WEBVTT - 76: Nobody Should Have an Island

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<v Speaker 1>Welcome to Nightcall, a production of I Heart Radio. It's

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<v Speaker 1>ten pm at the Universal City In and Out and

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<v Speaker 1>you're listening to night Call. Hello, and welcome to Nightcall,

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<v Speaker 1>a podcast for your strange days and lily nights. My

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<v Speaker 1>name is Emily Oshida. I am here in Los Angeles

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<v Speaker 1>and along with me are Tess Lynch and Molly Lambert.

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<v Speaker 1>And we're back. I think out of our time warp. Officially,

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<v Speaker 1>I feel like I'm wiping. I'm like shaking the time

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<v Speaker 1>warp dust off of me or something. Um. Thanks to

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<v Speaker 1>everybody for for sticking with us through our hiatus. We've

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<v Speaker 1>been airing some of our episodes that we did during

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<v Speaker 1>the hiatus over the last couple of weeks, and now

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<v Speaker 1>we are somewhat and living in the present. We're catching

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<v Speaker 1>up almost. It's exciting. We're almost to be and and

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<v Speaker 1>and I mean, given what we're talking about this week,

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<v Speaker 1>we will still probably feel like we're in a time

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<v Speaker 1>work because everything is so fucking weird right now. Life

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<v Speaker 1>comes at you pretty fast night call. Um. But first

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<v Speaker 1>and again, this is some old news. But I I stuck.

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<v Speaker 1>I stuck this on our our dock like weeks ago,

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<v Speaker 1>and I think we would be remiss if we didn't

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<v Speaker 1>talk about the new leach on the block, New leach

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<v Speaker 1>on the block. Um, this is a leech that was

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<v Speaker 1>discovered in Nearer Washington, d C. Inviting all sorts of

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<v Speaker 1>easy jokes. Um, there's a it's a coastal species of

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<v Speaker 1>leech that has fifty nine teeth and I believe three jaws,

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<v Speaker 1>three whole jaws three. Um, it is a it's it's

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<v Speaker 1>I think they haven't found a new species of leech

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<v Speaker 1>in America since um, the fifties, I believe. And it's

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<v Speaker 1>a species of leeches called I guess they're called medicinal leeches.

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<v Speaker 1>Let's give some credit to the international team of museum

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<v Speaker 1>scientists led by Anna Phillips, the Smithsonian's curator of parasitic Worms.

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<v Speaker 1>She waded into this swamp with shorts on to see

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<v Speaker 1>these leeches. They like bait them. That's how they find them.

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<v Speaker 1>You bat them with your legs, You bait them with yourself.

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<v Speaker 1>It's like that. It's like being uh like um, you

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<v Speaker 1>know whatever they're called in for vampiresm where you're just

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<v Speaker 1>like the blood bag. They're like science. I've heard there's

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<v Speaker 1>a lot of leeches in the water. Disney World. Really well,

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<v Speaker 1>it's Florida. I guess that makes sense. It kind of

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<v Speaker 1>makes sense. Uh maybe also a disney Land, I heard,

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<v Speaker 1>but I where would they be at Disney the Jungle

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<v Speaker 1>Cruise chlorinated? No leeches in that fake news. I'm going

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<v Speaker 1>to say that this leech, by the way, is it

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<v Speaker 1>should not be tied to d C because it can

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<v Speaker 1>be found as far north as New York and as

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<v Speaker 1>far south as Georgia. So it's just a coastal Atlantic

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<v Speaker 1>blood sucker. Don't think you're safe when you're not in

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<v Speaker 1>washing in d C. I heard Anta Phillips on the

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<v Speaker 1>radio accidentally also talking about this um and she was

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<v Speaker 1>talking about how like it sounds like the most terrifying

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<v Speaker 1>thing in the world, like a leech with three jaws.

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<v Speaker 1>But she's like, it doesn't actually hurt that much. Like

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<v Speaker 1>I guess it's like the thing with leeches, like people

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<v Speaker 1>used to put them on their bodies all the time.

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<v Speaker 1>It's as long as a cigarette and it's wide as

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<v Speaker 1>two cigarettes, which is a funny thing. Yeah, it's a

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<v Speaker 1>cigarilla olive green with orange spots. Is the deal with

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<v Speaker 1>leeches that it doesn't hurt because of the section have

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<v Speaker 1>we talked about this before, I'm having about our leech conversation. Well,

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<v Speaker 1>I think, and I don't know if this is the

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<v Speaker 1>case with this particular leech, but usually it is suction,

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<v Speaker 1>like it's not a teeth thing. They don't puncture to

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<v Speaker 1>draw blood. They actually suck the blood through your skin

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<v Speaker 1>like they suck so hard. I think we can all

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<v Speaker 1>relate that that the blood just like comes out through

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<v Speaker 1>the layers of your dermiss. That's so fascinating. I wonder

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<v Speaker 1>if the teeth actually keep you from noticing them, because

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<v Speaker 1>obviously it would behoove the leech to not have you

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<v Speaker 1>noticed that for so many years because it's like clean

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<v Speaker 1>blood letting. Well, also with the teeth, there are these

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<v Speaker 1>things that you can get that are a little plastic

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<v Speaker 1>kind of disks and they have little points in them,

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<v Speaker 1>and if you press them on your arm when you're

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<v Speaker 1>getting a shot and the shot is inserted like in

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<v Speaker 1>the middle, it actually takes away the pain because it

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<v Speaker 1>hits your pressure points. So I wonder if that might

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<v Speaker 1>be something that the leech teeth do. Well, they're still

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<v Speaker 1>called medicinal leeches, so somebody's still using them for medicine,

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<v Speaker 1>like scientifically they're classified as that, so it can be

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<v Speaker 1>really hard to get a phlebotomy appointment. I'm just saying

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<v Speaker 1>a brief moment. We have talked a lot about the

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<v Speaker 1>specifics of having blood drawn and how we'd all like

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<v Speaker 1>to have our blood drawn in different ways from each other,

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<v Speaker 1>some of us at home, others in a medical setting. Yes. Um,

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<v Speaker 1>but I just would like to take a side quest

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<v Speaker 1>to complain about the mosquitoes that we have Los Angeles. Now.

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<v Speaker 1>It's amazing. I left Los Angeles for almost five years

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<v Speaker 1>and when I came back there were mosquitos. Yeah, it's

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<v Speaker 1>a new development, it is. Yeah, and they're this horrible

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<v Speaker 1>kind that brings the West Nile virus and other you

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<v Speaker 1>talk about the eighties. Yeah, they're called a E. D

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<v Speaker 1>E S, which means like annoying. Yeah. And there's zebra mosquitoes. Yeah,

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<v Speaker 1>they're scariest things. I had never seen one in l

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<v Speaker 1>A but I saw one in Louisiana and I was

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<v Speaker 1>like you just so when you see a creature you've

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<v Speaker 1>never seen before, you just are like, oh, no, I

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<v Speaker 1>have no context for this. So let's freaked me out.

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<v Speaker 1>Because I had seen them in New Orleans and I

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<v Speaker 1>was like, oh cool, we live in a swampy climate

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<v Speaker 1>now with lots of mosquitoes bite you. They're called ankle

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<v Speaker 1>bitter mosquitoes. Yeah, yeah, which they definitely are to me.

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<v Speaker 1>It's very humid here and we do have the mosquitoes.

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<v Speaker 1>I don't mind the mosquitoes as much as I mind

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<v Speaker 1>the ants. Still, um. This morning, I had another kitchen

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<v Speaker 1>ant issue, and mine seemed to be immune to all

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<v Speaker 1>kinds of like ant repellents and the dusty earth stuff

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<v Speaker 1>that dry out. Would you rather have to deal with

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<v Speaker 1>like a million tiny things or one giant thing? Oh,

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<v Speaker 1>one giant thing? It is too vague, need more info?

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<v Speaker 1>You mean people, what's how giant tiny ants? Or like

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<v Speaker 1>the ant from Honey, a giant cockroach? I mean I

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<v Speaker 1>feel like that's the like, I would rather have ants

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<v Speaker 1>to deal with than cockroaches. But but I also would

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<v Speaker 1>rather have I think what I'm thinking in this more abstractly,

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<v Speaker 1>I'd rather have a large thing. I don't know i'd have.

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<v Speaker 1>I'd rather deal with one large thing, unless it were

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<v Speaker 1>larger than me, in which case it would rather deal

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<v Speaker 1>with small things. Yeah, I mean, like, would you rather

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<v Speaker 1>have ants or like an elephant that wanted to kill you. Yeah,

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<v Speaker 1>but what if it's like the choice is like a cockroach,

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<v Speaker 1>an elephant sized cockroach, or like bugs that are too

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<v Speaker 1>small to see? Well, how many bugs they're too small

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<v Speaker 1>to see? You don't have enough information? Make your pitch?

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<v Speaker 1>I I guess in that situational word problem problem, it's

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<v Speaker 1>a psychological new math. If you have an answer to

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<v Speaker 1>this question, won't you please give us a call it

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<v Speaker 1>to four oh four six night or you can email

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<v Speaker 1>us at night called podcast at gmail dot com. Again,

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<v Speaker 1>the question is would you rather battle at cockroach unimaginably

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<v Speaker 1>huge proportions no limit cockroach or a multitude but not specifically,

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<v Speaker 1>how many of very small and swarms? For a coastal question,

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<v Speaker 1>it is a b coastal question. Well, another bicoastal question.

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<v Speaker 1>Also speaking of bloodsuckers, UM, I have recommended reading this

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<v Speaker 1>week UM from the New Yorker a couple of weeks ago. Uh,

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<v Speaker 1>there is a pretty good it and oppressing an article

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<v Speaker 1>about Silicon Valley's relationship with SLYN by Andrew Morantz. UM.

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<v Speaker 1>I think it was in the August twenty six issue UM,

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<v Speaker 1>but it is online and we'll link to it on

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<v Speaker 1>our notes. UM. I just it was such a I

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<v Speaker 1>don't did you guys get a chance to read this? Okay,

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<v Speaker 1>So it's kind of about how this like zig zagging

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<v Speaker 1>relationship that that slyn this this retreat in northern California.

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<v Speaker 1>It's like what three hours from San Francisco. It's around

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<v Speaker 1>Big sir Yeah, around Big Sir. Um. It's always been

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<v Speaker 1>the sort of like influencer hub, even before there were influencers,

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<v Speaker 1>and now you know, recently, it's been a place for

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<v Speaker 1>all these Silicon Valley people who feel guilty about the

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<v Speaker 1>hell world that they have made, um coming to get

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<v Speaker 1>in hot tubs and sweat away their um conscience. Like

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<v Speaker 1>I didn't even know if they feel guilty. Oh they do,

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<v Speaker 1>they do, but they don't feel guilty enough to do

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<v Speaker 1>anything like very helpful. Very It's all very strack to them.

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<v Speaker 1>That's like all that stuff. That's like the Steve Jobs

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<v Speaker 1>thing of like you stop taking mushrooms to like have

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<v Speaker 1>a experience and get it out of your ego, and

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<v Speaker 1>you start taking them to like come up with product ideas.

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<v Speaker 1>So it's a lot of like hippie themed things, completely

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<v Speaker 1>divorced of all context and meaning. I mean, I think

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<v Speaker 1>I think that so a lot of the things that

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<v Speaker 1>they do that they have these big detox retreats, and

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<v Speaker 1>so the journalists went on one of these retreats, and

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<v Speaker 1>a lot of it is just this sort of verbiage

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<v Speaker 1>about um plugging and having like a more conscious relationship

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<v Speaker 1>to tech and trying to pass it onto your users

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<v Speaker 1>and everything. And it's also just like reminds me of

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<v Speaker 1>like completely separate issue which is like kind of the

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<v Speaker 1>class stratification of screen time now, which I feel like

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<v Speaker 1>we've talked about on this podcast, but just that now

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<v Speaker 1>the idea of like keeping your kid away from screens,

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<v Speaker 1>especially with kids, I think has become this really like

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<v Speaker 1>class in this class you think it's the new like

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<v Speaker 1>my kid doesn't watch TV? Yeah, totally. I think that's

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<v Speaker 1>becoming a thing. And I think that, um, I think

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<v Speaker 1>that a lot of families that are like especially famous,

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<v Speaker 1>who can't afford childcare all the time, are more likely

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<v Speaker 1>to just like you know, sit their kids in front

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<v Speaker 1>of the iPad or whatever. Well, to be fair, doctors

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<v Speaker 1>do say you shouldn't let them have a lot of

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<v Speaker 1>screen time, right, Yes, oh yeah, I think it's totally accurate.

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<v Speaker 1>But it's like it's like that idea is like reaching

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<v Speaker 1>one part of the population and not the other. And

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<v Speaker 1>I think that there's like I think that like UM

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<v Speaker 1>is sort of bearing out. I think the thing with

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<v Speaker 1>screen time is it's like the downsides are so hard

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<v Speaker 1>to explain. Well. I think a lot of the issues

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<v Speaker 1>in terms of parenting and screen time is that I

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<v Speaker 1>think it's an almost impossible thing to achieve to have

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<v Speaker 1>your kids completely not have access to screens. Especially I mean,

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<v Speaker 1>once your kids are in school, most public schools and

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<v Speaker 1>charter schools have screens. Their homework is done on screens obviously. UM.

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<v Speaker 1>I think you know, usually with pediatrics they tell you

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<v Speaker 1>to avoid all screens before three. But that's also impossible

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<v Speaker 1>if you have multiple children, unless you're able to like

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<v Speaker 1>have separate wings of your house. UM. So it's kind

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<v Speaker 1>of just this impossible thing. And I think that's also

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<v Speaker 1>discussed in the New York or article. UM. They are

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<v Speaker 1>encouraged to call work W because you're not supposed to

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<v Speaker 1>talk about work W talk my W is this and

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<v Speaker 1>it's like it's very discouraged talking about work. But I

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<v Speaker 1>mean it's kind of this we're in this world with

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<v Speaker 1>these two extremes. It's really hard to moderate screen time.

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<v Speaker 1>I think that's kind of why people tell parents to

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<v Speaker 1>completely deprive their kids of screen time, because they figure

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<v Speaker 1>it'll at least cut down on it. Um. But yeah,

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<v Speaker 1>it is a it's a totally it's an economic issue

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<v Speaker 1>for sure. I mean it's not just having childcare, but

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<v Speaker 1>it's having the kind of childcare that's like the Montessori

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<v Speaker 1>ody crunchy childcare, and it's you know, I don't think

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<v Speaker 1>it's practical, but I definitely think there's too much. I mean,

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<v Speaker 1>I guess the idea, like from this article that the

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<v Speaker 1>thing that on the surface, just on on optics level,

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<v Speaker 1>the idea of these like tech billionaires going to this

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<v Speaker 1>extremely expensive retreat to not be on their phones, like

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<v Speaker 1>not being on your phone and like you know, unplugging

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<v Speaker 1>from time to time or trying to reconsider your and

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<v Speaker 1>this is like for people who are the very top

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<v Speaker 1>of this industry, Like that is all now like a

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<v Speaker 1>luxury item. So this is all like goop stuff. Well yeah, yeah,

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<v Speaker 1>I mean it's all a part of it. So like

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<v Speaker 1>that was the thing too. Like when Jack Dorsey from

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<v Speaker 1>Twitter went on that fast, everybody was like, if you

0:12:38.600 --> 0:12:40.280
<v Speaker 1>were a woman, this would just be called like an

0:12:40.280 --> 0:12:44.640
<v Speaker 1>eating disorder, Like you're just depriving yourself of nutrition and

0:12:44.679 --> 0:12:48.480
<v Speaker 1>your brain is gonna like overheat and maybe some weird

0:12:48.480 --> 0:12:51.360
<v Speaker 1>stuff will happen, but that doesn't mean it's like good

0:12:51.400 --> 0:12:54.040
<v Speaker 1>for you. Also, the silliest thing in this article is

0:12:54.120 --> 0:12:56.600
<v Speaker 1>that it is people going to unplug. And also there's

0:12:56.600 --> 0:12:59.440
<v Speaker 1>no cell service, so even if you wanted to plug in,

0:12:59.480 --> 0:13:03.400
<v Speaker 1>you couldn't. But all they do is talk about unplugging.

0:13:03.679 --> 0:13:06.960
<v Speaker 1>They seemed unable to resume any kind of like normal

0:13:07.080 --> 0:13:10.160
<v Speaker 1>pattern that you might recognize from the olden days. Yeah,

0:13:10.200 --> 0:13:12.640
<v Speaker 1>everybody is there for work. That's the funny thing about

0:13:12.679 --> 0:13:15.080
<v Speaker 1>no W talk is that everybody is there because of

0:13:15.120 --> 0:13:18.079
<v Speaker 1>their work. So it's like, but don't talk about it.

0:13:18.080 --> 0:13:20.560
<v Speaker 1>It's just like not it's like blinding yourself to this

0:13:20.640 --> 0:13:22.800
<v Speaker 1>elephant in the room instead of like I don't know,

0:13:22.920 --> 0:13:25.360
<v Speaker 1>having like a really constructive conversation. I feel like even

0:13:25.440 --> 0:13:29.680
<v Speaker 1>when was like originally founded, it had a reputation for

0:13:29.760 --> 0:13:32.440
<v Speaker 1>being silly. Yes, it was all like unplugged from what

0:13:32.520 --> 0:13:37.600
<v Speaker 1>existed then to unplug from, which was like TV. I guess, yeah,

0:13:37.840 --> 0:13:39.439
<v Speaker 1>have you guys? You guys have never been No, I

0:13:39.480 --> 0:13:43.520
<v Speaker 1>want to go so bad? Are I? Almost went to Aslin.

0:13:43.800 --> 0:13:47.640
<v Speaker 1>Just take back everything that we just said about us s.

0:13:48.679 --> 0:13:50.600
<v Speaker 1>When I was I was on my honeymoon in Big

0:13:50.640 --> 0:13:53.400
<v Speaker 1>sur and there was this thing of should we go

0:13:53.480 --> 0:13:56.120
<v Speaker 1>to Aslin? But I was too afraid. I never knew,

0:13:56.240 --> 0:13:59.920
<v Speaker 1>and I was too afraid. Yeah, so I didn't. I'm

0:14:00.040 --> 0:14:03.200
<v Speaker 1>I never knew, but I felt intimidated by the prospect.

0:14:03.240 --> 0:14:06.360
<v Speaker 1>And also the sulfur smell is referenced a lot in

0:14:06.440 --> 0:14:08.240
<v Speaker 1>terms of the hot springs at Eslen, and I was

0:14:08.360 --> 0:14:10.120
<v Speaker 1>I was unsure if I would like it, said it

0:14:10.160 --> 0:14:12.840
<v Speaker 1>smelled like lavender and boiled eggs. That's not my jam,

0:14:14.240 --> 0:14:17.240
<v Speaker 1>It's not my thing. I'm afraid of hot springs ever

0:14:17.280 --> 0:14:22.240
<v Speaker 1>since that person got melted in Yellowstone pardon me, Oh,

0:14:22.360 --> 0:14:24.080
<v Speaker 1>they got in a guy because I thought it was

0:14:24.080 --> 0:14:28.360
<v Speaker 1>a hot melted their body. Yeah. Yeah, Ike's definitely talked

0:14:28.360 --> 0:14:30.520
<v Speaker 1>about on this podcast. It's, you know what, all the

0:14:30.600 --> 0:14:33.120
<v Speaker 1>horrors went together after a while. I have my own

0:14:33.160 --> 0:14:36.240
<v Speaker 1>favorites that always flowed to the top. So we wanted

0:14:36.240 --> 0:14:38.760
<v Speaker 1>to take an email that we got at the time

0:14:38.800 --> 0:14:42.000
<v Speaker 1>of recording. Right now, still still shaking off the time

0:14:42.040 --> 0:14:45.080
<v Speaker 1>warp here. We did a podcast about Midsummer which we

0:14:45.160 --> 0:14:48.000
<v Speaker 1>recorded shortly after Midsummer came out and in the interim

0:14:48.120 --> 0:14:50.640
<v Speaker 1>time the Midsummer Director's cut, which I think clocks in

0:14:50.680 --> 0:14:53.160
<v Speaker 1>at something like four hours. Um, way to go, our yester,

0:14:53.560 --> 0:14:57.160
<v Speaker 1>Uh big fans here that has come out. I have

0:14:57.240 --> 0:14:59.360
<v Speaker 1>not seen it yet. I really want to see it.

0:15:00.000 --> 0:15:02.760
<v Speaker 1>But we got a call or an email rather from

0:15:02.920 --> 0:15:06.880
<v Speaker 1>christ and Seattle who says, hey, welcome back night call missed.

0:15:06.920 --> 0:15:09.400
<v Speaker 1>You went and saw the director's cut of Midsummer over

0:15:09.480 --> 0:15:12.600
<v Speaker 1>the weekend, and the white supremacy stuff is for sure validated.

0:15:13.320 --> 0:15:16.040
<v Speaker 1>Early on there's a swastika on a Nazi book of runs.

0:15:16.120 --> 0:15:19.120
<v Speaker 1>Josh is reading Love Talking Midsummer and wanted you to

0:15:19.200 --> 0:15:22.560
<v Speaker 1>know in case you haven't seen the extended cut. Um,

0:15:22.800 --> 0:15:25.400
<v Speaker 1>so you got y'all. Y'all are validated. I mean, I

0:15:25.520 --> 0:15:28.360
<v Speaker 1>just like no, but this was like Marshall McLuhan coming

0:15:28.400 --> 0:15:32.040
<v Speaker 1>out from behind the pole, right, Molly knows everything. Um

0:15:32.320 --> 0:15:34.640
<v Speaker 1>feels good, thank you, Chris feels good. Yeah, And um,

0:15:34.720 --> 0:15:38.640
<v Speaker 1>our other our other friend Oscar sent uh something about

0:15:38.680 --> 0:15:40.600
<v Speaker 1>how there's also a banner that appears in the movie

0:15:40.640 --> 0:15:43.560
<v Speaker 1>I think in the original cut too. That is, it's

0:15:43.600 --> 0:15:46.040
<v Speaker 1>like one of those like over the Road type years

0:15:46.240 --> 0:15:50.680
<v Speaker 1>that says like stop people coming from the immigrants. So

0:15:51.040 --> 0:15:54.920
<v Speaker 1>I think the subtexts was real. Yeah, I mean yeah,

0:15:55.080 --> 0:15:57.280
<v Speaker 1>it's ah. I can't wait to see that movie again.

0:15:58.280 --> 0:16:00.760
<v Speaker 1>I want to tell everybody to follow the Brandy with

0:16:00.840 --> 0:16:03.520
<v Speaker 1>an eye. On Twitter, she did a really good thread

0:16:03.680 --> 0:16:06.360
<v Speaker 1>about going to the Minnesota State Fair a hundred times

0:16:06.480 --> 0:16:09.040
<v Speaker 1>and then she was like, oh, what, you could just

0:16:09.120 --> 0:16:12.080
<v Speaker 1>set midsummer at the Minnesota State that makes sense. She

0:16:12.200 --> 0:16:14.440
<v Speaker 1>was like, you put somebody inside a butter cow at

0:16:14.520 --> 0:16:19.760
<v Speaker 1>the end, what she was just taking an Iowa original

0:16:20.120 --> 0:16:23.560
<v Speaker 1>being inside of a butter sculpture, of not being inside

0:16:23.560 --> 0:16:26.880
<v Speaker 1>but the butter sculpture butter sculptures. I think I'm down.

0:16:27.080 --> 0:16:30.920
<v Speaker 1>And there were a lot of like scary uh scarecrows

0:16:30.960 --> 0:16:34.240
<v Speaker 1>done into celebrities. There was like a Felicity Huffman college

0:16:34.240 --> 0:16:38.840
<v Speaker 1>admission scandal scarecrow that was terrifying. That kind of stuff

0:16:38.880 --> 0:16:42.920
<v Speaker 1>gives me such bad I also watched Children in the

0:16:43.000 --> 0:16:46.360
<v Speaker 1>Corn for the first time. Never see that. That's that's wild,

0:16:46.480 --> 0:16:49.120
<v Speaker 1>It's so good. I saw that movie so early, like

0:16:49.440 --> 0:16:51.400
<v Speaker 1>way before, and I was one of those kids who

0:16:51.400 --> 0:16:53.680
<v Speaker 1>didn't have a lot of screen time. Guys, so you

0:16:53.800 --> 0:16:55.840
<v Speaker 1>saw but this is weird. I'm saying it's weird though,

0:16:55.880 --> 0:16:58.000
<v Speaker 1>because usually I'm not the person who's seen this stuff

0:16:58.000 --> 0:17:00.320
<v Speaker 1>as a kid, But for whatever reason, I saw Children

0:17:00.360 --> 0:17:05.600
<v Speaker 1>of the Cord when I was like eight or something. Yeah,

0:17:06.280 --> 0:17:10.040
<v Speaker 1>it's so good and it's very midsummery. Yeah, no, totally,

0:17:10.040 --> 0:17:12.840
<v Speaker 1>and the original story is even more midsummer I guess

0:17:12.920 --> 0:17:16.879
<v Speaker 1>the movie is a little happy ending Earth on the original. Yeah. Well,

0:17:16.920 --> 0:17:18.800
<v Speaker 1>we're gonna take a quick break and when we come back,

0:17:19.000 --> 0:17:22.480
<v Speaker 1>we're going to talk about the conspiracy that is on

0:17:23.240 --> 0:17:34.159
<v Speaker 1>all of hard vides right now, let's not lie. Welcome

0:17:34.160 --> 0:17:36.399
<v Speaker 1>back to Night Call, and now the moment you've all

0:17:36.440 --> 0:17:40.359
<v Speaker 1>been waiting for. We're going to talk about some alleged

0:17:40.400 --> 0:17:45.639
<v Speaker 1>allegations that are alleged pill me. We're gonna uppel everybody.

0:17:46.400 --> 0:17:48.480
<v Speaker 1>Molly is going to take the lead on this, because

0:17:48.560 --> 0:17:51.600
<v Speaker 1>if anyone follows Molly on Twitter, they know that Molly

0:17:52.480 --> 0:17:55.400
<v Speaker 1>all the time. Now about the Epstein scandal. I bet

0:17:55.440 --> 0:17:57.920
<v Speaker 1>I just posted about other things too. No, but you

0:17:58.000 --> 0:18:00.680
<v Speaker 1>have a lot to say about Epstein. It's fascinating, It

0:18:00.880 --> 0:18:05.280
<v Speaker 1>is super fascinating. It's fascinating because it has like tentacles

0:18:05.320 --> 0:18:09.960
<v Speaker 1>that go into everything and uh, there's so many stories

0:18:10.119 --> 0:18:13.359
<v Speaker 1>keep coming out that are so insane, and it all

0:18:13.359 --> 0:18:15.639
<v Speaker 1>happened in front of everybody. That's a crazy pocket. So

0:18:15.760 --> 0:18:17.480
<v Speaker 1>I went on a deep dive the other day. This

0:18:17.520 --> 0:18:19.600
<v Speaker 1>is maybe what you're talking about in the Getty Images

0:18:20.359 --> 0:18:23.240
<v Speaker 1>where I looked up her name is. We still don't

0:18:23.240 --> 0:18:24.800
<v Speaker 1>know how to say it. We're calling her Jis Lane

0:18:25.119 --> 0:18:32.200
<v Speaker 1>Delane Gillen, G M. Maxwell. Yeah, a lady, an evil lady.

0:18:33.320 --> 0:18:38.480
<v Speaker 1>She was all over Getty Images because she was a socialite.

0:18:38.560 --> 0:18:44.000
<v Speaker 1>In addition to being a fixer, whatever PM whatever else

0:18:44.480 --> 0:18:49.160
<v Speaker 1>criminal activity she was allegedly doing all alleged trafficker, alleged

0:18:49.480 --> 0:18:55.280
<v Speaker 1>underage trafficker of underage girls. She was also like hosting

0:18:56.400 --> 0:19:01.920
<v Speaker 1>things in her penthouse, her skip weird nineties weird town house. Although,

0:19:02.480 --> 0:19:04.800
<v Speaker 1>as I was saying, like I was looking for these pictures,

0:19:04.840 --> 0:19:06.560
<v Speaker 1>I was trying to find other pictures of her townhouse

0:19:06.560 --> 0:19:08.920
<v Speaker 1>because there's one picture that appeared in her townhouse that

0:19:09.080 --> 0:19:12.840
<v Speaker 1>actually was too creeped me out too much, um, which

0:19:12.960 --> 0:19:15.520
<v Speaker 1>was the picture of there's like a double mask on

0:19:15.640 --> 0:19:20.040
<v Speaker 1>the wall, um and it's it's just in a totally

0:19:20.119 --> 0:19:23.639
<v Speaker 1>innocuous party photo. She held a party at her house

0:19:23.920 --> 0:19:27.920
<v Speaker 1>with I think Dom Perignon, and so it's just party

0:19:27.960 --> 0:19:30.800
<v Speaker 1>pictures from that party, and then in the background of

0:19:30.840 --> 0:19:33.840
<v Speaker 1>a bartender, it's like atmosphere. Those are what they call

0:19:33.920 --> 0:19:36.240
<v Speaker 1>the photos that are just of random stuff at a party,

0:19:36.760 --> 0:19:38.320
<v Speaker 1>and it's just a guy pouring a drink under this

0:19:38.440 --> 0:19:42.440
<v Speaker 1>like terrifying Satan mask on the wall. And then people

0:19:42.960 --> 0:19:46.000
<v Speaker 1>in my comments are like, hey, look at the print

0:19:46.119 --> 0:19:49.400
<v Speaker 1>on the cloak under the mask. There's this symbol all

0:19:49.480 --> 0:19:52.960
<v Speaker 1>over it that everybody knows is the internationally recognized symbol

0:19:53.000 --> 0:19:58.879
<v Speaker 1>for pedophiles looking for children. And then what is the symbol?

0:19:59.160 --> 0:20:02.680
<v Speaker 1>It is a my angle with a spiral inside and

0:20:02.800 --> 0:20:06.360
<v Speaker 1>it is printed all over this thing, and it does

0:20:06.440 --> 0:20:08.520
<v Speaker 1>look like a mask that comes down off the wall

0:20:08.680 --> 0:20:12.280
<v Speaker 1>and like has eye holes, you know. But I couldn't

0:20:12.280 --> 0:20:15.040
<v Speaker 1>find out anything else about it, and people were sending

0:20:15.119 --> 0:20:18.320
<v Speaker 1>me screenshots of something that they claim come from because

0:20:18.320 --> 0:20:20.720
<v Speaker 1>again I can't, I don't. This is when I started

0:20:20.720 --> 0:20:23.320
<v Speaker 1>to feel like I was losing my mind. Uh, they

0:20:23.359 --> 0:20:26.320
<v Speaker 1>were sending me screenshots something from wiki leaks that alleges

0:20:26.440 --> 0:20:29.280
<v Speaker 1>that these are like the international symbols that pedophiles you

0:20:29.440 --> 0:20:32.200
<v Speaker 1>use to attract each other, or and there's one that's

0:20:32.240 --> 0:20:34.840
<v Speaker 1>like for girls people looking for girls. That's like a

0:20:34.960 --> 0:20:38.639
<v Speaker 1>butterfly with a heart inside. That stuff always kind of

0:20:38.760 --> 0:20:40.960
<v Speaker 1>tips off my bullshit radar. I have to say the

0:20:40.960 --> 0:20:43.160
<v Speaker 1>secret syml stuff because it just feels like satanic panic.

0:20:43.520 --> 0:20:46.160
<v Speaker 1>It does, except then the symbol was all over the thing,

0:20:46.280 --> 0:20:49.440
<v Speaker 1>and I was like, well, what does it mean? Doing

0:20:49.520 --> 0:20:54.640
<v Speaker 1>a bit? They're like you guys right, also like I'm

0:20:54.720 --> 0:20:57.200
<v Speaker 1>not going to look that up because then it's in

0:20:57.320 --> 0:21:00.080
<v Speaker 1>my search history. I'm not going to search like, what

0:21:00.200 --> 0:21:03.000
<v Speaker 1>are the symbols that pedophiles you? You can't believe you

0:21:03.040 --> 0:21:05.040
<v Speaker 1>don't have tor yet. I mean even if I did,

0:21:05.119 --> 0:21:08.000
<v Speaker 1>I don't think I would want that in my browser. Um,

0:21:08.640 --> 0:21:10.040
<v Speaker 1>the whole thing. I mean, when you go on a

0:21:10.160 --> 0:21:15.040
<v Speaker 1>deep dive about miss Maxwell, it starts to get it.

0:21:15.320 --> 0:21:16.879
<v Speaker 1>You start to feel like you're playing with fire a

0:21:16.920 --> 0:21:18.760
<v Speaker 1>little bit. What break our brains about this is that

0:21:19.080 --> 0:21:22.080
<v Speaker 1>crazy days and nights just posting about it constantly. Um,

0:21:22.320 --> 0:21:25.320
<v Speaker 1>for years they were posting about there's this billionaire pedophile

0:21:25.680 --> 0:21:27.560
<v Speaker 1>and he has a plane and he takes people to

0:21:27.680 --> 0:21:31.359
<v Speaker 1>his private island, and all sounded so far fetched, and

0:21:31.520 --> 0:21:33.359
<v Speaker 1>he was kind of doing it in the context of

0:21:33.440 --> 0:21:36.159
<v Speaker 1>like this is going to come out soon, which is

0:21:36.280 --> 0:21:39.760
<v Speaker 1>like and and the thing is with Crazy Days and Nights,

0:21:40.040 --> 0:21:43.040
<v Speaker 1>he had all of the Weinstein stuff on there and like,

0:21:43.760 --> 0:21:46.000
<v Speaker 1>but all that stuff was where I think we were like, oh,

0:21:46.080 --> 0:21:48.280
<v Speaker 1>Crazy Days and Nights is going total cuan on. Like

0:21:48.440 --> 0:21:50.520
<v Speaker 1>it turned because I was like, oh, they're implicating the

0:21:50.560 --> 0:21:52.639
<v Speaker 1>Clinton Foundation. And then I was like, oh, the Clinton

0:21:52.680 --> 0:21:56.440
<v Speaker 1>Foundation is implicated. Like all of this stuff was real.

0:21:56.640 --> 0:21:58.879
<v Speaker 1>But what is crazy is when you do start tweeting

0:21:58.880 --> 0:22:02.560
<v Speaker 1>about it, you get people from every side, and those

0:22:02.640 --> 0:22:07.200
<v Speaker 1>sides are that like, Liberals think that Trump is totally responsible.

0:22:07.680 --> 0:22:11.119
<v Speaker 1>Trump people think that the Clintons are totally responsible, and

0:22:11.240 --> 0:22:15.840
<v Speaker 1>Europeans think it's all Prince Andrew and whoever is the closest,

0:22:16.119 --> 0:22:19.360
<v Speaker 1>they all have this thing. What is also so weird

0:22:19.400 --> 0:22:21.399
<v Speaker 1>because because I was like, maybe this will make the

0:22:21.480 --> 0:22:24.159
<v Speaker 1>Q and on people come to this realization of like

0:22:24.760 --> 0:22:27.560
<v Speaker 1>the Illuminati is just that people with money can buy

0:22:27.640 --> 0:22:30.159
<v Speaker 1>their way out of crime. But the Q and on

0:22:30.359 --> 0:22:33.159
<v Speaker 1>is like the crazy The craziest thing about Q and

0:22:33.280 --> 0:22:36.400
<v Speaker 1>on now is that they have like done mental gymnastics

0:22:36.480 --> 0:22:38.800
<v Speaker 1>to make Donald Trump the hero of the story. That's

0:22:38.840 --> 0:22:41.040
<v Speaker 1>the thing is this doesn't compute with their story. So

0:22:41.280 --> 0:22:43.600
<v Speaker 1>I don't understand how they're not like, oh, Trump is

0:22:43.640 --> 0:22:45.840
<v Speaker 1>in on it, everybody's in on it, because that is

0:22:45.880 --> 0:22:50.960
<v Speaker 1>what is it turns out true. Allegedly across the aisle,

0:22:51.080 --> 0:22:54.760
<v Speaker 1>this guy blackmailed all kinds of creepy dudes into doing

0:22:55.160 --> 0:22:59.520
<v Speaker 1>things that are illegal and then supposedly videotaped it. I

0:22:59.600 --> 0:23:02.800
<v Speaker 1>think on a broader note, we were talking about this yesterday. Uh,

0:23:03.640 --> 0:23:05.880
<v Speaker 1>I think we haven't really talked about this Epstein stuff

0:23:05.880 --> 0:23:08.159
<v Speaker 1>at all because it happened while we were away, and

0:23:08.240 --> 0:23:12.920
<v Speaker 1>I think on a on abroad like not alleging anything

0:23:13.320 --> 0:23:17.280
<v Speaker 1>type level, I have just been kind of I felt

0:23:17.320 --> 0:23:19.920
<v Speaker 1>a little bit stupid for how much I kind of

0:23:21.000 --> 0:23:23.760
<v Speaker 1>didn't like discounted any of this stuff going on. Like

0:23:23.800 --> 0:23:26.280
<v Speaker 1>I was talking about the Lynn Ramsey movie You Were

0:23:26.320 --> 0:23:30.119
<v Speaker 1>Never Really Here, which came out I think it was

0:23:30.240 --> 0:23:33.800
<v Speaker 1>a canon. Uh maybe came out in theaters the next year,

0:23:33.880 --> 0:23:35.720
<v Speaker 1>but so it's like a little it's it's been a

0:23:35.760 --> 0:23:38.119
<v Speaker 1>while since it came out, and I, you know, I

0:23:38.240 --> 0:23:41.680
<v Speaker 1>love her as a director, and I read the novella

0:23:41.800 --> 0:23:44.199
<v Speaker 1>by Jonathan Names because I was like going to interview her.

0:23:44.240 --> 0:23:46.200
<v Speaker 1>So I was just like doing research on it and

0:23:46.440 --> 0:23:48.680
<v Speaker 1>it was like the whole thing just it just made

0:23:48.680 --> 0:23:51.080
<v Speaker 1>me feel so achy and it was just like it

0:23:51.240 --> 0:23:56.479
<v Speaker 1>felt like such a weird Brooklyn guy. I eat Jonathan

0:23:56.520 --> 0:24:01.800
<v Speaker 1>Eames fantasy about like being the vigilante who rescues all

0:24:01.840 --> 0:24:03.960
<v Speaker 1>the young girls from the pedophiles. That definitely it just

0:24:04.040 --> 0:24:05.960
<v Speaker 1>felt like souper. And this was all post Pizza Gate

0:24:06.000 --> 0:24:08.440
<v Speaker 1>that I read. This book was written before that, but

0:24:08.960 --> 0:24:11.239
<v Speaker 1>it's still had this thing of like, oh, yeah, all

0:24:11.280 --> 0:24:12.920
<v Speaker 1>the girls are getting raped and we all have to

0:24:13.000 --> 0:24:15.480
<v Speaker 1>like solve the only one tough guy in Brooklyn can

0:24:17.400 --> 0:24:20.680
<v Speaker 1>crack the case. But like the movie, which is like

0:24:21.000 --> 0:24:23.440
<v Speaker 1>very well directed, still not my favorite movie of hers,

0:24:23.600 --> 0:24:25.600
<v Speaker 1>but like has and it has like a very extreme

0:24:25.680 --> 0:24:29.160
<v Speaker 1>Walking Phoenix performance in it. Um is there any other kind? Yeah,

0:24:29.160 --> 0:24:31.160
<v Speaker 1>there's no other kind. Take a moment to talk about

0:24:31.200 --> 0:24:34.119
<v Speaker 1>Derga Cubos theory just just I just want to finish

0:24:34.160 --> 0:24:36.639
<v Speaker 1>this real quick. But like, um, but the movie like

0:24:37.119 --> 0:24:41.200
<v Speaker 1>depicts Walking Phoenix's character basically Stormy like a one man

0:24:41.720 --> 0:24:45.879
<v Speaker 1>like operation to go storm this pedophile mansion. There's and

0:24:45.920 --> 0:24:48.600
<v Speaker 1>there's one in Manhattan, like an Upper east Side one,

0:24:48.640 --> 0:24:50.879
<v Speaker 1>and then there's like a big estate somewhere and he

0:24:50.960 --> 0:24:52.960
<v Speaker 1>goes into because he has to rescue this girl from it,

0:24:53.440 --> 0:24:57.080
<v Speaker 1>and it's like it's like like aesthetically, it all feels

0:24:57.119 --> 0:24:58.920
<v Speaker 1>like pretty note for a note from what we've like

0:24:59.080 --> 0:25:02.560
<v Speaker 1>now would have been reported. So does I watched HUT? Yeah?

0:25:02.840 --> 0:25:05.160
<v Speaker 1>I mean, well I watched HUT hasn't been reported yet,

0:25:05.240 --> 0:25:07.680
<v Speaker 1>but I'm saying, like the like Little Saint James and

0:25:07.760 --> 0:25:11.280
<v Speaker 1>all that stuff like that all feels like just ripped

0:25:11.400 --> 0:25:14.480
<v Speaker 1>from this book. And maybe I'm just creeped out by

0:25:14.600 --> 0:25:18.080
<v Speaker 1>any rich person New York apartment where I'm like, wow,

0:25:18.160 --> 0:25:20.280
<v Speaker 1>this costs so much money and yet still feels so

0:25:20.480 --> 0:25:24.200
<v Speaker 1>claustrophobic and like busy wallpaper. Because the ones I looked

0:25:24.240 --> 0:25:26.000
<v Speaker 1>at other than just leans, I was like, these all

0:25:26.080 --> 0:25:28.360
<v Speaker 1>looked just as haunted to me as the one where

0:25:28.880 --> 0:25:31.080
<v Speaker 1>horrible things happened. Well also, I mean going back to

0:25:31.359 --> 0:25:33.720
<v Speaker 1>what Emily was saying when I haven't seen it yet,

0:25:33.800 --> 0:25:37.560
<v Speaker 1>but it reminded me of you know in that was

0:25:37.600 --> 0:25:39.200
<v Speaker 1>also during a time when there were a lot of

0:25:39.359 --> 0:25:42.359
<v Speaker 1>local panics about human trafficking that turned out to be false.

0:25:42.400 --> 0:25:45.000
<v Speaker 1>Like there was this one out here in Ikea that

0:25:45.119 --> 0:25:48.840
<v Speaker 1>made a bunch of like regional news where yeah, people

0:25:48.920 --> 0:25:51.840
<v Speaker 1>would become really paranoid in public spaces that there were

0:25:52.359 --> 0:25:57.199
<v Speaker 1>men following them, watching them, and these people immediately assumed

0:25:57.359 --> 0:26:00.720
<v Speaker 1>that they were human traffickers, and and it was later

0:26:00.920 --> 0:26:03.959
<v Speaker 1>kind of like pooh pooed by realistic people. And then

0:26:04.119 --> 0:26:05.920
<v Speaker 1>these people would be like, well, you're just ignoring the

0:26:06.000 --> 0:26:08.840
<v Speaker 1>reality of human trafficking. And I always thought it seemed

0:26:08.880 --> 0:26:13.840
<v Speaker 1>so ridiculous, and then the Epstein thing happened, and it's

0:26:13.880 --> 0:26:17.080
<v Speaker 1>all human trafficking. And then like all of these people

0:26:17.480 --> 0:26:21.000
<v Speaker 1>tend to be such hypocrites about legalizing sex work, which

0:26:21.000 --> 0:26:23.560
<v Speaker 1>would be like the way that would actually help stop trafficking.

0:26:23.640 --> 0:26:25.480
<v Speaker 1>They're like, no, we have to ban ale sex work

0:26:25.560 --> 0:26:27.359
<v Speaker 1>because it will lead to trafficking. And then it's like,

0:26:27.480 --> 0:26:31.560
<v Speaker 1>well that's how things like this are able to happen. Yeah, yeah,

0:26:31.640 --> 0:26:33.920
<v Speaker 1>the whole like the trafficking thing again, Like this is

0:26:33.960 --> 0:26:36.280
<v Speaker 1>why all of my skepticism was up for this thing,

0:26:36.520 --> 0:26:39.159
<v Speaker 1>like or anything like it up until this is that

0:26:39.320 --> 0:26:40.879
<v Speaker 1>like I don't know, I feel like anytime I'm like

0:26:40.920 --> 0:26:42.440
<v Speaker 1>a hotel late at night and I just turned on

0:26:42.520 --> 0:26:44.360
<v Speaker 1>the TV and it's like some late nine night news

0:26:44.440 --> 0:26:46.159
<v Speaker 1>thing or like sixteen minutes or something, it's always some

0:26:46.600 --> 0:26:50.119
<v Speaker 1>like deep report on like human trafficking. It's happening in

0:26:50.200 --> 0:26:52.800
<v Speaker 1>your name exactly. There's so much scaremongering and there's so

0:26:52.920 --> 0:26:55.760
<v Speaker 1>much it's it's like the most fetishized like kind of crime.

0:26:55.840 --> 0:26:57.719
<v Speaker 1>And it always feels so gross to me, how much

0:26:57.800 --> 0:27:02.080
<v Speaker 1>its sensationalized, And I think like disproportionately. Maybe it's like, yeah,

0:27:02.359 --> 0:27:04.720
<v Speaker 1>I mean, maybe it's good to be a little naive

0:27:04.800 --> 0:27:08.119
<v Speaker 1>about the exploitation of like teenage girls, because otherwise you

0:27:08.200 --> 0:27:10.480
<v Speaker 1>just want to like blow everything up all the time.

0:27:10.760 --> 0:27:13.399
<v Speaker 1>It was truly a lot of evidence that was also

0:27:13.520 --> 0:27:18.000
<v Speaker 1>disturbing to read and also so tragic and horrible, terrible

0:27:18.040 --> 0:27:20.879
<v Speaker 1>stuff to read. Horrible. But on on a tangent to

0:27:21.040 --> 0:27:25.160
<v Speaker 1>that we all looked at I believe the bridget read

0:27:25.320 --> 0:27:29.440
<v Speaker 1>cut article on I just I just hate saying jis Lane?

0:27:29.760 --> 0:27:32.359
<v Speaker 1>Is it gis Lane? Jis Lane. I don't think you

0:27:32.400 --> 0:27:36.000
<v Speaker 1>said the s. I think it's is silent. All right.

0:27:36.040 --> 0:27:39.520
<v Speaker 1>Let's call her delane Um Jolne. Maxwell's twin sisters have

0:27:39.600 --> 0:27:42.760
<v Speaker 1>their own wild stories. They are indeed some wild stories.

0:27:42.880 --> 0:27:45.440
<v Speaker 1>If you have not yet dunked a foot into the

0:27:45.880 --> 0:27:48.920
<v Speaker 1>Lane story is honestly like the tip of the Iceberg

0:27:49.040 --> 0:27:52.560
<v Speaker 1>for the weirdness of this story that encompasses everything weird

0:27:52.600 --> 0:27:55.920
<v Speaker 1>about world history. Um. And then I think also this

0:27:56.040 --> 0:27:59.040
<v Speaker 1>made me be like there might be other things like this.

0:27:59.280 --> 0:28:02.160
<v Speaker 1>If this is one that we know about now, who

0:28:02.280 --> 0:28:06.359
<v Speaker 1>knows what else is going on. That's why they have

0:28:06.440 --> 0:28:10.480
<v Speaker 1>a conspiracy podcast. Guys. Still in some way like it's

0:28:10.560 --> 0:28:13.440
<v Speaker 1>like it's good that you take the rock off and

0:28:13.520 --> 0:28:15.960
<v Speaker 1>all the bugs come out, and then you have to

0:28:16.080 --> 0:28:18.280
<v Speaker 1>deal with it. Like there's so many people trying to

0:28:18.359 --> 0:28:20.960
<v Speaker 1>make this story go away or end or be like, wow,

0:28:21.119 --> 0:28:25.880
<v Speaker 1>he's dead now it's over. Suicide is tragic suicide, so sad,

0:28:26.680 --> 0:28:30.399
<v Speaker 1>it's definitely a suicide. Yeah, this issue comes home to

0:28:30.480 --> 0:28:34.080
<v Speaker 1>roost every day. But it's yeah, I mean, it's like

0:28:35.000 --> 0:28:38.280
<v Speaker 1>it doesn't end. There's new stuff constantly. It's going to

0:28:38.400 --> 0:28:41.360
<v Speaker 1>keep going. People are going to ask everybody involved about

0:28:41.400 --> 0:28:43.080
<v Speaker 1>it for the rest of their lives about it, and

0:28:43.120 --> 0:28:47.520
<v Speaker 1>they should. Um. But there was the story that about

0:28:47.640 --> 0:28:50.840
<v Speaker 1>the sisters was crazy because it's about how the father,

0:28:51.160 --> 0:28:54.480
<v Speaker 1>Robert Maxwell, who was this crazy like citizen Kane type figure,

0:28:55.400 --> 0:28:58.320
<v Speaker 1>evil right wing guy, his whole family was killed in

0:28:58.360 --> 0:29:00.880
<v Speaker 1>the Holocaust, so then he tried to replicate it by

0:29:00.960 --> 0:29:04.400
<v Speaker 1>having six children because he was like, all his siblings

0:29:04.480 --> 0:29:06.320
<v Speaker 1>died except for him, so he was like, I will

0:29:06.520 --> 0:29:10.080
<v Speaker 1>recreate my dead family through my family. Uh. And so

0:29:10.240 --> 0:29:12.760
<v Speaker 1>there were twins in addition to Jolne, and one of

0:29:12.800 --> 0:29:16.280
<v Speaker 1>the twins married uh I believe his name is Robert

0:29:16.360 --> 0:29:20.160
<v Speaker 1>Melina Roger Malina, the son of Frank Molina, who was

0:29:20.200 --> 0:29:23.760
<v Speaker 1>one of the original jet Propulsion lab guys, who was

0:29:24.560 --> 0:29:28.960
<v Speaker 1>part of the Jack Parsons thing, the whole uh douvil

0:29:29.000 --> 0:29:32.800
<v Speaker 1>worship kind of sex called early rocket tree stuff, which

0:29:32.800 --> 0:29:34.480
<v Speaker 1>again it made me think about that stuff and be like,

0:29:34.560 --> 0:29:36.360
<v Speaker 1>oh yeah, there was a lot of like let's do

0:29:36.520 --> 0:29:38.840
<v Speaker 1>some rituals and have some weird sex and see if

0:29:38.880 --> 0:29:41.480
<v Speaker 1>it helps us get good at rockets going on? Then

0:29:42.800 --> 0:29:45.240
<v Speaker 1>why would we be surprised that all these rockets in

0:29:45.320 --> 0:29:47.920
<v Speaker 1>front all these tech people. Well like then this is

0:29:47.960 --> 0:29:49.959
<v Speaker 1>like what we talked about with Midsummer is like, as

0:29:50.000 --> 0:29:54.120
<v Speaker 1>soon as you start going into esoterica, there's no coming back.

0:29:54.520 --> 0:29:57.240
<v Speaker 1>And for whatever reason, all these like tech people and

0:29:57.440 --> 0:29:59.880
<v Speaker 1>rich people, they reached this impass where it's like I

0:30:00.080 --> 0:30:04.200
<v Speaker 1>can buy everything. But wait, what about The other twin Isabelle,

0:30:04.440 --> 0:30:10.120
<v Speaker 1>who whose third husband Al Seckel was an optical illusionist

0:30:10.440 --> 0:30:14.760
<v Speaker 1>who was hanging out benign but he was a scam artist.

0:30:15.600 --> 0:30:20.920
<v Speaker 1>And then he he had a scientific conference on Epstein's island. Um,

0:30:21.280 --> 0:30:25.480
<v Speaker 1>and I think he rumored to have fallen off a

0:30:25.560 --> 0:30:29.640
<v Speaker 1>cliff near his home, just like Jolene's father was rumored

0:30:29.720 --> 0:30:32.840
<v Speaker 1>to be maybe pushed off the boat. Yes, I think

0:30:33.040 --> 0:30:35.360
<v Speaker 1>it just yeah, once you start thinking about it just

0:30:35.480 --> 0:30:38.280
<v Speaker 1>makes you be like, oh, did rip torn really die?

0:30:39.920 --> 0:30:43.640
<v Speaker 1>What is real hiding out to come back? Yeah? What

0:30:43.880 --> 0:30:47.560
<v Speaker 1>is reel? Molly? What are your favorite Um, you don't

0:30:47.560 --> 0:30:50.640
<v Speaker 1>have to necessarily endorse them, but like what's your favorite

0:30:50.800 --> 0:30:56.040
<v Speaker 1>current theory around the Epstein case? Um, Like, maybe just

0:30:56.160 --> 0:31:00.760
<v Speaker 1>do one for flavor. I'm kind of think of what

0:31:01.000 --> 0:31:03.640
<v Speaker 1>was like the craziest one I heard that he hadn't

0:31:03.680 --> 0:31:07.360
<v Speaker 1>heard and the double one they replaced his body with

0:31:07.840 --> 0:31:13.040
<v Speaker 1>Anthony Bourdain. That was one of the rumors. It's not real.

0:31:13.200 --> 0:31:16.360
<v Speaker 1>That's the thing. You follow this go down the rabbit

0:31:16.440 --> 0:31:18.400
<v Speaker 1>hole and you start to be like, well, this crazy

0:31:18.480 --> 0:31:21.000
<v Speaker 1>thing is true, and it makes you understand how people

0:31:21.120 --> 0:31:23.240
<v Speaker 1>turn into que and on people or get red pilled

0:31:23.400 --> 0:31:26.640
<v Speaker 1>because it's like normal, like crazy thing, that's true. Crazy

0:31:26.680 --> 0:31:28.880
<v Speaker 1>thing that's true. Crazy, thing that's too crazy, thing that's

0:31:28.960 --> 0:31:33.800
<v Speaker 1>not true, isn't less crazy than any of these other things.

0:31:33.960 --> 0:31:36.480
<v Speaker 1>And plausible deniability is how these people get away with it.

0:31:36.600 --> 0:31:40.640
<v Speaker 1>And like class issues, like people trusting that the rich

0:31:40.800 --> 0:31:45.720
<v Speaker 1>or not having pedophile islands. Never never trust that for

0:31:45.800 --> 0:31:48.280
<v Speaker 1>a second. But again, it just needs to be like

0:31:48.400 --> 0:31:51.600
<v Speaker 1>I guess I wasn't as world weary as a thought

0:31:52.000 --> 0:31:54.520
<v Speaker 1>because I didn't know about this. Uh, you don't have

0:31:54.640 --> 0:31:58.160
<v Speaker 1>the imagination and creativity of like a rich per I mean,

0:31:58.200 --> 0:32:02.120
<v Speaker 1>I think it's also really disappointed, but maybe not super

0:32:02.200 --> 0:32:04.560
<v Speaker 1>surprising to see how many dudes got taken in by

0:32:04.640 --> 0:32:07.840
<v Speaker 1>this guy, you know. Especially it's like he's he's a

0:32:07.960 --> 0:32:11.000
<v Speaker 1>fustrating of scientific community, right because that was after he

0:32:11.160 --> 0:32:13.760
<v Speaker 1>got busted for being a pedophile. He came back and

0:32:13.920 --> 0:32:15.280
<v Speaker 1>was like, I'm going to give all this money to

0:32:15.480 --> 0:32:17.840
<v Speaker 1>M I. T And Harvard and all these science foundations

0:32:17.920 --> 0:32:20.040
<v Speaker 1>to figure out how to live forever, and like put

0:32:20.120 --> 0:32:22.000
<v Speaker 1>my egg dick on ice so it can be brought

0:32:22.080 --> 0:32:24.920
<v Speaker 1>back in the future to prize other people. He's like

0:32:25.000 --> 0:32:27.960
<v Speaker 1>only preserving his brain and his weird shaped dick. You

0:32:28.000 --> 0:32:30.160
<v Speaker 1>know what. I love though I keep saying this but

0:32:30.280 --> 0:32:33.080
<v Speaker 1>like it brings me no end of happiness. That like,

0:32:33.200 --> 0:32:36.440
<v Speaker 1>these guys can buy anything but a bigger dick. Well

0:32:36.520 --> 0:32:38.040
<v Speaker 1>the egg ship, Well, I don't know how to do

0:32:38.080 --> 0:32:40.040
<v Speaker 1>if you want to go into but I'm just saying

0:32:40.160 --> 0:32:42.440
<v Speaker 1>like like that clearly has so much to do with

0:32:42.560 --> 0:32:45.160
<v Speaker 1>why I mean not that sounds like enlargement, gonna ry

0:32:45.520 --> 0:32:49.120
<v Speaker 1>it whatever it is, it couldn't be fixed. He was

0:32:49.240 --> 0:32:52.160
<v Speaker 1>never going to get what he wanted, so he had

0:32:52.240 --> 0:32:57.600
<v Speaker 1>to do all these illegal, evil, sociopathic things. Some people

0:32:57.760 --> 0:33:04.240
<v Speaker 1>just shouldn't be given power. Agreed. Yeah, well, nobody should

0:33:04.240 --> 0:33:06.560
<v Speaker 1>have an island. That's true. Nobody should have an island.

0:33:06.600 --> 0:33:09.760
<v Speaker 1>And that's the official Nightcall stance. Correct left us, Well,

0:33:09.880 --> 0:33:12.320
<v Speaker 1>maybe I don't think we could have a peninsula. That's

0:33:12.400 --> 0:33:14.560
<v Speaker 1>you know, I actually feel like a peninsula has a

0:33:14.680 --> 0:33:18.560
<v Speaker 1>much better an inlet cape. Yeah, an inlet. An inlet

0:33:18.720 --> 0:33:21.280
<v Speaker 1>is actually more our speed. I would do an inlet.

0:33:21.520 --> 0:33:23.520
<v Speaker 1>That's what we want. We're like murder, she wrote. I

0:33:23.680 --> 0:33:27.000
<v Speaker 1>like places you can only reach by boat, like like

0:33:27.080 --> 0:33:29.720
<v Speaker 1>where there's an inlet surrounded by high cliffs, so you

0:33:29.760 --> 0:33:31.360
<v Speaker 1>can only get their own I'm a little scared of

0:33:31.440 --> 0:33:33.640
<v Speaker 1>boats now, I'm a little scared of boats. And also

0:33:33.800 --> 0:33:35.200
<v Speaker 1>my whole deal is I need to be able to

0:33:35.240 --> 0:33:37.040
<v Speaker 1>walk to a grocery store. So I'm just letting you

0:33:37.480 --> 0:33:40.080
<v Speaker 1>go to work because it's just it's a requirement. Um,

0:33:40.560 --> 0:33:43.360
<v Speaker 1>I think we should take a really brief nightcall. Which

0:33:43.560 --> 0:33:45.520
<v Speaker 1>is kind of a comment. This one comes to us

0:33:45.640 --> 0:33:50.400
<v Speaker 1>from Bata. I'm cutting this down, but basically this is

0:33:50.720 --> 0:33:53.360
<v Speaker 1>this is the important part, and this is directed to Molly.

0:33:53.440 --> 0:33:55.640
<v Speaker 1>I figured I should write in with my contention that

0:33:55.760 --> 0:33:59.360
<v Speaker 1>Molly's celebrity doppelganger, or like the older relative who everyone

0:33:59.400 --> 0:34:02.280
<v Speaker 1>always calm and looked just like you when she was younger,

0:34:02.920 --> 0:34:08.520
<v Speaker 1>is the princess of Morocco, Princess La la Palma. This

0:34:08.719 --> 0:34:12.799
<v Speaker 1>is the nicest thing anyone's ever said about me. Are

0:34:12.840 --> 0:34:15.920
<v Speaker 1>you looking at Lalla Salma? Yeah? I looked her. I

0:34:16.000 --> 0:34:18.520
<v Speaker 1>looked at her far and I was so flattered I

0:34:19.320 --> 0:34:21.840
<v Speaker 1>almost I meant to do this. Um. There was an

0:34:21.880 --> 0:34:24.600
<v Speaker 1>Instagram ad that was served to me for jeans, and

0:34:24.719 --> 0:34:27.400
<v Speaker 1>the model of them did look like a dompole gamer

0:34:27.480 --> 0:34:30.280
<v Speaker 1>for you, you have a lot of doppel game and told.

0:34:30.719 --> 0:34:32.920
<v Speaker 1>It's also weird though, when somebody is like they were

0:34:33.000 --> 0:34:34.600
<v Speaker 1>just like you and you're like, what does that mean?

0:34:35.760 --> 0:34:41.760
<v Speaker 1>This isn'ertain. She's she's very glamorous. She's of Morocco. Definitely

0:34:41.840 --> 0:34:43.880
<v Speaker 1>has your eyes. I mean, I just I'm going to

0:34:44.000 --> 0:34:47.400
<v Speaker 1>do a Connecticut Yankee and King Arthur's cord? Is that

0:34:47.520 --> 0:34:49.120
<v Speaker 1>the one? Or is the Prince and the pauper? Where

0:34:49.160 --> 0:34:52.560
<v Speaker 1>do you switch places? That one? Though? This is my

0:34:52.640 --> 0:34:57.120
<v Speaker 1>homemark movie. You're a Moroccan prince, Christmas prince, and maybe

0:34:57.160 --> 0:35:02.680
<v Speaker 1>a Moroccan princess who finds love. Um, well, we're gonna

0:35:02.719 --> 0:35:04.640
<v Speaker 1>take a break real quick and then we're going to

0:35:04.719 --> 0:35:16.759
<v Speaker 1>move on to something slightly lighter than Jahrey Epstein. All Right,

0:35:16.920 --> 0:35:19.560
<v Speaker 1>so we're back. Um. Also in the interim, since we

0:35:19.640 --> 0:35:22.800
<v Speaker 1>have last been with you, Laona del Ray released a

0:35:22.920 --> 0:35:27.800
<v Speaker 1>new album. Uh, one other person in this room is

0:35:27.960 --> 0:35:33.680
<v Speaker 1>excited about I'm excited. Um. Laona del Ray is like

0:35:33.719 --> 0:35:37.120
<v Speaker 1>a classic night called Divider. I feel like or like

0:35:37.440 --> 0:35:39.759
<v Speaker 1>a to one divider. I have a lot of two one.

0:35:39.840 --> 0:35:42.279
<v Speaker 1>I'm super allergic to Launa del Ray. I won't go

0:35:42.440 --> 0:35:44.840
<v Speaker 1>I I take no pleasure in not liking her. I

0:35:44.960 --> 0:35:47.680
<v Speaker 1>want to give her all the credit that you guys do,

0:35:48.120 --> 0:35:51.920
<v Speaker 1>but I feel like she's not She's not what she

0:35:52.000 --> 0:35:55.840
<v Speaker 1>gets credit for being That's all I'll say. She is,

0:35:57.200 --> 0:36:00.399
<v Speaker 1>I guess our cat power now, which is so cat

0:36:00.480 --> 0:36:02.640
<v Speaker 1>power we still have cat power. But I mean like

0:36:02.800 --> 0:36:04.920
<v Speaker 1>she's like, I feel like I also got in a

0:36:05.000 --> 0:36:07.480
<v Speaker 1>fight with somebody because they were like, hey, it's fine,

0:36:07.520 --> 0:36:09.440
<v Speaker 1>I don't like Lana. I like cat power, and I

0:36:09.600 --> 0:36:13.200
<v Speaker 1>was like, I mean it's not also if they like

0:36:13.320 --> 0:36:16.920
<v Speaker 1>each other, so it's fine. Um. Anyway, she released an

0:36:16.920 --> 0:36:21.120
<v Speaker 1>album called Norman Fucking Rockwell iconic title for an iconic album.

0:36:21.760 --> 0:36:24.800
<v Speaker 1>Um but, and I'm a huge fan of it. I

0:36:24.880 --> 0:36:26.880
<v Speaker 1>loved it. I listened to it all the time in

0:36:26.880 --> 0:36:29.200
<v Speaker 1>the car. Now it's like great because last time I

0:36:29.239 --> 0:36:31.440
<v Speaker 1>lived in l a Ultra Violence had come out that

0:36:31.560 --> 0:36:34.160
<v Speaker 1>summer and I just spent I remember spending my last

0:36:34.200 --> 0:36:36.720
<v Speaker 1>summer out here just driving around listening to Ultra Violence

0:36:36.760 --> 0:36:38.239
<v Speaker 1>all the time. And now I'm back and now I

0:36:38.320 --> 0:36:40.000
<v Speaker 1>have a new lawna album listened to in the car,

0:36:41.160 --> 0:36:45.319
<v Speaker 1>great driving music. Um but, Lana got into a little

0:36:45.360 --> 0:36:47.440
<v Speaker 1>bit of a fight with a critic, which is I

0:36:47.480 --> 0:36:51.239
<v Speaker 1>guess what all of the pop artists are doing this year. Um.

0:36:52.160 --> 0:36:54.160
<v Speaker 1>She got in a fight though with like the the

0:36:54.840 --> 0:36:58.480
<v Speaker 1>music critic, like of all the music critics to who

0:36:58.560 --> 0:37:05.040
<v Speaker 1>wrote a really at all that I would say positive review. Yeah,

0:37:05.239 --> 0:37:09.759
<v Speaker 1>a very clear eyed and like very engaged review by

0:37:09.920 --> 0:37:14.160
<v Speaker 1>empowers um at MPR, which will definitely link to if

0:37:14.160 --> 0:37:15.759
<v Speaker 1>you haven't read it by now, even though it is

0:37:15.840 --> 0:37:18.680
<v Speaker 1>very controversial at this point. Um Yeah, I mean, I

0:37:18.840 --> 0:37:21.440
<v Speaker 1>love the review was incredible, and it was and I

0:37:21.560 --> 0:37:23.239
<v Speaker 1>was reading it, you know, knowing that this thing had

0:37:23.280 --> 0:37:26.399
<v Speaker 1>happened where she had called I wanted called Empowers out,

0:37:26.400 --> 0:37:28.640
<v Speaker 1>But I was also thinking, like, man, five years ago,

0:37:29.200 --> 0:37:31.440
<v Speaker 1>would you have a review of this like depth and

0:37:31.560 --> 0:37:34.399
<v Speaker 1>quality about Allana del Rey record. I don't. I don't

0:37:34.480 --> 0:37:37.839
<v Speaker 1>think so, like not like this is Like I think

0:37:38.280 --> 0:37:41.399
<v Speaker 1>what's difficult for people to understand is there's like two

0:37:41.520 --> 0:37:43.839
<v Speaker 1>things that happened. Like first, there was a shift where

0:37:43.880 --> 0:37:47.960
<v Speaker 1>finally people would take female artists and pop artists seriously

0:37:48.000 --> 0:37:50.520
<v Speaker 1>in the mainstream the way they consider indie rock and

0:37:50.560 --> 0:37:53.800
<v Speaker 1>wrap and all that stuff. And that took forever, and

0:37:53.840 --> 0:37:55.560
<v Speaker 1>I feel like dudes maybe don't know about it as

0:37:55.640 --> 0:37:57.520
<v Speaker 1>much because they didn't have to push for those reviews

0:37:57.560 --> 0:37:59.479
<v Speaker 1>all the time and be told like that doesn't matter.

0:38:00.080 --> 0:38:02.600
<v Speaker 1>That's not on the same plane as like Kanye which

0:38:02.680 --> 0:38:05.399
<v Speaker 1>is not true. So she puts Kanye in this place

0:38:05.440 --> 0:38:08.440
<v Speaker 1>on this record, So that happened. And then there's this

0:38:08.520 --> 0:38:12.359
<v Speaker 1>other thing that's happened, which is that musicians keep using

0:38:13.360 --> 0:38:16.840
<v Speaker 1>Twitter specifically to get people fired from critic positions that

0:38:16.920 --> 0:38:19.120
<v Speaker 1>they disagree with reviews of. And I think once people

0:38:19.200 --> 0:38:22.520
<v Speaker 1>realized they could do that, they started doing it, even

0:38:22.520 --> 0:38:26.439
<v Speaker 1>though it makes me think it makes anybody anybody even fired? Well,

0:38:26.520 --> 0:38:29.000
<v Speaker 1>I oh, yeah, no, I know of the one, but

0:38:29.600 --> 0:38:31.520
<v Speaker 1>I feel like the big ones from this year, like

0:38:31.600 --> 0:38:34.640
<v Speaker 1>the Lizzo one and the Ariana Grande thing, I don't

0:38:34.680 --> 0:38:37.760
<v Speaker 1>think those people got fired. Didn't Nicki Minaj get somebody

0:38:37.840 --> 0:38:40.480
<v Speaker 1>fired for about review? I don't know, and I know

0:38:40.560 --> 0:38:42.760
<v Speaker 1>what you're talking about. I think so. Also yeah, speaking

0:38:42.760 --> 0:38:44.920
<v Speaker 1>from personal experience, no, I mean people, there are a

0:38:45.000 --> 0:38:48.839
<v Speaker 1>lot that have not been reported that that super sucks. Um.

0:38:49.600 --> 0:38:54.440
<v Speaker 1>The thing about the this Lana clapback, I hate to

0:38:54.560 --> 0:38:58.200
<v Speaker 1>use that word um she I mean she basically took

0:38:58.280 --> 0:39:03.719
<v Speaker 1>issue with and power is writing about her career from

0:39:03.920 --> 0:39:05.840
<v Speaker 1>like kind of through the lens of like a like

0:39:05.960 --> 0:39:09.880
<v Speaker 1>personas that that Lana has adopted and moved in and

0:39:09.960 --> 0:39:12.919
<v Speaker 1>out of, which I think is like fair as many people,

0:39:13.000 --> 0:39:15.760
<v Speaker 1>and her mentions were saying her name is not actually

0:39:15.880 --> 0:39:18.760
<v Speaker 1>Lana Delfrey. That is a name she made up because

0:39:18.840 --> 0:39:21.720
<v Speaker 1>it's like her artist persona. She's went through many before

0:39:21.840 --> 0:39:24.359
<v Speaker 1>that before becoming famous, like she is a person who

0:39:24.760 --> 0:39:28.640
<v Speaker 1>uses personas. But I did find and because I was,

0:39:29.680 --> 0:39:34.400
<v Speaker 1>I generally get very um upset when I see artists

0:39:34.480 --> 0:39:37.120
<v Speaker 1>doing this kind of thing. But I did note that

0:39:37.280 --> 0:39:39.279
<v Speaker 1>in all of the things, Like Lana's very harsh in

0:39:39.360 --> 0:39:43.480
<v Speaker 1>her response, but she did not say funk all critics

0:39:43.719 --> 0:39:46.680
<v Speaker 1>or like you shouldn't have your job, but nobody says

0:39:49.400 --> 0:39:52.920
<v Speaker 1>I too, didn't know. I hon to say, like I

0:39:53.000 --> 0:39:55.160
<v Speaker 1>can't wait for you to be lit, and when people

0:39:55.200 --> 0:39:57.600
<v Speaker 1>will say like you shouldn't have like critics shouldn't be

0:39:57.640 --> 0:40:00.520
<v Speaker 1>an occupation, Like if you're an artist, you should know

0:40:00.600 --> 0:40:03.080
<v Speaker 1>how to make a record before you can critique an album,

0:40:03.120 --> 0:40:05.480
<v Speaker 1>which is just I guess you're right, yeah yeah, um.

0:40:05.640 --> 0:40:08.640
<v Speaker 1>None of that was called into question in Lana's response,

0:40:08.760 --> 0:40:11.640
<v Speaker 1>So that's something. But it's still like it's weird because

0:40:11.640 --> 0:40:14.239
<v Speaker 1>it keeps being people who are like otherwise doing well,

0:40:14.440 --> 0:40:17.840
<v Speaker 1>Like I understand why like Azalea Banks comes for Lizzo

0:40:18.000 --> 0:40:20.480
<v Speaker 1>because it gets her pressed and she's mad that she

0:40:20.600 --> 0:40:23.839
<v Speaker 1>blew it herself, you know, but like, I don't get

0:40:23.880 --> 0:40:25.879
<v Speaker 1>why Lizzo comes to a critic because Lizzo is having

0:40:25.920 --> 0:40:30.239
<v Speaker 1>like yeah, and I have agreed with other things, like

0:40:30.280 --> 0:40:32.040
<v Speaker 1>when she was like, you know, why do people treat

0:40:32.080 --> 0:40:34.040
<v Speaker 1>me like a singer instead of a rapper? Like if

0:40:34.080 --> 0:40:36.760
<v Speaker 1>Swaylie and post Malona rappers and like I'm a rapper,

0:40:36.840 --> 0:40:39.239
<v Speaker 1>which is also true, and people were like, why is

0:40:39.320 --> 0:40:41.800
<v Speaker 1>she coming for Swayli and that one. I was like, no,

0:40:41.960 --> 0:40:46.719
<v Speaker 1>she has a point, like yeah, I guess, uh well,

0:40:46.800 --> 0:40:48.279
<v Speaker 1>I mean for me, it's just like it should all

0:40:48.320 --> 0:40:50.640
<v Speaker 1>be a conversation, right, Like, I don't think anybody has

0:40:50.680 --> 0:40:52.920
<v Speaker 1>the last word, not the artist or the critic. I

0:40:53.000 --> 0:40:55.520
<v Speaker 1>think the real it's also because artists don't do like

0:40:55.640 --> 0:40:58.320
<v Speaker 1>really in her no, they don't do so although she

0:40:58.640 --> 0:41:02.520
<v Speaker 1>like she did some really good ones, but I think

0:41:02.640 --> 0:41:04.640
<v Speaker 1>it is weird for people to be like, oh, the

0:41:04.760 --> 0:41:08.880
<v Speaker 1>relationship does go both ways, but only sometimes. But it

0:41:09.040 --> 0:41:11.800
<v Speaker 1>wasn't one of the issues that Lana took with the

0:41:12.000 --> 0:41:15.640
<v Speaker 1>piece that um she that you know, the point was

0:41:15.760 --> 0:41:19.360
<v Speaker 1>made that she does not really have any strong positions

0:41:19.480 --> 0:41:23.440
<v Speaker 1>on anything, you know, like social activism, feminism, all of that,

0:41:23.640 --> 0:41:25.759
<v Speaker 1>that those things had been mentioned, and that Lana felt

0:41:25.800 --> 0:41:28.480
<v Speaker 1>as though those things should be out of bounds and

0:41:28.560 --> 0:41:31.279
<v Speaker 1>that everyone should just be very grateful that she gives

0:41:31.360 --> 0:41:35.120
<v Speaker 1>people whatever the words were of like the benefits of

0:41:35.239 --> 0:41:38.320
<v Speaker 1>my graciousness or something. That's sort of weird too, because

0:41:38.400 --> 0:41:40.920
<v Speaker 1>like I feel like on the last album and this one,

0:41:41.040 --> 0:41:44.000
<v Speaker 1>like she is actually like being more political than she's

0:41:44.040 --> 0:41:46.120
<v Speaker 1>ever been before in her music, in her very long

0:41:46.200 --> 0:41:49.640
<v Speaker 1>a way. Um and and so it's odd to me

0:41:50.680 --> 0:41:52.520
<v Speaker 1>that she like there's a whole song, I mean not

0:41:52.600 --> 0:41:54.320
<v Speaker 1>a whole song, but like half a song on this

0:41:54.440 --> 0:41:57.200
<v Speaker 1>album that's like I'm pretty sure about the whole thing

0:41:57.280 --> 0:42:01.759
<v Speaker 1>where she was going to perform in Israel and then

0:42:01.800 --> 0:42:05.520
<v Speaker 1>everybody got mad at her and then she tried to

0:42:05.600 --> 0:42:09.240
<v Speaker 1>perform in Palestine but couldn't so canceled. Both that what happened,

0:42:09.840 --> 0:42:12.600
<v Speaker 1>So it was this big like bad look thing where

0:42:12.640 --> 0:42:15.000
<v Speaker 1>she was and really like she was really playing that

0:42:15.200 --> 0:42:17.239
<v Speaker 1>card of like my gift is that I am just

0:42:17.440 --> 0:42:20.600
<v Speaker 1>an inspiration to everybody, and like tried tried to do that,

0:42:20.719 --> 0:42:22.920
<v Speaker 1>but everybody was just like you can't, that doesn't work well.

0:42:22.960 --> 0:42:25.120
<v Speaker 1>She also said that she had no interest in ever

0:42:25.280 --> 0:42:28.239
<v Speaker 1>discussing feminism that it bored her, and that was at

0:42:28.280 --> 0:42:31.000
<v Speaker 1>a time when that was such a fraud question that

0:42:31.040 --> 0:42:33.960
<v Speaker 1>I think everyone did resent being asked. I feel like

0:42:34.000 --> 0:42:37.120
<v Speaker 1>people should resent being asked. It doesn't everyone feel like

0:42:37.920 --> 0:42:40.520
<v Speaker 1>women are equal? I can we take it for granted.

0:42:40.800 --> 0:42:44.520
<v Speaker 1>I think that thing is that when someone goes so

0:42:44.760 --> 0:42:47.200
<v Speaker 1>far is to be like, actually, I don't feel like

0:42:47.280 --> 0:42:50.560
<v Speaker 1>women are equal. It gives me such pause, and then

0:42:50.600 --> 0:42:53.160
<v Speaker 1>I think of, you know, I mean it was the

0:42:53.280 --> 0:42:56.560
<v Speaker 1>Harvey Weinstein line and Coca Cola and then having that

0:42:57.160 --> 0:43:00.399
<v Speaker 1>kind of removed. I mean, she her whole. I think

0:43:00.440 --> 0:43:02.480
<v Speaker 1>it's her image. I don't think it's who she necessarily

0:43:02.760 --> 0:43:05.080
<v Speaker 1>is as an artist. It's like the window dressing that

0:43:05.160 --> 0:43:08.480
<v Speaker 1>goes along with it. I don't think is it's not clever,

0:43:08.719 --> 0:43:11.600
<v Speaker 1>it's not appealing. Her lyrics can be clever and appealing,

0:43:11.719 --> 0:43:15.719
<v Speaker 1>but a lot of how she packages herself deserves criticism.

0:43:15.960 --> 0:43:18.359
<v Speaker 1>I think, yeah. And I think that's the great thing

0:43:18.440 --> 0:43:21.879
<v Speaker 1>about Anne Powers's review is that it is about how

0:43:22.040 --> 0:43:25.640
<v Speaker 1>like she is actually taking all of these anxieties that

0:43:25.719 --> 0:43:28.000
<v Speaker 1>we have right now, especially about how like men and

0:43:28.080 --> 0:43:31.719
<v Speaker 1>women relate to one another, and like not necessarily doing

0:43:31.800 --> 0:43:35.160
<v Speaker 1>the comfortable thing with them and not like not doing

0:43:35.320 --> 0:43:38.800
<v Speaker 1>like something like quote unquote empowering about it, but actually

0:43:38.920 --> 0:43:42.440
<v Speaker 1>just like sifting through all the weird contradictions and stuff

0:43:42.440 --> 0:43:45.000
<v Speaker 1>of that, which I think is something I've especially liked

0:43:45.000 --> 0:43:48.759
<v Speaker 1>about her music these last few albums, um or like

0:43:48.840 --> 0:43:51.920
<v Speaker 1>her lyrics these last few albums. But yeah, I mean

0:43:52.120 --> 0:43:54.560
<v Speaker 1>I think it's a little disingenuous of her to say that,

0:43:54.680 --> 0:43:57.880
<v Speaker 1>like she's not like that, she's that she's not interested

0:43:57.920 --> 0:44:00.719
<v Speaker 1>in that stuff. I think everyone just needs to not

0:44:00.880 --> 0:44:04.279
<v Speaker 1>have social media. Well, I think also just for her

0:44:04.320 --> 0:44:06.680
<v Speaker 1>specific image. Like one of the things that's good about

0:44:06.680 --> 0:44:09.040
<v Speaker 1>it is that it is so like old Hollywood, like

0:44:09.200 --> 0:44:14.840
<v Speaker 1>removed from the constantly interacting with your fans personally. I

0:44:14.920 --> 0:44:16.800
<v Speaker 1>feel like the more distance you give people, like, the

0:44:16.840 --> 0:44:21.040
<v Speaker 1>better that works. Yeah. Yeah, it's this album though, is

0:44:21.120 --> 0:44:24.879
<v Speaker 1>so like like low fi digital though, like even all

0:44:24.920 --> 0:44:27.760
<v Speaker 1>of her like singles covers are just like shitty selfies

0:44:27.800 --> 0:44:30.520
<v Speaker 1>she's taking. It's like critics don't know what's going on

0:44:30.640 --> 0:44:33.640
<v Speaker 1>in an artist's mind. Then, Like that's true for sure,

0:44:33.800 --> 0:44:36.160
<v Speaker 1>and like we've all been guilty of, like think peace

0:44:36.160 --> 0:44:39.400
<v Speaker 1>saying about things that are just you're really just projecting

0:44:39.440 --> 0:44:41.920
<v Speaker 1>your own feelings about like, that's all criticism is, I

0:44:42.000 --> 0:44:45.160
<v Speaker 1>think it is. You're just projecting your own feelings onto

0:44:45.239 --> 0:44:47.719
<v Speaker 1>something somebody ate. You're not necessarily saying what you think

0:44:47.880 --> 0:44:51.440
<v Speaker 1>they meant. It's what you feel when you hear it.

0:44:52.040 --> 0:44:54.920
<v Speaker 1>But if somebody wrote a think piece about me, I

0:44:55.000 --> 0:44:58.960
<v Speaker 1>would be so mad. Right if somebody was like describing

0:44:59.000 --> 0:45:01.240
<v Speaker 1>me in a way I didn't like, I would totally

0:45:01.320 --> 0:45:04.360
<v Speaker 1>read it and be mad about it. Would I tweet

0:45:04.360 --> 0:45:07.800
<v Speaker 1>about it? Probably you would tweet about it. I wouldn't

0:45:07.800 --> 0:45:10.920
<v Speaker 1>tweet about it when you wrote a nightcall like hit

0:45:11.040 --> 0:45:13.080
<v Speaker 1>piece and called us all like a bunch of dumbity.

0:45:13.160 --> 0:45:18.520
<v Speaker 1>But that's not what she would absolutely very good except well,

0:45:18.560 --> 0:45:22.080
<v Speaker 1>I'm they have and we have not tweeted, by the way,

0:45:22.960 --> 0:45:26.960
<v Speaker 1>and they will certainly more and as maybe they should,

0:45:27.520 --> 0:45:31.719
<v Speaker 1>and they should be happy for the gifts of our benefits,

0:45:32.600 --> 0:45:35.800
<v Speaker 1>as I think, like having been a critic and a

0:45:35.880 --> 0:45:40.080
<v Speaker 1>person who makes things like I think on both ends,

0:45:40.120 --> 0:45:44.200
<v Speaker 1>you cannot try for this like tower, like this tower

0:45:44.280 --> 0:45:46.480
<v Speaker 1>mentality of like I am projecting this down to you.

0:45:46.680 --> 0:45:50.160
<v Speaker 1>You all take it and you shut up Swift. Yeah,

0:45:50.160 --> 0:45:52.560
<v Speaker 1>it's very that's very tailor. It's very like it's very

0:45:52.680 --> 0:45:55.120
<v Speaker 1>pre internet started, and that's just not the way things

0:45:55.160 --> 0:45:57.480
<v Speaker 1>work now. They never really worked that way, but I

0:45:57.480 --> 0:45:59.719
<v Speaker 1>think now it's like more apparent than ever. But like,

0:46:00.000 --> 0:46:02.239
<v Speaker 1>and you make a thing, whether it's a film or

0:46:02.280 --> 0:46:04.600
<v Speaker 1>write a book or an album, like that is the

0:46:04.719 --> 0:46:07.600
<v Speaker 1>beginning of many conversations that you have no control over.

0:46:07.719 --> 0:46:10.360
<v Speaker 1>And now there's like controlled access with the illusion of

0:46:10.480 --> 0:46:14.120
<v Speaker 1>uncontrolled access. It's still I know that this is a

0:46:14.239 --> 0:46:17.960
<v Speaker 1>very different thing. But I was also recently very obsessed

0:46:18.040 --> 0:46:22.560
<v Speaker 1>with mary Anne Williamson um direct messaging Molly john Fast

0:46:22.640 --> 0:46:26.200
<v Speaker 1>mother Erica Jong to complain that she had been criticized

0:46:26.239 --> 0:46:29.080
<v Speaker 1>on Twitter. And what's funny about Marianne Williamson, who I

0:46:29.239 --> 0:46:31.680
<v Speaker 1>do not think it would at all make a good

0:46:31.760 --> 0:46:35.879
<v Speaker 1>president and I do not endorse in any way. However, wait,

0:46:35.880 --> 0:46:40.560
<v Speaker 1>are you saying you love marian But I have to

0:46:40.640 --> 0:46:42.799
<v Speaker 1>say one thing that I really do like about her

0:46:42.840 --> 0:46:47.319
<v Speaker 1>social media strategy she's insane. No, is that she engages

0:46:47.400 --> 0:46:51.080
<v Speaker 1>in a very like passive aggressive way that that works.

0:46:51.280 --> 0:46:54.640
<v Speaker 1>And then to find out that she was being snitchy

0:46:55.040 --> 0:46:57.959
<v Speaker 1>by d m NG someone's mom, I was like, wow,

0:46:58.280 --> 0:47:00.839
<v Speaker 1>even she like she looks pretty risk change people come

0:47:00.880 --> 0:47:03.959
<v Speaker 1>at her for a lot of great shem Erica Jong

0:47:04.080 --> 0:47:07.320
<v Speaker 1>about her daughter. Yes, she was like your daughter, maybe

0:47:07.440 --> 0:47:09.719
<v Speaker 1>too young to understand how to deal with these things,

0:47:09.760 --> 0:47:14.719
<v Speaker 1>by the way, Molly John Fastest forty one, Well maybe

0:47:14.800 --> 0:47:17.480
<v Speaker 1>she's too young to realize how nasty it was, but

0:47:17.640 --> 0:47:20.480
<v Speaker 1>you know she she was criticizing me, and she was

0:47:20.560 --> 0:47:23.800
<v Speaker 1>criticizing her, saying that like you should pray for people

0:47:23.960 --> 0:47:27.840
<v Speaker 1>during a natural disas that that you can with the

0:47:27.920 --> 0:47:31.399
<v Speaker 1>power of prayer, that's her whole flags you can cure

0:47:32.320 --> 0:47:36.520
<v Speaker 1>cancer and age. She's so it's so offensive. No, I

0:47:36.600 --> 0:47:40.520
<v Speaker 1>hate her. I hate her so much. People come after

0:47:40.600 --> 0:47:43.319
<v Speaker 1>her with like these really great arguments about why she's

0:47:43.360 --> 0:47:47.880
<v Speaker 1>so wrong, and she maintains this like polish and RESPONSI

0:47:48.320 --> 0:47:50.640
<v Speaker 1>it's very new aging. But it made me think of,

0:47:51.080 --> 0:47:54.440
<v Speaker 1>you know, how easy it is to kind of keep

0:47:54.520 --> 0:47:56.560
<v Speaker 1>it together, like with a lot of delray. It's like

0:47:56.640 --> 0:48:00.200
<v Speaker 1>you have to be able to if you're thing as

0:48:00.280 --> 0:48:03.040
<v Speaker 1>personas like you have to really be able to measure

0:48:03.120 --> 0:48:05.560
<v Speaker 1>the response to something like that and realize if it's

0:48:05.880 --> 0:48:08.239
<v Speaker 1>a good response or a bad response, and how to

0:48:08.360 --> 0:48:10.560
<v Speaker 1>kind of play the game. It was such a misguided

0:48:10.719 --> 0:48:13.600
<v Speaker 1>what does simplest fuck mean, oh, it's too We'll get

0:48:13.640 --> 0:48:15.239
<v Speaker 1>into it when I make you. Guys read Fear of

0:48:15.320 --> 0:48:20.480
<v Speaker 1>Flying for the podcast that people said crazy things to

0:48:20.640 --> 0:48:23.400
<v Speaker 1>Erica John all the time after she wrote Fear of Flying,

0:48:23.560 --> 0:48:26.560
<v Speaker 1>Oh for sure, because she I mean, she's written extensively

0:48:26.640 --> 0:48:29.480
<v Speaker 1>about her marriages and real people and everything. So I'm

0:48:29.560 --> 0:48:32.640
<v Speaker 1>sure that's kind of given people the license to to

0:48:33.000 --> 0:48:35.480
<v Speaker 1>retort um. But I guess that's the point that you

0:48:35.520 --> 0:48:37.880
<v Speaker 1>always have the right to respond and everyone has the

0:48:37.960 --> 0:48:39.359
<v Speaker 1>right to judge you for that. Do you guys see

0:48:39.360 --> 0:48:43.400
<v Speaker 1>about Nicki Minaj retiring. Mrs Petty, Mrs Patty, We're all

0:48:43.520 --> 0:48:48.759
<v Speaker 1>Mrs Petty, it's time, she'll be back. It's time. Yeah,

0:48:49.000 --> 0:48:51.040
<v Speaker 1>I mean, it's like a little I wish it wasn't

0:48:51.120 --> 0:48:53.239
<v Speaker 1>like to get married. Don't you think It's like some

0:48:53.400 --> 0:48:56.680
<v Speaker 1>people just can't have of social media because they can't resist,

0:48:56.920 --> 0:49:00.040
<v Speaker 1>and that's everybody. I don't know, man, you guys, I

0:49:00.080 --> 0:49:01.680
<v Speaker 1>don't know. I don't know what to tell you. Having

0:49:01.840 --> 0:49:04.000
<v Speaker 1>having no screen time in the middle of my day

0:49:04.160 --> 0:49:06.839
<v Speaker 1>is like, oh, this has been a life changer. Yeah.

0:49:07.040 --> 0:49:09.160
<v Speaker 1>It's like because when you get off the boat long enough,

0:49:09.239 --> 0:49:13.200
<v Speaker 1>you can't I can't. It's like quit smoking, you wait

0:49:13.239 --> 0:49:16.439
<v Speaker 1>a little while, and then it's poison again. Yeah. Yeah,

0:49:16.880 --> 0:49:20.560
<v Speaker 1>it's like, uh, you ever see the um what's it?

0:49:20.640 --> 0:49:24.200
<v Speaker 1>The dance documentary Rise that the Crumping documentary? Yeah? Yeah,

0:49:24.520 --> 0:49:26.080
<v Speaker 1>Like they talk about like every day they meet in

0:49:26.120 --> 0:49:27.800
<v Speaker 1>a circle and they do their dances. But if you

0:49:27.840 --> 0:49:31.480
<v Speaker 1>miss one day, you won't know like what everybody's doing,

0:49:31.520 --> 0:49:34.080
<v Speaker 1>you won't understand the dance. And it's like, that's how

0:49:34.120 --> 0:49:35.640
<v Speaker 1>I feel. When I'm off of Twitter for a day,

0:49:35.680 --> 0:49:38.800
<v Speaker 1>I'm like, what are we talking about? Now? What's this?

0:49:39.840 --> 0:49:42.320
<v Speaker 1>I first joined Twitter, I was like, who cares about

0:49:42.560 --> 0:49:47.320
<v Speaker 1>anything anyone's saying? Uh? Or Instagram stories? I was like,

0:49:47.400 --> 0:49:50.360
<v Speaker 1>I want to see ten second updates of people's lives

0:49:50.440 --> 0:49:53.480
<v Speaker 1>because why now? And now I still don't want to,

0:49:53.640 --> 0:49:56.120
<v Speaker 1>but I still do. It's like my late night TV

0:49:56.360 --> 0:49:58.440
<v Speaker 1>or something. It's like what I look at before going

0:49:58.520 --> 0:50:00.680
<v Speaker 1>to bed, which is like not great. Well that's what

0:50:00.800 --> 0:50:02.680
<v Speaker 1>we like to talk about here on nightcall. So if

0:50:02.760 --> 0:50:04.840
<v Speaker 1>you have things you like to do before going to

0:50:05.000 --> 0:50:08.320
<v Speaker 1>bed that watch Children of the Corn. Watch Children of

0:50:08.400 --> 0:50:11.440
<v Speaker 1>the Corn theories about the extended Children of the Corn universe.

0:50:11.480 --> 0:50:14.520
<v Speaker 1>I have a lot of questions or if you have

0:50:14.640 --> 0:50:18.400
<v Speaker 1>any thoughts about the new Leaches. Also, of course, just

0:50:18.560 --> 0:50:21.040
<v Speaker 1>reopping that I'd really like to hear people's thoughts on

0:50:21.080 --> 0:50:24.560
<v Speaker 1>the new leeches. Stories are crazy? Any Jeffrey Epstein conspiracies

0:50:24.640 --> 0:50:28.680
<v Speaker 1>we haven't yet. Don't go to the government to Night Call.

0:50:28.920 --> 0:50:31.520
<v Speaker 1>But make sure you say allegedly so that if we

0:50:31.640 --> 0:50:34.319
<v Speaker 1>play your voicemail on the air, we all cut. Let

0:50:34.400 --> 0:50:36.719
<v Speaker 1>us know to store your voice on that. If you

0:50:36.800 --> 0:50:40.000
<v Speaker 1>know about any other weird cults we should know about, Yeah,

0:50:40.200 --> 0:50:42.879
<v Speaker 1>give us a call. Nightcall is back, baby, Your lines

0:50:42.920 --> 0:50:46.520
<v Speaker 1>are open. Uh, start sending us your stuff. We're excited

0:50:46.560 --> 0:50:48.759
<v Speaker 1>to be here. Just a reminder you can reach us

0:50:48.800 --> 0:50:51.359
<v Speaker 1>at to four oh four six Night Nightcall Podcast at

0:50:51.440 --> 0:50:54.480
<v Speaker 1>gmail dot com. And also while you're there, consider following

0:50:54.600 --> 0:50:58.040
<v Speaker 1>us on social media our Twitter as Nightcall pod Our, Instagram,

0:50:58.160 --> 0:51:01.879
<v Speaker 1>Nightcall Podcast, Facebook, Nightcall pod Podcast, and you can also

0:51:01.920 --> 0:51:05.320
<v Speaker 1>support us on Patreon at patreon dot com slash Nightcall.

0:51:05.760 --> 0:51:08.319
<v Speaker 1>We've got all sorts of premiums at different levels. We've

0:51:08.320 --> 0:51:12.120
<v Speaker 1>got a newsletter, we got a bonus book club episode

0:51:12.160 --> 0:51:15.239
<v Speaker 1>every month coming out, all sorts of fun stuff and

0:51:15.320 --> 0:51:17.759
<v Speaker 1>you can join at whatever level makes sense for you.

0:51:19.160 --> 0:51:21.320
<v Speaker 1>And that's all we have. This week. Yeah, we're almost

0:51:21.360 --> 0:51:25.200
<v Speaker 1>back to the future. Excited to be in the present. Yeah.

0:51:26.440 --> 0:51:30.000
<v Speaker 1>Thanks for listening. We'll see you next week. Nightcall is

0:51:30.000 --> 0:51:32.920
<v Speaker 1>a production of my heart Radio. For more podcasts from

0:51:32.960 --> 0:51:36.640
<v Speaker 1>my heart Radio, visit the I heart Radio app, Apple Podcasts,

0:51:36.800 --> 0:51:38.480
<v Speaker 1>or wherever you listen to your favorite shows.