1 00:00:00,240 --> 00:00:05,480 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:05,040 --> 00:00:07,400 Speaker 2: And welcome back to Coast to Coast George Nori with 3 00:00:07,600 --> 00:00:10,680 Speaker 2: JJ and Desiree Hertech. We're talking about their latest work 4 00:00:10,760 --> 00:00:13,720 Speaker 2: called Sound, JJ and Desiree, I want you both to 5 00:00:13,800 --> 00:00:16,360 Speaker 2: chime in on this. What is it about sound that 6 00:00:16,400 --> 00:00:19,400 Speaker 2: affects the human body? Is it affecting the brain or 7 00:00:19,480 --> 00:00:22,720 Speaker 2: is there something else out there that it's dealing with. 8 00:00:23,760 --> 00:00:27,680 Speaker 3: Well, basically, it's everything, and it is the brain because 9 00:00:27,680 --> 00:00:30,600 Speaker 3: we know that there's the different frequencies like the alpha 10 00:00:30,600 --> 00:00:33,040 Speaker 3: frequency of the brain, which is connected also to the 11 00:00:33,120 --> 00:00:36,000 Speaker 3: human resonance, the gammas I was were talking about earlier, 12 00:00:36,440 --> 00:00:38,560 Speaker 3: and you know all these frequencies, I can just mention 13 00:00:38,680 --> 00:00:41,240 Speaker 3: a few in addition the beta waves. So the gamma 14 00:00:41,360 --> 00:00:44,000 Speaker 3: is like thirty to one hundred hertz, the beta is 15 00:00:44,040 --> 00:00:46,879 Speaker 3: thirteen to thirty herts, and the alpha seven point five 16 00:00:46,920 --> 00:00:50,199 Speaker 3: to thirteen herts, and it goes down to beta and delta. 17 00:00:50,320 --> 00:00:53,600 Speaker 3: But that's just the brain. That's one aspect. But every 18 00:00:53,760 --> 00:00:57,120 Speaker 3: cell in the body is actually resonating. And I think 19 00:00:57,160 --> 00:01:01,840 Speaker 3: that's exactly what not only Moto Hital, but again John 20 00:01:01,840 --> 00:01:05,039 Speaker 3: Stuart Reid is looking at and many other people. In fact, 21 00:01:05,120 --> 00:01:08,600 Speaker 3: there's something that's FDA approved. I would love for you 22 00:01:08,680 --> 00:01:11,880 Speaker 3: to do more investigation on this, and it's called tumor 23 00:01:12,040 --> 00:01:15,320 Speaker 3: treating fields. And what they do is they put a 24 00:01:15,440 --> 00:01:19,399 Speaker 3: frequency literally like a thousand frequencies and sometimes they've honed 25 00:01:19,400 --> 00:01:22,360 Speaker 3: it into a few less than that, but many more 26 00:01:22,400 --> 00:01:24,880 Speaker 3: than what Rife was looking at. If you remember, Royal 27 00:01:25,720 --> 00:01:29,640 Speaker 3: Rife was trying to find the frequency that would heal something. 28 00:01:29,959 --> 00:01:33,280 Speaker 3: But now we're using that same technology, but we're finding 29 00:01:33,680 --> 00:01:36,920 Speaker 3: you have to use many, multiple frequencies. And so this 30 00:01:37,000 --> 00:01:40,840 Speaker 3: company is called Novo Cure. They've been researchers Harvard, they're 31 00:01:40,920 --> 00:01:45,039 Speaker 3: FDA approved. They're being used for glioblastoma, which is one 32 00:01:45,040 --> 00:01:48,280 Speaker 3: of the hardest cancers to stop in the brain. And 33 00:01:48,320 --> 00:01:51,720 Speaker 3: when you wear these frequencies tumor treating fields, you're actually 34 00:01:51,800 --> 00:01:56,440 Speaker 3: stopping the duplication of cancer cells. So it's an amazing technology, 35 00:01:56,440 --> 00:01:58,480 Speaker 3: and of course, as I said, there's a lot of 36 00:01:58,560 --> 00:02:03,400 Speaker 3: history behind this. An ultrasound technically that is sound, right, 37 00:02:03,480 --> 00:02:08,000 Speaker 3: we say ultrasound, it's better than even we'll say the 38 00:02:08,120 --> 00:02:10,960 Speaker 3: hot packs that people use, and you can relieve pain 39 00:02:11,120 --> 00:02:13,919 Speaker 3: and it does even help to release tension and heal 40 00:02:13,960 --> 00:02:16,280 Speaker 3: the body, so so many aspects. 41 00:02:16,400 --> 00:02:19,519 Speaker 4: So I'd like to say George that our biology is 42 00:02:19,680 --> 00:02:24,320 Speaker 4: encoded with the potential to heal ourselves, expound, our longevity 43 00:02:25,040 --> 00:02:28,600 Speaker 4: and evolve into a multi dimensional being. Even with the 44 00:02:28,800 --> 00:02:33,360 Speaker 4: concepts and the reality interspecial communications through different types of music, 45 00:02:33,880 --> 00:02:38,320 Speaker 4: we are designed to become part of a higher evolutionic process. 46 00:02:38,600 --> 00:02:41,720 Speaker 4: I think this is the key to the contact story 47 00:02:42,200 --> 00:02:48,679 Speaker 4: that George of people of George Merkel in Hungary Bartok, 48 00:02:48,800 --> 00:02:52,239 Speaker 4: the Hungarian composer we've worked with, even Carlos and Tana 49 00:02:52,680 --> 00:02:55,200 Speaker 4: are trying to indicate with a new type of music 50 00:02:55,240 --> 00:02:58,919 Speaker 4: to raise our consciousness and prepare us for positive contact. 51 00:02:58,960 --> 00:03:03,400 Speaker 4: As we go into the chapter up the human evolutionary story. 52 00:03:03,200 --> 00:03:05,200 Speaker 2: I'm gonna play a little bit of what you call 53 00:03:05,600 --> 00:03:08,440 Speaker 2: plant music and then have you both explain what we're 54 00:03:08,480 --> 00:03:12,040 Speaker 2: listening to in a second and why it works. Let's 55 00:03:12,080 --> 00:03:56,120 Speaker 2: listen in JJ and Desire tell us what we're listening 56 00:03:56,160 --> 00:03:57,960 Speaker 2: to listening. 57 00:03:57,760 --> 00:04:03,360 Speaker 3: To plants singing. It's strictly plants, so what our associates 58 00:04:03,440 --> 00:04:07,560 Speaker 3: really in Australia. But also this is similar to what 59 00:04:07,680 --> 00:04:10,560 Speaker 3: Domenhor has done as well as is a company in 60 00:04:10,600 --> 00:04:13,560 Speaker 3: Italy they have these devices, and so do our friends 61 00:04:13,680 --> 00:04:18,200 Speaker 3: under Sacred Resonance in Australia. They actually hook up these 62 00:04:18,240 --> 00:04:21,440 Speaker 3: electrodes to the leafs of plants, usually one to the leafs, 63 00:04:21,640 --> 00:04:25,160 Speaker 3: one to the soil, or two to the leaves, whatever 64 00:04:25,200 --> 00:04:27,920 Speaker 3: you want to do. They'll hook up fifteen plants. They 65 00:04:27,960 --> 00:04:32,200 Speaker 3: go into avoritums and they have concerts with plants. Now 66 00:04:32,440 --> 00:04:36,640 Speaker 3: they have taken like they've transformed some of the voltage 67 00:04:36,720 --> 00:04:40,480 Speaker 3: into musical data. That's what NITDI is all about, and 68 00:04:40,520 --> 00:04:42,839 Speaker 3: they've been able to do that, and that's what you're hearing. 69 00:04:42,880 --> 00:04:45,839 Speaker 3: So there is kind of synthesizer music, but it's all 70 00:04:45,920 --> 00:04:49,120 Speaker 3: based on the sounds of plants. So nobody is playing 71 00:04:49,279 --> 00:04:54,159 Speaker 3: any of that music. It's only a kind of transformation, 72 00:04:54,560 --> 00:04:59,039 Speaker 3: biosonification from the sounds of the plants to what we 73 00:04:59,120 --> 00:05:01,400 Speaker 3: want to enjoy. You know, this isn't that far from 74 00:05:01,400 --> 00:05:05,680 Speaker 3: what NASA has done with the music of the planets. 75 00:05:05,680 --> 00:05:08,840 Speaker 3: If anyone's listening to the concerts where you know, they 76 00:05:08,880 --> 00:05:12,640 Speaker 3: take the sounds of every planet including Earth, but also Jupiter, Saturn, 77 00:05:12,960 --> 00:05:16,000 Speaker 3: you know, all the other ones, and they actually are 78 00:05:16,240 --> 00:05:20,400 Speaker 3: transforming it from things that we don't hear to vibrations 79 00:05:20,440 --> 00:05:23,360 Speaker 3: that we can hear, and they have great symphonies. It's 80 00:05:23,360 --> 00:05:25,839 Speaker 3: called symphonies of the planets. And they've gone out to 81 00:05:26,040 --> 00:05:29,000 Speaker 3: concerts like you do, George, and play that you know, 82 00:05:29,080 --> 00:05:29,760 Speaker 3: and people. 83 00:05:29,560 --> 00:05:33,960 Speaker 4: Have enjoyed several astronauts who claim to have fruit sounds 84 00:05:34,279 --> 00:05:37,480 Speaker 4: in outer space. And our work with plant music and 85 00:05:37,480 --> 00:05:40,960 Speaker 4: communication beget with Marshall Vogel back from the nineteen seventies 86 00:05:40,960 --> 00:05:44,800 Speaker 4: and IBM here in California, and this was information that 87 00:05:44,920 --> 00:05:47,800 Speaker 4: was sort of laughed at at first until they realized 88 00:05:47,839 --> 00:05:51,159 Speaker 4: that there was something in the whole matrix of human 89 00:05:51,600 --> 00:05:54,799 Speaker 4: creation that allows us to communicate with plants, with dolphins, 90 00:05:55,160 --> 00:05:58,760 Speaker 4: and even with what I call a higher evolutionary intelligence 91 00:05:58,800 --> 00:06:01,440 Speaker 4: in space. I think we're at breaking point of realizing 92 00:06:01,480 --> 00:06:04,280 Speaker 4: there are many musical keyboards, just like there are many 93 00:06:04,520 --> 00:06:09,240 Speaker 4: different electro magnetic spectrums. And so our book Sound illustrates 94 00:06:09,240 --> 00:06:14,960 Speaker 4: our contact with ethereal life forms in Guatemala and Mexico Yucatan, 95 00:06:15,560 --> 00:06:18,440 Speaker 4: as well as in each of all sharing a common 96 00:06:18,560 --> 00:06:22,119 Speaker 4: musical resonance or a pattern that connects with the human hearts. 97 00:06:22,520 --> 00:06:27,400 Speaker 4: Without compassion, without positive thinking, without Emoto's strategy and that 98 00:06:27,480 --> 00:06:30,640 Speaker 4: of Marshal Vogel, we would simply be locked in doualism 99 00:06:30,680 --> 00:06:34,039 Speaker 4: plus and minus realities, black and white realities and not 100 00:06:34,160 --> 00:06:36,080 Speaker 4: see the higher harmonic that unites us. 101 00:06:36,320 --> 00:06:39,520 Speaker 2: Do various plants have different sounds or do they all 102 00:06:39,560 --> 00:06:40,640 Speaker 2: sound about the same? 103 00:06:41,279 --> 00:06:44,680 Speaker 3: Yeah? Absolutely, each one is different. That's how you get 104 00:06:44,760 --> 00:06:47,760 Speaker 3: the concerts, and it's really beautiful. And we also are this. 105 00:06:48,040 --> 00:06:49,440 Speaker 3: You know, you could say, do we all have the 106 00:06:49,480 --> 00:06:53,960 Speaker 3: same musical resonance? Well, no, we're all different symphonies of 107 00:06:54,160 --> 00:06:56,640 Speaker 3: being and the plants themselves, so you can you know, 108 00:06:56,720 --> 00:06:59,880 Speaker 3: there's still a dendrome, which I think some of that does. 109 00:07:00,240 --> 00:07:03,520 Speaker 3: We're used in that last music. They like more tropical 110 00:07:03,560 --> 00:07:07,560 Speaker 3: plants because water and the way electrodes and energy flows 111 00:07:07,560 --> 00:07:10,760 Speaker 3: to them is better than maybe desert plants in that 112 00:07:10,840 --> 00:07:13,240 Speaker 3: kind of sense. But if I can jump ahead to 113 00:07:13,440 --> 00:07:16,520 Speaker 3: what doctor Jack and I were also saying about the 114 00:07:16,560 --> 00:07:18,960 Speaker 3: space we were. You know, we wrote in the book 115 00:07:19,000 --> 00:07:22,160 Speaker 3: about Apollo ten and I don't know if you remember that, George, 116 00:07:22,320 --> 00:07:25,280 Speaker 3: but when Cernan and Young were on the back side 117 00:07:25,280 --> 00:07:29,480 Speaker 3: of the moon, they actually heard strange sounds. Now, of 118 00:07:29,520 --> 00:07:32,120 Speaker 3: course NASA said, oh, it's just you know, feedback on 119 00:07:32,200 --> 00:07:35,080 Speaker 3: equipment and things like that. But you know they think 120 00:07:35,160 --> 00:07:38,760 Speaker 3: it was really really strange, and we've quoted that in there. 121 00:07:38,800 --> 00:07:41,240 Speaker 3: You know, did you hear that whistling sound? Yeah, it 122 00:07:41,240 --> 00:07:44,280 Speaker 3: sounds like outer space type music, and you know they 123 00:07:44,280 --> 00:07:47,240 Speaker 3: were literally talking about it. We do feel that everything 124 00:07:47,360 --> 00:07:47,880 Speaker 3: is sound. 125 00:07:48,280 --> 00:07:51,440 Speaker 2: It is truly remarkable. And what is it about sound 126 00:07:51,960 --> 00:07:57,800 Speaker 2: that makes people happy, sad, emotional, angry, whatever it is, 127 00:07:58,360 --> 00:08:01,360 Speaker 2: it has that ability to do that well. 128 00:08:01,400 --> 00:08:06,560 Speaker 4: In sound is the human range of hearing amplified from 129 00:08:06,680 --> 00:08:11,480 Speaker 4: sixteen to twenty thousand cycles per second. But given the environment, 130 00:08:11,560 --> 00:08:16,040 Speaker 4: given the situation in life, sound is the inner shall 131 00:08:16,080 --> 00:08:19,880 Speaker 4: we say spirit guy, the guise is through all difficulties 132 00:08:19,920 --> 00:08:22,679 Speaker 4: that gives us the happiness and the joy of life. 133 00:08:22,960 --> 00:08:26,720 Speaker 4: And those who are acclimitted to sound throughly on life 134 00:08:26,760 --> 00:08:30,240 Speaker 4: have the advantage of hearing the soundscape of the insects, 135 00:08:30,560 --> 00:08:32,560 Speaker 4: hearing the sound from the leaves of the plants, as 136 00:08:32,559 --> 00:08:35,640 Speaker 4: we just said, hearing the sounds from the cosmic frontier. 137 00:08:35,720 --> 00:08:40,080 Speaker 4: We're at a time of really changing our whole concept 138 00:08:40,120 --> 00:08:43,800 Speaker 4: of evolution to recognize that sound is the basic fundamental 139 00:08:43,840 --> 00:08:47,240 Speaker 4: that connects all of the seven Sharper levels, or basic 140 00:08:47,360 --> 00:08:50,400 Speaker 4: energy levels of our body. We are constructed as our 141 00:08:50,440 --> 00:08:52,920 Speaker 4: body electric and we're just waking up to the fact 142 00:08:52,920 --> 00:08:56,720 Speaker 4: that we can be part of a greater consciousness communication, 143 00:08:56,880 --> 00:09:00,360 Speaker 4: a cosmology of consciousness that would be based on sound 144 00:09:00,880 --> 00:09:03,679 Speaker 4: and frequencies that will take us into the fifth dimension. I. 145 00:09:03,840 --> 00:09:06,160 Speaker 4: You know, we were so fortunate to live at a 146 00:09:06,240 --> 00:09:11,360 Speaker 4: time when scientists, musicologists, and even anthropologists and archaeologists working 147 00:09:11,400 --> 00:09:15,240 Speaker 4: with archosonics or acoustics realize that even in the Great Perment, 148 00:09:15,760 --> 00:09:19,600 Speaker 4: the sound vibrations, the frequencies of the King's Chamber by 149 00:09:19,640 --> 00:09:21,920 Speaker 4: a large composed to the human heart beat. So the 150 00:09:22,040 --> 00:09:26,040 Speaker 4: whole drama of history is repeating ourselves in different octaves. 151 00:09:26,080 --> 00:09:30,720 Speaker 4: We are in a fantastic orchestration of life on many levels, 152 00:09:30,720 --> 00:09:32,640 Speaker 4: and sound is the key. This is why my book 153 00:09:32,720 --> 00:09:35,680 Speaker 4: was called The Keys of Enoch, the different musical keys 154 00:09:35,679 --> 00:09:39,319 Speaker 4: to the holistic personality that we are home opener versalis 155 00:09:39,760 --> 00:09:43,319 Speaker 4: universal humanity, waking up to the sounds of a living universe. 156 00:09:43,720 --> 00:09:46,240 Speaker 2: We're going to take calls next hour with doctors JJ 157 00:09:46,400 --> 00:09:48,680 Speaker 2: and Desire her Tax, so get ready to do that. 158 00:09:48,800 --> 00:09:51,800 Speaker 2: Their websites are linked up at coast tocostam dot com. 159 00:09:51,840 --> 00:09:54,600 Speaker 2: Their latest book is called Sound JJ. Where do we 160 00:09:54,640 --> 00:09:55,199 Speaker 2: get the book? 161 00:09:56,520 --> 00:09:59,880 Speaker 3: We can get it from the Amazon, or from Keys 162 00:09:59,880 --> 00:10:02,520 Speaker 3: of v Enoch, or for a sacred story. So all 163 00:10:02,559 --> 00:10:06,320 Speaker 3: those three locations. Amazon's quite been popular because you can 164 00:10:06,360 --> 00:10:08,920 Speaker 3: get the kindle version there as well for people who 165 00:10:08,920 --> 00:10:10,200 Speaker 3: don't like to carry things around. 166 00:10:10,720 --> 00:10:13,000 Speaker 2: Now, you both did some work on the Giza pyramid 167 00:10:13,080 --> 00:10:16,559 Speaker 2: structure as well. You have a book called Giza's Industrial Complex. 168 00:10:16,640 --> 00:10:19,160 Speaker 2: Does do the Pyramids put out music? 169 00:10:20,000 --> 00:10:23,680 Speaker 4: They definitely do. This is the largest structure of the 170 00:10:23,720 --> 00:10:29,160 Speaker 4: ancient world, the monuments of music production, and the Russians 171 00:10:28,440 --> 00:10:32,240 Speaker 4: have this remarkable work. We were key to this back 172 00:10:32,280 --> 00:10:34,720 Speaker 4: in the eighties and nineties, although we were careful not 173 00:10:34,800 --> 00:10:38,000 Speaker 4: to publish too much because this would upset the apple 174 00:10:38,080 --> 00:10:41,520 Speaker 4: cart of history going back thousands of years earlier. In 175 00:10:41,600 --> 00:10:44,880 Speaker 4: terms of what the pyramids really stand for, they're basically 176 00:10:45,000 --> 00:10:49,840 Speaker 4: a sound production grit system that connects with other pyrambile 177 00:10:49,880 --> 00:10:55,400 Speaker 4: cultures of the world perceived by prescientists or thinkers long 178 00:10:55,480 --> 00:10:57,440 Speaker 4: before before the history as we know it in the 179 00:10:57,480 --> 00:11:01,839 Speaker 4: West that understood that everything connects music, mathematics, and say 180 00:11:01,880 --> 00:11:05,800 Speaker 4: good geometry. We were able to use sound techniques as 181 00:11:05,840 --> 00:11:09,200 Speaker 4: well as what they called grand counter tryan radar to 182 00:11:09,320 --> 00:11:11,559 Speaker 4: find the tomb of was Cyrus so Sirs, where the 183 00:11:11,559 --> 00:11:14,679 Speaker 4: Egyptians represented the Lord of lifely brought music to the planet. 184 00:11:15,040 --> 00:11:17,840 Speaker 4: Not only did we find the tomb of Osiris, but 185 00:11:17,880 --> 00:11:20,880 Speaker 4: we found underground tunnels and maze ways yet to be 186 00:11:21,360 --> 00:11:27,400 Speaker 4: understood and publicly explained the Dodger zaihawas tiears later. It 187 00:11:27,480 --> 00:11:30,760 Speaker 4: made an Starlian announcement on Fox Television when he said 188 00:11:30,760 --> 00:11:34,800 Speaker 4: in nineteen ninety nine about the discovery of the Osayris 189 00:11:34,960 --> 00:11:37,280 Speaker 4: tomb that there was a group two years before. This 190 00:11:37,559 --> 00:11:40,959 Speaker 4: was a reference to our research team that was using 191 00:11:41,040 --> 00:11:44,360 Speaker 4: musical harmonics to find the underground montages. In one case, 192 00:11:44,679 --> 00:11:49,559 Speaker 4: we found the underground sanctuary where the Cyrus story represents. 193 00:11:49,600 --> 00:11:53,079 Speaker 4: This where the story of evolution, connecting humanity to the 194 00:11:53,120 --> 00:11:54,320 Speaker 4: constellation of Orion. 195 00:11:55,000 --> 00:11:57,600 Speaker 2: One of the contributors of your book is the wonderful 196 00:11:57,640 --> 00:12:01,480 Speaker 2: composer Stephen Helpern, who is no question the father of 197 00:12:01,559 --> 00:12:03,840 Speaker 2: New Age music. Tell me how that evolved. 198 00:12:04,640 --> 00:12:09,280 Speaker 3: Well, it's very interesting because Stephen went originally into the 199 00:12:09,440 --> 00:12:12,200 Speaker 3: university in Buffalo, New York, and then he decided, you know, 200 00:12:12,280 --> 00:12:14,400 Speaker 3: back in the early seventies, to take a hike out 201 00:12:14,440 --> 00:12:17,160 Speaker 3: to California, and he ended up he was hitch hiking 202 00:12:17,200 --> 00:12:19,680 Speaker 3: and someone gave him a ride up to the Santa 203 00:12:19,679 --> 00:12:22,280 Speaker 3: Cruz mountains, you know, and he went into this grove 204 00:12:22,400 --> 00:12:24,679 Speaker 3: and he ended up working at this company, and he 205 00:12:24,760 --> 00:12:25,840 Speaker 3: started hearing music. 206 00:12:26,200 --> 00:12:26,400 Speaker 2: You know. 207 00:12:26,440 --> 00:12:30,480 Speaker 3: He was studying in Buffalo, like classical traditional and playing 208 00:12:30,480 --> 00:12:33,360 Speaker 3: instruments and things like that, and so when he went 209 00:12:33,440 --> 00:12:35,680 Speaker 3: up to this grove, it just started coming to him. 210 00:12:35,920 --> 00:12:38,360 Speaker 3: And then actually he met us and other friends like 211 00:12:38,400 --> 00:12:42,040 Speaker 3: Stanley Kripner if you're familiar with him, and we asked 212 00:12:42,080 --> 00:12:44,439 Speaker 3: him to maybe play some music for us when we 213 00:12:44,440 --> 00:12:48,240 Speaker 3: were doing some chanting, and that actually inspired him on 214 00:12:48,360 --> 00:12:51,240 Speaker 3: his first Chakra Suite, which is the first album he 215 00:12:51,280 --> 00:12:53,560 Speaker 3: did in the early seventies. So he's been with us 216 00:12:53,559 --> 00:12:56,000 Speaker 3: since literally nineteen seventy three. Of course I was two 217 00:12:56,080 --> 00:12:59,160 Speaker 3: years old, but anyway, you know, he's one of those, 218 00:12:59,679 --> 00:13:02,720 Speaker 3: you know people who we just finished an album with 219 00:13:02,840 --> 00:13:05,560 Speaker 3: him as ciphers of the Divine Mother. 220 00:13:06,120 --> 00:13:09,320 Speaker 4: What it's important here, George, was that Stephen was interested 221 00:13:09,400 --> 00:13:13,079 Speaker 4: in the ancient aram Hebrew and the Greek montrums we 222 00:13:13,080 --> 00:13:16,720 Speaker 4: were using, and he discovered we could change our consciousness, 223 00:13:16,720 --> 00:13:20,680 Speaker 4: we could began to become more mentally sensitive to other realities, 224 00:13:20,760 --> 00:13:25,120 Speaker 4: even the power of remote viewing, remote sensing, remote healing 225 00:13:25,280 --> 00:13:28,960 Speaker 4: was activated by these montra like sounds that were put 226 00:13:29,000 --> 00:13:32,880 Speaker 4: together in the type of musical cocktails. So we were 227 00:13:32,920 --> 00:13:37,360 Speaker 4: able to use this as a measuring form of purb 228 00:13:37,480 --> 00:13:41,000 Speaker 4: normal investigations and research and carry on our work in 229 00:13:41,080 --> 00:13:46,480 Speaker 4: the ancient archives of the world. So and even continued 230 00:13:46,520 --> 00:13:49,600 Speaker 4: his great career in after fifty years, we've come out 231 00:13:49,640 --> 00:13:52,160 Speaker 4: with this new album, Sacred Ciphers of the Divine Mother, 232 00:13:52,240 --> 00:13:56,880 Speaker 4: which is a composition of nine different traditions of how 233 00:13:56,880 --> 00:14:00,920 Speaker 4: the Divine Feminine represents worthy. I thought of the brain, 234 00:14:01,040 --> 00:14:04,040 Speaker 4: the musical, the artistic side that has to be activated 235 00:14:04,600 --> 00:14:08,199 Speaker 4: if we are to holistically evolve science its spirituality in 236 00:14:08,280 --> 00:14:11,400 Speaker 4: a higher synthesis and just really quickly. 237 00:14:11,440 --> 00:14:14,040 Speaker 3: At the back of our new soundbook, we mentioned the 238 00:14:14,080 --> 00:14:17,719 Speaker 3: seven chakras and how they're able to Each one has 239 00:14:17,720 --> 00:14:21,680 Speaker 3: a special according to the ancient sanscrit words. 240 00:14:21,400 --> 00:14:23,840 Speaker 4: Like lom and balm and lom. 241 00:14:23,880 --> 00:14:27,800 Speaker 3: You know, each vibration is there to activate the chakra area. 242 00:14:27,840 --> 00:14:30,280 Speaker 3: So we wanted to put that in. As long as 243 00:14:30,640 --> 00:14:33,920 Speaker 3: people are working with the meditation, they're able to activate 244 00:14:33,960 --> 00:14:35,080 Speaker 3: these other fields. 245 00:14:35,480 --> 00:14:38,040 Speaker 2: If people spend a little time every day listening to 246 00:14:38,160 --> 00:14:42,440 Speaker 2: interesting sound with meditation. What would happen JJ in desiree. 247 00:14:42,600 --> 00:14:46,600 Speaker 4: It would definitely change their lifestyle and become more harmonic, 248 00:14:46,960 --> 00:14:50,400 Speaker 4: more creative, more holistic, and more aware of the fact 249 00:14:50,440 --> 00:14:53,040 Speaker 4: that we are a divine spark in human form working 250 00:14:53,080 --> 00:14:56,240 Speaker 4: with a musical vibration at all times. We want to 251 00:14:56,280 --> 00:14:59,960 Speaker 4: recognize that it's not simply the ear. Is some microtubulal 252 00:15:00,080 --> 00:15:03,560 Speaker 4: within our body. Is the micro system that we've overlooked? 253 00:15:04,040 --> 00:15:06,880 Speaker 4: Is the sound system the soundscape of the animals, the 254 00:15:07,000 --> 00:15:10,560 Speaker 4: vegetations of our environment that we've overlooked. Now is the 255 00:15:10,600 --> 00:15:13,800 Speaker 4: cosmic frontier that we must identify with in this rat 256 00:15:13,920 --> 00:15:16,480 Speaker 4: change that is coming. It would not surprise me that 257 00:15:16,640 --> 00:15:19,840 Speaker 4: in the announcement there there is cosmic cultures in the 258 00:15:19,920 --> 00:15:23,200 Speaker 4: universe and we're part of a much larger evolutionary system. 259 00:15:23,520 --> 00:15:25,880 Speaker 4: That one of the major languages would be Sanskrit and 260 00:15:25,920 --> 00:15:29,800 Speaker 4: another would be Hebrew. Because he represents the ancient traditions 261 00:15:29,800 --> 00:15:32,160 Speaker 4: of some of the finest musicologists in the world that 262 00:15:32,200 --> 00:15:36,120 Speaker 4: have inspired the soundscape the breast. In the beginning, the 263 00:15:36,120 --> 00:15:39,120 Speaker 4: world began not with a bang, but with the breath sound. 264 00:15:39,600 --> 00:15:42,840 Speaker 1: Listen to more Coast to Coast am every weeknight at 265 00:15:42,880 --> 00:15:46,120 Speaker 1: one am Eastern and go to Coast to coastam dot 266 00:15:46,160 --> 00:15:46,960 Speaker 1: com for more