1 00:00:02,040 --> 00:00:07,720 Speaker 1: It's time time to wake up. Teaching instantially and Charlomagne, 2 00:00:07,760 --> 00:00:10,560 Speaker 1: the God of the Practice Club bitches, the voice of 3 00:00:10,560 --> 00:00:13,840 Speaker 1: the culture. People watch The Breckfas Club for like news 4 00:00:13,880 --> 00:00:16,079 Speaker 1: to really be tuned in. It's one of my favorite 5 00:00:16,079 --> 00:00:18,959 Speaker 1: shows to do, just because y'all always keep you one, honey, 6 00:00:19,040 --> 00:00:21,079 Speaker 1: y'all keep your Really, they might not watch the news, 7 00:00:21,079 --> 00:00:23,680 Speaker 1: but they're on Twitter, they're on Facebook, they're you know, 8 00:00:23,680 --> 00:00:26,720 Speaker 1: they're listening to the Breath of the Brothers show ass suh. 9 00:00:36,479 --> 00:00:41,479 Speaker 1: White people question, good morning USA. Yell ya ya ya 10 00:00:41,560 --> 00:00:43,120 Speaker 1: ya ya ya ya ya ya ya ya ya ya 11 00:00:43,200 --> 00:00:44,920 Speaker 1: ya ya ya ya ya yo yo yo yo yo 12 00:00:45,000 --> 00:00:47,640 Speaker 1: yo yo yo yo yo yo yo yo yo. Good 13 00:00:47,720 --> 00:00:51,480 Speaker 1: morning Angela good money. She's amby Charlomagne, the guy Peace 14 00:00:51,520 --> 00:00:54,360 Speaker 1: of the planet. Guess what day it is? Guess what 15 00:00:54,520 --> 00:01:04,319 Speaker 1: day it is? Yes, it's humped. It's Valentine's Day. Read today. 16 00:01:04,400 --> 00:01:08,680 Speaker 1: I see you couldn't be a blood and ever my 17 00:01:08,720 --> 00:01:13,319 Speaker 1: red headphones spare. I've been very hard on single women 18 00:01:13,520 --> 00:01:15,920 Speaker 1: or the past couple of years, past few years on 19 00:01:16,000 --> 00:01:19,160 Speaker 1: Valentine's Day. But um I realized it's not their fault. 20 00:01:20,280 --> 00:01:21,800 Speaker 1: I don't know whose fault it is, but it's not 21 00:01:21,840 --> 00:01:25,280 Speaker 1: their fault. I focus my energy on today's Valentine's Day 22 00:01:25,440 --> 00:01:29,800 Speaker 1: on women who are still falling for the lie. I'm 23 00:01:29,840 --> 00:01:34,600 Speaker 1: busy today, Okay. I sat in the restaurant last night 24 00:01:34,760 --> 00:01:37,280 Speaker 1: with my home girl who shall remain nameless, and she 25 00:01:37,440 --> 00:01:39,679 Speaker 1: was like, yeah, you know my boyfriend and I he 26 00:01:39,680 --> 00:01:44,200 Speaker 1: told me he's gonna be busy tomorrow. Oh laugh, Oh 27 00:01:44,240 --> 00:01:52,160 Speaker 1: my god, iridd everybody today. We decided I had my 28 00:01:52,720 --> 00:01:55,400 Speaker 1: lip service alive last night, and there were a lot 29 00:01:55,440 --> 00:01:57,920 Speaker 1: of women there that were single lipt live. It's like 30 00:01:58,400 --> 00:02:01,360 Speaker 1: a plethora of women, and so we had a great 31 00:02:01,400 --> 00:02:03,200 Speaker 1: time last night. Shout out to everyone who came through. 32 00:02:04,280 --> 00:02:06,800 Speaker 1: I was up first dropping a bomb for Marlon Negre. 33 00:02:07,360 --> 00:02:10,200 Speaker 1: She was there. Also. Stephan LaCour was in town, so 34 00:02:10,240 --> 00:02:13,600 Speaker 1: she came through as well. Stevin Streeter just happened to 35 00:02:13,720 --> 00:02:15,160 Speaker 1: hit me and was like, I'm in New York. So 36 00:02:15,200 --> 00:02:18,160 Speaker 1: she came by and showed love to everybody also, And 37 00:02:18,200 --> 00:02:21,320 Speaker 1: then we had Little Mo and her husband, Carl Dargan 38 00:02:21,480 --> 00:02:24,120 Speaker 1: came through and had some fun. Apparently he doesn't know 39 00:02:24,160 --> 00:02:26,240 Speaker 1: a lot about her, well, no he does. They played 40 00:02:26,240 --> 00:02:29,119 Speaker 1: like a newly wed type of game. And then last 41 00:02:29,120 --> 00:02:31,520 Speaker 1: but night Lee, shout out to Girls Club. They came 42 00:02:31,560 --> 00:02:34,000 Speaker 1: through and performed, so we had a good time. Okay, 43 00:02:34,160 --> 00:02:36,680 Speaker 1: my ladies last night, So shout out to everybody out there. 44 00:02:36,960 --> 00:02:39,600 Speaker 1: Listen today, it's just February fourteenth. It's not a big 45 00:02:39,639 --> 00:02:45,000 Speaker 1: deal people care about today. People don't. If it's a 46 00:02:45,000 --> 00:02:46,639 Speaker 1: big deal to people, let it be a big deal. 47 00:02:46,720 --> 00:02:48,960 Speaker 1: It's a big deal to some people. Yes, Okay, some 48 00:02:49,000 --> 00:02:51,520 Speaker 1: people don't care about it because they don't have no choice. Now, 49 00:02:51,520 --> 00:02:54,080 Speaker 1: I'm all right, they don't have no other options but 50 00:02:54,120 --> 00:02:56,920 Speaker 1: to look towards the future. I will say this. I 51 00:02:56,960 --> 00:02:59,320 Speaker 1: have my Black Panther premiere last night too. Man, So 52 00:02:59,480 --> 00:03:02,080 Speaker 1: I feel so blessed black and Holly favored because I 53 00:03:02,120 --> 00:03:04,360 Speaker 1: saw a Black Panther on Monday, and I saw a 54 00:03:04,360 --> 00:03:07,239 Speaker 1: Black Panther on Tuesday, And you know, yesterday I didn't 55 00:03:07,280 --> 00:03:08,919 Speaker 1: want to say much about Black panthering I still not 56 00:03:08,960 --> 00:03:11,280 Speaker 1: gonna say much about Black Panther. All I'm gonna tell 57 00:03:11,280 --> 00:03:15,400 Speaker 1: you is you need to go see it. Yeah, I'm 58 00:03:15,400 --> 00:03:17,200 Speaker 1: just gonna leave it at that and say you need 59 00:03:17,200 --> 00:03:18,560 Speaker 1: to go see it. I was gonna see it out 60 00:03:18,560 --> 00:03:20,280 Speaker 1: in LA but I really want to bring the kids, 61 00:03:20,320 --> 00:03:22,160 Speaker 1: so I'll rate till I get back home on the 62 00:03:22,240 --> 00:03:25,679 Speaker 1: weekend to go see it. M. Valentine's. Like you said, yee, 63 00:03:25,960 --> 00:03:27,959 Speaker 1: it's very special to me and my wife. We don't 64 00:03:28,000 --> 00:03:29,720 Speaker 1: go out because usually when you go out, the food 65 00:03:29,800 --> 00:03:32,720 Speaker 1: is disgusting. It's it's yeah, they make the food too 66 00:03:32,760 --> 00:03:34,560 Speaker 1: fast because they're trying to get so many people in 67 00:03:34,600 --> 00:03:37,160 Speaker 1: the restaurant, so it's never really good. The service is 68 00:03:37,200 --> 00:03:38,760 Speaker 1: never really good. So we really don't go out for 69 00:03:39,080 --> 00:03:41,680 Speaker 1: dinner per se. But we always do something And shout 70 00:03:41,680 --> 00:03:44,040 Speaker 1: to everybody that watched this on the rail yesterday. My 71 00:03:44,080 --> 00:03:46,240 Speaker 1: wife and I were on the rail, had an amazing time. 72 00:03:46,280 --> 00:03:48,520 Speaker 1: Shout to the ladies of the reel. Yeah, a lot 73 00:03:48,520 --> 00:03:50,960 Speaker 1: of people that they were at the podcast yesterday said 74 00:03:50,960 --> 00:03:52,560 Speaker 1: they saw it and that you guys did a great job. 75 00:03:52,640 --> 00:03:54,160 Speaker 1: We have it on the DVR, so I got to 76 00:03:54,240 --> 00:03:56,200 Speaker 1: check it out. Yeah. So we had a great time 77 00:03:56,240 --> 00:03:57,920 Speaker 1: on the rail. And then of course my live show 78 00:03:58,080 --> 00:04:01,280 Speaker 1: is Monday and we do the same thing. Live podcast 79 00:04:01,400 --> 00:04:02,680 Speaker 1: is sold out, so we don't have a lot of fus. 80 00:04:02,760 --> 00:04:04,480 Speaker 1: Let's get the show cracking. Now. Who do we have 81 00:04:04,560 --> 00:04:06,040 Speaker 1: joining us? Who? What do you mean? Who do we 82 00:04:06,120 --> 00:04:09,080 Speaker 1: have joining us? This morning? Okay, we got my South 83 00:04:09,080 --> 00:04:13,720 Speaker 1: Carolina Brethren King Tshaala. Chadwick Bowsman will be here this morning. 84 00:04:13,720 --> 00:04:16,159 Speaker 1: He'll be back on the Breakfast Club. Okay, he hasn't 85 00:04:16,160 --> 00:04:18,160 Speaker 1: been to the breakfast clubs his twenty fourteen. I think 86 00:04:18,160 --> 00:04:20,520 Speaker 1: he can't win. I think he's promoting forty two at 87 00:04:20,560 --> 00:04:22,800 Speaker 1: the time. Right, Yeah, And at the time I was 88 00:04:23,040 --> 00:04:25,320 Speaker 1: pressing him about playing Black Panther. Don't even know how 89 00:04:25,320 --> 00:04:28,640 Speaker 1: I even had that in my mind, and he was 90 00:04:28,920 --> 00:04:30,760 Speaker 1: duck in the question. But he claims he didn't know 91 00:04:31,120 --> 00:04:32,880 Speaker 1: who will talk about it when he comes all right, 92 00:04:32,880 --> 00:04:35,279 Speaker 1: and we got front page news. What we're talking about, Well, 93 00:04:35,279 --> 00:04:37,480 Speaker 1: if we're asking Valentine's Day stories for you, we'll tell 94 00:04:37,480 --> 00:04:40,560 Speaker 1: you about the school who is catching flat because there's 95 00:04:40,560 --> 00:04:42,920 Speaker 1: a school dance on Valentine's Day every year and they 96 00:04:43,000 --> 00:04:45,360 Speaker 1: tell the girls they can't say no if a boy 97 00:04:45,400 --> 00:04:47,400 Speaker 1: asked them to dance. Wow. All right, we'll get into 98 00:04:47,440 --> 00:04:48,880 Speaker 1: that when we come back. It's the breakfast Club goal 99 00:04:48,960 --> 00:04:52,839 Speaker 1: morning Satti is dj Envy Angela Yee, Charlomagne the guy 100 00:04:52,839 --> 00:04:55,880 Speaker 1: we are the breakfasts come in Happy Valentine said, everybody 101 00:04:55,920 --> 00:04:58,160 Speaker 1: out they are happy Valentine's Day and I also want 102 00:04:58,160 --> 00:05:00,159 Speaker 1: to say too, Man, if you've seen black panther and 103 00:05:00,200 --> 00:05:02,200 Speaker 1: you don't greet me with the appropriate handshake, go on, 104 00:05:02,240 --> 00:05:05,800 Speaker 1: trust you. Okay, I just want to throw that out there. 105 00:05:06,040 --> 00:05:09,039 Speaker 1: All right. Well let's get into some front page news. Now, 106 00:05:09,080 --> 00:05:11,440 Speaker 1: what is this school doing? It sounds so crazy when 107 00:05:11,440 --> 00:05:13,440 Speaker 1: you just tease the sheet. All right. So there is 108 00:05:13,480 --> 00:05:16,280 Speaker 1: a school, Kingsville Elementary School in odd In, Utah. They 109 00:05:16,279 --> 00:05:19,400 Speaker 1: have a sixth grade dance today on Valentine's Day every 110 00:05:19,400 --> 00:05:23,520 Speaker 1: single year. Now, the dance is intended to promote inclusion 111 00:05:23,560 --> 00:05:26,200 Speaker 1: and kindness. So one thing that they do. Students have 112 00:05:26,760 --> 00:05:29,600 Speaker 1: been told by their teachers say yes when a classmate 113 00:05:29,640 --> 00:05:32,240 Speaker 1: asked them to dance. That's trash. But now some parents 114 00:05:32,240 --> 00:05:34,839 Speaker 1: are angry because they said that they don't want to 115 00:05:34,839 --> 00:05:38,400 Speaker 1: teach their daughters or their sons that if somebody asked 116 00:05:38,400 --> 00:05:41,880 Speaker 1: you something, you can't say no. So psychologically, according to 117 00:05:41,880 --> 00:05:43,960 Speaker 1: one parent, my daughter keeps coming to me and saying 118 00:05:44,200 --> 00:05:46,359 Speaker 1: I can't say no to a boy. That's the message 119 00:05:46,360 --> 00:05:48,680 Speaker 1: that kids are getting. So the way the dance works, 120 00:05:48,720 --> 00:05:50,560 Speaker 1: students have to fill out a dance card but names 121 00:05:50,560 --> 00:05:52,960 Speaker 1: a classmates they like to dance with. Half the dance 122 00:05:53,000 --> 00:05:54,720 Speaker 1: and selections are the girls choice the other half of 123 00:05:54,760 --> 00:05:57,239 Speaker 1: the boys choice. Students can't dance with the same person 124 00:05:57,279 --> 00:06:00,880 Speaker 1: more than once, and traditionally they're told to say yes 125 00:06:00,960 --> 00:06:03,640 Speaker 1: no matter what. But now the school is saying that 126 00:06:03,680 --> 00:06:06,080 Speaker 1: you can say no. This is the first time this year. 127 00:06:06,200 --> 00:06:08,520 Speaker 1: One of the many reasons that's really, really really whack 128 00:06:08,800 --> 00:06:12,280 Speaker 1: is because being let down by a woman builds character. Okay, 129 00:06:12,400 --> 00:06:14,680 Speaker 1: and by the way, that's not the way life works. 130 00:06:14,680 --> 00:06:17,080 Speaker 1: People aren't gonna tell you yes all a goddamn time. Okay, 131 00:06:17,120 --> 00:06:19,400 Speaker 1: you're gonna hear a lot more nose than you do. Yes, 132 00:06:19,440 --> 00:06:22,120 Speaker 1: I do look bad. There's like one little boy that 133 00:06:22,240 --> 00:06:25,320 Speaker 1: everybody says no to. So, but you can't force a girl. 134 00:06:25,320 --> 00:06:26,960 Speaker 1: Are gonna dance what you're going to date with you? 135 00:06:27,040 --> 00:06:30,960 Speaker 1: That's why? Yeah, because it's not realistic. What does it teach. 136 00:06:31,080 --> 00:06:33,760 Speaker 1: That's not how life works. Okay. I always tell people 137 00:06:33,760 --> 00:06:35,280 Speaker 1: all you need is one yes, because you're gonna hear 138 00:06:35,320 --> 00:06:37,040 Speaker 1: way more nose than you do yes. You know how 139 00:06:37,040 --> 00:06:40,080 Speaker 1: many times my wife told me no before she finally 140 00:06:40,160 --> 00:06:43,040 Speaker 1: said yes, like at least ten times. No, you are 141 00:06:43,160 --> 00:06:47,039 Speaker 1: now exhausted, Okay, Sometimes you gotta do what you gotta do. 142 00:06:47,040 --> 00:06:51,400 Speaker 1: They persistence over times resistance times up. Brother, No persist, 143 00:06:52,120 --> 00:06:56,800 Speaker 1: I was persistent resisting. I'm sorry, I said I was persistent. 144 00:06:57,920 --> 00:07:01,080 Speaker 1: All right. Now, here's a really great story. A single dad, 145 00:07:01,120 --> 00:07:04,120 Speaker 1: Trenton Lewis, would walk to work. He would walk to 146 00:07:04,240 --> 00:07:09,200 Speaker 1: ups eleven miles every single day. This is in Little Rock, Arkansas. 147 00:07:09,920 --> 00:07:12,080 Speaker 1: And his co workers found out. You know, there's always 148 00:07:12,160 --> 00:07:14,640 Speaker 1: one person at work that knows everybody's business. Now that 149 00:07:14,720 --> 00:07:17,840 Speaker 1: one person at his job actually ended up telling the 150 00:07:17,880 --> 00:07:21,240 Speaker 1: other people. Patricia, Mama Pat Bryant told the other co workers. 151 00:07:21,280 --> 00:07:23,680 Speaker 1: A lot of them didn't even know Trenton Lewis, and 152 00:07:23,720 --> 00:07:26,360 Speaker 1: they all put their money together and bought him a car. 153 00:07:26,680 --> 00:07:28,120 Speaker 1: They told him that they were going to be having 154 00:07:28,120 --> 00:07:29,960 Speaker 1: a meeting. He came to the meeting and they gave 155 00:07:30,040 --> 00:07:32,520 Speaker 1: him brand new a brand well not a brand new car, 156 00:07:32,520 --> 00:07:35,120 Speaker 1: but keys to a brand new car for him. They 157 00:07:35,200 --> 00:07:37,720 Speaker 1: raised two thousand dollars. So the seller of the car 158 00:07:37,800 --> 00:07:40,680 Speaker 1: understood what was happening when Mama Pat Brian put together 159 00:07:40,760 --> 00:07:43,200 Speaker 1: this whole fundraiser to get him a car. Because he 160 00:07:43,240 --> 00:07:45,200 Speaker 1: didn't tell anybody. She just knew that he would walk 161 00:07:45,200 --> 00:07:46,920 Speaker 1: to work. And he has a fourteen month old daughter. 162 00:07:47,000 --> 00:07:49,400 Speaker 1: He's a single dad, so he would work eleven miles 163 00:07:49,400 --> 00:07:51,400 Speaker 1: to work in eleven miles home every single day for 164 00:07:51,440 --> 00:07:54,560 Speaker 1: the past seven months. Damn hey, respect to him because 165 00:07:54,560 --> 00:07:56,360 Speaker 1: out of bought him a bike. I'm gonna be honest 166 00:07:56,360 --> 00:07:57,840 Speaker 1: with your a nice little huf for your nice little 167 00:07:57,840 --> 00:08:00,000 Speaker 1: tin speed. You know what I'm saying, because he probably 168 00:08:00,040 --> 00:08:02,880 Speaker 1: likes the exercise to be honest. My goodness. All right, Well, 169 00:08:02,840 --> 00:08:05,600 Speaker 1: I just thought that was a beautiful for UPS. What 170 00:08:05,600 --> 00:08:08,080 Speaker 1: does brown do for you? Okay? I used to want 171 00:08:08,080 --> 00:08:10,880 Speaker 1: to work at UPS, but I looked at the benefits 172 00:08:10,880 --> 00:08:12,960 Speaker 1: from stuff like that, and they had like really good benefits, 173 00:08:12,960 --> 00:08:14,080 Speaker 1: this when I didn't really know what I wanted to 174 00:08:14,120 --> 00:08:16,440 Speaker 1: do in my life. They are very flexible hours too, 175 00:08:16,440 --> 00:08:18,360 Speaker 1: because you can't work like the overnight shift. You can 176 00:08:18,400 --> 00:08:20,360 Speaker 1: either load the truck, you can be a driver. And 177 00:08:20,400 --> 00:08:22,320 Speaker 1: one of my uncles used to be a UPS worker 178 00:08:22,360 --> 00:08:24,920 Speaker 1: and he had like a really nice house, and like, wow, 179 00:08:25,080 --> 00:08:27,200 Speaker 1: I wanted to work for UPS. And then Biggie killed 180 00:08:27,200 --> 00:08:29,440 Speaker 1: that dream when he said, don't be mad UPS, all right, 181 00:08:29,560 --> 00:08:32,840 Speaker 1: Charlott man, that's let y'all know my life, all right, 182 00:08:32,880 --> 00:08:34,960 Speaker 1: get it off your chests. Eight hundred five eight five 183 00:08:35,040 --> 00:08:36,599 Speaker 1: one oh five. One. If you're upset, you need to 184 00:08:36,800 --> 00:08:39,200 Speaker 1: hit us up right now. Or maybe you feel blessed 185 00:08:39,400 --> 00:08:41,200 Speaker 1: you want to call us up eight hundred five eight 186 00:08:41,280 --> 00:08:43,280 Speaker 1: five one oh five. Or they shout out your Valentine's 187 00:08:43,280 --> 00:08:45,800 Speaker 1: this morning when you call out, don't do that now. 188 00:08:45,920 --> 00:08:48,640 Speaker 1: Shot somebody shot somebody else Valentine too. All right, Well, 189 00:08:48,640 --> 00:08:51,240 Speaker 1: at least you figured out today. And for everybody out 190 00:08:51,240 --> 00:08:54,280 Speaker 1: there this single, don't you worry about it. Listen, it 191 00:08:54,320 --> 00:08:57,360 Speaker 1: doesn't define you to be in a relationship. The right 192 00:08:59,360 --> 00:09:04,400 Speaker 1: play your play? What time boy? Take you lonely now? 193 00:09:04,840 --> 00:09:08,560 Speaker 1: Waiting down to night girl? God? Damn it? All right, 194 00:09:08,640 --> 00:09:15,160 Speaker 1: it's the breakfast club about it. The breakfast club can 195 00:09:15,559 --> 00:09:18,240 Speaker 1: pick up the mother mother phone and doctor, this is 196 00:09:18,240 --> 00:09:20,000 Speaker 1: your time to get it off. He chat mother, you're 197 00:09:20,040 --> 00:09:23,400 Speaker 1: mad or blas you want to hear from you on 198 00:09:23,400 --> 00:09:26,800 Speaker 1: the breakfast club, so you better have the same energy. Hello, 199 00:09:26,880 --> 00:09:29,400 Speaker 1: who's this? All right? Good morning? It's from the Bronk. 200 00:09:29,720 --> 00:09:32,480 Speaker 1: Hey Debro. How you doing morning, devor how are you great? 201 00:09:32,520 --> 00:09:35,959 Speaker 1: I'm great. Happy Valentine's Day to all of you guys. 202 00:09:36,000 --> 00:09:38,480 Speaker 1: I love y'all, a charlavage. Thank you for being a 203 00:09:38,480 --> 00:09:43,280 Speaker 1: gracious whole yesterday. Thank you for signing my book, my book. 204 00:09:43,559 --> 00:09:47,120 Speaker 1: Oh yeah, you can't to save the day. Yes you can't. Dad. 205 00:09:47,200 --> 00:09:50,000 Speaker 1: What do you think of Black Panther? I love it. Yeah, 206 00:09:50,200 --> 00:09:53,240 Speaker 1: go back, definitely will go back. But you know I 207 00:09:53,320 --> 00:09:55,679 Speaker 1: love spending it with y'all yesterday. I had a great time. 208 00:09:55,800 --> 00:09:57,920 Speaker 1: Thank you. And please remember anybody that you know that's 209 00:09:57,960 --> 00:09:59,640 Speaker 1: all Black Panther already, if they don't greet you with 210 00:09:59,679 --> 00:10:02,199 Speaker 1: the pro Brett handshake, the day, you can't trust. Thank you, mamma. 211 00:10:02,760 --> 00:10:05,000 Speaker 1: All right, have a good one. All right. Hello, who's this? 212 00:10:05,400 --> 00:10:08,040 Speaker 1: It's Jay? Hey, Jay, get it off your chess. All right. 213 00:10:08,080 --> 00:10:11,400 Speaker 1: I'm very mad, very very very mad. This morning, the 214 00:10:11,480 --> 00:10:14,240 Speaker 1: first week of February, I sent my son to school 215 00:10:14,240 --> 00:10:16,640 Speaker 1: and I told him, I says, you're coming home with 216 00:10:16,800 --> 00:10:19,520 Speaker 1: lessons on ground, hot day and so on and so forth. 217 00:10:19,760 --> 00:10:22,040 Speaker 1: Go to school tomorrow, ask your teacher when you're going 218 00:10:22,040 --> 00:10:24,520 Speaker 1: to learn about black history month. Right. Son's five, he's 219 00:10:24,520 --> 00:10:28,000 Speaker 1: in kindergarten. So he comes home and he tells me verbatim, 220 00:10:28,040 --> 00:10:29,720 Speaker 1: you know, you know when your kids are lying. So 221 00:10:29,800 --> 00:10:32,760 Speaker 1: he tells me, oh yeah, mom, my teacher told me, 222 00:10:33,000 --> 00:10:35,800 Speaker 1: don't worry. We'll learn about Black History Month. It's not 223 00:10:35,880 --> 00:10:39,040 Speaker 1: like the end of the world. Well okay, okay, I 224 00:10:39,120 --> 00:10:41,200 Speaker 1: sold some type of way. But this was the first 225 00:10:41,240 --> 00:10:43,840 Speaker 1: week of February. Like I said, the kids where I live, 226 00:10:43,880 --> 00:10:46,959 Speaker 1: I mean Massachusetts, the kids go on vacation Friday. When 227 00:10:47,000 --> 00:10:49,400 Speaker 1: they come back, ain't no more Febtruary. Ain't no more 228 00:10:49,400 --> 00:10:51,840 Speaker 1: Black History Month? What is going on? Yeah? But you 229 00:10:51,880 --> 00:10:53,439 Speaker 1: know what, though, Man, I'm gonna be honest with you. 230 00:10:53,440 --> 00:10:55,760 Speaker 1: You can't expect you can't expect white people to teach 231 00:10:55,840 --> 00:10:58,000 Speaker 1: black kids about black history. That's our job. That's just 232 00:10:58,040 --> 00:10:59,480 Speaker 1: the truth to the matter. Man. Like you know, let 233 00:10:59,559 --> 00:11:02,760 Speaker 1: let them go school, learn whatever, learn from the colonizers, 234 00:11:02,880 --> 00:11:04,880 Speaker 1: and then come home and then you teach them about 235 00:11:04,880 --> 00:11:08,080 Speaker 1: black history. My daughter just finished reading the Life of 236 00:11:08,080 --> 00:11:11,400 Speaker 1: Henrietta Lacks book, you know, like that's we gotta teach 237 00:11:11,440 --> 00:11:13,360 Speaker 1: our own people. But I would I would expect for 238 00:11:13,520 --> 00:11:16,320 Speaker 1: because my son most was cool. It's named after a 239 00:11:16,440 --> 00:11:20,200 Speaker 1: famous um Underground World leader, William Corney. He goes to 240 00:11:20,280 --> 00:11:22,040 Speaker 1: a school. We live in a city that is known 241 00:11:22,120 --> 00:11:25,520 Speaker 1: for the Underground worldroad. Fretric Suplass was born here. Harriet 242 00:11:25,559 --> 00:11:28,880 Speaker 1: Tubman had people had slaves hidden in houses that are 243 00:11:28,880 --> 00:11:32,240 Speaker 1: now historic places downtown. I would expect so much more 244 00:11:32,320 --> 00:11:35,160 Speaker 1: from these people. Well, little millennial, teach her to get 245 00:11:35,160 --> 00:11:36,800 Speaker 1: it together. I bet you, Hi, millennial, I bet you 246 00:11:36,840 --> 00:11:42,720 Speaker 1: saying our twenties exactly. She's a young Halon Tenderoni exactly. 247 00:11:43,440 --> 00:11:45,320 Speaker 1: So go get her before she show your kids twelve 248 00:11:45,360 --> 00:11:47,800 Speaker 1: years of slave in the classroom. Man, My goodness, state, mamma, 249 00:11:48,640 --> 00:11:51,320 Speaker 1: thank you. All right? Hello, who's this? Oh? This is 250 00:11:51,320 --> 00:11:53,560 Speaker 1: Whitney called it out of Houston. Hey, Whitney, get it 251 00:11:53,559 --> 00:11:56,360 Speaker 1: off your chest. Yeah. I just wanted to give two things. 252 00:11:56,600 --> 00:11:58,200 Speaker 1: I want to give a birthday shout out for my 253 00:11:58,240 --> 00:12:01,240 Speaker 1: son and Cash as he turned for today, and um 254 00:12:01,240 --> 00:12:05,560 Speaker 1: to my husband of ten years. Hey, Cash is happy birthday. 255 00:12:06,920 --> 00:12:09,680 Speaker 1: That is not Cash that four years old. Oh that's 256 00:12:09,679 --> 00:12:11,840 Speaker 1: a new one. That's a new one. Yeah, that's a 257 00:12:11,840 --> 00:12:13,920 Speaker 1: new one. Oh if you know that you're here because 258 00:12:14,559 --> 00:12:16,839 Speaker 1: you had a Valentine's last year or did you know 259 00:12:16,960 --> 00:12:19,400 Speaker 1: that was four years ago? Oh you had a Valentine's 260 00:12:19,400 --> 00:12:27,160 Speaker 1: sense Yeah, thank you, mama, five five one on five one. 261 00:12:27,160 --> 00:12:29,120 Speaker 1: If you're upset, you need to vent. It's the Breakfast Club. 262 00:12:29,160 --> 00:12:35,280 Speaker 1: Good morning, the Breakfast Club. Wake up, wake up. Wait, 263 00:12:37,320 --> 00:12:41,000 Speaker 1: you're trying to get it off your chest. You mad 264 00:12:41,040 --> 00:12:42,439 Speaker 1: or blessed? We want to hear from you on a 265 00:12:42,480 --> 00:12:48,120 Speaker 1: breakfast block. Hello, who's this hey, traf? Traf? People be 266 00:12:48,200 --> 00:12:54,720 Speaker 1: so mad they think you have like a special hotline pieces. 267 00:12:54,840 --> 00:12:59,120 Speaker 1: How you spending Valentine? Um? You know, so it's a 268 00:12:59,120 --> 00:13:02,640 Speaker 1: little story about that. We're here for the store, Traft. 269 00:13:02,679 --> 00:13:05,839 Speaker 1: Tell us what's going on? What happened? I don't even 270 00:13:05,840 --> 00:13:07,679 Speaker 1: want to talk about that. I can't I talk, Okay, 271 00:13:07,679 --> 00:13:09,840 Speaker 1: I call him talk about something else. But we gotta 272 00:13:09,920 --> 00:13:13,080 Speaker 1: know because we care. I'm I'm kind of finger right now. 273 00:13:13,880 --> 00:13:16,360 Speaker 1: Boy broke up after him to the white dude, Traff, 274 00:13:16,400 --> 00:13:19,000 Speaker 1: he was in love her friend of all he is 275 00:13:19,200 --> 00:13:23,560 Speaker 1: man is not white. Oh, I'm sorry, he was in love. 276 00:13:23,640 --> 00:13:27,679 Speaker 1: What happened? Traft? Oh Man, he just he kind of 277 00:13:27,720 --> 00:13:32,240 Speaker 1: cheated on me. He's crazy. Give us this, give us 278 00:13:32,240 --> 00:13:33,720 Speaker 1: this number, let us let us talk to him for 279 00:13:33,720 --> 00:13:36,400 Speaker 1: a second. I'm not calling no man on Valentine's Then 280 00:13:36,480 --> 00:13:38,439 Speaker 1: ask him why he's doing something better? Why would you 281 00:13:38,480 --> 00:13:40,199 Speaker 1: do that to you? How long ago did this happen? 282 00:13:40,480 --> 00:13:45,200 Speaker 1: In fact, like were Valentine's Day two? I respect him, 283 00:13:45,200 --> 00:13:46,719 Speaker 1: though Lizie broke up with you last week. You know 284 00:13:46,760 --> 00:13:49,000 Speaker 1: what I'm saying. That's a nice respect of time. He 285 00:13:49,040 --> 00:13:52,000 Speaker 1: didn't break up with me. I broke up with him, right, 286 00:13:52,280 --> 00:13:54,520 Speaker 1: that's right track. You could at least thought about it, 287 00:13:54,720 --> 00:13:56,200 Speaker 1: so you didn't want to wait to at least Valentine 288 00:13:56,240 --> 00:14:00,240 Speaker 1: didn't get a little Valentine didn't give. Yeah, I broke away. 289 00:14:00,280 --> 00:14:02,120 Speaker 1: My name is not beyond sale CARDI b I'm not 290 00:14:02,120 --> 00:14:08,400 Speaker 1: sticking around for that. Your lemonade here, Well, we'll go 291 00:14:08,440 --> 00:14:14,000 Speaker 1: try and clicking with a broken heart trap. But never matter. 292 00:14:14,080 --> 00:14:17,640 Speaker 1: Now I'll call another day. You see, y'all got him depressed. 293 00:14:17,679 --> 00:14:21,560 Speaker 1: Now you gotta find traveling day trap. I'm not gonna travel. 294 00:14:21,600 --> 00:14:23,000 Speaker 1: I'm not gonna try to find you a bay on 295 00:14:23,080 --> 00:14:24,960 Speaker 1: Valentine's Day because I don't think that's fair to you 296 00:14:25,080 --> 00:14:26,680 Speaker 1: or the other person. But I'm gonna find you a 297 00:14:26,680 --> 00:14:29,760 Speaker 1: bay trap. Trap you need to follow. It's that black man. 298 00:14:29,880 --> 00:14:32,200 Speaker 1: He loves you on Twitter. He always asked about you. 299 00:14:32,200 --> 00:14:34,120 Speaker 1: I have to tell him you had a boyfriend last time. 300 00:14:34,400 --> 00:14:38,400 Speaker 1: You like black guys? Right? Yeah? Want to make sure, okay, 301 00:14:38,520 --> 00:14:43,120 Speaker 1: all right, shout out there. I'm find being a single 302 00:14:43,200 --> 00:14:45,960 Speaker 1: right now. I don't want anybody right now, we'll forget you. 303 00:14:46,000 --> 00:14:47,240 Speaker 1: Then we try to get your a little black on 304 00:14:47,280 --> 00:14:49,320 Speaker 1: black penetration going, and you you donna act on great 305 00:14:50,520 --> 00:14:52,600 Speaker 1: by y'all, y'all, don't mess up my name now by 306 00:14:53,040 --> 00:14:56,080 Speaker 1: he did sound massive press. Now he's calling unhappy for 307 00:14:56,240 --> 00:14:59,040 Speaker 1: a trap. We love trap man, he's too, hey man, 308 00:14:59,120 --> 00:15:01,200 Speaker 1: Today is all about Valentine' Day. We are here to 309 00:15:01,280 --> 00:15:05,040 Speaker 1: lift your spirits right, get it off your chest. Eight 310 00:15:05,160 --> 00:15:07,800 Speaker 1: hundred five eight five one oh five one. If you're upset, 311 00:15:07,880 --> 00:15:09,600 Speaker 1: you need to vent, maybe your boot broke up? What 312 00:15:09,800 --> 00:15:12,680 Speaker 1: you right before Valentine's Day? You can call us up. 313 00:15:12,920 --> 00:15:14,680 Speaker 1: We got rooms on the way. Yeah, we are going 314 00:15:14,720 --> 00:15:17,320 Speaker 1: to talk about Meek males. Best to report about Meek 315 00:15:17,400 --> 00:15:19,840 Speaker 1: Mill and something that is going on in Philly that 316 00:15:19,920 --> 00:15:21,720 Speaker 1: we want to fill you in on. All right, we'll 317 00:15:21,760 --> 00:15:23,560 Speaker 1: get into all that when we come back. Keeping lock 318 00:15:23,640 --> 00:15:29,560 Speaker 1: this to Breakfast Club. Good morning, the Breakfast Club Lord, 319 00:15:29,600 --> 00:15:32,800 Speaker 1: and everybody is DJ Envy Angela, Yee, Charlomagne the guy. 320 00:15:32,840 --> 00:15:36,440 Speaker 1: We are the Breakfast Club. Happy Valentine's Date every Valentine's Day. Man, Listen, 321 00:15:36,480 --> 00:15:38,720 Speaker 1: I'm promise you I'm not gonna be hard on the 322 00:15:38,840 --> 00:15:40,920 Speaker 1: single ladies this year. I'm not gonna do it. I've 323 00:15:40,920 --> 00:15:42,520 Speaker 1: been too hard on them the past a couple of years. 324 00:15:42,520 --> 00:15:44,800 Speaker 1: I'm not gonna be petty. You know, God has a 325 00:15:44,880 --> 00:15:47,360 Speaker 1: plan for you. It just happened. Boy, it just happens 326 00:15:47,400 --> 00:15:49,400 Speaker 1: to be a single device plan, not a family plan. 327 00:15:49,520 --> 00:15:52,080 Speaker 1: But no, don't worry about that. My goodness, all right. 328 00:15:52,120 --> 00:15:53,640 Speaker 1: I would just say I would rather you be in 329 00:15:53,720 --> 00:15:56,360 Speaker 1: a great relationship than just be with anybody, because you 330 00:15:56,400 --> 00:15:58,840 Speaker 1: don't want to be alone. That's new terrible idea. There's 331 00:15:58,880 --> 00:16:01,360 Speaker 1: nothing worse than being with somebody that's not worth your time. 332 00:16:06,160 --> 00:16:09,280 Speaker 1: Let's get to the rooms. Let's tell Cardi B. It's 333 00:16:09,320 --> 00:16:20,800 Speaker 1: about Angel on the Breakfast Club. Well, according to tim Z, 334 00:16:21,040 --> 00:16:24,360 Speaker 1: Cardi B's team has been telling people that she is pregnant, 335 00:16:24,680 --> 00:16:27,160 Speaker 1: and they were saying that during Super Bowl weekend. So 336 00:16:27,760 --> 00:16:30,840 Speaker 1: that is according to TMZ. They said after Cardi performed, 337 00:16:31,120 --> 00:16:33,280 Speaker 1: a venue stafford asked her team if they could bring 338 00:16:33,360 --> 00:16:35,520 Speaker 1: her back to the VIP room where there was some drinks, 339 00:16:35,840 --> 00:16:37,040 Speaker 1: and they said they didn't want to be in a 340 00:16:37,120 --> 00:16:39,520 Speaker 1: party atmosphere and want to stay by the stage. They 341 00:16:39,560 --> 00:16:41,920 Speaker 1: said that she is three to four months pregnant. According 342 00:16:41,960 --> 00:16:44,880 Speaker 1: to the rep tim Z, so did yeah, They're just 343 00:16:45,000 --> 00:16:47,840 Speaker 1: reported that because somebody randomly told him that. Well, they 344 00:16:47,840 --> 00:16:51,280 Speaker 1: said it was Yeah, according to a staffer, one of 345 00:16:51,320 --> 00:16:53,800 Speaker 1: the reps, well, Cardi B said that she's pregnant. Well, 346 00:16:53,840 --> 00:16:55,840 Speaker 1: I'm glad that that is out there, if if it 347 00:16:55,960 --> 00:16:58,120 Speaker 1: is indeed true, because you know, everybody was saying that 348 00:16:58,200 --> 00:17:00,560 Speaker 1: Cardi was going to have issues this week because it's 349 00:17:00,560 --> 00:17:03,920 Speaker 1: All Star week. She's gonna have issues with the the 350 00:17:04,040 --> 00:17:07,880 Speaker 1: Bloods and with the crips you mean crips, Oh yeah, 351 00:17:07,920 --> 00:17:09,959 Speaker 1: crips and Callie you know. So I'm glad to put 352 00:17:10,000 --> 00:17:11,159 Speaker 1: that out there because you can't do nothing to a 353 00:17:11,200 --> 00:17:14,760 Speaker 1: pregnant one, now you definitely speaking of All Star Weekend 354 00:17:15,200 --> 00:17:18,440 Speaker 1: in La Wili has put out an anti Valentine's Day 355 00:17:18,520 --> 00:17:21,960 Speaker 1: song and the song is called All Star Breakup because 356 00:17:21,960 --> 00:17:25,760 Speaker 1: it is NBA All Star Weekend. And here is a 357 00:17:25,800 --> 00:17:28,280 Speaker 1: little snippet from All Star Breakup and now I heard 358 00:17:28,320 --> 00:17:34,720 Speaker 1: you Love Me. Now you can track out must the 359 00:17:34,760 --> 00:17:38,199 Speaker 1: All Star Breaking Day. So Valentine, So Mike and Bryson 360 00:17:38,240 --> 00:17:43,200 Speaker 1: shot he doesn't know the game. This Valentine dollars signs out. 361 00:17:43,320 --> 00:17:46,800 Speaker 1: You gotta fight ther Golds, she gotta ruling and fashion 362 00:17:46,960 --> 00:17:50,879 Speaker 1: over and I don't mean to talk to you like, Okna, 363 00:17:51,040 --> 00:17:53,120 Speaker 1: we vote to what we want. But if I want 364 00:17:53,160 --> 00:17:55,440 Speaker 1: you while must want you bad, all right, I ain't 365 00:17:55,440 --> 00:17:57,440 Speaker 1: go like you're damn fool buying a Valentine's Day gift 366 00:17:57,480 --> 00:17:59,200 Speaker 1: for some woman that's going to All Star this weekend. 367 00:17:59,640 --> 00:18:01,399 Speaker 1: Well yeah, that's part of what he talks about in 368 00:18:01,720 --> 00:18:03,360 Speaker 1: the song. He says, you ever lost your main john 369 00:18:03,440 --> 00:18:05,359 Speaker 1: to a point guard or a small forward And that's 370 00:18:05,400 --> 00:18:07,080 Speaker 1: a fact. If you really my Valentine, you know what 371 00:18:07,080 --> 00:18:08,840 Speaker 1: you're gonna do this weekend? Stay your ass home and 372 00:18:08,880 --> 00:18:11,119 Speaker 1: go see Black Panther with me. Okay, buying you? And 373 00:18:11,240 --> 00:18:13,160 Speaker 1: he said I don't believe in Valentine's in the song, 374 00:18:13,280 --> 00:18:15,800 Speaker 1: just so you know he's been hurt and you dare 375 00:18:16,400 --> 00:18:18,240 Speaker 1: Can you imagine that you buy a girl of Valentine's 376 00:18:18,240 --> 00:18:20,000 Speaker 1: You're like, why I'm going to Autar on Thursday? All know? 377 00:18:20,200 --> 00:18:23,200 Speaker 1: You not? Where were you going? Where we go? Yuh? 378 00:18:23,880 --> 00:18:25,440 Speaker 1: Where we going? Now? Do I time to get into 379 00:18:25,520 --> 00:18:27,560 Speaker 1: this Meek Mill story or do I need to save it? Yes? Okay, 380 00:18:27,640 --> 00:18:30,520 Speaker 1: meek mil I gotta tell you guys this whole situation. Now, 381 00:18:30,600 --> 00:18:33,440 Speaker 1: Meek Mill's legal team they're launching a bid to free 382 00:18:33,520 --> 00:18:36,360 Speaker 1: Meek Mill after they found out the police officer who 383 00:18:36,400 --> 00:18:39,920 Speaker 1: initially arrested him was on a DA's list of cops 384 00:18:39,960 --> 00:18:43,080 Speaker 1: suspected of framing suspects and lying in court. This is 385 00:18:43,119 --> 00:18:46,560 Speaker 1: important because Officer Reginald B. Grant, former officer he arrested 386 00:18:46,600 --> 00:18:48,119 Speaker 1: Meek Mill in two thousand and seven. This was his 387 00:18:48,200 --> 00:18:50,680 Speaker 1: original arrest when he was eighteen years old on gunn 388 00:18:50,720 --> 00:18:53,159 Speaker 1: and drug charge, just testified against him in court. A 389 00:18:53,320 --> 00:18:55,199 Speaker 1: large part of the reason that Meek Mill actually got 390 00:18:55,280 --> 00:18:58,439 Speaker 1: locked up was because of this police officer testifying against him, 391 00:18:58,600 --> 00:19:00,240 Speaker 1: and he was one of the people that was on 392 00:19:00,359 --> 00:19:03,000 Speaker 1: that secret list that the DA had of cops who 393 00:19:03,080 --> 00:19:06,680 Speaker 1: would frame suspects and lying in court. Now Graham testified 394 00:19:06,840 --> 00:19:09,960 Speaker 1: that police informants had seen Meek, who was eighteen, sell 395 00:19:10,040 --> 00:19:13,360 Speaker 1: crack cocaine on the street to Philly, even though Meek 396 00:19:13,400 --> 00:19:15,359 Speaker 1: said he was not there and was actually in court 397 00:19:15,440 --> 00:19:18,240 Speaker 1: at the time supporting his cousin, which his lawyers say 398 00:19:18,320 --> 00:19:21,080 Speaker 1: is a provable fact that they did not even consider 399 00:19:21,160 --> 00:19:24,840 Speaker 1: in this case. Now. The police also said that they 400 00:19:24,920 --> 00:19:27,240 Speaker 1: got a police warrant after that to search his cousin's home, 401 00:19:27,480 --> 00:19:29,760 Speaker 1: where Meek had been saying Now Meek admits that he 402 00:19:29,840 --> 00:19:32,840 Speaker 1: did have an illegal gun, but according to Graham, he 403 00:19:32,920 --> 00:19:35,320 Speaker 1: said that meek Mill actually pulled out a gun, ducked 404 00:19:35,320 --> 00:19:37,200 Speaker 1: behind a car and tried to shoot them, and that's 405 00:19:37,240 --> 00:19:39,119 Speaker 1: when they wrestled him to the ground and arrested him 406 00:19:39,160 --> 00:19:41,320 Speaker 1: as he tried to flee. Now, Meek said that cops 407 00:19:41,359 --> 00:19:44,080 Speaker 1: had actually cuffed him outside the house, then dragged him 408 00:19:44,080 --> 00:19:46,240 Speaker 1: inside the house and beat him up. He was beat 409 00:19:46,359 --> 00:19:47,800 Speaker 1: up so badly that he actually had to go to 410 00:19:47,840 --> 00:19:49,800 Speaker 1: the hospital, and they had picture of him chained to 411 00:19:50,119 --> 00:19:52,679 Speaker 1: a chair in the hospital, and he said they actually 412 00:19:52,800 --> 00:19:55,840 Speaker 1: pulled out one of his dreads. They were kicking him, 413 00:19:55,920 --> 00:19:58,359 Speaker 1: punching him in his face and all of that. So 414 00:19:59,280 --> 00:20:02,680 Speaker 1: they feel like that should be overturned because that cop 415 00:20:02,840 --> 00:20:05,960 Speaker 1: was known for lying under oath, and he actually was 416 00:20:06,080 --> 00:20:09,480 Speaker 1: known for stealing as well. One of his partners testified 417 00:20:09,480 --> 00:20:12,240 Speaker 1: against him, a former narcotics officer, saying that they would 418 00:20:12,240 --> 00:20:14,720 Speaker 1: steal together. I'm not mad at meek Mill's defense team. 419 00:20:14,760 --> 00:20:16,520 Speaker 1: They're throwing a whole bunch of things against the wall 420 00:20:16,560 --> 00:20:18,720 Speaker 1: to see what she sticks try to get their guy home. 421 00:20:18,840 --> 00:20:21,359 Speaker 1: I'm not mad at that at all, right, glad Angelie 422 00:20:21,440 --> 00:20:23,000 Speaker 1: took a breath because she sounded like she was talking 423 00:20:23,040 --> 00:20:25,639 Speaker 1: to the police on behalf of me. I know what, 424 00:20:26,160 --> 00:20:28,200 Speaker 1: I know. The body is gunn o here, and I 425 00:20:28,280 --> 00:20:30,320 Speaker 1: just think it's crazy. They have a whole list of 426 00:20:30,400 --> 00:20:33,920 Speaker 1: police officers who are known for lying in court under oath, 427 00:20:34,560 --> 00:20:36,800 Speaker 1: and they keep that list from people. It's a secret list. 428 00:20:36,840 --> 00:20:39,359 Speaker 1: And then Meek Mill went to jail originally because of 429 00:20:39,440 --> 00:20:41,720 Speaker 1: this police officer, and he proved that he was in 430 00:20:41,840 --> 00:20:43,520 Speaker 1: court with his cousin. He had proof of that, but 431 00:20:43,560 --> 00:20:46,239 Speaker 1: they didn't even consider it at the time. I mean, 432 00:20:46,680 --> 00:20:49,320 Speaker 1: it makes sense. All right. Well I'm Angela Yee and 433 00:20:49,400 --> 00:20:51,960 Speaker 1: that is your rumor report. All right, thank you, miss ye. 434 00:20:52,280 --> 00:20:54,439 Speaker 1: Now when we come back, who do we have joining us? 435 00:20:54,480 --> 00:20:57,919 Speaker 1: Charlomagne oh man, we have my South Carolina Bredren King 436 00:20:58,040 --> 00:21:01,639 Speaker 1: to Shalah Chadwick Bow We'll be here joining us. And 437 00:21:02,040 --> 00:21:03,760 Speaker 1: this isn't this first time on the Breakfast Club. But 438 00:21:03,760 --> 00:21:06,240 Speaker 1: I love when the black actors and black actresses in 439 00:21:06,320 --> 00:21:08,200 Speaker 1: Hollywood come through because a lot of times they like 440 00:21:08,320 --> 00:21:11,320 Speaker 1: to blow off their their black media outlets to go 441 00:21:11,480 --> 00:21:13,320 Speaker 1: run and go do all of you know, big mainstream 442 00:21:13,320 --> 00:21:15,680 Speaker 1: white stuff like good Morning America. In today's show and 443 00:21:15,720 --> 00:21:17,399 Speaker 1: all that. So I like when they pull up on 444 00:21:17,440 --> 00:21:19,520 Speaker 1: the little old black shells. All right, we'll get it. 445 00:21:19,760 --> 00:21:21,480 Speaker 1: We'll talk to him when we come back. Don't move. 446 00:21:21,560 --> 00:21:24,080 Speaker 1: It's the Breakfast Club. Good morning, but everybody is DJ 447 00:21:24,520 --> 00:21:27,960 Speaker 1: Envy Angela Yee, Charlomagne the guy. We are the Breakfast Club. 448 00:21:28,240 --> 00:21:30,280 Speaker 1: Now we have a special guest in the building. I 449 00:21:30,400 --> 00:21:33,960 Speaker 1: wasn't there because I'm in La. Chadwick Bozeman. What's happening 450 00:21:33,960 --> 00:21:36,960 Speaker 1: to my brother? Everything? It's great pressures on man, you 451 00:21:37,080 --> 00:21:40,359 Speaker 1: think so they're a good pressure. Yeah, it's good pressure. 452 00:21:40,359 --> 00:21:42,040 Speaker 1: And you know, I remember reading one time that you 453 00:21:42,160 --> 00:21:46,000 Speaker 1: said you skipped the Civil War premiere because it felt 454 00:21:46,040 --> 00:21:49,119 Speaker 1: too big. So Civil War felt too big? How did 455 00:21:49,160 --> 00:21:51,800 Speaker 1: you get used to this? It was, you know what 456 00:21:52,080 --> 00:21:54,560 Speaker 1: it was? I had to I had to work my 457 00:21:54,680 --> 00:21:56,800 Speaker 1: way into it. I had to work my way into it. 458 00:21:57,240 --> 00:22:01,199 Speaker 1: And you know when you go to those Marvel premiers, 459 00:22:01,240 --> 00:22:04,520 Speaker 1: the ones in La, they take up blocks, blocks of blocks, 460 00:22:04,520 --> 00:22:06,040 Speaker 1: and I was just like, you know what, I'm gonna 461 00:22:06,040 --> 00:22:10,639 Speaker 1: sit this out. Uh. I went to Aga l Trin, 462 00:22:11,160 --> 00:22:12,639 Speaker 1: you know, I saw it. It was like I went 463 00:22:12,720 --> 00:22:15,520 Speaker 1: to doctor Strange. And so I think it got me 464 00:22:15,560 --> 00:22:16,960 Speaker 1: to the place where I was like, I'm ready for 465 00:22:17,040 --> 00:22:20,359 Speaker 1: mine now. Yeah, so I Marvel would be disappointed if 466 00:22:20,359 --> 00:22:22,720 Speaker 1: you didn't show up to my own Yeah, oh yeah, 467 00:22:23,960 --> 00:22:26,000 Speaker 1: what are you doing? Yeah? I was was festive too, 468 00:22:26,280 --> 00:22:28,520 Speaker 1: I was. It was an amazing experience. You know we 469 00:22:28,640 --> 00:22:31,520 Speaker 1: had you know, everybody was was was dressed to the 470 00:22:31,640 --> 00:22:34,520 Speaker 1: nons and that and the African gear and we all 471 00:22:34,560 --> 00:22:38,160 Speaker 1: have the beautiful man was beautiful. You're something from anxiety, 472 00:22:38,600 --> 00:22:42,240 Speaker 1: anxiety about what just in general, like like just I 473 00:22:42,280 --> 00:22:44,640 Speaker 1: don't think so yeah, yeah, no, I'm having a good 474 00:22:44,760 --> 00:22:47,040 Speaker 1: it's a good time. You know, four years ago we 475 00:22:47,160 --> 00:22:48,440 Speaker 1: had you up here and I asked you if you 476 00:22:48,520 --> 00:22:51,080 Speaker 1: were playing Black Panthers. You have the worst poker face. 477 00:22:51,400 --> 00:22:54,480 Speaker 1: The man, I don't know. I didn't know, I didn't 478 00:22:55,240 --> 00:22:58,760 Speaker 1: time that, I had no idea the events that led 479 00:22:58,840 --> 00:23:01,840 Speaker 1: to this. You know, I'll get what I do is 480 00:23:01,880 --> 00:23:04,800 Speaker 1: I give you credit for being prophetic about it. Okay, 481 00:23:07,000 --> 00:23:08,959 Speaker 1: you're my credit. I like my credit. You are Sharlot 482 00:23:08,960 --> 00:23:13,080 Speaker 1: mean the guy right, you sho me the guy right? Absolutely? Yeah, yeah, 483 00:23:13,160 --> 00:23:15,480 Speaker 1: claim me claiming. You know, it's been a couple it's 484 00:23:15,480 --> 00:23:17,399 Speaker 1: been a couple of people that that predicted it. So 485 00:23:17,760 --> 00:23:19,639 Speaker 1: I'll say you one of there you go. None did 486 00:23:19,680 --> 00:23:21,560 Speaker 1: you have to keep it a secret when you found out? 487 00:23:21,960 --> 00:23:24,080 Speaker 1: It was like two and a half months. That's a 488 00:23:24,160 --> 00:23:27,400 Speaker 1: long time to it was. Yeah, yeah, it was two 489 00:23:27,440 --> 00:23:30,680 Speaker 1: and a half months. Like my mama didn't know. Really 490 00:23:30,760 --> 00:23:34,119 Speaker 1: nobody knew because your mind probably would have told everybody. Yeah, like, 491 00:23:34,280 --> 00:23:36,040 Speaker 1: you know what, how the hell did I find out? 492 00:23:36,760 --> 00:23:38,040 Speaker 1: What do you mean how did you find out? I'm 493 00:23:38,040 --> 00:23:39,800 Speaker 1: trying to think how did I what? I didn't find out, 494 00:23:39,840 --> 00:23:45,119 Speaker 1: but I kind of knew. Yeah, yeah, the guy right, 495 00:23:46,960 --> 00:23:49,359 Speaker 1: I'm just trying to think what I remember, you know 496 00:23:49,480 --> 00:23:54,520 Speaker 1: before other people before I knew. That's amazing. I made 497 00:23:54,520 --> 00:23:56,880 Speaker 1: you want to comment to that character to panther. Yeah. 498 00:23:57,440 --> 00:23:59,920 Speaker 1: The funny thing is when you said it, it wasn't 499 00:24:00,040 --> 00:24:03,919 Speaker 1: something that that was outside of, you know, my scope. 500 00:24:03,960 --> 00:24:05,720 Speaker 1: It was something that I had been thinking about for 501 00:24:05,800 --> 00:24:09,280 Speaker 1: a few years. I had a few incidents that they 502 00:24:09,400 --> 00:24:12,080 Speaker 1: led me to to the cop back to the comic book. 503 00:24:12,119 --> 00:24:16,240 Speaker 1: You know, it was across a chicana in Peru that 504 00:24:16,440 --> 00:24:20,199 Speaker 1: has you know, the condor, uh, it has the puma 505 00:24:20,840 --> 00:24:24,119 Speaker 1: and um and a serpent on it, and so that 506 00:24:24,440 --> 00:24:26,680 Speaker 1: that you know, the puma is a black panther so 507 00:24:26,800 --> 00:24:29,680 Speaker 1: you're there in mantre Pechu, which is sort of a 508 00:24:29,760 --> 00:24:32,800 Speaker 1: lost city, and it reminded me of Wakane. It might 509 00:24:32,960 --> 00:24:37,480 Speaker 1: reminded me of the idea of Wakanda. Um very various different, 510 00:24:37,600 --> 00:24:39,840 Speaker 1: various different trips that I took that that made me 511 00:24:39,920 --> 00:24:42,520 Speaker 1: think of Wakanna. So I had notes written about what 512 00:24:42,640 --> 00:24:45,280 Speaker 1: a Black Panther movie would be like even before I 513 00:24:45,440 --> 00:24:48,240 Speaker 1: was cast. So when you said it, it was like, 514 00:24:49,000 --> 00:24:52,399 Speaker 1: you know, what, that would be good if that happened 515 00:24:52,440 --> 00:24:54,200 Speaker 1: one day. This is I think this is one of 516 00:24:54,280 --> 00:24:58,720 Speaker 1: those really really special um moments you know in in 517 00:24:59,600 --> 00:25:03,040 Speaker 1: history art where things just sort of come come together 518 00:25:03,320 --> 00:25:05,680 Speaker 1: in a way that you can't explain. Yeah, I saw 519 00:25:05,760 --> 00:25:08,359 Speaker 1: you say that Black Panther is a cultural moment. I 520 00:25:08,400 --> 00:25:11,080 Speaker 1: think your exact quote was, we're not remembering breaking the 521 00:25:11,160 --> 00:25:13,879 Speaker 1: color barrier, how funk was created, but we are living this. 522 00:25:14,080 --> 00:25:17,320 Speaker 1: Can you elaborate on that? Yeah, this is I hesitated 523 00:25:17,359 --> 00:25:20,360 Speaker 1: to say this before we got here because we didn't 524 00:25:20,400 --> 00:25:22,040 Speaker 1: know whether we had a good movie. We didn't know 525 00:25:22,080 --> 00:25:24,480 Speaker 1: how people were going to respond to it. Um. But 526 00:25:24,640 --> 00:25:28,520 Speaker 1: just seeing how people have bought out theaters, you know, 527 00:25:28,680 --> 00:25:30,600 Speaker 1: before they've ever seen they they haven't even seen what 528 00:25:30,640 --> 00:25:33,560 Speaker 1: the movie years you've seen it. Yeah, they haven't even 529 00:25:33,600 --> 00:25:35,760 Speaker 1: seen what the movie is in there. And in some ways, 530 00:25:35,800 --> 00:25:39,000 Speaker 1: when when you're seeing like the Black Panther Challenge, which 531 00:25:39,200 --> 00:25:43,720 Speaker 1: fred T. Joseph started, Uh, they're living up to some 532 00:25:43,840 --> 00:25:45,680 Speaker 1: of the ideas of the movie. When they do that, 533 00:25:46,480 --> 00:25:50,280 Speaker 1: that's historic. You know, this is history being created. In 534 00:25:50,359 --> 00:25:53,199 Speaker 1: those other movies I was doing, you know, we were 535 00:25:53,280 --> 00:25:55,920 Speaker 1: remembering the past. You know, we were that, we were 536 00:25:56,000 --> 00:25:58,040 Speaker 1: we were looking back at history. This is you know, 537 00:25:58,440 --> 00:26:01,920 Speaker 1: a very very present moment that takes us into what 538 00:26:02,080 --> 00:26:05,560 Speaker 1: could be a you know, a different future. That was 539 00:26:05,640 --> 00:26:08,520 Speaker 1: history recreated. And I do love all the roles you played. 540 00:26:08,520 --> 00:26:10,280 Speaker 1: It seems like you've been really great at picking these 541 00:26:10,359 --> 00:26:15,120 Speaker 1: really impactful movies to play in. Some of it I picked, 542 00:26:15,160 --> 00:26:17,119 Speaker 1: and some of it, you know, some of it you know, 543 00:26:17,440 --> 00:26:21,280 Speaker 1: was I like that. I really liked the Marshall. I 544 00:26:21,400 --> 00:26:23,520 Speaker 1: honestly didn't know a lot about their good Marshall until 545 00:26:23,560 --> 00:26:26,160 Speaker 1: I saw that, right, you know, James Brown with great 546 00:26:26,240 --> 00:26:29,159 Speaker 1: Jackie Robinson forty two. Yeah, Why does Hollywood think all 547 00:26:29,160 --> 00:26:32,359 Speaker 1: black people look like Chadwick Boseman. They don't think we 548 00:26:32,400 --> 00:26:33,639 Speaker 1: all look alike. They think we all look like you, 549 00:26:33,840 --> 00:26:38,560 Speaker 1: They don't that I had so many um, so many 550 00:26:38,640 --> 00:26:42,240 Speaker 1: biopicks after forty two to come at me. You know, 551 00:26:42,640 --> 00:26:44,760 Speaker 1: so many scripts that like if I told you all 552 00:26:44,840 --> 00:26:49,479 Speaker 1: the different ones mean hundreds of people, and so uh 553 00:26:50,160 --> 00:26:52,919 Speaker 1: it just so happens that those are the ones that resonated, 554 00:26:53,000 --> 00:26:55,240 Speaker 1: you know, those are the ones that that that you 555 00:26:55,320 --> 00:26:58,879 Speaker 1: know I refused and wouldn't go away, you know. The 556 00:26:59,320 --> 00:27:02,600 Speaker 1: Marshall's son, John Marshall actually wrote me a letter then 557 00:27:02,720 --> 00:27:06,200 Speaker 1: convinced me to play the Marshall because because I didn't 558 00:27:06,240 --> 00:27:07,840 Speaker 1: want to do it, because I was like, I was like, 559 00:27:07,920 --> 00:27:10,480 Speaker 1: he's way too light skin. I can't play him, you know, 560 00:27:10,720 --> 00:27:14,080 Speaker 1: like like nowhere where I could do that? Well, famous 561 00:27:14,119 --> 00:27:17,359 Speaker 1: black men have you turned up? Not like that? Don't 562 00:27:17,400 --> 00:27:25,120 Speaker 1: just take that. I don't want to say. I don't 563 00:27:25,160 --> 00:27:26,440 Speaker 1: want to say all of them, you know what I'm 564 00:27:26,440 --> 00:27:30,800 Speaker 1: saying because uh one, well, let me just tell you 565 00:27:30,880 --> 00:27:32,960 Speaker 1: why why I'm trying to I'm trying to think of 566 00:27:33,040 --> 00:27:35,560 Speaker 1: one that I can't say while I while I say why, 567 00:27:35,560 --> 00:27:37,840 Speaker 1: I won't say most of them because you never know 568 00:27:38,880 --> 00:27:41,720 Speaker 1: as an actor, who's gonna end up playing something that 569 00:27:41,800 --> 00:27:44,840 Speaker 1: you turned down, And so you don't want to say, well, 570 00:27:45,200 --> 00:27:47,040 Speaker 1: that would they gave it to me first? You know 571 00:27:47,040 --> 00:27:49,080 Speaker 1: what I'm saying, You got my sloppy sickets. You know, 572 00:27:49,280 --> 00:27:51,840 Speaker 1: they never want to you never want to do that, um, 573 00:27:52,000 --> 00:27:53,960 Speaker 1: because I think it always is with the person that's 574 00:27:53,960 --> 00:27:58,520 Speaker 1: supposed to end up with. UM. But uh, one of them. 575 00:27:58,760 --> 00:28:00,840 Speaker 1: I'm trying to think of something that had various different 576 00:28:00,960 --> 00:28:05,080 Speaker 1: versions of there's a Sam Cook, these Sam Cook movies, 577 00:28:05,359 --> 00:28:08,280 Speaker 1: so one of them, it was one of those versions. Um. 578 00:28:08,680 --> 00:28:12,040 Speaker 1: You know, so it's a few characters there a few 579 00:28:12,800 --> 00:28:24,200 Speaker 1: Lifetime movies. No, yes, when people come with everything, No, no, no, 580 00:28:24,480 --> 00:28:26,880 Speaker 1: people come they shoot their shot. You know what I'm saying, people, 581 00:28:27,560 --> 00:28:29,840 Speaker 1: it could happen. Yeah, they come with everything. What's your 582 00:28:29,840 --> 00:28:32,440 Speaker 1: guilty pleasure is like things that you watch that you're like, damn, 583 00:28:33,640 --> 00:28:40,760 Speaker 1: oh man, Uh I'm looking at while public and there's 584 00:28:40,800 --> 00:28:44,959 Speaker 1: no there's there's honestly there's no musty. But but there 585 00:28:45,200 --> 00:28:48,280 Speaker 1: there are times when you know it's so much going 586 00:28:48,360 --> 00:28:51,960 Speaker 1: on that I need you need that mindless you know 587 00:28:52,240 --> 00:28:55,520 Speaker 1: sound that mine and I'm not. That's no disrespect to 588 00:28:55,600 --> 00:29:03,920 Speaker 1: the shows. Like you're like, you're like, what are you like? 589 00:29:04,080 --> 00:29:06,560 Speaker 1: What what does mean me doing? What what are they doing? 590 00:29:06,680 --> 00:29:09,760 Speaker 1: You know, you have to, um, you know, you have 591 00:29:09,840 --> 00:29:11,720 Speaker 1: to have some you look at black ink or something 592 00:29:11,760 --> 00:29:14,040 Speaker 1: like that. You have to you have to ask some 593 00:29:14,440 --> 00:29:17,280 Speaker 1: some of that sometimes. All right, we got more with 594 00:29:17,440 --> 00:29:19,560 Speaker 1: Chadwick Boseman when we come back. Don't move. It's the 595 00:29:19,560 --> 00:29:25,760 Speaker 1: Breakfast Club. Good morning, the Breakfast Club more than everybody 596 00:29:25,920 --> 00:29:29,000 Speaker 1: is dj N v Angela Yee, Charlomagne the guy. We 597 00:29:29,080 --> 00:29:32,160 Speaker 1: are the Breakfast Club from Black Panther. We have Chadwick 598 00:29:32,360 --> 00:29:34,720 Speaker 1: Boseman in the building. Charlomagne. Would you can see The 599 00:29:34,760 --> 00:29:38,000 Speaker 1: Black Panther a black film? Yes? And no, okay, I 600 00:29:38,120 --> 00:29:40,560 Speaker 1: mean it's a lot of black people in it. Yes. 601 00:29:40,920 --> 00:29:44,880 Speaker 1: And you know, there's a conversation in this movie that 602 00:29:45,080 --> 00:29:49,000 Speaker 1: is an in house conversation. It's a conversation that could 603 00:29:49,120 --> 00:29:53,320 Speaker 1: that can only happen if you are on one continent 604 00:29:53,480 --> 00:29:55,120 Speaker 1: or the other. You know, if if you if you, 605 00:29:55,560 --> 00:29:57,520 Speaker 1: I shouldn't even say that. You have to be part 606 00:29:57,560 --> 00:30:01,720 Speaker 1: of the diaspora. And so as an freaking American, Um, 607 00:30:02,360 --> 00:30:06,160 Speaker 1: there's there's a conversation that you're having with the continent 608 00:30:06,680 --> 00:30:08,760 Speaker 1: as you watch this movie. The continent is having a 609 00:30:08,840 --> 00:30:12,240 Speaker 1: conversation with you. As a debate that has probably never 610 00:30:12,360 --> 00:30:17,640 Speaker 1: happened in a movie on this stage ever. Yeah, it's 611 00:30:17,760 --> 00:30:21,160 Speaker 1: it's it's never happened. And so in that conversation will 612 00:30:21,240 --> 00:30:23,520 Speaker 1: people will be talking about that, I think, you know, 613 00:30:23,640 --> 00:30:26,560 Speaker 1: even after the movie is over. And so it's definitely 614 00:30:26,640 --> 00:30:32,600 Speaker 1: a black film because that conversation is happening, um, without 615 00:30:32,840 --> 00:30:38,960 Speaker 1: regard for white people. Ye, white people are privy to it. Yeah, yeah, yeah, 616 00:30:40,080 --> 00:30:44,160 Speaker 1: don't give anything away that that needs to be Yeah, 617 00:30:44,480 --> 00:30:47,400 Speaker 1: you know what I'm saying. But it's it's it's happening 618 00:30:48,240 --> 00:30:51,360 Speaker 1: and everybody's able to enjoy it because it's so specific, 619 00:30:52,040 --> 00:30:55,080 Speaker 1: um of a question. So it definitely is a black 620 00:30:55,160 --> 00:30:58,840 Speaker 1: film or what I believe truly, Um, you know, it's 621 00:30:58,840 --> 00:31:03,080 Speaker 1: sort of a toll story. Um. Idea is that that, uh, 622 00:31:03,640 --> 00:31:07,960 Speaker 1: the more specific you are in your artistry, the more 623 00:31:08,120 --> 00:31:12,160 Speaker 1: universally become. Yeah. Like so the more I go into 624 00:31:12,480 --> 00:31:16,000 Speaker 1: into like a particular culture, which is what we tried 625 00:31:16,040 --> 00:31:17,560 Speaker 1: to do because we didn't want to do like a 626 00:31:17,680 --> 00:31:20,480 Speaker 1: generalized Africa. You know, you needed to be able to 627 00:31:20,600 --> 00:31:24,400 Speaker 1: pour from, you know, the whole continent in order to 628 00:31:24,560 --> 00:31:28,360 Speaker 1: create this fictitious African nation. And so they're very very 629 00:31:28,440 --> 00:31:32,080 Speaker 1: real concepts and rituals and ideas and like even in 630 00:31:32,160 --> 00:31:35,280 Speaker 1: the design. You know, if you see the skyscrapers in 631 00:31:35,320 --> 00:31:41,080 Speaker 1: the movie, those are are actual you know, architectural um uh, 632 00:31:41,480 --> 00:31:45,360 Speaker 1: you know images that you see in Africa, and so 633 00:31:46,480 --> 00:31:48,640 Speaker 1: we wanted to pour from real things. I think when 634 00:31:48,680 --> 00:31:51,080 Speaker 1: you do that, people recognize things that's being real and 635 00:31:51,120 --> 00:31:53,360 Speaker 1: they can identify with it more. So that's why you 636 00:31:53,400 --> 00:31:56,760 Speaker 1: see people from all over the world, Like we were 637 00:31:56,960 --> 00:31:59,480 Speaker 1: in Korea and people were coming in wearing their own 638 00:31:59,560 --> 00:32:03,160 Speaker 1: tradition you know, um a guard yeah, and just to 639 00:32:03,240 --> 00:32:06,000 Speaker 1: greet us. You know, that's that's how they felt about 640 00:32:06,040 --> 00:32:08,440 Speaker 1: the movie, because they saw us doing the same thing. Now, 641 00:32:08,520 --> 00:32:11,880 Speaker 1: for someone who's not knowledgeable like myself about Marvel Black Panther, 642 00:32:12,480 --> 00:32:14,240 Speaker 1: is this a movie when I go see it, I'll 643 00:32:14,240 --> 00:32:16,640 Speaker 1: be able to know what's going on with happening without 644 00:32:16,680 --> 00:32:20,360 Speaker 1: having the background. Yeah, the exposition is clear. Okay. You know, 645 00:32:20,640 --> 00:32:24,160 Speaker 1: I think within the first five minutes you have the 646 00:32:24,280 --> 00:32:29,440 Speaker 1: background of what Wakanda is and and even how it 647 00:32:29,600 --> 00:32:32,520 Speaker 1: relates to the last to the last movie. It connects 648 00:32:32,600 --> 00:32:36,160 Speaker 1: to Civil War. You know, you meant my character civil 649 00:32:36,680 --> 00:32:39,760 Speaker 1: and captain American Civil War. So I think all the 650 00:32:39,880 --> 00:32:43,920 Speaker 1: exposition is very clear. You know, and there's a lot 651 00:32:43,960 --> 00:32:45,600 Speaker 1: of people are going to see this that might have 652 00:32:45,840 --> 00:32:50,080 Speaker 1: never gone to see a Marvel movie before. You think, yeah, 653 00:32:50,400 --> 00:32:53,080 Speaker 1: there will there will be some people, you know, I hope. 654 00:32:53,120 --> 00:32:56,080 Speaker 1: So yeah, this makes people go back and say, Okay, 655 00:32:56,160 --> 00:32:58,360 Speaker 1: let me see what I missed before. This feel like 656 00:32:58,400 --> 00:33:00,200 Speaker 1: a sports game. You know, you'd be watching sports somebody 657 00:33:00,200 --> 00:33:03,560 Speaker 1: who don't watch sports anything, like what's that? You won't 658 00:33:03,600 --> 00:33:05,200 Speaker 1: do that? You won't do that, you won't do that, 659 00:33:05,520 --> 00:33:07,400 Speaker 1: like the I think the opening of the movie is 660 00:33:07,520 --> 00:33:11,680 Speaker 1: very smart in a way that it um, it keeps 661 00:33:11,760 --> 00:33:15,920 Speaker 1: everything it closed in this movie. Um, you don't you 662 00:33:15,960 --> 00:33:18,000 Speaker 1: don't need to have part information. How many times have 663 00:33:18,080 --> 00:33:20,480 Speaker 1: you seen the movie at this point? I can't answer 664 00:33:20,560 --> 00:33:27,880 Speaker 1: that execs that that's complicated. Yeah, it lives up, it 665 00:33:27,960 --> 00:33:30,240 Speaker 1: lives up to it. It's different. It's different. It's different 666 00:33:30,280 --> 00:33:33,960 Speaker 1: for me because you know, as as an actor, you 667 00:33:34,040 --> 00:33:37,360 Speaker 1: always go in you know, you know how many takes 668 00:33:37,440 --> 00:33:39,880 Speaker 1: you did of this scene, how many takes you what 669 00:33:40,040 --> 00:33:41,720 Speaker 1: they and you know what they chose and what they 670 00:33:41,760 --> 00:33:44,640 Speaker 1: didn't choose. So you're trying to deal with, you know, 671 00:33:45,360 --> 00:33:47,920 Speaker 1: the movie that that that you shot versus versus the 672 00:33:48,000 --> 00:33:49,840 Speaker 1: movie that ends up on the screen the first few 673 00:33:49,920 --> 00:33:55,000 Speaker 1: times you did it, so um, overall, I'm very very 674 00:33:55,080 --> 00:33:57,600 Speaker 1: happy with with what we've done. But then there's a 675 00:33:57,800 --> 00:34:00,680 Speaker 1: there's a part of me that is that is always 676 00:34:00,720 --> 00:34:04,680 Speaker 1: going to be critical or always analyzing the process and 677 00:34:05,120 --> 00:34:06,880 Speaker 1: so that you could so that the next time you 678 00:34:06,960 --> 00:34:09,800 Speaker 1: do it, you know you have a more of a 679 00:34:10,120 --> 00:34:11,800 Speaker 1: of a of a way you want to tackle it. 680 00:34:11,960 --> 00:34:15,360 Speaker 1: But that's that's just you know the strategy of doing anything. 681 00:34:15,440 --> 00:34:18,239 Speaker 1: You always you're you're thinking of new ways. You're gonna 682 00:34:18,239 --> 00:34:21,080 Speaker 1: do what you do. Everybody is. But but you can 683 00:34:21,160 --> 00:34:23,200 Speaker 1: still be happy with with the final project. I want 684 00:34:23,239 --> 00:34:24,920 Speaker 1: to thank you for confirming that there is a sequel too, 685 00:34:24,920 --> 00:34:30,439 Speaker 1: because you said the next time, the next time, Yeah, yeah, yeah, 686 00:34:30,719 --> 00:34:32,920 Speaker 1: I didn't confirm that they And I want to go 687 00:34:32,960 --> 00:34:34,279 Speaker 1: back to what you talked about with a black film 688 00:34:34,280 --> 00:34:36,560 Speaker 1: because you said yes saying no, what what makes a 689 00:34:36,680 --> 00:34:40,240 Speaker 1: film a black film? It's like, you know, when somebody 690 00:34:40,400 --> 00:34:43,800 Speaker 1: is is authentic. I think that's that's part of what 691 00:34:44,480 --> 00:34:47,719 Speaker 1: what I'm talking about here. Like Ryan Coogler is very authentic. Absolutely. 692 00:34:47,800 --> 00:34:53,200 Speaker 1: You know, he makes films um because they he connects 693 00:34:53,239 --> 00:34:56,120 Speaker 1: with them and there is you know he I think 694 00:34:56,200 --> 00:34:59,919 Speaker 1: he found his stamp um and putting on this film, 695 00:35:00,719 --> 00:35:05,120 Speaker 1: and he's very clear about his position. I think in 696 00:35:05,400 --> 00:35:09,400 Speaker 1: his his journey in this film in trying to connect 697 00:35:09,480 --> 00:35:15,040 Speaker 1: to Africa, you know, and Oakland, and he finds the 698 00:35:15,080 --> 00:35:19,040 Speaker 1: way to put Oakland and everything. I hesitate sometimes when 699 00:35:19,080 --> 00:35:23,000 Speaker 1: people say it's black and because they feel like that's 700 00:35:23,000 --> 00:35:25,120 Speaker 1: a limitation. A lot of people feel that way. I 701 00:35:25,160 --> 00:35:28,560 Speaker 1: don't feel like that's a limitation or Um, I feel 702 00:35:28,600 --> 00:35:30,520 Speaker 1: like it could be a black film and also just 703 00:35:30,680 --> 00:35:32,680 Speaker 1: be a good film, you know, it could just be 704 00:35:32,760 --> 00:35:37,680 Speaker 1: a film at the same time. Um, this is just 705 00:35:37,840 --> 00:35:41,880 Speaker 1: the film and it's authentically authentically black. Yeah, because the 706 00:35:42,320 --> 00:35:45,680 Speaker 1: little bit of negativity that I'm seeing from people is 707 00:35:46,440 --> 00:35:48,440 Speaker 1: but it's a it's a black cast. But then it's 708 00:35:48,520 --> 00:35:51,040 Speaker 1: using black people to make the white people at Disney 709 00:35:51,080 --> 00:35:54,800 Speaker 1: all of this money. Honestly, who cares or at the 710 00:35:55,520 --> 00:35:59,160 Speaker 1: end of the day, filmmaker is it's it's it is 711 00:35:59,200 --> 00:36:03,160 Speaker 1: a commercial art. You know. If you don't make art 712 00:36:03,200 --> 00:36:05,000 Speaker 1: when you make when you make movies, if you don't 713 00:36:05,000 --> 00:36:07,799 Speaker 1: make money when you make movies, then you can't make movies. Yeah, 714 00:36:07,960 --> 00:36:10,840 Speaker 1: that's that's what it is. So the precedent because it 715 00:36:10,920 --> 00:36:13,960 Speaker 1: shows the value of having black people play these lead 716 00:36:14,080 --> 00:36:17,239 Speaker 1: roles like director, yeah, and all of that, and now 717 00:36:17,320 --> 00:36:18,800 Speaker 1: that's like, Okay, we got to do more of this. 718 00:36:19,080 --> 00:36:21,200 Speaker 1: I'm assuming that the person you're talking about who said 719 00:36:21,239 --> 00:36:24,320 Speaker 1: that was black. Yeah. Yeah. You gotta be careful of 720 00:36:24,360 --> 00:36:29,680 Speaker 1: being racist against yourself, right, because a lot of times 721 00:36:30,040 --> 00:36:32,920 Speaker 1: people see the name on the outside of a building 722 00:36:33,680 --> 00:36:35,759 Speaker 1: and they make it. They make the assumption there's a 723 00:36:35,800 --> 00:36:39,080 Speaker 1: bunch of white people sitting around the table, right, they 724 00:36:39,600 --> 00:36:42,240 Speaker 1: haven't been in the building. Say they don't know who's 725 00:36:42,280 --> 00:36:47,520 Speaker 1: in there. They don't know that one of the shot callers, 726 00:36:48,080 --> 00:36:52,879 Speaker 1: that one of the hair producers at Marvel is black. 727 00:36:53,760 --> 00:36:55,480 Speaker 1: They don't know, They don't know Nate More, you know 728 00:36:55,480 --> 00:36:58,279 Speaker 1: what I'm saying. So if you don't know who behind 729 00:36:58,320 --> 00:37:01,680 Speaker 1: the who's behind the walls, you can't make an assumption 730 00:37:02,680 --> 00:37:06,719 Speaker 1: that that the person calling the shots is. They don't 731 00:37:06,760 --> 00:37:08,439 Speaker 1: know that one of their head producers is a woman. 732 00:37:08,920 --> 00:37:12,359 Speaker 1: You know that it's Victoria, Like it's it's it's one 733 00:37:12,400 --> 00:37:16,000 Speaker 1: of the things that you know, being racist against yourself 734 00:37:16,040 --> 00:37:19,480 Speaker 1: and saying, oh, they you don't know who they is? Yeah, yeah, yeah, 735 00:37:19,719 --> 00:37:22,040 Speaker 1: you don't know. This is all about the people, you know, 736 00:37:22,920 --> 00:37:27,160 Speaker 1: it's not about the names on the studios. You can't 737 00:37:27,239 --> 00:37:34,120 Speaker 1: make assumptions about things because it just I'm what I'm saying. 738 00:37:34,640 --> 00:37:35,719 Speaker 1: One last thing on that, What do you think of 739 00:37:35,800 --> 00:37:38,080 Speaker 1: this petition that's going around that wants to get trying 740 00:37:38,080 --> 00:37:40,120 Speaker 1: to get Marvel to give twenty five percent of proceeds 741 00:37:40,160 --> 00:37:42,920 Speaker 1: from Black Panther and the black community. This is a 742 00:37:43,040 --> 00:37:50,120 Speaker 1: real thing. I mean, it's not gonna happen. That's what 743 00:37:50,239 --> 00:37:53,560 Speaker 1: I think about it. You know, sometimes when you make art, 744 00:37:53,600 --> 00:37:56,439 Speaker 1: you've already given what you're supposed to get. Yeah, that's 745 00:37:56,560 --> 00:37:59,400 Speaker 1: that's how I feel about it. You know, they can't 746 00:38:00,400 --> 00:38:04,120 Speaker 1: do that, and um, they have overhead that they have 747 00:38:04,200 --> 00:38:07,719 Speaker 1: to cover. Yeah, everybody has overhead. Even if you're not 748 00:38:07,840 --> 00:38:10,759 Speaker 1: a business, you got overhead and so so in order 749 00:38:10,800 --> 00:38:13,160 Speaker 1: for them to continue to make movies, you know, they 750 00:38:13,239 --> 00:38:14,640 Speaker 1: have to make money off of it. The way I 751 00:38:14,719 --> 00:38:18,160 Speaker 1: explained is Ryan is going to continue after this to 752 00:38:18,160 --> 00:38:19,880 Speaker 1: be one He's gonna be one of the biggest biggest directors, 753 00:38:19,880 --> 00:38:22,080 Speaker 1: if not biggest director in Hollywood. He's gonna continue to 754 00:38:22,120 --> 00:38:24,520 Speaker 1: empower black people. You're going to continue to empower black 755 00:38:24,680 --> 00:38:26,759 Speaker 1: Michael Jordan's gonna continue to empower black people with Peter. 756 00:38:26,920 --> 00:38:29,440 Speaker 1: So that's that's that's the win. That's the win. That's 757 00:38:29,480 --> 00:38:32,080 Speaker 1: the win. It's one of those things where people have 758 00:38:32,200 --> 00:38:36,439 Speaker 1: to understand how business works. And you know, I didn't 759 00:38:36,480 --> 00:38:38,680 Speaker 1: even do a goal fund me in South Carolina. I 760 00:38:38,800 --> 00:38:42,160 Speaker 1: just you know, bought it. Yeah, like, and they asked 761 00:38:42,200 --> 00:38:44,239 Speaker 1: nobody else to do it. I have the power to 762 00:38:44,360 --> 00:38:46,799 Speaker 1: do that because I'm doing this film, so I get 763 00:38:46,840 --> 00:38:48,440 Speaker 1: to give back. I don't have to ask Marvel to 764 00:38:48,520 --> 00:38:51,320 Speaker 1: give back. Or you know, we have more with Chadwick 765 00:38:51,360 --> 00:38:53,719 Speaker 1: Boseman when we come back, don't move. It's the Breakfast Club, 766 00:38:53,760 --> 00:38:57,520 Speaker 1: the money, more than everybody is dj n Z Angela Yee, 767 00:38:57,640 --> 00:39:00,200 Speaker 1: Charlomagne the guy. We all the Breakfast Club. We have 768 00:39:00,320 --> 00:39:03,279 Speaker 1: Chadmick Bowseeman in the building, Charalaming So in real life, 769 00:39:03,920 --> 00:39:07,560 Speaker 1: who would you ever agree with more Tachalla kill Manger. Well, 770 00:39:07,600 --> 00:39:12,279 Speaker 1: as an African American, I connect with kill Monger. Um yeah, 771 00:39:12,400 --> 00:39:14,680 Speaker 1: I like he treated people. But yeah yeah, as an 772 00:39:14,680 --> 00:39:18,840 Speaker 1: African American, I have both sides because I have a 773 00:39:18,960 --> 00:39:22,520 Speaker 1: huge family. You know, I have a lot of the 774 00:39:22,640 --> 00:39:27,120 Speaker 1: traits of ta Challa. But as African Americans, we've been 775 00:39:27,160 --> 00:39:31,000 Speaker 1: severed from our past we've been severed from the continent 776 00:39:31,040 --> 00:39:35,800 Speaker 1: in a way where we're reaching for a connection to it. 777 00:39:36,520 --> 00:39:39,239 Speaker 1: So he has them, he has the market demarcations on 778 00:39:39,320 --> 00:39:43,680 Speaker 1: his body, but he doesn't have like a real ritual 779 00:39:43,760 --> 00:39:47,680 Speaker 1: connection to those demarcations. He made it into something else. 780 00:39:48,360 --> 00:39:51,800 Speaker 1: And so I think we're all searching for things because 781 00:39:51,840 --> 00:39:54,640 Speaker 1: we're looking for those rights of passages that that that 782 00:39:54,840 --> 00:39:59,000 Speaker 1: have been left behind. Tachalla has a tradition and U 783 00:40:00,080 --> 00:40:03,759 Speaker 1: he has a connection to his ancestors that I long for. 784 00:40:04,440 --> 00:40:08,320 Speaker 1: I long for that, and I feel like kill Maglong. 785 00:40:08,400 --> 00:40:10,560 Speaker 1: There're two sides at the same point. Yeah, but as 786 00:40:10,600 --> 00:40:13,880 Speaker 1: an African America, you're always gonna feel like until you 787 00:40:14,040 --> 00:40:18,080 Speaker 1: make that connection, that that there's a disconnect there. What 788 00:40:18,200 --> 00:40:20,840 Speaker 1: idea is I took a DNA test too, Yeah, so 789 00:40:21,920 --> 00:40:25,480 Speaker 1: I'm from ninety seven percent of East African North African. 790 00:40:25,520 --> 00:40:28,840 Speaker 1: Now see that's the wrong test. You took ancestry. Yeah, 791 00:40:29,600 --> 00:40:34,320 Speaker 1: I took African ancestry. That's a difference. So African ancestry 792 00:40:34,360 --> 00:40:38,120 Speaker 1: can tell you the specific um ethnic group that you 793 00:40:38,280 --> 00:40:43,120 Speaker 1: come from. So if you just know the country, that's 794 00:40:43,160 --> 00:40:47,759 Speaker 1: still the European borders to a certain degree. But if 795 00:40:47,840 --> 00:40:51,800 Speaker 1: you know that you're Europe but from Nigeria. Then you 796 00:40:51,880 --> 00:40:55,600 Speaker 1: can now now you can you can pinpoint specific customers 797 00:40:55,640 --> 00:40:59,160 Speaker 1: and rituals that they are part of your past. I 798 00:40:59,280 --> 00:41:01,279 Speaker 1: need to do that. So it's told about ninety seven 799 00:41:01,320 --> 00:41:03,120 Speaker 1: percent West African, which made sense because you know, if 800 00:41:03,160 --> 00:41:06,120 Speaker 1: you go to Charleston, they're building a African American art 801 00:41:06,280 --> 00:41:08,719 Speaker 1: museum on this plot of land. And that plot of 802 00:41:08,840 --> 00:41:11,520 Speaker 1: land was the doctor that like sixty something percent of 803 00:41:11,560 --> 00:41:14,400 Speaker 1: all slaves in America came came through, right, Yeah, so 804 00:41:14,560 --> 00:41:15,839 Speaker 1: that makes sense. And then they said if you look, 805 00:41:16,160 --> 00:41:18,120 Speaker 1: I mean, it sounds crazy like Sarah Pellin looking at 806 00:41:18,160 --> 00:41:20,239 Speaker 1: a Russian from Alaska, but if he looks, great, you 807 00:41:20,320 --> 00:41:23,520 Speaker 1: can see from Saluston it's a great path to West Averca. Right, 808 00:41:23,680 --> 00:41:25,560 Speaker 1: That's what I said, Yeah, that it was one of 809 00:41:25,560 --> 00:41:28,120 Speaker 1: the direct stops along the way. So what would it 810 00:41:28,160 --> 00:41:30,239 Speaker 1: take for black people to build their own Wakanda. I 811 00:41:30,360 --> 00:41:32,600 Speaker 1: feel like what Kanda is is a is an idea 812 00:41:33,040 --> 00:41:35,920 Speaker 1: that it's very real. I mean in terms of you know, 813 00:41:36,920 --> 00:41:39,880 Speaker 1: I think there should be a connection to technology and 814 00:41:40,000 --> 00:41:43,520 Speaker 1: math when people see this movie. Um, I think people 815 00:41:43,600 --> 00:41:48,640 Speaker 1: are gonna be inspired by but Shari's character and you know, 816 00:41:48,719 --> 00:41:51,400 Speaker 1: I think people will will be inspired by, you know, 817 00:41:51,560 --> 00:41:54,239 Speaker 1: a connection to the tradition in a way that has 818 00:41:55,120 --> 00:41:58,479 Speaker 1: hasn't happened. You know, I don't really know what's gonna 819 00:41:58,480 --> 00:42:02,520 Speaker 1: happen after people see this movie. Um, but but hopefully 820 00:42:02,560 --> 00:42:05,440 Speaker 1: people will begin to look like if they do that 821 00:42:05,600 --> 00:42:09,399 Speaker 1: DNA test in other words, and find where they're specifically 822 00:42:09,520 --> 00:42:14,040 Speaker 1: from and make those connections, that's gonna be a path 823 00:42:14,200 --> 00:42:16,120 Speaker 1: in and of itself about so you can you can 824 00:42:16,200 --> 00:42:19,839 Speaker 1: each person can find their own wakanda um based upon 825 00:42:19,920 --> 00:42:21,719 Speaker 1: the things that they do after this movie. But it's 826 00:42:21,760 --> 00:42:23,640 Speaker 1: just kind of up to you did this movie change 827 00:42:23,719 --> 00:42:26,920 Speaker 1: your life after you filmed it? They take some pieces 828 00:42:26,960 --> 00:42:28,600 Speaker 1: of things that you learn about you were doing it 829 00:42:28,760 --> 00:42:31,760 Speaker 1: or from acting that you're like, I'm a different person 830 00:42:32,280 --> 00:42:36,479 Speaker 1: in some ways now every movie does. There's a little 831 00:42:36,520 --> 00:42:41,440 Speaker 1: bit of James Brown still left. I'm a better dancing now, 832 00:42:41,560 --> 00:42:44,239 Speaker 1: but even more than that, probably a better business person now, 833 00:42:44,800 --> 00:42:47,480 Speaker 1: you know. Um, a little bit of Jackie Robinson, a 834 00:42:47,520 --> 00:42:50,399 Speaker 1: little a little bit of a little bit of Thurger Marshall. Um. 835 00:42:51,239 --> 00:42:56,160 Speaker 1: So it's always gonna be, um something from a movie 836 00:42:56,719 --> 00:42:58,400 Speaker 1: that you take with you. But this is one that 837 00:42:58,520 --> 00:43:01,480 Speaker 1: I'm still there's a character I'm they're working on, you know, 838 00:43:01,800 --> 00:43:05,480 Speaker 1: so it remains to be seen with all the things 839 00:43:05,560 --> 00:43:07,680 Speaker 1: will be. It's kind of is for you, bro, like 840 00:43:07,800 --> 00:43:12,000 Speaker 1: what do you do? What do you do? Feel like 841 00:43:12,040 --> 00:43:17,160 Speaker 1: that your career has been a five film deal and 842 00:43:17,320 --> 00:43:19,560 Speaker 1: this is a big category. This is this is like 843 00:43:19,680 --> 00:43:22,160 Speaker 1: a a iconic character that we haven't seen in our 844 00:43:22,200 --> 00:43:24,320 Speaker 1: generation in a long time. Like, where do you go 845 00:43:24,440 --> 00:43:30,200 Speaker 1: from here? You gotta you gotta do something smaller? You 846 00:43:30,280 --> 00:43:32,560 Speaker 1: got you do? You have to do something smaller. You 847 00:43:32,640 --> 00:43:35,200 Speaker 1: have to do something that that is that is exactly 848 00:43:35,200 --> 00:43:39,480 Speaker 1: an independent film, something that you wrote, directed and started. No, no, no, 849 00:43:39,640 --> 00:43:42,320 Speaker 1: not near, not necessarily that. But I think you have 850 00:43:42,400 --> 00:43:44,120 Speaker 1: to do something smaller, you know, you have to do 851 00:43:44,239 --> 00:43:47,200 Speaker 1: something that gets you back to, you know, just the 852 00:43:47,680 --> 00:43:52,160 Speaker 1: ground flow of what acting is about. Theater could be 853 00:43:52,239 --> 00:43:54,440 Speaker 1: a place, could be a play too. I'm not not 854 00:43:54,760 --> 00:43:56,920 Speaker 1: I'm not saying that I won't do another block Bus 855 00:43:57,000 --> 00:43:59,800 Speaker 1: the movie. You know, you definitely want to find no 856 00:44:00,040 --> 00:44:02,360 Speaker 1: smaller movies that you can do to just sort of 857 00:44:02,440 --> 00:44:05,759 Speaker 1: balance out, you know, the bigger one. Do you think 858 00:44:05,800 --> 00:44:08,600 Speaker 1: that they would explore the relationship between Storm and uh 859 00:44:09,400 --> 00:44:12,560 Speaker 1: the Shotott at some point in the future. I don't know, 860 00:44:13,760 --> 00:44:16,360 Speaker 1: especially with everybody merging now, Foxing, Disney and all that 861 00:44:16,440 --> 00:44:17,960 Speaker 1: other good stuff. Let me tell you, let me say 862 00:44:18,000 --> 00:44:20,600 Speaker 1: the like, there's a few reasons why I can't answer that, 863 00:44:21,239 --> 00:44:24,759 Speaker 1: but Lotu Peter is gonna kill me if if we 864 00:44:24,840 --> 00:44:29,239 Speaker 1: don't end up together in the movie. She literally told me, 865 00:44:30,360 --> 00:44:34,000 Speaker 1: she was like, if they try to bring Storm in this, 866 00:44:34,520 --> 00:44:39,879 Speaker 1: She's She's like, I'm gonna turn into a villain. Yeah, 867 00:44:41,800 --> 00:44:44,600 Speaker 1: married in the comics, I know, I know, yeah, I 868 00:44:44,719 --> 00:44:48,759 Speaker 1: have no way of knowing what they're gonna do. Yeah, right. 869 00:44:53,560 --> 00:44:55,319 Speaker 1: What do you want people to take from Black Panther Man? 870 00:44:56,680 --> 00:44:59,560 Speaker 1: I hope people are proud when they finished watching the movie. 871 00:45:00,200 --> 00:45:02,520 Speaker 1: I felt, yeah, just you know, if you if if 872 00:45:02,560 --> 00:45:05,200 Speaker 1: people look, if people walk out of that movie and 873 00:45:05,360 --> 00:45:08,440 Speaker 1: they're proud, everything else will take care of itself. And 874 00:45:08,760 --> 00:45:12,800 Speaker 1: I think, um, you're gonna get what you bring, Like 875 00:45:13,040 --> 00:45:14,520 Speaker 1: this is one of those movies where you get what 876 00:45:14,600 --> 00:45:16,719 Speaker 1: you bring. But at the same time, I think there's 877 00:45:16,719 --> 00:45:20,160 Speaker 1: a certain amount of pride you you should have, um 878 00:45:20,840 --> 00:45:25,520 Speaker 1: from just just the expiration, uh within it's the questions 879 00:45:25,560 --> 00:45:29,239 Speaker 1: that are asked and the debate, um, you know, and 880 00:45:29,360 --> 00:45:32,600 Speaker 1: even just the way it's we're depicted. But but I 881 00:45:32,640 --> 00:45:35,040 Speaker 1: think it's really the debate that actually happens. I think 882 00:45:35,520 --> 00:45:38,920 Speaker 1: you should. I hope people feel proud that that that happened, 883 00:45:39,239 --> 00:45:41,400 Speaker 1: um on this stage. Yeah, I think it askewed the 884 00:45:41,480 --> 00:45:43,640 Speaker 1: conversation of black pride, you know what I mean, because 885 00:45:43,640 --> 00:45:45,680 Speaker 1: you know, I called my book black Privilege because said 886 00:45:45,680 --> 00:45:48,640 Speaker 1: it's a privilege to be black and love love by 887 00:45:48,680 --> 00:45:49,960 Speaker 1: the way, yeah, thank you. And I feel like Black 888 00:45:50,000 --> 00:45:52,399 Speaker 1: Panther is adding to that, like, Yo, this is how 889 00:45:52,560 --> 00:45:55,879 Speaker 1: dope we could be, you know, and even how dope 890 00:45:55,920 --> 00:45:59,360 Speaker 1: we are, just how dope we are. It's it's it's fantasy. 891 00:45:59,480 --> 00:46:02,480 Speaker 1: But it's it's actually not, you know, it's it's it's 892 00:46:02,520 --> 00:46:06,200 Speaker 1: who we are. It's who we always have been. There 893 00:46:06,320 --> 00:46:11,480 Speaker 1: have been African empires and so um, African civilization and 894 00:46:11,640 --> 00:46:13,719 Speaker 1: so it's not it's not a thing that we're just 895 00:46:13,920 --> 00:46:19,840 Speaker 1: making up. It's it's just an amalgamation. UM. Put aside, 896 00:46:20,080 --> 00:46:22,759 Speaker 1: this this fictitious world, and great for kids to see 897 00:46:22,800 --> 00:46:27,640 Speaker 1: those representations of themselves screen. Yes, yes, indeed, Well Chadwick 898 00:46:27,680 --> 00:46:30,920 Speaker 1: has to go because you know, he is promoting a 899 00:46:31,040 --> 00:46:33,240 Speaker 1: movie that's about to make well over a billion dollars 900 00:46:33,680 --> 00:46:35,360 Speaker 1: and then he's gonna have to change his number. You 901 00:46:35,440 --> 00:46:37,520 Speaker 1: know what I mean, Nobody in Ana's will be able 902 00:46:37,520 --> 00:46:43,560 Speaker 1: to reach him. Mama Black fan of this weekend. It's 903 00:46:43,600 --> 00:46:50,600 Speaker 1: a breakfast club. It's the breakfast club wanting everybody is 904 00:46:50,680 --> 00:46:54,120 Speaker 1: DJ Envy, Angela Yee, Charlomagne the guy. We all the 905 00:46:54,200 --> 00:46:57,800 Speaker 1: breakfast clubbers get to the Rumors's Valentine's stay happy. Valentine's 906 00:46:57,800 --> 00:47:00,439 Speaker 1: say that everybody out there Now, let's it's the rooms 907 00:47:00,440 --> 00:47:08,040 Speaker 1: to talk Lebron James. This is the rumor report with 908 00:47:08,239 --> 00:47:13,279 Speaker 1: Angela Yee on the Breakfast Club. So Lebron is going 909 00:47:13,400 --> 00:47:16,600 Speaker 1: to be producing a remake of House Party. That's the 910 00:47:16,680 --> 00:47:18,480 Speaker 1: kid in playing movie from the nineties in case you 911 00:47:18,640 --> 00:47:22,000 Speaker 1: don't know, and that should be pretty exciting now. Atlanta 912 00:47:22,120 --> 00:47:24,880 Speaker 1: writer Stephen Glover, who's done a Glove's brother, and Jamal 913 00:47:24,960 --> 00:47:28,680 Speaker 1: Alorie are going to be reportedly writing the screenplay for that. Also, 914 00:47:29,200 --> 00:47:32,000 Speaker 1: according to Lebron, it's not a rebooty said, it's entirely 915 00:47:32,120 --> 00:47:35,120 Speaker 1: new look for a classic movie. Everyone I grew up 916 00:47:35,160 --> 00:47:37,919 Speaker 1: with loved House Party. To partner with this creative team 917 00:47:37,960 --> 00:47:39,760 Speaker 1: to bring a new House Party to a new generation 918 00:47:40,000 --> 00:47:42,160 Speaker 1: is unbelievable. I always thought that would be a good idea. 919 00:47:42,200 --> 00:47:45,960 Speaker 1: I always thought that somebody should grab Rach murmured and remaker. 920 00:47:47,239 --> 00:47:48,719 Speaker 1: You said that before. I think that would be dope, 921 00:47:48,760 --> 00:47:50,160 Speaker 1: and I thought about that a few years ago. But 922 00:47:50,239 --> 00:47:52,080 Speaker 1: you know whatever, all right, But we'll see. They haven't 923 00:47:52,120 --> 00:47:54,359 Speaker 1: said who's going to be starring in it as of yet. 924 00:47:55,120 --> 00:47:59,360 Speaker 1: Speaking of films and television, Chris Rock is gonna be 925 00:47:59,520 --> 00:48:03,279 Speaker 1: put well out now today Valentine's Day Tambourine. That is 926 00:48:03,320 --> 00:48:06,920 Speaker 1: his new comedy special. It is on Netflix. So in 927 00:48:07,080 --> 00:48:10,279 Speaker 1: case y'all haven't seen the trailer, because there's a tambourine 928 00:48:10,320 --> 00:48:13,160 Speaker 1: floating around, and they didn't. They just kind of sprung 929 00:48:13,239 --> 00:48:16,279 Speaker 1: it on us yesterday. Here is a little bit of 930 00:48:16,360 --> 00:48:19,719 Speaker 1: a snippet from the Netflix special. People like where you've 931 00:48:19,719 --> 00:48:26,520 Speaker 1: been trying to raise kids? That's scary because I got 932 00:48:26,600 --> 00:48:30,160 Speaker 1: black kids. I got to get them ready for America, 933 00:48:31,880 --> 00:48:34,400 Speaker 1: up for a black boy. So if you got a 934 00:48:34,480 --> 00:48:37,000 Speaker 1: black son, you gotta just punch them in the face. 935 00:48:37,360 --> 00:48:40,239 Speaker 1: You don't punch your black son in the face. That's 936 00:48:40,400 --> 00:48:47,440 Speaker 1: child abuse. I was married for sixteen years. That's a 937 00:48:47,520 --> 00:48:51,480 Speaker 1: long run. Hamilton won't last that long. Now. Chris Rock 938 00:48:51,520 --> 00:48:53,640 Speaker 1: hasn't done to stand up in ten of years, so 939 00:48:54,040 --> 00:48:56,319 Speaker 1: there's a lot that's happened in his life obviously since then. 940 00:48:56,719 --> 00:48:59,160 Speaker 1: He got divorced in twenty fourteen, and that's really where 941 00:48:59,280 --> 00:49:01,600 Speaker 1: tambourine comes from. I know all three of us went 942 00:49:01,680 --> 00:49:03,520 Speaker 1: to go see his stand up. Yes, the total blackout 943 00:49:03,560 --> 00:49:05,480 Speaker 1: toy drop on a clue's bomb for the guy, Chris Rock. 944 00:49:05,880 --> 00:49:07,399 Speaker 1: This is a great man, which if you don't get 945 00:49:07,400 --> 00:49:11,560 Speaker 1: my bomber. Now, the tambourine part is where he said 946 00:49:11,560 --> 00:49:14,120 Speaker 1: there's no equality in a relationship. You're both there to serve. 947 00:49:14,360 --> 00:49:17,040 Speaker 1: He said, sometimes you sing lead and sometimes you play 948 00:49:17,080 --> 00:49:20,360 Speaker 1: the tambourine. That's a fact though. Yeah, that's what it is, 949 00:49:20,440 --> 00:49:23,080 Speaker 1: so should be pretty interesting. We loved it when we 950 00:49:23,160 --> 00:49:25,800 Speaker 1: saw it, so tell you guys check that out on Netflix. 951 00:49:25,920 --> 00:49:28,640 Speaker 1: And I mean it's a different situation for him. He 952 00:49:28,719 --> 00:49:31,200 Speaker 1: was on BT he did five comedy specials there, so 953 00:49:31,320 --> 00:49:37,040 Speaker 1: they lured him away to Netflix. I mean h HBO. 954 00:49:37,120 --> 00:49:39,280 Speaker 1: He was on HBO. He had five specials on HBO 955 00:49:39,400 --> 00:49:42,000 Speaker 1: before and so this is his first one with Netflix. 956 00:49:42,080 --> 00:49:44,160 Speaker 1: He has two that are be on Netflix, so he 957 00:49:44,200 --> 00:49:46,440 Speaker 1: has one more after this. Mad at that at all. 958 00:49:46,480 --> 00:49:49,719 Speaker 1: This is a great week for content. Yeah. Now. Oh, 959 00:49:49,920 --> 00:49:51,960 Speaker 1: and since we're talking about things coming out today, I 960 00:49:52,080 --> 00:49:53,960 Speaker 1: just thought I throw it in there that Eminem and 961 00:49:54,160 --> 00:49:56,920 Speaker 1: Ed Sharon's video River comes out today. Also, I've been 962 00:49:56,960 --> 00:49:59,360 Speaker 1: looking to see online if it's out yet, but it's not. 963 00:49:59,520 --> 00:50:01,239 Speaker 1: But it is dropping. Oh they should have waited un 964 00:50:01,239 --> 00:50:05,080 Speaker 1: till much today. This video you can't drop in Black 965 00:50:05,160 --> 00:50:07,319 Speaker 1: History m off the same week as Black Panther, Chris 966 00:50:07,480 --> 00:50:10,040 Speaker 1: Rock Special and All Starwards. Just a video. Ya should 967 00:50:10,360 --> 00:50:12,799 Speaker 1: tell yall should have waited to tell much this bad 968 00:50:12,880 --> 00:50:16,600 Speaker 1: timing all right? Now, Nellie is under criminal investigation for 969 00:50:16,760 --> 00:50:20,480 Speaker 1: sexual assault. His attorney, Scott Rosenbum is saying these allegations 970 00:50:20,480 --> 00:50:24,000 Speaker 1: arose after the woman, Miss Green, amended her suit for 971 00:50:24,080 --> 00:50:26,200 Speaker 1: money to include a reference to these claims. The fact 972 00:50:26,239 --> 00:50:28,799 Speaker 1: that the police are investigating these claims, it's not new 973 00:50:28,840 --> 00:50:31,840 Speaker 1: information that Nellie welcome to thorough investigation. Now. This is 974 00:50:31,960 --> 00:50:35,800 Speaker 1: for a situation that went down in England. The incident 975 00:50:35,960 --> 00:50:39,799 Speaker 1: went down allegedly December fifth, after he performed. A woman 976 00:50:39,840 --> 00:50:41,960 Speaker 1: said she went to his dressing room with friends. He 977 00:50:42,080 --> 00:50:43,840 Speaker 1: asked her to come to her room next door. She 978 00:50:43,920 --> 00:50:46,160 Speaker 1: claimed Once in the room, he dropped his pants and 979 00:50:46,239 --> 00:50:48,319 Speaker 1: began masturbating in front of her and tried to put 980 00:50:48,480 --> 00:50:50,880 Speaker 1: his hands on her top and tried pulling it off 981 00:50:50,920 --> 00:50:52,520 Speaker 1: as well. The woman said she didn't go to cops 982 00:50:52,560 --> 00:50:55,440 Speaker 1: immediately because she didn't think that they would believe her. 983 00:50:55,600 --> 00:50:57,319 Speaker 1: So I'm gonna be honest with you, man. Every time 984 00:50:57,320 --> 00:50:59,919 Speaker 1: I see a headline about Nellie sexually assaulting a woman, 985 00:51:00,120 --> 00:51:02,560 Speaker 1: my heart starts beating fast because all I keep thinking is, 986 00:51:02,640 --> 00:51:04,600 Speaker 1: this is only a matter of time for every woman 987 00:51:04,640 --> 00:51:07,319 Speaker 1: on that Tip Drill video set file some type of claim. 988 00:51:07,640 --> 00:51:10,680 Speaker 1: All right, because does anybody remember that Tip Drill vide 989 00:51:12,040 --> 00:51:15,319 Speaker 1: the woman that got the credit card across all right, 990 00:51:15,760 --> 00:51:17,799 Speaker 1: it's only a matter of time now. Since you wanted 991 00:51:17,800 --> 00:51:20,960 Speaker 1: to bring up Black Panther, that soundtrack is going to 992 00:51:21,040 --> 00:51:24,879 Speaker 1: be on top this week, So congratulations to Tap Dog, 993 00:51:24,960 --> 00:51:27,680 Speaker 1: to Kendrick Black Panther. The album is heading for that 994 00:51:27,840 --> 00:51:31,160 Speaker 1: number one debut. Congratulations to that want to close bombs 995 00:51:31,160 --> 00:51:32,799 Speaker 1: for Top Dog Entertainment, So it's gonna be the number 996 00:51:32,800 --> 00:51:34,440 Speaker 1: one movie in the country end then one album in 997 00:51:34,480 --> 00:51:37,959 Speaker 1: the country in the same yep. So listen, soundtracks matter. 998 00:51:38,200 --> 00:51:40,399 Speaker 1: I just know certain movies, if they have a great 999 00:51:40,440 --> 00:51:43,200 Speaker 1: soundtrack with them, they'll forever be class. I'm very glad 1000 00:51:43,239 --> 00:51:45,160 Speaker 1: that I did not listen to that soundtrack until after 1001 00:51:45,200 --> 00:51:46,960 Speaker 1: I saw the movie. I saw the movie Monday, and 1002 00:51:47,080 --> 00:51:51,399 Speaker 1: I listened to the soundtrack Tuesday morning. And it's a great, 1003 00:51:51,480 --> 00:51:54,759 Speaker 1: great project. All right, totally go with the movie, all right, 1004 00:51:54,800 --> 00:51:56,319 Speaker 1: which I've seen two days in a row. Just want 1005 00:51:56,320 --> 00:51:58,080 Speaker 1: to throw that out there. Well, I'm Angela Yee and 1006 00:51:58,200 --> 00:52:01,080 Speaker 1: that is your rumor reports, all right, thank you, mischie Charlomage. 1007 00:52:01,080 --> 00:52:04,279 Speaker 1: Who are you giving that down? You know, it's Valentine's Day, 1008 00:52:04,320 --> 00:52:06,720 Speaker 1: and oh boy, I'm just getting all of these twitters 1009 00:52:06,760 --> 00:52:09,560 Speaker 1: on social media, everybody hitting me up saying, you know, Charlemagne, 1010 00:52:09,560 --> 00:52:12,960 Speaker 1: you're so hard on single women on Valentine's Day. So 1011 00:52:13,000 --> 00:52:15,080 Speaker 1: I don't want to be hard on the single women 1012 00:52:15,120 --> 00:52:17,719 Speaker 1: on Valentine's Day. I don't, I don't, Okay. I just 1013 00:52:17,800 --> 00:52:20,160 Speaker 1: want to tell a little story about something that I 1014 00:52:20,680 --> 00:52:22,719 Speaker 1: witnessed last night. And now I hope you know women 1015 00:52:22,719 --> 00:52:25,239 Speaker 1: aren't putting themselves in this position. That's all. So let's 1016 00:52:25,400 --> 00:52:27,479 Speaker 1: let's just talk for after the hour. Your uncle Shaul 1017 00:52:27,719 --> 00:52:32,080 Speaker 1: is here for you, Charlemagne. Listen, treat the women tenderly. 1018 00:52:32,640 --> 00:52:35,840 Speaker 1: So Charlotte is here for you'll be nice, not you. 1019 00:52:35,960 --> 00:52:39,400 Speaker 1: It's not your fault. You're alone, it's Valentine's it's not 1020 00:52:39,640 --> 00:52:42,759 Speaker 1: your fault. And there's a lot of single men out there, 1021 00:52:47,880 --> 00:52:51,200 Speaker 1: all right, ask eat I'm saying redugant a day is 1022 00:52:51,320 --> 00:52:59,320 Speaker 1: up next even like it's about it. It's donkey of 1023 00:52:59,360 --> 00:53:05,000 Speaker 1: the day, being dunky of the day, a little bit 1024 00:53:05,040 --> 00:53:12,920 Speaker 1: of a mixed so like the other day. Now, I've 1025 00:53:12,960 --> 00:53:14,800 Speaker 1: been called a lot of my twenty three years that 1026 00:53:15,000 --> 00:53:18,279 Speaker 1: dunkey of the day is a new wife, Hugh my 1027 00:53:18,360 --> 00:53:21,720 Speaker 1: Mary J. Blige instrumental m dunk here today for Wednesday, 1028 00:53:21,800 --> 00:53:25,400 Speaker 1: February fourteen, Valentine's Day. I will admit that over the 1029 00:53:25,520 --> 00:53:27,920 Speaker 1: years I've been very very hard on the single ladies 1030 00:53:27,960 --> 00:53:30,920 Speaker 1: on Valentine's Day. In fact, Mimi you chee hot on 1031 00:53:31,000 --> 00:53:33,520 Speaker 1: Twitter posted at six something this morning and I quote, 1032 00:53:33,680 --> 00:53:36,239 Speaker 1: I'm gonna tell you now, if you're sensitive about V Day, 1033 00:53:36,360 --> 00:53:38,399 Speaker 1: don't listen to the breakfast Club to day because see 1034 00:53:38,440 --> 00:53:40,799 Speaker 1: the god level of petty will be through the roof. Listen, man, 1035 00:53:41,200 --> 00:53:42,959 Speaker 1: I'm not here to be hard on you single ladies 1036 00:53:43,000 --> 00:53:45,000 Speaker 1: to day because I have a lot of single home girls, 1037 00:53:45,280 --> 00:53:48,680 Speaker 1: beautiful women, intelligent women, career driven women who for some 1038 00:53:48,800 --> 00:53:51,160 Speaker 1: reason can't get nobody. Okay, so there's no need for 1039 00:53:51,239 --> 00:53:53,400 Speaker 1: me to twist the knife that reads single on the blade. 1040 00:53:53,600 --> 00:53:55,680 Speaker 1: All Right, you ladies know you're single. You know why 1041 00:53:55,719 --> 00:53:58,080 Speaker 1: you're single. Y'all just waiting on God to deliver the 1042 00:53:58,200 --> 00:54:00,960 Speaker 1: right man to your doorstep. And he will, Oh yes, 1043 00:54:01,040 --> 00:54:03,400 Speaker 1: God will deliver you a good man. The package is 1044 00:54:03,480 --> 00:54:06,399 Speaker 1: on the way, but once again, for another consecutive year, 1045 00:54:06,640 --> 00:54:09,839 Speaker 1: the package didn't make it in time for Valentine's Day. Single, ladies, 1046 00:54:09,880 --> 00:54:11,640 Speaker 1: I am not here to chastise you on this fine 1047 00:54:11,719 --> 00:54:14,040 Speaker 1: Valentine's Day. I am just here to remind you don't 1048 00:54:14,120 --> 00:54:16,640 Speaker 1: let the enemy steal your joy today because it's a 1049 00:54:16,719 --> 00:54:19,600 Speaker 1: day of love. And Satan despises everything about real love 1050 00:54:19,840 --> 00:54:22,080 Speaker 1: because we all know real love starts with God. And 1051 00:54:22,160 --> 00:54:24,160 Speaker 1: I know it gets frustrating because you are a God 1052 00:54:24,200 --> 00:54:28,000 Speaker 1: fearing woman. You pray often, you give up ties and offerings, 1053 00:54:28,040 --> 00:54:30,879 Speaker 1: but you still ain't got nobody and you don't understand why. 1054 00:54:31,120 --> 00:54:34,040 Speaker 1: But don't question in God. He got a plan for you. 1055 00:54:34,200 --> 00:54:36,480 Speaker 1: Oh yes, God has a plan for you. But the 1056 00:54:36,640 --> 00:54:40,520 Speaker 1: gag is it's a single line plan, not a family plan. 1057 00:54:40,719 --> 00:54:43,760 Speaker 1: And that's fine, okay, because in two thousand and three, Beyonce, 1058 00:54:43,760 --> 00:54:46,000 Speaker 1: they told you that all you got in the end 1059 00:54:46,480 --> 00:54:52,160 Speaker 1: is me, myself and high Its song. I bet you too, 1060 00:54:53,640 --> 00:54:55,320 Speaker 1: It's just the end for you. I would hope not, 1061 00:54:55,440 --> 00:54:58,640 Speaker 1: but I understand what Beyonce was trying to say. All 1062 00:54:58,719 --> 00:55:01,440 Speaker 1: she was trying to say was you're single, okay, Me, 1063 00:55:01,600 --> 00:55:04,200 Speaker 1: myself and I are all singular pronouns. I is a 1064 00:55:04,239 --> 00:55:08,240 Speaker 1: subject singular pronoun. Me is an object singular pronoun. Myself 1065 00:55:08,400 --> 00:55:11,640 Speaker 1: is a reflexive and intensive singular pronoun. All Beyonce was 1066 00:55:11,680 --> 00:55:14,040 Speaker 1: trying to do was make you feel good about being 1067 00:55:14,160 --> 00:55:17,440 Speaker 1: single or singular. In fact, God blessed Beyonce because five 1068 00:55:17,560 --> 00:55:19,640 Speaker 1: years later, in two thousand and eight, she gave the 1069 00:55:19,760 --> 00:55:22,279 Speaker 1: single ladies another anthem, and that anthem was a little 1070 00:55:22,360 --> 00:55:24,560 Speaker 1: more a matter of factor. Kare was a celebration of 1071 00:55:24,680 --> 00:55:29,279 Speaker 1: being single, called single ladies. Oh man, she gave you 1072 00:55:29,320 --> 00:55:31,400 Speaker 1: a little dance and everything to go with it. Because 1073 00:55:31,640 --> 00:55:35,279 Speaker 1: whenever you're angry and frustrated and upset, nothing better than 1074 00:55:35,400 --> 00:55:38,920 Speaker 1: physical activity to help you shake off your frustrations. Okay, 1075 00:55:39,239 --> 00:55:42,800 Speaker 1: that's why the day on Valentine's Day, spin classes everywhere 1076 00:55:43,080 --> 00:55:48,120 Speaker 1: are popping. Oh not just spin classes, pilates, zoomba, self 1077 00:55:48,200 --> 00:55:51,920 Speaker 1: defense classes, towerque workouts. Oh it is a full It's 1078 00:55:51,960 --> 00:55:53,919 Speaker 1: just a full day. It's full of single women trying 1079 00:55:53,920 --> 00:55:56,520 Speaker 1: to shake off the frustration of being single, and Beyonce 1080 00:55:56,719 --> 00:55:59,040 Speaker 1: created created a jam for you to sweat too in 1081 00:55:59,080 --> 00:56:02,520 Speaker 1: those fitness classes. Ladies. Here's the thing about that jam, 1082 00:56:02,640 --> 00:56:05,520 Speaker 1: single ladies, it wasn't really a celebration of being single. 1083 00:56:05,719 --> 00:56:08,960 Speaker 1: It was actually a Vince session. Okay. Beyonce actually actually 1084 00:56:09,080 --> 00:56:11,320 Speaker 1: was expressing the frustration of millions of women around the 1085 00:56:11,360 --> 00:56:13,480 Speaker 1: world when she screamed, if you like it, put a 1086 00:56:13,560 --> 00:56:15,960 Speaker 1: ring on it. That was the demand, okay, and it 1087 00:56:16,080 --> 00:56:19,200 Speaker 1: worked because she's married with kids now and you don't 1088 00:56:19,239 --> 00:56:22,680 Speaker 1: even have a Valentine's But that's okay, that's okay. We 1089 00:56:22,800 --> 00:56:25,000 Speaker 1: are not here to shame the single ladies today. That 1090 00:56:25,200 --> 00:56:27,000 Speaker 1: is not what this is about. I just want to 1091 00:56:27,040 --> 00:56:29,279 Speaker 1: sit and love to all the women who will be 1092 00:56:29,400 --> 00:56:33,880 Speaker 1: posting first Cariffians thirteen four through eight all day to day, Fellas. 1093 00:56:33,960 --> 00:56:36,040 Speaker 1: If you see a woman post to the scripture, leave 1094 00:56:36,080 --> 00:56:38,839 Speaker 1: a broken heart in her comments. The scripture is love 1095 00:56:38,960 --> 00:56:40,960 Speaker 1: is patient, love is kind. It is not envy, It 1096 00:56:41,000 --> 00:56:42,680 Speaker 1: does not boasted, is not proud of It does not 1097 00:56:42,760 --> 00:56:45,239 Speaker 1: dishonor others. It is not self seeking, It is not 1098 00:56:45,360 --> 00:56:47,879 Speaker 1: easily angered. It keeps no record of wrongs. Love does 1099 00:56:47,880 --> 00:56:50,800 Speaker 1: not delighting evil, but rejoices with the truth. It always protects, 1100 00:56:50,800 --> 00:56:54,160 Speaker 1: always trust, always hopes, always perseveres. Love never fails. But 1101 00:56:54,239 --> 00:56:56,920 Speaker 1: where there are prophecies, they will cease. Where there are tongues, 1102 00:56:56,920 --> 00:56:58,799 Speaker 1: they will be stilled. Where there is knowledge, it will 1103 00:56:58,800 --> 00:57:01,480 Speaker 1: pass away. I'm not show what all that means what. 1104 00:57:01,719 --> 00:57:04,200 Speaker 1: Singular women love it, and they will be posting it 1105 00:57:04,320 --> 00:57:06,760 Speaker 1: on social media all day, So just leave a broken 1106 00:57:06,880 --> 00:57:09,600 Speaker 1: heart in their comments. Now, I promise you I am 1107 00:57:09,680 --> 00:57:11,959 Speaker 1: not here to make single women feel bad this morning. 1108 00:57:12,040 --> 00:57:14,680 Speaker 1: That's not my intention. In fact, today's donkey It Day 1109 00:57:14,760 --> 00:57:17,680 Speaker 1: is not about y'all. Okay. We know where the single 1110 00:57:17,760 --> 00:57:21,000 Speaker 1: women stand to day, and where they stand is alone. Okay, 1111 00:57:21,080 --> 00:57:23,360 Speaker 1: So I just want to say donkey today. It's going 1112 00:57:23,440 --> 00:57:25,040 Speaker 1: to all the women who didn't know they were single 1113 00:57:25,120 --> 00:57:27,720 Speaker 1: until this week. See. I was out with my homegirl 1114 00:57:27,880 --> 00:57:30,280 Speaker 1: last night, oh boy, and she shall remain nameless, And 1115 00:57:30,440 --> 00:57:33,160 Speaker 1: she has been dating this guy for a while. And 1116 00:57:33,360 --> 00:57:35,120 Speaker 1: last night at dinner, she turns to my wife and 1117 00:57:35,200 --> 00:57:37,960 Speaker 1: my homegirl Sasha, and I overhear her say, yeah, the 1118 00:57:38,040 --> 00:57:40,560 Speaker 1: guy I've been dating that he's gonna be busy tomorrow, 1119 00:57:40,760 --> 00:57:43,080 Speaker 1: but it's cool. I'm gonna just go to zumber class. 1120 00:57:43,240 --> 00:57:46,480 Speaker 1: And immediately I said, excuse me, say what? Excuse me? 1121 00:57:46,640 --> 00:57:49,040 Speaker 1: I couldn't even finish my food, not a knife plate 1122 00:57:49,080 --> 00:57:51,200 Speaker 1: of salmon, because I knew in that moment that I 1123 00:57:51,280 --> 00:57:53,720 Speaker 1: had failed my friend because I didn't properly prepare her 1124 00:57:53,920 --> 00:57:55,640 Speaker 1: for this kind of letdown. And it's a lot of 1125 00:57:55,680 --> 00:57:58,040 Speaker 1: women experiencing that letdown to day. But what makes you 1126 00:57:58,120 --> 00:58:00,560 Speaker 1: a donkey is if you are bad with the person 1127 00:58:00,600 --> 00:58:05,040 Speaker 1: who said they couldn't be with you today tomorrow. Everybody 1128 00:58:05,240 --> 00:58:07,880 Speaker 1: knows you don't spend Valentine's Day with the side chick. 1129 00:58:08,120 --> 00:58:09,760 Speaker 1: So when many hit you with the I'm busy to 1130 00:58:09,840 --> 00:58:12,040 Speaker 1: day text or I have to work over time on 1131 00:58:12,160 --> 00:58:14,680 Speaker 1: the fourteenth, or damn, I won't be around today something 1132 00:58:14,760 --> 00:58:17,120 Speaker 1: came up. If you fall for that, then it's on 1133 00:58:17,280 --> 00:58:20,000 Speaker 1: your dumb ass. You know, the saying fool me once 1134 00:58:20,080 --> 00:58:23,160 Speaker 1: on Valentine's shame on you, fool me twice on Valentine's 1135 00:58:23,160 --> 00:58:25,280 Speaker 1: shame on me, fool me three years in a row 1136 00:58:25,360 --> 00:58:28,080 Speaker 1: on Valentine's Then you just a goddamn fool and you 1137 00:58:28,360 --> 00:58:31,160 Speaker 1: if you get fooled again, don't tell him you'll see 1138 00:58:31,280 --> 00:58:34,800 Speaker 1: him tomorrow or later this week. And don't you dare cry? Nope, 1139 00:58:34,960 --> 00:58:36,840 Speaker 1: don't you shed a tail if that man you've been 1140 00:58:36,880 --> 00:58:39,720 Speaker 1: sleeping with leaves you high and dry on Valentine's Then 1141 00:58:39,720 --> 00:58:42,440 Speaker 1: you put on your big girl drawers. Okay, you put 1142 00:58:42,520 --> 00:58:45,160 Speaker 1: on your big girl drawers. You're the big white ones, 1143 00:58:45,200 --> 00:58:46,680 Speaker 1: the ones you wear with your period on. You put 1144 00:58:46,760 --> 00:58:49,520 Speaker 1: those on, and you put on some sweatpants and a hoodie, 1145 00:58:49,640 --> 00:58:51,760 Speaker 1: and you get in your car and you turn that 1146 00:58:51,880 --> 00:58:58,600 Speaker 1: Alicia Keys try Sleeping with a Broken Heart on. Then 1147 00:58:58,720 --> 00:59:05,160 Speaker 1: you drive, You put this goddamn song on, and you 1148 00:59:05,440 --> 00:59:11,040 Speaker 1: just drive, drive to that spin class and sweat all 1149 00:59:11,120 --> 00:59:15,320 Speaker 1: that frustration out with all the other singulars to Beyonce 1150 00:59:15,400 --> 00:59:18,160 Speaker 1: a single lady. But I'm not here to make you 1151 00:59:18,200 --> 00:59:23,080 Speaker 1: feel bad. Nope, not at all. Okay, just please let 1152 00:59:23,200 --> 00:59:26,360 Speaker 1: remy ma give these ladies who just found out they 1153 00:59:26,400 --> 00:59:29,120 Speaker 1: were gonna be single on Valentine's Day this week the 1154 00:59:29,200 --> 00:59:33,400 Speaker 1: biggest he haw, he haw, he haw. You stupid mother, 1155 00:59:33,720 --> 00:59:36,080 Speaker 1: are you dumb? I thought you said you wasn't gonna 1156 00:59:36,120 --> 00:59:39,840 Speaker 1: hurt feeling Shout out to all my ladies out there, okay, okay, 1157 00:59:40,200 --> 00:59:42,920 Speaker 1: that you have gotten out of a bad situation and 1158 00:59:42,960 --> 00:59:45,360 Speaker 1: there's so much happier. Make me to have that burden 1159 00:59:45,440 --> 00:59:47,840 Speaker 1: off their bags. Shout out to y'all. Shout out to 1160 00:59:47,920 --> 00:59:50,960 Speaker 1: all my women out there that are happily single, that 1161 00:59:51,120 --> 00:59:56,000 Speaker 1: have that just han't found the man yet. Shout out 1162 00:59:56,040 --> 00:59:57,800 Speaker 1: to y'all. And I just want to get some advice. 1163 00:59:58,280 --> 01:00:01,320 Speaker 1: Oh boy, nothing wrong. We have the nice girl's day 1164 01:00:01,360 --> 01:00:03,800 Speaker 1: to day A better stop. You know what you shot 1165 01:00:03,800 --> 01:00:06,760 Speaker 1: out to all those ladies you're talking about. I want 1166 01:00:06,800 --> 01:00:09,400 Speaker 1: to add on to all those ladies. Y is big 1167 01:00:09,520 --> 01:00:13,560 Speaker 1: ingen up. If you thank you're lonely now, My goodness, 1168 01:00:14,680 --> 01:00:22,280 Speaker 1: you thank you because as a woman, we all know 1169 01:00:22,440 --> 01:00:24,680 Speaker 1: it does not take a man to complete you. Car 1170 01:00:24,960 --> 01:00:27,440 Speaker 1: make you happy. You have to be happy with yourself. 1171 01:00:27,640 --> 01:00:31,800 Speaker 1: Why you have your life together? Why do you pa Noh? 1172 01:00:31,920 --> 01:00:35,040 Speaker 1: My goodness? All right, well, thank you for that donkey 1173 01:00:35,080 --> 01:00:37,440 Speaker 1: today and shout out to our boy travel calls every 1174 01:00:37,480 --> 01:00:39,720 Speaker 1: morning who just broke up with his boyfriend last week? 1175 01:00:40,160 --> 01:00:42,600 Speaker 1: M not triving sleeping with a broken part for a 1176 01:00:42,680 --> 01:00:47,400 Speaker 1: long time, asking he is next eight hundred five eight 1177 01:00:47,480 --> 01:00:50,440 Speaker 1: five one on five one. Maybe you need relationship advice. 1178 01:00:50,560 --> 01:00:52,960 Speaker 1: Maybe you're single and you need something to do tonight. 1179 01:00:53,040 --> 01:00:56,520 Speaker 1: Maybe advise you. Whatever it may be, call it right now. 1180 01:00:56,560 --> 01:00:59,080 Speaker 1: If you need relationship advice eight hundred five eight five 1181 01:00:59,160 --> 01:01:01,720 Speaker 1: one on five one, call ye right now. It's the 1182 01:01:01,760 --> 01:01:08,600 Speaker 1: Breakfast Club. Good morning, the Breakfast Club Morning. Everybody is 1183 01:01:08,680 --> 01:01:11,800 Speaker 1: DJ Envy, Angela, Ye, Charlomagne, the guy. We are the 1184 01:01:11,840 --> 01:01:15,520 Speaker 1: Breakfast Club. It is time for ask ye. Hello, who's this? Hey? 1185 01:01:15,680 --> 01:01:20,320 Speaker 1: This is Jocelyn. Hey, Jocelyn, Appy Valentine's Mama. Hi, thank you? 1186 01:01:21,600 --> 01:01:24,920 Speaker 1: What's that? What's that? Jocelyn? I have a question for you. 1187 01:01:25,200 --> 01:01:29,840 Speaker 1: So I'm actually in a relationship, um, not single, Charlomagne, 1188 01:01:29,880 --> 01:01:33,400 Speaker 1: and I know you're like, okay, So I'm in a 1189 01:01:33,520 --> 01:01:38,520 Speaker 1: relationship and I'm in a long distance relationship. My boyfriend 1190 01:01:38,680 --> 01:01:41,040 Speaker 1: is in California, So I have a question to it. 1191 01:01:41,280 --> 01:01:43,080 Speaker 1: One time to say I usually don't make a big 1192 01:01:43,120 --> 01:01:46,640 Speaker 1: deal out of it, but he I said, like, no, 1193 01:01:46,880 --> 01:01:48,800 Speaker 1: it's fine. You don't have to give me anything. But 1194 01:01:48,920 --> 01:01:50,960 Speaker 1: obviously when girls say that, it means I want you 1195 01:01:51,000 --> 01:01:53,120 Speaker 1: to give me. I don't know that. That's Jocelyn. We 1196 01:01:53,160 --> 01:01:56,800 Speaker 1: have to stop acting like that's obvious. But go ahead. Um, 1197 01:01:57,440 --> 01:01:59,360 Speaker 1: we have talked about it previously and he said he 1198 01:01:59,480 --> 01:02:01,200 Speaker 1: was gonna get me something, you know, for like the 1199 01:02:01,280 --> 01:02:04,120 Speaker 1: big day or something. So he's been California and I'm 1200 01:02:04,280 --> 01:02:07,640 Speaker 1: here in Houston and he didn't give me anything. But 1201 01:02:08,720 --> 01:02:11,720 Speaker 1: what time is it there? Really early? How do you 1202 01:02:11,800 --> 01:02:14,360 Speaker 1: know he didn't get you anything yet? Because he said 1203 01:02:14,360 --> 01:02:16,680 Speaker 1: because he just said he was gonna give it to 1204 01:02:16,760 --> 01:02:19,280 Speaker 1: me like the day before. Because today he like comes 1205 01:02:19,360 --> 01:02:21,200 Speaker 1: up his jobs. It's like I know his job and 1206 01:02:21,240 --> 01:02:23,960 Speaker 1: he can't really do as today. Why did you tell 1207 01:02:24,080 --> 01:02:26,560 Speaker 1: him not to get you anything if you wanted something? Well, 1208 01:02:26,640 --> 01:02:28,600 Speaker 1: I didn't tell him not to give me anything. I 1209 01:02:28,800 --> 01:02:31,000 Speaker 1: was like it would be nice, but obviously like I'm 1210 01:02:31,000 --> 01:02:33,120 Speaker 1: not gonna get hurt if you don't give me anything, 1211 01:02:33,640 --> 01:02:37,479 Speaker 1: but you are hurt a little thing, yeah, because I'm 1212 01:02:37,480 --> 01:02:41,200 Speaker 1: a lady like two years see it. You can't be 1213 01:02:41,320 --> 01:02:45,040 Speaker 1: sending out these mixed messages now. Of course ideally he 1214 01:02:45,080 --> 01:02:47,600 Speaker 1: should have gotten you something, but you should have been honest. 1215 01:02:48,160 --> 01:02:50,600 Speaker 1: Don't tell the man that's no big dale. You don't 1216 01:02:50,640 --> 01:02:52,600 Speaker 1: have to get me anything. If you don't really mean that, 1217 01:02:52,720 --> 01:02:54,480 Speaker 1: you really have to say what you mean. You have 1218 01:02:54,640 --> 01:02:56,840 Speaker 1: to be like listen. I'm excited. Thank you so much. 1219 01:02:56,840 --> 01:02:59,520 Speaker 1: Anything you get me I'll appreciate. Keep it real. Yeah, 1220 01:02:59,640 --> 01:03:02,200 Speaker 1: you're right, so we'll see. He has the rest of 1221 01:03:02,280 --> 01:03:05,120 Speaker 1: the day. Yeah, and it's still super early in the 1222 01:03:05,240 --> 01:03:08,000 Speaker 1: morning's like not even noon yet, so he has plenty 1223 01:03:08,000 --> 01:03:09,640 Speaker 1: of time. You don't know what he's gonna do. So 1224 01:03:09,800 --> 01:03:12,680 Speaker 1: I don't know why you're acting like he hasn't done 1225 01:03:12,680 --> 01:03:15,520 Speaker 1: anything yet, But I do feel like if you want 1226 01:03:15,560 --> 01:03:18,920 Speaker 1: to make sure that you're not upset later, you should 1227 01:03:19,000 --> 01:03:21,280 Speaker 1: let him know. You know what, I should never have 1228 01:03:21,440 --> 01:03:23,680 Speaker 1: told you that I didn't want anything, because I'm not 1229 01:03:23,800 --> 01:03:27,560 Speaker 1: gonna lie rethinking it. I really do you know anything. 1230 01:03:27,800 --> 01:03:30,160 Speaker 1: Whatever you do for me, I appreciate, but I would 1231 01:03:30,240 --> 01:03:32,919 Speaker 1: like for you to do something. Just keep it real. Listen, 1232 01:03:33,000 --> 01:03:34,320 Speaker 1: Why why are you mad at to me? If we're 1233 01:03:34,360 --> 01:03:36,520 Speaker 1: doing who all women want? What is listening? He listened 1234 01:03:36,520 --> 01:03:38,120 Speaker 1: to what his woman wanted. He gave it exactly what 1235 01:03:38,240 --> 01:03:40,080 Speaker 1: she said you wanted. Yeah, but if you can't think 1236 01:03:40,280 --> 01:03:43,000 Speaker 1: she was when you want somebody to do what you say, 1237 01:03:43,320 --> 01:03:44,720 Speaker 1: he should have got a guilt. If he loves that, 1238 01:03:44,720 --> 01:03:46,040 Speaker 1: he would have got to do. But maybe he did. 1239 01:03:46,160 --> 01:03:48,360 Speaker 1: We don't know that he didn't. That's true too, man, 1240 01:03:48,920 --> 01:03:51,920 Speaker 1: I would say my funny as acting Berjadien for two years. 1241 01:03:52,000 --> 01:03:54,480 Speaker 1: So I'm kind of like, um, did you get himself 1242 01:03:54,640 --> 01:03:57,240 Speaker 1: a little sing? Did? I? Yes, I have, But it's 1243 01:03:57,280 --> 01:03:59,560 Speaker 1: not gonna get there until after valentimes rape. But already 1244 01:03:59,560 --> 01:04:04,440 Speaker 1: told him maybe he's devastated. No, I told him I'm 1245 01:04:04,440 --> 01:04:07,120 Speaker 1: gonna get him something. I told him, it's just gonna 1246 01:04:07,120 --> 01:04:09,880 Speaker 1: get there before a little bit. I remember, it's always 1247 01:04:09,920 --> 01:04:12,880 Speaker 1: the thought that council. Hopefully he's thoughtful enough. But girl, 1248 01:04:13,000 --> 01:04:16,160 Speaker 1: just to avoid this possible tragedy for you, hit him 1249 01:04:16,240 --> 01:04:18,240 Speaker 1: up with a tax and be like, listen, I know 1250 01:04:18,320 --> 01:04:20,640 Speaker 1: I was talking crazy, but just so you know, I'm 1251 01:04:20,680 --> 01:04:22,640 Speaker 1: gonna be devastated if you don't get me a present. 1252 01:04:22,840 --> 01:04:26,480 Speaker 1: Lool Okay, thank you, all right, have a great day. 1253 01:04:26,600 --> 01:04:30,760 Speaker 1: How An I say hello? Somebody? At least at least 1254 01:04:30,800 --> 01:04:33,760 Speaker 1: somebody does on Valentine's We gotta stop saying don't get 1255 01:04:33,800 --> 01:04:36,960 Speaker 1: me nothing? All right? Well, ask ye eight hundred five 1256 01:04:37,040 --> 01:04:38,560 Speaker 1: eight five one oh five one. If you got a 1257 01:04:38,640 --> 01:04:40,919 Speaker 1: question for ye, call her right now? Was the breakfast club? 1258 01:04:40,960 --> 01:04:45,440 Speaker 1: Good morning? More than everybody is dj Envy Angela, Ye, Charlomagne, 1259 01:04:45,480 --> 01:04:47,120 Speaker 1: the guy we are the breakfast club we're in the 1260 01:04:47,200 --> 01:04:51,360 Speaker 1: middle of. Ask ye, let's go to line five. Hello Pike, Hey, Lisa, 1261 01:04:51,480 --> 01:04:54,000 Speaker 1: come morning. I have Valentine's Hey, I have you. Valentine 1262 01:04:54,040 --> 01:05:01,640 Speaker 1: facing it too, though, saying what's your question for you? 1263 01:05:01,920 --> 01:05:05,040 Speaker 1: All right? So I'm seeing this guy. He's an Italian, 1264 01:05:05,120 --> 01:05:07,440 Speaker 1: he's a doctor. He has to move back to Italy 1265 01:05:07,520 --> 01:05:11,440 Speaker 1: and June. We just started seeing each other in for 1266 01:05:11,600 --> 01:05:13,800 Speaker 1: like a month, and now I wasn't going to see 1267 01:05:13,840 --> 01:05:16,360 Speaker 1: other people, but now someone else started reaching out to 1268 01:05:16,440 --> 01:05:19,120 Speaker 1: me on Snapchat and I'm kind of interested in him. 1269 01:05:19,600 --> 01:05:22,480 Speaker 1: But I don't know if I should like talk to 1270 01:05:22,560 --> 01:05:26,200 Speaker 1: the other guy, or like clarify things with the first guy, 1271 01:05:26,440 --> 01:05:30,040 Speaker 1: or what to do? Really, Anisa, you said seeing someone, 1272 01:05:30,120 --> 01:05:31,840 Speaker 1: Does that mean that's your boyfriend? Are you in a 1273 01:05:31,920 --> 01:05:34,800 Speaker 1: monogamous relationship? I don't know. That's the thing. I don't 1274 01:05:34,800 --> 01:05:37,560 Speaker 1: know if he's dating other people. Like I mean, we're 1275 01:05:38,040 --> 01:05:41,720 Speaker 1: you know, pretty like intense, but we're seeing each other 1276 01:05:41,840 --> 01:05:44,440 Speaker 1: like twice a week, you know, he stays over or whatever. 1277 01:05:44,640 --> 01:05:47,160 Speaker 1: But do you do you want to see other people 1278 01:05:47,280 --> 01:05:49,560 Speaker 1: or do you want to be in a committee relationship? 1279 01:05:50,600 --> 01:05:53,080 Speaker 1: I don't know. Like with him, I really like him, 1280 01:05:53,320 --> 01:05:55,640 Speaker 1: I mean, I'd like to date around, Like, there's things 1281 01:05:55,680 --> 01:05:59,120 Speaker 1: that I don't like about him. He's very messy, but 1282 01:05:59,760 --> 01:06:02,800 Speaker 1: you know that I do like him as a person. 1283 01:06:03,440 --> 01:06:07,080 Speaker 1: But I don't know, you know, Okay, So if you did, 1284 01:06:07,480 --> 01:06:08,800 Speaker 1: if you did want to be with him like that, 1285 01:06:08,920 --> 01:06:11,720 Speaker 1: you would know. Okay. So I'm gonna assume that you're 1286 01:06:11,800 --> 01:06:14,840 Speaker 1: enjoying dating him, but that's not your be all end 1287 01:06:14,880 --> 01:06:17,600 Speaker 1: all right here, probably not. Yeah, And the fact that 1288 01:06:17,680 --> 01:06:20,960 Speaker 1: you're even interested in entertaining somebody else really shows me 1289 01:06:21,080 --> 01:06:23,400 Speaker 1: that as well, you're not looking at this guy is like, 1290 01:06:23,480 --> 01:06:26,040 Speaker 1: this is my boyfriend. It's just maybe you like him. 1291 01:06:26,080 --> 01:06:28,080 Speaker 1: It's convenient, he comes over, y'all have a good time, 1292 01:06:28,160 --> 01:06:31,360 Speaker 1: but you're not feeling that it thing. Yeah, So I 1293 01:06:31,640 --> 01:06:34,400 Speaker 1: believe that you shouldn't commit to somebody if that's if 1294 01:06:34,440 --> 01:06:37,000 Speaker 1: you don't feel strongly that you went to and yes, 1295 01:06:37,080 --> 01:06:39,960 Speaker 1: you should see other people. Huh. Okay, all right, well, 1296 01:06:40,080 --> 01:06:42,600 Speaker 1: thank you for the help. But the other thing, the 1297 01:06:42,640 --> 01:06:44,720 Speaker 1: other food thing though the other guy I don't even know, 1298 01:06:44,880 --> 01:06:47,720 Speaker 1: like if he's interested and the other I'd never really 1299 01:06:47,800 --> 01:06:50,520 Speaker 1: do this, Like I don't date arount, you know, and 1300 01:06:50,640 --> 01:06:53,240 Speaker 1: you know, just because you go out with somebody else says, 1301 01:06:53,240 --> 01:06:54,880 Speaker 1: I mean you have to sleep with somebody else. It 1302 01:06:54,960 --> 01:06:57,520 Speaker 1: could just be you having a friendship, and I would 1303 01:06:57,520 --> 01:06:59,680 Speaker 1: be honest. I would be like, look, I'm seeing somebody else. 1304 01:06:59,720 --> 01:07:02,360 Speaker 1: I'm not in a committed relationship, and I'm not really 1305 01:07:02,400 --> 01:07:04,400 Speaker 1: sure what i want to do. But yeah, you know, 1306 01:07:04,560 --> 01:07:07,600 Speaker 1: at the least we can be friends. Yeah, just keep 1307 01:07:07,640 --> 01:07:09,440 Speaker 1: it real and take your time. There's no rush for 1308 01:07:09,520 --> 01:07:12,439 Speaker 1: you to do anything and make any decisions. Okay, cool, 1309 01:07:12,680 --> 01:07:15,240 Speaker 1: all right, thank you, all right, by honey. All right, 1310 01:07:15,400 --> 01:07:18,120 Speaker 1: ask ye eight undred five eighty five, one oh five one. 1311 01:07:18,400 --> 01:07:20,600 Speaker 1: If you need relationship advice or any type of advice, 1312 01:07:20,680 --> 01:07:23,720 Speaker 1: you can call ye right now. Now, we got rumors 1313 01:07:23,760 --> 01:07:26,640 Speaker 1: on the way. Yes, let's talk about Tamer Braxton and 1314 01:07:26,800 --> 01:07:29,560 Speaker 1: Vince Herbert. There's some issues now and it has to 1315 01:07:29,640 --> 01:07:32,200 Speaker 1: do with a Rolls Royce. Oh boy, all right, we'll 1316 01:07:32,240 --> 01:07:34,000 Speaker 1: get into all that when we come back. Keep a lock. 1317 01:07:34,080 --> 01:07:37,400 Speaker 1: This to Breakfast Club. Good morning, all right, morning, everybody 1318 01:07:37,560 --> 01:07:40,680 Speaker 1: is DJ Envy Angela Yee, Charlomagne the guy. We are 1319 01:07:40,760 --> 01:07:43,600 Speaker 1: the Breakfast Club. Now let's get to the rumors to 1320 01:07:43,720 --> 01:07:56,200 Speaker 1: talk Jason Derulo, Oh gosh, got Breakfast Club. Well, things 1321 01:07:56,280 --> 01:07:59,640 Speaker 1: got a little crazy. When Jason Derulo jumped in Jordan 1322 01:07:59,680 --> 01:08:02,880 Speaker 1: spark mentions. He went on her post on Instagram, it's 1323 01:08:02,920 --> 01:08:04,680 Speaker 1: a boy. We have so much to be thankful for 1324 01:08:04,800 --> 01:08:06,760 Speaker 1: and this is definitely at the top of the list. 1325 01:08:07,200 --> 01:08:10,640 Speaker 1: And then she added to her boyfriend that he's gonna 1326 01:08:10,640 --> 01:08:12,520 Speaker 1: have a little mini me running around. We can't wait 1327 01:08:12,560 --> 01:08:15,600 Speaker 1: to meet him. We love you, little man. Well. Jason 1328 01:08:15,640 --> 01:08:18,360 Speaker 1: Derulo then posted under it, I wish that was my 1329 01:08:18,560 --> 01:08:22,160 Speaker 1: boy hashtag all my songs are about you. Oh he didn't, 1330 01:08:22,280 --> 01:08:23,600 Speaker 1: Yes he did. It's a little too late to be 1331 01:08:23,640 --> 01:08:25,840 Speaker 1: shooting your shot. Jason, you should have did that months ago. 1332 01:08:26,360 --> 01:08:29,320 Speaker 1: Now he didn't respond because everybody went crazy when they 1333 01:08:29,360 --> 01:08:32,200 Speaker 1: saw that. His response is relaxed. People. I was on 1334 01:08:32,280 --> 01:08:34,919 Speaker 1: the TV show Safe Word. The show hacked my pages. 1335 01:08:35,880 --> 01:08:41,000 Speaker 1: Drop Jason Derulo. At the end of the day, he's 1336 01:08:41,000 --> 01:08:43,519 Speaker 1: just a Asian negro from the streets, all right, I 1337 01:08:43,600 --> 01:08:46,120 Speaker 1: saw all that. Just add that just a grimy Asian 1338 01:08:46,200 --> 01:08:50,479 Speaker 1: negro doing grimy things. Okay, to Jason Darrullo, that is 1339 01:08:50,520 --> 01:08:52,880 Speaker 1: my kind of petty right there. Well, he didn't do it. 1340 01:08:53,000 --> 01:08:55,160 Speaker 1: Someone else clearly took his post. But that's funny. Safe 1341 01:08:55,160 --> 01:08:57,360 Speaker 1: for It is the funny show sut MTV Safe for 1342 01:08:57,400 --> 01:09:00,240 Speaker 1: It probably the best show they got on MTV Magic. 1343 01:09:00,320 --> 01:09:02,960 Speaker 1: What kind of chaos that could have caused in her house? 1344 01:09:03,280 --> 01:09:04,559 Speaker 1: But by the way, I'm gonna tell you what make 1345 01:09:04,640 --> 01:09:07,560 Speaker 1: Jason Druelo petty. They didn't have to post it. He 1346 01:09:07,560 --> 01:09:09,240 Speaker 1: could have told him no. She could have used to 1347 01:09:09,280 --> 01:09:13,120 Speaker 1: say for it. Damn. Like what if she would have 1348 01:09:13,200 --> 01:09:16,360 Speaker 1: responded and been like, oh my god, me too, I've 1349 01:09:16,360 --> 01:09:22,040 Speaker 1: been waiting for you to say it would have felt terrible. 1350 01:09:22,760 --> 01:09:25,120 Speaker 1: All right, Well, she seems very happy though, so she's good. 1351 01:09:25,240 --> 01:09:30,160 Speaker 1: Troth Jason Druela. That all right. Nicki Minas a lot 1352 01:09:30,200 --> 01:09:32,320 Speaker 1: of people have been wondering where has she been? They 1353 01:09:32,400 --> 01:09:34,879 Speaker 1: did this whole thing. Where can you find Nicki Mina's 1354 01:09:34,920 --> 01:09:37,679 Speaker 1: They showed a Vogue shoot that she did well. According 1355 01:09:37,800 --> 01:09:41,240 Speaker 1: to sources, she is just not on social media to 1356 01:09:41,439 --> 01:09:43,720 Speaker 1: fully focus on her music. That's why she has no 1357 01:09:43,840 --> 01:09:47,439 Speaker 1: new posts since December thirtieth. She feels way more creative 1358 01:09:47,520 --> 01:09:50,479 Speaker 1: without Instagram and Twitter distracting her. That's probably part of it. 1359 01:09:50,520 --> 01:09:52,360 Speaker 1: And she probably got tired of y'all hounding her about 1360 01:09:52,400 --> 01:09:54,120 Speaker 1: the H and M deal that she won't give up 1361 01:09:54,439 --> 01:09:56,559 Speaker 1: or hasn't given up. All right, Well, they said she's 1362 01:09:56,560 --> 01:09:58,639 Speaker 1: been working day and night in the studio with major 1363 01:09:58,720 --> 01:10:01,360 Speaker 1: producers and with their everybody. So she wents to just 1364 01:10:01,800 --> 01:10:03,960 Speaker 1: I could feel you on that least social media alone, 1365 01:10:04,000 --> 01:10:08,280 Speaker 1: and then bang, you got something to prove and listen, listen, 1366 01:10:08,320 --> 01:10:15,920 Speaker 1: I'm rooting for her, contrary to popular movie. Alright, I 1367 01:10:16,040 --> 01:10:22,120 Speaker 1: like NICKI. I've always liked Nikki away. Yeah, all right, year, 1368 01:10:22,160 --> 01:10:26,559 Speaker 1: don't mean I dislike you. Whack year. It was whacked 1369 01:10:26,600 --> 01:10:29,120 Speaker 1: for your standards of what you expected from Nikki. It 1370 01:10:29,200 --> 01:10:32,240 Speaker 1: wasn't a whack year. It wasn't a whack year, all right. 1371 01:10:32,360 --> 01:10:35,479 Speaker 1: D Wade and Chance the Rapper, they're basketball documentary Shot 1372 01:10:35,600 --> 01:10:38,000 Speaker 1: in the Dark. Trailer has been released. We told you 1373 01:10:38,080 --> 01:10:42,360 Speaker 1: that they have this documentary they're producing about a team 1374 01:10:42,439 --> 01:10:46,200 Speaker 1: in basketball in Chicago, Chicago or as Basketball Academy, and 1375 01:10:46,360 --> 01:10:49,320 Speaker 1: they're looking at the rigorous, in your face training regiment 1376 01:10:49,360 --> 01:10:52,280 Speaker 1: that the coach gives the young team. Here is part 1377 01:10:52,320 --> 01:10:57,479 Speaker 1: of that trailer. Once you get your feet stuck into 1378 01:10:57,560 --> 01:11:00,360 Speaker 1: quick saying, it's hard to get out the rubber mind. 1379 01:11:00,560 --> 01:11:05,840 Speaker 1: It is really rough. That's a gunshot. Wether Man. Forty 1380 01:11:05,960 --> 01:11:08,880 Speaker 1: boys on my team don't have follow Forty guys that 1381 01:11:09,000 --> 01:11:15,639 Speaker 1: depend on me every day. The big story is tiquin career. 1382 01:11:15,720 --> 01:11:17,160 Speaker 1: How do you want to go to college? Hip? I 1383 01:11:17,280 --> 01:11:19,519 Speaker 1: know it's slow way out. I don't want to be 1384 01:11:19,600 --> 01:11:23,800 Speaker 1: the one to get stuck in and quick said way 1385 01:11:23,840 --> 01:11:26,679 Speaker 1: board didn't want to be a basketball get all right, 1386 01:11:26,800 --> 01:11:28,240 Speaker 1: So that doesn't It's gonna be really good. Did I 1387 01:11:28,320 --> 01:11:30,200 Speaker 1: just listen? Now? This is the trailer for the d 1388 01:11:30,360 --> 01:11:32,800 Speaker 1: Wade and Chance to Wrapper basketball documentary Shot in the 1389 01:11:32,880 --> 01:11:35,439 Speaker 1: Dark that they're putting out in Chicago. So it's gonna 1390 01:11:35,439 --> 01:11:38,120 Speaker 1: be on Fox as part of their Magnified docuseries, which 1391 01:11:38,160 --> 01:11:40,479 Speaker 1: looks at lives of athletes on and off the field. 1392 01:11:40,640 --> 01:11:42,160 Speaker 1: I need to watch that because I'm really not I'm 1393 01:11:42,160 --> 01:11:44,280 Speaker 1: not understanding the story. The guy got shot in that 1394 01:11:45,000 --> 01:11:46,519 Speaker 1: and he went back. I don't know, how do you? 1395 01:11:46,760 --> 01:11:49,080 Speaker 1: Then he got shot in the Yeah, he was there. 1396 01:11:49,160 --> 01:11:52,040 Speaker 1: He got shot that day and played while he had 1397 01:11:52,040 --> 01:11:54,200 Speaker 1: a bulletool in him. And he also, yeah, he scored 1398 01:11:54,200 --> 01:11:55,880 Speaker 1: a game winning three in the game. The shot that 1399 01:11:55,920 --> 01:11:58,680 Speaker 1: he took actually won the game. How impressive. I don't 1400 01:11:58,680 --> 01:12:00,879 Speaker 1: know if that's that is very im That is impressive, 1401 01:12:01,040 --> 01:12:05,599 Speaker 1: DEPREDI where you got shot? Anyway? Um? And Tamar Braxton 1402 01:12:06,400 --> 01:12:09,639 Speaker 1: and Vincent Herbert more issues. I guess Vince's Royals Rice 1403 01:12:09,840 --> 01:12:13,760 Speaker 1: Raith got reposed. V I'm gonna defer to you on this. Yes, 1404 01:12:14,200 --> 01:12:17,439 Speaker 1: you know, yeah, it's it's it's about a three hundred 1405 01:12:17,479 --> 01:12:19,600 Speaker 1: sixty five thousand dollar car. Well, apparently he feels so 1406 01:12:19,800 --> 01:12:22,800 Speaker 1: far behind on these payments that they repoted and then 1407 01:12:22,840 --> 01:12:24,880 Speaker 1: they resold it, but they said it was you, So 1408 01:12:24,960 --> 01:12:27,360 Speaker 1: they lost more than sixty two thousand dollars when they 1409 01:12:27,439 --> 01:12:29,479 Speaker 1: resold the car, so they want him to pay sixty 1410 01:12:29,560 --> 01:12:33,160 Speaker 1: five thousand for it. All right, Well, I'm Angela Yee 1411 01:12:33,240 --> 01:12:36,600 Speaker 1: and that is your rumor report. All right, thank you, 1412 01:12:36,720 --> 01:12:39,559 Speaker 1: miss Yee. Now shout to revote. We'll see you guys tomorrow. 1413 01:12:39,880 --> 01:12:43,040 Speaker 1: Everybody else the People's Choice mix, it's all about Valentine. 1414 01:12:43,120 --> 01:12:45,240 Speaker 1: So we're gonna get a Valentine's Day mix on. Let 1415 01:12:45,280 --> 01:12:46,719 Speaker 1: me know what you want to hear for your Valentine. 1416 01:12:46,800 --> 01:12:48,760 Speaker 1: You know what I love about you and man, you 1417 01:12:48,800 --> 01:12:51,200 Speaker 1: have been committed to that live for seven years. What's 1418 01:12:51,240 --> 01:12:53,200 Speaker 1: that asking people what they want to hit? No good 1419 01:12:53,240 --> 01:12:55,400 Speaker 1: and damn well you're not taking no request. I'm definitely 1420 01:12:55,439 --> 01:12:58,960 Speaker 1: am it's Valentine, you doing love songs today. Yes, all right, 1421 01:12:59,000 --> 01:13:00,879 Speaker 1: well I want you to start all for Bobby Walmack. 1422 01:13:00,920 --> 01:13:04,080 Speaker 1: I think if you think they now that's a that 1423 01:13:04,280 --> 01:13:05,720 Speaker 1: is a love song. That is the back to back 1424 01:13:05,760 --> 01:13:08,000 Speaker 1: of heartbreak songs. Okay, that was ether, that is eat 1425 01:13:08,120 --> 01:13:10,120 Speaker 1: something to take something. That was a dish record. Bobby 1426 01:13:10,160 --> 01:13:12,400 Speaker 1: Walmack was pissed off at some girl in the sixties 1427 01:13:12,439 --> 01:13:14,559 Speaker 1: and seventies and he decided to record that dish record. 1428 01:13:14,720 --> 01:13:17,240 Speaker 1: If you think you're lonely now you just wait until 1429 01:13:17,320 --> 01:13:19,760 Speaker 1: the night. God damn, but shout out to all my 1430 01:13:19,960 --> 01:13:24,960 Speaker 1: ladies out there, goodness. Shout that's right. If you think 1431 01:13:25,000 --> 01:13:27,719 Speaker 1: you're lonely, not waiting till the night, ladies, my goodness. 1432 01:13:27,760 --> 01:13:29,639 Speaker 1: All right, the mix is up. Next is to Breakfast, 1433 01:13:29,680 --> 01:13:31,559 Speaker 1: get down early to five o'clock to be crying.