WEBVTT - Shatner, Heart Attacks, Fisticuffs + Takei

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<v Speaker 1>Now we're ready, So Bill, say nothing yet, don't Bill

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<v Speaker 1>will introduced. I shouldn't say anything. This is going to

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<v Speaker 1>be amazing. You don't want me to say any nothing. Okay,

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<v Speaker 1>oh boy, we're rolling roll on that Bill trying to

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<v Speaker 1>tell Bill and say nothing. So there really no really today?

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<v Speaker 1>Hi j Hello Peter. First of all, welcome everybody to

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<v Speaker 1>really know really on Jason, Alexander here, Peter Tilden and

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<v Speaker 1>um and I'm my first request is he can't even

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<v Speaker 1>really know really come from? You know? I was clearly

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<v Speaker 1>not a fan of the show. When I tell Bill, wait, wait, wait,

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<v Speaker 1>you're ready? You want that? I've never heard of you.

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<v Speaker 1>Have you just begun or is this begun? Yes? And

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<v Speaker 1>if you had waited for us to do the interest

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<v Speaker 1>and this is why I was explaining, but I'm so

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<v Speaker 1>excited to be with you. I didn't you know, It's

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<v Speaker 1>like it's enough of the four players. You're excited prematurely. Bill.

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<v Speaker 1>Don't want to be excited prematurely. They've told me that

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<v Speaker 1>don't use the word prematurely. You know what. There are

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<v Speaker 1>pictures flown around my head now that is exactly so

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<v Speaker 1>what I was gonna say is that there's many really

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<v Speaker 1>really no really, Bill is it comes from the premise

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<v Speaker 1>of the show, is that we didn't and I explore

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<v Speaker 1>things that make us go really really no really, and

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<v Speaker 1>then we get we try and delve into those things.

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<v Speaker 1>And who's saying the quizzical really and who is saying

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<v Speaker 1>affirmative that goes back and forth? Look at him? This

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<v Speaker 1>isn't man, See how he'd let me tell you something

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<v Speaker 1>about Bill shot. The thing I learned about Bill a

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<v Speaker 1>couple things is you are honest and I mean this Bill,

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<v Speaker 1>and I'm saying, seriously, you're the most inquisitive guy. You

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<v Speaker 1>go to a restaurant with Bill. First of all, he's

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<v Speaker 1>a force of nature. You say no dessert, and he goes, yeah, wait,

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<v Speaker 1>bring all the dessert. All they just you know, he

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<v Speaker 1>got me on a horse at a horse show. I

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<v Speaker 1>hadn't been in a horse. I'm on a horse. He

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<v Speaker 1>gets people to do stuff, yeah, against their wild But

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<v Speaker 1>he's the most inquisitive. I really regret putting you on

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<v Speaker 1>horse a horse laughing about still to this day they understand,

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<v Speaker 1>but you aren't. Aren't you the most inquisitive guy that

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<v Speaker 1>you know? Well before you ask him if he's inquisitive

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<v Speaker 1>the whole premise of our really, because you want to

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<v Speaker 1>know how how did you come to be part of

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<v Speaker 1>our really? Know? First of all, how did you guys

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<v Speaker 1>meet a week way? He takes over every now it's now, No,

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<v Speaker 1>I'm just curious how the same way we did the

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<v Speaker 1>same way we did too, really swell guys who are

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<v Speaker 1>really among the most talented in town. Uh, well, I know,

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<v Speaker 1>but I'm not gonna tell no. Both of you are

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<v Speaker 1>the most talented in your fields, really the most talented

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<v Speaker 1>people in your field. How the two of you get together?

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<v Speaker 1>What is We met on his on the show? We

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<v Speaker 1>met on his radio? He hasn't He didn't do a

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<v Speaker 1>radio show. He ran an orphanage. He would pick up

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<v Speaker 1>people and put them in his home. Only people who

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<v Speaker 1>were startling, only people of special Bill, do you remember

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<v Speaker 1>when you and I first met? Wasn't it on a

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<v Speaker 1>set you were doing that half hour show? Nope? Okay,

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<v Speaker 1>we're all in suspense. My best friends in the world

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<v Speaker 1>approached you to have lunch with me for my thirty

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<v Speaker 1>fifth birthday, and you met me at a Roma cafe.

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<v Speaker 1>We had never spoken to each other, that's right, And

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<v Speaker 1>I had no idea you were coming It was a

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<v Speaker 1>complete surprise to me. And then I sat down and

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<v Speaker 1>you came in and went, Hi, I'm Bill, I'm your

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<v Speaker 1>I'm your birthday gift. And it took me ten minutes

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<v Speaker 1>before I could speak because, as you know, but I

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<v Speaker 1>will tell our audience, I truly was started to steer

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<v Speaker 1>towards the idea of becoming an actor because of how

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<v Speaker 1>much I idolized you and your worst You know, I

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<v Speaker 1>didn't know that. I mean, I don't remember that. What

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<v Speaker 1>what do you mean you were steering toward what were

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<v Speaker 1>you doing while you were When I was a kid.

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<v Speaker 1>When I was a little kid, the only thing I

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<v Speaker 1>was really interested in was magic. I thought I was

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<v Speaker 1>going to be a magician. But you couldn't wait, wait,

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<v Speaker 1>this is so sad, though ready for this. So the

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<v Speaker 1>kids in his bedroom studying close up magic for years

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<v Speaker 1>and then he goes to do it and he's got

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<v Speaker 1>baby hands. You can't hide anything. You can't hide anything.

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<v Speaker 1>I have a three month old grandson. He's got bigger

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<v Speaker 1>hands than idea. So he couldn't do all that time

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<v Speaker 1>and then couldn't do it. Yeah, so you gave up

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<v Speaker 1>the idea of being a magician, right, I started doing

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<v Speaker 1>We moved and the theater kids were the first kids

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<v Speaker 1>to pick me up. So I was playing, you know,

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<v Speaker 1>with with theater and stuff. But I had I didn't

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<v Speaker 1>think about being an actor. And then it was watching

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<v Speaker 1>you and watching you work both both certainly certainly on

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<v Speaker 1>Star Trek, but but I knew what about you? Where's

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<v Speaker 1>your background? Where did you get He's interviewing us, my

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<v Speaker 1>my backwards? Who was in Philly? I was in Who cares?

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<v Speaker 1>Nobody cares. Nobody cares. They're not tuning in for us.

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<v Speaker 1>I drove out here one day and really, no, really,

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<v Speaker 1>he's got it. He's going to take this. No. I

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<v Speaker 1>actually I was doing advertising. Question he's not in charge here.

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<v Speaker 1>I know he's ran an entire fleet. All right, fine,

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<v Speaker 1>do what you want to do. I'll make it. So

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<v Speaker 1>I was an advertise and I go ahead, go ahead,

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<v Speaker 1>this is our entire relationship. Go ahead, N asked you.

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<v Speaker 1>A lastion should be all email you later. You're gonna

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<v Speaker 1>have equal time email you. Oh yeah, that's gonna happen,

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<v Speaker 1>but with the two of you. So no, I was

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<v Speaker 1>gonna have equal time just as long as the pay remained.

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<v Speaker 1>I was an advertising I was doing stuff for radio.

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<v Speaker 1>Are you sharing the pay by the way, are you

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<v Speaker 1>splitting it down down the middle? It depends where you

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<v Speaker 1>put the middle. Yes, yes, yes, yes. Is there a fee?

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<v Speaker 1>I haven't seen it. Are you being paid bill? By

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<v Speaker 1>the way, the guy that's happened your agent? Can we

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<v Speaker 1>have your agent? Whoever? Your agent is your agent. So

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<v Speaker 1>anyway I got into radio. I got into radio accidentally

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<v Speaker 1>because I was handling radio Surgion doing their creative. They said,

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<v Speaker 1>you're pretty funny. They put me on. I moved out

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<v Speaker 1>to California, not knowing anybody out here, and did it

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<v Speaker 1>and was too stupid to know that I should be afraid,

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<v Speaker 1>and went on and just had a blast. And so

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<v Speaker 1>he had a Western country music radio to do that.

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<v Speaker 1>You know, I ended up in country years for years,

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<v Speaker 1>and I met all kinds of people because I'd go

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<v Speaker 1>on the show. I'd be doing a horse show, a

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<v Speaker 1>charity horse show. So every year I would promise the

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<v Speaker 1>people who are giving me money, the patrons, the donors,

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<v Speaker 1>that I would get them some publicity. So I'd look

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<v Speaker 1>for everywhere it could go. Like still to this day,

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<v Speaker 1>it's been thirty five years. I've been putting on the

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<v Speaker 1>Hollywood Charity horse show and over the course of years,

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<v Speaker 1>who I've raised four hundred, five hundred thousand dollars a

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<v Speaker 1>year over thirty five years. It's millions and millions of

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<v Speaker 1>dollars for veterans and for kids, you know, horses and stuff.

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<v Speaker 1>And I met Brad Paisley on so there's Brad like

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<v Speaker 1>where you are and we're talking and I don't remember

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<v Speaker 1>why Paisley and I continued on, but we became friends.

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<v Speaker 1>Brad and I became friends. And as a result, I've

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<v Speaker 1>appeared on so many of his videos and I tell

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<v Speaker 1>you something that you don't know, and he's sung on

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<v Speaker 1>many of my albums. What you don't remember because people

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<v Speaker 1>are intimidated by you, I am a little less so

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<v Speaker 1>because we've been around each other long time. I asked you, listen,

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<v Speaker 1>I asked you. I asked you because it's true. I

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<v Speaker 1>asked you. Would you be in a video with bread past?

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<v Speaker 1>He said, nod, Pa, I don't know. So I invited

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<v Speaker 1>you on the show with Brad. I've never told you

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<v Speaker 1>this with Brad there you met him on the show,

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<v Speaker 1>and I asked you live on the show. Then if

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<v Speaker 1>you do the videos, of course, of course, of course

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<v Speaker 1>I'll do the video because you fell in love with

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<v Speaker 1>Brad been to have two videos later, one of which

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<v Speaker 1>Jason directed, one Taylor Swift Right, Jason, we were together

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<v Speaker 1>and I remember very you showed up that day. You

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<v Speaker 1>were so act. Well. I'm continuing to direct and we'll talk.

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<v Speaker 1>I have work for you, but you mentioned two things.

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<v Speaker 1>I want to and there really is for me and

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<v Speaker 1>I want to get to the bottom. So you talked

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<v Speaker 1>about the horse chair. Wait a minute, will you work

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<v Speaker 1>for me what I have worked for you? Don't worry

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<v Speaker 1>what are you talking about. I'm producing and directing things.

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<v Speaker 1>If they come to fruition. You're a made man. You

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<v Speaker 1>are solid, you are my You're my Luca Brazzi and

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<v Speaker 1>or that got them laughing. The mob is what he laughs.

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<v Speaker 1>But if my question talked about the horse charity, what

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<v Speaker 1>here's my first question with you in the horses. You're

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<v Speaker 1>you're a nice Jewish boy from Canada. What's with you

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<v Speaker 1>in the horses? How did you? How did it come

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<v Speaker 1>to be horses? Is it all animals for you or

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<v Speaker 1>is it something unique about horses that speaks to you.

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<v Speaker 1>I think having bred a lot of dogs and a

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<v Speaker 1>lot of horses and seeing characteristics like you know that

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<v Speaker 1>famous experiment uh in Russia where they took several silver

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<v Speaker 1>wild silver foxes from the wild from the nature and

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<v Speaker 1>they put him in a cage and domestic tried to

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<v Speaker 1>domesticate them. Then took out of their litters the most

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<v Speaker 1>friendly and they did about forty generation tooks about twenty years.

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<v Speaker 1>At the end of twenty years after they were breeding

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<v Speaker 1>for characteristics which were gentleness and and and environmentally you know,

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<v Speaker 1>a pleasant being, not biting. I guess ultimate they had

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<v Speaker 1>foxes in the wild don't don't bark. They they they

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<v Speaker 1>they have a sharp cry. The foxes turned from silver

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<v Speaker 1>to brown and white, started barking. They started wagging their tail,

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<v Speaker 1>where foxes don't wag the time they became dogs in

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<v Speaker 1>forty generations about twenty years. Horses can send along through

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<v Speaker 1>their DNA characteristics that you breed for speed or domesticity

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<v Speaker 1>or whatever the characters within the a person's lifetime. You

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<v Speaker 1>can breed characteristics that's got to apply in human beings.

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<v Speaker 1>So I think that human beings have in their DNA

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<v Speaker 1>characteristics that were part of the background. I think that

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<v Speaker 1>on the steps of Russia, at Poland and Lithuania, my

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<v Speaker 1>background is filled with people who loved horses, and so

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<v Speaker 1>although growing up in Canada, I had nothing to do

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<v Speaker 1>with horses except once got on a horse and galloped around,

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<v Speaker 1>and I was perfectly at home. It took until middle

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<v Speaker 1>age before the whole idea of horses and breeding and

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<v Speaker 1>riding and competing came to me. Then, as a result

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<v Speaker 1>of that and this theory I have of the of

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<v Speaker 1>the universe taking care of me. And that's the really

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<v Speaker 1>the theme of my book Boldly Go, which is out

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<v Speaker 1>there now, is that you saw you work, If you

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<v Speaker 1>if you are aware, if you're whether it's prayer or

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<v Speaker 1>contemplation or just being aware of you and the universe,

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<v Speaker 1>the universe seems to take care of you. And that's

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<v Speaker 1>what's happened to me. I think the universe has taken

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<v Speaker 1>care of me through all the can you would you

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<v Speaker 1>understand if I used the word because or I sure

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<v Speaker 1>that happened to me? Over translate the word, translate the

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<v Speaker 1>word for people who don't know, cause a ry means

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<v Speaker 1>cause or I okay, very good, very good, nicely done.

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<v Speaker 1>This is what you did on my password or whatever

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<v Speaker 1>where you end up throwing your chair? Did you throw

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<v Speaker 1>a chair on password because you gave away the password accidentally.

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<v Speaker 1>Did that really happen? Everything really had? Let me ask

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<v Speaker 1>you a question. I asked the question about horses I got.

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<v Speaker 1>Let me ask be ready for this to answer you

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<v Speaker 1>a question kind of here. Listen, listen, listen, So Blue Argent,

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<v Speaker 1>Blue Argin. We didn't interview you right after because we

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<v Speaker 1>didn't have this thing launched yet, and I wanted to

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<v Speaker 1>watch your reaction to a lot of people. And I

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<v Speaker 1>was moved by you, knowing you you were genuinely moved.

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<v Speaker 1>But I got to ask you this. Jason and I

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<v Speaker 1>are talking about this and we say, and I don't

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<v Speaker 1>mean this to be indelicate, but we're there contingency plans.

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<v Speaker 1>Do they talk to you because something could go wrong

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<v Speaker 1>once that thing launches, if somebody not necessarily has a

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<v Speaker 1>heart attack on launch, as Jason says to me yesterday,

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<v Speaker 1>you can't pull over? What can't pull they do they

0:12:08.480 --> 0:12:11.080
<v Speaker 1>have a defibrillator? What do they do they have? Or

0:12:11.280 --> 0:12:16.280
<v Speaker 1>are you stuck if something goes wrong? So there's a countdown.

0:12:16.800 --> 0:12:22.480
<v Speaker 1>First of all, we all remember the the Zeppelin, the

0:12:23.200 --> 0:12:27.600
<v Speaker 1>thing that burned in New Jersey, Hindenburg. So the Hindenburg burned.

0:12:27.880 --> 0:12:30.320
<v Speaker 1>You know what burned in the Hinderburg. It was well

0:12:30.360 --> 0:12:38.600
<v Speaker 1>the day the gas exploded, right, what was the gas hydrogen? Helium? Hydrogen? Yeah, yeah,

0:12:38.920 --> 0:12:41.319
<v Speaker 1>hydrogen burned. Do you know what they're putting in the

0:12:41.360 --> 0:12:47.960
<v Speaker 1>tank of the hydrogen. I'm sitting there on my back thinking, geez,

0:12:48.679 --> 0:12:53.440
<v Speaker 1>hydrogen and the countdown stair and before the countdown, and

0:12:53.480 --> 0:12:55.480
<v Speaker 1>they've got a gantry up against it. You know, you

0:12:55.559 --> 0:12:59.480
<v Speaker 1>go through the gantry into the celebant flights up so

0:12:59.520 --> 0:13:02.120
<v Speaker 1>again in lie down and then they closed the door

0:13:03.080 --> 0:13:06.800
<v Speaker 1>and then a voice, the moderator of the guy's voice

0:13:06.840 --> 0:13:09.600
<v Speaker 1>of all right, now, if anybody wants to leave, they

0:13:09.640 --> 0:13:12.959
<v Speaker 1>should leave now because we're removing the gantry. If anybody

0:13:13.040 --> 0:13:16.160
<v Speaker 1>wants to leave, leave now. What are they talking about?

0:13:16.320 --> 0:13:18.439
<v Speaker 1>Why would you want to leave? You? I can think

0:13:18.440 --> 0:13:24.600
<v Speaker 1>about a furlough list. So did they give you a

0:13:24.640 --> 0:13:26.760
<v Speaker 1>contingency if it takes off and somebody has a heart

0:13:26.760 --> 0:13:28.880
<v Speaker 1>attack on the way up, or somebody gets sick? Is

0:13:28.880 --> 0:13:31.920
<v Speaker 1>there a doctor on the crew? Is there anybody if something? Oh? Man,

0:13:32.400 --> 0:13:36.640
<v Speaker 1>you're you're dead, floating, You're dead and floating you're you're yes,

0:13:36.720 --> 0:13:39.800
<v Speaker 1>you're floating. Wow, did they bring it ubably did they Presumably,

0:13:40.200 --> 0:13:43.760
<v Speaker 1>the g's going up and the GE's coming down will

0:13:43.800 --> 0:13:47.600
<v Speaker 1>bring you back to life, because they're so oh really

0:13:47.600 --> 0:13:50.640
<v Speaker 1>not really elocious. Wow, that's what they tell you. Do

0:13:50.679 --> 0:13:54.040
<v Speaker 1>you believe it? No? I didn't either. Don't any sense

0:13:54.679 --> 0:13:58.120
<v Speaker 1>will revive you? And then you had a very different

0:13:58.120 --> 0:14:00.640
<v Speaker 1>experience from what I what I would have end anticipated

0:14:00.679 --> 0:14:04.480
<v Speaker 1>you if I understood the statement you made correctly. It

0:14:04.600 --> 0:14:07.600
<v Speaker 1>was an awesome experience, but you wound up having a

0:14:07.720 --> 0:14:11.200
<v Speaker 1>kind of a depression response to it. Is that correct?

0:14:12.520 --> 0:14:16.480
<v Speaker 1>I've been you know what Rachel Carson is? Yeah, I know, sure,

0:14:17.640 --> 0:14:20.240
<v Speaker 1>you know. She wrote a book Silent Spring, many many

0:14:20.320 --> 0:14:23.960
<v Speaker 1>years ago. I read it was completely influenced by She

0:14:24.560 --> 0:14:28.640
<v Speaker 1>anticipated global warming by sixty years. So I've been an ecologist,

0:14:28.760 --> 0:14:32.960
<v Speaker 1>so to speak, for sixty years. I've made ecological films.

0:14:33.040 --> 0:14:37.480
<v Speaker 1>I've gone around many parts of the world making a

0:14:37.520 --> 0:14:43.600
<v Speaker 1>show that has long gone now called The Voice of Gaya.

0:14:43.840 --> 0:14:47.920
<v Speaker 1>I think m Guya being the goddess of the of

0:14:47.960 --> 0:14:52.360
<v Speaker 1>the Earth and looking at the spots that were crumbling

0:14:52.360 --> 0:14:58.720
<v Speaker 1>even thirty years ago. So I'm very much aware of

0:14:58.840 --> 0:15:04.600
<v Speaker 1>the approaching tsuna of terrible things that you and I

0:15:04.920 --> 0:15:08.640
<v Speaker 1>in our advanced age will avoid because we'll die before

0:15:08.680 --> 0:15:12.600
<v Speaker 1>it happens. But that grandchild you referred to a moment

0:15:12.640 --> 0:15:20.640
<v Speaker 1>ago is in deep okay because of what's what we're

0:15:20.640 --> 0:15:24.040
<v Speaker 1>anticipating going to happen. Even if we were to start

0:15:24.160 --> 0:15:26.720
<v Speaker 1>now getting the carbon out of the Earth, it's too

0:15:26.840 --> 0:15:28.840
<v Speaker 1>late for a lot of things and not to happen.

0:15:29.680 --> 0:15:32.480
<v Speaker 1>I'm so much aware of that, And I'm so much

0:15:32.520 --> 0:15:41.640
<v Speaker 1>aware of the intricate, extraordinary, magical, unbelievable connection between us

0:15:41.880 --> 0:15:47.600
<v Speaker 1>and the and this thing we call Earth, everything everything.

0:15:47.720 --> 0:15:51.040
<v Speaker 1>But but you, you you can't even imagine. I mean,

0:15:51.760 --> 0:15:56.560
<v Speaker 1>what I just learned the other day missed from the

0:15:56.600 --> 0:16:03.280
<v Speaker 1>Brazilian forests the moisture. Because the sun lifts in a cloud,

0:16:03.320 --> 0:16:05.800
<v Speaker 1>it now becomes a mist. It's so high, it's high

0:16:05.880 --> 0:16:09.400
<v Speaker 1>enough that it becomes a cloud that is taken by

0:16:09.640 --> 0:16:13.680
<v Speaker 1>the currents of air towards the Andes Mountains, thousands of

0:16:13.680 --> 0:16:18.280
<v Speaker 1>miles away. It hits the Andes Mountains, it falls as rain.

0:16:19.000 --> 0:16:24.080
<v Speaker 1>The rain loosens, diatoms from the granite which now enters

0:16:24.120 --> 0:16:28.320
<v Speaker 1>the rivers becomes algae, which is alive. That makes that

0:16:28.440 --> 0:16:33.680
<v Speaker 1>transition flows out of those rivers. All the big rivers

0:16:35.200 --> 0:16:38.560
<v Speaker 1>the Brazilian rivers and into the ocean and becomes part

0:16:38.560 --> 0:16:45.000
<v Speaker 1>of life already, just inert things from the Andes, from

0:16:45.040 --> 0:16:51.040
<v Speaker 1>the Brazilian rainforest. I mean, everything is connected, and we're

0:16:51.080 --> 0:16:55.160
<v Speaker 1>destroying them. And that's what I saw in that moment

0:16:55.200 --> 0:16:59.520
<v Speaker 1>of this little rock that hit you up? Did it

0:16:59.640 --> 0:17:02.360
<v Speaker 1>hit you up there? Did it? It's it's it's it's spirits.

0:17:02.400 --> 0:17:04.119
<v Speaker 1>And people have mentioned it's called the overview effect, and

0:17:04.200 --> 0:17:06.359
<v Speaker 1>a lot of astronauts have said that, whatever did it

0:17:06.400 --> 0:17:08.280
<v Speaker 1>happen when you were up there? Did it? The sadness

0:17:08.320 --> 0:17:11.119
<v Speaker 1>already begin when you look down and you're in account.

0:17:12.200 --> 0:17:16.480
<v Speaker 1>I got off the excited Yeah, we were all excited.

0:17:16.520 --> 0:17:20.000
<v Speaker 1>Oh we made it. And the door opens and get

0:17:20.320 --> 0:17:22.640
<v Speaker 1>they give us a hand getting stuffy down. I get

0:17:22.640 --> 0:17:26.800
<v Speaker 1>a handstack, you know, standing out, and I start to

0:17:26.840 --> 0:17:30.600
<v Speaker 1>cry and I don't know why I am weeping. I

0:17:30.600 --> 0:17:33.000
<v Speaker 1>don't know whether that's ever happened to you're you're crying

0:17:33.000 --> 0:17:35.960
<v Speaker 1>for some emotional venue. What the hell am I? Why

0:17:36.000 --> 0:17:38.480
<v Speaker 1>am I crying? And I'm crying so I can't stop.

0:17:39.880 --> 0:17:42.000
<v Speaker 1>And it takes me an hour two or three sitting

0:17:42.000 --> 0:17:44.399
<v Speaker 1>by myself saying, oh my god, I'm in grief. What

0:17:44.440 --> 0:17:50.320
<v Speaker 1>am I? Oh, my Lord, I've seen the earth and

0:17:50.359 --> 0:17:52.760
<v Speaker 1>I've seen it in all its glory, the way it

0:17:52.840 --> 0:17:56.320
<v Speaker 1>should be and the way I saw what it's going

0:17:56.400 --> 0:18:01.600
<v Speaker 1>to be. And I was in this sadness, this grief

0:18:01.640 --> 0:18:05.200
<v Speaker 1>over the death of the earth. So in another note,

0:18:06.000 --> 0:18:09.919
<v Speaker 1>so far it's invigorating because anybody child is this is

0:18:09.920 --> 0:18:13.480
<v Speaker 1>the upper segment. Anybody enhancing or insurance on you before

0:18:13.480 --> 0:18:15.639
<v Speaker 1>you go, they have to get permission. Who I can

0:18:15.680 --> 0:18:18.080
<v Speaker 1>imagine me come into my family. By the way, Bill

0:18:18.160 --> 0:18:21.680
<v Speaker 1>doesn't say no too much. You've done paintball, You've hunted

0:18:21.920 --> 0:18:25.200
<v Speaker 1>um Kodiak bear, which you said you regretted, You've done

0:18:25.240 --> 0:18:27.640
<v Speaker 1>poker tours. You I don't know that. You say no

0:18:28.200 --> 0:18:31.719
<v Speaker 1>with a bone arrow with a bone undone amazing stuff

0:18:31.920 --> 0:18:35.000
<v Speaker 1>that nobody else you say, yes, they're just about everything.

0:18:35.200 --> 0:18:38.600
<v Speaker 1>Do you have to run the largest paintball at that time?

0:18:39.920 --> 0:18:44.439
<v Speaker 1>Five thousand people with charity? Five thousand people in a

0:18:44.480 --> 0:18:48.000
<v Speaker 1>paintball game? Yeah? Can you imagine? And how do you amass?

0:18:48.119 --> 0:18:51.360
<v Speaker 1>In Gary, Indiana, they have one hundred and seventy five

0:18:51.440 --> 0:18:56.880
<v Speaker 1>acre paintball thing with all kinds of different environments. They've

0:18:56.920 --> 0:19:03.120
<v Speaker 1>got villages, they've got out of Bill Rex. They got Temple,

0:19:03.520 --> 0:19:05.480
<v Speaker 1>they got all kinds of things, and you go and

0:19:05.560 --> 0:19:10.520
<v Speaker 1>play fifteen hundred people the face of Temple playing the

0:19:10.600 --> 0:19:14.200
<v Speaker 1>face of Temple, that's Temple, and you think, oh Lord,

0:19:14.240 --> 0:19:16.920
<v Speaker 1>don't assue me. Uh can I tell you a story

0:19:16.920 --> 0:19:19.680
<v Speaker 1>about that? Who's gonna find who would stop those shotting

0:19:19.760 --> 0:19:24.720
<v Speaker 1>from telling us? So there's three teams that looks very good.

0:19:24.760 --> 0:19:28.320
<v Speaker 1>But it looks very good to tell us what jam? Yeah?

0:19:28.640 --> 0:19:32.040
<v Speaker 1>What could be back hosting jam? It's my believable. Well,

0:19:33.119 --> 0:19:36.760
<v Speaker 1>there's three teams of over fifteen hundred people to team.

0:19:36.920 --> 0:19:43.960
<v Speaker 1>I'm on one, A manufacturer of paintball guns is in another,

0:19:45.440 --> 0:19:49.280
<v Speaker 1>and I've forgotten I think, um, I've forgotten who the

0:19:49.280 --> 0:19:53.880
<v Speaker 1>third one is. So you break every so often. Since

0:19:53.880 --> 0:19:57.000
<v Speaker 1>there's fifteen hundred people, they call breaks for a hundred

0:19:57.040 --> 0:19:59.359
<v Speaker 1>people go have lunch. So I'm standing in line with

0:20:00.119 --> 0:20:04.200
<v Speaker 1>lunch with with the Elizabeth, my wife, and I hear

0:20:04.320 --> 0:20:11.200
<v Speaker 1>crying behind me somebody. I turn around and it's a

0:20:11.280 --> 0:20:16.119
<v Speaker 1>guy with a paintball pistol. And I'm supposed to assassinate

0:20:16.160 --> 0:20:21.160
<v Speaker 1>you and I can't because I love you. I love you, mister,

0:20:22.240 --> 0:20:24.920
<v Speaker 1>I said, what do you mean? Assassinator? Said, well, what's

0:20:24.920 --> 0:20:28.520
<v Speaker 1>his name? Makes the guns? Shoot him and I'll give

0:20:28.560 --> 0:20:33.960
<v Speaker 1>you a gun. Shoot him on the lunch line. On

0:20:34.080 --> 0:20:36.439
<v Speaker 1>the lunch line a lot of a minute. Here's what

0:20:36.480 --> 0:20:38.480
<v Speaker 1>I want to do. I explain what I want to do,

0:20:39.160 --> 0:20:42.520
<v Speaker 1>and I take him out into this broidery that where

0:20:42.560 --> 0:20:48.040
<v Speaker 1>paintballs are flying back and forth. Old, I surrender, and

0:20:48.080 --> 0:20:52.160
<v Speaker 1>I've got the gun on the guy, the paintball gun.

0:20:52.680 --> 0:20:54.840
<v Speaker 1>And why did I may get it? And there's a

0:20:55.160 --> 0:20:59.280
<v Speaker 1>you get the most points if you can kill the

0:20:59.359 --> 0:21:03.879
<v Speaker 1>captain of that team in his premises, sir, here we go.

0:21:04.080 --> 0:21:06.760
<v Speaker 1>I've marched this kid, and I said, I'll get you

0:21:06.800 --> 0:21:09.720
<v Speaker 1>the gun. Don't worry, I'll get you the gun. I

0:21:09.840 --> 0:21:13.240
<v Speaker 1>marched this kid into the fort where the guy who

0:21:13.280 --> 0:21:16.960
<v Speaker 1>makes the guns is captain. He sees me and I

0:21:17.040 --> 0:21:24.120
<v Speaker 1>go oh, and I fake oh a heart attack. Look

0:21:24.119 --> 0:21:26.880
<v Speaker 1>at this fall to the ground. He comes up to me.

0:21:27.720 --> 0:21:31.160
<v Speaker 1>I've got three paintballs in my hand. I slammed them

0:21:31.160 --> 0:21:34.439
<v Speaker 1>into him. I got him. I take the gun. I

0:21:34.520 --> 0:21:36.399
<v Speaker 1>put the gun on the kid, I said, now marched

0:21:36.480 --> 0:21:39.919
<v Speaker 1>me back. So the kid had ostensibly had nothing to

0:21:39.960 --> 0:21:42.320
<v Speaker 1>do with it. He gets his gun. I win the thing,

0:21:42.600 --> 0:21:44.159
<v Speaker 1>and the guy is out and he never knew it

0:21:44.200 --> 0:21:46.520
<v Speaker 1>until I told a lesson we weren't here is don't

0:21:46.560 --> 0:21:51.000
<v Speaker 1>ever trust or turn your back on William Shotner so

0:21:51.160 --> 0:21:54.199
<v Speaker 1>Blue Origin. Did you increase the insurance, but increase the

0:21:54.200 --> 0:21:57.560
<v Speaker 1>insurance every day? Did you found out later the kids went, yeah,

0:21:57.560 --> 0:21:59.480
<v Speaker 1>we just figured we'd do it. Or and did you

0:21:59.520 --> 0:22:01.480
<v Speaker 1>have to run it the children? You have a wife.

0:22:01.480 --> 0:22:04.359
<v Speaker 1>Did anybody come to you and say, don't you doing this?

0:22:04.359 --> 0:22:07.119
<v Speaker 1>What are you doing? Made? We made a documentary of

0:22:07.200 --> 0:22:10.920
<v Speaker 1>my going up there once got very popular, and part

0:22:10.960 --> 0:22:13.720
<v Speaker 1>of the documentary was they shot footage here at my

0:22:13.760 --> 0:22:16.600
<v Speaker 1>home where my three girls and my wife are saying,

0:22:16.640 --> 0:22:18.720
<v Speaker 1>you can't go, And I said, I'm going see but

0:22:18.800 --> 0:22:21.080
<v Speaker 1>you could die. No, I won't die, But Bill, you could?

0:22:21.160 --> 0:22:23.440
<v Speaker 1>You could? You did? You could know? But it's way

0:22:23.520 --> 0:22:26.080
<v Speaker 1>up there. I mean the explosions, a thing on fire.

0:22:26.320 --> 0:22:28.600
<v Speaker 1>There could be a fire in there, remember that fire. Now,

0:22:28.640 --> 0:22:30.960
<v Speaker 1>all those astronauts dot, no, I'm gonna go. The Bill

0:22:31.080 --> 0:22:32.840
<v Speaker 1>you can't go, and they're trying to convince me not

0:22:32.920 --> 0:22:35.280
<v Speaker 1>to go. They really meant it too, not they meant

0:22:35.320 --> 0:22:38.000
<v Speaker 1>it now. Do you still stay in touch with with Bezos?

0:22:38.000 --> 0:22:39.560
<v Speaker 1>Did he call you at home? If you don't get

0:22:39.560 --> 0:22:43.680
<v Speaker 1>a guy who's Amazon, does he call your homes you

0:22:43.720 --> 0:22:45.359
<v Speaker 1>don't get a package in time? Can you pick up

0:22:45.359 --> 0:22:48.080
<v Speaker 1>the phone and call his cell and say, Bill, Jeff,

0:22:48.119 --> 0:22:50.160
<v Speaker 1>I ordered something. It was supposed to be here by three.

0:22:50.240 --> 0:22:52.240
<v Speaker 1>I had a guy, a well known guy. I won't

0:22:52.280 --> 0:22:55.400
<v Speaker 1>tell you his name, say to me, and I won't

0:22:55.440 --> 0:22:57.119
<v Speaker 1>even tell you the amount of money, But the amount

0:22:57.119 --> 0:23:01.800
<v Speaker 1>of money they offered me was incredible. Billions of dollars.

0:23:02.040 --> 0:23:03.960
<v Speaker 1>Bill Wait wait wait wait wait wait wait, he just

0:23:03.960 --> 0:23:08.400
<v Speaker 1>said billions of billions of dollars, millions of dollion, millions

0:23:08.400 --> 0:23:11.639
<v Speaker 1>of dollars. If I would go to Jeff Bezos and

0:23:11.680 --> 0:23:13.840
<v Speaker 1>see if he would buy this this thing that he

0:23:13.920 --> 0:23:18.480
<v Speaker 1>was selling. Oh, did you do it? No? And that

0:23:18.560 --> 0:23:24.399
<v Speaker 1>thing is Amazon. Bill didn't do it, not for the

0:23:24.440 --> 0:23:27.040
<v Speaker 1>guy he went and sold it. You know that the

0:23:27.119 --> 0:23:30.639
<v Speaker 1>smart idea? Did you ever did you think about? You know?

0:23:30.680 --> 0:23:32.720
<v Speaker 1>This reminds me of that somebody did a great joke.

0:23:32.800 --> 0:23:34.680
<v Speaker 1>I can't remember who it was. Maybe it was Robert

0:23:34.760 --> 0:23:38.000
<v Speaker 1>Klein about Neil Armstrong had to be the classiest man

0:23:38.119 --> 0:23:39.879
<v Speaker 1>ever because he goes to the moon, he steps on

0:23:39.920 --> 0:23:42.439
<v Speaker 1>the moon and he says, one small step for man

0:23:42.480 --> 0:23:44.520
<v Speaker 1>one giant lead from mankind. He said, you know, somebody

0:23:44.600 --> 0:23:46.080
<v Speaker 1>must have come to him and said, I'll give you

0:23:46.080 --> 0:23:47.840
<v Speaker 1>You'll be made for life if you step on the

0:23:47.880 --> 0:23:51.320
<v Speaker 1>moon and say Coca cola? Right? Did you? Did anybody

0:23:51.320 --> 0:23:56.080
<v Speaker 1>approach you to make a statement, like an endorsement or anything. People,

0:23:56.400 --> 0:24:00.240
<v Speaker 1>all kinds of people, um came to me and said,

0:24:00.240 --> 0:24:03.960
<v Speaker 1>if you'll take us up there. You know, there was

0:24:04.000 --> 0:24:10.480
<v Speaker 1>a land, a prestigious thing if something went into space.

0:24:11.240 --> 0:24:14.119
<v Speaker 1>So there were a number of people who said, if

0:24:14.119 --> 0:24:16.560
<v Speaker 1>you take this into space, it becomes that much more valuable.

0:24:17.119 --> 0:24:18.920
<v Speaker 1>The way people can't see this, who are just listening

0:24:18.960 --> 0:24:21.359
<v Speaker 1>to your ordiver. Bill's doing a country. So he's texting

0:24:21.400 --> 0:24:23.520
<v Speaker 1>somebody around to take another job. Bill, we will get

0:24:23.560 --> 0:24:29.240
<v Speaker 1>seven jobs while we're when you want there. I'm sorry,

0:24:29.320 --> 0:24:32.800
<v Speaker 1>but I think he's doing. He's selling, he's buying. He's

0:24:33.160 --> 0:24:37.080
<v Speaker 1>I was expecting, Bill, when you went to space, I'm

0:24:37.080 --> 0:24:47.720
<v Speaker 1>going to open the gate when you went to space,

0:24:48.000 --> 0:24:51.119
<v Speaker 1>I actually expected to. I expected you to wear a

0:24:51.200 --> 0:24:55.920
<v Speaker 1>jumpsuit that had patches like a NASCAR driver, chewing tobacco,

0:24:55.960 --> 0:25:00.600
<v Speaker 1>a preparation h your latest book, your latest TV show,

0:25:01.760 --> 0:25:05.920
<v Speaker 1>A twenty million dollars flight preparation age. I just came

0:25:05.920 --> 0:25:09.600
<v Speaker 1>to me, that's all. Why not do you think Bell?

0:25:09.680 --> 0:25:11.520
<v Speaker 1>I have a question for you because I just saw

0:25:11.520 --> 0:25:14.000
<v Speaker 1>you on the phone, and actually so I follow you

0:25:14.119 --> 0:25:19.000
<v Speaker 1>on social media and I and I love doing that,

0:25:19.240 --> 0:25:22.040
<v Speaker 1>but you do something that I really want to ask

0:25:22.080 --> 0:25:23.960
<v Speaker 1>you about it, and that is you get people that

0:25:24.680 --> 0:25:28.000
<v Speaker 1>take you on on social media. There haters, trolls, whatever

0:25:28.040 --> 0:25:31.200
<v Speaker 1>you want to call them. But unlike most celebrities, I

0:25:31.240 --> 0:25:35.440
<v Speaker 1>see you right back to them and sometimes really them

0:25:35.880 --> 0:25:39.000
<v Speaker 1>do they know? I understand? But you you, you are

0:25:39.640 --> 0:25:42.439
<v Speaker 1>you are fearless about that. You really well, what are

0:25:42.440 --> 0:25:45.480
<v Speaker 1>they gonna say? I hate you? Yeah? I know you

0:25:45.080 --> 0:25:47.239
<v Speaker 1>bills for your list about a lot of stuff. Can

0:25:47.280 --> 0:25:50.400
<v Speaker 1>I ask you this? Or one of the people works

0:25:50.400 --> 0:25:52.959
<v Speaker 1>with this said, you know what? Ask Bill? What's it

0:25:53.040 --> 0:25:56.720
<v Speaker 1>like being Bill Shiner? You've been You've been visible for

0:25:57.080 --> 0:26:00.280
<v Speaker 1>sixty five years? You know, you're donnderstand My mother looked

0:26:00.320 --> 0:26:02.240
<v Speaker 1>at me when I was born. I was visible then.

0:26:03.359 --> 0:26:05.560
<v Speaker 1>But you go after the day, how do people? I mean,

0:26:05.600 --> 0:26:08.359
<v Speaker 1>there's the there's a Star Trek in Santos, there's the

0:26:08.480 --> 0:26:10.880
<v Speaker 1>Denny Crane. People. You've been doing this for so long,

0:26:10.880 --> 0:26:13.879
<v Speaker 1>You're so visible how how what's that like being you

0:26:13.960 --> 0:26:16.159
<v Speaker 1>and going to the CBS to get a prescription and

0:26:16.280 --> 0:26:24.080
<v Speaker 1>doing your day. It's a little h hazardous. Do people?

0:26:25.240 --> 0:26:28.400
<v Speaker 1>I mean, are you allow? Are you generally I get

0:26:28.440 --> 0:26:30.919
<v Speaker 1>an injection as quickly as possible? Are you? Do you

0:26:30.960 --> 0:26:33.639
<v Speaker 1>feel like you can move through the world like a

0:26:33.720 --> 0:26:35.600
<v Speaker 1>normal person? Can you go to the movies? Can you

0:26:35.640 --> 0:26:37.640
<v Speaker 1>go to a restaurant? Can you go to the dry cleaners?

0:26:37.680 --> 0:26:41.879
<v Speaker 1>Can you run an errand and have a not without

0:26:42.000 --> 0:26:46.040
<v Speaker 1>being uncomfortable? On the other hand, mostly as people say,

0:26:46.200 --> 0:26:52.400
<v Speaker 1>you know, friendly high, but I'm somewhat I don't even

0:26:52.400 --> 0:26:58.200
<v Speaker 1>know what the right word would be. It's like coughing

0:27:00.080 --> 0:27:03.919
<v Speaker 1>when you it's not something you want to do, but

0:27:04.119 --> 0:27:09.560
<v Speaker 1>you have to do it. Yeah, yeah, but everybody. It's

0:27:09.640 --> 0:27:11.520
<v Speaker 1>like with Jason, you know what, it's weird. You go

0:27:11.640 --> 0:27:14.240
<v Speaker 1>with certain people and three people out of ten can

0:27:14.280 --> 0:27:16.320
<v Speaker 1>recognize and know who they are with him because of

0:27:16.440 --> 0:27:18.560
<v Speaker 1>Seinfeld and what he's done. It's ten out of ten.

0:27:18.720 --> 0:27:21.800
<v Speaker 1>Same with you. We go anywhere I watch from my

0:27:21.960 --> 0:27:26.520
<v Speaker 1>POV everyone it begins, the ripple goes through and oh

0:27:26.520 --> 0:27:29.160
<v Speaker 1>my god, And you mean so much to so many

0:27:29.200 --> 0:27:32.840
<v Speaker 1>people in so many different ways. But that must be

0:27:32.960 --> 0:27:35.720
<v Speaker 1>insane that everyone knows you when you go out. Well,

0:27:37.720 --> 0:27:39.720
<v Speaker 1>both of you have both of you been to my house.

0:27:39.800 --> 0:27:43.400
<v Speaker 1>You have, Yeah, so you know. I've got this giant

0:27:43.480 --> 0:27:46.920
<v Speaker 1>screen which I just had enhanced about two weeks ago.

0:27:46.960 --> 0:27:51.840
<v Speaker 1>In fact, that that Bell was the guy who fixed

0:27:51.880 --> 0:27:54.080
<v Speaker 1>the screen on the sound a couple of weeks ago,

0:27:54.520 --> 0:27:57.040
<v Speaker 1>is working on another part of the house on another screen.

0:27:58.680 --> 0:28:02.760
<v Speaker 1>So I've got eleven foot television screen. And I haven't

0:28:02.760 --> 0:28:05.840
<v Speaker 1>had Monday Foot Monday on football because of all the stuff.

0:28:05.840 --> 0:28:09.880
<v Speaker 1>But yeah, but I will as soon as we can, uh,

0:28:10.400 --> 0:28:14.399
<v Speaker 1>and everything settles down, so I don't have to go somewhere.

0:28:14.440 --> 0:28:17.080
<v Speaker 1>I can play movies. By the way, one of the

0:28:17.119 --> 0:28:19.919
<v Speaker 1>great tragedies of my life is that the Academy is

0:28:19.960 --> 0:28:28.479
<v Speaker 1>sending out screener uh, electronic movies, not blue yeah, blue thing. Yeah.

0:28:28.560 --> 0:28:31.239
<v Speaker 1>But you can do that. You can do that. I

0:28:31.280 --> 0:28:34.240
<v Speaker 1>can't get on it. You have an it guy, you have.

0:28:34.320 --> 0:28:35.960
<v Speaker 1>All I have to do is connect to your laptop,

0:28:36.240 --> 0:28:38.480
<v Speaker 1>you download the movie, and you can project it to

0:28:38.520 --> 0:28:41.000
<v Speaker 1>that screen. Trust me, it's easy to do. Yeah, your

0:28:41.040 --> 0:28:42.520
<v Speaker 1>tech your tech guy could do And by the way,

0:28:42.520 --> 0:28:44.560
<v Speaker 1>man mentioned Monday fundy football because this is something else

0:28:44.640 --> 0:28:47.520
<v Speaker 1>you don't know, and Jason means it. He it means

0:28:47.760 --> 0:28:50.800
<v Speaker 1>a whole lot to him that he got to meet you,

0:28:50.800 --> 0:28:53.280
<v Speaker 1>got to know you, that you were in our sitcom together.

0:28:53.680 --> 0:28:55.760
<v Speaker 1>But Jason won't said to me, you know, Bill invites

0:28:55.800 --> 0:28:57.760
<v Speaker 1>me to Monday in football. You tell it. Well, I

0:28:57.800 --> 0:29:01.200
<v Speaker 1>actually heard you say something on online and I went, oh,

0:29:01.240 --> 0:29:04.600
<v Speaker 1>I gotta call Bill. You were you were so funny,

0:29:04.640 --> 0:29:07.880
<v Speaker 1>you were so great. You you were reviewing people who

0:29:07.920 --> 0:29:10.120
<v Speaker 1>do imitations of you, and you were giving feedback on

0:29:10.160 --> 0:29:12.360
<v Speaker 1>how good the invitation was. And I was included in

0:29:12.400 --> 0:29:14.640
<v Speaker 1>that list. And you said something about, yeah, you know

0:29:14.680 --> 0:29:16.200
<v Speaker 1>I used to come to the house and I invited.

0:29:16.240 --> 0:29:18.000
<v Speaker 1>I mean, it doesn't come anymore. I don't know what happened.

0:29:18.040 --> 0:29:20.800
<v Speaker 1>And I I gotta call Bill because the problem was,

0:29:20.920 --> 0:29:22.960
<v Speaker 1>it's not you, this is this is me. This is

0:29:23.000 --> 0:29:25.959
<v Speaker 1>my problem. The first thing is I'm not a sports guy.

0:29:25.960 --> 0:29:28.280
<v Speaker 1>I don't care about football. So I was coming to

0:29:28.800 --> 0:29:31.720
<v Speaker 1>be with you. And what happens to me when I

0:29:31.760 --> 0:29:35.920
<v Speaker 1>get in a room with people that I admire that

0:29:36.040 --> 0:29:39.080
<v Speaker 1>I'm not yet truly truly close with, I always go

0:29:39.280 --> 0:29:42.200
<v Speaker 1>they don't want me here, They didn't really want me here.

0:29:42.240 --> 0:29:46.200
<v Speaker 1>I didn't I didn't. I didn't. I feel very small,

0:29:46.240 --> 0:29:50.720
<v Speaker 1>and I feel I diminished myself, and I project a

0:29:50.840 --> 0:29:53.760
<v Speaker 1>kind of you know, they're just doing it to be now.

0:29:53.840 --> 0:29:56.120
<v Speaker 1>I make all kinds of excuses in my head. And

0:29:56.160 --> 0:29:58.920
<v Speaker 1>so for me, I stopped coming because I went, he

0:29:58.960 --> 0:30:03.400
<v Speaker 1>doesn't you know and need me. I'm just the you know,

0:30:03.520 --> 0:30:06.200
<v Speaker 1>he's just being sweet and you know, and I tell

0:30:06.240 --> 0:30:11.120
<v Speaker 1>you something, Jason. And I don't know whether this is common,

0:30:11.840 --> 0:30:16.320
<v Speaker 1>because you see these pictures of how suave these actors look,

0:30:16.480 --> 0:30:22.440
<v Speaker 1>and they they they flow through lines and interviews, and

0:30:22.520 --> 0:30:25.160
<v Speaker 1>they look so good in their clothes, and their hair

0:30:25.320 --> 0:30:29.360
<v Speaker 1>is so good, and and the women they're with, they're glamorous.

0:30:29.400 --> 0:30:32.760
<v Speaker 1>And and I go to those things. When I go

0:30:32.880 --> 0:30:36.400
<v Speaker 1>on the rare kiche. Now that I go, I'm thinking,

0:30:36.600 --> 0:30:39.040
<v Speaker 1>what am I doing here? I don't know anybody. I

0:30:39.080 --> 0:30:44.360
<v Speaker 1>don't feel comfortable. I stand by myself. You know, I

0:30:44.400 --> 0:30:47.000
<v Speaker 1>really don't know anybody. And so I don't go to

0:30:47.040 --> 0:30:51.080
<v Speaker 1>these events. And they say, all right, we've got we've

0:30:51.080 --> 0:30:53.080
<v Speaker 1>got this event. We want to we want to make

0:30:53.120 --> 0:30:56.560
<v Speaker 1>you the citizen of the the century of I don't know.

0:30:56.640 --> 0:30:58.720
<v Speaker 1>I don't they're just doing it for publicity. I'm not

0:30:58.720 --> 0:31:01.000
<v Speaker 1>gonna go turn it down. I tell you one I

0:31:01.040 --> 0:31:03.320
<v Speaker 1>did pick up though that I'm going to go to. Yeah,

0:31:03.440 --> 0:31:11.680
<v Speaker 1>that's not far away. The next several weeks the California

0:31:13.560 --> 0:31:18.000
<v Speaker 1>Music Hall of Fame. They're entering me into the California

0:31:18.080 --> 0:31:22.480
<v Speaker 1>Music Hall of Fame. Is that that blows everybody's mind.

0:31:23.120 --> 0:31:26.680
<v Speaker 1>I think you've done how many? How many albums have

0:31:26.760 --> 0:31:29.240
<v Speaker 1>you done? Now? How many albums you've done? Five? Five albums?

0:31:29.840 --> 0:31:31.800
<v Speaker 1>I think more. I think seven or eight. All right, now,

0:31:31.760 --> 0:31:34.280
<v Speaker 1>I got to ask you a question. I've got two coming.

0:31:34.320 --> 0:31:36.280
<v Speaker 1>I've got two I'm not out there now, called Bill,

0:31:36.560 --> 0:31:39.720
<v Speaker 1>which is available right now. Songs that that I and

0:31:40.360 --> 0:31:44.040
<v Speaker 1>h and Robert Cherno wrote and then I performed at

0:31:44.160 --> 0:31:50.040
<v Speaker 1>Kennedy's Center at a extraordinary moment in my life. I

0:31:50.080 --> 0:31:52.760
<v Speaker 1>don't know that we have the time to talk with

0:31:52.840 --> 0:31:54.120
<v Speaker 1>you from and we don't want to. We don't want

0:31:54.120 --> 0:31:57.920
<v Speaker 1>to lose money. Yeah, oh my god, it's a job.

0:31:57.960 --> 0:32:00.320
<v Speaker 1>I have to go. If you just send him money,

0:32:00.320 --> 0:32:02.920
<v Speaker 1>it just says a million bucks pick it up. But wait,

0:32:02.960 --> 0:32:08.800
<v Speaker 1>soles Less, I worked for less than that. Now. But

0:32:09.160 --> 0:32:11.320
<v Speaker 1>here's what I want to know. I seriously want to

0:32:11.360 --> 0:32:13.200
<v Speaker 1>know about this because you are I just want to

0:32:13.240 --> 0:32:16.280
<v Speaker 1>finish this. But it's about it's about your music. Ahead.

0:32:16.400 --> 0:32:20.280
<v Speaker 1>I entertained at at the Music Center at the Kennedy

0:32:20.360 --> 0:32:23.160
<v Speaker 1>Music at the Opera and to a seventy piece orchestra

0:32:23.200 --> 0:32:27.840
<v Speaker 1>and the songs that that Cherno and I wrote, and

0:32:28.200 --> 0:32:32.800
<v Speaker 1>it was an incredible success. Uh. It was like the

0:32:32.800 --> 0:32:37.400
<v Speaker 1>farthest thing from the first album I had, which was

0:32:38.000 --> 0:32:43.160
<v Speaker 1>mocked to performing at the leading cultural center in the

0:32:43.240 --> 0:32:47.960
<v Speaker 1>United States. Wow, to applause, that they wouldn't let me

0:32:48.000 --> 0:32:52.080
<v Speaker 1>off the stage, and that whole arc of design that

0:32:52.160 --> 0:32:57.640
<v Speaker 1>I keep talking about the the universe looking after me,

0:32:58.520 --> 0:33:02.760
<v Speaker 1>that I had a major singing musical and not singing

0:33:03.040 --> 0:33:06.760
<v Speaker 1>musical success that's going to come out as a documentary

0:33:07.000 --> 0:33:12.680
<v Speaker 1>and as an album live. That thee is going to

0:33:12.720 --> 0:33:15.320
<v Speaker 1>be unbelievable. I don't doubt it. But now here's my

0:33:15.400 --> 0:33:18.440
<v Speaker 1>question for you, because again, you know, I adore you,

0:33:18.480 --> 0:33:20.800
<v Speaker 1>and I everything you've done I think I'm aware of,

0:33:20.840 --> 0:33:24.040
<v Speaker 1>and I have many of your albums, and I actually

0:33:24.080 --> 0:33:26.840
<v Speaker 1>appreciate the artistry on those albums, I really really do.

0:33:27.160 --> 0:33:29.720
<v Speaker 1>I also have Leonard Mooy's albums where he sang and

0:33:29.800 --> 0:33:32.480
<v Speaker 1>you know, not a great singer, you have a fantastic

0:33:32.560 --> 0:33:36.720
<v Speaker 1>speaking voice. Why I've never asked you this? Why have

0:33:36.800 --> 0:33:43.040
<v Speaker 1>you never chosen to actually sing on your albums? I can't.

0:33:43.480 --> 0:33:45.360
<v Speaker 1>It's not this a man who says I can do anything.

0:33:45.840 --> 0:33:51.080
<v Speaker 1>You went into space. That's nothing to do with Let's

0:33:51.160 --> 0:33:55.160
<v Speaker 1>let's what's your claim about why you, Jason Jason can sing?

0:33:55.920 --> 0:33:58.080
<v Speaker 1>And why do you think you can't let me ask

0:33:58.120 --> 0:34:02.440
<v Speaker 1>you about singing? Yeah? You do? You do you harden

0:34:02.520 --> 0:34:05.880
<v Speaker 1>your glottis? Do you do you go? Do you do

0:34:05.920 --> 0:34:07.920
<v Speaker 1>you do a number on your back of your voice?

0:34:09.120 --> 0:34:11.080
<v Speaker 1>I know, I don't know how to describe it. I

0:34:11.080 --> 0:34:12.919
<v Speaker 1>don't know what you I know what you're talking about.

0:34:12.960 --> 0:34:16.880
<v Speaker 1>I have studied many different techniques and approaches to singing

0:34:16.880 --> 0:34:20.480
<v Speaker 1>over the years, only because I was a Broadway singer.

0:34:20.560 --> 0:34:22.600
<v Speaker 1>So my natural voice was fine. If I only had

0:34:22.640 --> 0:34:24.920
<v Speaker 1>to get up and sing at a party, no problem.

0:34:25.320 --> 0:34:28.160
<v Speaker 1>But to keep a healthy voice for eight performances a

0:34:28.200 --> 0:34:31.839
<v Speaker 1>week that required training. So I know what you're talking about.

0:34:31.880 --> 0:34:34.800
<v Speaker 1>And there are some theories about, yes, manipulating the glottis

0:34:34.800 --> 0:34:38.799
<v Speaker 1>in a certain way, But why do you feel you

0:34:38.920 --> 0:34:44.719
<v Speaker 1>cannot sing? You're not tone deaf? Well, I'm I'm as

0:34:44.760 --> 0:34:47.560
<v Speaker 1>against to have an absolute pitch. I have relative pitch.

0:34:47.640 --> 0:34:51.080
<v Speaker 1>I had relative pitch. I studied singing for a while

0:34:51.440 --> 0:34:53.160
<v Speaker 1>and then they're the dint of work and all I

0:34:53.400 --> 0:34:56.319
<v Speaker 1>gave it up, and I really, I really, you know

0:34:56.360 --> 0:34:58.960
<v Speaker 1>how kids walk around. My mother should have made me

0:34:59.120 --> 0:35:04.279
<v Speaker 1>take piano. Yeah, I should have gone. I should have

0:35:04.360 --> 0:35:07.920
<v Speaker 1>taken voice lessons. I had about six months and I

0:35:07.960 --> 0:35:12.160
<v Speaker 1>started to get relative pitch and stay on key, and

0:35:12.200 --> 0:35:17.320
<v Speaker 1>then I just I gave it because I was busy,

0:35:17.760 --> 0:35:21.279
<v Speaker 1>and even auditioned for a Broadway musical way way back,

0:35:21.600 --> 0:35:24.200
<v Speaker 1>and and the producer was very kind, saying, that's very nice,

0:35:24.239 --> 0:35:26.560
<v Speaker 1>and sure we would benefit from having you there, but

0:35:27.120 --> 0:35:31.719
<v Speaker 1>you know we need a singer. So I never I

0:35:31.760 --> 0:35:37.280
<v Speaker 1>never sustained a note. But my my admiration for talent

0:35:38.120 --> 0:35:42.080
<v Speaker 1>goes always goes to singers, especially trained singers. Can we

0:35:42.080 --> 0:35:44.799
<v Speaker 1>hear you? I got hear you. Can you sing a

0:35:44.840 --> 0:35:47.480
<v Speaker 1>line of anything? I don't know what? I don't know?

0:35:48.080 --> 0:35:53.239
<v Speaker 1>Oh say, can you see? I'm that's fantastic. But you

0:35:53.280 --> 0:35:55.120
<v Speaker 1>know what I would do? You know what I would

0:35:55.120 --> 0:35:59.080
<v Speaker 1>do and what I've done? Yea? Oh say, can you

0:35:59.239 --> 0:36:05.359
<v Speaker 1>see by the dawn's early light? Sure? Proud of we

0:36:05.480 --> 0:36:10.960
<v Speaker 1>had at the twilight. Do the best. She won't do it?

0:36:11.040 --> 0:36:14.400
<v Speaker 1>Do it? Do it without right now here? You? Oh say,

0:36:14.960 --> 0:36:20.360
<v Speaker 1>can you see by the dawn's early light? No, no, no,

0:36:21.440 --> 0:36:25.000
<v Speaker 1>it sucked. I got into it in your hand because

0:36:25.000 --> 0:36:28.000
<v Speaker 1>of how good I do. I got into college. I auditioned.

0:36:28.040 --> 0:36:29.400
<v Speaker 1>I didn't know that you were a friend of his.

0:36:29.800 --> 0:36:32.040
<v Speaker 1>You worked when you were a very young man. You worked.

0:36:32.320 --> 0:36:34.800
<v Speaker 1>You did some Shakespeare up in Canada with a gentleman.

0:36:35.200 --> 0:36:38.239
<v Speaker 1>Shakespeare was in Shakespeare exactly, and you were in that

0:36:38.320 --> 0:36:41.960
<v Speaker 1>company with a gentleman named William Lacey. Bill Lacey, who

0:36:42.000 --> 0:36:44.960
<v Speaker 1>went on to become the speech teacher for actors at

0:36:45.000 --> 0:36:48.040
<v Speaker 1>Boston University. And he was the guy I auditioned for.

0:36:48.680 --> 0:36:51.360
<v Speaker 1>I had to do the opening monologue from Equist. I

0:36:51.440 --> 0:36:56.840
<v Speaker 1>knew nothing about acting, So I did you, which is

0:36:56.880 --> 0:37:00.880
<v Speaker 1>with one particular horse, the doctor. Yeah, with one particular

0:37:00.920 --> 0:37:05.840
<v Speaker 1>host called Nugget. He embraces the animals. I don't want to,

0:37:05.920 --> 0:37:07.879
<v Speaker 1>I don't want well, let me tell you. I did

0:37:07.920 --> 0:37:11.760
<v Speaker 1>the hole monologue. I did the monologue, and Bill Lacy

0:37:11.800 --> 0:37:13.560
<v Speaker 1>said to me, you know, I have no idea if

0:37:13.560 --> 0:37:15.279
<v Speaker 1>you can act or not. But that's the finest Bill

0:37:15.320 --> 0:37:19.280
<v Speaker 1>Shatner imitation I've ever heard, and he let me into

0:37:18.080 --> 0:37:21.520
<v Speaker 1>the lee. Let's clear up. Can can we like a

0:37:21.640 --> 0:37:23.640
<v Speaker 1>lightning round? Although nothing's like but wait, I want to

0:37:23.640 --> 0:37:26.279
<v Speaker 1>ask you about the case. It's about this. I got ahead,

0:37:26.520 --> 0:37:30.680
<v Speaker 1>go ahead. So the phrasing on on the on the

0:37:30.760 --> 0:37:34.359
<v Speaker 1>National Act would be, oh say can you see by

0:37:34.440 --> 0:37:39.160
<v Speaker 1>the dog's early light? What's so proud? That's sure phrasing.

0:37:39.600 --> 0:37:42.239
<v Speaker 1>See the difference, Jason the pro right. You don't do

0:37:42.280 --> 0:37:44.920
<v Speaker 1>a good shatter. We do imitations. We were not that

0:37:45.080 --> 0:37:48.560
<v Speaker 1>you have what makes you the legitim sez he sees

0:37:48.600 --> 0:37:51.400
<v Speaker 1>you're acting. We're only doing a parody of it. So

0:37:51.480 --> 0:37:53.520
<v Speaker 1>that's my question. So a couple, there's been a lot

0:37:53.640 --> 0:37:58.360
<v Speaker 1>of info about you that's erroneous. Whatever Broadway world of

0:37:58.400 --> 0:38:01.120
<v Speaker 1>Susie Wong audience doesn't come from the intermission A lot

0:38:01.120 --> 0:38:03.840
<v Speaker 1>of them. That's how you developed the cadence to is

0:38:03.840 --> 0:38:08.000
<v Speaker 1>that true or false? Well, that has a certain amount

0:38:08.040 --> 0:38:10.000
<v Speaker 1>of truth to it. I didn't know people were talking

0:38:10.000 --> 0:38:12.480
<v Speaker 1>about that, but that's true. We got there were seven

0:38:12.480 --> 0:38:16.880
<v Speaker 1>newspapers on this Broadway show that I started, and seven

0:38:16.920 --> 0:38:19.279
<v Speaker 1>newspapers said it's the worst show they've ever seen. It

0:38:19.360 --> 0:38:21.799
<v Speaker 1>should close now. But we hadn't an advanced sale of

0:38:21.920 --> 0:38:25.120
<v Speaker 1>three months. I mean all the leading lights of Broadway

0:38:25.360 --> 0:38:28.040
<v Speaker 1>had been working on it, so we had to run

0:38:28.160 --> 0:38:31.840
<v Speaker 1>three months. During that three month period, I took fifteen

0:38:31.880 --> 0:38:34.560
<v Speaker 1>minutes out of the running time and instead of saying O,

0:38:34.760 --> 0:38:37.839
<v Speaker 1>say can you see it by the Dons early letter,

0:38:38.080 --> 0:38:40.440
<v Speaker 1>isaic can you see by the Dons early light? And

0:38:40.560 --> 0:38:44.200
<v Speaker 1>it became a comedy and we ran for two years.

0:38:44.440 --> 0:38:47.080
<v Speaker 1>Wow did you okay? On Broadway stage? Do you punch

0:38:47.120 --> 0:38:49.839
<v Speaker 1>a guy out? Say that? Did you punch your guard

0:38:50.000 --> 0:38:52.360
<v Speaker 1>to punch the gut? On Broadway? It was another actor

0:38:52.760 --> 0:38:55.640
<v Speaker 1>who was touching you, were punching you as part of

0:38:55.680 --> 0:38:58.759
<v Speaker 1>the show, and you know it wasn't part of the

0:38:58.800 --> 0:39:02.600
<v Speaker 1>show ahead. That's why I punched up on stage. He

0:39:02.680 --> 0:39:07.359
<v Speaker 1>was a former Olympic swimmer from Australia. Okay, he's got one,

0:39:07.719 --> 0:39:10.799
<v Speaker 1>he's got one. He's got a smallish part, he's got

0:39:10.800 --> 0:39:13.480
<v Speaker 1>a big brief. He's the feature player. But he's got

0:39:13.520 --> 0:39:16.959
<v Speaker 1>one line that gets a laugh. So when he got

0:39:16.960 --> 0:39:20.399
<v Speaker 1>a laugh, he'd clap me on the shoulder acceptably. Which

0:39:20.520 --> 0:39:23.839
<v Speaker 1>wasn't there opening night. Okay, So if it's not there

0:39:23.880 --> 0:39:26.279
<v Speaker 1>opening night, the show is supposed to be frozen. At

0:39:26.320 --> 0:39:28.680
<v Speaker 1>opening night, you don't do anymore. You don't bring the

0:39:28.760 --> 0:39:31.040
<v Speaker 1>glass any close through, you don't bring it for the further.

0:39:31.680 --> 0:39:36.080
<v Speaker 1>It's frozen because if you move the glass of water

0:39:36.400 --> 0:39:40.080
<v Speaker 1>here next night, the second night, and the third night,

0:39:40.120 --> 0:39:42.640
<v Speaker 1>and the fourth night. By the end of the first week,

0:39:42.960 --> 0:39:45.719
<v Speaker 1>there's a glass of water is way over there, which

0:39:45.800 --> 0:39:48.360
<v Speaker 1>now is awkward because it spoils the timing. So you

0:39:48.520 --> 0:39:51.160
<v Speaker 1>got to freeze the show so you don't hit somebody

0:39:51.160 --> 0:39:54.160
<v Speaker 1>in the shoulder after opening night. So he yet to

0:39:54.239 --> 0:39:57.160
<v Speaker 1>hit me on the shoulder lightly if he got the laugh,

0:39:57.520 --> 0:39:59.239
<v Speaker 1>but if he didn't get to laugh. And there's a

0:39:59.280 --> 0:40:05.040
<v Speaker 1>former Olympic swimmer, he collapped me and I got One day,

0:40:05.080 --> 0:40:07.799
<v Speaker 1>I said to him, you know, whatever his name was,

0:40:08.600 --> 0:40:11.000
<v Speaker 1>this scene is becoming. Whether I get hit on the

0:40:11.000 --> 0:40:14.200
<v Speaker 1>shoulder and I wins because it hurts or not. I

0:40:14.280 --> 0:40:17.600
<v Speaker 1>began to anticipate and dread this very moment. You gotta

0:40:17.640 --> 0:40:20.480
<v Speaker 1>stop hitting me, he said, Oh, And the next night

0:40:20.520 --> 0:40:23.000
<v Speaker 1>he hit me even harder. So then I went to

0:40:23.080 --> 0:40:25.800
<v Speaker 1>the stage manager and I said to the stage manager,

0:40:25.840 --> 0:40:28.640
<v Speaker 1>you know, Stonzo is hitting me and it wasn't there

0:40:28.640 --> 0:40:30.960
<v Speaker 1>over night. Can you talk to him about not hitting me.

0:40:31.360 --> 0:40:35.360
<v Speaker 1>So the stage man then went to the director, Um,

0:40:35.880 --> 0:40:40.640
<v Speaker 1>what's his name? We did Picnic and Broadway the great

0:40:40.920 --> 0:40:46.160
<v Speaker 1>Uh Google look it up. No, no, the other one. Oh,

0:40:46.239 --> 0:40:50.440
<v Speaker 1>come on, Joshua Logan. Joshua Logan. Okay. So I went

0:40:50.520 --> 0:40:53.640
<v Speaker 1>to Joshua Logan, the director. I said, josh he's hitting

0:40:53.640 --> 0:40:56.080
<v Speaker 1>me on the shoulder. Can you okay? He goes. I

0:40:56.120 --> 0:41:03.040
<v Speaker 1>went to the union. Okay, so people of weeks are

0:41:03.040 --> 0:41:06.200
<v Speaker 1>going to all these authority figures. I say to him, listen,

0:41:06.239 --> 0:41:07.560
<v Speaker 1>if you hit me one more time, I'm got to

0:41:07.600 --> 0:41:16.960
<v Speaker 1>hit you back either really really, oh really okay, and

0:41:17.160 --> 0:41:21.280
<v Speaker 1>he hits me. He collaborate. I go following. I punched

0:41:21.320 --> 0:41:25.960
<v Speaker 1>him back on stage, whereupon this curtain comes down and

0:41:26.040 --> 0:41:29.000
<v Speaker 1>now he rushes at me. He's gonna kill me. He's

0:41:29.000 --> 0:41:32.279
<v Speaker 1>an Olympic swimmer. He takes a swing at me. I

0:41:32.640 --> 0:41:35.720
<v Speaker 1>duck and he hits a prop man in the chest,

0:41:36.280 --> 0:41:43.640
<v Speaker 1>giving him what did they wonderful football player get heart?

0:41:44.200 --> 0:41:50.880
<v Speaker 1>Oh no and think three three, you know the heart pumping.

0:41:51.560 --> 0:41:56.239
<v Speaker 1>The next night, the producer, the great producer with the mustache,

0:41:57.200 --> 0:42:03.520
<v Speaker 1>David so Jay Ray Roy Merrick read what was his name?

0:42:04.400 --> 0:42:08.560
<v Speaker 1>David Merrick? Producer is this like one of the great

0:42:08.600 --> 0:42:12.840
<v Speaker 1>Broadway contingent for that show. So David Merrick comes in

0:42:12.960 --> 0:42:14.759
<v Speaker 1>and he says, yeah, here, you're having good trouble and

0:42:14.800 --> 0:42:20.480
<v Speaker 1>we're gonna you know, the stage doors, the stage rooms

0:42:21.120 --> 0:42:23.760
<v Speaker 1>where the actors go are little cubicles made of cement,

0:42:24.200 --> 0:42:27.600
<v Speaker 1>and they got a door that swings close, so it's

0:42:27.640 --> 0:42:31.000
<v Speaker 1>a fire thing. All the doors are propped open by

0:42:31.040 --> 0:42:34.239
<v Speaker 1>a little wedge, so the doors are open unless you

0:42:34.360 --> 0:42:36.200
<v Speaker 1>kick the wedge out, and the door is closed if

0:42:36.200 --> 0:42:40.160
<v Speaker 1>you're getting dressed. So that guy comes into my room

0:42:40.160 --> 0:42:44.120
<v Speaker 1>while David America is there, and he kicks the wedge

0:42:44.200 --> 0:42:47.319
<v Speaker 1>out and the door slams shut, and now three of

0:42:47.400 --> 0:42:51.719
<v Speaker 1>us are locked in a cubicle twelve by twelve. It

0:42:51.800 --> 0:42:55.840
<v Speaker 1>was then I realized were all animals, because I was

0:42:55.920 --> 0:42:59.120
<v Speaker 1>looking at his throat and I thought, what I'm going

0:42:59.160 --> 0:43:01.080
<v Speaker 1>to do is I'm going to leap upon him and

0:43:01.239 --> 0:43:04.160
<v Speaker 1>tear his throat out with my teeth. That's really what

0:43:04.200 --> 0:43:07.080
<v Speaker 1>I thought. And meanwhile, what's the face of trying to

0:43:07.080 --> 0:43:13.879
<v Speaker 1>make wow? Let me just say wow wow wow, right

0:43:13.920 --> 0:43:17.840
<v Speaker 1>wow wows headlines. Listen, We're not going to keep you

0:43:17.920 --> 0:43:19.759
<v Speaker 1>much along. I want to ask you a question, I'm

0:43:19.800 --> 0:43:22.880
<v Speaker 1>just getting warmed up. Well, we have people, We have

0:43:22.920 --> 0:43:26.680
<v Speaker 1>the people to talk to people. First of all, I

0:43:26.719 --> 0:43:31.480
<v Speaker 1>want to one of the reasons we one of the

0:43:31.480 --> 0:43:34.440
<v Speaker 1>big reasons that we really went, really know really about you,

0:43:34.960 --> 0:43:38.280
<v Speaker 1>is that at age ninety one, you are doing ninety

0:43:38.320 --> 0:43:45.520
<v Speaker 1>two excuse me, march very good. You seemingly do more honestly,

0:43:45.600 --> 0:43:49.959
<v Speaker 1>between the charities and the and the professional work and

0:43:50.440 --> 0:43:56.040
<v Speaker 1>the first side projects. What can you can you speak

0:43:56.080 --> 0:43:59.400
<v Speaker 1>to that at all, this this vitality, this juada vive,

0:43:59.560 --> 0:44:02.839
<v Speaker 1>this curiosity that you maintain. You know, many many people

0:44:02.880 --> 0:44:06.280
<v Speaker 1>when they get to that kind of a ripe old age,

0:44:06.760 --> 0:44:10.080
<v Speaker 1>they start to lean back, They settle back, they're less curious,

0:44:10.120 --> 0:44:14.040
<v Speaker 1>they're less leaned back because because you don't, you're not

0:44:14.080 --> 0:44:18.560
<v Speaker 1>as strong. My shoulders are really painful. You're not as

0:44:18.560 --> 0:44:22.399
<v Speaker 1>strong as you were, and your stamina isn't the same.

0:44:23.680 --> 0:44:30.000
<v Speaker 1>But here's the thought, guys, here's the basics of everything

0:44:30.040 --> 0:44:34.520
<v Speaker 1>for me, and that is when we were I've got

0:44:33.680 --> 0:44:39.040
<v Speaker 1>a great grandson is approaching three. I see him wandering

0:44:39.040 --> 0:44:41.600
<v Speaker 1>around him. Why look up with that? And that's what again,

0:44:41.600 --> 0:44:44.120
<v Speaker 1>whids gonna look up that we get And he's like

0:44:45.040 --> 0:44:48.440
<v Speaker 1>everything is new to him. The texture of banana is

0:44:48.480 --> 0:44:50.239
<v Speaker 1>new to him. Why did he look at this man

0:44:52.080 --> 0:44:55.960
<v Speaker 1>that until you're around seven or eight, is the inner child,

0:44:57.120 --> 0:44:59.800
<v Speaker 1>That curious inner child is in all of us, that

0:45:00.040 --> 0:45:05.000
<v Speaker 1>curious child. That child is in all of us, vulnerable, hurt,

0:45:07.000 --> 0:45:09.560
<v Speaker 1>having left your mother's teeth, having to get on the

0:45:09.640 --> 0:45:13.880
<v Speaker 1>bus to school, having to leave home. Everything has hurt

0:45:13.960 --> 0:45:18.359
<v Speaker 1>you as a kid. And you're trying to tell your child, Hey,

0:45:18.719 --> 0:45:20.320
<v Speaker 1>you gotta get on the bus to school because you

0:45:20.400 --> 0:45:22.160
<v Speaker 1>got to get an educate. Well, I don't want to go,

0:45:22.239 --> 0:45:24.279
<v Speaker 1>I don't want to leave your money. You gotta get

0:45:24.280 --> 0:45:28.680
<v Speaker 1>on tearing, the tearing of a child. So everything is hurtful.

0:45:28.719 --> 0:45:32.799
<v Speaker 1>So there's this hurt child that is curious in all

0:45:32.840 --> 0:45:37.160
<v Speaker 1>of us. The more you can keep that alive, the

0:45:37.160 --> 0:45:41.400
<v Speaker 1>more you can keep that child vulnerable and curious, the

0:45:41.440 --> 0:45:44.360
<v Speaker 1>more open you are to life. Everything is a is

0:45:44.400 --> 0:45:48.200
<v Speaker 1>a is an adventure. Everything coming on your show through

0:45:48.239 --> 0:45:52.319
<v Speaker 1>these two wonderful guys who who joined forces like like

0:45:52.440 --> 0:45:57.760
<v Speaker 1>two great rivers coming down into being the Missus Stippy.

0:45:57.960 --> 0:46:00.520
<v Speaker 1>You guys are the Missus Zippi. Why but you know what,

0:46:00.880 --> 0:46:03.680
<v Speaker 1>the reason, the reason that you're so amazing too is

0:46:04.239 --> 0:46:06.520
<v Speaker 1>like I grew up in a house. We're in so

0:46:06.640 --> 0:46:08.879
<v Speaker 1>many houses, and I didn't realize it till later on

0:46:09.680 --> 0:46:11.840
<v Speaker 1>Can I do this? No? Can? I'm I was in

0:46:11.920 --> 0:46:15.440
<v Speaker 1>no dead. My default was no. And somebody pointed out

0:46:15.440 --> 0:46:17.080
<v Speaker 1>out to me one day and I went, why do

0:46:17.120 --> 0:46:19.520
<v Speaker 1>I default? I think it was parental or fear from

0:46:19.520 --> 0:46:21.680
<v Speaker 1>my parents that I got it. You're not a nope.

0:46:22.000 --> 0:46:25.600
<v Speaker 1>The big thing about you curus Yes, but you say

0:46:25.680 --> 0:46:27.719
<v Speaker 1>yes to everything? When were you when to death? What

0:46:27.760 --> 0:46:30.640
<v Speaker 1>was the you say yes to everything? I don't mean

0:46:30.640 --> 0:46:32.839
<v Speaker 1>you get on the bridge and they says I jump

0:46:33.000 --> 0:46:35.680
<v Speaker 1>yes and you jump no. But stuff that other people

0:46:35.680 --> 0:46:39.160
<v Speaker 1>would say yes to, opportunity, say yes to life, say

0:46:39.239 --> 0:46:43.120
<v Speaker 1>yes to coming on your show. You. I love you,

0:46:43.200 --> 0:46:46.320
<v Speaker 1>two guys. I'm wondering what you're doing really or really

0:46:48.120 --> 0:46:52.759
<v Speaker 1>here I am and Bill let me ask it not

0:46:52.800 --> 0:46:56.319
<v Speaker 1>to get more of it at all. I'm really curious death.

0:46:56.840 --> 0:46:58.160
<v Speaker 1>You do feel? I was going to say, do you

0:46:58.200 --> 0:47:01.880
<v Speaker 1>bring that same curiosity about Here's here's what a way

0:47:01.920 --> 0:47:03.479
<v Speaker 1>I go about life. I don't know whether you've gotten

0:47:03.480 --> 0:47:06.520
<v Speaker 1>to that point yet. You two guys, you get up

0:47:06.520 --> 0:47:10.480
<v Speaker 1>and think, oh God, either oh wow. I feel I'm

0:47:10.520 --> 0:47:12.400
<v Speaker 1>not going to die to day I feel good? Or

0:47:12.840 --> 0:47:17.000
<v Speaker 1>oh is the shows? I wonder? I wonder if I'm dying,

0:47:17.760 --> 0:47:19.399
<v Speaker 1>because you don't know what it is like to die.

0:47:19.800 --> 0:47:24.799
<v Speaker 1>Maybe you're dying. Maybe you're dying and you don't know

0:47:24.880 --> 0:47:30.560
<v Speaker 1>it until you die. You holy, I died. You told

0:47:30.600 --> 0:47:32.480
<v Speaker 1>me years ago. I said, why do you do so much?

0:47:32.520 --> 0:47:33.880
<v Speaker 1>And you said, because I'm scared I'm not going to

0:47:33.960 --> 0:47:35.880
<v Speaker 1>be able to I want to get it all in.

0:47:36.080 --> 0:47:38.879
<v Speaker 1>I want to get I'm rushing around trying to do things. Yeah,

0:47:39.480 --> 0:47:41.040
<v Speaker 1>by the way, just a little thing to take this

0:47:41.200 --> 0:47:43.840
<v Speaker 1>back to the toilet. You don't know that you and

0:47:43.920 --> 0:47:48.920
<v Speaker 1>Jason have a similar Broadway experience. You wait, wait, wait,

0:47:48.960 --> 0:47:51.480
<v Speaker 1>you pooped your pants on a Broadway stage on an

0:47:51.480 --> 0:47:56.680
<v Speaker 1>opening night, Jason, Jason came this clarely averting his pants

0:47:56.680 --> 0:48:00.640
<v Speaker 1>on exactly tell me how you were a bird. I

0:48:00.680 --> 0:48:03.440
<v Speaker 1>honestly don't know how I avoided it. But I was

0:48:03.480 --> 0:48:06.520
<v Speaker 1>doing a Neil Simon play. And when I walked on

0:48:06.560 --> 0:48:08.040
<v Speaker 1>stage and act one, I was going to be there

0:48:08.040 --> 0:48:10.960
<v Speaker 1>for an hour and change. And I walked on what

0:48:11.440 --> 0:48:12.960
<v Speaker 1>I was going to be on stage for over an

0:48:13.000 --> 0:48:15.279
<v Speaker 1>hour the minute I set foot on the stage. And

0:48:15.400 --> 0:48:18.040
<v Speaker 1>on this one night, the minute I got on that stage,

0:48:18.080 --> 0:48:20.719
<v Speaker 1>I went, oh my god, I'm in deep trouble. I'm

0:48:20.760 --> 0:48:24.160
<v Speaker 1>in deep trouble. And I'm thinking so like like you,

0:48:24.280 --> 0:48:28.520
<v Speaker 1>I'm jumping lines, I'm moving as fast as I can.

0:48:29.200 --> 0:48:33.200
<v Speaker 1>And but here's that in our show. The set was

0:48:33.520 --> 0:48:38.080
<v Speaker 1>a house, a full house. So there's a bathroom. It's

0:48:38.120 --> 0:48:41.960
<v Speaker 1>behind a muslin wall. Was an operating bathroom. No, but

0:48:42.000 --> 0:48:44.399
<v Speaker 1>it had a toilet. And I'm thinking, am I there?

0:48:44.480 --> 0:48:47.320
<v Speaker 1>Am I going to go into that bathroom and release

0:48:48.120 --> 0:48:52.759
<v Speaker 1>from the bathroom? And right? Could you imagine? And so

0:48:52.840 --> 0:48:54.759
<v Speaker 1>I held on. I don't know how I held on.

0:48:54.800 --> 0:48:56.880
<v Speaker 1>And when the minute that curtain came down an intermission,

0:48:56.880 --> 0:48:59.759
<v Speaker 1>I ran into the stars dressing room and let go

0:49:00.120 --> 0:49:03.400
<v Speaker 1>a crime scene that hit it. It was just but

0:49:03.400 --> 0:49:06.120
<v Speaker 1>but I barely barely barely was And and and then I

0:49:06.160 --> 0:49:11.680
<v Speaker 1>was I was in a show, yeah, the one man show.

0:49:11.760 --> 0:49:14.760
<v Speaker 1>And I've been sick the night before. In fact, doctor

0:49:14.800 --> 0:49:19.240
<v Speaker 1>Oz and the other doctors popular on CBS were my doctors.

0:49:19.400 --> 0:49:23.080
<v Speaker 1>Oh my gosh, and you know there was I was dehydrated.

0:49:23.080 --> 0:49:26.520
<v Speaker 1>They were giving me, uh those drinks And and then

0:49:26.560 --> 0:49:28.960
<v Speaker 1>I get to the theater and I've been holding the

0:49:29.000 --> 0:49:32.680
<v Speaker 1>porcelain throne all day long. And now I'm in the theater.

0:49:32.719 --> 0:49:36.960
<v Speaker 1>It's opening night, Broadway, opening night, one man show, and

0:49:37.560 --> 0:49:42.960
<v Speaker 1>I've had every orifice going. And then I get in

0:49:43.000 --> 0:49:45.680
<v Speaker 1>front of the audience and I'm doing my thing and

0:49:45.719 --> 0:49:50.919
<v Speaker 1>it's going well, and suddenly boom boom boom, and I said,

0:49:50.920 --> 0:50:02.640
<v Speaker 1>there's been a technical difficult shower. Oh my god, it was,

0:50:02.840 --> 0:50:05.480
<v Speaker 1>and you came back on you finished, came back and

0:50:05.600 --> 0:50:12.759
<v Speaker 1>said technical eliminated. Bless you well, Bill, Hey, is it

0:50:12.800 --> 0:50:14.680
<v Speaker 1>true you can't do the all consalute? Is that true?

0:50:14.840 --> 0:50:17.360
<v Speaker 1>Your trouble? That's true? Well I can do it. And

0:50:17.400 --> 0:50:22.399
<v Speaker 1>I say, Bill Shantner, live long and prosecut I listen.

0:50:22.480 --> 0:50:25.960
<v Speaker 1>I'll take live long now. I have. As you know,

0:50:26.080 --> 0:50:27.879
<v Speaker 1>I have adored you from the time I was eight

0:50:27.960 --> 0:50:30.800
<v Speaker 1>years old. You have been meaningful in my life and

0:50:31.440 --> 0:50:33.600
<v Speaker 1>so many other lives that you know about and don't

0:50:33.640 --> 0:50:37.640
<v Speaker 1>know about. You're You're an amazing human being, and I

0:50:37.680 --> 0:50:40.759
<v Speaker 1>am so happy to have major acquaintance and call you

0:50:40.840 --> 0:50:42.560
<v Speaker 1>a friend. I'm so glad to be talking to my

0:50:42.560 --> 0:50:45.960
<v Speaker 1>two dear friends. And UH look forward to seeing you soon. AFO.

0:50:46.040 --> 0:50:48.680
<v Speaker 1>You were wonderful, You're wonderful. Keep out of keep being

0:50:48.719 --> 0:50:52.000
<v Speaker 1>a curious and happy upcoming birthday. Thank you? All right,

0:50:52.239 --> 0:51:04.800
<v Speaker 1>you're well jeez, oh man, you're still here. Yeah, of

0:51:04.840 --> 0:51:11.040
<v Speaker 1>course I don't. He doesn't have to be anywhere. Bio.

0:51:12.719 --> 0:51:14.840
<v Speaker 1>Is it true that Johnny car Wait is truly Johnny

0:51:14.840 --> 0:51:16.920
<v Speaker 1>Carson banned you from the tonight trip? Was that true?

0:51:18.520 --> 0:51:20.480
<v Speaker 1>I don't think he banned me. I don't remember him

0:51:20.520 --> 0:51:24.920
<v Speaker 1>banning me. But I was in the middle of you know,

0:51:24.960 --> 0:51:27.120
<v Speaker 1>what do you do on the on a talk show? Right?

0:51:28.239 --> 0:51:30.200
<v Speaker 1>How do you what do you do with Johnny Carson?

0:51:30.239 --> 0:51:33.760
<v Speaker 1>So you tell a joke or they So I thought,

0:51:33.960 --> 0:51:38.400
<v Speaker 1>I've had this incredible day. I'll tell him my incredible day,

0:51:39.440 --> 0:51:41.359
<v Speaker 1>so I said. So I got up, and I did,

0:51:41.920 --> 0:51:43.719
<v Speaker 1>and I get to about eight o'clock in the morning.

0:51:46.960 --> 0:51:52.200
<v Speaker 1>He interrupts me, Oh my god, this is what you

0:51:52.200 --> 0:51:54.960
<v Speaker 1>should know about Bill. He is every any area you

0:51:55.000 --> 0:51:56.640
<v Speaker 1>asked me. He's the most well read person I know,

0:51:56.840 --> 0:51:59.400
<v Speaker 1>the most well traveled person I know. He doesn't just

0:51:59.440 --> 0:52:02.239
<v Speaker 1>have dogs. He raised his dog. Were having a Monday

0:52:02.280 --> 0:52:04.040
<v Speaker 1>night football one night, and he has a Doberman. The

0:52:04.120 --> 0:52:06.239
<v Speaker 1>sigh is a pony, and he says, remember what he

0:52:06.239 --> 0:52:09.480
<v Speaker 1>says to me. He says, this dog is the best.

0:52:09.640 --> 0:52:11.680
<v Speaker 1>He's my love. Don't be worried about He's the best

0:52:11.680 --> 0:52:14.000
<v Speaker 1>trained dog you've ever seen. He'll sit here till I

0:52:14.040 --> 0:52:16.080
<v Speaker 1>come back after so we go watch mondayn football. We

0:52:16.160 --> 0:52:18.480
<v Speaker 1>come back. He has eating the entire door frame like

0:52:18.520 --> 0:52:22.440
<v Speaker 1>a wood chipper, and he's like, he ate the entire doorframe.

0:52:22.680 --> 0:52:24.440
<v Speaker 1>And it's like what's coming out of his butt is

0:52:24.440 --> 0:52:30.560
<v Speaker 1>like sawdus sawdust chips. It's unbelievable. Best dog. Only wish

0:52:30.600 --> 0:52:36.080
<v Speaker 1>that had come out of mind. Oh my god, what

0:52:36.239 --> 0:52:38.600
<v Speaker 1>a beautiful dog, What a beautiful But Bill is that

0:52:38.680 --> 0:52:43.719
<v Speaker 1>passionate about that dog? That dog great has gone, has

0:52:43.760 --> 0:52:45.839
<v Speaker 1>gone to dog heaven. But we've got two more here.

0:52:46.400 --> 0:52:48.160
<v Speaker 1>We love to eat carpets, so we have his wonderful

0:52:48.600 --> 0:52:54.120
<v Speaker 1>carpets and they've been in That is embarrassing. You're that

0:52:54.160 --> 0:52:56.880
<v Speaker 1>passionate about them. You're that passionate about food. You're that

0:52:56.920 --> 0:53:00.239
<v Speaker 1>passionate again going to dinner. Yeah, we're done, waiter, bring

0:53:00.280 --> 0:53:01.920
<v Speaker 1>three more. Thing. He just he just takes over it.

0:53:02.000 --> 0:53:04.800
<v Speaker 1>Just you become part of Duel's thing. And that's what's

0:53:04.880 --> 0:53:07.160
<v Speaker 1>the most beautiful thing about you. That's how he made admiral.

0:53:07.280 --> 0:53:09.879
<v Speaker 1>You're an amazing you go. You know which is more

0:53:09.960 --> 0:53:13.120
<v Speaker 1>which is more annoying tonights or George Takai? To which

0:53:13.880 --> 0:53:16.680
<v Speaker 1>which is more annoying tonightis or George Takai? If you

0:53:16.680 --> 0:53:19.040
<v Speaker 1>had to pick which one neither? You don't even want

0:53:19.040 --> 0:53:23.560
<v Speaker 1>to talk about George that well, No, that guy he's

0:53:23.640 --> 0:53:26.600
<v Speaker 1>really ill. I mean, I don't know him. I haven't

0:53:26.600 --> 0:53:28.799
<v Speaker 1>seen him in decades since the roast he was on

0:53:28.840 --> 0:53:30.720
<v Speaker 1>the show. He'd come in for a day a week

0:53:30.880 --> 0:53:33.320
<v Speaker 1>or you know, somebody told me he was in fifty

0:53:33.400 --> 0:53:37.479
<v Speaker 1>days out of the three years we were we were shooting. Wow. Yeah,

0:53:37.520 --> 0:53:40.840
<v Speaker 1>I mean, but he was negligible as far as my

0:53:40.960 --> 0:53:43.640
<v Speaker 1>world was conserved. He was peripheral guy that I would

0:53:43.640 --> 0:53:46.920
<v Speaker 1>see occasionally. But since then, in sixty years, since then,

0:53:47.200 --> 0:53:50.759
<v Speaker 1>I've seen him three or four times, you know, and

0:53:50.880 --> 0:53:54.799
<v Speaker 1>I don't know him. And he continues to Dennick rate, Man,

0:53:54.920 --> 0:53:57.720
<v Speaker 1>I don't know why. He's a very ill and should

0:53:57.719 --> 0:53:59.600
<v Speaker 1>we get it? Would you ever do a reproach? Monk

0:53:59.719 --> 0:54:01.120
<v Speaker 1>is that's how before you go that you want to

0:54:01.120 --> 0:54:04.239
<v Speaker 1>patch up or you don't care there's nothing to patch up.

0:54:04.239 --> 0:54:07.799
<v Speaker 1>I don't know. Okay, Well, I'm just asking he's he

0:54:07.880 --> 0:54:11.240
<v Speaker 1>does this thing for publicity. He's got a show opening

0:54:11.320 --> 0:54:15.200
<v Speaker 1>up in home and he's publicizing his show. I'm sure

0:54:15.200 --> 0:54:22.160
<v Speaker 1>he'll he'll answer to this, he'll critique this. Yeah, you're right, well, Bill, see,

0:54:22.160 --> 0:54:23.920
<v Speaker 1>but it doesn't bother you the way it bothers me.

0:54:23.960 --> 0:54:25.920
<v Speaker 1>If I know one person out there doesn't like me,

0:54:26.000 --> 0:54:27.719
<v Speaker 1>I can't sleep. But no, well it bothers me. But

0:54:27.800 --> 0:54:30.520
<v Speaker 1>what am I going to do about it? You know? Yeah?

0:54:31.160 --> 0:54:34.000
<v Speaker 1>Remember him? You remember him at your roast on Comedy Central,

0:54:34.040 --> 0:54:36.440
<v Speaker 1>Roach Jason, Remember the roast. I used a piece of

0:54:36.480 --> 0:54:38.879
<v Speaker 1>film on him on the One Man Show. I used

0:54:38.880 --> 0:54:42.759
<v Speaker 1>a piece of film on him. Uh, he had. I

0:54:42.840 --> 0:54:46.719
<v Speaker 1>came in on a horse and my roast, Right, So

0:54:46.880 --> 0:54:48.799
<v Speaker 1>I come in on the horse and he's got the

0:54:48.840 --> 0:54:52.040
<v Speaker 1>line they wrote for him and the horse you rode

0:54:52.040 --> 0:54:56.000
<v Speaker 1>in on. Yeah, it's a funny line. He read it,

0:54:57.640 --> 0:55:01.680
<v Speaker 1>and the horse you're growed in on? Funny. He really

0:55:01.719 --> 0:55:04.640
<v Speaker 1>meant said I saw you right after the rose. If

0:55:04.640 --> 0:55:06.640
<v Speaker 1>I may say, I was in your trailer waiting laugh

0:55:06.840 --> 0:55:08.600
<v Speaker 1>that I was waiting for you in the trailer and

0:55:08.640 --> 0:55:11.200
<v Speaker 1>you walked in and you said to me on a

0:55:11.239 --> 0:55:13.759
<v Speaker 1>heat doing your impersonaltion, you said, I knew he didn't

0:55:13.800 --> 0:55:16.040
<v Speaker 1>like me, but I didn't know he didn't like me

0:55:16.280 --> 0:55:18.600
<v Speaker 1>that much because he went it was like it was like,

0:55:18.719 --> 0:55:21.640
<v Speaker 1>oh my gosh, you're ferocious. I mean, it's spewed out

0:55:21.680 --> 0:55:24.120
<v Speaker 1>of this. That whole night for me was I was

0:55:24.160 --> 0:55:26.160
<v Speaker 1>so flattered you asked me to be your rosmaster. But

0:55:26.200 --> 0:55:28.920
<v Speaker 1>I remember walking into the into the sound stage with

0:55:29.000 --> 0:55:30.920
<v Speaker 1>you for it, and I said to you as we

0:55:30.920 --> 0:55:34.080
<v Speaker 1>were walking over Bill, why why exactly are you doing this?

0:55:34.560 --> 0:55:36.399
<v Speaker 1>And you said, you don't think this is gonna be fun?

0:55:36.760 --> 0:55:39.520
<v Speaker 1>And I said, I think there are people up there

0:55:39.560 --> 0:55:42.279
<v Speaker 1>that really are looking to hurt you. And I said,

0:55:43.239 --> 0:55:44.880
<v Speaker 1>and you went, no, no, no, no, And then you

0:55:44.960 --> 0:55:47.080
<v Speaker 1>came back after I went, boy, he really didn't like

0:55:47.200 --> 0:55:50.400
<v Speaker 1>me very much. Lend I asked Lendard to be on

0:55:50.600 --> 0:55:53.600
<v Speaker 1>he's I'm not going up there. Oh it's brutal. It's brutal.

0:55:54.040 --> 0:55:57.320
<v Speaker 1>But I had fun. I don't. You did have fun,

0:55:57.680 --> 0:55:59.440
<v Speaker 1>even laughing at the kind of thing you had. You

0:55:59.480 --> 0:56:01.880
<v Speaker 1>thought it was all hilarious. I think it was funny.

0:56:01.920 --> 0:56:05.799
<v Speaker 1>And then I think that what I remember is they

0:56:05.880 --> 0:56:09.560
<v Speaker 1>wrote for me some great lines in response. Yeah, I

0:56:09.600 --> 0:56:13.080
<v Speaker 1>had a great uh time going back. You were great,

0:56:13.080 --> 0:56:16.600
<v Speaker 1>You look wonderful. Stay healthy. We'll have lunch altogether. And

0:56:17.080 --> 0:56:21.319
<v Speaker 1>I love you, love you very much, thank your mouth man,

0:56:21.640 --> 0:56:28.440
<v Speaker 1>thank you carey well Bill, bye bye. Well what do

0:56:28.520 --> 0:56:31.120
<v Speaker 1>I say? You know the thing from that? And that

0:56:31.200 --> 0:56:33.279
<v Speaker 1>sounded like we were just having a casual conversation with

0:56:33.280 --> 0:56:36.480
<v Speaker 1>a friend, right, And I'm sitting here, I am shaking

0:56:36.520 --> 0:56:38.839
<v Speaker 1>in my boots going, I I am still that eight

0:56:38.920 --> 0:56:41.800
<v Speaker 1>year old child going, I know that. You know, it's funny.

0:56:41.800 --> 0:56:44.000
<v Speaker 1>People don't know. We did a TV show called Bob

0:56:44.040 --> 0:56:47.240
<v Speaker 1>Patterson and we brought in Bill to play Jason's nemesis,

0:56:47.760 --> 0:56:49.560
<v Speaker 1>and I thinking it would be the greatest thing to

0:56:49.640 --> 0:56:52.960
<v Speaker 1>have him on stage filming with his eye. And Jason

0:56:53.200 --> 0:56:56.120
<v Speaker 1>was off put every scene, every scene. And there was

0:56:56.160 --> 0:57:00.480
<v Speaker 1>a scene where we had Bill Shatner kiss you right

0:57:00.640 --> 0:57:02.840
<v Speaker 1>and you he had emitted his mouth and ended up

0:57:02.880 --> 0:57:05.200
<v Speaker 1>in your mouth, end up in your mouth, and I

0:57:05.320 --> 0:57:07.799
<v Speaker 1>remember you after going it looked like you've been kissed

0:57:07.800 --> 0:57:10.160
<v Speaker 1>by your your idol. Right, he is he is. I'll

0:57:10.160 --> 0:57:11.799
<v Speaker 1>tell you what a lot of people talk about Bill,

0:57:11.840 --> 0:57:13.759
<v Speaker 1>getting to know him for as long as we have

0:57:13.840 --> 0:57:16.240
<v Speaker 1>and worked with him as many times that he is

0:57:16.320 --> 0:57:19.840
<v Speaker 1>really he doesn't suffer fool as gladly um, all the

0:57:19.920 --> 0:57:22.480
<v Speaker 1>things of him being miserable or if people tick him off,

0:57:22.680 --> 0:57:24.520
<v Speaker 1>and honestly, you know, I brought up the thing about

0:57:24.560 --> 0:57:27.640
<v Speaker 1>how he treats people online that have been um rude

0:57:27.640 --> 0:57:30.520
<v Speaker 1>to him, you know, just inappropriate, and he you know,

0:57:30.600 --> 0:57:34.160
<v Speaker 1>he doesn't just block him. He goes, he responds, and

0:57:34.200 --> 0:57:36.160
<v Speaker 1>I go, why Wow. So the things I didn't get

0:57:36.160 --> 0:57:39.040
<v Speaker 1>to ask him were true or false? The vocal solute

0:57:39.080 --> 0:57:41.160
<v Speaker 1>we did. He once did comedy stand up. He thought

0:57:41.160 --> 0:57:43.400
<v Speaker 1>it'd be funny to do it as Captain Kirk and

0:57:43.440 --> 0:57:45.280
<v Speaker 1>then it would be bland and he got killed killed

0:57:45.280 --> 0:57:48.360
<v Speaker 1>doing it. Um um. He did throw a chair across

0:57:48.360 --> 0:57:50.160
<v Speaker 1>the stage of twenty thousand dollars Pyramid because he got

0:57:50.200 --> 0:57:52.400
<v Speaker 1>ticked off. He treat trick or treated wearing a Bill

0:57:52.400 --> 0:57:55.600
<v Speaker 1>Shottner mask, which is the Halloween Halloween mask. He had

0:57:55.600 --> 0:57:59.120
<v Speaker 1>his own DVD subscription service for sci fi that would

0:57:59.160 --> 0:58:01.720
<v Speaker 1>be curated by him. It didn't go so well. Um,

0:58:01.760 --> 0:58:03.320
<v Speaker 1>but I also wanted to I also wanted to ask

0:58:03.360 --> 0:58:05.400
<v Speaker 1>him if it was true that he sold a kidney stone.

0:58:05.440 --> 0:58:06.959
<v Speaker 1>Oh he didn't know, he didn't, but it was charity.

0:58:07.320 --> 0:58:09.920
<v Speaker 1>But it was for charity, and we didn't get a

0:58:09.960 --> 0:58:12.280
<v Speaker 1>lot of stories about him and Nimoy, that they're not friends.

0:58:12.320 --> 0:58:14.560
<v Speaker 1>I only saw them being closed the one night I

0:58:14.600 --> 0:58:17.000
<v Speaker 1>saw them at his house. He described it that he's

0:58:17.000 --> 0:58:19.120
<v Speaker 1>got a giant screen and there are chairs when you

0:58:19.200 --> 0:58:20.920
<v Speaker 1>go to a movie night and I walked in and

0:58:20.960 --> 0:58:22.960
<v Speaker 1>you don't take pictures, you don't do anything because it's

0:58:23.000 --> 0:58:25.320
<v Speaker 1>it's about friend Chap and it's low key. But the

0:58:25.360 --> 0:58:31.760
<v Speaker 1>three chairs are Shatner, Nimoy, Patrick Stewart watching a big screen. Yeah,

0:58:31.760 --> 0:58:34.320
<v Speaker 1>he killed me, and that if I walk in that room,

0:58:34.440 --> 0:58:36.800
<v Speaker 1>I do, I do poop. I don't make it to

0:58:36.840 --> 0:58:38.840
<v Speaker 1>the thing. And as we go, let me just say that,

0:58:38.960 --> 0:58:41.240
<v Speaker 1>Jason said, I don't. I don't go him one football

0:58:41.240 --> 0:58:42.880
<v Speaker 1>because I know he doesn't want me there. You go,

0:58:43.120 --> 0:58:45.440
<v Speaker 1>even knowing he doesn't want you there. Yeah, you're you're cavil.

0:58:46.680 --> 0:58:48.000
<v Speaker 1>I was anxious, So I'm going to leave you with

0:58:48.000 --> 0:58:49.560
<v Speaker 1>a really for the day. I found this out a

0:58:49.560 --> 0:58:51.720
<v Speaker 1>little really and see what you think. So this was

0:58:51.800 --> 0:58:53.880
<v Speaker 1>a little bit of anxiety for me because I'm saying

0:58:54.840 --> 0:58:57.400
<v Speaker 1>it has been proven when men have anxiety, it doesn't

0:58:57.480 --> 0:59:02.320
<v Speaker 1>manifest in like nervous ticks or worry. It manifests as anger,

0:59:02.880 --> 0:59:06.680
<v Speaker 1>muscle aches, and alcohol use. And I know you've gone

0:59:06.720 --> 0:59:09.120
<v Speaker 1>through this whole thing with a migraine today, and I'm

0:59:09.160 --> 0:59:15.040
<v Speaker 1>just wondering. Anxiety, Yeah, anxious about something. It's funny, I don't.

0:59:15.160 --> 0:59:16.920
<v Speaker 1>I don't view build the same way you do. I

0:59:16.920 --> 0:59:19.000
<v Speaker 1>love Bill, yeah, but I know I wasn't the biggest

0:59:19.000 --> 0:59:20.720
<v Speaker 1>star Trek Final, wasn't. I just love him as a

0:59:20.800 --> 0:59:24.120
<v Speaker 1>person is because he's just hilarious and smart whatever. But

0:59:24.160 --> 0:59:27.800
<v Speaker 1>I think there's anxiety about still anxiety about I just

0:59:27.840 --> 0:59:29.560
<v Speaker 1>want to do good by you, by him, you know

0:59:29.560 --> 0:59:32.640
<v Speaker 1>what I mean, because he'll he'll hitch you at ninety one.

0:59:32.400 --> 0:59:34.840
<v Speaker 1>He doesn't like the thing you say. He'll and I

0:59:34.920 --> 0:59:37.040
<v Speaker 1>got to tell you it's got to be genius because

0:59:37.520 --> 0:59:39.440
<v Speaker 1>we've got to launch. She'll hug me, and he feels

0:59:39.440 --> 0:59:42.439
<v Speaker 1>the muscular he's looking. Honestly, the people that were able

0:59:42.440 --> 0:59:44.880
<v Speaker 1>to watch us as opposed to just hear us, there's

0:59:44.920 --> 0:59:46.920
<v Speaker 1>not a line on his face. All right, let's go.

0:59:47.040 --> 0:59:48.840
<v Speaker 1>I gotta go with the bands. Really, really, I really

0:59:48.880 --> 0:59:49.960
<v Speaker 1>got to go. And you know what we didn't do

0:59:50.040 --> 0:59:53.120
<v Speaker 1>with him? Laurie producer, Larie producer, Larie producer, Come in here,

0:59:54.440 --> 0:59:59.000
<v Speaker 1>because you've already gone gone. Question producer Laurie's rescuing face.

0:59:59.360 --> 1:00:01.480
<v Speaker 1>You did something wrong? What happened with the really no

1:00:01.600 --> 1:00:03.320
<v Speaker 1>really Shottner is really no? Really did you ask him

1:00:03.360 --> 1:00:05.640
<v Speaker 1>to have one prepared? Did we forget that you didn't

1:00:06.560 --> 1:00:09.840
<v Speaker 1>didn't do it? We'd say you're fired, except that we

1:00:09.880 --> 1:00:11.520
<v Speaker 1>have no We have no one else. We have David

1:00:11.560 --> 1:00:14.560
<v Speaker 1>and I can't I can't fire, we can't fire anybody yet.

1:00:14.560 --> 1:00:17.959
<v Speaker 1>We actually he's giving us Ashley, our publicity and social

1:00:17.960 --> 1:00:19.760
<v Speaker 1>media person, giving us the thumbs up. I said him,

1:00:19.800 --> 1:00:20.960
<v Speaker 1>I go, what did we do that you would give?

1:00:21.000 --> 1:00:23.040
<v Speaker 1>What if we just me? We didn't even get an

1:00:23.040 --> 1:00:25.840
<v Speaker 1>introduction out the man started talking. We didn't even you

1:00:25.920 --> 1:00:27.960
<v Speaker 1>knew that was going to happen with Bill. Bill. I

1:00:28.360 --> 1:00:31.120
<v Speaker 1>was shocked. I was shocked that we got as much

1:00:31.160 --> 1:00:33.320
<v Speaker 1>as we got with Bill. And I said to Jason

1:00:33.400 --> 1:00:35.760
<v Speaker 1>before today, I said, you know what, be prepared because

1:00:35.920 --> 1:00:38.880
<v Speaker 1>he goes. But if you be prepared, you can't be prepared.

1:00:39.200 --> 1:00:40.800
<v Speaker 1>But you know what for that? But that's what makes

1:00:40.840 --> 1:00:43.600
<v Speaker 1>Bill shot Bill Shotner. And that's why Johnny Carson pandom

1:00:43.640 --> 1:00:45.680
<v Speaker 1>because it was like, shut up, it's my shot. But

1:00:45.720 --> 1:00:48.640
<v Speaker 1>it's also he takes you, he takes he's the avent

1:00:48.760 --> 1:00:51.640
<v Speaker 1>by the throat. He's passionate about the interview. He's passionate

1:00:51.640 --> 1:00:53.280
<v Speaker 1>about what he's eating. He's passionate up. But you should

1:00:53.280 --> 1:00:54.600
<v Speaker 1>have seen him if you can't see it, eating his

1:00:54.680 --> 1:00:56.920
<v Speaker 1>toast and jam, it looks the best thing he's ever

1:00:56.960 --> 1:01:00.080
<v Speaker 1>eat right right, you go out to sushi with I

1:01:00.080 --> 1:01:01.560
<v Speaker 1>mean he goes like this. He's having a kind of

1:01:02.000 --> 1:01:04.120
<v Speaker 1>a throw up meal. He's having a throw up Neil

1:01:04.240 --> 1:01:06.560
<v Speaker 1>and Teaston jam. He can't force you to do they Okay,

1:01:06.600 --> 1:01:08.840
<v Speaker 1>google heeim? What did we what did we um? What

1:01:09.000 --> 1:01:10.520
<v Speaker 1>did we bark out that you're gonna look up? Do

1:01:10.520 --> 1:01:14.120
<v Speaker 1>you remember? Oh? We had it. We had a lot. Okay,

1:01:14.320 --> 1:01:18.520
<v Speaker 1>so go ahead and clarify David g by the way, Guggenheim.

1:01:18.560 --> 1:01:20.920
<v Speaker 1>When I now look for all the emails of yours,

1:01:20.960 --> 1:01:24.120
<v Speaker 1>I actually put him Googleheim because we've named him Googleheim,

1:01:24.120 --> 1:01:26.560
<v Speaker 1>because the master. He's the guy who's supposed to say

1:01:26.920 --> 1:01:29.320
<v Speaker 1>this is what you wanted to know. Uh, you forgot

1:01:29.320 --> 1:01:33.160
<v Speaker 1>the disclaimer you should have said allegedly because you'll be

1:01:33.160 --> 1:01:38.160
<v Speaker 1>so so what do we do? Yeah? Well, number one,

1:01:38.680 --> 1:01:43.840
<v Speaker 1>mister Shatner has released eleven eleven albums. Eleven albums. I

1:01:43.840 --> 1:01:46.640
<v Speaker 1>could I could go through them. You know what, his

1:01:46.680 --> 1:01:48.280
<v Speaker 1>face is bigg enough this way. It doesn't have to

1:01:48.280 --> 1:01:50.480
<v Speaker 1>be bigger. It's enough. It's enough. I think I think

1:01:50.480 --> 1:01:52.960
<v Speaker 1>it's bigger. Yeah, I want to wait, get it out

1:01:52.960 --> 1:01:56.680
<v Speaker 1>of the way, David. David said, bigger, stay behind, do

1:01:56.840 --> 1:01:58.560
<v Speaker 1>this already, you can get it out of the way

1:01:58.600 --> 1:02:01.240
<v Speaker 1>of water. Don't say anything. This is three ds is

1:02:01.400 --> 1:02:03.360
<v Speaker 1>in his contract. We have to be quiet, do the

1:02:03.400 --> 1:02:07.240
<v Speaker 1>full faced Hi mom, go ahead, go ahead, say hi mom,

1:02:07.320 --> 1:02:09.560
<v Speaker 1>Hi mom. Oh very nice, he wanted, in a clear

1:02:09.560 --> 1:02:11.200
<v Speaker 1>shout out, So go ahead, and so had the We

1:02:11.240 --> 1:02:14.800
<v Speaker 1>had the Yiddish word we needed to oh yeah, um yeah,

1:02:15.880 --> 1:02:18.840
<v Speaker 1>which is junk, isn't it. It's a Yiddish word obviously,

1:02:18.920 --> 1:02:23.040
<v Speaker 1>food That is awful, junk, trash, anything disgusting. You've been

1:02:23.120 --> 1:02:25.439
<v Speaker 1>lamsome so if they give you drunk, it's hawser Okay,

1:02:25.520 --> 1:02:27.720
<v Speaker 1>that's good, Dave, good, go on. He also did the

1:02:27.840 --> 1:02:33.160
<v Speaker 1>celebrity paintball Mobster Mash with six hundred and sixty people

1:02:33.200 --> 1:02:36.439
<v Speaker 1>at the age of seventy three in two thousand and four.

1:02:38.480 --> 1:02:44.080
<v Speaker 1>Man he mentioned Jason's direct choral um work that of

1:02:44.120 --> 1:02:49.200
<v Speaker 1>course include uh many many, including Mike and Molly Franklin

1:02:49.200 --> 1:02:52.920
<v Speaker 1>and Bash till death, Criminal minds, everybody hits Chris? Is

1:02:52.960 --> 1:02:55.040
<v Speaker 1>this your bo is your credits? What are we giving

1:02:55.080 --> 1:02:56.520
<v Speaker 1>your credits for it? I don't care. It's about this

1:02:56.600 --> 1:02:59.280
<v Speaker 1>well that idea, he said. And I directed Bill Shattner

1:02:59.400 --> 1:03:04.240
<v Speaker 1>in in Brad Paisley Cooler online video which also Taylor Swist,

1:03:04.240 --> 1:03:08.200
<v Speaker 1>introduced Taylor Swift and for which I won a Country

1:03:08.280 --> 1:03:11.200
<v Speaker 1>Music Award. I want a country music Did you get

1:03:11.360 --> 1:03:14.040
<v Speaker 1>that Country Music Award? No? You didn't. Did you get it?

1:03:14.040 --> 1:03:16.000
<v Speaker 1>It was who put you in the video? It said

1:03:16.000 --> 1:03:19.280
<v Speaker 1>best director? Who best director? What did you win for

1:03:19.480 --> 1:03:23.040
<v Speaker 1>best video? Best Video Video? And you got the You

1:03:23.080 --> 1:03:24.960
<v Speaker 1>got the award. How wouldn't you have known the country

1:03:25.040 --> 1:03:27.720
<v Speaker 1>music world unless I brought you into that? Boy, Pete,

1:03:27.720 --> 1:03:29.240
<v Speaker 1>you know what. This happens all the time. People forget

1:03:29.280 --> 1:03:30.680
<v Speaker 1>what you do. You learn them money, they start a

1:03:30.680 --> 1:03:34.280
<v Speaker 1>big company. H done Shatter forgot that. I introduced him.

1:03:34.520 --> 1:03:37.080
<v Speaker 1>He turned down Brad Paisley's video, and so I got

1:03:37.120 --> 1:03:39.040
<v Speaker 1>him in studio where he was with Brad face to

1:03:39.080 --> 1:03:41.320
<v Speaker 1>face and he couldn't say no, now it's still it's

1:03:41.400 --> 1:03:43.120
<v Speaker 1>Brad And I loved him. No you didn't. That's not

1:03:43.160 --> 1:03:46.520
<v Speaker 1>how it started started, Well, I remember you introduced me

1:03:46.560 --> 1:03:48.760
<v Speaker 1>to Brad. He showed me the song. I came up

1:03:48.760 --> 1:03:51.480
<v Speaker 1>with the whole script. Why did I introduce you? Get

1:03:51.520 --> 1:03:53.760
<v Speaker 1>an award? I introduced you to put an award for

1:03:53.800 --> 1:03:56.880
<v Speaker 1>an introduction. Best introd came up with what the video

1:03:57.080 --> 1:03:58.800
<v Speaker 1>was to get you see here we got rewriting history

1:03:58.920 --> 1:04:02.120
<v Speaker 1>was all You're right, the whole it's a narrative, you know,

1:04:02.560 --> 1:04:04.480
<v Speaker 1>as we go out of this episode. Really no, really,

1:04:04.520 --> 1:04:07.240
<v Speaker 1>let's just get this clear. This was your idea. The

1:04:07.320 --> 1:04:11.040
<v Speaker 1>whole staff is your idea. That was your idea. Drive safely, everybody,

1:04:11.360 --> 1:04:13.600
<v Speaker 1>this was your idea. I'm not taking credit for this. No,

1:04:13.680 --> 1:04:18.800
<v Speaker 1>you're waiting until it's successful. Good Night everybody, everybody. It's

1:04:18.800 --> 1:04:21.040
<v Speaker 1>not even night, but good night. I'm done. I'm done

1:04:21.080 --> 1:04:33.040
<v Speaker 1>with you. Really no, really now really now, really wow.

1:04:33.080 --> 1:04:35.400
<v Speaker 1>I want to thank our good friend Bill Shatner. What

1:04:35.520 --> 1:04:37.480
<v Speaker 1>an amazing person. If you'd like to troll Bill on

1:04:37.520 --> 1:04:40.720
<v Speaker 1>social media, go to Instagram or Twitter at William Shatner.

1:04:41.120 --> 1:04:43.480
<v Speaker 1>His website, of course, is William Shatner dot com and

1:04:43.560 --> 1:04:45.520
<v Speaker 1>you should check out the charity horse Show It's a

1:04:45.560 --> 1:04:50.720
<v Speaker 1>horse show dot org. An amazing human being amazing individual

1:04:51.200 --> 1:04:54.040
<v Speaker 1>who does more at his age than any human being

1:04:54.120 --> 1:04:57.280
<v Speaker 1>I know. And as far as really No Really is concerned.

1:04:57.280 --> 1:04:58.800
<v Speaker 1>You can find us online of course, at really No

1:04:58.880 --> 1:05:01.840
<v Speaker 1>Really dot com, or on Instagram and TikTok at really

1:05:02.000 --> 1:05:05.720
<v Speaker 1>No Really Podcast. If you've got questions and you've got suggestions,

1:05:06.000 --> 1:05:08.320
<v Speaker 1>you can message us on Instagram. But most of all,

1:05:08.880 --> 1:05:11.160
<v Speaker 1>I do want to thank you for listening, subscribing, and

1:05:11.200 --> 1:05:14.520
<v Speaker 1>sharing the show. We release new episodes every Tuesday, so

1:05:14.600 --> 1:05:17.840
<v Speaker 1>make sure to follow us on the iHeartRadio app, Apple Podcasts,

1:05:17.960 --> 1:05:20.960
<v Speaker 1>or wherever you get your podcast. Really Really happens to

1:05:21.040 --> 1:05:24.560
<v Speaker 1>be a production of iHeartRadio and Blase Entertainment. And I

1:05:24.640 --> 1:05:27.640
<v Speaker 1>want to mention that no animals, celebrities, or vulcans were

1:05:27.640 --> 1:05:34.760
<v Speaker 1>harmed in the making of this episode.