1 00:00:03,120 --> 00:00:06,519 Speaker 1: You're listening to Part Time Genius, the production of Kaleidoscope 2 00:00:06,680 --> 00:00:08,080 Speaker 1: and iHeartRadio. 3 00:00:12,039 --> 00:00:13,160 Speaker 2: Guess what, my gush? 4 00:00:13,360 --> 00:00:16,560 Speaker 1: What's that? Mary? Also Mary, I'm supposed to be the 5 00:00:16,560 --> 00:00:21,079 Speaker 1: one saying the guest was, but I'll let it slide 6 00:00:21,120 --> 00:00:23,599 Speaker 1: this time. What is up? Mary? Okay? 7 00:00:23,680 --> 00:00:26,239 Speaker 2: Well, today is a very important day and we need 8 00:00:26,280 --> 00:00:26,880 Speaker 2: to celebrate. 9 00:00:27,200 --> 00:00:30,920 Speaker 3: Is it your Birthda better? It's not my virtue? Oh God, 10 00:00:31,040 --> 00:00:35,280 Speaker 3: so much better? No nofense, my goshion, I'm taking I 11 00:00:35,400 --> 00:00:37,440 Speaker 3: give up. Why is today so special? 12 00:00:37,520 --> 00:00:40,720 Speaker 2: It's November twenty first, which is the anniversary of Sherlock 13 00:00:40,800 --> 00:00:44,200 Speaker 2: Holmes's first appearance in print. On this day, in eighteen 14 00:00:44,280 --> 00:00:47,640 Speaker 2: eighty seven, a British magazine called Beaten's Christmas Annual came 15 00:00:47,680 --> 00:00:50,720 Speaker 2: out with Arthur Conan Doyle's very first home story, a 16 00:00:50,800 --> 00:00:52,640 Speaker 2: novel called A Study in Scarlett. 17 00:00:52,840 --> 00:00:55,560 Speaker 1: Well, I love a Study in Scarlet. But I had 18 00:00:55,640 --> 00:00:56,320 Speaker 1: no idea. 19 00:00:56,400 --> 00:00:58,680 Speaker 2: That's the best part. A lot of people have no idea. 20 00:00:58,800 --> 00:01:01,760 Speaker 2: The exact date of the story publication is weirdly hard 21 00:01:01,760 --> 00:01:05,600 Speaker 2: to find. That's because this magazine, which was only published annually, 22 00:01:05,760 --> 00:01:08,120 Speaker 2: didn't have a date anywhere on it, just the year, 23 00:01:08,640 --> 00:01:11,759 Speaker 2: which is why you'll sometimes find December eighteen eighty seven 24 00:01:11,880 --> 00:01:14,880 Speaker 2: given as the date of holmes debut because it said Christmas, right. 25 00:01:15,280 --> 00:01:18,000 Speaker 2: But the thing about Sherlock Holmes superfans like me is 26 00:01:18,240 --> 00:01:22,319 Speaker 2: we want facts, we don't want guestimates. So a Sherlock 27 00:01:22,480 --> 00:01:26,200 Speaker 2: historian named Matthias Bostrom decided to solve the problem of 28 00:01:26,240 --> 00:01:30,280 Speaker 2: the overly vague publication date by digging into newspapers of 29 00:01:30,360 --> 00:01:33,520 Speaker 2: the time, and he found a series of ads promoting 30 00:01:33,560 --> 00:01:36,560 Speaker 2: Beaten's Christmas Annual and Doyle's novel, which was the big 31 00:01:36,600 --> 00:01:39,840 Speaker 2: feature in it, that first appeared on November twenty first. 32 00:01:40,360 --> 00:01:43,240 Speaker 2: The ad copy said the magazine was available for purchase 33 00:01:43,319 --> 00:01:45,720 Speaker 2: for one shilling and now pre orders were not a 34 00:01:45,760 --> 00:01:48,480 Speaker 2: thing back then, which meant the magazine must have been 35 00:01:48,680 --> 00:01:52,400 Speaker 2: on newstands that day, and November twenty first, eighteen eighty 36 00:01:52,400 --> 00:01:54,960 Speaker 2: seven was a Monday, so just to be sure, Boston 37 00:01:55,120 --> 00:01:57,800 Speaker 2: went back. He checked papers from the previous week and 38 00:01:57,880 --> 00:02:02,200 Speaker 2: found no mention of Beaten's magazine for Sherlock Holmes. Therefore, 39 00:02:02,240 --> 00:02:05,080 Speaker 2: we can deduce that today, November twenty first, is the 40 00:02:05,120 --> 00:02:06,120 Speaker 2: real anniversary. 41 00:02:06,320 --> 00:02:10,480 Speaker 1: I love how analytical and how thorough that is is 42 00:02:10,520 --> 00:02:15,000 Speaker 1: really amazing. These are my people. Well, it sounds like 43 00:02:15,040 --> 00:02:19,160 Speaker 1: the game's afoot, so less discovered non intriguing facts about 44 00:02:19,160 --> 00:02:43,519 Speaker 1: Sherlock Holmes. Hey there, podcast listeners, Welcome to Part time Genius. 45 00:02:43,560 --> 00:02:46,440 Speaker 1: I'm Mongish articular, and today I have my friend and 46 00:02:46,639 --> 00:02:49,840 Speaker 1: super producer Mary Philip Sandy in the studio with me. 47 00:02:50,320 --> 00:02:54,280 Speaker 1: And right over there observing my every move and scribbling 48 00:02:54,320 --> 00:02:58,880 Speaker 1: in a notebook is Dylan Fagan. He better not be 49 00:02:58,919 --> 00:03:01,400 Speaker 1: writing a rip rowing uncle of all my adventures. I 50 00:03:01,400 --> 00:03:03,720 Speaker 1: have told him over and over not to do that. 51 00:03:03,880 --> 00:03:08,000 Speaker 1: So let's get started. Mary. You know, I kind of 52 00:03:08,120 --> 00:03:11,000 Speaker 1: vaguely knew you were into Sherila Holmbs, but I had 53 00:03:11,000 --> 00:03:13,239 Speaker 1: no idea like how much a part of your life 54 00:03:13,320 --> 00:03:13,760 Speaker 1: it was. 55 00:03:14,160 --> 00:03:16,400 Speaker 2: I mean, this goes back. My grandparents gave me a 56 00:03:16,440 --> 00:03:18,160 Speaker 2: collection of the stories when I was like ten years 57 00:03:18,200 --> 00:03:20,960 Speaker 2: old for Christmas. I spent the entire holiday vacation just 58 00:03:21,000 --> 00:03:23,320 Speaker 2: hold up in my room reading this book over and 59 00:03:23,360 --> 00:03:25,079 Speaker 2: over and over. I still have it, and I still 60 00:03:25,120 --> 00:03:26,079 Speaker 2: read it to this day. 61 00:03:26,240 --> 00:03:28,720 Speaker 1: And was it just shla Colmbs or was it other 62 00:03:28,919 --> 00:03:30,760 Speaker 1: mysteries and mystery novels as well? 63 00:03:30,840 --> 00:03:32,840 Speaker 2: It was really just Slack Holms. There was just something 64 00:03:32,880 --> 00:03:35,760 Speaker 2: about it that captured my imagination to a degree that 65 00:03:35,920 --> 00:03:37,760 Speaker 2: I think a lot of people can relate to because 66 00:03:37,920 --> 00:03:40,640 Speaker 2: it's really exciting, really well written, and the characters just 67 00:03:40,680 --> 00:03:42,360 Speaker 2: come alive, they jump off the page at you. 68 00:03:42,800 --> 00:03:45,720 Speaker 1: And was this a family thing too or just just you? 69 00:03:45,840 --> 00:03:46,000 Speaker 4: No? 70 00:03:46,000 --> 00:03:47,520 Speaker 2: No, I was just a lonely nerd in my room 71 00:03:47,560 --> 00:03:51,600 Speaker 2: with my Holm stories and I still am. That's really it. 72 00:03:51,960 --> 00:03:55,800 Speaker 1: Well, the reason I'm asking is because homes definitely had 73 00:03:55,800 --> 00:03:59,040 Speaker 1: a presence in my house as well. Like I loved mysteries, 74 00:03:59,040 --> 00:04:02,160 Speaker 1: and I loved mystery novel I loved like Encyclopedia Brown, 75 00:04:02,320 --> 00:04:05,480 Speaker 1: I loved and It Bliden's The Famous Five. I read 76 00:04:05,600 --> 00:04:09,680 Speaker 1: all the Miss Marple and Rachael Poirot in the school library. 77 00:04:09,800 --> 00:04:14,160 Speaker 1: But I was obsessed with Sherlock Holmes so much so 78 00:04:14,320 --> 00:04:17,840 Speaker 1: that for both third grade and fourth grade Halloween's I 79 00:04:17,920 --> 00:04:18,400 Speaker 1: was sholock. 80 00:04:19,480 --> 00:04:24,720 Speaker 4: Is there photographic evidence? Okay, but it's definitely true. And 81 00:04:24,839 --> 00:04:27,599 Speaker 4: also like I was telling a friend this earlier, but 82 00:04:27,680 --> 00:04:31,920 Speaker 4: one of the biggest crisis I remember dealing with and 83 00:04:32,000 --> 00:04:34,160 Speaker 4: this is how easy my life was. But like one 84 00:04:34,200 --> 00:04:36,839 Speaker 4: of the biggest crisis was in sixth or seventh grade. 85 00:04:37,760 --> 00:04:41,200 Speaker 4: Seinfeld used to be aired on Wednesday nights, and this 86 00:04:41,279 --> 00:04:45,000 Speaker 4: PBS show Mystery aired on Thursday nights, and my mom 87 00:04:45,040 --> 00:04:49,279 Speaker 4: and I would watch Mystery, and then they moved Seinfeld 88 00:04:49,440 --> 00:04:53,039 Speaker 4: into the same time slot, and it created all this 89 00:04:53,200 --> 00:04:55,520 Speaker 4: conflict because I didn't want to tell my mom I 90 00:04:55,560 --> 00:04:57,159 Speaker 4: might want to instead. 91 00:04:58,880 --> 00:05:00,880 Speaker 1: I still kind of really he wanted to watch these 92 00:05:00,920 --> 00:05:04,200 Speaker 1: mysteries and Jeremy Brett being a Sherlock Holmes or whatever. 93 00:05:04,240 --> 00:05:07,400 Speaker 1: But finally my friend Howard jumped in to save the 94 00:05:07,480 --> 00:05:11,080 Speaker 1: day and he taped Seinfeld for me weekly, which is 95 00:05:11,240 --> 00:05:11,880 Speaker 1: so sweet. 96 00:05:12,120 --> 00:05:16,279 Speaker 2: Howard saved today. That's amazing. That is amazing. 97 00:05:17,040 --> 00:05:18,960 Speaker 1: So tell me, did you ever go around the like 98 00:05:18,960 --> 00:05:20,640 Speaker 1: neighborhood trying to solve mysteries or anything? 99 00:05:20,720 --> 00:05:21,560 Speaker 2: Do I still do that? 100 00:05:21,680 --> 00:05:21,880 Speaker 1: Yeah? 101 00:05:21,920 --> 00:05:23,960 Speaker 2: I still do that to this debt, No, truly, Like 102 00:05:24,320 --> 00:05:27,400 Speaker 2: you know, it'll be like, hmmmm that restaurant. That restaurant's 103 00:05:27,480 --> 00:05:30,839 Speaker 2: changed a dishaunting. I wonder why, you know, because in 104 00:05:30,839 --> 00:05:32,800 Speaker 2: New York there's always things changing, and there's always a 105 00:05:32,800 --> 00:05:35,080 Speaker 2: reason if you pay attention, there is always a reason. 106 00:05:35,480 --> 00:05:40,440 Speaker 1: My neighbors love me. I remember in third grade there 107 00:05:40,520 --> 00:05:43,200 Speaker 1: was like a new kid in my neighborhood and he 108 00:05:43,400 --> 00:05:45,440 Speaker 1: ended up being very sweet kid. But he would stretch 109 00:05:45,480 --> 00:05:48,560 Speaker 1: the truth a lot, and so like we biked down there, 110 00:05:48,680 --> 00:05:51,839 Speaker 1: we met him, and he's kind of lulky, and he 111 00:05:51,960 --> 00:05:55,919 Speaker 1: told us he was like the second grade world boxing 112 00:05:56,000 --> 00:05:59,760 Speaker 1: champion or whatever, like something nonsense, very very realistic. Yeah, 113 00:06:00,000 --> 00:06:02,360 Speaker 1: of course. And I was like trying to deduce how 114 00:06:02,440 --> 00:06:04,599 Speaker 1: you could tell he wasn't. So I was like, see, 115 00:06:04,680 --> 00:06:07,760 Speaker 1: you can see he doesn't have any ten lines. Oh yeah, 116 00:06:07,960 --> 00:06:10,479 Speaker 1: he hasn't been around the world, like you know that 117 00:06:10,680 --> 00:06:11,800 Speaker 1: this is absolutely fake. No. 118 00:06:11,800 --> 00:06:14,240 Speaker 2: A few years ago a friend of mine got catfished 119 00:06:14,440 --> 00:06:17,720 Speaker 2: and I helped crack that case. Really Oh yeah, yeah, yeah, 120 00:06:17,839 --> 00:06:20,040 Speaker 2: of course we could do a whole episode on that. 121 00:06:22,200 --> 00:06:26,240 Speaker 1: For our catfish. Yeah yeah, yeah, well I think we 122 00:06:26,279 --> 00:06:29,440 Speaker 1: probably should get started. Do you want to hear that story? 123 00:06:31,040 --> 00:06:34,280 Speaker 1: Since you are the resident Sherlock Holmes head, why don't 124 00:06:34,320 --> 00:06:34,799 Speaker 1: you start? 125 00:06:35,000 --> 00:06:38,000 Speaker 2: Okay? So, like I said, people around the world have 126 00:06:38,120 --> 00:06:40,920 Speaker 2: become obsessed with Sherlock Holmes for very good reason. And 127 00:06:41,160 --> 00:06:44,920 Speaker 2: today there are statues of Sherlock Holmes in London, in Edinburgh, 128 00:06:45,040 --> 00:06:47,880 Speaker 2: in Moscow, and of course in Chester, Illinois, which is 129 00:06:47,880 --> 00:06:50,800 Speaker 2: a town of about eight thousand people on the Mississippi River, 130 00:06:51,120 --> 00:06:53,400 Speaker 2: and that's actually the home of the only Sherlock Holmes 131 00:06:53,400 --> 00:06:54,880 Speaker 2: statue in the United States. 132 00:06:55,240 --> 00:06:57,200 Speaker 1: Do you know what's funny is that my old boss, 133 00:06:57,400 --> 00:07:01,160 Speaker 1: this eccentric guy named Felix Dennis, he had this garden 134 00:07:01,200 --> 00:07:03,719 Speaker 1: of heroes that he had in his backyard. So he 135 00:07:03,800 --> 00:07:07,240 Speaker 1: had like a sculpture made of Roger Banister, of like 136 00:07:07,320 --> 00:07:09,960 Speaker 1: Bruce Lee, of all these people. And Sherlock Holmes was 137 00:07:09,960 --> 00:07:11,880 Speaker 1: in that garden of heroes as he should be, which 138 00:07:11,920 --> 00:07:14,280 Speaker 1: is so ridiculous but cool in a way. 139 00:07:14,440 --> 00:07:16,160 Speaker 2: It doesn't make sense, but it also kind of does 140 00:07:16,280 --> 00:07:16,480 Speaker 2: you know. 141 00:07:17,280 --> 00:07:20,200 Speaker 1: But that was not Chester, Illinois. So tell me what 142 00:07:20,280 --> 00:07:23,000 Speaker 1: does this little town have to do with Sherlock Holmes. 143 00:07:23,040 --> 00:07:27,480 Speaker 2: Absolutely nothing. But it is also the home of Elsie 144 00:07:27,560 --> 00:07:31,120 Speaker 2: Chrysler Segar, the cartoonist who created Popeye, you know, the 145 00:07:31,160 --> 00:07:34,640 Speaker 2: spinacheating sailorman right. Cigar was born in eighteen ninety four, 146 00:07:34,680 --> 00:07:36,560 Speaker 2: and he grew up reading Sherlock Holmes. He was a 147 00:07:36,600 --> 00:07:39,480 Speaker 2: big fan. He even worked a bunch of Sherlock references 148 00:07:39,520 --> 00:07:42,640 Speaker 2: into Thimble Theater, the popular comic strip where he introduced 149 00:07:42,680 --> 00:07:47,760 Speaker 2: his famous characters Olive oil, Ham, Gravy, and Popeye. Unfortunately, 150 00:07:47,760 --> 00:07:50,720 Speaker 2: Sierra died in nineteen thirty eight. He was only forty three, 151 00:07:50,840 --> 00:07:53,880 Speaker 2: and apparently he was working on a Sherlock inspired detective 152 00:07:53,920 --> 00:07:56,600 Speaker 2: story that he never got to finish. To honor him, 153 00:07:56,640 --> 00:07:59,200 Speaker 2: the town of Chester began putting up statues of the 154 00:07:59,200 --> 00:08:01,400 Speaker 2: Popeye character. There's like a trail you can walk around 155 00:08:01,440 --> 00:08:04,560 Speaker 2: and see them all. And in twenty nineteen they unveiled 156 00:08:04,560 --> 00:08:08,640 Speaker 2: a statue called Sherlock and Cigar. It's the famous detective. 157 00:08:08,720 --> 00:08:10,960 Speaker 2: He's wearing his hat and the cape. He's holding a 158 00:08:11,000 --> 00:08:14,760 Speaker 2: magnifying glass in a newspaper, but his face was made 159 00:08:14,760 --> 00:08:18,600 Speaker 2: to look like Cigars. And there's also a time capsule 160 00:08:18,720 --> 00:08:20,720 Speaker 2: buried next to the statue. I love this. They put 161 00:08:20,720 --> 00:08:23,360 Speaker 2: a time capsule in the ground under the statue and 162 00:08:23,400 --> 00:08:26,280 Speaker 2: they're planning to dig it up on cigars two hundredth birthday. 163 00:08:26,280 --> 00:08:30,080 Speaker 2: So everyone mark your calendars on December eighth, twenty ninety four. 164 00:08:30,200 --> 00:08:33,480 Speaker 2: We are all going to Chester, Illinois to find out 165 00:08:33,520 --> 00:08:34,319 Speaker 2: what's in that time guy. 166 00:08:34,440 --> 00:08:37,520 Speaker 1: So that's so crazy. It's also crazy that they switched 167 00:08:37,559 --> 00:08:38,760 Speaker 1: out his face for Cigars. 168 00:08:38,920 --> 00:08:40,959 Speaker 2: I know, it's really there's pictures of it online. It's 169 00:08:41,040 --> 00:08:42,120 Speaker 2: really interesting looking. 170 00:08:42,200 --> 00:08:45,559 Speaker 1: Did Cigar have like a curious looking face like anything? 171 00:08:45,679 --> 00:08:47,880 Speaker 2: Just perfectly normal looking guy? He doesn't look like Popeye 172 00:08:47,920 --> 00:08:48,160 Speaker 2: at all. 173 00:08:50,640 --> 00:08:53,480 Speaker 1: So it is pretty well known that a Scottish surgeon 174 00:08:53,600 --> 00:08:56,560 Speaker 1: named doctor Joseph Bell was the model for Sherlock Holmes. 175 00:08:56,760 --> 00:09:00,320 Speaker 1: But I was wondering what is the opposite of Holmes. 176 00:09:00,400 --> 00:09:04,679 Speaker 1: You know his mortal enemy, Professor Moriarty, and he is 177 00:09:04,920 --> 00:09:08,360 Speaker 1: such a memorable character even though he only appears in 178 00:09:08,400 --> 00:09:10,200 Speaker 1: a handful of stories. And the crazy thing is that 179 00:09:10,240 --> 00:09:12,600 Speaker 1: Conan Doyle actually doesn't build out a huge life story 180 00:09:12,640 --> 00:09:17,920 Speaker 1: for him. We know he's exceptionally brilliant. He's a great mathematician, 181 00:09:18,240 --> 00:09:22,280 Speaker 1: an astronomer, chess player, a former academic, left teaching and 182 00:09:22,320 --> 00:09:26,559 Speaker 1: became a consulting criminal for the London Underworld. But there 183 00:09:26,600 --> 00:09:29,280 Speaker 1: are intriguing clues that point to a person who might 184 00:09:29,440 --> 00:09:35,119 Speaker 1: actually have been Conan Doyle's inspiration. So, for example, Moriarty 185 00:09:35,160 --> 00:09:37,800 Speaker 1: is said to have written a treatise on the binomial 186 00:09:37,880 --> 00:09:40,560 Speaker 1: theorem when he was just twenty one, and a book 187 00:09:40,640 --> 00:09:43,800 Speaker 1: called The Dynamics of an Asteroid that Holmes says is 188 00:09:43,960 --> 00:09:46,800 Speaker 1: so good that no one in the scientific community can 189 00:09:46,840 --> 00:09:50,800 Speaker 1: criticize it. Well, it turns out there was an exceptionally brilliant, 190 00:09:50,880 --> 00:09:56,560 Speaker 1: high profile Canadian American mathematician and astronomer named Simon Newcombe. 191 00:09:57,000 --> 00:10:00,080 Speaker 1: He actually taught at Johns Hopkins for a while well, 192 00:10:00,200 --> 00:10:02,319 Speaker 1: and he wrote a paper about the binomial theorem when 193 00:10:02,320 --> 00:10:06,319 Speaker 1: he was only nineteen, and this occurred in the eighteen sixties, 194 00:10:06,480 --> 00:10:10,320 Speaker 1: which you know, sounds familiar. He also published several papers 195 00:10:10,360 --> 00:10:12,600 Speaker 1: about the movements of individual asteroids. 196 00:10:13,360 --> 00:10:15,720 Speaker 2: Wow, that's that's kind of uncanny. Don't tell me this 197 00:10:15,760 --> 00:10:17,760 Speaker 2: Newcomb guy was also a criminal mastermind. 198 00:10:18,440 --> 00:10:22,800 Speaker 1: No, but apparently he was super, super intense. His colleagues 199 00:10:22,840 --> 00:10:25,600 Speaker 1: were intimidated by him, and it's been said he was 200 00:10:25,640 --> 00:10:28,800 Speaker 1: more feared than liked. And apparently Arthur Conan Doyle had 201 00:10:28,840 --> 00:10:31,360 Speaker 1: a close friend who was familiar with Nucomb and his work. 202 00:10:31,520 --> 00:10:34,560 Speaker 1: So we may have this cranky professor to thank for 203 00:10:34,679 --> 00:10:36,600 Speaker 1: one of literature's greatest baddies. 204 00:10:36,760 --> 00:10:38,400 Speaker 2: Wow, thank you, professor Newcombe. 205 00:10:39,400 --> 00:10:39,600 Speaker 1: Yeah. 206 00:10:39,640 --> 00:10:42,400 Speaker 2: Science and medicine are such an interesting part of the 207 00:10:42,440 --> 00:10:44,920 Speaker 2: Sherlock Holms stories, and it really makes sense given Conan 208 00:10:44,920 --> 00:10:47,679 Speaker 2: Doyle's own career as a doctor. But one thing that 209 00:10:47,679 --> 00:10:52,240 Speaker 2: fascinates me is how Holmes influenced and reflected the emerging 210 00:10:52,280 --> 00:10:56,720 Speaker 2: field of forensic science. Take fingerprints for example, you know, 211 00:10:56,800 --> 00:10:59,000 Speaker 2: dusting a crime scene for Prince is like Law and 212 00:10:59,120 --> 00:11:02,600 Speaker 2: Order one oh one. Now, even though people had been 213 00:11:02,640 --> 00:11:06,400 Speaker 2: studying fingerprints for centuries, it wasn't until eighteen ninety two 214 00:11:06,520 --> 00:11:09,360 Speaker 2: that a murder was solved using fingerprint evidence, and that 215 00:11:09,400 --> 00:11:12,800 Speaker 2: was a case in Argentina, and Argentina actually became the 216 00:11:12,800 --> 00:11:15,680 Speaker 2: first country in the world to make fingerprinting an official 217 00:11:15,720 --> 00:11:19,320 Speaker 2: method of identifying individuals, especially in the context of crimes. 218 00:11:19,960 --> 00:11:23,319 Speaker 2: So it's really remarkable that Sherlock Holmes was talking about 219 00:11:23,320 --> 00:11:27,040 Speaker 2: fingerprint evidence as early as eighteen ninety in The Sign 220 00:11:27,080 --> 00:11:29,080 Speaker 2: of the Four. He was ahead of the times and 221 00:11:29,200 --> 00:11:31,560 Speaker 2: way ahead of Scotland. Yard as usual, they did not 222 00:11:31,720 --> 00:11:33,800 Speaker 2: use fingerprints until nineteen. 223 00:11:33,480 --> 00:11:36,000 Speaker 1: Oh one, that is crazy. 224 00:11:36,559 --> 00:11:39,520 Speaker 2: And there was also a French criminologist named doctor Edmond 225 00:11:39,640 --> 00:11:43,160 Speaker 2: Locard who is considered the father of forensic science. In 226 00:11:43,280 --> 00:11:46,120 Speaker 2: nineteen ten he worked with the Leon Police Department to 227 00:11:46,280 --> 00:11:49,760 Speaker 2: set up the world's first crime investigation lab and that's 228 00:11:49,800 --> 00:11:53,480 Speaker 2: where he developed modern techniques like chemical analysis of ink 229 00:11:53,640 --> 00:11:58,120 Speaker 2: and handwriting identification. He was also a pioneer of dust analysis, 230 00:11:58,160 --> 00:12:01,800 Speaker 2: that is the study of dust, mud, other tiny particles 231 00:12:01,800 --> 00:12:04,000 Speaker 2: found at crime scenes, like bits of things tracked in 232 00:12:04,040 --> 00:12:07,160 Speaker 2: by shoes or tiny traces of fibers from clothing, and 233 00:12:07,160 --> 00:12:09,960 Speaker 2: that work really echoed the level of precision that Holmes 234 00:12:10,000 --> 00:12:13,319 Speaker 2: often used to solve cases, and Lecard gave him credit 235 00:12:13,360 --> 00:12:15,720 Speaker 2: for all of this. He once said, Sherlock Holmes was 236 00:12:15,720 --> 00:12:18,560 Speaker 2: the first to realize the importance of dust. I merely 237 00:12:18,559 --> 00:12:19,520 Speaker 2: copied his methods. 238 00:12:20,040 --> 00:12:23,040 Speaker 1: That is incredible. The one thing I think about when 239 00:12:23,120 --> 00:12:27,200 Speaker 1: I think about fingerprints, though, is that the one creature 240 00:12:27,320 --> 00:12:31,240 Speaker 1: that has fingerprints that can be confused with a humans 241 00:12:31,400 --> 00:12:32,200 Speaker 1: is koala's. 242 00:12:33,240 --> 00:12:35,280 Speaker 2: So the Koala did it. 243 00:12:35,120 --> 00:12:37,679 Speaker 1: It wasn't the officer or the butler. 244 00:12:38,240 --> 00:12:41,319 Speaker 2: My Kohala butler committed that crime. It was nowhere nearar. 245 00:12:42,720 --> 00:12:44,720 Speaker 1: So one of the things I can't help think about 246 00:12:45,000 --> 00:12:47,600 Speaker 1: is how different Charlock Holmes would be if he were 247 00:12:47,640 --> 00:12:51,040 Speaker 1: written today, right, Like, he probably wouldn't be smoking or vaping, 248 00:12:51,200 --> 00:12:54,480 Speaker 1: so as bad for you. But you know what's worse 249 00:12:54,679 --> 00:12:55,719 Speaker 1: is cocaine. 250 00:12:56,040 --> 00:12:56,559 Speaker 2: Yes, it is. 251 00:12:56,600 --> 00:12:59,760 Speaker 1: Cocaine is slightly worse. And Conan Doyle's depiction of the 252 00:13:00,040 --> 00:13:02,560 Speaker 1: rug is a fascinating look at the way public perception 253 00:13:02,600 --> 00:13:05,080 Speaker 1: of cocaine has changed over the time. So if you 254 00:13:05,120 --> 00:13:07,439 Speaker 1: look at the sign of the four which you just referenced, 255 00:13:07,520 --> 00:13:10,080 Speaker 1: that came out in eighteen ninety, and it opens with 256 00:13:10,200 --> 00:13:13,600 Speaker 1: Holmes injecting himself with what he calls a seven percent 257 00:13:13,679 --> 00:13:17,319 Speaker 1: solution of cocaine, and Watson observes that he's been doing 258 00:13:17,400 --> 00:13:20,199 Speaker 1: this three times a day for the past several months. 259 00:13:20,360 --> 00:13:23,240 Speaker 1: But at the time, cocaine didn't actually carry the stigma 260 00:13:23,360 --> 00:13:26,679 Speaker 1: it does today. It was considered a cutting edge medical marvel, 261 00:13:27,120 --> 00:13:30,440 Speaker 1: and doctors used it as an anesthetic and prescribed it 262 00:13:30,440 --> 00:13:34,800 Speaker 1: for nervousness and lethargy. You could buy cocaine tablets for nausea, 263 00:13:34,960 --> 00:13:40,280 Speaker 1: cocaine sprays for nasal congestion, even cocaine toothpaste for gum sensitivity. 264 00:13:40,440 --> 00:13:44,840 Speaker 1: So by making homes a cocaine user, Conan Doyle was saying, Hey, 265 00:13:45,040 --> 00:13:47,600 Speaker 1: this guy knows the latest trends in science, and he's 266 00:13:47,640 --> 00:13:49,040 Speaker 1: got lots of energy. 267 00:13:48,760 --> 00:13:51,400 Speaker 2: For solving crist so much energy. 268 00:13:52,880 --> 00:13:56,640 Speaker 1: But just a decade later, obviously, public opinion shifted. In 269 00:13:56,760 --> 00:14:00,720 Speaker 1: nineteen oh one, a doctor named John Willie published a 270 00:14:00,760 --> 00:14:04,360 Speaker 1: report of a young patient who'd become addicted to cocaine. 271 00:14:04,440 --> 00:14:07,200 Speaker 1: His arms were bruised from the needles, and he was 272 00:14:07,280 --> 00:14:09,920 Speaker 1: so sick he couldn't leave his home. Obviously, it's a 273 00:14:10,000 --> 00:14:13,280 Speaker 1: very destructive drug, and according to Willie, the young man 274 00:14:13,520 --> 00:14:15,840 Speaker 1: was an avid reader of Sherlock Holmes and wanted to 275 00:14:15,880 --> 00:14:19,960 Speaker 1: be like his favorite detective. Now The British Medical Journal 276 00:14:20,000 --> 00:14:22,960 Speaker 1: actually covered the case and warned that authors who glamorized 277 00:14:23,000 --> 00:14:25,920 Speaker 1: the drug use would quote have much to answer for. 278 00:14:26,160 --> 00:14:29,240 Speaker 1: And even though cocaine was still used in medical settings, 279 00:14:29,280 --> 00:14:32,960 Speaker 1: more and more people became concerned about its dangers. So finally, 280 00:14:33,120 --> 00:14:36,960 Speaker 1: in nineteen oh four, Conan Doyle broke Sherlock's coke habit 281 00:14:37,080 --> 00:14:40,440 Speaker 1: in the Adventure of the Missing three Quarter, and Watson 282 00:14:40,480 --> 00:14:43,520 Speaker 1: describes his efforts to help Holmes quit cocaine, calling it 283 00:14:43,760 --> 00:14:47,000 Speaker 1: quote the drug mania which had threatened once to check 284 00:14:47,040 --> 00:14:48,240 Speaker 1: his remarkable career. 285 00:14:48,880 --> 00:14:52,400 Speaker 2: Wow, don't do drugs. He like Sherlock Combs. Well, I guess, 286 00:14:52,400 --> 00:14:54,480 Speaker 2: don't be like Schurlock Coombs that he did drugs. He 287 00:14:54,680 --> 00:14:57,040 Speaker 2: like the later Sherlock Holmes where he's not doing drugs. 288 00:14:57,120 --> 00:14:58,640 Speaker 1: That's the yess. 289 00:14:59,320 --> 00:15:00,800 Speaker 2: Well, here's the fact that I love. Even if you 290 00:15:00,800 --> 00:15:03,440 Speaker 2: don't know his name, you probably know the work of 291 00:15:03,480 --> 00:15:07,040 Speaker 2: the artist Sidney Paget, who became famous for his illustrations 292 00:15:07,040 --> 00:15:10,080 Speaker 2: of Conan Doyle's works. Paget drew over three hundred and 293 00:15:10,160 --> 00:15:13,000 Speaker 2: fifty pictures of the Detective and his adventures, and for 294 00:15:13,080 --> 00:15:15,200 Speaker 2: many of us, his art shaped our idea of Sherlock 295 00:15:15,200 --> 00:15:17,480 Speaker 2: Holmes as much as the stories themselves. I mean I 296 00:15:17,480 --> 00:15:19,560 Speaker 2: can see them in my mind even just saying his name. 297 00:15:20,160 --> 00:15:22,400 Speaker 2: But there's another illustrator I want to tell you about, 298 00:15:22,480 --> 00:15:27,480 Speaker 2: and that's Arthur Conan Doyle's father, Charles Charles Altamont Doyle 299 00:15:27,560 --> 00:15:30,360 Speaker 2: came from a big family of creative people. His dad, 300 00:15:30,360 --> 00:15:32,960 Speaker 2: that is, Arthur's grandfather, was a well known artist and 301 00:15:33,040 --> 00:15:37,040 Speaker 2: political cartoonist. Two of Charles's brothers, Richard and James, that is, 302 00:15:37,120 --> 00:15:41,040 Speaker 2: Arthur's uncles, also went on to become successful artists. As 303 00:15:41,040 --> 00:15:43,720 Speaker 2: a young man, Charles supported his growing family by selling 304 00:15:43,760 --> 00:15:46,480 Speaker 2: book illustrations, but he dreamed of being a world famous 305 00:15:46,520 --> 00:15:49,880 Speaker 2: painter and that just was not happening. He struggled with 306 00:15:49,960 --> 00:15:53,480 Speaker 2: depression and alcoholism, and eventually he lost his job. He 307 00:15:53,520 --> 00:15:56,040 Speaker 2: became unable to work, and he was admitted to a 308 00:15:56,040 --> 00:15:59,400 Speaker 2: psychiatric asylum, which back then was a terrible place to be. 309 00:16:01,080 --> 00:16:04,800 Speaker 2: And Arthur Conan Doyle had great sympathy for his father's struggles. 310 00:16:04,840 --> 00:16:07,880 Speaker 2: He never judged him, and he really admired his father's talent. 311 00:16:08,000 --> 00:16:10,720 Speaker 2: So in eighteen eighty eight, he commissioned his dad to 312 00:16:10,880 --> 00:16:13,680 Speaker 2: illustrate the book edition of A Study in Scarlet, which 313 00:16:13,720 --> 00:16:16,480 Speaker 2: was being published as a standalone novel after its first 314 00:16:16,520 --> 00:16:20,560 Speaker 2: appearance in Beaton's magazine. Charles actually drew all those illustrations 315 00:16:20,600 --> 00:16:23,280 Speaker 2: from his cell in the asylum. Oh wow, and they 316 00:16:23,320 --> 00:16:25,640 Speaker 2: capture some of the most exciting moments of the story. 317 00:16:25,520 --> 00:16:28,800 Speaker 2: They're really great, actually. And here's another little detail that 318 00:16:28,960 --> 00:16:31,480 Speaker 2: I find really sweet in a story his Last Bow, 319 00:16:31,600 --> 00:16:35,040 Speaker 2: Sherlock Holmes goes undercover with a fake name, and Conan 320 00:16:35,040 --> 00:16:37,760 Speaker 2: Doyle chose the alias Altamont in honor of his dad. 321 00:16:38,240 --> 00:16:41,680 Speaker 1: That is really sweet. You know. I know little things 322 00:16:41,720 --> 00:16:44,240 Speaker 1: about Conan Doyle, right, like they was friends with Harry Houdini, 323 00:16:44,400 --> 00:16:47,480 Speaker 1: like all all these spiritualist things whatever. But I had 324 00:16:47,520 --> 00:16:50,080 Speaker 1: no idea that he came from this artistic family. 325 00:16:50,240 --> 00:16:51,840 Speaker 2: Yeah, it was in his blood. It was in his blood. 326 00:16:51,840 --> 00:16:53,960 Speaker 2: And his dad's art was really incredible. He did a 327 00:16:54,000 --> 00:16:56,240 Speaker 2: lot of paintings and other drawings when he was locked up, 328 00:16:56,600 --> 00:16:59,240 Speaker 2: and he kind of channeled all of the anger and 329 00:16:59,240 --> 00:17:03,320 Speaker 2: frustration helt about being in this asylum into his art. 330 00:17:03,400 --> 00:17:06,720 Speaker 2: And it's you know belatedly, I think really really interesting. Actually, 331 00:17:06,840 --> 00:17:09,080 Speaker 2: Arthur Conan Doyle had an exhibit of his works after 332 00:17:09,119 --> 00:17:11,600 Speaker 2: his dad had died, Yeah, to showcase what he could do. 333 00:17:11,720 --> 00:17:13,159 Speaker 2: It was really, really, really touching. 334 00:17:13,280 --> 00:17:15,719 Speaker 1: That's incredible. So after this, I'm going to look up 335 00:17:16,000 --> 00:17:19,000 Speaker 1: Arthur Conan Doyle's fathers are and you're going to look 336 00:17:19,040 --> 00:17:21,800 Speaker 1: up pictures of me in third grade as Yeah, Sherlock. 337 00:17:21,520 --> 00:17:23,800 Speaker 2: Holmes equally equally important. 338 00:17:23,880 --> 00:17:27,600 Speaker 1: It's important. But that is so sweet. So you know, 339 00:17:27,720 --> 00:17:30,760 Speaker 1: illustrations aren't the only way we picture Sherlock Holmes. We 340 00:17:30,840 --> 00:17:33,040 Speaker 1: have to shout out some of the great actors who 341 00:17:33,119 --> 00:17:38,120 Speaker 1: portrayed him. Basil Rathbone, Jeremy bred, Benedict Cummer, Badge, Will Ferrell. 342 00:17:38,400 --> 00:17:41,439 Speaker 2: I always forget that Will Ferrell played Sherlock Holmes. I 343 00:17:41,480 --> 00:17:43,400 Speaker 2: actually I haven't seen it, but I do know it's 344 00:17:43,440 --> 00:17:43,800 Speaker 2: out there. 345 00:17:43,960 --> 00:17:45,840 Speaker 1: Yeah, I mean, I can't believe you haven't seen it. 346 00:17:45,840 --> 00:17:48,920 Speaker 1: It's this twenty eighteen Buddy comedy Holmes and Watson, with 347 00:17:49,000 --> 00:17:52,159 Speaker 1: Will Ferrell and John c Riley, and The Hollywood Reporter 348 00:17:52,280 --> 00:17:55,080 Speaker 1: described it as devastatingly unfunny. 349 00:17:55,200 --> 00:17:57,960 Speaker 2: Okay, I will I will not put that on the 350 00:17:57,960 --> 00:17:59,800 Speaker 2: two watch list. Then it's a shake. 351 00:18:00,080 --> 00:18:01,359 Speaker 1: This seems like such a great idea. 352 00:18:01,400 --> 00:18:02,960 Speaker 2: I know what could go wrong. 353 00:18:04,160 --> 00:18:06,040 Speaker 1: But I actually wanted to tell you about another actor 354 00:18:06,200 --> 00:18:09,919 Speaker 1: named will and that is William Gillette. Gillette was actually 355 00:18:09,920 --> 00:18:12,080 Speaker 1: one of the first people to play Homes and he 356 00:18:12,080 --> 00:18:16,280 Speaker 1: helped create two iconic sherlockisms. So backing up a bit, 357 00:18:16,440 --> 00:18:19,480 Speaker 1: William Gillette was an American actor and playwright who helped 358 00:18:19,560 --> 00:18:22,280 Speaker 1: Arthur Conan Doyle write a play about his famous detective. 359 00:18:22,480 --> 00:18:26,159 Speaker 1: It was simply titled Sherlock Holmes. It actually premiered in 360 00:18:26,240 --> 00:18:28,600 Speaker 1: New York in eighteen ninety nine and it had a 361 00:18:28,640 --> 00:18:31,719 Speaker 1: long run on Broadway. It was followed by a hugely 362 00:18:31,720 --> 00:18:34,159 Speaker 1: successful American tour, and then it moved to England and 363 00:18:34,240 --> 00:18:37,800 Speaker 1: had a long run there. So Gillette played Homes actually 364 00:18:37,960 --> 00:18:42,240 Speaker 1: over a thousand times, becoming very very famous and very 365 00:18:42,359 --> 00:18:46,399 Speaker 1: very wealthy. So he designed and built himself a castle 366 00:18:46,440 --> 00:18:49,520 Speaker 1: in Connecticut, where he was from. And this is actually 367 00:18:49,560 --> 00:18:51,560 Speaker 1: a castle that I made my mom take me to 368 00:18:51,800 --> 00:18:57,919 Speaker 1: as a kid. Why how what? I don't know. I 369 00:18:57,920 --> 00:18:59,879 Speaker 1: think my aunt had mentioned it or something and I 370 00:18:59,920 --> 00:19:01,560 Speaker 1: was like, Oh, we have to go there. And it's 371 00:19:01,640 --> 00:19:04,840 Speaker 1: kind of crazy because it's like filled with homes like tricks, right. 372 00:19:04,840 --> 00:19:06,800 Speaker 1: He has like trick mirrors so you can see around 373 00:19:06,840 --> 00:19:11,040 Speaker 1: the corner of places. He has like little secret passageways. 374 00:19:11,400 --> 00:19:13,439 Speaker 1: I remember something having to do with smoke, but I 375 00:19:13,440 --> 00:19:16,720 Speaker 1: can't exactly remember, but it was like it was like 376 00:19:16,840 --> 00:19:19,840 Speaker 1: exactly the type of thing a kid would design, you know, 377 00:19:20,040 --> 00:19:22,600 Speaker 1: like a kid who was obsessed with homes in a way. 378 00:19:22,720 --> 00:19:27,000 Speaker 1: But anyway, back to Gillette as homes. When the play premier, 379 00:19:27,200 --> 00:19:30,280 Speaker 1: Jellette made a decision that would change Sherlock homes forever. 380 00:19:30,920 --> 00:19:34,080 Speaker 1: In the original paget illustrations, Homes is shown smoking a 381 00:19:34,119 --> 00:19:37,399 Speaker 1: normal pipe with a straight stem. Gellette actually wanted to 382 00:19:37,400 --> 00:19:40,440 Speaker 1: be able to deliver lines while pacing the stage and smoking, 383 00:19:40,520 --> 00:19:43,160 Speaker 1: and he realized that with a straight pipe he'd actually 384 00:19:43,200 --> 00:19:45,320 Speaker 1: have his hand in front of his mouth all the time, 385 00:19:45,440 --> 00:19:48,200 Speaker 1: so he swapped it out for one of those beautiful 386 00:19:48,359 --> 00:19:51,880 Speaker 1: curved stem pipes. And that's obviously how we picture homes. 387 00:19:51,920 --> 00:19:53,440 Speaker 2: It was a prop decision. 388 00:19:53,560 --> 00:19:54,320 Speaker 1: It's just a prop. 389 00:19:55,359 --> 00:19:56,200 Speaker 2: I did not know that. 390 00:19:56,200 --> 00:19:58,880 Speaker 1: It's pretty amazing, right. And the second sherlockism we owe 391 00:19:58,920 --> 00:20:02,639 Speaker 1: to Gillette is the phrase elementary, my dear Watson, which, 392 00:20:03,119 --> 00:20:06,800 Speaker 1: as any homes head knows, Arthur Conan Doyle never wrote 393 00:20:06,840 --> 00:20:10,000 Speaker 1: that phrase, and in the canon Holmes does use the 394 00:20:10,000 --> 00:20:14,159 Speaker 1: phrase elementary to describe his deductions, and he addresses his 395 00:20:14,160 --> 00:20:16,720 Speaker 1: friend is my dear Watson, but he never puts those 396 00:20:16,800 --> 00:20:20,240 Speaker 1: two things together. And Julett added a line to his 397 00:20:20,359 --> 00:20:24,680 Speaker 1: play Holmes says to Watson, elementary, my dear fellow, And 398 00:20:24,800 --> 00:20:28,160 Speaker 1: later on the other scriptwriters made a slight change, replacing 399 00:20:28,200 --> 00:20:29,360 Speaker 1: Fellow with Watson. 400 00:20:29,640 --> 00:20:31,800 Speaker 2: Well, and thank goodness they did, because what else would 401 00:20:31,800 --> 00:20:35,600 Speaker 2: we have as a catchphrase? Well, elementary, my dear listeners. 402 00:20:35,640 --> 00:20:37,600 Speaker 2: We have a few more facts to go, but before 403 00:20:37,600 --> 00:20:50,960 Speaker 2: we get to those, let's take a quick outbreak. 404 00:20:55,280 --> 00:20:57,240 Speaker 1: Welcome back to Part Time Genius, where I'm sitting here 405 00:20:57,280 --> 00:21:00,280 Speaker 1: with my super producer Mary and we are talking all 406 00:21:00,400 --> 00:21:04,040 Speaker 1: things Sherlock Homes. So, Mary, I am curious, like you know, 407 00:21:04,119 --> 00:21:08,639 Speaker 1: there have been a lot of recent adaptations of homes. Yes, 408 00:21:08,760 --> 00:21:11,880 Speaker 1: the Downey Junior ones, the Benedict Commer badge. I think 409 00:21:11,880 --> 00:21:15,080 Speaker 1: there was elementary, right, like some show on CBS. Which 410 00:21:15,080 --> 00:21:16,720 Speaker 1: ones do you like? What do you like in the cannon? 411 00:21:17,280 --> 00:21:17,560 Speaker 4: All right? 412 00:21:17,600 --> 00:21:21,240 Speaker 2: Well, obviously Jeremy Brett is the best. That is the 413 00:21:21,240 --> 00:21:24,080 Speaker 2: gold standard as far as i'm yeah. 414 00:21:24,119 --> 00:21:24,280 Speaker 1: Yeah. 415 00:21:24,560 --> 00:21:26,280 Speaker 2: I mean, look, I could do a whole episode on 416 00:21:26,320 --> 00:21:28,480 Speaker 2: my feelings about the BBC Sharlock and what happened there. 417 00:21:28,840 --> 00:21:32,520 Speaker 2: But Benedict Cumberbatch and Martin Freeman were so good. Their performance, 418 00:21:32,520 --> 00:21:35,680 Speaker 2: their chemistry together was just really exceptional. I will say 419 00:21:35,680 --> 00:21:38,119 Speaker 2: there's actually an adaptation that I haven't seen that I 420 00:21:38,160 --> 00:21:40,679 Speaker 2: want to see. It's called Miss Sherlock and it was 421 00:21:40,720 --> 00:21:44,560 Speaker 2: made for Hulu Japan. It's set in Tokyo and the 422 00:21:44,560 --> 00:21:47,119 Speaker 2: two leads are women. I believe it is the first 423 00:21:47,440 --> 00:21:51,000 Speaker 2: major adaptation with Holmes and Watson being women and it's 424 00:21:51,000 --> 00:21:53,560 Speaker 2: set in modern day Tokyo. So I'm really excited. Have 425 00:21:53,640 --> 00:21:54,280 Speaker 2: to track that down. 426 00:21:54,359 --> 00:21:56,760 Speaker 1: That's really wonder really cool. And did you ever watch 427 00:21:56,880 --> 00:22:03,120 Speaker 1: this movie Young Holmes? Yes, I have a friend Lucas 428 00:22:03,160 --> 00:22:06,000 Speaker 1: who sent me like the cliff of the last scene, 429 00:22:06,000 --> 00:22:08,200 Speaker 1: which is so ridiculous. 430 00:22:08,480 --> 00:22:10,920 Speaker 2: Very different vibe than what I'm talking about. Sure, my gosh. 431 00:22:11,040 --> 00:22:15,119 Speaker 1: Yeah, but I actually forgot how much I loved Sherlock 432 00:22:15,119 --> 00:22:18,280 Speaker 1: Holmes until the BBC series came out. Yeah, with Bendic 433 00:22:18,359 --> 00:22:22,119 Speaker 1: Coumer Batche. But I'm curious what about the Aola home stuff. 434 00:22:22,760 --> 00:22:24,400 Speaker 2: I have not actually seen that, but I've heard it's 435 00:22:24,400 --> 00:22:25,640 Speaker 2: really great. I've heard it's great. 436 00:22:25,960 --> 00:22:28,359 Speaker 1: Yeah, yeah, I know, my kids have watched in. 437 00:22:28,560 --> 00:22:30,560 Speaker 2: Like I tried to get Julian to watch it, but 438 00:22:30,600 --> 00:22:33,440 Speaker 2: he wasn't interested. Animation only that's the rule. 439 00:22:35,200 --> 00:22:37,480 Speaker 1: So as long as we're talking about great moments of 440 00:22:37,680 --> 00:22:40,440 Speaker 1: film and stage, I want to show you the very 441 00:22:40,440 --> 00:22:43,720 Speaker 1: first Shrlock Holmes film. I'd say we can watch it 442 00:22:43,800 --> 00:22:45,639 Speaker 1: right now because it's less than a minute long. But 443 00:22:45,720 --> 00:22:49,080 Speaker 1: it's also a silent film, which is not great for 444 00:22:49,200 --> 00:22:50,160 Speaker 1: podcast purposes. 445 00:22:50,280 --> 00:22:52,320 Speaker 2: Yeah, not ideal. Well, what is the name of this film. 446 00:22:52,480 --> 00:22:56,480 Speaker 1: It is called Sherlock Holmes Baffled, and it was made 447 00:22:56,560 --> 00:22:59,480 Speaker 1: in nineteen hundred by the Biograph Company in New York City. 448 00:22:59,760 --> 00:23:02,239 Speaker 1: It actually wasn't meant to be shown in theaters. It 449 00:23:02,320 --> 00:23:06,159 Speaker 1: was made for a machine called the Mutoscope, which created 450 00:23:06,200 --> 00:23:08,800 Speaker 1: a moving image by flipping through a reel of cards. 451 00:23:09,240 --> 00:23:12,160 Speaker 1: The device was coin operated and only one person could 452 00:23:12,200 --> 00:23:14,560 Speaker 1: watch it at a time. It had a viewfinder at 453 00:23:14,600 --> 00:23:17,720 Speaker 1: the top so you could peer in and Sherlock Holmes 454 00:23:17,760 --> 00:23:21,080 Speaker 1: Baffled packs a lot into its short run time. First 455 00:23:21,119 --> 00:23:26,159 Speaker 1: of all, it's a slapstick comedy. So Holmes finds a 456 00:23:26,160 --> 00:23:28,440 Speaker 1: burglar trying to rob his house, and when he tries 457 00:23:28,480 --> 00:23:32,000 Speaker 1: to grab him, the burglar disappears, and then he reappears, 458 00:23:32,040 --> 00:23:36,000 Speaker 1: and then he escapes through a window, leaving Sherlock Holmes. 459 00:23:36,400 --> 00:23:40,080 Speaker 1: You know, baffle right there? It is. It's in the title, 460 00:23:40,440 --> 00:23:43,440 Speaker 1: and the disappearing burglar was an impressive effect for the time. 461 00:23:43,640 --> 00:23:46,760 Speaker 1: It was done with stop motion photography, which had only 462 00:23:46,880 --> 00:23:50,600 Speaker 1: entered the cinematic lexicon a few years earlier. But the 463 00:23:50,640 --> 00:23:54,320 Speaker 1: best part is Sherlock Holmes Baffled contains a mystery of 464 00:23:54,320 --> 00:23:57,280 Speaker 1: its own that to this day has not been solved. 465 00:23:57,840 --> 00:23:59,720 Speaker 1: Nobody knows who the actors. 466 00:23:59,320 --> 00:24:00,400 Speaker 2: Are, what, why? 467 00:24:00,480 --> 00:24:03,520 Speaker 1: How come? I mean, if you can remember, this was 468 00:24:03,600 --> 00:24:06,320 Speaker 1: made for this like cheap penny arcade device, so it 469 00:24:06,520 --> 00:24:09,680 Speaker 1: wasn't a big feature. And back then movie actors often 470 00:24:09,760 --> 00:24:12,920 Speaker 1: went uncredited, So we don't know who was the first 471 00:24:12,960 --> 00:24:15,199 Speaker 1: person to play Sherlock Holmes in a movie. But we 472 00:24:15,280 --> 00:24:19,760 Speaker 1: can watch him failing to catch that thief whenever you want. 473 00:24:20,000 --> 00:24:21,200 Speaker 1: It is on YouTube. 474 00:24:21,280 --> 00:24:24,080 Speaker 2: Oh of course it is good. I'll check it out. 475 00:24:24,520 --> 00:24:25,960 Speaker 1: What is your last background of you? 476 00:24:26,920 --> 00:24:30,160 Speaker 2: Okay, so you can't talk about Sherlock Holmes without mentioning 477 00:24:30,160 --> 00:24:32,440 Speaker 2: his fans, and we did just that a few years 478 00:24:32,480 --> 00:24:34,800 Speaker 2: ago in an episode called What does it Take to 479 00:24:34,840 --> 00:24:37,119 Speaker 2: Be a super Fan? Everyone should go back and listen 480 00:24:37,119 --> 00:24:39,400 Speaker 2: to that one as soon as you're done with this one. 481 00:24:39,640 --> 00:24:42,200 Speaker 2: But I want to tell you about a very particular 482 00:24:42,320 --> 00:24:45,639 Speaker 2: aspect of the fandom that is really interesting and often overlooked, 483 00:24:45,960 --> 00:24:48,320 Speaker 2: and that is the fact that for many, many years, 484 00:24:48,400 --> 00:24:51,919 Speaker 2: official Sherlock Holmes fan societies like the Baker Street Irregulars 485 00:24:52,240 --> 00:24:55,480 Speaker 2: were for men only, no girls allowed. And you know, 486 00:24:55,520 --> 00:24:58,320 Speaker 2: this is the thing with being a Sherlock Holmes fan, right, 487 00:24:58,400 --> 00:25:00,800 Speaker 2: these stories exist in a world of white men in 488 00:25:00,840 --> 00:25:03,520 Speaker 2: a very different time, which is fine, but to some 489 00:25:03,640 --> 00:25:06,720 Speaker 2: extent that spilled over into the fandom and created barriers 490 00:25:06,800 --> 00:25:09,640 Speaker 2: that didn't need to exist. And in the nineteen sixties, 491 00:25:09,680 --> 00:25:12,280 Speaker 2: a young woman named Evelyn Herzog ran up against this. 492 00:25:12,800 --> 00:25:14,960 Speaker 2: She had discovered Sherlock Holmes as a kid, much like 493 00:25:15,000 --> 00:25:17,840 Speaker 2: I did, and became a huge fan as a teenager. 494 00:25:17,880 --> 00:25:20,280 Speaker 2: She actually wrote to the Baker Street Irregulars, which is 495 00:25:20,320 --> 00:25:24,159 Speaker 2: this legendary Sherlockian society founded in nineteen thirty four, and 496 00:25:24,200 --> 00:25:26,320 Speaker 2: she was like, hey, how can I join? And they 497 00:25:26,359 --> 00:25:29,560 Speaker 2: wrote back saying, well, you can't because a the BSI 498 00:25:29,680 --> 00:25:33,080 Speaker 2: is invite only, and also it didn't accept women. I 499 00:25:33,119 --> 00:25:36,000 Speaker 2: should mention there were some smaller groups that were co ed, 500 00:25:36,080 --> 00:25:39,080 Speaker 2: but you know, the big institutions like the Baker Street Irregulars, 501 00:25:39,080 --> 00:25:41,280 Speaker 2: which was and is the most important one of all, 502 00:25:41,520 --> 00:25:44,560 Speaker 2: Evelyn couldn't join. So she goes off to college and 503 00:25:44,640 --> 00:25:46,960 Speaker 2: she meets some other women who love Sherlock Holmes as 504 00:25:47,040 --> 00:25:49,239 Speaker 2: much as she does, and they begin meeting in her 505 00:25:49,280 --> 00:25:52,920 Speaker 2: dorm room to talk all things Sherlock. They read papers 506 00:25:52,920 --> 00:25:55,119 Speaker 2: and literary journals, they read the journal that the Baker 507 00:25:55,119 --> 00:25:58,200 Speaker 2: Street Irregulars put out, and in January of nineteen sixty eight, 508 00:25:58,640 --> 00:26:01,760 Speaker 2: inspired by the Women's Rife its movement, they decide they 509 00:26:01,760 --> 00:26:04,480 Speaker 2: have had enough, and so they make these big signs 510 00:26:04,520 --> 00:26:08,040 Speaker 2: that say things like BSI unfair to women, and they 511 00:26:08,040 --> 00:26:10,960 Speaker 2: go pick it in the freezing cold outside a Baker 512 00:26:11,000 --> 00:26:14,680 Speaker 2: Street Irregular's dinner in Manhattan. They're marching around on the sidewalk. 513 00:26:14,720 --> 00:26:16,960 Speaker 2: At one point the police even show up, but the 514 00:26:17,000 --> 00:26:18,040 Speaker 2: women stood their ground. 515 00:26:18,600 --> 00:26:22,400 Speaker 1: That is so dramatic, but good for them, right, Yeah, 516 00:26:22,520 --> 00:26:24,639 Speaker 1: And I can't believe it took till like nineteen sixty 517 00:26:24,640 --> 00:26:27,439 Speaker 1: eight to like make a protest about this thing. So 518 00:26:27,920 --> 00:26:31,400 Speaker 1: did the Baker street irregulars change their policies after this incident. 519 00:26:32,040 --> 00:26:34,560 Speaker 2: Not right away, no, no, that would have been a 520 00:26:34,560 --> 00:26:36,760 Speaker 2: great ending to this, but no, it actually no, you know, 521 00:26:36,840 --> 00:26:38,720 Speaker 2: in its own way. It is great because Evelyn and 522 00:26:38,760 --> 00:26:41,600 Speaker 2: her friends launched their own society, one that is still 523 00:26:41,600 --> 00:26:45,160 Speaker 2: around today. It is called the Adventuresses of Sherlock Holmes 524 00:26:45,240 --> 00:26:48,199 Speaker 2: and it gave women who were excluded from other Sherlockian 525 00:26:48,240 --> 00:26:51,439 Speaker 2: groups a community of their own. The BSI did not 526 00:26:51,600 --> 00:26:55,000 Speaker 2: end its men only rule until nineteen ninety one, ninety one, 527 00:26:55,119 --> 00:26:58,040 Speaker 2: I know, better late than ever. Yeah, but when it 528 00:26:58,080 --> 00:27:00,840 Speaker 2: finally did, Evelyn Hertzog was one of the very first 529 00:27:00,880 --> 00:27:03,320 Speaker 2: women to be invested in the group. And today both 530 00:27:03,320 --> 00:27:06,960 Speaker 2: the BSI and the Adventuresses remain invite only. You guys 531 00:27:06,960 --> 00:27:09,199 Speaker 2: can get my number if you want it, but they 532 00:27:09,280 --> 00:27:12,800 Speaker 2: welcome members regardless of gender, and we love to see that. 533 00:27:12,800 --> 00:27:14,520 Speaker 1: That is insane. So do you know anything about this 534 00:27:14,560 --> 00:27:15,440 Speaker 1: invitation process? 535 00:27:15,560 --> 00:27:18,680 Speaker 2: You have to be nominated by someone, So if anyone 536 00:27:18,720 --> 00:27:20,760 Speaker 2: would like to get in touch with me, just contact 537 00:27:20,800 --> 00:27:23,240 Speaker 2: part time genius. Don't let me out. 538 00:27:24,160 --> 00:27:26,960 Speaker 1: I love that fact, But more than anything, I love 539 00:27:27,040 --> 00:27:29,840 Speaker 1: the one that you said about Arthur Conan Doyle's Dad 540 00:27:29,920 --> 00:27:33,600 Speaker 1: and those illustrations. I feel like that definitely earns this 541 00:27:33,680 --> 00:27:35,879 Speaker 1: week's trophy, so I'm going to give it to you. 542 00:27:36,119 --> 00:27:40,400 Speaker 2: Thank you. I'm an award winning Sherlock Holmes podcaster. 543 00:27:41,119 --> 00:27:45,280 Speaker 1: Takeure Street O regulars, let them know. Well, that's it 544 00:27:45,280 --> 00:27:48,840 Speaker 1: for this episode of Part Time Genius. From Dylan, Gabe, Mary, 545 00:27:48,960 --> 00:27:52,240 Speaker 1: Will and myself. Thank you so much for listening. And 546 00:27:52,359 --> 00:27:55,159 Speaker 1: don't forget we do have an Instagram account. It's just 547 00:27:55,359 --> 00:27:57,879 Speaker 1: at Part Time Genius. Hit us up. We're waiting for 548 00:27:57,920 --> 00:28:14,920 Speaker 1: your comments and questions and likes. Part Time Genius is 549 00:28:14,920 --> 00:28:18,760 Speaker 1: a production of Kaleidoscope and iHeartRadio. This show is hosted 550 00:28:18,760 --> 00:28:23,040 Speaker 1: by Will Pearson and Me Mongage Chatikler and research by 551 00:28:23,080 --> 00:28:27,399 Speaker 1: our goodpal Mary Philip Sandy. Today's episode was engineered and 552 00:28:27,440 --> 00:28:31,119 Speaker 1: produced by the wonderful Dylan Fagan with support from Tyler Klang. 553 00:28:31,600 --> 00:28:35,000 Speaker 1: The show is executive produced for iHeart by Katrina Norbel 554 00:28:35,119 --> 00:28:38,160 Speaker 1: and Ali Perry, with social media support from Sasha Gay, 555 00:28:38,240 --> 00:28:42,840 Speaker 1: trustee Dara Potts and Viney Shorey. For more podcasts from 556 00:28:42,880 --> 00:28:47,840 Speaker 1: Kaleidoscope and iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or 557 00:28:48,080 --> 00:29:03,520 Speaker 1: wherever you listen to your favorite shows,