1 00:00:01,200 --> 00:00:04,880 Speaker 1: Let's play a game with Elvis Duran in the Morning show. 2 00:00:05,720 --> 00:00:08,119 Speaker 1: Let's go talk to Lane nineteen. It's Kaylee. 3 00:00:10,119 --> 00:00:14,560 Speaker 2: Hello, Kayley, Hello, Oh my god, how are you? 4 00:00:15,040 --> 00:00:17,720 Speaker 1: Oh you're here? I can hear it. You're a Broadway fan, n't? 5 00:00:18,680 --> 00:00:20,680 Speaker 3: Oh my gosh A percent? 6 00:00:20,760 --> 00:00:23,240 Speaker 1: Yes, all right, So Kaylee is a high school teacher 7 00:00:23,280 --> 00:00:26,639 Speaker 1: and musical producer. Oh yes, so you know you know 8 00:00:26,920 --> 00:00:30,640 Speaker 1: these Broadway productions. So tell Kaylee how you came up 9 00:00:30,640 --> 00:00:31,800 Speaker 1: with this list, gandhi. 10 00:00:32,080 --> 00:00:36,360 Speaker 2: So these are supposedly some of the best Broadway musicals 11 00:00:36,360 --> 00:00:38,720 Speaker 2: of all time. And from these musicals, I picked very 12 00:00:38,720 --> 00:00:41,200 Speaker 2: popular songs. So if you really are all the way 13 00:00:41,200 --> 00:00:42,680 Speaker 2: into this, like it seems you are, I think this 14 00:00:42,720 --> 00:00:43,760 Speaker 2: is going to be a breeze. 15 00:00:44,000 --> 00:00:44,320 Speaker 1: Okay. 16 00:00:44,400 --> 00:00:47,360 Speaker 2: Well, even listening to these songs though, I was getting goosebumps. 17 00:00:47,360 --> 00:00:50,040 Speaker 1: They're so good and that's one of the things we 18 00:00:50,159 --> 00:00:52,760 Speaker 1: love about living in New York. Yeah, Kaylee, And you 19 00:00:52,840 --> 00:00:54,560 Speaker 1: know you're not You're not far ahead. Did you drive 20 00:00:54,560 --> 00:00:56,680 Speaker 1: into the city for plays and musicals? 21 00:00:56,880 --> 00:00:59,680 Speaker 3: Yeah, definitely. We're about like three hours south of you guys, 22 00:01:00,120 --> 00:01:03,480 Speaker 3: all right once in a while, and yeah, absolutely. 23 00:01:03,440 --> 00:01:05,240 Speaker 1: I think we have someone who's going to figure this out. 24 00:01:05,240 --> 00:01:07,640 Speaker 1: But let's let's just get to it. The best on 25 00:01:07,720 --> 00:01:11,959 Speaker 1: Broadway songs, as chosen by our Broadway fan think tank. Yes, 26 00:01:12,480 --> 00:01:15,240 Speaker 1: let's get going. Here is Broadway, so the rules. She 27 00:01:15,319 --> 00:01:17,000 Speaker 1: just has to she just has to give us the 28 00:01:17,080 --> 00:01:19,520 Speaker 1: musical name, Just give us the musical. Yes, here we go. 29 00:01:19,680 --> 00:01:23,160 Speaker 1: Here is best on Broadway? Song number one? No wizard 30 00:01:23,319 --> 00:01:35,360 Speaker 1: that there is? Or oh there's that? There's that money 31 00:01:35,360 --> 00:01:39,320 Speaker 1: note that note right before intermission? 32 00:01:39,840 --> 00:01:42,880 Speaker 3: Rights on the platform. 33 00:01:43,440 --> 00:01:47,880 Speaker 1: Obviously you know that Broadway musical is what it is? 34 00:01:47,920 --> 00:01:48,320 Speaker 3: Wicked? 35 00:01:49,480 --> 00:01:52,360 Speaker 1: There you go, Wicked? All right, here we go. I 36 00:01:52,400 --> 00:01:54,840 Speaker 1: was listening to this soundtrack yesterday, Believe it or not. 37 00:01:55,080 --> 00:01:57,680 Speaker 1: Here's best on Broadway? Song number two? What musical is this? 38 00:02:08,120 --> 00:02:10,400 Speaker 1: All right? Kaylee? What musical is that? From? 39 00:02:11,000 --> 00:02:13,440 Speaker 3: That is Seasons of Love from Rent. 40 00:02:15,440 --> 00:02:16,200 Speaker 1: Season? 41 00:02:16,800 --> 00:02:16,959 Speaker 3: You know? 42 00:02:17,040 --> 00:02:19,080 Speaker 1: I heard a version done by the Rent cast with 43 00:02:19,120 --> 00:02:23,760 Speaker 1: Stevie Wonder yesterday. It was on my thing. I pushed 44 00:02:23,760 --> 00:02:25,680 Speaker 1: playing there, all right, you're two out of two so 45 00:02:25,720 --> 00:02:27,160 Speaker 1: far and here we go, Kaylee, here is best on 46 00:02:27,160 --> 00:02:33,000 Speaker 1: Broadway number three? Who's this? What is it? You never 47 00:02:33,080 --> 00:02:38,440 Speaker 1: had a friend like? Okay, there you go. What musical 48 00:02:38,480 --> 00:02:39,559 Speaker 1: does that? 49 00:02:39,560 --> 00:02:40,880 Speaker 3: That is? Aladdin? 50 00:02:43,040 --> 00:02:44,920 Speaker 1: Extra points if you're can tell me who starred in 51 00:02:44,919 --> 00:02:46,280 Speaker 1: a Laddin on Broadway last night? 52 00:02:48,000 --> 00:02:50,519 Speaker 3: Oh? I think it has to be Danielle and Gandhi. 53 00:02:50,639 --> 00:02:55,639 Speaker 1: Right, yes, okay, all right, Here is best on Broadway 54 00:02:55,760 --> 00:03:00,680 Speaker 1: number four himself? 55 00:03:02,800 --> 00:03:03,440 Speaker 3: Nothing there? 56 00:03:05,880 --> 00:03:09,680 Speaker 1: I bet you you what have done the same? Another 57 00:03:09,720 --> 00:03:11,320 Speaker 1: excellent one, okay, Kayley. 58 00:03:12,000 --> 00:03:14,480 Speaker 3: Yes, sir, that is so Block Tango from Chicago. 59 00:03:16,560 --> 00:03:20,400 Speaker 1: Look at you, so Block Tango. You're going deep with this. 60 00:03:20,880 --> 00:03:22,600 Speaker 1: You know who's loving this game more than anyone is 61 00:03:22,639 --> 00:03:27,440 Speaker 1: straight Nate Broadway. Oh my god, CDs, this is great. 62 00:03:27,600 --> 00:03:30,480 Speaker 1: I mean your risks soarm from the jazz hands. 63 00:03:30,520 --> 00:03:30,920 Speaker 3: You're thinking. 64 00:03:31,160 --> 00:03:33,880 Speaker 1: Okay, here we go. We're halfway through, Kayley. Here's best 65 00:03:33,880 --> 00:03:45,560 Speaker 1: on Broadway number five, high tream. There you go, kitty, 66 00:03:45,600 --> 00:03:46,840 Speaker 1: what is it? 67 00:03:46,840 --> 00:03:48,440 Speaker 3: It is Pansom of the opera. 68 00:03:48,640 --> 00:03:52,960 Speaker 1: There you go, killing him. That chandelier is going to 69 00:03:53,000 --> 00:03:53,560 Speaker 1: fall eventually. 70 00:03:53,600 --> 00:03:53,880 Speaker 3: I know. 71 00:03:55,920 --> 00:03:58,200 Speaker 1: Here is best on Broadway number six. 72 00:04:00,080 --> 00:04:03,320 Speaker 2: Faces up, gentlemen who never thereafter heard of again? 73 00:04:04,400 --> 00:04:15,040 Speaker 1: He draw have trawn? Oh yes, absolutely, you knew that 74 00:04:14,880 --> 00:04:19,160 Speaker 1: is that I don't mess around? Is Sweeney Todd the 75 00:04:19,200 --> 00:04:21,679 Speaker 1: ones no One's gonna harm you? 76 00:04:21,720 --> 00:04:22,120 Speaker 3: Not? Well? 77 00:04:22,480 --> 00:04:26,520 Speaker 1: Is that Sweeney Todd? Is that sweety time? Well? It's 78 00:04:26,560 --> 00:04:28,800 Speaker 1: it's it's. It's the barber of something. 79 00:04:30,200 --> 00:04:33,320 Speaker 3: Fleet Street, the barber of deep Fleet Street. 80 00:04:33,520 --> 00:04:35,200 Speaker 1: What's the difference between those two? I want to take 81 00:04:35,240 --> 00:04:39,240 Speaker 1: this based on the story I thought so. Yeah, okay, 82 00:04:39,520 --> 00:04:42,279 Speaker 1: one of my favorite songs. All right, uh, here we 83 00:04:42,320 --> 00:04:44,960 Speaker 1: go best. Wow, you're nailing this, k Here's Best on 84 00:04:45,040 --> 00:04:58,240 Speaker 1: Broadway number seven. This musical has so much music in it. 85 00:04:58,400 --> 00:05:01,800 Speaker 1: What is it from? 86 00:05:01,920 --> 00:05:07,640 Speaker 3: This is gonna be a guess, is it? Dream girls? 87 00:05:09,839 --> 00:05:12,160 Speaker 1: A lot of music, a lot of music in this 88 00:05:12,360 --> 00:05:14,880 Speaker 1: and it's one of those great Broadway musicals that has 89 00:05:15,360 --> 00:05:19,800 Speaker 1: contemporary music in it, including that if you sing that song, 90 00:05:19,839 --> 00:05:20,680 Speaker 1: the title is in it. 91 00:05:21,279 --> 00:05:26,080 Speaker 3: Yeah, soul sister. 92 00:05:27,440 --> 00:05:31,520 Speaker 1: Okay, all right, let's go to the theater. Queen straight 93 00:05:31,560 --> 00:05:36,960 Speaker 1: in eight. There you go so close? 94 00:05:37,760 --> 00:05:38,080 Speaker 3: All right? 95 00:05:38,520 --> 00:05:40,279 Speaker 1: All right, well let's look at you. You already have 96 00:05:40,360 --> 00:05:55,280 Speaker 1: six out of seven. Let's go to number eight. All right, 97 00:05:55,839 --> 00:06:02,000 Speaker 1: effectually known as music. What's that hard to hear? 98 00:06:02,240 --> 00:06:02,920 Speaker 3: The lion King? 99 00:06:03,360 --> 00:06:07,200 Speaker 1: Yes, the lion King? Job all right? Even when she 100 00:06:07,240 --> 00:06:09,520 Speaker 1: can't hear it, she's doing very well. All right, Kayla, 101 00:06:09,680 --> 00:06:12,039 Speaker 1: We're almost okay, Lee, sorry, we're almost done. Here is 102 00:06:12,080 --> 00:06:15,040 Speaker 1: Best on Broadway? Song number nine? What musical is this 103 00:06:18,920 --> 00:06:28,760 Speaker 1: If that's an easy one, it's a classic. It's a classic. 104 00:06:29,080 --> 00:06:30,919 Speaker 1: What musical is that from? 105 00:06:31,160 --> 00:06:32,599 Speaker 3: Is that Fiddler on the Yes? 106 00:06:35,480 --> 00:06:36,440 Speaker 1: Do you love me? 107 00:06:36,880 --> 00:06:37,120 Speaker 3: Do I? 108 00:06:37,200 --> 00:06:40,560 Speaker 1: What maker? 109 00:06:40,640 --> 00:06:41,120 Speaker 3: Match Maker? 110 00:06:41,760 --> 00:06:45,360 Speaker 1: Make me a match? And finally, here's your last one. 111 00:06:45,560 --> 00:06:47,080 Speaker 1: Let's see if you can get at least nine out 112 00:06:47,120 --> 00:06:50,320 Speaker 1: of ten and you will win something Best on Broadway 113 00:06:50,520 --> 00:06:51,640 Speaker 1: Musical number ten. 114 00:06:52,240 --> 00:06:53,440 Speaker 3: I am going. 115 00:06:53,200 --> 00:06:59,200 Speaker 1: Away, phone away shuck, just like my country. I'm young 116 00:06:59,279 --> 00:07:03,640 Speaker 1: stut me in away awesome. Yeah, a few people saw 117 00:07:03,680 --> 00:07:03,960 Speaker 1: that one. 118 00:07:04,080 --> 00:07:07,640 Speaker 3: What is it that is Hamilton guy? 119 00:07:08,320 --> 00:07:11,160 Speaker 1: Yeah, so close to a clean sweep. So the only 120 00:07:11,240 --> 00:07:12,520 Speaker 1: one was Milan Rouge. That was it? 121 00:07:12,640 --> 00:07:12,960 Speaker 3: You know what? 122 00:07:13,000 --> 00:07:15,920 Speaker 1: You got all of them those and they're all every 123 00:07:15,920 --> 00:07:19,240 Speaker 1: one of those musicals you chose, Gandhi are fantastic. That 124 00:07:19,360 --> 00:07:19,800 Speaker 1: was great. 125 00:07:20,080 --> 00:07:20,680 Speaker 2: There were so many. 126 00:07:20,720 --> 00:07:22,160 Speaker 1: I could have kept going, but I you know, had. 127 00:07:22,080 --> 00:07:25,720 Speaker 3: To pick ten. So I'm Kayley, thank you so much. 128 00:07:26,040 --> 00:07:27,400 Speaker 1: I love that and let's hear it, you know, and 129 00:07:27,560 --> 00:07:30,920 Speaker 1: standing ovation for diamond for finding Kaylee. That was awesome. 130 00:07:31,440 --> 00:07:34,520 Speaker 1: Fund hold on one second, Calely, love you. 131 00:07:34,400 --> 00:07:36,320 Speaker 3: Guys so much, thank you, thank you, thank you were 132 00:07:36,360 --> 00:07:37,240 Speaker 3: listening to every day. 133 00:07:38,200 --> 00:07:40,040 Speaker 1: We love you and you tell all the kids at 134 00:07:40,040 --> 00:07:41,960 Speaker 1: school we said hi, and have a beautiful weekend.