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Speaker 1: No, Willian hasn't said ready positions to us in a

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Speaker 1: very long time.

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Speaker 2: You want Peached to tell you to get in a

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Speaker 2: ready position? What is your ready position?

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Speaker 3: Face down?

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Speaker 1: You staying in the somebody says ready you've seen the

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Speaker 1: Spotify picks.

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Speaker 4: Yeah, I'm always in a triple threat drill passion.

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Speaker 2: You never know what I'm for no reason, just standing

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Speaker 2: at on the train station a trible threat, a triple threat.

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Speaker 1: Yeah, but I missed that.

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Speaker 4: That was all its like God is going when p

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Speaker 4: was like, already positions, this is my ready pod position.

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Speaker 1: Chested up, I have bad postures.

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Speaker 4: Yeah, I think so, Yeah, I think I kind of like, yeah,

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Speaker 4: that's how I know you can't fight by the way

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Speaker 4: he sits.

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Speaker 1: Yeah, he ain't right though, like I might be.

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Speaker 5: You're not on point, you like you not in your

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Speaker 5: ps like if you slumped over, like you got to

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Speaker 5: get in a ready position to fight and already swam

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Speaker 5: square up, square up?

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Speaker 4: Right? And you know this is how I know people

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Speaker 4: don't know how to fight, because if someone says square up,

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Speaker 4: they're actually square. Anybody knows how to fight. We're gonna

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Speaker 4: be like this, well.

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Speaker 2: I mean yes, technically yes, but you're not standing square

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Speaker 2: into I know.

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Speaker 4: I can tell when people really can't fight just by

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Speaker 4: their stance, like you literally have no idea.

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Speaker 2: No, that's not true, because I've seen some dudes that

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Speaker 2: look kind of awkward, but they got hands though, and

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Speaker 2: they hit and they hit hard. So it's like you

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Speaker 2: only you, and you can't just take a bunch of hits.

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Speaker 1: It only takes one.

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Speaker 4: I'm not saying stop a street fight for sure, And

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Speaker 4: sometimes you get snug you're not paying attention.

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Speaker 1: I agree with you there.

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Speaker 4: I'm just saying everything doesn't have to be a boxing match.

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Speaker 4: But if you're standing there like this, I know you

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Speaker 4: just can't.

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Speaker 1: Us to fight in Irish Irish, right.

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Speaker 4: Actually no, because you're you're putting your shoulders this way,

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Speaker 4: so you're much slipper and you're like this.

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Speaker 1: It's straight on, yo. That's just photo.

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Speaker 4: But the real stance of the fighting Irish is your

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Speaker 4: leg like this.

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Speaker 2: No, but it's here because the job used to be this.

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Speaker 2: You can't even you can't know if nigga hit you

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Speaker 2: like this world, you ain't got no defense for that.

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Speaker 1: You don't, you don't no more.

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Speaker 4: That's for the for the photo, for the pub I'm

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Speaker 4: saying the back leg is this way, so you're you're

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Speaker 4: throwing from your hip, You're not throwing from your shoulder

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Speaker 4: or your arm.

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Speaker 1: Yeah, but yes, it comes from it's still this.

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Speaker 3: It's just not that that boy I ought to a stance.

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Speaker 1: Nigga hits you in one of these you're not getting up.

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Speaker 4: What was that ship in elementary school that they used

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Speaker 4: to get kids with some arm wrestling where you go

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Speaker 4: like this and like this and you just get the

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Speaker 4: you'd let your hand go and they pushed themselves in

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Speaker 4: the nose.

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Speaker 1: Oh, yeah, it was.

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Speaker 4: It was probably something racist. What was it called farm wrestling?

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Speaker 4: It was like Chinese arm wrestling or some shit. It

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Speaker 4: was something that definitely derived from Chinese.

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Speaker 1: Correspondent Brian was that or thing?

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Speaker 4: Yo?

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Speaker 1: I thought that he was just born did that?

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Speaker 4: And our pranks used to have people with bloody noses.

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Speaker 4: Their pranks are you.

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Speaker 3: Know the type hoods and ship.

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Speaker 1: Like that cinnamon challenge, fucking dumb ash.

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Speaker 2: Yeah, tablespoonful of cinamon. Think that's a good I to die?

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Speaker 1: Was the salting challenge, the first challenge?

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Speaker 3: What the fuck is the saltine challenge?

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Speaker 4: This was like MySpace days. It was something like like

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Speaker 4: seven saltines in a minute or something.

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Speaker 3: Peace And of course the crackers knew about the cracker challenge.

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Speaker 4: Eat six salting crackers in sixty seconds without drinking any liquid.

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Speaker 1: It's impossible. Six saltine. I definitely tried it.

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Speaker 2: When I got a whole girl with a wet mile, Well,

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Speaker 2: what's gie? That's the hero you already follower, I do

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Speaker 2: I know who you talked about.

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Speaker 1: I knew that. I knew it.

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Speaker 3: That one freak video on the only fans to start doing.

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Speaker 1: I knew it.

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Speaker 3: Man.

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Speaker 1: I started to ask you, was her mouth wet?

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Speaker 4: Like?

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Speaker 1: You know, I'm just saying certain pictures.

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Speaker 2: I'd be like, she got that juicy mouth that yeah,

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Speaker 2: like yeah, good mouth wash. I already know, yeah that

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Speaker 2: good salava that you know that m hm look like alo, yeah, yo,

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Speaker 2: you know the salava. Talk about you got a little

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Speaker 2: bubbles in it in the salava?

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Speaker 1: You know that?

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Speaker 3: Why you got a freak out talk of the episode.

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Speaker 1: I'm just my that's all we were talking about challenges.

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Speaker 2: Yeah, that's sultine crackers, though I never heard of that one.

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Speaker 2: The first challenge it was was planking, though right do

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Speaker 2: we agree that that was the first?

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Speaker 4: Was this was this predates planking, probably by a decade

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Speaker 4: or more.

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Speaker 1: I never heard of that. Yeah, I was younger. I

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Speaker 1: didn't make its way over to the whites. The whites

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Speaker 1: were definitely doing no put intended insulting crackers. But marshmallows,

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Speaker 1: marshmallows challenge. What was this one?

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Speaker 3: How many marshmallows you can fin your mouth?

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Speaker 1: Yeah? Nah, we never did that dip in their mouth?

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Speaker 1: I'm sure, chubby buddy, there's a pause. Which marshmallows.

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Speaker 2: Was it the miniature like hot Coco marshmos or was

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Speaker 2: it like the.

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Speaker 1: The s'mores, the di jit puffs? Yeah, the big ones?

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Speaker 1: Oh yeah, nah, that's crazy. Yeah, y'all just do that. No,

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Speaker 1: we shouldn't. I promise you y'all have to do it.

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Speaker 1: I'll judge. What are you judging? You don't judge. It's

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Speaker 1: a count anything, count?

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Speaker 2: Yeah, count how many marshmallows you put in your mouth?

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Speaker 1: Baby? They might win that one though.

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Speaker 6: So.

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Speaker 4: Know and respectfully the baby d for like pr purposes,

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Speaker 4: she should win, because if a man won that over

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Speaker 4: a woman, that's.

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Speaker 1: Kind of crazy.

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Speaker 2: Yeah, how do you celebrate, Like, what do you do

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Speaker 2: as a man if you beat a woman with the

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Speaker 2: chubby buddy like challenge, like, how do you celebrate your victory?

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Speaker 5: You get super excited about people have really wide mouths,

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Speaker 5: like I got big ass front teeth. I'm not gonna

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Speaker 5: be able to like fit a lot in my mouth.

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Speaker 1: Everybody be good.

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Speaker 4: Yeah. I found out when I got my Veneers that

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Speaker 4: I definitely wasn't gay because every time my gag ship

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Speaker 4: was like you just stop like putting anything near my

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Speaker 4: mouth please.

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Speaker 1: Yeah, I knew you could never go there. But this game.

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Speaker 1: Niggas that don't like that, don't mean ain't gay? This

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Speaker 1: gay men that don't get like give head?

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Speaker 4: Yeah, what do you do? You you just said, ain't

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Speaker 4: no specialist? What this game? Man that don't give head?

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Speaker 5: Yes, puss, there's women that don't give head like yeah,

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Speaker 5: but we wait, so what I mean?

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Speaker 2: They give head, but they don't like they don't enjoy it,

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Speaker 2: but they'll do it. Like if it's gay, man that's

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Speaker 2: not like fam, you might as well just be straight.

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Speaker 2: You must be heapo sexual right right or wrong? That's

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Speaker 2: like it's like playing basketball. I don't play defense. You

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Speaker 2: might as well go shit down because it's two sides,

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Speaker 2: luc you might have I don't do that to Luca,

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Speaker 2: you might as well go sit down.

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Speaker 1: It's like, come on, f you might as to shut

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Speaker 1: down man.

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Speaker 4: And as like progressive and welcoming and cool as the

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Speaker 4: gay community is, I feel like in twenty twenty six,

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Speaker 4: if a gay man walked to the gay bar and said,

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Speaker 4: I don't suck dickt he sir, get get the fuck

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Speaker 4: out of here.

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Speaker 1: Yeah, what are you doing? Let be heterosexual, we'll talk

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Speaker 1: to the ladies.

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Speaker 4: I think I think the gays would call a gay

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Speaker 4: guy that doesn't suck dick the F word.

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Speaker 1: Get this word out of here.

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Speaker 2: Yeah, that's that might be the origin. That might be

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Speaker 2: the origin of the word. I think we just found

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Speaker 2: it was actually anti homophobes. Yeah, oh my good lord,

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Speaker 2: that might be the origin.

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Speaker 4: Definitely calling the gay guy that doesn't suck dick that word,

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Speaker 4: and he's not allowed at the party.

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Speaker 5: I'm never allowing Ryan and Google again, what do they

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Speaker 5: call a gay man who doesn't suck dick?

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Speaker 3: That's at the Google search that is up on the.

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Speaker 2: Screen right, Yes, I love Ryan already, Yo, he looks

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Speaker 2: for important things.

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Speaker 1: He's an oral what.

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Speaker 5: Yeah, the algorithm's gonna be nasty.

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Speaker 4: Anyways. The first time we've all got to chop it

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Speaker 4: up as a cruise.

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Speaker 1: Since St. Patrick's Day? How was everyone saying Patrick Day?

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Speaker 1: Everybody's saying Patrick's Day was past?

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Speaker 2: She was.

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Speaker 1: I don't fit that happened at the parade?

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Speaker 4: Was it? It was good? Yeah, it's it's what it

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Speaker 4: always was, just a just a love fest, everyone in

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Speaker 4: good spirits.

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Speaker 3: You have a red headed child, so I know you

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Speaker 3: like a celebrity out there.

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Speaker 1: Oh listen, she was a celebrity.

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Speaker 4: The amount of because we were by uh St Patrick's Cathedral,

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Speaker 4: which is like where a lot of the news people go,

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Speaker 4: the amount of newspaper people everyone's coming. Do you mind

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Speaker 4: if we take a photo of your daughter? I'm like,

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Speaker 4: just say, she looks like the quintessential fucking this. This

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Speaker 4: is the magazine cover for St.

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Speaker 1: Patrick's Stake.

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Speaker 4: Yeah, a fucking smiling, redheaded girl with sunglasses on that

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Speaker 4: are shamrocks.

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Speaker 1: Get it? Yeah, this is a walking stereotime. This makes it.

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Speaker 2: This is like it's Saint Patrick's State for real now exactly.

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Speaker 2: But no, we have fun and it was calm.

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Speaker 4: Usually debauchery happens after, but just just went went back

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Speaker 4: home with them.

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Speaker 1: We did have a good time. The weather was pretty

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Speaker 1: decent too.

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Speaker 2: It was cold though, well, I mean, you know, it's

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Speaker 2: New York City, it's march on.

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Speaker 4: Donnie came through and let the people knew that that

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Speaker 4: we were slaves too. I appreciated that because as Irish

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Speaker 4: people we can't bring that up, which I understand because

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Speaker 4: now we're just white in America. But thank you Montdammy

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Speaker 4: holding it down, letting the people know what happened to us,

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Speaker 4: because that's it's taboo when it comes from a white person.

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Speaker 4: Man Dommy can like be our spokesperson. But hey, they

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Speaker 4: went through some ship and we still support Palestine. Only

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Speaker 4: western state that does.

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Speaker 2: But did you hear about his non ballion dollar budget

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Speaker 2: to house the homeless? I did not know which us

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Speaker 2: who got to hold that bill down. But anyway, I'm

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Speaker 2: I'm a New Jersey resident, so I know not what

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Speaker 2: you speak of. I'm here for the social media collic whatever.

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Speaker 4: Y'all going through. I don't give a fuck. He's got

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Speaker 4: a nice smile and he sens of things I like.

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Speaker 1: I bet he does. I bet he does.

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Speaker 4: Yo. Did I tell you my New Jersey idea legitimately

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Speaker 4: looks like a fake ID?

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Speaker 1: Why it just looks.

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Speaker 3: Fixed to you because you're not used to a New

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Speaker 3: Jersey idea.

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Speaker 4: It's it's like thin and yeah, I've had fake id's.

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Speaker 4: It feels like a fake IDA.

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Speaker 1: It's thinner than like.

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Speaker 4: Way thinner than New York. I d's really yes, New York.

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Speaker 4: I do you throw it down?

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Speaker 1: You could?

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Speaker 3: It makes noise when it is ship like a master card.

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Speaker 4: Yeah, it's got it washirograss with your face and ships

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Speaker 4: or what sh it looks like a printed fake idea.

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Speaker 4: I used to have a fake Michigan I D And

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Speaker 4: that's exactly what it looks like.

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Speaker 3: Well, Jersey doesn't have our budget.

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Speaker 1: What what budget do they have? They don't have the

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Speaker 1: New York budget.

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Speaker 2: Well nobody has, no No other place in the world

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Speaker 2: exactly has the New York City budget. No other place

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Speaker 2: that's like confirmed, like no other place in the world.

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Speaker 4: Yeah maybe Dubai No, No, I would love a Dubai

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Speaker 4: id uh.

249
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Speaker 1: Now you got to get you know how you go

250
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Speaker 1: about acquiring women?

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Speaker 2: Do you know like the steps you gotta he's setting

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Speaker 2: you up. No, I'm cool, I'm no, I'm just asking. No,

253
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Speaker 2: can get we can move on.

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Speaker 1: You can't be the gay that doesn't suck dick.

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Speaker 2: That's not They're not having that over there, Like you're

256
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Speaker 2: going suck some dick over Tobai.

257
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Speaker 3: You wanna do more than that?

258
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Speaker 2: It's no way. Them Saudi, them niggas fly you all

259
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Speaker 2: the oil tackles. Oh you sucking dick for sure.

260
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Speaker 5: I thought about moving to Dubai. They have like a

261
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Speaker 5: big like creator program. You can get like a golden visa,

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Speaker 5: a couple of concentrators who have moved over there.

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Speaker 1: Yeah, I was looking.

264
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Speaker 2: There's some people that have moved to like Thailand and

265
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Speaker 2: things like like the houses you can get.

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Speaker 1: I'm like, bro, what are we doing? What are we

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Speaker 1: doing in America?

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Speaker 4: Yeah, Ireland's given out like stipends and stuff to I

269
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Speaker 4: think like ninety grand for people that want to be

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Speaker 4: creators in Ireland.

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Speaker 1: You can move there. That's fire.

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Speaker 4: But Canada was always great with that too, Like I

273
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Speaker 4: love what Daniel Caesar, all all the Canadian R and

274
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Speaker 4: B artists that we talk about all went through that

275
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Speaker 4: program where you can get grants and loans as an artist.

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Speaker 4: I wish America did that, but I mean, come on,

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Speaker 4: we gotta focus on Iran way more important exactly than

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Speaker 4: the arts in America. Anyways, we have some order has

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Speaker 4: been restored. Sports are back. March Madness, March Madness. Baby,

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Speaker 4: do you watch March Madness? You know because you went

281
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Speaker 4: to Cay you went to Syracuse, right, So you.

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Speaker 3: Didn't go to Syracuse.

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Speaker 1: You didn't.

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Speaker 2: All this time, I thought you went toot take Classic

285
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Speaker 2: qus so important.

286
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Speaker 5: No, I know l I U, but I thought when

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Speaker 5: I don't know, there's other colleges in Syracuse. But I

288
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Speaker 5: went to college in Syracuse.

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Speaker 1: But if you're from soracused like you're going to Syracuse.

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Speaker 4: No.

291
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Speaker 5: I got accepted, but I didn't go to Syracuse. I

292
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Speaker 5: wanted to go to Long Island University for some reason.

293
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Speaker 2: You just you just wanted to be in the city.

294
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Speaker 2: That's what it is with you. You just wanted to

295
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Speaker 2: be in the city.

296
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Speaker 5: I wanted to get out of my hometown. Who wants

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Speaker 5: to go to school in their hometown?

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Speaker 1: I feel you all. That makes that makes sense, that

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Speaker 1: makes perfect.

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Speaker 5: But I eventually graduated from OCC. But yeah, no, I

301
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Speaker 5: did not go to ESSUE. But shout out to them, Yeah,

302
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Speaker 5: shout out to Syracuse. Are they wait, they didn't even

303
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Speaker 5: make the tournament?

304
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Speaker 1: Yeah they didn't ship. Yeah, I'm looking at that shout

305
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Speaker 1: out when they practice officially came out today.

306
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Speaker 4: But I mean, listen, man, they got to get Mello's

307
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Speaker 4: son back in the rotation.

308
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Speaker 1: They'll get there.

309
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Speaker 4: They got a lilac court side, some dollars will start

310
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Speaker 4: coming in. I think you will be there by next

311
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Speaker 4: How long before you think they named Melow the head coach?

312
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Speaker 4: I mean I was thinking that because this whole season,

313
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Speaker 4: like all the viral clips were mellow at shoot around

314
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Speaker 4: before with the tale, was like, all right, they're already

315
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Speaker 4: geting the pressed without Melo being the coach. But I

316
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Speaker 4: could I could see it happening. Yeah, because I think

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Speaker 4: Melo would be a great coach too.

318
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Speaker 2: But the thing about mellow being and the coach is

319
00:13:01,200 --> 00:13:03,719
Speaker 2: the culture changes at Syracuse and now you got a

320
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Speaker 2: coach that a lot of these kids grew up watching,

321
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Speaker 2: grew up like being a fan of wanting to emulate

322
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Speaker 2: the game after Melo, he had arguably the greatest one

323
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Speaker 2: year one season in college history, winning the national championship

324
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Speaker 2: at Syracuse. Like Syracuse University is mellow, like you think

325
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Speaker 2: of Carmelo Anthony like, and I think that him being

326
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Speaker 2: on the sideline coaching, I think it entice is some

327
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Speaker 2: of the top players in the country to go there. Yeah,

328
00:13:27,360 --> 00:13:29,520
Speaker 2: he could do it with DEONDI. Yeah, I think that

329
00:13:29,559 --> 00:13:31,720
Speaker 2: it would. Like I'm going to play for Mellow. He's

330
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Speaker 2: a cool coach, you know what I'm saying, Like he

331
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Speaker 2: won a championship. It's like I've watched him growing up.

332
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Speaker 2: Like you know what I'm saying. He's he's older than us,

333
00:13:39,920 --> 00:13:41,559
Speaker 2: but he's still young enough for us to like kind

334
00:13:41,559 --> 00:13:42,720
Speaker 2: of relate to him and things like that.

335
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Speaker 1: I think he changes the entire coach over there.

336
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Speaker 4: And now you kind of have a dominance of the

337
00:13:47,280 --> 00:13:50,560
Speaker 4: amount of great high school basketball players in the Northeast period.

338
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Speaker 1: Now do you have that hub too?

339
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Speaker 4: Even though I think what Rick is done Saint John's

340
00:13:54,640 --> 00:13:56,880
Speaker 4: and we'll get to the bracket is great with the

341
00:13:56,880 --> 00:13:59,760
Speaker 4: Saint John's program now, But yeah, if Mellow coached at

342
00:14:00,400 --> 00:14:02,720
Speaker 4: the entire Northeast is all the top kids in the

343
00:14:02,720 --> 00:14:04,199
Speaker 4: country will want to go play for Mellow.

344
00:14:04,280 --> 00:14:06,440
Speaker 1: Yeah, that's a fact, and I think that, I mean,

345
00:14:06,480 --> 00:14:08,360
Speaker 1: it makes sense, So I would like to see that

346
00:14:08,440 --> 00:14:08,959
Speaker 1: if that happens.

347
00:14:09,000 --> 00:14:10,560
Speaker 4: I mean, the marriage you got the plug, right, we

348
00:14:10,600 --> 00:14:14,200
Speaker 4: get courtside seats next to Lalla me you stove La La.

349
00:14:14,600 --> 00:14:18,120
Speaker 3: Me you that's a nasty front.

350
00:14:19,520 --> 00:14:22,040
Speaker 1: And the orange man stove baby d in lalla. I

351
00:14:22,120 --> 00:14:23,520
Speaker 1: know I think that could work.

352
00:14:24,280 --> 00:14:28,360
Speaker 4: But yes, the bracket was announced and I want to

353
00:14:28,400 --> 00:14:32,160
Speaker 4: make everyone very very clear. You can bet with hard rock.

354
00:14:32,240 --> 00:14:35,320
Speaker 4: Bet right now with all of your March madness. That's

355
00:14:35,320 --> 00:14:37,040
Speaker 4: the only dream you should be betting this hard rock.

356
00:14:37,400 --> 00:14:38,880
Speaker 1: I mean, come on, it's us.

357
00:14:38,960 --> 00:14:40,960
Speaker 4: Why would you not who else but hard rock on

358
00:14:41,000 --> 00:14:42,320
Speaker 4: the Harby, Like, why would you not want to bet

359
00:14:42,320 --> 00:14:44,640
Speaker 4: with hard rock? Hard rock on the Horway? And on

360
00:14:44,680 --> 00:14:46,680
Speaker 4: top of that, like, you can bet every day. That's

361
00:14:46,720 --> 00:14:50,880
Speaker 4: what's fun about March Madness, like they did properly name it.

362
00:14:50,920 --> 00:14:53,640
Speaker 4: You can bet on so many games in one day,

363
00:14:53,880 --> 00:14:54,760
Speaker 4: it's kind of absurd.

364
00:14:54,880 --> 00:14:57,360
Speaker 1: Yeah, but use hard rock for that out the gate.

365
00:14:57,360 --> 00:15:00,880
Speaker 4: I'm gonna do my bias pic Saint John five seed

366
00:15:01,720 --> 00:15:03,160
Speaker 4: minimum Sweet sixteen.

367
00:15:02,880 --> 00:15:04,080
Speaker 1: Right hometown team.

368
00:15:04,120 --> 00:15:09,040
Speaker 4: We feel Sweet sixteen for Saint John's Uh yeah.

369
00:15:09,160 --> 00:15:11,400
Speaker 1: I've seen him getting into the sixteen. Come on, Rick,

370
00:15:11,440 --> 00:15:13,200
Speaker 1: Rick Schangs the culture over there. Yeah no he did.

371
00:15:13,560 --> 00:15:15,920
Speaker 1: How soon until lamar Odoms starts going back to back

372
00:15:15,920 --> 00:15:18,640
Speaker 1: to back bigg Eiast championships. Yeah, that's there.

373
00:15:19,200 --> 00:15:25,000
Speaker 4: But number one seeds Duke Florida looking over here, Michigan

374
00:15:25,720 --> 00:15:26,520
Speaker 4: and Arizona.

375
00:15:27,040 --> 00:15:29,800
Speaker 1: Are you guys picking just just that's your final four?

376
00:15:30,760 --> 00:15:35,320
Speaker 4: Nah? No way, I know Peter's going Kansas out the gate.

377
00:15:35,960 --> 00:15:39,360
Speaker 4: Duke almost lost the other day they almost lost. Yeah,

378
00:15:39,400 --> 00:15:41,960
Speaker 4: I don't have Duke in my final four. And it

379
00:15:42,000 --> 00:15:45,320
Speaker 4: will post our brackets next week and keep everyone updated

380
00:15:45,360 --> 00:15:47,480
Speaker 4: of how bad they go. I think it's one of

381
00:15:47,480 --> 00:15:50,040
Speaker 4: those things where DeMars wins are our office pool with

382
00:15:50,040 --> 00:15:53,200
Speaker 4: the bracket, Like she'll just get lucky because she likes

383
00:15:53,240 --> 00:15:54,400
Speaker 4: the logo of the team.

384
00:15:54,360 --> 00:15:57,360
Speaker 1: The colors, she likes the uniforms. Yeah, she dated a

385
00:15:57,360 --> 00:15:58,280
Speaker 1: guy that went to Louisville.

386
00:15:58,320 --> 00:16:01,240
Speaker 2: That's exactly how March madn has happened. It's not it's

387
00:16:01,360 --> 00:16:04,360
Speaker 2: very rarely ever who you predict, like, Okay, they're gonna

388
00:16:04,360 --> 00:16:04,720
Speaker 2: win it all.

389
00:16:04,800 --> 00:16:07,880
Speaker 1: Like I've never been good at braggets.

390
00:16:07,920 --> 00:16:10,920
Speaker 4: Like every time I'm like Michigan States could be my sleeper,

391
00:16:10,920 --> 00:16:11,960
Speaker 4: and then they lose first.

392
00:16:11,760 --> 00:16:12,360
Speaker 1: Five before.

393
00:16:14,960 --> 00:16:17,280
Speaker 4: I do like Illinois a sleep everyone other three. I

394
00:16:17,320 --> 00:16:23,040
Speaker 4: like Illinois out of the South. I definitely outside of

395
00:16:23,040 --> 00:16:25,480
Speaker 4: my Saint John's bias.

396
00:16:27,240 --> 00:16:29,560
Speaker 1: Yukon is still Yukon. Yukon is Yukon.

397
00:16:29,880 --> 00:16:33,080
Speaker 4: I kind of have Yukon over there. I think they

398
00:16:33,080 --> 00:16:36,400
Speaker 4: make this this sweet sixteen Yeah, for sure, I know.

399
00:16:36,400 --> 00:16:39,920
Speaker 4: I think Yukon goes final four from really East, Yeah

400
00:16:40,880 --> 00:16:42,720
Speaker 4: I have. I have Yukon over Duke as far as

401
00:16:42,720 --> 00:16:45,360
Speaker 4: the one and two seeds in that regard, Yeah, Yukon

402
00:16:45,480 --> 00:16:48,880
Speaker 4: over Duke. I don't think Duke is as good as

403
00:16:48,960 --> 00:16:50,560
Speaker 4: much as I want to love him, because because Booze

404
00:16:50,800 --> 00:16:52,560
Speaker 4: is over there, like I want to see them win

405
00:16:52,560 --> 00:16:55,680
Speaker 4: because I hate Duke, but I love Boozer and I

406
00:16:55,720 --> 00:16:57,320
Speaker 4: love that his son is over there and everything that

407
00:16:57,360 --> 00:16:58,840
Speaker 4: makes me want to cheer for them. But other than that,

408
00:16:58,920 --> 00:17:03,880
Speaker 4: man as fuck Duke Long Island, isn't it debarrass Okay,

409
00:17:04,760 --> 00:17:12,600
Speaker 4: that's what's up. They're up against number one seed Arizona tomorrow. Na.

410
00:17:12,640 --> 00:17:14,320
Speaker 3: It's clip for sure, it's fine.

411
00:17:15,080 --> 00:17:18,080
Speaker 2: We're saying that. But that's the thing with march Man.

412
00:17:18,080 --> 00:17:19,560
Speaker 2: It's like we're saying, like, nah, I allow you to

413
00:17:19,560 --> 00:17:20,320
Speaker 2: get him out of here.

414
00:17:20,840 --> 00:17:22,280
Speaker 1: They might they could win.

415
00:17:22,880 --> 00:17:26,440
Speaker 4: They probably won't. They probably won't, but they could win, and.

416
00:17:26,359 --> 00:17:29,920
Speaker 2: Then everybody in the country's bracket is fucked after that.

417
00:17:29,920 --> 00:17:30,320
Speaker 1: That's it.

418
00:17:30,320 --> 00:17:32,800
Speaker 2: That's like a bracketbuster, Like everybody's bracket as fucked.

419
00:17:33,040 --> 00:17:33,240
Speaker 1: Yeah.

420
00:17:33,359 --> 00:17:36,040
Speaker 4: I mean, listen, the only time I actually had a

421
00:17:36,040 --> 00:17:38,840
Speaker 4: good bracket was when I was being dumb and Saint

422
00:17:38,920 --> 00:17:41,359
Speaker 4: Peter's went to the Elite eight, like I was just

423
00:17:41,359 --> 00:17:43,200
Speaker 4: doing it because that's I mean, I wouldn't say all

424
00:17:44,119 --> 00:17:47,680
Speaker 4: I didn't graduate, but still my school. Yeah, I only

425
00:17:47,680 --> 00:17:49,040
Speaker 4: had a good bracket that year because I was just

426
00:17:49,080 --> 00:17:51,480
Speaker 4: being silly, like, nah, Saint Peter, it's the final four.

427
00:17:52,600 --> 00:17:54,120
Speaker 1: They made it to the lead eight. Yeah.

428
00:17:54,359 --> 00:17:56,720
Speaker 4: But other than that, I mean, this could be your year.

429
00:17:57,640 --> 00:17:59,679
Speaker 4: Take Long Island, fuck it all the way? That going

430
00:17:59,680 --> 00:18:00,439
Speaker 4: all the way.

431
00:18:01,119 --> 00:18:04,119
Speaker 1: They're not, but it's okay, I fuck with you, but

432
00:18:04,160 --> 00:18:05,560
Speaker 1: they're not going on boy, they're going.

433
00:18:05,600 --> 00:18:07,920
Speaker 4: What's always funny, though, is like if that happens. Yeah,

434
00:18:07,960 --> 00:18:10,920
Speaker 4: let's say Long Island beats Arizona and the craziest March

435
00:18:10,960 --> 00:18:14,520
Speaker 4: Madness upset, and then two days later they get steamrolled

436
00:18:14,520 --> 00:18:16,480
Speaker 4: by Villanova, Like that was a fluke.

437
00:18:17,480 --> 00:18:20,200
Speaker 5: Oh, I think Villanova's gonna go all the way. That's

438
00:18:20,240 --> 00:18:22,160
Speaker 5: my dad's favorite team, that's your pick.

439
00:18:22,680 --> 00:18:24,840
Speaker 4: I mean, Villanova's a great tournament team. They're number eight,

440
00:18:25,480 --> 00:18:27,920
Speaker 4: but even they're going against that eight to nine. First

441
00:18:28,000 --> 00:18:30,920
Speaker 4: round is always the toughest one like Utah State could

442
00:18:31,800 --> 00:18:35,359
Speaker 4: clip them round one. But I mean, other than that,

443
00:18:35,400 --> 00:18:37,080
Speaker 4: I don't know if it's gonna be like the crazy

444
00:18:37,320 --> 00:18:40,800
Speaker 4: years that have been in the past. I kept up

445
00:18:40,840 --> 00:18:43,440
Speaker 4: pretty good with college basketball. I think outside of Duke

446
00:18:43,440 --> 00:18:44,920
Speaker 4: gets a pretty standard of what's gonna happen.

447
00:18:45,160 --> 00:18:47,080
Speaker 1: I had to match another Long Island to No, Hofstra,

448
00:18:47,359 --> 00:18:49,120
Speaker 1: the real, the real Long Island.

449
00:18:49,200 --> 00:18:51,200
Speaker 2: Alabama's you know, they in a little bit of trouble.

450
00:18:51,280 --> 00:18:53,479
Speaker 2: They start playing I got arrested, he got caught with that.

451
00:18:54,160 --> 00:18:55,480
Speaker 1: Oh no, that's that's.

452
00:18:55,280 --> 00:18:58,680
Speaker 2: The hard rock bet right.

453
00:18:59,119 --> 00:19:01,800
Speaker 1: Everyone is going to hard rock to just go yo Hofstra.

454
00:19:02,200 --> 00:19:03,879
Speaker 1: This might be the way I make some money.

455
00:19:03,880 --> 00:19:05,960
Speaker 2: So Alabama being a number four seed, Hafster being the

456
00:19:06,000 --> 00:19:09,640
Speaker 2: number thirteen seed, but their star players out.

457
00:19:11,240 --> 00:19:15,800
Speaker 1: Has stout Alabama. OK, yeah, what's that? You can never

458
00:19:15,840 --> 00:19:18,680
Speaker 1: trust the Aiden? No, you trust the Aiden. I don't

459
00:19:18,680 --> 00:19:20,560
Speaker 1: know if I trust the Aidens, trust the Aiden?

460
00:19:20,680 --> 00:19:23,320
Speaker 3: Why not put the interest aiding a Caiden a Jaden?

461
00:19:23,480 --> 00:19:24,800
Speaker 1: Yeah, none of them. Nothing.

462
00:19:24,800 --> 00:19:27,840
Speaker 4: But at the end of it, yeah, always bet against

463
00:19:27,840 --> 00:19:30,440
Speaker 4: that on hard rock. If they got that on their squad.

464
00:19:30,440 --> 00:19:33,480
Speaker 2: Well, Hofstra most I mean, but listen, Alabama is still

465
00:19:33,520 --> 00:19:35,879
Speaker 2: a good team. But when your star players out for

466
00:19:36,040 --> 00:19:38,720
Speaker 2: you know, some legal issues. I mean, haff has to

467
00:19:38,760 --> 00:19:39,840
Speaker 2: be the favorite now with that team.

468
00:19:39,880 --> 00:19:41,960
Speaker 4: What's also funny about this game? This may be the

469
00:19:42,040 --> 00:19:44,439
Speaker 4: craziest game again because he's out. If you look at

470
00:19:44,440 --> 00:19:49,040
Speaker 4: all the networks like T n T TV S True

471
00:19:49,080 --> 00:19:50,040
Speaker 4: TV is hilarious.

472
00:19:50,119 --> 00:19:52,720
Speaker 2: Yeah, he just got caught with weed. He got arrested.

473
00:19:52,800 --> 00:19:54,960
Speaker 2: Now that on True TV like.

474
00:19:57,680 --> 00:20:01,800
Speaker 4: To be sandwiched in between Impractical Joker episodes. Yeah, for

475
00:20:01,960 --> 00:20:04,200
Speaker 4: Astra Versus Alabama. You know what comes on right after

476
00:20:04,240 --> 00:20:11,520
Speaker 4: that game? First forty eight Storage Wars? Storage Wars?

477
00:20:11,880 --> 00:20:20,119
Speaker 1: You ain't he had a storage locker? No, seriously, hopefully

478
00:20:20,160 --> 00:20:20,679
Speaker 1: Aiden it is?

479
00:20:20,720 --> 00:20:22,640
Speaker 2: You know he's all right, man, I mean he got

480
00:20:22,640 --> 00:20:25,080
Speaker 2: caught with some some weight, some weed, but you know,

481
00:20:25,119 --> 00:20:27,119
Speaker 2: I mean it's it's marijuana. I mean, Aiden, what the

482
00:20:27,160 --> 00:20:29,000
Speaker 2: hell you was doing with almost two pounds though? Like

483
00:20:29,400 --> 00:20:30,520
Speaker 2: you ain't with what you doing?

484
00:20:30,560 --> 00:20:30,760
Speaker 4: Bro?

485
00:20:31,440 --> 00:20:33,840
Speaker 3: I mean it saves you some trips, like you buy it?

486
00:20:33,880 --> 00:20:36,160
Speaker 1: I get it? No, No, I get It's the reason why

487
00:20:36,200 --> 00:20:37,040
Speaker 1: people go to BJ's.

488
00:20:37,119 --> 00:20:40,160
Speaker 2: Yeah, if Aid, if Aiden has if Aiden Holloway has

489
00:20:40,880 --> 00:20:43,520
Speaker 2: a Costco membership, you gotta let him go because all

490
00:20:43,560 --> 00:20:46,800
Speaker 2: he knows is bulk, like I don't need this much mail, right,

491
00:20:48,080 --> 00:20:48,879
Speaker 2: but you gotta buy it.

492
00:20:48,880 --> 00:20:51,560
Speaker 1: There's no small mail at Cosco, like I gotta get it.

493
00:20:51,600 --> 00:20:53,640
Speaker 4: But if you think about it too, these teams are,

494
00:20:53,880 --> 00:20:56,359
Speaker 4: if they're lucky, on the road for the most part

495
00:20:56,480 --> 00:20:59,640
Speaker 4: for all of March, Like you gotta go buy a pounds? Yeah,

496
00:21:00,040 --> 00:21:02,040
Speaker 4: do you smoke every day? Like yeah, I got to

497
00:21:02,119 --> 00:21:04,720
Speaker 4: prepare to be on the road for the next more, like.

498
00:21:04,920 --> 00:21:06,680
Speaker 1: You know what I mean. It was just it was

499
00:21:06,720 --> 00:21:08,080
Speaker 1: a sale, like what you want me to do? Like

500
00:21:08,240 --> 00:21:09,040
Speaker 1: that show's focus.

501
00:21:09,200 --> 00:21:12,760
Speaker 4: Yeah, not going out in Tennessee trying to find where

502
00:21:12,760 --> 00:21:13,360
Speaker 4: the Reggie at?

503
00:21:13,400 --> 00:21:16,040
Speaker 5: How do aready got smoke weed? And then like try

504
00:21:16,080 --> 00:21:17,760
Speaker 5: to like play sports like I don't.

505
00:21:18,280 --> 00:21:20,800
Speaker 1: Weed affects everyone differently. You ever heard of.

506
00:21:20,760 --> 00:21:25,919
Speaker 2: Michael Phelps, Yes, he uses his lungs more than eight

507
00:21:25,920 --> 00:21:29,040
Speaker 2: and the holloway to I promise you that and he

508
00:21:29,080 --> 00:21:30,040
Speaker 2: was out there winning gold.

509
00:21:30,240 --> 00:21:32,399
Speaker 4: So to me, that's doc, Like I understand Ricky Williams

510
00:21:32,480 --> 00:21:34,440
Speaker 4: with the pain that you're in as a running back,

511
00:21:34,680 --> 00:21:37,440
Speaker 4: that you smoke weed before and after a game. Rod

512
00:21:37,480 --> 00:21:39,320
Speaker 4: Our Test drinking Henessey at halftime to me is the

513
00:21:39,359 --> 00:21:41,639
Speaker 4: wildest thing of all times.

514
00:21:41,680 --> 00:21:43,359
Speaker 2: Nothing they used to they used to drink. They used

515
00:21:43,400 --> 00:21:46,080
Speaker 2: to get hammered at halftime in the NBA. Listen to

516
00:21:46,200 --> 00:21:47,280
Speaker 2: some of the players in the ages, the way they

517
00:21:47,280 --> 00:21:49,879
Speaker 2: talked about they used to drink beers, like and just

518
00:21:49,880 --> 00:21:51,240
Speaker 2: talk about the second half, like all right, well we

519
00:21:51,280 --> 00:21:53,480
Speaker 2: got to go out there drinking a beer like its gatorade.

520
00:21:54,720 --> 00:21:56,800
Speaker 4: I mean, I can see that in football, but like

521
00:21:56,880 --> 00:22:00,240
Speaker 4: basketball with the amount of hand note coordination, if you

522
00:22:00,240 --> 00:22:02,960
Speaker 4: have two beers at halftime when you're a football player,

523
00:22:03,240 --> 00:22:04,960
Speaker 4: you'll be fine. You'll probably actually might be a little

524
00:22:05,000 --> 00:22:07,080
Speaker 4: bit better. But trying to shoot a three off a

525
00:22:07,119 --> 00:22:08,800
Speaker 4: few beers, no, I'm missing.

526
00:22:09,840 --> 00:22:10,800
Speaker 1: I think it's the opposite.

527
00:22:10,920 --> 00:22:13,200
Speaker 5: I get really coordinated when I'm drunk, but not toe

528
00:22:13,280 --> 00:22:16,360
Speaker 5: up when I'm like just drunk, Like I move so swiftly.

529
00:22:17,600 --> 00:22:19,720
Speaker 1: All right, what is how do you move before you

530
00:22:19,720 --> 00:22:20,200
Speaker 1: get drunk?

531
00:22:20,480 --> 00:22:22,919
Speaker 3: Like no, because like you are, I can't focus.

532
00:22:22,960 --> 00:22:25,800
Speaker 5: But like if I come home drunk, the swift movement

533
00:22:25,840 --> 00:22:29,200
Speaker 5: with which I take all right clothes off, shower makeup off,

534
00:22:29,240 --> 00:22:31,440
Speaker 5: like I do that shit in record time when I'm drunk,

535
00:22:31,840 --> 00:22:35,440
Speaker 5: not toe up, but drunk, it helps you, like folks, Yeah,

536
00:22:35,440 --> 00:22:37,000
Speaker 5: I don't know, it helps me lock in, like I'll

537
00:22:37,000 --> 00:22:37,959
Speaker 5: be drunk and locked in.

538
00:22:38,119 --> 00:22:40,320
Speaker 4: But that's because you're more focused on not fucking up,

539
00:22:40,359 --> 00:22:43,480
Speaker 4: whereas when you're sober, it's just like yeah, exactly exactly,

540
00:22:43,560 --> 00:22:46,320
Speaker 4: but that that's fine. But that turns into the terrible person.

541
00:22:46,359 --> 00:22:48,040
Speaker 4: That's like I drive better when I'm drunk, and it's

542
00:22:48,080 --> 00:22:49,920
Speaker 4: like you need to sit down here, be your keys.

543
00:22:49,960 --> 00:22:52,800
Speaker 1: Those people are sick. Those people exist.

544
00:22:52,680 --> 00:22:54,240
Speaker 5: I know, I know a couple of them. I hate

545
00:22:54,240 --> 00:22:55,240
Speaker 5: when people say that.

546
00:22:55,440 --> 00:22:59,600
Speaker 1: Just because they do this, they think they're better at driving.

547
00:23:00,000 --> 00:23:02,320
Speaker 2: Hoefully Aiden Holloway is you know he gets through the

548
00:23:02,359 --> 00:23:04,479
Speaker 2: situation or even making light of it, but you know,

549
00:23:04,960 --> 00:23:06,800
Speaker 2: hopefully he gets through this and is able to continue

550
00:23:06,800 --> 00:23:09,920
Speaker 2: his career because he is a good young player. So yeah,

551
00:23:10,119 --> 00:23:12,639
Speaker 2: which the best fore but he will be missing this tournament,

552
00:23:12,680 --> 00:23:15,520
Speaker 2: that is a fact. So Hofstra over Alabama is I

553
00:23:15,520 --> 00:23:18,359
Speaker 2: think is the favorite number thirteen over the four seeds.

554
00:23:18,359 --> 00:23:19,600
Speaker 1: So we shall see.

555
00:23:20,119 --> 00:23:22,679
Speaker 4: Staying in the spirit of March madness, I thought we

556
00:23:22,680 --> 00:23:27,439
Speaker 4: could do something fun for our podcast in bracket style,

557
00:23:27,880 --> 00:23:31,040
Speaker 4: little funies. Yeah, we've seen like Vibe used to do

558
00:23:31,119 --> 00:23:34,680
Speaker 4: the rapper bracket, which caused commotion, Like we've seen that before.

559
00:23:35,040 --> 00:23:36,639
Speaker 4: But I thought it could be kind of cool for

560
00:23:36,720 --> 00:23:42,960
Speaker 4: us to do a March Madness style bracket with rap labels, Okay,

561
00:23:43,080 --> 00:23:44,959
Speaker 4: because we've kind of debated that before.

562
00:23:45,840 --> 00:23:46,200
Speaker 1: I should.

563
00:23:46,200 --> 00:23:50,840
Speaker 4: We've even debated with Nicky on Queen Radio about cash

564
00:23:50,840 --> 00:23:53,080
Speaker 4: Money being the greatest label of all time.

565
00:23:53,119 --> 00:23:54,640
Speaker 1: I think that that.

566
00:23:54,640 --> 00:23:57,359
Speaker 4: Conversation happens, but probably not as much as it should

567
00:23:57,400 --> 00:23:59,360
Speaker 4: because sub labels have.

568
00:23:59,400 --> 00:24:01,040
Speaker 1: Kind of gotten it to a weird place. There's only

569
00:24:01,119 --> 00:24:01,720
Speaker 1: so many left.

570
00:24:02,080 --> 00:24:05,440
Speaker 4: But I put together a list of forty one here,

571
00:24:05,520 --> 00:24:09,200
Speaker 4: and I thought we could do, uh, do our picks

572
00:24:09,200 --> 00:24:12,400
Speaker 4: today and try to put together a bracket. So I'm

573
00:24:12,440 --> 00:24:13,880
Speaker 4: not saying this is gonna be good because I feel

574
00:24:13,880 --> 00:24:15,359
Speaker 4: like we're gonna argue about a lot of shit to

575
00:24:15,400 --> 00:24:18,000
Speaker 4: try to seed four number ones, four number twos, four

576
00:24:18,119 --> 00:24:20,920
Speaker 4: number threes, and so on and so forth. I did

577
00:24:20,960 --> 00:24:25,040
Speaker 4: put somewhat of a criteria together artist roster, cultural impact,

578
00:24:25,400 --> 00:24:26,199
Speaker 4: business impact.

579
00:24:26,400 --> 00:24:27,919
Speaker 1: Ryan when you highlighted I can't see it.

580
00:24:29,920 --> 00:24:33,840
Speaker 4: Longevity, quality of music, star power, classic albums, hit sales,

581
00:24:33,880 --> 00:24:34,800
Speaker 4: and chart dominance.

582
00:24:35,760 --> 00:24:37,600
Speaker 1: And the fans are going to vote, right, yes.

583
00:24:37,480 --> 00:24:40,320
Speaker 4: This would be something that we would put up on

584
00:24:40,400 --> 00:24:42,840
Speaker 4: a link where the fans can vote, and you know,

585
00:24:43,000 --> 00:24:44,919
Speaker 4: whoever gets the most moves on to the to the

586
00:24:44,920 --> 00:24:45,400
Speaker 4: next round.

587
00:24:45,960 --> 00:24:46,960
Speaker 3: Is there a prize then?

588
00:24:48,280 --> 00:24:48,560
Speaker 1: I don't know.

589
00:24:50,600 --> 00:24:53,320
Speaker 4: No. Further, I want master p to give me something,

590
00:24:53,320 --> 00:24:56,400
Speaker 4: not the other way around. He master if he's been.

591
00:24:56,280 --> 00:24:59,040
Speaker 3: On Forbes for thirty years the project.

592
00:24:59,240 --> 00:25:03,320
Speaker 1: Yeah, we all stream cash money. Richards Birdman's doing fine?

593
00:25:05,080 --> 00:25:05,920
Speaker 3: You're right? All right?

594
00:25:06,960 --> 00:25:11,360
Speaker 4: Oh well, yeah, I put this list together. I have

595
00:25:11,400 --> 00:25:13,600
Speaker 4: one thing I want to debate before we get into

596
00:25:13,680 --> 00:25:17,920
Speaker 4: the list. Is death jam included in this? And now

597
00:25:18,000 --> 00:25:20,960
Speaker 4: hear me out. Most of what I put together here

598
00:25:21,200 --> 00:25:23,520
Speaker 4: is like sub labels. This is not any order, but

599
00:25:23,600 --> 00:25:26,520
Speaker 4: just for example, death Row, bad Boy, no limit, cash money,

600
00:25:26,800 --> 00:25:29,760
Speaker 4: after Math, Rockefeller rough Riders, Murder ac solso deaf qc, et.

601
00:25:29,720 --> 00:25:32,680
Speaker 1: Cetera, so deaf Jam.

602
00:25:32,760 --> 00:25:36,080
Speaker 4: At one point, yes, I think would fall under the subcategory.

603
00:25:36,119 --> 00:25:40,480
Speaker 4: But in the nineties it became the universal conglomerate of

604
00:25:41,600 --> 00:25:46,879
Speaker 4: rap labels because Rockefeller rough Riders and murder inkrawl under

605
00:25:47,080 --> 00:25:50,000
Speaker 4: death Jam, and once we include them, now I feel

606
00:25:50,000 --> 00:25:52,879
Speaker 4: like you have to include innerscope and then death throws

607
00:25:52,960 --> 00:25:56,960
Speaker 4: under that after math is it gets weird? Death jam

608
00:25:57,160 --> 00:25:59,119
Speaker 4: is a not a sub label, but should be on

609
00:25:59,119 --> 00:26:00,720
Speaker 4: this list. I just don't know if it's fair to

610
00:26:00,720 --> 00:26:02,520
Speaker 4: put them on the list. I think because to me,

611
00:26:02,560 --> 00:26:04,760
Speaker 4: they're more of the inner scope, like that world.

612
00:26:04,840 --> 00:26:06,600
Speaker 5: Yeah, I think it's better to leave them out. I

613
00:26:06,640 --> 00:26:08,720
Speaker 5: think it makes the bracket easier and more fair.

614
00:26:09,280 --> 00:26:11,280
Speaker 4: But on the same side, I think it's kind of

615
00:26:11,280 --> 00:26:14,640
Speaker 4: fucked up because they were an independent label with run DMCLLO,

616
00:26:14,720 --> 00:26:15,600
Speaker 4: cool J like that.

617
00:26:16,960 --> 00:26:19,560
Speaker 1: Yeah, they turned into the Yeah, they turned.

618
00:26:19,920 --> 00:26:22,800
Speaker 2: But when they started they definitely were like they were

619
00:26:22,840 --> 00:26:25,640
Speaker 2: no different than a CMG or something like that.

620
00:26:25,720 --> 00:26:27,919
Speaker 4: Yeah, because like cash Money started out independent and then

621
00:26:28,000 --> 00:26:31,880
Speaker 4: they signed their deal with Universal. Like, I just feel

622
00:26:31,920 --> 00:26:33,520
Speaker 4: like it's kind of unfair with def Jam because then

623
00:26:33,560 --> 00:26:35,879
Speaker 4: you have to include Interscope and on and I just

624
00:26:35,920 --> 00:26:38,960
Speaker 4: don't think that's very fun. Yeah, because you're just adding

625
00:26:39,119 --> 00:26:40,800
Speaker 4: so much other shit outside of hip hop and R

626
00:26:40,800 --> 00:26:40,960
Speaker 4: and B.

627
00:26:41,080 --> 00:26:43,400
Speaker 1: So def Jam is not a part of this bracket.

628
00:26:43,440 --> 00:26:46,400
Speaker 4: But because yeah, I'd prefer not to put them because

629
00:26:46,440 --> 00:26:48,000
Speaker 4: then I think you'd have to put def Jam and

630
00:26:48,000 --> 00:26:52,840
Speaker 4: then then parentheses eighty five to ninety six or something,

631
00:26:53,280 --> 00:26:54,639
Speaker 4: which I think is kind of weird.

632
00:26:55,320 --> 00:26:56,280
Speaker 3: I agree, I agreed.

633
00:26:56,680 --> 00:27:00,240
Speaker 4: So I know no one ever pays attention are the

634
00:27:00,280 --> 00:27:02,840
Speaker 4: things that we actually say when they want to rage bait,

635
00:27:03,160 --> 00:27:05,000
Speaker 4: maybe we put it somewhere on the bracket, like deaf

636
00:27:05,040 --> 00:27:07,760
Speaker 4: jam is not included. Yeah, but even then they'll read

637
00:27:07,760 --> 00:27:09,480
Speaker 4: that and then be like, yo, they put.

638
00:27:09,400 --> 00:27:13,800
Speaker 1: Deaf jam there. Yeah, but can't win for losing. Let's

639
00:27:13,880 --> 00:27:15,119
Speaker 1: leave that out there.

640
00:27:16,720 --> 00:27:18,160
Speaker 4: What do we think the best way to go about

641
00:27:18,160 --> 00:27:22,280
Speaker 4: this is just start at number ones and go around

642
00:27:22,320 --> 00:27:24,400
Speaker 4: the room of what we think the four number one

643
00:27:24,440 --> 00:27:26,280
Speaker 4: seeds should be out of this list.

644
00:27:26,600 --> 00:27:30,359
Speaker 1: Yeah, yeah, that would probably be the best way to

645
00:27:30,359 --> 00:27:30,680
Speaker 1: do it.

646
00:27:30,760 --> 00:27:32,760
Speaker 4: Okay, So before we get to number ones, I put

647
00:27:32,800 --> 00:27:36,160
Speaker 4: together forty one labels that we have to get down

648
00:27:36,200 --> 00:27:39,080
Speaker 4: to thirty two. Bear with me. I'm just gonna run

649
00:27:39,080 --> 00:27:42,480
Speaker 4: through just so everyone's aware of what's on this list. Death, Throw,

650
00:27:42,520 --> 00:27:45,359
Speaker 4: bad Boy, no Limit, Cash Money, after matth Shady. I

651
00:27:45,359 --> 00:27:49,280
Speaker 4: put together Rockefeller, Rough Riders, Murder, Inc, Soso, Deaf, QC, Dreamville,

652
00:27:49,320 --> 00:27:54,240
Speaker 4: tde Ovo, CMG, MMG, Good Music, why So, Raucous, duck down,

653
00:27:54,280 --> 00:27:58,639
Speaker 4: strange music, h hypnotized minds, Rap, a lot, Stones, Throw, Ruthless, Loud,

654
00:27:58,680 --> 00:28:02,520
Speaker 4: Tommy Boy, guit TP, Empire, Swish a House coad selling

655
00:28:02,560 --> 00:28:08,200
Speaker 4: Grand Hustle, Griselda Rowstrom, three hundred Diplomat, Baby Grange, Uptown.

656
00:28:07,880 --> 00:28:09,920
Speaker 1: Records, rough House ten to seventeen.

657
00:28:12,040 --> 00:28:13,040
Speaker 3: You left YSAF.

658
00:28:13,840 --> 00:28:24,000
Speaker 1: I put YSL there twice this way. Oh okay, I.

659
00:28:19,640 --> 00:28:22,120
Speaker 4: Think I think I covered pretty much everything. I don't

660
00:28:22,119 --> 00:28:24,680
Speaker 4: know how you guys feel about Empire and three hundred

661
00:28:24,720 --> 00:28:27,879
Speaker 4: and labels like that because that kind of bleeds over

662
00:28:27,920 --> 00:28:30,760
Speaker 4: to because they were more of a distribution company. I'm

663
00:28:30,800 --> 00:28:34,840
Speaker 4: fine with leaving three hundred and Empire off this list.

664
00:28:37,640 --> 00:28:39,440
Speaker 1: Yeah, I think Empire.

665
00:28:40,360 --> 00:28:42,560
Speaker 4: Because even three hundred while it is a label, yes

666
00:28:42,560 --> 00:28:46,760
Speaker 4: with Fettigo like migoss QC, but then they did distribution

667
00:28:46,880 --> 00:28:48,719
Speaker 4: with three hundred, Like I just think it just get

668
00:28:48,760 --> 00:28:51,600
Speaker 4: you get in the weeds with Empire and three hundred

669
00:28:51,600 --> 00:28:53,680
Speaker 4: as far as what they're doing as label services.

670
00:28:54,080 --> 00:28:57,240
Speaker 1: So I'm cool with taking them off. So yeah, take

671
00:28:57,240 --> 00:28:59,440
Speaker 1: three hundred and Empire off.

672
00:28:59,640 --> 00:29:00,400
Speaker 4: I'm cool with.

673
00:29:00,360 --> 00:29:02,560
Speaker 1: That, all right.

674
00:29:02,560 --> 00:29:04,200
Speaker 3: So let's start number ones.

675
00:29:07,240 --> 00:29:08,360
Speaker 4: I don't know if I have four where you just

676
00:29:08,400 --> 00:29:15,520
Speaker 4: start the conversation obviously think death Row, bad Boy, Cash Money, Rockefeller.

677
00:29:15,920 --> 00:29:19,480
Speaker 4: So so deaf are all in the conversation for number

678
00:29:19,520 --> 00:29:25,080
Speaker 4: ones where you guys land with four of them? I

679
00:29:25,080 --> 00:29:27,200
Speaker 4: think death Row and bad Boy goes without saying I

680
00:29:27,200 --> 00:29:29,800
Speaker 4: think everyone's fine with those two for Ryan and right

681
00:29:29,840 --> 00:29:30,960
Speaker 4: down as number one seeds.

682
00:29:31,960 --> 00:29:33,960
Speaker 1: It's the other two that I think are more debatable.

683
00:29:33,960 --> 00:29:34,880
Speaker 4: For number one, I.

684
00:29:34,800 --> 00:29:37,560
Speaker 1: Think cash money is there no question. So what would

685
00:29:37,600 --> 00:29:38,080
Speaker 1: be the fourth?

686
00:29:39,600 --> 00:29:43,760
Speaker 4: So Death Row, bad Boy, cash Money, What's number What's

687
00:29:43,840 --> 00:29:45,240
Speaker 4: number four in the number ones?

688
00:29:45,640 --> 00:29:49,680
Speaker 2: It would have to be I'm going Rockefeller. I mean

689
00:29:50,240 --> 00:29:52,000
Speaker 2: I think that goes what I was saying. I'm going

690
00:29:52,080 --> 00:29:55,280
Speaker 2: Rock and Feller, just like you said, based on the

691
00:29:55,280 --> 00:29:59,880
Speaker 2: criteria and culture impact business. Uh you got you know,

692
00:30:00,080 --> 00:30:03,560
Speaker 2: some of the greatest artists of our time from Rockefeller.

693
00:30:04,680 --> 00:30:06,760
Speaker 2: I think, yes, they have to be a number one seed.

694
00:30:08,040 --> 00:30:11,000
Speaker 4: I think they may end up being the best two seed.

695
00:30:11,120 --> 00:30:16,560
Speaker 4: But Loud Records roster is kind of fucking insane.

696
00:30:17,200 --> 00:30:18,560
Speaker 3: Can you tell us some of the people that are

697
00:30:18,600 --> 00:30:18,960
Speaker 3: on it.

698
00:30:19,000 --> 00:30:25,880
Speaker 4: Big, Pun Dead, pres Mob, Deep Wu Tang, three six, Mafia, m.

699
00:30:27,400 --> 00:30:29,200
Speaker 1: Alcoholics.

700
00:30:30,000 --> 00:30:33,520
Speaker 4: It gets kind of nuts when you get into Loud

701
00:30:33,520 --> 00:30:36,600
Speaker 4: and the impact that they had, and from there you

702
00:30:36,640 --> 00:30:40,000
Speaker 4: even get everything Terror Squad derives from what Steve Riff

703
00:30:40,000 --> 00:30:40,680
Speaker 4: can put together.

704
00:30:41,400 --> 00:30:44,480
Speaker 1: I mean, they don't get brought up. I don't have that.

705
00:30:44,480 --> 00:30:46,160
Speaker 1: That's to me, that's not the number one seed.

706
00:30:46,480 --> 00:30:48,240
Speaker 2: We can argue for number one seed, but like you said,

707
00:30:48,240 --> 00:30:51,200
Speaker 2: the number two, they could upset a number one seed. Though.

708
00:30:52,680 --> 00:30:57,400
Speaker 4: Yeah, I just think people could debate against the Rockefeller

709
00:30:57,440 --> 00:30:59,840
Speaker 4: when you have Wu Tang, Big Pun Mob, Deep, the

710
00:31:00,080 --> 00:31:04,960
Speaker 4: beat Nuts, m P three six, Mafia, Twist the Dead

711
00:31:05,000 --> 00:31:08,360
Speaker 4: pres like that's I'm fine with Loud being the best

712
00:31:08,440 --> 00:31:12,360
Speaker 4: number two seed, but I do think someone could argue that.

713
00:31:12,400 --> 00:31:14,680
Speaker 1: But I'm fine with with Rockefeller being a one seed there.

714
00:31:16,160 --> 00:31:18,960
Speaker 4: I'm not saying we're the arbiter of what is right

715
00:31:19,000 --> 00:31:20,680
Speaker 4: and wrong in this. So you guys can kill us

716
00:31:20,680 --> 00:31:22,560
Speaker 4: for putting Rockefeller there and say we have a bias.

717
00:31:23,080 --> 00:31:24,800
Speaker 1: We'll own it at this point, but that's wy. I'm fun.

718
00:31:25,160 --> 00:31:25,720
Speaker 1: I'm fine with that.

719
00:31:25,760 --> 00:31:29,040
Speaker 3: I'll take cash money is including young money.

720
00:31:28,800 --> 00:31:31,000
Speaker 1: Right, I think it does.

721
00:31:31,200 --> 00:31:33,360
Speaker 4: I'm not sure how you could argue that, but same

722
00:31:33,360 --> 00:31:38,720
Speaker 4: way I have Aftermath Shady together. I think that's fairy.

723
00:31:41,200 --> 00:31:45,000
Speaker 1: But yeah, I mean, I mean it is ym CMB right,

724
00:31:45,040 --> 00:31:46,160
Speaker 1: it's cash money.

725
00:31:46,160 --> 00:31:49,520
Speaker 4: It's young money, cash money, so I think you get

726
00:31:49,840 --> 00:31:52,320
Speaker 4: you get young money in that. And to me, I mean,

727
00:31:52,600 --> 00:31:55,480
Speaker 4: let's not get ahead of ourselves. But I'll show my

728
00:31:55,520 --> 00:31:57,240
Speaker 4: bias already. I think cash money is the greatest.

729
00:31:57,040 --> 00:32:00,680
Speaker 1: Label all up. If we're going off what what we're

730
00:32:00,720 --> 00:32:01,360
Speaker 1: saying here.

731
00:32:01,960 --> 00:32:03,720
Speaker 2: No, I'm mad at that they could have been. They

732
00:32:03,720 --> 00:32:04,720
Speaker 2: could be a number one seed.

733
00:32:05,280 --> 00:32:07,800
Speaker 4: No, they are out the gate. We said death Row,

734
00:32:07,840 --> 00:32:10,160
Speaker 4: bad Boy, cash Money. It was that that fourth.

735
00:32:10,000 --> 00:32:11,280
Speaker 1: Number one that we were looking fort.

736
00:32:11,280 --> 00:32:15,360
Speaker 4: It have Rockefeller there, and I am I'm sure that's

737
00:32:15,360 --> 00:32:16,960
Speaker 4: gonna be the one that pisces people off.

738
00:32:16,840 --> 00:32:18,600
Speaker 1: The most, that we just put Rockefeller there.

739
00:32:19,080 --> 00:32:23,640
Speaker 4: But number two seeds, I think after Math Shady is there.

740
00:32:25,120 --> 00:32:27,160
Speaker 4: I think Loud is there.

741
00:32:29,640 --> 00:32:29,960
Speaker 3: Hmm.

742
00:32:31,640 --> 00:32:35,719
Speaker 1: In my opinion, I'm open to after Math Shady.

743
00:32:37,160 --> 00:32:38,440
Speaker 3: I'm not mad at those two.

744
00:32:38,600 --> 00:32:43,680
Speaker 4: Because I mean, granted it's not the the the length

745
00:32:43,720 --> 00:32:47,080
Speaker 4: of the roster with after Mass Shady isn't crazy. But

746
00:32:47,160 --> 00:32:49,960
Speaker 4: you do have all of all of M and m's catalog,

747
00:32:50,880 --> 00:32:54,240
Speaker 4: all of fifty cents catalog. Yeah, that kind of just

748
00:32:54,320 --> 00:32:59,040
Speaker 4: like I get it when you go through other labels

749
00:32:59,080 --> 00:33:00,760
Speaker 4: like Dan actually beat that.

750
00:33:01,280 --> 00:33:06,040
Speaker 1: Yeah it's gonna take. Yeah, that's absolutely insane.

751
00:33:06,720 --> 00:33:09,280
Speaker 3: I'm going through some of these rosters and seeing who

752
00:33:09,440 --> 00:33:10,120
Speaker 3: might want to be, But.

753
00:33:10,160 --> 00:33:14,400
Speaker 4: Like I don't give them all a JUnit because like banks,

754
00:33:14,480 --> 00:33:17,000
Speaker 4: ye all them they put everything under JUnit. Of course,

755
00:33:17,000 --> 00:33:19,680
Speaker 4: it was a subcategory of Aftermath interscope and everything but

756
00:33:20,040 --> 00:33:22,080
Speaker 4: JUnit put out there. Even the Beg for Mercy album

757
00:33:22,200 --> 00:33:25,360
Speaker 4: wasn't Shady Aftermath per se. It was fifties imprint with

758
00:33:25,400 --> 00:33:27,920
Speaker 4: Juni Records. But all of fifty solo shit and all

759
00:33:27,920 --> 00:33:31,800
Speaker 4: of Eminem solo shit is shady Aftermath aftern Like they're

760
00:33:31,840 --> 00:33:35,240
Speaker 4: kind of a number two to me. I don't really know, grant.

761
00:33:35,280 --> 00:33:39,600
Speaker 4: I know Yellow Wolf didn't go crazy, but he wasn't

762
00:33:39,640 --> 00:33:45,080
Speaker 4: fucking with yellow Catfish Billy. It was based on the

763
00:33:45,120 --> 00:33:50,240
Speaker 4: trunk yellow Wolf. I me, you know, white on white

764
00:33:50,240 --> 00:33:50,560
Speaker 4: crime and.

765
00:33:50,720 --> 00:33:54,480
Speaker 1: Hip hop need a little white on white though that

766
00:33:55,160 --> 00:33:57,360
Speaker 1: he's talented, No, definitely is you know, one of the

767
00:33:57,640 --> 00:33:59,200
Speaker 1: weirdest things ever in my entire life.

768
00:33:59,200 --> 00:34:03,720
Speaker 4: I went to some showcase that was like the New

769
00:34:03,800 --> 00:34:06,080
Speaker 4: Shady A forgot it was somewhere on Bleaker or something,

770
00:34:06,600 --> 00:34:12,960
Speaker 4: the New Shady uh Sinees showcase concert and I'm standing

771
00:34:13,000 --> 00:34:16,800
Speaker 4: next to the stage and a drunk Bam Margera comes

772
00:34:16,880 --> 00:34:19,400
Speaker 4: disc like, I think our nose is almost touched, and

773
00:34:19,440 --> 00:34:22,920
Speaker 4: he said, do you Yellowolf go on yet? I could

774
00:34:23,000 --> 00:34:25,840
Speaker 4: smell the wild turk, like just wild turkey hitting my

775
00:34:25,920 --> 00:34:29,760
Speaker 4: face from Bam Margera. I like, nah, man, he almost

776
00:34:29,800 --> 00:34:31,360
Speaker 4: made out with me, is what I'm saying. So I

777
00:34:31,360 --> 00:34:34,120
Speaker 4: think that's why a PTSD with yellow Wolf, I just

778
00:34:34,680 --> 00:34:41,320
Speaker 4: I think of BAM all right, So aftermath loud uh,

779
00:34:41,440 --> 00:34:46,799
Speaker 4: I'll throw it out. The number two seeds, number two seeds? Man,

780
00:34:46,880 --> 00:34:50,760
Speaker 4: what're we doing with QC, What we're doing with TDE

781
00:34:51,640 --> 00:34:55,120
Speaker 4: as a New York what we're doing with TD mm

782
00:34:55,200 --> 00:34:56,960
Speaker 4: hm as a New Yorker.

783
00:34:57,600 --> 00:35:00,040
Speaker 5: I think we sleep in our rough riders. But this

784
00:35:00,200 --> 00:35:02,200
Speaker 5: New York bias, that's my New York bias.

785
00:35:02,239 --> 00:35:04,560
Speaker 4: I hear because because I also think no limit could

786
00:35:04,560 --> 00:35:07,799
Speaker 4: be in that conversation as well. The two seed, This

787
00:35:07,960 --> 00:35:10,840
Speaker 4: was my The scariest category to me was the two seeds. Yeah,

788
00:35:10,920 --> 00:35:14,200
Speaker 4: because I really think you could put I think QC

789
00:35:14,400 --> 00:35:17,719
Speaker 4: is a solid three seed. TD, I think you could

790
00:35:17,840 --> 00:35:21,000
Speaker 4: argue is a number two seed as far as the

791
00:35:21,000 --> 00:35:24,680
Speaker 4: criteria that we have up there. Okay, look at their

792
00:35:24,960 --> 00:35:29,479
Speaker 4: like as far as as far as modern labels go, TD,

793
00:35:29,800 --> 00:35:32,840
Speaker 4: it's TD and QC. No dispect to Ovo and Dreamville.

794
00:35:32,840 --> 00:35:35,120
Speaker 4: I think they both have had their great moments. I

795
00:35:35,160 --> 00:35:37,080
Speaker 4: love what Dreamville does with all their artists. I think

796
00:35:37,120 --> 00:35:40,080
Speaker 4: it's incredible. But you talk about impact. QC and TDE

797
00:35:41,040 --> 00:35:44,520
Speaker 4: you could argue are right up there with all these

798
00:35:44,640 --> 00:35:46,080
Speaker 4: amazing but all of.

799
00:35:46,040 --> 00:35:48,280
Speaker 3: Their impact is coming from what three artists.

800
00:35:51,080 --> 00:35:53,800
Speaker 1: I mean, sometimes it's so unique.

801
00:35:53,800 --> 00:35:56,640
Speaker 4: We just said shady Astromac with fifty and Eminem, Kendrick

802
00:35:56,680 --> 00:36:01,719
Speaker 4: and Sizza, like yeah, and let's not act like Schoolboy

803
00:36:01,920 --> 00:36:04,680
Speaker 4: hasn't had hits that have charted crazy before.

804
00:36:05,160 --> 00:36:07,359
Speaker 5: Sure, but not in comparison until a lot of these

805
00:36:07,719 --> 00:36:10,000
Speaker 5: are like school Boy in comparison to a lot of

806
00:36:10,000 --> 00:36:11,839
Speaker 5: these other artists that we're looking for at a number

807
00:36:11,880 --> 00:36:12,360
Speaker 5: two seeds.

808
00:36:12,480 --> 00:36:14,760
Speaker 4: If everyone listening this isn't hate, we think no, everyone

809
00:36:14,840 --> 00:36:16,799
Speaker 4: on TD's roster is incredible.

810
00:36:17,280 --> 00:36:18,920
Speaker 1: Just talking about more so the criteria.

811
00:36:19,440 --> 00:36:21,720
Speaker 4: But we have to be consistent in our argument because

812
00:36:22,000 --> 00:36:26,440
Speaker 4: if we're saying this about aftermath, you can put Kendrick

813
00:36:26,480 --> 00:36:32,040
Speaker 4: and Sissa in a conversation of Eminem and fifty. True

814
00:36:33,440 --> 00:36:36,200
Speaker 4: and the longevity that they've had. What's about death Row?

815
00:36:36,239 --> 00:36:37,360
Speaker 4: Death Row was how many years?

816
00:36:38,160 --> 00:36:38,520
Speaker 3: TDE?

817
00:36:39,920 --> 00:36:43,759
Speaker 4: When did they start? And they're still going. They got

818
00:36:43,920 --> 00:36:48,840
Speaker 4: Doci now, who's clearly making noise is still the biggest

819
00:36:48,920 --> 00:36:52,560
Speaker 4: R and B artist in the world. Yeah, two thousand

820
00:36:52,560 --> 00:36:56,719
Speaker 4: and four with black people with Abso Kadi and j Rock.

821
00:36:57,080 --> 00:36:59,040
Speaker 3: So you're thinking about putting them as a number two seed,

822
00:37:00,200 --> 00:37:01,520
Speaker 3: kind of feel like they need to be there.

823
00:37:02,120 --> 00:37:05,200
Speaker 1: It's hard to it's hard to not have them. There's

824
00:37:05,239 --> 00:37:06,040
Speaker 1: a number two seeds.

825
00:37:07,840 --> 00:37:11,320
Speaker 4: But then we have to make a decision between no limit.

826
00:37:15,280 --> 00:37:18,560
Speaker 4: I hear you on rough Riders, but so so death

827
00:37:18,640 --> 00:37:23,399
Speaker 4: has to be there too, right Ah no no no.

828
00:37:23,280 --> 00:37:23,759
Speaker 2: No, no no no no.

829
00:37:24,400 --> 00:37:26,759
Speaker 1: Hear me out. Hear me out, hear me out. I

830
00:37:26,760 --> 00:37:28,319
Speaker 1: don't know why I didn't yawn.

831
00:37:28,560 --> 00:37:31,399
Speaker 5: I didn't yawn, I said, because I wanted to put

832
00:37:31,400 --> 00:37:33,000
Speaker 5: Social Deaf as a number two. And then I went

833
00:37:33,040 --> 00:37:37,879
Speaker 5: back and looked at the roster and it's like, impact is.

834
00:37:37,840 --> 00:37:43,680
Speaker 1: There, Escape, Jagged Edge, Criss Cross, I mean, Anthony Hamilton,

835
00:37:44,239 --> 00:37:47,359
Speaker 1: Franchise Boys. I mean, it's the impact is there. There's

836
00:37:47,400 --> 00:37:48,080
Speaker 1: a lot of records.

837
00:37:48,120 --> 00:37:50,480
Speaker 4: So was Criss Cross on Social Death or that was

838
00:37:50,520 --> 00:37:54,279
Speaker 4: just before Katie started j D. I'm sorry, started Social Death.

839
00:37:54,680 --> 00:37:59,239
Speaker 3: Katie is Actually I know my badge, but I think.

840
00:37:59,200 --> 00:38:00,799
Speaker 1: It had to be social Okay.

841
00:38:00,840 --> 00:38:03,160
Speaker 4: So if you're looking at the longevity and impact of

842
00:38:03,200 --> 00:38:07,799
Speaker 4: what Soso Depth did for almost twenty years, like going

843
00:38:07,800 --> 00:38:10,879
Speaker 4: from Crisscross to Jagged Edge is nuts for sure.

844
00:38:12,800 --> 00:38:14,360
Speaker 1: Yeah. See this is where I knew too. It was

845
00:38:14,400 --> 00:38:16,880
Speaker 1: gonna be our longest debate. So where are we at now?

846
00:38:16,880 --> 00:38:23,080
Speaker 1: We have aftermath? I mean it's so deaf above TD.

847
00:38:25,040 --> 00:38:29,440
Speaker 2: Technically the Crisscross wasn't it was Sony but okay, I

848
00:38:29,480 --> 00:38:30,520
Speaker 2: mean that was JD though.

849
00:38:31,320 --> 00:38:33,120
Speaker 4: All right, but let's let's let's at least try to

850
00:38:33,160 --> 00:38:35,440
Speaker 4: just keep within the parameters of it.

851
00:38:35,480 --> 00:38:37,280
Speaker 1: Had to come out on that, because then we'll start.

852
00:38:37,040 --> 00:38:39,680
Speaker 4: To get into yeah, because then you can start saying

853
00:38:40,040 --> 00:38:42,520
Speaker 4: Drake is technically wrap a lot and cash money.

854
00:38:42,600 --> 00:38:45,840
Speaker 1: Yeah, yeah, then you just get in a weird place. Yeah.

855
00:38:45,880 --> 00:38:51,440
Speaker 4: So all right, well either way, okay, I can come

856
00:38:51,520 --> 00:38:56,200
Speaker 4: up off the TD for three so so deaf aftermath

857
00:38:58,560 --> 00:38:59,040
Speaker 4: no limit?

858
00:39:00,360 --> 00:39:06,080
Speaker 1: And then what would be our fourth? That's rough, loud,

859
00:39:08,320 --> 00:39:10,120
Speaker 1: damn we not no good music.

860
00:39:11,719 --> 00:39:15,120
Speaker 4: I'm gonna say something very blasphemous and pardon my white face,

861
00:39:15,880 --> 00:39:17,000
Speaker 4: but I'll take the brunt of it.

862
00:39:18,239 --> 00:39:19,320
Speaker 1: I keep saying no limit.

863
00:39:19,360 --> 00:39:23,520
Speaker 4: As a number two seed with such confidence, they had

864
00:39:23,520 --> 00:39:27,279
Speaker 4: a huge impact. Master Piece made more money than damn

865
00:39:27,320 --> 00:39:29,000
Speaker 4: there every single rap mobile.

866
00:39:29,600 --> 00:39:34,000
Speaker 2: Get all that out, get all that masterpiece alleged. If

867
00:39:34,000 --> 00:39:36,440
Speaker 2: we're being consistent and just one of my favorite cities.

868
00:39:40,719 --> 00:39:44,120
Speaker 2: Salute to Holly Grows.

869
00:39:44,200 --> 00:39:52,400
Speaker 4: Yeah, yeah, yeah, mm hmmm the Calio. If we're staying consistent,

870
00:39:52,440 --> 00:39:54,200
Speaker 4: which I'm fine with those two artists that can carry

871
00:39:54,200 --> 00:39:58,120
Speaker 4: a whole label. I don't know if No Limit is

872
00:39:58,120 --> 00:40:00,720
Speaker 4: seeing rough Riders when you get in to the locks

873
00:40:00,840 --> 00:40:05,080
Speaker 4: DMX and Eve, yeah, regional bias, and I know the

874
00:40:05,120 --> 00:40:08,040
Speaker 4: locks A big majority of their hits are on bad Boy.

875
00:40:08,120 --> 00:40:11,520
Speaker 4: I'm not counting bad Boy locks, but you still have

876
00:40:11,640 --> 00:40:13,880
Speaker 4: hits with the locks. With Rough Riders.

877
00:40:14,040 --> 00:40:15,680
Speaker 1: DMX, I think goes without saying.

878
00:40:15,680 --> 00:40:16,799
Speaker 4: I don't need to explain that one.

879
00:40:18,200 --> 00:40:19,880
Speaker 3: And Eve's run was fucking nuts.

880
00:40:20,280 --> 00:40:22,400
Speaker 1: Yeah, I don't know.

881
00:40:22,440 --> 00:40:24,560
Speaker 4: If I don't know Silk the shockers seeing Eve, I'm

882
00:40:24,560 --> 00:40:25,280
Speaker 4: just gonna be honest.

883
00:40:25,760 --> 00:40:28,120
Speaker 2: I'm putting I'm putting Rough Riders as a number two

884
00:40:28,160 --> 00:40:29,000
Speaker 2: seed over No Limit.

885
00:40:30,000 --> 00:40:34,200
Speaker 4: I'm coming They're gonna cause so regionallyous.

886
00:40:33,760 --> 00:40:36,760
Speaker 2: Just basically what you just said, though, definitely are we

887
00:40:36,760 --> 00:40:40,560
Speaker 2: we're talking about impact who not many, not many labels

888
00:40:40,800 --> 00:40:43,360
Speaker 2: have had an artist that has had the impact of DMX.

889
00:40:43,440 --> 00:40:44,360
Speaker 1: Let's just start there.

890
00:40:44,840 --> 00:40:48,480
Speaker 4: No artist period A look at the woodstock footage of DMX, right.

891
00:40:48,360 --> 00:40:50,680
Speaker 1: So I mean listen that alone, you know what I mean.

892
00:40:50,719 --> 00:40:53,360
Speaker 2: Like, we love No Limit, we love master P, we

893
00:40:53,360 --> 00:40:57,319
Speaker 2: love Silk, we love all of those guys, but we're

894
00:40:57,320 --> 00:40:59,799
Speaker 2: talking about DMX like.

895
00:41:00,400 --> 00:41:03,880
Speaker 4: I think no I think No Limit is more important

896
00:41:03,920 --> 00:41:06,200
Speaker 4: for its business model than it was for its artists.

897
00:41:06,560 --> 00:41:07,280
Speaker 1: That makes sense.

898
00:41:07,440 --> 00:41:10,480
Speaker 4: Like I think Masterp deserves all the flowers in the

899
00:41:10,480 --> 00:41:13,400
Speaker 4: world as one of the greatest execs in music period,

900
00:41:13,440 --> 00:41:17,080
Speaker 4: not just rap. I just think their business model is

901
00:41:17,120 --> 00:41:20,960
Speaker 4: more impactful than what their music was because cash money

902
00:41:21,040 --> 00:41:23,400
Speaker 4: is impactful on that side as well. Whether you agree

903
00:41:23,560 --> 00:41:26,160
Speaker 4: or disagree with their business practices, but they also have

904
00:41:26,239 --> 00:41:29,600
Speaker 4: the music for twenty years to back it up to.

905
00:41:29,920 --> 00:41:33,680
Speaker 1: Yeah, of course No Limit got it.

906
00:41:34,640 --> 00:41:36,960
Speaker 4: Snoop had a couple of projects that I get cool,

907
00:41:37,040 --> 00:41:39,200
Speaker 4: but I don't know if they're number two.

908
00:41:39,200 --> 00:41:39,359
Speaker 1: Man.

909
00:41:39,600 --> 00:41:41,880
Speaker 4: I kind of take back everything I said, but putting

910
00:41:41,920 --> 00:41:43,440
Speaker 4: rough Riders there, we are going to get killed.

911
00:41:43,480 --> 00:41:45,760
Speaker 1: I want to make that clear because.

912
00:41:45,560 --> 00:41:48,480
Speaker 4: Somebody would argue, somebody would argue rap a lot could

913
00:41:48,520 --> 00:41:54,200
Speaker 4: compete with rough Riders, Pull up roster for me, because

914
00:41:54,239 --> 00:41:58,920
Speaker 4: you're starting with ghetto boys, scarface. Everything Houston period outside

915
00:41:58,960 --> 00:42:00,719
Speaker 4: of what Swisher House did was was rap a lot.

916
00:42:01,120 --> 00:42:05,520
Speaker 2: K zero traded truth the dude do the big Mike

917
00:42:05,880 --> 00:42:09,200
Speaker 2: fift Ward boys, you.

918
00:42:09,200 --> 00:42:11,560
Speaker 4: Get you get Mike Dean from rap a Lot, you

919
00:42:11,640 --> 00:42:15,680
Speaker 4: get a lot of ship from rap a Lot. And

920
00:42:15,760 --> 00:42:17,560
Speaker 4: I mean, of course we're staying in the boundaries of

921
00:42:17,840 --> 00:42:20,399
Speaker 4: what was released and what wasn't. But I mean you

922
00:42:20,480 --> 00:42:22,319
Speaker 4: Drake is part of the rap a Lot tree as well.

923
00:42:25,520 --> 00:42:30,000
Speaker 4: Drake we signed with with J Prince's son before he

924
00:42:30,080 --> 00:42:30,640
Speaker 4: was signed with cash.

925
00:42:30,680 --> 00:42:31,400
Speaker 1: What do you get it?

926
00:42:31,440 --> 00:42:35,400
Speaker 3: But no, yeah, fair, fair, fair, I'm just saying impact.

927
00:42:34,920 --> 00:42:39,960
Speaker 1: Of this tie there is but no. But yeah, we

928
00:42:40,040 --> 00:42:41,480
Speaker 1: go like this, how.

929
00:42:41,320 --> 00:42:43,520
Speaker 4: Come we haven't gotten us this hat yet?

930
00:42:44,000 --> 00:42:45,640
Speaker 1: You know I want I want that hat. No you don't.

931
00:42:47,160 --> 00:42:51,160
Speaker 1: You don't even wear hats i'd wear in Houston just.

932
00:42:51,080 --> 00:42:54,279
Speaker 4: To be safe, all right, Yeah, we just got to

933
00:42:54,280 --> 00:42:58,840
Speaker 4: make it. Make a decision here, uh we all we

934
00:42:58,920 --> 00:43:04,480
Speaker 4: all agree on so it's rough riders right now. We

935
00:43:04,520 --> 00:43:08,759
Speaker 4: agree on shady, we agree on loud, we agree on

936
00:43:08,800 --> 00:43:09,359
Speaker 4: so so deaf?

937
00:43:10,560 --> 00:43:12,040
Speaker 1: What is what is this last one?

938
00:43:14,160 --> 00:43:14,239
Speaker 4: Oh?

939
00:43:14,320 --> 00:43:16,480
Speaker 3: Wait, murder inking in the conversation.

940
00:43:16,480 --> 00:43:20,560
Speaker 1: I think murder inc is us number one? Three? Wait

941
00:43:20,400 --> 00:43:23,680
Speaker 1: wait wait wait wait wait we don't have TD off

942
00:43:23,719 --> 00:43:24,319
Speaker 1: the board yet.

943
00:43:24,520 --> 00:43:26,239
Speaker 3: We were arguing if they were number two.

944
00:43:26,840 --> 00:43:28,640
Speaker 1: TD is a number two seed? What what the fuck are

945
00:43:28,680 --> 00:43:30,759
Speaker 1: we talking? All right? Cool, all right, cool, all right,

946
00:43:30,800 --> 00:43:32,359
Speaker 1: So it's staying here.

947
00:43:33,040 --> 00:43:36,720
Speaker 4: Our two seeds are TD Loud Records, so so deaf

948
00:43:37,080 --> 00:43:38,000
Speaker 4: and shady afterbath.

949
00:43:38,840 --> 00:43:41,840
Speaker 2: Okay, TD has to be a two seed.

950
00:43:42,120 --> 00:43:42,960
Speaker 1: I agree, I agree.

951
00:43:43,320 --> 00:43:47,479
Speaker 2: You got Kendrick insisted, Like, I mean, we're talking about

952
00:43:47,520 --> 00:43:50,560
Speaker 2: impact business model, like everything TOP has done over there since.

953
00:43:50,360 --> 00:43:51,120
Speaker 1: Two thousand and four.

954
00:43:51,200 --> 00:43:54,000
Speaker 2: Like, I agree, they're a number two seed, bro, Like,

955
00:43:54,600 --> 00:43:56,800
Speaker 2: there's not arguably could be a number one seed.

956
00:43:57,640 --> 00:43:59,120
Speaker 1: Yeah, you know what I'm saying. So we can't. They

957
00:43:59,120 --> 00:44:01,640
Speaker 1: can't fall to the to a third seat. Yeah, that's

958
00:44:01,680 --> 00:44:02,160
Speaker 1: just crazy.

959
00:44:02,480 --> 00:44:03,839
Speaker 4: And I was thinking we was going to get killed

960
00:44:03,880 --> 00:44:05,480
Speaker 4: for the Rockefeller thing. But I just want to note

961
00:44:05,520 --> 00:44:09,920
Speaker 4: that seventy percent or eighty percent of Kanye West catalog

962
00:44:10,000 --> 00:44:12,800
Speaker 4: is Rockefeller, So please leave me alone with that regional biashit.

963
00:44:13,000 --> 00:44:13,200
Speaker 1: Yeah.

964
00:44:13,600 --> 00:44:15,800
Speaker 4: Well, one of the greatest sosographies of all time outside

965
00:44:15,840 --> 00:44:18,000
Speaker 4: of Jay Z's, there's another artist named Kanye West.

966
00:44:18,600 --> 00:44:21,600
Speaker 5: Yeah, the majority of That's why Good Music has not

967
00:44:21,680 --> 00:44:24,120
Speaker 5: been selected yet because the majority of Kanye's albums are

968
00:44:24,120 --> 00:44:25,400
Speaker 5: not released under Good Music.

969
00:44:26,200 --> 00:44:30,120
Speaker 4: No well yet, Today's show is brought to you by

970
00:44:30,160 --> 00:44:33,880
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971
00:44:33,960 --> 00:44:37,680
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972
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974
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975
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984
00:45:06,400 --> 00:45:09,080
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985
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986
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990
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994
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995
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997
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998
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999
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1000
00:45:51,239 --> 00:45:55,640
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1001
00:45:55,680 --> 00:45:56,400
Speaker 2: and Virginia.

1002
00:46:02,080 --> 00:46:04,200
Speaker 4: All right, For the rest of the bracket, you can

1003
00:46:04,239 --> 00:46:06,400
Speaker 4: go to any of our socials. Will be posted with

1004
00:46:06,560 --> 00:46:08,600
Speaker 4: the link to the full bracket where you can also

1005
00:46:08,760 --> 00:46:11,960
Speaker 4: vote for the first rounds, and all the information will

1006
00:46:11,960 --> 00:46:16,320
Speaker 4: be on x Instagram somehow, maybe we'll get it on TikTok.

1007
00:46:16,360 --> 00:46:19,160
Speaker 1: Who knows who you have money of?

1008
00:46:19,880 --> 00:46:22,560
Speaker 4: Like our label bracket that we just did. I think

1009
00:46:22,600 --> 00:46:26,480
Speaker 4: cash money should win in my opinion. I don't know

1010
00:46:26,520 --> 00:46:31,160
Speaker 4: if it will win, but judging by like you know,

1011
00:46:31,160 --> 00:46:34,520
Speaker 4: because we look at our our data in our demo,

1012
00:46:34,760 --> 00:46:39,400
Speaker 4: the Northeast is the heaviest like listenership for us. So

1013
00:46:39,520 --> 00:46:44,280
Speaker 4: like Rockefeller could squeak through, I could see it happening.

1014
00:46:43,440 --> 00:46:47,280
Speaker 1: The cinderrolla story.

1015
00:46:47,480 --> 00:46:50,000
Speaker 4: If it means I can get a pass from Biggs,

1016
00:46:50,040 --> 00:46:51,560
Speaker 4: then yeah, I hope Rockefeller wins.

1017
00:46:51,680 --> 00:46:53,399
Speaker 3: Bruh.

1018
00:46:53,480 --> 00:46:55,880
Speaker 1: While we were recording, I can't tell you no.

1019
00:46:57,239 --> 00:46:59,800
Speaker 4: While we were recording, jay Z has just been announcing

1020
00:47:00,000 --> 00:47:04,680
Speaker 4: answer dates like he's a new artist. Every time I

1021
00:47:04,719 --> 00:47:08,640
Speaker 4: opened my phone, He's a new artist. Where's he performing next?

1022
00:47:09,080 --> 00:47:10,640
Speaker 1: Well, he'll be falling in the Bronx.

1023
00:47:10,760 --> 00:47:14,200
Speaker 2: He saved him two nights for the Reasonable Doubt thirty

1024
00:47:14,239 --> 00:47:20,960
Speaker 2: anniversary and then Blueprint Blueprint twenty five anniversary.

1025
00:47:21,080 --> 00:47:23,960
Speaker 4: I knew that the years that they came out, but

1026
00:47:24,040 --> 00:47:25,960
Speaker 4: I guess I never realized that that's there was only

1027
00:47:26,000 --> 00:47:28,279
Speaker 4: a five year difference between those, which is like kind

1028
00:47:28,320 --> 00:47:32,040
Speaker 4: of insane that jay Z was by famous standards and

1029
00:47:32,040 --> 00:47:34,520
Speaker 4: an absolute nobody and then five years later was at

1030
00:47:34,560 --> 00:47:38,080
Speaker 4: like the peak of rap. It's crazy and the amount

1031
00:47:38,120 --> 00:47:40,440
Speaker 4: of albums he put in between those two, like I

1032
00:47:40,480 --> 00:47:43,960
Speaker 4: almost look at Blueprint like he's getting he's getting old

1033
00:47:44,160 --> 00:47:45,080
Speaker 4: at the end of his career.

1034
00:47:45,440 --> 00:47:47,440
Speaker 1: I cannot believe it's only five years.

1035
00:47:47,200 --> 00:47:50,160
Speaker 2: The interesting thing is Reasonable Doubt was the first album, obviously,

1036
00:47:50,920 --> 00:47:53,880
Speaker 2: and it was so overlooked. Yeah, when he first dropped,

1037
00:47:53,920 --> 00:47:55,719
Speaker 2: like he could have just did one night with just

1038
00:47:55,960 --> 00:47:58,960
Speaker 2: thirty University of Reasonable Doubt, and obviously it's going to

1039
00:47:59,040 --> 00:48:01,080
Speaker 2: sell out. But the fact that, like you said, five

1040
00:48:01,120 --> 00:48:04,400
Speaker 2: years later he puts out the Blueprint on nine to.

1041
00:48:04,360 --> 00:48:08,240
Speaker 4: Eleven, jay Z could do spoken word in right fields

1042
00:48:08,239 --> 00:48:09,200
Speaker 4: and it would select.

1043
00:48:11,600 --> 00:48:12,560
Speaker 1: I don't know what you're talking.

1044
00:48:12,840 --> 00:48:13,120
Speaker 4: Yeah.

1045
00:48:13,239 --> 00:48:15,319
Speaker 3: Yeah, he had your result and Blueprint just to make

1046
00:48:15,320 --> 00:48:15,560
Speaker 3: it one.

1047
00:48:15,719 --> 00:48:17,440
Speaker 1: He didn't have to, That's what he didn't have to.

1048
00:48:17,480 --> 00:48:19,759
Speaker 1: But it's just it's easy.

1049
00:48:20,840 --> 00:48:23,160
Speaker 2: His first album that was so overlooked is the album

1050
00:48:23,200 --> 00:48:25,120
Speaker 2: that everybody probably loves the most.

1051
00:48:25,120 --> 00:48:30,400
Speaker 4: Oh yeah, no, for sure, Square Up, Square up you

1052
00:48:30,520 --> 00:48:34,760
Speaker 4: me and you Square up You.

1053
00:48:34,760 --> 00:48:38,040
Speaker 3: You knew what we pressed what you knew?

1054
00:48:38,440 --> 00:48:41,839
Speaker 5: Of course I knew, but we pressed you even off

1055
00:48:41,920 --> 00:48:43,520
Speaker 5: Mike as like your friends.

1056
00:48:43,680 --> 00:48:46,320
Speaker 3: We pressed you and you didn't tell us like anything.

1057
00:48:46,680 --> 00:48:48,840
Speaker 1: Shit, I don't leak nothing.

1058
00:48:49,520 --> 00:48:51,440
Speaker 5: We could have we would have signed then NDA. You

1059
00:48:51,440 --> 00:48:52,480
Speaker 5: would have signed the NDA right.

1060
00:48:52,520 --> 00:48:53,920
Speaker 2: Really, I wouldn't tell you how to sign India. I

1061
00:48:53,920 --> 00:48:57,279
Speaker 2: just wouldn't say ship. See see how that works. That's

1062
00:48:57,320 --> 00:48:57,799
Speaker 2: fucked up.

1063
00:48:58,200 --> 00:49:00,640
Speaker 1: How I'm gonna say? Yoh yeah, nah?

1064
00:49:00,680 --> 00:49:05,960
Speaker 2: Jay's doing shows in New York And then what what was?

1065
00:49:07,480 --> 00:49:09,880
Speaker 1: He got a job at Yankee Stadium for the tickets.

1066
00:49:10,560 --> 00:49:12,320
Speaker 4: My plan was to figure out when the next event

1067
00:49:12,360 --> 00:49:15,000
Speaker 4: at Yankee Stadium is and then hide in the bathroom

1068
00:49:15,080 --> 00:49:15,560
Speaker 4: until July.

1069
00:49:16,640 --> 00:49:18,160
Speaker 3: Okay, just like the last stall.

1070
00:49:18,880 --> 00:49:21,600
Speaker 4: Just like, bring a backpack of snacks and just see

1071
00:49:21,800 --> 00:49:22,799
Speaker 4: how long I can make it.

1072
00:49:22,960 --> 00:49:25,840
Speaker 5: Or you have time to dig a secret passageway. That

1073
00:49:25,840 --> 00:49:28,080
Speaker 5: could work too, something because the shits is gonna be

1074
00:49:28,080 --> 00:49:28,680
Speaker 5: off the charts.

1075
00:49:28,880 --> 00:49:33,640
Speaker 4: I could try to long jump from the platform.

1076
00:49:32,200 --> 00:49:34,480
Speaker 2: Or just keep riding the Ford train and hopefully get

1077
00:49:34,520 --> 00:49:34,920
Speaker 2: a glimpse.

1078
00:49:35,840 --> 00:49:36,480
Speaker 3: Just back and forth.

1079
00:49:36,560 --> 00:49:38,320
Speaker 1: Just go to Hunt sixty first sixty seven.

1080
00:49:38,280 --> 00:49:40,480
Speaker 3: Just keep going, jacket running back and forth.

1081
00:49:41,080 --> 00:49:42,760
Speaker 1: Just keep going back and forth. You catch a glimpse

1082
00:49:42,760 --> 00:49:43,400
Speaker 1: of you going on?

1083
00:49:45,239 --> 00:49:47,920
Speaker 3: Yeah, to all three I mean to all three shows.

1084
00:49:48,440 --> 00:49:50,240
Speaker 1: I don't know about I don't know about Roots Picnic.

1085
00:49:50,280 --> 00:49:51,120
Speaker 1: See what I'm doing that day?

1086
00:49:51,160 --> 00:49:52,360
Speaker 2: Yeah, I don't know. I don't know if I'm going

1087
00:49:52,400 --> 00:49:53,799
Speaker 2: to Roots. I don't really you know, I'm not a

1088
00:49:53,800 --> 00:49:55,480
Speaker 2: festival person. I don't really like festivals.

1089
00:49:55,800 --> 00:49:58,480
Speaker 3: Roots is the probably the best running.

1090
00:49:58,280 --> 00:50:01,239
Speaker 1: Festival though, Oh yeah, for sure. But I just throw

1091
00:50:01,280 --> 00:50:01,600
Speaker 1: where to go.

1092
00:50:01,640 --> 00:50:03,520
Speaker 2: To one Roots to be I think you're it's just

1093
00:50:03,600 --> 00:50:05,960
Speaker 2: like too it's gonna be too many people in the field.

1094
00:50:06,040 --> 00:50:07,960
Speaker 1: I have to walk all overhead and go back, and

1095
00:50:08,000 --> 00:50:09,719
Speaker 1: this is just I don't want to go over that.

1096
00:50:10,000 --> 00:50:13,319
Speaker 2: Okay, Yankee Stadium is a little more like pull up,

1097
00:50:13,640 --> 00:50:16,279
Speaker 2: go in, leave home.

1098
00:50:17,000 --> 00:50:19,960
Speaker 4: Yeah, I think I think my best shot is Roots.

1099
00:50:21,160 --> 00:50:25,080
Speaker 4: I emailed every talent agency in the world, w and

1100
00:50:25,160 --> 00:50:31,040
Speaker 4: me said, every last one. I emailed Quest Love's assistant,

1101
00:50:31,239 --> 00:50:34,279
Speaker 4: Black Thoughts, little Brother, anyone that's been in the Roots band.

1102
00:50:34,840 --> 00:50:36,960
Speaker 4: I'm getting into that fucking festival.

1103
00:50:37,200 --> 00:50:41,360
Speaker 1: Anyone that supported the Roots. I DM Scott Storage, you

1104
00:50:41,400 --> 00:50:43,359
Speaker 1: know high Water.

1105
00:50:44,239 --> 00:50:45,960
Speaker 4: But I mean, I haven't missed the Roots. I think

1106
00:50:46,000 --> 00:50:48,840
Speaker 4: I've only missed one Roots picnic ever, so I was

1107
00:50:48,840 --> 00:50:51,680
Speaker 4: probably gonna go regardless. Obviously this changes things drastically when

1108
00:50:51,680 --> 00:50:54,120
Speaker 4: it's jay Z and Erica, But I do co headlining

1109
00:50:54,160 --> 00:50:57,160
Speaker 4: for two days. But I don't even know if I'm

1110
00:50:57,200 --> 00:50:59,120
Speaker 4: not evenna try to play myself with the Yankee Stadium one.

1111
00:50:59,120 --> 00:51:00,960
Speaker 4: I'm gonna try to get in the ticket queue and

1112
00:51:01,000 --> 00:51:03,759
Speaker 4: just buy tickets. But I would never ask anyone for

1113
00:51:03,760 --> 00:51:04,240
Speaker 4: those tickets.

1114
00:51:04,280 --> 00:51:06,160
Speaker 1: That is probably the best bet. I'm not really, I'm

1115
00:51:06,160 --> 00:51:07,839
Speaker 1: just trying to buy tickets. People know me. I don't

1116
00:51:07,840 --> 00:51:08,640
Speaker 1: ask nobody for shit.

1117
00:51:08,680 --> 00:51:10,239
Speaker 2: I always buy tickets, Like, if I want to go

1118
00:51:10,280 --> 00:51:11,680
Speaker 2: somewhere bad enough, I'll buy tickets.

1119
00:51:11,680 --> 00:51:17,000
Speaker 1: You buying tickets to that? Yeah for sure? Okay, yeah,

1120
00:51:17,000 --> 00:51:19,800
Speaker 1: I'm buying to. I don't ask somebody for tickets. Okay,

1121
00:51:19,840 --> 00:51:21,120
Speaker 1: you know, you know I don't ask some one.

1122
00:51:21,200 --> 00:51:22,840
Speaker 5: I know you don't ask nobody for tickets. But I

1123
00:51:22,880 --> 00:51:24,640
Speaker 5: don't know if like there was like a family like

1124
00:51:24,719 --> 00:51:26,160
Speaker 5: hitting list that like bigs just.

1125
00:51:26,120 --> 00:51:28,000
Speaker 1: Put you hard. Even if it is, I don't. I'm

1126
00:51:28,000 --> 00:51:30,040
Speaker 1: not even thinking about it, not that I.

1127
00:51:30,040 --> 00:51:32,680
Speaker 4: Would ever text Lennys or even text bigs for that matter,

1128
00:51:34,120 --> 00:51:36,600
Speaker 4: before even that thought would cross my mind. They both

1129
00:51:36,680 --> 00:51:40,120
Speaker 4: posted on their instagrams. Lenny said, I'm sorry, but these

1130
00:51:40,160 --> 00:51:42,200
Speaker 4: are not the Lenny s shows. I wish they are,

1131
00:51:42,280 --> 00:51:44,759
Speaker 4: but they're not. One is that roots fix the show

1132
00:51:44,800 --> 00:51:47,480
Speaker 4: and jay Z is headlining as a guest performer. Yankee

1133
00:51:47,520 --> 00:51:49,400
Speaker 4: Stadium is a jay Z show again, it's not a

1134
00:51:49,480 --> 00:51:51,680
Speaker 4: Lennys show for the people have hit my phone. I

1135
00:51:51,680 --> 00:51:54,080
Speaker 4: do not have access to free tickets. I'm hoping I

1136
00:51:54,120 --> 00:51:56,400
Speaker 4: can get in myself and.

1137
00:51:56,880 --> 00:52:00,400
Speaker 1: That's the best way to do it. And then I

1138
00:52:00,400 --> 00:52:02,080
Speaker 1: think Biggs just hit him with a crazy lie like

1139
00:52:02,239 --> 00:52:05,239
Speaker 1: I'm not gonna be in town, which is probably not

1140
00:52:05,280 --> 00:52:06,719
Speaker 1: a lie. That's the funny shit.

1141
00:52:06,920 --> 00:52:09,839
Speaker 4: I mean if obviously Biggs is busy, has other things

1142
00:52:09,840 --> 00:52:12,359
Speaker 4: going on, but I don't think he'd miss at least

1143
00:52:12,360 --> 00:52:15,239
Speaker 4: a Reasonable Doubt show for sure, because that's like so

1144
00:52:15,360 --> 00:52:15,920
Speaker 4: much part.

1145
00:52:15,719 --> 00:52:16,280
Speaker 1: Of his story.

1146
00:52:16,480 --> 00:52:19,080
Speaker 4: Yeah, it's his thirtieth anniversary as well, in that regarden.

1147
00:52:19,320 --> 00:52:21,239
Speaker 4: I mean, he owns part of the album. So I mean,

1148
00:52:21,400 --> 00:52:23,720
Speaker 4: I thought Biggs was lying, but I was never gonna

1149
00:52:23,920 --> 00:52:24,600
Speaker 4: ask him.

1150
00:52:24,880 --> 00:52:26,719
Speaker 2: I cannot tell you how much my phone has been

1151
00:52:26,760 --> 00:52:31,120
Speaker 2: like blowing up since then. Men are women both, but

1152
00:52:31,239 --> 00:52:33,200
Speaker 2: more men or women more men.

1153
00:52:35,160 --> 00:52:37,160
Speaker 1: Yeah, but Reasonable Doubt is that it's that type of

1154
00:52:37,200 --> 00:52:38,680
Speaker 1: album though, I get it, you know what I mean.

1155
00:52:38,719 --> 00:52:41,960
Speaker 2: It's like the album that most you know guys grew

1156
00:52:42,000 --> 00:52:43,640
Speaker 2: up and that I know grew up on, Like that

1157
00:52:43,760 --> 00:52:45,960
Speaker 2: was the album that we all kind of was like

1158
00:52:46,680 --> 00:52:50,319
Speaker 2: going to school listening to grew older still listen to

1159
00:52:51,040 --> 00:52:52,879
Speaker 2: so I understand it, but I you know me, I'm

1160
00:52:52,960 --> 00:52:56,040
Speaker 2: just like I'm not even responding, Like, bro, what makes

1161
00:52:56,080 --> 00:52:58,760
Speaker 2: you think that I'm gonna get you and your little

1162
00:52:58,760 --> 00:53:00,040
Speaker 2: cousin into Yankee State.

1163
00:53:00,120 --> 00:53:02,440
Speaker 3: Your locals? And it's frying me, Like what are we.

1164
00:53:02,440 --> 00:53:03,439
Speaker 1: Talking about right now?

1165
00:53:03,680 --> 00:53:05,359
Speaker 2: But tickets are not on sale yet, but they will

1166
00:53:05,400 --> 00:53:07,200
Speaker 2: be on sale for both shows soon.

1167
00:53:07,200 --> 00:53:09,800
Speaker 1: So what do you think those sales are going to be?

1168
00:53:10,080 --> 00:53:10,440
Speaker 3: Jesus?

1169
00:53:10,480 --> 00:53:12,759
Speaker 4: Because that's another thing, Like if I were lucky enough

1170
00:53:12,840 --> 00:53:15,719
Speaker 4: to be able to get a purchase a ticket, if

1171
00:53:15,719 --> 00:53:19,680
Speaker 4: I can, you know, click space bar in time, I

1172
00:53:19,680 --> 00:53:22,359
Speaker 4: would be tempted by those resale Like if they're live

1173
00:53:22,360 --> 00:53:25,600
Speaker 4: streaming and I'm selling my ticket, if you know, those

1174
00:53:25,600 --> 00:53:27,200
Speaker 4: prices are going to be insane that you.

1175
00:53:27,160 --> 00:53:28,719
Speaker 1: Could resell for oh yeah for sure.

1176
00:53:28,520 --> 00:53:30,440
Speaker 4: Like I could probably pay a month of my mortgage

1177
00:53:31,120 --> 00:53:31,680
Speaker 4: based off that.

1178
00:53:32,120 --> 00:53:36,440
Speaker 1: Yeah, so it's definitely gonna be higher than.

1179
00:53:36,360 --> 00:53:40,040
Speaker 4: Bad money the resale jay Z at Yankee Stadium or

1180
00:53:40,040 --> 00:53:42,799
Speaker 4: a thirty anniversary and twenty fifth anniversary. I think, yeah,

1181
00:53:42,800 --> 00:53:44,640
Speaker 4: what would a bad money part to what bad money

1182
00:53:44,640 --> 00:53:44,920
Speaker 4: would do?

1183
00:53:44,960 --> 00:53:47,040
Speaker 2: What would a bad money reseale to look like?

1184
00:53:47,680 --> 00:53:49,480
Speaker 4: Three three four grand some shit.

1185
00:53:51,680 --> 00:53:53,040
Speaker 1: From five to fifty to three thousand.

1186
00:53:53,920 --> 00:53:55,600
Speaker 4: I don't think there's going to be anything lower than

1187
00:53:55,640 --> 00:54:01,640
Speaker 4: a thousand for section one hundred. Yeah, I think Bleacher

1188
00:54:01,640 --> 00:54:03,000
Speaker 4: seems won't even go for eight hundred.

1189
00:54:03,120 --> 00:54:06,200
Speaker 1: Yeah, it's gonna be expensive ticket for sure, probably well

1190
00:54:06,200 --> 00:54:06,440
Speaker 1: worth it.

1191
00:54:06,680 --> 00:54:10,000
Speaker 5: The city gonna be lit, BOYD, the ain't gonna have

1192
00:54:10,280 --> 00:54:12,080
Speaker 5: last Slap, They're gonna have a bronx.

1193
00:54:12,120 --> 00:54:14,359
Speaker 3: The city's gonna be insane. I can't wait.

1194
00:54:14,840 --> 00:54:19,400
Speaker 4: M I was gonna say, we could, like Peach, we

1195
00:54:19,400 --> 00:54:21,160
Speaker 4: could post up at stands and just see if we

1196
00:54:21,160 --> 00:54:21,840
Speaker 4: can hear the music.

1197
00:54:22,280 --> 00:54:24,080
Speaker 1: You can definitely hear the music from stand you know

1198
00:54:24,160 --> 00:54:24,799
Speaker 1: that for sure.

1199
00:54:26,520 --> 00:54:30,239
Speaker 4: Do we think he'll bring out anybody to celebrate? I mean,

1200
00:54:30,280 --> 00:54:35,080
Speaker 4: obviously the Rest in Peace too big, but the only

1201
00:54:35,080 --> 00:54:36,879
Speaker 4: other features would be eminem on.

1202
00:54:37,120 --> 00:54:41,880
Speaker 1: Blueprint, right, and on Blueprint Mary on reasonable.

1203
00:54:41,480 --> 00:54:44,360
Speaker 4: Doubt, Yeah, Sauce Money.

1204
00:54:44,200 --> 00:54:47,480
Speaker 1: Sauce money, Jazzo, maybe Bleak.

1205
00:54:50,000 --> 00:54:50,280
Speaker 3: Peach.

1206
00:54:50,360 --> 00:54:52,880
Speaker 5: I brought up how sad it is that Kanye won't

1207
00:54:52,920 --> 00:54:55,359
Speaker 5: be coming out because of the ship that he's done,

1208
00:54:55,360 --> 00:54:55,960
Speaker 5: and said.

1209
00:54:55,840 --> 00:54:58,439
Speaker 1: I mean, he was a huge part of Blueprint, and yeah,

1210
00:54:58,440 --> 00:55:01,759
Speaker 1: he definitely won't be You'll never see Kanye around jay

1211
00:55:01,800 --> 00:55:02,120
Speaker 1: Z again.

1212
00:55:02,280 --> 00:55:04,839
Speaker 5: Yeah, I know, I know, but people how sad it

1213
00:55:04,880 --> 00:55:06,600
Speaker 5: was when we were off camera and it is, but

1214
00:55:07,840 --> 00:55:09,120
Speaker 5: that's a big part of his story too.

1215
00:55:09,160 --> 00:55:12,400
Speaker 1: But yeah, yeah, I do hope, and I mean I'm sure.

1216
00:55:12,280 --> 00:55:15,000
Speaker 4: They will, but I hope they do a proper Clark

1217
00:55:15,040 --> 00:55:20,120
Speaker 4: Kent tribute, indeed, especially with the Reasonable Doubt one, because

1218
00:55:20,120 --> 00:55:21,800
Speaker 4: he obviously produced on that and put Big.

1219
00:55:21,640 --> 00:55:25,040
Speaker 1: And Jay together, but performed on it. Yeah, that's him

1220
00:55:25,040 --> 00:55:27,640
Speaker 1: on the hook on Brooklyn's Finals. Yeah.

1221
00:55:27,800 --> 00:55:30,239
Speaker 4: So I mean, I'm sure Hope already has something playing

1222
00:55:30,280 --> 00:55:32,520
Speaker 4: for that record with a Clark Rest in Peace Clark

1223
00:55:32,600 --> 00:55:35,880
Speaker 4: Kent tribute for sure. But I mean, this is incredible.

1224
00:55:36,400 --> 00:55:38,040
Speaker 4: I just don't I just don't think I'll be one

1225
00:55:38,040 --> 00:55:39,400
Speaker 4: of the lucky ones. I don't think i'll get the

1226
00:55:39,400 --> 00:55:39,960
Speaker 4: golden ticket.

1227
00:55:40,800 --> 00:55:42,040
Speaker 1: Oh man, you'll get it.

1228
00:55:42,080 --> 00:55:44,319
Speaker 4: I'm so bad at trying to get tickets at like

1229
00:55:44,400 --> 00:55:46,239
Speaker 4: the right time, Like I think I'll get it and

1230
00:55:46,239 --> 00:55:47,520
Speaker 4: then like the time will run.

1231
00:55:47,360 --> 00:55:47,960
Speaker 1: Out or something.

1232
00:55:48,320 --> 00:55:49,960
Speaker 2: The part that's gonna piss me off as all the

1233
00:55:50,000 --> 00:55:51,799
Speaker 2: people that are not true J fans that are gonna

1234
00:55:51,800 --> 00:55:55,400
Speaker 2: get tickets and sell it. M all the guys that

1235
00:55:55,400 --> 00:55:57,120
Speaker 2: always get the sneakers and try. It's like, bro, you

1236
00:55:57,160 --> 00:56:00,239
Speaker 2: don't even you don't even wear sneakers, Like, how do

1237
00:56:00,320 --> 00:56:02,359
Speaker 2: you getting all the sneakers and you're just reselling them?

1238
00:56:02,360 --> 00:56:03,680
Speaker 1: Like game?

1239
00:56:03,719 --> 00:56:04,640
Speaker 3: You know, you don't let a game.

1240
00:56:05,480 --> 00:56:08,560
Speaker 4: Like The amount of like Audi Execs that are gonna

1241
00:56:08,560 --> 00:56:10,600
Speaker 4: be in the Audi Lounge in Left Fields is just

1242
00:56:10,600 --> 00:56:11,960
Speaker 4: gonna make It's gonna make me want.

1243
00:56:11,800 --> 00:56:14,200
Speaker 1: To throw up the Audi Execs. It's gonna make me

1244
00:56:14,200 --> 00:56:15,359
Speaker 1: want to throw up. Y'all.

1245
00:56:15,360 --> 00:56:17,680
Speaker 2: I don't even know this album, neither one of them.

1246
00:56:18,040 --> 00:56:20,480
Speaker 2: Don't even know. Y'all know Sean Carter. Y'all don't know

1247
00:56:20,560 --> 00:56:20,800
Speaker 2: jay Z.

1248
00:56:21,000 --> 00:56:22,760
Speaker 3: Do y'all think any new music is coming?

1249
00:56:23,520 --> 00:56:23,759
Speaker 1: Yeah?

1250
00:56:23,800 --> 00:56:24,319
Speaker 3: With it, you do.

1251
00:56:25,040 --> 00:56:27,040
Speaker 4: I don't know, like like that day or whatever. But

1252
00:56:27,280 --> 00:56:29,000
Speaker 4: I do think we'll get some new jay music. I

1253
00:56:29,040 --> 00:56:30,480
Speaker 4: don't know if that's a full project, but I think

1254
00:56:30,480 --> 00:56:34,000
Speaker 4: there will be new jay music. I think he's being

1255
00:56:34,080 --> 00:56:37,080
Speaker 4: very intentional with changing his name because I'm sure he

1256
00:56:37,239 --> 00:56:39,400
Speaker 4: owns the other version of jay Z with the dots

1257
00:56:39,440 --> 00:56:41,879
Speaker 4: on it. I think he's just gearing up to put

1258
00:56:41,880 --> 00:56:47,120
Speaker 4: out stuff that he owns. Finally, so I mean, if

1259
00:56:47,160 --> 00:56:48,680
Speaker 4: I can get one ticket, I would literally I would

1260
00:56:48,680 --> 00:56:49,800
Speaker 4: go to that show by myself?

1261
00:56:50,200 --> 00:56:53,239
Speaker 1: Oh for sure. Well, between I would go all by

1262
00:56:53,239 --> 00:56:54,200
Speaker 1: myself and have a blast.

1263
00:56:54,280 --> 00:56:55,879
Speaker 2: Yeah, you go by yourself, but because it's the album,

1264
00:56:55,880 --> 00:56:58,319
Speaker 2: there's so much of us love, you won't be by yourself. No,

1265
00:56:58,480 --> 00:57:00,840
Speaker 2: it's kind of like you go get there by yourself

1266
00:57:00,880 --> 00:57:03,319
Speaker 2: and then you're surrounded by people. We are all here

1267
00:57:03,360 --> 00:57:07,000
Speaker 2: for this one common goal, to wrap every lyric and

1268
00:57:07,080 --> 00:57:09,719
Speaker 2: every verse to an album that we all love so much?

1269
00:57:09,800 --> 00:57:10,960
Speaker 1: So do we think.

1270
00:57:12,400 --> 00:57:15,759
Speaker 4: The Roots picnic will be not a rehearsal per see?

1271
00:57:15,760 --> 00:57:19,160
Speaker 4: But would it be reasonable doubt and it's entirety? Do

1272
00:57:19,160 --> 00:57:20,760
Speaker 4: you think do you think he'll do like a regular

1273
00:57:20,760 --> 00:57:22,400
Speaker 4: mixed bag jay Z festival set.

1274
00:57:23,160 --> 00:57:25,400
Speaker 2: I think he'll do something similar to what he's done

1275
00:57:25,440 --> 00:57:29,920
Speaker 2: with The Roots already, a little bit of you know

1276
00:57:30,000 --> 00:57:35,400
Speaker 2: everything all the albums. I think Obviously the Yankee Stadium

1277
00:57:35,400 --> 00:57:39,160
Speaker 2: shows are more intentional, yes, more focused on blueprint and

1278
00:57:39,240 --> 00:57:41,640
Speaker 2: reasonable doubt. I think The Roots is more of a

1279
00:57:41,680 --> 00:57:45,120
Speaker 2: jam session of just like a medley of all his hits.

1280
00:57:45,200 --> 00:57:47,040
Speaker 1: Yeah, I'm on that side as well.

1281
00:57:47,360 --> 00:57:48,960
Speaker 2: But don't get a twisted I think he's going to

1282
00:57:49,000 --> 00:57:53,080
Speaker 2: perform for more songs than this reasonable Doubt and Blueprint

1283
00:57:53,080 --> 00:57:55,960
Speaker 2: at those shows, but I think that'll be the focus

1284
00:57:56,000 --> 00:57:59,480
Speaker 2: will be those albums and then he'll get into you

1285
00:57:59,520 --> 00:58:00,000
Speaker 2: know other.

1286
00:58:00,360 --> 00:58:04,320
Speaker 4: Yeah, I went was it the fresh was it Government

1287
00:58:04,920 --> 00:58:05,680
Speaker 4: Freshmanal whatever?

1288
00:58:05,720 --> 00:58:08,200
Speaker 1: Whatever? One he did at City Fields years ago.

1289
00:58:09,080 --> 00:58:11,040
Speaker 4: That was like a rehearsal for the four forty four tour,

1290
00:58:11,200 --> 00:58:12,960
Speaker 4: but he did like four forty four shit with the

1291
00:58:13,000 --> 00:58:15,240
Speaker 4: same set but added in like hit records.

1292
00:58:15,280 --> 00:58:15,960
Speaker 1: Yeah, festival.

1293
00:58:16,560 --> 00:58:20,280
Speaker 4: I don't know where everyone stands with State Property and

1294
00:58:20,320 --> 00:58:24,320
Speaker 4: their relationship, Like the shit changes every day. Sometimes everyone's cool,

1295
00:58:24,400 --> 00:58:28,200
Speaker 4: sometimes everyone's not. I don't have no idea what jay

1296
00:58:28,240 --> 00:58:32,000
Speaker 4: Z stances with everyone at State Property, but I think

1297
00:58:32,040 --> 00:58:36,320
Speaker 4: a proper reunion in Philly with the Roots would be

1298
00:58:36,960 --> 00:58:38,680
Speaker 4: great fire right, I just don't know.

1299
00:58:39,000 --> 00:58:43,600
Speaker 1: I could see that happening. Like has Bean said anything crazy? La? Nah? No,

1300
00:58:43,960 --> 00:58:45,880
Speaker 1: I think Beans has been pretty chill.

1301
00:58:46,040 --> 00:58:48,480
Speaker 2: Yeah, I think everybody is because I know, I know

1302
00:58:48,600 --> 00:58:52,000
Speaker 2: State Property they just received an award in Philly a

1303
00:58:52,000 --> 00:58:59,280
Speaker 2: couple months ago, and Bean's Christian Eve Freeway were all there.

1304
00:59:02,080 --> 00:59:04,160
Speaker 2: So I mean, for the most part, I think most

1305
00:59:04,160 --> 00:59:06,479
Speaker 2: of them are still kind of, like, you know.

1306
00:59:07,400 --> 00:59:10,200
Speaker 1: In good standards with each other. Okay, I hope.

1307
00:59:10,240 --> 00:59:13,120
Speaker 4: So they were honor at the City Impact Awards as

1308
00:59:13,160 --> 00:59:17,520
Speaker 4: they should be. I mean listening, I watched Jim Jones,

1309
00:59:17,520 --> 00:59:20,640
Speaker 4: Cameron and Jay Z come on stage together at Webster Hall.

1310
00:59:20,680 --> 00:59:21,520
Speaker 4: Anything is possible.

1311
00:59:22,360 --> 00:59:23,520
Speaker 1: Anything is possible.

1312
00:59:23,520 --> 00:59:25,600
Speaker 4: I just want to make that very clear, like if

1313
00:59:25,640 --> 00:59:28,240
Speaker 4: the three of them can be cool, yeah, and to

1314
00:59:28,280 --> 00:59:30,640
Speaker 4: go on stage at Webster Hall, anything can happen at

1315
00:59:30,640 --> 00:59:31,200
Speaker 4: the Roup picnic.

1316
00:59:31,560 --> 00:59:33,520
Speaker 2: The one person who I think he may bring out

1317
00:59:33,520 --> 00:59:36,360
Speaker 2: which would be incredible at you Stay name is probably Nas.

1318
00:59:36,800 --> 00:59:39,120
Speaker 1: Yeah, that'd be five.

1319
00:59:39,320 --> 00:59:41,040
Speaker 4: I mean for Dead Presidents, it would make sense for

1320
00:59:41,120 --> 00:59:42,680
Speaker 4: Nas to do the hook and they've done that in

1321
00:59:42,680 --> 00:59:46,040
Speaker 4: the past where I forgot what versus NAS raps over

1322
00:59:46,040 --> 00:59:47,800
Speaker 4: that when they perform it together. But yeah, I could

1323
00:59:47,800 --> 00:59:50,120
Speaker 4: see Na's coming out for Debt Presidents too. That would

1324
00:59:50,560 --> 00:59:54,120
Speaker 4: that would make a lot of sense. But yeah, I'm excited.

1325
00:59:54,560 --> 00:59:56,960
Speaker 4: Even if I can't go, I do hope that they

1326
00:59:57,000 --> 01:00:01,000
Speaker 4: stream it or at least like some time about it.

1327
01:00:00,960 --> 01:00:04,440
Speaker 2: Or almost positive they will stream. Yeah, just on on

1328
01:00:04,480 --> 01:00:05,040
Speaker 2: what platform?

1329
01:00:05,040 --> 01:00:05,240
Speaker 1: Though?

1330
01:00:06,080 --> 01:00:11,240
Speaker 2: On Netflix a course, what other platform exists? Is there

1331
01:00:11,240 --> 01:00:13,320
Speaker 2: any other streaming services out there?

1332
01:00:13,360 --> 01:00:13,960
Speaker 1: Rory, I don't know.

1333
01:00:14,000 --> 01:00:16,760
Speaker 2: I to just I'm only on Netflix. That's the only

1334
01:00:16,800 --> 01:00:18,320
Speaker 2: thing I watch, literally it's the only thing. I only

1335
01:00:18,320 --> 01:00:19,200
Speaker 2: thing I have is Netflix.

1336
01:00:19,280 --> 01:00:21,440
Speaker 1: Yeah, if it's not on Netflix, J I'm sorry, Yeah, Jay,

1337
01:00:21,440 --> 01:00:21,800
Speaker 1: I don't know.

1338
01:00:21,880 --> 01:00:25,520
Speaker 2: I mean, we could negotiate the Netflix streaming bag for

1339
01:00:25,600 --> 01:00:27,800
Speaker 2: you if you if you need, mister.

1340
01:00:27,560 --> 01:00:29,200
Speaker 4: Carter, if that's the case, if one of us does

1341
01:00:29,200 --> 01:00:31,520
Speaker 4: get a ticket, let's just make a pack that you

1342
01:00:31,600 --> 01:00:33,280
Speaker 4: have to FaceTime and hold your phone up the entire

1343
01:00:33,320 --> 01:00:34,360
Speaker 4: time for the whole crew.

1344
01:00:36,560 --> 01:00:39,840
Speaker 1: So you just gotta collect this so we can watch.

1345
01:00:39,880 --> 01:00:40,840
Speaker 1: You have even worse.

1346
01:00:40,840 --> 01:00:42,440
Speaker 2: You got to get like the handheld thing that you

1347
01:00:42,560 --> 01:00:44,240
Speaker 2: move the phone with. You gotta get like you gotta

1348
01:00:44,320 --> 01:00:45,520
Speaker 2: really look like a streamer.

1349
01:00:45,600 --> 01:00:47,040
Speaker 1: Yeah, you gotta be out there the whole time.

1350
01:00:47,120 --> 01:00:50,240
Speaker 4: Give us some good camera my camera movements crazy. That

1351
01:00:50,280 --> 01:00:52,439
Speaker 4: would be fun, all right? If I do get past

1352
01:00:52,480 --> 01:00:57,400
Speaker 4: for Roots, though, would you go? Because that's like I'm

1353
01:00:57,840 --> 01:01:00,600
Speaker 4: semi confident that I'll be able to get and if not,

1354
01:01:00,640 --> 01:01:01,760
Speaker 4: I probably just buy tickets.

1355
01:01:02,040 --> 01:01:03,240
Speaker 1: We can make a day trip out of it.

1356
01:01:03,880 --> 01:01:04,800
Speaker 3: Hi, can I come.

1357
01:01:06,400 --> 01:01:09,440
Speaker 4: I'm not even gonna say on Mike how you dropped

1358
01:01:09,440 --> 01:01:09,720
Speaker 4: the ball?

1359
01:01:10,200 --> 01:01:13,480
Speaker 1: Bro I drove that ball. He not responded to me either.

1360
01:01:13,800 --> 01:01:19,439
Speaker 4: Yeah, fucking right, fucking shameless, My god, you have any shame.

1361
01:01:19,560 --> 01:01:20,000
Speaker 1: No, I don't.

1362
01:01:20,040 --> 01:01:22,840
Speaker 3: I'm wanna come to jay Z. No, I'll do whatever

1363
01:01:22,880 --> 01:01:23,320
Speaker 3: I have to.

1364
01:01:24,000 --> 01:01:26,480
Speaker 4: They would say that that from the back Patreon story

1365
01:01:26,480 --> 01:01:27,760
Speaker 4: one day on the.

1366
01:01:27,760 --> 01:01:30,800
Speaker 5: Back, if anybody's listening, I do whatever I have.

1367
01:01:30,800 --> 01:01:32,840
Speaker 1: To, slow and sloppy.

1368
01:01:33,680 --> 01:01:35,040
Speaker 3: I'm gonna slap this sh out of them all.

1369
01:01:35,280 --> 01:01:36,400
Speaker 1: I'mna slap this ship.

1370
01:01:37,840 --> 01:01:39,720
Speaker 2: Remember when we used to could joke, y'all, remember that

1371
01:01:39,800 --> 01:01:41,760
Speaker 2: Now we can't. Damn we can't even joke no more.

1372
01:01:41,800 --> 01:01:43,400
Speaker 3: Man, you don't be joking though.

1373
01:01:43,440 --> 01:01:45,160
Speaker 1: I mean I'm joking. I don't even know what the

1374
01:01:45,160 --> 01:01:47,440
Speaker 1: fuck you're talking about. Like, I'm just joking with you.

1375
01:01:47,480 --> 01:01:50,720
Speaker 4: But to anyone that listens to this podcast and like

1376
01:01:51,520 --> 01:01:53,760
Speaker 4: is in touch with people that can get you passes

1377
01:01:54,240 --> 01:01:57,000
Speaker 4: everyone I know A rock Nation bought tickets to Roots Picnics,

1378
01:01:57,000 --> 01:01:58,520
Speaker 4: So it's probably a dub.

1379
01:01:58,320 --> 01:01:59,600
Speaker 1: For you if it's a dub for them.

1380
01:02:00,080 --> 01:02:02,280
Speaker 2: Yeah, that's always the best way, man, if you if

1381
01:02:02,280 --> 01:02:04,440
Speaker 2: you can, because it's gonna be crazy to kind of

1382
01:02:04,440 --> 01:02:06,800
Speaker 2: be in that cue and try to get tickets. But

1383
01:02:06,840 --> 01:02:09,000
Speaker 2: it's always best to just buy tickets if you want

1384
01:02:09,000 --> 01:02:11,520
Speaker 2: to support, if you want to stop relying on people

1385
01:02:11,520 --> 01:02:13,560
Speaker 2: that you think may be affiliated or may have access.

1386
01:02:13,560 --> 01:02:16,280
Speaker 2: Everybody wants access, and I understand that. But some people

1387
01:02:16,360 --> 01:02:19,439
Speaker 2: took years to build their access and build their relationships,

1388
01:02:19,760 --> 01:02:21,440
Speaker 2: and that doesn't mean that they're going to use their

1389
01:02:21,480 --> 01:02:24,160
Speaker 2: relationships and access that they built to pull you in

1390
01:02:24,240 --> 01:02:25,760
Speaker 2: with them. And you shouldn't expect people to do that,

1391
01:02:25,760 --> 01:02:28,400
Speaker 2: which is why I never ask people for shit. Yeah,

1392
01:02:28,520 --> 01:02:30,440
Speaker 2: if I want to go that bad, I'll buy a ticket.

1393
01:02:30,480 --> 01:02:33,120
Speaker 2: If I can't buy a ticket, If not, I'll see

1394
01:02:33,120 --> 01:02:35,040
Speaker 2: plenty of clips online, hopefully extreaming.

1395
01:02:35,200 --> 01:02:37,840
Speaker 1: If not, just somebody just tell me what a beautiful

1396
01:02:37,920 --> 01:02:42,160
Speaker 1: night it was. Oh yeah, most bullshit. Yeah, I know

1397
01:02:42,240 --> 01:02:43,440
Speaker 1: that's what I ain't even say.

1398
01:02:43,560 --> 01:02:45,920
Speaker 4: I'm even be in town Wall, will be in the

1399
01:02:46,000 --> 01:02:47,320
Speaker 4: a suspected sweet or whatever.

1400
01:02:47,840 --> 01:02:49,760
Speaker 2: Listen, I promise you. I do not know that for

1401
01:02:49,800 --> 01:02:50,840
Speaker 2: a fact you're.

1402
01:02:50,560 --> 01:02:52,840
Speaker 4: Going to be with your jacket, hands in pocket like

1403
01:02:52,960 --> 01:02:55,360
Speaker 4: Joe Torri, just sitting back watching the entire shit.

1404
01:02:55,880 --> 01:02:58,440
Speaker 2: I don't know that. I mean, I would love to,

1405
01:02:58,560 --> 01:03:00,520
Speaker 2: but I would love to, but I don't know that

1406
01:03:00,600 --> 01:03:03,320
Speaker 2: for a fact. I'm just saying, hopefully, yes, you're right,

1407
01:03:03,560 --> 01:03:06,280
Speaker 2: I will be there, yes, hopefully.

1408
01:03:07,760 --> 01:03:12,000
Speaker 4: Okay, if you are going to go that way, just

1409
01:03:12,080 --> 01:03:13,360
Speaker 4: let me know what time you get there, and I'll

1410
01:03:13,360 --> 01:03:15,520
Speaker 4: try to like grab a guitar case and follow guru

1411
01:03:16,160 --> 01:03:18,480
Speaker 4: and just look like a roadie picked up some.

1412
01:03:18,880 --> 01:03:21,360
Speaker 2: I wear all black. Yeah yeah, yeah, just just try

1413
01:03:21,400 --> 01:03:23,160
Speaker 2: to just try to fit in just so you got

1414
01:03:23,200 --> 01:03:24,560
Speaker 2: to face. You got to fit in face a Yankee

1415
01:03:24,600 --> 01:03:25,720
Speaker 2: stadium work here.

1416
01:03:26,240 --> 01:03:27,000
Speaker 1: No. Absolutely.

1417
01:03:28,040 --> 01:03:30,160
Speaker 4: With that said, good luck to everyone trying to get tickets.

1418
01:03:31,160 --> 01:03:33,080
Speaker 4: It's gonna be a fun summer when when jay Z

1419
01:03:33,240 --> 01:03:36,760
Speaker 4: is outside performing, we also have Kanye West. Speaking of tickets,

1420
01:03:36,760 --> 01:03:38,080
Speaker 4: you can't fucking get. I think it was like the

1421
01:03:38,160 --> 01:03:40,160
Speaker 4: highest qu in history.

1422
01:03:40,200 --> 01:03:41,120
Speaker 1: Of that was.

1423
01:03:41,520 --> 01:03:44,080
Speaker 2: That was insane of Kanye. We've never seen a million

1424
01:03:44,120 --> 01:03:45,919
Speaker 2: people on the Q waiting for a ticket to a show.

1425
01:03:46,000 --> 01:03:49,560
Speaker 4: Sophie Stadium, April third, twenty twenty six. What if what

1426
01:03:49,600 --> 01:03:53,120
Speaker 4: if he pushes the date to July on the same dates.

1427
01:03:54,200 --> 01:03:56,960
Speaker 1: I mean, yeah, it doesn't affect nothing that's in LA.

1428
01:03:57,120 --> 01:04:01,280
Speaker 4: But no, but then he performs looprint, what would he

1429
01:04:01,280 --> 01:04:05,640
Speaker 4: even bootprints it? Okay, and he's on don't change on

1430
01:04:05,680 --> 01:04:07,880
Speaker 4: the look true, so you could just do don't change

1431
01:04:07,920 --> 01:04:08,360
Speaker 4: for an hour.

1432
01:04:09,240 --> 01:04:11,480
Speaker 2: Well, those people that waited in that queue will be

1433
01:04:11,480 --> 01:04:13,360
Speaker 2: pissed the fuck off because they didn't go there there.

1434
01:04:13,280 --> 01:04:17,320
Speaker 4: That Does it surprise anyone that it had one of

1435
01:04:17,320 --> 01:04:21,680
Speaker 4: the highest demands of tickets in history.

1436
01:04:21,600 --> 01:04:25,800
Speaker 3: For Kanye weston Yeah, Kanye was It didn't surprise me.

1437
01:04:25,880 --> 01:04:27,360
Speaker 4: But I saw a lot of people were like, so

1438
01:04:27,440 --> 01:04:28,720
Speaker 4: much for standing up for what you believe.

1439
01:04:28,760 --> 01:04:31,640
Speaker 1: I'm like, nobody cares. Nobody care.

1440
01:04:32,160 --> 01:04:36,240
Speaker 2: I tell y'all that all the time, nobody cares everything

1441
01:04:36,240 --> 01:04:39,120
Speaker 2: that people get outraged about online and this that, And

1442
01:04:39,280 --> 01:04:41,280
Speaker 2: it's like, nobody cares about that.

1443
01:04:41,440 --> 01:04:44,560
Speaker 1: The people that you are never you'll never or you'll.

1444
01:04:44,400 --> 01:04:48,480
Speaker 2: Rarely see people that support somebody be the ones trying

1445
01:04:48,520 --> 01:04:49,120
Speaker 2: to cancel them.

1446
01:04:49,160 --> 01:04:50,160
Speaker 1: It doesn't work like that.

1447
01:04:50,840 --> 01:04:53,680
Speaker 2: It's always people that never supported you or wanted to

1448
01:04:53,680 --> 01:04:56,160
Speaker 2: see you canceled anyway, that'll be the first one to

1449
01:04:56,160 --> 01:04:57,240
Speaker 2: try to cancel you for something.

1450
01:04:57,360 --> 01:05:00,320
Speaker 5: And one of the things I've realized, because what we

1451
01:05:00,400 --> 01:05:02,880
Speaker 5: do for a living, we're so like online and so

1452
01:05:02,920 --> 01:05:05,480
Speaker 5: aware of what's going on online, there is just like

1453
01:05:05,720 --> 01:05:08,920
Speaker 5: such a large group and community of people who have

1454
01:05:09,000 --> 01:05:11,480
Speaker 5: no idea of the shit that people say in interviews

1455
01:05:11,560 --> 01:05:14,040
Speaker 5: or what hits the blogs. They have no clue about

1456
01:05:14,040 --> 01:05:15,920
Speaker 5: any of that shit. They just like, oh, client has

1457
01:05:15,920 --> 01:05:17,480
Speaker 5: a show. I heard about like they don't give a

1458
01:05:17,520 --> 01:05:18,280
Speaker 5: fuck about none.

1459
01:05:18,160 --> 01:05:18,520
Speaker 1: Of that shit.

1460
01:05:18,600 --> 01:05:20,479
Speaker 3: They don't care, they don't care, they don't even know.

1461
01:05:20,440 --> 01:05:21,800
Speaker 2: Even if they know about it. They're like, I don't

1462
01:05:21,840 --> 01:05:23,640
Speaker 2: give a fuck what he said. I'm going here to here,

1463
01:05:24,280 --> 01:05:27,360
Speaker 2: college drop out, I'm going into here eighto eight's I'm

1464
01:05:27,360 --> 01:05:29,360
Speaker 2: going there to here, you know what I mean, Like

1465
01:05:30,000 --> 01:05:34,120
Speaker 2: Jesus Walks, I don't care what he said on stream,

1466
01:05:34,280 --> 01:05:36,120
Speaker 2: Like I don't give a fuck about that, Like people

1467
01:05:36,120 --> 01:05:38,480
Speaker 2: don't care about that shit. Only people that want to

1468
01:05:38,520 --> 01:05:40,520
Speaker 2: cancel you from in the first place are the ones

1469
01:05:40,560 --> 01:05:42,600
Speaker 2: that are calling for you to be canceled because of

1470
01:05:42,680 --> 01:05:45,480
Speaker 2: something you said. When you say something crazy, your fans

1471
01:05:45,520 --> 01:05:47,840
Speaker 2: that support you nine times out of ten, they know

1472
01:05:47,920 --> 01:05:51,320
Speaker 2: that's how you felt anyway, and sometimes they agree with

1473
01:05:51,360 --> 01:05:54,560
Speaker 2: what you're saying. So then it's that part of it.

1474
01:05:54,640 --> 01:05:56,600
Speaker 2: Like a lot of your fan base, while you say

1475
01:05:56,600 --> 01:05:59,560
Speaker 2: something crazy that well looks crazy or sounds crazy to

1476
01:05:59,600 --> 01:06:02,280
Speaker 2: the rest of the world. Sometimes your fan base is like,

1477
01:06:02,480 --> 01:06:04,520
Speaker 2: you think he didn't feel like that all alone, Like

1478
01:06:05,560 --> 01:06:07,560
Speaker 2: we knew that's how he felt about this or that,

1479
01:06:07,680 --> 01:06:09,520
Speaker 2: Like they don't care about that. They're going into him

1480
01:06:09,600 --> 01:06:11,840
Speaker 2: music and have a good time and that's why a

1481
01:06:11,840 --> 01:06:13,240
Speaker 2: million plus people were waiting in que.

1482
01:06:13,680 --> 01:06:13,960
Speaker 1: Yeah.

1483
01:06:14,080 --> 01:06:16,040
Speaker 4: And I mean I like the strategy of of doing

1484
01:06:16,040 --> 01:06:19,520
Speaker 4: a tester in Mexico City, a city of Catholics, yes,

1485
01:06:19,840 --> 01:06:22,160
Speaker 4: where they probably agree with a lot of man list

1486
01:06:22,440 --> 01:06:25,560
Speaker 4: the opposite of cancel culture. Yeah, from the Catholic side.

1487
01:06:25,600 --> 01:06:28,080
Speaker 4: And then he didn't he shake hands with the rabbi. Yeah,

1488
01:06:28,080 --> 01:06:32,560
Speaker 4: they could come on, man, that handshakes. Yeah, that was

1489
01:06:32,560 --> 01:06:34,040
Speaker 4: a million people in the Q. Soon as he shook

1490
01:06:34,080 --> 01:06:37,720
Speaker 4: the head. Go look at the Q million plus waiting

1491
01:06:39,040 --> 01:06:42,520
Speaker 4: aarone's outraged, like you have to protect mental health. Yeah,

1492
01:06:42,120 --> 01:06:45,800
Speaker 4: I remember, But I watched the stream if they have it,

1493
01:06:45,800 --> 01:06:47,160
Speaker 4: all the clips from the Mexico City.

1494
01:06:47,040 --> 01:06:48,240
Speaker 1: Show looked incredible.

1495
01:06:48,560 --> 01:06:50,880
Speaker 2: I mean, Kanye is, come on, man, we know we

1496
01:06:50,960 --> 01:06:56,120
Speaker 2: know visually his production at a live show at a stadium, Yeah,

1497
01:06:56,120 --> 01:06:58,640
Speaker 2: I mean, that's like a canvas for him to just create,

1498
01:06:58,760 --> 01:07:01,200
Speaker 2: like we know what that Even if it's just a

1499
01:07:01,320 --> 01:07:03,600
Speaker 2: block in the middle of the stadium and he's just

1500
01:07:03,600 --> 01:07:05,600
Speaker 2: standing on a block the whole time, he's going to

1501
01:07:05,680 --> 01:07:06,120
Speaker 2: have it.

1502
01:07:06,240 --> 01:07:07,160
Speaker 1: Lit a certain way.

1503
01:07:07,240 --> 01:07:09,680
Speaker 2: He's going to have smoke, he's going to have all

1504
01:07:09,720 --> 01:07:11,320
Speaker 2: of the things that's gonna make it look like the

1505
01:07:11,320 --> 01:07:13,439
Speaker 2: most incredible show that you've ever seen.

1506
01:07:13,520 --> 01:07:15,440
Speaker 3: So do you ever do you think he'll ever retire?

1507
01:07:15,480 --> 01:07:17,280
Speaker 5: And I know you think rappers don't retire, but I'm

1508
01:07:17,320 --> 01:07:18,480
Speaker 5: not talking about as a rapper.

1509
01:07:18,560 --> 01:07:20,880
Speaker 2: Yeah, jay Z said he A Reason with Doubt was

1510
01:07:21,320 --> 01:07:22,040
Speaker 2: his only album.

1511
01:07:23,880 --> 01:07:26,600
Speaker 5: Thirty years later, he keep retiring, But no, for real,

1512
01:07:26,680 --> 01:07:29,920
Speaker 5: like Kanye is just like as a producer and just

1513
01:07:30,000 --> 01:07:31,280
Speaker 5: as that whole entity.

1514
01:07:31,320 --> 01:07:32,520
Speaker 3: Do you think he'll ever retire?

1515
01:07:33,360 --> 01:07:35,320
Speaker 2: No, I don't think Kanye will ever. I think Kanye

1516
01:07:35,400 --> 01:07:38,080
Speaker 2: is a creator, So he's always going to create something.

1517
01:07:38,080 --> 01:07:41,560
Speaker 2: He's always he has his energy, his mind is always

1518
01:07:41,600 --> 01:07:46,320
Speaker 2: in creative, whether it's music, fashion, whatever it is, he

1519
01:07:46,400 --> 01:07:48,800
Speaker 2: has to create something. I think he'll always go back

1520
01:07:49,320 --> 01:07:52,600
Speaker 2: to a different world chaos. He's always going to create something.

1521
01:07:52,680 --> 01:07:55,040
Speaker 2: Even if so, he'll just jump back into the worlds

1522
01:07:55,040 --> 01:07:57,840
Speaker 2: that he's created for himself as an artist. Okay, let

1523
01:07:57,880 --> 01:07:59,840
Speaker 2: me go back into music, let me go back into fashion,

1524
01:08:00,160 --> 01:08:03,600
Speaker 2: go back into you know whatever, like real estate, whatever

1525
01:08:03,640 --> 01:08:06,040
Speaker 2: it is. Let me go back into developing companies. And

1526
01:08:06,120 --> 01:08:09,200
Speaker 2: he's gonna always be a creative. So when you're creative,

1527
01:08:10,120 --> 01:08:11,880
Speaker 2: I think that you that's something that just stays with

1528
01:08:11,920 --> 01:08:13,800
Speaker 2: you forever and you just find ways to kind of

1529
01:08:14,160 --> 01:08:17,719
Speaker 2: revisit things and find inspiration and things that you did

1530
01:08:17,840 --> 01:08:20,160
Speaker 2: or created before. So I don't think Kanye is ever gonna,

1531
01:08:20,600 --> 01:08:21,520
Speaker 2: you know, retire.

1532
01:08:21,800 --> 01:08:24,360
Speaker 1: I think that, you know, he may not create music

1533
01:08:24,400 --> 01:08:26,479
Speaker 1: and have the output that he once did, but I

1534
01:08:26,479 --> 01:08:27,599
Speaker 1: don't think he'll ever retire.

1535
01:08:27,960 --> 01:08:29,800
Speaker 4: Yeah, And I mean, how many kids does he have?

1536
01:08:30,240 --> 01:08:32,840
Speaker 4: Like six now, five six something like that, I don't know.

1537
01:08:32,960 --> 01:08:35,560
Speaker 4: I mean, North already announced her EP that's about to

1538
01:08:35,560 --> 01:08:38,880
Speaker 4: come out. Clearly North is extremely talented and into music.

1539
01:08:39,760 --> 01:08:41,639
Speaker 4: I mean he'll be He'll be producing for the family

1540
01:08:41,680 --> 01:08:45,080
Speaker 4: band forever. I feel like, yeah, I think his kids

1541
01:08:45,080 --> 01:08:46,880
Speaker 4: will keep him in music even if he wanted to

1542
01:08:46,960 --> 01:08:48,560
Speaker 4: leave music. Like, there's no way we're not going to

1543
01:08:48,600 --> 01:08:52,320
Speaker 4: get a North produced album by her dad.

1544
01:08:52,640 --> 01:08:53,559
Speaker 1: That's gonna happen.

1545
01:08:53,560 --> 01:08:56,519
Speaker 4: Even in the trailer she put out for her EP,

1546
01:08:56,920 --> 01:08:58,080
Speaker 4: it sounds like a Kanye beat.

1547
01:08:58,080 --> 01:09:00,000
Speaker 1: I don't know if it is, but it sounds like

1548
01:09:00,040 --> 01:09:01,559
Speaker 1: that come you beat. That's incredible.

1549
01:09:01,560 --> 01:09:05,400
Speaker 2: We have your dad being one of the most amazing,

1550
01:09:06,280 --> 01:09:08,640
Speaker 2: you know, producers, creators ever and now you're at an

1551
01:09:08,640 --> 01:09:11,040
Speaker 2: age where like you're in love with music and art

1552
01:09:11,120 --> 01:09:14,800
Speaker 2: as well, and you just have that access like and

1553
01:09:14,840 --> 01:09:17,479
Speaker 2: even for Kanye, that has to be like a something

1554
01:09:17,560 --> 01:09:20,040
Speaker 2: a dream come true, Like you know, my kid is

1555
01:09:20,080 --> 01:09:24,120
Speaker 2: now wanted to create and express herself as an artist,

1556
01:09:24,160 --> 01:09:26,400
Speaker 2: Like that has to be an amazing feeling the moment

1557
01:09:26,439 --> 01:09:28,920
Speaker 2: for him and not only Kim as well, just to

1558
01:09:28,920 --> 01:09:30,400
Speaker 2: see that because you know, Kim is a creative as

1559
01:09:30,439 --> 01:09:30,800
Speaker 2: well too.

1560
01:09:30,840 --> 01:09:32,920
Speaker 4: So yeah, did you I mean, did you see the

1561
01:09:32,960 --> 01:09:35,679
Speaker 4: clip of when she performed at the Mexico City show

1562
01:09:35,720 --> 01:09:38,960
Speaker 4: with him? That was incredible. Yeah, and your dad being

1563
01:09:39,000 --> 01:09:41,880
Speaker 4: that level of genius with music that can help you

1564
01:09:41,960 --> 01:09:44,040
Speaker 4: create it, and then you have a mom that's probably

1565
01:09:44,040 --> 01:09:46,400
Speaker 4: the most genius marketer that we've ever had.

1566
01:09:47,120 --> 01:09:47,880
Speaker 1: And Blue as well.

1567
01:09:47,920 --> 01:09:50,200
Speaker 2: Seeing Blue on tour with Beyonce, I mean, like you

1568
01:09:50,240 --> 01:09:52,000
Speaker 2: know what I mean, that was just just seeing that,

1569
01:09:52,080 --> 01:09:54,360
Speaker 2: Like because we're old enough to remember when you know,

1570
01:09:54,840 --> 01:09:57,760
Speaker 2: these kids were born and to see them now, you know,

1571
01:09:57,880 --> 01:10:00,080
Speaker 2: on stage with their parents and things like that, that

1572
01:10:00,200 --> 01:10:02,600
Speaker 2: is just like, I mean, one, we're getting old, but

1573
01:10:02,680 --> 01:10:03,960
Speaker 2: two it's like it's just dope to see it.

1574
01:10:04,000 --> 01:10:07,240
Speaker 4: Yeah. The cool shit about Blue was watching how much

1575
01:10:07,280 --> 01:10:09,800
Speaker 4: better she got with each show, Like watching her each

1576
01:10:09,840 --> 01:10:11,880
Speaker 4: show from the first one to like mid tourists like, oh,

1577
01:10:11,920 --> 01:10:14,320
Speaker 4: she's smoking shit now, like in real time, you watched

1578
01:10:14,360 --> 01:10:16,840
Speaker 4: her get good, get good at that. And to people

1579
01:10:16,840 --> 01:10:19,160
Speaker 4: that were saying she was off beat, the begainning, like,

1580
01:10:19,200 --> 01:10:22,040
Speaker 4: you know, have you performed in this stadium as an adult,

1581
01:10:22,120 --> 01:10:26,120
Speaker 4: not even not even alone as a kid.

1582
01:10:25,400 --> 01:10:26,759
Speaker 1: Not even perform in the stadium.

1583
01:10:26,920 --> 01:10:28,640
Speaker 2: Have you ever had to perform on stage with an

1584
01:10:28,760 --> 01:10:31,480
Speaker 2: artist the caliber of Beyonce.

1585
01:10:31,520 --> 01:10:33,960
Speaker 1: Like her getting team, Like what are we talking about?

1586
01:10:34,000 --> 01:10:37,240
Speaker 2: Like we watched blue and learn and and and get

1587
01:10:37,240 --> 01:10:39,280
Speaker 2: better in real time. I thought that was dope, Like

1588
01:10:39,320 --> 01:10:41,439
Speaker 2: for just you know, a parent, a mom to be

1589
01:10:41,479 --> 01:10:43,519
Speaker 2: like you know, like, yeah, like come out here, you're

1590
01:10:43,520 --> 01:10:45,280
Speaker 2: gonna learn on the fly, You're gonna get this.

1591
01:10:45,400 --> 01:10:46,800
Speaker 1: You know me, you're in repetition.

1592
01:10:47,280 --> 01:10:50,080
Speaker 2: And then now watching her, you know, become you know,

1593
01:10:50,120 --> 01:10:52,920
Speaker 2: her own person and and and find her her creative

1594
01:10:53,040 --> 01:10:54,680
Speaker 2: energy and express herself as well, it's just dope to

1595
01:10:54,680 --> 01:10:54,960
Speaker 2: watch the.

1596
01:10:55,000 --> 01:10:59,519
Speaker 1: Kids get older and grow up. Man. Yeah, absolutely, I

1597
01:10:59,520 --> 01:11:01,920
Speaker 1: mean that's the bottom line. And old.

1598
01:11:02,520 --> 01:11:04,519
Speaker 4: Yeah, we I'm youthful.

1599
01:11:05,600 --> 01:11:07,360
Speaker 1: You are youthful or you have youthful you have a

1600
01:11:07,360 --> 01:11:08,000
Speaker 1: youthful face.

1601
01:11:08,680 --> 01:11:10,920
Speaker 4: You're only as old as your ability to process new information.

1602
01:11:13,920 --> 01:11:16,320
Speaker 4: You're welcome you got that jewel for free? Oh, thank

1603
01:11:16,360 --> 01:11:16,920
Speaker 4: you so much.

1604
01:11:17,800 --> 01:11:18,919
Speaker 1: That necklace is yours.

1605
01:11:19,640 --> 01:11:24,280
Speaker 4: Staying on music, I'm excited because Black aka six Lack

1606
01:11:25,040 --> 01:11:29,080
Speaker 4: is finally starting his rollout for his album.

1607
01:11:28,840 --> 01:11:31,519
Speaker 1: We Love Black, We Support Black over here.

1608
01:11:31,760 --> 01:11:34,560
Speaker 4: Bird Flu is out now for the album Love is

1609
01:11:34,560 --> 01:11:38,600
Speaker 4: the New Gangster. I'm always excited when Black decides to

1610
01:11:38,600 --> 01:11:39,360
Speaker 4: make music again.

1611
01:11:39,680 --> 01:11:42,040
Speaker 1: Same man, And that song sounds incredible.

1612
01:11:42,120 --> 01:11:44,599
Speaker 2: Yeah yeah, if that's any peak into what the album

1613
01:11:44,600 --> 01:11:50,439
Speaker 2: sounds like. Thank you Black, Thank you LVRN, thank you

1614
01:11:50,600 --> 01:11:51,800
Speaker 2: to the beautiful team over there.

1615
01:11:51,960 --> 01:11:54,880
Speaker 4: Yeah, and I appreciate it because I know Black prodely

1616
01:11:54,880 --> 01:11:56,400
Speaker 4: just wants to retire and hang out with his kids

1617
01:11:56,439 --> 01:11:57,959
Speaker 4: and never speak to anyone again.

1618
01:11:58,360 --> 01:12:01,519
Speaker 2: Right like, never be seen, never be Yeah. But that

1619
01:12:01,560 --> 01:12:04,439
Speaker 2: birth Flu song is it's hard. Yeah, a little tone

1620
01:12:04,479 --> 01:12:06,520
Speaker 2: death from the title. But I'm just joking.

1621
01:12:05,960 --> 01:12:10,360
Speaker 1: It's I'm joking. Remember when we could joke? I don't

1622
01:12:10,360 --> 01:12:12,800
Speaker 1: remember that you can still? I don't know.

1623
01:12:12,880 --> 01:12:14,720
Speaker 2: I don't know if we can still get jokes off.

1624
01:12:14,720 --> 01:12:16,040
Speaker 2: I just don't know, That's what I'm saying.

1625
01:12:16,040 --> 01:12:18,400
Speaker 4: But nah, We Love Black song is hard and the

1626
01:12:18,479 --> 01:12:19,719
Speaker 4: victims of bird flow.

1627
01:12:19,560 --> 01:12:22,719
Speaker 2: And you know, prayers to any victims of bird Flu.

1628
01:12:23,520 --> 01:12:26,120
Speaker 2: But with this song bird Flu, is that does that sound?

1629
01:12:26,240 --> 01:12:29,640
Speaker 1: Is that little? Is that j I D Coded? Or

1630
01:12:29,720 --> 01:12:30,240
Speaker 1: is j I D.

1631
01:12:30,520 --> 01:12:38,760
Speaker 4: Jack and Black sound well, they're all like grew up together, Okay, Black, like.

1632
01:12:39,400 --> 01:12:41,559
Speaker 1: You can go with me and instell my sauce to though.

1633
01:12:43,360 --> 01:12:43,880
Speaker 3: That's our song.

1634
01:12:44,040 --> 01:12:44,200
Speaker 4: You know.

1635
01:12:45,760 --> 01:12:48,840
Speaker 1: You aren't even looking at those sneakers. Why you got them? Now?

1636
01:12:48,960 --> 01:12:50,720
Speaker 2: You got those after I got them, and you sort

1637
01:12:50,720 --> 01:12:52,880
Speaker 2: of outfit I put together. Now all of a sudden,

1638
01:12:53,200 --> 01:12:54,720
Speaker 2: here you come walking up the black with the same

1639
01:12:54,720 --> 01:12:55,519
Speaker 2: bag of sneak.

1640
01:12:55,320 --> 01:12:56,080
Speaker 4: Each one, each one.

1641
01:12:57,320 --> 01:13:00,439
Speaker 1: It is our sauce. Either way. Maybe it's more Eastern

1642
01:13:00,439 --> 01:13:04,560
Speaker 1: Atlanta sounds, okay, I don't know. It's like, you know,

1643
01:13:04,640 --> 01:13:06,760
Speaker 1: you know many people from East Atlanta. I know a

1644
01:13:06,760 --> 01:13:07,719
Speaker 1: lot of people from East Atlanta.

1645
01:13:07,800 --> 01:13:09,679
Speaker 2: You know a lot of artists fro East Atlanta? Or yeah,

1646
01:13:10,000 --> 01:13:11,519
Speaker 2: not a lot of artists sound like j I D.

1647
01:13:11,680 --> 01:13:14,639
Speaker 1: And Black. That sounds exactly like every Gucci Man album

1648
01:13:14,640 --> 01:13:19,960
Speaker 1: to me, not even not even a Gucci song, the

1649
01:13:20,120 --> 01:13:21,160
Speaker 1: entire album.

1650
01:13:21,080 --> 01:13:26,720
Speaker 4: His old photography, everything in verses sounded just like that song.

1651
01:13:26,800 --> 01:13:28,960
Speaker 1: That song is hard though. I don't know if I

1652
01:13:29,000 --> 01:13:33,439
Speaker 1: heard if that's j I D. Code, What you don't

1653
01:13:33,439 --> 01:13:35,280
Speaker 1: think that song sound. You don't think that bird flu song.

1654
01:13:35,320 --> 01:13:37,000
Speaker 1: So I could hear j I D on a beat

1655
01:13:37,040 --> 01:13:39,160
Speaker 1: like that. You could have heard that on j I

1656
01:13:39,200 --> 01:13:41,120
Speaker 1: D's album. That sounds like it could have been on

1657
01:13:41,120 --> 01:13:42,280
Speaker 1: his last album.

1658
01:13:42,600 --> 01:13:46,400
Speaker 4: But that's still in like the black coded sonics that

1659
01:13:46,439 --> 01:13:47,080
Speaker 4: he's always had.

1660
01:13:47,120 --> 01:13:49,120
Speaker 1: None no tree black for sure. But I'm saying That's

1661
01:13:49,120 --> 01:13:50,759
Speaker 1: what I'm saying. Is it? Is it a thing where

1662
01:13:51,400 --> 01:13:52,559
Speaker 1: J I D is like.

1663
01:13:54,040 --> 01:13:57,439
Speaker 2: Jack and some of blacks sound and energy, or like

1664
01:13:57,720 --> 01:13:59,639
Speaker 2: is it black Jack and some of j I D's.

1665
01:13:59,800 --> 01:14:01,400
Speaker 1: I know they know each other, know they you know,

1666
01:14:01,439 --> 01:14:02,360
Speaker 1: they worked together before.

1667
01:14:02,400 --> 01:14:04,680
Speaker 4: Obviously they were all from the same click. Yes, they

1668
01:14:04,720 --> 01:14:05,800
Speaker 4: just split up between all are.

1669
01:14:05,920 --> 01:14:08,760
Speaker 2: Dream right, But what I'm saying is is it? I

1670
01:14:08,760 --> 01:14:11,120
Speaker 2: mean we know there's I mean a lot of school

1671
01:14:11,120 --> 01:14:13,240
Speaker 2: Boy doesn't sound like a lot of Kendrick Well.

1672
01:14:13,280 --> 01:14:15,320
Speaker 1: I mean that's a game you can hit.

1673
01:14:15,760 --> 01:14:18,439
Speaker 2: You can hear him a last, But I mean with

1674
01:14:18,479 --> 01:14:20,920
Speaker 2: them too, they definitely even their tone is very similar.

1675
01:14:22,400 --> 01:14:22,720
Speaker 1: I get.

1676
01:14:22,800 --> 01:14:25,599
Speaker 4: I mean Free Black did come out before j I D.

1677
01:14:25,720 --> 01:14:28,240
Speaker 4: Black was the first one from their their crew to

1678
01:14:28,760 --> 01:14:30,880
Speaker 4: that actually blow up. And then came J I D

1679
01:14:31,000 --> 01:14:33,840
Speaker 4: And Earth Gang and everyone else, But I don't, I mean,

1680
01:14:33,960 --> 01:14:37,799
Speaker 4: I give that sound to Black. I could be ignorant,

1681
01:14:37,840 --> 01:14:39,920
Speaker 4: it could have came from someone else, But that was

1682
01:14:39,960 --> 01:14:41,720
Speaker 4: the first time I heard that type of sound was

1683
01:14:41,720 --> 01:14:43,599
Speaker 4: from Free Black. And this is I think a lot

1684
01:14:43,600 --> 01:14:47,519
Speaker 4: of people stole Black's sound, and it's not.

1685
01:14:47,520 --> 01:14:49,439
Speaker 1: A negative thing. I just think that they both sound.

1686
01:14:49,880 --> 01:14:52,360
Speaker 2: It's like, God, damn, if I if I wasn't looking

1687
01:14:52,400 --> 01:14:54,200
Speaker 2: at that video and I heard that, I was like, Yo,

1688
01:14:54,280 --> 01:14:54,800
Speaker 2: is that Jid?

1689
01:14:54,960 --> 01:14:57,040
Speaker 1: Or is that? I wouldn't know if that was Black,

1690
01:14:57,120 --> 01:15:00,000
Speaker 1: especially because Black, Yeah, hell yeah.

1691
01:15:00,080 --> 01:15:03,200
Speaker 2: So just even the tone, like it is so similar

1692
01:15:03,280 --> 01:15:06,719
Speaker 2: to each other, like sometimes Jady goes into that register,

1693
01:15:06,800 --> 01:15:09,960
Speaker 2: WHI it's a little yeah, he definitely deeper, lower octave,

1694
01:15:10,040 --> 01:15:13,719
Speaker 2: like he's not really like as animated, Like he still

1695
01:15:13,760 --> 01:15:17,360
Speaker 2: has melodies like they're very similar on say sound very

1696
01:15:17,400 --> 01:15:18,559
Speaker 2: similar on certain records.

1697
01:15:18,640 --> 01:15:20,559
Speaker 4: Well, I mean, as a consumer, the first time I

1698
01:15:20,640 --> 01:15:24,920
Speaker 4: heard that tone was from Black before Jid. But again,

1699
01:15:24,960 --> 01:15:27,719
Speaker 4: maybe who knows in that regard because at one point,

1700
01:15:27,840 --> 01:15:29,080
Speaker 4: which I don't know if a lot of people Black

1701
01:15:29,160 --> 01:15:31,920
Speaker 4: used to be a battle rapper, maybe Jid was like,

1702
01:15:31,960 --> 01:15:33,120
Speaker 4: now you gotta sing like this.

1703
01:15:34,600 --> 01:15:37,720
Speaker 5: That I'm the rappering I did not know that he

1704
01:15:37,720 --> 01:15:38,519
Speaker 5: was a battle rapper.

1705
01:15:38,520 --> 01:15:40,559
Speaker 4: That okay, Now that you know that he was a

1706
01:15:40,560 --> 01:15:44,040
Speaker 4: battle rapper, first go back and listen to Free Black

1707
01:15:44,080 --> 01:15:46,320
Speaker 4: and the rest of his catalog, and you'll be like,

1708
01:15:46,479 --> 01:15:47,679
Speaker 4: it makes so much sense.

1709
01:15:47,520 --> 01:15:48,439
Speaker 1: That you were a battle rapper.

1710
01:15:48,520 --> 01:15:51,240
Speaker 4: The lyrics, Yeah, like his pen he fits so many

1711
01:15:51,280 --> 01:15:55,920
Speaker 4: words into a sound that shouldn't have that much lyrical content. No,

1712
01:15:56,000 --> 01:15:58,519
Speaker 4: he's one thousand percent of battlerapperly he's just now he's

1713
01:15:58,560 --> 01:16:01,479
Speaker 4: now battling a girl and instead of somebody on stage.

1714
01:16:01,600 --> 01:16:03,080
Speaker 1: Yeah, that's that's what it is.

1715
01:16:03,080 --> 01:16:07,960
Speaker 4: But I'm excited. Yeah, shout out to LVRN for forgetting Black.

1716
01:16:08,240 --> 01:16:10,519
Speaker 1: Yes, back out here, shout out the ambush out to

1717
01:16:10,640 --> 01:16:13,599
Speaker 1: justice over there LVRN. Yeah, I'm excited.

1718
01:16:13,640 --> 01:16:17,240
Speaker 4: We're recording before the Mike Will made it Reset album

1719
01:16:17,439 --> 01:16:20,200
Speaker 4: is out because it is Thursday afternoon right now. But

1720
01:16:20,400 --> 01:16:22,519
Speaker 4: I'm excited to hear anything Mike Will related. We did

1721
01:16:22,880 --> 01:16:25,880
Speaker 4: touch upon it last episode, but that is out now,

1722
01:16:26,880 --> 01:16:27,559
Speaker 4: and is there anything else?

1723
01:16:27,600 --> 01:16:30,439
Speaker 1: We get? A Georgia Smith though song is out?

1724
01:16:30,520 --> 01:16:34,280
Speaker 2: Price of it all? Okay, you like Georgia Smith? Are

1725
01:16:34,280 --> 01:16:37,880
Speaker 2: you a Georgie Smith fan? I like Smith, but but

1726
01:16:38,600 --> 01:16:40,440
Speaker 2: you more Georgia Smith will nail me sharing.

1727
01:16:41,600 --> 01:16:46,040
Speaker 4: Uh, Georgia Smith, just because I need more from her.

1728
01:16:46,640 --> 01:16:47,599
Speaker 1: It could end up changing.

1729
01:16:47,600 --> 01:16:50,000
Speaker 4: But it's just not her descocraphy one project, right.

1730
01:16:50,640 --> 01:16:54,280
Speaker 2: Georgie's no, no, no, she got a couple of projects out. Okay,

1731
01:16:54,360 --> 01:16:56,160
Speaker 2: that Upsitty and projects she put out is still one

1732
01:16:56,160 --> 01:16:57,599
Speaker 2: of my favorite. That's the one that I've I've heard

1733
01:16:57,720 --> 01:17:00,880
Speaker 2: like two yes, three years for sure. Up City is incredible.

1734
01:17:00,880 --> 01:17:02,599
Speaker 4: That's the one that I've heard. I guess I gotta

1735
01:17:02,640 --> 01:17:05,960
Speaker 4: find more. But just because I've heard more Georgia Smith music,

1736
01:17:05,960 --> 01:17:07,000
Speaker 4: I'd go with Georgia Smith.

1737
01:17:07,240 --> 01:17:08,559
Speaker 1: But what this tells me.

1738
01:17:10,080 --> 01:17:11,559
Speaker 4: As much as I like our music, this is more

1739
01:17:11,600 --> 01:17:14,160
Speaker 4: of a groundhog Day type of thing for me. If

1740
01:17:14,160 --> 01:17:16,280
Speaker 4: we see Georgia Smith's shadow, it means we're getting Iceman.

1741
01:17:17,840 --> 01:17:19,360
Speaker 1: This is gonna piss, this is gonna pisch drake go off.

1742
01:17:19,360 --> 01:17:21,240
Speaker 4: I don't care what's said in this record, but the

1743
01:17:21,280 --> 01:17:23,840
Speaker 4: nerve of Georgia to even sing on a microphone.

1744
01:17:23,960 --> 01:17:26,960
Speaker 3: We may get Iceman next week. You might even do

1745
01:17:27,000 --> 01:17:28,760
Speaker 3: a weird Monday release or something.

1746
01:17:28,720 --> 01:17:32,960
Speaker 2: Because Georgia Smith put a song off. Okay, all right,

1747
01:17:33,000 --> 01:17:34,800
Speaker 2: listen man, that's how you feel. Listen I'm here.

1748
01:17:34,960 --> 01:17:37,280
Speaker 4: I'm here for it, man. That's how you feel, all right,

1749
01:17:37,360 --> 01:17:42,160
Speaker 4: cool man? It is Georgia is the groundhog to Drake Summer.

1750
01:17:42,600 --> 01:17:45,720
Speaker 1: That's really how I view That's how the thing through

1751
01:17:45,720 --> 01:17:46,760
Speaker 1: your lens. Okay, I got it.

1752
01:17:47,400 --> 01:17:50,479
Speaker 4: I mean she is responsible for one of the greatest

1753
01:17:51,000 --> 01:17:53,200
Speaker 4: It may be the greatest Drake R and B song

1754
01:17:53,240 --> 01:17:56,000
Speaker 4: of all time. Ah jad it is is top three

1755
01:17:56,040 --> 01:17:58,519
Speaker 4: to me. Jden is definitely top three to me as

1756
01:17:58,520 --> 01:18:00,519
Speaker 4: far as R and B Drake records. For sure.

1757
01:18:01,720 --> 01:18:03,120
Speaker 3: I would have to think about that. That would be

1758
01:18:03,160 --> 01:18:03,920
Speaker 3: a good draft.

1759
01:18:04,560 --> 01:18:06,599
Speaker 4: Oh you made me drive three hours to your mom's

1760
01:18:06,680 --> 01:18:13,120
Speaker 4: for what? No, Jaded is incredible fucking nuts.

1761
01:18:12,040 --> 01:18:15,439
Speaker 5: Regularly that of the I will see a family's house

1762
01:18:15,439 --> 01:18:15,920
Speaker 5: for what?

1763
01:18:15,960 --> 01:18:17,280
Speaker 1: For what? For what?

1764
01:18:17,280 --> 01:18:19,519
Speaker 3: What was I in Mississippi? Never mind? Go ahead and

1765
01:18:19,520 --> 01:18:21,120
Speaker 3: then just Tie crooning in the back.

1766
01:18:22,600 --> 01:18:25,639
Speaker 1: Yeah, that's a great record. Tie just sighing.

1767
01:18:27,920 --> 01:18:31,280
Speaker 4: Yeah, that's anytime Georgia Smith does something, I think it

1768
01:18:31,640 --> 01:18:34,160
Speaker 4: motivates Drake. I really think that's his real muse at

1769
01:18:34,160 --> 01:18:37,400
Speaker 4: the end of the day, like for real, like that's

1770
01:18:37,400 --> 01:18:37,920
Speaker 4: his Yoko.

1771
01:18:39,120 --> 01:18:40,200
Speaker 1: That's how you feel.

1772
01:18:40,479 --> 01:18:42,120
Speaker 4: As much as I like her music, I know it

1773
01:18:42,160 --> 01:18:43,280
Speaker 4: comes with a bonus track.

1774
01:18:43,080 --> 01:18:45,639
Speaker 1: Which is that's all from Drake Got You, I Feel you.

1775
01:18:46,000 --> 01:18:48,360
Speaker 4: In price of it All? Like, could this be finally

1776
01:18:48,600 --> 01:18:50,280
Speaker 4: a jaded response all these years later?

1777
01:18:50,520 --> 01:18:52,639
Speaker 1: I don't. I don't think so. I don't think it is,

1778
01:18:52,760 --> 01:18:53,040
Speaker 1: But I.

1779
01:18:53,000 --> 01:18:54,360
Speaker 3: Don't think them people think about each other.

1780
01:18:54,800 --> 01:18:58,240
Speaker 1: I don't think each other. Promise you not.

1781
01:18:59,560 --> 01:19:02,120
Speaker 4: Coco Jones. I saw the snippet of that record. It

1782
01:19:02,160 --> 01:19:06,519
Speaker 4: sounded really good. She looked great in in that snippet.

1783
01:19:06,720 --> 01:19:09,559
Speaker 4: Well respectfully, No, no, no, she she's she's she's engaged.

1784
01:19:09,560 --> 01:19:11,280
Speaker 1: I don't know. They're not married yet, are they her

1785
01:19:11,280 --> 01:19:14,320
Speaker 1: and Donovan Mary? That's alous question. But they're engaged. So

1786
01:19:14,360 --> 01:19:16,919
Speaker 1: now does does Coco's content change?

1787
01:19:17,840 --> 01:19:20,320
Speaker 3: She's she's in R and B, so she's always made

1788
01:19:20,400 --> 01:19:20,600
Speaker 3: R and B.

1789
01:19:20,840 --> 01:19:22,880
Speaker 5: Yeah no, no, but you know, oh no, I know

1790
01:19:22,920 --> 01:19:26,679
Speaker 5: Coco is good for a toxic situationship song, but she's

1791
01:19:26,680 --> 01:19:29,160
Speaker 5: been leaning more towards like the loving, loving song.

1792
01:19:29,240 --> 01:19:30,960
Speaker 3: But she does do she balances it out.

1793
01:19:30,840 --> 01:19:32,240
Speaker 1: Because I'm what's called love girl.

1794
01:19:32,320 --> 01:19:35,120
Speaker 2: Yeah no, I mean naturally, but I'm looking closely at

1795
01:19:35,240 --> 01:19:38,760
Speaker 2: Coco's content and how what she's singing about and what

1796
01:19:38,840 --> 01:19:43,439
Speaker 2: she's saying. And also Meg, I'm listening close to Meg

1797
01:19:43,520 --> 01:19:46,160
Speaker 2: how her content may change, like because you know y'all

1798
01:19:46,160 --> 01:19:47,720
Speaker 2: love to say yeah, yeah, yeah, I thought you thought

1799
01:19:47,760 --> 01:19:48,600
Speaker 2: we was outside.

1800
01:19:48,320 --> 01:19:48,760
Speaker 1: Of some of year.

1801
01:19:48,800 --> 01:19:50,160
Speaker 2: But my man coming to pick me up, like when

1802
01:19:50,160 --> 01:19:52,160
Speaker 2: I'm done partying, Like, so, is it gonna be that

1803
01:19:52,280 --> 01:19:54,439
Speaker 2: version of Meg and Coco?

1804
01:19:55,000 --> 01:19:57,360
Speaker 3: Meg said, just like Clarissa, he loved his pappoosie.

1805
01:19:58,160 --> 01:20:01,960
Speaker 1: Who said that? Meg said that it might be over Floresta.

1806
01:20:02,040 --> 01:20:03,760
Speaker 1: He loved this pet poo We might have lost Meg

1807
01:20:05,840 --> 01:20:07,599
Speaker 1: that fast. Look, I didn't even hear that ball.

1808
01:20:07,720 --> 01:20:09,120
Speaker 4: She's rapping like Clay is playing.

1809
01:20:09,840 --> 01:20:10,920
Speaker 1: When did Meg say that?

1810
01:20:11,080 --> 01:20:14,360
Speaker 5: She said it in the BBB remix with Juvenile. I

1811
01:20:14,360 --> 01:20:17,240
Speaker 5: think I played BBB for y'all juveniles. That's which is

1812
01:20:17,240 --> 01:20:19,559
Speaker 5: one of my favorite rap verses of not the best,

1813
01:20:19,560 --> 01:20:21,040
Speaker 5: but one of my favorite rap versus this year.

1814
01:20:21,120 --> 01:20:22,360
Speaker 1: This is a new Meg verse. This is like a

1815
01:20:22,439 --> 01:20:24,120
Speaker 1: lady Yeah yeah, she remixed it.

1816
01:20:24,200 --> 01:20:26,479
Speaker 5: She actually went crazy, but that one line is like

1817
01:20:26,520 --> 01:20:27,360
Speaker 5: a joking line.

1818
01:20:27,360 --> 01:20:28,880
Speaker 1: But I know she had fun with it. But you

1819
01:20:28,920 --> 01:20:31,479
Speaker 1: have Meg, don't do that again, don't don't.

1820
01:20:31,760 --> 01:20:33,519
Speaker 5: But afterwards she said, get in that flow state. He

1821
01:20:33,520 --> 01:20:35,240
Speaker 5: don't want to lose me. So I mean she cleaned it.

1822
01:20:35,280 --> 01:20:37,719
Speaker 1: You know, old State. You don't want to lose.

1823
01:20:37,520 --> 01:20:41,240
Speaker 3: Me, Maul.

1824
01:20:41,280 --> 01:20:43,839
Speaker 4: Boost Mob is proving that you don't have to overpay

1825
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1827
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1828
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Speaker 4: think you'd get lucky enough just because of Saint Patrick's

1829
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1830
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1831
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Speaker 4: can keep your phone and your number, but you save

1832
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Speaker 4: up to six hundred dollars a year compared to any

1833
01:21:07,680 --> 01:21:10,960
Speaker 4: of the major carriers. Maul, can you please stop overpaying

1834
01:21:11,240 --> 01:21:14,000
Speaker 4: and switch to a fair price at boostmobile dot com.

1835
01:21:13,920 --> 01:21:16,760
Speaker 2: Based on average annual single line payment of AT and

1836
01:21:16,800 --> 01:21:19,599
Speaker 2: T Verizon and T Mobile customers compared to twelve months

1837
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Speaker 2: on the boost Mobile Unlimited Plan as of January twenty

1838
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1839
01:21:31,080 --> 01:21:32,599
Speaker 2: What's in flow state song when you drive?

1840
01:21:34,080 --> 01:21:36,200
Speaker 1: Yeah, Rory, I don't know if I have a flow

1841
01:21:36,240 --> 01:21:37,640
Speaker 1: state song? What you know?

1842
01:21:37,880 --> 01:21:38,439
Speaker 3: Flow states?

1843
01:21:40,240 --> 01:21:40,640
Speaker 4: What are you all?

1844
01:21:41,240 --> 01:21:42,360
Speaker 1: Oh? Tears and fears?

1845
01:21:43,040 --> 01:21:47,519
Speaker 2: Everybody? Everybody rules the world. Okay, what when that comes on,

1846
01:21:47,640 --> 01:21:48,679
Speaker 2: I don't even know where I'm headed.

1847
01:21:49,120 --> 01:21:55,519
Speaker 1: I'll be in the dun Welcome to the Yeah, I

1848
01:21:55,600 --> 01:21:57,000
Speaker 1: end up in the opening. I'm like, how the fuck

1849
01:21:57,040 --> 01:21:58,559
Speaker 1: it I get? What's going to.

1850
01:21:58,520 --> 01:22:03,920
Speaker 6: The I look up, I'm like, I'm in a whole

1851
01:22:03,960 --> 01:22:07,639
Speaker 6: nother fuck. I'm at the Canadian border, Like, how did

1852
01:22:07,640 --> 01:22:09,519
Speaker 6: I get just in eighty seven?

1853
01:22:09,560 --> 01:22:11,799
Speaker 1: To keep going north? For you put that on, It's.

1854
01:22:12,040 --> 01:22:13,360
Speaker 4: Got to put on the NAZ versus of driving.

1855
01:22:13,439 --> 01:22:17,080
Speaker 2: Oh my god, it's no. There's no turning back once

1856
01:22:17,120 --> 01:22:19,840
Speaker 2: you put that record on. I know there's a specific song.

1857
01:22:20,000 --> 01:22:22,960
Speaker 4: There's probably albums though, but I like to do especially COVID

1858
01:22:22,960 --> 01:22:25,280
Speaker 4: got me into that. I just just driving, Yeah, like

1859
01:22:25,320 --> 01:22:27,839
Speaker 4: just driving the fuck around and put musical Like COVID

1860
01:22:27,880 --> 01:22:30,240
Speaker 4: has turned me into that person six years later.

1861
01:22:30,560 --> 01:22:34,160
Speaker 5: You don't have like road trip like albums or songs

1862
01:22:34,160 --> 01:22:35,720
Speaker 5: that you have to hear when you're on a road trip.

1863
01:22:36,320 --> 01:22:39,080
Speaker 4: It depends the mood that I'm in, more or less

1864
01:22:39,240 --> 01:22:41,519
Speaker 4: depends on the flow of traffic. It depends there's a

1865
01:22:41,560 --> 01:22:43,200
Speaker 4: lot of factors that when you're in a flow state,

1866
01:22:43,200 --> 01:22:45,320
Speaker 4: there's no traffic to what's going on. Flow state is

1867
01:22:45,320 --> 01:22:48,280
Speaker 4: no traffic, but sometimes you sometimes you can't anticipate that

1868
01:22:48,360 --> 01:22:50,840
Speaker 4: and no it's low state, and then you hit it.

1869
01:22:52,080 --> 01:22:54,720
Speaker 1: Flow state is over. Yeah, now put on loop or

1870
01:22:54,720 --> 01:22:55,439
Speaker 1: something because I can't.

1871
01:22:55,479 --> 01:22:58,040
Speaker 2: That's how I think, that's how road rage's birth. When

1872
01:22:58,080 --> 01:23:00,439
Speaker 2: people are in flow state and then traffic hap just like,

1873
01:23:00,439 --> 01:23:02,200
Speaker 2: why the fuck? What is going on? Why is everybody

1874
01:23:02,200 --> 01:23:03,479
Speaker 2: in the road. I thought it was just me on

1875
01:23:03,520 --> 01:23:04,240
Speaker 2: the highway right now.

1876
01:23:04,280 --> 01:23:05,760
Speaker 5: I was driving to the beat of the music, and

1877
01:23:05,760 --> 01:23:06,680
Speaker 5: now y'all fucking my ship.

1878
01:23:06,840 --> 01:23:08,360
Speaker 2: Yeah, it's like it was supposed to just be me,

1879
01:23:08,720 --> 01:23:11,320
Speaker 2: the only one on this entire interstate right now?

1880
01:23:11,680 --> 01:23:16,920
Speaker 1: Why is everybody outside? Flow state is like that feeling?

1881
01:23:17,040 --> 01:23:19,479
Speaker 3: Oh yeah, he said, when the blinker sound syncs up

1882
01:23:19,479 --> 01:23:19,960
Speaker 3: with the beat.

1883
01:23:20,080 --> 01:23:25,120
Speaker 5: Yeah, that's flow state, Yo.

1884
01:23:24,640 --> 01:23:25,639
Speaker 1: Your hazards on understand.

1885
01:23:27,640 --> 01:23:32,720
Speaker 5: It's like the metronome, Destiny's Child, Destiny Fulfilled Channel, Orange,

1886
01:23:32,880 --> 01:23:37,080
Speaker 5: Frank Ocean, The Emancipation of Me Me by Mariah We're

1887
01:23:37,080 --> 01:23:38,200
Speaker 5: you just naming an album.

1888
01:23:38,000 --> 01:23:38,639
Speaker 1: The black album?

1889
01:23:38,720 --> 01:23:41,439
Speaker 3: Yeah, those are my floats, my road trip flow state.

1890
01:23:41,240 --> 01:23:46,760
Speaker 4: Albums like Okay, oh yeah, Novacane Novakan would at minimum.

1891
01:23:46,320 --> 01:23:47,800
Speaker 1: Get me the New Brunswick When I was on my

1892
01:23:47,800 --> 01:23:50,799
Speaker 1: way to a meeting. Yeah, the song is like fourteen

1893
01:23:50,800 --> 01:23:52,680
Speaker 1: minutes anyway.

1894
01:23:52,520 --> 01:23:55,559
Speaker 4: Anything shot? They really are they love with Jesus on

1895
01:23:55,640 --> 01:23:57,880
Speaker 4: the Highway. Yeah for sure.

1896
01:23:58,640 --> 01:24:00,120
Speaker 2: That's how I feel about the nail me sharing up

1897
01:24:00,120 --> 01:24:01,320
Speaker 2: shitting in album.

1898
01:24:01,520 --> 01:24:04,280
Speaker 1: Just the river great out of here, like anything shot?

1899
01:24:04,600 --> 01:24:08,559
Speaker 4: Really, I'm I'm probably not even realize I'm dropping a car.

1900
01:24:09,200 --> 01:24:10,240
Speaker 4: We're just we're just going.

1901
01:24:12,280 --> 01:24:14,639
Speaker 1: Who's gonna stop me on the highway? Oh my god?

1902
01:24:14,880 --> 01:24:17,280
Speaker 2: Really wrap for me to on the floor. It's not

1903
01:24:17,280 --> 01:24:19,120
Speaker 2: really rap. I don't want to hear you niggas rapping?

1904
01:24:19,479 --> 01:24:21,320
Speaker 3: Who stop me on the highway is crazy.

1905
01:24:21,360 --> 01:24:22,960
Speaker 2: It's just that you've got to be a certain tempo,

1906
01:24:23,080 --> 01:24:26,040
Speaker 2: has to be a certain melody, a certain octave or

1907
01:24:26,160 --> 01:24:29,320
Speaker 2: certain like just emptiness of space and just music. I

1908
01:24:29,360 --> 01:24:31,680
Speaker 2: don't want to hear too many words. You'll give me

1909
01:24:31,720 --> 01:24:32,760
Speaker 2: too many words in the flow state.

1910
01:24:32,880 --> 01:24:35,240
Speaker 4: Have you ever been on ninety five at at two

1911
01:24:35,280 --> 01:24:37,439
Speaker 4: am and Miguel Candles and the sun comes on?

1912
01:24:38,439 --> 01:24:39,960
Speaker 1: Mm hmm. That's that's a good one.

1913
01:24:40,240 --> 01:24:44,920
Speaker 4: Kaleidoscope Dreams in general is an incredible album. You're driving,

1914
01:24:45,200 --> 01:24:47,080
Speaker 4: you may miss your exit perfectly, like, nah.

1915
01:24:47,240 --> 01:24:49,120
Speaker 1: I'll go around. We're looking. We're gonna loop the stick.

1916
01:24:50,439 --> 01:24:51,280
Speaker 1: We're gonna loop the stick.

1917
01:24:51,280 --> 01:24:51,879
Speaker 3: We go around.

1918
01:24:51,880 --> 01:24:54,479
Speaker 1: We'll do it, We'll go around, worry about it. And

1919
01:24:54,520 --> 01:24:56,320
Speaker 1: but I mean flow state. That's a that's a young

1920
01:24:56,360 --> 01:24:56,920
Speaker 1: man's game.

1921
01:24:57,160 --> 01:24:57,439
Speaker 5: Now.

1922
01:24:57,600 --> 01:25:01,600
Speaker 4: Like where I'm at my life, I'm at the like

1923
01:25:02,280 --> 01:25:05,040
Speaker 4: angry old man parent phase where it's not flow state,

1924
01:25:05,040 --> 01:25:06,879
Speaker 4: it's what am I gonna listen to in my driveway

1925
01:25:06,920 --> 01:25:08,880
Speaker 4: while I wait twenty minutes before I walk inside.

1926
01:25:09,320 --> 01:25:11,760
Speaker 1: I'm in that phase. Okay, yeah, let me just sit

1927
01:25:11,800 --> 01:25:12,360
Speaker 1: here and just.

1928
01:25:12,520 --> 01:25:17,519
Speaker 4: And sometimes that's just dead silence, just staring at my garage.

1929
01:25:18,120 --> 01:25:21,480
Speaker 1: That's serial killers.

1930
01:25:20,560 --> 01:25:24,200
Speaker 2: You know, that's Dad's That's like I think every movie

1931
01:25:24,200 --> 01:25:26,680
Speaker 2: that I've seen where before he goes in house and

1932
01:25:26,720 --> 01:25:28,080
Speaker 2: kills his entire family, he did that.

1933
01:25:28,800 --> 01:25:32,920
Speaker 4: No, no, see this, This is where I'll disagree. When

1934
01:25:32,920 --> 01:25:35,679
Speaker 4: you don't do that, that's when you kill your family

1935
01:25:36,000 --> 01:25:38,360
Speaker 4: like that. Twenty minutes of silence is needed as a

1936
01:25:38,360 --> 01:25:41,120
Speaker 4: man coming home from work before you walk into your house.

1937
01:25:41,280 --> 01:25:42,599
Speaker 3: It's not a bad thing. It's not like you hate

1938
01:25:42,600 --> 01:25:43,080
Speaker 3: your family.

1939
01:25:43,280 --> 01:25:45,679
Speaker 4: If you just go right in, right into the chaos,

1940
01:25:45,720 --> 01:25:48,320
Speaker 4: all that's gonna get built up and bottled up, and

1941
01:25:48,360 --> 01:25:51,280
Speaker 4: then that will end up becoming a Netflix documentary. If

1942
01:25:51,320 --> 01:25:54,040
Speaker 4: you take that time to just unwind, then you're getting

1943
01:25:54,080 --> 01:25:56,040
Speaker 4: all the serial killer vibes out of your body.

1944
01:25:56,240 --> 01:25:57,920
Speaker 2: Yeah, but I feel like if you're taking that time

1945
01:25:58,240 --> 01:26:00,639
Speaker 2: to just stay at the garage door, I think you're

1946
01:26:00,640 --> 01:26:02,920
Speaker 2: going over your checklist of everything to clean the house

1947
01:26:02,960 --> 01:26:09,639
Speaker 2: after you massacre your family. Bleach limes, duct tape, shovel rope.

1948
01:26:09,960 --> 01:26:12,840
Speaker 2: But I think you're going over that in your mind, like.

1949
01:26:12,800 --> 01:26:15,479
Speaker 4: Your ma who just got caught for he asked Chad

1950
01:26:15,520 --> 01:26:17,000
Speaker 4: GBT you to kill his wife or something?

1951
01:26:17,240 --> 01:26:20,200
Speaker 1: Oh yeah one of the football players. Yeah, yeah, he's cooked.

1952
01:26:20,200 --> 01:26:22,400
Speaker 2: He might as well just go and just just turn

1953
01:26:22,439 --> 01:26:24,720
Speaker 2: yourself in. Fam, it's over. He's cooked.

1954
01:26:24,720 --> 01:26:25,760
Speaker 1: Did he get arrested.

1955
01:26:25,479 --> 01:26:27,360
Speaker 3: Yet, Yeah, well he was looking.

1956
01:26:27,600 --> 01:26:29,799
Speaker 1: He got arrested. He got his phone.

1957
01:26:30,160 --> 01:26:32,160
Speaker 5: He didn't ask chat GBT how to kill my wife?

1958
01:26:32,160 --> 01:26:34,919
Speaker 5: He said, yo, Like she ain't moving, she was acting crazy,

1959
01:26:35,000 --> 01:26:36,600
Speaker 5: Like what should I do? What should I say to

1960
01:26:36,640 --> 01:26:38,920
Speaker 5: the Like what should my friend say to the police.

1961
01:26:39,320 --> 01:26:41,559
Speaker 2: That reminds me of this episode of the first forty eight, Right,

1962
01:26:41,720 --> 01:26:44,599
Speaker 2: it's this dude. So they know they knew he killed

1963
01:26:44,600 --> 01:26:47,759
Speaker 2: his girlfriend, so they're like, yo, so tell us what happened.

1964
01:26:47,760 --> 01:26:50,040
Speaker 2: He was like you know, we were arguing. Once they

1965
01:26:50,080 --> 01:26:51,800
Speaker 2: say that, it's like, fam, you're done. As soon as

1966
01:26:51,840 --> 01:26:53,960
Speaker 2: you say you was arguing and then your girlfriend is dead.

1967
01:26:54,160 --> 01:26:56,840
Speaker 2: You did it like this. Nobody didn't be coming after

1968
01:26:56,880 --> 01:26:58,639
Speaker 2: the argument. It was like, yeah, and did just kill

1969
01:26:58,680 --> 01:27:01,519
Speaker 2: your girlfriend? It was like it was you. He says, yeah,

1970
01:27:01,560 --> 01:27:04,679
Speaker 2: like we was arguing and then you know, I held

1971
01:27:04,720 --> 01:27:06,479
Speaker 2: it on the floor and I was on top of

1972
01:27:06,520 --> 01:27:09,640
Speaker 2: her and I told her don't move, stayed there and

1973
01:27:09,680 --> 01:27:15,479
Speaker 2: then I got up and she just stayed there.

1974
01:27:14,560 --> 01:27:18,320
Speaker 1: And I left. Or and go get your ass in

1975
01:27:18,320 --> 01:27:21,240
Speaker 1: that back cell, nigga, go walk back a coincidence, ye know,

1976
01:27:21,400 --> 01:27:23,559
Speaker 1: take your ass to that back cell and close it

1977
01:27:23,600 --> 01:27:24,320
Speaker 1: behind you. Yeah.

1978
01:27:24,479 --> 01:27:28,519
Speaker 4: I mean nothing was crazier than that guy who I

1979
01:27:28,520 --> 01:27:30,840
Speaker 4: hope is under the jail at this point, that killed

1980
01:27:30,840 --> 01:27:32,960
Speaker 4: his wife and his two girls, like put them in.

1981
01:27:32,880 --> 01:27:33,760
Speaker 1: That water towel.

1982
01:27:33,800 --> 01:27:36,639
Speaker 4: Oh yeah, he's but that doc like when the cops

1983
01:27:36,640 --> 01:27:38,799
Speaker 4: with the with the body can footage and he's walking

1984
01:27:38,840 --> 01:27:40,800
Speaker 4: around like he lost his keys.

1985
01:27:40,840 --> 01:27:44,320
Speaker 3: He's like, huh, where'd my family go? Yeah, like literally

1986
01:27:44,320 --> 01:27:45,479
Speaker 3: walking around like he lost his kid.

1987
01:27:45,479 --> 01:27:47,000
Speaker 2: But I love the fact that cop was outside and

1988
01:27:47,080 --> 01:27:49,439
Speaker 2: was like, yeah, he's way too calm, like this is.

1989
01:27:49,560 --> 01:27:51,559
Speaker 1: And then the neighbor too, was like, yo, what's up,

1990
01:27:51,560 --> 01:27:52,400
Speaker 1: what's up? What's up?

1991
01:27:52,920 --> 01:27:54,800
Speaker 2: That was like it's like, fam, come on man, like

1992
01:27:55,240 --> 01:27:58,120
Speaker 2: you did it. Your family's missing, and you just calm.

1993
01:27:58,160 --> 01:28:01,360
Speaker 2: You're not panicking, you're not crying, You're not like like

1994
01:28:01,360 --> 01:28:02,880
Speaker 2: fuck the copin, Like we need to be out, like

1995
01:28:02,960 --> 01:28:05,000
Speaker 2: get people outside, we need to be looking for my family.

1996
01:28:05,040 --> 01:28:08,599
Speaker 5: Like people don't practice. Okay, I don't want to sound

1997
01:28:08,600 --> 01:28:09,240
Speaker 5: crazy when.

1998
01:28:09,120 --> 01:28:09,479
Speaker 3: I say this.

1999
01:28:10,080 --> 01:28:13,479
Speaker 5: People don't like practice those scenarios in their head before

2000
01:28:13,520 --> 01:28:15,439
Speaker 5: they ever even commit the crime. Like how do you

2001
01:28:15,479 --> 01:28:17,320
Speaker 5: not know how to lie when you finally commit a crime.

2002
01:28:17,439 --> 01:28:19,280
Speaker 5: I'm sure you do the lie and the.

2003
01:28:19,360 --> 01:28:20,280
Speaker 3: Tears and all of that.

2004
01:28:20,560 --> 01:28:20,960
Speaker 1: I do that.

2005
01:28:21,000 --> 01:28:22,280
Speaker 3: Sometimes don't have no plans to.

2006
01:28:22,280 --> 01:28:24,640
Speaker 2: Come, Sure they do, but you don't. You don't know

2007
01:28:25,520 --> 01:28:28,640
Speaker 2: how to react unless you're really in that moment. You

2008
01:28:28,680 --> 01:28:31,519
Speaker 2: can think about it, you can plan it, but until

2009
01:28:31,560 --> 01:28:34,519
Speaker 2: it's done. That like when you know in your mind

2010
01:28:34,560 --> 01:28:36,599
Speaker 2: you just killed your family, I don't care how many

2011
01:28:36,600 --> 01:28:39,519
Speaker 2: times you played the scenario over in your head. When

2012
01:28:39,560 --> 01:28:42,519
Speaker 2: somebody approaches you and starts questioning you about yo, so

2013
01:28:42,560 --> 01:28:43,160
Speaker 2: what happened with you?

2014
01:28:44,160 --> 01:28:45,960
Speaker 1: Your mind is all over the fucking place.

2015
01:28:46,000 --> 01:28:47,679
Speaker 2: So you're going to start to say things in acting

2016
01:28:47,720 --> 01:28:50,479
Speaker 2: away with somebody's gonna be like, this is not natural,

2017
01:28:50,600 --> 01:28:55,120
Speaker 2: Like you're way to calme and like like detectives, they

2018
01:28:55,200 --> 01:28:57,639
Speaker 2: know body language and they know energy. If somebody tells

2019
01:28:57,640 --> 01:29:00,000
Speaker 2: you a demarage, your entire family is missing right now,

2020
01:29:00,640 --> 01:29:01,200
Speaker 2: you're not going to.

2021
01:29:01,200 --> 01:29:03,800
Speaker 1: Be in there, Like but I don't where could they be.

2022
01:29:06,120 --> 01:29:09,599
Speaker 2: That's not your that's not even it's like wait, somebody

2023
01:29:09,760 --> 01:29:10,880
Speaker 2: the technive was going to be like.

2024
01:29:12,320 --> 01:29:13,400
Speaker 1: We use that last night.

2025
01:29:14,360 --> 01:29:17,640
Speaker 2: They know rip like body language, energy, like you're not

2026
01:29:17,960 --> 01:29:21,080
Speaker 2: they know natural reactions to certain things that they say.

2027
01:29:21,120 --> 01:29:23,280
Speaker 1: It's like, it's just your energy is going to tell everything.

2028
01:29:23,680 --> 01:29:26,080
Speaker 3: On Tuesday, she plays cribbage for their friend. She never

2029
01:29:26,120 --> 01:29:26,519
Speaker 3: came back.

2030
01:29:27,240 --> 01:29:29,759
Speaker 4: But that guy was so sick that like I'm pretty

2031
01:29:29,760 --> 01:29:32,800
Speaker 4: sure his kids were still alive on his way to

2032
01:29:32,880 --> 01:29:35,360
Speaker 4: the water tower. Like that guy is a different level

2033
01:29:36,120 --> 01:29:40,400
Speaker 4: of like I hope somebody slowly dismembered him in that jail.

2034
01:29:40,640 --> 01:29:43,320
Speaker 1: How sick that that guy. He's one of those that

2035
01:29:43,360 --> 01:29:45,000
Speaker 1: you need to just kill him slowly.

2036
01:29:45,840 --> 01:29:49,519
Speaker 4: But as far as crimes in the court system and justice,

2037
01:29:50,200 --> 01:29:52,000
Speaker 4: let's have a big round of applause for our guy.

2038
01:29:52,120 --> 01:29:58,040
Speaker 4: Afromn not guilty. Y'all got to feel me. For those

2039
01:29:58,040 --> 01:30:03,559
Speaker 4: that don't know. A few years go. Afroman lives in

2040
01:30:03,560 --> 01:30:06,280
Speaker 4: a small town in Ohio, and a few years ago

2041
01:30:06,360 --> 01:30:10,799
Speaker 4: the cops raided his house, busted his door in based

2042
01:30:10,840 --> 01:30:13,760
Speaker 4: off shitty information of him having a bunch of weed

2043
01:30:13,840 --> 01:30:16,599
Speaker 4: and kidnapping people busting his crib.

2044
01:30:16,880 --> 01:30:18,479
Speaker 1: He's not there, but he has cameras.

2045
01:30:19,040 --> 01:30:23,519
Speaker 4: They go on to steal his money, fuck up his

2046
01:30:23,560 --> 01:30:26,559
Speaker 4: house and don't find anything, and then on top of that,

2047
01:30:26,920 --> 01:30:30,080
Speaker 4: his money goes mysteriously missing from the evidence locker. And

2048
01:30:30,200 --> 01:30:32,000
Speaker 4: yet they just straight up stole shit. They cut his

2049
01:30:32,040 --> 01:30:34,800
Speaker 4: cameras off while they were raiding the entire thing.

2050
01:30:35,400 --> 01:30:37,600
Speaker 1: So he was not charging anything because he didn't do

2051
01:30:37,600 --> 01:30:38,200
Speaker 1: anything wrong.

2052
01:30:38,360 --> 01:30:41,439
Speaker 4: But for the next few years he continued to make

2053
01:30:41,680 --> 01:30:44,280
Speaker 4: songs about each officer that was involved in the rage,

2054
01:30:44,640 --> 01:30:47,880
Speaker 4: some of the funniest songs I've heard. Those cops went

2055
01:30:47,920 --> 01:30:51,640
Speaker 4: on to sue him as of last month for defamation,

2056
01:30:52,160 --> 01:30:54,559
Speaker 4: in which today he beat the case. Have you guys

2057
01:30:54,640 --> 01:30:56,720
Speaker 4: heard any of the songs that he's put out now

2058
01:30:56,800 --> 01:31:00,679
Speaker 4: I have. One of the songs was about him fucking

2059
01:31:00,720 --> 01:31:03,920
Speaker 4: one of the cops wives, and the guy said it

2060
01:31:04,000 --> 01:31:07,519
Speaker 4: ruined his marriage. They did faked tears on the stand.

2061
01:31:08,120 --> 01:31:12,840
Speaker 4: Afroman only had one witness in this civil suit, and

2062
01:31:12,880 --> 01:31:15,400
Speaker 4: it was the cops ex wife. She got on the

2063
01:31:15,400 --> 01:31:18,200
Speaker 4: stand and said, our marriage did not end because of

2064
01:31:18,240 --> 01:31:19,080
Speaker 4: this fucking song.

2065
01:31:19,840 --> 01:31:23,519
Speaker 1: It case closed in a second look at that. So

2066
01:31:23,960 --> 01:31:24,439
Speaker 1: it was.

2067
01:31:24,479 --> 01:31:28,960
Speaker 4: I encourage all of you to go listen to every

2068
01:31:29,200 --> 01:31:31,160
Speaker 4: song from this entire mixtape series.

2069
01:31:32,080 --> 01:31:33,960
Speaker 1: I'm glad that he was found not guilty, though.

2070
01:31:34,479 --> 01:31:38,360
Speaker 4: It's I mean, there's one in the CC footage, one

2071
01:31:38,360 --> 01:31:40,120
Speaker 4: cop during the raid has his gun out and keeps

2072
01:31:40,160 --> 01:31:43,320
Speaker 4: looking at the cake like he wants to slice, and

2073
01:31:43,439 --> 01:31:48,320
Speaker 4: Afroman made a whole song about that cop just looking

2074
01:31:48,360 --> 01:31:50,040
Speaker 4: at the cake. He said it made him put his

2075
01:31:50,080 --> 01:31:50,920
Speaker 4: firearms down.

2076
01:31:52,360 --> 01:31:54,080
Speaker 1: What were they charging him with?

2077
01:31:54,120 --> 01:31:58,479
Speaker 4: Though original they got, they got faulty information and they

2078
01:31:58,560 --> 01:32:02,960
Speaker 4: never really explained how they got the info. Defamation that

2079
01:32:02,960 --> 01:32:05,160
Speaker 4: that he had weed and was kidnapping people had like

2080
01:32:05,200 --> 01:32:07,800
Speaker 4: some layer in his basement with kidnapp victims, and was

2081
01:32:07,920 --> 01:32:10,720
Speaker 4: like not the case whatsoever. So they couldn't even charge

2082
01:32:10,760 --> 01:32:12,519
Speaker 4: with anything because they they walked in there and didn't

2083
01:32:12,560 --> 01:32:16,760
Speaker 4: get anything except for his actual money. And then yeah,

2084
01:32:16,760 --> 01:32:17,760
Speaker 4: he made these songs.

2085
01:32:17,479 --> 01:32:20,360
Speaker 1: To troll the whole police force. I like that.

2086
01:32:20,960 --> 01:32:24,280
Speaker 4: It's the songs are very funny, Like they're the funniest

2087
01:32:24,280 --> 01:32:28,919
Speaker 4: things ever. And Afroman is in court in an American

2088
01:32:28,960 --> 01:32:32,519
Speaker 4: flag suit. He's a patriot and that's what he wears

2089
01:32:32,560 --> 01:32:33,400
Speaker 4: on all the videos too.

2090
01:32:33,439 --> 01:32:35,120
Speaker 1: It's the greatest.

2091
01:32:35,160 --> 01:32:37,519
Speaker 2: I'm a character the whole way through trolling the ship

2092
01:32:37,560 --> 01:32:40,559
Speaker 2: out of ya. See that's the energy of somebody that's

2093
01:32:40,600 --> 01:32:43,160
Speaker 2: not guilty. She demors, So you start playing with them,

2094
01:32:43,200 --> 01:32:45,920
Speaker 2: like what fuck are y'all talking about? Like, no, I

2095
01:32:45,920 --> 01:32:48,400
Speaker 2: don't have this, No, then you can have fun.

2096
01:32:48,400 --> 01:32:50,520
Speaker 3: You're teaching me right now how to get away with crime.

2097
01:32:51,000 --> 01:32:52,160
Speaker 4: In mall GBT.

2098
01:32:52,680 --> 01:32:55,439
Speaker 1: No, it's not mall GPT. Don't. I'm not teaching the

2099
01:32:55,479 --> 01:32:56,760
Speaker 1: marriage anything about.

2100
01:32:56,680 --> 01:32:58,400
Speaker 5: No you are you are's okay. I'm gonna tell the

2101
01:32:58,400 --> 01:32:58,960
Speaker 5: copstat too.

2102
01:32:59,520 --> 01:33:01,280
Speaker 2: Just watch the first forty eight so I do my

2103
01:33:01,479 --> 01:33:04,639
Speaker 2: You know, why would you call anyone after you committed

2104
01:33:04,640 --> 01:33:04,960
Speaker 2: a crime?

2105
01:33:05,880 --> 01:33:06,360
Speaker 1: What do you mean?

2106
01:33:06,400 --> 01:33:07,320
Speaker 4: It's twenty twenty six.

2107
01:33:08,640 --> 01:33:11,040
Speaker 1: Why would you call anyone after you committed Why would.

2108
01:33:10,840 --> 01:33:14,320
Speaker 4: You do anything with the phone? Yeah, like just place anything, period,

2109
01:33:15,439 --> 01:33:16,880
Speaker 4: buy anything with a credit card.

2110
01:33:17,160 --> 01:33:18,920
Speaker 1: Anything I don't like exists, really.

2111
01:33:18,640 --> 01:33:21,680
Speaker 5: Anything that connects to sell your towers or Wi Fi. Like,

2112
01:33:21,760 --> 01:33:23,479
Speaker 5: let's just please just leave it where it is.

2113
01:33:24,280 --> 01:33:26,080
Speaker 2: Yeah, that's why if we commit the crime, people will

2114
01:33:26,120 --> 01:33:29,120
Speaker 2: just leave your phone home. Who you got a call

2115
01:33:29,200 --> 01:33:32,840
Speaker 2: while you committing crime? But exactly I checked the time, Lou,

2116
01:33:33,680 --> 01:33:36,519
Speaker 2: while you committed crime. All right, go shit in that backstell.

2117
01:33:37,360 --> 01:33:39,960
Speaker 2: You pinged off this tower. She got killed right there. Yeah,

2118
01:33:40,000 --> 01:33:41,519
Speaker 2: it was your nigga. Get back getting that back.

2119
01:33:41,360 --> 01:33:45,599
Speaker 4: Cell before we get out of here. Do we want

2120
01:33:45,600 --> 01:33:46,759
Speaker 4: to do a Paradise update?

2121
01:33:46,840 --> 01:33:49,040
Speaker 1: Yes, episode left.

2122
01:33:49,080 --> 01:33:50,960
Speaker 5: I was gonna say, wait until Monday. Doesn't a new

2123
01:33:50,960 --> 01:33:52,240
Speaker 5: one come out on Monday.

2124
01:33:52,200 --> 01:33:54,640
Speaker 1: Sunday Sunday night, Monday morning. It's been a whole new

2125
01:33:54,640 --> 01:33:56,080
Speaker 1: episode since we talked about it last year.

2126
01:33:56,120 --> 01:33:56,960
Speaker 3: Okay, we'll go ahead.

2127
01:33:57,000 --> 01:33:58,640
Speaker 5: I haven't seen it yet, so Mark y'all will have

2128
01:33:58,640 --> 01:34:00,519
Speaker 5: to talk about it. But let's do sport boiler alert,

2129
01:34:00,560 --> 01:34:02,880
Speaker 5: spoiler alert if you haven't seen if you.

2130
01:34:02,800 --> 01:34:04,280
Speaker 2: Haven't seen that, I don't want to spoil it for you.

2131
01:34:04,560 --> 01:34:08,479
Speaker 2: I don't mind spoiling for the listeners. I don't want

2132
01:34:08,479 --> 01:34:09,040
Speaker 2: to spoil it for you.

2133
01:34:09,120 --> 01:34:09,880
Speaker 1: That's their fault.

2134
01:34:10,040 --> 01:34:16,000
Speaker 2: But I'm almost on the side of saying Paradise is

2135
01:34:16,080 --> 01:34:18,800
Speaker 2: easily one of the best shows in TV history, and

2136
01:34:18,800 --> 01:34:21,120
Speaker 2: it's only two season for sure.

2137
01:34:21,320 --> 01:34:22,880
Speaker 3: Is the second season better than the first?

2138
01:34:25,240 --> 01:34:30,639
Speaker 2: It's a different it's a different uh. More characters are

2139
01:34:30,680 --> 01:34:35,760
Speaker 2: coming into play. You're kind of getting the story of

2140
01:34:35,840 --> 01:34:39,599
Speaker 2: each character a little bit. Jane, who is a character

2141
01:34:39,600 --> 01:34:43,040
Speaker 2: from the first season. She was an agent for the president,

2142
01:34:43,520 --> 01:34:48,160
Speaker 2: secret service agent. We're getting her character her story now.

2143
01:34:49,360 --> 01:34:51,200
Speaker 4: So a lot of y'all are raising Jane's right now.

2144
01:34:51,520 --> 01:34:53,519
Speaker 1: Yeah, yeah, yeah, one percent.

2145
01:34:53,640 --> 01:34:56,360
Speaker 2: So yeah, this I like the second season is probably

2146
01:34:56,960 --> 01:34:59,519
Speaker 2: just as good as the first. It's probably I don't

2147
01:35:00,080 --> 01:35:04,439
Speaker 2: know which one I would say is better. It's one

2148
01:35:04,439 --> 01:35:08,160
Speaker 2: more episode left in season two, and I'm gonna guess

2149
01:35:08,240 --> 01:35:10,439
Speaker 2: Rory that there is a season three coming. I mean

2150
01:35:10,680 --> 01:35:14,040
Speaker 2: I would hope, so, yeah, there's a whole story coming.

2151
01:35:15,040 --> 01:35:17,200
Speaker 1: I'm with you there. They're draftedly different seasons. They're hard

2152
01:35:17,200 --> 01:35:17,559
Speaker 1: to compare.

2153
01:35:17,600 --> 01:35:19,479
Speaker 4: I would say the first one is better, but it

2154
01:35:19,600 --> 01:35:24,439
Speaker 4: just had it had like more action, more like holy

2155
01:35:24,479 --> 01:35:28,400
Speaker 4: shit moments, and like every episode was a crazy turn.

2156
01:35:28,479 --> 01:35:30,760
Speaker 4: This one has been a slow burn in a good way.

2157
01:35:31,520 --> 01:35:34,799
Speaker 4: I've really enjoyed season two, but they're hard to compare.

2158
01:35:34,960 --> 01:35:37,000
Speaker 4: I would say season one is better just because it

2159
01:35:37,040 --> 01:35:39,000
Speaker 4: was maybe a little bit more action packs.

2160
01:35:39,400 --> 01:35:40,639
Speaker 1: But it's about to get crazy.

2161
01:35:41,000 --> 01:35:44,800
Speaker 4: Yeah, So I mean that the ending of this last

2162
01:35:44,840 --> 01:35:46,880
Speaker 4: episode was kind of crazy.

2163
01:35:47,320 --> 01:35:50,080
Speaker 1: All my predictions were correct. Shout out to Sterling.

2164
01:35:49,800 --> 01:35:53,040
Speaker 2: Brown another because he has another one of my favorite,

2165
01:35:53,320 --> 01:35:55,400
Speaker 2: probably our favorite shows, Evan TV Istory.

2166
01:35:55,520 --> 01:35:58,799
Speaker 4: This is Us and People versus O. J. Simpson.

2167
01:35:58,920 --> 01:35:59,120
Speaker 1: Yeah.

2168
01:35:59,160 --> 01:36:04,080
Speaker 2: That, and I think he's an executive producer on Paradise. Okay,

2169
01:36:04,280 --> 01:36:07,320
Speaker 2: so he's like he has that on his resume now,

2170
01:36:07,360 --> 01:36:11,160
Speaker 2: like he's executive producing one of the best shows on

2171
01:36:11,240 --> 01:36:15,840
Speaker 2: television right now. So shout out to Staling Brown and yeah,

2172
01:36:16,240 --> 01:36:16,640
Speaker 2: catch up.

2173
01:36:16,880 --> 01:36:17,320
Speaker 1: I will.

2174
01:36:17,360 --> 01:36:19,000
Speaker 3: I will try to make room to do it.

2175
01:36:19,680 --> 01:36:22,639
Speaker 2: There's only one left, so you got to watch seven

2176
01:36:22,720 --> 01:36:25,320
Speaker 2: and then eight comes out Sunday night midnight.

2177
01:36:25,400 --> 01:36:27,920
Speaker 4: So I'm actually kind of jealousy because I was. I

2178
01:36:27,960 --> 01:36:30,160
Speaker 4: was kind of pissed watching that episode and not being

2179
01:36:30,160 --> 01:36:32,280
Speaker 4: able to watch the finale. I would wait till the

2180
01:36:32,360 --> 01:36:34,880
Speaker 4: day the finale comes out and just watch seven and

2181
01:36:35,280 --> 01:36:36,280
Speaker 4: then go right into it.

2182
01:36:36,360 --> 01:36:38,880
Speaker 5: I'm gonna try to tonight. I'll try to squeeze it

2183
01:36:38,920 --> 01:36:40,439
Speaker 5: in before my flight and then.

2184
01:36:40,400 --> 01:36:43,320
Speaker 1: Yo the before your flight, girl.

2185
01:36:43,160 --> 01:36:46,680
Speaker 5: Squeeze the episode and watch it before the flight and

2186
01:36:46,720 --> 01:36:49,280
Speaker 5: then watch the other one before I come into work

2187
01:36:49,280 --> 01:36:49,759
Speaker 5: on Monday.

2188
01:36:49,880 --> 01:36:53,639
Speaker 1: Okay, cool, Cool, that's where you're going.

2189
01:36:54,000 --> 01:36:55,320
Speaker 3: I'm going to Houston this weekend.

2190
01:36:55,320 --> 01:36:56,800
Speaker 1: Oh yes, but that was next week.

2191
01:36:56,920 --> 01:36:58,880
Speaker 5: No, that's my birthday is next week. But I'm glad

2192
01:36:59,439 --> 01:37:01,519
Speaker 5: I got it. Host Burgers and Bottles this weekend.

2193
01:37:01,560 --> 01:37:03,679
Speaker 2: Burgers and bot shout out to the Burgers and Bottles

2194
01:37:03,680 --> 01:37:05,880
Speaker 2: team Burgers and Bottles. Burgers and Bottles.

2195
01:37:05,600 --> 01:37:09,360
Speaker 1: Outside we Yeah, I invited y'all.

2196
01:37:09,400 --> 01:37:10,680
Speaker 3: Y'all don't want to come to Houston with me, so

2197
01:37:10,720 --> 01:37:11,120
Speaker 3: it's whatever.

2198
01:37:11,160 --> 01:37:13,200
Speaker 2: If I go to Houston for Burgers and Bottles, I'm

2199
01:37:13,200 --> 01:37:16,120
Speaker 2: not coming back. Let me just be honest. I'm not

2200
01:37:16,120 --> 01:37:18,840
Speaker 2: getting on the flight Sunday. Definitely not leaving Houston on

2201
01:37:18,880 --> 01:37:20,439
Speaker 2: a Sunday. I don't know how to do that.

2202
01:37:20,520 --> 01:37:22,680
Speaker 3: I leave Monday morning and Monday.

2203
01:37:22,479 --> 01:37:25,240
Speaker 1: Of course, you leave Monday out of Houston.

2204
01:37:25,200 --> 01:37:27,720
Speaker 3: Right into here. I'm coming right into work. Yeah.

2205
01:37:29,160 --> 01:37:31,240
Speaker 2: Yeah, I wouldn't even play. I wouldn't even attempt to

2206
01:37:31,280 --> 01:37:34,360
Speaker 2: do that. I'm not leaving Houston. You just moved the

2207
01:37:34,360 --> 01:37:34,680
Speaker 2: whole pot.

2208
01:37:34,720 --> 01:37:37,160
Speaker 1: I'm leaving leaving.

2209
01:37:37,880 --> 01:37:42,360
Speaker 4: Yeah, I have ever left Houston on the day I

2210
01:37:42,400 --> 01:37:43,160
Speaker 4: was supposed to leave.

2211
01:37:46,960 --> 01:37:49,320
Speaker 1: For a weekend and don't change your flight. You are lame.

2212
01:37:50,680 --> 01:37:52,840
Speaker 2: You ain't getting no you ain't have no fun, You

2213
01:37:52,880 --> 01:37:55,960
Speaker 2: ain't be no people. You just like you catch your flight.

2214
01:37:56,800 --> 01:37:57,360
Speaker 1: What are you doing?

2215
01:37:57,360 --> 01:38:01,000
Speaker 2: You gotta change your flight? Yeah, man, yeah, no, I don't.

2216
01:38:01,520 --> 01:38:02,320
Speaker 2: I stay away from.

2217
01:38:03,040 --> 01:38:05,720
Speaker 5: I'm coming into work. The airports are nasty. So if

2218
01:38:05,760 --> 01:38:08,200
Speaker 5: I get like delayed, I'll let y'all know. But I'm

2219
01:38:08,280 --> 01:38:08,679
Speaker 5: i land.

2220
01:38:09,680 --> 01:38:12,960
Speaker 1: I like that, baby D. That's called four D. Yeah,

2221
01:38:13,120 --> 01:38:14,000
Speaker 1: that's called four D.

2222
01:38:14,040 --> 01:38:18,320
Speaker 2: I'm four steps ahead of you, yo, listen. The airports

2223
01:38:18,360 --> 01:38:20,440
Speaker 2: is nasty. She's telling us this on a Thursday.

2224
01:38:20,760 --> 01:38:24,720
Speaker 1: Yeah about Monday, baby D.

2225
01:38:24,880 --> 01:38:27,680
Speaker 2: Know what the TSA lines look like in Houston on

2226
01:38:27,800 --> 01:38:29,960
Speaker 2: Monday and we're recording on Thursday.

2227
01:38:30,200 --> 01:38:30,320
Speaker 4: Yo.

2228
01:38:31,040 --> 01:38:34,880
Speaker 2: Lines is crazy, it's nasty. You know the Iran the

2229
01:38:35,000 --> 01:38:37,719
Speaker 2: oil prices is up. Jet fuel is crazy right now.

2230
01:38:38,040 --> 01:38:38,639
Speaker 1: Yo, listen.

2231
01:38:38,680 --> 01:38:40,559
Speaker 2: They don't even have peanuts on the flights right now.

2232
01:38:40,600 --> 01:38:44,040
Speaker 2: It's nasty. I might not make it. Yeah, I like

2233
01:38:44,120 --> 01:38:45,800
Speaker 2: that baby D. And you know she like pretend to

2234
01:38:45,840 --> 01:38:47,240
Speaker 2: be nad like I just want to get home.

2235
01:38:47,320 --> 01:38:48,360
Speaker 1: Yeah, I'm just trying to get home.

2236
01:38:48,720 --> 01:38:51,200
Speaker 3: I'm definitely gonna want to be home by Monday. I'm

2237
01:38:51,200 --> 01:38:52,000
Speaker 3: gonna want to be home.

2238
01:38:52,040 --> 01:38:54,400
Speaker 5: I'm so tired, like I was telling Rory, like thirty

2239
01:38:54,400 --> 01:38:57,920
Speaker 5: two is coming next week and I'm tired all the time.

2240
01:38:58,280 --> 01:38:59,760
Speaker 1: Please I really know, mall for real?

2241
01:38:59,840 --> 01:39:01,559
Speaker 5: Like now how I used to joking, be like I'm

2242
01:39:01,560 --> 01:39:03,839
Speaker 5: done being outside, Like I really am, just like exhausted

2243
01:39:03,840 --> 01:39:06,360
Speaker 5: all the time. My body tired when I drink and

2244
01:39:06,800 --> 01:39:10,160
Speaker 5: sleepy now like I'm in summertime.

2245
01:39:10,240 --> 01:39:13,920
Speaker 2: Yet soon as that sun come out, Oh it's yeah cool,

2246
01:39:14,200 --> 01:39:16,400
Speaker 2: Yeah that's all. Soon as the sun come out, you're

2247
01:39:16,400 --> 01:39:18,040
Speaker 2: gonna be it's gonna be hard to keep you in

2248
01:39:18,040 --> 01:39:22,400
Speaker 2: the house. As soon as that sun hit baby, the outside,

2249
01:39:23,080 --> 01:39:29,080
Speaker 2: tan skin glowing less close, pedicure feed out. When the

2250
01:39:29,080 --> 01:39:31,960
Speaker 2: feed out, you ain't home. When you gotta put socks on,

2251
01:39:32,040 --> 01:39:34,360
Speaker 2: that's when you're like, yeah, I'm I'm tied. That's when

2252
01:39:34,360 --> 01:39:36,040
Speaker 2: you're acting like an auntie when you kinda put so.

2253
01:39:37,080 --> 01:39:41,920
Speaker 2: As soon as you can have your feet out, you outside.

2254
01:39:40,760 --> 01:39:42,040
Speaker 1: The power injin morphine, she just.

2255
01:39:41,960 --> 01:39:44,720
Speaker 2: Takes the socks off, and the marriage You know, Dann, Well,

2256
01:39:44,760 --> 01:39:47,120
Speaker 2: soon as you start getting the momarm outside, ain't gonna

2257
01:39:47,120 --> 01:39:47,519
Speaker 2: be in the house.

2258
01:39:47,560 --> 01:39:49,960
Speaker 4: You said, four d because that just reminded me that

2259
01:39:49,960 --> 01:39:52,959
Speaker 4: that a bunch of women. I hate the word exposed,

2260
01:39:52,960 --> 01:39:56,160
Speaker 4: but posted Game D ming them the same thing like

2261
01:39:56,960 --> 01:40:00,880
Speaker 4: Game has a Rose Royce white ceiling for all his

2262
01:40:01,000 --> 01:40:03,200
Speaker 4: d M ship as well. He has like a template

2263
01:40:03,400 --> 01:40:06,320
Speaker 4: no nudy, what is it. It's a great character trait.

2264
01:40:06,439 --> 01:40:09,360
Speaker 4: He said, D three. She said, huh. He said, oh

2265
01:40:09,400 --> 01:40:11,680
Speaker 4: my bad. I thought this was a vending machine. I

2266
01:40:11,720 --> 01:40:12,639
Speaker 4: was trying to get a snack.

2267
01:40:14,280 --> 01:40:17,360
Speaker 1: No no, no, no, no, no, no, I gotta let that.

2268
01:40:18,200 --> 01:40:19,160
Speaker 3: Let let me.

2269
01:40:19,280 --> 01:40:22,320
Speaker 2: You're not hearing Game. You're not hearing them. He's white ceiling. Yeah,

2270
01:40:22,320 --> 01:40:24,280
Speaker 2: you just reading messages. You gotta hear them though.

2271
01:40:26,240 --> 01:40:26,680
Speaker 1: Three D.

2272
01:40:27,200 --> 01:40:29,880
Speaker 2: I'm starting with that because he know that's gonna prompt

2273
01:40:29,880 --> 01:40:33,519
Speaker 2: the huh. Oh, that's not a vending machine. I was

2274
01:40:33,520 --> 01:40:36,920
Speaker 2: trying to get a snack. Come on you, and we're

2275
01:40:36,920 --> 01:40:38,960
Speaker 2: gonna go deeper. If you've ever seen the Vendom machine,

2276
01:40:38,960 --> 01:40:41,400
Speaker 2: three D, you know what, that's the best snacks. Yeah,

2277
01:40:41,439 --> 01:40:43,360
Speaker 2: all the best snacks is three D on the Vendom machine.

2278
01:40:43,400 --> 01:40:46,360
Speaker 4: And I thought these women were a little over dramatic,

2279
01:40:46,439 --> 01:40:47,720
Speaker 4: like he was doing the same thing because on this

2280
01:40:47,840 --> 01:40:50,880
Speaker 4: next one he said F three and she said, question

2281
01:40:50,960 --> 01:40:54,240
Speaker 4: mark he said, oh shit, my bad. I saw a

2282
01:40:54,240 --> 01:40:59,320
Speaker 4: snack and thought this was a vending machine.

2283
01:41:00,760 --> 01:41:04,840
Speaker 3: He's so fine, he don't gotta dodd. And then one

2284
01:41:04,840 --> 01:41:06,160
Speaker 3: girl didn't even accept the message.

2285
01:41:06,200 --> 01:41:10,320
Speaker 1: It just says F three, this nigga speaking in morse

2286
01:41:10,360 --> 01:41:15,000
Speaker 1: code your game. It's crazy.

2287
01:41:15,120 --> 01:41:19,479
Speaker 3: It's yo a wordsmith. I feel like something else.

2288
01:41:19,800 --> 01:41:20,519
Speaker 1: Oh my god.

2289
01:41:20,800 --> 01:41:24,120
Speaker 2: The greatest rappers of my generation game was Red Rose

2290
01:41:24,160 --> 01:41:25,599
Speaker 2: White Ceiling in the d MS.

2291
01:41:26,560 --> 01:41:30,639
Speaker 1: That is his money bag because it's mad. F three

2292
01:41:30,800 --> 01:41:36,480
Speaker 1: D three g A. It's mad. It's so many combos

2293
01:41:36,520 --> 01:41:43,320
Speaker 1: on a vendor machine like he gave yo game.

2294
01:41:44,200 --> 01:41:47,160
Speaker 3: See, this is why you got to I.

2295
01:41:47,040 --> 01:41:51,320
Speaker 4: Guarantee that's worked a lot, one thousand worse. It's a

2296
01:41:51,320 --> 01:41:52,320
Speaker 4: reason why he doesn't this.

2297
01:41:52,400 --> 01:41:54,439
Speaker 1: Q and then girls is doing that. They don't never

2298
01:41:54,520 --> 01:41:55,800
Speaker 1: show their responses though.

2299
01:41:56,120 --> 01:41:57,800
Speaker 5: But you gotta have game as a one like you

2300
01:41:57,800 --> 01:41:59,719
Speaker 5: gotta have game as a woman though, because my response

2301
01:41:59,720 --> 01:42:01,599
Speaker 5: would yeah, but you gotta tap the pay first.

2302
01:42:04,720 --> 01:42:05,000
Speaker 1: You don't.

2303
01:42:07,960 --> 01:42:11,880
Speaker 2: I'm just saying, zell you three dollars immediately. That's how

2304
01:42:11,920 --> 01:42:15,240
Speaker 2: much some chips called three dollars head mm hmm. Want

2305
01:42:15,280 --> 01:42:21,240
Speaker 2: your chips, girl. Your game is tripping though.

2306
01:42:21,560 --> 01:42:25,680
Speaker 4: You can't do that though, but the girls pretty it

2307
01:42:25,800 --> 01:42:26,880
Speaker 4: just shows like spring shots.

2308
01:42:26,880 --> 01:42:28,479
Speaker 1: It doesn't show what girls he was talking to.

2309
01:42:28,680 --> 01:42:30,680
Speaker 2: I want to come on, it matters who he's, who

2310
01:42:30,680 --> 01:42:32,320
Speaker 2: he's getting that off to, It matters.

2311
01:42:32,600 --> 01:42:34,040
Speaker 4: I don't even think it matters the game. I think

2312
01:42:34,040 --> 01:42:36,040
Speaker 4: he probably just you said what goes through.

2313
01:42:37,840 --> 01:42:41,599
Speaker 2: My favorite vendom machine, snack I was a big uh

2314
01:42:42,479 --> 01:42:43,880
Speaker 2: famous name as cookies.

2315
01:42:44,040 --> 01:42:45,639
Speaker 3: Some dry ass cookies.

2316
01:42:45,720 --> 01:42:48,240
Speaker 1: But in school, high school, the famous aim is the bag.

2317
01:42:48,479 --> 01:42:51,920
Speaker 1: What that was? The ship? A little dry? I mean yeah,

2318
01:42:51,960 --> 01:42:54,800
Speaker 1: but you high school, I mean you got utopia.

2319
01:42:55,040 --> 01:42:57,280
Speaker 3: Damn what fucking year were you in fucking high school?

2320
01:42:57,280 --> 01:42:57,400
Speaker 4: Oh?

2321
01:42:57,520 --> 01:43:02,479
Speaker 2: One, Utopia for sure? Whutop be a famous same as cookies, cheese,

2322
01:43:02,520 --> 01:43:04,800
Speaker 2: it's you always had to get the cheese. Its white

2323
01:43:04,880 --> 01:43:09,840
Speaker 2: cheddar in the regular white cheddar. No, never go white cheddar.

2324
01:43:09,880 --> 01:43:11,280
Speaker 3: White cheddar was all the rage when I was in

2325
01:43:11,360 --> 01:43:11,880
Speaker 3: high school.

2326
01:43:12,080 --> 01:43:16,759
Speaker 2: You'll like white cheddar like white choky, like hot white chocolate.

2327
01:43:16,760 --> 01:43:19,920
Speaker 2: You want to you do that is the nasty shit

2328
01:43:19,960 --> 01:43:22,720
Speaker 2: of hot white chocolate is the nasty shit of how

2329
01:43:22,720 --> 01:43:23,240
Speaker 2: do you drink that?

2330
01:43:23,280 --> 01:43:27,320
Speaker 4: The name of the next Jack Carlor them it.

2331
01:43:27,400 --> 01:43:29,479
Speaker 1: Was right there because I kind of like it was

2332
01:43:30,160 --> 01:43:30,599
Speaker 1: hang it through.

2333
01:43:33,360 --> 01:43:34,760
Speaker 4: I would have done the pot of dis surface and

2334
01:43:34,800 --> 01:43:38,080
Speaker 4: I didn't try.

2335
01:43:39,880 --> 01:43:44,479
Speaker 6: Oh yo yo connect.

2336
01:43:44,720 --> 01:43:46,680
Speaker 2: Not that I care about numbers, right, you know, I

2337
01:43:46,680 --> 01:43:48,400
Speaker 2: don't care about doubles. But can we just see what

2338
01:43:48,479 --> 01:43:50,880
Speaker 2: Jack did first week? Is it a yet or just

2339
01:43:50,880 --> 01:43:51,559
Speaker 2: come out Tuesday?

2340
01:43:52,439 --> 01:43:53,320
Speaker 1: It has to be out.

2341
01:43:53,400 --> 01:43:54,800
Speaker 3: Well, it's predicted, I think.

2342
01:43:54,800 --> 01:43:56,599
Speaker 4: If I'm not mistake, I saw a nice little pr

2343
01:43:56,640 --> 01:43:58,679
Speaker 4: clean up rolling stones, like what's all the outer rage?

2344
01:43:58,720 --> 01:44:03,519
Speaker 2: It's great, yo, Jack. I don't care about numbers or promise,

2345
01:44:03,560 --> 01:44:04,960
Speaker 2: but I just want to see you. I just want

2346
01:44:04,960 --> 01:44:06,360
Speaker 2: to see what Monica did first week.

2347
01:44:06,400 --> 01:44:06,800
Speaker 1: That's all.

2348
01:44:06,840 --> 01:44:09,599
Speaker 5: He is expected to move around twenty five thousand units

2349
01:44:09,600 --> 01:44:12,120
Speaker 5: in its first week, putting it on track to debut

2350
01:44:12,200 --> 01:44:15,479
Speaker 5: outside the Billboard top the top twenty of the Billboard

2351
01:44:15,479 --> 01:44:18,920
Speaker 5: two hundred. For comparison, Come Home the Kids, mid Miss,

2352
01:44:18,960 --> 01:44:20,920
Speaker 5: you did one hundred and thirteen thousand units.

2353
01:44:21,680 --> 01:44:23,759
Speaker 2: Damn, that's a brick. He put up a break.

2354
01:44:23,800 --> 01:44:26,320
Speaker 1: What did jacklan it? What thirty I think they said.

2355
01:44:26,520 --> 01:44:29,920
Speaker 4: I can't remember. We talked about it, but I mean, listen,

2356
01:44:29,920 --> 01:44:33,439
Speaker 4: no rollout, no single did thirty five Jackman?

2357
01:44:33,720 --> 01:44:36,280
Speaker 3: Damn? So ten less than jack Man.

2358
01:44:36,600 --> 01:44:40,080
Speaker 4: Well, it's also a genre that unfortunately doesn't sell well.

2359
01:44:40,240 --> 01:44:42,839
Speaker 4: And you had no single, no nothing, no.

2360
01:44:42,720 --> 01:44:45,280
Speaker 2: Nobody just expected that sound from Jack Carlow.

2361
01:44:45,320 --> 01:44:46,040
Speaker 3: He did it for the love.

2362
01:44:46,040 --> 01:44:48,559
Speaker 4: He didn't do it for the I cannot believe that

2363
01:44:48,640 --> 01:44:51,479
Speaker 4: Demerius laughed in my face when I sold twelve thousand

2364
01:44:51,479 --> 01:44:51,880
Speaker 4: first week.

2365
01:44:52,120 --> 01:44:55,040
Speaker 1: I did not laugh in your face. I was so

2366
01:44:55,120 --> 01:44:55,640
Speaker 1: proud of you.

2367
01:44:56,320 --> 01:44:58,240
Speaker 3: He just made that up, so proud of myself.

2368
01:44:58,280 --> 01:45:01,320
Speaker 1: I did not he I can't remember. He's lying.

2369
01:45:01,320 --> 01:45:03,000
Speaker 5: I did not laugh in his face. We were all

2370
01:45:03,120 --> 01:45:06,559
Speaker 5: very proud of him. Like he's he's lying. He's talking

2371
01:45:06,560 --> 01:45:09,080
Speaker 5: about when we did that past the phone too and

2372
01:45:09,120 --> 01:45:10,680
Speaker 5: in the past the phone to joke.

2373
01:45:10,760 --> 01:45:12,000
Speaker 3: Remember, we can't joke anymore.

2374
01:45:12,080 --> 01:45:14,080
Speaker 5: I said, I'm passing the phone to someone whose album

2375
01:45:14,160 --> 01:45:16,280
Speaker 5: went double copper, and that is what he's.

2376
01:45:16,400 --> 01:45:19,280
Speaker 1: Oh, okay, he never let that go. No, yeah, okay,

2377
01:45:19,400 --> 01:45:21,479
Speaker 1: got it. But I was very proud of the second joke.

2378
01:45:21,680 --> 01:45:23,560
Speaker 4: She laughed before, and then I explained to her, like

2379
01:45:23,600 --> 01:45:25,599
Speaker 4: how album sales work, and I was like, yo, her

2380
01:45:25,640 --> 01:45:29,960
Speaker 4: soul thirty the twelve is amazing.

2381
01:45:31,040 --> 01:45:31,280
Speaker 1: Yeah.

2382
01:45:31,360 --> 01:45:33,400
Speaker 2: Man, I'm not a numbers guy. I really don't care.

2383
01:45:33,439 --> 01:45:36,080
Speaker 2: But yeah, but that's for Jack hall of That is

2384
01:45:36,080 --> 01:45:36,519
Speaker 2: a low twin.

2385
01:45:36,640 --> 01:45:39,000
Speaker 4: I know it matters to his label, oh one thousand.

2386
01:45:38,760 --> 01:45:40,719
Speaker 2: The music business. Of course it matters to his label.

2387
01:45:40,720 --> 01:45:43,880
Speaker 2: But all right, well, so the album is not bad.

2388
01:45:43,920 --> 01:45:45,960
Speaker 2: The music is not bad. We just we weren't expecting

2389
01:45:45,960 --> 01:45:46,439
Speaker 2: that from Jack.

2390
01:45:46,479 --> 01:45:46,840
Speaker 1: That's all.

2391
01:45:47,439 --> 01:45:48,320
Speaker 4: You're gonna go to the show.

2392
01:45:49,360 --> 01:45:50,360
Speaker 1: He's he's torn it.

2393
01:45:51,040 --> 01:45:52,400
Speaker 4: I would I mean, he didn't say anything, but I

2394
01:45:52,400 --> 01:45:54,639
Speaker 4: would assume that he would be touring it. I'm sure

2395
01:45:54,640 --> 01:45:57,439
Speaker 4: like small intimate venues. I would hope if you try

2396
01:45:57,479 --> 01:45:59,920
Speaker 4: to go like tour that you can't do Brooklyn.

2397
01:45:59,720 --> 01:46:01,639
Speaker 1: Steel with that. Yeah.

2398
01:46:01,680 --> 01:46:03,680
Speaker 2: No, I don't want to see Jack do that. I

2399
01:46:03,720 --> 01:46:05,400
Speaker 2: don't need to go see Jack do that live. I

2400
01:46:05,400 --> 01:46:11,240
Speaker 2: don't need to see the acoustic performance of Monica. So yeah,

2401
01:46:11,320 --> 01:46:13,600
Speaker 2: I'm cool, but not a bad I like prog, like

2402
01:46:13,640 --> 01:46:15,760
Speaker 2: his own prog. It's not a bad album, just it's

2403
01:46:15,800 --> 01:46:16,760
Speaker 2: not what we wanted from Jack.

2404
01:46:17,560 --> 01:46:20,800
Speaker 1: What do you think the audience will look like? What

2405
01:46:20,840 --> 01:46:22,000
Speaker 1: do Jack Hallo fans look like?

2406
01:46:23,920 --> 01:46:26,320
Speaker 4: Now? What he said to the wrong never forget it?

2407
01:46:27,479 --> 01:46:29,240
Speaker 4: Definitely not what New York Times that I'll tell you that.

2408
01:46:30,439 --> 01:46:32,840
Speaker 2: I just I mean, Neil Tech was such a banger

2409
01:46:32,960 --> 01:46:36,960
Speaker 2: like Churchhill Downs. What are we doing with Monica All

2410
01:46:37,040 --> 01:46:38,960
Speaker 2: right whatever cool.

2411
01:46:39,080 --> 01:46:42,519
Speaker 4: Well, right now we also have our Ray Daniels episode

2412
01:46:42,560 --> 01:46:43,599
Speaker 4: out that is great.

2413
01:46:44,160 --> 01:46:46,599
Speaker 1: Yeahs our Patreon as.

2414
01:46:46,479 --> 01:46:49,759
Speaker 4: Well Patreon dot com, forward slash new Roy Maul socials.

2415
01:46:49,760 --> 01:46:52,759
Speaker 4: We got merch out. I hope everyone has a great

2416
01:46:52,840 --> 01:46:57,800
Speaker 4: and safe, safe weekend. Yes, yes, is anyone outside this

2417
01:46:57,880 --> 01:46:59,200
Speaker 4: weekend that might be free Sunday?

2418
01:46:59,280 --> 01:47:01,080
Speaker 1: I didn't get my Sunday last week, but I think

2419
01:47:01,080 --> 01:47:03,040
Speaker 1: I might get one. Yeah, I don't know if I'm

2420
01:47:03,040 --> 01:47:05,679
Speaker 1: outside this weekend. I don't have no plans to be outside.

2421
01:47:05,840 --> 01:47:09,200
Speaker 1: Why of course not. Baby, she'll be Oh she'll be outside.

2422
01:47:09,360 --> 01:47:10,920
Speaker 3: Yes, define make sure you follow me on.

2423
01:47:11,040 --> 01:47:11,320
Speaker 4: I G.

2424
01:47:13,040 --> 01:47:13,519
Speaker 1: Follow me on.

2425
01:47:13,640 --> 01:47:13,840
Speaker 4: I G.

2426
01:47:14,120 --> 01:47:15,759
Speaker 1: Can I get back on the close friends for this weekend?

2427
01:47:15,880 --> 01:47:17,760
Speaker 5: Well, I mean honestly the only close friends. I mean,

2428
01:47:17,760 --> 01:47:20,040
Speaker 5: I'm be posting in my subscriptions. That's where, that's where

2429
01:47:20,040 --> 01:47:21,519
Speaker 5: it's at. I already started.

2430
01:47:21,560 --> 01:47:24,240
Speaker 4: I was just about to say, you gotta plug your subscriptions.

2431
01:47:24,280 --> 01:47:27,280
Speaker 4: My situations are getting create those might those might spike

2432
01:47:27,360 --> 01:47:27,960
Speaker 4: for this weekend.

2433
01:47:28,120 --> 01:47:32,200
Speaker 3: Yeah, I'm going wild and our already started posting.

2434
01:47:32,040 --> 01:47:36,280
Speaker 4: Bush the airport in Houston.

2435
01:47:37,320 --> 01:47:38,280
Speaker 1: Come on, come on.

2436
01:47:39,120 --> 01:47:41,240
Speaker 4: Flying it to Bush like yeah, you know you gotta

2437
01:47:41,840 --> 01:47:45,040
Speaker 4: it's Hobby Bush like that's always LaGuardia JFK, which when

2438
01:47:45,080 --> 01:47:46,200
Speaker 4: you go into it's it's the same thing.

2439
01:47:46,200 --> 01:47:46,639
Speaker 3: At Houston.

2440
01:47:46,640 --> 01:47:54,400
Speaker 1: It's two airports. Yeah. Oh man, we talked to y'all. Soon,

2441
01:47:54,520 --> 01:47:56,800
Speaker 1: be safe, be blessed. I'm that nigga.

2442
01:47:56,840 --> 01:47:59,920
Speaker 2: He's just Jinger. Baby d is outside in Houston, the

2443
01:48:00,040 --> 01:48:00,439
Speaker 2: old Getter.

2444
01:48:01,640 --> 01:48:03,960
Speaker 3: Oh my Jesus, Jesus Christ.

2445
01:48:04,920 --> 01:48:06,360
Speaker 1: No Willian now