WEBVTT - #5 Galit

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<v Speaker 1>Pushkin.

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<v Speaker 2>Hey Jackie, Hey Jackie, I'm not saying out, Hey Jackie,

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<v Speaker 2>I was.

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<v Speaker 3>Reading and taking notes online disease.

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<v Speaker 4>I feel like it's more important right now.

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<v Speaker 2>Hey Jackie son, Hey Jackie, I said, Hey Jackie, I

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<v Speaker 2>think I hear my name.

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<v Speaker 1>There we go, Hey Jackie.

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<v Speaker 3>I think I hear it again.

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<v Speaker 2>You're wanted on the telephone.

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<v Speaker 3>And if it isn't, Johnny, I'm not home. See there

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<v Speaker 3>you go? Could I go? Now?

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<v Speaker 1>Do you remember when we used to sing that song

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<v Speaker 1>on the on the school bus?

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<v Speaker 5>Yeah?

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<v Speaker 1>When when's the last time you sang it?

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<v Speaker 3>It's good a while? I sing it all the time.

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<v Speaker 1>Bye YouTube Bye From Gimblet Media. I'm Jonathan Goldstein and

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<v Speaker 1>this is Heavyweight Today's episode Galat. When Galeat found out

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<v Speaker 1>I was living in New York, she sent me a

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<v Speaker 1>Facebook message, Hi, Jonathan. I ran into an old friend

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<v Speaker 1>from Montreal who mentioned that you got married and moved

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<v Speaker 1>to New York City. Hope you are happy and thriving.

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<v Speaker 1>Smiley face. I close Facebook, then open it again, reread

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<v Speaker 1>the message, then close it, open it, close it, check Twitter,

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<v Speaker 1>open it back up again and read it one more time.

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<v Speaker 1>Galat was my first love. We dated when I was eighteen.

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<v Speaker 1>It turns out that Gleat was also now living in

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<v Speaker 1>New York. Before her, the only people who had ever

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<v Speaker 1>even seen me naked were my parents and my family doctor.

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<v Speaker 1>There was one experience with a girl named Darlene. As

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<v Speaker 1>we kissed, she waited patiently as I snaked my left

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<v Speaker 1>hand around her back in order to touch the breast

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<v Speaker 1>kitty corner to the opposing hand. This maneuver almost left

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<v Speaker 1>my shoulder dislocated from the socket, but it was worth it.

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<v Speaker 1>I had reached second base. For us listeners, the Canadian

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<v Speaker 1>bass system is metric. Two of our Canadian bases only

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<v Speaker 1>equal one point four of yours. So I really knew nothing.

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<v Speaker 1>But what need could a mama's boy, a boy loved openly, lavishly,

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<v Speaker 1>and oftentimes insanely by his mama have for romance. Until

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<v Speaker 1>the age of eighteen, the mere act of making my

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<v Speaker 1>bed in the morning was enough for my mother to

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<v Speaker 1>proclaim me genius a saint. My great aunt fingers Brittle,

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<v Speaker 1>with arthritis, played endless games of GoFish with me and

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<v Speaker 1>my grandparents, diabetic palsied and in continuous pain, would drop

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<v Speaker 1>everything to watch me lipsync to the Beg's tragedy, a

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<v Speaker 1>song they could have only taken to be about the Pagroms.

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<v Speaker 1>This feeling of unearned love, love for merely existing, that

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<v Speaker 1>would all end with Galat. After asking around, I learned that,

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<v Speaker 1>like me, Galat had remained single into her mid forties.

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<v Speaker 1>I only got married last year. And for me, this

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<v Speaker 1>unusually long and circuitous path to the altar certainly began

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<v Speaker 1>with my heartbreak over Galat. I'd always wondered if our

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<v Speaker 1>relationship had the same impact on her. It now looked

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<v Speaker 1>like I'd get my chance to find out, because a

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<v Speaker 1>week after the first message, another one arrived. Gleat wanted

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<v Speaker 1>to see me. Why did she want to see me?

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<v Speaker 3>Let me get a level on you. Hello, Hello, one,

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<v Speaker 3>two three. My name is Emily.

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<v Speaker 1>This is my wife, Emily. Unlike most people, she doesn't

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<v Speaker 1>seem to mind when I bring along a microphone to

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<v Speaker 1>hold between myself and the world.

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<v Speaker 3>I'm from Watertown.

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<v Speaker 4>Hello Hello, Hello, Hello, Hello, Hello, Hello.

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<v Speaker 1>We're walking to work together when I bring up Galaite's invitation.

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<v Speaker 1>In the short time I've been married, if I've learned

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<v Speaker 1>anything at all, it's this In matters of connubial delicacy,

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<v Speaker 1>it's best to get straight to the point. So, so

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<v Speaker 1>you know my my first girlfriend, Galat, I've just recently

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<v Speaker 1>got in touch with me on Facebook. I know her name,

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<v Speaker 1>you do. Did you know that it means little wave

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<v Speaker 1>and Hebrew?

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<v Speaker 3>Yes, you've told me that like six times. Anyway, it's

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<v Speaker 3>a long time ago.

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<v Speaker 1>I don't know what you're getting so worked up about,

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<v Speaker 1>so jealous about.

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<v Speaker 3>She's living in New York now, and she.

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<v Speaker 1>Look at the smile on your face before you even

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<v Speaker 1>get any words out. Look at the delight. It's a

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<v Speaker 1>delight to be walking to work with you.

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<v Speaker 3>I don't know.

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<v Speaker 1>I am so giggly about this, but anyway, she asked

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<v Speaker 1>if I wanted to.

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<v Speaker 3>Maybe that's a question you should ask yourself, Jonathan. Why

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<v Speaker 3>are you so giggly about it?

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<v Speaker 1>I think you're making me giggly, But she asked, if

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<v Speaker 1>I wanted to get together, you should. Emily is not jealous.

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<v Speaker 1>She trusts me. She's accepting not only of my quirks,

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<v Speaker 1>but of my shortcomings too, among them a tendency to

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<v Speaker 1>cut myself off a motionally. Where are you right now?

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<v Speaker 1>She asks, sometimes when we're arguing, and I received so

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<v Speaker 1>deeply into myself that you can no longer see even

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<v Speaker 1>a flicker of the man she married. What Emily doesn't

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<v Speaker 1>know is how this defensive crouch all started. Like, I know,

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<v Speaker 1>sometimes you feel I could be sort of emotionally, I

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<v Speaker 1>don't know, like stoic.

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<v Speaker 3>I guess it's a generous term for it. In some ways,

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<v Speaker 3>I feel like.

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<v Speaker 1>As much as like my upbringing or my education or

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<v Speaker 1>my whatever, Like, I just feel as though she probably

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<v Speaker 1>played as major, or maybe even more major a role

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<v Speaker 1>in in who I became in that Like, I don't

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<v Speaker 1>think I've ever been able to make myself quite as

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<v Speaker 1>vulnerable as I was in that relationship. I just didn't

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<v Speaker 1>know any better. I had no defenses, I had no game.

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<v Speaker 4>Isn't that what love is sort of about?

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<v Speaker 3>Just being vulnerable in that way?

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<v Speaker 1>I want to be vulnerable with you. But I think

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<v Speaker 1>in some ways, sorry, I just dropped a recorder after

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<v Speaker 1>we say our goodbyes. I'm left wondering whether, like me,

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<v Speaker 1>Gleat also now finds herself incapable of laying her heart

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<v Speaker 1>out wide open like a dropped gimblet issue tape recorder

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<v Speaker 1>that I know Alex is totally going to blame me

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<v Speaker 1>for breaking, even though it never really rewinded properly. And

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<v Speaker 1>there's peanut butter shmeared into the headphone jack that I

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<v Speaker 1>didn't even do. So I head into the subway and

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<v Speaker 1>set off to see Gleat and we're closing doors. It

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<v Speaker 1>was soon after we started dating that together Galat and

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<v Speaker 1>I discovered New York. Twice a year our junior college

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<v Speaker 1>would charter a bus that set off at midnight from

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<v Speaker 1>Montreal to New York. Getting off the bus at eight am,

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<v Speaker 1>I tilted my Fedora towards my ponytail and took it

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<v Speaker 1>all In New York was where we discovered my two

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<v Speaker 1>new best friends, art and culture. It was where my

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<v Speaker 1>friend Parker and I stayed up until three am inventing

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<v Speaker 1>the philosophy of what we called the even now attractatus

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<v Speaker 1>that best I can recall had to do with how

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<v Speaker 1>life was continually and constantly happening even now and now

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<v Speaker 1>and even now. And it was a typical journal entry

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<v Speaker 1>from the time would read saw a man on the

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<v Speaker 1>subway with no shirt reading a book about life and

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<v Speaker 1>other galaxies. Every thought, every site was a new journal

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<v Speaker 1>entry because life was brand new and my heart was

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<v Speaker 1>wide open. Ghalat had my heart at its most open

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<v Speaker 1>After me, Ghalad, did your heart start to close up too?

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<v Speaker 3>Outside the Arlington, waiting for Gleat.

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<v Speaker 1>Our plan was to meet outside the old hotel where

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<v Speaker 1>the bus used to drop us. It's where our love

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<v Speaker 1>affair with New York began, a love that would eventually

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<v Speaker 1>bring us both back here in adulthood. It's hard to

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<v Speaker 1>imagine Gleat as a woman in her forties. I'll be

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<v Speaker 1>dead by thirty two, she would say when we were teenagers,

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<v Speaker 1>if not physically then spiritually. She was precocious about death.

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<v Speaker 1>A gothy kind of girl before there was such a thing.

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<v Speaker 1>Galat would dress in black, cutting offer black tights at

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<v Speaker 1>the thigh to make them into old fashioned stockings. She

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<v Speaker 1>looked like one of those creepy Edward Gory children, all

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<v Speaker 1>grown up, which he still dressed in black, still possess

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<v Speaker 1>a frown that lit up a room. As I wait,

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<v Speaker 1>I study the women walking towards me. Any one of

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<v Speaker 1>them could be Gleat. A heavy set woman with something

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<v Speaker 1>of Galat's slinky tentative gait, a business woman making eye

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<v Speaker 1>contact as she speaks into her bluetooth, someone eating a

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<v Speaker 1>honeydew had Galat become that type with each person, I

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<v Speaker 1>audition a different feeling panic, regret, cowardice, and.

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<v Speaker 3>Just got a text that she's going to be ten

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<v Speaker 3>minutes late.

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<v Speaker 1>Of course my go to gum chewing, pocket watch, swing

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<v Speaker 1>and casualness masking a bad case at the Trotz.

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<v Speaker 3>And then I, how are you? I recognized your walk?

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<v Speaker 3>I'm recording? Is that okay?

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<v Speaker 4>Yeah?

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<v Speaker 6>Sure?

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<v Speaker 4>I go like a self consciousness?

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<v Speaker 3>Do you want to turn it off for.

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<v Speaker 6>Yeah?

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<v Speaker 4>Maybe?

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<v Speaker 2>Yes?

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<v Speaker 7>Yeah?

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<v Speaker 1>I mean yeah, yeah, okay, your gallant, boyish, as though

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<v Speaker 1>any change from the Jonathan you were at eighteen will

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<v Speaker 1>mark you as a phony. You are the way you

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<v Speaker 1>always were. And she is smilier than you remember, pretty

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<v Speaker 1>with long straight hair, big eyeglasses, and in tights that

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<v Speaker 1>are no longer black but colorful.

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<v Speaker 4>What do you remember about those trips?

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<v Speaker 6>Like?

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<v Speaker 1>I remember tons about these trips. For the next couple

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<v Speaker 1>of hours, Gleat and I toured through the lobby and

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<v Speaker 1>hallways of the old Arlington.

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<v Speaker 3>Oh do you remember this?

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<v Speaker 1>And through the nearby parking lots that housed flea markets

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<v Speaker 1>where we once shopped for broken pocket watches.

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<v Speaker 4>Yeah. Remember, we would spend hours like going through people.

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<v Speaker 1>Junk Now it's just filled with cars that used to

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<v Speaker 1>be filled with magic. We catch up, but mostly we reminisce.

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<v Speaker 4>I remember looking for Krowac tapes. Remember that?

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<v Speaker 1>Yeah, Cara Whac recordings in Ginsburg Recordings. Glat's memories run

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<v Speaker 1>towards the splendor of youth, buying bootleg audio cassettes on

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<v Speaker 1>Spring Street, drinking peach knops on the hotel fire escape.

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<v Speaker 1>But I have other memories too, and questions among them,

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<v Speaker 1>how did I get this way? I just don't know

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<v Speaker 1>how to bring any of it up.

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<v Speaker 3>Do you want to say it?

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<v Speaker 5>Or?

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<v Speaker 3>Yeah?

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<v Speaker 1>It seems like the benches are named after racing horses.

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<v Speaker 4>You haven't changed.

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<v Speaker 3>I'm bald.

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<v Speaker 4>You were joking about being bald when you were six.

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<v Speaker 3>I wasn't joking about it.

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<v Speaker 2>I was.

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<v Speaker 1>You must remember my hair was already thinning.

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<v Speaker 6>Right, So it was an ongoing narrative that you've embraced completely.

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<v Speaker 3>I have embraced. It's very healthy. My therapist encouraged me

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<v Speaker 3>to go bald.

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<v Speaker 1>You are saying, see, I'm still funny. Back then, when alone,

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<v Speaker 1>you tell her jokes in your head to get the

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<v Speaker 1>wording just right for when you'd see her next. Keeping galite,

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<v Speaker 1>loving you felt like a full time job, but now

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<v Speaker 1>your full time job is hosting and producing a podcast

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<v Speaker 1>which requires sponsors. After the break the.

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<v Speaker 7>Breakup, did you have any more memories?

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<v Speaker 1>As the daylight starts to fade and the weather turns cool,

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<v Speaker 1>I try to guide our reminiscences away from the feel

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<v Speaker 1>good I've had the time of my life, and I

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<v Speaker 1>owe it all to you. Montage to the digging up

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<v Speaker 1>memory lane to expose the soil from which this clenched,

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<v Speaker 1>constipated flower of my heart refused to blow. Montage it,

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<v Speaker 1>as hard as it is, I have to ask the

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<v Speaker 1>question do you remember? Like what do you think went wrong?

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<v Speaker 1>Like why didn't it work out between us?

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<v Speaker 4>I'm trying to remember.

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<v Speaker 1>Ghalite looks off to the side and screws up her mouth.

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<v Speaker 1>It's the same move as when we were teenagers. I

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<v Speaker 1>can never tell whether she was being reflective or just

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<v Speaker 1>buying time. I still can't.

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<v Speaker 6>I don't remember the end of our relationship. I guess

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<v Speaker 6>I just remember that that viewing of fighting, but I

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<v Speaker 6>don't know what it was about.

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<v Speaker 3>But do you remember like a lot of weeping?

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<v Speaker 4>I do, now that you mentioned I do remember.

0:15:04.410 --> 0:15:07.450
<v Speaker 1>I wept over gleat a lot in weeping. I was

0:15:07.450 --> 0:15:11.770
<v Speaker 1>a brave Barbarian. I wept at friends' houses, on park benches,

0:15:12.090 --> 0:15:15.930
<v Speaker 1>in darkened video arcades. While in the past ten years

0:15:16.010 --> 0:15:18.490
<v Speaker 1>I've only cried once, I used to cry in front

0:15:18.530 --> 0:15:21.490
<v Speaker 1>of Galad all the time. If she failed to choose

0:15:21.530 --> 0:15:24.130
<v Speaker 1>me for her trivial pursuit team, I'd be sure I'd

0:15:24.170 --> 0:15:27.410
<v Speaker 1>blown it, that it was all over between us. When

0:15:27.410 --> 0:15:29.370
<v Speaker 1>we went to the movies, I'd stare at her face

0:15:29.450 --> 0:15:32.770
<v Speaker 1>more than the screen. And one day, while following behind

0:15:32.770 --> 0:15:35.890
<v Speaker 1>her on the highway, she and her mom's Honda, me

0:15:36.010 --> 0:15:39.250
<v Speaker 1>and my dad's station Wagon, I was so afraid of

0:15:39.250 --> 0:15:42.050
<v Speaker 1>any cars getting between us that I almost lost control

0:15:42.130 --> 0:15:45.650
<v Speaker 1>of the car. In my mind, she was always trying

0:15:45.690 --> 0:15:48.290
<v Speaker 1>to get away. I mean, I don't think I was

0:15:48.450 --> 0:15:52.890
<v Speaker 1>probably very fun to hang out with at all. I

0:15:52.930 --> 0:15:59.530
<v Speaker 1>mean I think that I was probably anxious and depressed

0:15:59.570 --> 0:16:02.290
<v Speaker 1>and not a lot of fun.

0:16:02.370 --> 0:16:06.290
<v Speaker 4>Really, yeah, I guess I don't. I just.

0:16:07.810 --> 0:16:12.090
<v Speaker 6>Remember, our relationship is my first love, and so I

0:16:12.170 --> 0:16:13.730
<v Speaker 6>just think of that part of it.

0:16:13.770 --> 0:16:15.130
<v Speaker 4>I don't remember the rest.

0:16:15.210 --> 0:16:18.170
<v Speaker 6>But now that you bring it up, I guess maybe

0:16:18.170 --> 0:16:20.250
<v Speaker 6>you weren't that fun to be around, and maybe I

0:16:20.330 --> 0:16:21.490
<v Speaker 6>wasn't that fun to be around.

0:16:23.570 --> 0:16:25.890
<v Speaker 1>I remember how one day, as we watched a couple

0:16:25.970 --> 0:16:28.770
<v Speaker 1>chase each other around a maple tree, trying to spray

0:16:28.810 --> 0:16:32.090
<v Speaker 1>each other with water, how Gleat had wistfully asked, why

0:16:32.090 --> 0:16:35.330
<v Speaker 1>can't we be more like that? And I'd said, because

0:16:35.330 --> 0:16:39.090
<v Speaker 1>we're nothing like that. And then she started to change,

0:16:39.530 --> 0:16:42.850
<v Speaker 1>wanting to be like that, leaving me behind because I

0:16:42.850 --> 0:16:45.770
<v Speaker 1>didn't know how to be like that. No matter how

0:16:45.770 --> 0:16:48.730
<v Speaker 1>hard I forced myself, and I forced myself with clenched,

0:16:48.730 --> 0:16:53.210
<v Speaker 1>fisted determination, I could not come off as unforced. Whenever

0:16:53.250 --> 0:16:56.770
<v Speaker 1>I tried to be free and easy, foot racing, tickle fighting,

0:16:57.130 --> 0:17:00.850
<v Speaker 1>a lamp would get broken, a testicle accidentally sat upon.

0:17:02.210 --> 0:17:05.050
<v Speaker 1>Instead of allowing her to grow away from me, I

0:17:05.090 --> 0:17:08.090
<v Speaker 1>tried to impose a closeness that only pushed her away faster.

0:17:15.609 --> 0:17:17.130
<v Speaker 4>I remember like.

0:17:18.929 --> 0:17:23.529
<v Speaker 6>We were in Westmount, like on Grosvenor Street, and like

0:17:23.570 --> 0:17:25.770
<v Speaker 6>a huge thick blanket of snow had fallen.

0:17:25.850 --> 0:17:27.129
<v Speaker 4>It was nighttime.

0:17:27.490 --> 0:17:29.810
<v Speaker 6>We were outside my dad's house and we were having

0:17:29.850 --> 0:17:34.050
<v Speaker 6>like a huge fight, and I remember these huge snowflakes

0:17:34.090 --> 0:17:36.889
<v Speaker 6>just kind of like falling down around us in slow motion.

0:17:37.929 --> 0:17:40.570
<v Speaker 6>It's like one of those moments where it was just

0:17:40.609 --> 0:17:46.330
<v Speaker 6>so picturesque and so emotionally painful that you know you're

0:17:46.330 --> 0:17:49.609
<v Speaker 6>gonna remember that moment maybe we were breaking up?

0:17:49.970 --> 0:17:51.649
<v Speaker 4>Was that the breakup moment I don't remember?

0:17:53.090 --> 0:17:56.249
<v Speaker 1>I did remember, and she talks. I see us on

0:17:56.290 --> 0:18:00.570
<v Speaker 1>the driveway like figurines in a snow globe, neon snowflakes

0:18:00.609 --> 0:18:04.330
<v Speaker 1>the size of boxing gloves gently somersaulting to earth all

0:18:04.369 --> 0:18:07.810
<v Speaker 1>around us. There were so many false endings and trial

0:18:07.889 --> 0:18:12.649
<v Speaker 1>runs that, evening her resolve was strong, she had guests

0:18:12.689 --> 0:18:15.169
<v Speaker 1>inside that she wanted to get back to, and I

0:18:15.209 --> 0:18:17.929
<v Speaker 1>begged her, all pride gone, to please stay with me

0:18:18.209 --> 0:18:21.410
<v Speaker 1>a little while longer so we could talk. But all

0:18:21.409 --> 0:18:24.690
<v Speaker 1>I could do was sob and shake. I was still

0:18:24.730 --> 0:18:27.330
<v Speaker 1>in the cusp of childhood, and it all had something

0:18:27.330 --> 0:18:30.729
<v Speaker 1>of the toy store tantrum about it. My reasoning was

0:18:30.770 --> 0:18:32.970
<v Speaker 1>that if someone I loved as much as her thought

0:18:32.970 --> 0:18:35.489
<v Speaker 1>I wasn't worth being with, then I didn't want to

0:18:35.490 --> 0:18:39.770
<v Speaker 1>be with me either. In solidarity with Galat, I wanted

0:18:39.810 --> 0:18:42.290
<v Speaker 1>to walk away from me too and go with her.

0:18:43.010 --> 0:18:46.449
<v Speaker 1>I wanted the impossible. It was a scary feeling to

0:18:46.490 --> 0:18:48.889
<v Speaker 1>want someone that much, and I spent the rest of

0:18:48.929 --> 0:18:53.929
<v Speaker 1>my life running away from that feeling. I don't know

0:18:53.929 --> 0:18:58.370
<v Speaker 1>if you'd call it traumatized, but I definitely don't think

0:19:00.010 --> 0:19:04.170
<v Speaker 1>I ever allowed myself to be quite as vulnerable in

0:19:04.209 --> 0:19:13.330
<v Speaker 1>relationships did like did I leave lasting like a lasting impact?

0:19:17.409 --> 0:19:19.690
<v Speaker 6>I wish I could answer your question. I wish there

0:19:19.730 --> 0:19:26.329
<v Speaker 6>was one way that I could frame our relationship having

0:19:26.369 --> 0:19:28.409
<v Speaker 6>a monumental impact on the rest of my life.

0:19:28.570 --> 0:19:29.409
<v Speaker 4>But I don't know.

0:19:29.449 --> 0:19:31.729
<v Speaker 6>It was so long ago, and we were together for

0:19:31.770 --> 0:19:32.690
<v Speaker 6>like a year.

0:19:32.770 --> 0:19:35.129
<v Speaker 3>I don't know, two years.

0:19:35.409 --> 0:19:39.770
<v Speaker 4>Two years, two years. That's like twenty years in dog

0:19:39.889 --> 0:19:41.330
<v Speaker 4>years or whatever.

0:19:41.730 --> 0:19:44.810
<v Speaker 1>For us listeners. Canadian dog years are measured on a

0:19:44.810 --> 0:19:52.090
<v Speaker 1>metric scale. Who am I kidding? This hurt? It's beginning

0:19:52.129 --> 0:19:54.889
<v Speaker 1>to dawn on me that the real reason Galite wanted

0:19:54.929 --> 0:19:58.129
<v Speaker 1>to see me, Her big secret agenda was to have

0:19:58.169 --> 0:20:01.889
<v Speaker 1>a nice afternoon. She wanted to catch up and have fun,

0:20:02.369 --> 0:20:06.570
<v Speaker 1>and I wanted to overanalyze and parse. In other words,

0:20:06.889 --> 0:20:10.489
<v Speaker 1>our dynamic hadn't changed. But even if I wanted to,

0:20:11.090 --> 0:20:16.569
<v Speaker 1>I couldn't stop asking these questions. You can't really point

0:20:16.609 --> 0:20:20.969
<v Speaker 1>to like things that you've learned from our relationship in retrospect.

0:20:20.449 --> 0:20:20.769
<v Speaker 3>Can you.

0:20:25.209 --> 0:20:31.289
<v Speaker 6>I'm trying to remember drying a blank. I mean, are

0:20:31.330 --> 0:20:34.729
<v Speaker 6>your questions coming from your own thoughts about that?

0:20:35.810 --> 0:20:36.210
<v Speaker 4>Yeah?

0:20:36.449 --> 0:20:39.010
<v Speaker 1>Like I think I had this idea that, like, love

0:20:39.050 --> 0:20:42.249
<v Speaker 1>is unconditional and you could just keep testing it and

0:20:42.290 --> 0:20:46.129
<v Speaker 1>testing it, But I learned that eventually it'll break.

0:20:46.169 --> 0:20:47.090
<v Speaker 3>And I think.

0:20:48.570 --> 0:20:50.969
<v Speaker 1>Going into my first relationship, I sort of felt like,

0:20:51.689 --> 0:20:54.850
<v Speaker 1>you just put everything out there, and you make yourself

0:20:54.929 --> 0:20:57.810
<v Speaker 1>vulnerable and if you get hurt, it's not your fault

0:20:57.970 --> 0:20:59.570
<v Speaker 1>because you were just being sincere.

0:21:00.209 --> 0:21:05.489
<v Speaker 3>And then I think I learned that you can't do that.

0:21:06.770 --> 0:21:10.930
<v Speaker 1>But I think at the expense maybe feeling maybe.

0:21:11.129 --> 0:21:12.649
<v Speaker 3>Like I need to keep myself rained in.

0:21:13.369 --> 0:21:17.569
<v Speaker 1>Yeah, like you got to see the face that, like

0:21:17.689 --> 0:21:20.489
<v Speaker 1>I ended up shutting away in an iron mask for

0:21:20.609 --> 0:21:22.969
<v Speaker 1>the next twenty years.

0:21:24.689 --> 0:21:25.369
<v Speaker 4>Do you feel like.

0:21:27.689 --> 0:21:30.009
<v Speaker 6>In your relationship now that that's a face that you

0:21:30.050 --> 0:21:33.210
<v Speaker 6>can show again, or that face that you want to reclaim.

0:21:33.889 --> 0:21:34.850
<v Speaker 3>I'm working on it.

0:21:36.889 --> 0:21:39.689
<v Speaker 1>Eventually it gets too cold outside, so we decide to

0:21:39.770 --> 0:21:42.369
<v Speaker 1>leave the park in search of soup you want?

0:21:42.449 --> 0:21:43.170
<v Speaker 3>Do you want to go in here?

0:21:43.649 --> 0:21:43.889
<v Speaker 5>Yeah?

0:21:44.970 --> 0:21:46.810
<v Speaker 3>Okay, I will train this.

0:21:46.850 --> 0:21:57.209
<v Speaker 1>Off at the lunch counter. As we sit there side

0:21:57.209 --> 0:21:59.729
<v Speaker 1>by side, I ask her how it feels to see me,

0:22:00.330 --> 0:22:02.770
<v Speaker 1>and she says, it feels like getting together with family,

0:22:03.369 --> 0:22:06.010
<v Speaker 1>and I could feel it too, two people who felt

0:22:06.050 --> 0:22:09.289
<v Speaker 1>comfortable and close. The details of their shared past no

0:22:09.330 --> 0:22:18.530
<v Speaker 1>longer important. We were just together, eating soup. After we eat,

0:22:18.649 --> 0:22:21.649
<v Speaker 1>we head to the subway, Gleat going uptown and I

0:22:21.810 --> 0:22:25.169
<v Speaker 1>back to Brooklyn. We say our goodbyes, and something about

0:22:25.209 --> 0:22:27.930
<v Speaker 1>them feels final, like maybe this is the last time

0:22:27.970 --> 0:22:34.009
<v Speaker 1>we'll ever see each other. When I get home, the

0:22:34.090 --> 0:22:38.289
<v Speaker 1>apartment's empty, Emily's out with friends. I sit for a

0:22:38.290 --> 0:22:41.570
<v Speaker 1>while in the quiet, and then pick up a novel

0:22:41.570 --> 0:22:44.249
<v Speaker 1>I've been reading for the past six months, but I

0:22:44.330 --> 0:22:46.609
<v Speaker 1>keep putting it down to look around my living room

0:22:47.010 --> 0:22:50.489
<v Speaker 1>at the records and paintings, both mine and Emily's, and

0:22:50.570 --> 0:22:53.050
<v Speaker 1>wonder what my eighteen year old self would have made

0:22:53.050 --> 0:22:57.490
<v Speaker 1>of my New York existence. At close to midnight, I'm

0:22:57.609 --> 0:23:01.730
<v Speaker 1>woken by a text from Gleat. I had a few

0:23:01.770 --> 0:23:04.209
<v Speaker 1>thoughts I recorded just now on my phone. It says,

0:23:04.770 --> 0:23:07.050
<v Speaker 1>do you want me to send them to you? I

0:23:07.090 --> 0:23:11.450
<v Speaker 1>close the app, then open it again, reread the message,

0:23:11.850 --> 0:23:15.889
<v Speaker 1>then close it, open it, close it, check Twitter, open

0:23:15.929 --> 0:23:19.330
<v Speaker 1>it back up and read it one more time. Then

0:23:19.369 --> 0:23:20.730
<v Speaker 1>I write back, saying.

0:23:21.050 --> 0:23:26.330
<v Speaker 4>Sure, Hey, Jonathan, I just.

0:23:27.929 --> 0:23:31.690
<v Speaker 6>Wanted to add to her conversation that I don't think

0:23:31.730 --> 0:23:34.850
<v Speaker 6>I was able to absorb everything you were saying, but

0:23:35.570 --> 0:23:38.129
<v Speaker 6>walking away from it and having a chance to think

0:23:38.609 --> 0:23:42.609
<v Speaker 6>just brought up a lot of emotion and sadness, and

0:23:43.929 --> 0:23:52.330
<v Speaker 6>I just wanted to say if anything I ever did

0:23:54.490 --> 0:24:00.609
<v Speaker 6>in our relationship caused you pain and led you to

0:24:00.810 --> 0:24:11.409
<v Speaker 6>put up walls, I just wanted to say, I'm sorry. Yeah,

0:24:11.449 --> 0:24:14.050
<v Speaker 6>I don't know, I'm getting so emotional, but I just

0:24:14.050 --> 0:24:15.410
<v Speaker 6>thought i'd share this, and.

0:24:16.970 --> 0:24:19.050
<v Speaker 4>That's the thanks.

0:24:20.369 --> 0:24:22.769
<v Speaker 1>I write Gleat back, telling her that there's nothing to

0:24:22.850 --> 0:24:26.490
<v Speaker 1>apologize for. Then I apologize for making her feel bad

0:24:26.889 --> 0:24:29.929
<v Speaker 1>and say that, in fact, considering how young we were,

0:24:30.290 --> 0:24:33.250
<v Speaker 1>she'd been really mature and patient with me. It feels

0:24:33.330 --> 0:24:37.169
<v Speaker 1>terrible to have made her sad. Somehow through the course

0:24:37.169 --> 0:24:40.609
<v Speaker 1>of our day, Gleat and I had switched places. My

0:24:40.689 --> 0:24:43.609
<v Speaker 1>heaviness had given way to what in my life passes

0:24:43.609 --> 0:24:49.369
<v Speaker 1>for understanding, and her nostalgia had become tinged with sadness. Eventually,

0:24:49.770 --> 0:24:54.090
<v Speaker 1>Gleat writes back. We all get hurt, she writes, and

0:24:54.129 --> 0:24:57.050
<v Speaker 1>we all build walls to protect ourselves and then spend

0:24:57.050 --> 0:24:59.370
<v Speaker 1>the rest of our lives trying to take down those walls.

0:24:59.810 --> 0:25:02.330
<v Speaker 1>So hearing you talk about that was just a reminder

0:25:02.369 --> 0:25:04.729
<v Speaker 1>of my own struggle to take down those walls and

0:25:04.770 --> 0:25:07.810
<v Speaker 1>open my heart. It also reminded me of the purity

0:25:07.850 --> 0:25:10.609
<v Speaker 1>of young love and how the ability to fully give

0:25:10.649 --> 0:25:13.769
<v Speaker 1>and receive love seems to get more complicated as we

0:25:13.850 --> 0:25:24.850
<v Speaker 1>get older. In short, it's all good. Gleat was right.

0:25:25.490 --> 0:25:28.850
<v Speaker 1>It does get more complicated, but it also gets simpler.

0:25:30.050 --> 0:25:32.169
<v Speaker 1>The one time I've cried in the past ten years

0:25:32.689 --> 0:25:35.449
<v Speaker 1>was at my wedding, and I wasn't crying for fear

0:25:35.449 --> 0:25:38.050
<v Speaker 1>that Emily would leave me. I was crying because I

0:25:38.090 --> 0:25:42.689
<v Speaker 1>knew she Wouldn't you move from teen pain to adult pain.

0:25:43.330 --> 0:25:46.769
<v Speaker 1>You build up walls, then tear them down, build them

0:25:46.850 --> 0:25:52.090
<v Speaker 1>up again, check Twitter, and then hopefully take them back

0:25:52.129 --> 0:26:33.170
<v Speaker 1>down for good.

0:26:37.209 --> 0:26:42.969
<v Speaker 6>Now that the third entures returning to its goodwill home,

0:26:46.449 --> 0:26:50.850
<v Speaker 6>now that the last month's rant is scheming with the

0:26:51.050 --> 0:26:55.090
<v Speaker 6>damage to possible, take this moment to solve.

0:26:57.369 --> 0:27:03.129
<v Speaker 4>If we mentioned, if we tried to remember felt around.

0:27:02.889 --> 0:27:03.570
<v Speaker 6>For far.

0:27:06.250 --> 0:27:08.810
<v Speaker 7>From things that accidentally Talk.

0:27:11.929 --> 0:27:15.249
<v Speaker 1>Heavyweight is hosted and produced by me Jonathan Goldstein, along

0:27:15.290 --> 0:27:18.249
<v Speaker 1>with Chris Neary and Khalila Holt. The senior producer is

0:27:18.330 --> 0:27:22.090
<v Speaker 1>Wendy Dour, Editing by Alex Bloomberg, Paul Tuff and Jorge

0:27:22.369 --> 0:27:25.810
<v Speaker 1>Just special thanks to Emily Condon, Stevie Lane and the

0:27:25.850 --> 0:27:30.529
<v Speaker 1>Inimitable the Inimitable Jackie Cohen. The show is mixed by

0:27:30.530 --> 0:27:34.090
<v Speaker 1>Hailey Shaw, music by Christine Fellow's. Additional music credits for

0:27:34.129 --> 0:27:37.090
<v Speaker 1>this episode can be found on our website, gimletmedia dot

0:27:37.129 --> 0:27:40.770
<v Speaker 1>com slash Heavyweight. Our theme song is by the Weaker

0:27:40.810 --> 0:27:43.810
<v Speaker 1>Thands courtesy of Epitaph Records, and our ad music is

0:27:43.850 --> 0:27:47.009
<v Speaker 1>by Hailey Shaw. Follow us on Twitter at Heavyweight or

0:27:47.129 --> 0:27:50.489
<v Speaker 1>email us at Heavyweight at gimletmedia dot com. We'll have

0:27:50.530 --> 0:28:11.010
<v Speaker 1>a new episode next week. Hey Alex, do you need

0:28:11.050 --> 0:28:19.409
<v Speaker 1>the studio? Uh yeah yeah, just wrapping up get my stuff, Yeah,

0:28:19.570 --> 0:28:21.249
<v Speaker 1>take it easy, Okay, thanks.

0:28:23.490 --> 0:28:31.409
<v Speaker 5>Okay, Testing Testing went to went to testing testing, Hello

0:28:31.449 --> 0:28:33.210
<v Speaker 5>and welcome to startup. I'm Alex Bloomberg.

0:28:37.929 --> 0:28:42.730
<v Speaker 1>It's that peanut butter Gold State