1 00:00:09,560 --> 00:00:13,360 Speaker 1: Previously on the Princess of South Beach, Maria del Garman 2 00:00:13,440 --> 00:00:15,800 Speaker 1: had a breakdown after finding out that the one person 3 00:00:15,880 --> 00:00:19,599 Speaker 1: she thought cared about her, the pot asthmatic reporter Andres, 4 00:00:20,000 --> 00:00:22,560 Speaker 1: was using her to get information about a Stevan. I. 5 00:00:22,720 --> 00:00:25,079 Speaker 1: Nato is still in crisis mode after finding out that 6 00:00:25,160 --> 00:00:28,000 Speaker 1: someone is blackmailing him in a Stevan with a sex tape, 7 00:00:28,160 --> 00:00:30,960 Speaker 1: and also because the mob is threatening his life, and 8 00:00:31,240 --> 00:00:34,000 Speaker 1: Raoul is dealing with his own crisis after getting beat 9 00:00:34,040 --> 00:00:36,920 Speaker 1: up by the same thugs who are after his father. God, 10 00:00:37,040 --> 00:00:43,519 Speaker 1: is there anyone else having a crisis? No? Going once? Yeah, whatever, Okay, 11 00:00:43,840 --> 00:00:53,800 Speaker 1: let's continue. Are you sure this is appropriate to be 12 00:00:53,960 --> 00:00:56,640 Speaker 1: banging on a convent door at midnight? Can we just 13 00:00:56,720 --> 00:01:00,600 Speaker 1: do this tomorrow morning? Abuta, Claudia, Rona, Claudia, open the door, 14 00:01:00,640 --> 00:01:03,960 Speaker 1: it's me. Okay, so we're a minute to doing this now. Okay, 15 00:01:04,560 --> 00:01:08,720 Speaker 1: I need to talk to you. This is urgent. Oh 16 00:01:08,760 --> 00:01:14,240 Speaker 1: my op's making all that noise? My Maria del Carmen, 17 00:01:15,080 --> 00:01:17,280 Speaker 1: what are you doing here so late at night? Are 18 00:01:17,280 --> 00:01:22,600 Speaker 1: you okay? Mana, I'm so sorry for not listening to 19 00:01:22,640 --> 00:01:25,520 Speaker 1: your advice. I'm sorry for getting angry at you when 20 00:01:25,520 --> 00:01:27,680 Speaker 1: all you wanted to do was help. I feel like 21 00:01:27,720 --> 00:01:30,959 Speaker 1: I don't even know who I am anymore. I'm Maria 22 00:01:31,040 --> 00:01:37,800 Speaker 1: del Carmen. You've always been very dramatic, tranquil yah yah, Yeah, 23 00:01:38,920 --> 00:01:43,720 Speaker 1: come on in, I'll make some coffee. I was having 24 00:01:43,760 --> 00:01:55,680 Speaker 1: a very fun dream incentive. What are you gonna do? Mhmm. 25 00:02:03,400 --> 00:02:07,400 Speaker 1: Looks like being dramatic runs in the family. But be careful, ladies. 26 00:02:07,800 --> 00:02:11,240 Speaker 1: You never know who's listening, but I do. It's Natrue 27 00:02:11,440 --> 00:02:13,919 Speaker 1: And while Maria finds comfort in the arms of it Amanta, 28 00:02:13,919 --> 00:02:18,760 Speaker 1: Claudia Raoul is at the hospital seeking comfort from well anyone. 29 00:02:29,560 --> 00:02:36,360 Speaker 1: Luisa asked me, what happened to you? Louisa? What are 30 00:02:36,400 --> 00:02:39,040 Speaker 1: you doing here? They called me looking for Glaudia. You 31 00:02:39,160 --> 00:02:42,359 Speaker 1: still have her as your emergency contact, and don't say 32 00:02:42,480 --> 00:02:45,600 Speaker 1: why are you here? Well, I didn't Gloria care that 33 00:02:45,639 --> 00:02:47,799 Speaker 1: I was in the hospital. She doesn't know anything about this. 34 00:02:48,800 --> 00:02:53,160 Speaker 1: I've been calling her, but she isn't answering, Oh what happened? 35 00:02:53,840 --> 00:02:56,320 Speaker 1: They told me you were mugged? Did you already talk 36 00:02:56,320 --> 00:02:59,519 Speaker 1: to the police, Louisa? I really do appreciate you coming 37 00:02:59,560 --> 00:03:02,840 Speaker 1: to see me, but if you don't mind, I'd rather 38 00:03:02,919 --> 00:03:05,000 Speaker 1: be alone. Right now. I don't be a drama queen. 39 00:03:05,520 --> 00:03:07,840 Speaker 1: Just because you're not dating my daughter anymore doesn't mean 40 00:03:07,919 --> 00:03:13,120 Speaker 1: I don't he know yeah about you, So tell me 41 00:03:13,400 --> 00:03:17,040 Speaker 1: what happened. I can't, okay, just you'd be alone. If 42 00:03:17,080 --> 00:03:19,440 Speaker 1: you don't want to tell me, then I'll ask your father. 43 00:03:20,000 --> 00:03:22,440 Speaker 1: Just where is not? He's not here? What do you 44 00:03:22,480 --> 00:03:25,040 Speaker 1: mean he's not here? He may not be my favorite person, 45 00:03:25,120 --> 00:03:26,799 Speaker 1: but I know he wouldn't leave his son alone in 46 00:03:26,840 --> 00:03:29,320 Speaker 1: a hospital. Does he know what happen to you? He 47 00:03:29,560 --> 00:03:33,679 Speaker 1: is not here? Who? Okay? I don't know where he is. 48 00:03:33,760 --> 00:03:37,880 Speaker 1: He might be dead, and honestly, I don't care. Tell 49 00:03:38,040 --> 00:03:41,960 Speaker 1: me what are you saying? I don't want to keep 50 00:03:42,000 --> 00:03:47,400 Speaker 1: protecting him. He's the reason I'm here. I got beat 51 00:03:47,480 --> 00:03:51,440 Speaker 1: up because of him. You were right all along. He's 52 00:03:51,480 --> 00:03:54,520 Speaker 1: been trying to get his hands on your fortune since 53 00:03:54,600 --> 00:03:58,160 Speaker 1: day one. Everything he's done, it's only even because he 54 00:03:58,160 --> 00:04:01,560 Speaker 1: wanted to get his hands on your money. Okay, look 55 00:04:01,600 --> 00:04:04,880 Speaker 1: at me, I know it, and you were you a 56 00:04:05,000 --> 00:04:10,200 Speaker 1: part of that? No whosa? Okay? I love Glaudia, I 57 00:04:10,360 --> 00:04:13,720 Speaker 1: really do love her with all of my heart. When 58 00:04:13,760 --> 00:04:16,520 Speaker 1: I found out what he was planning, I told him 59 00:04:16,520 --> 00:04:19,000 Speaker 1: I didn't want to be involved. Okay, I swear I 60 00:04:19,080 --> 00:04:23,240 Speaker 1: can't believe it. No, actually I can, because this is 61 00:04:23,360 --> 00:04:27,120 Speaker 1: exactly what I thought was happening. He's in deep debt 62 00:04:27,200 --> 00:04:30,400 Speaker 1: with I don't even know who. I only found out 63 00:04:30,400 --> 00:04:32,120 Speaker 1: a couple of days ago. So then they beat you 64 00:04:32,279 --> 00:04:35,760 Speaker 1: up to send him a message. Yes, and they said 65 00:04:35,800 --> 00:04:38,720 Speaker 1: if if we don't pay them immediately, they're gonna kill 66 00:04:38,800 --> 00:04:47,560 Speaker 1: us both. Oh my gosh, I'm so sorry. I had 67 00:04:47,640 --> 00:04:51,360 Speaker 1: no idea he was doing this. I never meant to 68 00:04:51,560 --> 00:04:55,080 Speaker 1: involve you, the guys, I honestly don't know what's going 69 00:04:55,160 --> 00:05:00,360 Speaker 1: on with him. He's become a different person. Yeah, yeah, 70 00:05:01,400 --> 00:05:02,680 Speaker 1: don't no, no, no, no, no, no, no, no no, 71 00:05:03,160 --> 00:05:08,520 Speaker 1: don't talk. Don't. You're a hideous crier. Thank you for 72 00:05:08,640 --> 00:05:14,000 Speaker 1: being here. Of course, I'm not a monster, or at 73 00:05:14,080 --> 00:05:22,400 Speaker 1: least that's what my benface says. So Raoul and Luisa 74 00:05:22,440 --> 00:05:27,960 Speaker 1: are becoming friends. Weird. Well, now that Raoul has revealed 75 00:05:28,000 --> 00:05:30,679 Speaker 1: his secrets, let's head back to the convent where Maria 76 00:05:30,800 --> 00:05:46,720 Speaker 1: is spilling the beans to Ermana Claudia. Hello, everybody, it's 77 00:05:46,800 --> 00:05:52,479 Speaker 1: me Tatiana. Obviously, did you catch to you with Tatiana 78 00:05:52,560 --> 00:05:57,279 Speaker 1: this week? You know, Well, you miss some juicy updates 79 00:05:57,320 --> 00:06:04,520 Speaker 1: on our favorite family, the calder owns. What do you 80 00:06:04,800 --> 00:06:09,159 Speaker 1: think Gloria was like an elementary school? Was she sweet 81 00:06:09,800 --> 00:06:14,560 Speaker 1: or meaner than a capebara? According to one of her 82 00:06:14,680 --> 00:06:18,680 Speaker 1: childhood friends, she was sweeter than a bagful of candy. 83 00:06:19,560 --> 00:06:23,040 Speaker 1: She also mentioned something about a road trip in Gloria's 84 00:06:23,120 --> 00:06:29,720 Speaker 1: Lincoln Aviator GT they star gazed together or something. I 85 00:06:29,960 --> 00:06:34,920 Speaker 1: wasn't really paying attention, but really lovely stuff. All right, 86 00:06:35,200 --> 00:06:37,320 Speaker 1: that's it for now, but be sure to tune in 87 00:06:37,400 --> 00:06:40,560 Speaker 1: next time for more gossip about the Carleton's On the 88 00:06:40,760 --> 00:07:00,200 Speaker 1: next tea with Tatiana, Wait, wait, wait, because this is 89 00:07:00,320 --> 00:07:05,200 Speaker 1: what too much information at once? Are you telling me 90 00:07:05,279 --> 00:07:08,120 Speaker 1: that Natal and Esteban are sleeping together and you recorded 91 00:07:08,160 --> 00:07:10,640 Speaker 1: it and you send them that recording to blackmail them 92 00:07:10,680 --> 00:07:15,760 Speaker 1: to get information about ESA's missing girlfriend Gabby see exactly right? 93 00:07:16,000 --> 00:07:21,640 Speaker 1: And something about running for mayor and someone named Alicia 94 00:07:21,640 --> 00:07:26,360 Speaker 1: Amendez and you broke off an engagement Cremona, And what 95 00:07:26,520 --> 00:07:29,240 Speaker 1: happened with the esthetic reporter? Oh, he broke her heart 96 00:07:29,280 --> 00:07:30,880 Speaker 1: pertending to be in love with her in order to 97 00:07:30,920 --> 00:07:34,320 Speaker 1: get information about the Caroon family for an article. He 98 00:07:34,400 --> 00:07:36,880 Speaker 1: didn't pretend to fall in love with me. I think 99 00:07:36,920 --> 00:07:38,960 Speaker 1: he really did. But that's beside the point is that 100 00:07:39,080 --> 00:07:41,960 Speaker 1: it I feel like I missed something, but I think 101 00:07:42,000 --> 00:07:46,600 Speaker 1: that's enough for me to get the gest done. Okay, Anne, Maria, 102 00:07:47,320 --> 00:07:50,679 Speaker 1: you finally realize that you made a mistake by lying 103 00:07:50,800 --> 00:07:57,320 Speaker 1: to everybody see hermana bye. Well, hey, at least that's good. 104 00:07:59,280 --> 00:08:06,600 Speaker 1: I'm so sorry. J job God come here, no naja 105 00:08:06,880 --> 00:08:14,280 Speaker 1: jab yamore ja ja ja yam job ay. How nice. 106 00:08:14,720 --> 00:08:18,000 Speaker 1: Maria del Garmen is finally understanding that the family she's 107 00:08:18,000 --> 00:08:21,000 Speaker 1: been searching for was it a Mona Claudia all along, 108 00:08:22,680 --> 00:08:26,240 Speaker 1: and maybe she could have still salvaged the situation if 109 00:08:26,280 --> 00:08:37,160 Speaker 1: it wasn't for Nacho. Oh, I knew something was off. 110 00:08:38,480 --> 00:08:40,760 Speaker 1: I knew it from the moment I saw you after 111 00:08:40,840 --> 00:08:45,440 Speaker 1: the accident. All this time, You've been pretending to be glorious. 112 00:08:46,400 --> 00:08:53,000 Speaker 1: Isn't that right, Maria del Garmin Nacho, I can't explain. No, no, no, no, no, no, 113 00:08:53,040 --> 00:08:59,120 Speaker 1: no no no, there's really no need that The truth 114 00:08:59,320 --> 00:09:12,920 Speaker 1: is for one liar to another, Bra. Bra. You manage 115 00:09:12,920 --> 00:09:16,599 Speaker 1: to convince everyone that you were Gloria, and if it 116 00:09:16,720 --> 00:09:22,080 Speaker 1: wasn't for me, well, maybe nobody would have ever found out. 117 00:09:23,040 --> 00:09:25,880 Speaker 1: But it's too late for that. Natcho weight, I can explain. 118 00:09:26,360 --> 00:09:30,360 Speaker 1: Everyone shut up, But here's what's going to happen, Estraya. 119 00:09:31,440 --> 00:09:33,640 Speaker 1: You're going to destroy that recording of a Staan and 120 00:09:33,760 --> 00:09:39,719 Speaker 1: me and then you can just po what disappear. No, 121 00:09:40,200 --> 00:09:44,079 Speaker 1: I don't never want to hear from you again. Maria 122 00:09:44,280 --> 00:09:50,520 Speaker 1: del Garmin, my dear, so sweet. Now you belong to me. 123 00:09:51,559 --> 00:09:54,080 Speaker 1: You're going to give me the money that I eat, 124 00:09:54,800 --> 00:10:05,040 Speaker 1: and then you're going to marry sweet innocent, stupid king. Well, 125 00:10:06,400 --> 00:10:13,679 Speaker 1: you don't have anything to do with this. You're insane. 126 00:10:14,240 --> 00:10:19,480 Speaker 1: You're not insane, but desperate maybe, but not insane. And 127 00:10:21,400 --> 00:10:24,719 Speaker 1: oh we in agreement, ladies, absolutely not. What are you 128 00:10:24,760 --> 00:10:27,640 Speaker 1: gonna do to me? Expose me to the Calderons? Do it? 129 00:10:28,200 --> 00:10:30,800 Speaker 1: I lived a whole life without being Gloria Calderon. I 130 00:10:30,840 --> 00:10:34,199 Speaker 1: don't think I'll die if I stop. Now this is 131 00:10:34,280 --> 00:10:37,600 Speaker 1: so much fun. Oh so you don't understand the situation 132 00:10:37,679 --> 00:10:40,920 Speaker 1: at all, do you? You can't go back to your 133 00:10:40,960 --> 00:10:43,240 Speaker 1: old life. If you don't do what I tell you, 134 00:10:43,240 --> 00:10:45,959 Speaker 1: You're going to go to prison for the rest of 135 00:10:46,040 --> 00:10:51,280 Speaker 1: your miserable life. What fuck? You impersonated a dead girl 136 00:10:51,880 --> 00:10:54,400 Speaker 1: and I don't know what you did to the real Gladia. 137 00:10:54,520 --> 00:10:57,760 Speaker 1: Wouldn't be crazy to assume you killed her. That's what 138 00:10:57,960 --> 00:11:02,240 Speaker 1: everyone will think. Did you really think you could get 139 00:11:02,280 --> 00:11:06,559 Speaker 1: away with all of this? No, I didn't hurt her. 140 00:11:07,040 --> 00:11:12,120 Speaker 1: I tried to save her. Yeah, right, liar, meet a natche. 141 00:11:12,600 --> 00:11:16,960 Speaker 1: I'm sure we can find a way enough, enough enough. 142 00:11:18,640 --> 00:11:22,000 Speaker 1: You either do what I say or I tell everyone 143 00:11:22,160 --> 00:11:27,199 Speaker 1: exactly who you are. Now, Come with me. Come with me. 144 00:11:37,760 --> 00:11:40,120 Speaker 1: Remember when I told you guys that my body wouldn't 145 00:11:40,120 --> 00:11:52,760 Speaker 1: be alone for long. If you're enjoying Princess of South Beach, 146 00:11:53,040 --> 00:11:56,680 Speaker 1: please subscribe, rate, and review our show wherever you're listening. 147 00:11:57,320 --> 00:11:59,720 Speaker 1: The Princess of South Beach is a production of I Hearts, 148 00:11:59,760 --> 00:12:03,480 Speaker 1: Mike Ultura Podcast Network and Sonoro. Created and directed by 149 00:12:03,559 --> 00:12:07,319 Speaker 1: Jasmine Romero, Written by Jasmine Romero and Joanna Houseman, with 150 00:12:07,440 --> 00:12:11,840 Speaker 1: help from Daniela Serkis, Monisa Heinris, and Christian Jadar. Produced 151 00:12:11,880 --> 00:12:15,439 Speaker 1: by Luis Alorro Casillo. Executive produced by conal Byrne and 152 00:12:15,520 --> 00:12:19,439 Speaker 1: Giselle Bances for iHeart by Joanna Housman, and by Jasmine 153 00:12:19,520 --> 00:12:23,760 Speaker 1: Romero and Joshua Weinstein for Sonoro. Performances in this episode. 154 00:12:23,800 --> 00:12:28,959 Speaker 1: By Rachel Zegler, Gina Torres, Danny Pino vanne cole X 155 00:12:29,040 --> 00:12:35,280 Speaker 1: Mayo and Andy Bustillos. Our production manager is Querensachitis. Recording 156 00:12:35,360 --> 00:12:39,680 Speaker 1: and engineering by Emiliano Quintanar, with sound designed by Edwin Irigoyen, 157 00:12:39,920 --> 00:12:45,280 Speaker 1: Cassandra Tinajiro, Andres Bayena, Diego Medina and Andres Coronado. Assistant 158 00:12:45,320 --> 00:12:49,120 Speaker 1: sound designed by Eric Sentteno. Casting and coordination by Andres 159 00:12:49,200 --> 00:12:53,280 Speaker 1: Chaitis Folly by Samantha Gonzalez Fong, our theme song and 160 00:12:53,400 --> 00:13:00,280 Speaker 1: original music by Rodrigo Garcia Roles and Charlie Hernandez. Three