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Speaker 1: This is the most traumatic podcast ever and iHeartRadio podcast.

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Speaker 1: Chris Harrison and Lauren Zema coming to you from the

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Speaker 1: home office in Austin, Texas. Hope everybody's doing great today.

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Speaker 1: Just got home from a big trip and Lauren and

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Speaker 1: I said, let's sit down and record a podcast.

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Speaker 2: Yes, you literally just got home. Youveen gone so long

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Speaker 2: for days and days. I haven't slept, I haven't eaten.

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Speaker 2: I was alone so much. I was alone.

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Speaker 1: If you guys follow LZ on social media, and I

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Speaker 1: hope you do, because I do. And that's how I

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Speaker 1: figure out what's going on in the world and what

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Speaker 1: I'm going to walk into. When I see there is

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Speaker 1: a stream of stories and there's like twenty stories. I

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Speaker 1: know she hasn't slept in days. I know she probably

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Speaker 1: hasn't eaten, and she hasn't left the house. And it's

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Speaker 1: I'm walking into a dark situation.

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Speaker 2: I can't own this. I can't just find my behavior.

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Speaker 2: I should be a more functioning adult, and you know,

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Speaker 2: there should be more functional I really should. I don't know.

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Speaker 2: It's weird. On the one hand, I consider myself a strong,

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Speaker 2: independent person, and then on the other hand, I'm like,

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Speaker 2: I'm a fairal child, don't I can't. When you were gone,

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Speaker 2: I don't really eat. I'm not joking. I think I

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Speaker 2: just drank coffee yesterday and I had a piece of

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Speaker 2: cheese at one point. And I'm not trying not to eat.

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Speaker 2: I just don't know how to make food. And when

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Speaker 2: I say that I was gone, I was alone for

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Speaker 2: so long. I was alone for one day because.

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Speaker 1: Two nights, two nights, you ended up at babe.

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Speaker 2: Thank you for saying that it was too you.

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Speaker 1: You were strong.

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Speaker 2: Thank you for defending me against myself. My mom and

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Speaker 2: sister came into town. Here's the thing, I never mind

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Speaker 2: you going on a trip. I'm always like, go on

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Speaker 2: a trip to your thing.

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Speaker 1: I appreciate that you're very supportive.

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Speaker 2: Well, we're both like that, but when you are. Part

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Speaker 2: of the reason I don't mind is because I'm the

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Speaker 2: type of person like when you go somewhere, I fill

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Speaker 2: my time. I have a friend come into town, or

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Speaker 2: my mother or my sister coming to town, or I

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Speaker 2: make a bunch of plans with friends. But there was

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Speaker 2: this one day when I got really caught up in

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Speaker 2: wedding stuff. And I am not exaggerating. I don't know

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Speaker 2: if anybody has a day like this, I'm calling it

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Speaker 2: a lost day. I don't know what happened to my brain,

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Speaker 2: to my time management ability. I ended up sitting at

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Speaker 2: our kitchen counter on my laptop working on wedding stuff

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Speaker 2: for ten hours. My back hurt at the end of it.

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Speaker 2: I couldn't my eyes were twitching because it's staring at

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Speaker 2: a screen.

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Speaker 1: What I found out, so I was on this trip

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Speaker 1: and I had very little touch with the real world.

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Speaker 2: Well, you had no Wi Fi and cell service remote area.

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Speaker 1: Where I was. This particular camp we had it was

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Speaker 1: summer camp. We had electricity from three in the afternoon

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Speaker 1: until eight in the morning, and that was it. And

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Speaker 1: then they would turn off the generator.

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Speaker 2: Picture you were like, it was like Samuel L. Jackson

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Speaker 2: in Jurassic Park was like switching pretty generator on.

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Speaker 1: But I found out when I did get there's one

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Speaker 1: place at this compound where you could get Wi Fi

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Speaker 1: for a few hours a night. And I saw that

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Speaker 1: you went wedding dress shopping. Yes, I did, and you

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Speaker 1: picked a dress.

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Speaker 2: Yes, And then you were kind of upset with me.

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Speaker 1: Not upset, I was jealous, is what I said. I

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Speaker 1: saw you in all these dresses because I haven't seen

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Speaker 1: these pictures. The first time I saw all these pictures

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Speaker 1: of you trying on dresses was with the rest of

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Speaker 1: the world. You were posting them on Instagram, and I said,

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Speaker 1: I got a little jealous that you were sharing this

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Speaker 1: with all of us at the same time. I'm so sorry,

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Speaker 1: but I was excited to learn on Instagram. And this

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Speaker 1: is how I found out. She didn't tell me, oh

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Speaker 1: my gosh, I have the dress.

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Speaker 2: I would have told you. I didn't even know you

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Speaker 2: were on your phone at all. I thought you would

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Speaker 2: know service I.

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Speaker 1: Got this message via Instagram. I found the dress. So

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Speaker 1: I text you and I said, oh, congratulations, I hear

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Speaker 1: you found our wedding dress.

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Speaker 2: You know it's strange. I actually felt I really never

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Speaker 2: would have intended to even show you those photos. And

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Speaker 2: I only posted pictures on Instagram of wedding dresses that

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Speaker 2: did not work out and that are very far from

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Speaker 2: the actual dress I ended up choosing because, of course,

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Speaker 2: I want to have this moment where you're away the

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Speaker 2: dress is white.

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Speaker 1: There was a moment when you were debating a black

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Speaker 1: wedding dress.

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Speaker 2: Apparently, well, I mean I considered it. I I don't

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Speaker 2: feel the like if you want to. That's the thing.

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Speaker 2: It's hard to not feel a funeral energy from it.

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Speaker 2: And you know, someone pointed out to me that how

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Speaker 2: often do we wear a little black dress to dinner

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Speaker 2: or to a party or whatever, So why not wear

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Speaker 2: a white dress? And it's a little bit more different

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Speaker 2: for the big day.

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Speaker 1: But the dress has been chosen.

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Speaker 2: Yes, And okay, I never really intended to show you

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Speaker 2: those photos of me. I mean, I know that I

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Speaker 2: put them on Instagram, but I don't know in my mind,

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Speaker 2: all the people who I interact with on Instagram are

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Speaker 2: like my friends, and I was sort of almost sharing

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Speaker 2: them with my girlfriends almost and being like, look, how

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Speaker 2: how bad these dresses looked on me. I don't even

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Speaker 2: think I would not have taken my phone and showed

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Speaker 2: you the photos.

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Speaker 1: But but now you see how that logic is flawed, right.

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Speaker 2: Because I put it on Instagram for all the world

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Speaker 2: to see. I see what you're saying.

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Speaker 1: So, speaking of breakups.

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Speaker 2: Oh my gosh, can I have a serious question. Do

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Speaker 2: you think that I mean, I feel bad. Did that

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Speaker 2: ruin it for you in anyway?

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Speaker 1: Our wedding? Well, at the moment, the dress, no, because Obviously,

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Speaker 1: I don't know what the dress looks like, and you're

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Speaker 1: not going to post that I don't think, and so

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Speaker 1: I have no idea what the dress.

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Speaker 2: Part of me wants to test. I mean, don't you

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Speaker 2: love when women test people? This is so toxic for relationship.

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Speaker 2: I want to see. I want to ask you what

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Speaker 2: type of dress you think I'm I would.

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Speaker 1: You would like to set me up for failures? What

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Speaker 1: you would like to know? What you'd like is to

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Speaker 1: set me up to call on a in a pit

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Speaker 1: of vipers.

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Speaker 2: I want to see how well you know me. But

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Speaker 2: what I'm worried. I actually think you know me really well,

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Speaker 2: and I'm worried that you're gonna come close to it

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Speaker 2: and then my face won't be able to like hide

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Speaker 2: the reactioners.

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Speaker 1: But if I fail miserably and it's nothing like.

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Speaker 2: Oh my gosh, I will You and I kind of

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Speaker 2: have different tastes. I don't know if most couples are

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Speaker 2: like this. You actually, if you go pick something out

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Speaker 2: for me, you don't pick out something bad, but you

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Speaker 2: don't really pick out like you just have different tastes

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Speaker 2: than I do.

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Speaker 1: That's true.

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Speaker 2: You kind of like a flowy sort of Texas cowgirl

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Speaker 2: type of dress, and I'm more like structured fitted Audrey

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Speaker 2: Hepburn breakfast at Tiffany's Energy. So you have.

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Speaker 1: Different well, your old school, your classic Hollywood. Well, thank

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Speaker 1: you for saying that you are. You are Hepburn, you are.

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Speaker 2: The difference is and now I'm going to get mad

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Speaker 2: at you. If I were picking out close for you,

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Speaker 2: I would pick out something I know you would like.

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Speaker 1: It would be golf clubs.

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Speaker 2: No, I have that one time I bought you. I've

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Speaker 2: bought you some sweaters before that, a little outside your

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Speaker 2: comfort zone, and you do wear them. I think you

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Speaker 2: look good at it.

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Speaker 1: Try and honestly, here's the thing. For guys, for the

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Speaker 1: most part, we're pretty easy. If you bias something and

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Speaker 1: you say I love you in that, I think you

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Speaker 1: look sexy in that, you look great in that, I'm

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Speaker 1: going to wear it.

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Speaker 2: Actually, you're right, I feel a little differently. Even if

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Speaker 2: you told me, I think I'd wear it for you,

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Speaker 2: but I still wouldn't feel great in set outfit I would.

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Speaker 1: I'm like, that's good.

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Speaker 2: Now, really? Yeah, okay, here's another question. We haven't talked

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Speaker 2: about this. Do you know what a first look is?

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Speaker 2: Of course, the wedding, Okay, of course, yeah, should we

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Speaker 2: do that or do you want to see me for

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Speaker 2: the first time?

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Speaker 1: No, I don't want to do that. It was you know,

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Speaker 1: I just flashed back to Ari and Lauren's wedding. I

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Speaker 1: officiated for them honorably.

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Speaker 2: And by the way, we were dating in secret at

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Speaker 2: the time. That's right, And so I couldn't come to

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Speaker 2: the wedding with you because no one knew we were dating.

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Speaker 1: There. Yeah, because there's a lot of Bachelor people, well

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Speaker 1: some some of the Bachelor producers and uh, as you said,

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Speaker 1: I officiated, and so I was with Ari and the

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Speaker 1: guys beforehand, and he did a first look. We did

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Speaker 1: a fake one first, or he did a fake one first.

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Speaker 1: One of his buddies, one of his groomsmen, put on

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Speaker 1: a wedding dress. Yes, I've seen it, so he turned

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Speaker 1: around and then they did the real first look. And

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Speaker 1: you know, and that's for your videos and pictures and

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Speaker 1: all that. That's really cute. So I get it. I

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Speaker 1: don't want that. I don't need that. I don't want

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Speaker 1: that moment. I really want the moment when you step

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Speaker 1: out and everybody enjoys it at the same time.

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Speaker 2: That's my opinion, I think a lot of people do

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Speaker 2: it to save time on photos. They do the first

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Speaker 2: look so they can take pictures beforehand, and I totally

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Speaker 2: understand that. And my little sister and her husband did

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Speaker 2: a first look, and I was worried it would take

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Speaker 2: the emotion away, but he was still bawling when she

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Speaker 2: walked down the aisle. It was still all so emotional.

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Speaker 2: But there is something I feel the same. It's hard

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Speaker 2: for me, like I picture that moment. I actually told

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Speaker 2: you that the only moment I really cared about for

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Speaker 2: our wedding and why I felt like it had to

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Speaker 2: be a little bit of a traditional wedding was walking

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Speaker 2: down the aisle, and I I want to have that.

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Speaker 2: I don't think I want to do a first look.

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Speaker 1: Good.

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Speaker 2: We agree, we agree more time taking pictures.

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Speaker 1: Buddy, you have the dress I do, and there will

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Speaker 1: not be a first look. No, okay, good. I love

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Speaker 1: that we were doing this with the world, so at

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Speaker 1: least we're getting a ton we're getting it done, checking

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Speaker 1: this off the list.

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Speaker 2: I was really surprised I cried with the dress twice. Twice.

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Speaker 2: I did not think I.

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Speaker 1: Would, because here's the thing. In all fairness, I knew

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Speaker 1: you liked a dress because you said, I went to

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Speaker 1: a dress shop today by myself and I cried, just

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Speaker 1: you and the shop attendant and you cried. And which,

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Speaker 1: by the way, I'm guessing if you work at a

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Speaker 1: wedding shop, I'm that probably happens a lot. There's emotions.

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Speaker 1: I bet that's a very interesting job to be someone

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Speaker 1: who's selling wedding dresses because you're getting.

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Speaker 2: Me it's a very joyful well you think.

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Speaker 1: And then I bet it's also stressful because totally moms

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Speaker 1: are involved, mother in laws are involved.

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Speaker 2: A lot of energy balance.

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Speaker 1: Yeah, I bet it is a lot.

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Speaker 2: My mom metal my mom both had a lot to

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Speaker 2: say and in the moments where she was silent that if.

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Speaker 1: You're a therapist, that might be a great job for

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Speaker 1: you selling wedding dresses, because I bet.

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Speaker 2: You hear it all you're doing negotiations.

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Speaker 1: You know what, if you sell wedding dresses, if you

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Speaker 1: have some good stories, leave a message below.

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Speaker 2: Do you have to have seen it?

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Speaker 1: Yeah? Drop into the most dramatic pod ever.

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Speaker 2: Comment.

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Speaker 1: Yeah, comment, I would really be interested in some of

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Speaker 1: the craziest wedding dress shopping stories.

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Speaker 2: I bet they are their most extreme. Well, I was

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Speaker 2: surprised because and by the way, I mean I've said

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Speaker 2: before I'm divorced. Even when I got married the first time,

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Speaker 2: I am not that person whoever, Like, I just did

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Speaker 2: not grow up picturing what my wedding would look like,

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Speaker 2: what my dress would look like, which is kind of

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Speaker 2: harder when planning it, because you don't have a box

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Speaker 2: you're playing it, you don't have a vision you're trying

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Speaker 2: to meet and all the white dresses start to look

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Speaker 2: the same at some point. And so I especially us

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Speaker 2: getting married again. I mean, I love you, and all

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Speaker 2: I want to do is marry you, and I would

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Speaker 2: marry you in our living room tomorrow. So this time around,

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Speaker 2: I'm not even a first time bride, and in a

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Speaker 2: very good way, I'm not that concerned with everything. So

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Speaker 2: I was literally telling every attendant at every story I

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Speaker 2: went to, like, I don't think I'm gonna cry, just

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Speaker 2: so you know, like I'm not gonna have the moment.

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Speaker 2: I'm like, and don't think there's anything wrong, but like,

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Speaker 2: that's not me. I was very like Miranda in Sex

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Speaker 2: and the City, like no, I just want to dress

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Speaker 2: and then I put this dress on, and then she

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Speaker 2: put the veil on me, and I freaking started crying.

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Speaker 2: And I was there the first time I went. I

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Speaker 2: even I was so casual about it, and I went alone.

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Speaker 2: My mom and sister weren't even in town yet, and

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Speaker 2: I just went by myself and I was crying alone

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Speaker 2: with this very sweet one.

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Speaker 1: Are you wearing a veil? I mean, TV, did you

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Speaker 1: just drop that nugget?

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Speaker 2: No, I'm just she put a veil on me. I

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Speaker 2: just felt like the moment.

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Speaker 1: That's another thing. I don't know.

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Speaker 2: If I'm not going to tell you any more details.

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Speaker 1: Well just tell everybody else.

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Speaker 2: Going to put it on. You want to see it there,

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Speaker 2: please follow me at Lauren Zima Chris Harrison, there is

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Speaker 2: Remember when you followed me on Twitter? When we were dating,

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Speaker 2: we realized we weren't following me on.

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Speaker 1: It was a while. It was a long we were dating,

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Speaker 1: a like, no, we had already said I love you,

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Speaker 1: We've been dating for two years, and.

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Speaker 2: Then I realized he wasn't following me on Twitter. I'm like,

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Speaker 2: this is so weird.

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Speaker 1: Are you really dating? If you're not following someone on

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Speaker 1: social media? It kind of shows you how relevant Twitter is.

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Speaker 1: Speaking of this is, there's really no sing.

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Speaker 2: Do you know what you're wearing on the wedding day?

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Speaker 1: Yeah, I'll wear a tux.

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Speaker 2: But do you know which one? Are you going to

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Speaker 2: get a new one? You have a couple in your

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Speaker 2: closet the job used to do.

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Speaker 1: I do have a few tuxedos. I'll probably get a

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Speaker 1: new one.

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Speaker 2: Really, Yeah, I thought you had this one tux you

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Speaker 2: loved so much.

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Speaker 1: I did. But this is a story that nobody cares about.

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Speaker 1: There is a there is a tuxedo. And Carrie Fetman,

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Speaker 1: who I love and adore, is one of our dear friends.

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Speaker 1: He was the clothier on.

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Speaker 2: The Batch, longtime stylist of the Bachelor franchise, and the nicest,

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Speaker 2: funniest one.

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Speaker 1: And only style. Actually it's not true. We've had two stylists,

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Speaker 1: believe it or not. I don't remember her name. There

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Speaker 1: was a stylist season one. It was just not and

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Speaker 1: then it was a disaster and I didn't know. I

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Speaker 1: was new to network TV, and so I didn't know.

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Speaker 1: I just show up and someone gave me some really

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Speaker 1: bad clothes. I look like looked like, you know, I

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Speaker 1: don't know, something out of the eighties or nineties, very puffy, very.

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Speaker 2: Well in these early days. It was just early two

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Speaker 2: years and.

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Speaker 1: I mentioned something about can I buy some different clothes

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Speaker 1: or get and they said, you can do whatever. You're

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Speaker 1: the host. You can like hire whoever you want. I

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Speaker 1: didn't actually hire Carry. Somebody else brought him in. Wonderful.

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Speaker 1: Turned out to be the greatest thing in the world.

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Speaker 1: And we have been dear friends ever since. He's dressed

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Speaker 1: all the bacheorettes and everybody. Anyway, So we have a

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Speaker 1: this amazing Dulcha Gabona tucks and so I told him

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Speaker 1: he's the only one that knows this. I said, I

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Speaker 1: want to be buried in this tuxedo.

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Speaker 2: It's like, well buried, not married and married.

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Speaker 1: But I loved it so much. I said, this is

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Speaker 1: this is it, This is the suit I want to

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Speaker 1: just rest in forever. And we lost it. Wait what

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Speaker 1: we lost it?

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Speaker 2: How do you lose a tuxedo?

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Speaker 1: We lost half of it. We don't know where. We

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Speaker 1: took it to the cleaners or something. We lost it

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Speaker 1: and we called Dulce. We tried to recreate this. It

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Speaker 1: cannot be done, Honey, I'm just learning this heartbreaking.

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Speaker 2: Is this upsetting? You loved that?

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Speaker 1: Oh? It almost broke carry An eye up. We've to

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Speaker 1: this day. It's our When did this happen? I'm just

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Speaker 1: learning about years ago. I wore this thing on all

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Speaker 1: the Miss America's I had. This is if I was

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Speaker 1: in a tux. This was the tux I was wearing.

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Speaker 1: It was a dream.

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Speaker 2: Well, it's time to get into time to get a

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Speaker 2: new one, new memories. My little sister's wedding dress just

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Speaker 2: got stolen.

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Speaker 1: I heard that.

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Speaker 2: Yes, you told me that.

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Speaker 1: That is bizarre.

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Speaker 2: We brought it to a cleaner's and they had had someone.

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Speaker 2: I guess they bring in a person especially clean the

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Speaker 2: wedding dresses. And I was in this person's car and

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Speaker 2: along with a couple of other dresses and they all

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Speaker 2: got stolen.

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Speaker 1: Now did you guys know that that was a thing,

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Speaker 1: because I said to Lauren, who would steal a wedding dress?

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Speaker 2: And you be selling them?

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Speaker 1: Yeah, I guess it happens a lot because you resell those.

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Speaker 2: It happened to Claire Crawley. We talked about it.

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Speaker 1: Bad Mojo.

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Speaker 2: I mean, you're not getting good karm in the world.

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Speaker 2: If you're stealing people's wedding dresses, you are.

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Speaker 1: Doomed and cursed in love. The rest of your life.

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Speaker 2: It's like the it's like the marriage version of what

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Speaker 2: is it? Seven years of bad sex? If you break

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Speaker 2: a mirror, if you steal a wedding dress, You're never

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Speaker 2: gonna have a happy marriage.

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Speaker 1: Do you think that's what happened to Kevin Costner and

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Speaker 1: his wife transition?

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Speaker 2: Okay, our first dramatic headline of the week, Kevin Costner.

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Speaker 2: This was shocking news to me? Was it shocking to you?

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Speaker 2: It is announced that Kevin Costner and his wife of

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Speaker 2: eighteen years are getting divorced. We had just seen them

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Speaker 2: not long ago. It was kind of a bizarre video.

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Speaker 2: But remember there was an awards show he was supposed

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Speaker 2: to be at, might have been the Golden Globes, and

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Speaker 2: he sent in this video and he said him and

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Speaker 2: his wife were like stuck because it was flooding in

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Speaker 2: Santa Barbara and so they couldn't get to the awards show,

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Speaker 2: and everyone was kind of like, do you have a

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Speaker 2: helicopter or Kevin Costner? But I mean they were just

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Speaker 2: together in that video not long ago, so I guess

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Speaker 2: they're pretty private. There weren't all these signs or whatever

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Speaker 2: that they were splitting up. But I found it shocking

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Speaker 2: eighteen years.

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Speaker 1: Eighteen years. Christine is her name. I don't know. I

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Speaker 1: don't recall really knowing much about Kevin Costner, hearing much

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Speaker 1: about his life.

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Speaker 2: Which I kind of admire that it keeps it so close.

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Speaker 1: One of those people where you hear about him, you

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Speaker 1: see him, you don't really see the rest of his life.

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Speaker 1: Seems like a pretty private guy. So I don't know anything.

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Speaker 1: There's all kinds of rumors floating around. What have you

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Speaker 1: after eighteen years? It's interesting to me someone brought up,

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Speaker 1: you know, the question after fifteen to twenty years.

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Speaker 2: I think people wonder why couldn't they make it work

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Speaker 2: at that point?

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Speaker 1: Yeah?

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Speaker 2: What made it wrong at that point?

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Speaker 1: And I guess this hit close to home because this

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Speaker 1: is when we got divorced my first marriage. We were

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Speaker 1: like seventeen eighteen years into it and that's when we

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Speaker 1: got divorced. And I don't think they went through the

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Speaker 1: same things ours was. You get married young, you have kids,

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Speaker 1: you grow, you grow differently, you change, and you kind

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Speaker 1: of grow apart, and you know, then you kind of

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Speaker 1: muddle through several years before you realize we're just roommates

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Speaker 1: and this isn't happening. What did they do for eighteen years.

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Speaker 1: I don't know if it was the same kind of

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Speaker 1: cause and effect, but I get it after that long

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Speaker 1: of a time, it seems to me.

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Speaker 2: You tell me, but it seems like kids make a

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Speaker 2: big difference in a situation like this. And they did

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Speaker 2: have kids. But I would imagine that when you have

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Speaker 2: kids with someone like I did not have kids for

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Speaker 2: my first marriage. I would imagine when you have kids,

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Speaker 2: it would probably prolong a relationship that wouldn't be great

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Speaker 2: just on its own. In the relationship because you have

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Speaker 2: the kids. You're staying together for the kids, and you

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Speaker 2: find joy together and the kids too. I'm not saying

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Speaker 2: it's all bad.

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Speaker 1: Yeah, there's that commonality and you find joy in those

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Speaker 1: moments for sure, But when that ends or it starts

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Speaker 1: to be less and less as the kids get older.

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Speaker 2: I have to say I actually have this question less

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Speaker 2: about like an eighteen twenty year marriage. I more so

418
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Speaker 2: wonder what went wrong when so some one's like seven

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Speaker 2: or eight years in. Then I think to myself, Okay,

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Speaker 2: I'm confused, Like you were together long enough that it

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Speaker 2: seemed like you were committing, but then you kind of

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Speaker 2: pulled out and didn't commit. You know what I'm saying

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Speaker 2: Like that, that's more of my question mark moment. When

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Speaker 2: you hear about people together less somewhere between five to

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Speaker 2: ten years and then they break up.

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Speaker 1: I know, relationships look, and I know this isn't the

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Speaker 1: most revelatory sentence, but they're all difficult and they're so different.

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00:18:31,119 --> 00:18:33,840
Speaker 1: There is no relationship is the same. And so whatever

429
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Speaker 1: you're going through, you just don't know whether it's family stuff, work, stress, cheating.

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Speaker 1: You know who knows well?

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Speaker 2: You know, an astrologist told me. Have I ever talked

432
00:18:44,880 --> 00:18:47,040
Speaker 2: about this with the astrologist told me about us? I

433
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Speaker 2: can't remember. Well, I had our star charts read okay,

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Speaker 2: and an astrologist told me that if we are together

435
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Speaker 2: for seven years, we're together forever.

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Speaker 1: No.

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Speaker 2: Boy, well, we're only on five.

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Speaker 1: We're honing in on that though, closing in.

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00:19:00,600 --> 00:19:03,320
Speaker 2: Maybe we got two more years. That's not nothing. I thought,

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00:19:03,560 --> 00:19:04,840
Speaker 2: on the one hand, it's a long time. On the

441
00:19:04,880 --> 00:19:06,280
Speaker 2: other hand, I could fly by, but we got two

442
00:19:06,280 --> 00:19:06,680
Speaker 2: more years.

443
00:19:06,720 --> 00:19:09,560
Speaker 1: I thought it would be the bond before God, where

444
00:19:09,600 --> 00:19:12,160
Speaker 1: we said till death to his part that would make

445
00:19:12,200 --> 00:19:14,760
Speaker 1: it last. But no, Apparently there's a woman that we

446
00:19:14,800 --> 00:19:15,280
Speaker 1: don't know.

447
00:19:15,920 --> 00:19:17,960
Speaker 2: I know her. She's my astrologist.

448
00:19:18,560 --> 00:19:21,200
Speaker 1: Is now dictating that we're going to be together.

449
00:19:21,359 --> 00:19:24,920
Speaker 2: He's not dictating it, she's reading reading the stars starts.

450
00:19:25,600 --> 00:19:30,720
Speaker 2: I got it, and I will tell everybody. She did

451
00:19:30,840 --> 00:19:32,720
Speaker 2: tell me that our wedding date was not a great

452
00:19:32,800 --> 00:19:35,320
Speaker 2: date for us to get married on. She said, the

453
00:19:35,359 --> 00:19:36,560
Speaker 2: stars aren't aren't aligned on.

454
00:19:37,040 --> 00:19:39,960
Speaker 1: We're doomed from the stars. We're doomed from the star.

455
00:19:42,040 --> 00:19:44,520
Speaker 2: She said we should get legally married a few days before,

456
00:19:45,320 --> 00:19:46,679
Speaker 2: just to be safe.

457
00:19:46,960 --> 00:19:50,080
Speaker 1: What did you think about Peter Webber and Kelly Flanning?

458
00:19:50,119 --> 00:19:52,960
Speaker 2: And he seemed to be really blown past my astrology stuff.

459
00:19:52,960 --> 00:19:53,640
Speaker 2: You don't want to.

460
00:19:54,200 --> 00:19:57,440
Speaker 1: Just what'd you think of Peter on this? Okay?

461
00:19:57,440 --> 00:20:00,200
Speaker 2: Peter Weber and Kelly Flanning and breaking up.

462
00:20:00,440 --> 00:20:02,440
Speaker 1: I was sorry to get I was sorry to hear

463
00:20:02,480 --> 00:20:03,000
Speaker 1: this news.

464
00:20:03,800 --> 00:20:04,280
Speaker 2: Tell me why.

465
00:20:04,640 --> 00:20:07,560
Speaker 1: I don't know. I just I like them both same.

466
00:20:08,240 --> 00:20:10,159
Speaker 1: I really like Peter and I really like Kelly. And

467
00:20:10,200 --> 00:20:11,760
Speaker 1: I know you keep in touch with Kelly too.

468
00:20:11,800 --> 00:20:15,040
Speaker 2: And we hung out with them. Was that in the pandemic?

469
00:20:15,080 --> 00:20:16,560
Speaker 2: They came over to your house at one point?

470
00:20:16,600 --> 00:20:17,080
Speaker 1: Yeah, that's right.

471
00:20:17,080 --> 00:20:19,000
Speaker 2: They done house and we hung out on the deck

472
00:20:19,040 --> 00:20:21,320
Speaker 2: because Peter's parents lived very close to where we used to.

473
00:20:21,840 --> 00:20:23,680
Speaker 1: Actually forgot about that. Yeah, they came up and sat,

474
00:20:23,760 --> 00:20:24,159
Speaker 1: we set.

475
00:20:24,040 --> 00:20:27,200
Speaker 2: Out by the fire bit got first got back together together.

476
00:20:27,240 --> 00:20:27,760
Speaker 2: I can't remember.

477
00:20:27,920 --> 00:20:30,120
Speaker 1: I think it's when they got back together and nobody knew,

478
00:20:30,160 --> 00:20:32,720
Speaker 1: and so they come out and hang in our backyard

479
00:20:32,760 --> 00:20:37,119
Speaker 1: where nobody would find out. But that is yeah, it was,

480
00:20:37,240 --> 00:20:39,360
Speaker 1: you know again, just kind of like the Kevin Costner thing.

481
00:20:39,720 --> 00:20:42,480
Speaker 1: Who knows. I have no idea what happened, nor do

482
00:20:42,560 --> 00:20:45,880
Speaker 1: I care to. That's their business. I was just sad that,

483
00:20:46,160 --> 00:20:49,440
Speaker 1: you know, the chances of getting back together and we'll

484
00:20:49,480 --> 00:20:51,480
Speaker 1: talk about that, getting back with your X and giving

485
00:20:51,480 --> 00:20:52,160
Speaker 1: it another run.

486
00:20:52,520 --> 00:20:55,159
Speaker 2: You're never a big fan of that. It typically doesn't

487
00:20:55,160 --> 00:20:57,399
Speaker 2: want to say people broke up for And by the way,

488
00:20:57,400 --> 00:20:59,440
Speaker 2: I'm not saying I told you so or anything like that.

489
00:20:59,720 --> 00:21:03,200
Speaker 2: It's I only know because I've made these mistakes, I've

490
00:21:03,200 --> 00:21:05,600
Speaker 2: tripped over these hurdles I'm talking about. Well, as you're

491
00:21:05,600 --> 00:21:08,200
Speaker 2: saying that out loud, I'm honestly racking my brain trying

492
00:21:08,240 --> 00:21:12,159
Speaker 2: to think who do I know who got back with

493
00:21:12,240 --> 00:21:14,480
Speaker 2: an X and it worked out?

494
00:21:14,720 --> 00:21:17,360
Speaker 1: Yeah, And I can't.

495
00:21:17,160 --> 00:21:19,520
Speaker 2: Think of anybody it doesn't usually work out. There's got

496
00:21:19,600 --> 00:21:21,600
Speaker 2: to be some examples out there, but I can't think

497
00:21:21,640 --> 00:21:24,560
Speaker 2: of anybody. And look, I do think Peter and Kelly

498
00:21:24,760 --> 00:21:27,800
Speaker 2: and I adore them both. I do. I think they're

499
00:21:27,840 --> 00:21:32,600
Speaker 2: both great people. I get the sense from them just

500
00:21:32,800 --> 00:21:34,880
Speaker 2: from only from what I know that I think they

501
00:21:34,960 --> 00:21:36,719
Speaker 2: have this connection, you know, when you have a connection

502
00:21:36,800 --> 00:21:41,080
Speaker 2: in a relationship, but really there are just some logistics

503
00:21:41,080 --> 00:21:44,280
Speaker 2: and some personality issues in the way, and then you

504
00:21:44,560 --> 00:21:46,840
Speaker 2: come back to each other and again you have that chemistry,

505
00:21:46,880 --> 00:21:48,480
Speaker 2: but it's just not going to work out in the

506
00:21:48,480 --> 00:21:48,960
Speaker 2: long run.

507
00:21:49,200 --> 00:21:51,120
Speaker 1: I always just say, just be careful because you will

508
00:21:51,200 --> 00:21:54,800
Speaker 1: quickly forget the bad things and remember the good things.

509
00:21:55,359 --> 00:21:58,320
Speaker 2: I mean, they were together a good amount of time

510
00:21:58,359 --> 00:22:00,720
Speaker 2: on this circle back that we had. Yeah, it's a

511
00:22:00,720 --> 00:22:02,040
Speaker 2: circle back, you know, it's a bring it up in

512
00:22:02,040 --> 00:22:04,920
Speaker 2: your inbox, it's a reply all, it's a BCC. Can

513
00:22:05,000 --> 00:22:05,520
Speaker 2: we work it.

514
00:22:05,480 --> 00:22:07,840
Speaker 1: Out our best of both? We love them both and

515
00:22:09,040 --> 00:22:09,840
Speaker 1: wish them both the best.

516
00:22:09,920 --> 00:22:11,840
Speaker 2: I've got to think of somebody. There's got to be something.

517
00:22:11,880 --> 00:22:14,040
Speaker 1: I know. I'm racking my brain too. I don't know anybody.

518
00:22:14,280 --> 00:22:16,919
Speaker 1: I don't know any reruns.

519
00:22:18,320 --> 00:22:19,240
Speaker 2: Only new material.

520
00:22:19,400 --> 00:22:36,000
Speaker 3: Yeah, the writers strike yes, we're We are obviously involved

521
00:22:36,000 --> 00:22:39,440
Speaker 3: in this whole Hollywood world, although we escaped it thankfully

522
00:22:39,480 --> 00:22:42,640
Speaker 3: with our lives and our souls still intact, being here

523
00:22:42,640 --> 00:22:46,919
Speaker 3: in Austin, Texas, the astrologer back in the old City

524
00:22:46,920 --> 00:22:49,359
Speaker 3: of Angels, what's left of it. There is a writer's

525
00:22:49,359 --> 00:22:53,880
Speaker 3: strike in Hollywood and it is crushing the industry right now.

526
00:22:54,440 --> 00:22:58,479
Speaker 2: But I couldn't support the writers more. I think that

527
00:22:59,359 --> 00:23:02,560
Speaker 2: everything are asking for is reasonable. I understand all the

528
00:23:02,560 --> 00:23:04,760
Speaker 2: points that they're making. If you have not heard about this,

529
00:23:04,840 --> 00:23:07,920
Speaker 2: I mean, it's been all over on every major news network.

530
00:23:08,000 --> 00:23:13,520
Speaker 2: And basically these writers had put off their negotiations. They

531
00:23:13,520 --> 00:23:17,439
Speaker 2: were up for negotiating new contracts, and they had, I

532
00:23:17,480 --> 00:23:21,080
Speaker 2: think graciously said okay, because the pandemic will hold off.

533
00:23:21,400 --> 00:23:23,040
Speaker 2: So now there are a couple of years late to

534
00:23:23,560 --> 00:23:25,959
Speaker 2: getting these demands met that they have, which are very

535
00:23:26,040 --> 00:23:30,040
Speaker 2: reasonable demands. And the basic of it is that the

536
00:23:30,119 --> 00:23:34,560
Speaker 2: streaming industry has completely changed Hollywood completely changed the structure

537
00:23:34,600 --> 00:23:37,919
Speaker 2: on which writers are trained and paid and how they

538
00:23:38,000 --> 00:23:40,520
Speaker 2: move up, and they want to get that fixed so

539
00:23:40,560 --> 00:23:44,040
Speaker 2: that they can make a living and move up in

540
00:23:44,080 --> 00:23:47,359
Speaker 2: their industry and with a clear kind of ladder of

541
00:23:47,400 --> 00:23:50,720
Speaker 2: how to climb, and I mean they want to ask

542
00:23:50,720 --> 00:23:53,080
Speaker 2: about stuff, which again I think is like one thing

543
00:23:53,119 --> 00:23:55,480
Speaker 2: that they said the studios wouldn't talk to them about

544
00:23:55,520 --> 00:23:58,719
Speaker 2: was AI, because they wanted to address are you going

545
00:23:58,760 --> 00:24:01,600
Speaker 2: to start using artificial intelgence to write scripts? And if so,

546
00:24:01,800 --> 00:24:03,560
Speaker 2: are we? And the answers yeah, if they don't want to,

547
00:24:03,840 --> 00:24:05,240
Speaker 2: if they don't want to talk about it, they are.

548
00:24:05,520 --> 00:24:07,360
Speaker 2: And god, I can't even picture that like this.

549
00:24:07,359 --> 00:24:09,760
Speaker 1: In the studio save five dollars, then they're going to

550
00:24:09,800 --> 00:24:10,120
Speaker 1: do that.

551
00:24:10,240 --> 00:24:13,960
Speaker 2: I mean, the soullessness of a computer writing like a

552
00:24:14,119 --> 00:24:16,480
Speaker 2: romantic movie just makes me sad.

553
00:24:16,640 --> 00:24:22,480
Speaker 1: But the industry has changed at a at an insane pace,

554
00:24:23,080 --> 00:24:25,240
Speaker 1: and I'll defend the.

555
00:24:26,280 --> 00:24:28,280
Speaker 2: You know you're playing Devil's Avage.

556
00:24:28,520 --> 00:24:30,639
Speaker 1: No, no, not Devil's Advocate, but you know both sides.

557
00:24:30,840 --> 00:24:34,240
Speaker 1: It's changed immensely for both sides. And it's changing so

558
00:24:34,400 --> 00:24:36,040
Speaker 1: fast every day, as you know, you and I are

559
00:24:36,040 --> 00:24:37,680
Speaker 1: in this business, it's going quickly.

560
00:24:37,720 --> 00:24:39,800
Speaker 2: I'm exhausted, but you're right.

561
00:24:40,240 --> 00:24:44,320
Speaker 1: The writers are these like bastard step kids who have

562
00:24:44,359 --> 00:24:48,000
Speaker 1: been left behind, which is nonsensical because they are the

563
00:24:48,240 --> 00:24:51,679
Speaker 1: gold behind every show movie you love, and they have

564
00:24:51,800 --> 00:24:55,040
Speaker 1: been left behind in the dust. And been treated like

565
00:24:55,119 --> 00:24:59,800
Speaker 1: they are part time nothing. And they're all they're saying is, hey,

566
00:25:00,600 --> 00:25:03,639
Speaker 1: we're not part time workers, We're not nothing. We deserve

567
00:25:04,640 --> 00:25:06,080
Speaker 1: a little piece of this. They don't even want a

568
00:25:06,160 --> 00:25:08,560
Speaker 1: huge piece, like just you got to remember us here.

569
00:25:08,800 --> 00:25:10,919
Speaker 1: So yeah, they've been left behind in the dust, and

570
00:25:10,960 --> 00:25:11,760
Speaker 1: it's not okay.

571
00:25:12,560 --> 00:25:14,520
Speaker 2: Well, and I think it's hard when you know, the

572
00:25:14,600 --> 00:25:17,320
Speaker 2: CEOs of some of these companies are making hundreds of

573
00:25:17,520 --> 00:25:22,399
Speaker 2: millions of dollars a year one person and as somebody

574
00:25:22,440 --> 00:25:24,560
Speaker 2: pointed out, it might have been one of the representatives

575
00:25:24,560 --> 00:25:27,720
Speaker 2: of the Writers Guild that years ago in Hollywood and

576
00:25:27,840 --> 00:25:31,120
Speaker 2: the good old days, that the heads of studios were

577
00:25:31,160 --> 00:25:33,359
Speaker 2: people who really cared about what the vibe of the

578
00:25:33,400 --> 00:25:36,199
Speaker 2: studio was and what the studio was known for, what

579
00:25:36,320 --> 00:25:38,320
Speaker 2: movies and you know, what energy it had, what art

580
00:25:38,359 --> 00:25:41,480
Speaker 2: it put out. And now CEOs of studios are like

581
00:25:41,640 --> 00:25:44,920
Speaker 2: business people and that's how they treated and the heart

582
00:25:45,000 --> 00:25:45,920
Speaker 2: and the art is lost.

583
00:25:46,080 --> 00:25:48,320
Speaker 1: You told me a great story, and this is kind

584
00:25:48,320 --> 00:25:51,840
Speaker 1: of this encapsulates the whole thing. I was a huge

585
00:25:51,920 --> 00:25:54,920
Speaker 1: fan of the show Bear about the chef.

586
00:25:55,040 --> 00:25:56,920
Speaker 2: Yes, And I told you a story from a story

587
00:25:56,960 --> 00:25:59,440
Speaker 2: I had heard on our friend Matt Bellanie's podcast The Town.

588
00:26:00,000 --> 00:26:02,280
Speaker 1: He does a great job and he's he is and

589
00:26:02,280 --> 00:26:03,800
Speaker 1: by the way, if you want to get more into

590
00:26:03,800 --> 00:26:05,920
Speaker 1: this Hollywood and he does it on any much more

591
00:26:05,960 --> 00:26:11,280
Speaker 1: serious Hollywood level. Matt does a good job on the Town.

592
00:26:11,320 --> 00:26:13,280
Speaker 1: But you told me the story about the writer on

593
00:26:13,320 --> 00:26:17,400
Speaker 1: The Bear, which was critically acclaimed, it was phenomenal, got

594
00:26:17,440 --> 00:26:20,680
Speaker 1: great ratings. But this is what happened to the writer.

595
00:26:21,160 --> 00:26:25,200
Speaker 2: There was a apparently again a story of a story,

596
00:26:25,200 --> 00:26:27,800
Speaker 2: but a writer went to the Writer's Guild awards. The

597
00:26:27,800 --> 00:26:31,159
Speaker 2: Bear is a very awarded show, and he said he

598
00:26:31,320 --> 00:26:34,560
Speaker 2: couldn't even afford a suit to go because he was

599
00:26:34,600 --> 00:26:38,640
Speaker 2: so he was being paid so little. And I mean,

600
00:26:38,680 --> 00:26:40,760
Speaker 2: think about you know, what do we remember about movies

601
00:26:40,840 --> 00:26:43,160
Speaker 2: and TV shows the lines, the quotable line, of course,

602
00:26:43,480 --> 00:26:48,040
Speaker 2: or nothing without the writers. So they have my full support. Yes,

603
00:26:48,600 --> 00:26:51,160
Speaker 2: them striking means Hollywood's going to come to a screeching halt,

604
00:26:51,160 --> 00:26:53,280
Speaker 2: and unfortunately money is going to be lost. But as

605
00:26:53,320 --> 00:26:55,840
Speaker 2: the Writer's Guild says, you know, these studios didn't have

606
00:26:55,880 --> 00:26:57,880
Speaker 2: to make it come to a screeching halt, and they're

607
00:26:57,880 --> 00:27:00,159
Speaker 2: crippling their own industry because they won't give in on

608
00:27:00,200 --> 00:27:01,400
Speaker 2: what we think are reasonable.

609
00:27:01,440 --> 00:27:04,399
Speaker 1: If you don't think this doesn't affect you, maybe you

610
00:27:04,440 --> 00:27:07,240
Speaker 1: haven't felt it yet, but even as just a casual viewer,

611
00:27:07,560 --> 00:27:10,760
Speaker 1: it'll start to affect you because, yeah, we're heading into summer,

612
00:27:10,800 --> 00:27:12,560
Speaker 1: and then you know you're not going to have any

613
00:27:12,600 --> 00:27:16,040
Speaker 1: new cool stuff to stream next fall. You're not going

614
00:27:16,119 --> 00:27:19,040
Speaker 1: to have new shows because the ripple effect will land

615
00:27:19,080 --> 00:27:21,879
Speaker 1: you into next year, next fall, so it will be

616
00:27:22,000 --> 00:27:26,000
Speaker 1: hitting all of us soon to losing our content. You're

617
00:27:26,040 --> 00:27:28,560
Speaker 1: going to see a lot more reality TV. That's what happens.

618
00:27:28,760 --> 00:27:31,000
Speaker 1: A lot of the studios will start buying more reality

619
00:27:31,320 --> 00:27:35,760
Speaker 1: and you also have situations. And this came up with

620
00:27:35,840 --> 00:27:38,439
Speaker 1: all the late night shows, all your favorite late night shows,

621
00:27:38,480 --> 00:27:40,680
Speaker 1: if you actually are anybody who watches those?

622
00:27:42,000 --> 00:27:44,560
Speaker 2: Does anyone know? Some people do. But the late night

623
00:27:44,600 --> 00:27:47,240
Speaker 2: shows are the first to stop down because they're nightly

624
00:27:47,600 --> 00:27:50,280
Speaker 2: almost news programs. But they do have writers, and so

625
00:27:50,280 --> 00:27:53,920
Speaker 2: they've got no you know, programs to bank need writers.

626
00:27:54,480 --> 00:27:57,920
Speaker 2: So Jimmy Fallon, Well, let's talk about Jimmy Fallon because

627
00:27:58,200 --> 00:28:01,520
Speaker 2: he was on the red carpet at the gala and

628
00:28:01,640 --> 00:28:03,879
Speaker 2: he gave an interview to Variety, to Mark Malkin at

629
00:28:03,960 --> 00:28:06,880
Speaker 2: Variety where he said I support the writers. In fact,

630
00:28:06,880 --> 00:28:09,760
Speaker 2: I'm in the writer's guild myself. And then someone who

631
00:28:09,840 --> 00:28:13,159
Speaker 2: works at the Tonight show put him on blast on

632
00:28:13,200 --> 00:28:16,160
Speaker 2: Twitter and said you weren't even accused him of allegedly

633
00:28:16,200 --> 00:28:18,280
Speaker 2: not being at the meeting where they told the writers

634
00:28:18,359 --> 00:28:20,640
Speaker 2: you know what was going to happen next, and said

635
00:28:20,680 --> 00:28:22,480
Speaker 2: he should be paying them.

636
00:28:22,760 --> 00:28:25,120
Speaker 1: He wasn't the meeting where they told the writers they're

637
00:28:25,160 --> 00:28:27,440
Speaker 1: not going to get paid and that nobody's getting paid.

638
00:28:28,359 --> 00:28:31,439
Speaker 2: So what do you think because you've you've obviously been

639
00:28:31,480 --> 00:28:33,399
Speaker 2: in that position we both have. You're the host of

640
00:28:33,440 --> 00:28:33,760
Speaker 2: a show.

641
00:28:34,040 --> 00:28:38,960
Speaker 1: Yeah, it's are you as the host of the show,

642
00:28:39,000 --> 00:28:42,440
Speaker 1: and it's different being the host of say Dancy with

643
00:28:42,480 --> 00:28:44,840
Speaker 1: a Star, Survivor IDOL or whatever.

644
00:28:44,920 --> 00:28:45,800
Speaker 2: His names on that show.

645
00:28:46,360 --> 00:28:48,720
Speaker 1: Your name is on the billboard. It is your show.

646
00:28:48,840 --> 00:28:52,080
Speaker 1: So those guys, they have ownership, you know, Jimmy Kimmel,

647
00:28:52,160 --> 00:28:56,160
Speaker 1: they have ownership of those shows. And they are, as

648
00:28:56,200 --> 00:28:59,920
Speaker 1: you said, these like CEOs. They are making tens of millions,

649
00:29:00,080 --> 00:29:03,800
Speaker 1: hundreds of millions of dollars. Are they culpable? Are they

650
00:29:03,840 --> 00:29:06,280
Speaker 1: responsible for everybody? Or is it just the right thing

651
00:29:06,320 --> 00:29:06,680
Speaker 1: to do.

652
00:29:07,880 --> 00:29:09,479
Speaker 2: I'll be honest, I think the right thing to do

653
00:29:09,600 --> 00:29:11,080
Speaker 2: is to pay people for a little bit. I mean,

654
00:29:11,120 --> 00:29:13,880
Speaker 2: I don't expect any one person to take on an

655
00:29:14,040 --> 00:29:18,080
Speaker 2: entire staff of people's paychecks for an unending amount of time.

656
00:29:18,240 --> 00:29:20,760
Speaker 2: But I remember reading a great story about the last

657
00:29:20,760 --> 00:29:23,240
Speaker 2: writer's strike, the last big one was in two thousand

658
00:29:23,240 --> 00:29:27,200
Speaker 2: and eight, and Greg Daniels, who is the guy behind

659
00:29:27,240 --> 00:29:32,120
Speaker 2: the office, gave all of his writers, you know, certain

660
00:29:32,160 --> 00:29:34,040
Speaker 2: amounts of money to help them through.

661
00:29:34,240 --> 00:29:36,000
Speaker 1: And yeah, yeah, I mean maybe there's a stipend it,

662
00:29:36,000 --> 00:29:39,920
Speaker 1: you know, I don't know. I'm guessing there are hundreds

663
00:29:40,720 --> 00:29:45,120
Speaker 1: of employees at the a show like Fallon or Kimmel.

664
00:29:45,200 --> 00:29:46,920
Speaker 1: I mean, I've been there, I've been I've done kim

665
00:29:47,040 --> 00:29:49,680
Speaker 1: Ll probably you know a dozen times. Yeah, there are

666
00:29:49,760 --> 00:29:53,440
Speaker 1: hundreds of people from security to craft services, to hair

667
00:29:53,480 --> 00:29:57,680
Speaker 1: and makeup, to wardrobe, to producers to direct to That's.

668
00:29:57,520 --> 00:29:59,800
Speaker 2: What sorry with the writer's strike. Everybody gets.

669
00:30:00,080 --> 00:30:02,600
Speaker 1: When you think of writers, you're like, okay, these writers,

670
00:30:02,840 --> 00:30:05,640
Speaker 1: but they are shutting everything down. And so when you're

671
00:30:05,640 --> 00:30:09,160
Speaker 1: talking about a nightly show, that is everybody losing their

672
00:30:09,280 --> 00:30:13,040
Speaker 1: jobs and that's huge, and so that is it's what

673
00:30:13,120 --> 00:30:14,800
Speaker 1: you have to do to make a statement but at

674
00:30:14,840 --> 00:30:17,360
Speaker 1: the same time, you're no one's going to get through

675
00:30:17,360 --> 00:30:19,800
Speaker 1: this unscathed. People are going to be hurt. So it

676
00:30:19,880 --> 00:30:24,280
Speaker 1: is a difficult time. And I know these these shows

677
00:30:24,320 --> 00:30:26,480
Speaker 1: are going to have to, you know, make those very

678
00:30:26,480 --> 00:30:31,120
Speaker 1: tough calls. I I don't here's I don't love that

679
00:30:31,200 --> 00:30:35,960
Speaker 1: she put Jimmy on blast. I think maybe she could

680
00:30:35,960 --> 00:30:39,040
Speaker 1: have tried to handle this in house first. To go

681
00:30:39,160 --> 00:30:42,640
Speaker 1: immediately day one, to put them on blast on social media,

682
00:30:42,680 --> 00:30:44,520
Speaker 1: I think it's just such a thing to do. Now,

683
00:30:45,200 --> 00:30:46,840
Speaker 1: like I'm going to be the first guy to first

684
00:30:46,880 --> 00:30:49,240
Speaker 1: person to call him out and make because from what

685
00:30:49,280 --> 00:30:51,320
Speaker 1: I hear about Fallon, I don't know him. I've heard

686
00:30:51,360 --> 00:30:53,280
Speaker 1: he's a good guy. I hear you know, I'm sure

687
00:30:53,280 --> 00:30:56,400
Speaker 1: he wants to do what's right. To put him on

688
00:30:56,480 --> 00:30:59,160
Speaker 1: blast immediately, why not run it up the chain and say, hey,

689
00:30:59,440 --> 00:31:02,160
Speaker 1: Jimmy might have I don't know, maybe she Maybe she did.

690
00:31:02,000 --> 00:31:04,360
Speaker 2: I agree with you, that's the right first movie, Yeah,

691
00:31:06,200 --> 00:31:08,160
Speaker 2: And I mean I don't know. Maybe he had plans

692
00:31:08,160 --> 00:31:09,880
Speaker 2: to pay people and we don't know about it. I mean,

693
00:31:09,920 --> 00:31:10,600
Speaker 2: but I.

694
00:31:10,520 --> 00:31:30,160
Speaker 1: Bet he does now. Gwyneth Paltrow, Yes, talking sex well

695
00:31:30,280 --> 00:31:33,200
Speaker 1: with Ben Affleck and Brad Pitt Right.

696
00:31:33,400 --> 00:31:36,760
Speaker 2: Gwyneth Paltro talking sex, nothing new, but she got into

697
00:31:36,920 --> 00:31:41,920
Speaker 2: some specific details on the Call Her Daddy podcast. I

698
00:31:41,960 --> 00:31:47,440
Speaker 2: was surprised by how open Gwyneth was. She really not

699
00:31:47,480 --> 00:31:51,280
Speaker 2: even the word open revealing she was. She talked about

700
00:31:51,320 --> 00:31:54,040
Speaker 2: how Ben Affleck and Brad Pitt both were in bed.

701
00:31:54,520 --> 00:31:57,320
Speaker 2: She played the game f Mary Kill with Brad and

702
00:31:57,360 --> 00:32:01,400
Speaker 2: Ben and her ex husband Chris Martin. She got into it.

703
00:32:01,440 --> 00:32:05,320
Speaker 2: I was surprised that she was so she shared so much.

704
00:32:05,400 --> 00:32:08,680
Speaker 1: What is your f Mary Kill? With Ben, Brad and

705
00:32:08,760 --> 00:32:09,360
Speaker 1: Chris Martin?

706
00:32:09,640 --> 00:32:13,160
Speaker 2: Oh wow, I love that You're asking me, this is

707
00:32:13,200 --> 00:32:15,760
Speaker 2: my future husband, what's yours?

708
00:32:16,360 --> 00:32:18,960
Speaker 1: You know? And then I'll answer I would Let's see,

709
00:32:18,960 --> 00:32:23,240
Speaker 1: that's a good question. I would probably be Mary. Let's

710
00:32:23,280 --> 00:32:26,960
Speaker 1: see Mary. Chris Martin cold play just seems steady.

711
00:32:27,400 --> 00:32:29,320
Speaker 2: You know, you don't think Brad Pitt's got a good

712
00:32:29,360 --> 00:32:29,800
Speaker 2: career going.

713
00:32:30,000 --> 00:32:31,719
Speaker 1: I think he does, but I don't know if he's steady.

714
00:32:31,760 --> 00:32:33,880
Speaker 1: I think I think probably you're gonna f Brad Pitt.

715
00:32:33,960 --> 00:32:35,800
Speaker 2: Oh you mean as a person, you think Chris Martin's

716
00:32:35,800 --> 00:32:36,320
Speaker 2: more like even?

717
00:32:36,400 --> 00:32:37,160
Speaker 1: Yeah? Even?

718
00:32:37,440 --> 00:32:39,320
Speaker 2: Is it the beanies and the T shirts that I

719
00:32:39,480 --> 00:32:40,360
Speaker 2: feel like he's.

720
00:32:40,320 --> 00:32:44,520
Speaker 1: Yeah, just a constant. Yeah, Ben's got problem. We all

721
00:32:44,560 --> 00:32:45,800
Speaker 1: know Ben's got his issues.

722
00:32:45,960 --> 00:32:47,400
Speaker 2: Ben's got some ups and downs going on.

723
00:32:47,440 --> 00:32:50,840
Speaker 1: You But apparently Ben is the better in bad That's what.

724
00:32:51,800 --> 00:32:54,520
Speaker 2: She had more of a chemistry with Brad. But that

725
00:32:54,600 --> 00:33:00,160
Speaker 2: Ben Affleck was antike uote yes, say it technically excellent.

726
00:33:00,120 --> 00:33:03,600
Speaker 1: By the way, Just that's that's what a great thing

727
00:33:03,680 --> 00:33:05,120
Speaker 1: to just have out there in the ether.

728
00:33:05,840 --> 00:33:06,920
Speaker 2: You know, it's quite a compliment.

729
00:33:06,960 --> 00:33:09,520
Speaker 1: It is quite a compliment that he's technically excellent. Well,

730
00:33:09,520 --> 00:33:11,080
Speaker 1: what she did well was she didn't sounds like a

731
00:33:11,120 --> 00:33:15,040
Speaker 1: gymnast routine. Her dismount was incredible nine point seven.

732
00:33:15,160 --> 00:33:17,200
Speaker 2: It reminds me of that scene in Friends where Monica

733
00:33:17,240 --> 00:33:19,200
Speaker 2: is explaining to Chandler how to please a woman and

734
00:33:19,240 --> 00:33:21,000
Speaker 2: she draws a diagram with numbers.

735
00:33:20,720 --> 00:33:22,200
Speaker 1: And she's like seven three two.

736
00:33:22,160 --> 00:33:27,560
Speaker 2: Four seven seven seven. I think she didn't throw anybody

737
00:33:27,640 --> 00:33:28,600
Speaker 2: under the bus, which was good.

738
00:33:28,720 --> 00:33:31,080
Speaker 1: Yeah, she was good about you know, I will say, when.

739
00:33:30,920 --> 00:33:33,520
Speaker 2: You're playing f Mary kill with the father of your

740
00:33:33,640 --> 00:33:37,000
Speaker 2: children as one of the people, I mean you can't

741
00:33:37,040 --> 00:33:39,720
Speaker 2: obviously you can't kill him. He's the father of your kids.

742
00:33:40,120 --> 00:33:44,000
Speaker 2: Need him around. I mean it's not great. So we

743
00:33:44,040 --> 00:33:45,840
Speaker 2: knew she I don't know how you don't say you're

744
00:33:45,840 --> 00:33:49,640
Speaker 2: going to marry again, you know Chris Martin in that situation.

745
00:33:49,800 --> 00:33:54,320
Speaker 2: But I will say personally I would, Actually, I'm gonna

746
00:33:54,360 --> 00:34:00,600
Speaker 2: go Mary, Brad God, I don't want to. I don't

747
00:34:00,640 --> 00:34:03,400
Speaker 2: want to f Ben, but I don't want to f

748
00:34:03,480 --> 00:34:06,080
Speaker 2: Chris Martin either. Huh.

749
00:34:06,120 --> 00:34:07,280
Speaker 1: Okay, great, we'll stop there.

750
00:34:07,400 --> 00:34:11,200
Speaker 2: Yeah, but you know, Brad, I mean, good looking guys, suave,

751
00:34:11,360 --> 00:34:12,000
Speaker 2: great career.

752
00:34:12,440 --> 00:34:15,120
Speaker 1: What's your favorite Brad Pitt? Oh?

753
00:34:15,640 --> 00:34:16,880
Speaker 2: Great question?

754
00:34:17,080 --> 00:34:20,800
Speaker 1: Is it Flman Louise? Is it? River Runs Through It?

755
00:34:20,840 --> 00:34:22,000
Speaker 1: Is it Benjamin Button?

756
00:34:22,520 --> 00:34:27,759
Speaker 2: Nobody's favorite Brad Pitt is The Curious Case Benjamin is it?

757
00:34:28,320 --> 00:34:28,440
Speaker 3: Uh?

758
00:34:28,840 --> 00:34:30,919
Speaker 2: Isn't it like an aging child in that movie?

759
00:34:31,040 --> 00:34:32,040
Speaker 1: Yeah? But at some point through.

760
00:34:31,960 --> 00:34:33,120
Speaker 2: That it's nobody's favorite.

761
00:34:33,280 --> 00:34:36,080
Speaker 1: Okay, is it? What was the death movie? I can't

762
00:34:36,080 --> 00:34:36,520
Speaker 1: think of?

763
00:34:37,280 --> 00:34:37,480
Speaker 2: Black?

764
00:34:37,600 --> 00:34:38,480
Speaker 1: Is it Mityo? Black?

765
00:34:38,719 --> 00:34:43,280
Speaker 2: Interview? The Vampire Troy? We could go on. My favorite

766
00:34:43,320 --> 00:34:47,719
Speaker 2: Brad pit is or Oceans The Adult. It's tough because

767
00:34:47,719 --> 00:34:49,759
Speaker 2: I like him with the long hair, but I think

768
00:34:49,800 --> 00:34:52,960
Speaker 2: he's doing some of his best acting, and he's so

769
00:34:53,160 --> 00:34:56,480
Speaker 2: charismatic in the Oceans movies. He's always eating in those movies.

770
00:34:56,520 --> 00:34:58,320
Speaker 2: That's his acting thing. He's always it is.

771
00:34:58,480 --> 00:35:00,080
Speaker 1: He and Cludey. I mean, you can't beat their.

772
00:35:00,160 --> 00:35:02,680
Speaker 2: I know, I know. Okay, let me give I'm gonna

773
00:35:02,680 --> 00:35:04,359
Speaker 2: give you one more. I'm going to give you out

774
00:35:04,360 --> 00:35:06,840
Speaker 2: of the Ocean's cast, and it's been Affleck's friend f

775
00:35:06,960 --> 00:35:12,960
Speaker 2: Mary Kill the Ocean's eleven movie Triumphant, George Clooney, Brad

776
00:35:13,040 --> 00:35:16,280
Speaker 2: Pitt and Matt Damon. Mm hmmm.

777
00:35:16,719 --> 00:35:20,720
Speaker 1: Clooney, I'm I'm gonna marry. I'm gonna marry Clooney. Okay,

778
00:35:21,640 --> 00:35:24,319
Speaker 1: we have the place in Italy. He's just smart, you know,

779
00:35:25,120 --> 00:35:26,920
Speaker 1: out of an espresso coffee.

780
00:35:26,920 --> 00:35:28,320
Speaker 2: He's got the espresso money.

781
00:35:28,239 --> 00:35:32,560
Speaker 1: He'ss is it? Do you find that odd that those

782
00:35:32,560 --> 00:35:35,840
Speaker 1: guys do the like espresso serious coin.

783
00:35:35,719 --> 00:35:36,839
Speaker 2: Well they've been doing it a long time.

784
00:35:37,840 --> 00:35:40,080
Speaker 1: Andy Garcia and Clooney and all those guys doing.

785
00:35:40,280 --> 00:35:41,960
Speaker 2: You know, back in the day, it was that it

786
00:35:42,040 --> 00:35:45,359
Speaker 2: was smart as an actor to do commercials overseas because

787
00:35:46,080 --> 00:35:48,440
Speaker 2: he turns America. Okay, answer the.

788
00:35:48,480 --> 00:35:50,680
Speaker 1: Question and then you know, I'll probably stick with Brad

789
00:35:50,719 --> 00:35:51,320
Speaker 1: Pitt in Bed.

790
00:35:52,120 --> 00:35:53,239
Speaker 2: I'm gonna kill Matt Day.

791
00:35:53,360 --> 00:35:56,920
Speaker 1: I know he has multi so much too. He's given us,

792
00:35:56,960 --> 00:35:57,239
Speaker 1: you know.

793
00:35:57,719 --> 00:35:59,720
Speaker 2: Scorn movies Goodwill Hunting?

794
00:36:00,080 --> 00:36:01,279
Speaker 1: Yeah, do you think we'd still have it?

795
00:36:01,280 --> 00:36:01,440
Speaker 3: Though?

796
00:36:01,520 --> 00:36:03,120
Speaker 1: Don't you think we'd have half a good Will Hunting

797
00:36:03,120 --> 00:36:05,000
Speaker 1: with Ben Affleck because they wrote it together.

798
00:36:05,920 --> 00:36:06,880
Speaker 2: I can't believe he killed.

799
00:36:06,760 --> 00:36:10,920
Speaker 1: Matt Damon, who that's a tough one to kill somebody.

800
00:36:11,120 --> 00:36:13,160
Speaker 1: You can't kill George Cloney's national trust.

801
00:36:13,000 --> 00:36:15,040
Speaker 2: And to totally change it up in that situation, I'm

802
00:36:15,080 --> 00:36:18,719
Speaker 2: gonna kill Brad. How dare you with those three? I

803
00:36:18,719 --> 00:36:21,480
Speaker 2: would marry Matt. I think he's a good family man. Yeah,

804
00:36:21,560 --> 00:36:22,400
Speaker 2: and he's a good husband.

805
00:36:22,480 --> 00:36:25,000
Speaker 1: I could see you making love to colony. That seems like.

806
00:36:24,960 --> 00:36:27,960
Speaker 2: A I'd probably in your wheelhouse. I mean, he's a

807
00:36:28,080 --> 00:36:30,640
Speaker 2: very classic, you know, Hollywood icon.

808
00:36:31,040 --> 00:36:33,160
Speaker 1: He's one of those it guys, those guys that just

809
00:36:33,239 --> 00:36:35,719
Speaker 1: have it, that it factor when they walk in a room.

810
00:36:36,160 --> 00:36:38,680
Speaker 1: I remember I was at the the Globes one year

811
00:36:38,760 --> 00:36:40,799
Speaker 1: and everyone the cool thing about the Globes, everyone goes

812
00:36:40,840 --> 00:36:43,080
Speaker 1: to the same party, and he walked in and it

813
00:36:43,200 --> 00:36:45,680
Speaker 1: was just as you want your George Clooney. Sure, kind

814
00:36:45,719 --> 00:36:47,640
Speaker 1: of his tucks was just kind of his bowtie was

815
00:36:47,719 --> 00:36:50,200
Speaker 1: kind of open at that point. He had like a

816
00:36:50,239 --> 00:36:52,120
Speaker 1: glass of bourbon or whiskey, whatever, can.

817
00:36:52,080 --> 00:36:53,360
Speaker 2: You remember a lot of details about this?

818
00:36:53,480 --> 00:36:55,960
Speaker 1: And well he came up and he saddled up at

819
00:36:55,960 --> 00:36:58,160
Speaker 1: the bar right next to me. Wow, I was just thinking,

820
00:36:59,160 --> 00:37:01,480
Speaker 1: you could just tell he was the room. Everybody knew

821
00:37:01,520 --> 00:37:02,200
Speaker 1: he was in the room.

822
00:37:02,960 --> 00:37:05,720
Speaker 2: Well, we're not even talking about the most important point

823
00:37:05,719 --> 00:37:08,200
Speaker 2: of this Gwyneth Paltrow story, which is that in this

824
00:37:08,400 --> 00:37:13,200
Speaker 2: article they quote, yeah, like Gwyneth Paltrow spoke about her

825
00:37:13,800 --> 00:37:17,480
Speaker 2: Bounce co star Ben Affleck, and weren't you in the

826
00:37:17,480 --> 00:37:18,200
Speaker 2: movie Bounce?

827
00:37:18,320 --> 00:37:22,160
Speaker 1: I was, they should have said, when Gwyneth Paltrow and

828
00:37:22,200 --> 00:37:25,240
Speaker 1: Ben Affleck co starred in the movie Bounce with Chris Harrison.

829
00:37:26,440 --> 00:37:29,280
Speaker 1: I was in the movie Bounce. This was my big

830
00:37:29,719 --> 00:37:31,640
Speaker 1: Hollywood debut.

831
00:37:31,880 --> 00:37:32,920
Speaker 2: Was this before The Bachelor?

832
00:37:33,200 --> 00:37:35,759
Speaker 1: This is before the Bachelor? So I was already in LA.

833
00:37:35,880 --> 00:37:38,600
Speaker 1: I was working at the Horse Racing Network. I think

834
00:37:38,640 --> 00:37:41,440
Speaker 1: I was doing HGTV Designer's Challenge at the time, and

835
00:37:41,480 --> 00:37:44,680
Speaker 1: I would go on these auditions, typically for reporter get

836
00:37:44,680 --> 00:37:47,320
Speaker 1: because I did local news in Oklahoma City and just auditioning.

837
00:37:47,600 --> 00:37:50,239
Speaker 1: I would do auditions and I was so green. I

838
00:37:50,320 --> 00:37:53,600
Speaker 1: knew nothing of the business. So they needed a reporter,

839
00:37:53,719 --> 00:37:55,880
Speaker 1: CNN reporter, So we went to the C and N building,

840
00:37:56,400 --> 00:38:00,120
Speaker 1: and if you haven't seen it, spoiler alert bounces about

841
00:38:00,120 --> 00:38:04,240
Speaker 1: a plane crash. And there was this really pivotal emotional

842
00:38:04,280 --> 00:38:06,200
Speaker 1: scene at the end of the movie, towards the end,

843
00:38:06,280 --> 00:38:08,600
Speaker 1: when Ben Affleck has this kind of come to Jesus

844
00:38:08,600 --> 00:38:14,280
Speaker 1: moment and he's watching my news report. What I didn't

845
00:38:14,320 --> 00:38:17,840
Speaker 1: realize at the time was when it's a Ben Affleck

846
00:38:18,000 --> 00:38:22,239
Speaker 1: and Gwyneth Paltrow movie, if you are possibly in a

847
00:38:22,280 --> 00:38:26,279
Speaker 1: scene with them, guess who they're going to show you.

848
00:38:26,719 --> 00:38:28,600
Speaker 2: Your face isn't even on the screen my.

849
00:38:28,880 --> 00:38:33,960
Speaker 1: Well, technically it is, but it's in a reflection in

850
00:38:34,000 --> 00:38:37,600
Speaker 1: the painting and the picture behind Ben Fleck. Oh so

851
00:38:37,640 --> 00:38:39,680
Speaker 1: you can. I was a little crestfallen this and by

852
00:38:39,680 --> 00:38:41,120
Speaker 1: the way, I thought I was in the movie. So

853
00:38:41,160 --> 00:38:44,800
Speaker 1: I this is before I told everybody. I told everybody

854
00:38:44,920 --> 00:38:46,759
Speaker 1: my family, I told everyone I used to work with

855
00:38:46,800 --> 00:38:50,040
Speaker 1: back in Oklahoma. I have made it big. I'm in

856
00:38:50,080 --> 00:38:53,439
Speaker 1: Hollywood and I am I'm a movie star. And when

857
00:38:53,480 --> 00:38:55,600
Speaker 1: I saw when I went to the premiere, and I

858
00:38:55,640 --> 00:38:58,400
Speaker 1: was like, oh, man, well the premiere. I did go

859
00:38:58,440 --> 00:39:00,680
Speaker 1: to the premiere and Ben and we're there.

860
00:39:00,800 --> 00:39:03,320
Speaker 2: Thank you for spoiling the two thousand film bounce. Okay,

861
00:39:04,840 --> 00:39:11,040
Speaker 2: next up, we're going to get into this Heather ray Young. Yeah,

862
00:39:11,080 --> 00:39:14,799
Speaker 2: private jet situation. So Heather ray Young. The headlines are

863
00:39:14,880 --> 00:39:19,160
Speaker 2: slammed for detailing Sun's first flight on private jet, apparently

864
00:39:19,200 --> 00:39:22,399
Speaker 2: people saying she was tone deaf because she spoke about

865
00:39:22,440 --> 00:39:25,960
Speaker 2: bringing her three month old son on his first flight,

866
00:39:26,480 --> 00:39:28,200
Speaker 2: talking about how he did a good job and how

867
00:39:28,239 --> 00:39:30,719
Speaker 2: she breastfed him to like help with the flying, you know,

868
00:39:30,760 --> 00:39:33,080
Speaker 2: the pressure on the plane and all that, and I

869
00:39:33,080 --> 00:39:36,200
Speaker 2: guess people were commenting and saying that it was tone

870
00:39:36,239 --> 00:39:40,760
Speaker 2: deaf of her because most moms obviously can't fly private.

871
00:39:41,080 --> 00:39:44,560
Speaker 1: I actually saw this, which I didn't know much about

872
00:39:44,640 --> 00:39:47,319
Speaker 1: Heather ray Young, but I found this very interesting how

873
00:39:47,440 --> 00:39:48,600
Speaker 1: up in arms everybody was.

874
00:39:49,480 --> 00:39:53,160
Speaker 2: I have interviewed her and Tark before. They're both lovely people,

875
00:39:53,800 --> 00:39:56,360
Speaker 2: and I am coming to her defense on this. I

876
00:39:56,440 --> 00:40:00,279
Speaker 2: was bothered by this because she didn't say, oh, you know,

877
00:40:00,440 --> 00:40:03,279
Speaker 2: such an easy flight like she did. What she said

878
00:40:03,400 --> 00:40:05,760
Speaker 2: was she was just explaining what she did to help

879
00:40:05,880 --> 00:40:09,359
Speaker 2: with the pressure in his little ears and just kind

880
00:40:09,360 --> 00:40:12,399
Speaker 2: of detailing a hack on that, right.

881
00:40:12,560 --> 00:40:15,000
Speaker 1: I agreed that she wasn't.

882
00:40:14,800 --> 00:40:18,520
Speaker 2: Saying what an easy travel experience navigating the airport and

883
00:40:18,560 --> 00:40:20,680
Speaker 2: all that. She was literally talking about what it's like

884
00:40:20,719 --> 00:40:23,680
Speaker 2: to have an infant baby in an airplane going through

885
00:40:23,719 --> 00:40:24,560
Speaker 2: the air like.

886
00:40:24,480 --> 00:40:25,760
Speaker 1: With this kissed me off.

887
00:40:25,800 --> 00:40:26,160
Speaker 2: It did.

888
00:40:26,280 --> 00:40:27,919
Speaker 1: Yeah, this really kind of pissed me off.

889
00:40:28,040 --> 00:40:30,360
Speaker 2: Okay, number one, I'll.

890
00:40:30,200 --> 00:40:33,160
Speaker 1: Back her up. The breastfeeding to pop the baby's ears

891
00:40:33,200 --> 00:40:35,880
Speaker 1: and to keep the pressure. Been there, done that, and

892
00:40:35,880 --> 00:40:37,759
Speaker 1: you're right, because there's nothing worse than when you take

893
00:40:37,760 --> 00:40:40,520
Speaker 1: off babies crying. I mean, they lose it. It is a

894
00:40:40,560 --> 00:40:41,600
Speaker 1: special kind of cry.

895
00:40:42,000 --> 00:40:43,800
Speaker 2: So you're constantly breastfeeding.

896
00:40:44,120 --> 00:40:48,560
Speaker 1: I am constantly breastfeeding. I am the town wet nurse anyway,

897
00:40:48,640 --> 00:40:52,200
Speaker 1: So kudos to you on the tip. But when everybody

898
00:40:52,239 --> 00:40:54,919
Speaker 1: got so up in arms, she didn't say like you said.

899
00:40:54,960 --> 00:40:58,239
Speaker 1: She wasn't saying how tough it is to fly. She

900
00:40:58,320 --> 00:41:00,960
Speaker 1: wasn't saying anything about that. All she would doing was

901
00:41:01,000 --> 00:41:03,200
Speaker 1: just trying to share what she does all the time.

902
00:41:03,239 --> 00:41:06,480
Speaker 1: That's her thing, her lifestyle, to share that this was

903
00:41:06,520 --> 00:41:10,080
Speaker 1: baby's first flight. I don't care that she had nanny's.

904
00:41:10,080 --> 00:41:12,360
Speaker 1: I don't get by the way, I would do the

905
00:41:12,400 --> 00:41:15,480
Speaker 1: same thing if I was able to fly private all

906
00:41:15,520 --> 00:41:18,360
Speaker 1: the time and have nanny's with my kids. And help

907
00:41:18,400 --> 00:41:22,319
Speaker 1: and fifty people and a chef and a masseuse. You

908
00:41:22,360 --> 00:41:26,960
Speaker 1: don't think I would. You would too, you hypocrites. You

909
00:41:27,080 --> 00:41:31,279
Speaker 1: would too if I had Southwest Airlines over here and

910
00:41:31,320 --> 00:41:32,640
Speaker 1: you have C twenty.

911
00:41:32,360 --> 00:41:36,120
Speaker 2: Four or there's this Oh sure, but nobody's saying, beautiful jet.

912
00:41:36,400 --> 00:41:37,600
Speaker 1: You wouldn't be on that jet.

913
00:41:37,760 --> 00:41:39,880
Speaker 2: Well, nobody's saying they wouldn't take it. They were What

914
00:41:39,880 --> 00:41:42,600
Speaker 2: people were upset about is they were saying, it's tone

915
00:41:42,719 --> 00:41:44,920
Speaker 2: uf to like share that and to act like you

916
00:41:45,000 --> 00:41:47,839
Speaker 2: kind of went through this struggle. But to me, what

917
00:41:47,880 --> 00:41:51,000
Speaker 2: was important was that it wasn't this specific like she

918
00:41:51,200 --> 00:41:55,120
Speaker 2: wasn't specifically saying, oh, he was so great going through

919
00:41:55,120 --> 00:41:56,719
Speaker 2: the airport and we had such an easy time. She

920
00:41:56,840 --> 00:42:00,279
Speaker 2: was just talking about a baby in the press, sure

921
00:42:00,320 --> 00:42:04,680
Speaker 2: of an airplane literally tone death. I mean, I don't

922
00:42:04,680 --> 00:42:06,880
Speaker 2: think you know. I read something from like Kate Blanchitt

923
00:42:06,920 --> 00:42:10,279
Speaker 2: about her last movie coming out, and she said that

924
00:42:10,360 --> 00:42:13,600
Speaker 2: she doesn't think it's possible today. I'm not directly quoting her,

925
00:42:13,600 --> 00:42:17,000
Speaker 2: but to put anything out there without it getting critiqued,

926
00:42:17,480 --> 00:42:20,640
Speaker 2: I agree. I think today, if you're going to put

927
00:42:20,680 --> 00:42:22,600
Speaker 2: anything out there, I mean I and by the way,

928
00:42:22,680 --> 00:42:25,920
Speaker 2: circling back on the wedding dress stuff. Somebody messaged me

929
00:42:25,960 --> 00:42:28,840
Speaker 2: and said, you should realize you're coming from such a

930
00:42:29,000 --> 00:42:32,600
Speaker 2: place of privilege by getting married, and you should show

931
00:42:32,719 --> 00:42:35,960
Speaker 2: some humility and stop talking about the wedding. And I

932
00:42:36,040 --> 00:42:38,759
Speaker 2: was like, no, I mean, well I didn't. I really

933
00:42:38,760 --> 00:42:39,879
Speaker 2: didn't think I was stopped.

934
00:42:39,560 --> 00:42:41,960
Speaker 1: Following me if you don't want to hear about the

935
00:42:42,000 --> 00:42:44,080
Speaker 1: wedding stuff following, well, I just didn't.

936
00:42:44,120 --> 00:42:45,920
Speaker 2: I really, I mean to be honest, I didn't really

937
00:42:45,960 --> 00:42:47,560
Speaker 2: think I was talking about it that much. And I

938
00:42:47,600 --> 00:42:49,720
Speaker 2: was kind of laughing about it, showing photos of myself

939
00:42:49,719 --> 00:42:52,560
Speaker 2: looking pretty crappy in some of these wedding dresses actually,

940
00:42:53,760 --> 00:42:55,919
Speaker 2: and I was just just sort of sharing. So it's

941
00:42:55,960 --> 00:42:58,399
Speaker 2: such a it's such a double edged sword social media.

942
00:42:58,440 --> 00:43:01,080
Speaker 2: You can really connect with people, but you have to

943
00:43:01,120 --> 00:43:02,160
Speaker 2: know you're going to get some.

944
00:43:02,400 --> 00:43:04,759
Speaker 1: Yes, you're right, there's nothing you're to get to put

945
00:43:04,760 --> 00:43:06,000
Speaker 1: out there in the world that isn't going to be

946
00:43:06,000 --> 00:43:10,359
Speaker 1: critiqued and taken down and shut down. So I got

947
00:43:10,400 --> 00:43:12,840
Speaker 1: her back. By the way, Heather and Taric both going

948
00:43:12,880 --> 00:43:14,239
Speaker 1: to join us on the show coming up.

949
00:43:14,680 --> 00:43:17,640
Speaker 2: Oh great, Yeah, okay, did not know we'd booked that.

950
00:43:18,000 --> 00:43:21,560
Speaker 1: We did, ye yeah, so we'll talk about this. I'm

951
00:43:21,560 --> 00:43:24,040
Speaker 1: going to talk to her about this, and I just

952
00:43:24,120 --> 00:43:27,719
Speaker 1: I'm because I'm curious if she felt defensive about it,

953
00:43:27,800 --> 00:43:29,399
Speaker 1: if she's like, oh my gosh, I'm so sorry, I'm

954
00:43:29,400 --> 00:43:30,120
Speaker 1: so sorry, or she.

955
00:43:30,160 --> 00:43:32,160
Speaker 2: Was like she kind of I think she lets it

956
00:43:32,239 --> 00:43:35,000
Speaker 2: roll off her back. But what I'm interested in is

957
00:43:35,040 --> 00:43:37,359
Speaker 2: how much she's sharing of this stuff, Like, are there

958
00:43:37,400 --> 00:43:40,839
Speaker 2: things that you that you don't share because you feel

959
00:43:40,920 --> 00:43:43,160
Speaker 2: like this is you know, you just don't want to

960
00:43:43,200 --> 00:43:45,120
Speaker 2: deal with it, or do you kind of keep sharing

961
00:43:45,160 --> 00:43:46,840
Speaker 2: everything and just accept the criticism.

962
00:43:47,040 --> 00:43:49,239
Speaker 1: Yeah, well good for you. And by the way, if

963
00:43:49,239 --> 00:43:55,239
Speaker 1: you can fly private, do it as someone who just

964
00:43:55,320 --> 00:43:58,319
Speaker 1: left the airport. Hey, I wish I had had the

965
00:43:58,400 --> 00:44:02,840
Speaker 1: private plane. I will take it all.

966
00:44:02,960 --> 00:44:06,200
Speaker 2: Right. Well, we figured out a lot of wedding stuff

967
00:44:06,239 --> 00:44:06,600
Speaker 2: here today.

968
00:44:06,640 --> 00:44:10,000
Speaker 1: We did. I did. I learned a lot. Thank you

969
00:44:10,040 --> 00:44:13,359
Speaker 1: guys for letting me have this podcast so I can

970
00:44:13,400 --> 00:44:16,000
Speaker 1: find out what's going on with my wedding and with

971
00:44:16,040 --> 00:44:18,000
Speaker 1: my fiance, who I love and adore.

972
00:44:18,160 --> 00:44:20,160
Speaker 2: By the way, we're not doing invitations, and.

973
00:44:20,120 --> 00:44:23,840
Speaker 1: The bottom line is there's another note. Okay, I'm just

974
00:44:23,960 --> 00:44:25,480
Speaker 1: checking these things off as we go.

975
00:44:25,880 --> 00:44:27,239
Speaker 2: You know, Estrala just said not to.

976
00:44:27,520 --> 00:44:27,960
Speaker 1: I don't care.

977
00:44:28,080 --> 00:44:28,760
Speaker 2: I'm just kidding.

978
00:44:28,800 --> 00:44:30,880
Speaker 1: I'm just excited to marry you.

979
00:44:32,000 --> 00:44:32,280
Speaker 2: Well.

980
00:44:32,400 --> 00:44:34,880
Speaker 1: Thanks, I'm just a boy standing in front of a

981
00:44:34,920 --> 00:44:38,360
Speaker 1: girl ready to marry her. That's a shout out to

982
00:44:38,400 --> 00:44:39,560
Speaker 1: our writers. Nodding Hill.

983
00:44:39,800 --> 00:44:42,600
Speaker 2: Yes, I actually one of the writers had that on

984
00:44:42,640 --> 00:44:44,279
Speaker 2: the sign. She said, I'm just a girl standing in

985
00:44:44,320 --> 00:44:46,439
Speaker 2: front of a studio asking them to pay her. There

986
00:44:46,480 --> 00:44:47,480
Speaker 2: you go, There you go.

987
00:44:47,640 --> 00:44:49,960
Speaker 1: One of the best written films of all time. That's

988
00:44:50,000 --> 00:44:52,600
Speaker 1: the note we'll leave you on. Thanks everybody, Thank you

989
00:44:52,640 --> 00:44:54,560
Speaker 1: for joining us. We will talk to you next time

990
00:44:55,000 --> 00:44:57,240
Speaker 1: because we have a lot more to talk about. Thanks

991
00:44:57,239 --> 00:44:59,920
Speaker 1: for listening. Follow us on Instagram at the most dramatic

992
00:45:00,120 --> 00:45:02,440
Speaker 1: pod ever, and make sure to write us a review

993
00:45:02,480 --> 00:45:05,239
Speaker 1: and leave us five stars. I'll talk to you next time.