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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin An iHeartRadio podcast.

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Speaker 1: Welcome to and That's what you really miss podcast.

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Speaker 2: I'm Jenna, I'm Kevin, and I would just like to

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Speaker 2: draw the listener's attention to that. Jenna paused before she

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Speaker 2: said that and said, how do I want to start this?

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Speaker 2: And then that, and that's what came out.

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Speaker 1: I was thinking like nineties radio VJ, but like, couldn't

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Speaker 1: couldn't quite get there.

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Speaker 2: Okay, I respect, I respect your decision, your choice, seeing

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Speaker 2: as we like can't act right now. You know that

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Speaker 2: was an attempt. It's something different.

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Speaker 1: You know, she's making choices people, and I like it.

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Speaker 2: I would just like to say as a disclaimer and

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Speaker 2: like a retroactive and also future apology. I was talking

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Speaker 2: to some friends today and talking about how I think

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Speaker 2: you're really great at interviewing people, Like when we of

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Speaker 2: our episodes interviewing guests, whether it's co stars or musical artists, whoever.

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Speaker 2: Uh huh, you're so good. And I say, I always

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Speaker 2: say that I have at least one moment in every

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Speaker 2: single interview. Well, I maybe won't even ask a question,

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Speaker 2: but I go on and on and on like right

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Speaker 2: now with like a statement just about the person, and

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Speaker 2: I can see it in your eyes where you don't care,

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Speaker 2: but you're like, all right, there we go, it's happening.

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Speaker 1: That's where you make your choices.

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Speaker 2: Yeah, and they're not good. They're not good choices. And

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Speaker 2: I would just like to publicly state that I will

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Speaker 2: try to do better. Kevin, I need the public to

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Speaker 2: hold me accountable.

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Speaker 1: I think you're a very good interviewer, so you know,

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Speaker 1: we're learning, We are learning, we are learning. I think

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Speaker 1: you're so smart that sometimes you feel like you have

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Speaker 1: to profess the question where you don't. But sometimes they

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Speaker 1: are very profound things that you say.

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Speaker 2: So that's a.

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Speaker 1: Compelling you know.

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Speaker 2: Well, someone was like, didn't you host a talk show

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Speaker 2: in the UK? Say, well, I had somebody in my

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Speaker 2: ear telling me what to say. I'm a puppet. I

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Speaker 2: can if you give me the joke, I can deliver it.

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Speaker 2: You know, don't make me think for myself.

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Speaker 1: These people who we interview. I always think it's interesting

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Speaker 1: when you leave a little bit of silence, because then

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Speaker 1: you get something you don't expect. So I always kind

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Speaker 1: of try to lean into the silence.

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Speaker 2: I'm glad you've told me that because I notice you

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Speaker 2: do that, and I have the fear of dead air. Yeah,

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Speaker 2: in real life, I'm the opposite. I lean into the silence,

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Speaker 2: the awkwardness, love it. But for these purposes, I get

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Speaker 2: really nervous and I notice you leave some air and

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Speaker 2: I try to take some.

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Speaker 1: She that's you never expected and you don't even ask

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Speaker 1: for it, they just offer it.

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Speaker 2: That's true. So anyway, don't leave me dead air, because

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Speaker 2: you do want me to start.

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Speaker 1: So funny. Well, welcome everybody, welcome. We're so happy we

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Speaker 1: can continue to do this with you guys. And this

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Speaker 1: is a really different episode. I'm just gonna.

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Speaker 2: Say that, not a different episode of the podcast, but

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Speaker 2: it's a different ge episode.

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Speaker 1: Correct, correct, Okay, I think we should just talk about it.

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Speaker 1: There's lots of stuff that happened in the news in

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Speaker 1: the world around this time, so true, I do want

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Speaker 1: to notate some of these things. Okay. So this is

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Speaker 1: season two, episode seventeen. Can you believe we're at episode

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Speaker 1: seventeen or.

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Speaker 2: Almost was season two already and it hasn't been a year.

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Speaker 1: Whoa, whoa, we're just tracking on through. This is a

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Speaker 1: night of neglect, sure is. And it aired after a

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Speaker 1: five week five week hiatus on April nineteenth, two thousand

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Speaker 1: and eleven. What tell me what was going on in

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Speaker 1: the world.

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Speaker 2: Well, one of my favorite Katie Perry songs was number one.

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Speaker 2: No pause for a second. I love this song.

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Speaker 1: I despised this song.

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Speaker 2: I love it. I don't know why. I don't know why. Okay,

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Speaker 2: all right, I know, I get it, I understand, but

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Speaker 2: I absolutely love this song.

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Speaker 1: It was number one for a reason.

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Speaker 2: So yeah, I was number one for a while too.

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Speaker 2: I think the number one movie was Rio, great animated movie.

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Speaker 1: And oh Reo.

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Speaker 2: Okay, yes, do you remember Rio?

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Speaker 1: Yeah? Yeah, yeah, Okay, I didn't see it, but I remember.

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Speaker 1: I've yet to find a movie that was number one

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Speaker 1: on this one.

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Speaker 2: Why do you hate Brazil?

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Speaker 1: I don't we have the best Brazilian fans.

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Speaker 2: Wow, I haven't waited.

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Speaker 1: Try to save it, Jenna, I can't wait to visit. Okay,

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Speaker 1: So Glee news this week. There's a lot of Warbler news.

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Speaker 2: Now because the Warbles are hot. You know, it had

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Speaker 2: finally sunk in. Warbles are here to stay?

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Speaker 1: Yeah, they were. This is when you have to just

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Speaker 1: accept that the Warblers were Oh, Jenna, no, no, I

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Speaker 1: love the Warblers. But at the beginning, you're like, Okay,

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Speaker 1: who are these new people? Who are these new people

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Speaker 1: coming in?

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Speaker 2: Jenna hates Brazil and hates the Warblers.

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Speaker 1: Ah No, the Warblers are very very sweet. I just

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Speaker 1: was like, who are these new people coming in?

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Speaker 2: For sure?

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Speaker 1: Steel in our scream time?

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Speaker 2: Yeah, to begin with.

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Speaker 1: Okay. So on April nineteenth, Glee the Music Presents the Warblers.

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Speaker 1: They have their own freaking album. This album featured thirteen songs.

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Speaker 2: Already, thirteen Warbler songs. That's incredible.

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Speaker 1: That's confusing to me. Maybe there was a few that

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Speaker 1: didn't air yet but that were coming. Darren and the

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Speaker 1: Warblers also appeared on The Today Show to promote the album.

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Speaker 1: Later that week, Darren and the Warblers also performed on

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Speaker 1: Ellen DeGeneres, which the Glee cast didn't even perform on Ellen,

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Speaker 1: and then Darren had a signing at the Gross Barnes.

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Speaker 1: A noble in La also didn't have a signing.

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Speaker 2: No, we did.

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Speaker 1: Oh, yes, you're right, we did have a sign Okay,

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Speaker 1: there was a new show in town, you know, correct.

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Speaker 2: Because they were only in like two scenes an episode,

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Speaker 2: so we were working. They could ship off the Warblers

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Speaker 2: to work.

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Speaker 1: And they were cute. Okay, there were a bunch of

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Speaker 1: cute boys, you know, so sweet Pentatonics like stuff. Yes,

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Speaker 1: they are really sweet.

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Speaker 2: This episode was directed by our script supervisor at the time,

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Speaker 2: Carol Banker. I think this was our second episode. Yeah,

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Speaker 2: we talked, We were like, she got a tough one.

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Speaker 2: It's a tough episode.

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Speaker 1: I think to direct, very very tough when they're not

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Speaker 1: so straightforward. It's a lot of stuff, a.

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Speaker 2: Lot of random story points that need to be hit,

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Speaker 2: and they're all just sort of thrown into the soup,

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Speaker 2: the Glease soup.

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Speaker 1: Okay, So one of our very good friend Cheyenne Jackson

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Speaker 1: comes back is Dustin Goulesby, head of Vocal Adrenaline, and

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Speaker 1: then Gwyneth Paltrow as Holly Holiday will make another star

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Speaker 1: appearance in this episode, and.

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Speaker 2: I learned a lot from one of her scenes technical

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Speaker 2: acting wise.

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Speaker 1: Oh, I can't wait, I can't wait. The songs in

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Speaker 1: this episode, we get a Celine Dion song, we get

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Speaker 1: All by Myself, we get I Follow Rivers by Leaky

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Speaker 1: Lee Capack that with You, We do Turning Tables, our

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Speaker 1: first Adele number, and Ain't No Way, which also becomes

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Speaker 1: a Glease staple best song already doing Tarti takes best

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Speaker 1: song in the episode. Okay for sure, Yes, what's going

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Speaker 1: on in this episode?

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Speaker 2: So I would also just like to point out real

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Speaker 2: quick that this episode is about neglected artists, right, That's

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Speaker 2: sort of the theme for the week. And then we

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Speaker 2: do Celine dion Adele and Aretha Franklin.

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Speaker 1: I think I was the only one who did a

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Speaker 1: neglected artist.

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Speaker 2: Which I think you know is really a metaphor how

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Speaker 2: Tina's neglected.

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Speaker 1: Thank you so much for saying that, Yeah, thank you

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Speaker 1: so much.

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Speaker 2: So the New Directions need to find a way to

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Speaker 2: raise money to fund their trip to Nationals in New York,

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Speaker 2: and as they're discussing how they're going to do that

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Speaker 2: by shoes a wonderfully archaic idea of selling water taffy, Mike, Tina, Arti,

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Speaker 2: and Brittany reveal that they need money to travel to

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Speaker 2: their finals competition as part of the Brainyacs Where'd that

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Speaker 2: come from? Upon holly Holiday suggestion, Well in the Glee

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Speaker 2: club decided to host a benefit concert called a Knight

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Speaker 2: of Neglect, attempting to raise money for both clubs. Well

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Speaker 2: and Holly's relationship was tested while Sue creates a plan

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Speaker 2: to stop the Glee Club from getting to New York.

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Speaker 2: Fun Facts, Jenna. This is the first episode in the

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Speaker 2: series where all songs are performed in the auditorium, and

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Speaker 2: this is the only episode in season two where Rachel

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Speaker 2: doesn't sing, though I guess there was a song list

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Speaker 2: pre airing of the episode and it's said that she

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Speaker 2: was going to sing how Bye Lee Slope. Do you

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Speaker 2: remember that?

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Speaker 1: I don't remember that. She definitely didn't record it, or

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Speaker 1: I feel like I would have remembered it.

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Speaker 2: Yeah, I mean that happened quite often. There were plans

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Speaker 2: to do seven songs, like we don't have time to

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Speaker 2: do this.

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Speaker 1: Yeah. Also sometimes like they hadn't fully gotten the okay

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Speaker 1: from the artists yet they wrote, because you'd have to

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Speaker 1: keep moving and then reason something doesn't come through, and

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Speaker 1: you know whatever. So the rewrite essentially was that Rachel

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Speaker 1: decides she can't follow mer Sea and.

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Speaker 2: To that point. I don't know if people realize this.

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Speaker 2: Where an episode was written, we would get the script

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Speaker 2: what a day or two before starting to shoot the episode,

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Speaker 2: and that episode would then take eight to ten days

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Speaker 2: to film, and then within three weeks that episode was

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Speaker 2: on TV, so it was a really tight turnaround. So yeah,

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Speaker 2: sometimes songs would be aspirational aspirationally put into the script

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Speaker 2: and then there's just not time to clear.

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Speaker 1: It, and that's not really normal. Let's just say that.

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Speaker 1: Also that like you get the script the night before,

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Speaker 1: generally speaking, there's enough time to start writing the season

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Speaker 1: before we start shooting, so you get ahead of it

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Speaker 1: and have a k few in the bank, and then

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Speaker 1: that way, your head and directors come in the week

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Speaker 1: you're before their episode and start prepping while you're shooting

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Speaker 1: the previous, the following episode.

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Speaker 2: The previous, which is why there's usually different directors every.

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Speaker 1: Single episode, switching and switching, except when our exults does

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Speaker 1: back to back.

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Speaker 2: Yeah, except also nowadays when you have episodes that are

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Speaker 2: or seasons that are you know, eight to twelve episodes,

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Speaker 2: a lot of those are written completely in advance because

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Speaker 2: they have time and they can be released whenever. Right,

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Speaker 2: you know, it's a different world.

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Speaker 1: It is a different world, just like Super Super Special

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Speaker 1: never before done this episode. I have some memories from

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Speaker 1: I have some fond memories, I have some nons not

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Speaker 1: so fond memories. And I also didn't remember like half

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Speaker 1: of this episode.

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Speaker 2: Yeah, I didn't remember a lot of it. I forgot

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Speaker 2: about the brainiacts.

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Speaker 1: Oh I love the brainy acts.

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Speaker 2: I love them too. I wish we had to do

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Speaker 2: more of that. So what happens is, for some reason

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Speaker 2: it comes out that the money we were getting from

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Speaker 2: the Chairs fund is in an offshore account to hit

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Speaker 2: it and no one can access it. So we have

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Speaker 2: to magically raise twenty thousand dollars or no, sorry, five dollars.

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Speaker 2: Twenty thousand pieces of water taffy just needs to be sold,

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Speaker 2: just to.

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Speaker 1: Note five thousand dollars to get eighteen of us to

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Speaker 1: Nationals in New York.

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Speaker 2: Like we're taking a bus in staying in a hostel.

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Speaker 1: Okay, I'm just saying.

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Speaker 2: Inflation. You know it was twenty eleven, just a different time.

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Speaker 1: Sure, sorry, thank so.

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Speaker 2: Then already Tina, Mike and Brittany magically get up. Mike

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Speaker 2: has some choice words for the Glee Club, which I

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Speaker 2: think are true because he's like, you guys have never

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Speaker 2: you don't know the value of hard work. And we

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Speaker 2: admit that we were on a TV show that nobody

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Speaker 2: knew about for our brainiacs, the Cathlon, the Smart People Team,

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Speaker 2: and we won and we need to go to Nationals

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Speaker 2: and Detroit, so then that gets rolled in to the budget.

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Speaker 2: We need another five hundred dollars to get to Detroit.

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Speaker 2: I love filming the Brainiac scenes.

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Speaker 1: Me too, partially because it's only four of us, it's

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Speaker 1: a lot easier to shoot. But it was a good group.

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Speaker 1: It was a good crew. I love that crew of people,

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Speaker 1: and just the whole idea that it's like a different thing,

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Speaker 1: a different club that we're a part of that's not

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Speaker 1: really all the.

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Speaker 2: Anytime we could do something outside the like you know,

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Speaker 2: drinking alcohol and Rachel's basement is something anything outside of

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Speaker 2: the choir room, we're really stoked about.

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Speaker 1: Agreed, and the idea that Brittany was our like last choice,

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Speaker 1: last effort, and she wins us. Everything from cat Disease

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Speaker 1: is very funny, very very funny.

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Speaker 2: Pre fondou for two uh huh and the cats. Yeah,

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Speaker 2: it's important.

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Speaker 1: So we're raising we're raising money for both Nationals and

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Speaker 1: the Brainiacs and Holly Holidays back in town. And she's

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Speaker 1: the one who suggests that we do a Night of

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Speaker 1: Neglect benefit concert. She is dating Will at this point

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Speaker 1: they're having a date night. They have a pizza a

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Speaker 1: pizza night, and and and then we get into like

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Speaker 1: the whole I guess we get into the whole night

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Speaker 1: of neglecttion. We just talk about that because.

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Speaker 2: Yeah, I mean, that's what she suggests to do, you know,

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Speaker 2: neglected artists whose brilliance isn't always appreciated, which Rachel responds with,

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Speaker 2: Oh so you mean like me, and you're you want

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Speaker 2: to do leaky le Tina wants to perform, which I love.

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Speaker 2: I love leakily and love that leaky Lely ended up

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Speaker 2: in an episode and then it's one of those things

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Speaker 2: where you see how it's used, uh huh, and you're like, h.

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Speaker 1: I have to say, the way it was shot was

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Speaker 1: pretty cool. Yeah, she shot it really cool. Well, they

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Speaker 1: told me to go really far and like make it weird,

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Speaker 1: and I was like, oh, let's make it as weird

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Speaker 1: as I fucking can. Excuse my language, Like okay, you know, yeah,

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Speaker 1: once again, Well, this is the beginning of Tina getting

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Speaker 1: shot upon and her number getting caught in half.

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Speaker 2: That's been a theme this entire series. This is not

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Speaker 2: the first time you're interrupted, and it's not going to

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Speaker 2: be the last.

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Speaker 1: And sweet Josh Susman, who had said he felt so

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Speaker 1: bad hackling Tina during this number, and I'm the only

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Speaker 1: one of the night of Negligta where who gets hackled.

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Speaker 1: I don't i'd understand it where their head was. I

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Speaker 1: don't know that I ever will, but I've moved on

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Speaker 1: from it.

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Speaker 2: They you know, you had a thing. At least you

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Speaker 2: had a thing where even though like you couldn't finish

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Speaker 2: the song and you ended up crying, it was always funny,

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Speaker 2: but probably as a performer it was not.

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Speaker 1: Yeah, it's a little redundant and a little not fun

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Speaker 1: for your ego at the time, where you don't really

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Speaker 1: get a lot of storylines to begin with, and then

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Speaker 1: the ones you do generally you're getting shot upon. But

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Speaker 1: Tina will have her revenge in the episode of props,

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Speaker 1: so once they receipt I'm stoked for that episode. Sorry,

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Speaker 1: when it's season three, episode eleven or twenty, I can't.

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Speaker 1: I don't know why I have those in my head.

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Speaker 1: I'm probably wrong.

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Speaker 2: Yeah, I wouldn't put money on it.

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Speaker 1: Oh, episode twenty.

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Speaker 2: You're right, Jenna, I'm sorry I doubted you.

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Speaker 1: I also, by the way, watched you on The Lady

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Speaker 1: Gang when they asked you to name the characters that

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Speaker 1: sang the songs, and I was very impressed with your memory,

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Speaker 1: Kevin Well.

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Speaker 2: I felt like, you know, Becca really teed me up.

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Speaker 2: I think those are pretty easy ones.

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Speaker 1: There was one that you just foundered them faster than

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Speaker 1: I would have. I was like, wow, I showed up prepared.

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Speaker 2: But I said in my interview, people give me those

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Speaker 2: challenges all the time on TV talk shows, whatever it is,

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Speaker 2: and I fail miserably at every single one. I usually

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Speaker 2: don't even get one correct. Well, I was stoked. Also, yeah,

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Speaker 2: go listen to that episode. I was in the Lady

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Speaker 2: Gang a little bit ago, and of course I just

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Speaker 2: love them. They're great, and we have a really nice,

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Speaker 2: sort of adult, mature conversation about the state of art

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Speaker 2: careers or lack of Wait.

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Speaker 1: Okay, okay, So back to the team again. Shot Upon,

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Speaker 1: Mike decides he's gonna perform an awesome dance number, which God,

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Speaker 1: Harry is so freaking dowented.

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Speaker 2: It's so cool.

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Speaker 1: That number is great, is really great, and I think

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Speaker 1: it's overshadowed sometimes I don't I didn't remember that number

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Speaker 1: and it's so good and for him to be able

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Speaker 1: to hold that on his own and like it'd be

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Speaker 1: such a solid, cool number. I also was like, kudos

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Speaker 1: to Zach and Brook who helped with that and choreographed

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Speaker 1: that with him.

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Speaker 2: And also, that's a Jack Johnson song. We didn't mention

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Speaker 2: earlier because it's not covered. But there is another song

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Speaker 2: in this episode, right right, and Jack Johnson also not

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Speaker 2: neglected gigantic No, definitely not.

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Speaker 1: So Mercedes wants to perform Aretha and the Glee Club

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Speaker 1: has yet to do and Aretha song in full? Is

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Speaker 1: that true? Well, we Mercedes sings respect right, and it's

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Speaker 1: just the audition, just the audition, so wow, huh. Yeah,

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Speaker 1: this is the first a lot of firsts. And Rachel

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Speaker 1: is going to do My Heart Will Gone because, which

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Speaker 1: is a is said by a group of us on

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Speaker 1: the show, one of the most popular songs and of

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Speaker 1: all time. And she's like, but she feels like then

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Speaker 1: I collect at ours, which is funny, Like this whole record,

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Speaker 1: it is pretty funny. She thinks she's my block dad.

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Speaker 2: I want more of this storyline, which one, this one,

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Speaker 2: this storyline of Zizes plotting with Mercedes about look, you

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Speaker 2: can't let Rachel stomp all over you and take the

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Speaker 2: spotlight from you because you're the best singer in the

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Speaker 2: glee club is what she says, right, And this whole

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Speaker 2: thing of turning her into a diva with the Eminem's

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Speaker 2: and the humidifiers that steam up the glass and Will's office,

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Speaker 2: it's just I think it's so good and it's like

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Speaker 2: a different it's not tater Tots, you know.

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Speaker 1: It's not tater Tots, and it's and then we get

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Speaker 1: like a blowout number from Mercedes because of it, you know, my.

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Speaker 2: God, and it's a really nice moment between Mercedes and Rachel.

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Speaker 2: And I really enjoyed Rachel sort of being like, go

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Speaker 2: take it from me if you want the closing number,

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Speaker 2: and that number is I think she took. It means

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Speaker 2: a lot to us in real life because she did

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Speaker 2: that on tour.

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Speaker 1: She would sing to us on tour. We would go

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Speaker 1: watch it from the floor and she would sing to

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Speaker 1: us that.

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Speaker 2: Song is so difficult and Amber performed. I don't know

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Speaker 2: if you didn't go to our tour. There we had

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Speaker 2: a big A stage at the end of the arena

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Speaker 2: and then there was a little B stage. It was

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Speaker 2: a little square and she would do that down there

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Speaker 2: and normally people would stand, I think, you know, with

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Speaker 2: a microphone stand and use every fiber in their body

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Speaker 2: to get out the song. Amber's doing laps. Amber's literally

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Speaker 2: jogging across that stage and hitting these notes live every

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Speaker 2: single night. And she'd be like over here, ain't no way,

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Speaker 2: Like it's like, what how is she doing? She's talking,

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Speaker 2: she's jogging.

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Speaker 1: It's it's mind boggling, It's.

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Speaker 2: It's infuriating because you know what would happened right after Jenna.

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Speaker 2: I'm sitting on the stage in my chair because Pyt

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Speaker 2: follows it, and you know what, I didn't do hint

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Speaker 2: those notes once correctly, but it was so special. I

383
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Speaker 2: would wheel out early and watch her sort of, you know,

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Speaker 2: from the wings at the other end of the arena,

385
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Speaker 2: just smashing the song. And then I would go out

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Speaker 2: there and just scream bloody murder, you know, making sure.

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Speaker 1: I remember it sounds like screaming.

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Speaker 2: About it. Just a nightmare.

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Speaker 1: That following Amber.

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Speaker 2: But you on that though, I don't think that's yeah,

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00:22:04,119 --> 00:22:09,680
Speaker 2: but still yeah, so funny, like what is the opposite

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Speaker 2: of ain't and away? Py T?

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Speaker 1: Stop it. That's not true, leaky Lye.

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Speaker 2: But she's so good and her mom, Tina is in

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Speaker 2: the choir behind her.

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Speaker 1: I think Amber gets them as much as you did,

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Speaker 1: say Tina, it's okay you were thinking looking at you.

398
00:22:30,119 --> 00:22:35,400
Speaker 1: So we also have a Sunshine corresson bag. Jake Cyrus

399
00:22:35,560 --> 00:22:42,879
Speaker 1: is back. She Sunshine. She sees the info about the

400
00:22:43,000 --> 00:22:45,399
Speaker 1: benefit on Facebook, wants to be a part of it.

401
00:22:46,840 --> 00:22:49,080
Speaker 1: Glee clubs like, we know your spy. There's no way.

402
00:22:49,560 --> 00:22:56,280
Speaker 1: Rachel's like, you guys are idiots, but she offers us

403
00:22:56,320 --> 00:22:58,000
Speaker 1: her six hundred Twitter.

404
00:22:58,560 --> 00:23:01,280
Speaker 2: It's actually being nice, like I was doing something nice

405
00:23:02,119 --> 00:23:04,679
Speaker 2: and Rachel's like, no, I don't trust you. And then

406
00:23:04,760 --> 00:23:07,240
Speaker 2: Sunshine's like, let me perform all by myself real quick

407
00:23:07,280 --> 00:23:07,480
Speaker 2: for you.

408
00:23:08,119 --> 00:23:11,200
Speaker 1: Oh. I was listening to the gleep a gleep playlist

409
00:23:11,560 --> 00:23:13,640
Speaker 1: recently and that came on, and I, for some reason

410
00:23:13,720 --> 00:23:16,240
Speaker 1: thought it was a Rachel song I had forgotten and

411
00:23:16,359 --> 00:23:18,119
Speaker 1: it came on. I was like, that's not we and

412
00:23:18,160 --> 00:23:20,240
Speaker 1: then I was like, oh my god.

413
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Speaker 2: It's that voice is whooe absurd.

414
00:23:23,800 --> 00:23:28,640
Speaker 1: It's we have two numbers that really are so difficult,

415
00:23:30,000 --> 00:23:34,440
Speaker 1: so wildly difficult that a lot of people should not

416
00:23:34,640 --> 00:23:38,160
Speaker 1: and cannot sing that song. And they both murder them.

417
00:23:38,320 --> 00:23:43,000
Speaker 2: So yeah, the right people were singing those songs. It

418
00:23:43,160 --> 00:23:48,040
Speaker 2: was unreal. And this episode. I love that Sunshine is back, Yes,

419
00:23:48,680 --> 00:23:52,800
Speaker 2: and like Sunshine's on the opposing team of the Brainiacs

420
00:23:52,880 --> 00:23:53,840
Speaker 2: earlier in the episode.

421
00:23:54,760 --> 00:23:55,119
Speaker 1: That's right.

422
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Speaker 2: And I have to say this was also like Gwyneth's

423
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Speaker 2: appearance Steven Tabla.

424
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Speaker 1: Oh my god, the League Doom.

425
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Speaker 2: It really sort of felt like, I'm sure this is incorrect,

426
00:24:07,800 --> 00:24:10,919
Speaker 2: but it was sort of felt like we signed these

427
00:24:10,960 --> 00:24:13,399
Speaker 2: people on for more episodes and we're using them for.

428
00:24:14,080 --> 00:24:15,440
Speaker 1: And so we had to put them back in.

429
00:24:16,240 --> 00:24:18,800
Speaker 2: Yeah, like everyone felt a little shoehorned.

430
00:24:19,040 --> 00:24:21,800
Speaker 1: And I mean this whole episode, Yeah, I think they

431
00:24:21,840 --> 00:24:25,480
Speaker 1: felt a little shoehorned. And again though like vignettes of

432
00:24:25,600 --> 00:24:29,240
Speaker 1: really great storylines that were really funny that just didn't

433
00:24:29,760 --> 00:24:32,960
Speaker 1: quite move the plot along so much.

434
00:24:33,880 --> 00:24:38,280
Speaker 2: Well, and obviously like everybody's extremely good talented, everyone's very funny.

435
00:24:38,400 --> 00:24:42,439
Speaker 1: And Sunshine decides though at the last minute, that uh,

436
00:24:43,400 --> 00:24:45,439
Speaker 1: they're not going to make it and they're not going

437
00:24:45,520 --> 00:24:46,640
Speaker 1: to bring any of their followers.

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00:24:46,880 --> 00:24:53,440
Speaker 2: So because Yanne Jackson, Dustin heard about it and intervened.

439
00:24:55,320 --> 00:24:59,400
Speaker 1: And we lose we lose all of our our audience,

440
00:25:00,560 --> 00:25:05,640
Speaker 1: which made it even weirder. But we get the wonderful

441
00:25:06,240 --> 00:25:09,520
Speaker 1: famous line from Finn about it. What's that saying the

442
00:25:09,560 --> 00:25:11,479
Speaker 1: show's got to go all over the place or something.

443
00:25:13,200 --> 00:25:14,720
Speaker 2: How big do you smile when you watch that?

444
00:25:15,160 --> 00:25:19,360
Speaker 1: I know, it's it's just the it's the best.

445
00:25:19,720 --> 00:25:22,399
Speaker 2: What's funny is is that, yeah, the gleekup's performing to

446
00:25:23,480 --> 00:25:29,280
Speaker 2: nobody except you know, four or five hecklers. But when

447
00:25:29,320 --> 00:25:33,359
Speaker 2: we actually usually perform the auditorium, there's nobody in there anyway,

448
00:25:34,160 --> 00:25:37,600
Speaker 2: And so I feel like the audience, you know, at

449
00:25:37,680 --> 00:25:40,320
Speaker 2: home watching is actually seeing what we normally see when

450
00:25:40,359 --> 00:25:40,920
Speaker 2: we're performing.

451
00:25:41,240 --> 00:25:44,720
Speaker 1: You're right, you're maybe a camera.

452
00:25:46,200 --> 00:25:48,720
Speaker 2: That's right. I mean, so what happens too is then

453
00:25:48,720 --> 00:25:52,040
Speaker 2: I neglect, there's all of the these hecklers show up.

454
00:25:52,680 --> 00:25:55,600
Speaker 2: We'll talk about them in a second, and then Mercedes

455
00:25:55,640 --> 00:25:57,440
Speaker 2: performs ain't a way, which, by the way, watching it,

456
00:25:57,560 --> 00:25:58,840
Speaker 2: I might have teared up.

457
00:25:59,200 --> 00:26:00,639
Speaker 1: Oh absinuitely.

458
00:26:01,000 --> 00:26:02,800
Speaker 2: I all of a sudden, I was like, what is

459
00:26:02,880 --> 00:26:03,359
Speaker 2: this moisture?

460
00:26:03,480 --> 00:26:05,480
Speaker 1: I think I'm gonna go watch it again after this.

461
00:26:05,960 --> 00:26:08,160
Speaker 1: I'm not kidding, I think I'm gonna go watch it again.

462
00:26:08,840 --> 00:26:10,880
Speaker 1: It is so so good.

463
00:26:11,440 --> 00:26:16,480
Speaker 2: I think that paired with the storyline of you know,

464
00:26:16,560 --> 00:26:20,040
Speaker 2: her not getting her due, something about having tiny singing

465
00:26:20,160 --> 00:26:25,720
Speaker 2: behind her and there's something in Amber's face while she's

466
00:26:25,760 --> 00:26:30,119
Speaker 2: performing it where it just you know, and this like crazy,

467
00:26:30,200 --> 00:26:35,720
Speaker 2: silly episode felt that stirred something in me and it

468
00:26:35,840 --> 00:26:40,400
Speaker 2: was like, oh, Amber's powerful. I mean, she's she's really

469
00:26:40,480 --> 00:26:40,760
Speaker 2: doing this.

470
00:26:40,960 --> 00:26:43,800
Speaker 1: I'm a miraitual person, I'm not religious, but she took

471
00:26:43,840 --> 00:26:44,359
Speaker 1: me to church.

472
00:26:45,320 --> 00:26:47,440
Speaker 2: Oh you know, I was. I was sitting on the

473
00:26:47,520 --> 00:26:52,280
Speaker 2: couch eating a bowl of cereal and started crying. So

474
00:26:53,440 --> 00:26:56,080
Speaker 2: something was happening. Yeah, And then she goes off the

475
00:26:56,119 --> 00:26:58,840
Speaker 2: stage and tells Rachel to go kill it, and Rachel's like, no,

476
00:26:59,000 --> 00:27:02,119
Speaker 2: that was it. You did it, You did do it.

477
00:27:02,840 --> 00:27:07,320
Speaker 1: Meanwhile, Holly, one of our teachers again inappropriately performance during

478
00:27:07,359 --> 00:27:11,800
Speaker 1: our own Night of Neglect, does turning Tables, which love.

479
00:27:12,920 --> 00:27:17,000
Speaker 2: This was the moment. So we were not in there.

480
00:27:17,040 --> 00:27:19,080
Speaker 2: We were not off camera or anything for that number,

481
00:27:19,160 --> 00:27:26,920
Speaker 2: I don't believe. And Kelly Kusakis, the cousman, was in

482
00:27:27,040 --> 00:27:30,399
Speaker 2: there because he and GP hit it off and so

483
00:27:30,560 --> 00:27:33,359
Speaker 2: he was there with her, and I went and watched

484
00:27:33,400 --> 00:27:35,920
Speaker 2: with him in the very back of the auditorium. And

485
00:27:36,320 --> 00:27:38,359
Speaker 2: you know how they shoot it. They do the wide

486
00:27:38,359 --> 00:27:41,040
Speaker 2: shot first in the back, and they move up and

487
00:27:41,119 --> 00:27:43,639
Speaker 2: get closer and closer and closer until finally Andrew's on

488
00:27:43,640 --> 00:27:48,240
Speaker 2: the steady cam on the stage, and so you're watching

489
00:27:48,359 --> 00:27:52,800
Speaker 2: her shoot this, and it's a technical thing of she's

490
00:27:54,160 --> 00:27:56,760
Speaker 2: obviously performing, but the wider they are, she's sort of

491
00:27:57,359 --> 00:28:00,920
Speaker 2: gesticulating a bit more. Really a lot going on with

492
00:28:01,000 --> 00:28:01,440
Speaker 2: her face.

493
00:28:02,119 --> 00:28:02,439
Speaker 1: Hmmm.

494
00:28:02,960 --> 00:28:05,440
Speaker 2: And I was like, what's happening? And then Tell He's like,

495
00:28:05,560 --> 00:28:08,680
Speaker 2: just watch, and then as they move in closer, she's

496
00:28:08,720 --> 00:28:14,119
Speaker 2: saving it, and so she's playing to whatever's happening in

497
00:28:14,200 --> 00:28:18,320
Speaker 2: the camera position they get on stage, she was They

498
00:28:18,359 --> 00:28:19,920
Speaker 2: didn't use any of the takes because maybe it was

499
00:28:19,960 --> 00:28:22,639
Speaker 2: doing I think she was actually tearing up in some

500
00:28:22,800 --> 00:28:26,399
Speaker 2: of them. She was giving them different options of a

501
00:28:26,560 --> 00:28:29,960
Speaker 2: range of emotions, and I was sitting there, I was like, hmm,

502
00:28:30,040 --> 00:28:37,400
Speaker 2: that's that's an oscar Win exactly exactly. Also, I think

503
00:28:37,640 --> 00:28:42,640
Speaker 2: there's something about like the you're preserving yourself for the

504
00:28:42,720 --> 00:28:45,440
Speaker 2: performance the things that matter too, because how many times

505
00:28:45,840 --> 00:28:48,680
Speaker 2: did we go full out when it's so wide you're

506
00:28:48,840 --> 00:28:50,800
Speaker 2: like playing on our face and like by the time

507
00:28:50,840 --> 00:28:53,400
Speaker 2: they actually get getting close, you're done, You're dead.

508
00:28:54,000 --> 00:28:58,400
Speaker 1: Well, that's very true. I also do think that the

509
00:28:58,680 --> 00:29:02,200
Speaker 1: more you say it, the more organic your thing is.

510
00:29:02,280 --> 00:29:04,640
Speaker 1: Going to be that you don't have to recreate it, right,

511
00:29:04,720 --> 00:29:10,360
Speaker 1: So emotionally saving yourself and then also giving for your

512
00:29:10,440 --> 00:29:14,760
Speaker 1: most authentic performance is actually when they're actually recording your face,

513
00:29:15,960 --> 00:29:21,800
Speaker 1: that's amazing. Well there's an there's a professional.

514
00:29:21,400 --> 00:29:25,640
Speaker 2: For you, you know, And I know we've mentioned this,

515
00:29:25,920 --> 00:29:30,520
Speaker 2: but anytime she was off camera, did one of her

516
00:29:30,680 --> 00:29:33,720
Speaker 2: movement blocking everything, and not everybody.

517
00:29:33,400 --> 00:29:45,440
Speaker 1: Did that, and it was special. So there's this other

518
00:29:45,640 --> 00:29:52,120
Speaker 1: storyline that's going on that Sue brings in Sandy Ryerson,

519
00:29:52,720 --> 00:30:02,000
Speaker 1: Justin Goolsby Cherister to titles it the League of Doom

520
00:30:02,120 --> 00:30:04,160
Speaker 1: their group, and then to take down Will and stop

521
00:30:04,240 --> 00:30:06,320
Speaker 1: the Leaue Club from winning nationals and going to New York.

522
00:30:06,840 --> 00:30:09,480
Speaker 1: Not her best plot, not her best plot, but what

523
00:30:09,600 --> 00:30:13,720
Speaker 1: a funny little panel of people, truly, what a funny

524
00:30:13,760 --> 00:30:19,880
Speaker 1: little panel. And she gives them super villain names, which

525
00:30:19,920 --> 00:30:25,480
Speaker 1: I love, the pink dagger, the honey Badger for Terry,

526
00:30:25,680 --> 00:30:31,040
Speaker 1: the pink dagger for signed Sandy Ryerson, Dustin Goldsby is

527
00:30:31,160 --> 00:30:39,680
Speaker 1: sergeant handsome, and Sue's General's odd. There's not a lot

528
00:30:39,800 --> 00:30:40,600
Speaker 1: to talk about.

529
00:30:40,400 --> 00:30:45,560
Speaker 2: In the system. The adults just getting into the school.

530
00:30:48,040 --> 00:30:51,720
Speaker 1: At the school very lax and creating actually a heck

531
00:30:51,880 --> 00:30:57,440
Speaker 1: and then Sue gets uh Sandy Ryerson to lead a

532
00:30:57,520 --> 00:31:01,800
Speaker 1: heckling club, which is also just like bullying basically.

533
00:31:04,520 --> 00:31:09,960
Speaker 2: And that's very funny though I Exmo immediately speaks up.

534
00:31:10,040 --> 00:31:14,800
Speaker 2: She's like great, they talk about the different like chat rooms,

535
00:31:14,920 --> 00:31:18,400
Speaker 2: the Reddit threads there aren't is really We also get a.

536
00:31:18,440 --> 00:31:20,880
Speaker 1: Lot of returning characters, like again like Exemia, we haven't

537
00:31:20,920 --> 00:31:23,800
Speaker 1: seen it a long time, James Earl. And so the

538
00:31:23,880 --> 00:31:28,280
Speaker 1: hecklers come and they they're successful at their heckling, making

539
00:31:28,520 --> 00:31:36,920
Speaker 1: Tina cry, but Holly talks to them coming through and

540
00:31:38,920 --> 00:31:42,320
Speaker 1: and kind of just convinces them to not heckle anymore.

541
00:31:43,240 --> 00:31:45,600
Speaker 1: You know what I gotta say, if you like that line,

542
00:31:45,640 --> 00:31:48,640
Speaker 1: I just thought that convinces them to not heckle anymore.

543
00:31:49,040 --> 00:31:49,840
Speaker 1: A welcome for that.

544
00:31:52,120 --> 00:31:57,560
Speaker 2: I really love Holly Holidays little groups of sort of

545
00:31:57,720 --> 00:32:02,360
Speaker 2: therapizing people the past two episodes. I really love it,

546
00:32:02,880 --> 00:32:05,600
Speaker 2: and I'm going to miss it. I think, Yeah, I

547
00:32:05,680 --> 00:32:08,360
Speaker 2: think it's like a really special part of Like I

548
00:32:08,400 --> 00:32:15,560
Speaker 2: don't necessarily care about her teaching so not so sometimes.

549
00:32:16,520 --> 00:32:19,640
Speaker 1: Which that last look on you guys is the Brainiacs

550
00:32:19,760 --> 00:32:22,400
Speaker 1: is pure comedic genius.

551
00:32:22,720 --> 00:32:24,120
Speaker 2: I love that and the white rappers.

552
00:32:24,160 --> 00:32:28,280
Speaker 1: One, you're a white rapper. It's like in alcohol when

553
00:32:28,320 --> 00:32:31,320
Speaker 1: you're like, yeah, I want some Bodimir, Yeah I have.

554
00:32:32,120 --> 00:32:36,680
Speaker 1: You're on a roll, Kevin, Yeah, so ill that I

555
00:32:37,120 --> 00:32:41,240
Speaker 1: get those hecklers to leave. And then Sandy Ryerson, understandably

556
00:32:41,640 --> 00:32:44,800
Speaker 1: is so moved by Ain't no way immediately goes, I

557
00:32:44,920 --> 00:32:49,200
Speaker 1: love this song. So then he single handedly pays with

558
00:32:49,320 --> 00:32:52,080
Speaker 1: his drug money for the Glee Club and for the

559
00:32:52,120 --> 00:32:53,959
Speaker 1: Brainiacs to get where they need to go for Nationals.

560
00:32:54,840 --> 00:32:57,000
Speaker 1: Do we ever find out what happens with the Brainiacs

561
00:32:57,040 --> 00:32:57,520
Speaker 1: at Nationals?

562
00:32:57,600 --> 00:32:58,360
Speaker 2: Or is that just gone?

563
00:32:58,600 --> 00:32:58,960
Speaker 1: We win?

564
00:33:00,200 --> 00:33:01,560
Speaker 2: Do we talk about it?

565
00:33:02,440 --> 00:33:08,200
Speaker 1: No, it's just assumed. Oh okay, with the with the

566
00:33:08,720 --> 00:33:11,120
Speaker 1: Nazi sympathizers, it's it's a it's assumed.

567
00:33:11,600 --> 00:33:13,680
Speaker 2: Oh right, I'm sorry, I just had a brain fart.

568
00:33:13,840 --> 00:33:19,120
Speaker 2: I forgot it was in this episode. I'm the host

569
00:33:19,200 --> 00:33:19,400
Speaker 2: of this.

570
00:33:19,920 --> 00:33:22,800
Speaker 1: And then we have well we shouldn't be, but it's okay,

571
00:33:22,960 --> 00:33:26,480
Speaker 1: here we are. And then you know, of course we

572
00:33:26,560 --> 00:33:28,720
Speaker 1: need to give Holle some more things to do, so

573
00:33:28,880 --> 00:33:32,240
Speaker 1: her and Will kind of tie up their relationship because

574
00:33:32,320 --> 00:33:35,880
Speaker 1: Emma that the end of an era. Emma and Carl

575
00:33:36,040 --> 00:33:38,840
Speaker 1: are don Carl has left and he has asked for

576
00:33:38,880 --> 00:33:41,560
Speaker 1: a nomen because they have not consummated the marriage. So

577
00:33:42,520 --> 00:33:48,680
Speaker 1: totally okay. And and then Holly reveals she was offered

578
00:33:48,720 --> 00:33:52,600
Speaker 1: a job in Cleveland, and so she's leaping and.

579
00:33:52,720 --> 00:33:54,680
Speaker 2: She's got to go goop. She got to goop it up,

580
00:33:55,880 --> 00:33:58,239
Speaker 2: like I'm busy, And they just freed up a lot

581
00:33:58,240 --> 00:34:01,520
Speaker 2: of that budget, you know, staym loss and palchow out.

582
00:34:02,600 --> 00:34:08,360
Speaker 1: We need it for our New York trip exactly. And

583
00:34:08,440 --> 00:34:11,719
Speaker 1: then Holly also says, like, obviously Will's you're in loone

584
00:34:11,719 --> 00:34:13,719
Speaker 1: with somebody else, so I've got to go. That's the

585
00:34:13,800 --> 00:34:15,560
Speaker 1: last time we see Holly Holliday for quite a bit

586
00:34:15,600 --> 00:34:15,879
Speaker 1: of time.

587
00:34:16,239 --> 00:34:22,160
Speaker 2: Yeah, there's the scene when so Kurt and Blaine, you know,

588
00:34:22,920 --> 00:34:25,160
Speaker 2: make their appearance. They're they're the support and I have

589
00:34:25,280 --> 00:34:30,600
Speaker 2: neglect and Krofski's magically at the school after hours as well,

590
00:34:32,200 --> 00:34:35,040
Speaker 2: and you know, at this point, I think it's considered

591
00:34:35,120 --> 00:34:40,600
Speaker 2: stalking what he's doing. Yeah, but Santana is lurking like

592
00:34:40,760 --> 00:34:48,320
Speaker 2: she does, and here's Korofsky insulting them and steps in

593
00:34:49,160 --> 00:34:53,520
Speaker 2: and is questioning what the three of them are alluding

594
00:34:53,600 --> 00:34:56,399
Speaker 2: to with the big secret that Korofsky has and then

595
00:34:56,480 --> 00:35:01,319
Speaker 2: does a beautiful threatening dismantling of him and gets him

596
00:35:01,360 --> 00:35:04,360
Speaker 2: to leave to raise your blades in her hair, and

597
00:35:04,520 --> 00:35:06,600
Speaker 2: it was just I thought it was wonderful the three

598
00:35:06,640 --> 00:35:09,280
Speaker 2: of them together. It was like, oh, like the queer kids,

599
00:35:09,680 --> 00:35:13,239
Speaker 2: all four of them bonding together and it was nice.

600
00:35:13,560 --> 00:35:17,560
Speaker 1: And the one that's lashing out, yeah, exactly another zinger

601
00:35:17,680 --> 00:35:24,759
Speaker 1: from Santana. Yeah, and there you have it. That's Night

602
00:35:24,840 --> 00:35:27,680
Speaker 1: of Neglect. It was.

603
00:35:30,320 --> 00:35:33,080
Speaker 2: It was fun to shoot. It was really fun to shoot, though.

604
00:35:33,120 --> 00:35:35,360
Speaker 2: I remember it like all of those scenes of the

605
00:35:35,400 --> 00:35:40,040
Speaker 2: Brainy acts. Yeah, watching all the different performances, it's an

606
00:35:40,120 --> 00:35:43,319
Speaker 2: easier shoot. We're watching people a lot of the time,

607
00:35:43,400 --> 00:35:46,480
Speaker 2: and it's all individual. Lots of chopped up things. I

608
00:35:46,600 --> 00:35:50,160
Speaker 2: remember from this like a lot of chopped up moments.

609
00:35:50,200 --> 00:35:52,279
Speaker 2: And then also not even seeing any of the League

610
00:35:52,280 --> 00:35:55,200
Speaker 2: of Doom until, like, you know, they show it, totally

611
00:35:55,239 --> 00:35:55,920
Speaker 2: showed it to us.

612
00:35:56,920 --> 00:35:58,880
Speaker 1: But it was a fun. Yeah. My favorite from this

613
00:35:59,000 --> 00:36:02,560
Speaker 1: episode is the Braini's shooting the Brady X. You know.

614
00:36:02,719 --> 00:36:04,200
Speaker 2: That makes me think too. I feel like when a

615
00:36:04,239 --> 00:36:06,239
Speaker 2: lot of these episodes happen where things are chopped up

616
00:36:06,800 --> 00:36:10,239
Speaker 2: is usually because the next episode or two. There's a

617
00:36:10,360 --> 00:36:14,640
Speaker 2: lot of group things, and so we are probably in rehearsals.

618
00:36:15,560 --> 00:36:18,120
Speaker 1: I'm stoked for next episode. I just have to say.

619
00:36:18,520 --> 00:36:20,880
Speaker 1: It is some of my favorite songs that all in

620
00:36:21,000 --> 00:36:21,640
Speaker 1: one episode.

621
00:36:22,320 --> 00:36:24,520
Speaker 2: Wow, there's yes, there's some bangers.

622
00:36:25,040 --> 00:36:28,600
Speaker 1: I wow, yeah, I get Wait, I'm really excited for

623
00:36:28,680 --> 00:36:29,400
Speaker 1: this coming episode.

624
00:36:29,480 --> 00:36:32,080
Speaker 2: Next episode, it's born this way.

625
00:36:32,120 --> 00:36:35,160
Speaker 1: If you're wondering, let's just do some tarty takes, let's

626
00:36:35,239 --> 00:36:39,320
Speaker 1: do it absolutely okay, cringe moments, Oh jeez.

627
00:36:39,880 --> 00:36:43,319
Speaker 2: Oh god. You know, Sandy Ryerson makes me uncomfortable. As

628
00:36:43,400 --> 00:36:44,839
Speaker 2: much as I love Doblosky.

629
00:36:45,280 --> 00:36:47,120
Speaker 1: Why is he allowed back at that school?

630
00:36:47,440 --> 00:36:50,160
Speaker 2: I don't know. And it's like Will's like, yeah, you

631
00:36:50,239 --> 00:36:53,560
Speaker 2: can funnel your drug money through the Glee clup.

632
00:36:53,719 --> 00:36:53,919
Speaker 1: Sure.

633
00:36:55,400 --> 00:36:58,359
Speaker 2: He also like acknowledges that he's a predatory gay.

634
00:36:58,840 --> 00:37:01,920
Speaker 1: Yeah, it's weird. It's honestly not not okay.

635
00:37:02,760 --> 00:37:06,400
Speaker 2: Yeah, I'm glad they're acknowledging how awful like and creepy

636
00:37:06,600 --> 00:37:07,640
Speaker 2: he is at.

637
00:37:07,600 --> 00:37:12,719
Speaker 1: Least always but not so good. The best dance move

638
00:37:12,800 --> 00:37:18,960
Speaker 1: goes to Mike Chang, obviously, just and that song goes

639
00:37:19,000 --> 00:37:22,360
Speaker 1: to Mercedes. Ain't no way easy obviously.

640
00:37:23,400 --> 00:37:25,359
Speaker 2: The prop You know what I thought was really cool

641
00:37:25,520 --> 00:37:28,800
Speaker 2: was during Harry's dance he lifts that little platform and

642
00:37:28,880 --> 00:37:32,680
Speaker 2: there's the the mop lady.

643
00:37:33,080 --> 00:37:36,719
Speaker 1: I loved it. I loved it. Brittany also eating the dots.

644
00:37:36,760 --> 00:37:37,440
Speaker 1: It is really funny.

645
00:37:37,640 --> 00:37:40,680
Speaker 2: So the dots. I love dots, Dots. If you would

646
00:37:40,719 --> 00:37:44,719
Speaker 2: like to sponsor us, I love you. I get stuck

647
00:37:44,760 --> 00:37:47,400
Speaker 2: in my teeth, I know, but it's worth it. Like

648
00:37:47,480 --> 00:37:50,560
Speaker 2: that's the one candy that gets stuck in my teeth. Mike,

649
00:37:50,560 --> 00:37:52,360
Speaker 2: I'll do it, Okay, Okay.

650
00:37:54,600 --> 00:38:01,680
Speaker 1: Best line, Kevin oh Man, I've got one. Okay go,

651
00:38:02,320 --> 00:38:04,239
Speaker 1: And I like it because it involves all of us.

652
00:38:04,280 --> 00:38:06,040
Speaker 1: But I also like it because we're calling a spade

653
00:38:06,080 --> 00:38:10,840
Speaker 1: a spade. Will says, wait, I get the three of

654
00:38:10,920 --> 00:38:12,920
Speaker 1: you being on the team, and Puck says, is it

655
00:38:13,080 --> 00:38:16,120
Speaker 1: because two of them are Asian and already wears glasses?

656
00:38:19,920 --> 00:38:23,720
Speaker 2: It's very good. Yeah, and also like what a rude

657
00:38:23,840 --> 00:38:26,680
Speaker 2: thing for a teacher to say about a student.

658
00:38:28,200 --> 00:38:31,040
Speaker 1: I like it. It's true, it's true, but again we'll

659
00:38:31,120 --> 00:38:35,239
Speaker 1: say inappropriate. Just Will being well.

660
00:38:35,800 --> 00:38:37,879
Speaker 2: I have a couple of favorite lines, but I think

661
00:38:38,160 --> 00:38:41,439
Speaker 2: maybe Santana saying, see here's it's going to go down.

662
00:38:41,840 --> 00:38:43,800
Speaker 2: Two choices. You stay here and I crack one of

663
00:38:43,800 --> 00:38:46,239
Speaker 2: your nuts right or left, that's your choice, or walk

664
00:38:46,239 --> 00:38:48,160
Speaker 2: away and live to be a douchebag another day. And

665
00:38:48,239 --> 00:38:51,360
Speaker 2: also I have razor blades hitting in my hair, tons

666
00:38:51,520 --> 00:38:58,560
Speaker 2: just all up in there. I also like Mercedes you know,

667
00:38:58,960 --> 00:39:02,279
Speaker 2: scene about the things she wants. I wish we also

668
00:39:02,360 --> 00:39:06,000
Speaker 2: had more zizes and being Mercedes manager, I thought that

669
00:39:06,080 --> 00:39:06,439
Speaker 2: was great.

670
00:39:07,120 --> 00:39:10,160
Speaker 1: I know, I like, could we bring that back? Could

671
00:39:10,200 --> 00:39:16,960
Speaker 1: that keep going? Yeah? Performance MVP. I think I'm going

672
00:39:17,080 --> 00:39:17,680
Speaker 1: with Amber.

673
00:39:19,120 --> 00:39:22,600
Speaker 2: I think so right, I think so just that even

674
00:39:22,640 --> 00:39:25,279
Speaker 2: that song alone, but also every scene she was in.

675
00:39:25,880 --> 00:39:27,160
Speaker 1: Yeah, I give it to her.

676
00:39:27,840 --> 00:39:32,279
Speaker 2: Yeah, okay, Jenna, Okay. Should we found a TikTok this week?

677
00:39:32,840 --> 00:39:37,520
Speaker 2: Mollotov Catnip is their name on TikTok posted a video

678
00:39:37,920 --> 00:39:42,800
Speaker 2: of these three people running in public, all dressed and

679
00:39:42,880 --> 00:39:45,280
Speaker 2: identical so Sylvester tracksuits and wigs.

680
00:39:46,760 --> 00:39:50,200
Speaker 1: It's pretty late, very crowded space.

681
00:39:50,120 --> 00:39:53,440
Speaker 2: Very crowded public like park, and people are staring at them.

682
00:39:53,520 --> 00:39:56,760
Speaker 2: They even my favorite bit is they do the Spider

683
00:39:56,840 --> 00:39:59,120
Speaker 2: Man meme. We're all through them are pointing at each other.

684
00:40:01,760 --> 00:40:02,279
Speaker 1: Comic con.

685
00:40:02,760 --> 00:40:04,080
Speaker 2: Yeah, it looks like a comic con.

686
00:40:04,440 --> 00:40:07,239
Speaker 1: Yeah, amazing, this is awesome. Go on.

687
00:40:07,400 --> 00:40:13,120
Speaker 2: It's beautiful work. It's really really great. I wish more

688
00:40:13,160 --> 00:40:17,640
Speaker 2: people did that, just run through public dresses, seal selvester

689
00:40:18,040 --> 00:40:22,960
Speaker 2: mm hmmm. I mean, I love it so much. I

690
00:40:23,080 --> 00:40:25,640
Speaker 2: watched it several times because it makes me a little uncomfortable,

691
00:40:27,120 --> 00:40:31,879
Speaker 2: but also it's Hilaire, so thanks for doing that. Thanks

692
00:40:31,920 --> 00:40:35,920
Speaker 2: for tagging us in it. That was great, And next

693
00:40:35,960 --> 00:40:37,520
Speaker 2: week is born this way. How exciting.

694
00:40:37,840 --> 00:40:39,200
Speaker 1: I can't wait.

695
00:40:39,719 --> 00:40:42,840
Speaker 2: You know, the episodes that you and I fear watching

696
00:40:42,960 --> 00:40:45,560
Speaker 2: are the ones we end up talking about at length

697
00:40:47,239 --> 00:40:48,239
Speaker 2: almost every type.

698
00:40:49,000 --> 00:40:51,239
Speaker 1: What are you getting at, Kevin, I don't know.

699
00:40:51,560 --> 00:40:52,840
Speaker 2: We like to err a grievances.

700
00:40:54,080 --> 00:40:56,520
Speaker 1: Yeah, well that's what you really missed.

701
00:40:56,760 --> 00:40:59,920
Speaker 2: Thanks for joining us, come back next week. Bye bye.

702
00:41:00,719 --> 00:41:03,800
Speaker 2: Thanks for listening, and follow us on Instagram at and

703
00:41:03,960 --> 00:41:05,960
Speaker 2: that's what you really miss pod and make sure to

704
00:41:06,000 --> 00:41:08,439
Speaker 2: write us a review and leave us five stars. See

705
00:41:08,440 --> 00:41:08,920
Speaker 2: you next time.