WEBVTT - Reviving Arak in Palestine

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<v Speaker 1>Product is the oldest spirit in the world. It's the

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<v Speaker 1>mother spirit of all spirits. I mean, even the word

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<v Speaker 1>alcohol is an Arabic word. It comes from the word

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<v Speaker 1>as spirit that was shipped in Plason as far as Mongol. Yeah,

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<v Speaker 1>today refer to the category of spirits and itself to Eric.

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<v Speaker 1>But Eric in itself is basically a triple distilled great brandy.

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<v Speaker 1>It's usually enjoyed with a meal where it slipped slowly

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<v Speaker 1>over the course of several hours with different types of

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<v Speaker 1>mossad dishes. And it's a tradition in releast that's been

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<v Speaker 1>consumed since the night the Tury. Hello. Hello, it's me

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<v Speaker 1>west Stone, co founder and Point of Origin host Stephen Saderfield.

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<v Speaker 1>It's been a few months since our last podcast. In

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<v Speaker 1>the world that we left behind is so so much different.

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<v Speaker 1>With more sitting and reading and reflecting in content and plating,

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<v Speaker 1>we can start to see plainly the ways in which

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<v Speaker 1>our most vulnerable communities have always been the ones most

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<v Speaker 1>closely bound to struggles for justice, land, and dignity. There

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<v Speaker 1>is much to be garnered and understanding the past. We

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<v Speaker 1>believe this so fiercely that we've dedicated our work to

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<v Speaker 1>this premise entirely centering concepts like origin, anthropology, and indigeneity.

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<v Speaker 1>We considered our role in this moment of social uprising

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<v Speaker 1>and the ways in which it is related to our work.

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<v Speaker 1>At first, we thought of maybe doing an entire season

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<v Speaker 1>through the filter of COVID nineteen or the immense Black

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<v Speaker 1>Lives Matter mobilization. But as we started to prepare for

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<v Speaker 1>this season, what became clear is that the thing we

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<v Speaker 1>do best is also the thing that is the most

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<v Speaker 1>helpful in this moment, and that thing is absorbing and

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<v Speaker 1>discussing food culture from the perspective of the global and

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<v Speaker 1>the historical. We cannot comment intelligently on food, social uprisings, pandemics,

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<v Speaker 1>or really anything in between with a perspective that is

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<v Speaker 1>not international, intergenerational, and intersectional. So our plan for season

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<v Speaker 1>three is the same as the first two, which is

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<v Speaker 1>to explore the world of food worldwide, and in doing that,

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<v Speaker 1>with the context that we provide and the people that

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<v Speaker 1>we learn from, we hope helps us all understand the

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<v Speaker 1>parts of our culture that are cyclical and collective, and

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<v Speaker 1>how we can learn from past struggles to meet this

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<v Speaker 1>moment with unprecedented education and empathy. With that I'd like

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<v Speaker 1>to welcome you all to Point of Origin Season three.

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<v Speaker 1>We begin with a trip to Palestine to discover the

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<v Speaker 1>history behind the lesser known spirit of Iraq. Wet Stone

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<v Speaker 1>contributing journalist Lyric Lewin brings us to the Mwati Distillery. So, Lyric,

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<v Speaker 1>you went to Palestine and met Notter and spent time

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<v Speaker 1>on his land learning about Iraq, it's history and Palestine

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<v Speaker 1>and how for not a producing Iraq is a revival

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<v Speaker 1>of sorts in terms of the tradition and also the methodology. Yes,

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<v Speaker 1>so Eric is a spirit that is traditional in the lavant.

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<v Speaker 1>It's distilled from indigenous grapes that are used in winemaking

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<v Speaker 1>and infused with aniseeds. It's a really smooth drink with

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<v Speaker 1>a kick of licorice to it. Most people are familiar

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<v Speaker 1>with Italian sambuca or with uzu from Greece, but not

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<v Speaker 1>a lot of people know that those are all derived

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<v Speaker 1>from the mother spirit Attack. The history of Iraq is

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<v Speaker 1>really interesting because it evolved from the Arab invention of

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<v Speaker 1>olymbic distillation around the eighth century, and basically olympics are

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<v Speaker 1>these apparatus is used to distill or separate and purify substances,

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<v Speaker 1>so they can be made from glass, ceramic, or copper.

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<v Speaker 1>And they have two different parts. The bottom part will

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<v Speaker 1>sit over a heat source and that contains the substance

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<v Speaker 1>that needs to be distilled. And then at the top

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<v Speaker 1>is this bulb and tube sloping down and out so

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<v Speaker 1>that when the vapors rise and flow through the tube,

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<v Speaker 1>they can cool down and condense away from the heat source.

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<v Speaker 1>So truly Europe and the rest of the world would

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<v Speaker 1>not have their sambuca or uzu without this and scientific

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<v Speaker 1>invention from the Levant and Muadi. Attack is made primarily

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<v Speaker 1>with the dubuky grape, which is one of many indigenous

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<v Speaker 1>varietals in the West Bank. It's a white varietal that's large, round,

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<v Speaker 1>sweet and juicy, and Nater wants to make sure that

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<v Speaker 1>he has as much juice per grape as possible because

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<v Speaker 1>those will have a higher sugar content and that will

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<v Speaker 1>yield the higher alcohol content. So in Palastine we have

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<v Speaker 1>twenty three indigenous species of grapes, about maybe you say

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<v Speaker 1>eight or nine of them are suitable for wine, three

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<v Speaker 1>of which are white barrietal. So that I used my attic.

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<v Speaker 1>I used primarily the bookie Um but there's also from

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<v Speaker 1>Danny and Genderly. The Genderly you can tell that the

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<v Speaker 1>berries are smaller, but they're much sweeter. The traditional way

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<v Speaker 1>of growing vines in Palestine is in these beautiful goblet vines.

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<v Speaker 1>The farmers grow the vines straight up like a little

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<v Speaker 1>tree basically, so there's no trellising, and that way, due

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<v Speaker 1>to the harsh sun, the canopies of leaves can serve

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<v Speaker 1>his protection for the grapes. Here's what Nater had to

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<v Speaker 1>say growing up in the States, for me, like I

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<v Speaker 1>had a very bicultural upbringing. Like on week like at school,

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<v Speaker 1>we spoke English, but like when I came home, we

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<v Speaker 1>spoke Arabic. On the weekends we spoke Arabic. And whenever

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<v Speaker 1>we had like public holidays, whether it's Thanksgiving or the

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<v Speaker 1>Fourth of July, we always had, like you know, a

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<v Speaker 1>small gathering of the Philadelphia Palesine community, and you know

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<v Speaker 1>those gatherings, we always had Palestinian food, and we always

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<v Speaker 1>had attack attic. It's it's to drink that's aynonymous with

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<v Speaker 1>our cuisine, like it goes best with our food, and

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<v Speaker 1>we always had Lebanese attic. I don't remember any Palicine

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<v Speaker 1>hottic ever being available there and the brands we had

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<v Speaker 1>they were good, and we had like a Zook, we

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<v Speaker 1>had Massai, a couple of good brands out there, and

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<v Speaker 1>I love that for me. Like at the time that

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<v Speaker 1>I mean, I'm used to drink whatever, But like over

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<v Speaker 1>the years, like I sort of realized that I don't

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<v Speaker 1>enjoy beer or wine as much as I enjoy like

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<v Speaker 1>when I was drinking, wouldrink whatever, but now like when

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<v Speaker 1>you want to drink for pleasure, I enjoy at it

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<v Speaker 1>because it just goes best with the food that we

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<v Speaker 1>eat here. Coming back here in like two thousand and seven,

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<v Speaker 1>like I remember, I couldn't find good addict like I

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<v Speaker 1>used to enjoy attic in the States, but like that

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<v Speaker 1>act in the local market, it was just like I

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<v Speaker 1>don't want to shoot anyone down, but it wasn't on

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<v Speaker 1>par like I mean it burnt like going down. It

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<v Speaker 1>was just it didn't have the flavor, didn't have viscosity, aroma. Um.

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<v Speaker 1>It was just commercial. You can say um. And basically

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<v Speaker 1>what I used to do is um. You Lebanese products

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<v Speaker 1>coming into Palace thinks Israel lebing On are technically of war.

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<v Speaker 1>It's hard to get Lebanese goods into the West Bank

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<v Speaker 1>because the West Bank is occupied by Israel. Um. So

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<v Speaker 1>whenever I would go to Jordan's, which is you know,

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<v Speaker 1>like a couple of hours trip, I would always you know,

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<v Speaker 1>pick up some audict at the duty free and they

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<v Speaker 1>usually have the popular lebing his brands, and I bring

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<v Speaker 1>them in you know, my suitcase or not a duty

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<v Speaker 1>free bag or whatever. Um. And sometimes you know, if

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<v Speaker 1>I didn't have any on me and I had like,

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<v Speaker 1>you know, gathering of friends who wann't to go out

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<v Speaker 1>and have a barbecue do whatever. Um, you know, I'd

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<v Speaker 1>stopped by a liquor store. You'd always find the local

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<v Speaker 1>attic and then you find like one bottle of like

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<v Speaker 1>some Lebanese brand, but it would be like a hundred

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<v Speaker 1>dollars per bottle, and you know, it got expensive and

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<v Speaker 1>it wasn't sustainable. And I figured, you know, if if

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<v Speaker 1>if I'm like killing myself the good quality audict, I'm

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<v Speaker 1>sure there's other attic lovers like you know, on the

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<v Speaker 1>market and want to get it. So I I you know,

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<v Speaker 1>I know some friends of mine who only drink exclusively

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<v Speaker 1>like myself, and you know they were doing the same

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<v Speaker 1>thing more or less, so I figured, you know, but

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<v Speaker 1>maybe then it would be a better, are feasible route

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<v Speaker 1>for me, just to explore the possibility of trying to

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<v Speaker 1>make out. And from there, I just like bought a

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<v Speaker 1>bunch of books like that was back in two thousand

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<v Speaker 1>ten on Amazon about the stealing and fermentation of grapes

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<v Speaker 1>and making brandy. Really I studied how to make corniac

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<v Speaker 1>and brandy um, and from there it's like an extra

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<v Speaker 1>step how to make adduc um. I spent a lot,

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<v Speaker 1>like a whole year basically reading upon it in different

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<v Speaker 1>websites forums, getting books off at Amazon. Two thousand eleven,

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<v Speaker 1>I purchased like a really little hobby still, like a

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<v Speaker 1>small six leader still, and I was making tiny batches.

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<v Speaker 1>And from like two thousand you can say was my

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<v Speaker 1>first batch, all the way up until about h or

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<v Speaker 1>the two thousand, two thousand eighteen, like pretty much two

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<v Speaker 1>thousand seventeen, I was making really tiny batches. I was

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<v Speaker 1>making like I started out with like twenty bottles and

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<v Speaker 1>thirty and forty, made a pop up to about almost

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<v Speaker 1>a hundred bottles um. And then I you know, I

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<v Speaker 1>was basically trying to get people's feedback at first, and

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<v Speaker 1>then I found that, you know, after after I got

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<v Speaker 1>a recipe down and people enjoyed it, and you know,

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<v Speaker 1>I appopriate at all the feedback that I, you know,

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<v Speaker 1>seem to agree with. UM had sent up production a

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<v Speaker 1>little bit, and see if I can sell it. You know,

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<v Speaker 1>there wasn't interest people are asking me for it, So

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<v Speaker 1>I forget if people are asking me for it and

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<v Speaker 1>giving it out for free, and mind as well. You know,

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<v Speaker 1>see if I can make something out on the side,

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<v Speaker 1>maybe one day can make a business out of it,

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<v Speaker 1>right like over the because you know, over here there's

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<v Speaker 1>a conflict, and you know, people here aren't very wealthy.

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<v Speaker 1>There's you have like a very small upper class, and

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<v Speaker 1>I get, but majority of people are probably don't have

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<v Speaker 1>a lot of money, and there's a middle class fairly

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<v Speaker 1>exists here. UM. So I guess commercial producers over the

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<v Speaker 1>year they began making like this inferior product that they

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<v Speaker 1>call out of And I guess they did it because

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<v Speaker 1>you know, if they want to sell, they have to

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<v Speaker 1>sell something cheap. They need to sell some of people

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<v Speaker 1>can afford to buy, and they cut a lot of

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<v Speaker 1>corners and they began using like industrial alcohol and they

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<v Speaker 1>would just buy it in like one thousand meter containers.

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<v Speaker 1>They'd knock it down as the water, and then they'd

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<v Speaker 1>add like anisol flavoring too, like Annis flavor, and it

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<v Speaker 1>was just like it was a cocktail operation. They just

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<v Speaker 1>mix and bottle and that was it um And that's

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<v Speaker 1>what made this inferior product on the market called addict.

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<v Speaker 1>But the problem with that is that people got driven

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<v Speaker 1>away from Attic. You know, when people have a special

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<v Speaker 1>occasion or gathering or they want to get a gift

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<v Speaker 1>for somebody, and you know, they want to get something

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<v Speaker 1>you know that would you know, reflect upon themselves as

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<v Speaker 1>you know, I got you a nice gift or whatever.

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<v Speaker 1>They're definitely not probiotic. I mean that the scene is

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<v Speaker 1>like the poor Men's drink and you know, the drink

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<v Speaker 1>of the masses, and a lot of people got it

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<v Speaker 1>went away from it. So I mean, like now people

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<v Speaker 1>you know that they have this perception that Attic is

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<v Speaker 1>inferior and that if you want to drink something good,

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<v Speaker 1>you gotta drink whiskey or tequila, and they went towards

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<v Speaker 1>the brown spirits um. So for me, like and then

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<v Speaker 1>people they forgot all about like a lot of people

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<v Speaker 1>here like even in Palace. I'm surprised, Like you know,

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<v Speaker 1>it's the homeland of Addict. They don't even know how

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<v Speaker 1>Hoddic is made. They think it comes from Annessey and

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<v Speaker 1>they don't know that it's actually a great brandy with

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<v Speaker 1>annest flavoring. Um. And to me, I mean, some people,

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<v Speaker 1>like my small circle of friends who drink addict, they

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<v Speaker 1>were all enthusiastic about it, But the broader people they

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<v Speaker 1>just didn't get, like like, why are you making out

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<v Speaker 1>of not make something else? And some people, if you're

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<v Speaker 1>gonna make experience, go make whiskey. You know, people love whiskey. Um.

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<v Speaker 1>But for me, I'm also I'm passionate about, like you know,

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<v Speaker 1>upholding our tradition and our heritage. And for me, I

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<v Speaker 1>think it's like a travesty to drink whiskey with Palestine,

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<v Speaker 1>And truly I want to revive out it. I want

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<v Speaker 1>to make out it great again. UM. I love that

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<v Speaker 1>because you're almost you had like, on top of everything

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<v Speaker 1>else you're doing to make it, you almost had like

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<v Speaker 1>a rebranding mission to like rebrand Iraq, to make it

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<v Speaker 1>something that you could remind people know this is actually

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<v Speaker 1>how amazing it can be. Yeah, I mean one of

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<v Speaker 1>my goals I want to make people proud of out it.

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<v Speaker 1>I want to revive like auducts, like glory and like

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<v Speaker 1>um yeah, I want out to be like, you know,

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<v Speaker 1>something of national pride. Um. I feel like, you know,

0:11:43.480 --> 0:11:45.480
<v Speaker 1>if we if it's these small things like where we

0:11:45.840 --> 0:11:47.800
<v Speaker 1>if we give up on these small you know, parts

0:11:47.800 --> 0:11:50.319
<v Speaker 1>of our heritage. You know that all these little bits

0:11:50.360 --> 0:11:52.400
<v Speaker 1>like whether it's food or whether it's whatever, I mean,

0:11:52.800 --> 0:11:54.959
<v Speaker 1>it makes up it's a fabric of our identity. If

0:11:54.960 --> 0:11:57.360
<v Speaker 1>you give up on it, eventually you'll lose who you are.

0:11:57.400 --> 0:12:00.200
<v Speaker 1>You lose your culture, you lose your you know, your

0:12:00.320 --> 0:12:09.839
<v Speaker 1>sense of self. We have a very rich gold in

0:12:09.840 --> 0:12:12.720
<v Speaker 1>a traditions here in Palestine, and in particular like our

0:12:13.080 --> 0:12:15.680
<v Speaker 1>our distilling heritage is very unique. I mean, if you

0:12:15.679 --> 0:12:18.600
<v Speaker 1>saw on my website, we Arabs in the Van were

0:12:18.640 --> 0:12:22.440
<v Speaker 1>the first to create distilling. We're the first to make spirits,

0:12:22.480 --> 0:12:24.920
<v Speaker 1>were the first to you know, alcohols. In Arabic word

0:12:25.080 --> 0:12:28.839
<v Speaker 1>alcohol comes from ahl eyeliner um. And that's what the

0:12:28.880 --> 0:12:30.960
<v Speaker 1>still was created for because it was a must an

0:12:30.960 --> 0:12:32.880
<v Speaker 1>alchemist who created it. And you would have never created

0:12:33.000 --> 0:12:36.040
<v Speaker 1>for alcohol. Um. But you know, and when I reached

0:12:36.040 --> 0:12:38.040
<v Speaker 1>the shores of the Mediterranean. You know, all these countries,

0:12:38.040 --> 0:12:41.839
<v Speaker 1>so what is its alcohol? And and now you have

0:12:42.320 --> 0:12:45.560
<v Speaker 1>all these different spirits around the world who who you know,

0:12:45.600 --> 0:12:48.120
<v Speaker 1>are off shoots of alcohol, whether it's pasties in France

0:12:48.200 --> 0:12:51.600
<v Speaker 1>or San Buca and Italy, or Uzo in Greece or

0:12:52.200 --> 0:12:56.120
<v Speaker 1>Rack turkeyan Splura and so on. Um so, I mean

0:12:56.160 --> 0:12:59.320
<v Speaker 1>all these spirits come from this one mother spirit, which

0:12:59.360 --> 0:13:01.800
<v Speaker 1>is adduct, the oldest spirit in the world. And I

0:13:01.840 --> 0:13:04.640
<v Speaker 1>just think that, you know, the International Commune knows enough

0:13:04.679 --> 0:13:06.680
<v Speaker 1>about the spirit, and I don't think that it gets

0:13:06.720 --> 0:13:09.040
<v Speaker 1>the respect that it deserves. So definitely I wanted to

0:13:09.120 --> 0:13:11.240
<v Speaker 1>raise you know that the aspect of you know, are

0:13:11.760 --> 0:13:15.480
<v Speaker 1>stilling heritage and wanted that to be known. And I

0:13:15.520 --> 0:13:16.880
<v Speaker 1>just wanted to I said, I wanted people to know

0:13:16.880 --> 0:13:18.199
<v Speaker 1>that I want to the Palestine and the map to

0:13:18.240 --> 0:13:23.080
<v Speaker 1>let people in the Palestine produces high quality goods. Regarding

0:13:23.080 --> 0:13:28.640
<v Speaker 1>the policine narrative, I don't know. I mean, that's kind

0:13:28.640 --> 0:13:30.400
<v Speaker 1>of one of the same for me, Like I mean,

0:13:30.760 --> 0:13:32.400
<v Speaker 1>I try to I try not to go into the

0:13:32.400 --> 0:13:34.880
<v Speaker 1>politics of the conflict when we talk about my atticum.

0:13:35.920 --> 0:13:37.199
<v Speaker 1>I mean like that that's sort of it, Like I

0:13:37.200 --> 0:13:39.200
<v Speaker 1>wanted just to put ourselves in the map and let people,

0:13:39.320 --> 0:13:41.400
<v Speaker 1>you know, to share our culture with the international community

0:13:41.400 --> 0:13:45.160
<v Speaker 1>and um, you know, to share with the internationally, let

0:13:45.160 --> 0:13:47.400
<v Speaker 1>the local people see you know, what we can do

0:13:47.520 --> 0:13:49.760
<v Speaker 1>with you know, just the little means that we have here.

0:13:56.720 --> 0:13:58.920
<v Speaker 1>I mean for me also, like I'm hyper sensitific about

0:13:59.080 --> 0:14:02.319
<v Speaker 1>into the conflict. Like not for the fact that you know,

0:14:02.400 --> 0:14:04.560
<v Speaker 1>everyone has a political stance. Politics, It's part of our

0:14:04.640 --> 0:14:07.480
<v Speaker 1>daily lives. You can think our pastime is sitting around

0:14:07.480 --> 0:14:11.640
<v Speaker 1>and talking about politics. Um. But for me, like I

0:14:11.640 --> 0:14:13.240
<v Speaker 1>don't want to make it like I don't want to

0:14:13.280 --> 0:14:15.160
<v Speaker 1>like ride the conflict, you know what I mean, Like

0:14:15.200 --> 0:14:17.120
<v Speaker 1>I don't want to. I don't want to talk about

0:14:17.160 --> 0:14:19.360
<v Speaker 1>like I mean sure, like I buy my grapes from farmers,

0:14:19.400 --> 0:14:21.480
<v Speaker 1>and I buy my annessey from farmers. My grapes in

0:14:21.520 --> 0:14:25.400
<v Speaker 1>particularly come from a problematic area. Um it's scenario where

0:14:25.480 --> 0:14:28.120
<v Speaker 1>is really settlements are expanding. And I mean I have

0:14:28.200 --> 0:14:31.680
<v Speaker 1>farmers that I buy from who frequently have settlers trustpassing

0:14:31.680 --> 0:14:34.440
<v Speaker 1>on their property. They've been subject to a tax, oftentimes

0:14:34.440 --> 0:14:37.160
<v Speaker 1>in military events them from reaching their land. But for me,

0:14:37.240 --> 0:14:39.360
<v Speaker 1>like I don't want to make it like I don't

0:14:39.400 --> 0:14:41.480
<v Speaker 1>want people to. I don't want to exploit the conflict,

0:14:41.480 --> 0:14:42.840
<v Speaker 1>like I don't want to make it like part of

0:14:42.880 --> 0:14:44.480
<v Speaker 1>my money, Like I don't want people to buy my

0:14:44.520 --> 0:14:47.080
<v Speaker 1>product because it's made in Palestine because they like Palestine.

0:14:47.080 --> 0:14:49.560
<v Speaker 1>I want to support Palestine for me. I want people

0:14:49.600 --> 0:14:52.240
<v Speaker 1>to drink my project because like I want them to

0:14:52.280 --> 0:14:55.400
<v Speaker 1>just because they enjoy it. And one of my goals

0:14:55.480 --> 0:14:57.600
<v Speaker 1>is to make you know, the Wald's most respected addict,

0:14:57.640 --> 0:14:59.440
<v Speaker 1>and I want to do it as executively as possible.

0:14:59.440 --> 0:15:01.680
<v Speaker 1>I want people to, you know, I want the quality

0:15:01.680 --> 0:15:04.080
<v Speaker 1>to to raise my product. I don't want to you know,

0:15:04.400 --> 0:15:07.080
<v Speaker 1>umously like I mean, I don't want people like I

0:15:07.080 --> 0:15:09.360
<v Speaker 1>know that sometimes the conflict here can be sexy and

0:15:09.440 --> 0:15:11.960
<v Speaker 1>sometimes people might use that when it comes to marketing.

0:15:11.960 --> 0:15:16.040
<v Speaker 1>They're goods locally for an international audience. That's not at

0:15:16.080 --> 0:15:18.080
<v Speaker 1>all for me. And I'm not even trying to target

0:15:18.080 --> 0:15:20.680
<v Speaker 1>international audience for me, like I mean, I'm barely having

0:15:21.480 --> 0:15:23.640
<v Speaker 1>um I'm not barely able to meet local demands, like

0:15:23.680 --> 0:15:26.440
<v Speaker 1>I released my first batch in in November and now

0:15:26.440 --> 0:15:29.720
<v Speaker 1>I'm completely sold out. So Stephen Noder has been working

0:15:29.720 --> 0:15:32.680
<v Speaker 1>to triple his output for this year, he went from

0:15:32.760 --> 0:15:35.720
<v Speaker 1>using a hobby still in his basement to opening and

0:15:35.760 --> 0:15:39.880
<v Speaker 1>renovating his own distillery with certifications and equipment. So in

0:15:39.960 --> 0:15:42.160
<v Speaker 1>order to keep up with higher production, he has to

0:15:42.160 --> 0:15:45.720
<v Speaker 1>secure more grapes from different Palestinian farmers. When I was

0:15:45.760 --> 0:15:48.320
<v Speaker 1>there with him, it was the late September of twentyteen,

0:15:48.680 --> 0:15:50.480
<v Speaker 1>and he was checking out the grapes at one of

0:15:50.520 --> 0:15:52.720
<v Speaker 1>the farm he uses to confirm that they were ready

0:15:52.760 --> 0:15:56.240
<v Speaker 1>for harvest and delivery, and then he took us to

0:15:56.280 --> 0:15:59.840
<v Speaker 1>the farm which was an Area C so that is

0:16:00.040 --> 0:16:02.960
<v Speaker 1>under Israeli military occupations. So there are a lot of

0:16:03.000 --> 0:16:07.520
<v Speaker 1>settlements around there, Israeli settlements who are illegally coming in

0:16:07.600 --> 0:16:12.760
<v Speaker 1>and setting up um poems. And it's yeah, he nod

0:16:12.960 --> 0:16:15.440
<v Speaker 1>makes it clear he doesn't ever want to to modify

0:16:15.520 --> 0:16:18.080
<v Speaker 1>the conflict for his product, but I think it's worth

0:16:18.160 --> 0:16:21.640
<v Speaker 1>noting because he has so many more obstacles to overcome

0:16:21.680 --> 0:16:25.960
<v Speaker 1>to produce his adduct than than someone else. I mean,

0:16:26.000 --> 0:16:28.440
<v Speaker 1>even the farm we were at, just over the fence,

0:16:28.520 --> 0:16:31.960
<v Speaker 1>there was an Israeli winery, so they're shipping that out

0:16:31.960 --> 0:16:35.080
<v Speaker 1>saying it's Israeli wine, but it's grown and produced on

0:16:35.200 --> 0:16:39.640
<v Speaker 1>Palestinian soil. In the West Bank um, which was really upsetting.

0:16:40.200 --> 0:16:43.720
<v Speaker 1>But then we got to see the farm where he

0:16:43.960 --> 0:16:48.160
<v Speaker 1>harvests from, and then he had this um table set

0:16:48.240 --> 0:16:50.160
<v Speaker 1>up with all this mesa and we were able to

0:16:50.200 --> 0:16:54.000
<v Speaker 1>eat and drink together, and it was it was absolutely incredible.

0:17:01.560 --> 0:17:09.840
<v Speaker 1>But jo Joshi, I live in area see so area

0:17:09.880 --> 0:17:13.280
<v Speaker 1>see it's I live in a Palastinian village, but the

0:17:13.359 --> 0:17:15.720
<v Speaker 1>area I live in it's under is really military control.

0:17:16.080 --> 0:17:18.200
<v Speaker 1>And all of the areas west of where I live,

0:17:18.240 --> 0:17:20.480
<v Speaker 1>which are the villages that I'm getting from, they're also

0:17:20.560 --> 0:17:22.919
<v Speaker 1>under military control. There are there are like checkpoints in

0:17:22.960 --> 0:17:26.080
<v Speaker 1>the area. I live right next to a military base.

0:17:27.480 --> 0:17:29.879
<v Speaker 1>But I mean it depends on the situation on the ground.

0:17:29.880 --> 0:17:32.280
<v Speaker 1>When things are tense, there'll be a lot more checkpoints,

0:17:32.280 --> 0:17:34.639
<v Speaker 1>in sort of flying checkpoints. They'll be stopping people a

0:17:34.640 --> 0:17:37.320
<v Speaker 1>lot more often. It's they don't have so many problems

0:17:37.320 --> 0:17:39.239
<v Speaker 1>delivering the grapes to me as much as they do

0:17:39.320 --> 0:17:41.880
<v Speaker 1>have problems trying to care for the grapes. That's kind

0:17:41.880 --> 0:17:43.639
<v Speaker 1>of how I frame it, because I mean, for me,

0:17:43.800 --> 0:17:45.600
<v Speaker 1>it's not very for it's like a five minute drive.

0:17:45.640 --> 0:17:47.119
<v Speaker 1>I can be like any I can be like more

0:17:47.119 --> 0:17:51.119
<v Speaker 1>of my first vineyards Um, but for me, it's more

0:17:51.160 --> 0:17:53.320
<v Speaker 1>of a problem for them really, I mean to be honest,

0:17:54.040 --> 0:17:55.679
<v Speaker 1>they faced a lot of problems because they live in

0:17:55.720 --> 0:17:59.000
<v Speaker 1>like a very sensitive area where is really settlements are

0:17:59.000 --> 0:18:01.119
<v Speaker 1>trying to expand and take over as much territory as

0:18:01.160 --> 0:18:04.520
<v Speaker 1>they can, so they're constantly having you know, settlers invade

0:18:04.520 --> 0:18:09.800
<v Speaker 1>their property, either uprooting vines, tearing down vines, bulldozing vines,

0:18:09.880 --> 0:18:13.800
<v Speaker 1>burning vines. Sometimes they're attacked for for being in their land.

0:18:14.359 --> 0:18:15.800
<v Speaker 1>They try not to stay out there late, so they

0:18:15.800 --> 0:18:19.840
<v Speaker 1>can only work during specific hours out of fear being attacked. Um.

0:18:19.880 --> 0:18:21.800
<v Speaker 1>A lot of like the settlements, they have like a

0:18:21.880 --> 0:18:25.880
<v Speaker 1>peripheral security or buffer zone, and oftentimes, you know, it's

0:18:25.880 --> 0:18:28.280
<v Speaker 1>difficult for them to get into their their vineyards in

0:18:28.320 --> 0:18:31.000
<v Speaker 1>those areas because if they do, they might be arrested

0:18:31.000 --> 0:18:34.720
<v Speaker 1>by the military. So sometimes they do it unlike you know,

0:18:34.960 --> 0:18:37.040
<v Speaker 1>it's the Jewish holiday or if it's a Saturday, it's

0:18:37.040 --> 0:18:38.960
<v Speaker 1>the holy day for the you know, so that settlers

0:18:38.960 --> 0:18:41.520
<v Speaker 1>there aren't necessarily out it's more safe. They feel more

0:18:41.560 --> 0:18:45.000
<v Speaker 1>safe going out to their vineyards that sort of thing. Yeah,

0:18:46.680 --> 0:18:49.360
<v Speaker 1>I wanted to I'm obsessed with authenticity and doing things

0:18:49.440 --> 0:18:54.040
<v Speaker 1>a traditional way. So in Palestine we have twenty three

0:18:54.040 --> 0:18:58.520
<v Speaker 1>indigenous species of grapes about maybe you say eight or

0:18:58.600 --> 0:19:01.760
<v Speaker 1>nine of them are suitable for wine, three of which

0:19:01.760 --> 0:19:04.040
<v Speaker 1>are white parietals. So that I used my attic. I

0:19:04.119 --> 0:19:08.680
<v Speaker 1>used primarily the bookie, but there's also m Danny and genderly.

0:19:09.800 --> 0:19:12.000
<v Speaker 1>The genderly you can tell that the berries are smaller,

0:19:12.800 --> 0:19:15.879
<v Speaker 1>but they're much sweeter. The sugar component and them is crazy.

0:19:16.520 --> 0:19:22.119
<v Speaker 1>You're just talking like roughly, like the sugar apper leader. Um.

0:19:22.160 --> 0:19:24.400
<v Speaker 1>But yeah, so I common to check periodically. Every week,

0:19:24.400 --> 0:19:26.640
<v Speaker 1>I come and I take samples of all the berries.

0:19:27.040 --> 0:19:28.760
<v Speaker 1>I try and get like one from each corner of

0:19:28.760 --> 0:19:32.760
<v Speaker 1>an year, one in the center, different areas, and we

0:19:32.800 --> 0:19:35.639
<v Speaker 1>decide on a weekly basis which winds the pick and

0:19:36.320 --> 0:19:38.040
<v Speaker 1>how we go about. In general, what I do is

0:19:38.080 --> 0:19:40.199
<v Speaker 1>I just take the grapes, I crush them, and then

0:19:40.200 --> 0:19:48.800
<v Speaker 1>I throw them in barrels. And then after that second

0:19:48.800 --> 0:19:51.639
<v Speaker 1>distillation that's the most complicated. Um, then we get in

0:19:51.680 --> 0:19:54.520
<v Speaker 1>the third distillation. For the third distillation, I take that

0:19:54.600 --> 0:19:58.040
<v Speaker 1>purified spirit, I put it back in the still. Um.

0:19:58.080 --> 0:20:00.439
<v Speaker 1>I reduced it down the thirty every time, because more

0:20:00.440 --> 0:20:05.399
<v Speaker 1>than year at risk of making an explosion. Um. Yeah,

0:20:05.840 --> 0:20:08.240
<v Speaker 1>so I put it back in the steel. Easily it's

0:20:08.240 --> 0:20:11.359
<v Speaker 1>about like sevent um, so I water it down to

0:20:11.359 --> 0:20:14.280
<v Speaker 1>about thirty. I put it back in the steel, and

0:20:14.320 --> 0:20:17.639
<v Speaker 1>then I put aniseed in it. And what happens is

0:20:17.640 --> 0:20:19.919
<v Speaker 1>the aniseed as it soaks. I'll let it so for

0:20:19.920 --> 0:20:22.480
<v Speaker 1>a period about twenty four hours, it will absorb the

0:20:22.880 --> 0:20:26.120
<v Speaker 1>ethanol and it will release annimal, which is anas oil.

0:20:26.720 --> 0:20:28.520
<v Speaker 1>And then the next day when I come back and

0:20:28.840 --> 0:20:32.120
<v Speaker 1>instill it, basically the anti fall and the ethanol will

0:20:32.119 --> 0:20:35.000
<v Speaker 1>be both the vaporizes together simultaneously. And when I cool

0:20:35.080 --> 0:20:37.840
<v Speaker 1>that paper back into a liquid, now it's become one

0:20:37.960 --> 0:20:42.000
<v Speaker 1>intertwined liquidum, which is the basis of auduct. And then

0:20:42.000 --> 0:20:44.480
<v Speaker 1>from there I'll take it. I'll load it into clay casks.

0:20:44.720 --> 0:20:48.800
<v Speaker 1>I age it for a year, and roughly after a

0:20:48.880 --> 0:20:52.240
<v Speaker 1>year or so, um, I'll just start taking samples towards

0:20:52.280 --> 0:20:54.200
<v Speaker 1>the end, like I can dilute it down to strength

0:20:54.200 --> 0:20:57.959
<v Speaker 1>which is fift and then from there we have product,

0:20:58.000 --> 0:21:00.720
<v Speaker 1>and then I have bottled it. Number. This is a

0:21:00.880 --> 0:21:03.760
<v Speaker 1>spirit that we're talking about, right, This is not a

0:21:04.240 --> 0:21:11.159
<v Speaker 1>liqueur right because of the alcohol content and production method. Um.

0:21:11.320 --> 0:21:16.720
<v Speaker 1>So I'm assuming you had a chance to taste um.

0:21:16.800 --> 0:21:21.119
<v Speaker 1>What were I mean? Because you flew halfway around the

0:21:21.160 --> 0:21:27.160
<v Speaker 1>world without having tasted this, presumably, so like stories interesting,

0:21:27.200 --> 0:21:29.960
<v Speaker 1>but hopefully it was a bonus if you got to

0:21:30.000 --> 0:21:34.080
<v Speaker 1>taste it and it was enjoyable. Oh. Absolutely. We had

0:21:34.640 --> 0:21:38.480
<v Speaker 1>a truly amazing experience with him while we were there.

0:21:38.520 --> 0:21:41.760
<v Speaker 1>So even to set the scene when we first met

0:21:41.800 --> 0:21:44.720
<v Speaker 1>up with him in Jerusalem, not ever wanted to take

0:21:44.800 --> 0:21:47.600
<v Speaker 1>us to some of his friends businesses too, so we

0:21:47.680 --> 0:21:53.080
<v Speaker 1>got to try not only go and experience his um,

0:21:53.119 --> 0:21:55.919
<v Speaker 1>his product, but also some of his friends who owned

0:21:56.520 --> 0:21:59.000
<v Speaker 1>um ice cream shops where they made Booza ed a Bia,

0:21:59.080 --> 0:22:02.480
<v Speaker 1>which is this amazing ice cream that has this elasticity

0:22:02.520 --> 0:22:05.240
<v Speaker 1>that I've never experienced before in my life. And we

0:22:05.280 --> 0:22:08.440
<v Speaker 1>went to lots of different places and we had canafe

0:22:08.560 --> 0:22:11.280
<v Speaker 1>and it was incredible. So all that leading up the

0:22:11.400 --> 0:22:13.959
<v Speaker 1>night before we went to the farm where he harvests

0:22:14.040 --> 0:22:17.800
<v Speaker 1>his grapes, we went out to a bar that is

0:22:17.880 --> 0:22:20.560
<v Speaker 1>the only bar that serves his attic so it was

0:22:20.560 --> 0:22:22.560
<v Speaker 1>really cool to get to see it on the shelf.

0:22:23.119 --> 0:22:26.359
<v Speaker 1>And then we actually tried a wine that night that

0:22:26.440 --> 0:22:28.639
<v Speaker 1>was made from Debuky grapes, so it was cool to

0:22:28.640 --> 0:22:32.200
<v Speaker 1>get to experience the full process in that way where

0:22:32.200 --> 0:22:35.440
<v Speaker 1>it was like we were tasting the wine from Debuky grapes,

0:22:35.480 --> 0:22:37.360
<v Speaker 1>and then the next day we tasted the attic, which

0:22:37.440 --> 0:22:41.600
<v Speaker 1>was also made from the Debouky grapes. So when we

0:22:41.640 --> 0:22:45.720
<v Speaker 1>went to his distillery, he showed us first he started

0:22:45.760 --> 0:22:49.560
<v Speaker 1>the distillery in his basement, so we went to the

0:22:49.600 --> 0:22:51.760
<v Speaker 1>basement of his house and from there is when he

0:22:51.840 --> 0:22:54.399
<v Speaker 1>made his first batch. And from that first batch he

0:22:54.480 --> 0:22:58.760
<v Speaker 1>submitted it to different festivals in London, in Berlin, in

0:22:58.800 --> 0:23:01.320
<v Speaker 1>New York and one a word's like right away he

0:23:01.440 --> 0:23:04.120
<v Speaker 1>came out of the gate like wanting people to know

0:23:04.600 --> 0:23:08.920
<v Speaker 1>like Palestine is a producer of high quality goods. The

0:23:09.040 --> 0:23:12.600
<v Speaker 1>drink again, like I said, because it's infused with aniseeds,

0:23:12.680 --> 0:23:16.040
<v Speaker 1>it has a light liquorice taste, but it is really

0:23:16.080 --> 0:23:19.479
<v Speaker 1>refreshing and with it pairs perfectly with the mesay so

0:23:19.520 --> 0:23:23.639
<v Speaker 1>with hummus and with pickles and olives and baba guanusian

0:23:24.080 --> 0:23:29.359
<v Speaker 1>warm fresh pieda. It's so so divine. Yes, I love

0:23:29.440 --> 0:23:33.960
<v Speaker 1>that over ice. Is that the best way? Yes, you

0:23:34.000 --> 0:23:36.200
<v Speaker 1>can serve it over ice. But one of the interesting

0:23:36.200 --> 0:23:38.919
<v Speaker 1>things about attack is that when it's bottled. It's a

0:23:38.960 --> 0:23:41.679
<v Speaker 1>clear liquid, but when you serve it, you dilute it

0:23:41.720 --> 0:23:44.639
<v Speaker 1>with water and it turns into this cloudy liquid and

0:23:44.720 --> 0:23:48.040
<v Speaker 1>that's known as the Luche effect. So basically, it's the

0:23:48.080 --> 0:23:52.160
<v Speaker 1>spontaneous multification of the essential oil of the anniseed when

0:23:52.200 --> 0:24:00.400
<v Speaker 1>it hits the water. So beautiful and I think UM.

0:24:00.440 --> 0:24:05.320
<v Speaker 1>You know a lot of people aren't familiar with the

0:24:05.920 --> 0:24:09.280
<v Speaker 1>tradition of distilling UM and the parts of the world,

0:24:09.320 --> 0:24:15.840
<v Speaker 1>especially when we think of UM, you know, the Islamic community. UM.

0:24:16.000 --> 0:24:19.200
<v Speaker 1>We don't immediately in fact, that the we think about

0:24:19.240 --> 0:24:22.480
<v Speaker 1>the opposite, which is an absinence from alcohol. So it

0:24:22.560 --> 0:24:26.719
<v Speaker 1>is a really important part of UM. The reclamation and

0:24:26.920 --> 0:24:29.320
<v Speaker 1>UM fits in so well with the kinds of stories

0:24:29.359 --> 0:24:31.520
<v Speaker 1>that we see and cover all over the world, you know,

0:24:31.640 --> 0:24:36.560
<v Speaker 1>where indigenousity UM is erased and the fight for it

0:24:37.119 --> 0:24:41.160
<v Speaker 1>to be protected or revived. UM is really the cornerstone

0:24:41.160 --> 0:24:45.000
<v Speaker 1>of so many producers that we cover. So UM, thank

0:24:45.000 --> 0:24:47.080
<v Speaker 1>you for bringing us yet another one. This is a

0:24:47.200 --> 0:24:51.080
<v Speaker 1>really great story. It's great to learn about UM, the

0:24:51.119 --> 0:24:55.720
<v Speaker 1>indigenous grades, to learn about, you know, how liquor or

0:24:55.880 --> 0:25:00.400
<v Speaker 1>spirits are produced UM. Of course, the geopolitical content extend

0:25:00.400 --> 0:25:03.800
<v Speaker 1>just the heart and spirit you know, to actually revive

0:25:04.560 --> 0:25:07.879
<v Speaker 1>Iraq is really amazing, So thank you for bringing us

0:25:08.000 --> 0:25:10.800
<v Speaker 1>this story and we're really excited to see it in

0:25:10.880 --> 0:25:14.560
<v Speaker 1>print for volume six as well. Thank you, Stephen. It's

0:25:14.560 --> 0:25:16.680
<v Speaker 1>been so wonderful to work with you and your team,

0:25:16.760 --> 0:25:19.359
<v Speaker 1>so I'm excited to see it and I'm excited for

0:25:19.440 --> 0:25:22.159
<v Speaker 1>not as hard work to be out there for everyone

0:25:22.160 --> 0:25:31.760
<v Speaker 1>to appreciate. Thank you so much. To our guest lyric

0:25:31.840 --> 0:25:35.760
<v Speaker 1>Lewin and not Amati. You can read lyrics full article

0:25:35.920 --> 0:25:39.000
<v Speaker 1>on not and Iroq in the upcoming volume of wet

0:25:39.040 --> 0:25:42.320
<v Speaker 1>Stone wet Stone Volume six, which will be released this summer.

0:25:43.280 --> 0:25:48.280
<v Speaker 1>We'd also like to thank our incredible podcast producer Selene Glazier. Selene,

0:25:48.720 --> 0:25:51.600
<v Speaker 1>you are the best. To our editor and wet Stone

0:25:51.680 --> 0:25:55.440
<v Speaker 1>partner and director of video, David Alexander in London. I

0:25:55.520 --> 0:25:59.480
<v Speaker 1>appreciate you, Dave. Thanks to our wet Stone production intern

0:25:59.600 --> 0:26:03.280
<v Speaker 1>Quentin le Beau, and last but not least, my business

0:26:03.320 --> 0:26:07.720
<v Speaker 1>partner Mel She who makes all things at Whetstone possible.

0:26:08.160 --> 0:26:11.440
<v Speaker 1>Thank you Mel. We'd also like to thank our partners

0:26:11.440 --> 0:26:14.920
<v Speaker 1>in production at I Heart Radio. To Gabrielle Collins, our

0:26:14.960 --> 0:26:20.680
<v Speaker 1>supervising producer and executive producer Christopher Haciotis. We'll be back

0:26:20.720 --> 0:26:28.080
<v Speaker 1>next week with more from the world of food worldwide.