your own financial arrangement. But if he's offering thirty thousand,

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Speaker 1: that must not be that much to him. If she

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Speaker 1: if you don't want to take it, hit me up.

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Speaker 1: I'll take some time off. I love it, and take

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Speaker 1: the money. Would you take the money? Yes? I mean

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Speaker 1: I don't know. Maybe I'm a bad sugar baby or whatever,

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Speaker 1: but that scenario sounds great. That's being a good sugar baby.

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Speaker 1: She's out of that role now. I think she would

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Speaker 1: take the money if she was still a sugar baby,

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Speaker 1: but she's moved on to girlfriend. In the back of

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Speaker 1: my mind, I'd probably think like, oh, strings attack, It's

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Speaker 1: like what am I getting too? But but the strings

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Speaker 1: now are You're just in a relationship. The relationship string right,

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Speaker 1: you're getting paid to be in a relationship. Well, no,

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Speaker 1: in a weird way. He's taking care of you while

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Speaker 1: you Yeah, I mean in a weird way. Yeah, if

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Speaker 1: you if she wasn't already her sugar baby, that's a

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Speaker 1: weird thing to say. I know it is. I would

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Speaker 1: be like, hey, don't take that money, but let him

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Speaker 1: help you. You're already there. Take the money. Yeah, I

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Speaker 1: agree with that. If this is not gonna last anyway,

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Speaker 1: am I? This is not gonna last, Go find your calling.

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Speaker 1: If he's offering you the money, take it. Go ahead

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Speaker 1: and live a good life and be better about when

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Speaker 1: you offer. Hopefully people accept you. And when people offer you,

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Speaker 1: you accept what they're offering you. There you go, close

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Speaker 1: up the mailback, We've got your right. The five most

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Speaker 1: fun Facts of the Week is found by Amy. Number five.

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Speaker 1: Prince left behind a vault of unreleased me it containing

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Speaker 1: enough material to put out an album every year for

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Speaker 1: a century. Wow, that's a long time. It is. Also

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Speaker 1: the music must not be that good, or he'd put

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Speaker 1: it out as like the High, like the Favorites. I'm

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Speaker 1: saying it. It could be good. Probably dam wasn't great,

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Speaker 1: or he'd put it out when he was alive. How

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Speaker 1: much does how much music does the raging idiots have

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Speaker 1: in a vault. Zero No, no, not true too. Maybe

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Speaker 1: two yeah, maybe like two or three songs that we

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Speaker 1: decided not to put out. Yeah yeah, and one of

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Speaker 1: them we might have to wait till all of us

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Speaker 1: die before we put that out. Yeah, there's one we

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Speaker 1: row that's very personal that it would create and what

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Speaker 1: they call an storm. Oh yeah, you heard it. I've

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Speaker 1: heard it. We even recorded it in studio. Yeah. Yeah,

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Speaker 1: I have a song idea to do with y'all if

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Speaker 1: y'all want to get together one day, why don't I

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Speaker 1: don't want the pitch right here or it's just the

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Speaker 1: idea that Okay, it's about cereal, and like it's it'd

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Speaker 1: be about Cereal. It'd be a love song to Cereal,

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Speaker 1: about Cereal. I have some ideas of how to get

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Speaker 1: there with it, but I thought it'd be a fun

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Speaker 1: raging idiot song. Maybe we'll sit because a lot of

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Speaker 1: people are passionate about the cereal. Yeah there, me, you

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Speaker 1: and Eddie. For years, I didn't eat cereal because it

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Speaker 1: isn't a bad food list for me. Because a trainer

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Speaker 1: once told me when I was like twenty four, she

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Speaker 1: judged me for eating cereal. Because then I never ate it,

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Speaker 1: and then now Cereals back in my life and I

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Speaker 1: love it. And then like I had all these comments

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Speaker 1: on Instagram when I post about it. Kaitlin even put

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Speaker 1: one because it was Cereal and a mug. She's like,

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Speaker 1: Cereal and a mug just hits different and it's like,

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Speaker 1: that's it. Did it does? It's the best and Cereal

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Speaker 1: for dinner. So I don't know if this whole thing

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Speaker 1: about cereal. Okay, if you all want to collab, I

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Speaker 1: think we could collab. I think we could write it.

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Speaker 1: We could write that song. Okay. And by the way,

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Speaker 1: Eddie and I will be in Brasida, Tampa tomorrow in

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Speaker 1: Plant City, Florida at Strawberry Festival, headlining the daytime stage.

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Speaker 1: So okay, we're gonna do the Cereal song. Yeah, no

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Speaker 1: quite know what it's Okay, it's there. Number four. This

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Speaker 1: one's for Ray. George Washington was surprisingly tall for a

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Speaker 1: man in the eighteenth century. He was six two at

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Speaker 1: the time. I picture him as a little fellow exactly

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Speaker 1: because the average mail back then was five six. I

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Speaker 1: wonder where this is going to Ray, But that's what Ray,

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Speaker 1: You'd have been average. And I was born in the

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Speaker 1: wrong era. Honestly, seventeen hundreds, you'd rocked it, dude. Number three.

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Speaker 1: That last one's fine for everybody about Ray by the way,

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Speaker 1: A number three. Oh so this hurts the average Americans

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Speaker 1: spends about seventy thousand dollars on takeout and delivery in

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Speaker 1: their lifetime. I mean, if you want to know where

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Speaker 1: to cut back on money fast, like if you're trying

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Speaker 1: to say takeout and delivery, yeah, which I mean, I

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Speaker 1: feel good for restaurants that are doing the takeout. That's

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Speaker 1: good for them and the delivery drivers they're making money,

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Speaker 1: and so I mean it's good for the economy. That's

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Speaker 1: what I told myself. Look at you being selfless. Yeah.

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Speaker 1: Number two. So, Michael Jordan's NBA contract included a for

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Speaker 1: the Love of the Game clause, which allowed him to

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Speaker 1: play basketball anytime, anywhere, for any reason. And here's why

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Speaker 1: that was special is because NBA contracts, they can prevent

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Speaker 1: players from playing pickup games because of injury and stuff

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Speaker 1: like that, but not Michael Jordan. If you want to

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Speaker 1: play ball, he got to play ball. There are some

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Speaker 1: players who have injured themselves on motorcycles, yeah, skiing, and

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Speaker 1: so when you have something you've invested millions of dollars

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Speaker 1: and you don't want them being reckless. So that's sort

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Speaker 1: of why that rules in play. I watched that show,

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Speaker 1: the one about Magic Johnson. Yeah, what do you think?

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Speaker 1: Oh well, I'm halfway. I started it episode one, and

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Speaker 1: I'm into it. I'll for sure watch it. I think

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Speaker 1: it's really interesting, especially how the NBA wasn't as big

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Speaker 1: of a deal. Like to me, I feel like I

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Speaker 1: was going to yeah, Gil bankrupt, and then I started

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Speaker 1: googling all about the guy that bought it and or

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Speaker 1: bought the La Lakers and Doctor Bus and yeah, interesting,

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Speaker 1: I'm here for it. So the pilot episode of Lost

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Speaker 1: was so expensive that the network president was fired for

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Speaker 1: green lighting the project. It was about ten to fourteen million,

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Speaker 1: the most expensive pilot ever at that time, and obviously

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Speaker 1: they didn't know how successful it was going to end

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Speaker 1: up being. But that poor girl lost his job. I

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Speaker 1: wonder if they hired him back. I've had it right.

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Speaker 1: Was anyone here a big Lost fan? That pilot was

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Speaker 1: amazing because the whole setup of that show is great.

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Speaker 1: And I watched about Yeah, I watched three seasons and

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Speaker 1: then I got Lost. And you gave up right last summer,

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Speaker 1: my family and I started watching it, and I thought, well,

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Speaker 1: this will be a fun thing that will have a

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Speaker 1: lot of episodes to get through. We got through like

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Speaker 1: episode three, and then you got lost. I downloaded the pilot.

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Speaker 1: Never watched it over. I mean, I found actually when

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Speaker 1: it was one of the biggest shows ever, I mean,

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Speaker 1: and we were on air and we never were able

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Speaker 1: to talk about We had to bring in um was

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Speaker 1: it Softball, Rickie or whomever, to like give a lost

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Speaker 1: report because they're only four channels kids way back on

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Speaker 1: the day. All right, there you go. Fun was the

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Speaker 1: latest from Nashville. In Tullywood Morgan number two thirty SI

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Speaker 1: Skinny Maranda Lambert announced a new project called Apollomino, coming

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Speaker 1: out on April twenty ninth. Here's a new song from

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Speaker 1: it called Strange. They Feel Strange, Head slow, Bral, get

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Speaker 1: on a get going anyway about good Strange, the Holy Show,

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Speaker 1: do what it thin to keep saying. Mary Morris released

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Speaker 1: a new song from her upcoming album Humble Quest, coming

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Speaker 1: out on March twenty fifth. The song is called Nervous

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Speaker 1: Mettle Blue like You Kick. Parker McCallum released a cover

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Speaker 1: of George Straight song carrying Your Love with Me. So

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Speaker 1: I'm Morgan number two. That's your skinny hall. It's time

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Speaker 1: for the good news. So a police officer named Tyler

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Speaker 1: Dyson was finishing his overnight shift, ready to call it

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Speaker 1: a day, go home, get some rest, when he heard

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Speaker 1: a call in the radio apartments on fire with possible

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Speaker 1: entrapment of child. Well, guess what, he's a former firefighter

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Speaker 1: as well, So he was a first responder that showed

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Speaker 1: up to the apartment building full of flames and the

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Speaker 1: mom outside screaming, my babies inside, my babies inside. And

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Speaker 1: he ran right into the burning building and then a

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Speaker 1: few minutes later came walking out with the baby in

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Speaker 1: his arms. As the child was taken to the hospital

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Speaker 1: made a full recovery. He had some minor injuries. The

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Speaker 1: officer and his clothes were burnt from the fire, but

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Speaker 1: he was only worried about the baby at the time.

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Speaker 1: I mean, I picture him coming out of the house.

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Speaker 1: It's burning, flames as high as you can see, and

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Speaker 1: he runs in and he's like, oh, save that baby,

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Speaker 1: and he runs in and all of a sudden this starts. Oh,

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Speaker 1: and he comes out. He's holding the baby and everybody's

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Speaker 1: looking at him their mouth wide open and slow motion

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Speaker 1: you hear the baby iron man okay, and everyone's cheering.

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Speaker 1: And he takes the baby and he hands it to

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Speaker 1: the mom and he slowly walks to his car and

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Speaker 1: it changes as the guitar slowly turns into this, which

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Speaker 1: I thought it was going to it right then, but

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Speaker 1: there it is. Yeah. And then he gets in his

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Speaker 1: car and he drives off and they say who was that?

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Speaker 1: And they were like the officer Savers And the sergeant

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Speaker 1: shows up because we don't have an officer Savers. Oh,

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Speaker 1: And it turns out there was a sheriff back in

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Speaker 1: the eighteen hundred, officer Savers, and he came about his

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Speaker 1: saving babies. Who saved that baby? Wow? And then they

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Speaker 1: look back at the road. The cars are nothing unbelievable.

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Speaker 1: That's good. Huh, that's real good. I like it too.

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Speaker 1: That's a good story, Ammy, Hey, that is what it's

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Speaker 1: all about. That was tell me something good. We had

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Speaker 1: an interview with Ryan Reynolds, Big Hollywood's to our setup,

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Speaker 1: and I was gonna do it. I was gonna do

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Speaker 1: it from here in the studio, but we had like

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Speaker 1: plane troubles. Something's wrong with the airplane we're flying back

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Speaker 1: home on and so we got stuck in Vegas for

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Speaker 1: an extra day. So I wasn't able to be here

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Speaker 1: and do the interview, but Scuba Steve was and so

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Speaker 1: he watched this movie called The Adam Project. That is

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Speaker 1: he said. Scuooba Steve said, it's one of the best

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Speaker 1: movies you've ever seen in his life. And Mike said,

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Speaker 1: it's one of the best movies he's ever seen, or

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Speaker 1: at least in the last three years. And he's a

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Speaker 1: movie Mike who's what he does is watching movies for

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Speaker 1: a podcast. So it's called The Adam Project on Netflix.

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Speaker 1: They told me off the air how good it was,

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Speaker 1: which now I'm very excited to see it, and I'm

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Speaker 1: sad that I missed this interview, but Scuba Steve did it,

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Speaker 1: and he stepped in like a champ. So here is

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Speaker 1: Scuba Steve with Ryan Reynolds on The Bobby Bones Show.

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Speaker 1: Now Reynolds, Ryan Frick, and Reynold tell you do the man.

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Speaker 1: I'm pretty good, Thank you, How are you? I'm doing good.

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Speaker 1: I'll be honestly, I'm very nervous. I'm the executive producer

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Speaker 1: of the show, and normally I don't do these interviews,

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Speaker 1: and we had some behind the scenes things take over.

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Speaker 1: But I'm very excited to be speaking with you. You're

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Speaker 1: doing great. Thank you. I do want to say this movie,

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Speaker 1: The Adam Project, I love it so much. It gives

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Speaker 1: me those feelings of when I was a kid in

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Speaker 1: the eighties watching films like The Goonies, et Back to

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Speaker 1: the Future, into Jurassic Park. Is this a movie you

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Speaker 1: hope that kids will I guess when they see it

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Speaker 1: now twenty thirty years from now, they have that exact

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Speaker 1: same kind of feeling. That is the hope. I mean,

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Speaker 1: I don't pretend that going into them any kind of

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Speaker 1: movie you're thinking this is going to be a classic.

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Speaker 1: But Adam Project is truly special. I think working with

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Speaker 1: Sean Levy, we did Free Guy together, we had such

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Speaker 1: an amazing experience creatively on that we both produced Free

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Speaker 1: Guy together, we both produced Adam Project together as well.

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Speaker 1: We just wanted to keep that creative ball rolling and

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Speaker 1: The Adam Project felt like one of those you described

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Speaker 1: it best, like one of those older ambling kinds of movies.

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Speaker 1: It's like this huge wish fulfillment but with huge spectacle,

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Speaker 1: but also that was about something kind of personal and

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Speaker 1: intimate at the same time. And I think that's what

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Speaker 1: those movies back in the day used to do et

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Speaker 1: and you know Goonies and all those there were always

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Speaker 1: about something that would you know. It was always it

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Speaker 1: always offered you huge spectacle and fun, but also punched

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Speaker 1: you in the heart in those moments. And we really

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Speaker 1: wanted to make something that did that ticked those boxes

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Speaker 1: in a great way and really left you with that

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Speaker 1: kind of feeling that we had when we watched those movies.

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Speaker 1: That's sort of warm, nostalgic kind of feeling that is

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Speaker 1: so important. Yeah, the punched you in the heart is

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Speaker 1: exactly what I wanted to touch on because as a

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Speaker 1: father myself, I was watching that film and I was

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Speaker 1: following the journey and as I got to the end,

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Speaker 1: I haven't cried in a film since probably Toy Story

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Speaker 1: ninety five when I was a kid, and that film

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Speaker 1: was very emotional. And as something like yourself who does

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Speaker 1: a lot of physical roles, how did you get to

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Speaker 1: prepare differently for this being that it's an emotional role

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Speaker 1: versus so much physical. Preparing for this movie was really

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Speaker 1: just about reflection. I mean, that's so much of what's

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Speaker 1: on the screen is reflects my childhood growing up, reflects

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Speaker 1: my relationship with my father, which was, you know, he's

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Speaker 1: he's passed away now, but was extremely complicated and fraught

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Speaker 1: and also very subjective, you know. I mean, if you

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Speaker 1: were to ask him, it would be what completely different

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Speaker 1: experience than if you were to ask me. And somewhere

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Speaker 1: in the middle of those two stories is the truth.

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Speaker 1: And that's kind of where we wanted to That was

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Speaker 1: the sort of area we want to do examine in

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Speaker 1: the Adam project. Did you take any of those feelings

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Speaker 1: home with you to your family and your kids and

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Speaker 1: your wife. Imagine acting that last particularly that last scene

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Speaker 1: for those who will eventually see this like that was

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Speaker 1: the hard punch that really got me. It was an

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Speaker 1: amazing scene, beautiful acting for all three of you guys.

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Speaker 1: I just wondered if you took any of that home

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Speaker 1: each day filming. I don't tend to be that guy

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Speaker 1: that takes the stuff home, but I do understand how

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Speaker 1: fleeting time is, and I do understand that you know,

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Speaker 1: you you you never know when you're going to be

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Speaker 1: saying goodbye, and you know that's that's the kind of

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Speaker 1: that's the kind of feeling that I hopefully carry with

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Speaker 1: me everywhere, independent of working on a movie or not.

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Speaker 1: But yeah, you certainly, after shooting this film and during

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Speaker 1: the process of it, I was probably hugging my kids

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Speaker 1: a little tighter than normal and you know, wanting to

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Speaker 1: hang out with them a little bit more. I have

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Speaker 1: three daughters, who are you know, pretty young, seven, five,

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Speaker 1: and two. But man, it goes by fast. As you know,

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Speaker 1: last question, it'll be a fun one as that was

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Speaker 1: all emotional time machines. That's what the movie is pretty

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Speaker 1: much all about. If you had a choice to go

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Speaker 1: back in time or forward in time, which would you choose? Back?

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Speaker 1: If you choose that, what year an event in history? Forward?

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Speaker 1: What are you wanting to see and what are you

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Speaker 1: wanting to know? Man, I don't think I would go

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Speaker 1: back because that would be you know, it would be

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Speaker 1: too there would be too many calls to action, you'd

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Speaker 1: be wanting wanting to intervene in all kinds of crazy things.

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Speaker 1: But I think so going forward, I think would be interesting.

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Speaker 1: I would love to see kind of what the you know,

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Speaker 1: what the world likes looks like thirty forty years from now,

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Speaker 1: hopefully it's okay. Yeah, as fraught and scary as it

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Speaker 1: all is right now, but I would yeah, I would

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Speaker 1: love to say. And I also love to see what

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Speaker 1: my where my kids end up. You know, it's it's

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Speaker 1: a it's a view into something that I don't think

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Speaker 1: many of us would get to see. But I'd love

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Speaker 1: to see where my kids are in sixty years from now.

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Speaker 1: That would be cool. Yeah, I get you. Yeah, at

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Speaker 1: the perspective of life. Once you've created it, it really

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Speaker 1: changes everything, so you can relate. And I know you

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Speaker 1: got to go. So I appreciate your time, Ryan Reynolds.

426
00:21:17,040 --> 00:21:19,600
Speaker 1: The Adam Project is on Netflix now streaming. Thank you

427
00:21:19,600 --> 00:21:21,639
Speaker 1: for your time in I appreciate Thank you for the interview.

428
00:21:21,640 --> 00:21:27,200
Speaker 1: You're great. That was fantastic. Thank you. Time for easy trivia?

429
00:21:28,359 --> 00:21:37,200
Speaker 1: And what color are ladybugs red and black? Yeah? Okay, lunchbox.

430
00:21:37,240 --> 00:21:45,480
Speaker 1: What color are polar bears? White? Nice? Eddie? What bird

431
00:21:45,560 --> 00:21:50,680
Speaker 1: goes who in the night? That's an owl? Yeah? Yeah, Morgan.

432
00:21:50,920 --> 00:21:53,960
Speaker 1: What type of bird eats animals that are already dead?

433
00:21:54,760 --> 00:21:57,879
Speaker 1: A vulture? Correct? We see, that's what this game is

434
00:21:57,920 --> 00:22:00,200
Speaker 1: all about. Good, it's a chance for everybody to answer

435
00:22:00,240 --> 00:22:02,720
Speaker 1: an easy question. You will keep going until someone is

436
00:22:02,720 --> 00:22:05,080
Speaker 1: the only one remaining. If you miss it, you're eliminated.

437
00:22:05,080 --> 00:22:08,480
Speaker 1: And you hear this, you've been booed. You don't want

438
00:22:08,480 --> 00:22:12,720
Speaker 1: to be boned. You know it's easy trivia, Eddie. The

439
00:22:12,880 --> 00:22:15,560
Speaker 1: three pete champion has zero points on the board this season.

440
00:22:16,160 --> 00:22:18,800
Speaker 1: He's warning a tr if you're watching, yep. Sometimes Tom

441
00:22:18,800 --> 00:22:21,399
Speaker 1: Brady comes back from the O and two. Yeah. I

442
00:22:21,400 --> 00:22:22,640
Speaker 1: don't know what you just said, but all right, let's

443
00:22:22,640 --> 00:22:26,919
Speaker 1: go with easy trivia. He's comparing himself to Tom Brady. Right, Amy,

444
00:22:27,119 --> 00:22:30,480
Speaker 1: What are the two main toppings on a Hawaiian pizza

445
00:22:31,080 --> 00:22:35,240
Speaker 1: ham and pineapple? Correct? Lunchbox? What are the three main

446
00:22:35,440 --> 00:22:41,840
Speaker 1: ingredients in s'mores? Oh? That's graham, crackers, marshmallows, and chocolate.

447
00:22:41,960 --> 00:22:50,800
Speaker 1: That is correct, Eddie. What vitamin do oranges contain? Vitamin C? Correct?

448
00:22:50,880 --> 00:22:55,640
Speaker 1: Next show, Hey Morgan, what types of food are Monterey jack,

449
00:22:56,280 --> 00:23:00,760
Speaker 1: Gouda and Swiss chee cheeze? Good? Pretty the first two rounds.

450
00:23:00,800 --> 00:23:02,560
Speaker 1: I like that the questions of a theme could not

451
00:23:02,640 --> 00:23:08,680
Speaker 1: be easier. Guys, Let's turn it up about four percent. Next, Amy,

452
00:23:08,720 --> 00:23:12,879
Speaker 1: what do you call a large cone shaped rock formation

453
00:23:13,920 --> 00:23:21,600
Speaker 1: that spews out lava a volcano. I don't know what

454
00:23:21,640 --> 00:23:23,960
Speaker 1: he's saying. I don't even know these words, lunchbox. What's

455
00:23:24,000 --> 00:23:32,680
Speaker 1: a dangerous storm that starts at sea? That's a hurricane? Correct, Eddie?

456
00:23:32,680 --> 00:23:39,120
Speaker 1: How old you have to be to vote? Eighteen? Well?

457
00:23:39,160 --> 00:23:41,120
Speaker 1: Why why delay that? Yes? I just wanted to make sure.

458
00:23:41,280 --> 00:23:44,080
Speaker 1: I was just going through it in my head. Morgan,

459
00:23:44,160 --> 00:23:47,080
Speaker 1: the north and south poles of a magnet will do what?

460
00:23:48,920 --> 00:23:51,280
Speaker 1: You have two magnets. You take a north pole and

461
00:23:51,320 --> 00:23:54,720
Speaker 1: a south pole to magnet. What do they do? Yeah?

462
00:23:54,720 --> 00:23:58,760
Speaker 1: You put them together? What do they do? I think

463
00:23:58,800 --> 00:24:06,800
Speaker 1: I missed this day of in class, right, Um, the

464
00:24:06,840 --> 00:24:09,080
Speaker 1: north and south poles? You have one magnets north pole,

465
00:24:09,359 --> 00:24:11,560
Speaker 1: one magnets south pole, and you push them closer together?

466
00:24:11,600 --> 00:24:15,879
Speaker 1: What happens? Like, I'm just listen. Just they rotate? Did

467
00:24:15,920 --> 00:24:24,280
Speaker 1: they go? Did they push apart? They wrote? I'm trying

468
00:24:24,280 --> 00:24:27,119
Speaker 1: to picture a globe right now, I mean rotate. I

469
00:24:27,200 --> 00:24:31,959
Speaker 1: guess I don't know that that's the direction this question

470
00:24:32,119 --> 00:24:35,760
Speaker 1: is going. Guys, what do a north and south pole

471
00:24:35,800 --> 00:24:40,239
Speaker 1: do together? She was thinking you were talking about the

472
00:24:40,320 --> 00:24:42,920
Speaker 1: north pole and the south pole on the globe, I said,

473
00:24:42,920 --> 00:24:44,879
Speaker 1: I said two magnets. I know, I know, I was

474
00:24:44,920 --> 00:24:47,520
Speaker 1: just trying to picture she was rotating a globe. I

475
00:24:47,520 --> 00:24:53,280
Speaker 1: don't know what was happening. Yeah, I think now, Amy

476
00:24:54,080 --> 00:24:59,360
Speaker 1: three remain France, Italy, Germany, Spain and Portugal are all

477
00:24:59,400 --> 00:25:05,840
Speaker 1: parts of of what continent? The continent of say the Meghan,

478
00:25:05,880 --> 00:25:10,720
Speaker 1: Please France, Italy, Europe? Okay, okay, correct, As Portugal was

479
00:25:10,760 --> 00:25:13,720
Speaker 1: thrown me off. On which continent are you most likely

480
00:25:13,760 --> 00:25:19,399
Speaker 1: to see zebras, lions, giraffes, cheetahs, an elephant's lunchbox, I

481
00:25:19,440 --> 00:25:27,360
Speaker 1: would say O Africa, correct, Eddie. What's a scientist who

482
00:25:27,400 --> 00:25:35,320
Speaker 1: studies space from Earth that is a astronomer? That's correct?

483
00:25:35,800 --> 00:25:39,680
Speaker 1: Would astrophysicists think it's a whole? I don't know. It

484
00:25:39,840 --> 00:25:42,280
Speaker 1: was asking for future amy. What's a scientist called the

485
00:25:42,320 --> 00:25:55,160
Speaker 1: studies living things? What living things like? Like humans? Things? Are? Something?

486
00:25:55,280 --> 00:26:02,679
Speaker 1: Just called the studies living things? Now, remember this is

487
00:26:02,680 --> 00:26:04,719
Speaker 1: easy trivia. I know it's not going to be some

488
00:26:04,840 --> 00:26:08,920
Speaker 1: crazy cockamamie answer of something you never heard of? Okay

489
00:26:09,160 --> 00:26:12,000
Speaker 1: a biologist? Correct? Wow, you got to go down to

490
00:26:12,040 --> 00:26:15,800
Speaker 1: the fundamental I mean that was incredible. I would have said, pediatrician,

491
00:26:17,240 --> 00:26:22,840
Speaker 1: baby is not plants? Yeah, okay, lunchbox, what's a scientist

492
00:26:22,880 --> 00:26:27,720
Speaker 1: called we're sticking with this, who studies space in space?

493
00:26:31,160 --> 00:26:36,040
Speaker 1: Eddie got astronomer who studies space from Earth? But what's

494
00:26:36,040 --> 00:26:41,600
Speaker 1: a scientist called the studies space in space? All right,

495
00:26:42,000 --> 00:26:45,679
Speaker 1: let's go with whatever, Amy said, astrophysicists, because I have

496
00:26:45,720 --> 00:26:54,560
Speaker 1: no idea. You're you're on the right track. Oh no, okay,

497
00:26:54,840 --> 00:26:59,480
Speaker 1: what they're scientists? Yeah, unless they're like the teachers that's

498
00:26:59,520 --> 00:27:02,400
Speaker 1: going up. But even then that's that's yeah, it's still

499
00:27:02,400 --> 00:27:04,960
Speaker 1: a teacher. She was a science teacher. Yeah yeah, but

500
00:27:05,040 --> 00:27:09,520
Speaker 1: like you go up, scientist, he just goes up to space. Now,

501
00:27:10,000 --> 00:27:11,800
Speaker 1: I didn't understand. I didn't know that they were scientist.

502
00:27:11,840 --> 00:27:13,679
Speaker 1: I really had no idea that. But I asked, like,

503
00:27:13,720 --> 00:27:17,320
Speaker 1: what's a science as a scientist who studies space in space? Right,

504
00:27:17,359 --> 00:27:18,960
Speaker 1: you already have to be a scientist. And then when

505
00:27:18,960 --> 00:27:21,119
Speaker 1: you go up and you're studying space in space and

506
00:27:21,160 --> 00:27:25,119
Speaker 1: you're a scientist, you're an astronaut. I'm really confused, but

507
00:27:26,160 --> 00:27:28,199
Speaker 1: you have been eliminated. And if you don't get this,

508
00:27:28,240 --> 00:27:31,960
Speaker 1: Amy wins. Okay, you mean easy one bones, huh? Easy trivia?

509
00:27:32,000 --> 00:27:34,439
Speaker 1: I mean easy. I'm just going an order Okay. What

510
00:27:34,680 --> 00:27:38,200
Speaker 1: is the moon called when it's as big and as

511
00:27:38,200 --> 00:27:42,800
Speaker 1: bright as it can get? Well, that would be a

512
00:27:42,800 --> 00:27:47,320
Speaker 1: full moon. Correct. I was I was wondering if there's

513
00:27:47,320 --> 00:27:49,159
Speaker 1: like some kind of a strength of name for it.

514
00:27:49,600 --> 00:27:52,159
Speaker 1: One more in this little theme here, Amy, what are

515
00:27:52,200 --> 00:27:59,240
Speaker 1: groups of stars that look like pictures called? I know this?

516
00:27:59,440 --> 00:28:03,600
Speaker 1: Hold on? Why put us on hold? Come on, Amy,

517
00:28:04,280 --> 00:28:06,399
Speaker 1: I know I'm digging. It's like at the tip of

518
00:28:06,440 --> 00:28:09,840
Speaker 1: my tongue. I'm gonna put you on the clock. I

519
00:28:09,920 --> 00:28:16,320
Speaker 1: know the consolation, right, Wow, I just put me on

520
00:28:16,320 --> 00:28:21,880
Speaker 1: the clock. Good job, on the clock immediately. Now, don't

521
00:28:21,920 --> 00:28:25,679
Speaker 1: put me on the clock immediately? Uh? In which month

522
00:28:25,960 --> 00:28:31,479
Speaker 1: does fall begin? Oh? Come on? When is fall? What

523
00:28:31,720 --> 00:28:34,600
Speaker 1: month does fall begin? If you get it, you move on?

524
00:28:34,640 --> 00:28:36,719
Speaker 1: If not, Amy wentz three this round her. She's all

525
00:28:36,840 --> 00:28:39,200
Speaker 1: closer to that, Tiara. So fall, that's when you go

526
00:28:39,200 --> 00:28:46,520
Speaker 1: back to school after summer. September? Okay, so June, July, August. Yeah,

527
00:28:46,600 --> 00:28:50,280
Speaker 1: let's go September. Oh my gosh, Oh my gosh, let's

528
00:28:50,320 --> 00:28:55,960
Speaker 1: go September. September is correct? Oh? Yes? How long does

529
00:28:55,960 --> 00:29:01,479
Speaker 1: it take the Earth to rotate once Amy on its axis?

530
00:29:01,480 --> 00:29:06,720
Speaker 1: How long does it take the Earth's rotake. Well, three

531
00:29:06,800 --> 00:29:13,720
Speaker 1: hundred and sixty five days incorrect. I thought I took

532
00:29:13,760 --> 00:29:20,160
Speaker 1: a year. You've been one day, twenty four hours. Well,

533
00:29:20,400 --> 00:29:24,440
Speaker 1: I was a little off there one day. Why did

534
00:29:24,440 --> 00:29:27,080
Speaker 1: you get cocky and answer so quickly? Because I just

535
00:29:27,880 --> 00:29:31,560
Speaker 1: she was in the clock. She just envisioned it for herself, Eddie,

536
00:29:31,640 --> 00:29:38,720
Speaker 1: Come on, come on, white guys. Please, how many legs? Wait?

537
00:29:38,960 --> 00:29:44,120
Speaker 1: Amy do insects have? Wait? Wait? Which insects? How many

538
00:29:44,160 --> 00:29:50,160
Speaker 1: legs do insects have? By definition, insects have blank legs.

539
00:29:50,680 --> 00:29:53,520
Speaker 1: They're insect insect like creatures that have different pairs. But

540
00:29:53,760 --> 00:29:56,560
Speaker 1: in grade school, the answer taught us blank. By the way,

541
00:29:56,600 --> 00:30:00,680
Speaker 1: spiders are not insects. There are ratnets. Correct. We knew

542
00:30:00,960 --> 00:30:03,640
Speaker 1: someone whoever got it would challenge that. So by definition,

543
00:30:03,680 --> 00:30:07,200
Speaker 1: insects have blank legs. Let's see, let's see, let's see spiders.

544
00:30:07,240 --> 00:30:12,080
Speaker 1: What do they have? Eight legs? Let's go with six?

545
00:30:12,320 --> 00:30:15,600
Speaker 1: And I'm a little I have freedom with us because

546
00:30:16,480 --> 00:30:19,000
Speaker 1: I can still miss it and I'm still in That's true, right,

547
00:30:19,120 --> 00:30:20,800
Speaker 1: It's like you're it's end of a tie game, you're

548
00:30:20,880 --> 00:30:22,600
Speaker 1: kicking a field goal. You can't lose, correct, you can

549
00:30:22,640 --> 00:30:25,440
Speaker 1: only win? Correct? He says six. Come on, the answer

550
00:30:25,600 --> 00:30:32,400
Speaker 1: is six D. That's a question you should have got.

551
00:30:33,120 --> 00:30:36,120
Speaker 1: I know, but I know I just answered too quickly.

552
00:30:36,200 --> 00:30:38,040
Speaker 1: I don't know what I thought. Happens in three hundred

553
00:30:38,040 --> 00:30:42,840
Speaker 1: and twenty five days a year? What happened? That's day night? Yeah, yeah,

554
00:30:42,840 --> 00:30:46,760
Speaker 1: that's that's it goes around the sun. Oh, that's the goal.

555
00:30:48,320 --> 00:30:51,360
Speaker 1: Five spends on its axis. Twenty four is day night,

556
00:30:52,280 --> 00:30:56,280
Speaker 1: three sixty five is yeah seasons. Okay, the whole lunch

557
00:30:56,400 --> 00:30:58,440
Speaker 1: is right. I answered too fast. I should have let

558
00:30:58,440 --> 00:31:00,440
Speaker 1: you put me on a clock. Should have taken some

559
00:31:00,480 --> 00:31:03,280
Speaker 1: time next time, really thought through it. I'm sorry you

560
00:31:03,320 --> 00:31:06,120
Speaker 1: didn't win. It's alright, n I was gonna give you

561
00:31:06,160 --> 00:31:08,240
Speaker 1: a pair of tickets see the Raging Idiots tomorrow. I

562
00:31:08,320 --> 00:31:10,760
Speaker 1: was at of Tampa Srawberry Festival. I'll already be there.

563
00:31:10,760 --> 00:31:12,400
Speaker 1: You'll already be there. Edie and I'll both be there.

564
00:31:12,600 --> 00:31:15,720
Speaker 1: I feel like I let down Lunchbox and Morgan. Yea yeah.

565
00:31:15,760 --> 00:31:17,080
Speaker 1: And if you guys want to come to watch Eddie

566
00:31:17,080 --> 00:31:20,480
Speaker 1: and I tomorrow, come on out Strawberry Festival in Plant City, Florida.

567
00:31:22,080 --> 00:31:23,800
Speaker 1: All right, here's a voice in all from last night

568
00:31:24,280 --> 00:31:27,600
Speaker 1: Moren's studio I'll just have a quick morning corny for Amy.

569
00:31:27,920 --> 00:31:32,640
Speaker 1: Why does a duck have tail to cover his butt? Quack,

570
00:31:34,440 --> 00:31:36,920
Speaker 1: that's a good one. Amy's corny comes up in like

571
00:31:36,960 --> 00:31:41,080
Speaker 1: fifteen minutes. Also, Eddie and I tomorrow will be in Tampa,

572
00:31:41,200 --> 00:31:44,880
Speaker 1: well plant City outside of Tampa, headlining Strawberry Festival. We'd

573
00:31:44,880 --> 00:31:46,840
Speaker 1: love for you guys to come the Raging Idiots with

574
00:31:46,920 --> 00:31:49,840
Speaker 1: Abby and Kane and Cox. Yeah, what a show. Tickets

575
00:31:49,880 --> 00:31:52,560
Speaker 1: at Raging Idiots dot com. If you're down, we'd love

576
00:31:52,600 --> 00:31:56,360
Speaker 1: to see you. Here is another voicemail from last night. Hey, Bobby,

577
00:31:56,640 --> 00:31:59,760
Speaker 1: I was trying to get y'alls thinking about something. I

578
00:32:00,040 --> 00:32:02,760
Speaker 1: have neighbors telling me that I need to take down

579
00:32:02,800 --> 00:32:06,120
Speaker 1: my Christmas light. Yes there's still up. I don't turn

580
00:32:06,200 --> 00:32:09,000
Speaker 1: them on, but I keep them up all year. That way,

581
00:32:09,000 --> 00:32:11,000
Speaker 1: I got to climb up on the ladder and put

582
00:32:11,080 --> 00:32:13,480
Speaker 1: them back up, you know, around Christmas time. I was

583
00:32:13,640 --> 00:32:16,440
Speaker 1: wondering what jall opinion on that. I mean, I mean,

584
00:32:16,480 --> 00:32:18,480
Speaker 1: is that what you do every year? Then your house? Yeah,

585
00:32:18,520 --> 00:32:20,640
Speaker 1: your house? And if there are no rules by like

586
00:32:20,680 --> 00:32:23,480
Speaker 1: an hoa, which I've had before, and they're miserable, then

587
00:32:23,640 --> 00:32:27,400
Speaker 1: that's up to you, buddy. Leave them up and it's practical. Yeah, Lunchbox,

588
00:32:27,640 --> 00:32:29,920
Speaker 1: have you taken yours down? No? Mark, Oh, it's March

589
00:32:29,960 --> 00:32:33,240
Speaker 1: eleventh and they're still there as I'm talking about I

590
00:32:33,280 --> 00:32:35,040
Speaker 1: do want to get back into this Monday about what

591
00:32:35,080 --> 00:32:37,280
Speaker 1: the new plan is. But um, yeah, hey, I would

592
00:32:37,360 --> 00:32:38,960
Speaker 1: leave them up. Heck, you're not turning them on and

593
00:32:38,960 --> 00:32:42,200
Speaker 1: didn't hurt nobody and there are no rules, so I'm

594
00:32:42,200 --> 00:32:44,120
Speaker 1: okay with you leaving them up. Thank you very much

595
00:32:44,120 --> 00:32:48,959
Speaker 1: for the calling your Amy's pile of stories. So if

596
00:32:48,960 --> 00:32:52,200
Speaker 1: you're a Friends fan, Courtney Cox sat down with Willie

597
00:32:52,240 --> 00:32:55,320
Speaker 1: Geist for Sunday Today, which will be airing on NBC

598
00:32:55,600 --> 00:32:57,760
Speaker 1: this Sunday, so it might be something you want to catch.

599
00:32:57,840 --> 00:33:01,800
Speaker 1: But she admitted to him that she doesn't remember every

600
00:33:01,960 --> 00:33:05,080
Speaker 1: episode of Friends, and she's like, she'll be watching it

601
00:33:05,120 --> 00:33:06,840
Speaker 1: and she'll be looking at the TV and she was like,

602
00:33:06,920 --> 00:33:10,560
Speaker 1: I literally don't remember ever doing that. I guess because

603
00:33:10,560 --> 00:33:12,200
Speaker 1: they did it for so long and there were so

604
00:33:12,240 --> 00:33:17,120
Speaker 1: many episodes. I would loosely compare it to this show

605
00:33:17,160 --> 00:33:19,479
Speaker 1: and big segments that we've done. When Hillary was in here,

606
00:33:19,520 --> 00:33:21,320
Speaker 1: she's like, remember the segment is one of my favorites,

607
00:33:21,640 --> 00:33:24,200
Speaker 1: And I was like, I don't remember that, So I think,

608
00:33:24,240 --> 00:33:26,760
Speaker 1: just you do something a whole lot, you probably don't

609
00:33:26,840 --> 00:33:30,040
Speaker 1: remember every instance. Yeah, and you hope it's not a

610
00:33:30,080 --> 00:33:32,560
Speaker 1: memory or a brain thing with her, she said, she

611
00:33:32,640 --> 00:33:34,600
Speaker 1: chalks it up to a bad memory. But I would

612
00:33:34,640 --> 00:33:36,760
Speaker 1: agree with what you're saying. They filmed so much it's

613
00:33:36,760 --> 00:33:39,520
Speaker 1: hard to remember at all. Bad memory and messed up

614
00:33:39,520 --> 00:33:42,120
Speaker 1: brain are two different things. You hope we all got

615
00:33:42,120 --> 00:33:45,600
Speaker 1: a bad memory, or I'm terrible with names, or that's normal,

616
00:33:45,800 --> 00:33:47,840
Speaker 1: but that's you hope that's what it is. So another

617
00:33:47,880 --> 00:33:50,040
Speaker 1: tidbit is that she can't stand her voice on the show,

618
00:33:50,160 --> 00:33:55,080
Speaker 1: especially on episodes. Me too, but sometimes episodes are sped

619
00:33:55,160 --> 00:33:57,640
Speaker 1: up so they can fit in an extra commercial and

620
00:33:57,680 --> 00:34:00,120
Speaker 1: those ones that she cannot handle because she feels like

621
00:34:00,160 --> 00:34:02,080
Speaker 1: she sounds like a mouse or tinker Bell. And I

622
00:34:02,160 --> 00:34:04,680
Speaker 1: was like, oh, that's crazy. I never knew they sped

623
00:34:04,760 --> 00:34:07,720
Speaker 1: up episodes like actual acting. I didn't know they could

624
00:34:07,760 --> 00:34:10,400
Speaker 1: speed it all up. Well. Fun fact, a lot of

625
00:34:10,480 --> 00:34:13,400
Speaker 1: radio stations do this too, one to two percent, so

626
00:34:13,440 --> 00:34:17,719
Speaker 1: they can commercials and you don't don't realize there the

627
00:34:17,760 --> 00:34:20,440
Speaker 1: songs are sped up too, and people have no idea

628
00:34:20,600 --> 00:34:23,279
Speaker 1: and they're like, well, that song sounds a little, but

629
00:34:23,680 --> 00:34:27,400
Speaker 1: it's not enough to notice unless you know, and not

630
00:34:27,440 --> 00:34:29,759
Speaker 1: all stations do it now, but yes, that's a common thing.

631
00:34:30,040 --> 00:34:32,920
Speaker 1: You do it just enough where people can't notice. That

632
00:34:33,040 --> 00:34:34,759
Speaker 1: being said, if you listen to our podcast and we're

633
00:34:34,800 --> 00:34:37,640
Speaker 1: going really fast, you have the setting on too fast.

634
00:34:37,719 --> 00:34:40,800
Speaker 1: Up talk yeah slow, that can change that. So I

635
00:34:40,920 --> 00:34:44,759
Speaker 1: Go Waffles is hooking up parents for daylight savings because

636
00:34:45,360 --> 00:34:48,680
Speaker 1: you know, clocks spring forward and you don't have as

637
00:34:48,760 --> 00:34:51,040
Speaker 1: much time in the morning. So they want to give

638
00:34:51,080 --> 00:34:56,120
Speaker 1: away one hundred thousand boxes of waffles and it's super easy.

639
00:34:56,160 --> 00:34:58,839
Speaker 1: It's box of ten waffles. So just a little hook

640
00:34:58,920 --> 00:35:01,000
Speaker 1: up for you. But you've got to go to their Instagram, Twitter,

641
00:35:01,040 --> 00:35:03,799
Speaker 1: their social pages on March fourteenth and just be one

642
00:35:03,800 --> 00:35:05,839
Speaker 1: of the first hundred thousand people to click the link

643
00:35:06,080 --> 00:35:08,080
Speaker 1: and boom, they'll mail your free box. I have two

644
00:35:08,080 --> 00:35:10,239
Speaker 1: things to say. One, I love when we go back

645
00:35:10,239 --> 00:35:14,160
Speaker 1: to more daylight. It's my seven year old eternal self

646
00:35:14,440 --> 00:35:18,160
Speaker 1: love more daytime. Yeah, reminder that's this weekend. And then two,

647
00:35:19,320 --> 00:35:21,560
Speaker 1: you don't have less time forever. You only really have

648
00:35:21,640 --> 00:35:24,120
Speaker 1: less time on Sunday the first day, the first day,

649
00:35:24,160 --> 00:35:26,399
Speaker 1: but then you wake up and you're tired, and you yeah, yeah, yeah,

650
00:35:26,400 --> 00:35:27,920
Speaker 1: I mean I understand why they're doing it, but they're like,

651
00:35:28,120 --> 00:35:30,360
Speaker 1: but less time every morning now for moms. No, we

652
00:35:30,400 --> 00:35:33,800
Speaker 1: have the same amount of time except for that first day. Yeah,

653
00:35:33,840 --> 00:35:36,160
Speaker 1: so that I mean, I'm We're big on waffles and

654
00:35:36,239 --> 00:35:38,799
Speaker 1: like pre made pancakes. Those are always easy go two

655
00:35:38,840 --> 00:35:40,520
Speaker 1: things to wake up in the morning and make really

656
00:35:40,560 --> 00:35:42,759
Speaker 1: fast for my kids. I always have the plan to

657
00:35:42,800 --> 00:35:46,960
Speaker 1: eat healthier, more nutritious breakfast, but then I get running

658
00:35:47,000 --> 00:35:49,520
Speaker 1: and then it's just a bowl cereal real quick. I

659
00:35:49,560 --> 00:35:52,239
Speaker 1: need to give you my protein pancake recipe. I'm not

660
00:35:52,280 --> 00:35:54,280
Speaker 1: going to make it, That's my point, but you okay,

661
00:35:54,320 --> 00:35:56,360
Speaker 1: I'm not going to spend the time making it. I always,

662
00:35:56,520 --> 00:35:58,400
Speaker 1: i know, want to wake up early, and then I

663
00:35:58,400 --> 00:36:00,440
Speaker 1: get on some little project in the morning and I'm like,

664
00:36:00,520 --> 00:36:04,759
Speaker 1: I just don't feel like honey, bunch of boats. That's

665
00:36:04,800 --> 00:36:06,160
Speaker 1: been the serial right now, but I'm kind of over

666
00:36:06,200 --> 00:36:08,400
Speaker 1: at this point. What else you get? Well, Brothers Osbourne,

667
00:36:08,440 --> 00:36:12,279
Speaker 1: they performed Skeletons at the ACMs and Glow in the

668
00:36:12,320 --> 00:36:15,759
Speaker 1: Dark jumpsuits, and they also had Glow in the Dark guitars,

669
00:36:16,120 --> 00:36:18,440
Speaker 1: and now those guitars are going up on the auction

670
00:36:18,480 --> 00:36:21,440
Speaker 1: block to raise money for ACM Lifting Lives. So you

671
00:36:21,440 --> 00:36:23,680
Speaker 1: can find the link in their bio on their Instagram

672
00:36:23,719 --> 00:36:27,920
Speaker 1: at Brothers Osbourne and the bidding will end March twenty third.

673
00:36:28,080 --> 00:36:30,040
Speaker 1: What are those going for? Well, you have any idea?

674
00:36:30,080 --> 00:36:32,520
Speaker 1: What like? The starting bid was estimated value is five

675
00:36:32,600 --> 00:36:36,520
Speaker 1: thousand and current bid is thirteen hundred so and it'll

676
00:36:36,520 --> 00:36:40,759
Speaker 1: come with a certificate of authenticity. And again it was

677
00:36:40,880 --> 00:36:43,359
Speaker 1: used during the fifty seventh Atum Awards. That's pretty cool.

678
00:36:43,360 --> 00:36:45,880
Speaker 1: I wish it were left handed because I'm left handed.

679
00:36:46,400 --> 00:36:48,799
Speaker 1: You'd have a glow in the tar. Brothers Osbourne guitar

680
00:36:48,920 --> 00:36:51,359
Speaker 1: I bought once from an auction for Saint Jude A

681
00:36:51,360 --> 00:36:56,520
Speaker 1: Billy Ray Cyrus autographed, but that was left he's left handed.

682
00:36:57,400 --> 00:36:59,040
Speaker 1: Some gave all in the back Billy Ray Cyrus and

683
00:36:59,640 --> 00:37:01,279
Speaker 1: I never play it, but if I everyone wanted to,

684
00:37:01,400 --> 00:37:06,680
Speaker 1: I could be all right. Amy, Yeah, I'm Amy. That's

685
00:37:06,760 --> 00:37:10,280
Speaker 1: my pile. That's right. That was Amy's pile of stories.

686
00:37:10,800 --> 00:37:18,400
Speaker 1: It's time for the good news. Alan Taylor and his

687
00:37:18,480 --> 00:37:21,360
Speaker 1: son Zane where at City Donuts getting some nice little

688
00:37:21,400 --> 00:37:24,200
Speaker 1: donuts and Zane standing off at the table when Dad's

689
00:37:24,239 --> 00:37:27,080
Speaker 1: paying I'll take two glazes, two chocolate frost. And he

690
00:37:27,080 --> 00:37:29,600
Speaker 1: hears something in the background. He looks and there's an

691
00:37:29,640 --> 00:37:34,200
Speaker 1: out of control car heading for the restaurant, and he runs, dives,

692
00:37:34,440 --> 00:37:36,640
Speaker 1: tackles his four year old son just as the car

693
00:37:36,680 --> 00:37:40,200
Speaker 1: comes crashing through the wall and miss misses him by inches,

694
00:37:40,960 --> 00:37:43,399
Speaker 1: saves his son, and City Donuts said, Zane, you can

695
00:37:43,400 --> 00:37:49,160
Speaker 1: have one donut every Saturday for the rest of your life. Okay,

696
00:37:50,200 --> 00:37:52,680
Speaker 1: I thought he was donut. That's it. What's up at

697
00:37:52,719 --> 00:37:55,879
Speaker 1: that car? I just says that someone hit the gas

698
00:37:55,920 --> 00:37:59,040
Speaker 1: instead of the break. Yeah, so somebody old doing the

699
00:37:59,080 --> 00:38:02,279
Speaker 1: wrong pedal, yeah, or somebody drunk or amy because she's

700
00:38:02,600 --> 00:38:06,120
Speaker 1: happens on one of those three A get story. Oh wow,

701
00:38:06,120 --> 00:38:09,200
Speaker 1: I stinks that's what it's all about. That was tell

702
00:38:09,280 --> 00:38:13,560
Speaker 1: me something good. Yesterday we're talking with the doctor and

703
00:38:14,080 --> 00:38:16,200
Speaker 1: you were talking about how sometimes you feel rage, and

704
00:38:16,239 --> 00:38:20,160
Speaker 1: we talked about the hormone that makes that happen. So

705
00:38:20,200 --> 00:38:22,360
Speaker 1: I found the story on rage. A survey found that

706
00:38:22,480 --> 00:38:25,560
Speaker 1: forty one percent of employees who rage quit or emotionally

707
00:38:25,680 --> 00:38:28,520
Speaker 1: or impulsively leave their jobs. I regret it, so I'm

708
00:38:28,520 --> 00:38:29,719
Speaker 1: trying to get them back. So I just wish they

709
00:38:29,719 --> 00:38:32,160
Speaker 1: wouldn't have done that, because it hurts them later. You know.

710
00:38:32,160 --> 00:38:34,319
Speaker 1: I think sometimes we glorify these stories about people walking

711
00:38:34,360 --> 00:38:36,919
Speaker 1: being like screw you, screw you, kick over a table.

712
00:38:37,040 --> 00:38:41,080
Speaker 1: I quit, and we're like wow, But in the end

713
00:38:41,120 --> 00:38:43,600
Speaker 1: it does come back to hurt them because don't ever

714
00:38:43,600 --> 00:38:45,200
Speaker 1: call the people days to work for and be like, hey,

715
00:38:45,200 --> 00:38:47,719
Speaker 1: they're good to hire, Like, well, let me show this

716
00:38:47,800 --> 00:38:50,600
Speaker 1: viral video. What do you think? Hey, don't let them

717
00:38:50,640 --> 00:38:54,040
Speaker 1: down as a reverence. So rage is tough because how

718
00:38:54,080 --> 00:38:57,120
Speaker 1: to fix rage immediately is react to it. And at

719
00:38:57,160 --> 00:38:59,359
Speaker 1: times when I'm feeling like, oh I must respond quick late,

720
00:38:59,560 --> 00:39:01,759
Speaker 1: I have to go Okay, I know you're telling you

721
00:39:02,000 --> 00:39:04,200
Speaker 1: everything about you wants to do it now, but let

722
00:39:04,239 --> 00:39:06,920
Speaker 1: me talk to you as as the cloud that's all

723
00:39:07,000 --> 00:39:09,279
Speaker 1: that's watching over you for long periods of time, not

724
00:39:09,320 --> 00:39:11,160
Speaker 1: just the guy that's with you. The cloud says you

725
00:39:11,160 --> 00:39:13,040
Speaker 1: should chill out for a second, and if you still

726
00:39:13,080 --> 00:39:17,080
Speaker 1: feel this way three hours, then go ahead, go to town, buddy,

727
00:39:17,200 --> 00:39:20,120
Speaker 1: give it the business, but give yourself three hours because

728
00:39:20,160 --> 00:39:22,000
Speaker 1: you will regret this and most times to be able

729
00:39:22,040 --> 00:39:26,360
Speaker 1: to have that, and I can make wise decisions because

730
00:39:26,400 --> 00:39:28,839
Speaker 1: of that. Occasionally I'm not, but most times I'm able

731
00:39:28,880 --> 00:39:30,719
Speaker 1: to have that control is that I'm so out of

732
00:39:30,719 --> 00:39:33,719
Speaker 1: control that some my cloud which I refer to it

733
00:39:33,760 --> 00:39:35,680
Speaker 1: as my outer being that looks over me, not just

734
00:39:35,719 --> 00:39:39,279
Speaker 1: now but always, and go, hey, buddy, don't don't do

735
00:39:39,280 --> 00:39:41,239
Speaker 1: that right now. You're gonna hate yourself later for it.

736
00:39:41,760 --> 00:39:43,319
Speaker 1: So it's tough, though, because all you want to do

737
00:39:43,360 --> 00:39:45,200
Speaker 1: is jump in the pool like Amy. Oh no, I

738
00:39:45,200 --> 00:39:50,480
Speaker 1: mean stab someone like Amy. I never yet. Yeah, it's

739
00:39:50,480 --> 00:39:52,879
Speaker 1: not the news yet, but it will be. All right.

740
00:39:53,600 --> 00:40:01,400
Speaker 1: Let's go over to Amy and get in her morning Corny, Morning, Corny,

741
00:40:01,480 --> 00:40:04,000
Speaker 1: what do you call a fish wearing a bow tie?

742
00:40:04,320 --> 00:40:07,480
Speaker 1: What do you call a fish wearing a bow tie? So? Fishticated?

743
00:40:12,480 --> 00:40:15,600
Speaker 1: That was the morning, Corny. Did you check and see

744
00:40:15,600 --> 00:40:17,919
Speaker 1: if you're fish still alive? Yeah? It's live? Are you sure?

745
00:40:18,120 --> 00:40:21,040
Speaker 1: Are you just saying no, that's not yet? Yeah, it's

746
00:40:21,040 --> 00:40:25,680
Speaker 1: not yet. I would have heard at least check before Monday. Okay. Yeah.

747
00:40:26,360 --> 00:40:31,120
Speaker 1: The Friday Morning conversation with Parker McCullum. Congratulations, dude, you've

748
00:40:31,120 --> 00:40:33,720
Speaker 1: been winning all the awards, performing on all the awards shows.

749
00:40:34,120 --> 00:40:36,600
Speaker 1: Thank you. It's one award and one awards show. But yeah,

750
00:40:36,840 --> 00:40:38,480
Speaker 1: that counts for all of them. Yeah, it's like everyone

751
00:40:38,520 --> 00:40:40,480
Speaker 1: I've seen And the last week you were on it,

752
00:40:40,640 --> 00:40:42,400
Speaker 1: thank you man Parker text and there's like, hey, you're

753
00:40:42,400 --> 00:40:44,520
Speaker 1: gonna be up on the show tomorrow. I'm coming up

754
00:40:44,560 --> 00:40:46,359
Speaker 1: And I was like, yeah, I was like, what if

755
00:40:46,360 --> 00:40:47,800
Speaker 1: I wasn't? What if he came up? Were you know,

756
00:40:47,840 --> 00:40:49,920
Speaker 1: nine of us were here on my calendar? All it

757
00:40:49,920 --> 00:40:52,719
Speaker 1: ever says is Bobby Bones. So sometimes it's like you

758
00:40:52,760 --> 00:40:54,600
Speaker 1: come in and you do, you'll do like some liners

759
00:40:54,680 --> 00:40:56,560
Speaker 1: or something and leave, or you'll do you know, it's like,

760
00:40:56,640 --> 00:40:58,080
Speaker 1: I don't even know if I'm actually gonna be on

761
00:41:00,000 --> 00:41:01,440
Speaker 1: about over. He say, hey, I'm gonna come to your show.

762
00:41:01,480 --> 00:41:04,560
Speaker 1: You're gonna be there. I said, yeah, yes, sir, I

763
00:41:04,600 --> 00:41:06,360
Speaker 1: am gonna be there. It's like all right cool? And

764
00:41:06,400 --> 00:41:07,840
Speaker 1: then I thought, man, did people ever just come up

765
00:41:07,880 --> 00:41:09,760
Speaker 1: here and I'm not here? Are you got scheduling interviews

766
00:41:09,760 --> 00:41:11,640
Speaker 1: just for fun? And the one time you were out

767
00:41:11,680 --> 00:41:13,319
Speaker 1: of town, I did the thing like taking over your

768
00:41:13,320 --> 00:41:15,520
Speaker 1: office or something, going through all your stuff on camera.

769
00:41:15,640 --> 00:41:17,520
Speaker 1: It was on camera. I think I saw that that

770
00:41:17,560 --> 00:41:19,520
Speaker 1: was just and p Yeah again, I just I think

771
00:41:19,520 --> 00:41:22,920
Speaker 1: you got just bringing artists up to have fun. Congratulations

772
00:41:23,040 --> 00:41:26,080
Speaker 1: on your ACM new mail artists. Thank you. Pretty cool.

773
00:41:26,360 --> 00:41:28,400
Speaker 1: I saw the thing where I guess you're on a

774
00:41:28,520 --> 00:41:31,359
Speaker 1: zoom and then you're waiting what did they tell you

775
00:41:31,400 --> 00:41:33,359
Speaker 1: is about to happen? Why are you on a zoom? Man?

776
00:41:33,400 --> 00:41:35,000
Speaker 1: It's just kind of like this morning, it's just on

777
00:41:35,080 --> 00:41:37,080
Speaker 1: my calendar. I thought I had a we're actually trying

778
00:41:37,120 --> 00:41:39,160
Speaker 1: to walk out of the house to go to the airport.

779
00:41:39,440 --> 00:41:40,759
Speaker 1: We're about to miss our flight, and I had a

780
00:41:40,840 --> 00:41:43,319
Speaker 1: zoom call. You didn't know you No, I was just

781
00:41:43,360 --> 00:41:45,920
Speaker 1: a normal interview, So I got it. I just hopped on, thinking,

782
00:41:46,320 --> 00:41:48,920
Speaker 1: you know, talk about normal stuff real quick and then

783
00:41:49,000 --> 00:41:50,719
Speaker 1: go to the airport. And then Miranda hopped on, and

784
00:41:50,760 --> 00:41:53,440
Speaker 1: I was like it kind of in my mind, you know, right,

785
00:41:53,560 --> 00:41:55,480
Speaker 1: My first thought was just what I think is? I mean,

786
00:41:55,480 --> 00:41:57,279
Speaker 1: we're about to fly there for the ACMs. But I

787
00:41:57,320 --> 00:41:59,120
Speaker 1: was like, I can't go. Why, nothing like that. So

788
00:42:00,040 --> 00:42:02,640
Speaker 1: and she said, you won? You won? Yeah, I won.

789
00:42:02,920 --> 00:42:05,440
Speaker 1: That's pretty cool. That's pretty that's pretty good man. It's

790
00:42:05,480 --> 00:42:07,080
Speaker 1: as good as you can do with those things as win.

791
00:42:07,200 --> 00:42:10,279
Speaker 1: So did you already know you were performing? Though? No,

792
00:42:10,320 --> 00:42:12,200
Speaker 1: I did not. I had no idea. Um, you know,

793
00:42:12,239 --> 00:42:14,439
Speaker 1: they when you're nominated, they kind of, I think, reach

794
00:42:14,480 --> 00:42:17,080
Speaker 1: out to your team about, you know, just in case

795
00:42:17,120 --> 00:42:19,480
Speaker 1: you do win. But I was like, we don't. I mean,

796
00:42:19,480 --> 00:42:20,680
Speaker 1: I just there was no way. I was like, I'm

797
00:42:20,680 --> 00:42:23,440
Speaker 1: not gonna win an ACM Award. But but here you are.

798
00:42:24,040 --> 00:42:28,319
Speaker 1: You are getting married. So are you saying when it's

799
00:42:28,560 --> 00:42:30,040
Speaker 1: at the end of the month. I've been saying at

800
00:42:30,080 --> 00:42:32,799
Speaker 1: the end of the month, okay, good good enough. Um. Now,

801
00:42:32,840 --> 00:42:34,480
Speaker 1: when I was getting married, I wanted to wear a

802
00:42:34,520 --> 00:42:37,120
Speaker 1: red tuxedo, and I it was kind of veto, um,

803
00:42:37,160 --> 00:42:39,680
Speaker 1: what have you had any struggle with what you want?

804
00:42:39,719 --> 00:42:42,880
Speaker 1: Because you're you know, you're a guy with style. You know,

805
00:42:43,400 --> 00:42:45,719
Speaker 1: I just kind of it's her day. It means it's

806
00:42:45,760 --> 00:42:48,319
Speaker 1: like the so such a big deal to a girl

807
00:42:48,360 --> 00:42:50,399
Speaker 1: to plan a wedding, right the guy, You're just kind

808
00:42:50,400 --> 00:42:51,960
Speaker 1: of like, tell me where to be, when to be there.

809
00:42:52,600 --> 00:42:54,960
Speaker 1: They don't care what I think. Did you suggest anything

810
00:42:55,000 --> 00:42:57,880
Speaker 1: about your attire? I did on the like very beginning.

811
00:42:57,920 --> 00:42:59,839
Speaker 1: I was like, man, I'd love for me and all

812
00:42:59,840 --> 00:43:02,600
Speaker 1: my groomsman to be you know, black cowboy hat, solid black,

813
00:43:02,600 --> 00:43:05,600
Speaker 1: old school tuxedo, black boots, the whole deal. And she

814
00:43:05,680 --> 00:43:10,560
Speaker 1: was like, absolutely not. I was like, and don't ask

815
00:43:10,600 --> 00:43:12,439
Speaker 1: me again. I don't want to if if I don't

816
00:43:12,600 --> 00:43:14,880
Speaker 1: get to have any input on that, then so what

817
00:43:15,040 --> 00:43:18,600
Speaker 1: did you decides? Uh? Classic normal talks. Yeah, I don't

818
00:43:18,640 --> 00:43:20,560
Speaker 1: even I don't know. I actually try it on today

819
00:43:20,800 --> 00:43:24,520
Speaker 1: at four on my calendar it says tux things calendar. Hey,

820
00:43:24,520 --> 00:43:26,400
Speaker 1: I can respect the guy who lives by his calendar.

821
00:43:26,520 --> 00:43:28,959
Speaker 1: That's all I got. How many times as you said

822
00:43:29,000 --> 00:43:31,839
Speaker 1: calendar and that's all I got. Are you nervous about

823
00:43:31,920 --> 00:43:34,200
Speaker 1: getting married or are you ready to do it? Not yet?

824
00:43:34,280 --> 00:43:37,480
Speaker 1: You know? I mean this this month is so crazy, Um,

825
00:43:37,520 --> 00:43:39,839
Speaker 1: the month of March of It's like I'm stringing together

826
00:43:39,920 --> 00:43:42,720
Speaker 1: one of the greatest months of my life right now. So, UM,

827
00:43:42,920 --> 00:43:46,359
Speaker 1: list why this month is so great? Um, hopefully about

828
00:43:46,360 --> 00:43:48,440
Speaker 1: to have my second number one, that's why. That's why

829
00:43:48,440 --> 00:43:50,080
Speaker 1: he's here. Today's about to have a number one. Yes,

830
00:43:50,160 --> 00:43:54,640
Speaker 1: had Um just played the ACMs. UM playing the Houston

831
00:43:54,719 --> 00:43:57,600
Speaker 1: Rodeo sold out seventy thousand people on Saturday, and then

832
00:43:58,440 --> 00:44:01,560
Speaker 1: getting married. So that's a good March. Yeah, that's a

833
00:44:01,560 --> 00:44:04,600
Speaker 1: good one. Yeah at Houston Rodeo. That's significant too. That's

834
00:44:04,920 --> 00:44:06,880
Speaker 1: all I ever want to do. That's it for me.

835
00:44:07,200 --> 00:44:11,399
Speaker 1: I mean, growing up in Texas, that's the biggest thing

836
00:44:11,560 --> 00:44:14,799
Speaker 1: to go. Or if you're an artist to perform at

837
00:44:14,840 --> 00:44:17,560
Speaker 1: the Houston Rodeo and the thing is sold out seventy

838
00:44:17,600 --> 00:44:20,760
Speaker 1: thousand people, it's just scraw. I don't know. The ACM

839
00:44:20,800 --> 00:44:22,480
Speaker 1: thing hasn't really hit me yet. That was all kind

840
00:44:22,480 --> 00:44:24,480
Speaker 1: of a blur, And then the Rodeo probably be the

841
00:44:24,480 --> 00:44:26,439
Speaker 1: same way. We're probably like in July, I'll be riding

842
00:44:26,440 --> 00:44:27,920
Speaker 1: down the road on the bus somewhere and be like,

843
00:44:28,360 --> 00:44:31,319
Speaker 1: man March was really good. Yeah, it's a good but

844
00:44:31,440 --> 00:44:33,960
Speaker 1: none will be as good after this. This is the peak,

845
00:44:34,080 --> 00:44:36,200
Speaker 1: so we'll take it in. Hey I do if you

846
00:44:36,239 --> 00:44:38,960
Speaker 1: don't mind. I know you have your guitar. Why don't

847
00:44:38,960 --> 00:44:40,719
Speaker 1: you play a little bit? Just give us a verse

848
00:44:40,760 --> 00:44:42,640
Speaker 1: and chorus of this song that's about to go number one.

849
00:44:42,840 --> 00:44:45,719
Speaker 1: Here is Parkner McCullum. And to be loved by you.

850
00:44:53,760 --> 00:44:59,280
Speaker 1: You know, maybe I'm right, maybe I'm wrong, fin shot

851
00:44:59,320 --> 00:45:03,360
Speaker 1: and take it's long easy to sit than down. I

852
00:45:03,520 --> 00:45:07,600
Speaker 1: guess I'm a little bit harder to love than the rest.

853
00:45:07,880 --> 00:45:12,800
Speaker 1: Where does it have to be? So doing my best?

854
00:45:12,800 --> 00:45:17,520
Speaker 1: So hold your heart and da and never let it

855
00:45:17,600 --> 00:45:26,799
Speaker 1: go again. So are you always angry? Why you always cry?

856
00:45:27,080 --> 00:45:31,920
Speaker 1: Why do you sleep? Bail when I know you don't

857
00:45:32,160 --> 00:45:37,799
Speaker 1: like it? Maybe you might be deference to kill you

858
00:45:37,920 --> 00:45:42,320
Speaker 1: to tell me the truth? What in the hill doesn't

859
00:45:42,440 --> 00:45:51,200
Speaker 1: make have to do to be loved by you? Come

860
00:45:51,200 --> 00:45:53,919
Speaker 1: on there is that's the number one song this week.

861
00:45:54,040 --> 00:45:56,760
Speaker 1: We're gonna go Next week it will be the Friday

862
00:45:56,800 --> 00:46:00,640
Speaker 1: morning conversation with Perker mccollumb. He want to try something.

863
00:46:00,680 --> 00:46:03,000
Speaker 1: When you were walking in your songs always on my head?

864
00:46:03,080 --> 00:46:06,160
Speaker 1: You know why you always angry? And thank you? Thank

865
00:46:06,160 --> 00:46:09,040
Speaker 1: you asking? I'm pretty get that. But I was thinking

866
00:46:09,080 --> 00:46:11,560
Speaker 1: about it, and I wrote the first four lines to

867
00:46:11,600 --> 00:46:14,040
Speaker 1: a parody. And I don't want to do parodies anymore.

868
00:46:14,280 --> 00:46:17,840
Speaker 1: But play me, you know, don't sing, but play me

869
00:46:18,400 --> 00:46:21,080
Speaker 1: the chorus on your guitar. All right, here we go.

870
00:46:21,080 --> 00:46:23,000
Speaker 1: I'm gonna do you want that same key? Yeah? I know,

871
00:46:23,200 --> 00:46:25,799
Speaker 1: I mean, what do I know? All right? Sure, here

872
00:46:25,800 --> 00:46:28,160
Speaker 1: we go? So why you got it? I'll start it?

873
00:46:28,400 --> 00:46:32,839
Speaker 1: So why are you always angry? Why don't you just

874
00:46:33,040 --> 00:46:39,680
Speaker 1: eat lunch? There's lots of leftovers. Just go and heat

875
00:46:39,880 --> 00:46:46,560
Speaker 1: it up and use the microwave and clear off the screen.

876
00:46:46,600 --> 00:46:52,960
Speaker 1: When you're done, just stop winding that you're hungry. Don't

877
00:46:53,000 --> 00:46:56,400
Speaker 1: know the rest. And I never got this far with

878
00:46:56,560 --> 00:47:00,719
Speaker 1: the song. Thank you very much, Thank you. It's our

879
00:47:00,760 --> 00:47:03,479
Speaker 1: first duet. Yeah, are you always angry? You didn't sing though,

880
00:47:03,920 --> 00:47:07,279
Speaker 1: Oh I thought you were taking it home. I've never

881
00:47:07,280 --> 00:47:09,520
Speaker 1: heard anyone take it home more than I just took

882
00:47:09,560 --> 00:47:11,279
Speaker 1: it home. No, that's all the way home you ever

883
00:47:11,360 --> 00:47:14,320
Speaker 1: get on stage. And yeah, this is on both sides

884
00:47:14,360 --> 00:47:17,399
Speaker 1: of it where one night you feel like, man, I'm

885
00:47:17,520 --> 00:47:20,239
Speaker 1: killing it, like my voice is good, I'm on like

886
00:47:20,680 --> 00:47:22,319
Speaker 1: just and you're like, man, this is one of those

887
00:47:22,440 --> 00:47:25,120
Speaker 1: rare nights where everything is perfect, and then at the

888
00:47:25,120 --> 00:47:27,480
Speaker 1: same time, do you have nights where you're like, man,

889
00:47:27,600 --> 00:47:30,800
Speaker 1: everything is wrong, like I'm not hitting? Does that? Do

890
00:47:30,920 --> 00:47:34,080
Speaker 1: those happen often? On either side? Man, I'm just so

891
00:47:34,160 --> 00:47:37,080
Speaker 1: critical of it. It's always the second one. Every night

892
00:47:37,239 --> 00:47:38,799
Speaker 1: is like, oh, man, well we just as soon as

893
00:47:38,800 --> 00:47:40,279
Speaker 1: we walk off the bus, me and the band, or

894
00:47:40,719 --> 00:47:42,279
Speaker 1: as soon as we walk off the stage, the band

895
00:47:42,280 --> 00:47:44,759
Speaker 1: and I are always sitting there, you know, how'd your

896
00:47:44,760 --> 00:47:46,480
Speaker 1: ears sound? How did it you know? What'd you think?

897
00:47:46,520 --> 00:47:48,920
Speaker 1: What the you know? And sometimes we feel like we

898
00:47:49,000 --> 00:47:51,720
Speaker 1: play terrible or I sound terrible with the crowd. Energy

899
00:47:51,800 --> 00:47:54,040
Speaker 1: is so electric it doesn't even matter, you know. So

900
00:47:54,800 --> 00:47:57,000
Speaker 1: I'm in my head about it. Every single night. We

901
00:47:57,000 --> 00:48:00,680
Speaker 1: record every show, listen to every you do like game tape,

902
00:48:01,880 --> 00:48:05,040
Speaker 1: kind of like watching film. You're gonna drive yourself crazy. Oh,

903
00:48:05,239 --> 00:48:07,520
Speaker 1: it drives me insane. I just wanted to be perfect.

904
00:48:07,520 --> 00:48:09,680
Speaker 1: I'm a big believer in getting better. But if I

905
00:48:09,719 --> 00:48:11,920
Speaker 1: did that, I couldn't do it every night because I

906
00:48:11,960 --> 00:48:14,840
Speaker 1: would always hate myself. Yeah, it's we usually get on

907
00:48:14,880 --> 00:48:16,560
Speaker 1: the bus and somebody we listen to the show and

908
00:48:16,600 --> 00:48:18,840
Speaker 1: they'll be like, listen, and so it's I don't know

909
00:48:18,880 --> 00:48:21,200
Speaker 1: that's good for you. Do you feel like you get

910
00:48:21,239 --> 00:48:25,000
Speaker 1: better from it? I hope. So do you ever say

911
00:48:25,040 --> 00:48:28,120
Speaker 1: anything stupid? Like when you're talking and you're back and

912
00:48:28,160 --> 00:48:30,319
Speaker 1: you're like, why did I say that? Oh? All the time.

913
00:48:30,360 --> 00:48:32,239
Speaker 1: There's a video on the internet. One night we were

914
00:48:32,280 --> 00:48:34,879
Speaker 1: playing somewhere in like Kansas or something that's big outdoor stage.

915
00:48:34,920 --> 00:48:36,880
Speaker 1: It was super windy and it was just blow and

916
00:48:37,000 --> 00:48:39,359
Speaker 1: the whole show, and at some point it's like on

917
00:48:39,440 --> 00:48:43,200
Speaker 1: TikTok or something that popped up recently that sounds so stupid.

918
00:48:43,239 --> 00:48:45,160
Speaker 1: I'm like, I'm like, how much wind can there be?

919
00:48:45,200 --> 00:48:46,319
Speaker 1: It has to go all the way around the world

920
00:48:46,360 --> 00:48:47,960
Speaker 1: at one point, like surely we're going to run out

921
00:48:47,960 --> 00:48:49,879
Speaker 1: of wind before the end of the show. It goes

922
00:48:49,920 --> 00:48:51,680
Speaker 1: all the way around, like it has to go to

923
00:48:51,719 --> 00:48:53,319
Speaker 1: the other side at some point there's no way there's

924
00:48:53,360 --> 00:48:56,759
Speaker 1: any wind left. And after the show you're like, what

925
00:48:56,920 --> 00:49:03,440
Speaker 1: is he talking? Listen, it's all smart, all coming up

926
00:49:03,520 --> 00:49:05,720
Speaker 1: road for you right now. Man, you're about to get married.

927
00:49:06,160 --> 00:49:09,319
Speaker 1: I mean, she's awesome, just numera. You know, I'm gonna

928
00:49:09,360 --> 00:49:11,279
Speaker 1: say she's the man, but she's not the man, she's

929
00:49:11,280 --> 00:49:14,160
Speaker 1: the woman. Well you got it all going. Congrats on

930
00:49:14,160 --> 00:49:16,960
Speaker 1: the wedding. You're not singing at your wedding? Right No? Sure? Okay,

931
00:49:17,040 --> 00:49:19,000
Speaker 1: thank god. It would just be awkward for everybody. It'd

932
00:49:19,040 --> 00:49:21,720
Speaker 1: be awesome. It'd be awkward for everybody. Man. And everything

933
00:49:21,719 --> 00:49:23,880
Speaker 1: with me and Holly Ray is always about me, Like

934
00:49:23,960 --> 00:49:26,120
Speaker 1: everything we go to is for me. Everything, you know,

935
00:49:26,120 --> 00:49:28,800
Speaker 1: I've got to get on stage, do the interview, everything's

936
00:49:28,880 --> 00:49:31,279
Speaker 1: that a way. And so I'm like, that's like such

937
00:49:31,280 --> 00:49:34,080
Speaker 1: a big dage she needs to be about her? Is

938
00:49:34,160 --> 00:49:37,839
Speaker 1: that often a convert because we have that same conversation

939
00:49:38,440 --> 00:49:41,400
Speaker 1: where so much is about when we go places. A

940
00:49:41,400 --> 00:49:44,040
Speaker 1: lot of the time she just ends up being Bobby's

941
00:49:44,120 --> 00:49:48,520
Speaker 1: wife and we have to purposefully find things that and

942
00:49:48,560 --> 00:49:50,560
Speaker 1: I try to make an effort to do things where

943
00:49:50,680 --> 00:49:53,280
Speaker 1: she's just not my wife or I'm just a dorky

944
00:49:53,320 --> 00:49:56,120
Speaker 1: guy that's with her, because she kind of deserves her

945
00:49:56,120 --> 00:49:59,040
Speaker 1: own spotlight. Yeah. I always try to just make sure

946
00:49:59,120 --> 00:50:02,440
Speaker 1: that she doesn't feel like that. Um, and I enjoy that,

947
00:50:02,480 --> 00:50:05,040
Speaker 1: you know, Like I mean, everything is it's always we're

948
00:50:05,080 --> 00:50:07,560
Speaker 1: always going somewhere doing something for me. So I'm always

949
00:50:07,560 --> 00:50:09,520
Speaker 1: trying to go places and do stuff for her. But

950
00:50:10,280 --> 00:50:12,839
Speaker 1: I don't know, she's really She's just the bomb dude.

951
00:50:12,840 --> 00:50:15,319
Speaker 1: She handles it so well and it's still kind of

952
00:50:15,320 --> 00:50:17,239
Speaker 1: new for her. I think a lot of the things

953
00:50:17,239 --> 00:50:19,480
Speaker 1: we do, like being at the Awards show, I think

954
00:50:19,520 --> 00:50:21,080
Speaker 1: the thought that was the coolest thing in the world.

955
00:50:21,480 --> 00:50:25,600
Speaker 1: She saw Brittany Audine, and Brittany came over and said hello, So, um,

956
00:50:25,719 --> 00:50:28,080
Speaker 1: you know those those kind of things. I think she's

957
00:50:28,080 --> 00:50:31,200
Speaker 1: probably it's probably okay too. Yeah. I congratulation the bank

958
00:50:31,280 --> 00:50:33,400
Speaker 1: you there. He is Parker McCullum. I was working with

959
00:50:33,400 --> 00:50:36,080
Speaker 1: a couple of the lines here for the song. Yeah, well,

960
00:50:36,160 --> 00:50:40,319
Speaker 1: because at the second verse, why are you always angry?

961
00:50:40,480 --> 00:50:44,560
Speaker 1: Why don't you just eat lunch? There's lots of leftovers,

962
00:50:44,760 --> 00:50:46,880
Speaker 1: Just go and heat it up. And I feel like

963
00:50:46,920 --> 00:50:50,400
Speaker 1: a food reference here, like, um, maybe have some pasta

964
00:50:51,280 --> 00:50:54,440
Speaker 1: in the dray. There's a grip cheese like that? Right,

965
00:50:54,440 --> 00:50:57,439
Speaker 1: so let me find you, because she's what's a man

966
00:50:57,600 --> 00:51:00,480
Speaker 1: have to do? Hold on? Hold on? Don't don't know

967
00:51:00,520 --> 00:51:03,200
Speaker 1: I'm writing here. I thought about that. No, hold on,

968
00:51:04,280 --> 00:51:07,920
Speaker 1: what have to do to be love by you? And

969
00:51:07,960 --> 00:51:11,680
Speaker 1: I would be like, chew, I need some food, Like

970
00:51:11,719 --> 00:51:15,120
Speaker 1: that's why I'm chasing that last part. Yeah, this why

971
00:51:15,120 --> 00:51:16,480
Speaker 1: I do. I chase this all day, all time. How

972
00:51:16,480 --> 00:51:18,239
Speaker 1: to believe you? All right? From the from the top

973
00:51:18,360 --> 00:51:21,200
Speaker 1: three two? I don't know how to count. I don't

974
00:51:21,200 --> 00:51:23,480
Speaker 1: know what's happening here. All right, there we go. So

975
00:51:23,640 --> 00:51:29,640
Speaker 1: are you always hangry? Why don't you just eat lunch?

976
00:51:30,440 --> 00:51:35,719
Speaker 1: This tons of leftovers, Just go and heat it up.

977
00:51:37,360 --> 00:51:42,880
Speaker 1: Maybe have some pasta in the drawer. This a grilled cheese.

978
00:51:44,280 --> 00:51:48,399
Speaker 1: You don't have to tell me, don't have you, can't

979
00:51:48,440 --> 00:51:53,200
Speaker 1: do please, it's gotta go you to be love. I

980
00:51:53,239 --> 00:51:57,880
Speaker 1: had him. I'm gonna work on this all night and

981
00:51:57,920 --> 00:52:00,239
Speaker 1: I'm never gonna bring it up again. I've got a

982
00:52:00,320 --> 00:52:03,879
Speaker 1: hundred that are that finished, that are that close, So

983
00:52:04,480 --> 00:52:06,879
Speaker 1: just shut up and eat some food. I'm pretty much

984
00:52:06,880 --> 00:52:11,719
Speaker 1: the pretty much Parker McCallum. Follow him at Parker McCallum.

985
00:52:11,840 --> 00:52:13,640
Speaker 1: Let me say this, he'll be out. I got a

986
00:52:13,640 --> 00:52:16,480
Speaker 1: couple of things. He's playing with Eric Church and Brothers

987
00:52:16,480 --> 00:52:19,279
Speaker 1: Osborne in Milwaukee on'm May twenty eighth for that stadium show.

988
00:52:19,280 --> 00:52:23,560
Speaker 1: It's gonna be massive, gnarly um the Rodeo massive. Can

989
00:52:23,560 --> 00:52:25,600
Speaker 1: you still get tickets? It's sold out, but sometimes they

990
00:52:25,640 --> 00:52:27,520
Speaker 1: do like a little blaba tickets at the very end. Yeah,

991
00:52:28,000 --> 00:52:29,960
Speaker 1: but I know, I know a guy. If anybody needs tickets,

992
00:52:30,239 --> 00:52:33,400
Speaker 1: and here's Parker's cell phone number, call him. It's the

993
00:52:34,440 --> 00:52:37,600
Speaker 1: gold Chain Cowboy Tour. You get a chancy Parkers Live

994
00:52:37,640 --> 00:52:40,160
Speaker 1: shows are great. Just go to Parker McCollum dot com.

995
00:52:40,320 --> 00:52:46,080
Speaker 1: He'll be Corpus Christie Carl's Bad Tucson, Orlando, Madison, Alabama.

996
00:52:46,280 --> 00:52:48,799
Speaker 1: He's a great guy. I consider him a friend. It's

997
00:52:48,800 --> 00:52:51,560
Speaker 1: all on my calendar and there he is, Parker McCallum. Everybody,

998
00:52:51,920 --> 00:52:58,080
Speaker 1: Thank you, everybody, thank you. It's time for the good news.

999
00:52:57,719 --> 00:53:02,040
Speaker 1: Good his kid, Zane and his friends got into an

1000
00:53:02,120 --> 00:53:04,200
Speaker 1: argument about the color of a stain on his socks.

1001
00:53:04,520 --> 00:53:07,480
Speaker 1: It was the first time they'd realized that Zane was colorblind,

1002
00:53:07,920 --> 00:53:11,040
Speaker 1: and so for his nineteenth birthday, seven of his friends

1003
00:53:11,080 --> 00:53:12,640
Speaker 1: pulled their money to buy him a two hundred and

1004
00:53:12,680 --> 00:53:15,799
Speaker 1: fifty dollars pair of in chrome glasses, which allows some

1005
00:53:15,880 --> 00:53:18,080
Speaker 1: colorblind people to see colors. And when he puts on

1006
00:53:18,120 --> 00:53:21,040
Speaker 1: the glass for the first time, he starts crying. He

1007
00:53:21,080 --> 00:53:24,279
Speaker 1: says he can see colors now. He didn't even know

1008
00:53:24,560 --> 00:53:28,239
Speaker 1: these colors existed. Obviously, his new glasses are made for

1009
00:53:28,320 --> 00:53:30,160
Speaker 1: outdoor use, but in Chroma heard the story and they're

1010
00:53:30,160 --> 00:53:33,160
Speaker 1: sitting up for indoor use as well. I've tried these.

1011
00:53:33,440 --> 00:53:35,640
Speaker 1: I am really bad colorblind as well, but one of

1012
00:53:35,680 --> 00:53:37,719
Speaker 1: my eyes does not work at all, and so it's

1013
00:53:37,760 --> 00:53:40,960
Speaker 1: just a whole. As they would say, s show when

1014
00:53:41,000 --> 00:53:43,640
Speaker 1: I try to do this, but they do not work

1015
00:53:43,640 --> 00:53:46,600
Speaker 1: on me because my vision is all whopper jawed anyway.

1016
00:53:47,000 --> 00:53:49,200
Speaker 1: But good for this kid. I'm jealous now, I'm angry

1017
00:53:49,920 --> 00:53:52,520
Speaker 1: in terms of that. That's a cool story, and good

1018
00:53:52,520 --> 00:53:54,840
Speaker 1: for those friends getting the money together for their buddy Zane.

1019
00:53:55,120 --> 00:53:57,680
Speaker 1: That is what it's all about that was tell me

1020
00:53:57,719 --> 00:54:01,880
Speaker 1: something good. Amy's been talking about her missing Texas A

1021
00:54:01,960 --> 00:54:04,400
Speaker 1: and M class ring a lot more lately. There's a

1022
00:54:04,440 --> 00:54:06,920
Speaker 1: five hundred and fifty dollar reward anyone who finds it.

1023
00:54:07,200 --> 00:54:11,680
Speaker 1: It says moffit on it, Amy E moffit or A

1024
00:54:11,840 --> 00:54:14,080
Speaker 1: E M. I know that my initial, her name is

1025
00:54:14,120 --> 00:54:17,759
Speaker 1: on it on the inside. Well, there is something I

1026
00:54:17,800 --> 00:54:20,880
Speaker 1: want to play here, being that money is involved. Lunchbox

1027
00:54:21,200 --> 00:54:24,239
Speaker 1: has had interest in helping Amy find her class ring. Okay,

1028
00:54:24,480 --> 00:54:28,040
Speaker 1: so he said his name, and instantly I'm deflated. He's

1029
00:54:28,040 --> 00:54:31,279
Speaker 1: been reaching out to places where you lived, where you

1030
00:54:31,320 --> 00:54:33,279
Speaker 1: think your house was broken into and it was stolen. Yeah,

1031
00:54:33,280 --> 00:54:35,080
Speaker 1: So who'd you call a lunchbox? I called a pawn

1032
00:54:35,120 --> 00:54:38,919
Speaker 1: shop and right by Amy's old house. And so any

1033
00:54:39,000 --> 00:54:40,560
Speaker 1: chance that he calls in, this guy knows who the

1034
00:54:40,600 --> 00:54:43,160
Speaker 1: ring is. Maybe Okay, I wouldn't bring it up if

1035
00:54:43,160 --> 00:54:45,880
Speaker 1: there wasn't a chance. Okay, here is Lunchbox calling a

1036
00:54:45,920 --> 00:54:51,120
Speaker 1: pawn shop where Amy used to live in North Carolina. Yeah,

1037
00:54:51,120 --> 00:54:54,040
Speaker 1: oh yeah, man, I'm calling because my co worker lost

1038
00:54:54,120 --> 00:54:56,399
Speaker 1: her college class ring and I was trying to see

1039
00:54:56,400 --> 00:54:59,720
Speaker 1: if you maybe had it there in your store. Oh jeez,

1040
00:55:00,160 --> 00:55:02,759
Speaker 1: we got a lot of rings. What kind of ring

1041
00:55:02,920 --> 00:55:06,880
Speaker 1: is it? It would be a woman's ring, it's gold,

1042
00:55:07,080 --> 00:55:09,279
Speaker 1: and it should be Texas A and M. And it

1043
00:55:09,320 --> 00:55:11,520
Speaker 1: would be class of two thousand and three or just

1044
00:55:11,560 --> 00:55:13,359
Speaker 1: the number two thousand and three. Not sure if it's

1045
00:55:13,400 --> 00:55:16,759
Speaker 1: his class or it just has the number. Okay, hold on?

1046
00:55:17,360 --> 00:55:21,440
Speaker 1: And then he said it's college, not in high school? Right, Okay,

1047
00:55:21,560 --> 00:55:23,799
Speaker 1: so what do we think happens? Come on, do you

1048
00:55:23,840 --> 00:55:27,520
Speaker 1: think he has seen the ring? He has the ring?

1049
00:55:28,320 --> 00:55:30,399
Speaker 1: Or he just is like, now we got nothing. This

1050
00:55:30,640 --> 00:55:34,879
Speaker 1: would be crazy. I wouldn't bring it up if there

1051
00:55:34,920 --> 00:55:37,160
Speaker 1: wasn't something too well, obviously he's like, hold on, I'm

1052
00:55:37,200 --> 00:55:38,920
Speaker 1: gonna go. Look, I have a lot of rings. Do

1053
00:55:38,960 --> 00:55:41,640
Speaker 1: you think he has the ring? Now he had the

1054
00:55:41,719 --> 00:55:45,399
Speaker 1: ring and someone bought it? Or but why would someone

1055
00:55:45,440 --> 00:55:49,080
Speaker 1: buy it? Okay? Old, I mean an old class ring

1056
00:55:49,120 --> 00:55:50,680
Speaker 1: for a college. I think it's gold. I don't know

1057
00:55:51,640 --> 00:55:53,680
Speaker 1: what do you think? I mean? I hope he has it. Okay,

1058
00:55:53,680 --> 00:55:55,279
Speaker 1: you're gonna go. I hope he has it. Okay, here

1059
00:55:55,320 --> 00:55:59,640
Speaker 1: we go back in here, hold on a second. Yeah,

1060
00:56:00,320 --> 00:56:02,280
Speaker 1: and it would have the name, it would be engraved

1061
00:56:02,400 --> 00:56:05,799
Speaker 1: Amy E. Muffett. I don't know about that. But let

1062
00:56:05,800 --> 00:56:08,399
Speaker 1: me see here. Let me see I got all right,

1063
00:56:09,560 --> 00:56:13,640
Speaker 1: I got one from the University in Chicago. No, no, no,

1064
00:56:13,880 --> 00:56:16,960
Speaker 1: very nice, very nice, two hundred fifty dollars. No, no, no,

1065
00:56:17,000 --> 00:56:19,719
Speaker 1: I'm looking for this specific ring from Texas A and M.

1066
00:56:19,760 --> 00:56:23,719
Speaker 1: So University of Chicago doesn't do me any good. I

1067
00:56:23,760 --> 00:56:26,160
Speaker 1: don't know, all right, let me see if there's anything

1068
00:56:26,200 --> 00:56:28,360
Speaker 1: in here. Wait a minute, this is one might do it.

1069
00:56:28,360 --> 00:56:32,400
Speaker 1: It's a red stone with yellow gold. It's just like

1070
00:56:32,480 --> 00:56:37,279
Speaker 1: two hundred dollars Texas. It's not Texas, it's not an M,

1071
00:56:37,360 --> 00:56:39,520
Speaker 1: but it is universe. Listen to what I'm saying. I

1072
00:56:39,560 --> 00:56:42,040
Speaker 1: don't know if you're listening to me. I am looking

1073
00:56:42,080 --> 00:56:45,200
Speaker 1: for us. You're not, because you keep going to different rings.

1074
00:56:45,320 --> 00:56:48,040
Speaker 1: I need a Texas A and M Class of two

1075
00:56:48,080 --> 00:56:51,200
Speaker 1: thousand and three with Amy E. Muffett engraved in it.

1076
00:56:51,400 --> 00:56:53,520
Speaker 1: I don't want a yellow gold ring. I told you

1077
00:56:53,560 --> 00:56:56,080
Speaker 1: with a red stone it Obviously you're just trying to

1078
00:56:56,080 --> 00:56:58,240
Speaker 1: sell me a ring. I don't want just any ring.

1079
00:56:58,400 --> 00:57:02,920
Speaker 1: I mean, yeah, all right, bye, I got rings. I

1080
00:57:03,120 --> 00:57:07,240
Speaker 1: love it. Why are you yelling? Because I started getting

1081
00:57:07,239 --> 00:57:10,359
Speaker 1: frustrated because he kept just and he would tell me, oh,

1082
00:57:10,400 --> 00:57:12,360
Speaker 1: I got this ring one hundred and fifty dollars. No,

1083
00:57:12,640 --> 00:57:14,960
Speaker 1: I'm not trying to buy any ring about. He's a

1084
00:57:15,040 --> 00:57:18,000
Speaker 1: businessman making business deals, so he would try to sell

1085
00:57:18,040 --> 00:57:19,960
Speaker 1: me a different ring, and I was like, I want

1086
00:57:20,120 --> 00:57:23,800
Speaker 1: Amy's ring, So no luck, so I hung up. Sorry, Amy,

1087
00:57:23,880 --> 00:57:25,800
Speaker 1: I know I was hopeful about Honestly, once I found

1088
00:57:25,800 --> 00:57:27,120
Speaker 1: out he was involved, I thought, you're gonna play a

1089
00:57:27,160 --> 00:57:29,760
Speaker 1: voicemail from a listener that's like, oh my goodness. I

1090
00:57:29,920 --> 00:57:32,800
Speaker 1: was in Southern Pines and I was looking on the

1091
00:57:32,840 --> 00:57:36,240
Speaker 1: ground and there was your ring. That's not what id

1092
00:57:36,320 --> 00:57:40,040
Speaker 1: at all. I was digging for flower bed and it

1093
00:57:40,120 --> 00:57:41,920
Speaker 1: was just there. She's still looking for the ring. Company

1094
00:57:42,000 --> 00:57:46,160
Speaker 1: finds it. Okay, Amy, what happened? So I had to

1095
00:57:46,160 --> 00:57:48,360
Speaker 1: have some movers come to my house to move something.

1096
00:57:48,360 --> 00:57:50,760
Speaker 1: I don't want to say the company because of what happened,

1097
00:57:50,760 --> 00:57:53,640
Speaker 1: but they were from the company because this weighs over

1098
00:57:53,720 --> 00:57:58,040
Speaker 1: five hundred pounds, So you called a legitimate company yes

1099
00:57:58,560 --> 00:58:01,400
Speaker 1: to come and moves waste so much. I am not

1100
00:58:01,480 --> 00:58:03,280
Speaker 1: going to say, oh, you don't even want to say

1101
00:58:03,320 --> 00:58:06,640
Speaker 1: that because I don't want to say the company. Okay, Okay,

1102
00:58:06,360 --> 00:58:08,560
Speaker 1: That's why I prefaced it with don't ask me those

1103
00:58:08,600 --> 00:58:11,400
Speaker 1: details because I don't want to get anybody in trouble.

1104
00:58:11,960 --> 00:58:15,160
Speaker 1: But I was just curious how other people would handle it. Clearly,

1105
00:58:15,520 --> 00:58:17,760
Speaker 1: when they came and they got the job done and

1106
00:58:17,840 --> 00:58:20,920
Speaker 1: everything was done well, but they walked into my house

1107
00:58:20,960 --> 00:58:25,320
Speaker 1: and they definitely smelled like they were a little bit high.

1108
00:58:25,400 --> 00:58:28,600
Speaker 1: They weren't like really high high, but maybe just tiny

1109
00:58:28,640 --> 00:58:31,400
Speaker 1: bit high, because I could even see it in their eyes.

1110
00:58:31,800 --> 00:58:34,240
Speaker 1: They're high, so they you smell it on them, and

1111
00:58:34,280 --> 00:58:36,480
Speaker 1: it was obvious they were high and you can see,

1112
00:58:36,560 --> 00:58:40,680
Speaker 1: but not obnoxious high. So they still did the job.

1113
00:58:40,760 --> 00:58:42,600
Speaker 1: But I guess I was just curious, like do you

1114
00:58:43,480 --> 00:58:45,760
Speaker 1: call and be like, hey, your employees are high right

1115
00:58:45,760 --> 00:58:48,880
Speaker 1: now on the job, or do you just ignore it

1116
00:58:48,880 --> 00:58:51,000
Speaker 1: because they did a good job. But then they're like

1117
00:58:51,120 --> 00:58:54,400
Speaker 1: driving away and their employee truck, and then I guess

1118
00:58:54,440 --> 00:58:56,880
Speaker 1: if they're just tiny high, then maybe they're that's I

1119
00:58:56,880 --> 00:59:01,400
Speaker 1: don't know what system, because I tried to compare it

1120
00:59:01,440 --> 00:59:03,520
Speaker 1: when we were talking about it at my house. We

1121
00:59:03,520 --> 00:59:05,520
Speaker 1: were trying to be like, well, if it was drinking,

1122
00:59:05,640 --> 00:59:08,040
Speaker 1: if someone showed up a tiny bit drunk, yes, I

1123
00:59:08,040 --> 00:59:10,720
Speaker 1: would be like, oh, we're calling, So it's like this

1124
00:59:10,760 --> 00:59:14,280
Speaker 1: weird place that's that is a great point if someone

1125
00:59:14,320 --> 00:59:16,840
Speaker 1: did show up a little drunk, So you understand my

1126
00:59:16,880 --> 00:59:20,000
Speaker 1: predicament because it's not legal here. I know in some

1127
00:59:20,040 --> 00:59:22,840
Speaker 1: places it's legal. So if you're listening, you're probably like,

1128
00:59:22,840 --> 00:59:25,400
Speaker 1: what's it a deal? But it's not here, and I'm

1129
00:59:25,400 --> 00:59:27,200
Speaker 1: not trying to get anybody in trouble with the law.

1130
00:59:26,960 --> 00:59:28,360
Speaker 1: You know, alcohol is legal too, and you can't be

1131
00:59:28,400 --> 00:59:30,800
Speaker 1: a little bit drunk, I know, but with with a

1132
00:59:30,800 --> 00:59:36,600
Speaker 1: little bit of smoky I don't know. Excuse me, are

1133
00:59:36,640 --> 00:59:42,760
Speaker 1: you sure amy smoky smoke? I don't know, But is okay? Okay,

1134
00:59:42,800 --> 00:59:46,280
Speaker 1: I'll no, I didn't call. But what would you do? Well,

1135
00:59:46,320 --> 00:59:47,960
Speaker 1: we can ask Eddie before I just I want to

1136
00:59:48,000 --> 00:59:50,080
Speaker 1: know if she's one hundred percent sure she smelled the

1137
00:59:50,200 --> 00:59:55,080
Speaker 1: smoky Yes, I know what it smells like. Okay, I

1138
00:59:55,160 --> 00:59:59,640
Speaker 1: know what its like. I know and I know what

1139
00:59:59,800 --> 01:00:02,000
Speaker 1: it I think you should have called the company, no

1140
01:00:02,800 --> 01:00:05,480
Speaker 1: if they would have messed up and broken something or

1141
01:00:05,520 --> 01:00:10,120
Speaker 1: drop something or okay, yes, right, and maybe not even

1142
01:00:10,120 --> 01:00:12,400
Speaker 1: to say they're high like they seem, just to say, hey,

1143
01:00:12,680 --> 01:00:16,760
Speaker 1: good people. They they came in. What if it was medicinal?

1144
01:00:16,920 --> 01:00:20,120
Speaker 1: I don't know what's going on with them. I think

1145
01:00:20,120 --> 01:00:23,280
Speaker 1: you made I think you made the right call. But

1146
01:00:23,440 --> 01:00:26,000
Speaker 1: next time they should not do that before they go.

1147
01:00:26,400 --> 01:00:28,280
Speaker 1: I think had you not smelled it, maybe you wouldn't

1148
01:00:28,320 --> 01:00:31,760
Speaker 1: have known. Maybe that's the issue. It was a vibe,

1149
01:00:31,880 --> 01:00:39,880
Speaker 1: it wasn't were they laughing and stuff? Okay? That literally?

1150
01:00:39,880 --> 01:00:43,640
Speaker 1: Do you have any snacks you shouldn't call? Yeah, you

1151
01:00:43,680 --> 01:00:45,960
Speaker 1: shouldn't call? Okay, Um, they were a little drunk. Do

1152
01:00:46,040 --> 01:00:49,880
Speaker 1: what's they call? Yeah? I guess I don't consider that

1153
01:00:49,880 --> 01:00:52,400
Speaker 1: as bad as alcohol. I know I don't either. That's

1154
01:00:52,400 --> 01:00:55,680
Speaker 1: what I didn't call. I've never you know, done either.

1155
01:00:56,880 --> 01:00:58,560
Speaker 1: But I think the fact that it's not legal an

1156
01:00:58,560 --> 01:01:00,560
Speaker 1: alcohol is if you want an outlaw on both or

1157
01:01:00,600 --> 01:01:03,040
Speaker 1: allow them both, fine, But I alcohol it worse for

1158
01:01:03,040 --> 01:01:08,680
Speaker 1: you than that is. Yeah, like I yes, yes, Eddie, Yeah,

1159
01:01:08,720 --> 01:01:10,880
Speaker 1: I mean that's tough because you think about the alcohol.

1160
01:01:11,160 --> 01:01:13,840
Speaker 1: But would you have called? No, man, they did a

1161
01:01:13,840 --> 01:01:17,000
Speaker 1: great job, like maybe it made them better at their job. Maybe,

1162
01:01:17,160 --> 01:01:19,000
Speaker 1: you know, like if they would have been like laughing

1163
01:01:19,080 --> 01:01:22,400
Speaker 1: and like dropping stuff and like not doing the work right,

1164
01:01:22,480 --> 01:01:25,080
Speaker 1: I totally would have called. But everything was perfect. They

1165
01:01:25,080 --> 01:01:28,040
Speaker 1: smelled like a little smoke. Smoke. Would anyone have called

1166
01:01:28,760 --> 01:01:32,120
Speaker 1: anyone at all, because I don't think anyone would. I

1167
01:01:32,160 --> 01:01:35,920
Speaker 1: think you made the non Karen decision. They did a

1168
01:01:35,960 --> 01:01:39,000
Speaker 1: good job and good for you. They still got a tip.

1169
01:01:39,080 --> 01:01:41,120
Speaker 1: But if I were them, I probably wouldn't. I just

1170
01:01:41,360 --> 01:01:43,480
Speaker 1: but I was like, be careful for bus. I'd like

1171
01:01:43,480 --> 01:01:45,720
Speaker 1: to do do a little you know, spray a little brute,

1172
01:01:46,240 --> 01:01:50,560
Speaker 1: a little brute on your neck. Um. You did good though, Okay,

1173
01:01:51,800 --> 01:01:55,360
Speaker 1: And so I think they get moved and what everything? Yeah, No,

1174
01:01:55,400 --> 01:01:59,000
Speaker 1: I would not say what tell you all fairer. I'm

1175
01:01:59,040 --> 01:02:01,000
Speaker 1: just not gonna say that company on error. I'm not

1176
01:02:01,040 --> 01:02:03,959
Speaker 1: going to do it. I'm about a company. I'm asking

1177
01:02:04,080 --> 01:02:06,600
Speaker 1: what you had moved? Did I say what I had moved?

1178
01:02:06,600 --> 01:02:09,080
Speaker 1: You'll know a lot I will, Yeah, they connected. I

1179
01:02:09,120 --> 01:02:11,880
Speaker 1: can't say anything. Does anyone know what she's alluding to? No,

1180
01:02:12,000 --> 01:02:14,320
Speaker 1: because I like a lot of companies move five hundred

1181
01:02:14,320 --> 01:02:17,160
Speaker 1: pound things. I'm sure off here. Really, you'll tell I

1182
01:02:17,160 --> 01:02:18,640
Speaker 1: can't think of a lot of things in my house

1183
01:02:18,640 --> 01:02:22,240
Speaker 1: that way more than five. Did they give you some

1184
01:02:25,120 --> 01:02:30,120
Speaker 1: sorry day? This story comes with us from Largo, Florida.

1185
01:02:30,680 --> 01:02:33,920
Speaker 1: A man was outside blowing the leaves at seven forty

1186
01:02:34,000 --> 01:02:38,880
Speaker 1: five am when the neighbor comes out in his robe

1187
01:02:39,400 --> 01:02:42,360
Speaker 1: and has a gun on his hip and says, turn

1188
01:02:42,440 --> 01:02:45,000
Speaker 1: off the blower or you get shot and your dog

1189
01:02:45,040 --> 01:02:47,880
Speaker 1: gets shot. Well, now I hate to get him. Now,

1190
01:02:47,920 --> 01:02:49,960
Speaker 1: I really hate to get because of the dog. The dog. Yeah,

1191
01:02:50,000 --> 01:02:51,400
Speaker 1: but he only had a robe and a holes thrown.

1192
01:02:53,960 --> 01:02:58,280
Speaker 1: I don't know which the imagery is funny. I don't

1193
01:02:58,280 --> 01:03:00,320
Speaker 1: like that he threatened the dog because the dog didn't thing.

1194
01:03:01,040 --> 01:03:03,160
Speaker 1: I understand why you threaten the guy with the leaf blower,

1195
01:03:03,240 --> 01:03:05,360
Speaker 1: but not with a gun. Maybe you threatened him with

1196
01:03:05,400 --> 01:03:07,120
Speaker 1: I'm going to call the hoa if you're doing this

1197
01:03:07,160 --> 01:03:09,479
Speaker 1: at a bad time. But so what happens I would

1198
01:03:09,520 --> 01:03:11,640
Speaker 1: imagine he shouldn't have a gun. Well, no, he just

1199
01:03:11,680 --> 01:03:14,000
Speaker 1: gets arrested for making a threat. Well, I mean it

1200
01:03:14,040 --> 01:03:15,880
Speaker 1: sounds like a guy who makes such a bad decision

1201
01:03:16,120 --> 01:03:18,280
Speaker 1: that he's made other bad decisions that would keep him

1202
01:03:18,280 --> 01:03:20,880
Speaker 1: from having a gun. Did it say that at all? No,

1203
01:03:20,920 --> 01:03:24,000
Speaker 1: But he was arrested for aggravated assault of felony and

1204
01:03:24,160 --> 01:03:26,400
Speaker 1: discharging a firearm in public because he did do a

1205
01:03:26,440 --> 01:03:29,000
Speaker 1: fire a warning shot. Again, that's the kind of person

1206
01:03:29,000 --> 01:03:30,960
Speaker 1: that shouldn't have a gun. Yeah, and I'm a big

1207
01:03:30,960 --> 01:03:33,360
Speaker 1: gun guy, except for people who shouldn't have guns, and

1208
01:03:33,480 --> 01:03:35,440
Speaker 1: I'm not a big gun guy. All right, thank you,

1209
01:03:35,520 --> 01:03:37,440
Speaker 1: lunch I'm a lunchbox. That's your bone head story of

1210
01:03:37,440 --> 01:03:41,240
Speaker 1: the day. Hey go check out the Bobby Cast. I

1211
01:03:41,280 --> 01:03:43,760
Speaker 1: have an interview with Ernest, who's written so many number

1212
01:03:43,800 --> 01:03:46,880
Speaker 1: one songs for other artists. First of all, his last

1213
01:03:46,880 --> 01:03:49,400
Speaker 1: one was Kane Brown won Mississippi. But he wrote a

1214
01:03:49,400 --> 01:03:53,040
Speaker 1: lot of those tracks with Morgan Wallen on Morgan's record.

1215
01:03:53,280 --> 01:03:56,680
Speaker 1: He's now got an album that's out today, so Ernest

1216
01:03:57,720 --> 01:04:00,040
Speaker 1: is on and flower Shops would be his song. Do

1217
01:04:00,040 --> 01:04:13,960
Speaker 1: you play club of that? So that song is Ernest

1218
01:04:13,960 --> 01:04:16,200
Speaker 1: and Morgan Wallen. It's like twenty five or twenty six

1219
01:04:16,280 --> 01:04:17,960
Speaker 1: on the chart right now, but it's gonna be cool.

1220
01:04:17,960 --> 01:04:21,200
Speaker 1: We talk about his Opry debut and he had Morgan

1221
01:04:21,280 --> 01:04:22,400
Speaker 1: hme might and sing that with him, and there was

1222
01:04:22,400 --> 01:04:25,040
Speaker 1: a big controversy because Morgan Wallen was at the Opry,

1223
01:04:25,120 --> 01:04:27,440
Speaker 1: remember that, And he talks about that pretty candidly and

1224
01:04:27,440 --> 01:04:30,400
Speaker 1: how he didn't think about that part. So that's up.

1225
01:04:31,320 --> 01:04:33,560
Speaker 1: And then we talk about he's adopted, and we talked

1226
01:04:33,560 --> 01:04:35,800
Speaker 1: about that and how he got a new brother and

1227
01:04:35,960 --> 01:04:37,680
Speaker 1: cool the same way they got him. He's like I

1228
01:04:37,680 --> 01:04:39,080
Speaker 1: got a little shirt that said you're a brother and

1229
01:04:39,520 --> 01:04:42,120
Speaker 1: we wouldn't pick him up. So it's really good. So

1230
01:04:42,200 --> 01:04:46,200
Speaker 1: check out Ernest on the Bobby Cast today. All right bye, everybody,

1231
01:04:46,640 --> 01:04:47,480
Speaker 1: Bobby Bones.