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Speaker 1: You can watch the original episode We'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max. You can also watch

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Speaker 1: the video version of the History of Curby Enthusiasm podcast

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Speaker 1: on Max and YouTube as well. Links available in the

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Speaker 1: episode description. So, Hi, I'm stusis.

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Speaker 2: Man and I'm Jeff Garland, one of America's top teams.

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Speaker 1: And we are doing the History of Curby Enthusiasm, and

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Speaker 1: we're on season four, episode six. The carpool Lane again

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Speaker 1: a classic?

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Speaker 2: Yes, yeah, you know.

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Speaker 1: Usually not usually, but frequently every season is at least

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Speaker 1: one classic. Some seasons have more than one. This one

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Speaker 1: has more than one, right, The.

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Speaker 2: Last one is considered about a lot of people.

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Speaker 1: The five Wood and the carpool Lane. And we open

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Speaker 1: and you and Larry are in the in our garage.

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Speaker 1: I believe, yes, And it's a beautiful Sunday, and Larry

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Speaker 1: says we should be golfing. We're not golfing because, of course,

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Speaker 1: previous to this he has been kicked out of the club.

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Speaker 3: Right.

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Speaker 1: Then you ask him, how do you work at glue Gun?

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Speaker 3: Yeah?

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Speaker 2: And then he says appropriately, how do I fucking know

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Speaker 2: how to work at glue gun. And by the way,

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Speaker 2: what I love is we don't need to establish what

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Speaker 2: the hell I'm working on.

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Speaker 1: No, Yeah, it's meaningless. Yeah, of course I know how

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Speaker 1: to use a glue gun, because how else do I

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Speaker 1: get the things on the sweatshirts? Yeah, the bedazzles. And

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Speaker 1: then you discuss the interview at Beverly Park and the

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Speaker 1: interviews went well, and Larry says, I really think they

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Speaker 1: they took a shine to me. And he doesn't know

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Speaker 1: what to do with himself without golf. He's just lost,

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Speaker 1: and he wants to go to the Dodger game tomorrow

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Speaker 1: night but can't get tickets. And then you mentioned that

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Speaker 1: Marty Funkhouser has two season tickets and he's probably not

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Speaker 1: going since his father just died. The tickets are gone

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Speaker 1: a waist. What to do? Is it weird to ask Marty?

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Speaker 1: I think it is? What do you think? Of course

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Speaker 1: it is, yes, but the tickets are going to waste.

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Speaker 1: It doesn't hurt to ask. And then you point out

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Speaker 1: that every Sunday Marty has breakfast at NAT's or Nate's

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Speaker 1: and it can't hurt to run into him. So the

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Speaker 1: two of you go to Nates, and you see Marty

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Speaker 1: in a booth on the phone in the back, and

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Speaker 1: he runs into you and he says, I eat here

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Speaker 1: all the time.

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Speaker 2: Well, by the way, we change the name by the

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Speaker 2: way of the delicatessen, which I don't understand, because this

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Speaker 2: was back in a time where we never said nothing

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Speaker 2: had its right name, as opposed to later on. And

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Speaker 2: this is Langers Downtown that we filmed, which is the

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Speaker 2: best pistrami. And may I also say his daughter opened

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Speaker 2: her own deli on Sunset Boulevard, and the pastramis might

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Speaker 2: be even as good.

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Speaker 1: I don't know, never been there.

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Speaker 2: Oh, Daughter's Deli, Sunset you stay there sometimes, not at

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Speaker 2: Daughter's Delia, yes, I do thereby yeah, but I recommended

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Speaker 2: highly to all our listeners Daughters Deli.

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Speaker 1: I'm not a pastrami lover, but you know, by the way.

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Speaker 2: They have great tuna salad, great egg salad.

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Speaker 1: Whitefish salad. I like a good white kanesh, a good

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Speaker 1: kanish all right, they got it all. Yeah, but you

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Speaker 1: just call it Daughters Deli. That's the name of it.

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Speaker 2: The name of it is Daughter's Deli.

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Speaker 1: Yes, oh, I've seen that, actually.

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Speaker 2: Yeah, yeah, not far from the comedy store. So boy,

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Speaker 2: I just gave them some big times.

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Speaker 1: Yeah, because I frequently when I'm in Hollywood, I stay

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Speaker 1: at the London, which is right there.

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Speaker 2: Why are you saying that?

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Speaker 1: Because you said I frequently stayed there, but I didn't.

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Speaker 2: Say what you know, I was once in New York

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Speaker 2: and I was on the show whatever, the Kelly and

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Speaker 2: Regis or whatever it was, and the guest host was

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Speaker 2: Jeff Probst Prbst from Survivor right, and he was the host,

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Speaker 2: and I was the guest with I don't remember. It

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Speaker 2: could have been Kathy Lee. I don't remember anyhow. The

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Speaker 2: point being is he says, we're staying at the same hotel,

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Speaker 2: and I said, yeah, he goes to Parker Meridian. He

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Speaker 2: says on the Why show, and we're staying at the

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Speaker 2: Parker Meridian. And then I changed my name, which I

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Speaker 2: still use to this day every time I stay in

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Speaker 2: the hotel.

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Speaker 1: I don't tell anybody, Barbiby Jones. All right, keep going, yes, Okay,

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Speaker 1: So you running tomorrow and Larry then apologizes about the

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Speaker 1: five Wood to Marty and then Marty says, you.

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Speaker 3: Guys get into Beverly Park not yet.

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Speaker 4: Well, we interviewed waiting to hear wait here, good luck?

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Speaker 2: Great course?

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Speaker 3: Yeah?

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Speaker 2: Have you played it?

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Speaker 3: Uh no, I'm a.

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Speaker 2: Jew a money Oh.

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Speaker 4: Hey, who do you like in the Dodger game tomorrow night?

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Speaker 3: Oh it's gonna be tough. It should be a great game.

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Speaker 2: Yeah, sold out.

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Speaker 4: It's a shame about your dad and all because you're

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Speaker 4: probably well, just not up for going on a game.

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Speaker 3: I guess. Huh No, I decided I'm gonna go.

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Speaker 2: No kidding. Good for you.

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Speaker 3: He would have wanted me to go.

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Speaker 2: I think that's true.

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Speaker 3: You would have most certainly.

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Speaker 4: Hey, you know what if you if you're a little

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Speaker 4: lonely and need a little companionship of the game, if

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Speaker 4: you want me to keep your company, I'll be happy

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Speaker 4: to do it.

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Speaker 3: I don't have a seat for you. What about your

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Speaker 3: dad's seat? It's spoken for.

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Speaker 1: He says he is going to the Dodger game because

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Speaker 1: his dad would have wanted it, and Larry says, well,

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Speaker 1: you need companionship. I'm happy to go with you, and

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Speaker 1: he says, no, no, no, dad's seat is spoken for. The

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Speaker 1: seats are the third base field level, so they're very good.

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Speaker 2: But the idea that Larry said companionship if you need

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Speaker 2: some companionship.

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Speaker 1: Too good companionship. Yeah, And Larry says, if you hear

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Speaker 1: of anything about, you know, extra tickets, let me know.

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Speaker 1: And then Larry asks them for the golf tip that

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Speaker 1: we're still on the Weatherman's golf tip. Two episodes later,

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Speaker 1: he still wants the golf tip. Fine, he won't give

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Speaker 1: him the golf tip. Larry is then home and Nat

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Speaker 1: is at his house, and Larry is wearing his old

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Speaker 1: Seinfeld jacket because he's on his way to jury duty,

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Speaker 1: and he makes the assumption that they don't like to

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Speaker 1: pick people for jury duty who are in show biz.

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Speaker 1: I've never heard of that, but what so, that's why

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Speaker 1: he's going to wear his Seinfeld jacket to jury duty

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Speaker 1: so he can get out of jury duty.

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Speaker 2: The greatest excuse that I ever saw for jury duty.

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Speaker 2: I was on a federal court jury duty in South

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Speaker 2: Florida and when they were selecting, and I got to say, yeah,

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Speaker 2: I was twenty two, twenty four. I wanted to be

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Speaker 2: selected and experience that. And the guy ahead of me

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Speaker 2: when they were going around, you know, interviewing them, said

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Speaker 2: your honor, I hate all denominations, including my own.

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Speaker 1: That is for Batam and that was not Larry David.

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Speaker 2: Yeah, and he was excused.

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Speaker 1: All right. Well, Larry says he would serve, but only

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Speaker 1: if they make him the foreman. If he's not the foreman,

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Speaker 1: he doesn't want to serve. And I do understand that.

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Speaker 2: You know, I've been a foreman before, I've been a jury. Yeah.

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Speaker 5: What was it?

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Speaker 2: There was a guy who supposedly broke into someone's house

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Speaker 2: and robbed them. It was that simple, and he found

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Speaker 2: not guilty.

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Speaker 1: Really, yeah, I was on a jury once, sennight.

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Speaker 2: It was would you wear cotton? A lot of comfortable cotton?

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Speaker 1: A lot of linen? And it was a reckless endangerment

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Speaker 1: charge and it was quite fascinating.

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Speaker 2: What is reckless endangerment?

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Speaker 1: The guy shot a gun off in public, He didn't

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Speaker 1: shoot anybody, so people, it's dangerous, and this is reckless

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Speaker 1: and danger.

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Speaker 2: Reckless and danger that's the appropriate name.

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Speaker 1: Yeah, it was quite fascinating. And then Cheryl turns out

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Speaker 1: got him tickets to the Dodger game, but Larry complains

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Speaker 1: they're high out.

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Speaker 2: He's making a joke though.

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Speaker 1: Yeah, and he's going to go with you with Jeff.

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Speaker 2: No, he's going, He asks her, and she knows, damn well,

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Speaker 2: he doesn't mean it. She says, no, go with Jeff.

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Speaker 1: Go with Jeff. And Nat is at this point doing

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Speaker 1: a TV Guide crossword puzzle, which is the easiest puzzle

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Speaker 1: ever in the history of mankind. But he complains he's

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Speaker 1: having so much trouble he could barely see it because

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Speaker 1: of the pressure in his cloud. Calma, He's having a

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Speaker 1: very difficult time. And Larry begs him, let me get

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Speaker 1: you some marijuana, and Nat says, do I look like

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Speaker 1: a Beatnick? I love that look.

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Speaker 2: By the way, Shelley came up as a comedian and

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Speaker 2: became successful during the age of Beatnicks.

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Speaker 1: Correct, yeah, I know it was totally appropriate for him

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Speaker 1: to say it.

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Speaker 2: Yeah, yeah, yeah.

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Speaker 1: And beat Nicks at that time were weedheads with smoking wheed.

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Speaker 1: They called it.

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Speaker 2: Pok with berets, and they were found in poetry.

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Speaker 1: Playing and they were playing bongos. Yeah, And Larry says,

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Speaker 1: but if I get it, will you do it? And

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Speaker 1: he says, you know, I.

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Speaker 2: Was once to ask to be in what's her name?

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Speaker 2: My Alanis morisseet?

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Speaker 1: Oh, yeah, she was on the show.

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Speaker 2: Anyhow, Alanis Morris set We talked about it. She was

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Speaker 2: on the show, and she was I'll say a strong

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Speaker 2: acquaintance of mine. We weren't friends, but I remember I

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Speaker 2: was invited numerous times to be in a drum circle.

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Speaker 1: Oh, drum circles.

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Speaker 2: Yeah, And I burst out laughing, and I'm like, the

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Speaker 2: day I'm in a drum circle, just some would come

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Speaker 2: up and shoot me.

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Speaker 1: I think a drum circle sounds fun. I've never been

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Speaker 1: in one, but I think it sounds fun.

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Speaker 2: I've witnessed a drum circle. And the other name for

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Speaker 2: a drum circle is kill me, because that's what I

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Speaker 2: would say, I would want.

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Speaker 1: I will never invite you to a drum circle.

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Speaker 2: Yeah, And no offense to Lanis Morris that who's a

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Speaker 2: lovely person. But I didn't want to be involved in

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Speaker 2: her drum circles.

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Speaker 1: I don't think she holds it against you. And then

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Speaker 1: we are at the what deer section of the jury,

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Speaker 1: which is when they're picking questioning the jurors.

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Speaker 2: Have you ever been the victim of a serious crime?

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Speaker 4: My cousin wants stolen I'm enjoyed from me setting at

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Speaker 4: the time, but.

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Speaker 2: I don't think that would be considered a serious crime.

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Speaker 2: Is there any reason you can think of that you'd

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Speaker 2: not be able to decide this case an affair and

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Speaker 2: impartial manner.

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Speaker 4: I don't know if I could be impartial, mister Condon,

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Speaker 4: given that the defendant is a Negro, like just.

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Speaker 2: The word negro, of course, and obviously playing the Negro or.

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Speaker 1: The Jonathan Harris is Jonathan Harris, who.

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Speaker 2: Was our ad for so many years.

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Speaker 1: Many many years, and I love him and missing Yeah,

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Speaker 1: and we know that Larry is just saying using that

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Speaker 1: term to get out of Jerry duty. That's quite obvious.

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Speaker 1: And then he leaves the courtroom. He's in downtown LA

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Speaker 1: and he sees a drug dealer who is played by

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Speaker 1: Jorge Garcia, known from Laws.

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Speaker 2: If I'm not mistaken, Hora's first job.

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Speaker 1: Oh is it really?

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Speaker 2: Yeah? I know for a fact because jj Abrams is

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Speaker 2: my pal that he was hired. One of the reasons

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Speaker 2: they were interested in was kurby your enthusiasm. Oh really, yeah,

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Speaker 2: that's how they noticed him.

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Speaker 1: I like that. I like when people get work.

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Speaker 2: Yes, well, a lot of people that happens to show,

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Speaker 2: including Kim Whitley from this episode.

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Speaker 1: She worked a ton after well, she was so great

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Speaker 1: in this episode.

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Speaker 2: What I find fascinating and it's very subtle. He's wearing

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Speaker 2: in this scene, Hora, a Hawaiian shirt, a T shirt.

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Speaker 1: Ah little.

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Speaker 2: Do you know how many years he would spend it

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Speaker 2: in Hawaii?

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Speaker 1: Yeah, So Larry notices a little transaction between poor Hay

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Speaker 1: and another person and he goes over and he says,

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Speaker 1: I couldn't help notice the transaction.

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Speaker 3: Well, exactly what are you thinking of a little uh

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Speaker 3: little weed going hell.

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Speaker 2: Know, yeah, I got it, I got it.

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Speaker 1: Yet he's clearly not good at this and uncomfortable at it.

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Speaker 2: By the way, and also the dude knows I'm going.

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Speaker 1: To score here, Yeah, because he's going to charge him

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Speaker 1: way more than somebody who's knowledgeable. He tells him he

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Speaker 1: can get announce a hydroponic for five hundred, Announce a

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Speaker 1: shwag for two hundred, and yeah, the drugs will sell themselves.

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Speaker 1: You know, they have an exchange. It goes the wrong way.

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Speaker 1: It's all awkward and horrible. We'll be right back, stay tuned. Okay,

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Speaker 1: we're back. And then he scores the weed, he gets

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Speaker 1: the shwag for two hundred, and he's on his way

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Speaker 1: to the game and he's on the phone. Jeff can't

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Speaker 1: go to the game. Stuck in traffic, and Larry complains

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Speaker 1: that he's stuck in traffic. Why were you not able

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Speaker 1: to go to the game? I don't remember.

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Speaker 2: It doesn't matter. I told him I couldn't go the game.

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Speaker 2: I don't even know. Okay, to be honest, it wouldn't

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Speaker 2: make sense to even justify it in the scene. I

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Speaker 2: just can't.

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Speaker 1: I don't have anything here. Yeah, so Larry, Larry's on

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Speaker 1: the He's telling you, I'm stuck in traffic. The only

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Speaker 1: thing moving is the carpool lane bingo. He's approached at

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Speaker 1: the window by Kim Whitley on a date with Mama,

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Speaker 1: and then he looks at the traffic and he gets

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Speaker 1: a light bulb moment and he says, just get in

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Speaker 1: the car to her, and she tells him her name

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Speaker 1: is Monina, and he says he's not interested in sex.

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Speaker 1: He just wants her to go to Dodger Stadium.

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Speaker 4: See, actually, I'm not really interested in any sex per se.

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Speaker 2: What do you want him? Freaky motherfuckers is.

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Speaker 5: Up to tell you the truth.

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Speaker 4: What I'd really like to do is I want to

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Speaker 4: go to Dodger Stadium and I want to go to

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Speaker 4: the game, and I'll pay you for your time.

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Speaker 2: Maybe what five.

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Speaker 4: Hours will be?

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Speaker 2: You just want me to sit in the car, the car,

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Speaker 2: that's all you have to do.

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Speaker 1: Oh, you a crazy son of a bitch. All right,

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Speaker 1: one thousand.

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Speaker 2: Dollars, A thousand dollars? What are you kidding me? That's

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Speaker 2: the two hundred dollars an hour, exactly.

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Speaker 1: I can get four blow jobs an hour.

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Speaker 2: Four blow jobs, and oh yeah, I'm good drive a cam.

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Speaker 2: I used to drive around for two hours.

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Speaker 4: I couldn't get a fair you're telling me you're getting

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Speaker 4: four blow jobs in an hour, Yes, honey, you'd.

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Speaker 2: Have picked up the best.

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Speaker 1: Honey.

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Speaker 2: I got a red snapper that talks to you. You

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Speaker 2: know what it's saying. I'm charging way too much seven

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Speaker 2: to fifty to take me to the game. I'm going

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Speaker 2: to the game. She's very confused by this as well.

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Speaker 2: She should be.

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Speaker 1: Well, of course she is. Yeah, and she wants a

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Speaker 1: thousand dollars. She could give four blow jobs in an hour.

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Speaker 2: I didn't even pay attention to that line.

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Speaker 1: That's great, four blowjobs in an hour. And then something

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Speaker 1: about red snapper. I wrote that. I don't remember what

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Speaker 1: that was either. Yeah, but they finally settle on seven fifty,

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Speaker 1: and she says seven to fifty, and you could take

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Speaker 1: me to the game. And he says, I only have

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Speaker 1: one ticket, but that's bullshit. And he goes into this

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Speaker 1: whole thing about Henry Clay and compromise.

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Speaker 2: Well, no, no, he says he only has one ticket

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Speaker 2: because he doesn't want to take her to the game.

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Speaker 1: Of course, yeah, I know.

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Speaker 2: Oh you're saying it's a bullshit. I thought you were

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Speaker 2: saying it's bullshit. Then he has one ticket, never.

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Speaker 1: Mind, No, he has two tickets. We already know you're

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Speaker 1: not going right. And he and he subscribes compromise as

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Speaker 1: when both parties are dissatisfied. That's what we have here,

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Speaker 1: And then there's zipping along.

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Speaker 2: Which, by the way, is a brilliant line. Yes, I

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Speaker 2: mean in life.

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Speaker 1: That's why I wrote it down in life, compromises when

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Speaker 1: both parties are dissatisfied.

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Speaker 2: I got to write that down again. Compromise, Okay, you.

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Speaker 1: Can Henry Clay. It's attributed to Henry Clay.

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Speaker 2: Oh it's not a Larry quote. No, oh, I thought

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Speaker 2: it was a Larry quote. Is when, let me write

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Speaker 2: this down, is when two people are unsatisfied.

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Speaker 1: Compromises when both parties are dissatisfied.

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Speaker 2: That's a brilliant quote. Okay, gun.

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Speaker 1: And then there's zipping along in the carpool lane, no traffic,

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Speaker 1: and she pulls out two tickets that she finds and

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Speaker 1: she's like, I'm going to the game, or I'll call

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Speaker 1: my pimp, to which Larry has to give in because

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Speaker 1: he does not want to deal with her pimp.

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Speaker 2: By the way, who does she wants to? Does anyone

336
00:15:11,240 --> 00:15:14,760
Speaker 2: want a good There's nothing good about a pimp dealing.

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Speaker 2: There's no good solid what'd you do today? I had

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00:15:17,840 --> 00:15:19,840
Speaker 2: a pimp dealing. You don't like that?

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Speaker 1: It's no good I have to say, Jeff, having never

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00:15:22,120 --> 00:15:25,160
Speaker 1: had a pimp dealing, I can't comment. Maybe there's a

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00:15:25,200 --> 00:15:27,800
Speaker 1: good pimp out there. So they get they get to

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Speaker 1: Dodger Stadium. Now question, We've shot several things at Dodger Stadium. Yes,

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Speaker 1: was this the episode where the guy got off of Asha.

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Speaker 2: This is the one where he got out of jail.

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Speaker 1: So let's talk about that first. Let's just get that

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Speaker 1: out of the way. There was a guy who was

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Speaker 1: accused of murder. He was there was an eyewitness that

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00:15:49,880 --> 00:15:54,000
Speaker 1: pinned him for the murder, and he claimed that he

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Speaker 1: was not at the scene of the crime. He was

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Speaker 1: at Dodger Stadium at a Dodger game that exact time

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Speaker 1: the murder was supposed to be happening, and that there

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Speaker 1: was a film crew they are filming. The lawyer then

353
00:16:05,520 --> 00:16:08,720
Speaker 1: went to Larry and the post production team and they

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00:16:08,760 --> 00:16:12,640
Speaker 1: went through every single frame of the scenes that Larry

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00:16:12,680 --> 00:16:15,880
Speaker 1: shot in Dodger Stadium till they found the guy in

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Speaker 1: the background and it was time coded, so they knew

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Speaker 1: exactly when he was at Dodger Stadium and he got acquitted.

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Speaker 1: How lucky for this guy that he wasn't sitting in

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Speaker 1: a different section.

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00:16:25,800 --> 00:16:29,160
Speaker 2: Well, yeah, I mean it saved his life. Curb saved

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Speaker 2: someone's life.

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Speaker 1: It saved his life. So this guy got acquitted from

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Speaker 1: a murder just by sitting in the background being a

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Speaker 1: scene on tape.

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Speaker 2: But it was a unwilling extra.

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Speaker 1: He had no idea killing extra.

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Speaker 3: Yeah.

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00:16:43,240 --> 00:16:47,040
Speaker 1: What a freak fucking thing though, you know, really, someone made.

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Speaker 2: A short doc about it that's on Netflix. It's been

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00:16:49,880 --> 00:16:52,800
Speaker 2: on there for years, Yeah, which I've never seen.

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Speaker 1: So then they're at Dodger Stadium. She complained, seats there

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Speaker 1: all the way the fuck up, and Larry takes out

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Speaker 1: his binoculars, and he sees Marty funk Kowser sitting alone

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Speaker 1: down in the third row good seats, and then Monina says,

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Speaker 1: I'm not the way looking around like you scared somebody

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Speaker 1: gonna recognize you with some shit you're trying to act like.

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00:17:10,400 --> 00:17:11,680
Speaker 2: No, I'm not trying to act like I'm not with you.

378
00:17:11,760 --> 00:17:12,359
Speaker 2: What are you saying?

379
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Speaker 1: I will pull a titty out in this thing?

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Speaker 2: I will pull a titty out. Don't you dare do that.

381
00:17:16,720 --> 00:17:18,080
Speaker 1: I will act like you with me.

382
00:17:18,440 --> 00:17:24,040
Speaker 4: I'm with you, I'm with you, I'm like.

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00:17:24,200 --> 00:17:27,080
Speaker 1: And she threatens that she'll pull a titty out if

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00:17:27,080 --> 00:17:30,920
Speaker 1: he doesn't act more like, so Larry puts his arm

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00:17:31,000 --> 00:17:34,000
Speaker 1: around her, and then as he has his arm around her,

386
00:17:34,240 --> 00:17:39,000
Speaker 1: he sees Ken and Jim from Beverly Park Golf Club,

387
00:17:39,040 --> 00:17:40,960
Speaker 1: the guys that he had the interview with at the

388
00:17:41,080 --> 00:17:44,280
Speaker 1: end of the last episode, and he sees them seeing

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Speaker 1: him with his arm around this prostitute Monina. Larry then

390
00:17:48,600 --> 00:17:52,600
Speaker 1: goes down to funk Kowser and he says, his seat stink.

391
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Speaker 1: He said, is anybody sitting there? Can I join you?

392
00:17:55,400 --> 00:17:58,800
Speaker 1: And Marty says no, it's the memorial seat for my father,

393
00:17:59,080 --> 00:18:00,320
Speaker 1: which is so bizarre.

394
00:18:00,080 --> 00:18:04,200
Speaker 2: A well, by the way, that's something that Bob's master at,

395
00:18:04,320 --> 00:18:05,120
Speaker 2: and that is.

396
00:18:05,240 --> 00:18:06,800
Speaker 1: The dead pan Well.

397
00:18:06,760 --> 00:18:11,399
Speaker 2: No, no, no, the illogical as logic, Like he'll say

398
00:18:11,480 --> 00:18:16,440
Speaker 2: something completely illogical but present it as this is logic,

399
00:18:16,920 --> 00:18:19,439
Speaker 2: this makes sense. Don't argue with me.

400
00:18:19,720 --> 00:18:21,560
Speaker 1: I also feel I don't know if you agree with me,

401
00:18:22,119 --> 00:18:25,440
Speaker 1: but he's not his full Marty Funkhouser yet in these

402
00:18:25,480 --> 00:18:26,520
Speaker 1: early episodes.

403
00:18:26,880 --> 00:18:29,200
Speaker 2: Oh, I think he he is.

404
00:18:29,600 --> 00:18:32,439
Speaker 1: Say, I think he developed into more of a Marty

405
00:18:32,440 --> 00:18:36,520
Speaker 1: Funkhauser character. Later on, Larry goes back to Monina mm

406
00:18:36,560 --> 00:18:39,320
Speaker 1: hm and the country club guys walk by and he

407
00:18:39,359 --> 00:18:40,359
Speaker 1: says to them, you.

408
00:18:40,400 --> 00:18:42,439
Speaker 2: Have are looking for a good blow job at a

409
00:18:42,440 --> 00:18:47,600
Speaker 2: reasonable rate. She's your gulp. I love when Larry does this,

410
00:18:47,720 --> 00:18:50,960
Speaker 2: when he's cornered and he just dives in. He goes

411
00:18:51,000 --> 00:18:53,000
Speaker 2: with it, He goes with it. And by the way,

412
00:18:53,160 --> 00:18:56,439
Speaker 2: this is one of those episodes with multiple endings. You

413
00:18:56,520 --> 00:18:59,520
Speaker 2: could have ended there completely. Yes, you could have ended there,

414
00:18:59,600 --> 00:19:00,560
Speaker 2: no doubt it.

415
00:19:00,600 --> 00:19:03,600
Speaker 1: But there's so much more. There's so much more. Game

416
00:19:03,720 --> 00:19:05,680
Speaker 1: is over. They're in the parking lot. You see Marty

417
00:19:05,720 --> 00:19:07,640
Speaker 1: in his car. Car won't start, and I.

418
00:19:07,560 --> 00:19:09,359
Speaker 3: Can believe this my car won't start.

419
00:19:09,720 --> 00:19:11,880
Speaker 1: Oh my god, what a.

420
00:19:12,080 --> 00:19:13,000
Speaker 2: Shame it is.

421
00:19:13,280 --> 00:19:15,280
Speaker 3: Listen, I've got to pick up someone at the airport

422
00:19:15,640 --> 00:19:17,080
Speaker 3: and I know it's on the way. Can you give

423
00:19:17,119 --> 00:19:19,480
Speaker 3: me a lift please, I'm.

424
00:19:19,480 --> 00:19:21,560
Speaker 4: Just your father to help you jump start the car.

425
00:19:22,520 --> 00:19:24,119
Speaker 5: Hey, Leo as you.

426
00:19:24,119 --> 00:19:26,720
Speaker 1: Can give him a push, and Larry's just gonna dig

427
00:19:26,760 --> 00:19:28,879
Speaker 1: it into him because Marty was an asshole about the

428
00:19:28,920 --> 00:19:29,879
Speaker 1: memorial seat.

429
00:19:30,119 --> 00:19:34,119
Speaker 2: So you're telling me that Bob in this scene isn't

430
00:19:34,200 --> 00:19:35,080
Speaker 2: full on markin No.

431
00:19:35,200 --> 00:19:37,520
Speaker 1: I think I think he became later on. I thought

432
00:19:37,600 --> 00:19:39,960
Speaker 1: maybe in last episode. I think he gets more.

433
00:19:41,000 --> 00:19:45,440
Speaker 2: By the way, this episode is one Marty funk Kauser

434
00:19:45,640 --> 00:19:48,800
Speaker 2: and Larry David. What I mean by that is they

435
00:19:48,840 --> 00:19:53,320
Speaker 2: have the exchange. Bob knows he's against it, he apologizes,

436
00:19:53,720 --> 00:19:56,800
Speaker 2: and Larry talks to the invisible No one's sitting in

437
00:19:56,840 --> 00:19:59,080
Speaker 2: the front seat, but he talks to it like it's

438
00:19:59,160 --> 00:20:00,880
Speaker 2: Larry's dad, and he's like.

439
00:20:00,840 --> 00:20:02,800
Speaker 1: That, like Marty's dead.

440
00:20:03,080 --> 00:20:06,080
Speaker 2: And then Larry gets the idea, you'll give me the

441
00:20:06,080 --> 00:20:09,560
Speaker 2: weather man's golf tip and I'll take you to the airport.

442
00:20:09,800 --> 00:20:12,560
Speaker 1: Correct, But first he says, Marty says, I have to

443
00:20:12,560 --> 00:20:14,399
Speaker 1: go pick help me. I got to go pick somebody

444
00:20:14,480 --> 00:20:17,040
Speaker 1: up at the airport, and Larry says, why don't you

445
00:20:17,080 --> 00:20:19,320
Speaker 1: ask your father to help you start?

446
00:20:19,480 --> 00:20:24,879
Speaker 2: Yes, yes, which is great, and Bob right away says,

447
00:20:25,080 --> 00:20:28,760
Speaker 2: let's not get into this. Let's because he knows that

448
00:20:28,920 --> 00:20:31,680
Speaker 2: it's a no win situation. Yeah, because he was wrong,

449
00:20:31,760 --> 00:20:36,040
Speaker 2: he was completely wrong. He says, I was emotional, Just give.

450
00:20:35,920 --> 00:20:37,880
Speaker 1: Me a ride, and then he gets in the car.

451
00:20:37,960 --> 00:20:40,680
Speaker 1: Monina's there and Larry says, one thing I got to

452
00:20:40,720 --> 00:20:43,840
Speaker 1: tell you, I'm with a prostitute, and Marty says, my

453
00:20:43,920 --> 00:20:46,040
Speaker 1: eyes are closed, and Larry says, not for sex, but

454
00:20:46,080 --> 00:20:49,280
Speaker 1: for the carpoolane. And then Larry says to him, I'll

455
00:20:49,280 --> 00:20:51,680
Speaker 1: take you, but I want the weather man's tip. It's

456
00:20:51,680 --> 00:20:52,960
Speaker 1: always quid pro quote.

457
00:20:53,000 --> 00:20:56,879
Speaker 2: But anyhow, I want to tell everybody listening, watching whatever

458
00:20:56,920 --> 00:21:00,680
Speaker 2: it is that the two characters on the show that

459
00:21:00,720 --> 00:21:05,040
Speaker 2: are like very similar to who they are offscreen, Bob

460
00:21:05,400 --> 00:21:06,600
Speaker 2: and Richard Lewis.

461
00:21:07,040 --> 00:21:10,119
Speaker 6: Richard Lewis is more Richard Lewis than he is on

462
00:21:10,160 --> 00:21:14,480
Speaker 6: the show. Yeah, we said Bob, but Bob is completely

463
00:21:14,600 --> 00:21:18,400
Speaker 6: even between Marty funk Kauser and Bob Einstein, like the.

464
00:21:18,400 --> 00:21:23,359
Speaker 7: Way forget everything you know about golf, forgetting, Like I

465
00:21:23,359 --> 00:21:26,680
Speaker 7: could see him saying that to me in his backyard,

466
00:21:27,200 --> 00:21:30,879
Speaker 7: Like that's he is exactly like Marty funk Kauser.

467
00:21:30,920 --> 00:21:33,040
Speaker 2: It's so funny, so funny.

468
00:21:33,160 --> 00:21:35,640
Speaker 1: So they get to the airport, yeah, and Larry has

469
00:21:35,680 --> 00:21:37,560
Speaker 1: to go in and tells Monina, I have to go

470
00:21:37,600 --> 00:21:40,359
Speaker 1: in to use the bathroom. And then he says to Marty,

471
00:21:41,000 --> 00:21:43,520
Speaker 1: can you hold my jacket while I'm in the bathroom.

472
00:21:43,800 --> 00:21:47,160
Speaker 1: See now, this is where it all the coal.

473
00:21:47,040 --> 00:21:49,840
Speaker 2: Back by the way, This is why he wore the

474
00:21:50,000 --> 00:21:53,520
Speaker 2: jacket early in the show. It's exactly what I'm talking about.

475
00:21:54,040 --> 00:21:56,720
Speaker 2: If you want to use Curb as a mystery, you

476
00:21:56,880 --> 00:21:59,960
Speaker 2: watch the beginning of the show and go, where can

477
00:22:00,080 --> 00:22:03,360
Speaker 2: did this possibly go? You won't gans because you've got

478
00:22:03,440 --> 00:22:08,400
Speaker 2: Larry David, But nonetheless it sets up everything for the end.

479
00:22:08,760 --> 00:22:11,479
Speaker 1: So Marty puts on the jacket and next we know,

480
00:22:11,560 --> 00:22:14,879
Speaker 1: we hear German Shepherd's barking and they're taking Marty away.

481
00:22:15,840 --> 00:22:17,240
Speaker 5: It's not my marijuana.

482
00:22:17,800 --> 00:22:22,440
Speaker 2: I'm just talk the jacket. What are you doing? Even

483
00:22:22,520 --> 00:22:24,720
Speaker 2: my jacket, it doesn't even fit me.

484
00:22:25,400 --> 00:22:26,560
Speaker 1: Get your hair up for me.

485
00:22:28,240 --> 00:22:29,560
Speaker 2: Cut that dot away from me.

486
00:22:29,880 --> 00:22:33,280
Speaker 1: Marty got arrested because of the marijuana that Larry put

487
00:22:33,320 --> 00:22:35,879
Speaker 1: in the jacket pocket that he had bought several scenes

488
00:22:35,880 --> 00:22:40,640
Speaker 1: earlier from Jorge Garcia, and there you go. Marty's arrested.

489
00:22:41,359 --> 00:22:43,640
Speaker 1: Then he's in the car, back in the car with Monina,

490
00:22:43,720 --> 00:22:46,560
Speaker 1: and he tells her that they took the marijuana. And

491
00:22:46,920 --> 00:22:49,760
Speaker 1: Monina's got chronic, which is the best shit in town.

492
00:22:49,840 --> 00:22:53,040
Speaker 1: That schwag bullshit just knows what schweg is. She's got

493
00:22:53,119 --> 00:22:55,440
Speaker 1: chronic and she says, put the chronic on my bill.

494
00:22:55,480 --> 00:22:56,720
Speaker 1: That shit ain't free, Bob.

495
00:22:56,720 --> 00:23:00,119
Speaker 2: How quickly Larry forgets that his friend is just it's

496
00:23:00,160 --> 00:23:03,600
Speaker 2: been arrested, arrested. You gotta go to the police station.

497
00:23:03,800 --> 00:23:06,479
Speaker 2: How can I help him? Completely out the window.

498
00:23:06,600 --> 00:23:08,800
Speaker 1: I agree, We'll be right back. Stay tuned.

499
00:23:09,080 --> 00:23:20,680
Speaker 5: Okay, we're back.

500
00:23:21,280 --> 00:23:23,399
Speaker 1: Larry doesn't have enough cash and she's like, you know,

501
00:23:23,440 --> 00:23:25,520
Speaker 1: no pussy on layaway, and then he says to her,

502
00:23:25,840 --> 00:23:29,399
Speaker 1: aren't we coup de la? Now we know, Jeff from

503
00:23:29,440 --> 00:23:32,600
Speaker 1: the episode we did with Chris Williams, that coup delah

504
00:23:32,760 --> 00:23:33,400
Speaker 1: is meaningless.

505
00:23:33,400 --> 00:23:36,080
Speaker 2: It doesn't mean anything, right, It be just something that

506
00:23:36,200 --> 00:23:36,880
Speaker 2: Chris made.

507
00:23:36,760 --> 00:23:39,960
Speaker 1: Up when he was Crazy Eyes Killer. So Larry says,

508
00:23:40,119 --> 00:23:41,960
Speaker 1: we're going to go to my father's house and get

509
00:23:42,000 --> 00:23:44,480
Speaker 1: some cash and give him the marijuana. And then she

510
00:23:44,560 --> 00:23:47,560
Speaker 1: starts complaining, Monina sauce that was fucked up, seats you

511
00:23:47,640 --> 00:23:51,959
Speaker 1: got me one little ratty ass hot dog whatever, blah blah.

512
00:23:52,040 --> 00:23:55,159
Speaker 1: Then they're at NAT's house and Nat didn't watch the

513
00:23:55,200 --> 00:23:57,320
Speaker 1: game because it was too blurry, and he gives him

514
00:23:57,359 --> 00:24:00,440
Speaker 1: a joint, a reefer, as Nat calls it. That goes

515
00:24:00,480 --> 00:24:02,200
Speaker 1: along with his beat nick lingo.

516
00:24:02,440 --> 00:24:05,080
Speaker 2: Well, by the way, he says big neck again. In

517
00:24:05,520 --> 00:24:06,919
Speaker 2: about a minute or two, he.

518
00:24:07,000 --> 00:24:09,359
Speaker 1: Repeats any and Larry's telling him how to hold it

519
00:24:09,400 --> 00:24:11,959
Speaker 1: in his lungs. It's not like a cigarette. And then

520
00:24:12,000 --> 00:24:14,080
Speaker 1: he asked him if he has any cash, and then

521
00:24:14,080 --> 00:24:16,280
Speaker 1: there's a knock on the door and it's Monina. She

522
00:24:16,320 --> 00:24:18,280
Speaker 1: didn't like waiting in the car and she sees Nat.

523
00:24:18,359 --> 00:24:21,240
Speaker 1: She's like, oh, look at your cute little daddy. And

524
00:24:21,440 --> 00:24:26,960
Speaker 1: Larry introduces Monina as a friend of Cheryl's. She's a

525
00:24:26,960 --> 00:24:30,720
Speaker 1: lot of fun and they smoke and you know, ld

526
00:24:30,920 --> 00:24:34,119
Speaker 1: is stoned, you see ld stoned. Nad is like, this

527
00:24:34,240 --> 00:24:36,879
Speaker 1: is some good ship that they're yucking it up. The

528
00:24:36,960 --> 00:24:38,359
Speaker 1: chronic is the schnitzick.

529
00:24:38,800 --> 00:24:40,920
Speaker 3: I want to tell you what this is that's a

530
00:24:40,960 --> 00:24:41,400
Speaker 3: good ship.

531
00:24:45,760 --> 00:24:52,959
Speaker 2: No matter what it is, the smoke basons ebonics.

532
00:24:52,560 --> 00:24:58,000
Speaker 1: Just say that this chronic is the shisnick dish chronic?

533
00:24:58,160 --> 00:25:00,400
Speaker 3: Is he.

534
00:25:02,280 --> 00:25:11,880
Speaker 2: For shizzle, my mizzle for shizzle? That sounds almost hold

535
00:25:14,800 --> 00:25:16,320
Speaker 2: that he blew the scene.

536
00:25:18,080 --> 00:25:21,280
Speaker 1: And then Larry leaves, and that says he blew the scene.

537
00:25:21,640 --> 00:25:25,280
Speaker 1: So he's really going through his whole beat nicklingo. And

538
00:25:25,280 --> 00:25:29,000
Speaker 1: then Larry is in the bathroom mirror looking at himself stoned,

539
00:25:29,119 --> 00:25:32,280
Speaker 1: which this scene cracks me up because it just feels

540
00:25:32,280 --> 00:25:33,760
Speaker 1: so Larry was.

541
00:25:33,880 --> 00:25:37,240
Speaker 2: Feeling about this scene. This is like the stare down,

542
00:25:37,280 --> 00:25:39,800
Speaker 2: which I didn't think was gonna be funny, you know

543
00:25:39,840 --> 00:25:42,880
Speaker 2: when I first saw it, And of course it's iconic

544
00:25:43,160 --> 00:25:46,399
Speaker 2: if you were watched the show when we filmed him.

545
00:25:46,840 --> 00:25:49,119
Speaker 2: He did a million different things when he was in

546
00:25:49,119 --> 00:25:52,800
Speaker 2: that bathroom, you know, to the mirror. I remember shooting

547
00:25:52,840 --> 00:25:55,680
Speaker 2: a lot of that, but I remember thinking to myself,

548
00:25:55,880 --> 00:25:58,000
Speaker 2: I don't think this is going to be funny. What

549
00:25:58,040 --> 00:26:03,360
Speaker 2: are you looking at? You see something? Huh? What did

550
00:26:03,400 --> 00:26:06,159
Speaker 2: I do? You do nothing?

551
00:26:06,840 --> 00:26:08,679
Speaker 4: If you want me to do something, just tell me

552
00:26:09,119 --> 00:26:11,040
Speaker 4: you got to change the diet I told you about that.

553
00:26:11,280 --> 00:26:13,400
Speaker 2: I don't want the red meat eating a red meat.

554
00:26:13,440 --> 00:26:14,120
Speaker 2: I don't like that.

555
00:26:14,320 --> 00:26:17,840
Speaker 4: I'm doing the best I can go with doctor, get

556
00:26:17,840 --> 00:26:21,760
Speaker 4: yourself a check out, Coldaska, Pik, what's the matter with you?

557
00:26:21,880 --> 00:26:24,879
Speaker 2: I'm sorry. Everybody goes it got hold on to me.

558
00:26:25,359 --> 00:26:29,720
Speaker 2: But it's hilarious. Yeah, it's not just funny, it's hilarious.

559
00:26:29,920 --> 00:26:33,719
Speaker 1: Yeah. And then Nat. We go back out to Nat

560
00:26:33,760 --> 00:26:36,960
Speaker 1: and he's all sappy and and he sees better. It's

561
00:26:36,960 --> 00:26:39,680
Speaker 1: a miracle. And then all of a sudden he could

562
00:26:39,680 --> 00:26:42,560
Speaker 1: see and he looks at my monina and he says, oh, no,

563
00:26:43,080 --> 00:26:43,480
Speaker 1: it's on.

564
00:26:43,840 --> 00:26:45,720
Speaker 2: She hold on. She's out of the room.

565
00:26:45,960 --> 00:26:48,160
Speaker 1: Yeah, she went in the other and.

566
00:26:48,119 --> 00:26:49,920
Speaker 2: Then she comes back in the room and he goes,

567
00:26:50,000 --> 00:26:51,200
Speaker 2: oh my god, a hooker.

568
00:26:51,400 --> 00:26:53,720
Speaker 1: It's a hooker because he could see, and I.

569
00:26:54,240 --> 00:26:56,680
Speaker 2: Got that's the end of the episode right now.

570
00:26:57,200 --> 00:26:58,480
Speaker 1: Then we're in the courthouse.

571
00:26:59,040 --> 00:27:02,680
Speaker 2: Oh right, you didn't, No, no, I did. But that's

572
00:27:02,720 --> 00:27:06,120
Speaker 2: a great ending too. It's a great ending, past two

573
00:27:06,160 --> 00:27:07,120
Speaker 2: great endings.

574
00:27:07,280 --> 00:27:09,679
Speaker 1: But it's not over yet, folks. There's more.

575
00:27:09,880 --> 00:27:12,160
Speaker 2: And the way it's the third grade ending.

576
00:27:12,680 --> 00:27:15,120
Speaker 1: We're in the courthouse, and any.

577
00:27:14,920 --> 00:27:20,480
Speaker 2: Other episode that thirty three concise great.

578
00:27:20,280 --> 00:27:22,120
Speaker 1: Endings, Well, we'll have to look for it.

579
00:27:22,200 --> 00:27:24,000
Speaker 2: I mean they're all three. Yeah.

580
00:27:24,040 --> 00:27:26,800
Speaker 1: So he's in the courthouse with Marty and Cheryl and

581
00:27:26,960 --> 00:27:29,320
Speaker 1: lawyer and suits and all you have to do Larry

582
00:27:29,359 --> 00:27:31,720
Speaker 1: is tell the truth, and Larry tells how it was

583
00:27:31,760 --> 00:27:34,679
Speaker 1: his jacket and his grass, and Larry and Marty go

584
00:27:34,760 --> 00:27:38,760
Speaker 1: back and forth, and then Monina is there because she's

585
00:27:38,800 --> 00:27:42,399
Speaker 1: clearly was picked up for, you know, prostitution, and she

586
00:27:42,480 --> 00:27:46,240
Speaker 1: sees Larry. She's like, oh, mister baseball, mister oh Monina,

587
00:27:46,240 --> 00:27:48,960
Speaker 1: two hundred dollars. You said five hours and it was

588
00:27:49,000 --> 00:27:49,560
Speaker 1: seven hundred.

589
00:27:49,560 --> 00:27:52,879
Speaker 2: He's still only two hundred dollars. I want my two hundred, spiller.

590
00:27:52,800 --> 00:27:56,400
Speaker 1: And Cheryl assumes that that was his anniversary present. He says,

591
00:27:56,440 --> 00:27:59,320
Speaker 1: so this is your anniversary present. Then we go in

592
00:27:59,359 --> 00:28:01,719
Speaker 1: and we see the judge, and the judge is the

593
00:28:01,760 --> 00:28:04,440
Speaker 1: same judge that was there for the wadir for the

594
00:28:04,520 --> 00:28:08,600
Speaker 1: jury duty, and he puts his arm around Monina obviously.

595
00:28:08,160 --> 00:28:10,320
Speaker 2: Because no, no, no, no, no, hold on, hold on, hold on.

596
00:28:10,600 --> 00:28:14,040
Speaker 2: He sees the judge and then we cut.

597
00:28:13,840 --> 00:28:16,400
Speaker 1: To him in front of the judge with his arm

598
00:28:16,440 --> 00:28:20,800
Speaker 1: around Monina and talking about his father's condition. And that

599
00:28:21,000 --> 00:28:22,240
Speaker 1: is finally the end.

600
00:28:22,560 --> 00:28:24,920
Speaker 2: So here's what I want to say about the three

601
00:28:25,000 --> 00:28:29,280
Speaker 2: great endings. So often it's usually a modern filmmaking. I'd

602
00:28:29,280 --> 00:28:32,440
Speaker 2: say the last ten to fifteen years, maybe even longer,

603
00:28:32,480 --> 00:28:35,960
Speaker 2: and it's happened before that. You're watching a movie and

604
00:28:36,720 --> 00:28:40,200
Speaker 2: they'll be a logical ending, but they still keep going,

605
00:28:40,560 --> 00:28:43,280
Speaker 2: and they still keep going. Yeah, and you say, why

606
00:28:43,280 --> 00:28:47,040
Speaker 2: didn't they end there? As opposed to two other separate endings, which,

607
00:28:47,120 --> 00:28:53,360
Speaker 2: by the way, completely unnecessary, Whereas here you have three concise,

608
00:28:53,920 --> 00:28:57,400
Speaker 2: perfect endings, which I wouldn't want to give up any

609
00:28:57,440 --> 00:28:59,840
Speaker 2: one of them. And I remember watching because I have

610
00:29:00,240 --> 00:29:03,840
Speaker 2: watched it in so long, where when he says it's

611
00:29:03,840 --> 00:29:07,560
Speaker 2: a hooker, my memory was that it ended there, and

612
00:29:07,600 --> 00:29:11,840
Speaker 2: then the next one. My memory was when it ended there,

613
00:29:12,120 --> 00:29:16,479
Speaker 2: and then finally, and I didn't remember what it was

614
00:29:16,520 --> 00:29:21,280
Speaker 2: with the Judge until I saw Larry holding Kim Whitley's character,

615
00:29:21,880 --> 00:29:24,520
Speaker 2: you know, because I'd forgotten because they were all such

616
00:29:24,640 --> 00:29:27,680
Speaker 2: perfect endings, right, So I'm just saying, you don't see that.

617
00:29:28,160 --> 00:29:30,160
Speaker 1: So what do you think, Jeff, what do you think

618
00:29:30,200 --> 00:29:31,200
Speaker 1: makes this a classic?

619
00:29:31,600 --> 00:29:36,200
Speaker 2: Well? I think, first and foremost the diamond lane, because

620
00:29:36,240 --> 00:29:39,400
Speaker 2: people always want to go in the diamond lane, and

621
00:29:39,480 --> 00:29:43,200
Speaker 2: the idea of picking up a hooker to go with

622
00:29:43,280 --> 00:29:46,920
Speaker 2: him in the Diamond Lane. That alone sets it up

623
00:29:47,200 --> 00:29:50,920
Speaker 2: to be a classic. You throw in the whole festival

624
00:29:51,000 --> 00:29:54,880
Speaker 2: around it, which is jem jem Jem jim. You know,

625
00:29:54,960 --> 00:29:56,920
Speaker 2: sometimes I watch an episode it's like, oh, I didn't

626
00:29:56,920 --> 00:30:01,040
Speaker 2: really love that scene. Every single thing surround that premise

627
00:30:01,480 --> 00:30:02,800
Speaker 2: jem jem jem jam.

628
00:30:02,920 --> 00:30:06,120
Speaker 1: And it also, I think is a very great example

629
00:30:06,320 --> 00:30:09,240
Speaker 1: of the way the tie ins of an episode, like

630
00:30:09,280 --> 00:30:11,120
Speaker 1: what you were saying before you see the jacket in

631
00:30:11,160 --> 00:30:13,320
Speaker 1: the first scene, it's you know, all of that.

632
00:30:13,360 --> 00:30:15,320
Speaker 2: Well, here's what I wanted to say. I think I've

633
00:30:15,360 --> 00:30:18,360
Speaker 2: said this in earlier episodes, an early episode it may

634
00:30:18,360 --> 00:30:21,480
Speaker 2: have repeated because it's the best analogy that I've ever

635
00:30:21,520 --> 00:30:25,080
Speaker 2: come up with. And I know very few people listening,

636
00:30:25,120 --> 00:30:28,120
Speaker 2: although we do have older people who listen. I'm sixty

637
00:30:28,160 --> 00:30:31,959
Speaker 2: one older than me. But Neat Hiken, who did Bill Coo,

638
00:30:32,880 --> 00:30:36,320
Speaker 2: You'll never get Rich Bilker and car fifty four is

639
00:30:36,360 --> 00:30:39,320
Speaker 2: the only other person that ever wrote like Larry and

640
00:30:39,360 --> 00:30:42,440
Speaker 2: he's a big influence on Larry, and that is on

641
00:30:42,480 --> 00:30:45,360
Speaker 2: the Tonight Show. There used to be that guy would

642
00:30:45,400 --> 00:30:48,520
Speaker 2: come out and he'd have dominoes all set up, and

643
00:30:48,520 --> 00:30:52,120
Speaker 2: he would just click one domino and in all sorts

644
00:30:52,160 --> 00:30:54,880
Speaker 2: of directions it would curve around the difference, but it

645
00:30:54,880 --> 00:30:57,920
Speaker 2: would end at the same spot at the end. And

646
00:30:57,960 --> 00:31:02,000
Speaker 2: that's how Larry net Hike wrote, and that's how Larry wrote,

647
00:31:02,160 --> 00:31:04,720
Speaker 2: and it writes, and I've never seen anyone else do

648
00:31:04,800 --> 00:31:05,800
Speaker 2: it before or after.

649
00:31:06,120 --> 00:31:09,360
Speaker 1: And some episodes are more are better examples than others.

650
00:31:09,400 --> 00:31:12,320
Speaker 1: I think this is, but this one a perfect example

651
00:31:12,400 --> 00:31:12,760
Speaker 1: of that.

652
00:31:13,040 --> 00:31:15,760
Speaker 2: And like I said, it was such a good example

653
00:31:15,880 --> 00:31:20,440
Speaker 2: of that, you had three perfect you don't often get it. No,

654
00:31:20,680 --> 00:31:24,800
Speaker 2: this is one of my favorite episodes because of how

655
00:31:24,920 --> 00:31:25,560
Speaker 2: good it is.

656
00:31:25,880 --> 00:31:28,880
Speaker 1: And also I think that Kim Whitley, you know as

657
00:31:29,040 --> 00:31:32,800
Speaker 1: guest star in her turn, added so much to that Natcher.

658
00:31:33,040 --> 00:31:35,720
Speaker 2: But you don't know that, Like I remember back then,

659
00:31:36,120 --> 00:31:38,440
Speaker 2: I was only one of two or three people that

660
00:31:38,560 --> 00:31:42,440
Speaker 2: read the outlines. Now the past not quite a few seasons,

661
00:31:42,480 --> 00:31:45,360
Speaker 2: you've read the outlines as they come out, and I

662
00:31:45,400 --> 00:31:51,000
Speaker 2: remember thinking, uh, what I imagined wasn't nearly as good

663
00:31:51,040 --> 00:31:52,280
Speaker 2: as what Kim Whitley did.

664
00:31:52,360 --> 00:31:54,600
Speaker 1: That's my point that, well, that's that shows a great

665
00:31:54,600 --> 00:31:59,800
Speaker 1: actress that's that ran with it and makes something out

666
00:31:59,840 --> 00:32:02,560
Speaker 1: of it, and she created the character. I mean, what

667
00:32:02,640 --> 00:32:06,320
Speaker 1: she was given was a hooker who's but she created

668
00:32:06,360 --> 00:32:07,120
Speaker 1: the whole thing.

669
00:32:07,080 --> 00:32:11,560
Speaker 2: And Porgey, what a subtle, great performance, you know.

670
00:32:11,720 --> 00:32:14,280
Speaker 1: I agree. I do think that one of the keys

671
00:32:14,400 --> 00:32:18,520
Speaker 1: to this show is how well cast all these little

672
00:32:18,600 --> 00:32:21,480
Speaker 1: characters are. The Whoregey just one quick little scene, but

673
00:32:21,600 --> 00:32:22,600
Speaker 1: perfectly cast.

674
00:32:22,840 --> 00:32:25,800
Speaker 2: I have to say that that's Larry and that's me

675
00:32:26,440 --> 00:32:30,600
Speaker 2: because I completely agree with him, and I'm on top

676
00:32:30,640 --> 00:32:33,480
Speaker 2: of it with him that most of the years, because

677
00:32:33,520 --> 00:32:37,200
Speaker 2: I stopped casting once COVID came along.

678
00:32:37,280 --> 00:32:39,760
Speaker 1: Well, then then we're casting through zoom and it's yes.

679
00:32:39,840 --> 00:32:42,840
Speaker 2: But also I said to Larry and Jeff Schaeffer, the

680
00:32:42,920 --> 00:32:46,000
Speaker 2: other producer and director, I go, why you have another

681
00:32:46,120 --> 00:32:49,680
Speaker 2: voice via zoom? I don't get a sense via zoom

682
00:32:49,840 --> 00:32:51,800
Speaker 2: what's going on? So I bowed out.

683
00:32:52,000 --> 00:32:54,320
Speaker 1: I also think that we suffered a bit in the

684
00:32:54,440 --> 00:32:58,520
Speaker 1: zoom casting. There have been yes, yes, a couple of

685
00:32:58,520 --> 00:33:00,800
Speaker 1: things that didn't you know that would have happened if

686
00:33:00,840 --> 00:33:01,560
Speaker 1: it was in person.

687
00:33:01,640 --> 00:33:05,200
Speaker 2: Kiss But by the way, there's nothing like seeing an

688
00:33:05,240 --> 00:33:06,280
Speaker 2: audition in person.

689
00:33:06,640 --> 00:33:11,680
Speaker 1: And Larry so everybody knows when casting. Larry used to

690
00:33:11,880 --> 00:33:15,200
Speaker 1: not anymore because it's all virtual, but he used to

691
00:33:15,520 --> 00:33:18,360
Speaker 1: do the scene, improvise the scene with people so he

692
00:33:18,360 --> 00:33:19,880
Speaker 1: could really them.

693
00:33:19,920 --> 00:33:23,760
Speaker 2: By the way, starting in like I think season three

694
00:33:23,880 --> 00:33:27,160
Speaker 2: or four, she sat in on the casting so you

695
00:33:27,160 --> 00:33:31,280
Speaker 2: could conceivingly be doing a scene with myself, Larry Sheryl

696
00:33:31,320 --> 00:33:34,800
Speaker 2: and myself, which has to be weird. If you dig

697
00:33:34,880 --> 00:33:35,520
Speaker 2: the show.

698
00:33:35,400 --> 00:33:37,880
Speaker 1: You get a better sense of how this but.

699
00:33:38,000 --> 00:33:42,200
Speaker 2: How intimidating for it. I've never auditioned for something where

700
00:33:42,240 --> 00:33:45,920
Speaker 2: I'm auditioning with the stars of it, but screen tests

701
00:33:45,920 --> 00:33:48,360
Speaker 2: and stuff you do. But I want it. There's a story.

702
00:33:48,560 --> 00:33:51,240
Speaker 2: It was the movie with Alec Ball when it Kim Passenger.

703
00:33:51,320 --> 00:33:54,520
Speaker 2: I think they met on this and it was The

704
00:33:54,560 --> 00:33:55,680
Speaker 2: Married Man.

705
00:33:55,560 --> 00:33:57,000
Speaker 1: Or something something like that.

706
00:33:57,080 --> 00:33:59,600
Speaker 2: Yeah, yeah, I auditioned for it to be one of

707
00:33:59,640 --> 00:34:03,520
Speaker 2: his past else well, the guy who read with me

708
00:34:04,120 --> 00:34:07,520
Speaker 2: and knew the stuff was blowing me off screen in

709
00:34:07,600 --> 00:34:11,399
Speaker 2: the audition, like was so I'm not gonna be here

710
00:34:11,440 --> 00:34:13,840
Speaker 2: to support you, I'm here to blow you out. He

711
00:34:13,920 --> 00:34:16,839
Speaker 2: actually ended up getting the part, you know, Yeah, no,

712
00:34:16,960 --> 00:34:19,280
Speaker 2: it's not I ended up. He's a nice guy. Actually

713
00:34:19,360 --> 00:34:20,399
Speaker 2: ended up later.

714
00:34:20,680 --> 00:34:22,640
Speaker 1: You've gotten a lot of good parts, so I'm not

715
00:34:22,680 --> 00:34:23,440
Speaker 1: that concerned.

716
00:34:24,520 --> 00:34:26,560
Speaker 2: You know what, that is that statement. That's a wrap

717
00:34:26,640 --> 00:34:30,200
Speaker 2: up statement. I don't know what it was.

718
00:34:30,480 --> 00:34:32,520
Speaker 1: My battery is about to go, so I got.

719
00:34:32,360 --> 00:34:36,120
Speaker 2: It, okay, And thank you for doing this with you

720
00:34:36,160 --> 00:34:39,320
Speaker 2: next time, and thank you everyone for listening. It's an honor.

721
00:34:48,800 --> 00:34:51,200
Speaker 1: The history of Curb Your Enthusiasm is a production of

722
00:34:51,280 --> 00:34:55,120
Speaker 1: iHeart Radio. For more podcasts from iHeart Radio, visit the

723
00:34:55,160 --> 00:34:58,440
Speaker 1: iHeart Radio app, Apple Podcasts, or wherever you listen to

724
00:34:58,480 --> 00:34:59,360
Speaker 1: your favorite shows.

725
00:35:00,840 --> 00:35:04,959
Speaker 6: He can do three